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Come on baby, give me a little kiss.

Aw, go away.

You shouldn't have done that!

I told you to keep your filthy hands off of me.

You know, if it wasn't for that sister of yours, Carmelita,

I never would come around this dump.

You couldn't buy enough booze to make me go for you.

Why don't you try some of those sideshow freaks?

You dirty, filthy pig!

So, I belong with the freaks, huh?

I'll fix you so even the freaks will not look at you!

Ortega!

Ortega!

Take him and make him like my other little pets!

You pig!

I'll make you like my other little pets!

Ortega, look at him!

What's wrong?

That cat, get it out of here!

All right, but why get all shook up about a cat?

I can't stand them.

Every time I get near one something strange happens to me.

Why don't you lay off that stuff?

Why don't you lay off the father routine?

Look, honey, I'm just trying to give you

a friendly bit of advice.

Those mistakes in your routine last night

almost cost you your job.

Okay.

Okay, I'll give it a try.

Just for you.

Look, I'd rather did this just for yourself.

Maybe so, maybe not.

I think it's about time we left, Harold.

What do you think?

I don't know, Jerry, what do you think?

Well, if we're late you know Angie

is just liable to blow her top.

Yeah, and her mother wouldn't like that, would she?

Her mother doesn't like anything.

Especially me.

Well, you can get a job or something.

She might change her mind, you know?

A job?

Be a little discreet about that, will ya, Harold?

Somebody's liable to hear ya.

Well, you gotta do something, you know?

Why?

The world's here to be enjoyed, not to make you depressed.

That's what work does, Harold, it makes you feel depressed.

So instead of being in that state of depression,

why don't we cut out, okay?

Swingin'.

No.

No, I'm sorry, Phil, I can't.

No, I made other plans for the day.

Okay.

Bye bye.

Who was that?

Oh, Phil.

He wanted me to go to the beach with him today.

Well, why don't you go?

I can't.

I have a date with Jerry.

I don't see how you can prefer Jerry to Phil

when Phil is such a nice boy.

I like Jerry.

Phil just isn't my type.

You're fascinated by Jerry because he's different.

He isn't like any of the boys you know.

Oh, Mother, Jerry's fun, he's exciting.

We go places I never dreamed of before.

You're right at the age when you could

make a terrible mistake.

And you think Jerry would be a mistake.

Yes, I do.

Jerry has no education.

He'll never be able to make a living.

Oh, Mother.

If you try to build a life with him, you'll be miserable.

Really, Mother, you're way ahead of me.

I just have fun with Jerry, that's all.

Does he always have to honk that horn

and drive like a maniac?

All the boys do, Mother.

That's the way they are.

Hey, are things that bad you gotta wash your own car?

Things are rough all over.

Yeah, the world's in a state of depression.

Angela, please don't go.

But I like Jerry so much.

Someday he's going to meet a girl that is just his type.

And you'll be hurt.

I don't think so.

He doesn't even come to the door for you.

He wouldn't be Jerry if he did.

Angie baby.

How's college?

It's fine.

You should try it sometime.

No, thanks.

The world's my college.

Let's go.

See you later, Madison.

Get your tickets here.

Get your tickets, get your tickets,

get your tickets, get your tickets here.

Hey, Harold, let's go!

Okay!

Oh don't.

Don't do that!

My first night on the floor was a real spectacle.

That's the last time I'll drink before a performance.

The manager wanted to fire me,

but he's a friend of mine, so he wouldn't fire me.

I talked him out of it.

But my wife did say, now she's really something,

if I didn't stop drinking she was gonna leave me.

Boy, I'm sure gonna miss her.

But you know, with my wife, there are two sides

to every argument, my wife's and her mother's.

But they're really wonderful.

Ms. Marge Nielsen and Mr. Bill Ward.

Let's have a big round of applause for them.

Hey, Marge, are you all right?

Just leave me alone, will you?

Okay, okay.

Look, I warned you last night to lay off that stuff!

I know, I'm sorry.

I can't run a night club with a drunken star.

Now you take the next show off.

And if you're not back in time for the third show

and sober, you're fired!

Here you are, folks, the biggest bargain

to hit the midway.

They'll thrill you, they'll kill you.

You'll even ask for more.

Funny, beautiful girls, supple as a serpent,

twisting, writhing, and winding,

the most spectacular show ever to hit the midway.

The Garden of Eden, folks, and none

of the three half-leaves.

Adam and Eve never had it so good.

Only 50 cents.

The biggest bargain to hit the midway.

It's not a film, folks, it's a living, breathing,

right here on our stage.

You say that isn't enough, you say you want more.

Well, right after the show we raffle off one of the girls.

You may be the lucky winner.

Yours will be the pleasure of a private show.

Welcome, my dear, won't you sit down?

Thank you.

You wish to have your fortune told?

Yes, please.

It is a thing one must be sure about.

But it is a grave responsibility to learn one's future.

I'm willing to take the chance.

From the expression on your face it would seem to me

that you are searching for something?

I'm not sure what it is.

I only know that something evil lies ahead for me.

Do you feel that your life might be in danger?

I only know that something will happen.

I have to know what.

Then we must consult the cards.

The cards will tell us if we are in danger.

What did you see?

I'll look for myself.

That's a death card, isn't it?

Yeah.

I knew it.

I knew it.

I knew it!

No, not that way!

Nevermind, folks, just forget it.

Just one of the many attractions we have going

through here at all times.

I wonder what's wrong with her!

Well, whatever she's running from must be in there.

Hey, come on.

Let's go in there and get spooked, okay?

Yeah, Jerry, come on, let's get our fortunes told.

Oh I can find a lot better ways to spend my money, huh?

Come on, come on.

Don't tell me your feet are starting to freeze.

I'll try anything once, come on.

Ooh, it's dark in here.

Hey look, Jerry, a crystal ball.

Yeah, how 'bout that?

Hey, let's have a seat, huh?

You wish your fortunes told?

Why do you think we came here for, to eat?

I'd like my fortune read.

Course my palm with steel.

Okay, how much?

50 cents.

Thank you.

Give me your palm, please.

You are very fortunate young lady.

You are going to be lucky in love.

I see only one husband for you.

These days that is a remarkable thing, huh?

You are going to be rich if you are not already so.

Ah, I see that your mother will not approve

of the man you pick for a husband.

Okay, when are you gonna use the fish bowl?

I use both the crystal and the palm for my readings.

The crystal shows the immediate future.

The palm shows the indication of one's entire life.

The use of the crystal is very dangerous.

Well why do you say that?

Sometimes the crystal sees things

that it is better we do not know.

What do you see?

I see much unhappiness for you in the near future.

Someone who is near to you is going to die.

Oh, come on now.

The crystal does not lie.

What the crystal sees...

It reveals.

I see...

Someone.

Yes.

It is you.

By water.

Now...

I see a man.

I can no longer see you.

Now a man moves.

Yes.

You are lying on the ground...

By water.

I can no longer see anything else.

Well, now that you read her fortune,

why don't you tell me mine?

There is nothing I can tell you.

Why can't you read mine?

There are some who cannot be read.

Their life is but a shadow in the crystal.

You are such a person.

Come on now, tell me mine, will ya?

I cannot tell you anything else now.

I think you clouded up her crystal ball.

Clouds affect only the cloudy, never the image.

Why don't you come back some other time, Jerry, yeah?

Sure, I'll come back again.

You can bet on that.

I will charge you only for the young lady.

You bet you will.

Which is the way out of here?

That way.

Boy, I don't want to get lost in this place.

All right, folks, step up and see our show.

We have girls, girls, and girls.

Come on, step right up here and see our show.

Okay, now that you've had your fortune told,

what do you say we go over there

and go inside and look at the girls, huh?

Step inside.

Oh, I'd rather not, Jerry.

Why don't we go to the funhouse instead?

Oh, come on, Angel, let's just

stick around a little while, huh?

Yeah, that's a good idea, Angie.

All right, all right, just for a few minutes.

Ortega!

Tell my sister Carmelita that the time is coming, huh?

Stella, step forward and give the folks a little sample.

That's enough, don't give 'em too much.

Pat, how about a little from you?

That's it, take it easy.

We have 20 beautiful girls and only 10 beautiful costumes.

And now, folks, I wanna give you a glimpse of our star,

that exotic gypsy dancer, Carmelita!

Yes siree, folks, this is Carmelita.

The one and only.

Just look at those dark, dreamy eyes.

Those lips and that body.

What a body.

It's covered out here, but on the inside

you will see that body in action

doing her original exotic dance as only she can do.

Don't miss her.

Come inside and see the one and only woman of mystery.

Yes sir, folks, that's just a glimpse

of our big attractions we have on the inside.

We have 20 beautiful big acts in one continuous show.

Now step right up, get your ticket, and enjoy yourself!

Come on, Jerry, let's go.

You know, I think I'd like to go inside

and see the show, Angel.

Well, I don't.

Look I thought we agreed that what I say goes.

It's not that, Jerry, it's just that I didn't like

the way you were staring at that Carmelita.

Come on, let's go inside, it'll be fun.

No.

Oh, what do ya mean, no?

If you go in, you go in without me.

What are you trying to do, force me to make a decision

between you and that girly show?

It's not the show you're interested in,

it's that stripper.

Look I'm gonna go in there with or without you,

so make up your mind.

Okay, go without me.

You gonna let her go?

I don't like anybody telling me what I have to do.

Harold, why don't you be a buddy and take the car

and see that she gets home okay?

She'll cool off tomorrow.

Okay, Jerry.

That suits me fine.

See you later.

Hey, Stella!

How 'bout a date tomorrow night?

Okay, should be fun.

How does seven o'clock sound?

Great, where are we going?

Oh, I thought we could spend

a quiet little evening at your place.

I could bring up a couple of steaks and you could broil 'em.

That's your idea of a big evening?

I should slave over a hot stove cooking dinner for you?

Why not?

Who's going to wash the dishes?

Oh, I'll wash the dishes.

Now we give you our exotic,

beautiful gypsy dancer, Carmelita.

Say, is Carmelita here?

What are you doing in here?

Do we look like Carmelita?

Get out!

The nerve of some people.

Think that it's a peep show he wants.

Think he'd have some manners or something.

He thought he'd probably get some real fast action

before the show.

Carmelita?

I am here.

The note said you wanted to see me.

Yes.

Follow me.

Jerry.

You feel yourself slipping into a deeper sleep.

It is as if you were in your own bed,

surrounded by warm covers.

Nothing will bother you.

Nothing will waken you.

You will hear only my voice.

See only that which I choose to show you.

Open your eyes, Jerry.

Look at the wheel.

Look at the beautiful spinning wheel.

See how it spins.

See how the light travels from the wheel

to the center, the edges, and back again.

It is a deep spinning hole.

You feel yourself falling.

Falling into that hole.

Deeper.

Deeper.

Deeper into the spinning hole.

You will hear my command and obey.

Obey.

When you awake, you will have no knowledge of the fact...

You will do only that which I have commanded you to do.

I don't have to do this for a living, you know.

See, my father and mother have an iron and steel company.

You've heard it before?

No, go ahead.

My mother irons and my father steals.

Now The Hungry Mouth takes great pride and pleasure

introducing a young new singer.

Let's have a big hand for Mr. Don Snithe.

What's wrong, Marge?

That fight you had with the manager still getting you down?

Oh, it's not that.

It's something that happened on the midway tonight.

What do you mean?

We're on.

I'll tell you after the show.

Thank you very much.

And now we take pride in presenting

our main attraction, the very talented

Ms. Marge Nielsen and Mr. Bill Ward.

Let's have a big round of applause for them.

Obey.

You must obey.

Must do as Madam Estrella...

Obey.

Kill.

You must kill.

Kill.

Must obey.

Kill!

Jerry!

Jerry!

Jerry!

Jerry!

Jerry.

Jerry.

Over here, Jerry, over here.

Jerry.

I can help you, Jerry.

Only I can help you.

Jerry.

No, Jerry, no.

Help.

Help.

Help!

It's about time you got up.

Boy, I had a restless night last night.

I know.

I heard you talking to yourself last night

while you were sleeping.

It was just about the craziest dream I've ever had.

It must have been about that crazy chick Carmelita, huh?

Carmelita?

Come on, Jerry, tell me, what happened last night?

I don't know.

I just can't seem to quite figure out

exactly what did happen.

I don't even remember coming home last night.

Sometimes when I got a lot down,

I can't remember things like that either.

Well, I wasn't drinking.

Oh sure, sure.

Say, how 'bout you and Angela, everything okay?

She made me take her right home.

Here's your keys.

Thanks.

Was she mad?

Not as mad as her mother.

Who cares about her mother?

I don't know, I kinda like her myself.

Maybe so.

Look, I've got to go.

I'll go with you.

I haven't been able to get this

piece of junk running anyhow.

No, you stay here.

Say, Madison, where's Angie?

She's over there by the pool.

Thanks.

So you finally decided to drop by.

Angie, I'd like to explain about last night.

It's okay, I understand.

I can tell by your voice you're still mad at me.

Why shouldn't I be after the way you acted?

You know, I'm a little confused about that too.

I can't understand what you saw in her.

Look, can't we change the subject?

All right.

But I sure would like to know what happened after I left.

We interrupt this program

to bring you a special announcement.

Police are still searching for the bizarre murderer

of Marge Nielsen, exotic dancer

at the Hungry Mouth nightclub.

Ms. Nielsen was stabbed to death last night

during the performance of her act.

Her partner, Bill Ward, was fatally wounded

while trying to apprehend the murderer.

Police have no description of the killers,

but they are at present checking all transients in the area.

Keep tuned to this station for further developments.

We now return you to our musical program.

Hurry, hurry, hurry, step right up.

Join the show.

One thin dime, one thin tenth of a dollar will get you in

to see some of the most exotic-looking ladies on the midway.

Step right over there to the ticket booth.

One thin dime, that's all it costs.

This time it's Ms. Carol Kaye

and the girls of the midway joining forces

to bring you song and dance, "Shook Outta Shape."

Hello?

If you're looking for my sister Carmelita, she's not here.

I'm not looking for Carmelita, I was looking for you.

Why?

Have you seen this?

What about it?

She was in your tent last night.

Was she?

I don't remember.

I wouldn't have remembered either,

if it wasn't for the way she looked when she left.

She seemed terrified.

Did she?

Yes.

Funny how things happen.

Here today, gone tomorrow.

Just outta curiosity, what did you predict

the future would have for her?

Nothing, because she wasn't here last night.

If I didn't know you better,

I'd almost say you had something to hide.

Well, I've got to get home.

I've got a date.

And now we give you the girl with the golden voice,

Ms. Carrie Randall.

Jerry, what are you doing here?

I've come for a few answers.

I'm not sure what happened last night

behind these curtains, but I think you know.

Do I?

Feels like I've been having a nightmare.

After this afternoon with Angela

I'm beginning to believe it.

Have you been drinking?

No, no, I haven't been drinking.

Everything's been kind of mixed up,

but after hearing that news broadcast a little while ago,

I'm beginning to think things are little different.

What kind of things?

Look, last night I killed a girl and I think you know why!

Tell me, what happened last night behind those curtains?

Well, if you really must know what happened

behind those curtains, why don't you go behind them?

Think I will!

Come on in, Harold.

I got here as soon as I could.

I had to ride the bus!

My car wouldn't start.

Harold, we've just got to find him and help him.

I still think you should call the police

instead of trying to find him yourself.

But he's my roommate, I know the guy.

I know he's not like that!

Would you please give us a chance?

Don't call the police, okay?

You're right, Mother, but let's wait

a little while, shall we?

Harold, on the phone this afternoon

you told me that he was upset.

Upset about what?

Well, I thought he was upset last night.

I didn't realize he was on the verge of going psycho.

He acted as if he was going out of his mind,

sort of dazed.

If he's in a daze and wandering around the streets,

we've got to get him before the police pick him up.

Do you have any idea where he might've gone?

Do you suppose he could've gone back to that carnival

and that girl Carmelita you told me about?

That sounds like something he'd do.

We've got to get to him before the police pick him up.

Please give us a chance.

All right, Angela, you can go.

As long as Madison goes with you.

But if you're not back in the next two hours,

I'm going to call the police.

Okay then, let's go!

No!

No!

Stella?

Stella?

Welcome, my little pet.

You have done so very well.

This time I think that you ought to get your reward.

Ortega, bring me the acid.

It is too bad that you remembered so much.

Now you have you left me very little choice.

Take him back and put him with the rest of the little pets!

One more!

No, get back!

Ortega!

Ortega!

Back!

Go, get back!

Estrella?

Estrella?

Jerry!

Come back, please come back!

Wait, please Jerry, don't!

Come back, Jerry!

Come back!

Jerry!

He's here.

Don't!

Hey you, come back!

Jerry, please!

- Please! - Jerry!

Jerry, please!

What's the matter with you?

Stop!

Stop, Jerry!

No, no!

No, Jerry, please no!

No, Jerry!

Wait for me, Jerry!

Go back!

Angie, go back!

Go back there!

Go back!

Go away!

Go back!

Go back!

No!

Jerry!