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In this video I want to look at the
Vintage Limiter module, which is an
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emulation of the Fairchild six seventy
and was often used as a nice warm
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mastering limiter at the end of the chain
to just get the overall level up and add
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its character and signature warmth now
I've run the master assistant on this mix
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and it's done a nice job of analyzing
things.
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Got a tiny change on the vocal?
Close his eye imager, impact clarity
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stabilizer and amici Q and maximizer and
I've set it to this so it's doing a nice
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job but what I'm going to do is get rid
of the maximizer and instead call up the
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vintage limiter and use this instead so
this has got a couple of different modes
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and as I mentioned it's modelled on the
Fairchild six seventy now when we're in
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the analogue mode, it's got the fast
attack and variable release that the
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Fairchild had with depending on the time
constant settings that you chose.
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And this gives kind of like a tight base
response with a thick limiting quality,
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which may or may not work with this song,
but that's what it's good for it brings
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out the low end transients but it's also
smooth and here we've got two we'll go
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through all of them and hear what they
sound like it's a little bit more
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balanced with variable attack and release
times and it's got the smooth feedback
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limiting and a wider range of of kind of
overall limiting across the spectrum
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depending on the incoming signal that
probably will work to clean this up
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nicely i'm suspecting and it's non
linear, but it's got that modern
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precision and there's no clipping and
it's nice good peak transient analysis.
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Then we have Modern which blends the
thicker characteristics of the analogue
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vintage style and the tube kind of blends
them together and it uses the intelligent
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release control limiting that we get with
ozone.
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So we'll go through all of them now we
can turn on true Peak and set the ceiling
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i'm going to set it at minus one and we
have here two different modes we have the
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frequency spectrum and then we have a
gain trace over here so we can see how
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much is happening.
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Now the character is interesting and kind
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of adjusts the overall attack and release
time.
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Although they're dependent somewhat on
these settings, we can influence it with
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this. I'm actually not liking Tube.
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I thought I would.
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This is definitely doing the most
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aggressive limiting, yeah you can see the
attack slowing down as I dial this up.
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Slower release, rather much quicker
release.
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Keep it somewhere around there it doesn't
matter to me.
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It may be touching my that's the whole
chain being bypassed.
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So it's adding a real nice vintage kind
of character and there's the game trace
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and we can see the frequency spectrum.
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That's what it's doing, yeah that's
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definitely the quickest and most
aggressive.
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So that's the vintage limiter, an
alternative to the maximizer of course it
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can be used anywhere in your signal chain
and individually on other instruments or
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buses in your mix.
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And it's got that nice kind of quality
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with the three variable tonal, overall
tonal shapes, an response times and it's
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a nice alternative.
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We'll continue with more in the next
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video.
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