Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated:
1
00:00:01,200 --> 00:00:04,040
(HELICOPTER WHIRRS)
2
00:00:09,480 --> 00:00:10,600
MAN: Go, go.
ANT: Move!
3
00:00:10,640 --> 00:00:14,120
This job isn't for most of you,
if not all of you!
4
00:00:14,160 --> 00:00:15,280
Jump!
5
00:00:15,320 --> 00:00:17,280
NARRATOR: 14 everyday Aussies...
6
00:00:17,320 --> 00:00:19,360
MAN: I'm doing this course to prove
7
00:00:19,400 --> 00:00:22,040
even though you are smaller
than everyone else,
8
00:00:22,080 --> 00:00:23,480
you can achieve anything.
9
00:00:23,520 --> 00:00:25,200
Good effort! Well done!
10
00:00:25,240 --> 00:00:26,560
..are taking on...
11
00:00:26,600 --> 00:00:28,360
Come on. Keep going.
12
00:00:28,400 --> 00:00:30,000
..the toughest selection course...
Arggh!
13
00:00:30,040 --> 00:00:31,560
I can't breathe!
14
00:00:31,600 --> 00:00:33,000
..ever attempted.
15
00:00:33,040 --> 00:00:34,360
Don't panic!
16
00:00:34,400 --> 00:00:36,680
MAN: Look at me, look at me.
(WHEEZES)
17
00:00:36,720 --> 00:00:39,040
As the body count mounted...
18
00:00:39,080 --> 00:00:40,800
I'm gonna VW.
19
00:00:40,840 --> 00:00:42,920
What I'm most fearful is failing.
20
00:00:42,960 --> 00:00:46,560
My water bot... oh, no!
I left it in the car.
21
00:00:46,600 --> 00:00:48,000
What?
22
00:00:48,040 --> 00:00:50,960
..one recruit's constant errors...
23
00:00:51,000 --> 00:00:52,600
Oh, my god!
24
00:00:52,640 --> 00:00:53,760
I've left all of you down.
25
00:00:53,800 --> 00:00:55,640
..sparked frustration...
26
00:00:55,680 --> 00:00:57,280
MAN: We're all just gonna
suffer from it.
27
00:00:57,320 --> 00:00:58,800
..inside the group.
28
00:00:58,840 --> 00:01:00,000
It's just gonna keep costing us.
29
00:01:00,040 --> 00:01:01,760
At what point do you go,
"Enough's enough?"
30
00:01:01,800 --> 00:01:03,960
(TENSE INSTRUMENTAL MUSIC)
31
00:01:04,000 --> 00:01:05,560
Tonight...
32
00:01:05,600 --> 00:01:07,640
Go! Go! Move! Move!
33
00:01:07,680 --> 00:01:08,960
..Hell Week...
34
00:01:09,000 --> 00:01:10,240
On your (BLEEP) bellies!
35
00:01:10,280 --> 00:01:11,480
..shows no mercy.
36
00:01:11,520 --> 00:01:12,520
Faster!
37
00:01:12,560 --> 00:01:13,560
(COUGHS)
38
00:01:13,600 --> 00:01:15,280
Get up! Stand up!
39
00:01:15,320 --> 00:01:17,080
Number three, let's go!
40
00:01:17,120 --> 00:01:19,040
Can a stay-at-home mum survive...
41
00:01:19,080 --> 00:01:20,440
Let's go!
42
00:01:20,480 --> 00:01:21,800
Quitting's not an option for me.
43
00:01:21,840 --> 00:01:23,840
Start crawling! Move!
44
00:01:25,120 --> 00:01:26,520
Plus...
45
00:01:26,560 --> 00:01:29,600
(CRIES)
46
00:01:29,640 --> 00:01:32,080
..a father's powerful pledge.
47
00:01:33,080 --> 00:01:34,760
I lost my son 11 days ago.
48
00:01:34,800 --> 00:01:37,920
(EXHALES)
49
00:01:37,960 --> 00:01:40,640
I made him a promise
that I wouldn't quit.
50
00:01:40,680 --> 00:01:42,280
I'm trying to get better,
51
00:01:42,320 --> 00:01:44,720
and I told him
that I was coming here.
52
00:01:45,920 --> 00:01:47,320
(EXHALES)
53
00:01:50,960 --> 00:01:53,960
(STIRRING INSTRUMENTAL MUSIC)
54
00:01:57,480 --> 00:01:59,120
(OWL HOOTS)
55
00:01:59,160 --> 00:02:02,160
(TENSE INSTRUMENTAL MUSIC)
56
00:02:12,400 --> 00:02:14,600
After a restless night's sleep...
57
00:02:14,640 --> 00:02:15,840
(SIGHS)
58
00:02:16,920 --> 00:02:21,360
..the remaining nine recruits are
waking to day four of Hell Week,
59
00:02:21,400 --> 00:02:25,600
a punishing condensed version
of the SAS selection course.
60
00:02:33,160 --> 00:02:34,320
Not good.
61
00:02:34,360 --> 00:02:37,520
Following a brutal
ice beasting yesterday...
62
00:02:37,560 --> 00:02:40,240
Arggh!
Get past her! Move!
63
00:02:41,600 --> 00:02:44,760
Something's just... arggh!
Something's gone in my calf.
64
00:02:44,800 --> 00:02:47,200
..number three,
stay-at-home mum Sandy,
65
00:02:47,240 --> 00:02:49,280
has suffered a serious calf injury
66
00:02:49,320 --> 00:02:51,400
that's weighing heavily on her mind.
67
00:02:51,440 --> 00:02:53,680
I've never felt anything
like that before.
68
00:02:53,720 --> 00:02:54,960
MAN: I done that not long ago.
69
00:02:55,000 --> 00:02:57,320
It just instantly went and I was
like, "What the (BLEEP) is that?"
70
00:02:57,360 --> 00:03:00,640
Being a stay-at-home mum, as much
as I'm loving this role now,
71
00:03:00,680 --> 00:03:03,240
I feel like I lost a bit of purpose.
72
00:03:03,280 --> 00:03:05,000
You can't go on your toes, eh?
73
00:03:05,040 --> 00:03:06,400
It feels like your calf's
gonna pull off.
74
00:03:06,440 --> 00:03:07,560
Yep.
75
00:03:07,600 --> 00:03:10,760
This has reminded me
of who I used to be -
76
00:03:10,800 --> 00:03:14,160
that adventurous, do-anything,
crazy spirit.
77
00:03:14,200 --> 00:03:15,720
I'm gonna go as long as I can.
78
00:03:15,760 --> 00:03:17,400
100%, yeah.
Like, I'm not...
79
00:03:17,440 --> 00:03:19,240
'Cause you never know -
you might surprise yourself.
80
00:03:19,280 --> 00:03:20,920
Yeah. Yeah.
Give it a crack first.
81
00:03:20,960 --> 00:03:23,960
(TENSE INSTRUMENTAL MUSIC)
82
00:03:25,520 --> 00:03:27,000
This is so wet.
83
00:03:27,040 --> 00:03:29,760
(YAWNS)
84
00:03:29,800 --> 00:03:33,400
Coping without sleep is something
that I don't do.
85
00:03:33,440 --> 00:03:36,440
It's cra... doesn't even feel like
they've dried a bit, does it?
86
00:03:36,480 --> 00:03:38,400
It's only really
had five hours to dry,
87
00:03:38,440 --> 00:03:40,600
and it's been a freezing night.
88
00:03:40,640 --> 00:03:42,960
And trying to get acclimatised
to the cold,
89
00:03:43,000 --> 00:03:45,080
it's something that will be
a challenge to me.
90
00:03:46,240 --> 00:03:50,280
Even my undies are still wet.
That's not right!
91
00:03:50,320 --> 00:03:52,040
(LAUGHS) And I really
don't want to put it on.
92
00:03:54,960 --> 00:04:00,280
Get on the parade square
fast as you can!
93
00:04:00,320 --> 00:04:01,720
Yep, we gotta go.
Yep, let's go.
94
00:04:03,600 --> 00:04:05,200
WOMAN: Let's go, guys.
Got everyone?
95
00:04:05,240 --> 00:04:07,480
(DRAMATIC MUSIC BUILDS)
96
00:04:07,520 --> 00:04:09,160
Come on, Bass.
97
00:04:09,200 --> 00:04:12,200
(DRAMATIC MUSIC CONTINUES)
98
00:04:15,560 --> 00:04:18,279
Number six, you're duty recruit...
99
00:04:19,320 --> 00:04:21,040
Yes, staff.
..as of now.
100
00:04:21,079 --> 00:04:22,480
Yes, staff.
101
00:04:22,520 --> 00:04:24,560
It's gonna get
more technical today -
102
00:04:24,600 --> 00:04:28,760
physically harder
and psychologically harder.
103
00:04:31,080 --> 00:04:33,560
Some of you are already
at your breaking point.
104
00:04:33,600 --> 00:04:35,320
(EXHALES)
105
00:04:37,600 --> 00:04:39,400
Today...
106
00:04:40,880 --> 00:04:42,480
..a handful of you...
107
00:04:43,680 --> 00:04:45,280
..will reach...
108
00:04:47,760 --> 00:04:49,360
..that breaking point.
109
00:04:49,400 --> 00:04:52,400
(DRAMATIC MUSIC CONTINUES)
110
00:04:54,040 --> 00:04:55,840
Get it up here -
it's gonna be a (BLEEP) long day.
111
00:04:55,880 --> 00:04:57,360
It's gonna be painful,
it's gonna be cold,
112
00:04:57,400 --> 00:04:58,920
it's gonna be wet,
it's gonna be miserable.
113
00:04:58,960 --> 00:05:01,160
Stand by! Go! Move!
MAN: Go, go, go!
114
00:05:01,200 --> 00:05:04,400
Come on, hop-along - number three!
Come on, come on.
115
00:05:04,440 --> 00:05:09,200
Everyone has their breaking point.
116
00:05:09,240 --> 00:05:11,040
(DRAMATIC MUSIC SWELLS)
117
00:05:11,080 --> 00:05:12,480
And it's a daunting place to be.
118
00:05:12,520 --> 00:05:14,960
(DRAMATIC MUSIC CONTINUES)
119
00:05:15,000 --> 00:05:20,320
To look at yourself stripped down,
warts and everything.
120
00:05:20,360 --> 00:05:22,560
(DRAMATIC MUSIC CONTINUES)
121
00:05:22,600 --> 00:05:25,880
Weaknesses, insecurities,
fears, phobias.
122
00:05:25,920 --> 00:05:29,240
(DRAMATIC MUSIC CONTINUES)
123
00:05:29,280 --> 00:05:32,920
They will come face to face
with their true selves.
124
00:05:32,960 --> 00:05:34,600
(DRAMATIC MUSIC SWELLS)
125
00:05:34,640 --> 00:05:37,880
And that scares the shit
out of a lot of people.
126
00:05:37,920 --> 00:05:38,920
Get out! Let's move!
127
00:05:38,960 --> 00:05:40,320
OK, OK, OK.
Out - move out.
128
00:05:40,360 --> 00:05:42,680
But if you can embrace it...
129
00:05:44,120 --> 00:05:47,480
..what you're doing is you're
identifying a different you.
130
00:05:47,520 --> 00:05:49,520
(DRAMATIC MUSIC CONTINUES)
131
00:05:49,560 --> 00:05:53,920
So, that breaking point is,
like, boom - you're gone.
132
00:05:54,920 --> 00:05:57,400
We're gonna build you back up now.
Are you ready?
133
00:05:57,440 --> 00:06:00,440
(TENSE INSTRUMENTAL MUSIC)
134
00:06:11,480 --> 00:06:13,480
OLLIE: Now, listen in.
135
00:06:13,520 --> 00:06:18,240
The special forces work
in absolute extremes.
136
00:06:18,280 --> 00:06:21,760
We're trained to embrace the chaos.
137
00:06:21,800 --> 00:06:26,880
We reach a breaking point
and operate effectively beyond it.
138
00:06:28,680 --> 00:06:31,960
That is our piece in war.
139
00:06:32,000 --> 00:06:38,040
It's a fine line between failure
and success, life and death.
140
00:06:39,880 --> 00:06:43,040
How do we do that? Oppos.
141
00:06:43,080 --> 00:06:47,440
It's that person
you can rely on 110%
142
00:06:47,480 --> 00:06:50,520
to be there to catch you
when you fall.
143
00:06:51,720 --> 00:06:54,760
Let's see what that looks like.
Turn around and watch the demo.
144
00:06:54,800 --> 00:06:57,800
(DRAMATIC MUSIC BUILDS)
145
00:07:00,240 --> 00:07:03,400
On the edge of
a 40-metre-high platform,
146
00:07:03,440 --> 00:07:06,080
the directing staff
are about to demonstrate
147
00:07:06,120 --> 00:07:08,960
the ultimate test of trust.
148
00:07:09,000 --> 00:07:11,240
Control, hold!
149
00:07:11,280 --> 00:07:13,080
On the ground,
150
00:07:13,120 --> 00:07:16,240
DS Billy must quickly pull
on the rope to apply the brakes
151
00:07:16,280 --> 00:07:19,880
to avoid his partner, or oppo,
DS Foxy
152
00:07:19,920 --> 00:07:22,840
from a fatal plummet
to the ground below.
153
00:07:22,880 --> 00:07:24,200
BILLY: Hands on head!
154
00:07:24,240 --> 00:07:28,760
Fall and break
is a trust confidence test,
155
00:07:28,800 --> 00:07:31,320
and it tests your balls
and your grit.
156
00:07:31,360 --> 00:07:32,880
Stand by!
157
00:07:32,920 --> 00:07:35,120
It's about trusting your partner.
158
00:07:35,160 --> 00:07:37,800
It's about trusting yourself,
159
00:07:37,840 --> 00:07:40,000
and it's about trusting
your equipment.
160
00:07:40,040 --> 00:07:41,440
Now!
161
00:07:41,480 --> 00:07:44,720
(TENSE INSTRUMENTAL MUSIC)
162
00:07:44,760 --> 00:07:48,480
And it's having the courage,
and the knowledge,
163
00:07:48,520 --> 00:07:51,840
and the believe in your partner
164
00:07:51,880 --> 00:07:53,880
to break and save your life.
165
00:07:53,920 --> 00:07:55,520
(DRAMATIC MUSIC SWELLS)
166
00:07:56,600 --> 00:08:00,400
If he breaks down, you break.
167
00:08:04,640 --> 00:08:09,440
First up to face the terrifying fall
is number two, tradie Luke...
168
00:08:09,480 --> 00:08:11,840
Get yourself
parallel with the floor.
169
00:08:11,880 --> 00:08:12,880
Yes, staff.
170
00:08:12,920 --> 00:08:17,040
..who'll be putting his trust
and his life
171
00:08:17,080 --> 00:08:21,400
in the hands of disgraced Federal
Police officer, number seven, Gary.
172
00:08:22,720 --> 00:08:24,800
Once they're starting
to get into position,
173
00:08:24,840 --> 00:08:28,200
you will take control of the rope.
174
00:08:28,240 --> 00:08:30,040
I've made some mistakes in the past,
175
00:08:30,080 --> 00:08:36,240
ultimately, caused by my own ego -
by my fear of failing.
176
00:08:36,280 --> 00:08:37,919
You have control of their life right
now, alright?
177
00:08:37,960 --> 00:08:38,960
Yes, staff.
178
00:08:39,000 --> 00:08:41,640
So, once you (BLEEP) release that,
it's down to you.
179
00:08:41,679 --> 00:08:43,640
(DRAMATIC MUSIC SWELLS)
180
00:08:43,679 --> 00:08:46,440
And my fear that I wasn't good
enough to do what I was doing,
181
00:08:46,480 --> 00:08:49,440
and I lost everything I had
because of it.
182
00:08:49,480 --> 00:08:51,200
I'm just lowering myself down.
183
00:08:51,240 --> 00:08:53,640
(DRAMATIC MUSIC CONTINUES)
184
00:08:53,680 --> 00:08:57,920
And my biggest fear is that I'll,
once again, destroy my own life
185
00:08:57,960 --> 00:09:00,040
and those around me.
186
00:09:00,080 --> 00:09:02,240
Oh, (BLEEP). I'm shaky, man.
187
00:09:03,240 --> 00:09:04,240
(TENSE INSTRUMENTAL MUSIC)
188
00:09:04,280 --> 00:09:05,400
Hands on head.
189
00:09:05,440 --> 00:09:08,440
(DRAMATIC MUSIC SWELLS)
190
00:09:11,600 --> 00:09:12,960
Stand by!
191
00:09:13,000 --> 00:09:16,000
(DRAMATIC MUSIC CONTINUES)
192
00:09:17,840 --> 00:09:18,840
Go!
193
00:09:18,880 --> 00:09:21,880
(DRAMATIC MUSIC CONTINUES)
194
00:09:26,680 --> 00:09:28,360
Break, break, break!
195
00:09:28,400 --> 00:09:30,120
Oh!
196
00:09:30,160 --> 00:09:33,160
(DRAMATIC MUSIC CONTINUES)
197
00:09:36,040 --> 00:09:37,680
OK, you got him?
Yeah, I got him, I got him.
198
00:09:37,720 --> 00:09:38,880
You've got control?
199
00:09:38,920 --> 00:09:41,560
Failing to break in time,
number seven, Gary...
200
00:09:41,600 --> 00:09:43,080
Bit of a (BLEEP) jerk there, was it?
201
00:09:43,120 --> 00:09:44,120
I shit my pants.
202
00:09:44,160 --> 00:09:46,080
..has failed the task.
203
00:09:46,120 --> 00:09:49,120
(DRAMATIC MUSIC CONTINUES)
204
00:09:50,120 --> 00:09:53,600
Next to face the life-threatening
40-metre drop
205
00:09:53,640 --> 00:09:57,040
is men's dating coach,
number five, Sarah.
206
00:09:57,080 --> 00:09:58,720
Just feel yourself fall.
207
00:09:58,760 --> 00:10:01,080
Once you fall,
hands off, big starfish.
208
00:10:01,120 --> 00:10:02,760
Mm-hm. As I fall.
209
00:10:02,800 --> 00:10:04,800
Becoming
a men's dating coach
210
00:10:04,840 --> 00:10:07,800
wasn't really something I dreamt of
as a little girl.
211
00:10:07,840 --> 00:10:12,880
What led me to do this was
many experiences of infidelity.
212
00:10:12,920 --> 00:10:15,080
And hopefully he'll stop you.
Yes, staff.
213
00:10:15,120 --> 00:10:16,880
OK, cool.
214
00:10:16,920 --> 00:10:20,720
So, trust, for me,
is very important.
215
00:10:20,760 --> 00:10:21,960
(TENSE INSTRUMENTAL MUSIC)
216
00:10:22,000 --> 00:10:24,560
You lock and break.
Drop to the floor like so.
217
00:10:24,600 --> 00:10:26,400
Breaking for number five
218
00:10:26,440 --> 00:10:29,680
is holistic health coach,
number eight, James.
219
00:10:29,720 --> 00:10:32,280
There were a lot of kids at school
who were tougher than me.
220
00:10:32,320 --> 00:10:34,320
A lot of people
who were grittier than me,
221
00:10:34,360 --> 00:10:36,440
who had more resilience than me.
222
00:10:36,480 --> 00:10:39,560
Gonna come down (BLEEP) rapidly,
and it's gonna move fast.
223
00:10:39,600 --> 00:10:41,000
Mm-hm.
Do not panic.
224
00:10:41,040 --> 00:10:45,400
So, my intention and hope
from undertaking this course
225
00:10:45,440 --> 00:10:49,400
is to leave the younger
little soft kid behind.
226
00:10:49,440 --> 00:10:51,080
Don't (BLEEP) panic
and do it too early,
227
00:10:51,120 --> 00:10:52,600
'cause if you do it too early,
228
00:10:52,640 --> 00:10:54,560
you'll jar the back,
you'll (BLEEP) hurt them.
229
00:10:54,600 --> 00:10:56,840
(DRAMATIC MUSIC BUILDS)
230
00:10:56,880 --> 00:10:58,280
I have control!
231
00:10:58,320 --> 00:10:59,520
(DRAMATIC MUSIC BUILDS)
232
00:10:59,560 --> 00:11:00,800
Lean back!
233
00:11:00,840 --> 00:11:02,720
In moments of life or death...
234
00:11:02,760 --> 00:11:04,760
Stand by!
235
00:11:04,800 --> 00:11:07,920
..I have to trust somebody
in order for them to trust me.
236
00:11:07,960 --> 00:11:09,400
Go!
237
00:11:09,440 --> 00:11:12,440
(DRAMATIC MUSIC CONTINUES)
238
00:11:15,400 --> 00:11:16,400
Oh!
239
00:11:19,000 --> 00:11:20,120
You OK?
Thank you.
240
00:11:20,160 --> 00:11:21,320
You trust him?
I trust him.
241
00:11:21,360 --> 00:11:22,880
You sure about that?
Yes, staff.
242
00:11:22,920 --> 00:11:23,920
You owe him one.
243
00:11:23,960 --> 00:11:26,960
(DRAMATIC MUSIC BUILDS)
244
00:11:30,640 --> 00:11:34,880
The next pair to attempt the task,
number six, surfer Mitch,
245
00:11:34,920 --> 00:11:37,880
and number 11, rapper Isabella.
246
00:11:38,880 --> 00:11:40,440
ISABELLA: I'm a musician.
247
00:11:40,480 --> 00:11:43,240
Rapping is my main kind of platform,
248
00:11:43,280 --> 00:11:44,280
although I do a bit of singing,
249
00:11:44,320 --> 00:11:46,840
but I do not consider myself
a singer.
250
00:11:47,880 --> 00:11:51,520
ANT: This isn't in
your own (BLEEP) time! Move!
251
00:11:51,560 --> 00:11:53,680
(TENSE INSTRUMENTAL MUSIC)
252
00:11:53,720 --> 00:11:56,200
And I'd love to become a soldier.
253
00:11:56,240 --> 00:12:00,960
Doing something so demanding
is gonna just change who I am.
254
00:12:01,000 --> 00:12:03,000
(TENSE MUSIC CONTINUES)
255
00:12:03,040 --> 00:12:05,320
Well, what are you like
with heights?
256
00:12:06,320 --> 00:12:07,840
Don't even start bull(BLEEP) me
either.
257
00:12:11,400 --> 00:12:14,080
Little bit nervous,
but I'll get the job done, staff.
258
00:12:14,120 --> 00:12:15,320
Ahh, glad to hear you're nervous.
259
00:12:16,320 --> 00:12:18,720
Diamond-shaped formation.
Keep your hands high.
260
00:12:18,760 --> 00:12:19,920
That's the imperative thing.
261
00:12:19,960 --> 00:12:21,600
Alright,
if your hands are down here,
262
00:12:21,640 --> 00:12:23,960
by the time you try to break,
they're gonna come past you.
263
00:12:24,000 --> 00:12:25,800
If they impact the ground,
they're probably gonna die,
264
00:12:25,840 --> 00:12:27,680
and that's over to you again.
265
00:12:27,720 --> 00:12:29,840
I'm a self-claimed adrenalin junkie.
266
00:12:29,880 --> 00:12:33,440
I like to skydive, I like to surf,
I like to cliff-dive,
267
00:12:33,480 --> 00:12:35,480
but a lot of people who know me
268
00:12:35,520 --> 00:12:37,640
would say
I'm a very unconfident guy,
269
00:12:37,680 --> 00:12:40,520
but through this experience,
I want to change that.
270
00:12:40,560 --> 00:12:41,680
Don't (BLEEP) this up.
271
00:12:41,720 --> 00:12:43,800
(TENSE INSTRUMENTAL MUSIC)
272
00:12:43,840 --> 00:12:45,240
Climbing over!
273
00:12:45,280 --> 00:12:48,280
(DRAMATIC MUSIC SWELLS)
274
00:12:49,920 --> 00:12:51,280
Hands on head!
275
00:12:52,760 --> 00:12:57,120
I am really good at putting on,
like, a confident face.
276
00:12:57,160 --> 00:12:59,280
(DRAMATIC MUSIC CONTINUES)
277
00:12:59,320 --> 00:13:01,480
But it will scare
the shit out of me.
278
00:13:01,520 --> 00:13:02,800
(DRAMATIC MUSIC CONTINUES)
279
00:13:02,840 --> 00:13:04,320
Stand by!
280
00:13:04,360 --> 00:13:07,360
(DRAMATIC MUSIC CONTINUES)
281
00:13:11,640 --> 00:13:12,880
Go!
282
00:13:20,320 --> 00:13:22,120
Break, break, break!
Arggh!
283
00:13:22,160 --> 00:13:23,560
(BREATHES HEAVILY)
284
00:13:23,600 --> 00:13:26,600
(DRAMATIC MUSIC CONTINUES)
285
00:13:30,200 --> 00:13:31,880
Are you OK? Are you OK?
Ye...
286
00:13:31,920 --> 00:13:33,200
(BLEEP) speak to me!
Yes, staff.
287
00:13:33,240 --> 00:13:34,400
Great work!
288
00:13:34,440 --> 00:13:37,640
Hey, hey, hey, hold on! (BLEEP) off!
You can blow him off later.
289
00:13:37,680 --> 00:13:38,680
(EXHALES)
290
00:13:38,720 --> 00:13:40,440
She's alive, right?
Yes, staff.
291
00:13:40,480 --> 00:13:42,000
So, I guess that's success.
292
00:13:42,040 --> 00:13:44,160
Go sort your differences out
over there.
293
00:13:44,200 --> 00:13:47,280
(DRAMATIC MUSIC CONTINUES)
294
00:13:47,320 --> 00:13:49,120
After mixed results so far,
295
00:13:49,160 --> 00:13:51,640
the final team to take on the task
296
00:13:51,680 --> 00:13:53,800
is the trio of number one, Bassim,
297
00:13:53,840 --> 00:13:57,000
number 13, James,
and number three, Sandy.
298
00:13:57,040 --> 00:13:59,080
(DRAMATIC MUSIC CONTINUES)
299
00:13:59,120 --> 00:14:01,000
Have you abseiled before?
Yes, staff.
300
00:14:02,440 --> 00:14:06,400
Number one, Bassim, will be
the break man for both of his oppos.
301
00:14:07,400 --> 00:14:10,760
Hey, slacken the rope,
(BLEEP) half-wit!
302
00:14:10,800 --> 00:14:13,120
(TENSE INSTRUMENTAL MUSIC)
303
00:14:13,160 --> 00:14:15,520
When you say 'break' and...'cause
you might say it a few times...
304
00:14:15,560 --> 00:14:17,280
I'm not gonna tell you to break.
It's over to you.
305
00:14:17,320 --> 00:14:18,800
I will only say break
if it's going (BLEEP) wrong,
306
00:14:18,840 --> 00:14:21,080
and I will come over the top of you
and take control.
307
00:14:21,120 --> 00:14:23,120
But with Bassim's track record
308
00:14:23,160 --> 00:14:26,440
of attracting attention
for all the wrong reasons...
309
00:14:26,480 --> 00:14:29,040
What are you doing?
Why are you (BLEEP) swimming?!
310
00:14:29,080 --> 00:14:30,520
Oi!
Faster!
311
00:14:30,560 --> 00:14:31,920
What (BLEEP) are you doing?!
312
00:14:31,960 --> 00:14:33,600
Oh, no!
What?
313
00:14:33,640 --> 00:14:36,560
My water bot... oh, no!
I left it in the four-wheel-drive.
314
00:14:36,600 --> 00:14:37,640
Shit!
315
00:14:37,680 --> 00:14:40,640
You, number one, (BLEEP) useless!
316
00:14:40,680 --> 00:14:42,880
(DRAMATIC MUSIC SWELLS)
317
00:14:42,920 --> 00:14:46,640
Number one Bassim's place on
the course is hanging by a thread.
318
00:14:47,640 --> 00:14:49,400
Everything you've been told
is simple, alright?
319
00:14:49,440 --> 00:14:50,920
Don't over-(BLEEP)-think things.
320
00:14:50,960 --> 00:14:52,200
(DRAMATIC MUSIC CONTINUES)
321
00:14:52,240 --> 00:14:53,480
Climbing over.
322
00:14:55,360 --> 00:14:56,640
Do not do anything
until you feel alright.
323
00:14:56,680 --> 00:14:58,480
If you (BLEEP) break too early,
you'll stab her back.
324
00:14:58,520 --> 00:14:59,520
BASSIM: Yep.
325
00:14:59,560 --> 00:15:02,720
It's about you've got someone's life
in your hands.
326
00:15:02,760 --> 00:15:04,560
There is nothing more important.
327
00:15:06,200 --> 00:15:07,400
Now, don't let go
of the (BLEEP) rope.
328
00:15:08,400 --> 00:15:11,040
If I rush, that's when
I tend to make mistakes.
329
00:15:11,080 --> 00:15:12,760
(DRAMATIC MUSIC CONTINUES)
330
00:15:12,800 --> 00:15:13,840
Stand by!
331
00:15:13,880 --> 00:15:17,680
(DRAMATIC MUSIC CONTINUES)
332
00:15:17,720 --> 00:15:19,480
Yeah, go.
Go!
333
00:15:22,520 --> 00:15:23,760
(YELLS)
334
00:15:23,800 --> 00:15:25,960
(GROANS)
(BLEEP) hell!
335
00:15:26,000 --> 00:15:29,000
(TENSE INSTRUMENTAL MUSIC)
336
00:15:30,160 --> 00:15:32,800
How not to (BLEEP) do it.
337
00:15:32,840 --> 00:15:36,520
Panicking, number one, Bassim,
has pulled the rope
338
00:15:36,560 --> 00:15:38,560
and broken too early,
339
00:15:38,600 --> 00:15:42,080
leaving number three, Sandy,
handing way above the ground.
340
00:15:42,120 --> 00:15:46,280
Break too soon, guess what you are -
a sitting target.
341
00:15:46,320 --> 00:15:48,440
(BLEEP) sniper's dream.
342
00:15:49,520 --> 00:15:50,520
Boom!
343
00:15:52,360 --> 00:15:53,760
Right, number 13.
344
00:15:53,800 --> 00:15:56,200
Move, 13. Let's go.
345
00:15:56,240 --> 00:16:00,120
Number one, Bassim, has been given
a second chance to get it right...
346
00:16:00,160 --> 00:16:03,480
Your head's spinning
at 1,000 miles an hour.
347
00:16:03,520 --> 00:16:07,160
..by timing his breaking better
for number 13, James.
348
00:16:08,160 --> 00:16:10,520
Things like this always go wrong
at the end.
349
00:16:11,880 --> 00:16:14,160
It's not gonna happen, staff.
Always go wrong at the end.
350
00:16:14,200 --> 00:16:17,720
It goes wrong when people
have got lack of concentration...
351
00:16:17,760 --> 00:16:19,200
Wait for that tap.
352
00:16:19,240 --> 00:16:20,880
..'cause it is about trust.
353
00:16:20,920 --> 00:16:24,280
It's about knowing that person
below you is your lifeline.
354
00:16:24,320 --> 00:16:27,120
He's shaking as well. He's a little
bit (BLEEP) nervous, OK?
355
00:16:27,160 --> 00:16:28,160
Yes, staff.
356
00:16:28,200 --> 00:16:31,080
You're doing it to be confident,
switched on.
357
00:16:31,120 --> 00:16:33,880
Know when to do what
you've got to do, and do it right.
358
00:16:33,920 --> 00:16:35,480
Diamond formation.
359
00:16:35,520 --> 00:16:37,720
(BLEEP), where you going,
you (BLEEP) lunatic?
360
00:16:37,760 --> 00:16:39,560
Jesus! Keep it like that.
361
00:16:39,600 --> 00:16:43,800
So, you're gonna get your partner,
who is number...
362
00:16:43,840 --> 00:16:45,280
(DRAMATIC MUSIC BUILDS)
363
00:16:45,320 --> 00:16:46,920
(BLEEP) me, it's him again.
364
00:16:46,960 --> 00:16:48,760
So, it's number one,
365
00:16:48,800 --> 00:16:52,000
the only weak link
in this (BLEEP) manoeuvre,
366
00:16:52,040 --> 00:16:54,520
to take the strain.
367
00:16:54,560 --> 00:16:57,160
JAMES: I'm somebody
that doesn't deal well
368
00:16:57,200 --> 00:16:59,680
when I know I'm not in control
of that scenario.
369
00:16:59,720 --> 00:17:00,960
Climbing over!
370
00:17:01,000 --> 00:17:03,280
Will I handle it well,
371
00:17:03,320 --> 00:17:06,240
or will I crumble
under that kind of pressure?
372
00:17:06,280 --> 00:17:07,960
(DRAMATIC MUSIC BUILDS)
373
00:17:08,000 --> 00:17:09,720
Stand by!
374
00:17:09,760 --> 00:17:11,280
(DRAMATIC MUSIC BUILDS)
375
00:17:11,319 --> 00:17:12,440
Go!
376
00:17:12,480 --> 00:17:15,720
(DRAMATIC MUSIC SWELLS)
377
00:17:17,240 --> 00:17:18,760
Coming up...
Go! Move!
378
00:17:18,800 --> 00:17:19,960
..the most savage...
379
00:17:20,000 --> 00:17:21,960
Faster! Get your (BLEEP) arses down!
380
00:17:22,000 --> 00:17:23,520
..beasting yet...
Pathetic!
381
00:17:23,560 --> 00:17:25,599
..pushes one recruit...
Hurry up!
382
00:17:25,640 --> 00:17:27,640
..to the edge...
Keep (BLEEP) going!
383
00:17:27,680 --> 00:17:29,480
..whilst Bassim's
repeated mistakes...
384
00:17:29,520 --> 00:17:30,640
Sorry!
385
00:17:30,680 --> 00:17:31,680
Oh, sorry, sorry, sorry!
386
00:17:31,720 --> 00:17:32,960
MAN: What the (BLEEP)?
387
00:17:33,000 --> 00:17:34,880
..leaves his place on the course...
388
00:17:34,920 --> 00:17:36,600
He just cannot do anything right.
389
00:17:36,640 --> 00:17:37,840
..in question.
390
00:17:37,880 --> 00:17:40,440
Seriously start thinking
about a cull.
391
00:17:45,920 --> 00:17:48,560
(DRAMATIC MUSIC BUILDS)
392
00:17:48,600 --> 00:17:50,160
NARRATOR: In a high-risk task
393
00:17:50,200 --> 00:17:53,360
designed to test trust,
confidence, and grit...
394
00:17:53,400 --> 00:17:55,240
(DRAMATIC MUSIC CONTINUES)
395
00:17:55,280 --> 00:17:56,440
BASSIM: Go!
396
00:17:58,440 --> 00:17:59,440
(GROANS)
397
00:17:59,480 --> 00:18:02,040
..part of a trio, number one, Bassim,
398
00:18:02,080 --> 00:18:05,080
has failed his first attempt
at the fall and break...
399
00:18:05,120 --> 00:18:07,080
How not to (BLEEP)ing do it.
400
00:18:07,120 --> 00:18:10,280
..and has been given a second chance
to get it right
401
00:18:10,320 --> 00:18:15,680
with breaking the fall of his other
oppo, number 13, dancer James.
402
00:18:15,720 --> 00:18:17,280
Stand by!
403
00:18:17,320 --> 00:18:18,840
(DRAMATIC MUSIC SWELLS)
404
00:18:18,880 --> 00:18:20,000
Go!
405
00:18:20,040 --> 00:18:23,040
(DRAMATIC MUSIC SWELLS)
406
00:18:24,160 --> 00:18:25,400
Break!
407
00:18:28,480 --> 00:18:30,880
(BLEEP) hell.
408
00:18:31,960 --> 00:18:37,240
Once again, number one, Bassim,
has panicked and broken too early,
409
00:18:37,280 --> 00:18:41,000
meaning he's now
failed the task twice.
410
00:18:43,480 --> 00:18:44,640
(HUFFS)
411
00:18:46,000 --> 00:18:49,600
Confident decision-making
is crucial.
412
00:18:49,640 --> 00:18:52,440
The moment you start to panic
and you start to tense up,
413
00:18:52,480 --> 00:18:54,920
and this malfunctions,
414
00:18:54,960 --> 00:18:56,560
is the moment it costs lives.
415
00:18:57,560 --> 00:18:59,640
(DRAMATIC MUSIC BUILDS)
416
00:18:59,680 --> 00:19:01,360
With the task complete,
417
00:19:01,400 --> 00:19:03,800
the recruits prepare
to head back to base.
418
00:19:03,840 --> 00:19:06,000
FOXY: Hurry up, then.
Get your kit away.
419
00:19:06,040 --> 00:19:08,520
(DRAMATIC MUSIC SWELLS)
420
00:19:10,440 --> 00:19:12,440
Number five.
Yes, staff?
421
00:19:12,480 --> 00:19:13,680
Get your fork out for me.
422
00:19:13,720 --> 00:19:16,720
(TENSE INSTRUMENTAL MUSIC)
423
00:19:17,760 --> 00:19:19,320
I don't have my fork, staff.
424
00:19:19,360 --> 00:19:21,160
You don't have your fork.
Guess who's got your fork.
425
00:19:21,200 --> 00:19:23,360
Guess where it was.
On the ground, staff.
426
00:19:23,400 --> 00:19:25,000
In the (BLEEP) dirt.
Yes, staff.
427
00:19:25,040 --> 00:19:28,160
I trod on it, and now you've gotta
put that in your (BLEEP) gob.
428
00:19:31,640 --> 00:19:33,640
(BLEEP) enemy are smart!
429
00:19:34,920 --> 00:19:36,400
Very (BLEEP) smart!
430
00:19:36,440 --> 00:19:38,880
Just picking that up,
431
00:19:38,920 --> 00:19:41,800
they will know what country
you (BLEEP) come from,
432
00:19:41,840 --> 00:19:43,200
who's been in the area.
433
00:19:43,240 --> 00:19:44,520
(TENSE MUSIC CONTINUES)
434
00:19:44,560 --> 00:19:47,120
You, number five,
have (BLEEP) let the team down.
435
00:19:47,160 --> 00:19:48,600
When I say 'go',
436
00:19:48,640 --> 00:19:52,640
I want you to take your jackets off
and come over and join me.
437
00:19:52,680 --> 00:19:54,960
Go! Make that happen! Move! Move!
438
00:19:55,000 --> 00:19:56,720
In the special forces,
439
00:19:56,760 --> 00:19:59,440
the kit that you have on your back
is your lifeline.
440
00:19:59,480 --> 00:20:00,600
MAN: Go, go.
MAN: Let's go.
441
00:20:01,600 --> 00:20:04,640
On operations,
we have time-sensitive targets,
442
00:20:04,680 --> 00:20:06,880
where we can be called upon
at any given time.
443
00:20:06,920 --> 00:20:09,760
Our kit's always ready.
We're always ready.
444
00:20:09,800 --> 00:20:12,480
That is a crucial part of being
a special forces operator.
445
00:20:13,480 --> 00:20:15,840
That you're ready to go
at the flick of a switch.
446
00:20:15,880 --> 00:20:16,880
Bang!
447
00:20:16,920 --> 00:20:20,760
You're gonna understand the
importance of your (BLEEP) kit...
448
00:20:20,800 --> 00:20:22,000
SANDY: I got it, I got it.
Come on.
449
00:20:22,040 --> 00:20:23,520
..through (BLEEP) hardship
and suffering.
450
00:20:24,520 --> 00:20:26,600
Go! Move! Move!
451
00:20:26,640 --> 00:20:28,720
Left! Left!
452
00:20:28,760 --> 00:20:31,680
As punishment for number five,
dating coach Sarah's,
453
00:20:31,720 --> 00:20:33,720
lack of care for her kit,
454
00:20:33,760 --> 00:20:36,600
all of the recruits
will now be beasted.
455
00:20:36,640 --> 00:20:38,400
Get around me! Start crawling!
456
00:20:38,440 --> 00:20:39,760
Move!
457
00:20:39,800 --> 00:20:41,120
On your (BLEEP) bellies!
458
00:20:41,160 --> 00:20:42,920
Move! Faster!
(MAN YELLS)
459
00:20:42,960 --> 00:20:45,960
(DRAMATIC MUSIC BUILDS)
460
00:20:49,720 --> 00:20:50,760
Number five, move.
461
00:20:50,800 --> 00:20:52,480
It's because of you
that we're (BLEEP) here.
462
00:20:52,520 --> 00:20:53,600
Hurry up!
463
00:20:54,760 --> 00:20:59,880
I've worked really hard to build out
the outer shell of my personality.
464
00:20:59,920 --> 00:21:03,800
Not many people actually get to see
that vulnerable part of me,
465
00:21:03,840 --> 00:21:08,320
and that's come from years of what
I've felt is bullying, exclusion,
466
00:21:08,360 --> 00:21:10,760
in social situations,
467
00:21:10,800 --> 00:21:15,800
and so I've become really, really
good at putting on a strong front.
468
00:21:15,840 --> 00:21:19,200
Move faster! Faster! Move!
469
00:21:19,240 --> 00:21:21,240
Get your (BLEEP) arses down!
470
00:21:21,280 --> 00:21:23,600
(GRUNTING AND GASPING)
471
00:21:23,640 --> 00:21:25,120
Get off your knees, number seven!
472
00:21:25,160 --> 00:21:29,200
FOXY: Is there a riptide out there?
Get a move on, (BLEEP) wombat!
473
00:21:29,240 --> 00:21:32,040
Despite being only two laps in,
474
00:21:32,080 --> 00:21:35,360
number seven, Gary,
is already struggling badly.
475
00:21:36,440 --> 00:21:38,000
GARY: I might be
a little bit slower,
476
00:21:38,040 --> 00:21:39,600
I will be a little bit older,
477
00:21:39,640 --> 00:21:42,200
but I'm trying to train myself
to last as long as I can last
478
00:21:42,240 --> 00:21:45,120
in the hope that when I feel
that pain out on the course,
479
00:21:45,160 --> 00:21:46,360
I'll be able to push through it.
480
00:21:46,400 --> 00:21:48,720
That's (BLEEP) pathetic!
481
00:21:48,760 --> 00:21:50,600
Sprint! Sprint!
482
00:21:50,640 --> 00:21:51,920
Keep sprinting!
483
00:21:53,600 --> 00:21:55,680
They would all be broken physically.
484
00:21:55,720 --> 00:21:57,640
What we're looking for
485
00:21:57,680 --> 00:22:00,640
is to see if they can muster up
the psychological resilience
486
00:22:00,680 --> 00:22:04,520
to drag their bodies through
to the end of the course.
487
00:22:04,560 --> 00:22:07,120
Crawl! Crawl!
Arggh!
488
00:22:09,120 --> 00:22:11,440
It's the mindset
that will get them there...
489
00:22:12,440 --> 00:22:14,440
..to become
a special forces operator.
490
00:22:14,480 --> 00:22:16,200
Arggh! Arggh!
Move!
491
00:22:16,240 --> 00:22:17,360
Number three, let's go!
492
00:22:17,400 --> 00:22:18,400
(DRAMATIC MUSIC BUILDS)
493
00:22:18,440 --> 00:22:19,440
(GROANS)
494
00:22:19,480 --> 00:22:21,680
Bravely willing herself forward,
495
00:22:21,720 --> 00:22:24,800
number three, Sandy, is straining
to lift her injured calf
496
00:22:24,840 --> 00:22:26,720
through the heavy mud...
497
00:22:26,760 --> 00:22:28,880
Number three, let's go! Crawl!
498
00:22:28,920 --> 00:22:31,720
..and is failing to keep up
with the other recruits.
499
00:22:31,760 --> 00:22:32,960
Let's go!
500
00:22:33,000 --> 00:22:35,960
Move! Move! Around me!
501
00:22:36,000 --> 00:22:38,320
Having all your family
in the military
502
00:22:38,360 --> 00:22:40,520
and you not being
in the military,
503
00:22:40,560 --> 00:22:44,400
I want to see if I've got
some of what they had.
504
00:22:44,440 --> 00:22:47,080
Move, number three! Move!
505
00:22:51,040 --> 00:22:52,120
(GAGS)
506
00:22:52,160 --> 00:22:53,920
Number three, get up.
507
00:22:53,960 --> 00:22:55,120
(GRUNTS)
508
00:22:55,160 --> 00:22:56,240
Get up. Stand up.
509
00:22:56,280 --> 00:22:58,720
Look, it's your (BLEEP) time.
510
00:22:58,760 --> 00:23:00,360
Yes, staff.
511
00:23:00,400 --> 00:23:01,640
Give us your armband.
512
00:23:04,240 --> 00:23:06,160
You've done extremely well
on this course.
513
00:23:06,200 --> 00:23:08,920
Unfortunately,
your body has failed you -
514
00:23:08,960 --> 00:23:11,560
not your (BLEEP) mind, your body.
515
00:23:11,600 --> 00:23:13,600
Leave this course
with your head held high.
516
00:23:14,640 --> 00:23:16,360
Right, make your way over to the DS.
517
00:23:16,400 --> 00:23:18,000
Let's go. Good effort!
518
00:23:18,040 --> 00:23:22,040
Unable to continue with her injury,
519
00:23:22,080 --> 00:23:24,560
number three, Sandy,
is culled from the course
520
00:23:24,600 --> 00:23:26,440
by chief instructor Ant.
521
00:23:27,520 --> 00:23:32,080
Part of me is gutted, 'cause
I still had so much more to give,
522
00:23:32,120 --> 00:23:35,440
and being brought up by a dad
who was ex-military,
523
00:23:35,480 --> 00:23:37,720
I just wanted to make my dad proud.
524
00:23:38,920 --> 00:23:41,920
(TENSE INSTRUMENTAL MUSIC)
525
00:23:47,480 --> 00:23:52,000
Everything you carry onto the
battlefield is a (BLEEP) lifeline.
526
00:23:52,040 --> 00:23:55,400
We don't carry it for the (BLEEP)
sake of carrying it.
527
00:23:55,440 --> 00:23:57,920
We carry it
'cause it keeps us alive,
528
00:23:57,960 --> 00:24:02,120
it keeps us operational,
is keeps us sustainable.
529
00:24:02,160 --> 00:24:04,480
Do you understand me, number five?
Yes, staff!
530
00:24:06,480 --> 00:24:09,680
When I say 'go',
get into the back of the vehicles.
531
00:24:11,120 --> 00:24:13,960
Go! Move! Move! Move!
532
00:24:14,000 --> 00:24:17,000
(DRAMATIC MUSIC BUILDS)
533
00:24:21,920 --> 00:24:24,240
(GROANS)
Was that...
534
00:24:24,280 --> 00:24:25,840
Sorry.
535
00:24:25,880 --> 00:24:28,160
Don't be sorry. It's OK.
We all (BLEEP) up.
536
00:24:37,720 --> 00:24:41,280
(TENSE INSTRUMENTAL MUSIC)
537
00:24:41,320 --> 00:24:45,520
Having been forced to withdraw
from the course due to injury,
538
00:24:45,560 --> 00:24:48,560
number three, Sandy, is making
an emotional call home.
539
00:24:48,600 --> 00:24:51,560
(HAUNTING INSTRUMENTAL MUSIC)
540
00:24:51,600 --> 00:24:52,840
Hi there.
541
00:24:52,880 --> 00:24:54,240
Hey, baby. How you doing?
542
00:24:54,280 --> 00:24:56,280
Good!
How are you, more to the point?
543
00:24:56,320 --> 00:24:58,560
I had to VW in the end.
544
00:24:58,600 --> 00:25:00,760
I hurt my calf last night
545
00:25:00,800 --> 00:25:03,560
and I couldn't...
I couldn't do anymore...
546
00:25:04,560 --> 00:25:05,880
..but... yeah.
547
00:25:07,440 --> 00:25:09,080
The last couple of years,
548
00:25:09,120 --> 00:25:11,120
I've completely lost myself
in my mum role.
549
00:25:11,160 --> 00:25:14,240
It's been amazing,
but I've gotten so comfortable.
550
00:25:14,280 --> 00:25:16,680
Yeah, I'm so proud...
I'm so proud of myself.
551
00:25:16,720 --> 00:25:19,440
I'm so happy,
I just... I had so much more,
552
00:25:19,480 --> 00:25:21,080
and I still feel
like I have so much more.
553
00:25:21,120 --> 00:25:24,960
I just... I literally cannot stand
on this leg, and I'm devastated.
554
00:25:25,000 --> 00:25:29,200
I really wanted to be uncomfortable
to challenge myself.
555
00:25:29,240 --> 00:25:31,280
Babe, you've given 100%,
556
00:25:31,320 --> 00:25:37,000
and you know, if your calf's broken
down, there's not much you can do.
557
00:25:37,040 --> 00:25:40,760
This has reminded me of
all the things that I can do.
558
00:25:41,760 --> 00:25:43,960
I love you.
Say hi to the kids for me.
559
00:25:45,480 --> 00:25:47,640
I'm really excited again.
560
00:25:49,160 --> 00:25:50,400
(EXHALES)
561
00:25:53,960 --> 00:25:57,960
I think that the spark,
in that sense, came back, yeah.
562
00:26:04,360 --> 00:26:05,440
Coming up...
563
00:26:05,480 --> 00:26:08,280
You seem to be plodding along,
no emotion.
564
00:26:08,320 --> 00:26:10,520
..a shocking reveal for the DS.
565
00:26:10,560 --> 00:26:12,680
I lost my son ten days ago.
566
00:26:12,720 --> 00:26:14,080
(EXHALES)
567
00:26:18,880 --> 00:26:20,440
(TENSE INSTRUMENTAL MUSIC)
568
00:26:20,480 --> 00:26:21,960
BASSIM: Get the fires going.
569
00:26:22,000 --> 00:26:23,480
JAMES: Rinse your socks out.
Rinse your soles out.
570
00:26:23,520 --> 00:26:24,520
Yeah.
571
00:26:24,560 --> 00:26:28,600
NARRATOR: After the morning's
savage beasting through coal and mud,
572
00:26:28,640 --> 00:26:32,760
the eight remaining recruits
attempt to get themselves clean.
573
00:26:32,800 --> 00:26:35,320
ISABELLA: Did you put
dishwashing stuff in that?
574
00:26:35,360 --> 00:26:39,120
Yeah. I mean, what do you do?
You gotta use what you gotta use.
575
00:26:39,160 --> 00:26:40,480
Yeah. They've got body wash, though.
576
00:26:40,520 --> 00:26:41,960
Yeah, I know.
577
00:26:42,000 --> 00:26:44,400
Don't you sun your nuts, mate?
578
00:26:45,400 --> 00:26:47,560
Don't you sun your nuts? Seriously.
579
00:26:48,760 --> 00:26:49,760
Don't you?
580
00:26:49,800 --> 00:26:50,920
Oh, it's good for you.
581
00:26:52,080 --> 00:26:54,280
Scientifically proven
to boost testosterone,
582
00:26:54,320 --> 00:26:55,720
stick your gonads in the sun.
583
00:26:58,520 --> 00:27:01,720
Jesus, Bass!
I know we're comfortable, mate...
584
00:27:03,640 --> 00:27:05,480
WOMAN: Oh, my...
(EXHALES)
585
00:27:05,520 --> 00:27:07,280
As the recruits work hard
586
00:27:07,320 --> 00:27:10,000
to get themselves
and their kits battle-ready...
587
00:27:10,040 --> 00:27:12,080
GARY: This is ridiculous.
588
00:27:12,120 --> 00:27:15,080
..number seven, Gary's,
struggles in the earlier beasting
589
00:27:15,120 --> 00:27:18,680
exposed an underlying mental
vulnerability
590
00:27:18,720 --> 00:27:21,520
that has not gone unnoticed
by chief instructor Ant...
591
00:27:21,560 --> 00:27:23,320
Dan, good to see you.
592
00:27:23,360 --> 00:27:27,320
..who is hoping the course medic
might provide some further insights.
593
00:27:27,360 --> 00:27:31,160
Number seven - just some
concerns there, psychologically.
594
00:27:31,200 --> 00:27:33,680
He sort of seems distant.
595
00:27:33,720 --> 00:27:36,200
Not sort of here, but here,
if that makes sense.
596
00:27:36,240 --> 00:27:37,240
Yeah, yeah, OK.
597
00:27:37,280 --> 00:27:38,920
He's struggling physically.
598
00:27:38,960 --> 00:27:41,320
Psychologically, there's almost
something I want to tap into,
599
00:27:41,360 --> 00:27:42,680
but I don't know what it is.
600
00:27:42,720 --> 00:27:45,280
Before entering the course,
601
00:27:45,320 --> 00:27:48,640
each recruit completed
a full psychological assessment,
602
00:27:48,680 --> 00:27:50,760
known as the psychometric,
603
00:27:50,800 --> 00:27:54,440
so that the DS and Doctor Dan
can gain insights
604
00:27:54,480 --> 00:27:56,480
into parts of their character.
605
00:27:57,480 --> 00:27:59,600
We found with recruit seven,
606
00:27:59,640 --> 00:28:02,440
compared to the other
recruit population,
607
00:28:02,480 --> 00:28:04,280
it suggested that
there was various layers -
608
00:28:04,320 --> 00:28:06,480
that he might be putting on
a bit of a facade,
609
00:28:06,520 --> 00:28:08,840
and putting on a front,
and the true him...
610
00:28:08,880 --> 00:28:09,880
A facade.
611
00:28:09,920 --> 00:28:12,000
..would be hard to get to.
612
00:28:12,040 --> 00:28:13,520
Alright, let's bring him in.
613
00:28:13,560 --> 00:28:16,000
(TENSE INSTRUMENTAL MUSIC)
614
00:28:16,040 --> 00:28:17,400
Recruit seven.
Seven?
615
00:28:17,440 --> 00:28:18,720
Seven.
616
00:28:19,920 --> 00:28:21,800
Getting up after
being knocked down
617
00:28:21,840 --> 00:28:24,200
is probably the hardest thing
I've had to do.
618
00:28:24,240 --> 00:28:27,240
It's a very tough process
to look up from the bottom,
619
00:28:27,280 --> 00:28:31,000
but the fact that I'm here, the fact
that I'm trying to move forward,
620
00:28:31,040 --> 00:28:34,960
I'm working on building a future
that is better than my past.
621
00:28:35,000 --> 00:28:38,640
Look, the chief instructor's
asked me to bring you in
622
00:28:38,680 --> 00:28:42,200
to go through some of
your psychometric profiling
623
00:28:42,240 --> 00:28:43,440
and then talk through that.
624
00:28:43,480 --> 00:28:46,920
It's the masks that
I'm sort of concerned about.
625
00:28:46,960 --> 00:28:49,920
Just seems to be one sort of mask.
626
00:28:49,960 --> 00:28:53,760
You seem to be plodding along,
no emotion, no humour.
627
00:28:53,800 --> 00:28:56,600
I'm just seeing
this monotone blank sheet
628
00:28:56,640 --> 00:29:01,840
that's just surviving through this
process, rather than embracing it.
629
00:29:04,000 --> 00:29:06,800
Yeah, I think that's... that's
probably a fair statement,
630
00:29:06,840 --> 00:29:08,840
the surviving part.
631
00:29:08,880 --> 00:29:12,120
Um, there's probably
two elements of it.
632
00:29:12,160 --> 00:29:14,200
One part is still trying
to figure out
633
00:29:14,240 --> 00:29:18,320
where I've come from
and what I've worked hard to do,
634
00:29:18,360 --> 00:29:22,400
and so there's still that element
of coming to terms with that,
635
00:29:22,440 --> 00:29:24,240
um, and... (EXHALES)
636
00:29:25,800 --> 00:29:28,800
(CRIES)
637
00:29:31,480 --> 00:29:34,480
(SOMBRE PIANO MUSIC)
638
00:29:38,920 --> 00:29:41,360
..I lost my son ten days ago.
639
00:29:41,400 --> 00:29:44,280
(EXHALES)
640
00:29:45,680 --> 00:29:48,120
And I made him a promise
641
00:29:48,160 --> 00:29:50,560
that I wouldn't quit on his mum
or his brother,
642
00:29:50,600 --> 00:29:53,600
and I wouldn't quit
on trying to get better,
643
00:29:53,640 --> 00:29:56,520
and I told him
that I was coming here,
644
00:29:56,560 --> 00:30:00,960
and... so sometimes I'm just...
I am just trying to survive.
645
00:30:03,320 --> 00:30:05,400
I was a stepdad
to a four-year-old boy
646
00:30:05,440 --> 00:30:08,240
who needed 24-7 care.
647
00:30:08,280 --> 00:30:10,600
He had a very rare genetic disorder.
648
00:30:10,640 --> 00:30:12,560
It's a genetic mutation
649
00:30:12,600 --> 00:30:16,080
that is probably less than 30 kids
in the world that we know have it.
650
00:30:16,120 --> 00:30:17,920
(SOMBRE PIANO MUSIC)
651
00:30:17,960 --> 00:30:19,840
That's a (BLEEP) shocker,
what you've just told me.
652
00:30:20,840 --> 00:30:23,560
You lost your son ten days ago?
653
00:30:23,600 --> 00:30:24,760
(EXHALES) Yeah.
654
00:30:26,000 --> 00:30:29,000
(BLEEP), listen, I've gotta shake
your hand, being here.
655
00:30:29,040 --> 00:30:30,480
Thank you, staff.
That's one thing that I will do.
656
00:30:31,880 --> 00:30:33,600
That's one thing that I will do.
657
00:30:33,640 --> 00:30:35,640
(EXHALES)
658
00:30:37,080 --> 00:30:38,080
Oh!
659
00:30:40,000 --> 00:30:41,480
That's what you've gotta do
out there,
660
00:30:41,520 --> 00:30:45,240
is use your emotions
to get you through,
661
00:30:45,280 --> 00:30:47,360
because they're (BLEEP) strong.
662
00:30:47,400 --> 00:30:49,080
They're working, they're there.
663
00:30:50,080 --> 00:30:52,480
Use them to get you through.
664
00:30:53,640 --> 00:30:56,960
Start using those driving forces.
Yes, staff.
665
00:30:57,000 --> 00:30:59,120
Start using your family,
which you just mentioned,
666
00:30:59,160 --> 00:31:00,640
your son, which you just mentioned,
667
00:31:00,680 --> 00:31:03,080
the emotions that I can see.
668
00:31:03,120 --> 00:31:05,280
That's what I want
to start seeing out there.
669
00:31:05,320 --> 00:31:08,720
When things do get tough,
go to those places -
670
00:31:08,760 --> 00:31:10,560
those positive places,
believe it or not,
671
00:31:10,600 --> 00:31:12,800
'cause we can't (BLEEP) turn back
the hands of time, unfortunately.
672
00:31:12,840 --> 00:31:13,840
No, staff.
673
00:31:13,880 --> 00:31:15,480
It's happened,
674
00:31:15,520 --> 00:31:18,240
and you now need to drag forward
the positives from that,
675
00:31:18,280 --> 00:31:19,560
and you've just came out of it,
676
00:31:19,600 --> 00:31:21,840
and your emotions as well,
just let them out.
677
00:31:21,880 --> 00:31:24,080
First time that
I've seen that happen.
678
00:31:24,120 --> 00:31:25,880
Yes, staff.
679
00:31:25,920 --> 00:31:28,720
Do it for your son, do it for
your family, do it for yourself
680
00:31:29,840 --> 00:31:32,120
That's what I want to see -
what I've just seen right now.
681
00:31:32,160 --> 00:31:33,880
Yes, staff.
OK?
682
00:31:33,920 --> 00:31:35,120
Yep.
(BLEEP) do this.
683
00:31:35,160 --> 00:31:37,960
Number seven,
use what I've just seen.
684
00:31:38,000 --> 00:31:39,040
Away you go.
685
00:31:40,040 --> 00:31:43,000
Good man. Good man.
Let's go! Let's go.
686
00:31:45,000 --> 00:31:47,200
I made him a promise
that I went as far as I could,
687
00:31:47,240 --> 00:31:49,400
and for as long as I could,
688
00:31:49,440 --> 00:31:53,000
so he can be proud of his dad.
689
00:31:53,040 --> 00:31:56,040
(DRAMATIC MUSIC BUILDS)
690
00:32:01,920 --> 00:32:03,360
(TENSE INSTRUMENTAL MUSIC)
691
00:32:03,400 --> 00:32:05,840
NARRATOR: Still recovering
from the morning's brutal beasting,
692
00:32:05,880 --> 00:32:09,600
the recruits have been called
to their next task.
693
00:32:09,640 --> 00:32:12,760
ANT: Five minutes, I want everybody
on this parade square!
694
00:32:12,800 --> 00:32:14,040
Let's move, let's go!
695
00:32:14,080 --> 00:32:15,680
WOMAN: What's the time now again?
MAN: 1:13.
696
00:32:15,720 --> 00:32:18,720
With only two minutes before they
are expected on the parade square...
697
00:32:18,760 --> 00:32:19,960
MAN: Let's go!
698
00:32:20,000 --> 00:32:22,000
..recruit number one, Bassim,
699
00:32:22,040 --> 00:32:24,480
is once again lagging behind.
700
00:32:24,520 --> 00:32:25,920
It's 1:14.
Guys, we gotta go.
701
00:32:25,960 --> 00:32:27,040
Hurry up, Bass.
702
00:32:27,080 --> 00:32:28,080
(BLEEP)!
703
00:32:28,120 --> 00:32:29,240
Shit!
704
00:32:29,280 --> 00:32:30,840
I'm coming, I'm coming!
705
00:32:32,400 --> 00:32:33,640
MAN: Right, we should be out now.
706
00:32:33,680 --> 00:32:35,840
(DRAMATIC MUSIC SWELLS)
707
00:32:35,880 --> 00:32:38,440
Caught off-guard and desperately
trying to make up time...
708
00:32:38,480 --> 00:32:39,680
MAN: Hurry up!
709
00:32:39,720 --> 00:32:42,280
..number one, Bassim,
has put the recruits
710
00:32:42,320 --> 00:32:44,440
in serious jeopardy of being late.
711
00:32:44,480 --> 00:32:45,480
Let's go.
712
00:32:45,520 --> 00:32:48,120
Every minute behind
risks his fellow recruits
713
00:32:48,160 --> 00:32:50,200
suffering yet another beasting.
714
00:32:50,240 --> 00:32:52,120
Come on!
Bass, we gotta... Bass, come on!
715
00:32:52,160 --> 00:32:53,560
(BLEEP) sake!
716
00:32:53,600 --> 00:32:56,080
(DRAMATIC MUSIC BUILDS)
717
00:32:56,120 --> 00:32:58,480
Bass, we gotta go!
Go, go, go, go, go!
718
00:32:58,520 --> 00:32:59,840
Close the gate!
Go!
719
00:32:59,880 --> 00:33:02,000
Wait for...
720
00:33:02,040 --> 00:33:03,480
OK, let's go.
721
00:33:03,520 --> 00:33:04,600
Make sure it's closed!
722
00:33:04,640 --> 00:33:06,040
You're late.
723
00:33:07,480 --> 00:33:09,080
Come on, Bass!
724
00:33:09,120 --> 00:33:13,240
If one person lets you down
in that team, one person...
725
00:33:13,280 --> 00:33:14,280
Ahh, shit!
726
00:33:14,320 --> 00:33:17,360
..then that could lead
to mission failure.
727
00:33:17,400 --> 00:33:18,520
(BLEEP) hell!
728
00:33:18,560 --> 00:33:21,160
Some people get in there
and get the job done.
729
00:33:21,200 --> 00:33:23,520
We see that, we observe that,
730
00:33:23,560 --> 00:33:27,000
but if you don't, we're gonna
drill you into the ground.
731
00:33:27,040 --> 00:33:29,480
(DRAMATIC MUSIC BUILDS)
732
00:33:29,520 --> 00:33:32,680
Number one, come out here.
733
00:33:32,720 --> 00:33:34,600
(DRAMATIC MUSIC BUILDS)
734
00:33:34,640 --> 00:33:35,680
What time is it?
735
00:33:35,720 --> 00:33:38,320
16 past.
736
00:33:38,360 --> 00:33:41,120
All of you,
get in the press-up position.
737
00:33:41,160 --> 00:33:42,200
Hurry up!
738
00:33:42,240 --> 00:33:44,320
(RECRUITS GRUNT)
739
00:33:44,360 --> 00:33:47,600
This is not the first time
number one Bassim's actions
740
00:33:47,640 --> 00:33:50,840
have caused punishment
for the other recruits.
741
00:33:50,880 --> 00:33:53,880
(DRAMATIC MUSIC BUILDS)
742
00:33:53,920 --> 00:33:56,480
You can hold this position
for one minute.
743
00:33:59,640 --> 00:34:01,800
Did I not give you enough time
to sort your shit out?
744
00:34:01,840 --> 00:34:02,840
You gave me plenty of time.
745
00:34:02,880 --> 00:34:05,480
I'm starting to think you're taking
the (BLEEP) piss out of me.
746
00:34:05,520 --> 00:34:08,920
I don't like people that take
the piss, do you understand me?
747
00:34:08,960 --> 00:34:10,159
Yes, staff.
748
00:34:10,199 --> 00:34:13,199
(DRAMATIC MUSIC CONTINUES)
749
00:34:16,080 --> 00:34:17,560
(BLEEP) me!
750
00:34:17,600 --> 00:34:20,760
How much (BLEEP) chances
do you want me to (BLEEP) give you?
751
00:34:20,800 --> 00:34:23,239
(DRAMATIC MUSIC CONTINUES)
752
00:34:23,280 --> 00:34:26,639
Get off your (BLEEP) knees!
Get off your (BLEEP) knees!
753
00:34:26,679 --> 00:34:28,280
Yes, staff!
Get off your knees!
754
00:34:28,320 --> 00:34:30,880
(BLEEP) sake, here we go again!
755
00:34:30,920 --> 00:34:33,920
Get off your knees, number 11,
or give me your (BLEEP) number.
756
00:34:33,960 --> 00:34:35,639
Get off your knees.
757
00:34:35,679 --> 00:34:37,520
Get off of your knees!
758
00:34:37,560 --> 00:34:39,840
Get off your (BLEEP) knees,
number 11!
759
00:34:39,880 --> 00:34:41,639
Get off your knees!
760
00:34:41,679 --> 00:34:43,280
(GROANS)
761
00:34:43,320 --> 00:34:44,360
Get off of your knees!
762
00:34:44,400 --> 00:34:48,480
Until everyone is in the (BLEEP)
press-up position, we keep going.
763
00:34:48,520 --> 00:34:51,280
(DRAMATIC MUSIC CONTINUES)
764
00:34:51,320 --> 00:34:52,800
(GROANS)
765
00:34:52,840 --> 00:34:55,440
Get off your knees, number 11!
766
00:34:55,480 --> 00:34:56,920
(DRAMATIC MUSIC SWELLS)
767
00:34:56,960 --> 00:34:59,440
When I say 'go',
you will (BLEEP) disappear!
768
00:34:59,480 --> 00:35:00,640
Get off your knees!
769
00:35:00,680 --> 00:35:03,680
Into the wagons. Go! Move!
770
00:35:03,720 --> 00:35:05,360
Get out of here! Move!
(RECRUITS GRUNT)
771
00:35:05,400 --> 00:35:06,520
(BLEEP) move!
772
00:35:06,560 --> 00:35:07,560
(RECRUITS GASP)
773
00:35:07,600 --> 00:35:09,120
Move!
774
00:35:09,160 --> 00:35:11,520
(BLEEP) sake!
775
00:35:11,560 --> 00:35:15,120
Some of you are taking the piss,
and you're gonna pay for it!
776
00:35:16,200 --> 00:35:17,200
(BLEEP)!
777
00:35:17,240 --> 00:35:18,840
I was busy getting the Bergens.
I'm sorry, guys.
778
00:35:18,880 --> 00:35:20,880
(BLEEP), Bass! I'm gonna
(BLEEP) slap you in the face!
779
00:35:20,920 --> 00:35:22,320
(SARAH WHEEZES)
780
00:35:22,360 --> 00:35:24,400
I'm (BLEEP) sick of this.
781
00:35:25,600 --> 00:35:27,400
(BLEEP) liability.
782
00:35:27,440 --> 00:35:28,680
Yeah, he is.
783
00:35:28,720 --> 00:35:31,960
Seriously, so (BLEEP) for me to sit
down and just say (BLEEP), mate.
784
00:35:34,160 --> 00:35:36,920
Like, don't be sorry -
just do what's right for everyone!
785
00:35:36,960 --> 00:35:38,400
Or (BLEEP) off.
786
00:35:38,440 --> 00:35:40,600
That's the harsh reality, though.
787
00:35:40,640 --> 00:35:41,920
I'm not saying...
he's not a bad bloke.
788
00:35:41,960 --> 00:35:43,200
No, that's right.
Yeah.
789
00:35:43,240 --> 00:35:45,680
But he's just... it's lacking
and it's giving us grief.
790
00:35:45,720 --> 00:35:48,280
(TENSE INSTRUMENTAL MUSIC)
791
00:35:48,320 --> 00:35:51,320
Despite their feelings
towards number one, Bassim,
792
00:35:51,360 --> 00:35:53,360
the recruits must come together
793
00:35:53,400 --> 00:35:56,360
and brace themselves
for whatever task lies ahead.
794
00:35:56,400 --> 00:35:57,880
ANT: Let's go! Move!
795
00:35:57,920 --> 00:36:01,920
One that will test their sense
of unity, mental fortitude,
796
00:36:01,960 --> 00:36:03,760
and physical resilience.
797
00:36:03,800 --> 00:36:08,520
Closed up. Shoulder to shoulder
with your partner. Let's go!
798
00:36:08,560 --> 00:36:09,800
(DRAMATIC MUSIC BUILDS)
799
00:36:09,840 --> 00:36:11,120
(EXPLOSION BOOMS)
800
00:36:11,160 --> 00:36:13,640
Take cover! Run, run, run, run, run!
801
00:36:13,680 --> 00:36:15,600
Go! Move!
(INDISTINCT SHOUTING)
802
00:36:15,640 --> 00:36:16,800
OLLIE: Get under! Take cover!
Move!
803
00:36:16,840 --> 00:36:18,000
Enemy contact!
804
00:36:18,040 --> 00:36:20,040
You're a team. You're a team.
MAN: Yes, staff.
805
00:36:21,040 --> 00:36:22,880
After coming under enemy fire,
806
00:36:22,920 --> 00:36:25,160
the recruits are now split
into two teams...
807
00:36:25,200 --> 00:36:27,760
You're a casualty.
You're a casualty.
808
00:36:27,800 --> 00:36:30,600
..and with some recruits identified
as having been hit...
809
00:36:30,640 --> 00:36:32,960
Start moving off. We need
to get out of here quickly. Go!
810
00:36:33,000 --> 00:36:34,000
Move up. Get up.
811
00:36:34,040 --> 00:36:37,280
..the rest must work together
to fashion a stretcher
812
00:36:37,320 --> 00:36:40,320
they'll use to carry
the injured recruits
813
00:36:40,360 --> 00:36:45,240
across a punishing 5km of uneven
terrain and rocky railroad track
814
00:36:45,280 --> 00:36:48,320
to reach a final evacuation point.
815
00:36:48,360 --> 00:36:51,680
Come on! There's mortar fire!
There'll be more coming.
816
00:36:51,720 --> 00:36:55,920
Team one are first to assemble
their stretcher and get moving...
817
00:36:55,960 --> 00:36:58,320
Turn around and hold it
facing that way.
818
00:36:58,360 --> 00:37:00,160
MAN: Yeah, drop, drop, drop.
BASSIM: Drop for a sec.
819
00:37:00,200 --> 00:37:03,000
..but number one Bassim
is immediately struggling
820
00:37:03,040 --> 00:37:05,120
to get to grips
with carrying the stretcher.
821
00:37:05,160 --> 00:37:06,440
MAN: What the (BLEEP)?
822
00:37:06,480 --> 00:37:08,400
No, no, behind your back.
Behind your back.
823
00:37:08,440 --> 00:37:09,760
No, no, drop.
Behind your back!
824
00:37:09,800 --> 00:37:11,200
Drop, drop!
Behind your back.
825
00:37:11,240 --> 00:37:12,240
Go!
826
00:37:12,280 --> 00:37:14,080
ANT: Come on, let's move!
827
00:37:14,120 --> 00:37:15,800
The whole thing is about teamwork.
828
00:37:15,840 --> 00:37:19,440
We're looking for people
to pull together, dig deep.
829
00:37:19,480 --> 00:37:21,920
We want grit and determination.
It's (BLEEP) hard work.
830
00:37:21,960 --> 00:37:23,320
WOMAN: Let's go, guys!
831
00:37:24,600 --> 00:37:28,080
BILLY: Everybody gives 100%,
everybody pulls their weight.
832
00:37:28,120 --> 00:37:30,720
If somebody doesn't,
it creates a weak link.
833
00:37:30,760 --> 00:37:33,200
That weak link becomes a liability
834
00:37:33,240 --> 00:37:35,800
who somebody else
then has to look after.
835
00:37:35,840 --> 00:37:38,400
Help me pick it up,
then spin around!
836
00:37:38,440 --> 00:37:39,520
Right, let's go!
837
00:37:39,560 --> 00:37:42,560
Attempting to get to grips with
how best to transport their casualty,
838
00:37:42,600 --> 00:37:45,000
team two are falling behind.
839
00:37:45,040 --> 00:37:46,720
Block it out, and let's go!
840
00:37:46,760 --> 00:37:49,760
Think of whatever it takes to get
you to the end of that (BLEEP) line.
841
00:37:49,800 --> 00:37:51,120
Let's go!
842
00:37:51,160 --> 00:37:52,160
(DRAMATIC MUSIC BUILDS)
843
00:37:52,200 --> 00:37:53,640
Up ahead...
Come on, team, pick it up.
844
00:37:53,680 --> 00:37:55,800
..team one are making
steady progress.
845
00:37:55,840 --> 00:37:57,160
Excellent work, gents.
846
00:37:57,200 --> 00:37:59,760
Swapping out their most difficult
position frequently,
847
00:37:59,800 --> 00:38:03,200
number one Bassim takes over
at the front of the stretcher.
848
00:38:03,240 --> 00:38:04,600
Arggh!
849
00:38:04,640 --> 00:38:05,960
Bass, we'll stop
and we'll swap again.
850
00:38:06,000 --> 00:38:07,760
BASSIM: As a body builder,
851
00:38:07,800 --> 00:38:11,840
I would definitely get
underestimated with my endurance,
852
00:38:11,880 --> 00:38:14,200
and that's because they look
at my physical appearance.
853
00:38:14,240 --> 00:38:16,320
Alright, mate. Stay put.
854
00:38:16,360 --> 00:38:17,440
Oh!
Ohh!
855
00:38:17,480 --> 00:38:18,920
MAN: That's the casualty.
Sorry. Careful.
856
00:38:18,960 --> 00:38:20,280
Arggh!
857
00:38:20,320 --> 00:38:22,080
I can't wait to show everyone
858
00:38:22,120 --> 00:38:25,520
that I am more than capable of just
showing that this exoskeleton here
859
00:38:25,560 --> 00:38:27,320
can go the whole nine yards.
860
00:38:27,360 --> 00:38:29,360
One, two, three.
Wait! (GRUNTS)
861
00:38:29,400 --> 00:38:32,040
I definitely don't hit
my breaking point easily,
862
00:38:32,080 --> 00:38:36,000
because I'm quite stubborn,
and if I fail 100 times, so be it.
863
00:38:36,040 --> 00:38:38,320
I'll only get back up
and give another crack,
864
00:38:38,360 --> 00:38:39,680
'cause that's what it's all about.
865
00:38:39,720 --> 00:38:41,560
Wait. Watch her!
(BLEEP)!
866
00:38:41,600 --> 00:38:43,680
Get on your feet, number one!
867
00:38:43,720 --> 00:38:45,960
My hands are gonna give way.
Slowly, slowly, slowly!
868
00:38:46,000 --> 00:38:48,360
Keep (BLEEP) going!
869
00:38:48,400 --> 00:38:50,640
Hands, hands! The hands, the hands!
870
00:38:51,640 --> 00:38:52,960
Drop, drop, drop!
871
00:38:53,000 --> 00:38:54,720
Oh, sorry, sorry, sorry!
Slowly drop.
872
00:38:54,760 --> 00:38:56,720
(BLEEP) careful with that casualty!
873
00:38:56,760 --> 00:38:58,240
Come on, dig in!
(BLEEP)!
874
00:38:58,280 --> 00:38:59,480
Lose this.
Come on, man.
875
00:38:59,520 --> 00:39:02,000
Come on!
Let's go! Let's go!
876
00:39:02,040 --> 00:39:03,280
(WHEEZES)
877
00:39:03,320 --> 00:39:04,320
Move now!
878
00:39:04,360 --> 00:39:06,280
(DRAMATIC MUSIC BUILDS)
879
00:39:06,320 --> 00:39:08,120
Let's go. Let's go.
880
00:39:09,840 --> 00:39:11,960
Team two are slowly making ground,
881
00:39:12,000 --> 00:39:14,800
but eldest recruit,
number seven, Gary,
882
00:39:14,840 --> 00:39:17,520
is showing signs of extreme fatigue,
883
00:39:17,560 --> 00:39:19,440
pushing him to his limits.
884
00:39:19,480 --> 00:39:21,280
(HEAVY BREATHING)
885
00:39:21,320 --> 00:39:23,160
Let's go, let's go!
886
00:39:23,200 --> 00:39:24,920
Hang on!
What are you doing?
887
00:39:24,960 --> 00:39:26,840
Come on!
888
00:39:26,880 --> 00:39:29,040
I am concerned that
my body won't hold up.
889
00:39:29,080 --> 00:39:30,440
I am 44.
890
00:39:30,480 --> 00:39:31,920
There is that element
of the unknown,
891
00:39:31,960 --> 00:39:35,440
but I made my son a promise
to go as far as I can go.
892
00:39:35,480 --> 00:39:36,880
(TENSE INSTRUMENTAL MUSIC)
893
00:39:36,920 --> 00:39:38,960
Team two are still far behind,
894
00:39:39,000 --> 00:39:43,280
but with number six, surfer Mitch,
coming off the stretcher,
895
00:39:43,320 --> 00:39:44,880
it's their chance to catch-up
896
00:39:44,920 --> 00:39:47,840
and give exhausted number seven,
Gary, a rest.
897
00:39:47,880 --> 00:39:49,080
I'll go at the back.
898
00:39:49,120 --> 00:39:50,760
Let's go. We need to make
some distance now.
899
00:39:50,800 --> 00:39:52,080
They're 200 metres in front.
Yep!
900
00:39:52,120 --> 00:39:53,840
Here we go! Long stretch now.
901
00:39:53,880 --> 00:39:54,960
(DRAMATIC MUSIC BUILDS)
902
00:39:55,000 --> 00:39:57,080
Digging deep, lean forward, go!
903
00:39:58,240 --> 00:40:00,040
Get up! Get (BLEEP) up!
904
00:40:00,080 --> 00:40:02,920
ANT: You got a life in your hand
that's waiting to get home!
905
00:40:02,960 --> 00:40:04,080
Now, move!
906
00:40:04,120 --> 00:40:06,320
MITCH: Going beyond my limits
is hard.
907
00:40:06,360 --> 00:40:08,520
There's been times
you just can't keep going,
908
00:40:08,560 --> 00:40:10,480
and I've definitely experienced
those times before.
909
00:40:10,520 --> 00:40:13,720
I think the lack of confidence
that I always carry
910
00:40:13,760 --> 00:40:15,760
makes it a lot harder
than what it should have been
911
00:40:15,800 --> 00:40:17,680
to push myself through the limits,
912
00:40:17,720 --> 00:40:20,920
'cause I easily doubt myself
in a lot of situations.
913
00:40:20,960 --> 00:40:24,760
Let's go!
Get moving along this track now!
914
00:40:24,800 --> 00:40:26,400
The only people that will survive
915
00:40:26,440 --> 00:40:28,920
are the people who have got
the grit, the determination,
916
00:40:28,960 --> 00:40:31,120
to be pushed to a place
they've never been before.
917
00:40:31,160 --> 00:40:32,520
There's your target!
Arggh!
918
00:40:32,560 --> 00:40:34,440
What the (BLEEP) is wrong with you?
919
00:40:34,480 --> 00:40:35,680
What is wrong with you?
920
00:40:35,720 --> 00:40:37,360
(PUFFS) My left grip is gone.
921
00:40:37,400 --> 00:40:38,680
Get on with it!
922
00:40:38,720 --> 00:40:40,400
Do you wanna give me
your (BLEEP) number?
923
00:40:40,440 --> 00:40:42,400
Do you wanna rub
like a (BLEEP) wee chicken?
924
00:40:42,440 --> 00:40:44,320
No, staff.
No? Then do something about it.
925
00:40:44,360 --> 00:40:45,600
Come on, Mitch.
Alright.
926
00:40:45,640 --> 00:40:46,880
Three, two, one.
927
00:40:46,920 --> 00:40:49,200
My resilience, I'm working on it.
928
00:40:49,240 --> 00:40:52,000
I'm working on to be resilient.
I still have a long way to go.
929
00:40:52,040 --> 00:40:53,800
Let's go!
930
00:40:53,840 --> 00:40:55,080
(DRAMATIC MUSIC SWELLS)
931
00:40:55,120 --> 00:40:57,600
This is a space, guaranteed,
none of them have ever, ever been.
932
00:40:57,640 --> 00:40:58,840
(GRUNTS)
933
00:40:58,880 --> 00:41:01,080
And their breaking point
will be their falling point,
934
00:41:01,120 --> 00:41:02,600
and their leaving point.
935
00:41:02,640 --> 00:41:04,920
(DRAMATIC MUSIC SWELLS)
936
00:41:04,960 --> 00:41:09,160
Up ahead, team one are closing
on the extraction point...
937
00:41:09,200 --> 00:41:10,560
FOXY: Come on, let's go!
938
00:41:10,600 --> 00:41:11,840
..but number one, Bassim,
939
00:41:11,880 --> 00:41:15,000
is still struggling to keep
the casualty off the ground.
940
00:41:15,040 --> 00:41:16,640
WOMAN: Eight, nine.
Down.
941
00:41:16,680 --> 00:41:17,680
Down.
Drop, drop, drop!
942
00:41:17,720 --> 00:41:18,720
(GRUNTING)
943
00:41:18,760 --> 00:41:21,120
(BLEEP) stop dropping
the casualty like that!
944
00:41:21,160 --> 00:41:22,760
(PUFFS)
945
00:41:22,800 --> 00:41:25,600
Right, number eight, off there.
Number one, get on there.
946
00:41:25,640 --> 00:41:28,520
It's about the only place
you'll be of any (BLEEP) use.
947
00:41:28,560 --> 00:41:30,560
Hurry the (BLEEP) up!
948
00:41:30,600 --> 00:41:34,120
With number one, Bassim,
unable to go any further,
949
00:41:34,160 --> 00:41:38,040
the pressure falls on number 13,
James, to finish the task.
950
00:41:38,080 --> 00:41:39,560
Right, let's (BLEEP) move.
951
00:41:39,600 --> 00:41:41,520
Don't (BLEEP) drop him!
952
00:41:41,560 --> 00:41:44,080
I know it's (BLEEP) tempting,
but don't!
953
00:41:44,120 --> 00:41:46,600
JAMES: I've probably hit
my breaking point a few times.
954
00:41:46,640 --> 00:41:47,880
(BLEEP)
955
00:41:47,920 --> 00:41:49,800
When you're pushed
beyond your limits...
956
00:41:49,840 --> 00:41:51,000
(GROANING)
957
00:41:51,040 --> 00:41:53,960
..if you continue to push through
that pain and that hurt
958
00:41:54,000 --> 00:41:56,320
that might be in front of you,
959
00:41:56,360 --> 00:41:57,960
once you're beyond that,
960
00:41:58,000 --> 00:42:00,480
you discover that belief
in yourself.
961
00:42:00,520 --> 00:42:01,640
Arggh!
962
00:42:01,680 --> 00:42:02,760
Move! All the way in!
963
00:42:02,800 --> 00:42:04,280
(DRAMATIC MUSIC BUILDS)
964
00:42:04,320 --> 00:42:06,240
WOMAN: Come on, team!
Dig deep, dig deep!
965
00:42:06,280 --> 00:42:09,520
Ten, nine, eight.
Come on!
966
00:42:09,560 --> 00:42:10,760
Come on! All the way in!
967
00:42:10,800 --> 00:42:12,160
Come on, it's (BLEEP) there!
968
00:42:12,200 --> 00:42:13,200
Quick!
969
00:42:13,240 --> 00:42:15,040
Last man past me.
970
00:42:15,080 --> 00:42:17,440
Right, put the casualty down.
Yes!
971
00:42:17,480 --> 00:42:20,200
(TENSE INSTRUMENTAL MUSIC)
972
00:42:20,240 --> 00:42:24,160
Team one are first to successfully
reach the extraction point...
973
00:42:24,200 --> 00:42:25,840
(TENSE MUSIC CONTINUES)
974
00:42:25,880 --> 00:42:28,160
..while team two
are still struggling.
975
00:42:28,200 --> 00:42:30,000
No grip at all. Come on. (PUFFS)
976
00:42:30,040 --> 00:42:33,040
(BREATHES HEAVILY)
977
00:42:33,080 --> 00:42:34,360
Arggh!
978
00:42:34,400 --> 00:42:37,000
With number seven, Gary,
completely exhausted,
979
00:42:37,040 --> 00:42:39,840
the DS once again sign number six,
Mitch,
980
00:42:39,880 --> 00:42:42,840
to carry the stretcher to the end.
981
00:42:42,880 --> 00:42:44,880
You've got one more (BLEEP) chance
to prove you be here!
982
00:42:44,920 --> 00:42:47,920
If not, I'll rip that (BLEEP) off.
983
00:42:47,960 --> 00:42:49,480
Let's go now!
984
00:42:49,520 --> 00:42:50,960
Alright, one!
985
00:42:51,000 --> 00:42:52,560
Let's go!
986
00:42:52,600 --> 00:42:55,520
(DRAMATIC MUSIC BUILDS)
987
00:42:55,560 --> 00:42:58,200
Do not stop! Do not (BLEEP) stop!
988
00:42:58,240 --> 00:42:59,240
OK!
Get up!
989
00:42:59,280 --> 00:43:01,320
Get (BLEEP) up now!
990
00:43:01,360 --> 00:43:03,800
Three, two, one, up!
991
00:43:04,800 --> 00:43:07,200
Get there now! Get out of my sight!
992
00:43:07,240 --> 00:43:09,120
Get out of my (BLEEP) sight now!
993
00:43:09,160 --> 00:43:10,360
(DRAMATIC MUSIC BUILDS)
994
00:43:10,400 --> 00:43:12,200
Come on, it's alright.
Last man past me.
995
00:43:14,080 --> 00:43:15,840
Right, casualty down. Steady there.
996
00:43:15,880 --> 00:43:17,960
(BLEEP)
997
00:43:18,000 --> 00:43:21,400
While both teams have successfully
completed the task,
998
00:43:21,440 --> 00:43:23,760
the DS are far from impressed.
999
00:43:23,800 --> 00:43:26,240
When we have a casualty, we have
a thing called the golden hour!
1000
00:43:26,280 --> 00:43:28,480
That's the hour we've got
to keep them alive!
1001
00:43:28,520 --> 00:43:30,440
You've just took (BLEEP) four hours
1002
00:43:30,480 --> 00:43:33,680
'cause none of you have got
any (BLEEP) gonads!
1003
00:43:33,720 --> 00:43:37,160
You are the weakest (BLEEP)
I've ever met in my life!
1004
00:43:37,200 --> 00:43:39,560
For a young bloke,
you are pathetic!
1005
00:43:39,600 --> 00:43:41,120
Do you understand me?!
Yes, staff.
1006
00:43:41,160 --> 00:43:42,440
What are you?
Pathetic.
1007
00:43:42,480 --> 00:43:43,960
You (BLEEP) are pathetic!
1008
00:43:44,000 --> 00:43:46,480
You have got more balls than he has!
1009
00:43:46,520 --> 00:43:48,400
Share them with him!
1010
00:43:48,440 --> 00:43:49,920
(TENSE INSTRUMENTAL MUSIC)
1011
00:43:49,960 --> 00:43:52,000
Alright, get yourselves in the back.
Understood?
1012
00:43:52,040 --> 00:43:53,040
RECRUITS: Yes, staff.
1013
00:43:53,080 --> 00:43:54,400
(TENSE MUSIC CONTINUES)
1014
00:43:54,440 --> 00:43:57,240
After a rigorous four-hour exercise,
1015
00:43:57,280 --> 00:44:00,280
the recruits head back
to base camp...
1016
00:44:02,000 --> 00:44:03,360
(BREATHES HEAVILY)
1017
00:44:03,400 --> 00:44:05,920
..with number seven, Gary,
thoroughly depleted.
1018
00:44:16,600 --> 00:44:17,960
Just keep moving forward.
1019
00:44:22,360 --> 00:44:23,880
No, I know you did your best.
1020
00:44:27,800 --> 00:44:29,360
Coming up...
1021
00:44:29,400 --> 00:44:32,320
22-year-old, you are pathetic!
1022
00:44:32,360 --> 00:44:33,840
22-year-old boy, you were.
1023
00:44:33,880 --> 00:44:36,000
..youngest recruit Mitch...
1024
00:44:36,040 --> 00:44:39,440
This is where you become a man.
This is a transition period for you.
1025
00:44:39,480 --> 00:44:43,040
..receives some brutal truths
from the DS.
1026
00:44:43,080 --> 00:44:46,880
The next time you fail
to find your (BLEEP) balls...
1027
00:44:46,920 --> 00:44:48,360
(DRAMATIC MUSIC BUILDS)
1028
00:44:48,400 --> 00:44:49,800
..(BLEEP) armband comes off.
1029
00:44:55,400 --> 00:44:56,920
(OWL HOOTS)
1030
00:44:56,960 --> 00:44:59,880
(TENSE INSTRUMENTAL MUSIC)
1031
00:44:59,920 --> 00:45:02,240
NARRATOR: As the recruits rest
and recuperate...
1032
00:45:02,280 --> 00:45:04,040
(COUGHS)
1033
00:45:04,080 --> 00:45:08,960
..number one, Bassim, is looking to
make amends for his earlier blunders
1034
00:45:09,000 --> 00:45:11,680
by carrying out
some base camp chores.
1035
00:45:14,680 --> 00:45:16,320
Oh, that's the one
you chop on top of.
1036
00:45:16,360 --> 00:45:18,680
Oh, shit! (BLEEP) stupid me!
1037
00:45:18,720 --> 00:45:21,160
What I'm most fearful
is failing.
1038
00:45:22,240 --> 00:45:24,000
We got flaws all over,
1039
00:45:24,040 --> 00:45:26,760
but it's the ability
to pick myself up again
1040
00:45:26,800 --> 00:45:28,800
and overcome those barriers.
1041
00:45:29,920 --> 00:45:31,640
How'd you do that one?
1042
00:45:31,680 --> 00:45:33,360
MAN: So, when you throw it down,
just over here,
1043
00:45:33,400 --> 00:45:34,680
and then you use your body.
1044
00:45:34,720 --> 00:45:36,240
Spread your legs, like this.
1045
00:45:37,440 --> 00:45:38,640
There you go,
and then you go up and down.
1046
00:45:38,680 --> 00:45:41,560
So, straight feet,
and then use the body.
1047
00:45:41,600 --> 00:45:42,680
That's it.
1048
00:45:45,160 --> 00:45:46,600
There you go.
I get you.
1049
00:45:47,920 --> 00:45:50,680
As the recruits prepare
for another cold night,
1050
00:45:50,720 --> 00:45:54,880
the DS are meeting to discuss their
performances in the day's tasks.
1051
00:45:54,920 --> 00:45:56,480
(SIGHS)
1052
00:45:58,000 --> 00:46:01,040
Do you know what's something
that massively lacked,
1053
00:46:01,080 --> 00:46:03,880
and... it just, I thought to myself,
1054
00:46:03,920 --> 00:46:06,480
you know when someone
gets aggressive with it,
1055
00:46:06,520 --> 00:46:08,320
and it's sort of, you know,
1056
00:46:08,360 --> 00:46:11,120
it's as though they're shaking
because they're raring to go.
1057
00:46:11,160 --> 00:46:14,800
That red mist has come down,
and then normally, it's contagious.
1058
00:46:14,840 --> 00:46:17,720
Someone will go, "(BLEEP), yeah,"
and... and there wasn't one.
1059
00:46:17,760 --> 00:46:18,800
No.
1060
00:46:18,840 --> 00:46:20,720
We were so far behind,
and there was nothing.
1061
00:46:20,760 --> 00:46:23,480
I've wrote here - there was no
spark, no control, no interest.
1062
00:46:23,520 --> 00:46:25,400
That was the whole patrol.
1063
00:46:25,440 --> 00:46:27,120
Individual spurts of effort,
1064
00:46:27,160 --> 00:46:30,360
but not enough to (BLEEP) motivate
anything other than themselves.
1065
00:46:30,400 --> 00:46:32,440
The first team, which was you, Foxy,
1066
00:46:32,480 --> 00:46:34,240
was out of sight
before they even got going.
1067
00:46:34,280 --> 00:46:36,320
Yeah, they were.
That's how (BLEEP) slow it was.
1068
00:46:36,360 --> 00:46:39,360
Let's seriously
start thinking about a cull
1069
00:46:39,400 --> 00:46:41,840
within the next 12 to 24 hours.
1070
00:46:41,880 --> 00:46:44,160
Maybe one or two people need to go.
1071
00:46:44,200 --> 00:46:46,080
It's pretty obvious
who's at the bottom for me.
1072
00:46:46,120 --> 00:46:47,480
Seven's spent.
1073
00:46:47,520 --> 00:46:49,080
(DRAMATIC MUSIC BUILDS)
1074
00:46:49,120 --> 00:46:50,680
He was blowing out his arse
from the start.
1075
00:46:50,720 --> 00:46:52,520
I could see it. I didn't think
he was even gonna make it.
1076
00:46:52,560 --> 00:46:54,800
(PUFFS) No grip at all. Come on.
1077
00:46:54,840 --> 00:46:56,840
He's scraping
the bottom of the tank now.
1078
00:46:56,880 --> 00:46:58,480
I don't think we're gonna get
a lot more out of him.
1079
00:46:58,520 --> 00:47:00,440
He's reached his ceiling.
1080
00:47:00,480 --> 00:47:03,120
One... I don't even know
where to start with one.
1081
00:47:03,160 --> 00:47:05,800
He... he just cannot
do anything right.
1082
00:47:05,840 --> 00:47:07,960
He was dropping the stretcher.
1083
00:47:08,000 --> 00:47:09,320
Arggh!
(HUBBUB)
1084
00:47:09,360 --> 00:47:11,440
Stop (BLEEP) dropping the casualty!
1085
00:47:11,480 --> 00:47:12,480
Slowly, Bass.
1086
00:47:12,520 --> 00:47:15,120
He was then bending down
to pick the stretcher up
1087
00:47:15,160 --> 00:47:17,000
and smashing the casualty's head
with his Bergen.
1088
00:47:17,040 --> 00:47:18,360
Falling over onto the casualty.
1089
00:47:18,400 --> 00:47:21,200
Falling over onto the casualty.
(LAUGHS)
1090
00:47:21,240 --> 00:47:23,560
He would go to change from the front
of the stretcher
1091
00:47:23,600 --> 00:47:25,720
and he'd fall over
mid-(BLEEP)-movement
1092
00:47:25,760 --> 00:47:26,960
onto the casualty.
1093
00:47:27,000 --> 00:47:28,520
Arggh!
Sorry.
1094
00:47:28,560 --> 00:47:31,520
Number six was like...
there was nothing there.
1095
00:47:31,560 --> 00:47:32,680
No interest.
1096
00:47:32,720 --> 00:47:34,640
Picked up the stretcher,
must have gone about two metres,
1097
00:47:34,680 --> 00:47:35,840
and he was, like, whinging.
1098
00:47:35,880 --> 00:47:37,200
Arggh, OK!
1099
00:47:37,240 --> 00:47:39,640
Stop (BLEEP) wimping!
1100
00:47:39,680 --> 00:47:41,400
So, I gave him the Bergens
1101
00:47:41,440 --> 00:47:44,240
and he just literally just stood
there and just pimbled along.
1102
00:47:44,280 --> 00:47:46,720
Nothing from him -
no enthusiasm, no interest.
1103
00:47:46,760 --> 00:47:48,560
(BLEEP) terrible!
1104
00:47:48,600 --> 00:47:50,800
The thing was,
I lost my (BLEEP) shit with him
1105
00:47:50,840 --> 00:47:54,000
because... on the break a fall
in morning, he was confident.
1106
00:47:54,040 --> 00:47:57,120
He was good, and I thought, "There's
gonna be something in this kid."
1107
00:47:57,160 --> 00:47:58,760
There was nothing.
1108
00:47:58,800 --> 00:48:00,080
Well, let's get him in.
1109
00:48:00,120 --> 00:48:01,320
Yeah.
Yes.
1110
00:48:01,360 --> 00:48:04,320
(TENSE INSTRUMENTAL MUSIC)
1111
00:48:04,360 --> 00:48:05,840
Number six!
1112
00:48:05,880 --> 00:48:09,400
(TENSE MUSIC CONTINUES)
1113
00:48:09,440 --> 00:48:11,400
(KNOCKS ON TABLE)
1114
00:48:11,440 --> 00:48:14,440
(TENSE MUSIC CONTINUES)
1115
00:48:18,760 --> 00:48:20,040
Pull the chair in.
1116
00:48:23,160 --> 00:48:25,960
(BLEEP) me, have you had
your fingers in the socket?
1117
00:48:26,000 --> 00:48:27,880
I think so.
1118
00:48:27,920 --> 00:48:30,400
Or did you just swallow a grenade
and your head exploded?
1119
00:48:30,440 --> 00:48:31,720
No, staff...
1120
00:48:31,760 --> 00:48:34,920
Or do you wish you had your fingers
in an electric socket?
1121
00:48:34,960 --> 00:48:36,160
No, staff.
1122
00:48:36,200 --> 00:48:38,280
I wish you did.
You might have a spark about you.
1123
00:48:38,320 --> 00:48:40,400
(TENSE INSTRUMENTAL MUSIC)
1124
00:48:40,440 --> 00:48:42,360
Tell me something about you.
1125
00:48:42,400 --> 00:48:45,200
Um, I'm just a 22-year-old.
1126
00:48:45,240 --> 00:48:49,200
I grew up in Canberra with my mum
and my two older brothers.
1127
00:48:49,240 --> 00:48:50,480
No dad?
1128
00:48:50,520 --> 00:48:54,440
Dad - my parents divorced
when I was, like, three or four.
1129
00:48:54,480 --> 00:48:58,320
So, my whole life, I felt like
the glue of a family just wasn't...
1130
00:48:58,360 --> 00:48:59,960
Your dad wasn't there for you,
was he?
1131
00:49:00,000 --> 00:49:02,400
I didn't really see my dad
too often, growing up,
1132
00:49:02,440 --> 00:49:04,160
like I wish I would have.
1133
00:49:05,320 --> 00:49:08,560
I can see emotion come over you,
1134
00:49:08,600 --> 00:49:10,600
in your voice, in your eyes,
1135
00:49:10,640 --> 00:49:12,320
as soon as you mentioned
your father.
1136
00:49:12,360 --> 00:49:13,800
Yeah.
1137
00:49:13,840 --> 00:49:16,040
Why don't you talk to him?
1138
00:49:16,080 --> 00:49:19,080
(GENTLE INSTRUMENTAL MUSIC)
1139
00:49:19,120 --> 00:49:21,360
To be completely honest,
I don't know.
1140
00:49:21,400 --> 00:49:24,000
It's, like,
I'm not a very confident guy,
1141
00:49:24,040 --> 00:49:26,040
so I'm not confident enough
to go out there...
1142
00:49:26,080 --> 00:49:28,800
Why are you not confident?
What do you lack in confidence?
1143
00:49:28,840 --> 00:49:31,200
Um... I think from an early age,
1144
00:49:31,240 --> 00:49:34,320
I just always got shut down,
like, by myself...
1145
00:49:34,360 --> 00:49:35,600
Did you get bullied
and picked on and shit?
1146
00:49:35,640 --> 00:49:36,800
No, I didn't get bullied, no.
1147
00:49:36,840 --> 00:49:38,680
I had an awesome friendship group
and all that,
1148
00:49:38,720 --> 00:49:41,000
but I probably put myself down
a little bit too much.
1149
00:49:42,000 --> 00:49:43,480
After my parents split up,
1150
00:49:43,520 --> 00:49:47,080
the way that my dad went on to,
like, a new life
1151
00:49:47,120 --> 00:49:49,480
sort of impacted me
in a way
1152
00:49:49,520 --> 00:49:51,960
of always feeling
a little bit lost.
1153
00:49:52,000 --> 00:49:53,480
I've always been feeling
1154
00:49:53,520 --> 00:49:55,440
like I've been trying
to find myself, in a way.
1155
00:49:55,480 --> 00:49:58,800
So, I've always felt like
a bit of an outcast.
1156
00:50:00,120 --> 00:50:03,400
Do you look at other fathers
and sons and get a bit envious?
1157
00:50:03,440 --> 00:50:05,520
Wish you had that relationship?
1158
00:50:05,560 --> 00:50:07,520
I do envy...
1159
00:50:07,560 --> 00:50:10,880
..like, and, yeah, I do wish I had
a much stronger relationship.
1160
00:50:10,920 --> 00:50:13,200
Now, you know what you need to do,
don't you?
1161
00:50:13,240 --> 00:50:14,240
Yeah.
1162
00:50:14,280 --> 00:50:15,800
You need to reconnect.
Mmm.
1163
00:50:15,840 --> 00:50:17,440
I had the same relationship
with my mother.
1164
00:50:17,480 --> 00:50:18,720
She passed away from cancer.
1165
00:50:18,760 --> 00:50:20,680
Three months - boom, dead.
Out of my life.
1166
00:50:21,680 --> 00:50:23,400
I wish I would have reconnected.
1167
00:50:23,440 --> 00:50:27,320
One of the only regrets
I have in my life.
1168
00:50:27,360 --> 00:50:29,440
That emotion that you're carrying
around right now is negative.
1169
00:50:29,480 --> 00:50:30,680
It's not good.
Yeah.
1170
00:50:30,720 --> 00:50:32,800
You need an answer to that.
Yep.
1171
00:50:32,840 --> 00:50:35,320
(TENSE INSTRUMENTAL MUSIC)
1172
00:50:35,360 --> 00:50:37,040
I'm gonna jump forward to today.
Yep.
1173
00:50:37,080 --> 00:50:38,440
We had (BLEEP) strong words today,
didn't we?
1174
00:50:38,480 --> 00:50:39,480
We did.
1175
00:50:39,520 --> 00:50:40,880
We had to, didn't we?
Yep.
1176
00:50:40,920 --> 00:50:43,160
Why?
'Cause I was letting the team down.
1177
00:50:43,200 --> 00:50:44,280
Why?
1178
00:50:44,320 --> 00:50:45,920
'Cause I just wasn't doing my job.
And you knew that?
1179
00:50:46,920 --> 00:50:48,280
Did you know that,
or are you just saying it
1180
00:50:48,320 --> 00:50:50,400
'cause I'm (BLEEP) in front of you
and you're shitting your pants?
1181
00:50:50,440 --> 00:50:52,120
No, I knew that. Yep.
You did, didn't you?
1182
00:50:52,160 --> 00:50:54,240
You know this morning, right?
Confident. Good.
1183
00:50:54,280 --> 00:50:55,400
No (BLEEP) at all.
1184
00:50:55,440 --> 00:50:57,720
Fall and break, you were
all over it, no issues at all.
1185
00:50:57,760 --> 00:51:01,320
So, you set a little benchmark
for me up here somewhere.
1186
00:51:01,360 --> 00:51:03,360
Then when you're going to do
something physical,
1187
00:51:03,400 --> 00:51:05,480
where you had to get dirty,
get down, and get (BLEEP) with it,
1188
00:51:05,520 --> 00:51:08,720
and treat it for real,
you were (BLEEP) shit!
1189
00:51:09,720 --> 00:51:11,240
You were terrible.
1190
00:51:11,280 --> 00:51:14,600
22-year-old - you were pathetic!
1191
00:51:14,640 --> 00:51:16,200
22-year-old boy, you were.
1192
00:51:17,200 --> 00:51:20,840
You were quite happy
to (BLEEP) moan and whinge
1193
00:51:20,880 --> 00:51:23,800
when you had a casualty
to take from 'A' to 'B'.
1194
00:51:25,200 --> 00:51:27,520
And I lost my (BLEEP) shit,
which I didn't wanna do,
1195
00:51:27,560 --> 00:51:28,800
and you made me do that.
1196
00:51:28,840 --> 00:51:31,440
(TENSE INSTRUMENTAL MUSIC)
1197
00:51:31,480 --> 00:51:33,120
So, what are you gonna do
about it now?
1198
00:51:34,680 --> 00:51:35,840
Go and work way harder.
1199
00:51:35,880 --> 00:51:38,040
(BLEEP) right you are,
because you know why?
1200
00:51:38,080 --> 00:51:39,880
Because if you don't,
I'm gonna rip that (BLEEP) arm off,
1201
00:51:39,920 --> 00:51:41,200
I'm gonna rip that armband off.
1202
00:51:41,240 --> 00:51:43,360
I'll take the armband
and I'll stick it up your arse,
1203
00:51:43,400 --> 00:51:44,880
where it needs to go,
1204
00:51:44,920 --> 00:51:46,520
'cause that was (BLEEP)
out of order.
1205
00:51:46,560 --> 00:51:47,840
You're the youngest on this course.
1206
00:51:47,880 --> 00:51:50,000
Probably one of the fittest,
if I'm honest.
1207
00:51:51,040 --> 00:51:52,720
It's that!
1208
00:51:54,360 --> 00:51:56,000
Do you wanna be here?
Yes, staff.
1209
00:51:56,040 --> 00:51:57,920
You do wanna be here?
Yes, staff.
1210
00:51:57,960 --> 00:51:59,600
Are you sure about that?
Yes, staff.
1211
00:51:59,640 --> 00:52:00,640
(TENSE INSTRUMENTAL MUSIC)
1212
00:52:00,680 --> 00:52:02,200
This is where you become a man.
1213
00:52:02,240 --> 00:52:04,560
This is a transition period for you.
1214
00:52:04,600 --> 00:52:05,920
This is about you,
1215
00:52:05,960 --> 00:52:11,160
and the next time you fail
to find your (BLEEP) balls
1216
00:52:11,200 --> 00:52:14,240
is the next time that
(BLEEP) armband comes off,
1217
00:52:14,280 --> 00:52:15,880
and we will rip it off you.
1218
00:52:15,920 --> 00:52:18,080
(TENSE INSTRUMENTAL MUSIC)
1219
00:52:18,120 --> 00:52:21,160
Over the next 12, 24 hours,
gonna start (BLEEP) people off,
1220
00:52:21,200 --> 00:52:23,960
and at the moment,
you're in that pile.
1221
00:52:24,000 --> 00:52:26,240
You're in that pile of shit.
1222
00:52:26,280 --> 00:52:27,880
So, you need to get yourself
out of it, don't you?
1223
00:52:27,920 --> 00:52:29,760
Yes, staff.
No more chances.
1224
00:52:29,800 --> 00:52:31,320
(TENSE MUSIC CONTINUES)
1225
00:52:31,360 --> 00:52:33,080
Guard!
1226
00:52:33,120 --> 00:52:36,200
(TENSE MUSIC CONTINUES)
1227
00:52:38,240 --> 00:52:40,720
Growing up, my lack of confidence
got hit hard
1228
00:52:40,760 --> 00:52:43,760
because I was always doubting myself
from such a young age.
1229
00:52:43,800 --> 00:52:47,400
Never been able to, like, have
confidence in, like, activities
1230
00:52:47,440 --> 00:52:50,000
because I was never the strongest,
never the biggest.
1231
00:52:50,040 --> 00:52:52,920
So, I think, getting through
this course,
1232
00:52:52,960 --> 00:52:57,800
I want to develop ways and skills to
be able to push myself to my limits,
1233
00:52:57,840 --> 00:53:00,200
and find that determination.
1234
00:53:04,920 --> 00:53:07,480
(TENSE INSTRUMENTAL MUSIC)
1235
00:53:07,520 --> 00:53:09,840
NARRATOR: Utterly fatigued
from the day's exertions,
1236
00:53:09,880 --> 00:53:14,080
most of the recruits
are getting some much-needed sleep,
1237
00:53:14,120 --> 00:53:16,040
but for number seven, Gary,
1238
00:53:16,080 --> 00:53:19,680
his place on the course
is playing on his mind.
1239
00:53:19,720 --> 00:53:22,760
(TENSE MUSIC CONTINUES)
1240
00:53:23,800 --> 00:53:25,640
How are you feeling?
GARY: (BLEEP)
1241
00:53:25,680 --> 00:53:27,160
Are you?
1242
00:53:27,200 --> 00:53:30,280
I was hoping food and sleep
would have changed things, but...
1243
00:53:30,320 --> 00:53:31,720
Yeah, I know.
1244
00:53:31,760 --> 00:53:33,880
I just... I don't have anything
in the gut, like...
1245
00:53:35,920 --> 00:53:39,080
You can do whatever
you put your mind to, mate.
1246
00:53:39,120 --> 00:53:40,600
(TENSE MUSIC CONTINUES)
1247
00:53:40,640 --> 00:53:43,040
I've been to the depths of hell
in my own life.
1248
00:53:43,080 --> 00:53:45,200
I've been through pain,
physical pain.
1249
00:53:45,240 --> 00:53:47,320
I've been through a lot
of mental anguish.
1250
00:53:47,360 --> 00:53:52,200
I've worked hard on trying to find
the ability to endure through that.
1251
00:53:52,240 --> 00:53:54,520
So, breaking point
versus stopping point
1252
00:53:54,560 --> 00:53:56,160
could be two different places.
1253
00:53:56,200 --> 00:53:59,560
(TENSE MUSIC CONTINUES)
1254
00:54:04,640 --> 00:54:08,200
As number seven, Gary, grapples
with his position on the course...
1255
00:54:09,320 --> 00:54:12,720
..he calls on duty recruit,
number six, Mitch.
1256
00:54:15,800 --> 00:54:18,280
Can you call him out?
I'm gonna go home.
1257
00:54:18,320 --> 00:54:19,880
You're going home?
Yeah.
1258
00:54:19,920 --> 00:54:21,440
Why?
1259
00:54:21,480 --> 00:54:22,560
I'm done, mate.
1260
00:54:22,600 --> 00:54:25,680
(TENSE MUSIC CONTINUES)
1261
00:54:26,840 --> 00:54:27,880
Staff!
1262
00:54:27,920 --> 00:54:30,920
(TENSE MUSIC CONTINUES)
1263
00:54:32,400 --> 00:54:33,440
What?
1264
00:54:33,480 --> 00:54:35,200
Number seven would like to VW.
1265
00:54:35,240 --> 00:54:37,240
(SIGHS) Right.
1266
00:54:37,280 --> 00:54:38,920
Sorry, staff.
1267
00:54:39,960 --> 00:54:42,520
Hold on just a sec... before you do
that, just tell me your reasons
1268
00:54:42,560 --> 00:54:44,040
What's suddenly made you...
1269
00:54:44,080 --> 00:54:47,480
Uh, today I was fried
halfway through it.
1270
00:54:47,520 --> 00:54:50,120
I got home, I thought,
"Have a rest, have a feed."
1271
00:54:50,160 --> 00:54:51,160
Yep.
1272
00:54:51,200 --> 00:54:54,200
"I'll see if I can get it back,"
and I just... I'm shaking.
1273
00:54:54,240 --> 00:54:56,360
I don't have the energy
to put my boots on.
1274
00:54:56,400 --> 00:54:58,960
I don't have the energy
to get to the parade square.
1275
00:54:59,000 --> 00:55:01,160
I'm nauseous. I wanna throw up.
1276
00:55:01,200 --> 00:55:04,920
I... I think today was it.
1277
00:55:04,960 --> 00:55:06,080
OK.
1278
00:55:06,120 --> 00:55:09,120
(SOMBRE INSTRUMENTAL MUSIC)
1279
00:55:10,840 --> 00:55:12,200
Thanks, staff.
1280
00:55:13,560 --> 00:55:14,680
I spent the last four years...
1281
00:55:14,720 --> 00:55:15,880
Congratulations, mate.
1282
00:55:15,920 --> 00:55:17,960
..working really hard to try
and understand myself
1283
00:55:18,000 --> 00:55:20,000
and whether or not
I'm the man that I say I am,
1284
00:55:20,040 --> 00:55:22,040
or at least, have the potential
to be that guy,
1285
00:55:22,080 --> 00:55:23,880
and when I couldn't go any further,
1286
00:55:23,920 --> 00:55:26,640
then I know that I got
what I came here for.
1287
00:55:26,680 --> 00:55:29,680
(STIRRING INSTRUMENTAL MUSIC)
1288
00:55:29,720 --> 00:55:31,280
I lost my son a couple of weeks ago,
1289
00:55:31,320 --> 00:55:35,880
and I made him a promise that
I'd go as long as I could,
1290
00:55:35,920 --> 00:55:37,760
and this was it. (EXHALES)
1291
00:55:37,800 --> 00:55:39,480
I couldn't go any further.
1292
00:55:39,520 --> 00:55:42,040
(STIRRING MUSIC CONTINUES)
1293
00:55:44,840 --> 00:55:47,000
(TENSE INSTRUMENTAL MUSIC)
1294
00:55:47,040 --> 00:55:49,800
It's day five of SAS Hell Week...
1295
00:55:51,040 --> 00:55:54,000
I reckon they're gonna start ripping
people's armbands off today.
1296
00:55:54,040 --> 00:55:55,040
Yep.
1297
00:55:55,080 --> 00:55:57,560
..but after Gary's VW last night,
1298
00:55:57,600 --> 00:56:01,240
only seven of the original
14 recruits remain.
1299
00:56:01,280 --> 00:56:03,360
13?
Yes, staff?
1300
00:56:03,400 --> 00:56:05,720
You are now duty recruit.
1301
00:56:05,760 --> 00:56:07,080
Duty recruit?
Yep.
1302
00:56:07,120 --> 00:56:08,200
Yes, staff.
1303
00:56:08,240 --> 00:56:09,640
Guys, I'm now duty recruit.
1304
00:56:09,680 --> 00:56:10,880
Yep.
1305
00:56:10,920 --> 00:56:12,320
(EXHALES)
1306
00:56:13,320 --> 00:56:15,720
With everyone clearly
at their physical limits...
1307
00:56:15,760 --> 00:56:18,640
I don't know what I've done
with my other pair of socks.
1308
00:56:18,680 --> 00:56:22,680
..for some, it's mental exhaustion
that's starting to show.
1309
00:56:22,720 --> 00:56:26,520
That pair of socks that was on the
ground at the end that I picked up,
1310
00:56:26,560 --> 00:56:28,040
were they yours or were they mine?
1311
00:56:28,080 --> 00:56:29,880
Um...
1312
00:56:29,920 --> 00:56:31,920
I threw some socks
in your bag somewhere.
1313
00:56:31,960 --> 00:56:34,640
They might have been mine.
I'll have a double check.
1314
00:56:34,680 --> 00:56:35,840
Yeah, maybe they were yours.
1315
00:56:37,360 --> 00:56:40,600
Just when you think everything might
be getting a little bit easier...
1316
00:56:40,640 --> 00:56:43,120
(TENSE INSTRUMENTAL MUSIC)
1317
00:56:43,160 --> 00:56:46,400
With the DS planning a cull
of the recruits,
1318
00:56:46,440 --> 00:56:49,240
chief instructor Ant
is meeting with the medic
1319
00:56:49,280 --> 00:56:53,520
to discuss the psych evaluation
of one recruit in particular.
1320
00:56:53,560 --> 00:56:56,120
ANT: Moving on to the next stage
of this course,
1321
00:56:56,160 --> 00:56:59,160
we really need them
in that (BLEEP) headspace,
1322
00:56:59,200 --> 00:57:02,680
and there's one person
who's either gonna break through
1323
00:57:02,720 --> 00:57:06,920
or he's on the cusp of collapse,
psychologically,
1324
00:57:06,960 --> 00:57:08,240
and it's number two.
1325
00:57:09,240 --> 00:57:11,840
There's a disconnect here
which I'm not too sure about.
1326
00:57:11,880 --> 00:57:14,680
That's why I've come to see you
for his psych test.
1327
00:57:14,720 --> 00:57:18,280
He's very capable,
he's got huge, huge potential,
1328
00:57:18,320 --> 00:57:20,400
but it's this
that's letting him down.
1329
00:57:20,440 --> 00:57:22,680
He scored very highly
1330
00:57:22,720 --> 00:57:26,360
on a component called
positive impression management.
1331
00:57:26,400 --> 00:57:29,240
He's very interested
in what other people think of him,
1332
00:57:29,280 --> 00:57:31,160
is what the psychometrics tell us.
1333
00:57:31,200 --> 00:57:32,280
Yep, he is. He is.
1334
00:57:32,320 --> 00:57:35,000
I mean, he's played
at an elite level in football,
1335
00:57:35,040 --> 00:57:36,600
and then kind of
fell away from that.
1336
00:57:36,640 --> 00:57:38,560
Didn't quite cut it there.
Mmm.
1337
00:57:38,600 --> 00:57:40,480
His dad was a Vietnam veteran,
1338
00:57:40,520 --> 00:57:42,720
and so there's
a military history there.
1339
00:57:42,760 --> 00:57:46,680
Maybe his dad not being as available
as he would have liked.
1340
00:57:46,720 --> 00:57:48,480
I know he's a dad himself.
1341
00:57:48,520 --> 00:57:52,240
Maybe he's trying to prove a point
to him, to say,
1342
00:57:52,280 --> 00:57:54,920
"Look, this is what a dad should be.
This is who you should be."
1343
00:57:54,960 --> 00:57:57,760
Should I go get him?
Let's do it, mate, yep, please.
1344
00:57:57,800 --> 00:57:59,120
(TENSE INSTRUMENTAL MUSIC)
1345
00:57:59,160 --> 00:58:01,520
Curious about number two's
motivations,
1346
00:58:01,560 --> 00:58:04,000
he will now be brought in
for questioning.
1347
00:58:04,040 --> 00:58:06,600
Recruit two?
Yes, staff?
1348
00:58:06,640 --> 00:58:09,640
(TENSE INSTRUMENTAL MUSIC)
1349
00:58:11,920 --> 00:58:13,400
Have a seat, please.
1350
00:58:13,440 --> 00:58:14,720
Thanks, staff.
1351
00:58:16,080 --> 00:58:19,040
Now, we just wanted to bring you in
1352
00:58:19,080 --> 00:58:22,120
and talk about what we saw
on your psychometric testing.
1353
00:58:22,160 --> 00:58:23,160
Yep.
1354
00:58:23,200 --> 00:58:25,680
I know you've got
a young child of your own.
1355
00:58:26,720 --> 00:58:30,480
Some of the metrics in your
psychometric testing scored highly
1356
00:58:30,520 --> 00:58:34,720
on how influenced someone is about
other people's opinions of them.
1357
00:58:34,760 --> 00:58:40,880
So, that picture just makes us
wonder what your motivation is,
1358
00:58:40,920 --> 00:58:42,400
at its core, for being here.
1359
00:58:42,440 --> 00:58:44,840
(TENSE INSTRUMENTAL MUSIC)
1360
00:58:44,880 --> 00:58:47,200
Number two, are you scared
of failing as a father?
1361
00:58:48,200 --> 00:58:49,600
Of course.
1362
00:58:49,640 --> 00:58:52,640
(SOMBRE INSTRUMENTAL MUSIC)
1363
00:58:53,920 --> 00:58:55,960
The doc mentioned your dad.
1364
00:58:56,000 --> 00:58:59,520
Are you scared you're gonna follow
in his footsteps?
1365
00:58:59,560 --> 00:59:02,200
(SOMBRE INSTRUMENTAL MUSIC)
1366
00:59:02,240 --> 00:59:03,320
That you're not gonna be there?
1367
00:59:03,360 --> 00:59:06,360
(SOMBRE INSTRUMENTAL MUSIC)
1368
00:59:09,000 --> 00:59:12,600
My dad enrolled to go to Vietnam
when he was 17,
1369
00:59:12,640 --> 00:59:15,600
and he was diagnosed with PTSD.
1370
00:59:16,600 --> 00:59:20,600
I don't blame my dad for anything...
the way he was, growing up.
1371
00:59:20,640 --> 00:59:24,840
Wanting to have
that father and son relationship
1372
00:59:24,880 --> 00:59:27,280
is what anyone wants.
1373
00:59:29,320 --> 00:59:30,800
(EXHALES)
1374
00:59:32,120 --> 00:59:34,640
My biggest fear
is failing as a father.
1375
00:59:35,680 --> 00:59:36,920
(INHALES)
1376
00:59:36,960 --> 00:59:38,960
We've got no road map.
1377
00:59:39,000 --> 00:59:40,560
That's a positive thing about it.
1378
00:59:42,000 --> 00:59:43,880
We do what comes from here.
1379
00:59:45,080 --> 00:59:47,520
We do what we think is right.
1380
00:59:48,960 --> 00:59:51,320
I think it's just been a battle.
1381
00:59:52,440 --> 00:59:54,000
I'm just hard on myself,
1382
00:59:54,040 --> 00:59:55,960
'cause I just expect so much.
1383
00:59:57,080 --> 01:00:01,120
What radiates from you at the moment
is a bit of a broken soul...
1384
01:00:01,160 --> 01:00:02,200
Yeah.
1385
01:00:02,240 --> 01:00:05,560
..is that (BLEEP) energy of,
1386
01:00:05,600 --> 01:00:07,600
"Right, I need to... I don't feel
like I'm good enough."
1387
01:00:07,640 --> 01:00:09,440
(SOMBRE INSTRUMENTAL MUSIC)
1388
01:00:09,480 --> 01:00:10,640
And we need to strip all that back.
1389
01:00:12,040 --> 01:00:13,040
Yeah.
1390
01:00:13,080 --> 01:00:14,240
OK?
Yeah.
1391
01:00:14,280 --> 01:00:16,360
You need to (BLEEP) really start
believing in yourself.
1392
01:00:17,680 --> 01:00:19,760
Guess who's looking at you 24-7.
(SNIFFS)
1393
01:00:19,800 --> 01:00:21,960
24-7.
Yeah.
1394
01:00:23,600 --> 01:00:26,440
Number two,
everything starts with you.
1395
01:00:26,480 --> 01:00:27,600
Yep.
1396
01:00:27,640 --> 01:00:30,240
Start focusing on that.
Thank you. Yeah, I will.
1397
01:00:30,280 --> 01:00:31,760
Away you go.
Thank you.
1398
01:00:31,800 --> 01:00:36,120
(SOMBRE INSTRUMENTAL MUSIC)
1399
01:00:38,760 --> 01:00:40,360
I think it impacts you huge
1400
01:00:40,400 --> 01:00:43,000
when you don't have that
relationship with your old man
1401
01:00:43,040 --> 01:00:44,600
to be able to fall back to,
1402
01:00:44,640 --> 01:00:46,960
and you know, be able
to find out the guidance
1403
01:00:47,000 --> 01:00:48,480
that you need to help you with life.
1404
01:00:49,600 --> 01:00:53,640
Dad didn't want to show his emotions
to us especially, and to my mum,
1405
01:00:53,680 --> 01:00:57,960
and I think just that not being
there has been a massive impact.
1406
01:00:59,920 --> 01:01:01,240
(EXHALES)
1407
01:01:01,280 --> 01:01:02,440
What happened, Luke?
1408
01:01:02,480 --> 01:01:06,040
Oh, just... wanted to know things
from the past and stuff,
1409
01:01:06,080 --> 01:01:09,520
just 'cause my dad was part
of Vietnam and everything.
1410
01:01:09,560 --> 01:01:12,760
(SOMBRE INSTRUMENTAL MUSIC)
1411
01:01:16,120 --> 01:01:18,680
I guess I just see myself
being like my dad.
1412
01:01:18,720 --> 01:01:20,960
(SOMBRE INSTRUMENTAL MUSIC)
1413
01:01:21,000 --> 01:01:22,800
I'm here for my son.
1414
01:01:22,840 --> 01:01:26,040
Having a kid with autism
is a challenge.
1415
01:01:26,080 --> 01:01:28,920
I really wanna show him
that I am there
1416
01:01:28,960 --> 01:01:31,960
and I can be the best person
I can be for him.
1417
01:01:32,000 --> 01:01:35,000
(SOMBRE INSTRUMENTAL MUSIC)
1418
01:01:37,200 --> 01:01:38,600
ANT: Everyone out here. Stand up.
1419
01:01:38,640 --> 01:01:40,280
Coming up...
1420
01:01:40,320 --> 01:01:43,080
We are going to cull
maybe a couple of you.
1421
01:01:43,120 --> 01:01:44,600
..the recruits face...
1422
01:01:44,640 --> 01:01:48,520
I want an answer
on who you would cull as a group.
1423
01:01:48,560 --> 01:01:51,240
..their hardest test so far.
1424
01:01:51,280 --> 01:01:52,360
Nothing personal.
1425
01:01:52,400 --> 01:01:53,640
(TENSE INSTRUMENTAL MUSIC)
1426
01:01:53,680 --> 01:01:54,880
Yeah, mate, I love you.
1427
01:01:54,920 --> 01:01:57,160
Maybe in another part of your life,
1428
01:01:57,200 --> 01:01:59,520
maybe you would have done
a lot better.
1429
01:01:59,560 --> 01:02:01,080
This is rough!
1430
01:02:06,440 --> 01:02:08,440
(TENSE INSTRUMENTAL MUSIC)
1431
01:02:08,480 --> 01:02:09,680
NARRATOR: At base camp,
1432
01:02:09,720 --> 01:02:13,040
the exhausted recruits
are tending to the battle scars
1433
01:02:13,080 --> 01:02:16,040
they've accumulated
over the last few days...
1434
01:02:16,080 --> 01:02:18,440
ANT: Everyone out here. Stand up.
1435
01:02:18,480 --> 01:02:20,280
..but chief instructor Ant
1436
01:02:20,320 --> 01:02:24,640
is about to test the tiring recruits
in an entirely new way.
1437
01:02:24,680 --> 01:02:28,240
(TENSE MUSIC CONTINUES)
1438
01:02:28,280 --> 01:02:33,440
This course, we are going to cull
maybe a couple of you...
1439
01:02:35,160 --> 01:02:36,720
..that are just not up to scratch.
1440
01:02:36,760 --> 01:02:38,880
Just not staying
on that learning curve.
1441
01:02:38,920 --> 01:02:40,720
(TENSE MUSIC CONTINUES)
1442
01:02:40,760 --> 01:02:43,200
So, what I want you guys to do
1443
01:02:43,240 --> 01:02:45,200
is I want you to go away
into the accommodation
1444
01:02:45,240 --> 01:02:47,480
and I want an answer
1445
01:02:47,520 --> 01:02:50,480
on who you would cull as a group.
1446
01:02:50,520 --> 01:02:53,360
(TENSE MUSIC CONTINUES)
1447
01:02:53,400 --> 01:02:56,280
Very important moment, this.
1448
01:02:57,760 --> 01:03:00,400
This is where you (BLEEP) step up
to the plate. Integrity comes out.
1449
01:03:00,440 --> 01:03:02,320
Is that understood?
Yes, staff.
1450
01:03:02,360 --> 01:03:04,440
Go, move! Let's go, let's go!
1451
01:03:04,480 --> 01:03:05,880
Big decision!
1452
01:03:05,920 --> 01:03:07,800
(TENSE INSTRUMENTAL MUSIC)
1453
01:03:07,840 --> 01:03:10,720
In the jungle phase of selection,
when we're in teams...
1454
01:03:11,840 --> 01:03:16,400
..the DS will come up to us and ask
us who's the burden in the team.
1455
01:03:16,440 --> 01:03:19,720
Who's the one that
you're dragging along?
1456
01:03:19,760 --> 01:03:23,400
Because you can't afford to drag
anyone through on the battlefield.
1457
01:03:23,440 --> 01:03:27,200
You need absolutely everyone
and everything
1458
01:03:27,240 --> 01:03:29,040
to get the mission done.
1459
01:03:29,080 --> 01:03:30,240
(TENSE INSTRUMENTAL MUSIC)
1460
01:03:30,280 --> 01:03:31,320
Do you want me to start?
1461
01:03:31,360 --> 01:03:33,080
(TENSE MUSIC CONTINUES)
1462
01:03:33,120 --> 01:03:34,720
It's nothing personal.
1463
01:03:34,760 --> 01:03:37,760
(TENSE MUSIC CONTINUES)
1464
01:03:39,520 --> 01:03:43,960
But, Baz, just getting ready,
things like that,
1465
01:03:44,000 --> 01:03:45,680
which just, you know,
1466
01:03:45,720 --> 01:03:48,000
we don't want to have to have
the liability of...
1467
01:03:48,040 --> 01:03:49,720
Alright. I understand.
1468
01:03:49,760 --> 01:03:52,400
(TENSE INSTRUMENTAL MUSIC)
1469
01:03:52,440 --> 01:03:53,720
This is rough!
1470
01:03:53,760 --> 01:03:55,560
Um, yeah, Bass.
1471
01:03:56,640 --> 01:03:59,680
You're a great person,
a great character,
1472
01:03:59,720 --> 01:04:03,240
but there have been times where,
you know,
1473
01:04:03,280 --> 01:04:05,200
we've been behind a bit.
1474
01:04:05,240 --> 01:04:08,280
Yeah, Bass, again. Nothing personal.
1475
01:04:08,320 --> 01:04:10,080
MAN: Yeah, mate, I love you.
1476
01:04:11,080 --> 01:04:14,080
Maybe in another part of your life,
you know, coming on this course,
1477
01:04:14,120 --> 01:04:16,080
maybe you would have done
a lot better.
1478
01:04:16,120 --> 01:04:17,400
Yeah.
1479
01:04:17,440 --> 01:04:18,960
Being a team player,
1480
01:04:19,000 --> 01:04:21,520
that's something that is so
important to me, and integral.
1481
01:04:21,560 --> 01:04:24,600
If I do make mistakes,
it would impact me,
1482
01:04:24,640 --> 01:04:26,440
because I'm quite hard on myself.
1483
01:04:26,480 --> 01:04:29,480
(TENSE INSTRUMENTAL MUSIC)
1484
01:04:35,360 --> 01:04:38,680
Number 13, as a group,
1485
01:04:38,720 --> 01:04:42,800
if you had to cull someone,
what number would it be?
1486
01:04:42,840 --> 01:04:44,400
Number one, staff.
1487
01:04:44,440 --> 01:04:46,400
(TENSE MUSIC CONTINUES)
1488
01:04:46,440 --> 01:04:49,040
Number one, you finish strong.
1489
01:04:49,080 --> 01:04:51,560
That is you off the course.
1490
01:04:53,040 --> 01:04:54,040
It's been an honour.
1491
01:04:54,080 --> 01:04:57,080
(TENSE INSTRUMENTAL MUSIC)
1492
01:05:01,560 --> 01:05:03,720
I am definitely gutted,
1493
01:05:03,760 --> 01:05:06,040
but I knew it was slightly
inevitable as well,
1494
01:05:06,080 --> 01:05:08,080
because of the slip-ups
that I've made.
1495
01:05:10,440 --> 01:05:12,240
But those slip-ups,
I've learnt from.
1496
01:05:12,280 --> 01:05:14,680
So, I wouldn't change it
for the rest of the world.
1497
01:05:14,720 --> 01:05:17,720
Before he departs...
(RINGING TONE)
1498
01:05:17,760 --> 01:05:19,920
..Bassim makes his final call.
1499
01:05:21,680 --> 01:05:23,920
WOMAN: (PHONE) Hello?
Hey, Mum. It's me. How you going?
1500
01:05:23,960 --> 01:05:25,440
Hi! How are you?
1501
01:05:25,480 --> 01:05:27,120
So, I got culled...
Yeah.
1502
01:05:27,160 --> 01:05:29,720
..which is fair, because I had
to pick up my game a little bit,
1503
01:05:29,760 --> 01:05:31,480
but you know what,
it's all a learning curve,
1504
01:05:31,520 --> 01:05:33,080
and I'm really happy for it.
1505
01:05:33,120 --> 01:05:34,720
What an amazing experience
it's been, Mum.
1506
01:05:34,760 --> 01:05:35,760
It's been life-changing.
1507
01:05:35,800 --> 01:05:37,080
Oh, I bet!
1508
01:05:37,120 --> 01:05:38,560
I can't believe they chose,
you know,
1509
01:05:38,600 --> 01:05:41,240
this Middle Eastern bodybuilder
from Western Sydney. (LAUGHS)
1510
01:05:41,280 --> 01:05:45,080
Well, why not?
You're good-looking, for one.
1511
01:05:45,120 --> 01:05:46,920
(LAUGHS) Find me a wife, Mum.
1512
01:05:46,960 --> 01:05:49,600
Um, tapping out is...
I am so proud of you.
1513
01:05:51,080 --> 01:05:52,360
Thanks. I appreciate it.
1514
01:05:52,400 --> 01:05:54,000
(EXHALES)
1515
01:05:54,040 --> 01:05:57,720
I've made a few slip-ups, and
those slip-ups, I've learnt from.
1516
01:05:57,760 --> 01:06:01,000
This is the most life-changing
experience I'll ever experience.
1517
01:06:01,040 --> 01:06:02,200
(LOCK CLUNKS)
1518
01:06:05,840 --> 01:06:07,120
It's all a learning curve,
1519
01:06:07,160 --> 01:06:09,400
and I've definitely progressed
from this.
1520
01:06:11,760 --> 01:06:12,880
(TENSE INSTRUMENTAL MUSIC)
1521
01:06:12,920 --> 01:06:17,720
This is the core group
that we will bring forward.
1522
01:06:17,760 --> 01:06:20,480
(TENSE MUSIC CONTINUES)
1523
01:06:20,520 --> 01:06:23,800
Now it's time for us
to really, really invest in you.
1524
01:06:25,000 --> 01:06:28,080
Knowledge, experience,
our (BLEEP) time.
1525
01:06:28,120 --> 01:06:29,920
(TENSE MUSIC CONTINUES)
1526
01:06:29,960 --> 01:06:33,280
Any given time, we will take
your numbers off of you.
1527
01:06:33,320 --> 01:06:35,760
(TENSE MUSIC CONTINUES)
1528
01:06:35,800 --> 01:06:38,000
No more (BLEEP), no more mistakes.
1529
01:06:39,160 --> 01:06:42,240
You've all had your chances now.
1530
01:06:42,280 --> 01:06:43,320
(TENSE MUSIC CONTINUES)
1531
01:06:43,360 --> 01:06:45,680
You've been given the tools now.
(BLEEP) use them.
1532
01:06:45,720 --> 01:06:48,040
(TENSE MUSIC CONTINUES)
1533
01:06:48,080 --> 01:06:49,200
The moment you switch off...
1534
01:06:49,240 --> 01:06:51,680
(TENSE MUSIC CONTINUES)
1535
01:06:51,720 --> 01:06:53,840
..you're gone.
114519
Can't find what you're looking for?
Get subtitles in any language from opensubtitles.com, and translate them here.
Afrikaans
Albanian
Amharic
Arabic
Armenian
Azerbaijani
Basque
Belarusian
Bengali
Bosnian
Bulgarian
Catalan
Cebuano
Chichewa
Chinese (Simplified)
Chinese (Traditional)
Corsican
Croatian
Czech
Danish
Dutch
Esperanto
Estonian
Finnish
French
Frisian
Galician
Georgian
German
Greek
Gujarati
Haitian Creole
Hawaiian
Hungarian
Icelandic
Indonesian
Irish
Italian
Japanese
Kazakh
Khmer
Korean
Kurdish (Kurmanji)
Kyrgyz
Lao
Latvian
Lithuanian
Luxembourgish
Macedonian
Malagasy
Malay
Maltese
Maori
Mongolian
Myanmar (Burmese)
Nepali
Norwegian
Pashto
Polish
Portuguese
Russian
Samoan
Serbian
Sesotho
Shona
Sinhala
Slovak
Slovenian
Somali
Spanish
Swahili
Swedish
Tajik
Thai
Turkish
Ukrainian
Urdu
Uzbek
Vietnamese
