All language subtitles for Forever Knight s01e10 dead air.eng

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WOMAN:
Good evening, Toronto.

This is CTOK, 92.3 F.M.

and we're talking
about your intimate secrets.

Larry, tell me,
what's on your mind tonight?

LARRY:
Oh, this is really kinky.

Go on.

I can't believe
I'm admitting this,

but I really get off

watching my wife make it
with other guys.

Oh, really?

Well, that's something
to admit, Larry.

Do you have any fantasies
when you watch?

[LARRY CHUCKLES]

What do you think, Larry?

[LARRY GIGGLES]

Okay, you ponder that one
while we move on to...

Carol, you're on the air.
Talk to me.

CAROL:
You turn me on.

Oh, well, thank you.

Is that because

you find it easier
to be intimate on the phone

than it is
with a real, live person?

Oh, I like real people too.

Good. What do you want
to talk about?

Carol, are you there?

MAN:
Hello, doctor.

Who am I talking to?

Not who you think.

Okay, Mr. Not-Who-I-Think.

You want to pick up
where Carol left off?

Well...

I want to talk about...blonds.

Sexy blonds

that I can talk to
and say...

"I'm not going to hurt you
if you respect my feelings."

I bet your girlfriends
love that.

Oh, yeah.

Well, she knows
she doesn't respect my feelings,

so she just tries
to beg for mercy instead.

Oh, this is sounding
a little twisted to me.

[CHUCKLING]
Yeah, it is.

Maybe that's why
it's so much fun.

I can't even help
what happens next, doctor.

You can't, huh?

And what is it that comes next?

What comes next is...

is I wrap the cord...

around her neck...

CHRISTINA:
Wait a minute.

Pull it tight...

No, look,
this isn't good.

Uh, if this is your idea
of a joke,

I'm going to have
to take you off the air.

Too late.

She's dead.

[♪]

NARRATOR:
He was brought across in 1228.

Preyed on humans
for their blood.

Now, he wants
to be mortal again...

To repay society
for his sins...

To emerge from
his world of darkness...

From his endless forever night.

[GROWLS]

MAN: Pull it tight...

Too late.

She's dead.

You say you have no idea
who this could have been?

Never heard this voice before.

No, I don't. I haven't.

And I know voices.

I've been doing call-in shows
a long time.

Your station have caller ID?

Our policy guarantees anonymity
to all our callers.

Makes for a "hotter" show.

Something like that.

Mm.

[BUZZES INTERCOM]

MAN: Yes, captain?

Yeah, is Nick around?

Yeah, he's around here
somewhere.

Somebody get him for me.
Yeah.

Uh, we'll get somebody on it.

Well, uh, what happens next?

I'm afraid there
isn't a lot to go on.

We'll have the tape analyzed
for background noise

and do a voice profile.

Well, what about the victim?

So far there isn't one.

But you're going to look,
aren't you?

We'll do everything we can
with what we got.

[SIGHS]

Well, then...

I guess
there's nothing more I can do.

No, there isn't.

Except get some sleep

and let us worry about it
from here on.

Whoa!

Is the meter still running?

Uh... Sorry,
I didn't see you.

Oh, that's okay. Here.

Thank you.
No problem.

Sorry.
It's okay.

You been telling
your stories again?

Nothing she couldn't handle
if I had.

That was
Dr. Christina Noble.

The radio shrink?

Yeah.

Although what her show has to do
with real psychiatry...

Real psychiatry helps people.

Apparently, some guy
murdered a woman

during a call-in on her show.

On the air?

Right on the radio.

Beamed out to the whole city.

And you think it's a hoax?

Well, I have no proof
that it isn't.

Well, I don't know.

She didn't look as if
she was on a publicity tour.

I can never listen
to the stuff.

The job's enough of a reminder

of what a colorful world
we live in.

I know what real fear
looks like. She was scared.

Scared that her ratings
might slip.

No, she had that cornered look,
like she'd gotten in too deep.

Oh, come on, Nick.
You know, I worry for you.

Every time, you fall for this
damsel-in-distress routine.

For your information,

Christina Noble
is a hardened pro.

I bet you right now,

she's back in the saddle again,
so to speak.

Slice of Heath Crunch
pie says I'm right. Here.

[TURNS ON RADIO]

CHRISTINA:
Those listeners

who were
tuned in last night--

Pretty intense.

Uh, the police
are looking into it

and we're going to try
to continue

with all the best talk in town.

Tonight, we're talking about
the shadow side of ourselves.

I want you to share with me

those times you feel
you've responded

from that part of yourself

to a situation or person.

The lines are open.

Kaylie, talk to me.

KAYLIE:
Hi, Christina.

I think it was
the shadow side of me

that made me have an affair
with my husband's brother.

CHRISTINA:
Go on.

KAYLIE: Or maybe it was the good
side of me just being bad.

See what I mean?

Last week, she had a guy on

who was talking about making it
with his mother-in-law.

The week before that,
the subject was

single women who have made it
with pizza delivery boys.

I mean, come on.

And she even had
a discussion about--

I thought you never listened
to that stuff, Schanke.

Well, you know,
once in a while, I do.

Oh, once in a while, yeah.

Research.

[SNORTS]

You know how it is.
One thing led to another.

Hector is on one,
and I'm taking five.

Hello, Hector.
Can you top Kaylie?

MAN: My name's not Hector,
doctor.

But, uh...

I think I can top anyone.

Go ahead.

Yeah, in a sec.

First I want to find out
if you slept okay last night.

Perhaps
a more appropriate question,

how did you sleep?

[MAN CHUCKLES]

I was too excited to sleep.

I'm still too excited to sleep.

Besides, no one sleeps
in the bridal suite.

Are you alone?

What?

In the bridal suite.
Aren't you listening?

[MUFFLED MOANING]

She's even blushing
like a little blushing bride.

[WOMAN MOANS]

What kind of a person is she?

I think what's important
is she's a good housekeeper.

Too bad
she's not going to be around

to clean up
the mess I make of her.

CHRISTINA:
I'd like to talk to her.

Take over the wheel.

Where are you going?
Call in what's going on.

I'll meet you
back at the station.

But you have no idea
what we're-- Knight!

81 Dispatch Kilo.
Turn on CTOK.

We got another possible
on-air homicide in progress.

DISPATCHER:
I got on Spadina and Queen. It's an emergency.

Knight's out of the car,
I'm solo.

Then respond alone.
It's an emergency.

[SIGHS]

CALLER:
She's listening to you, doc.

Every useless word
you say.

CHRISTINA:
Before you do anything...

You know
what I'm going to do.

I'm going to let nature
run its course.

I'm going
to blow her mind...

to bits.

I have to do what I'm told.

I always do what I'm told.

Who's telling you
to do this?

Who's telling me?
I don't know.

What's important is
she's nothing.

And that she has to die.

LACROIX:
Because he's nothing, Nicholas.

That's why he's going to die.

And because we're nothing,
Nicholas.

That's why he's going
to die slowly.

You're talking about
taking a life here.

Please don't hurt her.

Please. Let her go.

[GASPING]

[GUNSHOT]

[DOG BARKING]

I really didn't want
to call the police,

but I know something's wrong.
I-- I just know it.

How do you know?

Well, the dog,

he's been barking
like crazy in here,

and nobody's seen her
for two days.

[GASPS]

SCHANKE:
Apparently, she was a freelance photographer.

According
to the neighbors,

the last time anybody saw her
was two nights ago.

This stuff makes vampires look
like cute little schoolboys.

You know, I see this
thing over and over.

I understand why it happens
technically, but--

But understanding it
psychologically

is another matter,
right?

Mm-hm.
I'll give you a hand.

Well?

Well, what? You want me
to take a wild guess?

Do I have a choice?

We don't have
a weapon or motive.

This might be the victim
of last night's on-air murder.

Why?

The progression
of rigor mortis

indicates she's been dead
between 18 and 24 hours.

Time of the call-in.

Not enough.

There's got to be another
link here somewhere.

Wait a sec.

Where's the phone?

It's bagged.
We're checking it for prints.

Let me see.

Why, here's
to modern conveniences.

Automatic redial.

[PHONE DIALING]

WOMAN:
CTOK Radio. Can I help you?

KNIGHT:
According to the voice analysis,

the guy's young, 20 or so,
no more than 25, Caucasian.

SCHANKE: Yeah, and he
must have known her somehow,

because there's no sign
of forced entry,

not to mention that the place
is crawling with prints.

KNIGHT:
Unless he followed her home from the store.

No, I say it had
to be a date.

And I say we hold on
to our speculation

until we've got more to go on.

Hopefully very shortly
we'll have more to go on.

Like the body
of a second victim?

Assuming there is one.

There's still a chance

that tonight's call
was a copycat.

Okay, I'll get a dub
of tonight's tape.

If the voiceprint
matches,

at least we know
the answer to one question.

Maybe we'll be able to pick up

some background noise off it
this time, pin a location.

KNIGHT: Well, hang on a second.
There might be an easier way.

Lets put a trace on Noble's
phone lines at the station.

STONETREE:
And let's keep this one under wraps.

No press, no one.

Anything the entire city
doesn't already know

is ours and ours alone.

Nick, I want you to go down
to the radio station tomorrow.

In the meantime, we better start
checking hotel bridal suites.

Oh, uh, how come
he gets the live ones?

They like him.

CHRISTINA:
Welcome back, listeners.

This is CTOK, 93.4 FM,
and we're live on the air.

Everything plugged in,
ready to go?

Yeah, all we have
to do now

is wait for him
to get an itchy dial finger.

She's got some habit
for a doctor, huh?

Oh, uh, she's one
of these driven types.

All the driven people
I know smoke.

You want coffee?

No, thanks.

Mind if I listen in?

[FLIPS ON SPEAKER]

...that you're
hanging in there,

and for sharing
all your feelings.

Uh, feelings that

all of us could...

Think she can handle it?

Don't worry about her.
She's a pro.

...the helplessness,
the anger,

it's the subject
of tonight's show.

What?! No, no.

The subject
of tonight's show:

"Women Who Love Too Much."

...that's 555-CTOK.
The lines are open.

Hello, Susan.
You're on the air.

SUSAN:
Hi. I feel so terrible

about what happened
to that poor woman, and scared.

I understand.
Are you single?

Yes, and I'm still looking
for Mr. Right,

and I date a lot of guys...

[DIALS]

...know them.
Should I be more careful?

Of course, but all the time,
Susan, not just for now.

This is the
Christina Noble Show.

[BEEP]

And I know it.

I'm going to be
way more careful from now on.

[TED KNOCKS ON GLASS]

I think you're doing
real good work.

Thank you for your call, Susan.

Hello. You're on CTOK.
Who am I speaking with?

MAN:
Guess.

Why? Do I know you?

You may think you do.

[LOW CHUCKLE]

But there's knowing someone,

and there's really
knowing someone.

And I don't think
you have a clue, doctor.

Then why don't you
give me one?

IMITATES WOMAN'S VOICE:
Help, help, don't hurt me.

You like that sound,
don't you?

That's the sound of
someone who's afraid,

the sound of a woman
who's afraid.

Afraid of me.

[MOUTHING]

Why do you like
making them afraid?

You know perfectly well.

No. I don't.

Why don't you tell me?

Talk about it.

Maybe I'd rather
do something about it

than talk about it,
you know?

I mean, that's the problem
with shrinks.

You just sit around.

You're a shrink, right?

A psychiatrist.

So why aren't you
in an office

with a couch
and a big swivel chair?

Oops. Did I hurt your feelings?

Maybe you weren't good enough.

[MOUTHING]

You didn't call
to talk about my feelings.

You called to talk
about your feelings.

How do you know?

[BEEPS]

[DIAL TONE]

CHRISTINA:
Stupid. I screwed up.

I shouldn't have confronted him.
I scared him off.

No, no, you were great.

We'll catch him next time.

I'm sure he'll call again.

I think he's getting used
to the attention.

Well, I guess
if I wasn't so rusty,

I would have figured that out
for myself.

Rusty?

What do you mean?

Never mind.

You know what they say.
Use it or lose it.

Yeah.

I just wish I knew
if this guy was for real.

There's a, uh, call
for Detective Knight.

Uh, should I put it
on the speaker?

Who is it?

It's a Detective Schanke.

Oh, Schanke.
He's your biggest fan.

He must have
been listening in.

Put him through.

SCHANKE:
Hey, Knight, I'm calling from the hotel.

We got body number two.

Room 623, the bridal suite.

Body number two?
You've found victims?

But you never said...

I'll be right there, Schanke.

I'm sorry.
I hope you understand.

It's police business.

But, damn it, Nick...

for all I know, my show could be
the whole cause of this.

I mean, that doesn't make it
my business too?

We'll talk later, okay?

I can't talk to you now.

We figure
he might have lured her in here

on a looky-loo pretense
of showing him the room.

Other than that,
everything--

the phone, the way
the body was made up--

same as last time.

So now it's just
a race against time.

Tends to be that way

when you're dealing
with a serial killer.

[MAN MURMURS FEARFULLY]

[PLEASED CHUCKLE]

Lacroix!

Lacroix, look.

He does look like your father,
doesn't he?

KNIGHT:
If you're going to drink his blood,

do it and be done
with it.

LACROIX:
My poor, miserable friend.

What a shallow existence
you must be enduring.

Nicholas,
I hope that someday

you will come to realize
and appreciate

the greater depths
of satisfaction

that can be plumbed
in killing...

for the pleasure...

for the sheer...
creativity of doing it.

You sicken me, Lacroix.

Don't watch.

[FAINT POLICE RADIO CHATTER]

Nick...

Nick?

Excuse me. I'll get
this to the lab.

You should have
a fingerprint report by noon.

Yeah. Thanks.

Which would be a big help

if the guy has
a criminal record.

What about a psychiatric record?
Anything on that?

Still working on a warrant.

I mean, if this guy
does have a record,

his M.O. will stick out
like a sore thumb.

How many psychotics
can there be

that are into makeup?

You'd be surprised.

Excuse me, lady.
The elevator's closed off.

How did you get in?

I'm a wizard at navigating
back staircases.

I came to help.
Christina Noble.

[WHISPERING]
Detective Schanke.

Oh, you must be
Detective Schanke,

one of my
biggest fans.

DAN: Excuse me.

Oh, thanks, Dan.

CHRISTINA:
He used that lipstick on the victim.

He was dressing her up,
wasn't he?

Let's say
you're right.

How do you arrive
at something like that?

Well, women don't crush their
lipstick when they apply it.

And three
of my internship years

were spent
in forensic psychiatry.

Excuse me, Nick,
need I remind you

of certain directives from
on high, if you get my drift?

I understand this is
a guarded investigation.

Just let me
have a look around.

Maybe I can give you a better
idea of who you're looking for.

We're about to take off.

Forensics will pick up the rest
later this morning.

It's all right, Schanke.
I'll stay with her.

Thanks.

[LOUD SIGH]

I hope you left the keys
to the Caddy.

KNIGHT:
Okay, boys, you can wrap it up.

I'll close here
when I'm done.

WOMAN:
Granted, most of this stuff

makes pretty interesting
reading material,

but this isn't
a lending library.

There's no access
to patient's records

without authorization.

Yeah, right.

Does a warrant count?

Man, oh, man, oh, man.

Don't you have
any of this on computer?

Your warrant specifies
our records, not our database.

CHRISTINA:
Did he have intercourse with his victims?

No.

Possibly impotent.

So sex isn't the key.

But power, control is.

Yes. And not the way you think.

He was dressing them up
to conquer them,

but it's really his way
of conquering his own fear.

Well, that's interesting.

And the fact that both rooms
were largely undisturbed.

Now, from your point of view

that means that there was
little or no struggle.

For me, it would suggest
that the fantasy started

the moment the women walked in
or the moment he walked in.

He stalked them,
he was ready for them.

So he knew them?

Well enough to know
that he could find them alone

or get them alone.

The first victim...

Um... I think he probably
just met her that night.

Maybe she mentioned something
about listening to my show.

Okay. Any idea
what he was like?

Um, the lab reports said

that the hair samples
came back Caucasian.

Yeah.

I'd add to that...

attractive,
intelligent, charming.

A guy with a lot
going for him.

Yes. Everything except
the most important thing...

self-esteem.

He doesn't feel part of
the human race. Less than.

So the rules that apply for us
don't apply for him.

That's what enables him
to go on killing, punishing.

Punishing women.

Yes. And himself.

You see, each murder
is an act of self-hatred.

Each murder confirms his belief
that he's worthless.

I had a patient once.
A 15-year-old boy.

Yeah?

He was so severely abused
by his mother

it took me a year
before he'd even look at me.

Yeah, I finally
gained his trust,

and he opened up to me.

And then he started
to respond to me

the way he responded
to his mother.

Transference.

Yeah, that's what
they call it.

And I just wasn't
having any success

dealing with it
in the therapy, so...

I decided the
professional thing to do

was to put him
in the hospital.

And you blame yourself
for that?

I let him down.

I abandoned him.

Sounds to me like you
handled the situation

like you were trained
to handle it.

Yeah. I was trying to work
the way I was trained.

[SIGHS]

I obviously missed
a few crucial lectures.

Whoa, you're being a little hard
on yourself, don't you think?

Psychiatry doesn't
promise miracles.

Why expect yourself
to be a miracle worker?

After he was discharged,

he brutalized
and killed his mother.

So that's why you left
the practice?

Yeah.

That's why I gave up my couch
for a phone.

My respectability
for pop psychology.

Clearly, a vocabulary
full of Freudian terminology

and a diploma
don't make one a good doctor.

So our killer could be
acting out his fantasy.

His fantasy
of killing his mother.

Yes. It's possible.

But it's not his mother.

So that's why he has to do it
over and over again.

JEANETTE:
He does look like your father, doesn't he?

How can you be so cruel?

It was bred into me.

KNIGHT:
No.

No, we're killers,
not torturers.

I was referring

to a more insidious
kind of breeding.

[CHUCKLES]

You're right.

The resemblance
is uncanny.

Tell me you love me...

Father.

Say, "I love you...Oedipus."

Say, "I'm sorry, Oedipus."

And, "Forgive me,
Oedipus, my son,

"for the treacherous
introduction to the world

that I gave you."

Oedipus killed his father
by accident.

Nobody believes that.

Not anymore.

[MAN CRIES OUT]

Well, I've got to tell you,
you were helpful in there.

You've got a talent
for that.

Haven't stretched
in a while.

You know, I talk to people
every night on the radio,

but back there,
I felt like my old self.

Maybe you should try it
more often.

Well, let's not get
too carried away.

No, I mean it.
You should talk to Stonetree.

Well, maybe we should,
uh, save the accolades

till after we've tested
my accuracy.

Uh, look, I've got to tie up
some loose ends,

so, uh, I'll see you
tonight at the station.

Yes...

See you then.

What were you thinking
letting her in on that site?

She's practically press.

The whole city's going
to know every detail.

Including every potential
copycat psycho

from here to
Great Bear Lake.

She's a team player, captain.

She's putting herself out
to help us, huh?

I mean, she profiled the killer.

Oh, she did, did she?

Oh, well, I've got
to hear this.

What's he, single?

Old-fashioned?

Likes to take moonlit walks?

If you're going to hire
a psychiatrist for this case,

let's get a real one.

[PHONE RINGING]

Yeah?

MAN:
Schanke's on the line.

All right, put him on.

[BEEP]

What do you want?

Boy, am I getting
the runaround here.

For this, I want overtime.

What have you got?

Blisters on my corneas
for one thing,

and about 30 more boxes
of files to go through.

Is Knight there?
Yeah, I'm here.

Listen, give me a hand here.

Did Suzy Freud
give you any clues

as to what
I'm looking for?

Any young male
in the last five years

with a record of violence
towards women

especially mothers, sisters,
grandmothers.

Maybe a recent discharge?

[CHUCKLES]

Oh, okay, that's great.
That's fabulous.

Let me just write
this down.

That's N-O-R-M-A-N Bates.

Norman Bates.

Hasta la bye-bye.

[SIGHS]

[WHISPERS]
Who cares?

Hello, Norman.

Come to Papa.

[BELT CLATTERING]

Hey. How you doing?

[PHONE RINGING]

Hello, this is
the Christina Noble Show.

No, no, but I expect
her in any minute.

Uh... Well, uh...
No, I understand.

Um, maybe she's still
in her car.

Hold on a second.

CHRISTINA:
Yeah.

TED:
Dr. Noble, it's Ted.

I have a call here for you,

and he says he doesn't want
to talk to you at work.

Too shy or something.
Who is it?

Well, that's why I figured
you'd want to take the call.

It's a former patient of yours.

Yeah, yeah,
put him through, Ted.

Hello?

Hello? Are you there?

MAN:
Dr. Noble, is that you?

Yes, who's this?

You might not remember me.

Well, sure I will.

You were a patient of mine,
weren't you?

Yeah.

Matthew. Matthew Reed.

Do you remember?

Yes, yes, of course, Matthew.

I remember you.

How are you?

Well, not so good, actually.

I've been out of the hospital
for about a year

and was doing okay.

Listened to you
on the radio a lot.

Yes? That's good.

Well, the stuff that's been
happening on the radio...

I don't know,
it just really disturbs me.

I'm really affected by it,
I guess.

Matthew,
I hear what you're saying.

I think
you should go to a hospital

as soon as possible.

Can you do that?

No, I don't want
to go back there.

Look, I'm sorry I called.

No, you should have called.

It's good that you called.

Are you on your way
to the station?

Yeah, we're going to put out
the trace again.

Well, I've got something
that might help.

What is it?

Well, after much time
and trouble

and a little bit
of the luck of the Schanke,

my best guess out of
at least 50 candidates...

Any previous homicides?

One. His mother
when he was 15.

Sat around with the body
for a couple days

before he called the cops.

She had blond,
curly hair.

No...

But his shrink does.

Dr. Christina Noble.

I want to help you.

We can talk.

I'm afraid to go out.

Well, that's okay.

I'll come to you.

Where are you?

Greer and Fifth.
Ferry Apartments, Number 9.

I'll be right over.

[ROCK MUSIC PLAYING]

MALE CALLER:
I want to talk about...blonds.

Sexy blonds.

♪ ...night is full
Of empty fire ♪

♪ The hounds of hell
Whisper to sigh ♪

♪ There's no way... ♪

KNIGHT:
I know what real fear looks like.

She was scared.

♪ There's no reason
To the rhyme ♪

♪ Tonight... ♪

CHRISTINA:
Tonight, we're talking about the shadow side of ourselves.

I want you to share with me

those times you feel
you've responded

from that part of yourself

to a situation or person.

KNIGHT:
You sicken me, Lacroix.

LACROIX:
Don't watch.

♪ The night calls
My name ♪

♪ If you could
Only see... ♪

NATALIE:
This stuff makes vampires look like cute little schoolboys.

♪ ...always see
The dark of the glass ♪

♪ Moon rises
With a hissing sound... ♪

CHRISTINA:
Damn it, Nick.

For all I know my show could be
the whole cause of this.

♪ They'll be arriving
Before dawn ♪

♪ They'll be arriving... ♪

CHRISTINA:
He used that lipstick on the victim.

♪ The night calls
My name ♪

CHRISTINA:
He doesn't feel part of the human race. Less than.

So the rules that apply
for us don't apply for him.

♪ The night calls
My name ♪

KNIGHT:
How can you be so cruel?

LACROIX:
It was bred into me.

KNIGHT:
No.

No, we're killers,
not torturers.

LACROIX:
I was referring

to a more insidious
kind of breeding.

♪ I'm crying out
In despair ♪

KNIGHT:
She's a team player, captain.

She's putting herself out
to help us, huh?

I mean, she profiled
the killer.

♪ The heart beats strong,
But until ♪

♪ It makes its way
In for the kill ♪

♪ It's always darkest
Before dawn ♪

♪ It's always darkest
Before dawn ♪

KNIGHT:
She had long, curly hair.

SCHANKE:
No, but his shrink does.

Dr. Christina Noble.

KNIGHT:
His fantasy of killing his mother.

CHRISTINA:
Yes, it's possible.

But it's not his mother.

So that's why he has to do it
over and over again.

♪ The night calls my name ♪

[MUSIC CONTINUES]

♪ Yeah ♪

Hello, out there.
This is Christina Noble.

And our subject
is cross-dressing.

Where's Dr. Noble?

She's not
coming in tonight.

Not coming in?

No, no, we're running
highlights

from an earlier show.

Highlights, yeah.

Where's she gone?

I don't know.

She got a call
from a former patient.

What's wrong?

How can I get
in touch with her?

Uh, you could try
her car phone.

Thanks.

[GATE SQUEAKS]

RECORDED VOICE:
The mobile customer you've dialed

is away from the phone
or has traveled

beyond the service area.

MAN:
I suppose I should be ashamed, but I'm not.

RECORDED CHRISTINA:
Good. Accept yourself...

CHRISTINA:
Hello, Matthew.

I can't believe
you're here.

It's been so long.

You've grown up.

Your voice has changed.

You've changed.

In some ways.

Good ways,
I'm sure.

They released you
from the hospital.

I think they were
getting sick of me.

Yeah, captain, I'll need
back-ups standing by.

I think Christina's in danger.

No, I don't.

That's what I'm
trying to find out.

I'll call you.

A purse.

My mother had one like it.

I think
my mother's was...

It was a little bigger.

No, maybe not.

You want to talk
about her, Matthew?

I've been thinking
about her.

Yeah?

I've been thinking
about her a lot.

[MACHINE BEEPS]

What for?

In case he calls in.

KNIGHT:
Well, hello there.

And good evening, Toronto.

This is Nick Knight, sitting in
for Dr. Christina Noble.

Come on, let's have
some callers.

Why don't you have a cigarette?

[STAMMERS]

You still smoke, don't you?

Habits die hard.

They do.

I've really found that.

And I, I kind of...

Kind of feel responsible
for yours.

How?

What, you mean, I didn't--
I didn't cause you

to...take it up?

[SIGHS]

Matthew.

You haven't forgotten
all the work we did

getting you to stop
taking the blame for things?

Some things
I should be blamed for.

No, not the way
your mother treated you.

You never deserved that.

Not at the time.

KNIGHT:
Well, the lines are open

if anyone out there
feels like talking.

Tonight's subject
is fantasy.

Have you ever acted yours out?

[BOLTS CLICKING]

Why are you
locking the door?

Are you afraid
I'll leave?

You left before.
You left me in the hospital.

You needed more help
than I could give you.

Matthew, I tried.

But you weren't
as well then

as you are now,

and you'd suffered so much.

You needed a place to heal.

No, you left me because
you didn't care about me.

You're just like my mother.
You're the exact same.

I did care, I did.

It's just that...

You needed a different kind
of support system.

It was like a prison.

I had to escape.

I'm glad you're still keeping
your hair like that. Curly.

I thought you might be.

Escape?

You... Didn't you say
they released you?

One of the orderlies...

used to listen to your show.

He used to bring this little
radio in on his night shifts.

That's how I first heard it.

It was like talking to you.

Hearing your voice
in the night.

Wonder what they're doing
without you.

Probably running a tape.

KNIGHT ON RADIO:
We talked to Linda,

but she was afraid
to act out hers.

There must be somebody out there
who's...

not afraid
to push the envelope.

Come on, Toronto.
Who's that?

It must be a guest host.

The ultimate fantasy in life,
not in dreams.

Fantasy, huh?

Hi, Toni.

TONI:
I'm not afraid.

KNIGHT:
Great, talk to me.

Well, my fantasy
is being

in an elevator
at work...

In the dark.
Oh, yes.

[BEEP]

Let's hear
someone else.

Okay, I think
we've got a caller.

Hello, you're on CTOK.

Fantasy, huh?

What if I told you
I was acting mine out

right this minute?

[BEEP]

So your fantasy is

to talk on the radio, huh?

[BEEP]

Oh. No, I've done that
a few times.

My fantasy

is something else.

Why don't you
tell us about it?

And give me some details
so we can savor it

right along with you.

Detail, you want detail?

I'll give you detail.

[LONG BEEP]

Did you get
the address?

Damn it!

I blew it.

I blew it!

I stayed on too long,
they'll have made the trace.

You're me.

Matthew, where are you
taking me?

Shut up!

Please give me the gun.
You know I won't hurt you.

Get out there!

[GRUNTS]

Get up.

I can't.
I hurt myself.

I said, get up!

I can't!

Damn it!

Damn it!

I did it again!
I screw everything up!

Please, Matthew.

Put the gun down.

You really don't want
to kill me.

You left me.

You kept telling me

it wasn't my fault
the way I was!

That it was my mother's fault!

But then I killed her,
and they all blamed me!

You blamed me!

No, if we'd blamed you
you would've been

in a prison,
not a hospital.

Don't you see that?

You hate me.

And you lied to me.

No, I didn't lie to you.

You cheated me.

Matthew,
I never cheated you.

I was trying to help you.

Don't you see that?

Somewhere inside

you believe that.

[GASPS]

I hate you, Mother.

And I'm going to kill you
for making me hate you.

KNIGHT:
Put the gun down, Matthew.

[ELECTRICAL CRACKLING]

[MATTHEW SCREAMING]

[SCREAMING DIES OUT]

You all right?

[BREATHES HEAVILY]

What is it?

Uh, my ankle.

I... I think I twisted it
pretty badly.

You did everything you could
to help him.

Yeah.

[BREATHES DEEPLY]

You sure you're okay?

I'm okay.

[BREATHES DEEPLY]

I'm okay.

[SIRENS WAILING IN DISTANCE]

WOMAN:
Hi.

We're talking kinky
here on CTOK.

MAN:
Yeah, but, uh, how kinky is that?

I mean,
what is kinky, anyway?

Good question.

What do you think?

Well, my girlfriend--

well, we're engaged now--

she got me into this, uh,
whipped cream thing.

And that's why
you're engaged?

[CLICKS BUTTON ON RADIO]

[♪]

ANNOUNCER:
You have been listening to Rigoletto...

Here you go, Schanke.
Thanks.

Since when
do you like opera?

Or is this just
another aspect

of your self-administered
media literacy program, hm?

[CLICKS]

WOMAN:
The hour is late

and the mood is kinky
here on CTOK.

This is Marsha...

I thought so.

Give me a break.

I just wanted to hear

how the new host
was working out.

Oh, yeah, sure.

Tonight, I want to hear

from all the uniformed men
in the city.

What's it like?

Do women really get turned on
by your uniform?

Come on, guys, tell us
about your experience.

We'll be right back
after the break

with more kinky talk
on CTOK.

Schanke, come on.

Would you cut me
some slack?

Are you kidding?

This subject was
invented for you.

I'm sure you got
some old war stories.

[DIALING]

Wait, wait. Hang it up,
hang it up! Hang that up!

Repression is a serious
thing, Schanke.

[DIALING]

Hang it up, hang it up.

Give it to me.

No, it's almost
as bad as denial.

I don't want
to see you in denial.

I mean, it's unhealthy.

Keep it up
and in no time,

you'll be on Dr. Noble's
new couch, huh?

I can't believe
you're doing this.

MARSHA:
Hello.

Are you a man in uniform?

Yeah, just hang on
a second, okay?

Hello?

Yes, you're on the air.

It happened
when I was a rookie...

[♪]

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