All language subtitles for 111111111111111111American Housewife (2016) - S04E09 - Hip To Be Square (1080p AMZN WEB-DL x265 MONOLITH)_track3_eng

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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:06,473 --> 00:00:10,642 REBA, I GOT YOUR MESSAGE THAT YOU WANTED TO SEE ME. 2 00:00:10,711 --> 00:00:13,144 THIS IS THE FIRST TIME THAT'S EVER HAPPENED. 3 00:00:14,581 --> 00:00:16,881 I GOT YOU A CARD. 4 00:00:18,319 --> 00:00:23,255 I NEED YOUR HELP. THAT IS SO WONDERFUL. 5 00:00:23,323 --> 00:00:25,724 OH! I SHOULD'VE GOT A SECOND CARD. 6 00:00:27,227 --> 00:00:30,195 MONDAY MORNING I HAVE A JOB INTERVIEW WITH DOLLY MAJORS. 7 00:00:30,264 --> 00:00:32,865 DOLLY MAJORS? 8 00:00:32,933 --> 00:00:36,401 THE REAL ESTATE AGENT WHOSE FACE IS ON EVERY BUS BENCH IN TOWN? 9 00:00:36,469 --> 00:00:40,439 OH, REBA, SHE IS BIGGER THAN THAT LAWYER, MR. ACCIDENTE. 10 00:00:43,277 --> 00:00:45,505 I KNOW. AND SINCE YOU'RE MY ONLY REAL ESTATE 11 00:00:45,529 --> 00:00:47,679 CLIENT, I NEED A LETTER OF RECOMMENDATION. 12 00:00:47,748 --> 00:00:49,681 OH, I'D LOVE TO. 13 00:00:49,750 --> 00:00:53,618 OH, I ALREADY HAVE THREE POEMS ABOUT YOU THAT I COULD USE. 14 00:00:53,687 --> 00:00:57,289 REBA'S HAIR IS RED. VIOLETS ARE BLUE. 15 00:00:57,357 --> 00:01:00,392 IF BROCK EVER LEFT ME, I'D MARRY YOU. 16 00:01:05,932 --> 00:01:08,478 ACTUALLY, I TOOK THE LIBERTY AND TYPED SOMETHING UP. OH. 17 00:01:08,502 --> 00:01:10,480 ALL YOU NEED TO DO IS SIGN IT. OKAY. 18 00:01:10,504 --> 00:01:12,804 YOU CAN LEAVE OFF THE SMILEY UNICORN, IF YOU DON'T MIND. 19 00:01:12,873 --> 00:01:16,208 HEADS UP! 20 00:01:17,844 --> 00:01:20,345 I'M ON IT. GO LONG. STOP. 21 00:01:20,413 --> 00:01:22,959 JAKE, GET IN HERE. YEAH, BUT FIRST GO LONG. 22 00:01:22,983 --> 00:01:24,917 GIVE THAT TO ME. JAKE. 23 00:01:24,985 --> 00:01:27,820 HOW MANY TIMES DO I HAVE TO TELL YOU NOT TO THROW THINGS IN THE HOUSE? 24 00:01:27,888 --> 00:01:33,559 NOW, GET OUTSIDE AND PLAY. BUT THE SUN, IT BURNS. 25 00:01:33,627 --> 00:01:36,562 GET. 26 00:01:36,630 --> 00:01:39,765 THIS LETTER IS SO COLD AND IMPERSONAL. 27 00:01:39,833 --> 00:01:42,601 IT SOUNDS LIKE WE HARDLY EVEN KNOW EACH OTHER. 28 00:01:42,669 --> 00:01:45,337 I KNOW. 29 00:01:45,406 --> 00:01:48,172 YOU KNOW, THIS DOESN'T FULLY REPRESENT WHAT IS IN MY HEART. 30 00:01:48,241 --> 00:01:51,243 SO IF YOU DON'T MIND, I'M GONNA GIVE IT THE BARBRA JEAN TOUCH. 31 00:01:53,180 --> 00:01:57,282 HAD TO CALL HER. HAD TO INVITE HER OVER. 32 00:01:57,351 --> 00:01:59,896 YOU GOT ROCKS IN YOUR HEAD, REBA. THAT'S WHAT YOU GOT. 33 00:01:59,920 --> 00:02:03,722 I'M SERIOUS, BARBRA JEAN. THIS INTERVIEW IS HUGE. 34 00:02:03,790 --> 00:02:06,257 AND I ONLY HAVE TWO DAYS TO GET READY FOR IT. 35 00:02:14,935 --> 00:02:17,202 HI. I'M DOLLY MAJORS. 36 00:02:17,271 --> 00:02:19,638 BUT... BUT I THOUGHT THE INTERVIEW WAS MONDAY. 37 00:02:19,707 --> 00:02:22,674 EXPECT THE UNEXPECTED. 38 00:02:22,742 --> 00:02:27,612 I LIKE TO SCHEDULE AN INTERVIEW ONE DAY, AND THEN JUST POP IN ON ANOTHER. 39 00:02:27,681 --> 00:02:30,882 I'LL TELL MISS REBA YOU'RE HERE. 40 00:02:33,186 --> 00:02:34,886 HA, HEY! 41 00:02:34,955 --> 00:02:37,689 ♪ MY ROOTS ARE PLANTED IN THE PAST ♪ 42 00:02:37,758 --> 00:02:40,125 ♪ THOUGH MY LIFE IS CHANGING FAST ♪ 43 00:02:40,194 --> 00:02:44,195 ♪ WHO I AM IS WHO I WANT TO BE ♪ 44 00:02:44,264 --> 00:02:46,999 ♪ A SINGLE MOM WHO WORKS TOO HARD ♪ 45 00:02:47,067 --> 00:02:49,735 ♪ WHO LOVES HER KIDS AND NEVER STOPS ♪ 46 00:02:49,803 --> 00:02:51,370 ♪ WITH GENTLE HANDS ♪ 47 00:02:51,438 --> 00:02:53,305 ♪ AND THE HEART OF A FIGHTER ♪ 48 00:02:56,109 --> 00:02:59,944 ♪ I'M A SURVIVOR ♪♪ 49 00:03:06,253 --> 00:03:10,656 - I-IT IS OKAY THAT I POPPED IN, ISN'T IT? - OH, YEAH. YEAH, IT'S FINE. 50 00:03:10,724 --> 00:03:12,969 IT'S JUST I'M NOT DRESSED, AND THE HOUSE IS A MESS. 51 00:03:12,993 --> 00:03:15,113 COULDN'T WE SCHEDULE A TIME FOR YOU TO POP IN? 52 00:03:15,162 --> 00:03:20,265 WELL, THEN I WOULDN'T GET TO SEE WHO YOU ARE UNDER PRESSURE. 53 00:03:20,334 --> 00:03:24,169 AND SO FAR, YOU'RE AS JUMPY AS A FLEA ON A HOT BRICK. 54 00:03:24,237 --> 00:03:28,106 NO, I'M... I'M FINE. COME IN. SIT DOWN. 55 00:03:28,175 --> 00:03:31,242 I'M SORRY THE HOUSE IS SO MESSY. I HAVE KIDS. 56 00:03:31,311 --> 00:03:34,551 REBA? SHE'S NOT ONE OF 'EM. 57 00:03:35,349 --> 00:03:38,617 - OH. HELLO. - HI. 58 00:03:38,686 --> 00:03:40,992 IF YOU DON'T LEAVE NOW, THIS'LL BE THE MOMENT 59 00:03:41,016 --> 00:03:43,088 YOU'LL REGRET FOR THE REST OF YOUR LIFE. 60 00:03:43,157 --> 00:03:48,459 HI. I'M BARBRA JEAN. DOLLY MAJORS. 61 00:03:48,528 --> 00:03:52,364 OH, MY GOSH. IT'S LIKE LOOKIN' IN A TINY MIRROR. 62 00:04:00,274 --> 00:04:03,875 YEAH. DOLLY POPPED IN JUST AS YOU WERE POPPIN' OUT. BYE-BYE NOW. 63 00:04:03,944 --> 00:04:06,744 REBA, ARE YOU KIDDING? THIS IS PERFECT. 64 00:04:06,813 --> 00:04:10,047 WHY WRITE A LETTER WHEN I CAN GIVE DOLLY MY RECOMMENDATION IN PERSON? 65 00:04:10,116 --> 00:04:13,752 'CAUSE YOU'RE LESS CRAZY ON PAPER THEN YOU ARE IN PERSON. 66 00:04:13,821 --> 00:04:17,088 NOW, DOLLY. 67 00:04:17,157 --> 00:04:19,991 REBA SOLD A CONDO FOR US, AND I JUST HAVE TO TELL YOU, 68 00:04:20,060 --> 00:04:23,929 SHE IS THE BEST REAL ESTATE AGENT IN THE WORLD. WELL, THAT IS GOOD TO KNOW. 69 00:04:23,998 --> 00:04:25,997 SHE'S NOT THROUGH TALKIN'. 70 00:04:27,534 --> 00:04:30,546 NOW, BROCK AND I WANTED TO HELP HER OUT AFTER SHE LOST HER JOB. 71 00:04:30,570 --> 00:04:34,172 SHE DIDN'T ACTUALLY LOSE IT. SHE GOT FIRED. 72 00:04:34,240 --> 00:04:37,341 SHE CALLED HER BOSS A MONKEY'S BUTT. 73 00:04:37,410 --> 00:04:41,580 SHE'S KIND OF GOT A LITTLE PROBLEM WITH HER TEMPER, YOU KNOW. 74 00:04:41,649 --> 00:04:44,045 SEE? I BET YOU DOLLARS TO DOUGHNUTS THIS 75 00:04:44,069 --> 00:04:46,851 WOULD NOT HAVE COME UP IN MY OFFICE ON MONDAY. 76 00:04:48,789 --> 00:04:52,823 CHEYENNE, QUIT NAGGING ME ABOUT NOT WORKIN'. I JUST GOT PAID $25. 77 00:04:52,892 --> 00:04:56,461 THAT MEANS SELLING MY BLOOD COUNTS AS A JOB. 78 00:04:56,530 --> 00:04:59,531 AND WHO IS THIS AMBITIOUS YOUNG MAN? 79 00:04:59,599 --> 00:05:03,101 I'M... I'M-I'M VAN. AND... I'M A LITTLE DIZZY. 80 00:05:04,104 --> 00:05:07,505 OH, MY GOSH, IT'S DOLLY MAJORS. 81 00:05:07,574 --> 00:05:11,709 THIS IS SO WEIRD. MOM HAS AN INTERVIEW WITH YOU ON MONDAY. 82 00:05:14,948 --> 00:05:16,881 IT'S BEEN RESCHEDULED TO RIGHT NOW. 83 00:05:16,950 --> 00:05:19,317 OH. OH. OKAY, WELL, WE'LL GET OUT OF YOUR HAIR. 84 00:05:19,386 --> 00:05:21,686 THANK YOU. YEAH, WE DON'T WANNA BLOW THIS FOR YOU. 85 00:05:21,755 --> 00:05:25,223 YEAH. 'CAUSE LET'S FACE IT, IT'S A LONG SHOT ANYWAY. 86 00:05:25,291 --> 00:05:28,493 YOU KNOW, WE ARE JUST SO APPRECIATIVE THAT YOU'VE GIVEN HER THIS INTERVIEW. 87 00:05:28,562 --> 00:05:33,564 I MEAN, WHO ELSE WOULD GIVE A WOMAN HER AGE WITH NO EXPERIENCE A CHANCE? 88 00:05:33,633 --> 00:05:35,612 OH. KNOCK 'EM DEAD, MRS. H. 89 00:05:35,636 --> 00:05:38,581 YEAH, GOOD LUCK. OH, SORRY ABOUT THAT, DOLL. 90 00:05:38,605 --> 00:05:40,905 ♪♪ 91 00:05:40,974 --> 00:05:43,620 WHAT'S THAT? THAT'S HER DAUGHTER KYRA. 92 00:05:43,644 --> 00:05:47,078 YEAH, SHE'S FALLEN PREY TO THE ROCK-AND-ROLL LIFESTYLE. 93 00:05:48,515 --> 00:05:51,082 VAN, TELL KYRA TO KNOCK IT OFF. 94 00:05:51,151 --> 00:05:54,285 KYRA, TURN DOWN THAT DEVIL MUSIC! 95 00:05:54,354 --> 00:05:56,521 ♪♪ 96 00:05:56,590 --> 00:05:58,924 SORRY ABOUT THAT, DOLLY. 97 00:05:58,992 --> 00:06:02,761 WELL, YOU WANTED TO POP IN, SEE THE REAL ME. SO, THIS IS IT. 98 00:06:02,830 --> 00:06:06,564 IT'S ALSO THE REASON, IF YOU HIRE ME, I'LL NEVER GO HOME. 99 00:06:08,835 --> 00:06:11,970 RULE 2 OF REAL ESTATE: BE YOURSELF. 100 00:06:12,039 --> 00:06:15,907 HECK, I HAVE AN UNCLE FLOYD THAT CAN SPIT HIS GLASS EYE IN THE AIR... 101 00:06:15,976 --> 00:06:18,321 AND CATCH IT ON THE SECOND BOUNCE. OH. 102 00:06:21,081 --> 00:06:24,783 WELL, DOLLY, SHE SHOULD BE HERSELF, BECAUSE SHE IS GREAT. 103 00:06:24,852 --> 00:06:28,119 SHE'S REBA. SHE'S "UNBELIEVE-ABA." 104 00:06:33,693 --> 00:06:36,080 YOU KNOW, I ONLY WISH SHE'D BEEN A REAL ESTATE 105 00:06:36,104 --> 00:06:38,463 AGENT WHEN I BOUGHT MY HOUSE DOWN THE STREET. 106 00:06:38,532 --> 00:06:42,433 WAIT. YOU DID NOT BUY THAT OLD COLONIAL HOUSE WITH THE BAD... 107 00:06:43,436 --> 00:06:46,104 UH, NEVER MIND. 108 00:06:46,173 --> 00:06:50,141 WITH THE BAD WHAT? IS THERE SOMETHING WRONG WITH MY HOUSE? 109 00:06:50,210 --> 00:06:53,444 OH, MY GOD. IS IT THE ROOF? IS IT... IS IT THE PLUMBING? 110 00:06:53,513 --> 00:06:58,316 OH, TOXIC MOLD. OH, MY GOSH, I'VE SEEN THAT MOVIE. THAT STUFF CAN COME TO LIFE. 111 00:06:58,385 --> 00:07:00,818 WELL, MAYBE... MAYBE I SHOULD SELL MY HOUSE. 112 00:07:00,887 --> 00:07:03,254 CALL ME. 113 00:07:05,058 --> 00:07:10,061 THANK YOU. OH, GOD. THANK YOU SO MUCH. HUH. 114 00:07:10,129 --> 00:07:12,196 OH, IT'S STILL WARM. 115 00:07:18,071 --> 00:07:20,638 IF SHE MOVES, I'LL WORK FOR YOU FOR FREE. 116 00:07:20,707 --> 00:07:24,308 ALWAYS LOOK FOR THE SALE. 117 00:07:24,377 --> 00:07:28,179 WELL, I JUST HAPPEN TO BE VERY GOOD AT THAT. I'M A NATURAL-BORN SALESPERSON. 118 00:07:28,248 --> 00:07:29,959 REALLY? YEAH. 119 00:07:29,983 --> 00:07:32,951 I'VE BEEN HERE FIVE MINUTES. SO FAR, YOU HAVEN'T TRIED TO SELL ME ANYTHING. 120 00:07:33,020 --> 00:07:35,587 I'D SELL YOU MY KIDS BUT... 121 00:07:35,655 --> 00:07:37,655 BUT NOTHING. I'D SELL YOU MY KIDS. 122 00:07:37,724 --> 00:07:40,525 SELL ME YOUR HOUSE. 123 00:07:40,594 --> 00:07:44,362 BUT I KIND OF USE THE HOUSE TO LIVE IN. 124 00:07:44,431 --> 00:07:46,464 WELL, I KNOW THAT. IT'S A TEST. 125 00:07:46,533 --> 00:07:48,466 YOU WANNA SELL. START SELLIN'. 126 00:07:48,535 --> 00:07:51,502 MY RECORD TO MAKE A SALE IS 30 SECONDS. GO. 127 00:07:51,571 --> 00:07:53,772 YOU'RE KIDDIN', RIGHT? TIME'S A'WASTIN'. 128 00:07:53,840 --> 00:07:57,108 THE LITTLE DIAMOND'S CATCHIN' UP TO THE BIG DIAMOND. 129 00:07:58,512 --> 00:08:00,545 OKAY. 130 00:08:00,614 --> 00:08:02,947 - I'M NOT GONNA SELL YOU THIS HOUSE. - NO? 131 00:08:03,016 --> 00:08:06,150 NO. ANYBODY CAN SELL YOU A HOUSE. 132 00:08:06,219 --> 00:08:10,822 WHAT I'M SELLIN' IS, UH, A PLACE TO RAISE YOUR CHILDREN. 133 00:08:10,891 --> 00:08:12,891 A PLACE WHERE MEMORIES ARE MADE. 134 00:08:12,960 --> 00:08:16,995 A PLACE TO... TO GROW, TO LOVE, TO LIVE. 135 00:08:17,064 --> 00:08:19,164 NO, MA'AM, I DON'T SELL HOUSES. 136 00:08:19,232 --> 00:08:21,666 MY NAME IS REBA HART, AND I SELL HOMES. 137 00:08:21,735 --> 00:08:25,870 AND IF I HAD A CARD, I'D PULL ONE OUT OF MY BREASTS AND GIVE IT TO YOU. 138 00:08:29,409 --> 00:08:32,310 GET TO THEIR HEARTS, NOT THEIR BRAINS. 139 00:08:32,379 --> 00:08:34,979 - YOU GOT THE JOB. - OH! 140 00:08:35,048 --> 00:08:38,916 - AND YOU ARE GONNA BE THE PRETTIEST WOMAN IN THE OFFICE. - OH. SECOND TO YOU. 141 00:08:38,985 --> 00:08:42,053 HEY, WE'RE NOT COMPARIN' APPLES AND MELONS HERE. 142 00:08:48,895 --> 00:08:50,895 BUT I GOT THE JOB. 143 00:08:50,964 --> 00:08:54,065 I GOT THE JOB RIGHT HERE IN MY LIVIN' ROOM IN MY SWEATPANTS. 144 00:08:54,133 --> 00:08:56,267 YOU KNOW WHAT? WE SHOULD CELEBRATE. 145 00:08:56,336 --> 00:08:59,971 I'VE BEEN CHILLIN' A BOTTLE OF CHAMPAGNE JUST IN CASE SOMETHING GOOD HAPPENS. 146 00:09:00,040 --> 00:09:03,174 IT'S A FEW YEARS OLD, BUT IT'S STILL BUBBLY. 147 00:09:03,243 --> 00:09:05,910 - AIN'T WE ALL? - YEAH. 148 00:09:06,980 --> 00:09:08,913 HEY, MOM. 149 00:09:08,982 --> 00:09:13,251 I WAS OUTSIDE PLAYING WITH STICKS LIKE SOME KIND OF CAVE BOY, 150 00:09:13,320 --> 00:09:15,920 WHEN I SAW THIS ON THE PORCH WITH MY NAME ON IT. 151 00:09:15,989 --> 00:09:18,421 UH, THAT'S FROM ME. I HEARD REBA HAD A BOY MY 152 00:09:18,445 --> 00:09:20,791 GRANDSON'S AGE, SO I BROUGHT YOU SOMETHIN'. 153 00:09:20,860 --> 00:09:23,561 THAT IS SO NICE OF YOU, BUT YOU SHOULDN'T HAVE. 154 00:09:23,630 --> 00:09:27,865 A WEAPON. COOL! 155 00:09:27,934 --> 00:09:31,969 OH, BOY. A B.B. GUN FOR A 10-YEAR-OLD BOY. 156 00:09:32,038 --> 00:09:33,804 YOU REALLY SHOULDN'T HAVE. 157 00:09:33,873 --> 00:09:35,940 I LEARNED TO SHOOT WHEN I WAS FIVE. 158 00:09:36,009 --> 00:09:39,110 HOW DO YOU THINK MY UNCLE FLOYD GOT THAT GLASS EYE? 159 00:09:40,480 --> 00:09:42,414 I'M JUST KIDDIN'. 160 00:09:42,482 --> 00:09:44,793 KIDS ARE SO OVERPROTECTED THESE DAYS, DON'T YOU THINK? 161 00:09:44,817 --> 00:09:47,786 CAN I KEEP IT, MOM? I WANT TO SHOOT A CAN OFF VAN'S HEAD. 162 00:09:49,989 --> 00:09:53,091 WELL, I DON'T KNOW. IT... PLEASE? 163 00:09:53,159 --> 00:09:55,927 REBA, ONE OF MY GREATEST JOYS IS GIVIN' PRESENTS. 164 00:09:55,996 --> 00:09:59,263 YOU ARE NOT GONNA DENY YOUR NEW BOSS JOY, ARE YOU? 165 00:10:03,503 --> 00:10:06,071 NO, OF COURSE NOT. AND WHAT I WAS GONNA SAY IS, 166 00:10:06,139 --> 00:10:10,107 I DON'T KNOW ANY BETTER WAY OF CELEBRATIN' THAN WITH A GLASS OF CHAMPAGNE... 167 00:10:10,176 --> 00:10:12,243 AND... GUNFIRE. 168 00:10:13,580 --> 00:10:15,947 UH, HONEY, I'M GONNA KEEP THE B.B.'s. 169 00:10:16,015 --> 00:10:20,184 AND YOU TAKE YOUR GUN UPSTAIRS AND MEMORIZE ALL THE INSTRUCTIONS, 170 00:10:20,253 --> 00:10:23,020 IN ENGLISH AND IN SPANISH. 171 00:10:23,089 --> 00:10:25,923 DOLLY, MAKE YOURSELF AT HOME. MY HOUSE IS YOUR HOUSE. 172 00:10:25,992 --> 00:10:28,526 JUST DON'T SELL IT, OKAY? 173 00:10:30,596 --> 00:10:33,131 MOM, VAN CAME INTO THE GARAGE AND TOLD MY BAND TO SHUT UP. 174 00:10:33,200 --> 00:10:35,240 YEAH, WRITE A SONG ABOUT IT. 175 00:10:37,003 --> 00:10:39,537 KYRA, HONEY, I JUST NEEDED YOU TO STOP PLAYIN' LONG ENOUGH... 176 00:10:39,606 --> 00:10:41,806 FOR ME TO GET THIS JOB, WHICH I GOT. 177 00:10:41,875 --> 00:10:44,954 WAY TO GO, MOM. HOW'D YOU DO IT? WAS IT PITY? 178 00:10:44,978 --> 00:10:49,881 IT WAS PITY, WASN'T IT? YOU ARE SO LUCKY PEOPLE PITY YOU. 179 00:10:49,949 --> 00:10:52,561 HEY, GUYS, GO OUT AND KEEP DOLLY COMPANY WHILE I GET THE CHAMPAGNE. 180 00:10:52,585 --> 00:10:54,552 OKAY. 181 00:10:54,621 --> 00:10:58,181 MOM, SERIOUSLY, MY BAND HAS A GIG TONIGHT, AND YOU SAID WE COULD PRACTICE HERE. 182 00:10:58,224 --> 00:11:01,893 OH, HONEY, YEAH, I DID. BUT IN MY DEFENSE, I'D HAD WINE WITH DINNER. 183 00:11:03,396 --> 00:11:04,940 CAN'T YOU PRACTICE AT YOUR DAD'S? 184 00:11:04,964 --> 00:11:08,299 NOT SINCE BARBRA JEAN LEARNED THE WORDS TO OUR SONGS. 185 00:11:08,367 --> 00:11:11,368 AND BOUGHT A TAMBOURINE. 186 00:11:11,437 --> 00:11:15,339 WELL-WELL, LOOK. YOU DON'T NEED TO PRACTICE YOUR MUSIC. JUST WORK ON YOUR ATTITUDE. 187 00:11:15,408 --> 00:11:18,910 YOU KNOW, HOW YOU HATE AUTHORITY. 188 00:11:21,281 --> 00:11:24,849 WELL, I GOTTA TELL YOU, DOLLY, GETTING THIS JOB IS A DREAM COME TRUE. 189 00:11:24,918 --> 00:11:28,052 - OH, WE'RE EXCITED TOO. - LOOK AT ME. I'M SHAKIN'. 190 00:11:28,121 --> 00:11:30,755 WHO'S READY TO CELEBRATE? 191 00:11:30,824 --> 00:11:32,557 WE ARE. WE'RE BUYIN' A HOUSE. 192 00:11:45,338 --> 00:11:48,506 YOU SOLD VAN AND CHEYENNE A HOUSE? MM-HMM. YEAH. 193 00:11:48,575 --> 00:11:53,178 "IT'S ANOTHER MAJOR SELL BY DOLLY." THAT'S HER SLOGAN. 194 00:11:53,247 --> 00:11:55,658 YOU WOULDN'T BELIEVE WHERE SHE KEEPS THESE THINGS. 195 00:11:55,682 --> 00:11:58,850 SHH. 196 00:12:02,656 --> 00:12:05,356 DOLLY, HOW DID THIS HAPPEN? 197 00:12:05,425 --> 00:12:09,627 I DON'T KNOW. SOMEHOW THE SUBJECT OF REAL ESTATE CAME UP. 198 00:12:09,696 --> 00:12:12,797 YEAH, AND THEN SHE REMEMBERED THIS HOUSE THAT WAS PERFECT FOR A YOUNG COUPLE. 199 00:12:12,866 --> 00:12:15,066 I SAID, "WE'RE A YOUNG COUPLE." THE NEXT THING YOU KNOW, 200 00:12:15,134 --> 00:12:18,069 WE'RE A YOUNG COUPLE OF HOMEOWNERS. 201 00:12:18,138 --> 00:12:20,138 BUT YOU HADN'T EVEN SEEN IT YET. 202 00:12:20,206 --> 00:12:23,808 WE DON'T NEED TO SEE IT, MOM. THE WAY DOLLY DESCRIBED IT, IT WAS LIKE WE WERE THERE. 203 00:12:23,877 --> 00:12:27,211 I JUST LOVE THE ENTRYWAY. MM-HMM. OH, ME TOO. 204 00:12:27,280 --> 00:12:31,249 UH-HUH. UH-HUH. WELL, HAVE YOU GIVEN ANY THOUGHT TO HOW YOU'RE GONNA PAY FOR IT? 205 00:12:31,318 --> 00:12:33,251 OF COURSE. WE'RE NOT CLUELESS. 206 00:12:33,320 --> 00:12:36,032 WHATEVER'S LEFT OF MY FOOTBALL SETTLEMENT WILL GO TO THE DOWN PAYMENT. 207 00:12:36,056 --> 00:12:38,223 OKAY. WHAT ABOUT THE MORTGAGE AND INSURANCE? 208 00:12:38,292 --> 00:12:40,258 MRS. H. 209 00:12:40,326 --> 00:12:42,326 RED GOLD. 210 00:12:44,198 --> 00:12:47,065 YEAH, BUT STILL, A NEW HOUSE IS VERY EXPENSIVE. 211 00:12:47,134 --> 00:12:49,533 REBA, IT'S NOT A HOUSE... IT'S A HOME. 212 00:12:49,603 --> 00:12:53,271 IT'S A PLACE TO GROW, TO LOVE, TO LIVE. 213 00:12:53,340 --> 00:12:57,775 AND PUTTIN' YOUNG COUPLES IN A HOME OF THEIR OWN IS ANOTHER ONE OF MY GREAT JOYS. 214 00:12:57,844 --> 00:13:01,445 WELL, WHO KNEW THERE'D BE SO MUCH JOY HERE TODAY? 215 00:13:01,514 --> 00:13:04,416 REBA. 216 00:13:04,484 --> 00:13:08,753 WHY WOULD YOU TELL BARBRA JEAN THAT OUR HOUSE IS GONNA COME TO LIFE AND EAT US? 217 00:13:09,923 --> 00:13:12,257 IT WASN'T REBA. IT WAS HER. 218 00:13:12,325 --> 00:13:14,625 HI. I'M DOLLY MAJORS. 219 00:13:14,694 --> 00:13:17,028 DON'T WE LOOK LIKE TWINS SEPARATED AT BIRTH? 220 00:13:21,935 --> 00:13:24,001 DOLLY, THIS IS MY EX-HUSBAND, BROCK. 221 00:13:24,070 --> 00:13:28,273 NO! YOU CAN'T BE OLD ENOUGH TO HAVE TWO TEENAGE DAUGHTERS. 222 00:13:28,342 --> 00:13:31,776 WELL, I... I WORK OUT. 223 00:13:31,844 --> 00:13:34,612 A-ANYWAY, ABOUT OUR HOUSE, I... 224 00:13:34,681 --> 00:13:37,292 SPEAKING OF HOUSES, VAN AND CHEYENNE ARE BUYING A HOUSE OF THEIR OWN. 225 00:13:37,316 --> 00:13:38,984 YEAH. ISN'T THAT GREAT? 226 00:13:39,052 --> 00:13:41,430 - HUH? - DON'T STOP BY WITHOUT CALLING FIRST. 227 00:13:41,454 --> 00:13:43,387 NOPE. OKAY. 228 00:13:43,456 --> 00:13:46,557 REBA, CAN WE SEE YOU IN THE KITCHEN? 229 00:13:46,626 --> 00:13:49,894 SURE. THIS IS SUCH A HAPPY OCCASION, WE'RE GONNA NEED MORE CHAMPAGNE. 230 00:13:49,963 --> 00:13:51,896 OR SOMETHIN' STRONGER. 231 00:13:54,133 --> 00:13:57,936 SERIOUSLY, YOU COULD BE MY MINI-ME. 232 00:14:05,378 --> 00:14:08,213 REBA, WHY DIDN'T YOU STOP THAT WOMAN? 233 00:14:08,281 --> 00:14:10,982 BECAUSE SHE'S DOLLY MAJORS. SHE'S UNSTOPPABLE. 234 00:14:11,051 --> 00:14:15,553 - OH, COME ON. SHE'S ONLY HUMAN. - WITH A SMILE THAT COULD LIGHT UP BROADWAY. 235 00:14:15,621 --> 00:14:18,301 SHE'S MY NEW BOSS. IF I RUIN THAT SALE, I 236 00:14:18,325 --> 00:14:21,359 COULD LOSE THE JOB I HAVEN'T EVEN STARTED YET. 237 00:14:21,427 --> 00:14:24,073 WE HAVE TO DO SOMETHING. WE CAN'T LET THOSE TWO BUY A HOUSE. 238 00:14:24,097 --> 00:14:27,543 BROCK, YOU'RE THE FATHER. GET IN THERE AND FORBID THEM FROM BUYING THAT HOUSE. 239 00:14:27,567 --> 00:14:29,545 OH, OH, OH. WAIT, WAIT, WAIT. 240 00:14:29,569 --> 00:14:31,547 BE CAREFUL. DOLLY'S SMART. 241 00:14:31,571 --> 00:14:34,506 OH, YEAH? AND WHAT AM I? 242 00:14:36,909 --> 00:14:40,111 BE REALLY CAREFUL. 243 00:14:40,180 --> 00:14:43,415 AND DON'T WORRY ABOUT FURNITURE. YOU JUST BORROW MORE THAN THE HOUSE IS WORTH... 244 00:14:43,483 --> 00:14:45,817 AND THEN SPEND THE EXTRA MONEY ON WHATEVER ELSE YOU NEED. 245 00:14:45,886 --> 00:14:47,919 OH. 246 00:14:48,989 --> 00:14:51,956 WE SHOULD BORROW THREE MILLION DOLLARS. 247 00:14:52,025 --> 00:14:53,958 WE'LL BE RICH. 248 00:14:54,027 --> 00:14:56,427 ALL RIGHT, VAN, THAT'S ENOUGH. CHEYENNE. 249 00:14:56,496 --> 00:15:00,297 YOUR MOTHER IS COMPLETELY SUPPORTIVE OF THIS DEAL. 250 00:15:00,367 --> 00:15:02,367 BUT AS YOUR FATHER, I'M AFRAID I'M AGAINST IT. 251 00:15:02,435 --> 00:15:05,403 YOU KEEP SAYIN' IT, AND I CAN'T BELIEVE IT'S TRUE. 252 00:15:05,471 --> 00:15:07,605 YOU ARE ACTUALLY HER FATHER? 253 00:15:10,009 --> 00:15:13,444 WELL, IF YOU'RE SAYING "NICE JOB ON THE MOISTURIZING," THANK YOU. 254 00:15:13,513 --> 00:15:17,448 WHY DON'T WE TALK ABOUT THIS OVER A GLASS OF CHAMPAGNE? 255 00:15:17,517 --> 00:15:22,820 NOT THAT YOU NEED ANY MORE SPARKLE IN THOSE BLUE EYES. 256 00:15:22,889 --> 00:15:26,858 WELL, I GUESS ONE GLASS COULDN'T HURT. 257 00:15:27,861 --> 00:15:30,072 MAN, I HOPE BROCK CAN HANDLE THIS. 258 00:15:30,096 --> 00:15:33,564 SOMETIMES WHEN HE GETS AROUND CHESTY BLONDES, HIS BRAIN GOES ON THE FRITZ. 259 00:15:34,634 --> 00:15:36,568 I'M NOT WORRIED ABOUT HER. 260 00:15:36,636 --> 00:15:40,105 WHEN YOU GOT A BIG GULP AT HOME, YOU DON'T GO LOOKIN' TO SIP FROM A THIMBLE. 261 00:15:40,173 --> 00:15:42,106 YOU KNOW WHAT I'M SAYIN'? 262 00:15:49,682 --> 00:15:54,085 WELL, HOW'D IT GO? GREAT. WE'RE BUYIN' A VACATION HOME. 263 00:15:54,153 --> 00:15:56,988 WHAT? 264 00:15:57,056 --> 00:15:59,035 YEAH. OH, MY GOSH. IS IT A BEACH HOUSE? 265 00:15:59,059 --> 00:16:02,126 CAN I SUNBATHE À LA MODE? 266 00:16:02,195 --> 00:16:04,807 BROCK, HOW DID THIS HAPPEN? I DON'T KNOW. 267 00:16:04,831 --> 00:16:07,698 HER VOICE TOOK ME TO A PLACE WHERE THE ANGELS LIVE... 268 00:16:09,402 --> 00:16:11,435 WITH GOLF COURSE ACCESS. YEAH. 269 00:16:11,504 --> 00:16:14,538 OKAY. CLEARLY THIS SITUATION NEEDS TO BE HANDLED... 270 00:16:14,607 --> 00:16:16,941 BY THE ONLY PERSON HERE WITH A LICK OF SENSE. 271 00:16:17,009 --> 00:16:20,011 IS SOMEONE COMIN' OVER, REBA? 272 00:16:20,080 --> 00:16:23,381 ME. NOW GET OUT OF HERE BEFORE SHE SELLS YOU A PIECE OF THE MOON. 273 00:16:23,450 --> 00:16:27,185 YEAH, COME ON, BARBRA JEAN. LET'S FIND A MAP AND FIGURE OUT WHERE COSTA RICA IS. 274 00:16:30,089 --> 00:16:32,356 SO I CAN SUBLEASE WAREHOUSE SPACE... 275 00:16:32,425 --> 00:16:34,603 AND HAVE A PLACE FOR MY BAND TO PRACTICE WHENEVER I WANT? 276 00:16:34,627 --> 00:16:37,128 YOU BETCHA. HOW MUCH IS YOUR ALLOWANCE? 277 00:16:37,196 --> 00:16:39,330 KYRA, YOU SILLY. 278 00:16:39,399 --> 00:16:43,568 YOU DON'T NEED A WAREHOUSE. HONEY, MY GARAGE IS ALWAYS OPEN. BUT YOU SAID... 279 00:16:43,637 --> 00:16:48,739 I SAID GET OUT THERE IN THE GARAGE AND ROCK AND ROLL, DUDES. 280 00:16:48,808 --> 00:16:51,842 - IT'S GETTING LATE. WE'D BETTER GO SIGN THOSE OFFER PAPERS. - OH, YEAH. 281 00:16:51,911 --> 00:16:54,545 BOY, THIS SURE DOES BRING BACK MEMORIES. 282 00:16:54,614 --> 00:16:57,648 YOU KNOW, I REMEMBER MY FIRST NEW HOME. 283 00:16:57,717 --> 00:16:59,717 YOUR DAD AND I HAD JOBS AND WE WERE MAKIN' MONEY, 284 00:16:59,786 --> 00:17:02,064 BUT STILL THERE WERE A HUNDRED THINGS THAT COULD GO WRONG. 285 00:17:02,088 --> 00:17:05,423 LIKE A LEAKY ROOF AND THE PLUMBING AND ANTS. 286 00:17:05,492 --> 00:17:07,425 OH, LORDY, THOSE ANTS. 287 00:17:07,494 --> 00:17:10,995 WELL, WH-WH-WHAT ABOUT SPIDERS? OH, LORDY, THOSE SPIDERS! 288 00:17:11,064 --> 00:17:12,997 I HATE SPIDERS. 289 00:17:13,065 --> 00:17:15,933 BUT YOU LOVE THE ENTRYWAY. 290 00:17:16,002 --> 00:17:18,603 YES, I DO. 291 00:17:18,671 --> 00:17:22,507 OH. CHEYENNE, I'M HAVING CONFLICTING THOUGHTS. 292 00:17:23,844 --> 00:17:27,312 YOU KNOW I ONLY LIKE TO HAVE ONE! 293 00:17:27,380 --> 00:17:29,680 WHAT ARE WE GONNA DO? 294 00:17:29,749 --> 00:17:32,728 HONEY, MAYBE WE SHOULD JUST TAKE OUR TIME AND THINK ABOUT THIS. 295 00:17:32,752 --> 00:17:36,521 I THINK SHE'S RIGHT. YOU TWO SHOULD NOT JUMP INTO BUYING A HOUSE. 296 00:17:36,589 --> 00:17:38,522 - THEY SHOULDN'T? - OF COURSE NOT. 297 00:17:38,591 --> 00:17:40,725 THEY SHOULD CONSULT OTHER PROFESSIONALS IN THEIR AREA. 298 00:17:40,794 --> 00:17:43,127 - I THINK THAT'S A GOOD IDEA. - LIKE YOU, REBA. 299 00:17:43,196 --> 00:17:46,464 - I THINK THAT'S A BAD IDEA. - DON'T GET SHY ON ME NOW. 300 00:17:46,533 --> 00:17:50,769 I CONSIDER YOU A VALUED EMPLOYEE, EVEN THOUGH WE HAVEN'T SIGNED THE PAPERS YET. 301 00:17:50,837 --> 00:17:53,737 I'M HAPPY WITH THE SALE. VAN'S HAPPY. YEAH. 302 00:17:53,806 --> 00:17:57,207 BUT I WANNA KNOW IF YOU'RE HAPPY. 303 00:17:57,276 --> 00:18:00,978 - YOU THINK IT'S OKAY, MOM? - WELL, I'D HAVE TO SAY... 304 00:18:01,047 --> 00:18:04,515 I MEMORIZED EL MANUAL. 305 00:18:04,583 --> 00:18:07,452 CAN I HAVE THE B.B.'s AND A PUMPKIN? 306 00:18:11,624 --> 00:18:13,825 NO. 307 00:18:13,894 --> 00:18:16,628 CAN'T HAVE A B.B. GUN. 308 00:18:16,696 --> 00:18:19,129 CAN'T WING A FRISBEE IN THE HOUSE. 309 00:18:19,198 --> 00:18:22,099 WERE YOU EVER A KID? 310 00:18:23,737 --> 00:18:25,736 AND NO ON THE HOUSE TOO. 311 00:18:25,805 --> 00:18:29,941 WHAT? MRS. H, I'VE ALREADY DECORATED IT IN MY MIND. 312 00:18:30,010 --> 00:18:33,344 AT LEAST LET ME HAVE THE JUNGLE ROOM. 313 00:18:35,548 --> 00:18:38,683 LOOK, I BEEN LETTIN' EVERYBODY DO STUFF THAT THEY SHOULDN'T DO... 314 00:18:38,752 --> 00:18:41,085 JUST BECAUSE I DIDN'T WANNA GO UP AGAINST DOLLY. 315 00:18:42,355 --> 00:18:44,255 BUT THAT STOPS NOW. 316 00:18:44,324 --> 00:18:46,991 YOU KNOW WHAT? SHE'S RIGHT. 317 00:18:47,060 --> 00:18:49,338 WE'RE WAY TOO YOUNG TO BE GROWN-UPS. 318 00:18:49,362 --> 00:18:51,696 COME ON. LET'S GO PLAY WITH OUR BABY. 319 00:18:53,567 --> 00:18:57,268 YOU CALL THAT AN ENTRYWAY? 320 00:18:57,337 --> 00:18:59,404 I GUESS I SHOULD GIVE THIS BACK TO YOU. 321 00:18:59,472 --> 00:19:02,440 SHOULD I PUT THAT... I'M-I'M JUST GONNA HOLD IT. 322 00:19:05,245 --> 00:19:08,112 YOU JUST COST ME A SALE, REBA. 323 00:19:08,181 --> 00:19:12,116 WELL, DOLLY, SELLIN' IS IMPORTANT. SO ARE PEOPLE. 324 00:19:12,185 --> 00:19:15,085 AND I DON'T THINK I COULD SELL TO ANYONE, ESPECIALLY MY KIDS, 325 00:19:15,154 --> 00:19:17,622 IF I DIDN'T THINK IT WAS A GOOD IDEA. 326 00:19:17,690 --> 00:19:19,730 EVEN IF IT MEANT I WASN'T GONNA GET THE JOB. 327 00:19:19,759 --> 00:19:21,892 WELL, I THOUGHT YOU MIGHT FEEL THAT WAY. 328 00:19:21,961 --> 00:19:25,796 I KNEW WHEN I WALKED IN THAT DOOR YOU WERE A PERSON THAT CARED ABOUT FAMILY. 329 00:19:25,865 --> 00:19:28,632 AND THAT'S WHY I WAS TESTIN' YOU. YOU WERE WHAT? 330 00:19:28,701 --> 00:19:32,302 IT WAS ANOTHER TEST. I DO THAT. 331 00:19:32,371 --> 00:19:35,673 OH! YOU... YOU GOT ME AGAIN. 332 00:19:35,741 --> 00:19:38,787 YOU WERE TESTING TO SEE IF I HAD CHARACTER AND INTEGRITY... 333 00:19:38,811 --> 00:19:40,856 AND THE BACKBONE TO STAND UP TO MY BOSS. 334 00:19:40,880 --> 00:19:44,849 AND YOU'VE GOT MORE BACKBONE THAN A BEER-BATTERED CATFISH. 335 00:19:44,917 --> 00:19:46,885 OH! GOSH. 336 00:19:46,953 --> 00:19:49,354 SO I GOT THE JOB? I PASSED THE TEST! 337 00:19:49,422 --> 00:19:53,657 NO! YOU FLUNKED. EXCUSE ME? 338 00:19:53,726 --> 00:19:55,660 REBA, YOU ARE AMAZIN'. 339 00:19:55,728 --> 00:19:59,530 I MEAN, LIFE THROWS YOU COW PATTIES, AND YOU GROW A GARDEN. 340 00:19:59,598 --> 00:20:03,734 BUT, HEY, THIS IS BUSINESS. IT'S A BUSINESS I STARTED IN MY GARAGE... 341 00:20:03,803 --> 00:20:07,105 AND BUILT INTO THE BIGGEST REAL ESTATE EMPIRE IN HOUSTON. 342 00:20:07,173 --> 00:20:10,441 I DON'T NEED A GOOD PERSON. I NEED A SHARK. 343 00:20:10,510 --> 00:20:12,721 YOU'RE RIGHT. I'M NOT A SHARK. 344 00:20:12,745 --> 00:20:15,946 I'M MORE LIKE ONE OF THOSE CUTE LITTLE FISH IN FINDING NEMO. 345 00:20:18,084 --> 00:20:22,753 I TELL YOU WHAT. I'M GONNA RECOMMEND YOU TO ANY OTHER AGENCY IN TOWN. 346 00:20:22,821 --> 00:20:25,146 MAYBE A FEW YEARS MIGHT PUT SOME ROUGH EDGES 347 00:20:25,170 --> 00:20:27,358 ON YOU, AND THEN YOU CAN COME TALK TO ME. 348 00:20:27,426 --> 00:20:31,128 OH, THANK YOU VERY MUCH. HEY, MAYBE ONE OF THESE DAYS I'LL SELL YOU A HOUSE. 349 00:20:33,432 --> 00:20:36,467 OH, I JUST LOVE YOUR SENSE OF HUMOR. 350 00:20:36,536 --> 00:20:39,303 YOU'RE JUST THAT GOOD. 351 00:20:41,173 --> 00:20:43,374 BYE-BYE. 352 00:20:43,443 --> 00:20:46,744 YEAH, I'M STARTIN' TO SEE THE RESEMBLANCE BETWEEN HER AND BARBRA JEAN. 353 00:21:22,481 --> 00:21:25,416 ACME! 29420

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