All language subtitles for Forever Knight s02e17 Amateur Night.eng

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[�]

[KIDS LAUGHING, CHATTERING]

MAN:
C'mon, what do you want? It's your ball.

[KIDS LAUGHING]

Well, look at you.

Subtitles downloaded from www.OpenSubtitles.org

MAN 2:
Hey, come on, get down!

[CHILD SCREAMS]

[PEOPLE SHOUTING]

[CHILDREN SHRIEKING]

[TIRES SQUEALING]

[ENGINE REVVING]

[CAR PULLING AWAY]

[SIREN WAILING IN DISTANCE]

WOMAN:
Help me, somebody!

Please!

Help me, please, someone!

Help me, please!

Please!

[CRYING]

Oh, God, no!

[�]

NARRATOR:
He was brought across in 1228.

Preyed on humans
for their blood.

Now, he wants
to be mortal again...

To repay society
for his sins...

To emerge from
his world of darkness...

From his endless forever night.

[GROWLS]

KNIGHT:
Yeah, Shanice Cornell.

I just read about it.

What do we have?

COHEN [ON PHONE]:
Nothing much.

No IDs.
The car was stolen.

Shanice was only 6, Nick.
Just playing outside,

jumping rope.

My daughter jumps rope.

What's the thinking?
Turf war?

As Schanke might say,

just the usual rattling
of spray paint cans.

Bottom line is
either a turf war

or a settling of accounts
that's gonna lead to one.

Well, it's too bad
Schanke's not around.

Some of these gangs operate
out of his old neighborhood.

They know him.

Well, he's not here, is he?

I want you on the team
to nail the shooter, Nick,

before this thing escalates.

Sure, captain.

Have a nice day.

[CLICK, DIAL TONE]

[�]

[BELL DINGS,
DOOR SLIDES OPEN]

Hi.

Hi.

Problem?

No. No, no. No.

I just finished the autopsy
on Shanice Cornell.

I don't really know

why I came here,
I just, uh--

Nat, it's okay.
Sit down.

Come on.

One round
from a 9 mm.

She died instantly.

And she was just a--

A little thing,
you know, Nick?

One gun. One killer.

You're sure?

Nat?

That's the third kid under 12

to die in a drive-by
in the last six months.

That stuff never used
to happen around here.

Yeah, I know.
I mean,

these killers are just
children themselves.

Now we have 8-year-old
gang members killing each other.

They have absolutely no concept

of what it means
to destroy life.

They have
no concept of life.

And that's got
to be our fault.

H-how did we forget
to teach them about that?

I know.

I know.

That's just the way
things are.

Live with it.

So...

are you gonna
go after the killer?

Of course.

What about Schank?

Well, there's nothing
I can do about that.

Do you think he's
gonna be okay?

I have no idea.

[�]

That's pure
grade-A stuff, my man.

That stuff gets you
higher than a kite,

happier than a puppy
on a pork chop.

It's pure, Jones.

No client can
get you better.

Keep cool,
my man.

Freeze, scumbags!

Is that a kilo in your pocket
or are you just glad to see me?

Yo!

You're not gonna
take me alive!

Have it your way.
Say your prayers!

Cut, cut, cut, cut,
cut, cut, cut.

Cut!

Come on, Trevor.
I'm-- I'm sorry.

It-- It-- It's just that
her gun, it's-- It's a...

It's a pearl-handled howitzer,
for crying out loud.

I mean, no cop would
ever use one of those.

That is a problem,
isn't it?

Listen...

officer.

Detective Schanke.

Don Schanke, we've met.

You're here to...

consult...

not to disrupt
my movie

and push me
into overtime.

You yell cut again,

I'll have you
thrown off my set.

What's happening,
Trevor?

Oh, no problem,
Alix.

We just had a--

A train
over your dialogue.

I didn't hear a train.

Well, it wasn't
very big.

All right, everybody,
back to one.

He's a great director.

Um, I'm-- I'm sorry.
I didn't mean to be

the cause of any
trouble here, it's...

And I would never,
ever presume

to tell you how
to do your job.

It's just that
I thought you wanted

everything
to be authentic.

What, and
this isn't?

Well...

since you're
asking, uh...

in a word, no.

I mean, there's too much
gunplay, for one thing.

An important part
of police work

is the prevention
of violence.

Officers are
trained to...

head off
precarious situations.

Anything else,

officer?

Well, now that
you're asking,

the, uh...

the dialogue's not quite
in the ballpark.

I mean, it sounds like
it was written by

a white guy in the suburbs.
Well, what would you say?

Well, I wouldn't have
let the situation

get that far
out of hand.

But if I did,

I-I would, uh,
convince the perp

to lay down his arm
and surrender.

[SCOFFS]

Well, that's not
very dramatic, is it?

I know an instance
where there was one time--

Trevor, we had
an understanding.

I said I wanted real.

I want street.

You approved
the script, Alix.

A-a-and you
were right.

The script's great.
I love the script.

But, you know, who really
cares about the words?

I mean, it's action that
puts people in the seats.

I put people

in the seats, Trevor.

Well, yeah,
of course you do,

but the action's
just there for support.

It's totally secondary.

Listen, nobody is
gonna demand their money back

because her gun
isn't standard issue.

Nobody cares.

They're watching
Alix.

Well, that's true,
Trevor,

but it's not
entirely the point.

Now if Officer Shanky
wants--

Schanke.

If John Schanke--
Don Schanke.

That's with a "D."
Whatever!

If he says it's not real,
I want it changed.

Alix.

I've got five more pages
to shoot

before I lose my l--

We'll sit down
with, um...

With the detective.

The detective,
tonight.

And we'll make
all the fixes you want.

Trevor...

we do the
movie right,

or I'm not in it.

Now, I want real.
I want grit.

And I just had
a terrific idea about that.

SCHANKE:
Nick, Nick. I am telling you, she won't come back

unless she gets
a taste of real police work.

Well, that's why
they pay you the big bucks.

Technically,
I'm on vacation.

Okay, so
I'm moonlighting.

But, uh, I don't have
a case or anything.

Well, talk to Cohen.

Maybe she'll let Alix
work traffic for a shift.

Traffic!

Yeah, I can
just see it,

Alix Logan starring in
Parking Meter, the movie.

Oh...

You're working
that drive-by thing, right?

Yeah, we've put
a team together on it.

[SHUTS DRAWER]

No way.

Come on, Nick!

Schank, she's an actress.

Actor.
It's the 90s.

Actor, actress,
one-man band...

what's the difference?

She is not trained
in police work.

She's an amateur.

MAN:
You're making a big mistake, man!

Come on.
Settle down!

[PEOPLE SHOUTING]

MAN:
As far as I'm concerned,

you're an amateur.

Sure, you've got
a few citations

for bravery
back in Edinburgh.

And an impressive r�sum�

for someone your age.
Thank you, sir.

But it doesn't mean squat
here in Chicago.

In my mind, you're
a liability out there.

All of my recruits
go through the academy.

[WITH SCOTTISH ACCENT]
You might want to reconsider, sir...

in view of the fact that I've
passed all my proficiency tests.

[HEART BEATING]

But in your case...

seeing as you passed
all the proficiency tests,

I'll put the
paperwork through.

Should take
about a month.

Actually...

I was hoping
I could start tomorrow.

To hell with the red tape.

Stop by first thing
in the morning.

We'll get you started.

If you don't
mind, sir...

I prefer working
the night shift.

You want the graveyard?

[CHUCKLES]

Usually I have to break
a few kneecaps

to get that shift filled.

It's yours.

Thank you, sir.

SCHANKE:
Just for a few days, Nick.

We give Alix
a little taste.

She's happy.

And I look like
a hero.

Talk to Cohen.

Cohen! She'd
rip off my head

and punt with it,
you know that.

Come on, this is
a partner thing, huh?

You know you could
use my help.

We'll be the team.

I know that look.
You'll do it, huh?

One short ride, you won't even
know she's in the car.

You're pushing it.
Pushing?

I'm begging.

Ah, you know the gangs
better than I do.

You won't regret this.

Years from now
you'll look back on it--

You're right,
I'm pushing it.

Thanks, Nick.
Thanks.

Great, yes!

[�]

LOGAN:
How long are we gonna wait?

Well,
what if they don't show?

They'll be here.

So where are your other men?
Up on the rooftops?

Other men?

You know, backup?

You mean we're all alone?

Miss Logan,
you don't call for backup

unless you're sure
you really need it.

I mean, cops don't
appreciate false alarms.

They got better
things to do.

But, what if these gang members
start shooting at us?

Miss Logan...

Oh, Alix, please.

Miss Logan,
the gangs understand

that if they started a war
with the police

they'd lose.

But we are prepared
for any eventuality

aren't we, Nick?

It could get hairy.

I mean, there was this one time
we had a couple of mob goons.

One of them almost flipped out,
but cooler heads prevailed.

Yeah, yeah, right, okay.

What about you,
Detective Knight?

What about me?
I want to get inside your head,

see what
you see,

know what
you know.

MAN:
I don't know anything about Edinburgh

but it's different in the city
of Chicago, my friend.

As my new partner
you'll be expected

to learn quickly
and correctly.

KNIGHT:
I will, sir.

CZAJKOWSKI:
That's very good news.

So tell me, rook...

what is the most
valuable weapon

we have
on the streets?

Is it this, sir?

This?

This piece of
antiquated machinery?

The rook doesn't seem
to know the answer, captain.

Are you certain
he knows anything?

You'll have to find out
the hard way, Czajkowski.

The most important weapon we
have on the streets, young man,

are these.

Our eyes.

First line
of defense.

Every car that passes you by
on the beat is a story.

Its driver is a story
within a story.

Every pedestrian
has a secret.

Now, the trick
is to know

when the stories
and the secrets

could give you
a problem.

So let's get
to the job at hand

and, uh, see what
we can see.

I assume you went
to college.

Of course, sir.

Well, I guess

we'll just have to work
around that, eh?

It's difficult
to quantify what we do,

Miss Logan.

You can't possibly
understand all the nuances

after just a few hours
on the job.

[�]

They're here.

Where?

Stay in the car.

Schanke, what's up?

Moving up in the world,
eh, G-Roc?

[G-ROC LAUGHS]

Like that. Moving up.

You know as well as me
there's no up,

just everywhere
the same.

KNIGHT:
What can you tell us about the drive-by on River?

That was a scandal.
We didn't do that.

You know us,
Schanke.

We don't like guns.

We don't need no guns.

SCHANKE:
Oh right, yeah.

You're from the kung fu,
tae kwon do,

shuck and jive school,
right?

[CAR DOOR OPENS]

Who's the babe?

Get back.

Nobody.

Hey.

I know her!

In the movies!

She's that movie cop
with the big...

Be nice.

G-ROC:
Alix Logan, right?

Hey, you her?

Come on.

Now, what would
a movie star

be doing hanging
with yutzes like us?

She's a trainee
from the academy.

So?

It's a B-Dog thing.

But you didn't
hear it from me.

[GUNFIRE]

[SIREN WAILING]

[HORN HONKING]

SCHANKE:
Oh.

That was great!

He's terrific.

You're terrific!

[ALIX LAUGHS]

Ah!

What the hell's
wrong with you?

I ought to pull your badges
for a stunt like that.

She had no business
riding with you.

See, captain,
we had set up this meeting--

What is this "we"?
You're on vacation.

I knew Nick was working
the drive-by and I thought--

You thought
you'd get cozy

with one of
the rich and famous.

Can you imagine where we'd be
if she'd been hurt or killed?

It was a routine meeting,
captain.

I didn't anticipate
any problems.

Didn't we talk about the
likelihood of retaliatory raids?

Yes.

I feel like I'm bawling out
a couple of rookies here.

You should
know better.

Did you actually manage
to do any investigative work?

Well, nobody's claiming
responsibility for the drive-by.

They all suspect each other.

So basically, you're nowhere.

I want the actress

back on the set
where she belongs.

And you, go to the
beach or something.

Captain, actually it would
be helpful for me

if Schank was with me.

Well, I do know a few people,
but Nick can handle it.

You really need him?

I got seven
vacation days left.

Bank 'em for later.

B-but they need me.

On the set.

[SIGHS]

You really had to go

and open your big mouth,
didn't you?

You have the contacts.

What am I gonna
tell Alix?

She's already seen
a real police gunfight

and a real
police car chase.

School's out.

[MUTTERS SOFTLY]

CZAJKOWSKI:
The beat is where the real police work is done.

Every crime in the making
has its marker.

Car where
it shouldn't be.

Man in a cheap suit
with $100 shoes.

Now, our job is
to notice and act

before there's a need
to call down to Homicide.

Are you listening?

Yes.

Ah, but
are you hearing?

[CLATTERING]

Busboy mucking around
with the garbage.

What's wrong
with that picture?

He's doing his job.

CZAJKOWSKI:
Is he?

Do you like garbage, Nick?

Does anyone?

And a busboy's knee-deep
in it all day.

The last thing he wants
to do is linger.

No, he fills up
his garbage can

comes outside and
puts it in the bin

before you can breathe.

But he's in no hurry.

So you ask
yourself why.

Maybe he's waiting
for someone.

He's a look-out.

A robbery in progress.

You keep tabs on him.

Don't make
an issue of it

till I get to
a call box for backup.

[WHISPERING]
Okay, all right. Come on. Come on.

Police!

[YELLS]

Nick!

[�]

[SIRENS WAILING IN DISTANCE]

KNIGHT:
Well, and to what do I owe the pleasure of this visit?

LOGAN:
To make nice.

Schanke told me that the captain
came down rather hard on you.

We'll live.

And I also came to thank you.
I learned a lot.

Well, if you listened to
Schanke, you'd learn a lot more.

But you're
the man of action.

The other night was...
A thrill.

Unusual.

That's the first high-speed
chase we've had since...

I can't remember when.

It just doesn't happen
that often.

Why do you keep saying that
like you're apologizing?

I'm not.

You expect levels
of action and violence

that just aren't real.

Look, I'm tired of doing
mediocre action pictures

that the critics trash.

I want to do
something important,

something
to be proud of.

I take my work very seriously,
just like you.

Then why don't you take
Schanke seriously?

He's a real cop.

[�]

Lecroy, internal affairs.

You must be
constable Knight.

Absolutely, sir.

Nicholas Knight.

What are you doing here?

Oh, the usual,
making your life a living hell.

It already is.

You say that as if
it's a bad thing.

I'm responsible for nearly
having my partner killed.

He may yet die.

Oh, thanks.

Oh, Nicholas,

he's only a mortal.

And it's not really your fault.

It was a rookie mistake.

It was a mistake I would not
have made had I more training.

If I wasn't a vampire
we both would have been killed.

But, my dear boy,
you are a vampire.

That's the whole point.
You do not need to go through

the rigmarole
of schooling and training

and whatever.

You are a superior creature.

Perhaps.

But I'm out of my element.

My dear boy,
you don't have an element.

You're not one of them.

Their rules

do not apply.

And the longer it takes you
to realize that,

the longer your life
will remain the living hell

that it already is.

LOGAN:
You know,

I'm sorry that I come off
like such a pain in the ass,

but this is
important to me.

This isn't about you.

It isn't a field trip,
it is a murder investigation.

I know what it is
and what it's about,

and, frankly, it doesn't
matter what you think,

or Schanke or Cohen.
The fact is,

my movie is bringing in
a lot of money into this town.

There's a lot of film money
in this town right now.

The mayor is
very appreciative,

and a big fan.

Oh, so you've been
speaking to the mayor?

I told you,
this is important to me.

You'll be ordered
to extend me every courtesy

and you damn well
better do just that.

[�]

[SIREN WAILS]

SCHANKE:
Okay, Keys. What's the word on the street?

Smoking that kid was a mistake.
Nobody called that number.

People are kind of jumpy
right now.

Tell me who did it, Keys,
and we'll take care of it.

That's what everybody wants,
isn't it, peace?

I just need a name.

You could just let it alone.

[CHUCKLING]

The B-Dogs are howling, man.

It happened
on their turf.

The boys are crawling
all over each other

trying to find the shooter.
I can't let it alone.

You know that.

It was a renegade, Schanke.

A renegade thing.

Good morning.

Nice piece.

Hey.

[SCHANKE SIGHS]

Okay, why do you say
it was a renegade thing?

None of the protectors
called for it.

And now they're
on a code red.

Well, we know that.

We also know that
the B-Dogs retaliated.

I was there myself.

I almost got
my kishke shot off.

A name!

That's all we need,
and everyone will rest easy.

We take care
of our own business.

[PAPER RUSTLING]

Thanks.

Yeah.

Look, Schanke.

If we knew
who the shooter was,

the matter would be
taken care of by now.

So you know
the fuse is burning.

Yeah, thanks.

That's it? You're just
gonna let him walk?

Alix, what are
you doing in here?

If Cohen sees you,
I'm a dead man.

Oh, relax,
she can't touch me.

Or you.
What are you talking about?

The mayor is a big fan.

And he has assured me
that I will have

full department cooperation.

You talked to the mayor?

Mm-hmm.

[CHUCKLING]

Great!

Oh, now I am in it deep.

It's no big deal, Don.

So come on,
who was that guy?

My gang informant.

I can't believe
you went over Cohen's head!

I had no choice.

If she gives you any
trouble, I'll fix it.

That's what I'm afraid of.

So you and this guy
get along?

I've been running him
a few years.

We've developed a certain level
of trust. I like the guy.

And that's essential
to get the information?

[SCOFFS]
Yeah.

Okay.

Well, what is a, um,
"protector"

and a "code red"?

A "protector"... Well, the gangs
say they defend their territory

and "code red" is a command
within the gangs

to take care of a problem
within the ranks.

Ah.

You're mad at me,
aren't you?

No.

I'm just...a little tired.

Schanke, office, now.

I wonder if the condemned man
gets a last meal.

Aww.

[SPEAKING INDISTINCTLY]

Hey, what's up?
Not much.

Oh, thanks.

For you,
half-price.

Oh, ain't you sweet?

Yo, man,
take care of this for me?

Sure.

Boo!
Aaah!

You best be taking

a refresher course
in surveillance, woman,

'cause you ain't
making the grade.

Schanke, man, what
are you thinking?

Yeah, well,

Detective Schanke
might have believed

your Oscar-winning
performance back there,

but I didn't.

You know who
pulled the trigger.

Look, you get your ass back
to the barn where it belongs.

And you tell Schanke he can find
another mouth on the street.

No, no.
Hey, Keys, come on.

Don't get all bent
out of shape.

No, we trust you.
It's just that, you know,

we're getting a lot of heat
from downtown.

But, you know, let's just go
with what Schanke said.

Let's chill this out. You know.
Uh-huh.

You want something more?

Yeah, we do.

Something you can take
to the bank?

Yeah, it's got to be
something I can cash.

[SIGHS]

All right,
I'll tell you what.

You meet me here this evening
at 6:00, right?

I'll deliver the man,
all wrapped up to you

like a Christmas present.

Oh, terrific.

I knew we could
count on you.

Thanks.

Hey,
don't mention it.

Dumb.

Here's the report
on Shanice Cornell.

Not much help to you,
I'm afraid, but I--

You look really
bagged, Schank.

Oh, I am.

But either we solve
this thing soon,

or we got a major
gang war on our hands.

You really will have to get
some sleep, you know.

I'll knock off when Nick
comes in, all right?

So, what's she like?

Alix Logan! Come on.

I just-- I just
think she's great.

Maybe, um...
Maybe you could introduce us?

Oh, I don't know.

Alix and I are on a pretty
tight schedule now.

"Alix and I."

My, my, my, my,
my, my, my, my.

Believe me,
it's nothing like that.

Uh, here comes
Nancy Drew now.

I got him.

You got who?

The shooter.

LAMBERT:
I-- I think I'll just leave you two alone.

Schanke, I happened to
run into our informant

after I left here today,

and we got to talking
and--

Wait, wait, wait.
You ran into him?

All right, I tailed him. Okay.

But the fact is
he did know something.

Now, it took persuading,
but he has promised to meet me

at 6:00 in the alley
to deliver the killer.

Uh...shooter.

How does she
know about Keys?

Okay, I had him in here,
captain, but I didn't tell her.

Miss Logan,

extending every courtesy does
not give you carte blanche

to interfere with
official police business.

I could have you arrested for
obstruction of an investigation,

as well as harassment
of a potential witness.

And my lawyers would be all over
you in a heartbeat, captain.

So cut the officious crap.
No!

I followed a hunch and I got
something you didn't.

Now, why don't we just
play it out?

Take someone with you
and escort

Miss Logan
to this meeting.

And I mean every
step of the way.

Report back here immediately.

Right, captain.

[DOOR CLOSES]

[CHUCKLING]

Okay, did he ask you
to meet him here?

ALIX:
That's what he said.

Double round the other end.
You got it.

Okay, did he ask you
to bring any money?

No.

Man, he was
yanking your chain!

Why do you say that?

The only reason he gives you
anything is for the money.

No money,
no shooter, no Keys.

It's that simple.

[�]

Alix?
Oh!

Alix?

Oh, my God. Keys.

Thank you.

Forensics found
half a dozen shells.

Only two hit him.

The shooter wasn't
what you call

a good shot.

Sounds like the guy
who killed the Cornell girl.

His fee.

This is not your fault.

Well, then who else's,
captain?

He was my snitch.

But you didn't lead
the killer to him, Schanke.

It's the truth,
and she knows it.

And by the way,
detective,

I don't want
to see her face again.

I didn't want
this to happen.

No one said you did.

I just...
I thought he knew

more than he was telling.

He seemed like--

Like someone
in a movie?

Alix, there's
no writer here.

There are no actors,

no sweetness and light,
happy, mushy endings.

Even when you know
what you're doing.

I just...

I wanted to know
what it was like, you know?

I wanted to feel it.

I wanted to get into
the character, be a cop.

Be a cop.

You know, I spent two years
at the academy,

seven years
on the beat

and five years
in Homicide

before I knew
what I was doing.

You know, Alix, you cannot
presume to know what goes on

inside in our heads
until you have lived our life.

I killed that man,

didn't I?

How do you live with it?

Barely.

Believe me,
a lot of cops can't.

They tailspin
into broken marriages,

bouts with the bottle.

They go on the take.

This job, it changes us.

It sets us apart.

You know, the true policemen,

the ones that really
make it through?

They never stop learning.

They never forget
why they became a cop,

which is to effect some change,
to do some good.

But...

Keys is dead
because of me

and my stupid movie.

It's not a stupid movie,
not if you...

help people understand
what we do.

Listen,
I'll have someone take you

back to the hotel.

No, thanks.

I think I'd rather walk.

Alix...

The killer
probably saw you with Keys.

It's best that
someone takes you.

Billy.

Yeah.

Could you take her
to the hotel?

And make sure she doesn't
leave her room.

Oh, and Alix...

I think it's a good idea

if you stay away
from the precinct.

Here you go,
ma'am.

[�]

KNIGHT:
Hmm, you don't look so good.

I don't feel
so good, either.

Stop blaming yourself,
Schank.

It's not your fault.
Oh, it is.

Alix really
turned my head.

I was so focused on trying

to look good
in her eyes, that...

You know,
when I was a kid,

my dad took us
to California for the summer.

Everything in Hollywood
was larger than life.

I must have stood in Jimmy
Cagney's footprints for an hour

just doing bad impressions.

I loved it all.

I wanted to be part of it
and Alix was my chance.

We all get
our heads turned.

I let you turn mine.

Yeah, but you knew better.

I'm not part of her world.
I never could be.

Why don't you go home,
get some shuteye. Hm?

I'll track the canvass teams
in the alley.

They might turn
something up.

Just got a call. Alix Logan
has disappeared from the hotel.

Is there any way to take
caffeine intravenously?

[�]

[SNIFFLING]

[GLASS SHATTERS]

SCHANKE:
Okay, okay, if you hear anything,

just get back to me, pronto.

Damn, I've tried her agent,
her manager, her lawyer,

her personal assistant,

her personal assistant's
personal assistant--

How about somebody

connected to
the film itself?

Yeah, I'll try
the assistant director.

He seems to know everything
that's going on, anyway.

Who's there?

Yeah, Carl. Don Schanke.
I need to find Alix.

No, no, she shook our man
at the hotel.

Where could she be?

Okay, yeah, great.

What's the number?

Thanks.

What did he say?

He suggests we try
the one place in the world

where she finds
true peace and happiness.

Her dressing room
at the studio.

[�]

Is there somebody there?

Oh!

Uh...

This is a closed set.

You'll have to leave.

I'm gonna have
to call the cops.

You are the cops.

I thought at least
a security guard would pick up.

Well, we'll go
to the studio.

Let's hope
she's there.

Let's pray
she's there.

No, look, I'm not
who you think I am.

I'm an actress.

You've probably
seen my movies.

Seen Arnold,

seen Wesley, never seen you.

I'm Alix Logan.

And I'm Julia Roberts.

What were you doing
with Keys?

I-- I was-- I--

I was just...
getting into my role.

Yeah, right!

Your--

Your boy Keys, he had
a big mouth! He had to go!

It was either him or me!

Ah! Turn 'em off!

[FIRES GUN]

Hey! Hey!

[BRAKES SCREECH]

Nick. Nick, that light
wouldn't be on

unless film was rolling
and I know for a fact

they're not
shooting tonight.

She's in trouble.

It's locked.

Stand back.

[WOOD CRASHES ON FLOOR]

[YELLING]
[SCREAMING]

Where you going, cop?
Huh?

Huh?

SCHANKE:
Freeze, police!

Back off or she's dead!

I know you.

You know squat!

You're a B-Dog.

They ragged on me, man.

Said I wasn't ready.

You weren't ready?
Oh, I wonder why.

What? You're too young,
too green?

Not tough enough to be a B-Dog?

[LAUGHS]

Yeah.

SCHANKE:
I thought so.

So you staged
a little demonstration?

To show them you had the stuff?
What it takes?!

Damn straight, I do!

So you killed
a 6-year-old girl

to prove it!

That wasn't
supposed to happen!

Yeah, well, that's what
did happen, man!

Your first taste of blood.
Did you feel like a god?

Invincible?
Shut up!

Did you feel like
the toughest guy in the world

when you slaughtered
little Shanice Cornell

when she was
skipping rope?

Shut up!

Tell me you feel awful
about what you have done.

Oh, but you can't.

Because you're a tough guy.

I didn't mean to.

I didn't...mean...

to!

I didn't mean to.

I didn't--

The girl got in the way!

[CRYING]

Shouldn't have.

I just wanted to
show them who I was.

I was trying to show them
who I was, that's all.

Who I was.

Now...

Now everybody knows.

Good work, partner.

Thanks.

KNIGHT:
Go home and get some sleep.

SCHANKE:
Yeah, right, sleep.

Not with this pulse rate.

KNIGHT:
I'll take care of it.

Thanks.
Come on.

[COUGHS]

You okay?

I don't know.

I thought you said happy endings
only happen in the movies.

Well, I don't think
Shanice Cornell's family

thinks this
is a happy ending.

Yeah.

Come on.

[KNOCK AT DOOR]

Did you hear
from the hospital?

Czajkowski got out of surgery

a half hour ago.

He'll be fine.

I put you in

for a citation.

He'd have been dead
if it weren't for you.

Captain...

I've been thinking
about what you said before.

I really should go
through the academy.

What?

You were right, sir.

Chicago's much different
from Edinburgh.

We're talking medal

and you want
to go back to school?

No, sir. I have to.

There's a lot, um...

Well, sir, there's a lot
I've got to learn.

[�]

It's good stuff, man.

Don't worry.

Come on, my money.

Freeze, police!

Very carefully now,

hands on top of the head.

Hands on top of the head, now!

Do it!

O'Grady?

Uh, what's my line?

Cut, cut, cut!

[�]

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