All language subtitles for Younger.S03E01.A.Kiss.is.Just.A.Kiss.720p.AMZN.WEB-DL.DDP2.0.H.264-NTb

- You can tell everybody
about me.

I don't really care
anymore.

[car alarm blaring]

[upbeat music]

- My brother and I were
super competitive.

- Thad has a twin?

- Oh, yeah,
he never mentioned it?

- We chased
the same beautiful girls.

- I want to be with you,
whatever that means.

I'm all-in.

- We want you back
at Empirical.

- I don't know.
- Just think about it.

Think about this.

- * Whoo, ooh, ooh, ooh, ooh
ooh, ooh, ooh, ooh *

- * We gonna start the party
right, right, right on time *

- * Whoo, ooh, ooh, ooh, ooh
ooh, ooh, ooh, ooh *

- * We gonna start the party
right, right, right on time *

- * Whoo, ooh, ooh, ooh, ooh
ooh, ooh, ooh, ooh *

- Is there room for this
in there?

- You're gonna need
another bag.

- Mom, I already have
three duffels and a backpack.

- [groans]

- And don't forget this.

- Oh.
- Condoms.

- [laughs]
- Got you covered.

Medium to magnum.

- Thoughtful.
- Uh, no small?

- I have faith in you.

- Thank you, Maggie.

[doorbell buzzing]

- You expecting somebody?

Here, let me try.

- Good morning.

- Good morning.
This is a surprise.

- Just bringing doughnuts.
Don't freak out.

Hi.

- Caitlin, you remember Josh.
- Yeah.

- Namaste.

- I heard somebody was leaving
for college today so--

- Excellent!
- [laughs]

- Come on, we got
a suitcase issue.

- Oh. All right.
- Yeah.

- [whispering] All-in.

Morning, Maggie.
- Uh, Morning.

- Yeah, these are really good.
Good job.

- [chuckles]
What's going on?

- So I forgot to tell you
something.

[funk music]

*

- You know, I think Josh
might be, uh,

more than a mid-life crisis,
Mom. This could be serious.

- Oh, I'll keep you
posted.

- I can tell
he totally adores you.

It's like the age thing

just doesn't even seem
so weird anymore.

- He seduced you
with a doughnut.

- [gasps] Rose!
One second.

- You know,
I like this Josh 2.0.

He knows he made
a mistake

and now he's trying
to prove himself to you.

- I'm just not sure I'm ready
to go through all this again.

- A hot guy
who will lie for you?

What more does anybody want
out of a relationship?

- When Charles found me
at the mall,

he kissed me
in the men's department.

- How could you not
have told me this?

I--did you like it?

- It doesn't matter.

He thinks I'm 26
and he's my boss.

Nothing can happen.

- I think you should sue
for sexual harassment,

get a huge settlement,
buy my loft,

I'll sponge off you,
and all problems will be solved.

- You're seriously
not helping here.

- Uh, Mom and Maggie,
this is Rose.

We met at orientation.
- Hi.

- Nice to meet you, Rose.

- And these are
my parents.

- Bob and Julia.

It's so nice to meet
the Moms.

- [laughs]
- Oh. [laughs]

Actually, I'm Caitlin's mom,
Liza.

This is my very good friend
Maggie.

- Yeah,
we're roommates.

- Where do you ladies live?

- We live in Brooklyn.
I've had a loft there forever.

I'm an artist.
[chuckles]

- Oh, well, we collect.
- Oh.

How would you describe
your work?

- Oh.
Big, gay, and fun.

- Well, we love fun.
We'll have to check it out.

Bob's sister is married
to a woman.

- She lives in Portland.

- That's nice.

- * Hey, you
what you gonna do? *

* Hey, you
what you gonna do? *

- * Yeah, yeah, yeah
- * Yeah, yeah

- * Yeah, yeah, yeah, yeah
- * Yeah, yeah

- * Yeah, yeah, yeah, yeah

- * Yeah, yeah

- Hi.
- Hi.

- I just want to say
I'm very happy you're back.

- So am I.
- And I would love to find

a moment to...talk.
I feel like--

- Charles, I was looking for you
in your office.

We are prepping Kiko Kagami
for her book tour

this afternoon,
and--

want to make sure we'll see you
in the meeting.

- It's on my calendar.

- That's a beautiful tie,
by the way.

- Thank you.

The salesgirl
who picked it out

really...gets me.

- * Whoa, oh, shook
yeah, I *

[funk music]

- * Shoo

- Chad, you've got to get
into Thad's computer

and shut down
his Facebook account.

- I have tried
every password I can think of.

- Can you call them?

- Oh, no, you can't "call"
Facebook, Kelsey.

No, there is no there there.

- Well, what are we
supposed to do?

- I'm working on getting them
a death certificate,

but until then,
his profile remains active.

- Oh, he's like
a cyber ghost.

- Just send me his computer,
okay, I'm gonna figure this out.

- Kelsey,
please don't yell at me.

- I'm sorry.

- No. [sighs]
I'm sorry.

We need to be comforting
each other.

- You're right, Chad.

- Do you have plans
tonight?

- I'll call you.

- Uh--
- Has Chad had any luck

getting into Thad's computer?

- No, and I really
need him to,

if only to change
this profile picture.

Look at this.

- Also, people are still
writing on his wall.

- "I hope he's getting his face
licked in heaven.

"Thinking of you
on hump day.

- And 30 new friend requests.

- Wow, he's really getting
that post-death bounce.

You know, it's always sexier
when you can't get it.

- Lauren
- Okay, listen, I--hey,

I am gonna get you
through this, girl.

Just think of me
as your grief coach.

All right, I got to run,
but I'll meet you after work.

There is
a really hot bereavement group

at my temple tonight.

- That's wonderful.
I'm not even Jewish.

- Even better, really.

Oh, and equine therapy
in the morning, okay,

don't forget.
We've got a busy schedule.

Bye.

I'm not sure what's
more stressful,

being a bride
or a widow.

- I don't want to smother you,
but whenever you need me,

day or night,
I'm there.

- I know you are.

- Okay.

- I am so pleased to introduce
you all to Kiko Kagami,

the writer of "Blissful Living,"
or as it is known in Japan,

where it is
the number one best-seller

for the last two years,
"Seikatsu Shiawasena."

- Uh, "Shiawasena Seikatsu."

- Arigato.
[chuckles]

Kiko is in the U.S.
for a seven day tour,

which she will be kicking off
on Thursday morning

with an appearance
on Kathie Lee and Hoda.

Kiko, please.

- My book is rooted in the idea
that all objects have a spirit,

and we must work on lightening
our load

by setting free those objects
which no longer serve us.

We must be ruthless
in identifying these things

and with a tender heart,
kiss them and let them go.

- She got Oprah
to give up bread.

- It was not easy.

And as we do
with our things,

so must we do
with our priorities.

I ask you all now,
as an exercise,

to take the paper and pen
before you

and divide the paper
into four quadrants like so.

Now I would like you to write
in each quadrant

those things in your life
you care most about

in order of importance.
Please do this now.

[playful music]

*

Now stop.
Look carefully

at what you have written
in your fourth quadrant.

Whatever it is
will destroy you,

because it takes away
from your real priorities.

This is the vortex,
the vortex of death.

- I wrote my mother.
[chuckles]

Young lady, as an example--
may I see yours?

- Oh, no, thank you.

- Oh, please,
I must insist.

- No.

- Yes.
- No.

- I think so, ye--
- No!

- I think now--
- Uh, no.

*

- Huh.

[upbeat music]

*

- The idea behind Equine
Assisted Therapy

is that by communicating
with a properly certified horse,

you can unpack
your toxic emotions

and move more quickly
through the grieving process.

- That's wonderful.

That--that is exactly
what my girl needs.

- You can tell your horse things
that you might be too ashamed

to share with a friend
or with a therapist.

- Okay.

- Let me introduce you
to Mike.

- Go heal.

- Gently brush him,

and when you're comfortable,
share your feelings.

- [sighs]

This is weird.

You really are
a beautiful boy.

You know, I do have one secret
that I'm ashamed to talk about.

I can't admit it
to anyone.

[sighs]

[whispering indistinctly]

[horse neighs]

- Oh.

Congratulations,
you got a release.

- Yes!

[upbeat music]

*

- I've got a proposition.

- Okay.

- I would love
to clear the air.

If you're amenable, meet me
at The Carlyle tonight at 9:00.

If you show up, great,

and if you don't,
that's completely fine.

It will be like
it never happened.

- Charles, come say hello
to Kiko.

[quiet music]

*

[phone alert chimes]

[upbeat music]

*

- * Ooh, ooh, ooh, ooh

- So behind door number one,

we have your sweet, hot,
26-year-old boyfriend,

who honestly knows
and adores you

and wants to be with you,
despite your craziness.

Behind door number two,
we've got

your 40-something divorced boss,
with two kids.

Is there really a choice?

- He's a grown-up.
We talk about books.

- Talking? Books?
Ugh.

- I've at least
got to go meet him

and make it
less awkward.

- You know, I've kissed plenty
of people inappropriately,

and it's really
not that big of a deal.

- I know my priorities.

It's Caitlin, you,
and my job.

Anything that gets in the way
of that is a mistake.

[pop music]

- You're gonna
kiss him again.

I know you.

- * Do you want to go
downtown? *

* See the city lights
the red light district *

* Do you want to go
downtown? *

*

* Do you want to go
downtown? *

* See the city lights
the red light district *

- I know what you're doing.

- Excuse me?

- Trying to avoid
loneliness,

burying your misery
in your work.

- [sighs]

I think you're projecting,
Diana.

- Maybe.

But I know a girl who needs
to cut loose when I see one.

Can I buy you a drink?

- Sure.

Just give me a minute.

You wanna hit the bar
next door?

- Oh. I've got
a better place in mind.

After my divorce
I spent every night for years

in the office. I got to know
all of the janitors.

Anything to avoid
putting myself out there.

- How many years
were you married?

- Five years.
Andy really was a wonderful man.

I don't mean to say "was."
He's not dead,

he's just just remarried...
to Eduardo.

- Did you know?

- He was a wasp
from Connecticut.

I just thought he was uptight
and well-mannered.

- So did you guys
have sex?

- Biannually.
Here we are.

men: * Be our guest
be our guest *

* Put our service to the test

* Tie your napkin
'round your neck, Cherie *

* And we'll provide the rest *

- Diana,
what is this place?

- Marie's Crisis. It's where
I come whenever I'm having one,

'cause you can't be
sad or lonely

surrounded by a drunken mob
of gay men singing show tunes.

all: * Try the grey stuff
It's delicious *

* Don't believe me?
Ask the dishes *

* They can sing
They can dance *

* After all, Miss,
this is France *

* And the dinner here
is never second best *

* Go on, unfold your menu
take a glance *

- A double vodka for me,
and a--

- I'll-I'll just have
a glass of wine.

- Two double vodkas.
- What?

- Lubricates
the vocal chords.

all: * We'll prepare and serve
with flair a culinary cabaret *

* You're alone
and you're scared *

- Let's show 'em
how it's done.

all: * The banquet's
all prepared *

[quiet piano music playing]

*

- Charles.

- Bob, hi.

Hi, Julia, you look beautiful.
- Hi. Aw.

- We're celebrating.
- No we're not, I'm in mourning.

- Aw, we just sent Rose
off to college.

- That's not possible,
she's 14.

- She's 18.
- We're empty-nesters.

- Hey, are you alone?
You should join us.

- Oh, thanks, I'm, uh, just
meeting a friend for a drink.

- Oh, is it a date?

- N-not exactly.

It's this young woman
I work with,

and I kind of kissed myself
into a complicated situation.

- Ooh, that sounds
interesting.

- Please, don't tell me
she's your assistant.

- She's not my assistant.

- Oh, God.
- Ah, listen,

as your friend, congrats,
you still got it.

As your attorney,
I see lawsuits and HR.

- I know,
but she's different.

There's something about her.
She's like a--like an old soul.

- Yeah, in a hot,
young body.

- Yeah, you're already
putting yourself

in a compromising position
by inviting her out for a drink.

- Come on.
- I would keep it

purely about business.

If you want to pursue
a romantic relationship,

find her a job
somewhere else.

- Is there another option?

- You could marry her.

- Oh.
- [laughs] Okay.

[piano playing
"As Time Goes By"]

*

[music winds down]

[dramatic music]

- Miss--
Miss, can I help you?

- Uh, no, thank you,
I'm fine.

*

[piano playing
"As Time Goes By"]

[text alert chimes]

*

all: * Let's go fly a kite *

* Up to the highest height

* Let's go fly a kite *

* And send it soaring

* Up through the atmosphere

* Up where the air is clear

* Oh, let's go-o-o *

* Fly a kite

- * [vocalizing]*

[cheers and applause]

- Wow!

- Oh, my God.

- Oh, what's the matter?
- Uh...

I think I'm gonna be sick.
- Oh, no.

Okay, go, go, go.
Come on.

- [clears throat]
Here we go.

[piano playing show tunes]

[text alert chimes]

[energetic music]

*

- Oh!
- What happened?

- I get...the vertigo
when I have a vodka or two.

- Or six.

- Okay, well, come on,
let's get you home.

- No, I'm fine!

- Okay! No, you're not.
- Oh.

- Let's go.

- All right.
- Taxi.

- Watch your head. Oh, gosh.
- Sit down.

- [groans]

*

[playful music]

- Welcome to my home.

- Wow. [scoffs]
Diana, your place is gorgeous.

- Yeah.

- It's a Candela building.

Work hard enough
for the next ten years

and maybe you'll have
a beautiful apartment like this.

Actually, probably never.
Not at today's prices.

Can...I get you all
a drink?

- Diana, are you sure--
- Bup, bup!

Liza, I think I know
when I've had enough.

Kels?

- Glass of white wine
would be great.

- How about vodka?
Wine is for fat people.

- Okay, then.

- Excuse the mess,
I wasn't expecting company.

I suppose you'll want
the tour.

- Uh...sure.
- Yeah.

- This is where I sit.

- It's lovely.

- [whispering indistinctly]

- [whispering]
I don't want that either.

- [whispering indistinctly]

- Ooh.

- This is where I sleep.
- Yeah.

- And this is my sanctum.

[heavenly music]

- Oh, my God!

[gasps]
Diana!

I'm...speechless.

- Kiko Kagami would have
a field day in here.

Half the things are
probably vintage by now.

- Is that...
your wedding dress?

- Yes.

It's what I married Andy in
almost 15 years ago.

- Oh, please,
don't put that on.

- Don't be ridiculous.

I am gonna kiss
this thing.

[kiss]

And let it go.

[both gasp]

[classical music]

*

- Oh...my God.
How did that happen?

- Uh.
She found me working late

and she asked me
to have a drink with her.

- [scoffs]
- Said she recognized

a bit of herself in me.
That's scary.

- Okay, come on,
you are nothing like Diana.

[soft pop music]

- It is true that I haven't been
wanting to go home, though.

It's like I've been burying
my guilt in my work,

or something.

- What could you possibly have
to feel guilty about?

- That maybe I was
marrying Thad

just to prove
everybody else wrong.

And when he died,
a tiny part of me felt relieved,

because now I didn't
have to marry him.

Isn't that awful?

- No, it's human.

Kelsey, have you told this
to anybody else?

[Rupert Pope and John
Robertson's "Coming Round"]

- Just Mike.

- Who's Mike?

- A horse.

- * I can feel it
coming 'round again *

- [laughing]

Never mind.
I can't even.

- * Starting

- * Oh, oh, oh
oh, oh, oh *

* Oh, oh, oh
oh, oh, oh *

*

* Oh, oh, oh
oh, oh, oh *

*

* Oh, oh, oh
oh, oh, oh *

* Into the black instead

- In my office!

* Into the dark again

[music fades out]

- How are you feeling?

- [sighs]

I woke up in my Spanx,

and my closet looked like
it had been pillaged by thieves.

Is there anything else
I should know?

- That about covers it.

- Get me four aspirin
and a Diet Sunkist,

and we will never speak
of last night again.

- Hey. Kiko Kagami is
on Kathie Lee and Hoda.

- It's about simplifying
your life

and being honest
with yourself.

Do I really need
this thing?

We really need so little
to be happy.

And sometimes,
the less we have,

the more happy you are.

- I kind of agree
with her.

- How many bracelets
do you have?

- I have lots.

- And do you love these
the most?

- I'm so sorry
about last night.

- Liza, I think
you're fantastic.

You don't have to explain
a thing.

- Then kiss them
and let them go.

- Well, when I get home,
I'm gonna kiss

this whole outfit buh-bye.
- Oh, I'm so glad.

- I just want to you know--
- It was just a kiss, Liza.

Let it go.

- Kiss this and let it go.
- Hmm? This?

- * Oh, oh, oh, I ask myself
what am I doing here? *

- Mm-mmm.
- No--I--

- * Oh, oh, oh, here
oh, oh, oh, here *

* And I can't wait till we can
break up outta here *

* Excuse me if I seem
a little-- *

[Wizardz Of Oz's
"Million Dollar Life"]

- * Ooh, ooh
ooh, ooh, ooh, ooh *

* Ooh, ooh, ooh, ooh, ooh

* Ooh, ooh
ooh, ooh, ooh, ooh *

* Ooh, ooh, ooh, ooh, ooh

* Ooh, ooh
ooh, ooh, ooh, ooh *

* Ooh, ooh, ooh, ooh, ooh

* Ooh, ooh
ooh, ooh, ooh, ooh *

*

[hip-hop music]