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1
00:00:06,473 --> 00:00:10,642
REBA, I GOT YOUR MESSAGE
THAT YOU WANTED TO SEE ME.
2
00:00:10,711 --> 00:00:13,144
THIS IS THE FIRST TIME
THAT'S EVER HAPPENED.
3
00:00:14,581 --> 00:00:16,881
I GOT YOU A CARD.
4
00:00:18,319 --> 00:00:23,255
I NEED YOUR HELP.
THAT IS SO WONDERFUL.
5
00:00:23,323 --> 00:00:25,724
OH! I SHOULD'VE
GOT A SECOND CARD.
6
00:00:27,227 --> 00:00:30,195
MONDAY MORNING I HAVE A JOB
INTERVIEW WITH DOLLY MAJORS.
7
00:00:30,264 --> 00:00:32,865
DOLLY MAJORS?
8
00:00:32,933 --> 00:00:36,401
THE REAL ESTATE AGENT WHOSE
FACE IS ON EVERY BUS BENCH IN TOWN?
9
00:00:36,469 --> 00:00:40,439
OH, REBA, SHE IS BIGGER THAN
THAT LAWYER, MR. ACCIDENTE.
10
00:00:43,277 --> 00:00:45,505
I KNOW. AND SINCE YOU'RE
MY ONLY REAL ESTATE
11
00:00:45,529 --> 00:00:47,679
CLIENT, I NEED A LETTER
OF RECOMMENDATION.
12
00:00:47,748 --> 00:00:49,681
OH, I'D LOVE TO.
13
00:00:49,750 --> 00:00:53,618
OH, I ALREADY HAVE THREE POEMS
ABOUT YOU THAT I COULD USE.
14
00:00:53,687 --> 00:00:57,289
REBA'S HAIR IS RED.
VIOLETS ARE BLUE.
15
00:00:57,357 --> 00:01:00,392
IF BROCK EVER LEFT
ME, I'D MARRY YOU.
16
00:01:05,932 --> 00:01:08,478
ACTUALLY, I TOOK THE LIBERTY
AND TYPED SOMETHING UP. OH.
17
00:01:08,502 --> 00:01:10,480
ALL YOU NEED TO
DO IS SIGN IT. OKAY.
18
00:01:10,504 --> 00:01:12,804
YOU CAN LEAVE OFF THE SMILEY
UNICORN, IF YOU DON'T MIND.
19
00:01:12,873 --> 00:01:16,208
HEADS UP!
20
00:01:17,844 --> 00:01:20,345
I'M ON IT. GO LONG. STOP.
21
00:01:20,413 --> 00:01:22,959
JAKE, GET IN HERE.
YEAH, BUT FIRST GO LONG.
22
00:01:22,983 --> 00:01:24,917
GIVE THAT TO ME. JAKE.
23
00:01:24,985 --> 00:01:27,820
HOW MANY TIMES DO I HAVE TO TELL
YOU NOT TO THROW THINGS IN THE HOUSE?
24
00:01:27,888 --> 00:01:33,559
NOW, GET OUTSIDE AND
PLAY. BUT THE SUN, IT BURNS.
25
00:01:33,627 --> 00:01:36,562
GET.
26
00:01:36,630 --> 00:01:39,765
THIS LETTER IS SO
COLD AND IMPERSONAL.
27
00:01:39,833 --> 00:01:42,601
IT SOUNDS LIKE WE HARDLY
EVEN KNOW EACH OTHER.
28
00:01:42,669 --> 00:01:45,337
I KNOW.
29
00:01:45,406 --> 00:01:48,172
YOU KNOW, THIS DOESN'T FULLY
REPRESENT WHAT IS IN MY HEART.
30
00:01:48,241 --> 00:01:51,243
SO IF YOU DON'T MIND, I'M GONNA
GIVE IT THE BARBRA JEAN TOUCH.
31
00:01:53,180 --> 00:01:57,282
HAD TO CALL HER. HAD
TO INVITE HER OVER.
32
00:01:57,351 --> 00:01:59,896
YOU GOT ROCKS IN YOUR HEAD,
REBA. THAT'S WHAT YOU GOT.
33
00:01:59,920 --> 00:02:03,722
I'M SERIOUS, BARBRA JEAN.
THIS INTERVIEW IS HUGE.
34
00:02:03,790 --> 00:02:06,257
AND I ONLY HAVE TWO
DAYS TO GET READY FOR IT.
35
00:02:14,935 --> 00:02:17,202
HI. I'M DOLLY MAJORS.
36
00:02:17,271 --> 00:02:19,638
BUT... BUT I THOUGHT THE
INTERVIEW WAS MONDAY.
37
00:02:19,707 --> 00:02:22,674
EXPECT THE UNEXPECTED.
38
00:02:22,742 --> 00:02:27,612
I LIKE TO SCHEDULE AN INTERVIEW ONE
DAY, AND THEN JUST POP IN ON ANOTHER.
39
00:02:27,681 --> 00:02:30,882
I'LL TELL MISS REBA YOU'RE HERE.
40
00:02:33,186 --> 00:02:34,886
HA, HEY!
41
00:02:34,955 --> 00:02:37,689
♪ MY ROOTS ARE
PLANTED IN THE PAST ♪
42
00:02:37,758 --> 00:02:40,125
♪ THOUGH MY LIFE
IS CHANGING FAST ♪
43
00:02:40,194 --> 00:02:44,195
♪ WHO I AM IS WHO I WANT TO BE ♪
44
00:02:44,264 --> 00:02:46,999
♪ A SINGLE MOM WHO
WORKS TOO HARD ♪
45
00:02:47,067 --> 00:02:49,735
♪ WHO LOVES HER
KIDS AND NEVER STOPS ♪
46
00:02:49,803 --> 00:02:51,370
♪ WITH GENTLE HANDS ♪
47
00:02:51,438 --> 00:02:53,305
♪ AND THE HEART OF A FIGHTER ♪
48
00:02:56,109 --> 00:02:59,944
♪ I'M A SURVIVOR ♪♪
49
00:03:06,253 --> 00:03:10,656
- I-IT IS OKAY THAT
I POPPED IN, ISN'T IT?
- OH, YEAH. YEAH, IT'S FINE.
50
00:03:10,724 --> 00:03:12,969
IT'S JUST I'M NOT DRESSED,
AND THE HOUSE IS A MESS.
51
00:03:12,993 --> 00:03:15,113
COULDN'T WE SCHEDULE
A TIME FOR YOU TO POP IN?
52
00:03:15,162 --> 00:03:20,265
WELL, THEN I WOULDN'T GET TO
SEE WHO YOU ARE UNDER PRESSURE.
53
00:03:20,334 --> 00:03:24,169
AND SO FAR, YOU'RE AS JUMPY
AS A FLEA ON A HOT BRICK.
54
00:03:24,237 --> 00:03:28,106
NO, I'M... I'M FINE.
COME IN. SIT DOWN.
55
00:03:28,175 --> 00:03:31,242
I'M SORRY THE HOUSE
IS SO MESSY. I HAVE KIDS.
56
00:03:31,311 --> 00:03:34,551
REBA? SHE'S NOT ONE OF 'EM.
57
00:03:35,349 --> 00:03:38,617
- OH. HELLO.
- HI.
58
00:03:38,686 --> 00:03:40,992
IF YOU DON'T LEAVE NOW,
THIS'LL BE THE MOMENT
59
00:03:41,016 --> 00:03:43,088
YOU'LL REGRET FOR
THE REST OF YOUR LIFE.
60
00:03:43,157 --> 00:03:48,459
HI. I'M BARBRA
JEAN. DOLLY MAJORS.
61
00:03:48,528 --> 00:03:52,364
OH, MY GOSH. IT'S LIKE
LOOKIN' IN A TINY MIRROR.
62
00:04:00,274 --> 00:04:03,875
YEAH. DOLLY POPPED IN JUST AS
YOU WERE POPPIN' OUT. BYE-BYE NOW.
63
00:04:03,944 --> 00:04:06,744
REBA, ARE YOU
KIDDING? THIS IS PERFECT.
64
00:04:06,813 --> 00:04:10,047
WHY WRITE A LETTER WHEN I CAN GIVE
DOLLY MY RECOMMENDATION IN PERSON?
65
00:04:10,116 --> 00:04:13,752
'CAUSE YOU'RE LESS CRAZY ON
PAPER THEN YOU ARE IN PERSON.
66
00:04:13,821 --> 00:04:17,088
NOW, DOLLY.
67
00:04:17,157 --> 00:04:19,991
REBA SOLD A CONDO FOR US,
AND I JUST HAVE TO TELL YOU,
68
00:04:20,060 --> 00:04:23,929
SHE IS THE BEST REAL ESTATE AGENT IN
THE WORLD. WELL, THAT IS GOOD TO KNOW.
69
00:04:23,998 --> 00:04:25,997
SHE'S NOT THROUGH TALKIN'.
70
00:04:27,534 --> 00:04:30,546
NOW, BROCK AND I WANTED TO HELP
HER OUT AFTER SHE LOST HER JOB.
71
00:04:30,570 --> 00:04:34,172
SHE DIDN'T ACTUALLY
LOSE IT. SHE GOT FIRED.
72
00:04:34,240 --> 00:04:37,341
SHE CALLED HER
BOSS A MONKEY'S BUTT.
73
00:04:37,410 --> 00:04:41,580
SHE'S KIND OF GOT A LITTLE
PROBLEM WITH HER TEMPER, YOU KNOW.
74
00:04:41,649 --> 00:04:44,045
SEE? I BET YOU DOLLARS
TO DOUGHNUTS THIS
75
00:04:44,069 --> 00:04:46,851
WOULD NOT HAVE COME
UP IN MY OFFICE ON MONDAY.
76
00:04:48,789 --> 00:04:52,823
CHEYENNE, QUIT NAGGING ME ABOUT
NOT WORKIN'. I JUST GOT PAID $25.
77
00:04:52,892 --> 00:04:56,461
THAT MEANS SELLING MY
BLOOD COUNTS AS A JOB.
78
00:04:56,530 --> 00:04:59,531
AND WHO IS THIS
AMBITIOUS YOUNG MAN?
79
00:04:59,599 --> 00:05:03,101
I'M... I'M-I'M VAN. AND...
I'M A LITTLE DIZZY.
80
00:05:04,104 --> 00:05:07,505
OH, MY GOSH, IT'S DOLLY MAJORS.
81
00:05:07,574 --> 00:05:11,709
THIS IS SO WEIRD. MOM HAS AN
INTERVIEW WITH YOU ON MONDAY.
82
00:05:14,948 --> 00:05:16,881
IT'S BEEN RESCHEDULED
TO RIGHT NOW.
83
00:05:16,950 --> 00:05:19,317
OH. OH. OKAY, WELL, WE'LL
GET OUT OF YOUR HAIR.
84
00:05:19,386 --> 00:05:21,686
THANK YOU. YEAH, WE DON'T
WANNA BLOW THIS FOR YOU.
85
00:05:21,755 --> 00:05:25,223
YEAH. 'CAUSE LET'S FACE
IT, IT'S A LONG SHOT ANYWAY.
86
00:05:25,291 --> 00:05:28,493
YOU KNOW, WE ARE JUST SO APPRECIATIVE
THAT YOU'VE GIVEN HER THIS INTERVIEW.
87
00:05:28,562 --> 00:05:33,564
I MEAN, WHO ELSE WOULD GIVE A WOMAN
HER AGE WITH NO EXPERIENCE A CHANCE?
88
00:05:33,633 --> 00:05:35,612
OH. KNOCK 'EM DEAD, MRS. H.
89
00:05:35,636 --> 00:05:38,581
YEAH, GOOD LUCK. OH,
SORRY ABOUT THAT, DOLL.
90
00:05:38,605 --> 00:05:40,905
♪♪
91
00:05:40,974 --> 00:05:43,620
WHAT'S THAT? THAT'S
HER DAUGHTER KYRA.
92
00:05:43,644 --> 00:05:47,078
YEAH, SHE'S FALLEN PREY TO
THE ROCK-AND-ROLL LIFESTYLE.
93
00:05:48,515 --> 00:05:51,082
VAN, TELL KYRA TO KNOCK IT OFF.
94
00:05:51,151 --> 00:05:54,285
KYRA, TURN DOWN
THAT DEVIL MUSIC!
95
00:05:54,354 --> 00:05:56,521
♪♪
96
00:05:56,590 --> 00:05:58,924
SORRY ABOUT THAT, DOLLY.
97
00:05:58,992 --> 00:06:02,761
WELL, YOU WANTED TO POP IN,
SEE THE REAL ME. SO, THIS IS IT.
98
00:06:02,830 --> 00:06:06,564
IT'S ALSO THE REASON, IF YOU
HIRE ME, I'LL NEVER GO HOME.
99
00:06:08,835 --> 00:06:11,970
RULE 2 OF REAL
ESTATE: BE YOURSELF.
100
00:06:12,039 --> 00:06:15,907
HECK, I HAVE AN UNCLE FLOYD THAT
CAN SPIT HIS GLASS EYE IN THE AIR...
101
00:06:15,976 --> 00:06:18,321
AND CATCH IT ON THE
SECOND BOUNCE. OH.
102
00:06:21,081 --> 00:06:24,783
WELL, DOLLY, SHE SHOULD BE
HERSELF, BECAUSE SHE IS GREAT.
103
00:06:24,852 --> 00:06:28,119
SHE'S REBA. SHE'S
"UNBELIEVE-ABA."
104
00:06:33,693 --> 00:06:36,080
YOU KNOW, I ONLY WISH
SHE'D BEEN A REAL ESTATE
105
00:06:36,104 --> 00:06:38,463
AGENT WHEN I BOUGHT MY
HOUSE DOWN THE STREET.
106
00:06:38,532 --> 00:06:42,433
WAIT. YOU DID NOT BUY THAT OLD
COLONIAL HOUSE WITH THE BAD...
107
00:06:43,436 --> 00:06:46,104
UH, NEVER MIND.
108
00:06:46,173 --> 00:06:50,141
WITH THE BAD WHAT? IS THERE
SOMETHING WRONG WITH MY HOUSE?
109
00:06:50,210 --> 00:06:53,444
OH, MY GOD. IS IT THE ROOF?
IS IT... IS IT THE PLUMBING?
110
00:06:53,513 --> 00:06:58,316
OH, TOXIC MOLD. OH, MY GOSH, I'VE SEEN
THAT MOVIE. THAT STUFF CAN COME TO LIFE.
111
00:06:58,385 --> 00:07:00,818
WELL, MAYBE... MAYBE I
SHOULD SELL MY HOUSE.
112
00:07:00,887 --> 00:07:03,254
CALL ME.
113
00:07:05,058 --> 00:07:10,061
THANK YOU. OH, GOD.
THANK YOU SO MUCH. HUH.
114
00:07:10,129 --> 00:07:12,196
OH, IT'S STILL WARM.
115
00:07:18,071 --> 00:07:20,638
IF SHE MOVES, I'LL
WORK FOR YOU FOR FREE.
116
00:07:20,707 --> 00:07:24,308
ALWAYS LOOK FOR THE SALE.
117
00:07:24,377 --> 00:07:28,179
WELL, I JUST HAPPEN TO BE VERY GOOD
AT THAT. I'M A NATURAL-BORN SALESPERSON.
118
00:07:28,248 --> 00:07:29,959
REALLY? YEAH.
119
00:07:29,983 --> 00:07:32,951
I'VE BEEN HERE FIVE MINUTES. SO FAR,
YOU HAVEN'T TRIED TO SELL ME ANYTHING.
120
00:07:33,020 --> 00:07:35,587
I'D SELL YOU MY KIDS BUT...
121
00:07:35,655 --> 00:07:37,655
BUT NOTHING. I'D
SELL YOU MY KIDS.
122
00:07:37,724 --> 00:07:40,525
SELL ME YOUR HOUSE.
123
00:07:40,594 --> 00:07:44,362
BUT I KIND OF USE
THE HOUSE TO LIVE IN.
124
00:07:44,431 --> 00:07:46,464
WELL, I KNOW THAT. IT'S A TEST.
125
00:07:46,533 --> 00:07:48,466
YOU WANNA SELL. START SELLIN'.
126
00:07:48,535 --> 00:07:51,502
MY RECORD TO MAKE A
SALE IS 30 SECONDS. GO.
127
00:07:51,571 --> 00:07:53,772
YOU'RE KIDDIN',
RIGHT? TIME'S A'WASTIN'.
128
00:07:53,840 --> 00:07:57,108
THE LITTLE DIAMOND'S
CATCHIN' UP TO THE BIG DIAMOND.
129
00:07:58,512 --> 00:08:00,545
OKAY.
130
00:08:00,614 --> 00:08:02,947
- I'M NOT GONNA SELL YOU
THIS HOUSE.
- NO?
131
00:08:03,016 --> 00:08:06,150
NO. ANYBODY CAN
SELL YOU A HOUSE.
132
00:08:06,219 --> 00:08:10,822
WHAT I'M SELLIN' IS, UH, A
PLACE TO RAISE YOUR CHILDREN.
133
00:08:10,891 --> 00:08:12,891
A PLACE WHERE MEMORIES ARE MADE.
134
00:08:12,960 --> 00:08:16,995
A PLACE TO... TO
GROW, TO LOVE, TO LIVE.
135
00:08:17,064 --> 00:08:19,164
NO, MA'AM, I DON'T SELL HOUSES.
136
00:08:19,232 --> 00:08:21,666
MY NAME IS REBA
HART, AND I SELL HOMES.
137
00:08:21,735 --> 00:08:25,870
AND IF I HAD A CARD, I'D PULL ONE
OUT OF MY BREASTS AND GIVE IT TO YOU.
138
00:08:29,409 --> 00:08:32,310
GET TO THEIR HEARTS,
NOT THEIR BRAINS.
139
00:08:32,379 --> 00:08:34,979
- YOU GOT THE JOB.
- OH!
140
00:08:35,048 --> 00:08:38,916
- AND YOU ARE GONNA BE THE
PRETTIEST WOMAN IN THE OFFICE.
- OH. SECOND TO YOU.
141
00:08:38,985 --> 00:08:42,053
HEY, WE'RE NOT COMPARIN'
APPLES AND MELONS HERE.
142
00:08:48,895 --> 00:08:50,895
BUT I GOT THE JOB.
143
00:08:50,964 --> 00:08:54,065
I GOT THE JOB RIGHT HERE IN MY
LIVIN' ROOM IN MY SWEATPANTS.
144
00:08:54,133 --> 00:08:56,267
YOU KNOW WHAT? WE
SHOULD CELEBRATE.
145
00:08:56,336 --> 00:08:59,971
I'VE BEEN CHILLIN' A BOTTLE OF CHAMPAGNE
JUST IN CASE SOMETHING GOOD HAPPENS.
146
00:09:00,040 --> 00:09:03,174
IT'S A FEW YEARS OLD,
BUT IT'S STILL BUBBLY.
147
00:09:03,243 --> 00:09:05,910
- AIN'T WE ALL?
- YEAH.
148
00:09:06,980 --> 00:09:08,913
HEY, MOM.
149
00:09:08,982 --> 00:09:13,251
I WAS OUTSIDE PLAYING WITH
STICKS LIKE SOME KIND OF CAVE BOY,
150
00:09:13,320 --> 00:09:15,920
WHEN I SAW THIS ON THE
PORCH WITH MY NAME ON IT.
151
00:09:15,989 --> 00:09:18,421
UH, THAT'S FROM ME. I
HEARD REBA HAD A BOY MY
152
00:09:18,445 --> 00:09:20,791
GRANDSON'S AGE, SO I
BROUGHT YOU SOMETHIN'.
153
00:09:20,860 --> 00:09:23,561
THAT IS SO NICE OF YOU,
BUT YOU SHOULDN'T HAVE.
154
00:09:23,630 --> 00:09:27,865
A WEAPON. COOL!
155
00:09:27,934 --> 00:09:31,969
OH, BOY. A B.B. GUN
FOR A 10-YEAR-OLD BOY.
156
00:09:32,038 --> 00:09:33,804
YOU REALLY SHOULDN'T HAVE.
157
00:09:33,873 --> 00:09:35,940
I LEARNED TO SHOOT
WHEN I WAS FIVE.
158
00:09:36,009 --> 00:09:39,110
HOW DO YOU THINK MY UNCLE
FLOYD GOT THAT GLASS EYE?
159
00:09:40,480 --> 00:09:42,414
I'M JUST KIDDIN'.
160
00:09:42,482 --> 00:09:44,793
KIDS ARE SO OVERPROTECTED
THESE DAYS, DON'T YOU THINK?
161
00:09:44,817 --> 00:09:47,786
CAN I KEEP IT, MOM? I WANT TO
SHOOT A CAN OFF VAN'S HEAD.
162
00:09:49,989 --> 00:09:53,091
WELL, I DON'T
KNOW. IT... PLEASE?
163
00:09:53,159 --> 00:09:55,927
REBA, ONE OF MY GREATEST
JOYS IS GIVIN' PRESENTS.
164
00:09:55,996 --> 00:09:59,263
YOU ARE NOT GONNA DENY
YOUR NEW BOSS JOY, ARE YOU?
165
00:10:03,503 --> 00:10:06,071
NO, OF COURSE NOT. AND
WHAT I WAS GONNA SAY IS,
166
00:10:06,139 --> 00:10:10,107
I DON'T KNOW ANY BETTER WAY OF CELEBRATIN'
THAN WITH A GLASS OF CHAMPAGNE...
167
00:10:10,176 --> 00:10:12,243
AND... GUNFIRE.
168
00:10:13,580 --> 00:10:15,947
UH, HONEY, I'M
GONNA KEEP THE B.B.'s.
169
00:10:16,015 --> 00:10:20,184
AND YOU TAKE YOUR GUN UPSTAIRS
AND MEMORIZE ALL THE INSTRUCTIONS,
170
00:10:20,253 --> 00:10:23,020
IN ENGLISH AND IN SPANISH.
171
00:10:23,089 --> 00:10:25,923
DOLLY, MAKE YOURSELF AT
HOME. MY HOUSE IS YOUR HOUSE.
172
00:10:25,992 --> 00:10:28,526
JUST DON'T SELL IT, OKAY?
173
00:10:30,596 --> 00:10:33,131
MOM, VAN CAME INTO THE GARAGE
AND TOLD MY BAND TO SHUT UP.
174
00:10:33,200 --> 00:10:35,240
YEAH, WRITE A SONG ABOUT IT.
175
00:10:37,003 --> 00:10:39,537
KYRA, HONEY, I JUST NEEDED YOU
TO STOP PLAYIN' LONG ENOUGH...
176
00:10:39,606 --> 00:10:41,806
FOR ME TO GET THIS
JOB, WHICH I GOT.
177
00:10:41,875 --> 00:10:44,954
WAY TO GO, MOM. HOW'D
YOU DO IT? WAS IT PITY?
178
00:10:44,978 --> 00:10:49,881
IT WAS PITY, WASN'T IT? YOU
ARE SO LUCKY PEOPLE PITY YOU.
179
00:10:49,949 --> 00:10:52,561
HEY, GUYS, GO OUT AND KEEP DOLLY
COMPANY WHILE I GET THE CHAMPAGNE.
180
00:10:52,585 --> 00:10:54,552
OKAY.
181
00:10:54,621 --> 00:10:58,181
MOM, SERIOUSLY, MY BAND HAS A GIG TONIGHT,
AND YOU SAID WE COULD PRACTICE HERE.
182
00:10:58,224 --> 00:11:01,893
OH, HONEY, YEAH, I DID. BUT IN MY
DEFENSE, I'D HAD WINE WITH DINNER.
183
00:11:03,396 --> 00:11:04,940
CAN'T YOU PRACTICE
AT YOUR DAD'S?
184
00:11:04,964 --> 00:11:08,299
NOT SINCE BARBRA JEAN LEARNED
THE WORDS TO OUR SONGS.
185
00:11:08,367 --> 00:11:11,368
AND BOUGHT A TAMBOURINE.
186
00:11:11,437 --> 00:11:15,339
WELL-WELL, LOOK. YOU DON'T NEED TO PRACTICE
YOUR MUSIC. JUST WORK ON YOUR ATTITUDE.
187
00:11:15,408 --> 00:11:18,910
YOU KNOW, HOW
YOU HATE AUTHORITY.
188
00:11:21,281 --> 00:11:24,849
WELL, I GOTTA TELL YOU, DOLLY,
GETTING THIS JOB IS A DREAM COME TRUE.
189
00:11:24,918 --> 00:11:28,052
- OH, WE'RE EXCITED TOO.
- LOOK AT ME. I'M SHAKIN'.
190
00:11:28,121 --> 00:11:30,755
WHO'S READY TO CELEBRATE?
191
00:11:30,824 --> 00:11:32,557
WE ARE. WE'RE BUYIN' A HOUSE.
192
00:11:45,338 --> 00:11:48,506
YOU SOLD VAN AND CHEYENNE
A HOUSE? MM-HMM. YEAH.
193
00:11:48,575 --> 00:11:53,178
"IT'S ANOTHER MAJOR SELL
BY DOLLY." THAT'S HER SLOGAN.
194
00:11:53,247 --> 00:11:55,658
YOU WOULDN'T BELIEVE
WHERE SHE KEEPS THESE THINGS.
195
00:11:55,682 --> 00:11:58,850
SHH.
196
00:12:02,656 --> 00:12:05,356
DOLLY, HOW DID THIS HAPPEN?
197
00:12:05,425 --> 00:12:09,627
I DON'T KNOW. SOMEHOW THE
SUBJECT OF REAL ESTATE CAME UP.
198
00:12:09,696 --> 00:12:12,797
YEAH, AND THEN SHE REMEMBERED THIS
HOUSE THAT WAS PERFECT FOR A YOUNG COUPLE.
199
00:12:12,866 --> 00:12:15,066
I SAID, "WE'RE A YOUNG COUPLE."
THE NEXT THING YOU KNOW,
200
00:12:15,134 --> 00:12:18,069
WE'RE A YOUNG COUPLE
OF HOMEOWNERS.
201
00:12:18,138 --> 00:12:20,138
BUT YOU HADN'T EVEN SEEN IT YET.
202
00:12:20,206 --> 00:12:23,808
WE DON'T NEED TO SEE IT, MOM. THE WAY DOLLY
DESCRIBED IT, IT WAS LIKE WE WERE THERE.
203
00:12:23,877 --> 00:12:27,211
I JUST LOVE THE ENTRYWAY.
MM-HMM. OH, ME TOO.
204
00:12:27,280 --> 00:12:31,249
UH-HUH. UH-HUH. WELL, HAVE YOU GIVEN ANY
THOUGHT TO HOW YOU'RE GONNA PAY FOR IT?
205
00:12:31,318 --> 00:12:33,251
OF COURSE. WE'RE NOT CLUELESS.
206
00:12:33,320 --> 00:12:36,032
WHATEVER'S LEFT OF MY FOOTBALL
SETTLEMENT WILL GO TO THE DOWN PAYMENT.
207
00:12:36,056 --> 00:12:38,223
OKAY. WHAT ABOUT THE
MORTGAGE AND INSURANCE?
208
00:12:38,292 --> 00:12:40,258
MRS. H.
209
00:12:40,326 --> 00:12:42,326
RED GOLD.
210
00:12:44,198 --> 00:12:47,065
YEAH, BUT STILL, A NEW
HOUSE IS VERY EXPENSIVE.
211
00:12:47,134 --> 00:12:49,533
REBA, IT'S NOT A
HOUSE... IT'S A HOME.
212
00:12:49,603 --> 00:12:53,271
IT'S A PLACE TO GROW,
TO LOVE, TO LIVE.
213
00:12:53,340 --> 00:12:57,775
AND PUTTIN' YOUNG COUPLES IN A HOME OF
THEIR OWN IS ANOTHER ONE OF MY GREAT JOYS.
214
00:12:57,844 --> 00:13:01,445
WELL, WHO KNEW THERE'D
BE SO MUCH JOY HERE TODAY?
215
00:13:01,514 --> 00:13:04,416
REBA.
216
00:13:04,484 --> 00:13:08,753
WHY WOULD YOU TELL BARBRA JEAN THAT
OUR HOUSE IS GONNA COME TO LIFE AND EAT US?
217
00:13:09,923 --> 00:13:12,257
IT WASN'T REBA. IT WAS HER.
218
00:13:12,325 --> 00:13:14,625
HI. I'M DOLLY MAJORS.
219
00:13:14,694 --> 00:13:17,028
DON'T WE LOOK LIKE
TWINS SEPARATED AT BIRTH?
220
00:13:21,935 --> 00:13:24,001
DOLLY, THIS IS MY
EX-HUSBAND, BROCK.
221
00:13:24,070 --> 00:13:28,273
NO! YOU CAN'T BE OLD ENOUGH
TO HAVE TWO TEENAGE DAUGHTERS.
222
00:13:28,342 --> 00:13:31,776
WELL, I... I WORK OUT.
223
00:13:31,844 --> 00:13:34,612
A-ANYWAY, ABOUT OUR HOUSE, I...
224
00:13:34,681 --> 00:13:37,292
SPEAKING OF HOUSES, VAN AND CHEYENNE
ARE BUYING A HOUSE OF THEIR OWN.
225
00:13:37,316 --> 00:13:38,984
YEAH. ISN'T THAT GREAT?
226
00:13:39,052 --> 00:13:41,430
- HUH?
- DON'T STOP BY
WITHOUT CALLING FIRST.
227
00:13:41,454 --> 00:13:43,387
NOPE. OKAY.
228
00:13:43,456 --> 00:13:46,557
REBA, CAN WE SEE
YOU IN THE KITCHEN?
229
00:13:46,626 --> 00:13:49,894
SURE. THIS IS SUCH A HAPPY OCCASION,
WE'RE GONNA NEED MORE CHAMPAGNE.
230
00:13:49,963 --> 00:13:51,896
OR SOMETHIN' STRONGER.
231
00:13:54,133 --> 00:13:57,936
SERIOUSLY, YOU
COULD BE MY MINI-ME.
232
00:14:05,378 --> 00:14:08,213
REBA, WHY DIDN'T YOU
STOP THAT WOMAN?
233
00:14:08,281 --> 00:14:10,982
BECAUSE SHE'S DOLLY
MAJORS. SHE'S UNSTOPPABLE.
234
00:14:11,051 --> 00:14:15,553
- OH, COME ON. SHE'S ONLY HUMAN.
- WITH A SMILE THAT COULD
LIGHT UP BROADWAY.
235
00:14:15,621 --> 00:14:18,301
SHE'S MY NEW BOSS.
IF I RUIN THAT SALE, I
236
00:14:18,325 --> 00:14:21,359
COULD LOSE THE JOB I
HAVEN'T EVEN STARTED YET.
237
00:14:21,427 --> 00:14:24,073
WE HAVE TO DO SOMETHING. WE
CAN'T LET THOSE TWO BUY A HOUSE.
238
00:14:24,097 --> 00:14:27,543
BROCK, YOU'RE THE FATHER. GET IN THERE
AND FORBID THEM FROM BUYING THAT HOUSE.
239
00:14:27,567 --> 00:14:29,545
OH, OH, OH. WAIT, WAIT, WAIT.
240
00:14:29,569 --> 00:14:31,547
BE CAREFUL. DOLLY'S SMART.
241
00:14:31,571 --> 00:14:34,506
OH, YEAH? AND WHAT AM I?
242
00:14:36,909 --> 00:14:40,111
BE REALLY CAREFUL.
243
00:14:40,180 --> 00:14:43,415
AND DON'T WORRY ABOUT FURNITURE. YOU
JUST BORROW MORE THAN THE HOUSE IS WORTH...
244
00:14:43,483 --> 00:14:45,817
AND THEN SPEND THE EXTRA
MONEY ON WHATEVER ELSE YOU NEED.
245
00:14:45,886 --> 00:14:47,919
OH.
246
00:14:48,989 --> 00:14:51,956
WE SHOULD BORROW
THREE MILLION DOLLARS.
247
00:14:52,025 --> 00:14:53,958
WE'LL BE RICH.
248
00:14:54,027 --> 00:14:56,427
ALL RIGHT, VAN, THAT'S
ENOUGH. CHEYENNE.
249
00:14:56,496 --> 00:15:00,297
YOUR MOTHER IS COMPLETELY
SUPPORTIVE OF THIS DEAL.
250
00:15:00,367 --> 00:15:02,367
BUT AS YOUR FATHER,
I'M AFRAID I'M AGAINST IT.
251
00:15:02,435 --> 00:15:05,403
YOU KEEP SAYIN' IT, AND
I CAN'T BELIEVE IT'S TRUE.
252
00:15:05,471 --> 00:15:07,605
YOU ARE ACTUALLY HER FATHER?
253
00:15:10,009 --> 00:15:13,444
WELL, IF YOU'RE SAYING "NICE JOB
ON THE MOISTURIZING," THANK YOU.
254
00:15:13,513 --> 00:15:17,448
WHY DON'T WE TALK ABOUT THIS
OVER A GLASS OF CHAMPAGNE?
255
00:15:17,517 --> 00:15:22,820
NOT THAT YOU NEED ANY MORE
SPARKLE IN THOSE BLUE EYES.
256
00:15:22,889 --> 00:15:26,858
WELL, I GUESS ONE
GLASS COULDN'T HURT.
257
00:15:27,861 --> 00:15:30,072
MAN, I HOPE BROCK
CAN HANDLE THIS.
258
00:15:30,096 --> 00:15:33,564
SOMETIMES WHEN HE GETS AROUND CHESTY
BLONDES, HIS BRAIN GOES ON THE FRITZ.
259
00:15:34,634 --> 00:15:36,568
I'M NOT WORRIED ABOUT HER.
260
00:15:36,636 --> 00:15:40,105
WHEN YOU GOT A BIG GULP AT HOME, YOU
DON'T GO LOOKIN' TO SIP FROM A THIMBLE.
261
00:15:40,173 --> 00:15:42,106
YOU KNOW WHAT I'M SAYIN'?
262
00:15:49,682 --> 00:15:54,085
WELL, HOW'D IT GO? GREAT.
WE'RE BUYIN' A VACATION HOME.
263
00:15:54,153 --> 00:15:56,988
WHAT?
264
00:15:57,056 --> 00:15:59,035
YEAH. OH, MY GOSH.
IS IT A BEACH HOUSE?
265
00:15:59,059 --> 00:16:02,126
CAN I SUNBATHE À LA MODE?
266
00:16:02,195 --> 00:16:04,807
BROCK, HOW DID THIS
HAPPEN? I DON'T KNOW.
267
00:16:04,831 --> 00:16:07,698
HER VOICE TOOK ME TO A
PLACE WHERE THE ANGELS LIVE...
268
00:16:09,402 --> 00:16:11,435
WITH GOLF COURSE ACCESS. YEAH.
269
00:16:11,504 --> 00:16:14,538
OKAY. CLEARLY THIS SITUATION
NEEDS TO BE HANDLED...
270
00:16:14,607 --> 00:16:16,941
BY THE ONLY PERSON
HERE WITH A LICK OF SENSE.
271
00:16:17,009 --> 00:16:20,011
IS SOMEONE COMIN' OVER, REBA?
272
00:16:20,080 --> 00:16:23,381
ME. NOW GET OUT OF HERE BEFORE
SHE SELLS YOU A PIECE OF THE MOON.
273
00:16:23,450 --> 00:16:27,185
YEAH, COME ON, BARBRA JEAN. LET'S FIND A
MAP AND FIGURE OUT WHERE COSTA RICA IS.
274
00:16:30,089 --> 00:16:32,356
SO I CAN SUBLEASE
WAREHOUSE SPACE...
275
00:16:32,425 --> 00:16:34,603
AND HAVE A PLACE FOR MY BAND
TO PRACTICE WHENEVER I WANT?
276
00:16:34,627 --> 00:16:37,128
YOU BETCHA. HOW MUCH
IS YOUR ALLOWANCE?
277
00:16:37,196 --> 00:16:39,330
KYRA, YOU SILLY.
278
00:16:39,399 --> 00:16:43,568
YOU DON'T NEED A WAREHOUSE. HONEY,
MY GARAGE IS ALWAYS OPEN. BUT YOU SAID...
279
00:16:43,637 --> 00:16:48,739
I SAID GET OUT THERE IN THE
GARAGE AND ROCK AND ROLL, DUDES.
280
00:16:48,808 --> 00:16:51,842
- IT'S GETTING LATE. WE'D BETTER
GO SIGN THOSE OFFER PAPERS.
- OH, YEAH.
281
00:16:51,911 --> 00:16:54,545
BOY, THIS SURE DOES
BRING BACK MEMORIES.
282
00:16:54,614 --> 00:16:57,648
YOU KNOW, I REMEMBER
MY FIRST NEW HOME.
283
00:16:57,717 --> 00:16:59,717
YOUR DAD AND I HAD JOBS
AND WE WERE MAKIN' MONEY,
284
00:16:59,786 --> 00:17:02,064
BUT STILL THERE WERE A HUNDRED
THINGS THAT COULD GO WRONG.
285
00:17:02,088 --> 00:17:05,423
LIKE A LEAKY ROOF AND
THE PLUMBING AND ANTS.
286
00:17:05,492 --> 00:17:07,425
OH, LORDY, THOSE ANTS.
287
00:17:07,494 --> 00:17:10,995
WELL, WH-WH-WHAT ABOUT
SPIDERS? OH, LORDY, THOSE SPIDERS!
288
00:17:11,064 --> 00:17:12,997
I HATE SPIDERS.
289
00:17:13,065 --> 00:17:15,933
BUT YOU LOVE THE ENTRYWAY.
290
00:17:16,002 --> 00:17:18,603
YES, I DO.
291
00:17:18,671 --> 00:17:22,507
OH. CHEYENNE, I'M HAVING
CONFLICTING THOUGHTS.
292
00:17:23,844 --> 00:17:27,312
YOU KNOW I ONLY
LIKE TO HAVE ONE!
293
00:17:27,380 --> 00:17:29,680
WHAT ARE WE GONNA DO?
294
00:17:29,749 --> 00:17:32,728
HONEY, MAYBE WE SHOULD JUST
TAKE OUR TIME AND THINK ABOUT THIS.
295
00:17:32,752 --> 00:17:36,521
I THINK SHE'S RIGHT. YOU TWO
SHOULD NOT JUMP INTO BUYING A HOUSE.
296
00:17:36,589 --> 00:17:38,522
- THEY SHOULDN'T?
- OF COURSE NOT.
297
00:17:38,591 --> 00:17:40,725
THEY SHOULD CONSULT OTHER
PROFESSIONALS IN THEIR AREA.
298
00:17:40,794 --> 00:17:43,127
- I THINK THAT'S A GOOD IDEA.
- LIKE YOU, REBA.
299
00:17:43,196 --> 00:17:46,464
- I THINK THAT'S A BAD IDEA.
- DON'T GET SHY ON ME NOW.
300
00:17:46,533 --> 00:17:50,769
I CONSIDER YOU A VALUED EMPLOYEE, EVEN
THOUGH WE HAVEN'T SIGNED THE PAPERS YET.
301
00:17:50,837 --> 00:17:53,737
I'M HAPPY WITH THE
SALE. VAN'S HAPPY. YEAH.
302
00:17:53,806 --> 00:17:57,207
BUT I WANNA KNOW
IF YOU'RE HAPPY.
303
00:17:57,276 --> 00:18:00,978
- YOU THINK IT'S OKAY, MOM?
- WELL, I'D HAVE TO SAY...
304
00:18:01,047 --> 00:18:04,515
I MEMORIZED EL MANUAL.
305
00:18:04,583 --> 00:18:07,452
CAN I HAVE THE
B.B.'s AND A PUMPKIN?
306
00:18:11,624 --> 00:18:13,825
NO.
307
00:18:13,894 --> 00:18:16,628
CAN'T HAVE A B.B. GUN.
308
00:18:16,696 --> 00:18:19,129
CAN'T WING A
FRISBEE IN THE HOUSE.
309
00:18:19,198 --> 00:18:22,099
WERE YOU EVER A KID?
310
00:18:23,737 --> 00:18:25,736
AND NO ON THE HOUSE TOO.
311
00:18:25,805 --> 00:18:29,941
WHAT? MRS. H, I'VE ALREADY
DECORATED IT IN MY MIND.
312
00:18:30,010 --> 00:18:33,344
AT LEAST LET ME HAVE
THE JUNGLE ROOM.
313
00:18:35,548 --> 00:18:38,683
LOOK, I BEEN LETTIN' EVERYBODY
DO STUFF THAT THEY SHOULDN'T DO...
314
00:18:38,752 --> 00:18:41,085
JUST BECAUSE I DIDN'T
WANNA GO UP AGAINST DOLLY.
315
00:18:42,355 --> 00:18:44,255
BUT THAT STOPS NOW.
316
00:18:44,324 --> 00:18:46,991
YOU KNOW WHAT? SHE'S RIGHT.
317
00:18:47,060 --> 00:18:49,338
WE'RE WAY TOO YOUNG
TO BE GROWN-UPS.
318
00:18:49,362 --> 00:18:51,696
COME ON. LET'S GO
PLAY WITH OUR BABY.
319
00:18:53,567 --> 00:18:57,268
YOU CALL THAT AN ENTRYWAY?
320
00:18:57,337 --> 00:18:59,404
I GUESS I SHOULD
GIVE THIS BACK TO YOU.
321
00:18:59,472 --> 00:19:02,440
SHOULD I PUT THAT...
I'M-I'M JUST GONNA HOLD IT.
322
00:19:05,245 --> 00:19:08,112
YOU JUST COST ME A SALE, REBA.
323
00:19:08,181 --> 00:19:12,116
WELL, DOLLY, SELLIN' IS
IMPORTANT. SO ARE PEOPLE.
324
00:19:12,185 --> 00:19:15,085
AND I DON'T THINK I COULD SELL
TO ANYONE, ESPECIALLY MY KIDS,
325
00:19:15,154 --> 00:19:17,622
IF I DIDN'T THINK IT
WAS A GOOD IDEA.
326
00:19:17,690 --> 00:19:19,730
EVEN IF IT MEANT I WASN'T
GONNA GET THE JOB.
327
00:19:19,759 --> 00:19:21,892
WELL, I THOUGHT YOU
MIGHT FEEL THAT WAY.
328
00:19:21,961 --> 00:19:25,796
I KNEW WHEN I WALKED IN THAT DOOR YOU
WERE A PERSON THAT CARED ABOUT FAMILY.
329
00:19:25,865 --> 00:19:28,632
AND THAT'S WHY I WAS
TESTIN' YOU. YOU WERE WHAT?
330
00:19:28,701 --> 00:19:32,302
IT WAS ANOTHER TEST. I DO THAT.
331
00:19:32,371 --> 00:19:35,673
OH! YOU... YOU GOT ME AGAIN.
332
00:19:35,741 --> 00:19:38,787
YOU WERE TESTING TO SEE IF I
HAD CHARACTER AND INTEGRITY...
333
00:19:38,811 --> 00:19:40,856
AND THE BACKBONE TO
STAND UP TO MY BOSS.
334
00:19:40,880 --> 00:19:44,849
AND YOU'VE GOT MORE BACKBONE
THAN A BEER-BATTERED CATFISH.
335
00:19:44,917 --> 00:19:46,885
OH! GOSH.
336
00:19:46,953 --> 00:19:49,354
SO I GOT THE JOB?
I PASSED THE TEST!
337
00:19:49,422 --> 00:19:53,657
NO! YOU FLUNKED. EXCUSE ME?
338
00:19:53,726 --> 00:19:55,660
REBA, YOU ARE AMAZIN'.
339
00:19:55,728 --> 00:19:59,530
I MEAN, LIFE THROWS YOU COW
PATTIES, AND YOU GROW A GARDEN.
340
00:19:59,598 --> 00:20:03,734
BUT, HEY, THIS IS BUSINESS. IT'S A
BUSINESS I STARTED IN MY GARAGE...
341
00:20:03,803 --> 00:20:07,105
AND BUILT INTO THE BIGGEST
REAL ESTATE EMPIRE IN HOUSTON.
342
00:20:07,173 --> 00:20:10,441
I DON'T NEED A GOOD
PERSON. I NEED A SHARK.
343
00:20:10,510 --> 00:20:12,721
YOU'RE RIGHT. I'M NOT A SHARK.
344
00:20:12,745 --> 00:20:15,946
I'M MORE LIKE ONE OF THOSE
CUTE LITTLE FISH IN FINDING NEMO.
345
00:20:18,084 --> 00:20:22,753
I TELL YOU WHAT. I'M GONNA RECOMMEND
YOU TO ANY OTHER AGENCY IN TOWN.
346
00:20:22,821 --> 00:20:25,146
MAYBE A FEW YEARS MIGHT
PUT SOME ROUGH EDGES
347
00:20:25,170 --> 00:20:27,358
ON YOU, AND THEN YOU
CAN COME TALK TO ME.
348
00:20:27,426 --> 00:20:31,128
OH, THANK YOU VERY MUCH. HEY, MAYBE
ONE OF THESE DAYS I'LL SELL YOU A HOUSE.
349
00:20:33,432 --> 00:20:36,467
OH, I JUST LOVE YOUR
SENSE OF HUMOR.
350
00:20:36,536 --> 00:20:39,303
YOU'RE JUST THAT GOOD.
351
00:20:41,173 --> 00:20:43,374
BYE-BYE.
352
00:20:43,443 --> 00:20:46,744
YEAH, I'M STARTIN' TO SEE THE
RESEMBLANCE BETWEEN HER AND BARBRA JEAN.
353
00:21:22,481 --> 00:21:25,416
ACME!
29420
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