All language subtitles for the.lazarus.project.s02e02.1080p.web.h264-nhtfs_track3_[eng]

- [supersonic light explosion]
- [Wes] You’re stuck

in an infinite time loop
of three weeks.

Welcome to the Lazarus Project, Sarah.

- [gunshots]
- What exactly can you tell us
about the Time Break Initiative?

[Zhang] My guess is,
they're trying to build
their own time machine.

If we wanted to build
a time machine of our own
to fix its loop?

[Zhang] I’d start
with finding these guys.

They’re scientists.
We think they built the machine

that caused
the second singularity.

So you find them...

- [boxes crash]
- [both grunting]

Just tell me
where Dr. Wheeler is!

- ...they build you a machine...
- We go back past the checkpoint,

before the second
singularity was created,

stop it, rescue Janet.

Cancel the loop, everyone lives
happily ever after.

- [Sarah] We found Dr. Samson.
- [Rebrov] Where?

- [Shiv] Swiss Alps.
- [door crashes open]

- Are you here to kill me?
- Keep you alive, actually.

- Okay, get down on the ground.
- [Samson] What about you?

- [Rebrov] I didn’t come
to hide in a cupboard.
- [glass smashes]

- [gunshot]
- [thud]
- [explosion]

[Rebrov] Just drive!

I’ve got him.

Thank God.
- The Time Break Scientists

They're all connected
to this woman, Dr. Kitty Gray.

Wes already knows about her.
Why wouldn't she mention that?

- So yeah, what do we do?
- Nothing, not until we're sure
what we're dealing with.

[dramatic music]

- [electronic interference]
- [implosion]

[Wes] Why don’t I start
with who we are.

We are the Lazarus Project,
a top secret organisation.

When did you get your mugs made?

Uh...

Um, uh Christmas present.

An overenthusiastic secretary.

I already know who you are.

The Time Break Initiative
knew all about you.

We, um, modified
some of our early equipment
based on your satellite tech.

Interesting.
So you know what we do, then?

Rudimentary
time loop manipulation.

You can switch back
to checkpoint days.
Reset every solar cycle.

It’s uh, it’s impressive.

And, um,
I understand that you use that
to undo bad things happening.

Extinction-level events, yes.
Like the one you caused.

Right.

- And there’s lots of them,
are there?
- More than you’d think.

- You say we’re in a loop?
- Yes.

1st of July to the 21st of July.

For how long?

- Over two years.
- We created
a second singularity.

- Yes.
- We destroyed the world.
- Yes.

I think I’m gonna be sick.

- [clears throat]
- Thank you.

- [gasps]
- [sniffles]

I didn’t know it would happen.
We, um... We moved too fast.

The night
the fire destroyed the lab.

We were rushed to an air strip

and put on a plane.

- Where were you?
- At a casino. Where were you?
- I was asleep. Obviously.

Dragged me out of bed.
I thought I was gonna be shot.

We were taken to the facility
in Switzerland.

I'd never even heard
of the Time break Initiative
at that point,

but now they became
my whole world.

And Robin Lerner was the man
in charge of that world.

This is going to be
your new workplace from now on.

We lost a lot in the fire.
We lost hard drives,

we lost blueprints,
we lost equipment,
research and, of course,

we lost Dr. Gray.
But we didn’t lose you.

And you are gonna
continue her work here,

with all the money,
equipment and manpower you need.

Together, we will finish
what Dr. Gray started.
It’s her legacy.

And it’ll be your life’s work.

[exhilarating music]

It was strange at first,
living at the facility.

But there was so much to do,
and progress was fast.

Within a few years,
we were ready

for our first
live test subject.

[dramatic music]

[clicking]

[powering up]

[missile soars]

[missile soars]

[light-speed passes]

[light explosion]

[calm]

[footsteps]

[all cough]

Look.

[eerie music]

Decomposition levels
in line with predicted date
of death.

Oh, my God.

It works.

It actually works!

We need something bigger.

After our first success,
we thought only
of going forwards.

Of reaching for greater,
more dangerous goals.

[typing]

Cylinders closing.

And eventually,
we thought we were ready.

[powering up]

[powering up intensifies]

[missile soars past]

[beep]

- [computer beeps]
- I don’t like these readings.

[beep continues]

- [beep]
- Shut it down. Shut it down !

- [missile whooshes]
- [explosion]

[electronic light beam soars]

- [coughs]
- [light explosion]

[alarms sounding]

We had no idea
how badly wrong it would go.

- What happened?
- There was a miscalculation.
- It wasn’'t a miscalculation.

- The numbers weren’t--
- The numbers are fine.
It’s the machine.

It’s not ready
for what we’re trying to do.

- It’s like trying to perform
keyhole surgery with a hammer.
- Hm.

Sorry.

What happened?

Um, an energy surge
unlike anything...

We’ve created a black hole.

[Samson] Yes.

And we killed a dog.

- [Lerner] Incredible.
- [Li] It’s expanding.
If it continues to do so,

it could start to join
with its nearest singularity.

A black hole known as M83.

Lazarus.

If M83 and our new singularity
start to merge,
then it’s the end.

- The end of everything.
- The end of the world
doesn’t bother me, Dr. Li.

I’ve seen it all before.

Hmm.

We’ve been in this process,
what, ten years?

And we’ve done incredible
things, gentlemen.

Yet we still
find ourselves short
of where we need to be.

I don’t-- I don’t know
if you understand
the severity of the situation.

I’m afraid if we use the machine
to try and go back
and undo this,

then we are going to cause
further damage.

Sir,

- we do not know
how to fix this.
- No, you don’t.

But I know someone who might.

[traffic ambience]

Take them both.
Bring them here.

We’d been years
from even contemplating
a human test subject.

But circumstances
had forced our hand.

The black hole we had created
was expanding.

Our only hope to fix it
lay not in the present
but in the past,

in sending one brilliant mind
back in time to meet another.

[suspenseful music]

I have a moral code,
Miss Wesley.

I broke it...

more than once.

My only defence
is that I had no choice.

[missile launches]

[light explosion]

Our mentor, Dr. Gray,
she always, um,

warned us
of the potential dangers,
of time travel but we, um...

- [Samson] We dug too greedily
and too deep.
- [Wes] Yes, you did.

- [indistinct arguing]
- After the final experiment,

it became clear
that things had changed.

New scientists
had been brought in.

We suspected they were thinking
of adding them to the team.

- [shouting continues]
- We were wrong.

- [woman] No!
- [machine-gun fire]
- [suspenseful music]

[vehicle passes]

[brakes screech]

We fled, all of us,
as far as we could.

Scattered to the four corners
of the globe.

We knew the Time Break
Initiative were after us.

All we could do was pray
we could outrun them.

All your colleagues are dead, Henry.

The Time Break Initiative
were cleaning house.

You had become disposable
to them, a loose end.

They were worried,
you’d fall into the wrong hands.

Like ours.

They were afraid
because of what we're going
to make you do.

What are you gonna make me do?

We’re going to make you
build us a time machine.

[scoffs softly]

- Hey. Wanna...
- Uh, yeah.

[footsteps]

- That’s what I thought is it?
- Yeah.

- You all right?
- [chuckles]

- What are you doing later?
- Uh, nothing, really.

A couple of guys
that get into a fight
outside my flat later.

It’s pretty funny,
if you want to come
and have a look.

[Sarah breathing heavily]

[George gasps softly]

- [panting]
- [moaning softly]
- [gentle music]

- What-- What was that?
- Nothing. It was nothing.

- [gentle music]
- I miss you.

[footsteps]

[car horns]

- [Zhang] Hey.
- [Archie] Don't you knock
anymore?

- Do you not lock your door
anymore?
- I brought you breakfast.

- What is it?
- It’s called a croissant.

Parisian high society
are talking about them.

You can just say croissant
without doing a whole bit
about it.

Yeah, but I like to be adorable.
And I think you like that, too.

- If you hurry, we can make
the 12:50 back to Heathrow.
- I’m not going to London.

- Why not?
- Got something
I need to do today.

We just found one
of the Time Break scientists.
Something bigger than that?

- I got a lead.
- On what?
- A safe house.

Do you want
to extrapolate on that?

When we took Janet,
we took her daughter too.

We were instructed
to hand her over to a man.
And so we did.

I’d like to find that man,
because I’d like to find out
what happened

- to that little girl.
- You were following orders.

They were bad orders.

And this safe house?

- I think that’s where
he’s hiding out.
- Okay.

- Well, I’ll come with you.
- I didn’t ask you to.

Yeah, which was
very rude of you.

- Fine. You can come.
- Gee, don’t sound too pleased
about it.

[footsteps]

- [knocks on door]
- [door opens]

- [door closes]
- You got the serum?

- [Samson] Yeah.
- They tell you
about the memories,

- how they come back?
- They said,
I’m not gonna enjoy it.

I may have been killed
many, many times.

- Well, you might remember
some good stuff, as well.
- [sighs]

- Did you?
- Some good. Some bad.

- Some good, some bad.
- Yeah.
- [sigh]

Can you tell me about Dr. Gray?
How did you meet her?

Um...

I like reading
obscure medical journals.
It’s, um, kind of a hobby.

I saw a paper she’d written,
some mad piece
on the theory of time travel.

I started skimming it,
thinking it would be nothing
but a bunch of crackpot ideas,

but then I realised it wasn’t.

I mean,
the ideas were outlandish.
Completely out of this world.

But-- But they were grounded
in something real.

So, what,
you became a disciple?

That’s the name
we gave ourselves.
We were really dedicated to her.

She was

Godlike to us.

- Must have been really difficult
when she died.
- When she was murdered.

- [suspenseful music]
- [flames flicker]

- Why do you think
someone would kill her?
- Because they knew what we knew.

That it wasn’t mad.

It was all possible.

Some people will do anything
to stop progress.

I’m gonna wake up
back in Switzerland
in a few weeks.

Back running for my life.
At least you’ve got somewhere
to run to now. You’ve got us.

- [sighs]
- I’m not...

I’m not a brave man.

Well, you don’t know
what kind of man you are yet.

- [door opens]
- George?

When the memories come...

how real will they feel?

Like they were yesterday.

[busker]
♪ When I first saw you,
Something stirred within me ♪

♪ You were standing sultry
In the rain ♪

♪ If I could’ve held you ♪

♪ I would’ve held you ♪

[George] It’s a serum, Sarah.

It will help you remember
the time you’ve lost.

[Sarah]
And what did I lose, George?

[sighs] Just tell him.
Just tell him.

Tell him, tell him, tell him.

Everybody likes to be fancied,
unless it’s someone
they find repulsive,

in which case,
that’s a bad situation.
But you’re not repulsive.

You are, in fact,
what I would call
an attractive woman

talking to herself in a toilet.

[exhales]
You’re wearing a nice dress.

You've had three
and a half pints

and one line
of what I assume was cocaine.

You’re gonna go down
and tell him

that you’re ready to ruin
the friendship.
In a sexy way.

And that’s just
what you’re gonna do.

[exhales]

- [loud music playing]
- [indistinct chattering]

- [loud music playing]
- [indistinct chattering]

[night bus passes]

[ethereal music playing]

Excuse me.
Hi, um, I’m getting off
at Rathborne Place.

- Okay.
- Just in case

you were also getting off
at Rathborne Place
and you thought I was,

- uh, following you.
- Right.

- Well, I’m-- I’m not.
- Okay.

- I am actually getting off
at Rathborne Place.
- Oh. Okay.

Well, now I’m wondering
if you're following me .

- [driver] Next stop:
Rathborne Place.
- [stop bell dings]

He’s the idiot.
He had a chance with you
and he threw it away?

- Lunatic.
- [chuckles]
- Buffoon.

- You don’t want to be
with a guy like that.
- Right.

Well, uh, I’m this way.

Oh right, well,
thanks for walking me home.

- You’re welcome.
- [Sarah laughs]

- Yes, I will take your number.
- Yes, I will take your number.
- Oh, great.

- [dart lands]
- I’m-I’m terrible at darts.
No hand-eye coordination.

Genuinely,
I struggle to eat soup.

You’re incredibly attractive
to me right now.

- [dart lands]
- [laughs]

[dramatic music playing]

[explosion]

Tell him, tell him, tell him.

- [background chatter]
- [suspenseful music]

[night bus passes]

- Excuse me. Hi.
- [stop bell dings]

- I don’’t suppose--
- Yes! I will take your number.

[dramatic music playing]

- [explosion]
- [exhales]

[suspenseful music]

- Hi.
- [vomits]

- Excuse me.
- [stop bell dings]

[both laughing]

[dramatic music playing]

- [explosion]
- [exhales]

I’m supposed to find this girl
called Sarah.

[wistful music]

- You were at that party?
- Yeah.

Yeah, I think I saw you.

- I think I saw you, too.
- [both laugh]

[Sarah]
And what did I lose, George?

[soft music]

[typing]

[typing]

[suspenseful music]

[music intensifies]

[Shiv]
A burn on his arm in 2012.

There you go,
what more evidence do you need?

We know Wes met Dr. Gray.
She covered it up.

We know Dr, Gray was murdered
and her lab burnt down in 2012.

We now know
a conveniently dead
Lazarus agent

who suffered burns
at the exact same time.

You don’t have to be
fucking Columbo to work it out.

We don’t know,
Wes covered up meeting Gray.
She just hasn’t mentioned it.

Pretty big thing
to not mention.

"Oh, we’re just looking
for these six scientists
who all happened to work

for the same person,
who happened to be
a time-travel expert,

who I happened to have met.
I just didn’t think any
of that was worth bringing up."

Stupid.

- [rings bell]
- No, no, no!
Not with the bell again!

- Piss bag needs emptying.
- Mate, I’m trying to make
a ragù here.

Oh sorry, if I’m low
on sympathy.

I can’t ingest solid food
until four days before

- time jumps back to me
being shot again.
- I do not understand

why they can’t send you
straight to the hospital.

- Why would Wes cover it up,
if she had killed Gray?
- I don’t know.

Why do people usually cover up,
when they’ve murdered someone?

Oh, yeah,
because they go to jail.

- Who are you texting?
- Uh, Sarah.

Give her some space.
Let her sort her head out.

Yeah, you’d know
about giving girls space,
I bet.

I wouldn’t worry about it.
She’s just probably at home
in bed...

- with her fiancée.
- You’re a prick, you know that.

Well, I hope you choke
on your fucking ragù.

Hey, come on,
you must remember something
from 2012.

This Ross Keane guy,
you don’t remember him
getting injured?

- Being on a mission
you didn’t know about?
- No. No.

If you want to ask anyone,
ask Archie. She knew him
better than me.

- Oh, you mean like,
like she " knew him ," knew him?
- Yeah.

They were a thing for a while.
Until he got himself killed
on a mission.

If he told anyone his secrets,
it would have been her.

[car passes]

I’m gonna go in
and have a look around.
You stay here.

You want to me
to wait in the car?

- That feels like
a bad use of resources.
- I’ll call if I need you.

My dad used to leave me
in the car with crisps,
while he went to the pub.

Okay, we don’t have
time to unpack that right now.

- No.
- Just stay here, okay?

[car door shuts]

[sighs]

[hits metal gate]

[seagulls]

[gate closed]

[ominous music playing]

[music intensifies]

Don’t like people
sneaking up on me.

- Yeah, well, I don’t like people
pointing their guns at me.
- That’s too bad.

[gunshot]

- Are you okay?
- I thought you wanted him alive.
- He was going to kill you.

Yeah, well,
I would've come back.

- Even so.
- [sighs]

Time Break initiative's facility
is a beast.

The machine's vast,
but able to be run

by a small skeleton crew
of engineers.

It’s an old military compound.
Miles of tunnels underground

they retrofitted
into a velocity chamber.

- Like the Hadron Collider?
- [Samson] Exactly.

Tunnels form
a high-velocity track

so the subject can reach
the right speed for time travel.

- Like 88 miles an hour
in a DeLorean?
- [chuckles]

- Sorry?
- 88 miles an hour in a DeLorean.

It’s, uh, like
Back to the Future.
Ah. Uh, I haven’t seen it.

- Really? Never?
- I’m not really a movie guy.

Right, but, like, I mean,
it’s fucking Back to the Future.

- Okay.
- [Sarah] Everyone’s seen it.
My mum ’s seen it,

- and she hasn’t seen anything.
- I’ve just been really busy
with science and stuff.

[George]
But to be fair, you literally
made a time machine.

That’s like an archeologist
not watching Jurassic Park.

- Palaeontologist.
- What?
- It’s like a palaeontologist

not watching Jurassic Park.
An archeologist would watch
Indiana Jones.

- They’re different jobs.
- Shall we get back to it?
- Yes, well...

Okay, so, um, the thing is,
the velocity of the subject

in conjunction
with their position

alongside
a planetary alignment.
The position of the singularity?

Relative to the speed
and position of the subject, yes.

Velocity and planetary alignment.

That’s just a jet
and a supercomputer.

If you know the calculations
you’re looking for, sure.

- Then there’s the neurotoxin.
- Neurotoxin?

It’s a version of the serum
that some of us in this room
have already been injected with,

the one that allows your brain
to become aware
of lost time loops.

Well, this toxin creates a link
between the mind of the subject

- and the pull of the black hole.
- To travel through time,

- you have to believe
you can travel through time?
- In layman’s terms, yes.

- How do we get hold
of this toxin, then?
- Can you make more of it?

- We would need the formula.
- Where is it?
- In there.

Then that’s where you’re going.
Move out. Plane leaves
in 30 minutes.

- [footsteps]
- George.

I’m, um...

I’m putting you
back in the field.

- Thank you, ma’am.
- Trust is important, George.

I hope you won’t
betray mine again.

No, ma’am.

[footsteps]

[van approaches]

- What about The Terminator?
You seen that?
- No.

[George] Looper?

- No.
- Groundhog Day?
- No?

Well, it’s good.

Also you’re basically living it,
so, you know, worth a watch.

[dramatic music playing]

[music blends and fades]

[door opens]

- Hey.
- [Archie] Hey.

- This is Samson.
- [Archie] Ah, Dr. Samson.

We’ve been looking for you
for a long time.

- So, what are we doing here?
- Breaking into a time machine

to try and steal a formula
for a neurotoxin.

Just another Tuesday, then.

- You worked here?
- Yes.

When you sent them back,
was there a little girl
with them?

Well, I never thought
we’d ever--

Did you send
the little girl back?

Yes.

[footsteps]

[wind gusts]

[wind blows]

[lift lowering]

[suspenseful music]

[lift stops]

Look, can I ask you something?
We're trying
to find something out

- about an old mission, in 2012.
- Check the logs.
- There’s nothing in the logs.

- Ask Wes.
- I don’t really want
to bother her with it.

- Okay.
- I just wondered,
maybe you might know something.

It involves a agent
called Ross Keane.

I think he might have been
quite badly injured during it.

A burn on his arm.

[suspenseful music]

That was before my time.

[suspenseful music]

[soft steps]

[door swings open]

[door shuts]

When you got
your lost memories back,

what did you remember
of the night we met?

Uh, I remember,
we didn’t actually get together
till the last time.

- What do you think about that?
- Well, I guess...

I guess I think it means
it must be fate, right?

That one time
we actually got together
and ended up not being undone.

Do you know what I mean?

Sure.

Or...

Or it means fate’s complicated.

Right.

Fate, fate is complicated.

[melancholy music]

You all right?

They sent back the girl.

Becky.

- They put her in this machine
and sent her back.
- You didn’t know

they were gonna do that.

I just kidnapped her
and her mother
and didn’t ask questions.

We’ve all done things,
we wished we hadn’t.
That’s the world we live in.

That’s not you anymore.

- How do you know?
- Because you’re here,
trying to make it right.

Also, I just know,
because I know you.
You’re a good person.

You don’t know me that well.

I know you better
than you think.

[fast breathing]

[slo-w suspenseful music]
[breathing]

[mysterious piano music]

Looks like they cleared out
most of their stuff.

Yeah.

What is that?

[footstep]

Huh.

- No toxin, then?
- No.

But I think I know
where they moved everything to.

- [George] Sarah?
- Hmm?

Do you still love me?

That’s a big question
to ask a girl

in the control centre
of an abandoned time machine.

- No, it’s a simple question.
- It’s not, though.

It’s a really hard question,
and you know that.

It’s not a hard question for me.
It’s easy. I love you.

Right, and I-I-I miss you.

And if you don’t love me,
that’s okay.

But you should just tell me.
You should stop shagging me
in alleyways

- and doing confusing shit.
- Okay, I’ll stop shagging you
in alleyways.

- Because you don’t love me?
- No. No. I don’t not love you.

I just don’t know how I do feel,
and if it confuses you--

We only had sex
in an alleyway once, by the way.

Then I won’t do that anymore
while I figure out
how I feel about you

- and, probably,
everything else, okay?
- Yeah. Yeah.

You asked me about fate.

Well, I do remember
the night we met.

- [soft piano melody]
- All the nights we met.

And every time you and I
didn’t end up together,
I met Cormac.

But it got undone.
Then the one night I met you,
it stuck.

But now I’m not with you
or the other guy.

I’m married to the man
that I originally went

to that party to meet,
and I can’t stand him.

So you tell me, George.
Is it fate for me and Michael
to be together,

or me and you,
or me and Cormac?

Or are fate and love
and soulmates

just some meaningless construct
that we use

to try and put
some semblance of order
into the fucking food blender

of random occurrences
that make up our lives?

- Cormac’s a stupid name.
- No, it’s not.
- Yes, it is. And you know what?

I wish I could travel
back in time

to before this fucking
conversation happened.

- [door opens]
- [whirrs]
- [beeps]

- What did you do?
- [siren wails]
- Dunno.

Stop just pressing buttons,
George. It’s not a frozen
fucking laptop.

I’m not just fucking pressing...
Shit, shit, shit, shit.

- [siren wailing]
- That’s not a "don’t worry,
everything’s okay" siren, is it?

- No, it is not.
- [suspenseful music playing]

[siren wailing continuous]

- What did you press?!
- I didn’t really press anything.

Oh, shit.

- [loud rumbling]
- [siren wailing continuous]

[loud rumbling intensifies]

[light explosion]

[light explosion]

[gunshot]

- [rewinds]
- [gasps for air]

- [pants]
- [gunshot]
- [thud]

- [thud]
- Yeah, I fucked up.
I touched something.

That was my bad.

Sorry.

- [flashback]
- Oh, my God,
that’s deeply unpleasant.

[suspenseful music]

[cell phone vibrating]

Can I come to you?

Yeah.

[gasps]

[suspenseful music playing]

- [vehicle accelerates]
- Where are you?
And why would I have a tail?

[tyres screech]

[exhilarating music]

[brakes screech]

[gasps]

[gasps]

When you were working
on the machine,
did you see who was sent back?

- Yes.
- [Rebrov sighs]

- Both of them.
- [breathes heavily]

There was a man as well.
He was their, uh, handler,
I think.

You didn’t consider
the ethical implications
of what you were doing?

I didn’t know that
that was what they wanted to do.
None of us did.

The only way
of fixing this black hole
is to send Janet back to 2012.

- Can you do it?
- Theoretically.
Theoretically, we could do it.

But we are months, years away,
from safely performing
a human test.

You put a person
in that machine,

and there’s no knowing
what will happen to them.

The only certainty we have
is that in less than a year,

the world as we know it
is going to end.

When the only certainty
is destruction,

we must head
toward the unknown.

If any of you feel
you cannot be a part of it,
I understand.

But this experiment
will take place
with or without you.

[footsteps]

[suspenseful music]

Are we really doing this?

[computer beeps]

[alarm sounds]

[music intensifies]

[powering up]

Where is my daughter?

She’s waiting for you.

So you have no choice,
but to follow her.

Back in time.

According to calculations,
you’ll arrive right after Becky.

You better fucking hope so.

- [alarm beeping]
- [powering up]

[engines explode]

[gasps softly]

They made it.

[gasps]

Don't think even Agent Rui
knew what they had planned.

- [Rebrov] Agent Rui?
- Uh, Zhang.

Well, she was, um, with the,
the-the other agent.
The woman.

[Rebrov] Archie.

Yes,
Agent Rui was part of the team

that took the young girl
and her mother.

She seemed really concerned
about her.

- You didn’t know?
- No. I didn’t know.

[engine revs]

[tyres screech]

[traffic circulates]

[tannoy]
This train is ready to leave.

Please stand clear
of the closing doors.

This train is ready to leave.

- [beeps]
- [doors close]

[doors screech]

Please mind the gap.

- That’s different.
- Excuse me?
- I think it’s happening.

- What’s happening?
- Your life’s
about to be in danger.

My life’s about to-- Whoa!
Who are you--?

Hi.

Oh, what the fuck? Becky?

- Yeah.
- What are you-- What?

- You’re-you’re-you’re grown up?
- Yeah.
- How?

Well I was six
when I got sent back to 2012,
12 years ago, so, you know,

you do the math.

- I’m 18.
- Yeah, yeah, I can add up.
You've been on this train.

- I've seen you.
You sat right there every time.
- Yeah.

- Why?
- So I can save your life.
- Save-- Save my life from what?

- Bryson!
- Who?
- Come on.

- Hey!
- [gunshot]
- [crowd screams]

- Run!
- Who is that?
- It’s Bryson!

- Who the fuck is Bryson?
- My minder,
I haven’t seen him

- since I was a kid.
- Since you were a kid
two years ago,

- or 12 years ago?
- 2012. Twelve years.
- What’s he doing here?

- Why's he tryin to kill me?
- I don’t know!
I thought he was dead!

- This is turning into
a very strange morning!
- [gunshot]

[crowd screams]

- [gunshot]
- [George] Whoa!

Ah!

[light explosion]

Whoa, whoa, Listen man,
I don’t know what’s going on,

or what it is you think
I’ve done, but--

It’s not what you’ve done.
It’s what you’re gonna do.

- What?
- You are a monster, my friend.
You are evil.

- No, mate,
I think you got me confused--
- No!

I know you, George Addo.
I know you.

[dramatic music]

[dramatic music]

[dramatic music]

[jingle]