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These are the user uploaded subtitles that are being translated: 1 00:00:02,934 --> 00:00:07,501 ( theme music playing ) 2 00:00:45,300 --> 00:00:49,000 - I HEARD A NOISE. - THERE'S NO ONE THERE. 3 00:00:49,000 --> 00:00:51,801 - ARE YOU SURE EVERYTHING'S LOCKED? - EVERYTHING'S LOCKED, 4 00:00:51,801 --> 00:00:54,767 - BOLTED, BARRED. - HAVE YOU CHECKED THE WINDOWS? 5 00:00:54,767 --> 00:00:56,901 I CHECKED THE WINDOWS. 6 00:00:56,901 --> 00:00:58,667 WHAT ABOUT THE GARAGE? 7 00:00:58,667 --> 00:01:00,701 YES, IT'S STILL THERE. 8 00:01:03,334 --> 00:01:06,467 I CAN'T UNDERSTAND WHY WE'VE NEVER BEEN BURGLED. 9 00:01:08,901 --> 00:01:10,901 IT'S COMMON KNOWLEDGE THAT I HAVE 10 00:01:10,901 --> 00:01:12,567 SOME VERY VALUABLE OBJETS D'ART. 11 00:01:12,567 --> 00:01:15,100 OBJETS D'ART? 12 00:01:15,100 --> 00:01:18,200 - MY ROYAL DOULTON... - OH, THAT. 13 00:01:18,200 --> 00:01:21,334 AND THE FIGURINES THAT WERE GRANDMAMA'S. 14 00:01:21,334 --> 00:01:23,400 OH, YES, THOSE. 15 00:01:23,400 --> 00:01:26,934 THE WILKINSONS WERE BURGLED. 16 00:01:26,934 --> 00:01:29,133 ON HIS INCOME, I CAN'T UNDERSTAND 17 00:01:29,133 --> 00:01:31,200 HOW THEY COULD AFFORD TO BE BURGLED. 18 00:01:33,834 --> 00:01:36,567 QUITE HONESTLY, IN THEIR CIRCUMSTANCES, 19 00:01:36,567 --> 00:01:39,300 I THINK IT'S A MITE PRETENTIOUS OF THEM TO BE BURGLED. 20 00:01:42,934 --> 00:01:45,601 ONE DAY THEY'LL BE SHERIDAN'S. 21 00:01:45,601 --> 00:01:47,667 THE WILKINSONS? 22 00:01:47,667 --> 00:01:50,367 DON'T BE SILLY, DEAR, 23 00:01:50,367 --> 00:01:52,767 - MY OBJETS D'ART. - OH. 24 00:01:55,200 --> 00:01:57,601 - HYACINTH? - HMM? 25 00:01:57,601 --> 00:02:01,100 I THINK SOMETIME WE OUGHT TO HAVE A TALK ABOUT SHERIDAN. 26 00:02:01,100 --> 00:02:03,267 OH, YOU KNOW HOW I LOVE 27 00:02:03,267 --> 00:02:06,200 TO TALK ABOUT SHERIDAN. 28 00:02:06,200 --> 00:02:08,167 YES, I DO KNOW. 29 00:02:08,167 --> 00:02:10,100 BUT NOT THAT KIND OF TALK, 30 00:02:10,100 --> 00:02:13,267 - SOMETHING A LITTLE MORE SERIOUS. - WHAT ON EARTH DO YOU MEAN? 31 00:02:13,267 --> 00:02:16,234 WELL, WE PUT HIM TO HIGHER EDUCATION 32 00:02:16,234 --> 00:02:19,534 - BECAUSE YOU WANTED HIM TO BE A QUANTITY SURVEYOR. - MMM-HMMM. 33 00:02:19,534 --> 00:02:21,868 SO WHY HAS HE DROPPED MATHS, 34 00:02:21,868 --> 00:02:23,767 IN FAVOR OF NEEDLEWORK? 35 00:02:27,300 --> 00:02:29,100 BECAUSE HE'S STARTED TO MAKE 36 00:02:29,100 --> 00:02:31,067 ALL HIS OWN CLOTHES, THAT'S WHY. 37 00:02:31,067 --> 00:02:34,400 DON'T YOU WORRY ABOUT HIM? 38 00:02:34,400 --> 00:02:36,968 I WORRY ABOUT ALL MY FAMILY, RICHARD. 39 00:02:36,968 --> 00:02:39,033 I WORRY ABOUT DADDY. 40 00:02:39,033 --> 00:02:42,534 AM I NEGLECTING HIM? WE OUGHT TO TAKE HIM OUT MORE. 41 00:02:42,534 --> 00:02:44,934 DO YOU THINK HE'D NOTICE? 42 00:02:46,067 --> 00:02:48,267 IT'S MY DUTY. 43 00:02:54,701 --> 00:02:56,701 GOOD NIGHT, RICHARD. 44 00:02:56,701 --> 00:02:58,701 GOOD NIGHT, HYACINTH. 45 00:03:03,000 --> 00:03:05,200 SOMEWHERE OUTDOORS-- 46 00:03:05,200 --> 00:03:08,801 WE'LL TAKE DADDY SOMEWHERE OUTDOORS FOR A PICNIC. 47 00:03:08,801 --> 00:03:11,868 IT'S 1:00 IN THE MORNING! 48 00:03:11,868 --> 00:03:13,734 I DON'T MEAN NOW, DEAR, 49 00:03:13,734 --> 00:03:16,000 I MEAN TOMORROW, WHEN YOU HAVE THE DAY OFF. 50 00:03:16,000 --> 00:03:20,000 WE'LL TAKE DADDY SOMEWHERE NICE IN THE COUNTRY FOR A PICNIC. 51 00:03:20,000 --> 00:03:21,300 ( groans ) 52 00:03:21,300 --> 00:03:23,033 I SHOULD HAVE THOUGHT OF IT BEFORE. 53 00:03:23,033 --> 00:03:25,834 IT'S IDEAL FOR DADDY, A PICNIC. 54 00:03:25,834 --> 00:03:28,167 HE CAN DROP AS MANY CRUMBS AS HE LIKES. 55 00:03:29,534 --> 00:03:31,434 I'LL RING DAISY IN THE MORNING 56 00:03:31,434 --> 00:03:33,167 AND TELL HER TO GET HIM READY. 57 00:03:33,167 --> 00:03:35,534 CAN WE GO TO SLEEP NOW? 58 00:03:35,534 --> 00:03:37,501 YES, OF COURSE, DEAR. 59 00:03:37,501 --> 00:03:40,534 IT'S BEEN PREYING ON MY MIND. 60 00:03:40,534 --> 00:03:44,133 I MUSTN'T NEGLECT DADDY BECAUSE HE'S SOMETIMES DIFFICULT. 61 00:03:44,133 --> 00:03:46,400 I KNOW MY DUTY. 62 00:03:46,400 --> 00:03:50,400 I TRUST I SHALL ALWAYS BE A CARING DAUGHTER. 63 00:03:57,033 --> 00:03:58,934 GOOD NIGHT, RICHARD. 64 00:04:05,734 --> 00:04:08,300 WHY DON'T WE MAKE A LIST? 65 00:04:08,300 --> 00:04:11,267 - WHAT? - OF DADDY'S FAVORITE SNACKS. 66 00:04:11,267 --> 00:04:13,334 COME ON, DEAR. 67 00:04:15,200 --> 00:04:17,434 AND WHAT CAN I WEAR THAT WON'T SPOIL 68 00:04:17,434 --> 00:04:19,567 IF IT'S SPLASHED OR DRIBBLED ON? 69 00:04:21,767 --> 00:04:23,367 ( phone rings ) 70 00:04:26,067 --> 00:04:29,734 YOU SWINE, I TOLD YOU I NEVER WANTED TO SPEAK TO YOU AGAIN. 71 00:04:29,734 --> 00:04:32,334 OH, IT'S YOU, HYACINTH. 72 00:04:32,334 --> 00:04:36,133 NO, I WAS EXPECTING A CALL FROM A MR. BUTTERFIELD. 73 00:04:36,133 --> 00:04:38,400 DADDY? 74 00:04:38,400 --> 00:04:41,033 YES, YES WE CAN GET HIM READY. 75 00:04:41,033 --> 00:04:43,100 A PICNIC? 76 00:04:43,100 --> 00:04:46,234 OH, I THINK THAT'S A LOVELY IDEA. 77 00:04:46,234 --> 00:04:48,400 NOW GET OFF THE PHONE! 78 00:04:52,234 --> 00:04:54,334 WHAT'S THE MATTER? 79 00:04:54,334 --> 00:04:57,634 IT'S ROSE. SHE WAS VERY RUDE. 80 00:04:57,634 --> 00:05:00,167 DO YOU THINK SHE'S EMOTIONALLY INVOLVED AGAIN? 81 00:05:00,167 --> 00:05:02,534 ROSE IS ALWAYS EMOTIONALLY INVOLVED. 82 00:05:02,534 --> 00:05:04,400 SHE WAS VERY EXCITABLE. 83 00:05:04,400 --> 00:05:07,067 OH, SHE'LL GET OVER IT. SHE ALWAYS DOES. 84 00:05:08,334 --> 00:05:11,300 SHE MENTIONED A GENTLEMAN'S NAME-- 85 00:05:11,300 --> 00:05:13,300 BUTTERFIELD. 86 00:05:13,300 --> 00:05:16,567 NOW THE ONLY BUTTERFIELDS I KNOW ARE THE QUALITY CAR PEOPLE. 87 00:05:16,567 --> 00:05:19,868 THAT RATHER PRESTIGIOUS SHOWROOM WITH THE LEATHER FURNITURE. 88 00:05:19,868 --> 00:05:22,400 IT'S PROBABLY NOT THOSE BUTTERFIELDS AT ALL. 89 00:05:22,400 --> 00:05:24,367 OH, I BELIEVE IT IS. 90 00:05:24,367 --> 00:05:26,334 AND I THINK IT'S THE REAL THING THIS TIME-- 91 00:05:26,334 --> 00:05:27,801 YOU CAN TELL IN HER VOICE. 92 00:05:27,801 --> 00:05:30,200 I SHALL HAVE TO TAKE HER IN HAND. 93 00:05:30,200 --> 00:05:32,334 THE BENEFIT OF MY EXPERIENCE 94 00:05:32,334 --> 00:05:35,167 COULD CONSIDERABLY AID HER SOCIAL ADVANCEMENT. 95 00:05:35,167 --> 00:05:38,000 - WHERE'S YOUR TIE, RICHARD? - HMM? 96 00:05:38,000 --> 00:05:39,501 YOUR TIE, DEAR? 97 00:05:39,501 --> 00:05:42,467 WELL, I THOUGHT SINCE WE WERE GOING ON A PICNIC-- 98 00:05:42,467 --> 00:05:44,467 RICHARD. 99 00:05:57,033 --> 00:05:59,434 MY SISTER ROSE, 100 00:05:59,434 --> 00:06:01,467 MRS. BUTTERFIELD. 101 00:06:01,467 --> 00:06:04,400 MY SISTER ROSE BUTTERFIELD. 102 00:06:08,734 --> 00:06:10,934 YOU'VE MET MY SISTER ROSE, 103 00:06:10,934 --> 00:06:12,667 MRS. BUTTERFIELD? 104 00:06:12,667 --> 00:06:14,601 YOU KNOW, 105 00:06:14,601 --> 00:06:16,934 THE EXECUTIVE CAR PEOPLE. 106 00:06:18,167 --> 00:06:22,067 HAS SHE ASKED HIM IF HE WANTS TO GO ON A PICNIC? 107 00:06:22,067 --> 00:06:24,534 I DON'T KNOW WHY SHE CAN'T LEAVE HIM ALONE. 108 00:06:24,534 --> 00:06:27,100 HE'S BEEN QUIET FOR THE LAST FEW DAYS. 109 00:06:27,100 --> 00:06:29,133 I NOTICED THAT. 110 00:06:29,133 --> 00:06:31,267 I THOUGHT HE MUST BE DEAD. 111 00:06:33,300 --> 00:06:35,234 HAS ANYBODY CHECKED? 112 00:06:37,767 --> 00:06:39,934 THAT'S NOT FUNNY, ONSLOW. 113 00:06:39,934 --> 00:06:42,968 I KNOW-- TERRIBLE THING IS A PICNIC. 114 00:06:44,667 --> 00:06:46,667 WHERE ARE THEY GOING ON THIS PICNIC? 115 00:06:46,667 --> 00:06:48,400 OH, I DON'T KNOW, 116 00:06:48,400 --> 00:06:51,000 AND I CAN'T STAND HERE GABBING ABOUT IT. 117 00:06:52,501 --> 00:06:55,300 I'M EXPECTING A CALL FROM MR. BUTTERFIELD. 118 00:06:55,300 --> 00:06:58,701 IT'S ALL RIGHT SAYING, "GET HIM READY." 119 00:06:58,701 --> 00:07:00,767 GETTING HIM READY FOR OUR HYACINTH, 120 00:07:00,767 --> 00:07:02,901 THAT'S REALLY GETTING HIM READY. 121 00:07:04,501 --> 00:07:06,801 DOES SHE MEAN I'VE GOT TO DO SANDWICHES? 122 00:07:06,801 --> 00:07:09,000 YOUR HYACINTH WILL NEVER BE SEEN IN PUBLIC 123 00:07:09,000 --> 00:07:10,968 WITH ONE OF YOUR SANDWICHES. 124 00:07:12,734 --> 00:07:15,133 NOW ME, FOR INSTANCE, THAT'S A DIFFERENT MATTER. 125 00:07:15,133 --> 00:07:17,133 I COULD JUST MURDER A BACON BUTTIE. 126 00:07:17,133 --> 00:07:20,133 WELL, YOU'VE HAD IT! I'VE GOT TO GET FATHER READY. 127 00:07:20,133 --> 00:07:22,133 OH, NICE. 128 00:07:31,701 --> 00:07:33,868 IS THIS TIE ALL RIGHT? 129 00:07:36,300 --> 00:07:38,300 YES, THAT'S FINE, DEAR. 130 00:07:40,100 --> 00:07:42,901 I DON'T KNOW WHICH GLASSES TO TAKE. 131 00:07:42,901 --> 00:07:44,901 I'LL HAVE TO TAKE SOMETHING PRESENTABLE 132 00:07:44,901 --> 00:07:46,767 IN CASE WE'RE OVERLOOKED. 133 00:07:46,767 --> 00:07:49,467 WE SHAN'T BE OVERLOOKED IF WE FIND SOMEWHERE QUIET. 134 00:07:49,467 --> 00:07:51,434 I'LL TAKE THESE. 135 00:07:51,434 --> 00:07:53,901 THESE WON'T LET US DOWN. 136 00:07:53,901 --> 00:07:56,534 - CAN YOUR FATHER HANDLE A GLASS? - HMM? 137 00:07:56,534 --> 00:07:59,067 OH, DADDY CAN HAVE A BEAKER. 138 00:08:00,734 --> 00:08:05,434 BUT I'LL TAKE A GLASS AS WELL, IN CASE THERE ARE PASSERS-BY. 139 00:08:05,434 --> 00:08:08,934 I'M NOT HAVING RUMORS CIRCULATING THAT DADDY DRINKS OUT OF A BEAKER. 140 00:08:08,934 --> 00:08:11,868 - I'LL ANSWER THAT, DEAR, 141 00:08:11,868 --> 00:08:14,133 YOU FINISH PACKING THE GLASSES SAFELY. 142 00:08:15,234 --> 00:08:17,767 NOW DO YOU LIKE THE TIE? 143 00:08:19,801 --> 00:08:23,133 THE "BOUQUET" RESIDENCE, THE LADY OF THE HOUSE SPEAKING. 144 00:08:25,167 --> 00:08:27,167 OH, IT MUST BE SHERIDAN. 145 00:08:27,167 --> 00:08:29,467 YES, OF COURSE WE'LL ACCEPT THE CHARGE. 146 00:08:31,267 --> 00:08:35,634 SHERIDAN, HOW THOUGHTFUL OF YOU TO RING MOMMY, DEAR. 147 00:08:35,634 --> 00:08:37,534 IT'S SHERIDAN! 148 00:08:37,534 --> 00:08:40,934 WHAT DOES HE WANT? 149 00:08:40,934 --> 00:08:44,133 I DON'T KNOW THAT HE WANTS ANYTHING, DEAR. 150 00:08:44,133 --> 00:08:47,767 IT'S A PERSONAL, THOUGHTFUL LITTLE CALL TO HIS MOMMY. 151 00:08:50,100 --> 00:08:53,367 YOU NEED WHAT, SHERIDAN? 152 00:08:53,367 --> 00:08:56,167 SOME PAJAMAS? WELL, I DON'T SEE WHY NOT. 153 00:08:57,400 --> 00:08:59,467 NOW YOU SURELY CAN'T BEGRUDGE THE BOY 154 00:08:59,467 --> 00:09:01,701 A PAIR OF PAJAMAS. 155 00:09:01,701 --> 00:09:03,734 DADDY SAYS OF COURSE YOU MAY HAVE 156 00:09:03,734 --> 00:09:05,934 SOME NEW PAJAMAS. 157 00:09:05,934 --> 00:09:08,000 I'LL GET SOME AND SEND THEM ON TO YOU. 158 00:09:09,367 --> 00:09:11,667 OH, YOU'VE SEEN SOME THAT YOU LIKE? 159 00:09:13,467 --> 00:09:15,467 WELL, YES, IT'S NO PROBLEM. 160 00:09:15,467 --> 00:09:17,634 WE COULD SEND THE MONEY INSTEAD. 161 00:09:19,067 --> 00:09:20,834 HOW MUCH? 162 00:09:20,834 --> 00:09:23,200 HOW MUCH? 163 00:09:25,701 --> 00:09:28,067 WOULD YOU REPEAT THAT, SHERIDAN? 164 00:09:28,067 --> 00:09:31,000 I THINK I MISHEARD, DEAR. 165 00:09:31,000 --> 00:09:34,300 NO, I DIDN'T MISHEAR. 166 00:09:34,300 --> 00:09:36,567 BUT WHY DO THEY HAVE TO BE PURE SILK? 167 00:09:40,000 --> 00:09:43,467 YOUR FRIEND TARQUIN ONLY WEARS PURE SILK PAJAMAS. 168 00:09:44,501 --> 00:09:46,067 I SEE. 169 00:09:46,067 --> 00:09:48,701 NO, OF COURSE YOU WOULDN'T 170 00:09:48,701 --> 00:09:51,534 WANT TO BE LEFT OUT. GOODBYE, DEAR. 171 00:09:54,367 --> 00:09:57,767 - HYACINTH-- - I THINK IT'S SPLENDID 172 00:09:57,767 --> 00:10:01,000 THAT SHERIDAN IS MIXING WITH SUCH A NICE CLASS OF PERSON. 173 00:10:01,000 --> 00:10:03,934 NOW, I'VE GOT TO GET THESE... 174 00:10:20,434 --> 00:10:24,267 YOU CAN'T COME IN! I'M EXPECTING A PERSONAL TELEPHONE CALL! 175 00:10:24,267 --> 00:10:27,868 GOOD. IF THERE'S NOTHING ON THE TELLY, I CAN LISTEN TO YOU. 176 00:10:27,868 --> 00:10:30,133 DON'T BE A SWINE, ONSLOW. 177 00:10:30,133 --> 00:10:33,300 I DON'T SEE WHY I SHOULD START CHANGING THE HABITS OF A LIFETIME. 178 00:10:35,200 --> 00:10:37,234 ( television turns on ) 179 00:10:39,267 --> 00:10:41,267 WHERE'S DADDY'S BROWN SHOES? 180 00:10:41,267 --> 00:10:43,133 HAVE YOU SEEN HIS BROWN SHOES? 181 00:10:43,133 --> 00:10:45,634 NO GOOD ASKING ME, I'VE GOT OTHER THINGS ON MY MIND. 182 00:10:58,901 --> 00:11:00,934 ( muttering ) 183 00:11:02,367 --> 00:11:04,234 OOOH. 184 00:11:05,767 --> 00:11:08,367 OH! 185 00:11:08,367 --> 00:11:10,167 I WAS LOOKING FOR THAT. 186 00:11:10,167 --> 00:11:14,033 HOW LONG HAVE YOU BEEN CRUSHING MY GIRDLE? 187 00:11:14,033 --> 00:11:16,901 OFF THE TOP OF MY HEAD, I'D SAY I HAVEN'T. 188 00:11:17,901 --> 00:11:20,400 NOT FOR A WHILE. 189 00:11:37,634 --> 00:11:40,133 I DON'T KNOW WHY YOU'RE BEING SO SNIFFY 190 00:11:40,133 --> 00:11:42,234 ABOUT A PAIR OF PAJAMAS. 191 00:11:42,234 --> 00:11:44,300 AT THAT PRICE? 192 00:11:45,901 --> 00:11:48,400 IF HE'S MIXING IN THE BETTER CIRCLES, 193 00:11:48,400 --> 00:11:51,934 I WILL NOT HAVE MY SHERIDAN LOOKING LIKE A POOR RELATION. 194 00:11:53,701 --> 00:11:55,734 ARE YOU THERE, ELIZABETH? 195 00:11:55,734 --> 00:11:57,901 THERE'S NO ONE THERE. 196 00:11:57,901 --> 00:12:00,167 YOU GIVE UP TOO EASILY. 197 00:12:00,167 --> 00:12:03,100 IF THERE'S ONE THING YOU CAN SAY ABOUT ME, 198 00:12:03,100 --> 00:12:08,000 IT'S THAT I GIVE UP TOO EASILY. 199 00:12:09,234 --> 00:12:11,100 DID YOU WANT ME, HYACINTH? 200 00:12:12,467 --> 00:12:14,801 IN VIEW OF THE WILKINSONS' BURGLARY, 201 00:12:14,801 --> 00:12:16,801 I THOUGHT IT BEST TO LET YOU KNOW 202 00:12:16,801 --> 00:12:18,801 THAT WE'RE POPPING OUT FOR AN HOUR OR TWO. 203 00:12:18,801 --> 00:12:21,067 I'M TAKING DADDY ON A PICNIC. 204 00:12:21,067 --> 00:12:24,467 OH, THAT'S NICE. 205 00:12:24,467 --> 00:12:26,300 A LITTLE FRESH AIR WILL DO HIM GOOD. 206 00:12:26,300 --> 00:12:28,534 YES, I'M SURE IT WILL. 207 00:12:28,534 --> 00:12:31,133 I'VE JUST BEEN SPEAKING TO SHERIDAN. 208 00:12:31,133 --> 00:12:33,100 HE THINKS IT'S A GOOD IDEA, TOO. 209 00:12:33,100 --> 00:12:35,467 HE'S SUCH A THOUGHTFUL BOY. 210 00:12:35,467 --> 00:12:39,501 - IS SHERIDAN WELL? - WELL ENOUGH TO BE BUYING SILK PAJAMAS. 211 00:12:40,801 --> 00:12:42,968 ANYTHING COARSER IRRITATES. 212 00:12:42,968 --> 00:12:46,100 HE WAS ALWAYS VERY SOFT SKINNED. 213 00:12:46,100 --> 00:12:48,667 HE TAKES AFTER ME, I'M AFRAID. 214 00:12:55,834 --> 00:12:57,968 MIND THE OLD LADY ON THE PAVEMENT. 215 00:12:57,968 --> 00:13:00,334 I'M NOT GOING ON THE PAVEMENT. 216 00:13:00,334 --> 00:13:02,701 SUPPOSING SHE SUDDENLY LEAPS OFF? 217 00:13:02,701 --> 00:13:05,601 HOW MANY OLD LADIES DO MAKE SUDDEN LEAPS? 218 00:13:08,133 --> 00:13:10,167 AND THERE'S A CYCLIST. 219 00:13:10,167 --> 00:13:12,167 I CAN SEE HIM. 220 00:13:14,667 --> 00:13:16,834 TURN RIGHT HERE, DEAR. 221 00:13:16,834 --> 00:13:19,934 RIGHT? YOUR SISTER'S IN THE OTHER DIRECTION. 222 00:13:21,267 --> 00:13:23,234 WE'LL CALL FOR PETROL. 223 00:13:25,200 --> 00:13:28,234 WE CAN CALL SOMEWHERE ON THE WAY TO DAISY'S. 224 00:13:28,234 --> 00:13:30,767 NO, WE'LL CALL SOMEWHERE THIS WAY. 225 00:13:30,767 --> 00:13:32,801 WHY? 226 00:13:33,801 --> 00:13:37,000 OH, I SEE WHY. 227 00:13:37,000 --> 00:13:39,100 WE'LL FILL UP HERE. 228 00:13:39,100 --> 00:13:41,767 IF ROSE IS GOING TO BE CONNECTED WITH THE FAMILY, 229 00:13:41,767 --> 00:13:43,968 WE MIGHT AS WELL START USING HERE. 230 00:13:46,767 --> 00:13:49,734 YOU DON'T EVEN KNOW IF IT'S THE SAME BUTTERFIELD. 231 00:13:49,734 --> 00:13:52,367 HOW MANY BUTTERFIELDS DO YOU THINK THERE ARE 232 00:13:52,367 --> 00:13:54,334 IN A SMALL TOWN? 233 00:14:11,968 --> 00:14:13,968 ARE YOU PLANNING TO FILL IT YOURSELF? 234 00:14:13,968 --> 00:14:15,968 IT'S SELF SERVICE. 235 00:14:15,968 --> 00:14:19,300 WELL, NOT FOR THOSE CONNECTED WITH THE FAMILY, SURELY. 236 00:14:19,300 --> 00:14:22,434 LOOK, LET'S NOT MAKE A FUSS. 237 00:14:22,434 --> 00:14:25,067 OH, VERY WELL. 238 00:14:26,701 --> 00:14:28,534 ( phone ringing ) 239 00:14:34,868 --> 00:14:37,267 HELLO? 240 00:14:37,267 --> 00:14:39,267 IT'S FOR YOU. 241 00:14:39,267 --> 00:14:41,634 IT'S YOUR COUSIN RALPHIE. 242 00:14:53,033 --> 00:14:54,934 HIYA, KID. 243 00:14:54,934 --> 00:14:58,634 AND DON'T HOG THE PHONE, I'M EXPECTING A CALL FROM MR. BUTTERFIELD. 244 00:14:58,634 --> 00:15:01,601 WELL, I'M FAIRLY BUSY, RALPHIE, 245 00:15:01,601 --> 00:15:05,601 PLUS, IT'S NOT EASY GETTING OUT FROM UNDER THIS DOG. 246 00:15:06,868 --> 00:15:08,868 HAS IT GOT TO BE GONE TODAY? 247 00:15:10,367 --> 00:15:13,634 I HAVEN'T GOT A ROOF RACK. 248 00:15:13,634 --> 00:15:17,133 WELL, HOW HEAVY IS IT? 249 00:15:17,133 --> 00:15:20,367 WELL, HE'S READY. I MEAN, FOR ME HE'S READY, 250 00:15:20,367 --> 00:15:22,767 WHETHER HE'S READY FOR OUR HYACINTH, WE'LL FIND OUT. 251 00:15:22,767 --> 00:15:26,067 WILL YOU GET ONSLOW OFF THE PHONE WITH THEIR RALPHIE? 252 00:15:26,067 --> 00:15:27,934 WHAT'S RALPHIE WANT? 253 00:15:27,934 --> 00:15:29,667 STUFFING. 254 00:15:34,167 --> 00:15:36,834 BRING A BUTTERFIELD HERE. 255 00:15:36,834 --> 00:15:39,734 WE SHOULD ARRANGE A LITTLE MEETING AT HOME. 256 00:15:39,734 --> 00:15:43,167 I COULD SURROUND HIM WITH COFFEE AND PETITS FOURS 257 00:15:43,167 --> 00:15:45,634 AND YOU COULD TALK TO HIM INTELLIGENTLY. 258 00:15:45,634 --> 00:15:48,634 - PERHAPS YOU OUT TO START BRUSHING UP YOUR KNOWLEDGE 259 00:15:48,634 --> 00:15:50,801 ON THE PROBLEMS OF THE LUXURY CARRIAGE TRADE. 260 00:15:50,801 --> 00:15:52,834 THAT SOUNDS FUN. 261 00:16:06,567 --> 00:16:09,534 IT'S THE DUSTBIN MEN I FEEL SORRY FOR. 262 00:16:09,534 --> 00:16:11,834 I MEAN, HOW CAN THEY DISTINGUISH 263 00:16:11,834 --> 00:16:13,834 BETWEEN WHAT THEY'RE SUPPOSED TO TAKE 264 00:16:13,834 --> 00:16:15,901 AND WHAT'S SUPPOSED TO STAY? 265 00:16:36,901 --> 00:16:39,767 LEAVE IT, LEAVE IT. 266 00:16:51,701 --> 00:16:53,734 ( barking ) 267 00:17:01,400 --> 00:17:03,634 - IS DADDY READY? - HE'S READY. 268 00:17:03,634 --> 00:17:06,634 DADDY, IT'S HYACINTH, DEAR. 269 00:17:06,634 --> 00:17:09,634 NO DON'T GET UNDER THE BED. 270 00:17:09,634 --> 00:17:12,334 AT LEAST I HOPE HE'S READY. 271 00:17:12,334 --> 00:17:14,234 HASN'T HE GOT A TIE? 272 00:17:15,334 --> 00:17:16,968 FOR A PICNIC? 273 00:17:16,968 --> 00:17:19,467 JUST BECAUSE IT'S AL FRESCO, 274 00:17:19,467 --> 00:17:22,267 IT DOESN'T MEAN IT'S ANY THE LESS A SOCIAL OCCASION. 275 00:17:22,267 --> 00:17:24,868 I'LL GET A TIE. 276 00:17:24,868 --> 00:17:26,767 THE CAR'S OUTSIDE, DADDY, 277 00:17:26,767 --> 00:17:29,133 BE WITH YOU IN A MOMENT. 278 00:17:29,133 --> 00:17:32,334 I JUST HAVE TO HAVE A WORD WITH ROSE. 279 00:17:37,367 --> 00:17:40,801 NO, NO, I TOLD YOU THAT I HAVEN'T GOT YOUR BALL. 280 00:17:40,801 --> 00:17:43,634 RICHARD, DO STOP PLAYING WITH THAT ANIMAL. 281 00:17:46,801 --> 00:17:49,801 NO, YOU'RE A LOUSE. 282 00:17:49,801 --> 00:17:51,968 YOU'VE ALWAYS BEEN A LOUSE. 283 00:17:51,968 --> 00:17:55,801 AND WHAT'S MORE YOU'VE GOT HAIRY TOES. 284 00:17:55,801 --> 00:17:59,501 YOU'RE THE FIRST MAN I'VE EVER KNOWN WITH HAIRY TOES, TED BUTTERFIELD, 285 00:17:59,501 --> 00:18:01,801 AND IT LOOKS LIKE A BAD SIGN-- 286 00:18:01,801 --> 00:18:05,834 ROSE, YOU CANNOT SPEAK LIKE THAT TO A BUTTERFIELD! 287 00:18:05,834 --> 00:18:08,868 GOOD GRACIOUS, GIRL, THINK OF THE BRIGHT FUTURE AHEAD. 288 00:18:08,868 --> 00:18:11,200 BRIGHT FUTURE? DO YOU KNOW THE BUTTERFIELDS? 289 00:18:11,200 --> 00:18:14,334 OF COURSE WE KNOW THE BUTTERFIELDS, WE'VE JUST BEEN THERE. 290 00:18:14,334 --> 00:18:17,534 MY SISTER WON'T KEEP YOU A MOMENT, MR. BUTTERFIELD. 291 00:18:17,534 --> 00:18:21,534 - WE CALL REGULARLY AT THEIR PLACE OF BUSINESS. - WHAT PLACE OF BUSINESS? 292 00:18:21,534 --> 00:18:23,534 MY SISTER'S STANDING HERE 293 00:18:23,534 --> 00:18:25,601 IN THE GRIP OF A VERY POWERFUL EMOTION. 294 00:18:25,601 --> 00:18:28,167 YOU MUSTN'T TAKE ANY NOTICE OF HER HARSH WORDS. 295 00:18:28,167 --> 00:18:31,367 IT'S JUST A CRUST THAT SHE'S HAD TO DEVELOP 296 00:18:31,367 --> 00:18:33,501 TO COVER HER PURITY AND SIMPLICITY. 297 00:18:33,501 --> 00:18:35,501 WE'RE LIKE THAT AS A FAMILY, 298 00:18:35,501 --> 00:18:39,200 HIGHER STANDARDS PREVAIL. MY SON WEARS PURE SILK PAJAMAS. 299 00:18:40,300 --> 00:18:43,234 ROSE, PULL YOURSELF TOGETHER. 300 00:18:43,234 --> 00:18:45,267 YOU HAVE TO LEARN TO BEHAVE 301 00:18:45,267 --> 00:18:47,267 IF YOU'RE GOING TO MAINTAIN A RELATIONSHIP 302 00:18:47,267 --> 00:18:51,133 WITH ONE OF THE TOWN'S LEADING COMMERCIAL FAMILIES. 303 00:18:51,133 --> 00:18:53,200 WHAT COMMERCIAL FAMILY? 304 00:18:53,200 --> 00:18:56,300 THE EXECUTIVE MOTOR SHOWROOM, THE GARAGE, 305 00:18:56,300 --> 00:18:58,767 THEIR FORECOURT SERVICE IS UNPARALLELED. 306 00:18:58,767 --> 00:19:01,534 HE'S NOT THAT BUTTERFIELD. 307 00:19:01,534 --> 00:19:03,968 THIS ONE'S A TOTAL DREK WITHOUT A PENNY TO HIS NAME. 308 00:19:03,968 --> 00:19:06,100 HMM? 309 00:19:06,100 --> 00:19:08,100 AND FURTHERMORE, 310 00:19:08,100 --> 00:19:10,501 WILL YOU KINDLY STOP BOTHERING MY SISTER?! 311 00:19:12,567 --> 00:19:14,734 WHAT HAVE YOU DONE THAT FOR? 312 00:19:14,734 --> 00:19:18,801 - I LOVE HIM! - HOW CAN YOU LOVE HIM? THE MAN HAS HAIRY TOES. 313 00:19:22,400 --> 00:19:24,968 NOW, 314 00:19:24,968 --> 00:19:28,467 THAT'S A MUCH SMARTER DADDY WITH THE TIE. 315 00:19:28,467 --> 00:19:31,033 WAIT THERE UNTIL WE FETCH YOU. 316 00:19:32,701 --> 00:19:34,734 AND DON'T DISARRANGE YOURSELF. 317 00:19:36,868 --> 00:19:39,467 - HAS HE GOT A HANDKERCHIEF? - ONE OF ONSLOW'S. 318 00:19:42,267 --> 00:19:43,901 IS IT CLEAN? 319 00:19:43,901 --> 00:19:45,968 IT'S CLEAN! 320 00:19:45,968 --> 00:19:49,667 WHERE IS ONSLOW? I SUPPOSE HE'S STILL IN BED. 321 00:19:49,667 --> 00:19:52,968 HE'S NOT STILL IN BED. HE'S GONE TO BORROW A ROOF RACK. 322 00:19:52,968 --> 00:19:55,968 - WHAT FOR? - HE'S GOT TO HELP THEIR RALPHIE MOVE SOMETHING. 323 00:19:55,968 --> 00:19:57,601 WHATEVER NEXT? 324 00:19:59,901 --> 00:20:01,901 IF SOMEONE C-- WOULD--? 325 00:20:01,901 --> 00:20:05,667 IF ANYBODY'S LISTENING, I'M UNDER HERE. 326 00:20:05,667 --> 00:20:11,234 RICHARD, I TOLD YOU TO STOP PLAYING WITH THAT DOG. 327 00:20:11,234 --> 00:20:14,767 I DON'T WANT HAIRS ALL OVER OUR OLD SOFA. 328 00:20:15,901 --> 00:20:18,634 DAISY, AS WELL AS A HANDKERCHIEF 329 00:20:18,634 --> 00:20:20,634 I THINK DADDY OUGHT TO HAVE A SMALL TOWEL-- 330 00:20:20,634 --> 00:20:23,234 CLEANTOWEL. 331 00:20:24,767 --> 00:20:27,868 OH, LOOK AT YOUR CLOTHES. 332 00:20:27,868 --> 00:20:29,767 YOU'RE COVERED IN HAIRS. 333 00:20:29,767 --> 00:20:34,667 THAT'S AN IMPROVEMENT. FOR THE PAST HALF HOUR I'VE BEEN COVERED IN DOG. 334 00:20:34,667 --> 00:20:37,534 WHERE IS EVERYBODY WHEN YOU NEED THEM? 335 00:20:37,534 --> 00:20:40,267 ONSLOW'S GONE BORROWING A ROOF RACK, 336 00:20:40,267 --> 00:20:42,534 AND THEN HE'S OFF ON SOME APPALLING 337 00:20:42,534 --> 00:20:44,968 UNSTYLISH ERRAND FOR THEIR "RAFE." 338 00:20:50,701 --> 00:20:52,834 ( horn honks ) 339 00:20:52,834 --> 00:20:55,167 ( horn honks ) 340 00:20:56,167 --> 00:20:57,968 OH NICE. 341 00:21:04,267 --> 00:21:06,267 OH, NO. 342 00:21:06,267 --> 00:21:10,133 - THERE GOES DADDY WITH MY TUNA MAYONNAISE. - AND MY CAR. 343 00:21:10,133 --> 00:21:12,667 WELL, WHO WAS SUPPOSED TO BE WATCHING HIM? 344 00:21:12,667 --> 00:21:14,801 I WAS IN THE KITCHEN. 345 00:21:14,801 --> 00:21:17,033 I WAS UNDER THE DOG. 346 00:21:19,300 --> 00:21:21,400 IMPULSIVE DADDY. 347 00:21:21,400 --> 00:21:24,000 I HOPE HE'S NOT GOING TO DRIVE AT SPEEDS 348 00:21:24,000 --> 00:21:26,534 INCOMPATIBLE WITH MY CUT-GLASS CONDIMENT SET. 349 00:21:26,534 --> 00:21:28,968 IN MY CAR! 350 00:21:28,968 --> 00:21:30,868 HOW ARE WE GOING TO CATCH UP WITH HIM? 351 00:21:30,868 --> 00:21:32,567 WE'LL HAVE TO GO IN MINE. 352 00:21:58,934 --> 00:22:01,367 WHAT TIME IS JILL EXPECTING US? 353 00:22:01,367 --> 00:22:03,834 ABOUT 10 MINUTES AGO, LIZ. 354 00:22:11,501 --> 00:22:13,267 WATCH THE-- OH NO! 355 00:22:16,501 --> 00:22:18,667 WASN'T THAT RICHARD'S CAR? 356 00:22:18,667 --> 00:22:20,767 I COULD HAVE SWORN THAT WAS RICHARD'S CAR. 357 00:22:20,767 --> 00:22:23,167 I DON'T KNOW WHO THE DAMN FOOL BEHIND THE WHEEL WAS, 358 00:22:23,167 --> 00:22:24,968 ALL I COULD SEE WAS A CAP. 359 00:22:24,968 --> 00:22:26,634 A CAR BEING DRIVEN BY A CAP. 360 00:22:31,100 --> 00:22:33,801 WHOA! THERE GOES MY ROOF-RACK! 361 00:22:37,868 --> 00:22:40,067 HE'S GETTING AWAY! 362 00:22:40,067 --> 00:22:42,000 HE'S GOT A NEWER CAR, HASN'T HE? 363 00:22:42,000 --> 00:22:43,901 LET'S HOPE HE KEEPS IT THAT WAY. 364 00:22:54,434 --> 00:22:56,734 HE'LL SLOW DOWN IN A BIT. 365 00:22:56,734 --> 00:22:58,701 WHY SHOULD HE SLOW DOWN? 366 00:22:58,701 --> 00:23:01,033 BECAUSE HE GETS TIRED. 367 00:23:01,033 --> 00:23:03,467 YOU KNOW WHAT HE'S LIKE-- 368 00:23:03,467 --> 00:23:05,567 HE HAS BURSTS OF ENERGY 369 00:23:05,567 --> 00:23:07,434 AND THEN HE GOES TO SLEEP. 370 00:23:07,434 --> 00:23:09,934 BEHIND THE WHEEL? THAT SHOULD BE INTERESTING. 371 00:23:09,934 --> 00:23:13,334 - OH, MY POOR DADDY. - OH, MY POOR CAR! 372 00:23:13,334 --> 00:23:16,701 HE DOES. HE COULD BE TALKING TO A PERSON 373 00:23:16,701 --> 00:23:18,868 AND IN THE MIDDLE OF THE SENTENCE, "WHALLOP," 374 00:23:18,868 --> 00:23:20,968 HE'S ASLEEP. 375 00:23:39,534 --> 00:23:41,534 HE'S SLOWING DOWN. 376 00:23:41,534 --> 00:23:43,434 I TOLD YOU. 377 00:23:43,434 --> 00:23:45,667 HE'S FEELING TIRED. 378 00:23:49,968 --> 00:23:52,167 CAN'T YOU OVERTAKE HIM? 379 00:23:52,167 --> 00:23:54,634 ON WHICH SIDE? 380 00:23:54,634 --> 00:23:57,067 OH, POOR DADDY, 381 00:23:57,067 --> 00:24:00,534 ASLEEP AT THE WHEEL OF A STRANGE CAR. 382 00:24:00,534 --> 00:24:03,167 IT'S NOT THE CAR THAT'S STRANGE, IT'S YOUR FATHER. 383 00:24:04,834 --> 00:24:07,501 I SHOULD BE WITH HIM IN HIS HOUR OF DANGER. 384 00:24:07,501 --> 00:24:10,601 HE MIGHT HAVE AN ACCIDENT. 385 00:24:12,200 --> 00:24:15,567 I CAN'T BEAR TO THINK OF HIM LYING INJURED, 386 00:24:15,567 --> 00:24:18,834 HIS DEAR BALD HEAD COVERED IN MY TUNA MAYONNAISE. 387 00:24:21,534 --> 00:24:23,534 OH, NO! 388 00:24:23,534 --> 00:24:25,400 I THINK MY GASKET'S GONE. 389 00:24:44,667 --> 00:24:47,300 I LIKED IT BETTER WHEN YOU WERE CHAPLAIN OF A PRISON. 390 00:24:47,300 --> 00:24:48,868 WELL, I DIDN'T. 391 00:24:48,868 --> 00:24:51,267 I WAS BEGINNING TO SPEAK OUT OF THE SIDE OF MY MOUTH. 392 00:24:51,267 --> 00:24:53,267 IT'S A FRIENDLY PARISH HERE. 393 00:24:53,267 --> 00:24:55,267 SOME OF THE WOMEN ARE TOO FRIENDLY. 394 00:24:55,267 --> 00:24:57,334 NOW, THAT WAS AN EVIL THOUGHT. 395 00:24:58,334 --> 00:25:00,400 Daisy: THERE'S ALWAYS HOPE. 396 00:25:04,934 --> 00:25:07,467 OH, DAMN, IT'S THE BUCKET WOMAN! 397 00:25:07,467 --> 00:25:10,734 - SHOULD YOU BE SAYING "DAMN" LIKE THAT? - NOT NORMALLY, NO. 398 00:25:10,734 --> 00:25:13,133 I'M TURNING ROUND. 399 00:25:13,133 --> 00:25:14,934 YOU CAN'T TURN ROUND, 400 00:25:14,934 --> 00:25:16,934 YOU HAVE TO HELP THOSE PEOPLE. 401 00:25:17,934 --> 00:25:20,234 OH, I SUPPOSE YOU'RE RIGHT. 402 00:25:29,767 --> 00:25:32,801 DAMN, IT'S THE VAMPIRE SISTER! 403 00:25:32,801 --> 00:25:34,834 YOU WERE RIGHT, TURN ROUND! TURN ROUND! 404 00:25:34,834 --> 00:25:36,901 I CAN'T TURN ROUND NOW, THEY'VE SEEN US. 405 00:25:42,267 --> 00:25:44,100 MAY I BE OF ANY HELP? 406 00:25:44,100 --> 00:25:47,634 THAT'S VERY, VERY KIND OF YOU, VICAR. 407 00:25:47,634 --> 00:25:49,734 PERHAPS YOU COULD GIVE US A LIFT? 408 00:25:49,734 --> 00:25:52,133 IT'S NOT OUR CAR, OF COURSE, 409 00:25:52,133 --> 00:25:54,234 WE'RE JUST HERE ON CHARITABLE PURPOSES. 410 00:25:54,234 --> 00:25:57,934 - ROOM FOR A COUPLE. - THANK YOU VERY, VERY MUCH. 411 00:25:59,501 --> 00:26:01,501 THANK YOU, VICAR. 412 00:26:03,601 --> 00:26:06,300 - THANK YOU, VICAR. - THANK YOU, VICAR. 413 00:26:06,300 --> 00:26:08,000 TA, VICAR. 414 00:26:15,033 --> 00:26:17,234 ( barking ) 415 00:26:18,601 --> 00:26:21,000 - Richard: OH, NO. - DOWN, GIRL. 416 00:26:24,133 --> 00:26:27,501 I DO THINK HE'S GOT LOVELY HAIR FOR A VICAR. 417 00:26:36,634 --> 00:26:41,033 I CAN'T THINK HOW LONG IT IS SINCE I LAST SAT ON YOUR LAP, ONSLOW. 418 00:26:41,033 --> 00:26:43,200 IT MAKES YOUR EYES WATER, I KNOW THAT. 419 00:26:44,934 --> 00:26:48,801 HOW FARES THE CHURCH WORLDWIDE THEN, VICAR? 420 00:26:48,801 --> 00:26:50,534 FOR EXAMPLE, 421 00:26:50,534 --> 00:26:53,501 WHAT IS THE MISSIONARY POSITION IN CHINA THESE DAYS? 422 00:26:58,601 --> 00:27:02,534 I THINK THAT DOG'S HAD A COUPLE OF YOUR PLUMS. 423 00:27:08,901 --> 00:27:11,501 THIS'LL DO FINE, VICAR. 424 00:27:15,334 --> 00:27:18,767 - WHY ARE WE STOPPING HERE? - I PROMISED OUR RALPHIE. 425 00:27:20,434 --> 00:27:22,968 - OH. - OH. 426 00:27:24,467 --> 00:27:27,167 WE MUST DO THIS MORE OFTEN. 427 00:27:27,167 --> 00:27:30,267 IT'S EASIER HELPING OUR RALPHIE MOVE SOMETHING. 428 00:27:36,200 --> 00:27:39,968 THEIR RALPHIE'S ALWAYS WANTING HIM 429 00:27:39,968 --> 00:27:42,567 TO MOVE SOMETHING. 430 00:27:42,567 --> 00:27:45,334 LIKE AN ARM, POSSIBLY. 431 00:27:45,334 --> 00:27:47,667 WHAT ABOUT MY CAR? 432 00:27:47,667 --> 00:27:50,667 WHAT ABOUT MY PICNIC? 433 00:27:50,667 --> 00:27:52,834 WHAT ABOUT MY DADDY? 434 00:27:52,834 --> 00:27:55,801 CAN YOU GIVE US A LIFT WITH THIS STUFF, SOMEBODY? 435 00:27:55,801 --> 00:27:57,667 I'LL GO. 436 00:28:01,334 --> 00:28:03,200 HERE, REV, JUST GET ON THIS END, WILL YOU? 437 00:28:06,133 --> 00:28:08,501 - BYE, JILL. - BYE. 438 00:28:10,434 --> 00:28:13,801 HEY, LIZ, THAT LOOKS A BIT DODGEY. 439 00:28:13,801 --> 00:28:16,067 ( dog barking ) 440 00:28:21,868 --> 00:28:24,534 I THOUGHT HYACINTH SAID SHE WAS GOING FOR A PICNIC. 441 00:28:24,534 --> 00:28:27,634 LOOKS AS IF THEY'RE PREPARED FOR EVERY CONTINGENCY. 442 00:28:32,834 --> 00:28:34,701 ( horn honks ) 443 00:28:36,534 --> 00:28:38,868 ( dog barking ) 444 00:28:43,834 --> 00:28:46,167 ( theme music playing ) 0 00:00:0,500 --> 00:00:2,00 www.tvsubtitles.net 33249