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Let's start right here.
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[MAN] One, two, three four.
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[JAZZ MUSIC PLAYING]
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- Introduce myself?
- Hello, everybody. I'm Tom Jones.
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- Ellis Marsalis, Junior.
- Hi, I'm Jimmy Buffett.
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Big Freedia, the queen diva.
You're best to believe her.
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- I'm Verdine White.
- Eric Orphée Gnikpo.
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- Dwayne Dopsie.
- Band name is The Revivalists.
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9th Ward Black Hatchet.
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- Tank and the Bangas.
- Earth, Wind and Fire.
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Irma Thomas,
the soul queen of New Orleans.
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Stella Chico Pitbull, Mr. 305,
better said Mr. Worldwide.
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Armando Christian Pérez.
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Dale.
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[MAN] Welcome to 50 years of Jazz Fest,
everybody!
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There's nothing like playin' the
New Orleans Jazz and Heritage Festival.
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Nothing in the world.
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♪ Who came to party? ♪
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[CROWD CHEERING]
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All the best musicians from around
the world descend upon the city.
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[DAVIS] 7,000 musicians on 14 stages
over eight days.
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{\an8}How y'all doin' out there, Jazz Fest?
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We all know the Jazz Fest is a place
where you go and see legends.
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Somebody! Way in the back,
back there, say, "Yeah!"
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{\an8}[CROWD] Yeah!
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Wow! This is the real stuff.
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Greetings, New Orleans!
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I can just tell you one word: magical.
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{\an8}Are you still havin' a good time, y'all?
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[CROWD CHEERING]
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To play Jazz Fest is like
being a part of the playoffs.
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Jazz Fest meant that you made it.
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Everywhere we play around the world,
people go, "I saw you at Jazz Fest."
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Are you ready? Are you ready?
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- [CROWD CHEERING]
- Whoo!
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You might call it jazz,
but you know, you got rock,
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you got R&B, you got soul.
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Well, it never was only jazz.
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I love looking at the names of bands
I've never heard of that I wanna go see.
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You hear Terence Blanchard, then turn
around, you might hear Tony Bennett.
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You crazy?
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And then you can go and see 93-year-old
Dooky Chase
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cook her famous Gumbo Z'herbes
in your face!
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Whoo, ooh!
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It's kind of like havin' the city
of New Orleans in New Orleans.
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Music and cultures, sounds and flavors.
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The air is thick, and not with just
humidity, it's thick with culture.
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That's Jazz Fest, like, there ain't no
festival like this one, I'm telling you.
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Life is happening at a high frequency
for these two weeks.
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You're going to the Jazz Fest,
you're going to a New Orleans party.
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The world's greatest,
you know, backyard barbecue.
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The most kick-ass party in the world.
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I'm in.
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We're gonna go out there and jam.
We'll see y'all out there tonight.
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{\an8}[BAND PLAYING
"WHEN THE SAINTS GO MARCHING IN"]
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[DAVIS] George Wein, the creator
of the Newport Jazz Festival,
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he was brought to New Orleans
and said New Orleans has something
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that no one else in the world can ever
claim, and that's the birthright of jazz.
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[PLAYING "WRAP YOUR TROUBLES
IN DREAMS" ON PIANO]
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{\an8}This is called
"Wrap Your Troubles in Dreams."
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{\an8}I got a call from someone with
the Hotel Corporation of America,
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{\an8}and they wanted me to come down here
in 1962 to do a Newport-type festival.
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And of course, you couldn't do a festival
in '62 because of the Jim Crow.
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They couldn't have white musicians
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and African musicians
on the stage at the same time.
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{\an8}And I was married to an African-American
lady, my wife, Joyce.
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So I said, look, you know,
maybe things will change.
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So things changed,
and they called me to come back.
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The heritage, the backgrounds of jazz,
started right here in New Orleans.
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And so I just feel that the way we're
going to create a festival down here
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that the whole world will come to
will be to really hit the heritage
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of what the people of Louisiana
and New Orleans have.
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{\an8}[BAND PLAYING JAZZ MUSIC]
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New Orleans has the only
really unique culture in America
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that belongs to itself,
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and I said the festival must be
a reflection of New Orleans
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and Louisiana culture.
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{\an8}I remember the very first Jazz Festival.
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{\an8}George Wein came in town and I was asked
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if I would identify musicians
that should be on the festival.
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So I went to everybody that I knew
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and helped to spearhead
in the direction of George.
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[WEIN] Ellis was working across the street
in Al Hirt's club,
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and we'd hang out at nights.
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And then I found Quint Davis.
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{\an8}Quint was a kid.
He knew nothing about festivals,
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{\an8}but he was very excited about doing
anything that had to do with music
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and had to do with New Orleans music.
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{\an8}I mean, I don't know,
it's like if you were a kid
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{\an8}and you collected baseball cards,
and you get a call saying,
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{\an8}"The World Series is here,
we need you to come to Yankee Stadium
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and pitch one of the games."
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George would just trust you.
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I just took Quint and threw him
in the water and let him swim.
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It was to see if he could either drown me
or I could be of use.
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[WEIN] I insisted in the first year,
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only New Orleans groups,
or Louisiana groups.
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That brought Mahalia Jackson,
who was born here, and Duke Ellington.
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And that was the first festival.
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There you go.
Here she is, ladies and gentlemen.
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Mahalia Jackson.
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[CROWD CHEERING]
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{\an8}I wanna show 'em how they supposed
to sing up North,
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{\an8}and where George Wein came from,
you know what I mean.
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{\an8}[ALL LAUGHING]
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He is a great king
and he's done such marvelous work
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in bringing this real American music
to the people all over.
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But he's down here in the briar patch.
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We gon' show him where it was created for,
and who is the author of jazz, Louisiana!
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New Orleans, give yourself a big hand,
and see me Friday night!
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Thank you so much!
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[WEIN] Yeah! [LAUGHING]
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When Jazz Fest started, it was like we
were presenting this culture to the world.
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{\an8}[PLAYING BLUES MUSIC ON PIANO]
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[WEIN] There's Cajun music,
there's blues, there's funk,
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there's gospel,
that was the original festival.
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{\an8}[DAVIS] There was a lot of reasons
that everybody thought we would fail.
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One of 'em was bringing Latin people
and Black people
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and Cajun people all together
at the same place.
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And I was like, "Well, everybody eats
and everybody dances,
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so if we can get people together
and see what they eat
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and see what they dance to,
you know, I think that could work."
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When it was all put together in one place,
it was stunning to the local people.
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You know, they were amazed at themselves
and they felt a tremendous pride.
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And I knew that we had something special.
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{\an8}[DAVIS]
Today will forever be the first day
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{\an8}of the 50th New Orleans Jazz
and Heritage Festival.
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It rained today, it rained hard.
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Rain is an element of our planet.
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We are a planet of elements, like
the earth, like the wind, like the fire.
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- [CROWD CHEERING]
- Those elements are here with us today!
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Earth, Wind & Fire!
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{\an8}♪ Hey, hey, hey, hey ♪
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{\an8}Is there a party over here?
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{\an8}♪ Hey, hey, hey, hey ♪
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{\an8}Is there a party over there?
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New Orleans, where's the party, y'all?
Where's the party, y'all? Whoo!
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♪ Do you remember
21st night of September? ♪
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♪ Love was changing the mind
Of pretenders ♪
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♪ While chasing the clouds away ♪
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♪ Our hearts were ringing ♪
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♪ In the key that our souls were singing ♪
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♪ As we danced through the night
Remember ♪
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♪ How we knew love was here to stay ♪
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♪ Come on, everybody, sing! ♪
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♪ Hey, hey, hey ♪
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♪ Say, do you remember? ♪
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♪ Dancing in September ♪
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♪ Never was a cloudy day ♪
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{\an8}You're playing in New Orleans,
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{\an8}which has a tremendous amount
of history for music,
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{\an8}and you feel it when you're on stage.
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♪ See you
Only blue talk and love, remember ♪
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♪ How we knew love was here to stay ♪
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{\an8}It's great to be in a place where
the music is still alive and evolving.
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♪ Only blue talk and love, remember ♪
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♪ Knew love was here to stay ♪
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♪ Hey, hey, hey ♪
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♪ Say, do you remember? ♪
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♪ Dancing in September ♪
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♪ Never was a cloudy day ♪
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[DAVIS]
Earth, Wind & Fire has lost nothing.
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They're fantastic performers,
and it was their 50th anniversary too.
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{\an8}We are coming up on 50 years, and I have
to tell you, it's been quite an adventure.
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[MAN] Party people in the house,
let's jump, come on!
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Fifty years, you know, we've probably
come here most of our 50.
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So, wow, as an artist and a festival,
we go way back.
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♪ Do you remember
Never was a cloudy day ♪
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It's a blessing to be able to still
do music this long, on this level,
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and there will be a lot of
young people today
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that probably are first discovering
Earth, Wind & Fire.
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All of New Orleans,
party people, now scream!
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[CROWD CHEERING]
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♪ Whoa ♪
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[CROWD CHEERING]
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[DAVIS] One thing about the festival is,
it's handmade.
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It's still handmade, all of it.
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It's what we call blades of grass.
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You go somewhere
and there's nothing there.
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And you have to build everything.
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Happy Jazz Fest! How y'all doin'?
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Everybody needs a chair!
Get your chair here.
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Every year I come, I look, I say,
"I can't believe this."
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It's like we've created
our own world here.
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We create a little city out there
for seven days.
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[DAVIS] On a really big day,
if we have close to 100,000 people,
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we're the sixth-largest city in Louisiana.
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{\an8}[SINGING IN TAMASHEQ]
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[CROWD CHEERING]
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Mdou Moctar from Niger!
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[MAN ON PA] Welcome to New Orleans
Jazz and Heritage Festival.
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Please hold your own ticket and open
all bags, which are subject to search.
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[MUSICIAN SINGING IN FRENCH]
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[BOYFRIEND] When your physical body
is at Jazz Fest,
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{\an8}you're gonna hear something playing
within 500 feet.
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{\an8}And when you're walking to get
your crab-stuffed beignets,
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you're gonna see the flash of the
lively feathers, and you're gonna walk,
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you're gonna see what happens,
and so the exploration
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that we sort of lose in this digital era,
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that exploration is back when you're there
and you're on your own two feet.
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[WOMAN] Are you ready?
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[MAN SPEAKING IN FRENCH]
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[WOMAN] Let's go!
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{\an8}[BOYFRIEND] That's something
that is inside of all of us,
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{\an8}like, we want to explore,
we wanna be surprised.
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And in the most celebratory of ways,
there's something around the corner
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at Jazz Fest that you physically
can't help but run into,
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thanks in large part to
the way the site is laid out.
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You can't walk from one stage to another
without seeing another stage.
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And in the meantime,
whether you want to or not,
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you're gonna experience something
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that your computer
wouldn't have put in your feed.
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[BAND PLAYING CAJUN MUSIC]
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{\an8}There's wide gaps,
and there's enormous difference
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00:17:00,936 --> 00:17:03,480
{\an8}in tempos and style and delivery.
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But it's all under
this beautiful umbrella,
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this gorgeous music and cultural village
that is created
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with a single-minded purpose:
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Good music, culture, food,
by way of Jazz Fest.
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[VENDOR] Cold beer, rosé!
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Cold beer, rosé!
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[MAN ON RADIO]
You're listening to 90.3, KEXP.
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An extremely special day here,
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'cause with me is the legendary
Preservation Hall Jazz Band.
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And if you're all ready, take it away.
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[JAZZ MUSIC PLAYING ON RADIO]
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[ANNOUNCER] It's called Preservation Hall.
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00:17:46,398 --> 00:17:49,026
Day and night,
the purists come and hear jazz,
229
00:17:49,109 --> 00:17:51,820
played by old-timers like Sweet Emma.
230
00:17:59,286 --> 00:18:02,122
{\an8}New Orleans has a long history
of music halls.
231
00:18:02,206 --> 00:18:06,877
{\an8}Every neighborhood had an entertainment
space that was attached to the church,
232
00:18:06,960 --> 00:18:10,005
and that is where weekend dances
would take place.
233
00:18:11,715 --> 00:18:15,010
{\an8}My father and my mother created
Preservation Hall,
234
00:18:15,094 --> 00:18:18,764
{\an8}and because of the energy
and the love that he and my mother
235
00:18:18,847 --> 00:18:22,142
gave to the community, they became
an important piece of the community.
236
00:18:27,064 --> 00:18:28,440
[BAND PLAYING JAZZ MUSIC]
237
00:18:46,125 --> 00:18:49,002
I don't know a New Orleans
before Jazz Fest.
238
00:18:49,086 --> 00:18:51,088
I was born in 1971.
239
00:18:51,171 --> 00:18:53,173
I'm actually a Jazz Fest baby.
240
00:18:56,426 --> 00:18:58,053
{\an8}I was born January 26.
241
00:18:58,137 --> 00:19:03,892
{\an8}You know, count back nine months,
it's pretty much Jazz Fest, you know?
242
00:19:03,976 --> 00:19:07,604
I'm not the only one.
There's a lot of January babies.
243
00:19:52,399 --> 00:19:54,860
{\an8}"Preservation," to me, means "protection."
244
00:19:54,943 --> 00:19:56,945
{\an8}The name "Preservation Hall"
really captured
245
00:19:57,029 --> 00:19:58,739
what they were doing at that moment,
246
00:19:58,822 --> 00:20:02,451
which was protecting
this community of musicians,
247
00:20:02,534 --> 00:20:07,831
and that was Jazz Fest,
this idea to create Preservation Hall
248
00:20:07,915 --> 00:20:10,500
for New Orleans music
and New Orleans culture.
249
00:20:10,584 --> 00:20:13,295
Everybody! One more time!
250
00:20:13,378 --> 00:20:14,755
Hands up!
251
00:20:24,514 --> 00:20:28,477
- Jazz Fest!
- New Orleans!
252
00:20:28,560 --> 00:20:30,354
[CROWD CHEERING]
253
00:20:35,192 --> 00:20:37,778
{\an8}[TAYLOR] In the early plantation days,
254
00:20:37,861 --> 00:20:41,865
{\an8}there was a need for entertainment
of one sort or another.
255
00:20:41,949 --> 00:20:44,993
And after slaves had worked
for long periods of time,
256
00:20:45,077 --> 00:20:47,120
it made sense to a benevolent master,
257
00:20:47,204 --> 00:20:49,414
I suppose, to let them
entertain themselves.
258
00:20:49,498 --> 00:20:54,586
Well, they had a very definite pulse,
which was African in origin.
259
00:21:05,389 --> 00:21:09,476
[CRAWFORD] What makes New Orleans unique,
musically and culturally,
260
00:21:09,559 --> 00:21:14,815
{\an8}the slaves,
they were able to praise and worship
261
00:21:14,898 --> 00:21:17,943
{\an8}and to beat their drum in Congo Square.
262
00:21:25,534 --> 00:21:27,786
The drum calls in the spirit.
263
00:21:28,620 --> 00:21:29,997
They were allowed to do that.
264
00:21:30,080 --> 00:21:33,542
They were allowed to worship
and call in their God.
265
00:21:34,334 --> 00:21:38,922
And that's where we get
all these rhythms and these rhymes.
266
00:21:39,798 --> 00:21:44,052
That drum has just carried on from
generation to generation to generation.
267
00:21:44,136 --> 00:21:48,682
That's what's kept the music
and the culture so thick and so rich.
268
00:21:49,641 --> 00:21:51,935
Jazz Fest 2019!
269
00:21:52,019 --> 00:21:55,605
Give it up, y'all,
for Mr. Julian Addison on the drums!
270
00:21:55,689 --> 00:21:57,107
[CROWD CHEERING]
271
00:22:03,697 --> 00:22:06,450
[FIELDS] When that bass drum start,
it's like the heartbeat.
272
00:22:06,533 --> 00:22:09,369
{\an8}When the tuba starts pumpin', that's that
blood flowin' through the body.
273
00:22:09,453 --> 00:22:12,039
{\an8}So once the blood starts to flow
with the heartbeat,
274
00:22:12,622 --> 00:22:15,167
{\an8}it takes the kidney, which is the
snare drum to push you forward,
275
00:22:15,250 --> 00:22:17,377
and the horns come in,
which is everything else.
276
00:22:27,554 --> 00:22:31,058
We start movin' and pumpin' and give
the audience that vibe and energy,
277
00:22:31,141 --> 00:22:35,103
we see they enjoyin' it, that makes us
enjoy it more, so we give them more.
278
00:22:35,187 --> 00:22:37,147
So it's exchange, exchange, exchange.
279
00:22:45,072 --> 00:22:47,657
[THOMAS] There are people who come from
around the world to look for drummers
280
00:22:47,741 --> 00:22:49,743
{\an8}from New Orleans because
there's a certain beat
281
00:22:49,826 --> 00:22:52,746
{\an8}that drummers play here that
no other drummer is able to play,
282
00:22:52,829 --> 00:22:55,957
and that second line beat
with that extra beat to the drums,
283
00:22:56,041 --> 00:22:57,626
it's hard to teach someone.
284
00:22:57,709 --> 00:22:59,920
They have to feel it in order
to be able to execute it.
285
00:23:04,883 --> 00:23:05,926
[CROWD CHEERING]
286
00:23:08,553 --> 00:23:13,809
The second one is the syncopated beat
that's central to all New Orleans music.
287
00:23:14,518 --> 00:23:15,644
{\an8}[SCATTING]
288
00:23:22,609 --> 00:23:26,655
{\an8}Second line band initially
was done for funerals.
289
00:23:27,447 --> 00:23:29,950
{\an8}Was to march real slow
on the way to the funeral.
290
00:23:30,033 --> 00:23:33,995
That's how you lay the dead away,
with a band.
291
00:23:34,329 --> 00:23:36,331
[BAND PLAYING SOMBER JAZZ MUSIC]
292
00:23:48,051 --> 00:23:51,388
First of all, the jazz funeral,
who wouldn't want one, right?
293
00:23:54,182 --> 00:23:56,977
♪ Dearly walkin' close to thee ♪
294
00:23:59,271 --> 00:24:01,106
♪ Let it be ♪
295
00:24:01,815 --> 00:24:04,734
♪ Dear Lord, let it be ♪
296
00:24:06,111 --> 00:24:11,741
To be honored in such a way,
where musicians from all genres
297
00:24:11,825 --> 00:24:16,121
of New Orleans and Louisiana music,
we all come together.
298
00:24:16,204 --> 00:24:20,876
{\an8}We put on our best dress
to say goodbye to our loved one.
299
00:24:23,587 --> 00:24:26,756
{\an8}♪ I'll be satisfied just as long ♪
300
00:24:26,840 --> 00:24:30,552
We march, we honor you,
we tilt our hats.
301
00:24:30,635 --> 00:24:31,845
We rare back.
302
00:24:32,762 --> 00:24:37,058
♪ Dear, dearly walkin' close to thee ♪
303
00:24:37,142 --> 00:24:40,312
We have a period of mourning,
but right after that,
304
00:24:40,395 --> 00:24:43,064
we celebrate the life
and remember the good things.
305
00:24:43,940 --> 00:24:46,902
[MAN] We leave the cemetery...
306
00:24:48,904 --> 00:24:53,783
and we strike up what we consider
a lively number,
307
00:24:54,826 --> 00:24:58,121
to make the people forget their griefs
and their sorrows
308
00:24:59,080 --> 00:25:01,625
and take their minds off of
what has just happened.
309
00:25:09,257 --> 00:25:11,551
[CRAWFORD]
It brings the community back together.
310
00:25:12,010 --> 00:25:16,890
It ties the person's legacy
to our community.
311
00:25:16,973 --> 00:25:18,850
That's the celebration of a jazz funeral.
312
00:25:27,734 --> 00:25:30,695
In America, I don't think any city
has a better relationship
313
00:25:30,779 --> 00:25:33,365
with death than New Orleans.
It goes hand in hand.
314
00:25:33,448 --> 00:25:36,534
The suffering and the joy
are right along next to each other.
315
00:25:41,331 --> 00:25:44,251
[LEBLANC] In New Orleans, there's
a lot of what they call "joie de vivre,"
316
00:25:44,334 --> 00:25:45,210
joy of living.
317
00:25:45,293 --> 00:25:47,837
{\an8}It's kind of like the idea
of enjoying life
318
00:25:47,921 --> 00:25:49,547
{\an8}with everything you can while you can.
319
00:25:49,631 --> 00:25:52,801
{\an8}It's celebration almost in defiance
of the odds.
320
00:25:52,884 --> 00:25:54,970
We celebrate when a child is born
321
00:25:55,053 --> 00:25:58,306
and we also celebrate
when someone leaves the Earth.
322
00:25:58,390 --> 00:26:00,225
There's a deep spirituality in that.
323
00:26:04,020 --> 00:26:05,355
{\an8}That's what it's all about.
324
00:26:05,438 --> 00:26:09,651
{\an8}It's not, "They're gone,"
but, "They're still with us in spirit."
325
00:26:09,734 --> 00:26:11,903
The resurrection of spirit and will,
326
00:26:11,987 --> 00:26:17,200
and a choice to live
and live with great expression.
327
00:26:18,285 --> 00:26:22,872
{\an8}[THOMAS]
It is now audience-participation time!
328
00:26:22,956 --> 00:26:24,082
{\an8}[CROWD CHEERING]
329
00:26:25,333 --> 00:26:27,877
{\an8}Did ya bring your handkerchief
or your napkin?
330
00:26:27,961 --> 00:26:29,170
[CROWD CHEERING]
331
00:26:30,630 --> 00:26:34,676
For the benefit of those folks who have
never participated in an audience before,
332
00:26:35,635 --> 00:26:38,805
we are about to do what we call
the outdoor second line!
333
00:26:39,848 --> 00:26:42,767
{\an8}And I want you to get out
your handkerchiefs, umbrellas,
334
00:26:42,851 --> 00:26:45,770
napkins, hats, whatever you got.
335
00:26:46,646 --> 00:26:50,692
And I want you to wave your handkerchief
or napkins in the air.
336
00:26:50,775 --> 00:26:54,070
And I want you to put your backfield
in motion.
337
00:26:55,780 --> 00:26:59,576
I was lucky to be born at a time
when music was very, very prevalent
338
00:26:59,659 --> 00:27:01,661
and they used music
to get over everything.
339
00:27:01,745 --> 00:27:04,080
When you were sad, you sung,
when you were happy, you sung.
340
00:27:04,164 --> 00:27:06,291
Are you ready out there?
341
00:27:07,334 --> 00:27:09,377
Are you ready out there?
342
00:27:10,503 --> 00:27:12,047
Play one!
343
00:27:22,140 --> 00:27:27,145
We're one of the few port cities where all
the immigrants who have music to share,
344
00:27:27,228 --> 00:27:29,981
we intertwine it within the music
that we're playing.
345
00:27:30,065 --> 00:27:33,193
There is no such thing as
separation of culture in New Orleans.
346
00:27:33,276 --> 00:27:34,486
It's all blended together.
347
00:27:34,569 --> 00:27:37,781
♪ Yeah, my spyboy told your spyboy ♪
348
00:27:37,864 --> 00:27:40,033
♪ Sitting by the fire ♪
349
00:27:40,116 --> 00:27:42,952
♪ My spyboy told your spyboy ♪
350
00:27:43,036 --> 00:27:45,246
♪ I'm gonna set your flags on fire ♪
351
00:27:45,330 --> 00:27:46,998
♪ Talkin' 'bout hey now
Hey now ♪
352
00:27:47,082 --> 00:27:49,751
♪ Hey now
Hey now iko iko a nae ♪
353
00:27:50,877 --> 00:27:53,213
♪ Jock-a-mo fee lo an da de ♪
354
00:27:53,296 --> 00:27:55,215
♪ Jock-a-mo fee na ne ♪
355
00:27:56,007 --> 00:28:01,221
My very first Jazz Fest was in 1974,
and I have not missed one since that time.
356
00:28:01,304 --> 00:28:04,391
♪ Anybody say hey, hey, hey ♪
357
00:28:04,474 --> 00:28:05,934
♪ Hey, pocky way ♪
358
00:28:06,976 --> 00:28:10,563
♪ Yeah, hey, hey, hey
Hey, pocky way ♪
359
00:28:11,314 --> 00:28:12,732
♪ Right on ♪
360
00:28:13,817 --> 00:28:14,984
♪ Uptown ruler ♪
361
00:28:15,693 --> 00:28:18,446
♪ Just get on down ♪
362
00:28:18,530 --> 00:28:20,615
♪ Oh, boogie on ♪
363
00:28:31,000 --> 00:28:32,335
[FLUTE PLAYING JAZZ TUNE]
364
00:29:52,665 --> 00:29:56,878
[JOHNSON] Everywhere you walk
in New Orleans, you're walking in history.
365
00:29:57,921 --> 00:29:59,881
Jazz, it's our music.
366
00:29:59,964 --> 00:30:02,008
You know, it's indigenous
to the United States.
367
00:30:05,136 --> 00:30:08,973
New Orleans is sacred ground of jazz.
368
00:30:10,183 --> 00:30:11,976
{\an8}[PLAYING JAZZ MUSIC ON PIANO]
369
00:30:21,319 --> 00:30:24,948
[DAVIS] Ellis Marsalis himself
is a great jazz master,
370
00:30:25,031 --> 00:30:26,866
but he's also a teacher,
371
00:30:27,492 --> 00:30:32,205
and his greatest teaching
was mentoring his four sons.
372
00:30:32,288 --> 00:30:34,666
We're talking about Wynton Marsalis,
373
00:30:34,749 --> 00:30:38,670
Branford Marsalis,
Jason and Delfeayo Marsalis.
374
00:30:38,753 --> 00:30:40,088
[CROWD CHEERING]
375
00:30:43,007 --> 00:30:44,551
{\an8}[BAND PLAYING JAZZ MUSIC]
376
00:31:04,070 --> 00:31:09,117
I have six sons,
four of which are musicians.
377
00:31:31,472 --> 00:31:33,933
{\an8}I remember my first Jazz Festival,
it was 50 years ago.
378
00:31:34,017 --> 00:31:36,644
{\an8}We would go every year,
and some years my dad played.
379
00:31:36,728 --> 00:31:39,898
I wouldn't really go to hear my dad.
I hear him all the time.
380
00:31:43,067 --> 00:31:46,237
{\an8}Jazz Fest was the first time
I actually met Miles Davis.
381
00:31:46,321 --> 00:31:48,990
{\an8}It was weird. I knew who he was,
but a part of me didn't really care
382
00:31:49,073 --> 00:31:50,700
because I was maybe 8 years old.
383
00:31:50,783 --> 00:31:53,119
So, you know,
he signed his picture for me,
384
00:31:53,202 --> 00:31:55,538
and I think I was running around
and dropped it.
385
00:32:00,084 --> 00:32:03,963
{\an8}I went to the first Jazz Fest. I remember
there was shrimp in the jambalaya.
386
00:32:04,047 --> 00:32:05,715
{\an8}I remember how soulful it was.
387
00:32:05,798 --> 00:32:10,011
{\an8}I remember walking into a tent
and James Booker was there,
388
00:32:10,094 --> 00:32:11,638
{\an8}and I had no idea who he was.
389
00:32:11,721 --> 00:32:14,641
He had the patch over his eye
and he looked up at me,
390
00:32:14,724 --> 00:32:16,893
and I just ran out of the tent.
391
00:32:35,620 --> 00:32:38,706
My earliest musical influences
was my family,
392
00:32:38,790 --> 00:32:41,334
from my father to my older brothers,
393
00:32:41,417 --> 00:32:45,838
because I was actually listening
to the records that they were putting out.
394
00:32:45,922 --> 00:32:49,300
I don't remember the first time
I played at Jazz Fest,
395
00:32:49,384 --> 00:32:53,638
but I suspect it was my dad
throwing Wynton and I out there
396
00:32:53,721 --> 00:32:57,475
because he believes that everybody
should get fed to the lions.
397
00:32:58,977 --> 00:33:01,437
He thinks that it makes you
a better player.
398
00:33:01,521 --> 00:33:02,563
He's right about it.
399
00:33:03,648 --> 00:33:06,401
But I had fun playing with Dad.
400
00:33:10,905 --> 00:33:13,574
I can remember playing at the Jazz Fest
when I was in high school.
401
00:33:13,658 --> 00:33:16,035
That was like a highlight of the year,
every year we would...
402
00:33:16,119 --> 00:33:20,248
We couldn't wait to play in the tent,
and I was 14, 15, 16.
403
00:33:20,331 --> 00:33:21,457
That was a big deal.
404
00:33:21,541 --> 00:33:24,168
It was funny, even back then,
when we walked onto the stage,
405
00:33:24,252 --> 00:33:25,670
he ceased being my dad.
406
00:33:25,753 --> 00:33:28,172
He was the leader of the group.
407
00:33:28,256 --> 00:33:31,592
On the bandstand, it's about
trying to make the music sound good.
408
00:33:37,432 --> 00:33:40,601
Can't remember the last time all five
of us played, we almost never do it.
409
00:33:40,685 --> 00:33:42,854
This may be the last time
that we ever do it.
410
00:33:42,937 --> 00:33:45,273
Dad's 84.
It's not gonna happen a lot more.
411
00:33:45,356 --> 00:33:48,860
This one in particular is one where we're
all like, "Yeah, we need to do this."
412
00:33:54,907 --> 00:33:59,662
It's nice to be wanted without
being in the picture in the post office.
413
00:34:10,339 --> 00:34:11,758
[CROWD CHEERING]
414
00:34:16,012 --> 00:34:18,014
[WEIN]
Yeah, there's no one style of music.
415
00:34:18,097 --> 00:34:20,683
Jazz started in the churches
down here around New Orleans.
416
00:34:20,767 --> 00:34:24,103
Each afternoon there's gonna be
six hours of music,
417
00:34:24,187 --> 00:34:28,608
and we're only charging two dollars
for adults and a dollar for kids.
418
00:34:30,234 --> 00:34:31,861
{\an8}[BAND PLAYING JAZZ MUSIC]
419
00:34:38,743 --> 00:34:42,497
[PORTER] To have a festival in the
home field of the sacred ground of jazz
420
00:34:42,580 --> 00:34:47,168
is to bring people in to
the very wide umbrella of jazz.
421
00:34:55,760 --> 00:34:58,888
So much stylistically
has been borrowed from jazz.
422
00:34:58,971 --> 00:35:02,183
I think jazz can welcome
423
00:35:02,266 --> 00:35:06,187
all of its children back to its festival.
424
00:35:10,817 --> 00:35:13,861
Rock, soul, singer-songwriters, blues,
425
00:35:13,945 --> 00:35:19,075
all of them can come on back to,
in a way, the parents of this music.
426
00:35:20,701 --> 00:35:25,748
[KING]
♪ Tell everybody B.B. King's in town ♪
427
00:35:27,250 --> 00:35:29,836
♪ Got a dollar and a quarter
Just rarin' to clown ♪
428
00:35:29,919 --> 00:35:32,588
♪ But don't let nobody play me cheap ♪
429
00:35:32,672 --> 00:35:35,007
{\an8}♪ I got 50 cents more
That I'm gonna keep ♪
430
00:35:35,091 --> 00:35:36,300
{\an8}♪ So let the good times roll ♪
431
00:35:37,385 --> 00:35:39,053
♪ Let the good times roll ♪
432
00:35:39,137 --> 00:35:41,472
♪ I don't care if you're young or old ♪
433
00:35:41,556 --> 00:35:44,308
♪ Get together, let the good times roll ♪
434
00:35:53,526 --> 00:35:55,862
It's no wonder that jazz
was born in this area
435
00:35:55,945 --> 00:35:57,947
because the people are so enthusiastic.
436
00:35:58,030 --> 00:36:00,992
In other words, musically,
they know it and they are part of it.
437
00:36:01,075 --> 00:36:03,661
They produce it and they, I don't know,
438
00:36:03,744 --> 00:36:07,373
they have that certain little something
that feeds a guy like me,
439
00:36:07,456 --> 00:36:10,042
that makes me, oh, gosh, it nourishes me.
440
00:36:11,460 --> 00:36:13,546
[FISH] ♪ You got me trained
To sit on a stage ♪
441
00:36:13,629 --> 00:36:15,840
♪ Not show my rage for you ♪
442
00:36:19,677 --> 00:36:23,347
♪ Got my love, it's not enough
I need to prove it to you ♪
443
00:36:27,852 --> 00:36:30,313
{\an8}♪ What's the difference
What's the difference ♪
444
00:36:30,396 --> 00:36:32,815
♪ What's the difference in me now? ♪
445
00:36:35,985 --> 00:36:38,446
♪ I can change, I can change
I can change ♪
446
00:36:38,529 --> 00:36:40,114
I think we do everything
447
00:36:40,198 --> 00:36:43,242
from blues to some of it's tinged
with R&B and rock 'n' roll.
448
00:36:43,326 --> 00:36:44,660
♪ I'm on my way out! ♪
449
00:36:45,786 --> 00:36:49,790
♪ Turn it on you
Turn it on you ♪
450
00:36:49,874 --> 00:36:52,418
♪ I turn it on you, yeah ♪
451
00:36:53,377 --> 00:36:54,879
♪ You're bulletproof ♪
452
00:36:54,962 --> 00:36:59,300
♪ Turn it on you
I turn it on you ♪
453
00:36:59,383 --> 00:37:03,846
♪ Turn it on you
But you're bulletproof ♪
454
00:37:03,930 --> 00:37:08,351
Hello, Jazz Fest!
Oh, bulletproof, baby!
455
00:37:09,810 --> 00:37:10,770
Whoo!
456
00:37:19,820 --> 00:37:23,658
I've been such a huge fan of New Orleans
blues, and, you know, music in general.
457
00:37:23,741 --> 00:37:25,826
That's why I came here.
There's a soul in the city.
458
00:37:27,828 --> 00:37:29,872
It's got angst. It's got a bite to it.
459
00:38:02,446 --> 00:38:06,993
{\an8}Blues is a universal language.
It goes really deep, goes to deep waters.
460
00:38:07,076 --> 00:38:10,788
It's at the heart of jazz
and rock 'n' roll and so much else.
461
00:38:10,871 --> 00:38:16,252
And for that reason, the blues
speaks to people, and you can't help
462
00:38:16,335 --> 00:38:20,131
but think about that with New Orleans
and the history of the city.
463
00:38:20,214 --> 00:38:22,633
I think it's part of what makes it
so special.
464
00:38:37,356 --> 00:38:40,109
{\an8}The culture here has been
the anchor for me.
465
00:38:40,192 --> 00:38:43,362
It's the first time I heard jazz
and R&B and second line,
466
00:38:43,446 --> 00:38:45,406
was in the Quarter,
and I never got over that.
467
00:38:45,489 --> 00:38:47,658
You know, the rhythm is so infectious.
468
00:38:47,742 --> 00:38:51,787
♪ Woke up this mornin'
Feelin' round for my shoes ♪
469
00:38:51,871 --> 00:38:54,957
♪ You know I have them mean ol'
Walkin' blues ♪
470
00:38:56,000 --> 00:39:00,129
♪ Woke up this mornin'
Look 'round for my shoes ♪
471
00:39:04,008 --> 00:39:08,471
♪ You know I have them mean, mean ol'
Walkin' blues ♪
472
00:39:12,433 --> 00:39:16,729
♪ Some people try to tell me
The blues ain't so bad ♪
473
00:39:16,812 --> 00:39:19,815
♪ But it's the meanest thing I ever had ♪
474
00:39:20,775 --> 00:39:25,196
♪ Some people tell
Lord, the blues ain't bad ♪
475
00:39:29,116 --> 00:39:32,953
♪ But it's the meanest thing
I believe I ever had ♪
476
00:40:02,191 --> 00:40:03,692
♪ Gonna run to the ocean ♪
477
00:40:04,735 --> 00:40:07,696
I started out playing trumpet
when I was 10 years old.
478
00:40:07,780 --> 00:40:09,740
Came at the guitar
with a different perspective,
479
00:40:09,824 --> 00:40:11,867
more so as a wind instrument player.
480
00:40:11,951 --> 00:40:13,494
Learning how to take a breath
481
00:40:13,577 --> 00:40:17,915
when you play to fit that
into your melodic sensibility.
482
00:40:17,998 --> 00:40:22,336
♪ Woke up this mornin'
Feelin' 'round for my shoes ♪
483
00:40:22,420 --> 00:40:25,423
♪ You know I had them mean ol'
Walkin' blues ♪
484
00:40:26,507 --> 00:40:30,553
♪ Woke up this mornin'
Feelin' 'round for my shoes ♪
485
00:40:34,723 --> 00:40:38,644
♪ You know I had them mean, mean ol'
Walkin' blues ♪
486
00:40:42,523 --> 00:40:45,317
♪ I got to walk around ♪
487
00:40:46,277 --> 00:40:49,738
♪ I got to walk around ♪
488
00:40:49,822 --> 00:40:52,199
People keep coming back
for a reason, you know?
489
00:40:52,283 --> 00:40:56,036
And not only that, I mean, this happens
all the time, people move here.
490
00:40:56,120 --> 00:40:57,204
Some never leave.
491
00:40:58,789 --> 00:41:02,668
There's something about here
that you tap into that soulful quality.
492
00:41:02,751 --> 00:41:05,004
You can't help but get some of that,
493
00:41:05,087 --> 00:41:07,965
you know, either in the air
or the humidity or whatever.
494
00:41:11,969 --> 00:41:13,596
Cold beer, cold beer, cold beer!
495
00:41:14,472 --> 00:41:19,351
The general idea of being in the sun
for seven or eight hours
496
00:41:19,435 --> 00:41:22,938
and only eating fried, cream-based food,
497
00:41:23,022 --> 00:41:26,066
that is a distinctly New Orleans concept.
498
00:41:30,613 --> 00:41:32,865
Let's rock and roll.
And we're cooking cracklins!
499
00:41:33,824 --> 00:41:37,286
{\an8}Cracklins is the skin,
fat and meat of a hog.
500
00:41:38,621 --> 00:41:41,790
{\an8}I think the food is a little bit more
important than people really understand.
501
00:41:41,874 --> 00:41:45,169
{\an8}It's not just New Orleans food, it's the
food from all over the state of Louisiana.
502
00:41:46,629 --> 00:41:48,339
[DAVIS] Now, if the music wasn't there,
503
00:41:48,422 --> 00:41:50,341
I won't say that the same number of people
504
00:41:50,424 --> 00:41:54,220
would be there, but a lot of people
would be there to eat this food.
505
00:42:00,976 --> 00:42:03,729
Best food in the world!
506
00:42:03,812 --> 00:42:07,775
{\an8}We sell praline beignets,
crab meat beignets,
507
00:42:07,858 --> 00:42:10,986
and the calas, which is a rice fritter.
508
00:42:11,070 --> 00:42:13,822
Oh, we have 50,000 serving plus.
509
00:42:13,906 --> 00:42:17,159
You get a beignet, you get a beignet,
you get a beignet! Nah, I'm just kiddin'.
510
00:42:18,577 --> 00:42:20,162
Whoo, ooh!
511
00:42:20,246 --> 00:42:21,956
Shrimp remoulade po' boy.
512
00:42:22,039 --> 00:42:24,291
{\an8}We'll go through a couple thousand
pounds of chicken,
513
00:42:24,375 --> 00:42:26,418
couple thousand pounds of shrimp.
514
00:42:28,504 --> 00:42:31,131
{\an8}We tend to gain about ten pounds
at Jazz Fest.
515
00:42:31,215 --> 00:42:33,926
{\an8}I think all of our arteries
get clogged that day.
516
00:42:34,009 --> 00:42:37,763
[THOMAS] If it's cooked and it looks right
and it tastes good, I'll eat it.
517
00:42:37,846 --> 00:42:40,140
And consequently,
I'm paying a price for that.
518
00:42:40,766 --> 00:42:43,852
{\an8}The cochon de lait has been to the
New Orleans Jazz Fest for 50 years.
519
00:42:43,936 --> 00:42:46,480
We move about a couple thousand
sandwiches on a busy day.
520
00:42:47,648 --> 00:42:49,191
{\an8}I started to retain water.
521
00:42:49,275 --> 00:42:52,152
{\an8}And the doctor that I saw,
he said, "Welcome to New Orleans."
522
00:42:53,362 --> 00:42:57,449
{\an8}We have a gourmet plate,
and on that plate is a crawfish stack,
523
00:42:57,533 --> 00:43:02,288
an oyster patty and crawfish beignet
with a white remoulade sauce.
524
00:43:03,080 --> 00:43:04,873
{\an8}I love to go get the stuffed crabs.
525
00:43:04,957 --> 00:43:06,458
{\an8}My favorite is the bread pudding.
526
00:43:06,542 --> 00:43:08,711
- Jambalaya.
- Trout Amandine.
527
00:43:08,794 --> 00:43:10,879
Try some alligator, try some boudin.
528
00:43:15,926 --> 00:43:19,430
{\an8}We do a crawfish remoulade salad,
and also we sell boudin balls.
529
00:43:19,513 --> 00:43:20,389
{\an8}Which is fried.
530
00:43:20,472 --> 00:43:23,350
{\an8}[JOHNSON] So we go through
almost 200 cases of balls a weekend.
531
00:43:23,434 --> 00:43:26,020
Don't leave the Fest without your balls!
You know?
532
00:43:27,938 --> 00:43:31,859
{\an8}Let me tell you, I tried something that
blew my mind, which was fried oysters.
533
00:43:31,942 --> 00:43:33,902
{\an8}I hadn't had that yet.
I was like, whoa.
534
00:43:34,320 --> 00:43:36,113
And this dish could get you
in some trouble.
535
00:43:36,196 --> 00:43:38,407
You eat too many of those,
you might not make it on-stage.
536
00:43:40,701 --> 00:43:43,329
Now, for everybody
that's represented here today,
537
00:43:44,538 --> 00:43:46,248
I wanna let y'all know
I've been very blessed
538
00:43:46,332 --> 00:43:48,042
to be able to travel the whole world,
539
00:43:48,125 --> 00:43:52,421
and I get a chance
to be a part of something that's...
540
00:43:52,504 --> 00:43:54,256
Something that brings everybody together.
541
00:43:55,424 --> 00:43:57,468
Something that makes
the United States of America
542
00:43:57,551 --> 00:44:00,387
the United States of America,
not the divided states of America.
543
00:44:01,096 --> 00:44:05,559
Doesn't matter if you're Black, white,
pink, purple, orange, Hispanic, Asian.
544
00:44:05,643 --> 00:44:08,020
We all speak music here today.
545
00:44:09,688 --> 00:44:11,482
Why is New Orleans so special?
546
00:44:11,565 --> 00:44:13,275
Because they know exactly
where they're from.
547
00:44:13,359 --> 00:44:15,152
They know their roots.
They love their culture.
548
00:44:15,235 --> 00:44:18,614
They represent it in their music,
in their food, in their style.
549
00:44:18,697 --> 00:44:22,910
And that's why I feel that Jazz Fest
in New Orleans has that magic.
550
00:44:23,827 --> 00:44:26,121
Now I need y'all to help me out
with this one.
551
00:44:26,205 --> 00:44:27,539
And it says...
552
00:44:27,623 --> 00:44:30,918
♪ The roof, the roof
The roof is on fire! ♪
553
00:44:31,001 --> 00:44:34,963
- ♪ We don't need no water, let that... ♪
- [CROWD] ♪ Motherfucker burn! ♪
554
00:44:35,047 --> 00:44:38,133
♪ Burn, motherfucker, burn! ♪
555
00:44:39,510 --> 00:44:41,220
Fireball.
556
00:44:49,687 --> 00:44:53,065
♪ Mr. Worldwide to infinity
You know the roof on fire ♪
557
00:44:53,148 --> 00:44:55,943
♪ We gon' boogie oogie oogie
Jiggle, wiggle and dance ♪
558
00:44:56,026 --> 00:44:57,111
♪ Like the roof on fire ♪
559
00:44:57,194 --> 00:44:59,905
♪ We gon' drink drinks
And take shots until we fall out ♪
560
00:44:59,988 --> 00:45:01,281
♪ Like the roof on fire ♪
561
00:45:01,365 --> 00:45:03,325
♪ Now baby give a booty naked
Take off all your clothes ♪
562
00:45:03,409 --> 00:45:04,701
♪ And light the roof on fire ♪
563
00:45:04,785 --> 00:45:07,162
♪ I tell her, tell her baby, baby
Baby, baby, baby, baby ♪
564
00:45:07,246 --> 00:45:08,956
♪ Baby, baby, baby, I'm on fire ♪
565
00:45:09,039 --> 00:45:10,749
♪ I tell her baby, baby, baby
Baby, baby, baby, baby ♪
566
00:45:10,833 --> 00:45:13,460
♪ Baby, baby, I'm a fireball ♪
567
00:45:14,962 --> 00:45:15,921
Let's go!
568
00:45:18,799 --> 00:45:19,967
That's right!
569
00:45:21,009 --> 00:45:22,845
♪ I tell her baby, baby
Baby, baby, baby, baby ♪
570
00:45:22,928 --> 00:45:24,555
♪ Baby, baby, baby, I'm on fire ♪
571
00:45:24,638 --> 00:45:27,015
♪ I tell her baby, baby, baby
Baby, baby, baby, baby ♪
572
00:45:27,099 --> 00:45:28,434
♪ Baby, baby, I'm a fireball ♪
573
00:45:28,517 --> 00:45:29,852
♪ I saw, I came, I conquered ♪
574
00:45:29,935 --> 00:45:32,563
♪ Or should I say
I saw, I conquered, I came ♪
575
00:45:32,646 --> 00:45:34,231
♪ They say the chico on fire
And he no liar ♪
576
00:45:34,314 --> 00:45:36,150
♪ While y'all slippin'
He's runnin' the game ♪
577
00:45:36,233 --> 00:45:37,568
♪ Now big bang boogie ♪
578
00:45:37,651 --> 00:45:39,987
♪ Get that kitty little noogie
In a nice, nice little shade ♪
579
00:45:40,070 --> 00:45:41,822
♪ I gave Suzie a little pat up
On the booty ♪
580
00:45:41,905 --> 00:45:43,949
♪ And she turned around and said
Walk this way ♪
581
00:45:44,032 --> 00:45:45,784
- ♪ I was born ♪
- ♪ 3-0-5! ♪
582
00:45:45,868 --> 00:45:47,786
- ♪ In a flame ♪
- ♪ M-I-A! ♪
583
00:45:47,870 --> 00:45:50,372
♪ Mama said that everyone
Would know my name ♪
584
00:45:50,456 --> 00:45:51,832
♪ That's right! ♪
585
00:45:51,915 --> 00:45:53,584
- ♪ I'm the best ♪
- ♪ That's right! ♪
586
00:45:53,667 --> 00:45:55,419
- ♪ You've ever had ♪
- ♪ That's right! ♪
587
00:45:55,502 --> 00:45:59,214
♪ If you think I'm burning out
I never am ♪
588
00:45:59,298 --> 00:46:02,843
- ♪ We on... ♪
- ♪ I'm on fire ♪
589
00:46:02,926 --> 00:46:06,221
- ♪ Everybody here, we on... ♪
- ♪ I'm on fire ♪
590
00:46:07,097 --> 00:46:10,684
- ♪ Jazz Fest, we on... ♪
- ♪ I'm on fire ♪
591
00:46:10,767 --> 00:46:13,479
♪ I'm on fire ♪
592
00:46:14,813 --> 00:46:15,689
♪ Fireball ♪
593
00:46:17,316 --> 00:46:18,442
♪ Let's go! ♪
594
00:46:18,525 --> 00:46:22,404
Being a Miami boy, my family's from Cuba.
I'm a first-generation Cuban-American.
595
00:46:22,488 --> 00:46:25,407
The connection between New Orleans,
Cuba, and Miami,
596
00:46:25,491 --> 00:46:28,744
it's almost like our own little
Bermuda Triangle that we've got going on.
597
00:46:29,495 --> 00:46:33,582
So we all basically love and stand
for the same things,
598
00:46:33,665 --> 00:46:36,585
but it's art and music and food.
599
00:46:36,668 --> 00:46:40,547
♪ Baby, baby, baby, baby, baby, baby
Baby, baby, baby, baby, I'm on fire ♪
600
00:46:40,631 --> 00:46:43,759
♪ Tell her baby, baby, baby, baby, baby
Where we goin', girl? ♪
601
00:46:43,842 --> 00:46:47,179
Such a beautiful thing when you make
a mixture of so many different cultures,
602
00:46:47,262 --> 00:46:48,347
what you come up with.
603
00:46:48,430 --> 00:46:51,725
We call it una paella,
they call it a gumbo,
604
00:46:52,809 --> 00:46:54,269
but it's basically the same concept.
605
00:46:54,353 --> 00:46:57,147
♪ We're taking it, we're taking it
We're taking it down ♪
606
00:46:57,231 --> 00:47:00,859
That's what Jazz Fest is about, you know,
just all kind of different music
607
00:47:00,943 --> 00:47:03,487
and cultures, sounds and flavors.
608
00:47:03,570 --> 00:47:05,531
It brings everybody together.
609
00:47:05,614 --> 00:47:09,493
So that is why, to be able to be a part
of something like this,
610
00:47:09,576 --> 00:47:11,037
is something that's so powerful.
611
00:47:11,120 --> 00:47:13,623
♪ We're bringing it, we're bringing it
We're bringing it back ♪
612
00:47:14,499 --> 00:47:15,500
♪ Fireball! ♪
613
00:47:17,418 --> 00:47:18,336
Let's go!
614
00:47:21,047 --> 00:47:22,215
That's right!
615
00:47:24,842 --> 00:47:25,843
Get some!
616
00:47:30,223 --> 00:47:31,474
♪ Fireball ♪
617
00:47:38,481 --> 00:47:40,108
♪ I tell her baby, baby, baby
Baby, baby ♪
618
00:47:40,191 --> 00:47:42,068
♪ Baby, baby, baby, baby, baby
I'm on fire ♪
619
00:47:42,151 --> 00:47:46,739
♪ I tell her baby, baby, baby, baby
Baby, baby, I'm a fireball ♪
620
00:47:47,490 --> 00:47:48,950
[CROWD CHEERING]
621
00:47:58,293 --> 00:48:00,003
[DOPSIE] I would tell anybody, you know,
622
00:48:00,086 --> 00:48:01,921
when you have a chance
to come to New Orleans,
623
00:48:02,005 --> 00:48:05,550
also make sure you have
an extra few days to go down to Lafayette.
624
00:48:05,633 --> 00:48:07,552
People think swamp people,
they're in New Orleans.
625
00:48:07,635 --> 00:48:11,639
No, they in the swamp, you know,
and you gotta go out and check 'em out.
626
00:48:11,723 --> 00:48:13,224
[CREOLE MUSIC PLAYING]
627
00:48:18,688 --> 00:48:20,189
[LANDRETH] Get out in the swamp.
628
00:48:20,273 --> 00:48:22,400
Well, I think that's always
a good thing to do,
629
00:48:22,483 --> 00:48:24,527
just to see it and get a feel of it.
630
00:48:29,032 --> 00:48:32,160
A lot of music that ends up in New Orleans
comes from the country.
631
00:48:32,243 --> 00:48:34,412
It comes from, you know, rural areas.
632
00:48:34,495 --> 00:48:36,080
{\an8}[SINGING IN CREOLE]
633
00:48:44,464 --> 00:48:49,260
{\an8}I'm from Eunice, Louisiana,
and I play Cajun music.
634
00:48:51,054 --> 00:48:53,598
It's a very small,
rural agricultural town.
635
00:48:53,681 --> 00:48:55,892
It has a lot of very old families
that live there.
636
00:48:55,975 --> 00:48:59,687
In fact, my children are the seventh
generation living on the same land,
637
00:49:00,396 --> 00:49:02,649
which is not uncommon in our area.
638
00:49:04,817 --> 00:49:09,113
People are very deeply rooted into their
culture and have maintained the language,
639
00:49:09,197 --> 00:49:11,074
and the music, and the way of life.
640
00:49:12,116 --> 00:49:14,243
Why change?
We have the best of everything.
641
00:49:18,164 --> 00:49:21,834
{\an8}The repertoire that we play, we've been
playing it ever since we were children.
642
00:49:21,918 --> 00:49:25,672
{\an8}I would call it a homemade music,
and it's straight from the heart.
643
00:49:27,965 --> 00:49:34,222
It's very rhythmic music, and it was
developed for one reason: to dance to.
644
00:49:34,305 --> 00:49:35,890
[SINGING IN CREOLE]
645
00:49:53,908 --> 00:49:57,370
You had to get them dancin',
and that was what we always strive to do.
646
00:49:57,453 --> 00:50:01,749
I mean, the seats at the places
were facin' the dance floor,
647
00:50:01,833 --> 00:50:05,461
not facin' the band,
because the dancin' is the show,
648
00:50:05,545 --> 00:50:07,714
where people would dance
all around in a circle.
649
00:50:18,015 --> 00:50:21,936
[DAVIS] People generally don't know the
difference between Cajun and zydeco music.
650
00:50:22,019 --> 00:50:25,898
First of all, one's basically Caucasian,
one is basically Black.
651
00:50:27,191 --> 00:50:30,862
Cajun music has a fiddle, an accordion,
652
00:50:30,945 --> 00:50:35,450
a triangle, guitar, bass and drums,
sometimes pedal steel.
653
00:50:35,533 --> 00:50:40,913
And it does this whole body
of traditional Cajun songs.
654
00:50:50,798 --> 00:50:52,300
[CROWD CHEERING]
655
00:50:55,261 --> 00:51:00,266
Now, zydeco, zydeco is like
a freight train going through a tunnel.
656
00:51:00,349 --> 00:51:01,809
[BAND PLAYING ZYDECO MUSIC]
657
00:51:07,815 --> 00:51:09,609
{\an8}♪ It's been such a long time ♪
658
00:51:10,234 --> 00:51:11,903
♪ Since you said "I want ya" ♪
659
00:51:12,570 --> 00:51:14,363
♪ It's been such a long time ♪
660
00:51:14,447 --> 00:51:19,202
In zydeco music, you've got an
electric accordion that's like that big.
661
00:51:19,285 --> 00:51:21,704
Mother of pearl coming down
with your name in it.
662
00:51:23,122 --> 00:51:25,625
♪ No matter how you feel
No matter how you do ♪
663
00:51:25,708 --> 00:51:28,002
♪ No matter how you act
No matter what you buy ♪
664
00:51:28,085 --> 00:51:30,838
♪ No matter how it is
No matter where you're from ♪
665
00:51:31,714 --> 00:51:34,300
♪ Don't you know that
I'm comin' right home to you ♪
666
00:51:34,884 --> 00:51:36,803
[DAVIS] Then you always have a frottoir.
667
00:51:36,886 --> 00:51:41,849
The frottoir is the metal-like washboard
that you wear on the front
668
00:51:41,933 --> 00:51:47,605
over your shoulder, and there are points
in the song where you break it down,
669
00:51:47,688 --> 00:51:49,649
and it's just the accordion
and the frottoir,
670
00:51:49,732 --> 00:51:51,776
and the two of them are just, phew.
671
00:51:51,859 --> 00:51:53,069
Old school.
672
00:52:04,205 --> 00:52:09,669
Jazz Fest is like where everybody wants
to come to see the talent of Louisiana,
673
00:52:09,752 --> 00:52:11,546
of New Orleans, the surrounding areas.
674
00:52:11,629 --> 00:52:15,007
If you play music and you from Louisiana,
this is where you wanna be.
675
00:52:35,486 --> 00:52:39,156
[DOPSIE] My father's real name
is Alton Rubin Senior,
676
00:52:39,240 --> 00:52:41,033
but most people know him
as Rockin' Dopsie.
677
00:52:41,117 --> 00:52:44,662
{\an8}♪ Goodbye, Joe, me gotta go
Me, oh, my, oh ♪
678
00:52:45,663 --> 00:52:49,166
{\an8}♪ Me gotta go on the bayou ♪
679
00:52:49,250 --> 00:52:53,546
[DAVIS] Rockin' Dopsie was in
the generation with Clifton Chenier,
680
00:52:53,629 --> 00:52:55,882
and he called himself the King
and he wore a crown.
681
00:52:59,385 --> 00:53:03,556
And just rocked the place,
just a rocket ship of energy.
682
00:53:03,639 --> 00:53:06,726
[BUFFETT] ♪ Dressed in style
Go hog wild and dance ♪
683
00:53:07,351 --> 00:53:10,730
{\an8}♪ Son of a gun, we're gonna have fun
On the bayou ♪
684
00:53:11,564 --> 00:53:15,109
{\an8}♪ Jambalaya, crawfish pie, filé gumbo ♪
685
00:53:15,860 --> 00:53:19,113
♪ For tonight I'm gonna see
My ma cher ami-o ♪
686
00:53:20,114 --> 00:53:23,910
{\an8}♪ Pick guitar, fill fruit jar
And be gay-o ♪
687
00:53:23,993 --> 00:53:27,246
{\an8}♪ Son of a gun, we're gonna have fun
On the bayou ♪
688
00:53:27,955 --> 00:53:29,916
One more time, one more time!
689
00:53:33,586 --> 00:53:37,840
Jimmy Buffett is very,
very special to this festival.
690
00:53:37,924 --> 00:53:40,134
[BUFFETT] I think you've earned
a ticket to Margaritaville
691
00:53:40,217 --> 00:53:42,303
{\an8}by standing here all day,
are you ready?
692
00:53:42,386 --> 00:53:43,554
{\an8}Let's go!
693
00:53:43,638 --> 00:53:47,725
{\an8}[DAVIS] He's been responsible
for drawing more people
694
00:53:47,808 --> 00:53:51,187
to the New Orleans Jazz and Heritage
Festival than maybe anyone else.
695
00:53:51,979 --> 00:53:53,773
♪ Nibblin' on sponge cake ♪
696
00:53:55,566 --> 00:53:57,568
♪ Watchin' the sun bake ♪
697
00:53:59,070 --> 00:54:03,240
♪ All of you Parrot Heads here
At Jazz Fest ♪
698
00:54:07,036 --> 00:54:09,246
♪ Strummin' my six-string ♪
699
00:54:10,957 --> 00:54:13,042
♪ On my front-porch swing ♪
700
00:54:14,585 --> 00:54:18,631
I been to a bunch of 'em,
but I gotta say this looks like the best!
701
00:54:18,714 --> 00:54:20,007
[CROWD CHEERING]
702
00:54:22,969 --> 00:54:26,722
♪ Wastin' away again in Margaritaville ♪
703
00:54:29,767 --> 00:54:34,230
♪ Searchin' for my lost shaker of salt ♪
704
00:54:34,313 --> 00:54:37,566
♪ Salt! Salt! Salt! ♪
705
00:54:37,650 --> 00:54:43,280
♪ Some people claim
That there's a woman to blame ♪
706
00:54:43,364 --> 00:54:44,740
Who's got it? Who's got it?
707
00:54:44,824 --> 00:54:46,117
♪ But I know ♪
708
00:54:48,077 --> 00:54:49,328
♪ It's nobody's fault ♪
709
00:54:49,412 --> 00:54:51,706
I grew up on the Gulf Coast.
710
00:54:51,789 --> 00:54:54,458
I was an 18-year-old virgin
Jesuit altar boy,
711
00:54:54,542 --> 00:54:56,961
and I came to New Orleans
to not be that.
712
00:54:57,044 --> 00:54:59,547
♪ I come here each season ♪
713
00:55:01,340 --> 00:55:03,134
We couldn't get to California,
714
00:55:03,217 --> 00:55:05,761
so we kinda hippied out
right here in New Orleans.
715
00:55:08,764 --> 00:55:11,142
♪ But it's a real beauty ♪
716
00:55:12,727 --> 00:55:15,021
♪ All these Louisiana cuties ♪
717
00:55:16,731 --> 00:55:21,402
I know I got a few that slid over
from Mississippi and got a clue!
718
00:55:21,485 --> 00:55:23,738
Everything about the songs I heard,
719
00:55:23,821 --> 00:55:26,574
the melodies and the rhythms that I love,
came out of here.
720
00:55:26,657 --> 00:55:28,993
♪ ...again in Margaritaville ♪
721
00:55:30,119 --> 00:55:31,328
Looking good!
722
00:55:32,288 --> 00:55:36,542
♪ Searchin' for my lost shaker of salt ♪
723
00:55:36,625 --> 00:55:39,462
♪ Salt! Salt! Salt! ♪
724
00:55:40,004 --> 00:55:46,385
♪ Some people claim
That there's a woman to blame ♪
725
00:55:46,469 --> 00:55:48,429
♪ But I know ♪
726
00:55:50,473 --> 00:55:51,849
♪ This could be my fault ♪
727
00:55:52,683 --> 00:55:53,684
Maybe.
728
00:55:54,351 --> 00:55:57,063
When I was headlining
the Bayou Room on Bourbon Street,
729
00:55:57,146 --> 00:55:59,982
making $150 a week,
I thought I'd made it.
730
00:56:02,568 --> 00:56:04,320
Cinco de Mayo!
731
00:56:04,403 --> 00:56:06,238
Muchas gracias, mis amigos!
732
00:56:07,490 --> 00:56:08,741
[SPEAKING IN SPANISH]
733
00:56:19,668 --> 00:56:23,339
I couldn't wait to sing "Margaritaville"
on Cinco de Mayo, goddamn!
734
00:56:24,632 --> 00:56:28,385
And Joseph Campbell said you gotta
have a little mythology in your life,
735
00:56:28,469 --> 00:56:30,262
and I grew up in it,
736
00:56:30,346 --> 00:56:34,642
and so I know that it is absolutely
a part of everything that I've done,
737
00:56:34,725 --> 00:56:37,103
from writing shows to writing songs,
738
00:56:37,186 --> 00:56:39,396
comes out of being
a child of the Mardi Gras.
739
00:56:39,980 --> 00:56:42,775
[ANNOUNCER] Every year,
the city takes on new life
740
00:56:42,858 --> 00:56:44,860
in preparation for its carnival time.
741
00:56:44,944 --> 00:56:49,031
Mardi Gras is a day
when people lose their inhibitions
742
00:56:49,115 --> 00:56:51,867
and throw modesty to the wind.
743
00:56:51,951 --> 00:56:55,412
New Orleans has what we call Mardi Gras.
744
00:56:58,165 --> 00:56:59,375
[JAZZ MUSIC PLAYING]
745
00:57:15,182 --> 00:57:19,645
Because we have Mardi Gras, we have
these huge school marching bands.
746
00:57:24,024 --> 00:57:27,111
Every kid in high school
is given an instrument
747
00:57:27,194 --> 00:57:30,990
and taught to play these songs and march
a couple miles through New Orleans.
748
00:57:35,369 --> 00:57:41,959
In how many places does a kid,
in his 13s, 15s, 16s, want a trombone?
749
00:57:44,712 --> 00:57:46,255
That's happening in New Orleans.
750
00:57:52,678 --> 00:57:54,096
{\an8}[ANDREWS] I saw that as a child,
751
00:57:54,180 --> 00:57:57,850
{\an8}I saw that brass band,
those jazz musicians was always clean.
752
00:57:57,933 --> 00:57:59,810
{\an8}Everybody shook their hand.
753
00:57:59,894 --> 00:58:03,105
{\an8}Family seemed to live a little better
than the average family in the 'hood.
754
00:58:13,491 --> 00:58:16,410
Not a moment that I didn't wake up
that I didn't want to be a musician,
755
00:58:16,494 --> 00:58:18,329
'cause that's what
I was surrounded around.
756
00:58:18,412 --> 00:58:19,580
Let me hear you say...
757
00:58:19,663 --> 00:58:23,042
♪ I can do bad by myself ♪
758
00:58:24,126 --> 00:58:27,129
♪ Said I don't need nobody else ♪
759
00:58:28,088 --> 00:58:31,425
♪ I can do bad by myself ♪
760
00:58:32,218 --> 00:58:34,845
♪ Well, I don't need nobody else ♪
761
00:58:34,929 --> 00:58:36,847
That's the thing about Jazz Fest.
762
00:58:36,931 --> 00:58:38,849
I'm this little kid
from the 'hood, you know,
763
00:58:38,933 --> 00:58:40,434
I just always wanted to play music.
764
00:58:42,102 --> 00:58:43,938
[MAN] Start clappin' right now!
765
00:58:44,021 --> 00:58:45,314
Yeah!
766
00:58:47,858 --> 00:58:50,736
♪ Early, early in the morning ♪
767
00:58:50,819 --> 00:58:54,865
{\an8}To be a Mardi Gras Indian,
we are a bunch of grown men
768
00:58:54,949 --> 00:58:56,867
{\an8}walking around
and saying we're the prettiest.
769
00:58:56,951 --> 00:58:59,328
You wanna be the best,
but at the same time,
770
00:58:59,411 --> 00:59:02,831
you don't wanna lose why we do it.
We do it to pay homage.
771
00:59:06,877 --> 00:59:09,129
[DEJEAN] The Mardi Gras Indian tradition
is a combination
772
00:59:09,213 --> 00:59:11,257
{\an8}of two cultures coming together,
773
00:59:11,340 --> 00:59:13,801
{\an8}both Native American and African American.
774
00:59:15,344 --> 00:59:17,304
During the time
of the Underground Railroad,
775
00:59:17,388 --> 00:59:19,348
a lot of slaves
that were trying to escape,
776
00:59:19,431 --> 00:59:23,435
the Indians allowed them to seek shelter,
and they took them into their tribes.
777
00:59:24,687 --> 00:59:28,190
And the evolution of that is
today we have the Mardi Gras Indians
778
00:59:28,274 --> 00:59:30,359
paying homage to the history of that.
779
00:59:32,486 --> 00:59:36,740
You could walk around on Mardi Gras
looking for an Indian and never find one.
780
00:59:36,824 --> 00:59:38,826
But the Jazz Fest gives us another day
781
00:59:38,909 --> 00:59:42,496
to showcase the suits
on a much grander scale.
782
00:59:42,580 --> 00:59:44,123
[SHOUTS]
783
01:00:08,564 --> 01:00:10,566
[PLAYING BLUES MUSIC]
784
01:00:15,571 --> 01:00:19,491
{\an8}♪ I'm just your fool, can't help myself ♪
785
01:00:19,575 --> 01:00:22,494
{\an8}♪ I love you, baby, and no one else ♪
786
01:00:23,787 --> 01:00:27,541
♪ I ain't crazy, you are my baby ♪
787
01:00:27,625 --> 01:00:29,251
♪ I'm just your fool ♪
788
01:00:31,795 --> 01:00:35,466
♪ I'm just your fool, I must confess ♪
789
01:00:35,549 --> 01:00:39,053
♪ I love you, baby
Honey, I take your mess ♪
790
01:00:39,887 --> 01:00:43,682
♪ I ain't lyin', no use jivin' ♪
791
01:00:43,766 --> 01:00:45,684
♪ I'm just your fool ♪
792
01:00:50,564 --> 01:00:52,149
[CROWD APPLAUDING]
793
01:00:53,734 --> 01:00:54,860
Thank you!
794
01:00:58,989 --> 01:01:02,534
[DAVIS] From day one, and we started
with a very small gospel tent...
795
01:01:05,412 --> 01:01:10,501
but the pastors said, "Oh, no,
our choirs are not going out somewhere
796
01:01:10,584 --> 01:01:12,961
where people are wearing shorts
and drinkin' beer."
797
01:01:16,715 --> 01:01:21,345
But then as they realized
that it was spreading the word,
798
01:01:21,428 --> 01:01:24,431
people were getting it and feeling it,
eventually everyone came.
799
01:01:24,515 --> 01:01:26,392
And it's grown and grown and grown.
800
01:01:26,475 --> 01:01:28,852
[MAN] Oh, yes!
801
01:01:30,979 --> 01:01:33,440
{\an8}Jesus is on the main line.
802
01:01:33,524 --> 01:01:36,610
Call him up and tell him what you want.
803
01:01:36,694 --> 01:01:39,196
[DAVIS] I mean, we have over 1000
gospel singers alone.
804
01:01:40,239 --> 01:01:42,449
{\an8}♪ Everybody, everybody
Everybody rejoice ♪
805
01:01:42,533 --> 01:01:46,245
{\an8}♪ Rejoice with me
Rejoice with me ♪
806
01:01:46,328 --> 01:01:47,996
♪ Rejoice with me ♪
807
01:01:48,080 --> 01:01:50,666
In the South, all young people
grow up in the church.
808
01:01:50,749 --> 01:01:53,001
Church mothers would always tell me,
809
01:01:53,085 --> 01:01:55,587
"If you don't use it for God...
810
01:01:57,297 --> 01:01:58,549
he'll take it away from you."
811
01:01:59,842 --> 01:02:03,262
♪ Rejoice with me
Rejoice with me ♪
812
01:02:03,345 --> 01:02:06,056
[CRAWFORD] The word "gospel"
is the good news of Christ.
813
01:02:06,140 --> 01:02:09,309
And what better way to spread
good news than music?
814
01:02:11,395 --> 01:02:15,149
{\an8}- ♪ I got a feelin' ♪
- ♪ Got a feelin' ♪
815
01:02:15,232 --> 01:02:17,359
♪ Everything is gonna be all right ♪
816
01:02:17,443 --> 01:02:19,987
♪ Oh, yeah ♪
817
01:02:20,070 --> 01:02:22,406
- ♪ Got a feelin' ♪
- ♪ Got a feelin" ♪
818
01:02:22,489 --> 01:02:25,367
[DAVIS] There's something magical
in the gospel tent.
819
01:02:25,451 --> 01:02:28,746
People that you wouldn't think
are all drawn to it, they all go.
820
01:02:30,247 --> 01:02:34,334
Our gospel tent has exposed
traditional church gospel music,
821
01:02:34,418 --> 01:02:36,128
which is a huge community
in New Orleans,
822
01:02:36,211 --> 01:02:38,547
to more white people
than anything in history.
823
01:02:43,093 --> 01:02:44,136
♪ All right ♪
824
01:02:44,219 --> 01:02:46,221
You'll find me at Jazz Fest
in the gospel tent
825
01:02:46,305 --> 01:02:47,681
with tears running down my face,
826
01:02:47,765 --> 01:02:52,186
because the messages that are
happening in there are about forgiveness,
827
01:02:52,269 --> 01:02:54,605
redemption, celebration and joy.
828
01:02:54,688 --> 01:02:58,192
♪ All right, all right ♪
829
01:02:58,275 --> 01:03:01,570
[BOYFRIEND] People are seeking acceptance
and they're seeking forgiveness,
830
01:03:01,653 --> 01:03:03,155
and they find it here.
831
01:03:03,238 --> 01:03:05,324
♪ All right ♪
832
01:03:08,660 --> 01:03:12,998
[ANDREWS] Sit in the gospel tent for
45 minutes and watch what it do you.
833
01:03:13,081 --> 01:03:15,793
You go walkin', you come out
and just throw your hands up,
834
01:03:15,876 --> 01:03:18,337
walkin' out like that,
feeling the spirit is like...
835
01:03:18,962 --> 01:03:22,633
[GREEN] ♪ Something hit me
From the crown of my head ♪
836
01:03:23,592 --> 01:03:27,387
♪ And went down to the sole of my feet ♪
837
01:03:28,263 --> 01:03:30,557
♪ And I started runnin' ♪
838
01:03:32,226 --> 01:03:34,478
{\an8}♪ Oh, yes, I did, now, now ♪
839
01:03:34,561 --> 01:03:37,731
{\an8}♪ I started clappin' my hands ♪
840
01:03:37,815 --> 01:03:40,234
{\an8}♪ Oh, yes, I did, now ♪
841
01:03:40,317 --> 01:03:44,196
♪ I said I wasn't gonna tell nobody ♪
842
01:03:45,447 --> 01:03:48,450
[DAVIS] Al Green is maybe
the last Ray Charles.
843
01:03:48,534 --> 01:03:51,328
He's one of the greatest
rhythm and blues singers ever.
844
01:03:51,411 --> 01:03:55,791
♪ I told my father, I told my sister ♪
845
01:03:55,874 --> 01:03:59,962
♪ I told my brother, I been redeemed ♪
846
01:04:00,045 --> 01:04:01,713
♪ I been redeemed ♪
847
01:04:01,797 --> 01:04:03,966
[DAVIS] And he is heavily tied to gospel.
848
01:04:04,049 --> 01:04:06,802
I mean, he is Reverend Al Green,
it's not a title.
849
01:04:06,885 --> 01:04:08,387
In Memphis, he's got a church.
850
01:04:08,470 --> 01:04:12,432
♪ There's the blood of the lamb
And he's got all power ♪
851
01:04:12,516 --> 01:04:16,603
♪ Power, power, power ♪
852
01:04:16,687 --> 01:04:18,397
♪ Oh! ♪
853
01:04:18,480 --> 01:04:19,898
♪ Power ♪
854
01:04:19,982 --> 01:04:21,441
You know, every Sunday he's there.
855
01:04:21,525 --> 01:04:23,110
{\an8}This is what I call gospel.
856
01:04:23,193 --> 01:04:25,904
{\an8}♪ Let's stay together ♪
857
01:04:25,988 --> 01:04:27,072
{\an8}[CROWD CHEERING]
858
01:04:28,532 --> 01:04:30,576
- Somebody say yeah!
- [CROWD] Yeah!
859
01:04:30,659 --> 01:04:32,327
- Somebody say yeah!
- [CROWD] Yeah!
860
01:04:32,411 --> 01:04:35,455
Somebody way in the back,
back there, say yeah!
861
01:04:35,539 --> 01:04:37,124
Yeah!
862
01:04:37,207 --> 01:04:41,003
The return of Al Green.
First public performance in seven years.
863
01:04:42,379 --> 01:04:44,256
[BAND PLAYING "LET'S STAY TOGETHER"]
864
01:04:46,049 --> 01:04:47,426
Let's stay together.
865
01:04:50,512 --> 01:04:51,430
♪ I... ♪
866
01:04:51,513 --> 01:04:56,059
[DAVIS] He was, like, reincarnated
as himself in his own lifetime.
867
01:04:56,143 --> 01:04:57,227
Everybody sing.
868
01:04:57,311 --> 01:04:59,438
♪ Whatever you want... ♪
869
01:04:59,521 --> 01:05:02,983
He was thrilled to be
singing these songs again.
870
01:05:03,066 --> 01:05:08,322
♪ You make me feel so brand-new ♪
871
01:05:11,867 --> 01:05:16,288
♪ I want to spend my life with you ♪
872
01:05:19,082 --> 01:05:21,752
♪ Let me say that since
All right ♪
873
01:05:22,920 --> 01:05:27,215
- ♪ Since we been together ♪
- ♪ Together, together ♪
874
01:05:27,299 --> 01:05:31,428
- ♪ Lovin' you forever ♪
- ♪ Ever ♪
875
01:05:31,511 --> 01:05:35,599
♪ Is what I need ♪
876
01:05:35,682 --> 01:05:37,351
♪ Oh, let me ♪
877
01:05:44,816 --> 01:05:50,697
♪ I'll never be untrue ♪
878
01:05:51,907 --> 01:05:52,824
Everybody sing.
879
01:05:52,908 --> 01:05:54,326
♪ Let's ♪
880
01:05:56,119 --> 01:05:58,288
♪ Let's stay together ♪
881
01:06:00,457 --> 01:06:04,419
♪ Lovin' you whether
Whether ♪
882
01:06:04,503 --> 01:06:09,549
- ♪ Whether times are ♪
- ♪ Good or bad, happy or sad ♪
883
01:06:11,051 --> 01:06:15,806
What happens with a soul singer
who has crossed over into secular music,
884
01:06:15,889 --> 01:06:17,516
they know how to come to that emotion
885
01:06:17,599 --> 01:06:20,519
because they've been in a congregation
of people that,
886
01:06:20,602 --> 01:06:23,480
in a way, you sang at the foot of God.
887
01:06:23,563 --> 01:06:25,482
♪ Why ♪
888
01:06:27,192 --> 01:06:31,196
- ♪ Why do people break up? ♪
- ♪ Break up, break up ♪
889
01:06:31,279 --> 01:06:34,282
- ♪ Turn around and make ♪
- ♪ Make up ♪
890
01:06:34,366 --> 01:06:38,036
[PORTER] Which is why
many of the greatest singers,
891
01:06:38,120 --> 01:06:41,123
from Nat King Cole
to Luther Vandross to Al Green,
892
01:06:41,206 --> 01:06:43,709
have come out of the gospel experience.
893
01:06:43,792 --> 01:06:45,794
♪ Say let's ♪
894
01:06:47,504 --> 01:06:50,841
♪ Let's stay together ♪
895
01:06:52,843 --> 01:06:55,595
♪ Whether, whether ♪
896
01:06:55,679 --> 01:06:58,640
- ♪ Whether times are ♪
- ♪ Good or bad ♪
897
01:06:58,724 --> 01:07:00,892
♪ Happy or sad ♪
898
01:07:00,976 --> 01:07:02,269
♪ Let's ♪
899
01:07:03,937 --> 01:07:06,523
♪ Let's stay together ♪
900
01:07:06,606 --> 01:07:08,608
Somebody way back here now!
901
01:07:08,692 --> 01:07:10,819
♪ Whether ♪
902
01:07:10,902 --> 01:07:15,157
♪ Whether good or bad ♪
903
01:07:15,240 --> 01:07:19,119
♪ Happy or sad ♪
904
01:07:19,202 --> 01:07:20,620
[CROWD CHEERING]
905
01:07:24,374 --> 01:07:26,084
[PORTER] Katy Perry can do it too,
you know.
906
01:07:26,168 --> 01:07:30,213
She often uses
the devices of gospel music.
907
01:07:30,297 --> 01:07:32,758
It's hidden behind a lot of production,
but it's there.
908
01:07:32,841 --> 01:07:37,262
{\an8}- ♪ Oh, happy day ♪
- ♪ Oh, happy day ♪
909
01:07:37,345 --> 01:07:41,016
{\an8}- ♪ Oh, happy day ♪
- ♪ Oh, happy day ♪
910
01:07:41,099 --> 01:07:44,603
- ♪ When Jesus washed ♪
- ♪ When Jesus washed ♪
911
01:07:44,686 --> 01:07:48,356
- ♪ When Jesus washed ♪
- ♪ When Jesus washed ♪
912
01:07:48,440 --> 01:07:52,527
- ♪ Washed my sins away ♪
- ♪ Oh, happy day ♪
913
01:07:52,611 --> 01:07:56,698
- ♪ Oh, happy day ♪
- ♪ Oh, happy day ♪
914
01:07:56,782 --> 01:08:00,494
- ♪ Oh, happy day ♪
- ♪ Oh, happy day ♪
915
01:08:01,203 --> 01:08:04,456
- ♪ When he washed ♪
- ♪ When Jesus washed ♪
916
01:08:04,539 --> 01:08:08,001
- ♪ When Jesus washed ♪
- ♪ When Jesus washed ♪
917
01:08:08,085 --> 01:08:11,505
- ♪ Oh, when my Jesus washed ♪
- ♪ When Jesus washed ♪
918
01:08:11,588 --> 01:08:15,801
- ♪ He washed my sins away ♪
- ♪ Oh, happy day ♪
919
01:08:15,884 --> 01:08:19,971
- ♪ He washed 'em right away, yeah ♪
- ♪ Oh, happy day ♪
920
01:08:20,055 --> 01:08:23,016
- ♪ The past 34 years now ♪
- ♪ Oh, happy day ♪
921
01:08:23,100 --> 01:08:25,060
♪ Oh, yeah ♪
922
01:08:25,143 --> 01:08:27,104
♪ Oh, happy day ♪
923
01:08:27,187 --> 01:08:29,272
♪ Oh, happy day ♪
924
01:08:31,858 --> 01:08:34,736
- ♪ Baby, you're a firework ♪
- ♪ Firework ♪
925
01:08:34,820 --> 01:08:35,904
Can you do this?
926
01:08:36,905 --> 01:08:42,160
{\an8}[PERRY] When I was 5, the guy that was
preaching at the revivals,
927
01:08:42,244 --> 01:08:45,413
he came up to me out of,
you know, a few thousand people
928
01:08:45,497 --> 01:08:48,458
and said, you know, "You're gonna sing."
929
01:08:48,542 --> 01:08:54,005
♪ Do you ever feel like a plastic bag
Drifting through the wind ♪
930
01:08:54,089 --> 01:08:55,924
♪ Oh, happy day ♪
931
01:08:56,007 --> 01:09:01,596
♪ Do you ever feel, feel so paper-thin
Like a house of cards ♪
932
01:09:01,680 --> 01:09:03,682
♪ Oh, happy day ♪
933
01:09:03,765 --> 01:09:10,063
♪ Do you ever feel already buried deep?
Six feet under screams, but no one ♪
934
01:09:10,147 --> 01:09:11,606
♪ Oh, happy day ♪
935
01:09:11,690 --> 01:09:14,776
♪ Do you know that there's
Still a chance for you ♪
936
01:09:14,860 --> 01:09:19,197
♪ 'Cause there's a spark in you
You just gotta ignite ♪
937
01:09:19,281 --> 01:09:20,157
Come on!
938
01:09:20,240 --> 01:09:25,954
♪ The light and let it shine ♪
939
01:09:26,037 --> 01:09:32,919
♪ Just own the night
Like the Fourth of July ♪
940
01:09:33,003 --> 01:09:36,047
♪ 'Cause, baby, you're a firework ♪
941
01:09:36,131 --> 01:09:38,216
[PERRY] I started singing in church
when I was 9,
942
01:09:38,300 --> 01:09:41,803
and I loved "Oh, Happy Day,"
and singing gospel music,
943
01:09:41,887 --> 01:09:45,765
and I felt like that foundation
was really great.
944
01:09:46,641 --> 01:09:48,768
♪ Boom, boom, boom ♪
945
01:09:48,852 --> 01:09:52,147
♪ Even brighter
than the moon, moon, moon ♪
946
01:09:52,230 --> 01:09:54,733
♪ Come on
It's always been inside of you ♪
947
01:09:56,443 --> 01:09:59,237
♪ And now it's time to let it through
Yeah ♪
948
01:10:01,114 --> 01:10:04,659
♪ 'Cause, baby, you're a firework ♪
949
01:10:04,743 --> 01:10:08,163
♪ Come on, let your colors burst ♪
950
01:10:08,246 --> 01:10:11,583
♪ Make 'em go, "Oh, oh, oh" ♪
951
01:10:11,666 --> 01:10:15,629
♪ You're gonna leave 'em all
In awe, awe, awe ♪
952
01:10:17,047 --> 01:10:19,299
♪ Boom, boom, boom ♪
953
01:10:19,382 --> 01:10:23,303
♪ Even brighter
Than the moon, moon, moon ♪
954
01:10:24,137 --> 01:10:27,015
♪ Oh, boom, boom, boom ♪
955
01:10:27,098 --> 01:10:30,852
♪ Even brighter
Than the moon, moon, moon ♪
956
01:10:34,940 --> 01:10:36,775
[CROWD CHEERING]
957
01:10:48,995 --> 01:10:54,459
[DAVIS] The cultural exchange is to
find cultures that relate to New Orleans.
958
01:10:55,627 --> 01:10:57,796
These are the roots of the roots.
959
01:10:59,464 --> 01:11:01,967
[GNIKPO SPEAKING IN FRENCH]
960
01:11:02,050 --> 01:11:06,513
It's a tradition that we have inherited
from our ancestors.
961
01:11:08,723 --> 01:11:10,517
[SINGING IN FOREIGN LANGUAGE]
962
01:11:14,729 --> 01:11:18,650
I have to say there are lots of
Afro-descendants here.
963
01:11:18,733 --> 01:11:21,736
This resemblance touches our heart.
964
01:11:21,820 --> 01:11:23,613
We see that we are the same.
965
01:11:23,697 --> 01:11:25,407
It's just the ocean that separates us.
966
01:11:30,912 --> 01:11:34,040
[MAN] There is a connection
with Congo Square.
967
01:11:34,291 --> 01:11:37,460
We want to show especially
our African rhythm.
968
01:11:37,544 --> 01:11:38,712
This is our culture.
969
01:11:48,847 --> 01:11:52,726
[IN FOREIGN LANGUAGE]
Music helps a person appease their heart.
970
01:11:52,809 --> 01:11:55,061
Music unites people.
971
01:12:19,836 --> 01:12:23,548
The festival is traditional,
but when you think of heritage,
972
01:12:23,631 --> 01:12:25,884
heritage isn't just a rearview mirror.
973
01:12:25,967 --> 01:12:28,595
Heritage is looking out
the windshield too.
974
01:12:32,015 --> 01:12:33,975
Are you good? Are you really good?
975
01:12:35,310 --> 01:12:37,187
{\an8}Are you really good out there?
976
01:12:37,270 --> 01:12:38,146
{\an8}[CROWD CHEERING]
977
01:12:38,229 --> 01:12:40,690
{\an8}Then you gotta hop with me.
It's gotta be like...
978
01:12:44,402 --> 01:12:45,403
Where the keys at?
979
01:12:47,739 --> 01:12:48,948
Where the keys at?
980
01:12:50,533 --> 01:12:52,744
Somebody say, "We ready!"
981
01:12:52,827 --> 01:12:54,079
We ready!
982
01:12:55,497 --> 01:12:58,708
- ♪ All my people up plus the sky is up ♪
- ♪ What's up? ♪
983
01:12:58,792 --> 01:13:01,503
♪ I'm up, good luck to the ones
That thought I'd give it up ♪
984
01:13:01,586 --> 01:13:02,587
♪ This my come up ♪
985
01:13:02,670 --> 01:13:05,090
♪ Coming up the stairs
I climb the charts ♪
986
01:13:05,173 --> 01:13:09,094
♪ Billboard's feeling close to home
Dazed out on my mommy's porch ♪
987
01:13:09,177 --> 01:13:10,845
♪ I got a gumdrop and a raindrop ♪
988
01:13:10,929 --> 01:13:13,598
♪ And I do that cartwheel
Like a Ferris wheel ♪
989
01:13:13,681 --> 01:13:14,849
♪ I'm a spinning top ♪
990
01:13:14,933 --> 01:13:18,395
♪ My world is the carousel
I look, look at my money... ♪
991
01:13:18,478 --> 01:13:20,730
Back in the day when
you're talking about New Orleans,
992
01:13:20,814 --> 01:13:23,316
{\an8}you know, Mardi Gras, you know,
"Show me those breasts,"
993
01:13:23,400 --> 01:13:25,944
{\an8}and "Let's just listen to the jazz,"
and "Where's the brass band?"
994
01:13:26,027 --> 01:13:28,238
You know, like as if that's all we were.
995
01:13:28,321 --> 01:13:31,616
I'm a part of the generation
that's always been going on here,
996
01:13:31,699 --> 01:13:33,034
but has been more underground.
997
01:13:33,118 --> 01:13:35,286
I call it the New Orleans Now.
998
01:13:35,370 --> 01:13:39,165
That's the spoken word,
the hip-hop artists, the soul artists,
999
01:13:39,249 --> 01:13:41,084
the people at an open mic, freestyling,
1000
01:13:41,167 --> 01:13:43,586
underground places that
the tourists don't know about.
1001
01:13:43,670 --> 01:13:44,838
You know, I'm from that wave.
1002
01:13:44,921 --> 01:13:48,258
♪ While the beat goes up like a meter ♪
1003
01:13:48,341 --> 01:13:51,678
♪ Got a hummy, go, that's my guzzler ♪
1004
01:13:51,761 --> 01:13:55,932
♪ Look at me, I'm flying, cockpit
Girl, I'm really high ♪
1005
01:13:56,015 --> 01:13:59,394
♪ I'm too lit, spaceship
And my new hit ♪
1006
01:13:59,477 --> 01:14:02,897
♪ Look, look, look
All my money's in the air ♪
1007
01:14:02,981 --> 01:14:06,234
♪ I throw it up, watch it fall everywhere
Look! ♪
1008
01:14:06,317 --> 01:14:09,195
♪ Money ♪
1009
01:14:10,363 --> 01:14:14,826
New Orleans is so special
because we do accept all walks of life,
1010
01:14:14,909 --> 01:14:17,078
no matter if you're Black,
white, gay, straight.
1011
01:14:17,162 --> 01:14:19,622
{\an8}♪ It don't bounce, it don't bounce ♪
1012
01:14:19,706 --> 01:14:22,125
{\an8}♪ I'm that Queen that'll make you bounce ♪
1013
01:14:25,628 --> 01:14:26,629
♪ That's where I'm from ♪
1014
01:14:26,713 --> 01:14:28,840
♪ Big Freedia Queen Diva
Make ya getcha getcha ♪
1015
01:14:28,923 --> 01:14:31,342
♪ Better walk to the beat
That's where I'm from ♪
1016
01:14:31,426 --> 01:14:33,887
♪ Big Freedia Queen Diva
Let me see ya ♪
1017
01:14:33,970 --> 01:14:37,223
Freedom of expression and freedom
to do whatever they choose to do
1018
01:14:37,307 --> 01:14:40,101
and love whoever they choose
to love and to be themselves.
1019
01:14:43,229 --> 01:14:44,397
♪ Release ♪
1020
01:14:48,109 --> 01:14:49,652
♪ Release ♪
1021
01:14:49,736 --> 01:14:51,946
{\an8}♪ If you lean on me and I lean on you ♪
1022
01:14:52,030 --> 01:14:54,866
{\an8}♪ We can put our backs together, baby
Make a lean-to ♪
1023
01:14:54,949 --> 01:14:57,160
♪ If you lean on me and I lean on you ♪
1024
01:14:57,243 --> 01:14:59,579
♪ We can put our backs together, baby
Make a lean-to ♪
1025
01:14:59,662 --> 01:15:05,251
No one was aghast at the idea of showing
up to a show in curlers and lingerie.
1026
01:15:05,335 --> 01:15:06,920
They embraced it immediately.
1027
01:15:07,003 --> 01:15:12,091
♪ Stand by your man, I'ma lean on you
Stand by your man, I'ma lean on you ♪
1028
01:15:12,175 --> 01:15:14,928
♪ They say stand by your man
And I'ma lean on you ♪
1029
01:15:15,011 --> 01:15:18,223
It makes us who we are
as people and as a city.
1030
01:15:18,306 --> 01:15:21,392
All the different people,
we make the flavor of New Orleans.
1031
01:15:21,476 --> 01:15:24,145
{\an8}♪ You shine like a star ♪
1032
01:15:25,230 --> 01:15:26,439
{\an8}♪ You know who you are ♪
1033
01:15:27,607 --> 01:15:30,193
♪ You're everything beautiful ♪
1034
01:15:30,276 --> 01:15:33,863
{\an8}I was looking for a place to go to pursue,
you know, music,
1035
01:15:33,947 --> 01:15:38,159
{\an8}and New Orleans just had
this deep soul underbelly
1036
01:15:38,243 --> 01:15:41,496
that you don't get
in these other musical cities.
1037
01:15:41,579 --> 01:15:43,623
♪ Show me the one I need the most ♪
1038
01:15:43,706 --> 01:15:46,376
It's not a music-business city.
It's a music-culture city.
1039
01:15:46,459 --> 01:15:49,254
♪ Wish I knew you when I was young ♪
1040
01:15:50,880 --> 01:15:53,633
♪ We could've got so high ♪
1041
01:15:53,716 --> 01:15:58,054
You know, and to see two strangers
going, "Yeah, this is my song,"
1042
01:15:58,137 --> 01:16:00,223
and they're like, "Yeah, me too,"
you know,
1043
01:16:00,306 --> 01:16:03,643
that's New Orleans, you know,
people coming together over music.
1044
01:16:03,726 --> 01:16:05,895
Come on, 'round the world, baby.
Come on.
1045
01:16:05,979 --> 01:16:07,689
[CROWD] ♪ Oh-oh, oh-oh ♪
1046
01:16:07,772 --> 01:16:10,358
♪ Oh-oh, oh-oh ♪
1047
01:16:10,441 --> 01:16:12,151
♪ Oh-oh, oh-oh ♪
1048
01:16:15,196 --> 01:16:17,824
♪ I wish I knew you when I was young ♪
1049
01:16:20,368 --> 01:16:23,705
[TANK] New Orleans is nothing
without its people and its artists.
1050
01:16:23,788 --> 01:16:25,915
It's just sinking ground.
1051
01:16:26,833 --> 01:16:27,875
Literally.
1052
01:16:27,959 --> 01:16:29,252
[THUNDER RUMBLING]
1053
01:16:29,752 --> 01:16:31,963
{\an8}[NEWS ANCHOR 1]
Welcome to an early edition of "Daybreak."
1054
01:16:32,046 --> 01:16:35,550
{\an8}We're watching Hurricane Katrina as it
unleashes its wrath on the Gulf Coast.
1055
01:16:35,633 --> 01:16:37,677
[DAVIS] You know, after Katrina,
1056
01:16:37,760 --> 01:16:40,805
we almost lost not only our city,
but a way of life.
1057
01:16:40,888 --> 01:16:42,974
[NEWS ANCHOR 2]
It is gaining strength again.
1058
01:16:43,057 --> 01:16:45,935
It is now stalking the Gulf Coast.
This is the nightmare scenario
1059
01:16:46,019 --> 01:16:48,104
that many people have been
talking about for so many...
1060
01:16:48,187 --> 01:16:51,357
The city of New Orleans
under a mandatory evacuation.
1061
01:16:51,441 --> 01:16:54,068
[NEWS ANCHOR 3] We had reports
of a levee break earlier this morning,
1062
01:16:54,152 --> 01:16:56,654
up to nine feet of water
in some areas east of the city.
1063
01:16:56,738 --> 01:16:58,156
[NEWS ANCHOR 4] Major levees broke,
1064
01:16:58,239 --> 01:17:00,074
and slowly,
the city has filled with water.
1065
01:17:00,158 --> 01:17:03,661
The city is going to be essentially
uninhabitable for many days.
1066
01:17:29,354 --> 01:17:32,065
[CRAWFORD] New Orleans is no longer there.
1067
01:17:32,148 --> 01:17:33,733
It's gone.
1068
01:17:33,816 --> 01:17:35,943
It's all underwater. There's no home.
1069
01:17:36,027 --> 01:17:39,113
I didn't know where to go, what to do.
1070
01:17:39,197 --> 01:17:42,575
♪ I left home to never come back ♪
1071
01:17:43,868 --> 01:17:46,037
♪ But I want you ♪
1072
01:17:47,372 --> 01:17:50,166
♪ But I want you ♪
1073
01:17:50,249 --> 01:17:55,129
I remember coming back after the storm
and not recognizing anything.
1074
01:17:55,213 --> 01:17:59,342
From the buildings to the trees,
street signs was gone, everything.
1075
01:17:59,425 --> 01:18:02,220
It was like somebody
had just dropped a bomb.
1076
01:18:05,556 --> 01:18:08,726
[JAFFE] We're talking about
an entire city that was devastated.
1077
01:18:08,810 --> 01:18:13,606
So how do you begin to rebuild
from below zero?
1078
01:18:13,690 --> 01:18:17,402
[CLARK]
♪ You're the one that gave me life ♪
1079
01:18:18,945 --> 01:18:21,364
♪ We were bonded ♪
1080
01:18:22,281 --> 01:18:23,866
♪ By my bondage ♪
1081
01:18:23,950 --> 01:18:27,245
I still long to be here.
I still have no place to live here.
1082
01:18:28,204 --> 01:18:29,038
It bothers me.
1083
01:18:34,877 --> 01:18:37,380
♪ I got my eyes on you ♪
1084
01:18:38,172 --> 01:18:40,174
♪ No turning back ♪
1085
01:18:41,843 --> 01:18:44,470
♪ Locked and loaded ♪
1086
01:18:44,554 --> 01:18:48,349
♪ I'm gonna lay you down ♪
1087
01:18:48,433 --> 01:18:50,893
♪ I got my eyes on you ♪
1088
01:18:50,977 --> 01:18:53,312
[JAFFE] That was a defining moment for us
1089
01:18:53,396 --> 01:18:55,940
because none of us knew
how that story ended.
1090
01:18:56,023 --> 01:18:59,819
There was no playbook.
New Orleans had to come back.
1091
01:18:59,902 --> 01:19:03,823
That wasn't a question.
It was, how was it going to come back?
1092
01:19:07,493 --> 01:19:08,619
Hmm.
1093
01:19:09,495 --> 01:19:13,624
Katrina.
Boy, it's hard to know where to stop,
1094
01:19:14,417 --> 01:19:19,130
because what it took
to get the festival on...
1095
01:19:20,423 --> 01:19:23,342
I mean, this whole city
was falling off a cliff,
1096
01:19:24,385 --> 01:19:27,472
and trying to find something
1097
01:19:27,555 --> 01:19:32,643
that people could look at or be a part of
as being... Having some normalcy to it.
1098
01:19:35,062 --> 01:19:37,482
After Katrina, there were people
in the Congress
1099
01:19:37,565 --> 01:19:39,817
that said, "Why rebuild that place?
1100
01:19:39,901 --> 01:19:42,403
It's just gonna flood again. Let it go."
1101
01:19:43,070 --> 01:19:45,531
We said, "No, we're not
gonna let this thing go down."
1102
01:19:46,824 --> 01:19:49,911
It was kind of an oxymoron, like,
you can't do it, but you have to do it.
1103
01:19:49,994 --> 01:19:52,747
There was no infrastructure at all.
1104
01:19:57,460 --> 01:19:59,504
Quint Davis literally broke down crying.
1105
01:19:59,587 --> 01:20:03,966
He said, "This is all we have
to keep this city from falling apart.
1106
01:20:04,050 --> 01:20:05,218
We gotta have it.
1107
01:20:05,301 --> 01:20:08,554
No matter who comes or what happens,
we have to put on Jazz Fest."
1108
01:20:11,140 --> 01:20:14,977
[DAVIS] Within a week or two,
it was Jimmy Buffett,
1109
01:20:15,061 --> 01:20:17,939
Irma Thomas, Dave Matthews Band,
1110
01:20:18,022 --> 01:20:22,944
Bruce Springsteen, The Meters,
Paul Simon that were gonna come play.
1111
01:20:24,237 --> 01:20:27,073
[BUFFETT] People that love the city
and love the festival showed up,
1112
01:20:27,156 --> 01:20:30,576
and it was the thing
that pointed the arrow to the fact
1113
01:20:30,660 --> 01:20:32,787
that we could get through this
and come back.
1114
01:20:35,122 --> 01:20:37,667
[DAVIS] So we're getting ready to open,
1115
01:20:37,750 --> 01:20:42,672
and we get a call from the police
saying we have a traffic problem.
1116
01:20:42,755 --> 01:20:46,259
There's people lined up.
They're cutting off Esplanade.
1117
01:20:46,342 --> 01:20:48,636
And we're like, "Oh, my God."
1118
01:20:51,806 --> 01:20:55,393
We open the gates,
and thousands of people come in.
1119
01:20:58,771 --> 01:21:02,275
And I can't figure out
how this could happen.
1120
01:21:03,192 --> 01:21:08,114
And I remember being on-stage and saying,
"I don't know, you know, who you are,
1121
01:21:08,197 --> 01:21:10,908
where you came from, and how you got here.
1122
01:21:10,992 --> 01:21:13,786
But, you know, we're here.
Thank God, we're here."
1123
01:21:17,164 --> 01:21:21,669
It was the first indication
that people would come to New Orleans.
1124
01:21:22,295 --> 01:21:25,506
It let the world know
that New Orleans was alive.
1125
01:21:28,676 --> 01:21:30,553
[DOPSIE]
It was like a cleansing, you know.
1126
01:21:30,636 --> 01:21:32,930
You felt like the music
was cleansing the city
1127
01:21:33,014 --> 01:21:35,099
and just showing
everything's gonna be all right.
1128
01:21:36,934 --> 01:21:41,355
Jazz Fest was like the crystallization
of bringing the world back to New Orleans
1129
01:21:41,439 --> 01:21:44,400
and New Orleans back to the world.
It's like, "We're back. We're here."
1130
01:21:46,068 --> 01:21:48,070
[TAB]
When we saw Jazz Fest was happening,
1131
01:21:48,154 --> 01:21:51,032
that was a sign
that we're gonna be all right.
1132
01:21:54,327 --> 01:21:57,788
Bruce Springsteen,
who had never played the festival before,
1133
01:21:57,872 --> 01:22:00,666
had just done this project
"The Seeger Sessions."
1134
01:22:00,750 --> 01:22:04,003
They were going to
premiere it at the festival.
1135
01:22:04,086 --> 01:22:06,339
So I wanna sing this and dedicate it
1136
01:22:06,422 --> 01:22:09,842
to the people
and the city of New Orleans tonight.
1137
01:22:09,926 --> 01:22:11,427
[CROWD CHEERING]
1138
01:22:20,353 --> 01:22:23,564
{\an8}It was our very first show with that band.
1139
01:22:23,648 --> 01:22:25,399
{\an8}It was one of the very first times
1140
01:22:25,483 --> 01:22:28,694
{\an8}I can remember being frightened
before I played.
1141
01:22:28,778 --> 01:22:31,656
♪ There's a blood-red circle ♪
1142
01:22:31,739 --> 01:22:34,075
♪ On the cold, dark ground ♪
1143
01:22:34,909 --> 01:22:38,329
♪ And the rain is falling down ♪
1144
01:22:41,290 --> 01:22:43,626
♪ The church door's thrown open ♪
1145
01:22:44,293 --> 01:22:46,671
♪ I can hear the organ's song ♪
1146
01:22:47,588 --> 01:22:50,591
♪ But the congregation's gone ♪
1147
01:22:53,386 --> 01:22:55,429
♪ My city of ruins ♪
1148
01:23:00,017 --> 01:23:03,354
♪ My city of ruins ♪
1149
01:23:06,023 --> 01:23:09,151
"My City of Ruins" was something
I originally wrote for Asbury
1150
01:23:09,235 --> 01:23:11,195
when it was down and out and at its worst,
1151
01:23:11,278 --> 01:23:15,116
you know, and it just seemed to
sum up a lot of what New Orleans
1152
01:23:15,199 --> 01:23:16,909
was going through at that time.
1153
01:23:16,993 --> 01:23:19,829
♪ The boarded-up windows ♪
1154
01:23:21,080 --> 01:23:22,957
♪ The empty streets ♪
1155
01:23:24,000 --> 01:23:29,046
♪ While my brother's down on his knees ♪
1156
01:23:29,714 --> 01:23:33,009
♪ My city of ruins ♪
1157
01:23:33,592 --> 01:23:38,014
You were coming into
a city that had great need.
1158
01:23:38,097 --> 01:23:41,684
There was something to push up against,
which is when artists are at their best.
1159
01:23:41,767 --> 01:23:45,062
♪ Come on, rise up ♪
1160
01:23:45,146 --> 01:23:47,606
♪ Come on, rise up ♪
1161
01:23:48,232 --> 01:23:50,985
- ♪ Come on, rise up ♪
- ♪ Rise up ♪
1162
01:23:51,694 --> 01:23:54,321
- ♪ Come on, rise up ♪
- ♪ Rise up ♪
1163
01:23:54,947 --> 01:24:00,369
- ♪ Come on, rise up ♪
- ♪ Rise up ♪
1164
01:24:02,288 --> 01:24:03,581
[CROWD CHEERING]
1165
01:24:08,586 --> 01:24:12,965
There are certain moments during the night
when you meet your audience head-on,
1166
01:24:13,049 --> 01:24:16,635
and that's when the healing begins.
1167
01:24:26,020 --> 01:24:29,940
There's a part
in "City in Ruins" where they...
1168
01:24:30,024 --> 01:24:31,108
[VOICE BREAKS]
1169
01:24:32,943 --> 01:24:34,361
Where it is... Where he says,
1170
01:24:34,445 --> 01:24:38,240
"With these hands, with these hands,
now we'll rebuild."
1171
01:24:38,324 --> 01:24:41,911
♪ Now, with these hands ♪
1172
01:24:41,994 --> 01:24:44,997
♪ With these hands ♪
1173
01:24:45,081 --> 01:24:47,541
♪ With these hands ♪
1174
01:24:48,417 --> 01:24:53,631
♪ With these hands I pray, Lord
With these hands ♪
1175
01:24:53,714 --> 01:24:58,094
[DAVIS] So you have, you know,
100,000 hands in the air,
1176
01:24:58,177 --> 01:25:00,304
100,000 people crying.
1177
01:25:00,387 --> 01:25:04,517
♪ And I pray to give me hope, Lord ♪
1178
01:25:05,226 --> 01:25:07,520
[DAVIS] I mean, this is some of
the most devastated people,
1179
01:25:07,603 --> 01:25:09,063
that really had nothing.
1180
01:25:09,146 --> 01:25:13,317
And Bruce, in his power,
was ministering to them.
1181
01:25:13,400 --> 01:25:18,864
♪ Lord, I pray ♪
1182
01:25:20,032 --> 01:25:25,204
♪ Yeah, I pray ♪
1183
01:25:26,247 --> 01:25:31,335
♪ Oh, I pray ♪
1184
01:25:32,461 --> 01:25:37,216
♪ Oh, yeah, I pray ♪
1185
01:25:38,008 --> 01:25:40,761
[BRUCE] By the time we hit
"City of Ruins" at the end of the night,
1186
01:25:40,845 --> 01:25:43,889
something had happened,
and the crowd just sort of melted into it,
1187
01:25:43,973 --> 01:25:48,102
and it was one of the most beautiful
concert experiences I've ever had.
1188
01:25:48,936 --> 01:25:53,983
♪ Amazing grace ♪
1189
01:25:55,192 --> 01:26:00,781
♪ How sweet the sound ♪
1190
01:26:01,699 --> 01:26:05,661
{\an8}♪ That saved a wretch ♪
1191
01:26:05,744 --> 01:26:09,373
♪ Like me ♪
1192
01:26:10,916 --> 01:26:13,127
♪ I once ♪
1193
01:26:13,210 --> 01:26:15,880
♪ I once was lost ♪
1194
01:26:16,755 --> 01:26:19,091
♪ But now ♪
1195
01:26:19,175 --> 01:26:22,303
♪ I'm found ♪
1196
01:26:22,386 --> 01:26:24,471
♪ I was blind ♪
1197
01:26:24,555 --> 01:26:26,140
♪ Oh, but now ♪
1198
01:26:26,932 --> 01:26:30,352
♪ I see ♪
1199
01:26:33,397 --> 01:26:38,861
♪ Through many dangers ♪
1200
01:26:38,944 --> 01:26:42,907
♪ Toils and snares ♪
1201
01:26:43,657 --> 01:26:50,122
♪ I have, I have already, already come ♪
1202
01:26:50,748 --> 01:26:52,291
♪ Ooh ♪
1203
01:26:53,667 --> 01:26:55,336
♪ 'Twas grace ♪
1204
01:26:55,419 --> 01:27:00,674
♪ That brought me safe ♪
1205
01:27:01,383 --> 01:27:03,552
♪ This far ♪
1206
01:27:03,636 --> 01:27:08,265
♪ And grace shall lead me ♪
1207
01:27:08,349 --> 01:27:12,311
♪ Home ♪
1208
01:27:13,187 --> 01:27:17,650
♪ Ooh ♪
1209
01:27:18,192 --> 01:27:20,194
[CROWD CHEERING]
1210
01:27:23,364 --> 01:27:25,991
{\an8}[BAND PLAYING
"WHEN THE SAINTS GO MARCHING IN"]
1211
01:27:37,461 --> 01:27:39,797
[MAN] Music has a way
of bringing us together.
1212
01:27:39,880 --> 01:27:41,799
Here in New Orleans, that's just so true.
1213
01:27:41,882 --> 01:27:45,219
[CROWD] ♪ When the saints go marching in ♪
1214
01:27:46,345 --> 01:27:50,349
♪ Oh, how I want to be in that number ♪
1215
01:27:51,100 --> 01:27:54,478
♪ When the saints go marching in ♪
1216
01:27:55,604 --> 01:27:59,608
♪ Oh, when the saints go marching in ♪
1217
01:27:59,692 --> 01:28:03,988
♪ Oh, when the saints go marching in ♪
1218
01:28:04,071 --> 01:28:06,073
[DAVIS]
We're closing the book on 50 years.
1219
01:28:06,156 --> 01:28:08,742
You know, over 50 years,
a lot of things have happened.
1220
01:28:23,299 --> 01:28:27,594
Life's to be enjoyed, not endured,
and there's a lot of that in New Orleans.
1221
01:28:53,329 --> 01:28:57,833
It's just a great festival experience
that can't be matched.
1222
01:28:57,916 --> 01:28:59,168
Jazz Fest!
1223
01:29:00,044 --> 01:29:02,087
We say hey, hey!
1224
01:29:04,590 --> 01:29:05,424
Come on!
1225
01:29:06,925 --> 01:29:09,720
Everybody jump! Jump, jump! Come on!
1226
01:29:09,803 --> 01:29:11,805
[TAB] You're not gonna get it
unless you get here.
1227
01:29:11,889 --> 01:29:13,349
You just gotta walk in, you know?
1228
01:29:13,432 --> 01:29:15,184
♪ Oh, yeah ♪
1229
01:29:15,267 --> 01:29:16,101
Hey!
1230
01:29:17,978 --> 01:29:19,897
[LANDRETH]
You can't help but get caught up in it.
1231
01:29:19,980 --> 01:29:21,774
Once you walk through those gates,
1232
01:29:21,857 --> 01:29:23,484
you kinda forget about the rest
of the world.
1233
01:29:23,567 --> 01:29:27,029
All right, take me up there! Take me up!
Here we go!
1234
01:29:27,112 --> 01:29:28,906
[SCATTING]
1235
01:29:32,117 --> 01:29:33,202
Everybody, come on!
1236
01:29:33,285 --> 01:29:34,745
[WOMAN VOCALIZING]
1237
01:29:38,123 --> 01:29:39,750
I need to see all your hands!
1238
01:29:40,876 --> 01:29:41,960
Come on!
1239
01:29:49,009 --> 01:29:50,511
[PORTER] Sleep is the cousin of death.
1240
01:29:52,346 --> 01:29:55,307
That's Jazz Fest, you know.
You can sleep when you're dead.
1241
01:30:04,149 --> 01:30:05,943
This can only happen in New Orleans.
1242
01:30:08,403 --> 01:30:09,780
That's the magic of the festival.
1243
01:30:09,863 --> 01:30:11,615
Happy 50th Jazz Fest!
1244
01:30:12,741 --> 01:30:15,536
We gotta keep it going another 50 years!
1245
01:30:15,619 --> 01:30:16,662
[CROWD CHEERING]
1246
01:30:16,787 --> 01:30:18,497
Right here in New Orleans!
1247
01:30:18,580 --> 01:30:23,085
Thank you! Don't forget, we love you!
1248
01:30:55,701 --> 01:30:58,662
[BAND PLAYING
"YOU CAN'T ALWAYS GET WHAT YOU WANT"]
1249
01:30:58,745 --> 01:31:00,164
[CROWD CHEERING]
1250
01:31:18,348 --> 01:31:22,352
♪ I saw her today at the reception ♪
1251
01:31:23,937 --> 01:31:28,150
♪ A glass of wine in her hand ♪
1252
01:31:30,068 --> 01:31:34,698
♪ I knew she could make the connection ♪
1253
01:31:35,282 --> 01:31:40,245
♪ At her feet was her footloose man ♪
1254
01:31:40,329 --> 01:31:41,663
Let's do it!
1255
01:31:41,747 --> 01:31:45,709
[ALL]
♪ You can't always get what you want ♪
1256
01:31:47,711 --> 01:31:51,506
♪ You can't always get what you want ♪
1257
01:31:53,717 --> 01:31:57,512
♪ You can't always get what you want ♪
1258
01:31:59,139 --> 01:32:01,391
♪ But if you try sometime ♪
1259
01:32:02,809 --> 01:32:04,645
♪ Just might find ♪
1260
01:32:04,728 --> 01:32:06,855
♪ You get what you need ♪
1261
01:32:06,939 --> 01:32:08,440
[CROWD CHEERING]
1262
01:32:16,949 --> 01:32:21,203
♪ I saw her today at the reception ♪
1263
01:32:22,788 --> 01:32:26,750
{\an8}♪ A glass of wine in her hand ♪
1264
01:32:28,710 --> 01:32:32,881
{\an8}♪ I knew she could make her connection ♪
1265
01:32:34,049 --> 01:32:38,512
♪ At her feet was her footloose man ♪
1266
01:32:40,097 --> 01:32:44,184
♪ You can't always get what you want ♪
1267
01:32:46,103 --> 01:32:49,940
♪ You can't always get what you want ♪
1268
01:32:51,817 --> 01:32:55,779
♪ You can't always get what you want ♪
1269
01:32:57,531 --> 01:32:59,908
♪ But if you try sometimes ♪
1270
01:33:00,826 --> 01:33:02,953
♪ You might find ♪
1271
01:33:03,036 --> 01:33:04,746
♪ You get what you need ♪
1272
01:33:08,583 --> 01:33:10,335
♪ You get what you need ♪
1273
01:33:14,881 --> 01:33:19,052
♪ I went down to the demonstration ♪
1274
01:33:20,637 --> 01:33:24,516
♪ To get my fair share of abuse ♪
1275
01:33:26,268 --> 01:33:31,023
♪ Singing
"We're gonna vent our frustration ♪
1276
01:33:31,106 --> 01:33:36,695
♪ If we don't
We're gonna blow a 50-amp fuse" ♪
1277
01:33:37,904 --> 01:33:41,908
♪ You can't always get what you want ♪
1278
01:33:43,827 --> 01:33:47,873
♪ You can't always get what you want ♪
1279
01:33:49,416 --> 01:33:53,670
♪ You can't always get what you want ♪
1280
01:33:55,756 --> 01:33:59,217
♪ You can't always get what you want ♪
1281
01:34:01,094 --> 01:34:05,015
♪ You can't always get what you want ♪
1282
01:34:06,808 --> 01:34:08,769
♪ But if you try sometimes ♪
1283
01:34:09,978 --> 01:34:12,481
♪ You just might find ♪
1284
01:34:12,564 --> 01:34:18,070
♪ You get what you need ♪
1285
01:34:21,782 --> 01:34:23,367
[CROWD CHEERING]
1286
01:34:25,410 --> 01:34:26,995
[BUFFETT SPEAKING INDISTINCTLY]
111748
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