All language subtitles for You Light Up M L(1977)

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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:20,542 --> 00:00:23,327 [audience applauding] 2 00:00:28,245 --> 00:00:30,204 HOW ABOUT THIS KID? ISN'T HE SOMETHIN'? 3 00:00:30,378 --> 00:00:31,727 A 50-YEAR-OLD MIDGET. 4 00:00:31,901 --> 00:00:33,816 [audience laughing] 5 00:00:33,990 --> 00:00:36,514 DON'T APPLAUD TOO LOUD, OR HE'LL START ASKIN' ME FOR FOOD. 6 00:00:36,688 --> 00:00:38,560 [audience laughing] 7 00:00:38,734 --> 00:00:39,865 [Si whispering] HE LOVES YOU. 8 00:00:40,040 --> 00:00:42,259 HE LOVES YOU. HE'D BE SMILING NOW, 9 00:00:42,433 --> 00:00:44,740 BUT LAST WEEK WE WERE A LITTLE SHORT OF CASH, AND I HAD TO SELL HIS TEETH. 10 00:00:44,914 --> 00:00:46,568 [audience laughing] 11 00:00:46,742 --> 00:00:49,092 KID'S SO BRIGHT, HE FINISHED NURSERY SCHOOL IN 2 TERMS, 12 00:00:49,266 --> 00:00:50,267 TRUMAN'S AND EISENHOWER'S. 13 00:00:50,441 --> 00:00:52,356 [audience laughing] 14 00:00:52,530 --> 00:00:55,098 TRUMAN'S AND EISENHOWER'S, HUH? 15 00:00:55,272 --> 00:00:56,752 OH, THE HELL WITH IT. OK. 16 00:00:56,926 --> 00:00:58,188 [whispering] KIDDING ASIDE. 17 00:00:58,362 --> 00:01:00,756 JOKING ASIDE, LADIES AND GENTLEMEN, 18 00:01:00,930 --> 00:01:04,499 I USE MY DUMMY IN MY ACT FOR ONE OVERWHELMING, COMPELLING REASON: 19 00:01:04,673 --> 00:01:06,109 HE WORKS CHEAP. 20 00:01:07,850 --> 00:01:10,461 IT'S ALL RIGHT, HONEY. YOU DID FINE. YOU REALLY DID. 21 00:01:10,635 --> 00:01:12,768 IT'S ALL RIGHT. 22 00:01:12,942 --> 00:01:15,597 WHAT'S THE MATTER, BABY? DID YOU GET NERVOUS OUT THERE TONIGHT? 23 00:01:15,771 --> 00:01:17,338 NO. 24 00:01:17,512 --> 00:01:19,601 YOU DIDN'T SEEM TO BE HAVING A GOOD TIME AT ALL. 25 00:01:19,775 --> 00:01:21,646 DID YOU NOTICE ME OUT THERE TONIGHT? 26 00:01:21,820 --> 00:01:23,561 DID YOU SEE THE WAY I WAS-- THE WAY I WAS REALLY GOIN'? 27 00:01:23,735 --> 00:01:25,128 I MEAN, I WAS REALLY ROLLIN' TONIGHT. 28 00:01:25,302 --> 00:01:26,869 BUT I WAS WATCHING YOU. 29 00:01:27,043 --> 00:01:28,566 YOU SEEMED-- I DON'T KNOW. YOU SEEMED SCARED THERE. 30 00:01:28,740 --> 00:01:29,915 WEREN'T YOU HAVIN' A GOOD TIME? 31 00:01:30,090 --> 00:01:31,787 YEAH. 32 00:01:31,961 --> 00:01:34,137 DON'T YOU WANT TO MAKE THOSE PEOPLE LAUGH? YEAH. 33 00:01:34,311 --> 00:01:36,922 GEE, I'VE TOLD YOU A HUNDRED TIMES, LAURA. I MEAN, YOUR TIMING IS OFF. 34 00:01:37,097 --> 00:01:39,403 YOU JUST-- YOU KNOW THAT JOKE YOU DO ABOUT THE--THE KID-- 35 00:01:39,577 --> 00:01:41,013 THE 10 YEAR OLD KID? 36 00:01:41,188 --> 00:01:42,406 DO THAT, DO THAT FOR ME. 37 00:01:42,580 --> 00:01:44,800 HE'S A BRIGHT KID. HE'S ONLY 10 YEARS OLD, 38 00:01:44,974 --> 00:01:47,281 BUT HE HAS THE BRAIN OF A 30-YEAR-OLD MONKEY. 39 00:01:47,455 --> 00:01:49,848 THAT'S WHAT I MEAN. I TOLD YOU A THOUSAND TIMES, SWEETIE. 40 00:01:50,022 --> 00:01:52,895 YOU DON'T TIME IT RIGHT. YOU CAN'T RUSH THROUGH THOSE LINES. 41 00:01:53,069 --> 00:01:55,245 YOU CAN'T GIVE 'EM LIKE A WHOLE LOAF OF BREAD AT ONE TIME. 42 00:01:55,419 --> 00:01:57,421 YOU GOTTA GIVE 'EM A SLICE AT A TIME, YOU KNOW? 43 00:01:57,595 --> 00:01:59,423 I THOUGHT I HAD IT RIGHT. 44 00:01:59,597 --> 00:02:03,166 LISTEN TO ME. UM, HE'S A BRIGHT KID. WE HAD HIM TESTED. 45 00:02:03,340 --> 00:02:06,561 HE'S ONLY 10 YEARS OLD, BUT HE'S GOT THE BRAIN OF A 30-YEAR-OLD... 46 00:02:06,735 --> 00:02:07,953 MONKEY. 47 00:02:08,128 --> 00:02:09,129 SEE THE DIFFERENCE? YEAH. 48 00:02:09,303 --> 00:02:11,348 TRY IT. TRY IT. 49 00:02:11,522 --> 00:02:13,568 HE'S ONLY 10 YEARS OLD, BUT HE HAS THE BRAIN OF A 30-YEAR-OLD... 50 00:02:13,742 --> 00:02:15,439 MONKEY. 51 00:02:15,613 --> 00:02:17,920 THAT'S IT. THAT'S THE IDEA. SEE HOW EASY IT IS? 52 00:02:18,094 --> 00:02:19,095 YOU GOTTA JUST TAKE IT EASY. 53 00:02:19,269 --> 00:02:21,141 TIMING. TIMING IS EVERYTHING. 54 00:02:21,315 --> 00:02:22,881 I THOUGHT OF A LINE TODAY. 55 00:02:23,055 --> 00:02:25,493 UM, LADIES AND GENTLEMEN, YOU'VE HEARD OF CHOPIN. 56 00:02:25,667 --> 00:02:28,365 WELL, MY DAUGHTER WORKED WITH HIS BROTHER BEDPAN. 57 00:02:28,539 --> 00:02:29,192 HUH? 58 00:02:29,366 --> 00:02:30,715 I DON'T LIKE IT. 59 00:02:30,889 --> 00:02:32,326 KIND OF A FUNNY IDEA, THOUGH, ISN'T IT? 60 00:02:32,500 --> 00:02:34,154 FUNNY SOUND? CHOPIN, BEDPAN? 61 00:02:34,328 --> 00:02:36,417 NO? OK. 62 00:02:37,853 --> 00:02:39,637 WHAT'S THE MATTER, HONEY? YOU'RE SWEATIN'. 63 00:02:39,811 --> 00:02:41,073 WHAT ARE YOU SWEATIN' FOR? 64 00:02:41,248 --> 00:02:42,336 I'M DOIN' ALL THE WORK AND YOU SWEAT? 65 00:02:42,510 --> 00:02:43,641 YOU MAKE ME SWEAT. 66 00:02:43,815 --> 00:02:45,643 I MAKE YOU SWEAT? 67 00:02:45,817 --> 00:02:47,210 HOW DO I MAKE YOU SWEAT? 68 00:02:47,384 --> 00:02:48,820 I DON'T KNOW. 69 00:02:48,994 --> 00:02:51,388 THAT'S RIDICULOUS, LAURIE. YOU'RE RIDICULOUS. 70 00:02:53,695 --> 00:02:55,523 IF YOU WANT ME, I'LL BE INSIDE. 71 00:03:00,876 --> 00:03:02,138 [door closing] 72 00:03:19,460 --> 00:03:23,028 ♪ CALIFORNIA DAYDREAMS ♪ 73 00:03:23,203 --> 00:03:26,467 ♪ YOU CAN HARDLY BEAT 'EM ♪ 74 00:03:29,209 --> 00:03:32,777 ♪ SUN POURS THROUGH THE CITY ♪ 75 00:03:32,951 --> 00:03:36,912 ♪ AND ANOTHER STAR IS BORN TODAY ♪ 76 00:03:38,740 --> 00:03:40,872 ♪ ANYONE WILL TELL YOU ♪ 77 00:03:41,046 --> 00:03:44,093 ♪ IT'S FOR CERTAIN ♪ 78 00:03:44,267 --> 00:03:49,011 ♪ HE'S GONNA MAKE IT, SHE'S GONNA MAKE IT ♪ 79 00:03:49,185 --> 00:03:51,709 ♪ CAN'T YOU JUST SEE ♪ 80 00:03:53,537 --> 00:03:55,409 ♪ CAN'T YOU JUST FEEL IT ♪ 81 00:03:55,583 --> 00:03:58,281 ♪ IN THE AIR? ♪ 82 00:04:00,240 --> 00:04:03,199 ♪ EVERYBODY'S LOOKING ♪ 83 00:04:03,373 --> 00:04:05,375 ♪ LIKE A WINNER ♪ 84 00:04:07,159 --> 00:04:09,379 ♪ MY, MY, YES ♪ 85 00:04:09,553 --> 00:04:13,862 ♪ EVERYBODY'S GONNA GO REAL FAR ♪ 86 00:04:17,909 --> 00:04:23,263 ♪ EVERYBODY'S SHININ' LIKE A HERO ♪ 87 00:04:24,438 --> 00:04:26,701 ♪ MY, MY, YES ♪ 88 00:04:26,875 --> 00:04:31,532 ♪ EVERYBODY'S GONNA BE A STAR ♪♪♪ 89 00:04:33,447 --> 00:04:34,404 [buzzer beeping] 90 00:04:34,578 --> 00:04:37,929 LAURIE ROBINSON. CONWAY AGENCY. 91 00:04:38,103 --> 00:04:40,454 "FENWICK HENS ARE HAPPY HENS. 92 00:04:40,628 --> 00:04:43,370 "THAT'S THE REASON FENWICK FARMS HAS MAINTAINED 93 00:04:43,544 --> 00:04:46,503 "ITS HIGH QUALITY OF EGGS DAY AFTER DAY, 94 00:04:46,677 --> 00:04:49,419 "WEEK AFTER WEEK, MONTH AFTER MONTH. 95 00:04:49,593 --> 00:04:52,248 "FINER EGGS FOR FLUFFIER OMELETS. 96 00:04:52,422 --> 00:04:54,816 WE SEND OUR HENS HIGH INTO THE HILLS." 97 00:04:54,990 --> 00:04:58,036 CUT. TOO MUCH EMOTION. 98 00:04:58,210 --> 00:05:00,909 OH, UH, JIM, EXCUSE ME. IT JUST STARTED. GIVE ME A CHANCE. 99 00:05:01,083 --> 00:05:02,302 OK. 100 00:05:02,476 --> 00:05:03,781 NO. IF I CAN WORK WITH HER, I'LL GET IT. 101 00:05:03,955 --> 00:05:05,957 WELL, UNLESS IT'S JUST REALLY ALL WRONG, 102 00:05:06,131 --> 00:05:08,960 UM, MAYBE I CAN HELP IF I CAN JUST GIVE YOU A SUGGESTION. 103 00:05:09,134 --> 00:05:12,747 SEE, I THINK THE PROBLEM IS THAT--THAT YOU SEE IT AS THE END PRODUCT. 104 00:05:12,921 --> 00:05:15,358 I THINK THAT YOU SEE IT AS THE OMELET. 105 00:05:15,532 --> 00:05:16,794 I SEE IT AS THE EGG. 106 00:05:16,968 --> 00:05:18,579 HE'S RIGHT. IT'S THE EGG. 107 00:05:21,538 --> 00:05:23,279 WELL, I-I-I'M SORRY. 108 00:05:23,453 --> 00:05:25,934 I--I DON'T KNOW WHAT THE HELL YOU GUYS ARE TALKING ABOUT. 109 00:05:26,108 --> 00:05:27,675 UM, UH, LOOK. WHAT-- 110 00:05:27,849 --> 00:05:29,503 [man] I'M TALKING ABOUT EGGS. 111 00:05:29,677 --> 00:05:30,504 [Laurie] WHAT? 112 00:05:30,678 --> 00:05:31,722 I'M TALKING ABOUT EGGS. 113 00:05:31,896 --> 00:05:33,463 LOOK, UM... 114 00:05:34,595 --> 00:05:36,031 YOU MEAN TO TELL ME 115 00:05:36,205 --> 00:05:39,643 THAT I--I WANT TO HELP THESE PEOPLE? 116 00:05:39,817 --> 00:05:42,864 NO. NO, YOU WANT TO HELP THEIR OMELETS. 117 00:05:43,038 --> 00:05:44,866 OH, I WANT TO HELP THEIR OMELETS. 118 00:05:45,040 --> 00:05:46,998 RIGHT. OK? 119 00:05:47,172 --> 00:05:50,393 TRY IT. TRY IT. JUST GO ON. YOU DON'T HAVE TO GO BACK. 120 00:05:50,567 --> 00:05:53,527 OK. UM, OK. 121 00:05:53,701 --> 00:05:55,355 "THIS IS A FENWICK EGG--" 122 00:05:55,529 --> 00:05:56,747 [woman] CUT. 123 00:05:56,921 --> 00:05:58,923 WAIT. YOU DIDN'T GIVE HIM A SLATE. 124 00:06:00,969 --> 00:06:02,449 I GAVE IT TO HIM BEFORE. 125 00:06:03,319 --> 00:06:04,451 BETTER GIVE HIM ANOTHER. 126 00:06:07,018 --> 00:06:09,630 LAURIE ROBINSON. CONWAY AGENCY. 127 00:06:09,804 --> 00:06:11,458 CONTINUING TAKE ONE. 128 00:06:11,632 --> 00:06:13,416 "THIS IS A FENWICK EGG. 129 00:06:13,590 --> 00:06:15,331 "THIS IS A REGULAR EGG. 130 00:06:15,505 --> 00:06:17,202 "N-NOTICE THE DIFFERENCE. 131 00:06:17,377 --> 00:06:19,814 "AFTER YOU'VE TRIED A FENWICK EGG, YOU'LL SAY: 132 00:06:19,988 --> 00:06:23,165 'NO WONDER YOU'RE HAVING TROUBLE MAKING FLUFFY OMELETS.'" 133 00:06:23,339 --> 00:06:26,386 CUT. NO. ALMOST, HONEY, BUT, UM... 134 00:06:26,560 --> 00:06:29,258 [man] UH, JIM, IF I COULD INTERRUPT FOR JUST A MOMENT. 135 00:06:29,432 --> 00:06:32,957 UM, LAURIE, TH-TH-THE ENTIRE CAMPAIGN 136 00:06:33,131 --> 00:06:36,744 IS--IS BASED ON THE FACT THAT FENWICK HENS ARE HAPPY HENS. 137 00:06:36,918 --> 00:06:39,790 AND HAPPY HENS LAY BIGGER EGGS. 138 00:06:39,964 --> 00:06:42,576 AND BIGGER EGGS MAKE FLUFFIER OMELETS. 139 00:06:43,533 --> 00:06:45,187 YOU KNOW, IT'S, UM, 140 00:06:45,361 --> 00:06:48,146 IT'S NOT REALLY THE EGG THAT MAKES THE OMELET FLUFFY. 141 00:06:48,320 --> 00:06:49,670 IT'S THE MILK. 142 00:06:49,844 --> 00:06:51,106 WHAT? 143 00:06:51,280 --> 00:06:53,325 IT'S THE MILK. 144 00:06:58,548 --> 00:07:00,202 UH, I THINK WE'VE SEEN ENOUGH. 145 00:07:00,376 --> 00:07:02,073 THANK YOU. VERY NICE READING. THANK YOU FOR COMING IN. 146 00:07:02,247 --> 00:07:05,947 ♪ CALIFORNIA DAYDREAMS ♪ 147 00:07:06,121 --> 00:07:08,602 ♪ EVERYBODY HAS ONE ♪ 148 00:07:11,822 --> 00:07:14,477 ♪ ANYTIME TOMORROW ♪ 149 00:07:15,565 --> 00:07:17,088 ♪ THE PHONE WILL RING ♪ 150 00:07:17,262 --> 00:07:20,831 ♪ AND YOU'LL BE ON YOUR WAY ♪ 151 00:07:21,832 --> 00:07:24,400 ♪ THEY'LL CALL IN OHIO ♪ 152 00:07:24,574 --> 00:07:26,968 ♪ THEY WON'T BELIEVE YOU ♪ 153 00:07:27,142 --> 00:07:32,321 ♪ BUT YOU'RE GONNA MAKE IT, YOU'RE GONNA MAKE IT ♪ 154 00:07:32,495 --> 00:07:35,455 ♪ CAN'T THEY JUST FEEL IT IN THE AIR ♪ 155 00:07:35,629 --> 00:07:37,631 [phone ringing] 156 00:07:39,067 --> 00:07:42,157 ♪ EVERYBODY'S LOOKING LIKE A WINNER ♪ 157 00:07:42,331 --> 00:07:44,551 [phone continues ringing] 158 00:07:45,943 --> 00:07:47,510 HI, I'M LAURIE ROBINSON. 159 00:07:47,684 --> 00:07:49,033 CAN YOU WAIT JUST A MINUTE, PLEASE? 160 00:07:49,207 --> 00:07:53,342 ♪ EVERYBODY'S GONNA GO REAL FAR ♪ 161 00:07:53,516 --> 00:07:54,735 HI. 162 00:07:56,693 --> 00:07:59,522 ♪ EVERYBODY'S SHINING ♪ 163 00:07:59,696 --> 00:08:02,307 ♪ LIKE A HERO ♪ 164 00:08:03,613 --> 00:08:05,528 ♪ MY, MY, YES ♪ 165 00:08:05,702 --> 00:08:10,098 ♪ EVERYBODY'S GONNA BE A STAR ♪♪♪ 166 00:08:10,272 --> 00:08:11,316 HI. WHAT'S WRONG WITH YOU? 167 00:08:11,491 --> 00:08:13,623 ARE YOU UP FOR THIS? YEAH. 168 00:08:13,797 --> 00:08:15,495 OH, GOD. IT IS THE CIRCUS. 169 00:08:15,669 --> 00:08:16,670 THAT BAD? 170 00:08:16,844 --> 00:08:19,020 OH, MY KNEES. [exclaims] 171 00:08:19,194 --> 00:08:21,718 LISTEN. IT CAN'T BE ANY WORSE THAN THE ZOO I JUST CAME FROM. 172 00:08:21,892 --> 00:08:23,024 OH. 173 00:08:23,198 --> 00:08:24,939 WELL, WAIT FOR ME, OK? I GOTTA SIGN IN. 174 00:08:25,113 --> 00:08:26,984 OH, I CAN'T. I HAVE A CALLBACK AT WAINFORD. 175 00:08:27,158 --> 00:08:29,596 FENWICK FARMS? YEAH. 176 00:08:29,770 --> 00:08:30,945 THAT'S THE ZOO. 177 00:08:31,119 --> 00:08:32,729 OH, NO. 178 00:08:32,903 --> 00:08:36,472 OH, LISTEN. IF THE DIRECTOR OFFERS YOU HIS WATCH, 179 00:08:36,646 --> 00:08:38,300 YEAH. ...KEEP IT. 180 00:08:38,474 --> 00:08:39,388 WHAT? 181 00:08:39,562 --> 00:08:40,824 [typewriter clicking] 182 00:08:40,998 --> 00:08:42,130 [phone ringing] 183 00:08:42,304 --> 00:08:45,350 IT'S AS IF I GIVE YOU THIS WATCH, 184 00:08:45,525 --> 00:08:49,964 AND I SAY TO YOU, "THANK YOU. THANK YOU, ANNIE GERRARD, 185 00:08:50,138 --> 00:08:52,706 FOR TELLING ME ABOUT FENWICK FARMS." 186 00:08:52,880 --> 00:08:54,142 WELL, THANK YOU. 187 00:08:54,316 --> 00:08:56,492 EXCUSE ME. MAY I HELP YOU? 188 00:08:56,666 --> 00:08:58,625 OH, YEAH. UM, 189 00:08:58,799 --> 00:09:00,757 UH, YES. I AM LAURIE ROBINSON, 190 00:09:00,931 --> 00:09:02,629 AND I'M HERE TO SEE ED McMORGAN. 191 00:09:02,803 --> 00:09:05,109 OK. IT'S GONNA BE A FEW MINUTES. WHY DON'T YOU HAVE A SEAT? 192 00:09:05,283 --> 00:09:06,894 OK. WANT ME TO WALK YOU OUT? 193 00:09:07,068 --> 00:09:08,069 YEAH. OK. 194 00:09:08,243 --> 00:09:10,114 [phone ringing] 195 00:09:10,288 --> 00:09:12,682 SO HOW DID THE SHOW GO? 196 00:09:12,856 --> 00:09:14,118 IT SUCKED. 197 00:09:14,292 --> 00:09:15,729 OH, THAT BAD? 198 00:09:15,903 --> 00:09:17,339 YEAH. 199 00:09:17,513 --> 00:09:20,647 ANNIE. I THINK THEY'RE GONNA GIVE ME THE AXE. 200 00:09:20,821 --> 00:09:21,778 YOU'RE KIDDING. 201 00:09:21,952 --> 00:09:23,214 NO. 202 00:09:23,388 --> 00:09:26,435 WELL, MAYBE IT'LL BE A BLESSING IN DISGUISE. 203 00:09:26,609 --> 00:09:28,785 WHAT ARE YOU TALKING ABOUT? I SAW IT LAST WEEK. 204 00:09:28,959 --> 00:09:30,091 IT MADE ME LAUGH. 205 00:09:30,265 --> 00:09:34,008 YOU AND MY FATHER WERE THE ONLY ONES. 206 00:09:34,182 --> 00:09:37,446 UH, THEY HAD TO GET CANNED LAUGHTER FOR THE CHILDREN. 207 00:09:38,142 --> 00:09:39,013 OH, REALLY? 208 00:09:39,187 --> 00:09:41,058 YEAH. 209 00:09:41,232 --> 00:09:43,365 I DON'T KNOW. MAYBE I'M JUST NOT FUNNY. [elevator bell dings] 210 00:09:43,539 --> 00:09:45,976 NO, STOP IT. YOU'RE A GENIUS. 211 00:09:46,150 --> 00:09:48,326 DO ME A FAVOR. TELL THAT TO THE FENWICK FARMS DIRECTOR. 212 00:09:48,500 --> 00:09:49,371 [chuckles] 213 00:09:49,545 --> 00:09:50,764 ♪ HEY ♪ 214 00:09:50,938 --> 00:09:52,504 ♪♪♪[harmonizing] 215 00:09:52,679 --> 00:09:56,465 ♪ DO YOU KNOW SOME GOOD BACKGROUND SINGERS ♪ 216 00:09:56,639 --> 00:10:00,295 ♪ YOU BETTER FIND SOME REALLY GOOD ♪ 217 00:10:00,469 --> 00:10:03,037 ♪ BACKGROUND SINGERS ♪ 218 00:10:03,211 --> 00:10:06,257 ♪ TO SING IN A GROOVE IN ANY KEY ♪ 219 00:10:06,431 --> 00:10:09,347 ♪ IN 2, 3, 4-PART HARMONY ♪ 220 00:10:10,566 --> 00:10:12,829 ♪ OOH ♪ 221 00:10:13,003 --> 00:10:16,093 ♪ NOW YOU'RE READY TO RECORD A SONG ♪ 222 00:10:16,267 --> 00:10:18,574 ♪ ABOUT LOVE ♪ 223 00:10:18,748 --> 00:10:21,272 [all] ♪ YOU CAN TURN THE WORLD ON ♪ 224 00:10:22,534 --> 00:10:24,362 ♪ WITH YOUR MUSIC ♪ 225 00:10:25,407 --> 00:10:28,018 ♪ YOU CAN TURN THE WORLD ON ♪ 226 00:10:29,193 --> 00:10:31,108 ♪ WITH YOUR SONG ♪ 227 00:10:32,153 --> 00:10:34,634 ♪ YOU CAN SAY YOUR OWN THING ♪ 228 00:10:35,983 --> 00:10:38,507 ♪ IN YOUR OWN WAY ♪ 229 00:10:38,681 --> 00:10:41,162 ♪ YOU'LL BE ON THE RADIO ♪ 230 00:10:42,076 --> 00:10:44,121 ♪ BEFORE LONG ♪ 231 00:10:46,863 --> 00:10:48,212 ♪ HEY ♪ 232 00:10:49,126 --> 00:10:51,868 ♪ DO YOU HAVE A PIANO? ♪ 233 00:10:53,696 --> 00:10:55,611 ♪ HEY ♪ 234 00:10:55,785 --> 00:10:58,570 ♪ DO YOU HAVE A PIANO? ♪ 235 00:10:59,659 --> 00:11:01,269 ♪ I SAID, HEY ♪ 236 00:11:02,270 --> 00:11:05,142 ♪ DO YOU HAVE A PIANO? ♪ 237 00:11:06,927 --> 00:11:10,147 ♪ THEN YOU CAN WRITE YOURSELF ♪ 238 00:11:10,321 --> 00:11:15,196 ♪ A SONG ABOUT LOVE ♪♪♪ 239 00:11:26,294 --> 00:11:28,688 IT SOUNDED GOOD IN THE PHONES. HOW DID IT FEEL? 240 00:11:30,254 --> 00:11:31,081 IT FELT GOOD. 241 00:11:31,255 --> 00:11:32,126 [man] I NEED MORE DRUMS. 242 00:11:32,300 --> 00:11:33,475 THAT'S A GOOD SONG. 243 00:11:33,649 --> 00:11:34,955 THANKS, CASEY. 244 00:11:35,129 --> 00:11:36,739 [Casey] THESE GUYS HAD A GOOD GROOVE GOIN'. 245 00:11:36,913 --> 00:11:39,220 YEAH. YOU GUYS WERE DYNAMITE. 246 00:11:39,394 --> 00:11:40,874 YOU GUYS WEREN'T TOO BAD YOURSELVES. 247 00:11:41,048 --> 00:11:42,919 [man] YOU THINK WE SHOULD DO IT PROFESSIONALLY? 248 00:11:43,093 --> 00:11:43,920 NO. 249 00:11:44,094 --> 00:11:45,182 [laughing] 250 00:11:45,356 --> 00:11:47,576 COME ON. LET'S GO LISTEN TO IT BACK. 251 00:11:47,750 --> 00:11:48,882 ♪♪♪[piano playing] 252 00:11:49,056 --> 00:11:50,492 [Casey] WHAT TIME IS THE TAPING? 253 00:11:50,666 --> 00:11:52,581 RIGHT AFTER THIS. 254 00:11:52,755 --> 00:11:54,235 OH, IT'S GONNA BE A DISASTER. 255 00:11:54,409 --> 00:11:56,672 WELL, WHY DON'T YOU TELL SI YOU DON'T WANT TO DO IT? 256 00:11:56,846 --> 00:11:59,719 I CAN'T, ANNIE. I MEAN, HE DOESN'T HEAR ME. 257 00:11:59,893 --> 00:12:01,721 I TELL HIM OVER AND OVER AGAIN 258 00:12:01,895 --> 00:12:03,461 I'M NOT A COMEDIAN. 259 00:12:03,635 --> 00:12:05,942 I WANT TO-- I WANT TO SING MY SONGS. I WANT TO ACT. 260 00:12:06,116 --> 00:12:07,378 I WANT TO RECORD. 261 00:12:07,552 --> 00:12:09,337 [bell ringing]LISTEN, YOU DON'T HAVE 262 00:12:09,511 --> 00:12:11,295 TO CONVINCE ME. I'M ON YOUR SIDE. 263 00:12:11,469 --> 00:12:13,123 MAYBE THE KIDS WILL LAUGH THIS TIME. 264 00:12:13,297 --> 00:12:14,777 YEAH, MAYBE. COME ON. 265 00:12:14,951 --> 00:12:15,909 [tape rewinding] 266 00:12:16,083 --> 00:12:17,737 LAURIE, THERE'S A CALL FOR YOU. 267 00:12:17,911 --> 00:12:20,740 OH, OK. HOLD THIS FOR ME? HERE? 268 00:12:22,263 --> 00:12:23,264 HELLO? 269 00:12:24,134 --> 00:12:25,440 OH, HI. 270 00:12:25,614 --> 00:12:27,181 WHAT? 271 00:12:27,355 --> 00:12:30,010 OH. OH, OK, WAIT. HOLD ON A SECOND. 272 00:12:30,184 --> 00:12:32,316 IT'S SI. CAN I HAVE A PENCIL, PLEASE, MATT? 273 00:12:32,490 --> 00:12:33,622 THANKS. 274 00:12:34,318 --> 00:12:35,276 YEAH. SHOOT. 275 00:12:36,973 --> 00:12:37,887 UH-HUH. 276 00:12:38,061 --> 00:12:39,454 [boy] SHARE A CAB WITH YOU? 277 00:12:39,628 --> 00:12:40,934 [girl] OK. 278 00:12:41,978 --> 00:12:43,632 SI, 279 00:12:43,806 --> 00:12:46,809 I DIDN'T KNOW THAT PABULUM HAS VALIUM IN IT THESE DAYS? 280 00:12:48,942 --> 00:12:51,858 SI, THE KIDS ARE TOO YOUNG TO KNOW WHAT VALIUM IS. 281 00:12:52,032 --> 00:12:54,904 YEAH, I--I--I KNOW. I KNOW. I KNOW IT'S A PUT-DOWN 282 00:12:55,078 --> 00:12:57,037 IN CASE THEY DON'T LAUGH, YEAH. 283 00:12:59,039 --> 00:13:01,215 OK. OK, I'LL TRY IT. 284 00:13:01,389 --> 00:13:03,826 I-I'LL BE THERE IN A FEW MINUTES. I'M JUST FINISHING UP A SESSION HERE. 285 00:13:04,000 --> 00:13:06,220 OK, BYE. 286 00:13:06,394 --> 00:13:08,004 [Casey] ANOTHER JOKE? 287 00:13:08,178 --> 00:13:10,267 OH, NO. UH, IT'S A PUT-DOWN IN CASE THEY DON'T WORK. 288 00:13:10,441 --> 00:13:12,182 JUST FORGET ABOUT IT, YOU KNOW? 289 00:13:12,356 --> 00:13:13,444 THINGS COULD BE WORSE. 290 00:13:13,618 --> 00:13:15,925 OH, YEAH? YOU GO FACE THOSE KIDS. 291 00:13:16,099 --> 00:13:17,579 NOT ME. 292 00:13:17,753 --> 00:13:19,537 CAN WE HEAR THAT BACK, PLEASE, MATT? 293 00:13:19,711 --> 00:13:20,974 [children chattering] 294 00:13:21,148 --> 00:13:23,106 [man] OK, SCOOT OVER TO YOUR LEFT. 295 00:13:25,456 --> 00:13:27,676 HOLY TOLEDO! I DISCOVERED WAX! 296 00:13:27,850 --> 00:13:29,809 [girl] STOP IT. 297 00:13:29,983 --> 00:13:33,160 YOU KNOW, YOU GOT ENOUGH IN THERE TO RECORD OKLAHOMA. 298 00:13:33,334 --> 00:13:35,640 HEY, I'M A HIT. HUH. 299 00:13:35,815 --> 00:13:37,381 YOU KNOW, HE'S A VERY SMART KID. 300 00:13:37,555 --> 00:13:39,166 UM, WE HAD HIM TESTED. 301 00:13:39,340 --> 00:13:40,689 HE'S ONLY 10 YEARS OLD, 302 00:13:40,863 --> 00:13:42,909 AND HE HAS THE BRAIN OF A 30-YEAR-OLD... 303 00:13:43,083 --> 00:13:43,910 MONKEY. 304 00:13:44,084 --> 00:13:45,607 [girl] I WANNA SIT THERE. 305 00:13:45,781 --> 00:13:47,827 [whispering] I DIDN'T KNOW PABULUM HAS VALIUM IN IT. 306 00:13:51,265 --> 00:13:53,528 HEY, YOU KIDS ARE WRECKIN' MY CAREER. 307 00:13:53,702 --> 00:13:55,791 DIDN'T KNOW THAT PABULUM HAD VALIUM IN IT THESE DAYS. 308 00:13:55,965 --> 00:13:57,401 [child] STOP IT. 309 00:13:58,228 --> 00:13:59,534 [children chattering] 310 00:14:03,538 --> 00:14:05,714 OH. UH, ALL RIGHT. 311 00:14:05,888 --> 00:14:08,978 WELL, ANYWAY, MY AGENT TOLD ME THAT THIS DUMMY ACT WAS A REAL SLEEPER. 312 00:14:09,152 --> 00:14:10,371 [laughing] 313 00:14:10,545 --> 00:14:12,068 EVERYONE WHO SEES IT GOES TO SLEEP. 314 00:14:13,504 --> 00:14:14,679 [sighing] 315 00:14:14,854 --> 00:14:16,420 THAT'S IT, FOLKS. 316 00:14:16,594 --> 00:14:18,553 SWEETIE, IT WAS TERRIFIC, 317 00:14:18,727 --> 00:14:21,121 BUT YOU MISSED IT BY JUST THAT MUCH. 318 00:14:21,295 --> 00:14:23,819 WOULD YOU BELIEVE THAT MUCH? 319 00:14:23,993 --> 00:14:26,082 LISTEN, POP. I THINK IT'S A BIG MISTAKE. 320 00:14:26,256 --> 00:14:27,823 WHY, YOU'RE DOING GREAT. 321 00:14:27,997 --> 00:14:29,564 NO. I THINK THE KIDS ARE TOO YOUNG FOR MY MATERIAL. 322 00:14:29,738 --> 00:14:31,566 AW. THEY'RE GETTING YOUNGER ON ME. 323 00:14:31,740 --> 00:14:33,568 HEY, TOM. TERRIFIC, HUH? 324 00:14:33,742 --> 00:14:34,917 WELL, IT NEEDS WORK. 325 00:14:35,091 --> 00:14:36,658 YEAH, WELL, WE'RE WORKIN' ON IT. 326 00:14:36,832 --> 00:14:38,442 WE'LL GET IT. WE'LL GET IT. 327 00:14:38,616 --> 00:14:41,010 I HOPE SO. SURE. 328 00:14:41,184 --> 00:14:43,404 SEE? SEE THERE? HE LOVES THE ACT. 329 00:14:43,578 --> 00:14:45,580 HE THINKS YOU'RE GREAT. 330 00:14:45,754 --> 00:14:46,798 HE'S JUST A FRIEND OF YOURS. 331 00:14:46,973 --> 00:14:48,713 THAT'S GOT NOTHING TO DO WITH IT. 332 00:14:48,888 --> 00:14:51,803 LOOK, POP. I APPRECIATE YOUR RECOMMENDING ME TO TOM. 333 00:14:51,978 --> 00:14:54,241 I--I JUST DON'T LIKE REPLACING SOMEBODY TO BEGIN WITH. 334 00:14:54,415 --> 00:14:57,331 AH. AND CAROLINE WAS VERY FUNNY. 335 00:14:57,505 --> 00:14:58,723 I DON'T SEEM TO BE DOING TOO WELL. 336 00:14:58,898 --> 00:15:00,725 YOU ARE DOING TERRIFIC. 337 00:15:00,900 --> 00:15:03,293 WHEN CAROLINE DROPPED OUT OF THE SHOW, IT WAS A BIG BREAK FOR YOU. 338 00:15:03,467 --> 00:15:06,427 BUT, I MEAN, YOU GOTTA WORK ON YOUR TIMING, 'CAUSE TIMING IS EVERYTHING. 339 00:15:06,601 --> 00:15:08,342 [man] KILL THE KLIEGS AND THAT'LL BE A WRAP. 340 00:15:08,516 --> 00:15:10,344 ALL RIGHT, POP. LOOK, LET ME, UH, GO. 341 00:15:10,518 --> 00:15:12,346 I GOT ANOTHER SESSION THIS AFTERNOON. 342 00:15:12,520 --> 00:15:13,347 THANKS. 343 00:15:13,521 --> 00:15:14,783 OK. 344 00:15:16,132 --> 00:15:17,568 TIMING, HONEY. 345 00:15:19,048 --> 00:15:24,140 ♪ EVERYBODY'S SHININ' LIKE A HERO ♪ 346 00:15:26,055 --> 00:15:28,231 ♪ MY, MY, YES ♪ 347 00:15:28,405 --> 00:15:32,932 ♪ EVERYBODY'S GONNA BE A STAR ♪ 348 00:15:36,979 --> 00:15:39,677 ♪ EVERYBODY'S SHINING ♪ 349 00:15:39,851 --> 00:15:42,637 ♪ LIKE THE WINNER ♪ 350 00:15:45,205 --> 00:15:48,512 ♪ EVERYBODY'S GONNA GO ♪ 351 00:15:48,686 --> 00:15:50,950 ♪ REAL FAR ♪♪♪ 352 00:15:52,255 --> 00:15:53,996 NOW LET ME ASK YOU ONE THING. 353 00:15:54,170 --> 00:15:55,780 WHAT? 354 00:15:55,955 --> 00:15:57,608 HOW DID YOU SAY THAT LINE? 355 00:15:57,782 --> 00:16:01,482 YOU KNOW, THE ONE THAT, UM, CAME AT THE END. 356 00:16:01,656 --> 00:16:05,486 "NO WONDER YOU'RE HAVING TROUBLE MAKING FLUFFIER OMELETS." 357 00:16:06,269 --> 00:16:07,967 I SAID IT LIKE, 358 00:16:08,141 --> 00:16:10,839 "NO WONDER YOU'RE HAVING TROUBLE MAKING FLUFFIER OMELETS." 359 00:16:12,188 --> 00:16:13,537 YOU SAID IT LIKE THAT? 360 00:16:13,711 --> 00:16:15,452 YEAH, EXACTLY LIKE THAT. 361 00:16:15,626 --> 00:16:17,802 WHY DO I LISTEN TO THOSE SCHMUCKS? 362 00:16:17,977 --> 00:16:20,544 OH, HEY, I NEVER DO. I NEVER LISTEN TO ANY OF 'EM. 363 00:16:20,718 --> 00:16:22,633 I JUST DO IT THE WAY I WANNA DO IT. 364 00:16:22,807 --> 00:16:25,158 SOONER OR LATER, THEY THINK I'M DOIN' IT THEIR WAY. 365 00:16:26,594 --> 00:16:27,464 OH, MAN. 366 00:16:27,638 --> 00:16:29,205 [people laughing] 367 00:16:30,685 --> 00:16:32,904 [people chattering] 368 00:16:33,079 --> 00:16:34,819 ♪♪♪[music playing] 369 00:16:37,648 --> 00:16:39,563 [pay phone dinging] 370 00:16:43,524 --> 00:16:46,614 MARK, I DON'T MIND IT, BUT IT SEEMS TO ME LIKE WE'RE STUCK. 371 00:16:48,398 --> 00:16:51,097 [man] YOU LOOK MORE LIKE A STEWARDESS THAN A SECRETARY. 372 00:16:56,450 --> 00:16:58,365 CHANGE FOR A QUARTER, PLEASE? 373 00:16:59,540 --> 00:17:02,325 I'LL SEE YOU TOMORROW. YOU, TOO. THANKS. 374 00:17:03,848 --> 00:17:05,024 IT'S ALL YOURS. 375 00:17:06,895 --> 00:17:09,985 LISTEN. EXCUSE ME. I GOTTA MAKE ONE FAST, VERY URGENT CALL. 376 00:17:10,159 --> 00:17:11,247 YOU DON'T MIND, DO YOU? 377 00:17:11,421 --> 00:17:13,032 WELL, I DID HAVE TO MAKE A CALL. 378 00:17:13,206 --> 00:17:15,425 [coins clinking] 379 00:17:15,599 --> 00:17:18,037 OH, WAIT, WAIT, WAIT. REALLY. IT'S JUST GONNA TAKE A MINUTE. 380 00:17:18,211 --> 00:17:20,430 YEAH, BUT MY DINNER'S GETTING COLD. 381 00:17:20,604 --> 00:17:23,303 IT'S A VERY IMPORTANT CALL, AND YOU'RE A VERY IMPORTANT PART OF THIS CALL. 382 00:17:23,477 --> 00:17:25,087 OPERATOR. 383 00:17:25,261 --> 00:17:27,220 I WANNA PLACE A PERSON-TO-PERSON COLLECT CALL 384 00:17:27,394 --> 00:17:29,439 TO A MR. JEROME BENNETTE IN NEW YORK CITY. 385 00:17:29,613 --> 00:17:33,748 AREA CODE 212-759-8720. 386 00:17:33,922 --> 00:17:36,229 AND MY NAME IS CRIS NOLAN. 387 00:17:36,403 --> 00:17:38,144 AND WHAT'S YOUR NAME? 388 00:17:38,318 --> 00:17:39,145 LAURIE. 389 00:17:39,319 --> 00:17:41,103 AND LAURIE. 390 00:17:41,277 --> 00:17:43,540 [man] BAGELS AND LOX. 391 00:17:43,714 --> 00:17:45,934 LOOK. I HAVEN'T EATEN ALL DAY, OK? 392 00:17:46,108 --> 00:17:47,501 AND--AND I'M REALLY VERY HUNGRY. 393 00:17:47,675 --> 00:17:49,590 WE'RE WAITIN' ON DESTINY. 394 00:17:49,764 --> 00:17:50,939 OH, DESTINY. 395 00:17:51,113 --> 00:17:52,636 YEAH, YEAH. HE ACCEPTS IT. JERRY. 396 00:17:52,810 --> 00:17:54,421 HOW MUCH? 397 00:17:54,595 --> 00:17:56,858 I'M REALLY HUNGRY. MY MOZZARELLA'S GETTING COLD. 398 00:17:57,032 --> 00:17:58,903 I'LL COME BACK LATER AND SEE HOW IT ALL PANS OUT. 399 00:17:59,078 --> 00:18:02,603 TAKE IT. YES, YES, TAKE IT FOR... 400 00:18:02,777 --> 00:18:06,215 IN FACT, CALL MARK AND--AND TELL HIM THAT I TALKED TO YOU. 401 00:18:06,389 --> 00:18:08,043 HOW SOON DO WE GET A DEPOSIT? 402 00:18:09,131 --> 00:18:10,698 48 HOURS. THAT'S TERRIFIC. 403 00:18:11,655 --> 00:18:12,613 GREAT. 404 00:18:12,787 --> 00:18:14,310 LAURIE THINKS IT'S TERRIFIC. 405 00:18:14,484 --> 00:18:16,051 NEVER MIND. THANK YOU, JERRY. 406 00:18:16,225 --> 00:18:17,226 YOU MADE ME A VERY HAPPY MAN, 407 00:18:17,400 --> 00:18:19,707 AND LAURIE A VERY HAPPY WOMAN. 408 00:18:19,881 --> 00:18:22,405 ALL RIGHT. THANK YOU. GOOD NIGHT. 409 00:18:24,103 --> 00:18:25,060 THAT'S IT. 410 00:18:25,234 --> 00:18:26,366 GOOD. THANKS. 411 00:18:26,540 --> 00:18:27,802 CONGRATULATE ME. 412 00:18:27,976 --> 00:18:29,543 CONGRATULATIONS. CONGRATULATIONS. 413 00:18:29,717 --> 00:18:31,675 ♪ DANCE, DANCE ♪ 414 00:18:31,849 --> 00:18:33,851 ♪ DANCE, DANCE TO THE ROCK 'N' ROLL MUSIC ♪ 415 00:18:34,025 --> 00:18:36,376 THAT WAS A TERRIFIC KISS. 416 00:18:36,550 --> 00:18:38,073 THAT WAS A TERRIFIC KISS. 417 00:18:38,247 --> 00:18:39,553 CAN I BUY YOU A DRINK? 418 00:18:39,727 --> 00:18:40,945 [sighing] 419 00:18:41,120 --> 00:18:43,818 I--I HAVE A--A PHONE CALL TO MAKE. 420 00:18:44,471 --> 00:18:47,387 I'LL WAIT. 421 00:18:47,561 --> 00:18:51,652 A-AND I HAVE FRIENDS AND--AND DINNER WAITING OVER THERE. 422 00:18:51,826 --> 00:18:53,958 GOOD. NOW YOU GOT ME WAITIN' FOR YOU. 423 00:19:09,539 --> 00:19:10,671 HELLO? 424 00:19:12,238 --> 00:19:14,283 YES, THIS IS LAURIE. ANY MESSAGES? 425 00:19:15,110 --> 00:19:16,416 ♪ DANCE, DANCE ♪ 426 00:19:16,590 --> 00:19:18,331 OK. 427 00:19:18,505 --> 00:19:19,723 ♪ DANCE, DANCE TO THE ROCK 'N' ROLL MUSIC ♪ 428 00:19:19,897 --> 00:19:20,898 THANKS. 429 00:19:22,161 --> 00:19:23,466 ANY CALLS? 430 00:19:23,640 --> 00:19:24,902 NO. 431 00:19:25,076 --> 00:19:27,601 GOOD. I DON'T REALLY WANT TO BUY YOU A DRINK. 432 00:19:27,775 --> 00:19:28,906 OH, OK. 433 00:19:29,080 --> 00:19:30,299 WHAT I REALLY WANT 434 00:19:30,473 --> 00:19:32,258 IS FOR YOU TO COME HOME WITH ME. 435 00:19:39,526 --> 00:19:41,658 OH. UM... 436 00:19:41,832 --> 00:19:44,008 I CAN'T, REALLY. 437 00:19:44,183 --> 00:19:46,794 I HAVE FRIENDS WAITIN' FOR ME. 438 00:19:46,968 --> 00:19:47,882 LAURIE. 439 00:19:54,584 --> 00:19:56,369 I'M GONNA SIT THERE ON THE BAR STOOL, 440 00:19:57,239 --> 00:19:58,675 AND I'M GONNA WAIT. 441 00:19:58,849 --> 00:20:01,461 I'M GONNA WAIT FOREVER TILL YOU COME BACK. 442 00:20:01,635 --> 00:20:04,377 ♪ DANCE, DANCE TO THE ROCK 'N' ROLL MUSIC ♪ 443 00:20:04,551 --> 00:20:06,379 NO, I--I CAN'T. REALLY. 444 00:20:06,553 --> 00:20:08,294 YES, YOU CAN. 445 00:20:08,468 --> 00:20:11,340 ♪ DANCE, DANCE TO THE ROCK 'N' ROLL MUSIC ♪ 446 00:20:11,514 --> 00:20:13,386 I--I CAN'T. 447 00:20:13,560 --> 00:20:15,083 YES, YOU CAN. 448 00:20:54,862 --> 00:20:56,646 YOU KNOW, YOU'RE VERY PRETTY. 449 00:20:59,475 --> 00:21:00,955 I'M NOT, REALLY. 450 00:21:01,129 --> 00:21:02,435 OH, YES, YOU ARE. 451 00:21:07,091 --> 00:21:08,876 YOU DON'T HAVE TO SAY THAT. 452 00:21:10,747 --> 00:21:12,706 I WOULDN'T SAY IT IF I DIDN'T MEAN IT. 453 00:21:20,409 --> 00:21:22,629 YOU'RE VERY PRETTY, TOO. 454 00:21:43,214 --> 00:21:46,566 UM, DO YOU MIND TURNING THE LIGHT OFF? 455 00:21:49,743 --> 00:21:51,310 I'M KIND OF SHY. 456 00:21:52,311 --> 00:21:53,399 SURE. 457 00:22:07,151 --> 00:22:09,197 WILL YOU TURN THE OTHER ONE OFF, TOO, PLEASE? 458 00:22:12,592 --> 00:22:14,420 I GUESS I'M REALLY SHY. 459 00:22:15,812 --> 00:22:16,813 SURE. 460 00:22:18,467 --> 00:22:19,816 I DON'T MIND. 461 00:23:05,384 --> 00:23:07,647 OH, WHAT DO YOU TAKE IN YOUR COFFEE? 462 00:23:07,821 --> 00:23:09,605 OH, I--I DON'T TAKE ANY COFFEE. THANK YOU. 463 00:23:09,779 --> 00:23:10,954 WHY NOT? 464 00:23:11,128 --> 00:23:14,305 UH, WELL, CAFFEINE IN IT MAKES ME CRAZY. 465 00:23:14,480 --> 00:23:16,482 I'M SURE IT'S VERY GOOD. 466 00:23:16,656 --> 00:23:17,787 OK, YOU WANT SOME TEA? 467 00:23:17,961 --> 00:23:18,832 NO, THANKS. 468 00:23:19,006 --> 00:23:20,399 WHAT TIME IS IT? 469 00:23:22,139 --> 00:23:24,011 10 AFTER 9:00. 470 00:23:24,185 --> 00:23:25,316 HMM. I BETTER HURRY. 471 00:23:25,491 --> 00:23:26,753 WHERE ARE YOU GOIN'? 472 00:23:26,927 --> 00:23:29,190 UH, I HAVE A REALLY BUSY DAY TODAY. 473 00:23:29,364 --> 00:23:31,235 OH? I HAVE A COMMERCIAL, 474 00:23:31,410 --> 00:23:33,194 A RECORDING SESSION. LATER ON, I HAVE A--A--A REHEARSAL. 475 00:23:33,368 --> 00:23:34,674 WHAT KIND OF REHEARSAL? 476 00:23:36,197 --> 00:23:39,026 OH, UM, WEDDING REHEARSAL. 477 00:23:39,200 --> 00:23:41,289 OH. WHOSE WEDDING? 478 00:23:47,861 --> 00:23:48,775 MINE. 479 00:23:52,692 --> 00:23:54,345 YOURS? 480 00:23:56,391 --> 00:23:58,306 HMM. YEP. MINE. 481 00:24:03,050 --> 00:24:04,660 YOU'RE KIDDIN'. 482 00:24:07,141 --> 00:24:09,622 UH-UH. NO, I'M NOT KIDDING. 483 00:24:11,754 --> 00:24:14,278 I WISH I WAS KIDDING. 484 00:24:20,720 --> 00:24:22,243 LISTEN, UM, 485 00:24:24,201 --> 00:24:26,334 YOU DO THIS KIND OF THING OFTEN? 486 00:24:27,596 --> 00:24:29,076 NO. 487 00:24:33,733 --> 00:24:36,083 DO YOU? 488 00:24:36,257 --> 00:24:38,346 NOW AND THEN. ARE YOU REALLY GETTING MARRIED? 489 00:24:38,520 --> 00:24:39,782 MMM-HMM. 490 00:24:41,131 --> 00:24:43,046 YEAH, ABSOLUTELY. 491 00:24:45,222 --> 00:24:46,528 OK. 492 00:24:49,966 --> 00:24:51,751 ARE YOU MARRIED? 493 00:24:51,925 --> 00:24:53,492 SEPARATED. 494 00:24:54,884 --> 00:24:56,756 OH, THERE YOU GO. 495 00:25:00,977 --> 00:25:02,588 [car horn honks] 496 00:25:03,980 --> 00:25:05,025 LET ME ASK YOU SOMETHING. 497 00:25:05,199 --> 00:25:07,288 WHAT? 498 00:25:07,462 --> 00:25:10,160 WHAT WAS THIS, JUST KIND OF LIKE A LAST FLING BEFORE YOU GOT MARRIED OR WHAT? 499 00:25:10,334 --> 00:25:12,728 I DON'T KNOW. I GUESS SO. I MEAN, IT JUST HAPPENED, YOU KNOW. 500 00:25:12,902 --> 00:25:14,208 HEY, YOU DON'T HAVE TO APOLOGIZE. 501 00:25:14,382 --> 00:25:16,079 I KNOW I DON'T. 502 00:25:16,253 --> 00:25:18,995 SO, UH, YOU KNOW, HOW LONG HAVE YOU BEEN ENGAGED? 503 00:25:19,169 --> 00:25:19,996 6 MONTHS. 504 00:25:20,170 --> 00:25:21,563 YEAH? YOU LIVE WITH HIM? 505 00:25:21,737 --> 00:25:22,564 NOPE. 506 00:25:22,738 --> 00:25:23,565 WHY NOT? 507 00:25:23,739 --> 00:25:24,566 JUST DON'T. 508 00:25:24,740 --> 00:25:25,611 JUST ASKING. 509 00:25:26,786 --> 00:25:28,222 HAVE YOU KNOWN HIM LONG? 510 00:25:28,396 --> 00:25:30,224 YEAH. WE WENT TO COLLEGE TOGETHER. 511 00:25:30,398 --> 00:25:31,312 OH. 512 00:25:34,489 --> 00:25:37,492 THANKS. WHY YOU KEEP ASKING ME ALL THESE QUESTIONS? 513 00:25:37,666 --> 00:25:39,581 IT GETS ME HOT. 514 00:25:39,755 --> 00:25:42,192 OH. WELL, I'D BETTER GO. 515 00:25:45,500 --> 00:25:46,719 WELL, THANKS FOR BREAKFAST. 516 00:25:46,893 --> 00:25:49,330 YOU'RE VERY WELCOME. 517 00:25:49,504 --> 00:25:51,941 I'M SORRY, CRIS. I REALLY DO HAVE TO GO. 518 00:25:52,115 --> 00:25:53,334 OK. 519 00:25:54,161 --> 00:25:55,858 [engine starting] 520 00:25:56,032 --> 00:25:57,556 HEY, YOU WANNA COME BACK LATER TONIGHT? 521 00:25:57,730 --> 00:26:00,036 NO, I CAN'T. REALLY. 522 00:26:02,430 --> 00:26:04,563 OK. BYE-BYE. 523 00:26:06,477 --> 00:26:08,218 GOODBYE. 524 00:26:08,392 --> 00:26:09,219 HEY, LAURIE. 525 00:26:09,393 --> 00:26:11,657 WHAT? 526 00:26:11,831 --> 00:26:14,921 I DON'T EVEN KNOW YOUR LAST NAME. I WANT TO CALL YOU. 527 00:26:15,095 --> 00:26:18,359 OH, IT'S OK, CRIS. GOODBYE. 528 00:26:22,581 --> 00:26:23,973 ♪♪♪[piano playing] 529 00:26:25,061 --> 00:26:27,542 ♪ ROAST 'EM, TOAST 'EM ♪ 530 00:26:27,716 --> 00:26:30,414 ♪ PUT 'EM IN YOUR OVEN ♪ 531 00:26:30,589 --> 00:26:35,115 ♪ EAT MRS. FRANKLIN'S WAFFLES EVERY MORNIN' ♪ 532 00:26:37,204 --> 00:26:41,512 ♪ EAT MRS. FRANKLIN'S WAFFLES EVERY MORNIN' ♪♪♪ 533 00:26:46,474 --> 00:26:47,518 FREEZE. 534 00:26:47,693 --> 00:26:48,955 [bell rings] 535 00:26:51,784 --> 00:26:53,350 NO. 536 00:26:53,524 --> 00:26:56,005 THERE'S SOMETHING WRONG. 537 00:26:56,179 --> 00:26:58,312 REMEMBER, WE'RE LOOKING FOR ETHEL MERMAN. 538 00:26:59,618 --> 00:27:01,489 NO, NO. REALLY. NOW BE SERIOUS. 539 00:27:01,663 --> 00:27:03,970 WELL, I DON'T MEAN TO, LIKE, START AN ARGUMENT OR ANYTHING, 540 00:27:04,144 --> 00:27:06,494 BUT SINCE WE'RE SUPPOSED TO BE LIKE ETHEL MERMAN, 541 00:27:06,668 --> 00:27:08,235 THEN HOW COME WE'RE DRESSED LIKE THIS? 542 00:27:12,935 --> 00:27:14,633 I DON'T KNOW. MAX. 543 00:27:19,333 --> 00:27:21,727 [Max] IT'S AMERICANA. 544 00:27:21,901 --> 00:27:24,947 DON'T YOU PEOPLE UNDERSTAND AMERICANA? 545 00:27:25,121 --> 00:27:27,602 YOU'RE SUPPOSED TO BE MRS. BEN FRANKLIN. 546 00:27:27,776 --> 00:27:28,864 YEAH. 547 00:27:29,604 --> 00:27:30,736 [snickers] 548 00:27:34,130 --> 00:27:35,610 WHERE WERE WE? 549 00:27:35,784 --> 00:27:38,308 I GOT A NEW IDEA. 550 00:27:38,482 --> 00:27:40,267 UH, WOULD YOU ALL GO DOWN ON YOUR KNEES, PLEASE? 551 00:27:40,441 --> 00:27:41,268 WHAT? 552 00:27:41,442 --> 00:27:42,878 WOULD YOU KNEEL? 553 00:27:51,017 --> 00:27:53,323 YOU KNOW, WE DON'T NEED ETHEL MERMAN HERE. 554 00:27:53,497 --> 00:27:56,370 WHAT WE NEED HERE IS AL JOLSON. 555 00:27:56,544 --> 00:27:59,547 BUT, RICHMOND, THE CLIENT EXPECTS ETHEL MERMAN. 556 00:27:59,721 --> 00:28:02,506 WELL, WE'VE GOT AN ETHEL MERMAN VERSION ON FILM. 557 00:28:02,681 --> 00:28:05,205 NOW LET'S PUT AN AL JOLSON ONE ON FILM. 558 00:28:05,379 --> 00:28:07,033 IT WON'T COST ANY MORE. 559 00:28:07,207 --> 00:28:09,818 WELL, AS LONG AS IT DOESN'T COST ANY MORE, IT'S ALL RIGHT. 560 00:28:09,992 --> 00:28:11,515 OK. THEY'RE HERE FOR THE DAY. 561 00:28:12,865 --> 00:28:14,605 CAN WE GET UP NOW, PLEASE? 562 00:28:14,780 --> 00:28:17,391 NO. I WANT YOU TO DO AL JOLSON RIGHT WHERE YOU ARE ON YOUR KNEES. 563 00:28:17,565 --> 00:28:20,176 NOW, FORGET EVERYTHING I TOLD YOU AND JUST IMPROVISE. 564 00:28:20,350 --> 00:28:21,525 ALL OF US? 565 00:28:21,700 --> 00:28:24,920 YES, I WANT YOU ALL TO THINK AL JOLSON. 566 00:28:25,094 --> 00:28:26,226 OH, WAIT A MINUTE. 567 00:28:26,400 --> 00:28:28,532 YOU WANT ME TO SING LIKE AL JOLSON, 568 00:28:28,707 --> 00:28:32,058 BUT YOU WANT BONNIE AND ANNIE TO MAINTAIN THE ATTITUDE OF AL JOLSON. 569 00:28:32,232 --> 00:28:33,537 NO. 570 00:28:33,712 --> 00:28:36,758 I WANT LAURIE TO SING LIKE AL JOLSON, 571 00:28:36,932 --> 00:28:39,805 AND YOU TWO GUYS MAINTAIN THE ATTITUDE 572 00:28:39,979 --> 00:28:41,807 OF SOMEONE WHO LIKES WAFFLES. 573 00:28:41,981 --> 00:28:43,678 OK, READY? 574 00:28:44,461 --> 00:28:45,854 LET'S GO. 575 00:28:46,028 --> 00:28:47,290 [man] QUIET, PLEASE. ROLL SOUND. 576 00:28:47,464 --> 00:28:48,552 [bell rings] 577 00:28:48,727 --> 00:28:49,815 SPEED. 578 00:28:50,511 --> 00:28:52,556 CAMERA. MARK IT. 579 00:28:52,731 --> 00:28:56,125 X-58, TAKE 42. MRS. FRANKLIN'S WAFFLES. 580 00:28:57,126 --> 00:28:58,040 ACTION. 581 00:28:58,214 --> 00:29:00,173 ♪♪♪[piano playing] 582 00:29:00,347 --> 00:29:03,350 ♪ ROAST 'EM, TOAST 'EM ♪ 583 00:29:03,524 --> 00:29:05,656 ♪ PUT 'EM IN YOUR OVEN ♪ 584 00:29:05,831 --> 00:29:08,747 ♪ EAT MRS. FRANKLIN'S WAFFLES ♪ 585 00:29:08,921 --> 00:29:11,750 ♪ EVERY MORNIN' ♪♪♪ 586 00:29:15,754 --> 00:29:18,495 [Laurie] EXCUSE ME, PLEASE. HEY, KENNY. 587 00:29:18,669 --> 00:29:19,758 HMM. 588 00:29:19,932 --> 00:29:21,585 SORRY I'M LATE. HOW ARE YOU DOIN'? 589 00:29:21,760 --> 00:29:23,457 STEAK SANDWICH. PLAIN. NOTHIN' ON IT, ALL RIGHT. 590 00:29:23,631 --> 00:29:25,024 I JUST ORDERED YOU A STEAK SANDWICH. 591 00:29:25,198 --> 00:29:26,155 HOW COME? 592 00:29:26,329 --> 00:29:27,722 THE OTHER STUFF MAKES ME SICK. 593 00:29:27,896 --> 00:29:29,289 OH, OH, OH, LISTEN, FRED. 594 00:29:29,463 --> 00:29:31,595 I'D RATHER HAVE THE, UH, USUAL, OK? 595 00:29:31,770 --> 00:29:32,858 WITH AN ORANGE. 596 00:29:33,032 --> 00:29:34,990 HMM. 597 00:29:35,164 --> 00:29:37,253 MICHAEL AND CONNIE INVITED US OVER TO DINNER TOMORROW NIGHT. 598 00:29:37,427 --> 00:29:38,733 WELL, I CAN'T GO. 599 00:29:39,429 --> 00:29:40,517 WHY NOT? 600 00:29:40,691 --> 00:29:42,432 WELL, BECAUSE I--I... OH, THANKS. 601 00:29:42,606 --> 00:29:44,565 I'VE--I'VE GOT A SESSION TOMORROW NIGHT. 602 00:29:45,914 --> 00:29:48,090 I THOUGHT YOU HAD ONE TODAY. 603 00:29:48,264 --> 00:29:51,050 I DID. BUT I HAVE ANOTHER ONE TOMORROW NIGHT. 604 00:29:51,224 --> 00:29:52,181 COULDN'T YOU CANCEL IT? 605 00:29:52,355 --> 00:29:54,270 NO, KENNY, I CAN'T CANCEL IT. 606 00:29:54,444 --> 00:29:55,968 I'VE ALREADY BOOKED THE MUSICIANS. 607 00:29:56,142 --> 00:29:57,839 AND--AND I GAVE THEM A DEPOSIT AT THE STUDIO. 608 00:29:58,013 --> 00:29:59,449 OH, COME ON. 609 00:29:59,623 --> 00:30:01,408 CANCEL IT. I'LL PAY FOR IT. 610 00:30:01,582 --> 00:30:03,932 I DON'T UNDERSTAND WHY YOU WON'T LET ME PAY FOR THAT STUFF ANYWAY. 611 00:30:04,106 --> 00:30:07,980 IT'S NOT STUFF, KENNY. WHY DO YOU KEEP CALLING IT STUFF? 612 00:30:08,154 --> 00:30:10,286 WHATEVER IT IS. 613 00:30:10,460 --> 00:30:12,811 I DIDN'T EVEN KNOW YOU HAD TO PAY FOR IT. 614 00:30:12,985 --> 00:30:15,596 WHO DO YOU THINK PAYS FOR IT, THE SALVATION ARMY? YOU KNOW, I EARN MONEY, TOO. 615 00:30:15,770 --> 00:30:17,467 ALL RIGHT, ALL RIGHT, CALM DOWN, HUH? 616 00:30:17,641 --> 00:30:19,469 WELL, WHAT ABOUT TOMORROW NIGHT, HUH? 617 00:30:19,643 --> 00:30:21,123 [horn blaring] 618 00:30:23,647 --> 00:30:27,086 KENNETH, I AM GONNA BE RECORDING TOMORROW NIGHT. 619 00:30:32,656 --> 00:30:33,527 OK. 620 00:30:33,701 --> 00:30:35,355 LOOK, KENNY. 621 00:30:35,529 --> 00:30:37,618 I'M REALLY CLOSE. 622 00:30:37,792 --> 00:30:40,447 I--I MEAN, I CAN SENSE IT. I MEAN, IT'S RIGHT THERE WAITING FOR ME. 623 00:30:40,621 --> 00:30:42,536 I'M GOING TO THE PARTY. 624 00:30:42,710 --> 00:30:44,886 GOOD. OK. WELL, HAVE A GOOD TIME. 625 00:30:45,060 --> 00:30:47,584 YOU ALWAYS HAVE FUN WITH, UH, WITH CONNIE AND MICHAEL ANYWAY. 626 00:30:47,758 --> 00:30:50,718 I DON'T UNDERSTAND WHAT'S SO IMPORTANT ABOUT SOME ROTTEN SESSION. 627 00:30:52,154 --> 00:30:53,764 LET'S DROP IT, ALL RIGHT? 628 00:30:55,070 --> 00:30:56,942 OK, HOW WAS YOUR DAY? 629 00:30:57,551 --> 00:30:59,205 BORING. 630 00:31:00,597 --> 00:31:03,165 IT'S ALWAYS BORING. I GOTTA TEACH BEGINNERS. 631 00:31:04,732 --> 00:31:07,213 YOU KNOW WHAT I'M DOIN' THIS AFTERNOON? 632 00:31:07,387 --> 00:31:09,476 I'M GONNA RALLY WITH HAMPTON COOKE. 633 00:31:09,650 --> 00:31:12,871 HE CAME IN THE QUARTERFINALS AT SOUTH HAMPTON, HUH, HUH? 634 00:31:13,045 --> 00:31:16,222 YOU'RE GONNA HAVE A REALLY GOOD DAY THIS AFTERNOON. YOU'LL GET A GOOD WORKOUT. 635 00:31:16,396 --> 00:31:17,919 I'M LOOKING FORWARD TO THAT, I TELL YOU. 636 00:31:18,093 --> 00:31:18,920 YEAH, THAT'S GREAT. 637 00:31:19,094 --> 00:31:22,663 OH, MY GOD. KENNY. 638 00:31:22,837 --> 00:31:24,447 OH, LOOK WHAT TIME IT IS. I'M GONNA BE LATE. 639 00:31:24,621 --> 00:31:26,580 WELL, GOOD LUCK. 640 00:31:28,277 --> 00:31:29,975 KENNY, HAVE A GOOD AFTERNOON. 641 00:31:30,149 --> 00:31:31,628 OK. ALL RIGHT, I'LL SEE YOU LATER THEN. 642 00:31:31,802 --> 00:31:33,282 OH, TELL ME. 643 00:31:34,457 --> 00:31:35,806 [people chattering] 644 00:31:35,981 --> 00:31:37,243 COME ON. 645 00:31:37,417 --> 00:31:38,505 TELL YOU WHAT? 646 00:31:38,679 --> 00:31:39,985 BREAK A LEG. 647 00:31:40,159 --> 00:31:41,638 OH, YEAH, YEAH. BREAK A LEG, BREAK A LEG. 648 00:31:41,812 --> 00:31:43,379 OK, BYE. YEAH. 649 00:31:43,553 --> 00:31:44,990 [chuckles] BREAK A LEG. 650 00:31:46,208 --> 00:31:48,297 ♪♪♪[playing piano] 651 00:31:56,827 --> 00:32:02,007 ♪ ROLLING THE CHORDS ON THIS OLD PIANO ♪ 652 00:32:02,181 --> 00:32:05,880 ♪ HELPS ME GET THROUGH THE NIGHT ♪ 653 00:32:07,577 --> 00:32:12,539 ♪ DOWN HOME GUITAR LICKS I'LL DO JUST ONE MORE MIX ♪ 654 00:32:12,713 --> 00:32:16,586 ♪ AND EVERYTHING WILL TURN OUT RIGHT ♪ 655 00:32:17,848 --> 00:32:21,896 ♪ DOWN ON THE BACK ROADS OF HOLLYWOOD ♪ 656 00:32:23,419 --> 00:32:26,988 ♪ WHERE LIFE SPEAKS OF ANOTHER TIME ♪ 657 00:32:28,685 --> 00:32:33,647 ♪ I SPEND MY NIGHTS RECORDING MY SONGS ♪ 658 00:32:33,821 --> 00:32:37,129 ♪ AND WATCHING THE WORLD PASS ♪ 659 00:32:38,869 --> 00:32:41,785 ♪ THROUGH ROSE-COLORED WINE ♪ 660 00:32:44,658 --> 00:32:49,619 ♪ A STEEL GUITAR CAN MAKE ME FEEL HAPPY ♪ 661 00:32:49,793 --> 00:32:53,449 ♪ EVERY TIME I HEAR IT PLAY ♪ 662 00:32:55,321 --> 00:32:59,803 ♪ A COUNTRY FIDDLE, A HARP IN THE MIDDLE ♪ 663 00:32:59,978 --> 00:33:03,807 ♪ IS BOUND TO BRIGHTEN UP MY DAY ♪ 664 00:33:05,548 --> 00:33:10,292 ♪ DOWN ON THE BACK ROADS OF HOLLYWOOD ♪ 665 00:33:10,466 --> 00:33:16,081 ♪ WHERE LIFE SPEAKS OF ANOTHER TIME ♪ 666 00:33:16,255 --> 00:33:21,303 ♪ I SPEND MY NIGHTS RECORDING MY SONGS ♪ 667 00:33:21,477 --> 00:33:25,264 ♪ AND WATCHING THE WORLD PASS ♪ 668 00:33:26,656 --> 00:33:30,182 ♪ THROUGH ROSE-COLORED WINE ♪♪♪ 669 00:33:30,965 --> 00:33:32,880 [inaudible] 670 00:33:41,410 --> 00:33:44,152 ♪♪♪[harmonizing] 671 00:33:52,639 --> 00:33:56,034 ♪ DOWN ON THE BACK ROADS OF HOLLYWOOD ♪ 672 00:33:57,470 --> 00:34:01,213 ♪ WHERE LIFE SPEAKS OF ANOTHER TIME ♪ 673 00:34:02,823 --> 00:34:07,480 ♪ I SPEND MY NIGHTS RECORDING MY SONGS ♪ 674 00:34:07,654 --> 00:34:11,745 ♪ AND WATCHING THE WORLD PASS ♪ 675 00:34:12,876 --> 00:34:16,445 ♪ THROUGH ROSE-COLORED WINE ♪ 676 00:34:18,360 --> 00:34:22,147 ♪ AND ALL MY TOMORROWS ♪ 677 00:34:24,540 --> 00:34:29,067 ♪ ARE GONNA BE FINE ♪♪♪ 678 00:34:39,686 --> 00:34:41,905 ♪♪♪[organ playing] 679 00:34:58,705 --> 00:35:00,794 LEFT TOGETHER, TA-TUM. 680 00:35:01,969 --> 00:35:03,927 RIGHT TOGETHER, TA-TUM. 681 00:35:05,407 --> 00:35:09,063 LEFT. THAT'S RIGHT. VERY GOOD. VERY, VERY NICE. 682 00:35:09,237 --> 00:35:14,024 GOOD. THINK OF IT AS A LOVE ARCHWAY FOR THE SEASHELL. 683 00:35:14,199 --> 00:35:16,723 LIKE THE SEA MEETS THE SKY. 684 00:35:16,897 --> 00:35:18,855 RIGHT. GOOD, GOOD. VERY PRETTY. 685 00:35:20,030 --> 00:35:22,903 USHERS, DELICATELY. 686 00:35:23,077 --> 00:35:25,427 YOU'RE LIKE CREATURES OF THE SEA. 687 00:35:25,601 --> 00:35:27,473 YOU'RE LIKE SEA URCHINS. 688 00:35:27,647 --> 00:35:29,083 DID THAT GUY JUST CALL ME AN URCHIN? 689 00:35:29,257 --> 00:35:30,128 YEAH. 690 00:35:30,302 --> 00:35:32,347 UM, LET 'EM OUT NOW, POP? 691 00:35:32,521 --> 00:35:35,611 "LET 'EM OUT NOW, POP." NO, YOU IDIOT. JUST GET THE LIGHTS READY. 692 00:35:35,785 --> 00:35:38,614 [Nussbaum] COME. YES. YES. 693 00:35:38,788 --> 00:35:42,140 VERY NICE. OK, START FORMING YOUR SHELL ON THE ALTAR. 694 00:35:42,314 --> 00:35:44,620 THAT'S RIGHT. VERY GOOD. 695 00:35:44,794 --> 00:35:46,840 START FORMING YOUR SHELL. GOOD. 696 00:35:47,014 --> 00:35:48,624 USHERS, DELICATELY. DELICATELY. 697 00:35:50,409 --> 00:35:53,803 THAT'S RIGHT. STEP LEFT. 698 00:35:53,977 --> 00:35:56,589 RIGHT, RIGHT. WONDERFUL, WONDERFUL. 699 00:35:56,763 --> 00:35:58,460 PRETTY, PRETTY. 700 00:36:00,549 --> 00:36:02,072 PRESS THE BUTTON. 701 00:36:04,771 --> 00:36:09,254 ♪ OH, PROMISE ME THAT SOMEDAY YOU AND I ♪ 702 00:36:11,865 --> 00:36:14,998 ♪ WILL TAKE OUR LOVE TOGETHER ♪♪♪ 703 00:36:16,565 --> 00:36:18,567 KEN, YOU PROMISED. 704 00:36:18,741 --> 00:36:20,743 I KNOW I PROMISED, BUT I AM NOT GETTING MARRIED IN A GIANT CLAM. 705 00:36:20,917 --> 00:36:22,180 WHAT'S THE MATTER? 706 00:36:22,354 --> 00:36:23,703 HAVE YOU EVER RIDDEN IN THIS CLAM? 707 00:36:23,877 --> 00:36:25,400 ALL THE TIME. 708 00:36:25,574 --> 00:36:27,446 MR. NUSSBAUM, 709 00:36:30,144 --> 00:36:31,406 THAT IS A NOISY CLAM. 710 00:36:31,580 --> 00:36:33,365 IT'S MOTORIZED. 711 00:36:34,453 --> 00:36:35,932 EXCUSE ME. 712 00:36:36,106 --> 00:36:38,544 [Nussbaum] USHERS, BRIDESMAIDS, TAKE 5. 713 00:36:40,937 --> 00:36:43,549 ♪♪♪[woman singing operatically] 714 00:36:52,166 --> 00:36:54,560 SI, CAN I, UH, SEE YOU FOR A MINUTE, PLEASE? 715 00:36:57,954 --> 00:37:01,262 CAN I TALK TO YOU A MINUTE? SIT DOWN. 716 00:37:01,436 --> 00:37:03,264 WHAT'S THE MATTER, HUH? 717 00:37:03,438 --> 00:37:05,048 [people laughing] 718 00:37:05,223 --> 00:37:06,485 I DON'T KNOW HOW TO SAY THIS, UH... 719 00:37:06,659 --> 00:37:08,226 WELL, JUST SAY IT. WHAT IS IT? 720 00:37:11,316 --> 00:37:13,274 I HATE THAT CLAM. 721 00:37:15,015 --> 00:37:16,538 WHAT DO YOU MEAN YOU HATE THE CLAM? 722 00:37:16,712 --> 00:37:20,063 I HATE THE CLAM. I HATE THE OPENING. I HATE THE CLAM. 723 00:37:20,238 --> 00:37:22,718 POP. 724 00:37:22,892 --> 00:37:25,504 COULD YOU-- COULD YOU TELL MR. NUSSBAUM WE DON'T WANT THE CLAM? 725 00:37:25,678 --> 00:37:28,768 OH, SWEETIE, COME ON. HE'S MY OLDEST FRIEND. IT WOULD BREAK HIS HEART. 726 00:37:28,942 --> 00:37:29,943 HEY, ARNOLD. 727 00:37:30,117 --> 00:37:32,380 UH, HAROLD. 728 00:37:32,554 --> 00:37:35,209 [birds cooing]WHAT ARE-- WHAT ARE THOSE FOR? 729 00:37:35,383 --> 00:37:38,168 OH, WE--WE LET THEM LOOSE WHEN YOU SAY YOUR VOWS. 730 00:37:38,343 --> 00:37:39,561 OH, MY GOD. 731 00:37:40,432 --> 00:37:42,521 YOU GOTTA BE KIDDING, POP. 732 00:37:42,695 --> 00:37:45,567 SWEETIE, NUSSBAUM HAD THOSE BROUGHT IN FROM GREECE. 733 00:37:45,741 --> 00:37:48,570 PLEASE, POP. COME ON. GIVE US A BREAK, WILL YA? 734 00:37:48,744 --> 00:37:50,920 [Nussbaum] KENNETH, I NEED YOU FOR A MINUTE, PLEASE. 735 00:37:51,094 --> 00:37:52,574 WHAT NOW, MR. NUSSBAUM? 736 00:37:52,748 --> 00:37:54,924 I WANNA WORK ON THE CLAM. NO, NOT YOU, LAURIE, HONEY. 737 00:37:55,098 --> 00:37:56,665 IT'S GONNA BE BEAUTIFUL. COME ON. 738 00:37:56,839 --> 00:37:58,580 LOOK, SI, PLEASE. 739 00:37:58,754 --> 00:38:00,278 [sighs] 740 00:38:01,322 --> 00:38:03,063 GOD. POP. 741 00:38:03,237 --> 00:38:05,761 YOU LOOK TIRED. WHAT'S THE MATTER? YOU HAVEN'T BEEN SLEEPING? 742 00:38:05,935 --> 00:38:07,372 I'M SLEEPING FINE. JUST FINE. 743 00:38:07,546 --> 00:38:10,462 LISTEN, I NEED JOKES. CARPET JOKES, RUG JOKES. 744 00:38:10,636 --> 00:38:12,507 OK. WHAT ARE YOU DOING, A ROAST? 745 00:38:12,681 --> 00:38:13,943 YEAH. OK, WHAT ARE YOU ROASTING? 746 00:38:14,117 --> 00:38:14,944 KING MOOSE. 747 00:38:15,118 --> 00:38:16,468 OK, OK. KING MOOSE. 748 00:38:16,642 --> 00:38:18,252 YEAH. ONLY YOU'D BE ROASTING A KING MOOSE. 749 00:38:18,426 --> 00:38:19,819 OK. WHERE IS IT? LODGE HALL. 750 00:38:19,993 --> 00:38:22,125 LODGE HALL. OK, OK. THAT'S A BIG ROOM. 751 00:38:22,300 --> 00:38:23,910 YOU BET. ALL RIGHT. 752 00:38:24,084 --> 00:38:25,694 UH, WHAT DOES HE DO FOR A LIVING? 753 00:38:25,868 --> 00:38:28,175 UH, HE'S--HE'S GOT A CHAIN OF DISCOUNT CARPET STORES. 754 00:38:28,349 --> 00:38:30,046 OK. DISCOUNT JOKES. CHEAP JOKES. 755 00:38:30,220 --> 00:38:32,005 YEAH, CHEAP. I GOT A JOKE. 756 00:38:32,179 --> 00:38:35,400 HE'S SO CHEAP, UH, HIS KIDS WEREN'T BORN. THEY WERE MADE IN JAPAN. 757 00:38:35,574 --> 00:38:36,618 HUH? 758 00:38:36,792 --> 00:38:38,316 THAT'S VERY GOOD. OK. COME ON. 759 00:38:38,490 --> 00:38:40,405 OK, SO, UM, WHAT ABOUT HIS FRIENDS? 760 00:38:40,579 --> 00:38:41,580 HE HASN'T GOT ANY FRIENDS. 761 00:38:41,754 --> 00:38:43,277 HE DOESN'T HAVE ANY-- I LOVE IT. 762 00:38:43,451 --> 00:38:45,627 WHAT? OK, UM... 763 00:38:48,543 --> 00:38:51,198 HE LAYS CARPET, BUT HE SCREWS HIS FRIENDS. 764 00:38:51,372 --> 00:38:52,504 GOOD. 765 00:38:52,678 --> 00:38:53,505 [Laurie chuckling] 766 00:38:53,679 --> 00:38:54,854 HOLD IT. LAYS CARPET... 767 00:38:55,028 --> 00:38:55,855 MORE, MORE, MORE. 768 00:38:56,029 --> 00:38:57,073 [Laurie] OK, OK. 769 00:38:59,337 --> 00:39:00,381 COME ON. 770 00:39:00,555 --> 00:39:02,296 [Nussbaum] SI, LAURIE, I NEED YOU. 771 00:39:02,470 --> 00:39:03,950 LATER. OK. I'M THINKIN'. 772 00:39:04,124 --> 00:39:05,430 LAYS CARPET, SCREWS HIS FRIENDS. 773 00:39:05,604 --> 00:39:06,518 F-F-FIRST POSITION. 774 00:39:06,692 --> 00:39:08,128 [Nussbaum] NO, 4TH POSITION. 775 00:39:08,302 --> 00:39:10,086 [audience laughing] 776 00:39:10,260 --> 00:39:11,914 YOU WANNA-- YOU WANNA KNOW WHERE I GOT THIS MATERIAL? 777 00:39:12,088 --> 00:39:13,829 WELL, I M.C. AT FUNERALS. 778 00:39:14,003 --> 00:39:15,048 [audience laughing] 779 00:39:15,222 --> 00:39:16,223 THIS IS ONE OF 'EM. 780 00:39:16,397 --> 00:39:18,356 [audience laughing] 781 00:39:18,530 --> 00:39:21,881 YEAH, I'VE HEARD-- I'VE HEARD OF COMICS GOING INTO THE GROUND, 782 00:39:22,055 --> 00:39:25,754 BUT THIS IS THE FIRST TIME THE AUDIENCE IS GONNA BE THERE WAITING FOR ME. 783 00:39:25,928 --> 00:39:27,060 RIGHT, MR. GRANEK, HUH? 784 00:39:27,234 --> 00:39:28,714 YOU'RE BEAUTIFUL, 785 00:39:28,888 --> 00:39:30,759 WHAT ARE YOU LAUGHING AT? YOU'RE BEAUTIFUL! 786 00:39:30,933 --> 00:39:34,937 AH, YOU'RE A WONDERFUL-- WONDERFUL MAN, REALLY. YOU'RE A WONDERFUL MAN. 787 00:39:35,111 --> 00:39:36,765 YOU KNOW, HE COMES BY THIS BUSINESS... 788 00:39:36,939 --> 00:39:38,463 OH, YOU SHOULD REALLY APPLAUD LOUDER, 789 00:39:38,637 --> 00:39:40,465 BECAUSE HE'S A LITTLE DEAF, YOU KNOW. 790 00:39:40,639 --> 00:39:42,684 YEAH. YEAH, THOSE OF-- THOSE OF YOU-- 791 00:39:42,858 --> 00:39:44,294 [audience applauds] 792 00:39:44,469 --> 00:39:46,862 YOU HEAR THAT? YEAH. 793 00:39:47,036 --> 00:39:50,823 THOSE OF YOU, THOSE OF YOU WHO HAVE ANY COMPLAINTS KNOW THAT HE'S DEAF. 794 00:39:50,997 --> 00:39:53,434 BUT HE REALLY, HE COMES BY THIS BUSINESS VERY HONESTLY, 795 00:39:53,608 --> 00:39:55,915 BECAUSE HIS GREAT GRANDFATHER BACK IN EUROPE, 796 00:39:56,089 --> 00:39:58,657 HE RAN A STRING OF DUNGEONS BACK THERE. 797 00:39:58,831 --> 00:40:01,921 [audience laughing] 798 00:40:02,095 --> 00:40:05,272 YOU KNOW, I'M--I'M REALLY, I'M REALLY, I'M PROUD TO SAY THAT I KNOW YOU. 799 00:40:05,446 --> 00:40:08,057 TO THINK THAT YOU BROUGHT THIS PLACE FROM WHAT IT WAS, 800 00:40:08,231 --> 00:40:09,929 A NOTHING A FEW YEARS AGO, 801 00:40:10,103 --> 00:40:11,583 AND JUST BY YOUR OWN WORK, 802 00:40:11,757 --> 00:40:13,236 YOU BROUGHT IT TO WHAT IT IS TODAY. 803 00:40:13,411 --> 00:40:14,237 A REAL TOILET, HUH? 804 00:40:14,412 --> 00:40:16,239 [audience laughing] 805 00:40:16,414 --> 00:40:21,419 ♪ EVERYBODY'S SHINING LIKE A HERO ♪ 806 00:40:23,116 --> 00:40:25,423 ♪ MY, MY, YES ♪ 807 00:40:25,597 --> 00:40:30,297 ♪ EVERYBODY'S GONNA BE A STAR ♪♪♪ 808 00:40:41,787 --> 00:40:43,571 HELLO? HI. 809 00:40:43,745 --> 00:40:47,183 HI. UH, I-I'M LAURIE ROBINSON TO SEE CHARLEY NELSON. 810 00:40:47,357 --> 00:40:49,316 UH, YEAH. 811 00:40:49,490 --> 00:40:51,797 HI, I'M BARBARA CLAYBOURNE, HIS ASSISTANT. 812 00:40:51,971 --> 00:40:53,494 WE'VE BEEN EXPECTING YOU. 813 00:40:53,668 --> 00:40:56,279 YOU ARE A LITTLE EARLY, BUT I'M SURE IT'S OK. 814 00:40:56,454 --> 00:40:57,977 OH, LISTEN. I CAN WAIT. 815 00:40:58,151 --> 00:40:59,892 NO, NO. I'LL TAKE YOU IN. 816 00:41:00,066 --> 00:41:01,459 OK. 817 00:41:03,373 --> 00:41:05,767 UH, THEY'RE IN STUDIO A-1. 818 00:41:05,941 --> 00:41:06,899 WANNA COME THIS WAY? OK. 819 00:41:07,073 --> 00:41:09,162 [man] 2, 3, AND... 820 00:41:09,336 --> 00:41:10,206 ♪♪♪[orchestra playing] 821 00:41:10,380 --> 00:41:12,426 NO, JUST THE TRUMPET. 822 00:41:12,600 --> 00:41:16,212 JACK, CAN YOU DO A 7:00 TO 10:00 TONIGHT? JOAN WANTS TO KNOW. 823 00:41:16,386 --> 00:41:18,824 IF WE'RE DONE HERE, WE CAN. 824 00:41:18,998 --> 00:41:20,390 YEAH, WE'LL BE DONE. 825 00:41:20,565 --> 00:41:21,653 OK, GREAT. 826 00:41:21,827 --> 00:41:24,960 OH, CHARLEY, THIS IS LAURIE ROBINSON. 827 00:41:25,134 --> 00:41:26,092 CHARLEY NELSON. 828 00:41:26,266 --> 00:41:28,311 HELLO. NICE TO MEET YOU. 829 00:41:28,486 --> 00:41:31,010 HI, LAURIE. HEY, I LIKED YOUR TAPE. JESSE SENT IT OVER. 830 00:41:31,184 --> 00:41:33,403 WELL, THANK YOU. 831 00:41:33,578 --> 00:41:35,928 I GUESS YOU'VE HEARD WE'RE HAVING A PROBLEM WITH THE LEAD IN THIS MOVIE, 832 00:41:36,102 --> 00:41:39,235 AND WE NEED SOMEONE TO, UH, TO DUB HER VOICE IN. 833 00:41:39,409 --> 00:41:41,890 SO, UH, YOU DON'T MIND, DO YOU? 834 00:41:42,064 --> 00:41:43,936 OH, NO, NOT AT ALL. 835 00:41:44,110 --> 00:41:45,981 FINE. LET'S MEET THE DIRECTOR. 836 00:41:46,155 --> 00:41:49,071 [man] 2, 3, AND... 837 00:41:49,245 --> 00:41:51,160 ♪♪♪[orchestra playing] 838 00:41:53,380 --> 00:41:55,251 [Roy] HOLD IT! PSST! PSST! 839 00:41:55,425 --> 00:41:57,340 [Chris] THERE'S SOMETHING REALLY WRONG WITH THIS. 840 00:41:57,515 --> 00:42:00,300 THAT STRING LINE IS SO, SO BUSY. WE'VE GOTTA WORK ON IT. 841 00:42:00,474 --> 00:42:02,607 HEY, WAIT, WAIT, WAIT. HOLD IT, YOU GUYS. SHH. 842 00:42:02,781 --> 00:42:04,260 [Roy] ALL RIGHT. 843 00:42:04,434 --> 00:42:06,436 [all chattering] 844 00:42:06,611 --> 00:42:07,829 WE GOTTA WORK ON THAT. 845 00:42:08,003 --> 00:42:10,832 YEAH. "B". "B". OK. ALL RIGHT. WE'LL MUTE. 846 00:42:11,006 --> 00:42:14,183 UH, STRINGS MUTE AT "B" THE 2ND TIME YOU COME IN, PLAY IT NICE AND EASY. 847 00:42:14,357 --> 00:42:16,055 WHAT'S THE MATTER? AND LET'S TRY IT AGAIN. 848 00:42:16,229 --> 00:42:17,796 [Laurie] OH, NOTHING. 849 00:42:17,970 --> 00:42:19,537 CRIS? CRIS. 850 00:42:19,711 --> 00:42:21,147 [Chris] WAIT A MINUTE. WAIT A MINUTE. WHAT? 851 00:42:21,321 --> 00:42:23,018 [Charley] YOU DON'T MIND IF WE INTERRUPT? 852 00:42:23,192 --> 00:42:24,890 NO. WHAT? 853 00:42:25,064 --> 00:42:27,283 THIS IS LAURIE ROBINSON. LAURIE, CRIS NOLAN, THE DIRECTOR. 854 00:42:27,457 --> 00:42:29,634 JESUS. OH, NICE TO MEET YOU. 855 00:42:30,896 --> 00:42:32,506 WHAT ARE YOU DOING HERE? 856 00:42:32,680 --> 00:42:34,813 THIS IS THE SINGER I WAS TELLING YOU ABOUT. 857 00:42:37,119 --> 00:42:38,904 [sighs] 858 00:42:39,078 --> 00:42:41,297 I DIDN'T KNOW YOU WERE A SINGER. 859 00:42:41,471 --> 00:42:42,734 YEAH. 860 00:42:42,908 --> 00:42:45,127 UH, YOU TWO HAVE WORKED TOGETHER? 861 00:42:45,301 --> 00:42:47,303 ONCE BEFORE. YEAH, ONCE BEFORE. 862 00:42:48,696 --> 00:42:51,264 I DIDN'T KNOW YOU WERE DIRECTING THIS MOVIE. 863 00:42:56,748 --> 00:42:59,141 WELL, LISTEN. YOU'RE A LITTLE EARLY, 864 00:42:59,315 --> 00:43:02,014 BECAUSE WE'RE WORKIN' ON--ON SOMETHIN' RIGHT NOW. 865 00:43:02,188 --> 00:43:04,233 OH, GOOD. OK. I--I CAN... 866 00:43:04,407 --> 00:43:06,322 WAIT A MINUTE, UH, 867 00:43:06,496 --> 00:43:08,673 DID YOU BRING SOMETHING FOR-- TO SING? 868 00:43:08,847 --> 00:43:10,631 SURE. 869 00:43:10,805 --> 00:43:12,546 UH, IF YOU WANT ME TO WAIT, YOU KNOW-- 870 00:43:12,720 --> 00:43:15,767 NO, NO, THAT'S ALL RIGHT. LET ME TAKE A LOOK AT IT. IS THIS IT? 871 00:43:15,941 --> 00:43:17,246 YEAH. 872 00:43:19,509 --> 00:43:20,815 IT'S A SONG I WROTE. 873 00:43:20,989 --> 00:43:22,687 [Charley] I'LL, UH, I'LL BE INSIDE. 874 00:43:22,861 --> 00:43:25,690 I DIDN'T KNOW YOU... OK, CHARLEY. I DIDN'T KNOW YOU WROTE SONGS. 875 00:43:25,864 --> 00:43:27,605 YEAH. WHAT'S ALL THIS? 876 00:43:27,779 --> 00:43:29,476 OH, I HAD SOME ARRANGEMENTS MADE... 877 00:43:29,650 --> 00:43:30,782 ♪♪♪[flute playing] 878 00:43:30,956 --> 00:43:32,261 OH. 879 00:43:32,435 --> 00:43:34,089 ...BY A GUY NAMED JOHN BELSON. 880 00:43:34,263 --> 00:43:35,874 BELSON. HMM. 881 00:43:36,048 --> 00:43:38,006 YOU KNOW HIM? YEAH. HE'S VERY GOOD. 882 00:43:39,355 --> 00:43:41,227 UH-- WAIT A MINUTE. 883 00:43:41,401 --> 00:43:44,099 UM, HEY, ROY, TAKE A LOOK AT THESE. 884 00:43:44,273 --> 00:43:45,535 YOU THINK THE GUYS COULD DO THIS? 885 00:43:45,710 --> 00:43:46,972 DO WHAT? WAIT A MINUTE. 886 00:43:47,146 --> 00:43:48,321 UM... 887 00:43:49,409 --> 00:43:51,411 YEAH, YEAH, WE CAN. 888 00:43:51,585 --> 00:43:53,979 THERE'S NOT ENOUGH PARTS, BUT WE'LL DOUBLE ON SOME PARTS. 889 00:43:54,153 --> 00:43:57,243 OK. WHY DON'T YOU PASS THEM OUT? FINE. 890 00:43:57,417 --> 00:44:00,289 WILL IT THROW YOU IF YOU DO YOUR AUDITION WITH A FULL ORCHESTRA? 891 00:44:02,248 --> 00:44:03,771 NO, IT WOULDN'T THROW ME. 892 00:44:03,945 --> 00:44:06,078 I'VE JUST-- I'VE NEVER HEARD THESE CHARTS BEFORE. 893 00:44:06,252 --> 00:44:07,949 I MEAN-- NEITHER HAVE I. 894 00:44:08,123 --> 00:44:10,299 WE'LL JUST HEAR 'EM TOGETHER. THEY'RE PROBABLY GREAT. 895 00:44:10,473 --> 00:44:11,736 SO JUST RELAX, OK? 896 00:44:11,910 --> 00:44:13,738 YEAH. 897 00:44:13,912 --> 00:44:16,218 IT'S REALLY OK. I MEAN, I COULD DO IT WITH MY GUITAR. 898 00:44:18,699 --> 00:44:20,701 I DON'T BELIEVE THIS. I DON'T BELIEVE IT EITHER. 899 00:44:20,875 --> 00:44:22,834 LISTEN. COME ON. LET'S RUN ONE DOWN. 900 00:44:23,008 --> 00:44:24,966 UM, ROY... HEY, LISTEN. EXCUSE ME. 901 00:44:25,140 --> 00:44:27,447 ROY, THIS IS LAURIE. LAURIE, THIS IS ROY. 902 00:44:27,621 --> 00:44:29,449 WHERE WOULD YOU LIKE HER TO SIT? OR STAND? 903 00:44:29,623 --> 00:44:31,799 LET'S PUT HER RIGHT THERE. YOU WANT A STOOL? OK. 904 00:44:31,973 --> 00:44:35,673 UH, COULD WE HAVE A STOOL AND A U-46? THANK YOU. 905 00:44:35,847 --> 00:44:39,111 OK, SO ROY WILL TAKE CARE OF YOU. WE'RE ALL BALANCED INSIDE. 906 00:44:39,285 --> 00:44:44,246 AND I'LL BE IN THE BOOTH. ENJOY YOURSELF. OK. 907 00:44:44,420 --> 00:44:46,031 OH, HERE. EXCUSE ME. 908 00:44:46,205 --> 00:44:48,990 LET ME GET YOUR GUITAR. I'LL GET IT OUT OF THE WAY HERE. 909 00:44:49,164 --> 00:44:50,731 THANKS, UM, ROY? 910 00:44:52,428 --> 00:44:54,126 I GUESS I WON'T BE NEEDING MY GUITAR, HUH? 911 00:44:54,300 --> 00:44:56,084 [chuckling] YOU WON'T NEED A GUITAR, NO. 912 00:44:56,258 --> 00:44:58,608 IT'S REALLY OK. I MEAN, I DON'T MIND. 913 00:44:58,783 --> 00:45:01,524 NO, IT'S FINE. IT'S FINE. RELAX. IT'S GONNA BE GOOD. 914 00:45:03,831 --> 00:45:05,877 I'VE NEVER BEEN IN THIS SITUATION BEFORE. 915 00:45:06,051 --> 00:45:09,924 I MEAN, PLAYING MY SONG WITH AN ORCHESTRA. 916 00:45:10,098 --> 00:45:13,014 THEY'RE THE BEST. THERE'S 50 OF THE BEST MUSICIANS IN L.A. OUT THERE. 917 00:45:13,188 --> 00:45:15,234 THEY'RE GONNA MAKE YOU SOUND GREAT. SO YOU JUST... 918 00:45:15,408 --> 00:45:19,107 LOOK, THEY'RE READY. JUST SIT DOWN THERE, AND WE'RE READY TO GO. 919 00:45:19,281 --> 00:45:21,762 THANKS, ROY. SURE. 920 00:45:21,936 --> 00:45:23,546 OK. YOU GUYS READY? GOT YOUR PARTS? 921 00:45:23,721 --> 00:45:24,765 IS IT OK TO LEAVE MY-- 922 00:45:24,939 --> 00:45:26,158 SURE. JUST PUT IT RIGHT THERE. 923 00:45:26,332 --> 00:45:27,812 THANK YOU. 924 00:45:27,986 --> 00:45:29,770 ♪♪♪[flute playing] 925 00:45:31,337 --> 00:45:33,861 [Roy] OK. UH, STRINGS, YOU DON'T-- 926 00:45:34,035 --> 00:45:36,124 [Cris] LET ME KNOW WHEN YOU GUYS ARE READY OUT THERE. 927 00:45:36,298 --> 00:45:39,171 ALMOST READY. STRINGS DON'T COME IN UNTIL "B" THE 2ND TIME. 928 00:45:39,345 --> 00:45:40,999 OH, OH, AHEM... 929 00:45:41,173 --> 00:45:43,001 EXCUSE ME. YES. 930 00:45:43,175 --> 00:45:45,525 TALKING ABOUT THE STRINGS, UH, 931 00:45:45,699 --> 00:45:48,006 JOHN BELSON, THE MAN WHO--WHO ARRANGED THIS FOR ME, 932 00:45:48,180 --> 00:45:49,616 DIDN'T HAVE TIME TO CHANGE IT, 933 00:45:49,790 --> 00:45:52,401 BUT THE VIOLINS ARE TO BE AN OCTAVE HIGHER. 934 00:45:52,575 --> 00:45:55,709 OK. UP AN OCTAVE WHEN YOU COME IN, STRINGS. 935 00:45:55,883 --> 00:45:57,711 I REALLY DON'T WANT TO CAUSE ANY TROUBLE. 936 00:45:57,885 --> 00:46:00,061 [chuckles] IT'S ALL RIGHT. NO, IT'S OK. 937 00:46:00,235 --> 00:46:04,022 IT'S ALL RIGHT. RELAX. YOU'LL ENJOY IT. YOU'LL HAVE FUN. 938 00:46:04,196 --> 00:46:06,198 OK, ANYBODY GOT ANY QUESTIONS? EVERYTHING LOOK OK? 939 00:46:07,373 --> 00:46:08,548 OK. 940 00:46:10,071 --> 00:46:11,681 OH, UH, IT'S IN 3-QUARTER TIME. 941 00:46:11,856 --> 00:46:15,250 YEAH, WE SAW THAT. YEAH. IT'S IN 3-4, GUYS. OK. 942 00:46:18,471 --> 00:46:20,038 WHENEVER YOU'RE READY. OK. ALL RIGHT. 943 00:46:20,212 --> 00:46:22,083 UH, YOU WON'T NEED. IT'S--IT'S LIVE. YOU WON'T-- 944 00:46:22,257 --> 00:46:24,172 WHAT? 945 00:46:24,346 --> 00:46:27,306 YOU DON'T NEED THE EARPHONES BECAUSE YOU'RE GONNA SING LIVE. 946 00:46:27,480 --> 00:46:30,222 OH. OH, YEAH. OF COURSE. OK. 947 00:46:32,615 --> 00:46:35,880 OK, DRUMS, THERE'S A HIT AT "C" COMING IN. WATCH THAT. 948 00:46:36,054 --> 00:46:38,578 LET'S HOLD EVERYTHING DOWN FIRST TIME THROUGH. 949 00:46:40,841 --> 00:46:42,800 OK, EVERYBODY GET A GOOD LOOK, AND WE'LL GO. 950 00:46:42,974 --> 00:46:45,063 [Cris] OK, WHAT'S THE NAME OF THE SONG? 951 00:46:45,237 --> 00:46:47,065 YOU LIGHT UP MY LIFE. 952 00:46:47,239 --> 00:46:49,023 [Roy] YOU LIGHT UP MY LIFE. 953 00:46:49,197 --> 00:46:51,112 [Cris] RIGHT. YOU LIGHT UP MY LIFE. TAKE ONE. 954 00:46:51,896 --> 00:46:54,115 OK. I'LL GIVE YOU 2. 955 00:46:54,289 --> 00:46:58,293 1, 2, 3. 2, 2, AND... 956 00:46:59,991 --> 00:47:01,906 ♪♪♪[music playing] 957 00:47:03,603 --> 00:47:07,955 ♪ SO MANY NIGHTS ♪ 958 00:47:08,129 --> 00:47:11,829 ♪ I'D SIT BY MY WINDOW ♪ 959 00:47:13,134 --> 00:47:17,182 ♪ WAITING FOR SOMEONE ♪ 960 00:47:17,356 --> 00:47:21,621 ♪ TO SING ME HIS SONG ♪ 961 00:47:21,795 --> 00:47:25,146 ♪ SO MANY DREAMS ♪ 962 00:47:26,582 --> 00:47:30,760 ♪ I'VE KEPT DEEP INSIDE ME ♪ 963 00:47:30,935 --> 00:47:35,113 ♪ ALONE IN THE DARK ♪ 964 00:47:35,287 --> 00:47:39,813 ♪ BUT NOW YOU'VE COME ALONG ♪ 965 00:47:40,945 --> 00:47:42,555 ♪ AND YOU ♪ 966 00:47:43,469 --> 00:47:46,298 ♪ LIGHT UP MY LIFE ♪ 967 00:47:48,126 --> 00:47:51,303 ♪ YOU GIVE ME HOPE ♪ 968 00:47:52,782 --> 00:47:55,524 ♪ TO CARRY ON ♪ 969 00:47:56,874 --> 00:48:01,095 ♪ YOU LIGHT UP MY DAYS ♪ 970 00:48:02,140 --> 00:48:07,449 ♪ AND FILL MY NIGHTS ♪ 971 00:48:08,537 --> 00:48:10,452 ♪ WITH SONG ♪ 972 00:48:13,760 --> 00:48:17,895 ♪ ROLLIN' AT SEA ♪ 973 00:48:18,069 --> 00:48:22,638 ♪ ADRIFT ON THE WATERS ♪ 974 00:48:22,812 --> 00:48:26,947 ♪ COULD IT BE FINALLY ♪ 975 00:48:27,121 --> 00:48:31,996 ♪ I'M TURNING FOR HOME ♪ 976 00:48:32,170 --> 00:48:36,217 ♪ FINALLY, A CHANCE ♪ 977 00:48:36,391 --> 00:48:40,700 ♪ TO SAY, HEY, I LOVE YOU ♪ 978 00:48:41,614 --> 00:48:44,312 ♪ NEVER AGAIN ♪ 979 00:48:45,705 --> 00:48:50,623 ♪ TO BE ALL ALONE ♪ 980 00:48:50,797 --> 00:48:53,234 ♪ AND YOU ♪ 981 00:48:53,408 --> 00:48:56,759 ♪ YOU LIGHT UP MY LIFE ♪ 982 00:48:58,239 --> 00:49:01,590 ♪ YOU GIVE ME HOPE ♪ 983 00:49:02,940 --> 00:49:05,768 ♪ TO CARRY ON ♪ 984 00:49:07,335 --> 00:49:11,209 ♪ YOU LIGHT UP MY DAYS ♪ 985 00:49:12,166 --> 00:49:16,562 ♪ AND FILL MY NIGHTS ♪ 986 00:49:19,086 --> 00:49:21,697 ♪ WITH SONG ♪ 987 00:49:23,830 --> 00:49:26,093 ♪ 'CAUSE YOU ♪ 988 00:49:26,267 --> 00:49:30,054 ♪ YOU LIGHT UP MY LIFE ♪ 989 00:49:30,880 --> 00:49:34,014 ♪ YOU GIVE ME HOPE ♪ 990 00:49:35,494 --> 00:49:39,106 ♪ TO CARRY ON ♪ 991 00:49:39,280 --> 00:49:43,067 ♪ YOU LIGHT UP MY DAYS ♪ 992 00:49:44,590 --> 00:49:48,898 ♪ AND FILL MY NIGHTS ♪ 993 00:49:49,073 --> 00:49:52,554 ♪ WITH SONG ♪ 994 00:49:53,816 --> 00:49:56,689 ♪ IT CAN'T BE WRONG ♪ 995 00:49:58,169 --> 00:50:02,434 ♪ WHEN IT FEELS SO RIGHT ♪ 996 00:50:04,523 --> 00:50:07,134 ♪ 'CAUSE YOU ♪ 997 00:50:12,183 --> 00:50:15,273 ♪ YOU LIGHT ♪ 998 00:50:15,447 --> 00:50:16,578 ♪ UP ♪ 999 00:50:16,752 --> 00:50:18,276 ♪ MY ♪ 1000 00:50:20,452 --> 00:50:22,845 ♪ LIFE ♪♪♪ 1001 00:50:34,074 --> 00:50:35,336 [orchestra stops playing] 1002 00:50:36,076 --> 00:50:37,730 [all clapping] 1003 00:50:40,341 --> 00:50:41,386 [Roy] SUPER, SUPER. 1004 00:50:46,043 --> 00:50:48,567 OH, LISTEN. I REALLY COULD HAVE DONE IT BETTER IF WE REHEARSED. 1005 00:50:48,741 --> 00:50:51,222 NO, YOU COULDN'T HAVE DONE IT MUCH BETTER. THAT WAS A GOOD JOB. 1006 00:50:51,396 --> 00:50:52,701 SHE'S FANTASTIC. 1007 00:50:52,875 --> 00:50:53,920 YES, SHE IS. LET ME ASK YOU SOMETHING. 1008 00:50:54,094 --> 00:50:55,443 CAN YOU ACT? 1009 00:50:56,836 --> 00:50:58,533 I'M AN ACTRESS, IF THAT'S WHAT YOU MEAN. 1010 00:50:58,707 --> 00:51:01,058 UH-HUH. HOW ARE YOU AT COLD READINGS? 1011 00:51:02,885 --> 00:51:05,149 ABOUT AS GOOD AS I AM AT COLD SINGINGS. 1012 00:51:05,323 --> 00:51:07,194 THAT'S WHAT I WAS HOPING YOU'D SAY. COME WITH ME. 1013 00:51:07,368 --> 00:51:09,022 I WANT YOU TO READ SOMETHING. GIVE THE MEN 5. 1014 00:51:09,196 --> 00:51:10,154 [Roy] YOU GOT IT. 1015 00:51:12,069 --> 00:51:14,549 [Charley] HEY, LAURIE. YOU WERE GREAT. DYNAMITE. 1016 00:51:14,723 --> 00:51:17,335 JERRY, I WANNA USE THIS MIXING ROOM FOR A MINUTE. 1017 00:51:17,509 --> 00:51:18,336 [Jerry] OK. 1018 00:51:18,510 --> 00:51:19,685 OK? THANK YOU. 1019 00:51:19,859 --> 00:51:21,513 COME ON, GUYS. LET'S GO GET SOME COFFEE. 1020 00:51:21,687 --> 00:51:23,080 [Laurie sighs] 1021 00:51:25,691 --> 00:51:27,345 [Cris] HEY, CHARLEY, TELL ROY 1022 00:51:27,519 --> 00:51:28,911 THAT I'LL BE ON IN ABOUT 15 MINUTES. 1023 00:51:29,086 --> 00:51:30,783 WE'LL START AT THE TOP OF THE LOVE SCENE, OK? 1024 00:51:30,957 --> 00:51:32,524 YEAH. ALL RIGHT. 1025 00:51:32,698 --> 00:51:33,786 OK. 1026 00:51:35,309 --> 00:51:37,137 YEAH. 1027 00:51:37,311 --> 00:51:40,706 I WANT YOU TO LOOK RIGHT FROM HERE DOWN TO HERE. 1028 00:51:40,880 --> 00:51:42,447 OK? OK. 1029 00:51:43,317 --> 00:51:45,014 SIT DOWN. 1030 00:51:45,189 --> 00:51:46,886 YOU REALLY ARE DIRECTING THIS MOVIE, AREN'T YOU? 1031 00:51:47,060 --> 00:51:49,671 WELL, UNLESS I'VE BEEN FIRED IN THE LAST HALF HOUR, I AM. 1032 00:51:54,850 --> 00:51:56,722 HOW DO YOU KNOW SO MUCH ABOUT MUSIC? 1033 00:51:56,896 --> 00:51:57,897 I USED TO PRODUCE RECORDS. 1034 00:51:58,680 --> 00:52:01,074 TAKE A LOOK AT THAT. 1035 00:52:01,248 --> 00:52:03,294 JUST THIS-- JUST THIS SPEECH RIGHT HERE. 1036 00:52:03,468 --> 00:52:04,904 OK. AND YOU'RE GONNA READ WITH ME? 1037 00:52:05,078 --> 00:52:06,210 I'M GONNA-- I'LL CUE YOU IN RIGHT HERE, OK? 1038 00:52:06,384 --> 00:52:08,864 OK, FINE. 1039 00:52:09,038 --> 00:52:11,171 WELL, MAYBE WE SHOULD JUST READ IT TOGETHER. ARE YOU-- 1040 00:52:11,345 --> 00:52:13,217 WILL THAT THROW YOU? 1041 00:52:13,391 --> 00:52:15,262 NO, NOT AT ALL. OK. 1042 00:52:15,436 --> 00:52:18,135 SO YOU JUST TELL ME WHEN YOU'RE READY, AND I'LL CUE YOU IN. 1043 00:52:19,527 --> 00:52:21,050 OK. 1044 00:52:22,051 --> 00:52:24,489 "I LIKE THE SOUND OF TRAINS." 1045 00:52:25,751 --> 00:52:28,145 "I NEVER LIKED TRAINS. 1046 00:52:30,364 --> 00:52:33,454 "THEY ALWAYS REMIND ME THAT SOMEONE IS LEAVING. 1047 00:52:33,628 --> 00:52:35,674 "YOU KNOW, TRAINS 1048 00:52:35,848 --> 00:52:38,764 "ALWAYS MAKE ME THINK OF PEOPLE WHO ARE LEAVING, 1049 00:52:40,200 --> 00:52:42,159 "PEOPLE WHO ARE NEVER COMING BACK. 1050 00:52:42,333 --> 00:52:43,725 "I DON'T MIND PLANES. 1051 00:52:43,899 --> 00:52:45,640 [Laurie chuckles] 1052 00:52:45,814 --> 00:52:48,948 "I DON'T KNOW WHY I SAID THAT. I'VE NEVER EVEN BEEN ON A PLANE. 1053 00:52:49,122 --> 00:52:52,169 "BUT, UH, IF I-- IF I WERE GONNA BE ON A PLANE, 1054 00:52:52,343 --> 00:52:55,041 "I'D PROBABLY BE GOING SOMEPLACE WHERE THE SUN IS WARM, 1055 00:52:55,215 --> 00:52:57,783 "AND PEOPLE ARE HAPPY, 1056 00:52:57,957 --> 00:53:02,135 "AND I'D PROBABLY BE COMING BACK. 1057 00:53:02,309 --> 00:53:05,573 "I GUESS YOU COULD SAY I'M NOT TOO CRAZY ABOUT TRAINS. 1058 00:53:05,747 --> 00:53:08,576 HEY, CAN I HAVE ANOTHER BEER?" 1059 00:53:08,750 --> 00:53:11,405 YOU'RE HOLDING THURSDAY? IS THAT A DEFINITE? 1060 00:53:11,579 --> 00:53:13,277 SOMEBODY ELSE WANTS THE STUDIO. 1061 00:53:13,451 --> 00:53:15,453 OH, BOY. I THINK WE'LL NEED IT, CHARLEY, HUH? 1062 00:53:15,627 --> 00:53:17,585 IT'S BEEN GOING WELL. I THINK IT'S TIME WE'LL NEED. 1063 00:53:17,759 --> 00:53:18,847 HOLD IT. DON'T GIVE IT AWAY. 1064 00:53:19,021 --> 00:53:20,284 OK, YOU GOT IT. KEEP IT GOING. 1065 00:53:20,458 --> 00:53:22,373 YOU'LL NEED THE SAME INSTRUMENTATION? 1066 00:53:22,547 --> 00:53:24,113 YEAH, ESPECIALLY OVER HERE. 1067 00:53:25,593 --> 00:53:27,378 THANK YOU. SHE WAS FABULOUS. 1068 00:53:27,552 --> 00:53:29,467 I ONLY BRING TALENTED PEOPLE IN. 1069 00:53:29,641 --> 00:53:30,946 WELL, 1070 00:53:32,470 --> 00:53:35,429 DESTINY KEEPS BRINGING US TOGETHER. 1071 00:53:35,603 --> 00:53:36,778 I THOUGHT I BROUGHT YOU TOGETHER. 1072 00:53:36,952 --> 00:53:37,953 [chuckles] 1073 00:53:38,127 --> 00:53:39,738 HEY. 1074 00:53:39,912 --> 00:53:40,782 [all laugh] 1075 00:53:40,956 --> 00:53:42,175 SHALL I SEE YOU OUT? 1076 00:53:42,349 --> 00:53:43,785 THAT'S ALL RIGHT. I'LL SEE HER TO HER CAR. 1077 00:53:43,959 --> 00:53:45,222 THANK YOU, BARBARA. 1078 00:53:45,396 --> 00:53:47,136 [Roy] LAURIE, WE'VE GOT YOUR PARTS HERE. 1079 00:53:48,921 --> 00:53:49,965 [Laurie] OH. 1080 00:53:50,139 --> 00:53:51,097 OK. 1081 00:53:51,271 --> 00:53:52,664 [Laurie] THANKS, ROY. 1082 00:53:52,838 --> 00:53:53,752 [Cris] ROY, I'LL BE BACK IN A MINUTE. 1083 00:53:53,926 --> 00:53:55,057 [Roy] OK. 1084 00:53:55,232 --> 00:53:56,581 YOU READY? YEAH. 1085 00:53:56,755 --> 00:53:58,104 [Charley] BYE. THANKS AGAIN. GOODBYE. 1086 00:53:58,278 --> 00:53:59,497 THANK YOU. 1087 00:53:59,671 --> 00:54:01,847 COME ON. 1088 00:54:02,021 --> 00:54:04,980 LISTEN. UH, WHY DON'T YOU WAIT FOR ME? WE'LL HAVE LUNCH TOGETHER. 1089 00:54:05,677 --> 00:54:07,331 OH. 1090 00:54:07,505 --> 00:54:09,202 I CAN'T, UH, 1091 00:54:09,376 --> 00:54:11,378 I HAVE-- I HAVE A LOT OF ERRANDS TO RUN TODAY. 1092 00:54:11,552 --> 00:54:13,206 I'LL RUN 'EM WITH YOU. WAIT FOR ME. 1093 00:54:13,380 --> 00:54:14,642 I CAN'T. REALLY. 1094 00:54:14,816 --> 00:54:17,079 COME ON. I'LL ONLY BE A HALF AN HOUR. 1095 00:54:17,254 --> 00:54:20,213 NO, I--I REALLY GOTTA GO. 1096 00:54:20,387 --> 00:54:23,347 HOW'S IT GONNA LOOK IF I KEEP FOLLOWIN' YOU AROUND TILL YOU SAY YES? 1097 00:54:23,521 --> 00:54:25,523 I CAN'T HAVE LUNCH WITH YOU, CRIS. 1098 00:54:25,697 --> 00:54:27,786 OK. WE'LL FORGET ABOUT LUNCH. IT WAS A BAD IDEA ANYWAY, RIGHT? 1099 00:54:27,960 --> 00:54:30,267 RIGHT. SPEND THE NIGHT WITH ME. 1100 00:54:30,441 --> 00:54:31,877 NO. 1101 00:54:32,051 --> 00:54:34,140 I'LL PICK YOU UP AT 7:00. WHERE DO YOU LIVE? 1102 00:54:34,314 --> 00:54:36,098 I DON'T WANT TO SEE YOU ANYMORE, CRIS. 1103 00:54:36,273 --> 00:54:38,449 I DON'T BELIEVE YOU. WHAT'S YOUR ADDRESS? 1104 00:54:38,623 --> 00:54:42,235 LISTEN. I AM GETTING MARRIED IN A FEW DAYS. 1105 00:54:42,409 --> 00:54:45,064 YOU WERE GETTING MARRIED IN A FEW DAYS A FEW DAYS AGO. 1106 00:54:45,238 --> 00:54:47,501 LOOK. 1107 00:54:47,675 --> 00:54:50,374 WHAT HAPPENED HAPPENED. DON'T START MAKING ME FEEL GUILTY, OK? 1108 00:54:50,548 --> 00:54:52,898 IS THIS OUR FIRST FIGHT? 1109 00:54:53,072 --> 00:54:55,379 I'M SERIOUS. ME, TOO. 1110 00:54:55,553 --> 00:54:58,207 OK, CAN WE TALK BUSINESS FOR A MINUTE? 1111 00:54:58,382 --> 00:54:59,687 I WANT TO USE YOU IN THE FILM. 1112 00:54:59,861 --> 00:55:01,689 I DEFINITELY WANT TO USE YOUR VOICE. 1113 00:55:01,863 --> 00:55:03,256 REALLY? 1114 00:55:03,430 --> 00:55:05,214 IN FACT, I WOULD LIKE TO USE YOUR SONG. 1115 00:55:05,389 --> 00:55:07,391 YOU LIGHT UP MY LIFE? UH-HUH. IT'S PERFECT. 1116 00:55:07,565 --> 00:55:09,567 THE ONLY THING IS WE GOTTA TONE IT DOWN A LITTLE BIT. 1117 00:55:09,741 --> 00:55:11,220 OK. 1118 00:55:11,395 --> 00:55:13,222 HEY, WHY DON'T YOU COME TO MY OFFICE TOMORROW? 1119 00:55:13,397 --> 00:55:17,052 AROUND 2:30. I'M IN THE 9000 BUILDING. WE'LL WORK ON IT. 1120 00:55:17,226 --> 00:55:20,229 OK, BUT I WANT YOU TO KNOW I MEANT WHAT I SAID. 1121 00:55:20,404 --> 00:55:22,493 I UNDERSTAND. 1122 00:55:22,667 --> 00:55:25,539 WE'LL WORK TOGETHER, I'LL KISS YOU GOODBYE, WE'LL BE FRIENDS. 1123 00:55:25,713 --> 00:55:27,715 HOW ABOUT WE SHAKE HANDS AND BE FRIENDS? 1124 00:55:27,889 --> 00:55:29,804 YOU GOT IT. 1125 00:55:34,548 --> 00:55:36,507 I CHEATED A LITTLE. 1126 00:55:38,900 --> 00:55:41,381 [people chattering] 1127 00:55:41,555 --> 00:55:45,298 IT IS SO LOVELY TO HAVE A PARTY BEFORE THE WEDDING. 1128 00:55:45,472 --> 00:55:46,430 YEAH. 1129 00:55:46,604 --> 00:55:48,649 ♪♪♪[music playing] 1130 00:55:52,958 --> 00:55:54,263 [laughing] 1131 00:55:54,438 --> 00:55:56,222 MURRAY AND JUDY JUST CAME. I'M GONNA SAY HELLO. 1132 00:55:56,396 --> 00:55:59,007 KEN, IT LOOKS LIKE YOUR FLORIST EXPLODED IN THE POOL. 1133 00:55:59,181 --> 00:56:00,095 [laughing] 1134 00:56:00,269 --> 00:56:02,271 I'LL SEE YOU LATER. 1135 00:56:02,446 --> 00:56:04,317 I DON'T BELIEVE, I DON'T BELIEVE ANY OF THIS. THIS IS JUST... 1136 00:56:04,491 --> 00:56:06,493 OH, YOU'RE IN A GREAT MOOD, AREN'T YOU? 1137 00:56:06,667 --> 00:56:09,235 OH, I HAD A DREAM LAST NIGHT. I WANNA TELL YOU. 1138 00:56:09,409 --> 00:56:12,847 I KILLED EVERY MOOSE IN THE LODGE. IT WAS JUST SENSATIONAL. BEAUTIFUL. 1139 00:56:13,021 --> 00:56:15,546 IT WAS ONE OF THOSE NIGHTS. I HAD THEM ROLLING IN THE AISLE 1140 00:56:15,720 --> 00:56:18,462 UNTIL THE USHER CAME DOWN AND TOOK THE DICE AWAY. 1141 00:56:18,636 --> 00:56:19,724 WHAT WORKED? 1142 00:56:19,898 --> 00:56:22,030 WELL, EVERYTHING WORKED. EVERYTHING. 1143 00:56:22,204 --> 00:56:24,381 EVEN THE OLD STUFF WORKED. YOU KNOW, UH, "YOUR AUTOPSY IS NEGATIVE." 1144 00:56:24,555 --> 00:56:25,860 REALLY? WHAT ELSE? 1145 00:56:26,034 --> 00:56:27,819 THE WICK IN THE EAR, THE ETERNAL LIGHT. 1146 00:56:27,993 --> 00:56:30,561 HOW ABOUT "HE--HE--HE LAYS A CARPET BUT HE SCREWS HIS FRIENDS"? 1147 00:56:30,735 --> 00:56:32,171 THE BIGGEST LAUGH OF THE NIGHT. 1148 00:56:32,345 --> 00:56:33,955 HE LAYS HIS CARPET BUT HE SCREWS HIS FRIENDS. 1149 00:56:34,129 --> 00:56:35,392 RIM SHOT. IT WAS SENSATIONAL. 1150 00:56:49,623 --> 00:56:51,103 [people chattering] 1151 00:56:53,932 --> 00:56:55,368 YOU LOOKED TERRIFIC OUT THERE. 1152 00:56:55,542 --> 00:56:56,848 YEAH, HAD A GOOD TIME. 1153 00:56:57,022 --> 00:56:58,066 HMM, NICE PARTY, HUH? 1154 00:56:58,240 --> 00:56:59,981 OH, YEAH. 1155 00:57:00,155 --> 00:57:01,330 ARE YOU OK? 1156 00:57:01,505 --> 00:57:02,419 SURE, FINE. 1157 00:57:02,593 --> 00:57:03,855 HEY, YOU SORE AT ME? 1158 00:57:04,899 --> 00:57:06,161 AM I SORE? YEAH. 1159 00:57:06,335 --> 00:57:08,337 NO. WHY? 1160 00:57:08,512 --> 00:57:10,992 YOU'RE NOT SORE ABOUT NUSSBAUM AND THE DOVES AND THE SHELLS AND ALL THAT? 1161 00:57:11,166 --> 00:57:13,647 OF COURSE NOT. I'M NOT SORE AT YOU OR MAD AT YOU. 1162 00:57:13,821 --> 00:57:15,606 I MEAN, WHY ARE YOU ASKING ME THESE QUESTIONS? 1163 00:57:15,780 --> 00:57:18,870 'CAUSE I KNOW YOU. WHEN YOU'RE NOT FEELING RIGHT, YOU ACT FUNNY. 1164 00:57:24,266 --> 00:57:25,833 DO YOU LOVE HIM? 1165 00:57:27,008 --> 00:57:28,096 WHO? 1166 00:57:30,098 --> 00:57:32,318 GODZILLA WHO. KEN! 1167 00:57:32,492 --> 00:57:35,974 OF COURSE I LOVE HIM. WHY DO YOU EVEN HAVE TO ASK ME THAT? 1168 00:57:36,148 --> 00:57:38,759 'CAUSE YOU HAVEN'T DANCED WITH HIM ALL AFTERNOON. 1169 00:57:38,933 --> 00:57:40,326 HE DOESN'T LIKE TO DANCE. 1170 00:57:40,500 --> 00:57:41,806 YOU HAVEN'T EVEN TOUCHED HIM. 1171 00:57:41,980 --> 00:57:43,329 YOU KNOW, THERE ARE PEOPLE AROUND. 1172 00:57:43,503 --> 00:57:44,896 OH, YEAH. 1173 00:57:45,070 --> 00:57:47,159 YOU KNOW, WHEN YOUR MOTHER AND I WERE ENGAGED, 1174 00:57:47,333 --> 00:57:48,682 WE WERE SO CRAZY ABOUT EACH OTHER, 1175 00:57:48,856 --> 00:57:50,902 WE COULDN'T KEEP OUR HANDS OFF EACH OTHER. 1176 00:57:51,076 --> 00:57:52,773 THAT'S 'CAUSE YOU'RE A LECH. 1177 00:57:52,947 --> 00:57:54,122 YEAH. WELL, MAYBE A LITTLE. 1178 00:57:55,820 --> 00:57:57,735 YOU STILL ARE, POP. 1179 00:58:03,654 --> 00:58:04,481 LAURA. 1180 00:58:04,655 --> 00:58:06,091 WHAT? 1181 00:58:09,747 --> 00:58:11,183 WHAT? 1182 00:58:11,357 --> 00:58:14,491 I DON'T WANT YOU TO DO ANYTHING FOR ME. I MEAN... 1183 00:58:15,709 --> 00:58:17,406 I MEAN, THIS REALLY IS TERRIFIC, 1184 00:58:17,581 --> 00:58:19,583 BUT I KNOW WE NEVER HAD A HOME LIKE THIS. 1185 00:58:19,757 --> 00:58:21,846 WE TRAVELED FROM ONE HOTEL TO ANOTHER. I KNOW THAT. 1186 00:58:22,020 --> 00:58:24,413 IT WAS NEVER, NEVER GREAT, BUT... 1187 00:58:25,806 --> 00:58:28,592 SI, IT WAS THE BEST. 1188 00:58:28,766 --> 00:58:31,159 THE BEST. IT WASN'T THE BEST. IT WAS... 1189 00:58:31,333 --> 00:58:33,074 IT WAS THE BEST. 1190 00:58:33,248 --> 00:58:34,772 THE BEST. 1191 00:58:40,038 --> 00:58:44,259 THE THING IS, IF I THOUGHT YOU WERE DOING ANY OF THIS FOR ME, 1192 00:58:44,433 --> 00:58:45,739 IT WOULD BREAK MY HEART. 1193 00:58:45,913 --> 00:58:47,349 OH, POP. 1194 00:58:47,524 --> 00:58:51,397 I KNOW, I KNOW THAT ONE DAY THE ROASTS WILL BE OVER 1195 00:58:51,571 --> 00:58:53,138 AND THE JOKES WILL BE FINISHED. 1196 00:58:53,312 --> 00:58:54,618 BUT I--I DON'T NEED ALL THIS. 1197 00:58:54,792 --> 00:58:55,793 SI. 1198 00:58:55,967 --> 00:58:58,839 SHH. I LOVE YOU, 1199 00:58:59,579 --> 00:59:01,233 BUT YOU'RE CRAZY. 1200 00:59:01,407 --> 00:59:03,365 ♪♪♪[playing] 1201 00:59:14,420 --> 00:59:18,859 ♪ IT'S THE MORNING OF MY LIFE ♪ 1202 00:59:20,513 --> 00:59:26,345 ♪ I WANNA WRITE YOU A SONG ♪ 1203 00:59:26,519 --> 00:59:31,785 ♪ IT'S THE START OF SOMETHING NICE ♪ 1204 00:59:31,959 --> 00:59:37,791 ♪ AND SO I'LL WRITE YOU A SONG ♪ 1205 00:59:37,965 --> 00:59:43,449 ♪ OF PAINTED RAINBOWS AND DREAMS ♪ 1206 00:59:43,623 --> 00:59:47,845 ♪ LOOKING FOR LOVE IN THE CITY ♪ 1207 00:59:49,629 --> 00:59:51,544 ♪ AND MAKE-BELIEVING ♪ 1208 00:59:51,718 --> 00:59:55,330 ♪ THAT LIFE IS REAL ♪ 1209 00:59:55,504 --> 01:00:00,422 ♪ LOOKING FOR SOMEONE WHO'S PRETTY ♪ 1210 01:00:01,859 --> 01:00:07,386 ♪ IT'S THE MORNING OF MY LIFE ♪ 1211 01:00:07,560 --> 01:00:12,609 ♪ AND SO I'LL WRITE YOU A SONG ♪♪♪ 1212 01:00:37,198 --> 01:00:38,678 OK. ALL RIGHT NOW, KATHY. 1213 01:00:38,852 --> 01:00:40,637 JUST KEEP YOUR EYE ON THE BALL, ALL RIGHT? 1214 01:00:40,811 --> 01:00:42,029 I'LL TRY. 1215 01:00:42,203 --> 01:00:43,944 JUST SWING EASY. 1216 01:00:44,118 --> 01:00:46,164 YOU'RE DOING GREAT. YOU'RE DOING GREAT. ALL RIGHT. 1217 01:00:51,952 --> 01:00:54,085 COULD YOU PLEASE PAGE KENNY ROTHENBERG? 1218 01:00:54,259 --> 01:00:55,521 HE'S ON THE COURT WITH A LESSON. 1219 01:00:55,695 --> 01:00:58,524 YEAH, I KNOW. UH, IT'S IMPORTANT. 1220 01:00:58,698 --> 01:01:00,744 YOU'RE LAURIE, RIGHT? 1221 01:01:00,918 --> 01:01:02,049 OK. 1222 01:01:04,791 --> 01:01:08,621 KEN ROTHENBERG, PLEASE COME TO THE FRONT DESK. 1223 01:01:25,943 --> 01:01:27,640 [Kenny] LAURIE, WHAT ARE YOU DOIN' HERE? 1224 01:01:27,814 --> 01:01:28,989 SORRY TO BOTHER YOU. 1225 01:01:29,163 --> 01:01:31,209 NO, NO, NO. IT'S OK. WHAT'S UP? 1226 01:01:31,383 --> 01:01:33,559 OH, UH, I DON'T KNOW. I'M, UH... 1227 01:01:33,733 --> 01:01:35,692 I DON'T KNOW. I FEEL KIND OF DEPRESSED. 1228 01:01:36,518 --> 01:01:38,042 WHY? 1229 01:01:38,216 --> 01:01:39,217 WELL... 1230 01:01:40,566 --> 01:01:42,568 UM, I DON'T KNOW. 1231 01:01:44,135 --> 01:01:45,832 YOU'VE JUST GOT PRE-WEDDING JITTERS. 1232 01:01:46,006 --> 01:01:47,834 OR YOU WANT ME TO COME OVER TONIGHT? 1233 01:01:48,008 --> 01:01:50,097 WHAT I WANT YOU TO DO IS--IS HUG ME. 1234 01:01:50,271 --> 01:01:51,882 OK. 1235 01:01:53,013 --> 01:01:55,624 NOW, WHAT'S ALL THIS, HUH? 1236 01:01:55,799 --> 01:01:57,409 I JUST WANT TO HOLD ONTO YOU. 1237 01:01:57,583 --> 01:01:59,150 I'M NOT GOIN' ANYWHERE. 1238 01:01:59,324 --> 01:02:01,065 YEAH, I KNOW. 1239 01:02:01,239 --> 01:02:04,546 UH, SOME PRODUCER HEARD MY INSURANCE COMMERCIAL, 1240 01:02:04,721 --> 01:02:06,940 AND HE WANTS ME TO COME IN TOMORROW TO MEET THE DIRECTOR. 1241 01:02:07,114 --> 01:02:08,420 THEY WANNA HEAR ME SING. 1242 01:02:08,594 --> 01:02:09,900 THAT'S INCREDIBLE. 1243 01:02:10,074 --> 01:02:11,466 IS THAT WHAT YOU CAME OVER HERE TO TELL ME? 1244 01:02:11,640 --> 01:02:13,773 UM, WELL... 1245 01:02:14,861 --> 01:02:16,863 [tennis balls bouncing] 1246 01:02:19,170 --> 01:02:21,085 DO YOU LOVE ME, KENNY? 1247 01:02:23,870 --> 01:02:27,308 WELL, OF COURSE I LOVE YOU. 1248 01:02:27,482 --> 01:02:29,528 YEAH. I KNOW. 1249 01:02:33,097 --> 01:02:34,794 BUT DO YOU REALLY LOVE ME? 1250 01:02:36,709 --> 01:02:39,538 LOOK, WH-WHAT'S THE MATTER WITH YOU, HUH? 1251 01:02:42,149 --> 01:02:44,456 I DON'T KNOW. 1252 01:02:44,630 --> 01:02:47,720 LOOK, I, UH, I GOTTA GET BACK. 1253 01:02:47,894 --> 01:02:49,983 SURE, OK. OK. 1254 01:02:52,551 --> 01:02:55,989 OH, YOU, UH, Y-YOU WANT ME TO HUG YOU AGAIN? 1255 01:02:56,163 --> 01:02:57,948 [players chattering] 1256 01:02:58,122 --> 01:02:59,645 YEAH. 1257 01:03:01,125 --> 01:03:02,430 OK. 1258 01:03:03,649 --> 01:03:05,694 YOU HAVE A GOOD AUDITION, OK? 1259 01:03:05,869 --> 01:03:08,436 YEAH, OK. OK. HEY, TELL ME. 1260 01:03:08,610 --> 01:03:09,742 TELL YOU WHAT? 1261 01:03:09,916 --> 01:03:12,353 OH, YOU KNOW. BREAK A LEG. 1262 01:03:12,527 --> 01:03:14,965 BREAK A LEG, HUH. 1263 01:03:15,139 --> 01:03:17,663 OH. DO YOU HAVE ENOUGH GAS IN THAT CAR OF YOURS? 1264 01:03:17,837 --> 01:03:20,100 YES. 1265 01:03:20,274 --> 01:03:22,581 I WANT YOU TO GET RID OF THAT CAR. I KNOW. 1266 01:03:22,755 --> 01:03:24,409 NO, I MEAN IT, NOW. 1267 01:03:24,583 --> 01:03:26,803 I WANT YOU TO START THINKING OF A NEW CAR FOR YOURSELF. 1268 01:03:26,977 --> 01:03:29,980 OK. OK. I WILL. 1269 01:03:30,154 --> 01:03:31,198 YOU'D BETTER GO. 1270 01:03:31,372 --> 01:03:33,418 I'LL GO. GOODBYE. 1271 01:03:33,592 --> 01:03:35,159 GOOD NIGHT. 1272 01:03:38,945 --> 01:03:43,558 ♪ FINALLY A CHANCE TO SAY ♪ 1273 01:03:43,732 --> 01:03:47,301 ♪ HEY, I LOVE YOU ♪ 1274 01:03:47,475 --> 01:03:50,435 ♪ NEVER AGAIN ♪ 1275 01:03:50,609 --> 01:03:54,047 ♪ TO BE ALL ALONE ♪♪♪ 1276 01:03:55,657 --> 01:03:57,268 HOW'D YOU KNOW MY SONG SO FAST? 1277 01:03:57,442 --> 01:03:58,617 THAT'S WHAT I DO. 1278 01:03:58,791 --> 01:04:00,662 BUT YOU--YOU SEE WHAT I'M SAYIN'? 1279 01:04:00,837 --> 01:04:04,841 WHEN YOU-- IT'S-- YOU'RE TELLIN' SOMEBODY THIS STORY, RIGHT? 1280 01:04:05,015 --> 01:04:07,452 IT'S NOT EVERY DAY YOU GET A CHANCE TO SAY "I LOVE YOU," RIGHT? 1281 01:04:07,626 --> 01:04:09,497 SO WHEN YOU SING THE WORDS, "I LOVE YOU," 1282 01:04:09,671 --> 01:04:12,283 I MEAN, IT'S LIKE ALL THE HEARTACHE IN THE WORLD'S GOTTA BE THERE. 1283 01:04:12,457 --> 01:04:14,851 YOU KNOW, IT'S LIKE A RELEASE. 1284 01:04:16,287 --> 01:04:18,071 YOU KNOW WHAT I'M SAYIN'? 1285 01:04:18,245 --> 01:04:19,203 I THINK SO. 1286 01:04:21,335 --> 01:04:23,772 [inaudible] 1287 01:05:05,640 --> 01:05:07,599 [birds chirping] 1288 01:05:12,560 --> 01:05:14,301 THANKS. 1289 01:05:16,913 --> 01:05:19,785 ANNIE, I'M--I'M REALLY IN TROUBLE. 1290 01:05:20,873 --> 01:05:23,006 I THINK I'M IN LOVE WITH HIM. 1291 01:05:24,224 --> 01:05:25,660 OH, NO. 1292 01:05:27,097 --> 01:05:28,620 YEAH. 1293 01:05:29,577 --> 01:05:30,448 WHAT AM I GONNA DO? 1294 01:05:30,622 --> 01:05:32,841 WHAT CAN YOU DO? 1295 01:05:33,016 --> 01:05:35,366 I COULD RUN. 1296 01:05:35,540 --> 01:05:37,194 COULD YOU? 1297 01:05:39,674 --> 01:05:40,849 NO. 1298 01:05:41,024 --> 01:05:42,721 IT ALL SEEMS SO FAST. 1299 01:05:42,895 --> 01:05:47,030 I KNOW. IT'S--IT'S LIKE MY WILDEST FANTASY IS COMING TO LIFE. 1300 01:05:49,249 --> 01:05:52,252 I THOUGHT YOU WERE GETTING MARRIED IN A FEW DAYS. 1301 01:05:52,426 --> 01:05:54,037 I GET IT. I MEAN, YOU-- 1302 01:05:54,211 --> 01:05:57,040 YOU WOULDN'T SEE HIM AGAIN IF--IF YOU WERE ME, RIGHT? 1303 01:05:57,214 --> 01:05:58,693 WELL, I WOULDN'T. 1304 01:05:58,867 --> 01:06:00,869 I--I WOULD JUST CHALK IT UP TO ONE LAST FLING 1305 01:06:01,044 --> 01:06:02,784 AND FORGET ABOUT IT. 1306 01:06:02,959 --> 01:06:06,614 BUT I KNOW YOU, AND YOU'RE GONNA DO WHAT YOU WANT. 1307 01:06:06,788 --> 01:06:09,617 WELL, I-IT'S JUST-- IT'S JUST NOT THAT EASY. 1308 01:06:09,791 --> 01:06:12,751 DO YOU KNOW THAT ON--ON TOP OF EVERYTHING ELSE, 1309 01:06:15,536 --> 01:06:18,670 I THINK I MAY HAVE THE LEAD IN THIS FILM. 1310 01:06:18,844 --> 01:06:19,758 YOU'RE KIDDING. 1311 01:06:19,932 --> 01:06:22,021 NO. I MEAN... 1312 01:06:22,195 --> 01:06:23,196 [sighing] 1313 01:06:23,370 --> 01:06:25,198 WELL, 1314 01:06:25,372 --> 01:06:27,853 D-DID HE TELL YOU YOU--YOU HAD IT? 1315 01:06:29,855 --> 01:06:31,552 YEAH. 1316 01:06:31,726 --> 01:06:34,425 HE TOLD ME THAT I HAVE IT. 1317 01:06:34,599 --> 01:06:38,342 "I GUESS YOU COULD SAY I'M NOT TOO CRAZY ABOUT TRAINS. 1318 01:06:38,516 --> 01:06:39,996 CAN I HAVE ANOTHER BEER?" 1319 01:06:40,170 --> 01:06:42,259 THAT WAS VERY GOOD. 1320 01:06:42,433 --> 01:06:44,130 SHE'S GOOD. 1321 01:06:44,304 --> 01:06:47,394 I ONLY BRING TALENTED PEOPLE IN. 1322 01:06:47,568 --> 01:06:49,309 THE SCENE I JUST READ, IT'S NEW, ISN'T IT? 1323 01:06:49,483 --> 01:06:50,789 HMM. THAT'S RIGHT. 1324 01:06:50,963 --> 01:06:52,747 I LIKE IT. ME, TOO. 1325 01:06:54,706 --> 01:06:57,361 UH, CRIS, I SAW LAURIE ROBINSON. 1326 01:06:58,405 --> 01:07:00,103 YOU DID SAY I HAVE THE PART? 1327 01:07:00,277 --> 01:07:01,930 THAT'S WHAT I SAID. 1328 01:07:02,105 --> 01:07:05,064 I GUESS, LIKE MOST ACTRESSES, 1329 01:07:05,238 --> 01:07:07,893 I GUESS I'M A LITTLE INSECURE. 1330 01:07:08,067 --> 01:07:09,677 HEY, IF I SAID YOU GOT THE PART, 1331 01:07:09,851 --> 01:07:10,896 YOU GOT THE PART. 1332 01:07:14,247 --> 01:07:16,336 LET'S GO BACK TO WORK, HUH? 1333 01:07:16,510 --> 01:07:18,512 COME ON. I'LL WALK YOU OUT. 1334 01:07:19,818 --> 01:07:22,516 A CUP OF COFFEE. EVERYBODY JUST TAKE A BREAK. 1335 01:07:32,657 --> 01:07:35,616 I'VE GOT GREAT NEWS. COME HERE. 1336 01:07:35,790 --> 01:07:37,792 NO CLAM, HUH. 1337 01:07:37,966 --> 01:07:39,838 I CONVINCED NUSSBAUM NOT TO USE THE CLAMS. ISN'T THAT GREAT? 1338 01:07:40,012 --> 01:07:41,318 NOW, WE GOTTA GO OVER THERE. 1339 01:07:41,492 --> 01:07:43,059 HE'S--HE'S GONNA GIVE US OUR NEW MOVES, RIGHT? 1340 01:07:43,233 --> 01:07:44,451 NO, KENNY. I WANNA TALK TO YOU. 1341 01:07:47,672 --> 01:07:50,153 OK. WHAT? WHAT'S UP? 1342 01:07:58,552 --> 01:08:00,511 I CAN'T MARRY YOU, KENNY. 1343 01:08:01,903 --> 01:08:03,209 WHAT? 1344 01:08:07,431 --> 01:08:10,564 I CAN'T MARRY YOU. 1345 01:08:10,738 --> 01:08:12,740 WHAT ARE YOU TALKING ABOUT? COME ON. 1346 01:08:12,914 --> 01:08:14,220 YOU'RE JUST VERY NERVOUS. 1347 01:08:15,656 --> 01:08:17,876 I DON'T LOVE YOU, KENNY. 1348 01:08:22,054 --> 01:08:24,709 IT'S JUST NOT THE WAY IT SHOULD BE. 1349 01:08:26,189 --> 01:08:28,191 THINK ABOUT IT. 1350 01:08:30,889 --> 01:08:32,586 WHEN DID THIS HAPPEN? 1351 01:08:34,719 --> 01:08:37,417 I DON'T KNOW. 1352 01:08:37,591 --> 01:08:41,291 IT'S BEEN HAPPENING FOR SOME TIME NOW. 1353 01:08:41,465 --> 01:08:45,164 [Nussbaum] KEN, WOULD YOU GO FOR A GIANT CHRYSANTHEMUM THAT OPENS? 1354 01:08:48,080 --> 01:08:49,690 MR. NUSSBAUM, NOT NOW, HUH? 1355 01:08:49,864 --> 01:08:51,692 [Nussbaum] WELL, PLEASE HURRY, I WANNA GET-- 1356 01:08:51,866 --> 01:08:52,954 ALL RIGHT, MR. NUSSBAUM. 1357 01:08:53,129 --> 01:08:54,130 [Nussbaum] PLEASE HURRY, KEN. 1358 01:08:54,304 --> 01:08:55,827 ALL RIGHT! 1359 01:09:00,005 --> 01:09:03,051 OH, LAURIE, FOR GOD'S SAKE. 1360 01:09:04,314 --> 01:09:06,490 LOOK WHAT YOU'RE DOING. 1361 01:09:06,664 --> 01:09:10,146 BELIEVE ME, KENNY. I HAVE LOOKED AT IT. 1362 01:09:10,320 --> 01:09:12,235 I'VE GIVEN IT A LOT OF THOUGHT. 1363 01:09:16,674 --> 01:09:18,632 THEN WHY'D YOU SAY YOU'D MARRY ME? 1364 01:09:23,246 --> 01:09:25,335 IS THERE SOMEBODY ELSE? 1365 01:09:28,512 --> 01:09:29,991 THAT'S THE REASON? 1366 01:09:31,602 --> 01:09:33,473 THAT'S NOT THE REASON. 1367 01:09:36,955 --> 01:09:39,305 WHAT DO YOU WANT ME TO DO? YOU WANT ME TO JUST GO OVER THERE, 1368 01:09:39,479 --> 01:09:41,612 AND YOU WANT ME TO TELL EVERYBODY THE SHOW'S OFF, HUH? 1369 01:09:41,786 --> 01:09:44,702 DO YOU WANT ME TO GO AND TELL THEM? 1370 01:09:50,011 --> 01:09:53,537 YOU CAN GET OUTTA HERE. I'LL TELL EVERYBODY, ALL RIGHT? 1371 01:09:53,711 --> 01:09:56,192 I'M SORRY, KENNY. 1372 01:09:56,366 --> 01:09:58,498 GET OUTTA HERE, OK? 1373 01:10:12,860 --> 01:10:14,558 [phone ringing] 1374 01:10:15,863 --> 01:10:16,951 HELLO? 1375 01:10:17,125 --> 01:10:18,170 [Charley] LAURIE? 1376 01:10:18,344 --> 01:10:20,041 WHO IS THIS, PLEASE? 1377 01:10:20,216 --> 01:10:23,523 THIS IS CHARLEY NELSON. CRIS NOLAN'S ASSOCIATE. 1378 01:10:23,697 --> 01:10:26,657 OH, YEAH, YEAH. UH, HOW ARE YOU, CHARLEY? 1379 01:10:26,831 --> 01:10:29,790 UH, FINE. CRIS ASKED ME TO CALL YOU. 1380 01:10:29,964 --> 01:10:33,577 UH, WELL, I--I DON'T QUITE KNOW HOW TO SAY THIS, 1381 01:10:33,751 --> 01:10:35,709 BUT WE'RE HAVIN' A PROBLEM WITH THE MOVIE. 1382 01:10:35,883 --> 01:10:38,756 WHAT KIND OF PROBLEM? 1383 01:10:38,930 --> 01:10:43,282 AS A MATTER OF FACT, THE, UH, STUDIO WANTS US TO USE A BLONDE. 1384 01:10:46,503 --> 01:10:47,895 WHAT? 1385 01:10:48,069 --> 01:10:50,376 WELL, UH, WE'RE SORRY. 1386 01:10:50,550 --> 01:10:52,857 YOU KNOW, CRIS WANTED YOU FOR THE PART. 1387 01:10:55,947 --> 01:10:59,777 WELL, UH, WHY DIDN'T HE FIGHT FOR ME? 1388 01:10:59,951 --> 01:11:03,171 I--I MEAN, IF HE FELT THAT I SHOULD HAVE THE PART, 1389 01:11:03,346 --> 01:11:04,912 THEN WHY DIDN'T HE JUST TELL THEM? 1390 01:11:05,086 --> 01:11:06,784 HE'S THE DIRECTOR. 1391 01:11:06,958 --> 01:11:09,395 LAURIE, I WASN'T THERE, OK? 1392 01:11:13,486 --> 01:11:15,793 WELL, WHERE IS CRIS, CHARLEY? 1393 01:11:15,967 --> 01:11:18,622 I MEAN, UH, HOW COME HE DIDN'T CALL ME HIMSELF? 1394 01:11:18,796 --> 01:11:20,754 CRIS IS IN A MEETING AT THE STUDIO. 1395 01:11:22,408 --> 01:11:24,323 BUT HE WANTED YOU TO KNOW RIGHT AWAY. 1396 01:11:26,586 --> 01:11:28,632 OK. THANK YOU, CHARLEY. 1397 01:11:28,806 --> 01:11:30,416 YEAH. 1398 01:11:31,809 --> 01:11:33,463 GOODBYE. 1399 01:11:37,510 --> 01:11:39,947 [sniffling] 1400 01:11:47,041 --> 01:11:49,435 [dialing] 1401 01:11:57,661 --> 01:11:59,489 [phone ringing] 1402 01:11:59,663 --> 01:12:01,578 [female operator] HELLO, 0-5-0-5. 1403 01:12:01,752 --> 01:12:04,798 HELLO? UH, UH, CRIS NOLAN'S OFFICE, PLEASE. 1404 01:12:04,972 --> 01:12:06,452 JUST ONE MOMENT. I'LL CONNECT YOU. 1405 01:12:06,626 --> 01:12:07,845 THANK YOU. 1406 01:12:09,499 --> 01:12:11,065 [Barbara] CRIS NOLAN'S OFFICE. 1407 01:12:11,239 --> 01:12:14,025 YEAH, HI, BARBARA. UH, THIS IS LAURIE ROBINSON. 1408 01:12:14,199 --> 01:12:15,809 IS CRIS THERE, PLEASE? 1409 01:12:15,983 --> 01:12:18,856 UH, NO, LAURIE. I HAVEN'T SEEN HIM ALL DAY. 1410 01:12:19,030 --> 01:12:20,858 I THINK HE'S AT HOME. 1411 01:12:21,032 --> 01:12:23,034 WHY DON'T YOU TRY TO REACH HIM THERE? 1412 01:12:23,208 --> 01:12:25,428 BUT, UH... SORRY, BARBARA. 1413 01:12:25,602 --> 01:12:27,691 UH, H-HE'S NOT IN A MEETING RIGHT NOW? 1414 01:12:27,865 --> 01:12:32,478 UH, NO. I DON'T SEE ANYTHING IN THE BOOK TILL NEXT WEEK. 1415 01:12:33,479 --> 01:12:34,698 I SEE. 1416 01:12:36,090 --> 01:12:37,570 OK. THANK YOU, BARBARA. 1417 01:12:37,744 --> 01:12:39,355 BYE. 1418 01:12:42,445 --> 01:12:44,534 [sighing] 1419 01:13:38,892 --> 01:13:40,720 [doorbell buzzing] 1420 01:13:44,507 --> 01:13:45,943 [people chattering] 1421 01:13:48,554 --> 01:13:49,599 LAURIE. 1422 01:13:49,773 --> 01:13:51,949 [Charley] OH, HI, LAURIE. 1423 01:13:52,123 --> 01:13:54,212 HI. OH, HI. 1424 01:13:54,386 --> 01:13:55,213 HI. 1425 01:13:55,387 --> 01:13:56,780 WHAT ARE YOU DOIN' HERE? 1426 01:13:58,172 --> 01:13:59,913 I JUST CAME TO TALK TO YOU. 1427 01:14:01,306 --> 01:14:04,440 UM, I GUESS THIS IS--IS A--A BAD TIME. 1428 01:14:04,614 --> 01:14:07,225 UH, WE WERE JUST ON OUR WAY OUT. 1429 01:14:07,399 --> 01:14:09,575 I DON'T-- I DON'T WANT TO KEEP YOU. 1430 01:14:09,749 --> 01:14:11,229 ARE YOU OK? 1431 01:14:11,403 --> 01:14:12,926 YEAH. 1432 01:14:13,100 --> 01:14:14,711 YEAH, I'M--I'M OK. 1433 01:14:14,885 --> 01:14:17,453 I, UH, I WANTED T-T-TO TALK TO YOU. 1434 01:14:17,627 --> 01:14:19,455 YEAH? 1435 01:14:20,499 --> 01:14:23,546 UH, ABOUT THE ACT, YOU KNOW. 1436 01:14:23,720 --> 01:14:25,504 OH, THE THING IS TONIGHT, HUH? 1437 01:14:25,678 --> 01:14:28,072 OH, YEAH. MY--MY--MY SHOW'S TONIGHT. 1438 01:14:28,246 --> 01:14:32,380 AND, UH, I'M TAPING-- I'M--I'M TAPING MY--MY SHOW TONIGHT. 1439 01:14:32,555 --> 01:14:35,209 UH, LISTEN. WE WERE JUST GONNA GET SOMETHING TO EAT. 1440 01:14:35,383 --> 01:14:36,428 DO YOU WANT TO COME WITH US? 1441 01:14:36,602 --> 01:14:38,691 OH, NO. NO. NO, THANK YOU. 1442 01:14:38,865 --> 01:14:40,606 I--I DON'T WANNA-- 1443 01:14:40,780 --> 01:14:43,261 IT'S--IT'S OK. 1444 01:14:43,435 --> 01:14:45,393 UH, LET ME-- LET ME WALK YOU DOWN TO YOUR CAR, OK? 1445 01:14:45,568 --> 01:14:47,352 UM, UH, WHY DON'T I MEET YOU DOWN IN THE GARAGE? 1446 01:14:47,526 --> 01:14:48,527 WHY DON'T YOU LOCK UP FOR ME? 1447 01:14:48,701 --> 01:14:49,702 OH, YEAH. 1448 01:14:49,876 --> 01:14:50,703 I'LL SEE YOU IN A MINUTE. 1449 01:14:50,877 --> 01:14:51,791 COME ON. 1450 01:14:58,711 --> 01:15:00,408 I DON'T KNOW WHAT TO SAY. 1451 01:15:02,019 --> 01:15:03,716 I AM REALLY SORRY ABOUT THE PART. 1452 01:15:03,890 --> 01:15:05,457 I WOULD HAVE CALLED YOU. I SHOULD HAVE. 1453 01:15:05,631 --> 01:15:07,851 YOU CANNOT BELIEVE WHAT A HECTIC DAY IT'S BEEN. 1454 01:15:08,025 --> 01:15:10,114 I'VE HAD CALLS FROM BOTH COASTS. 1455 01:15:10,288 --> 01:15:12,464 DO YOU HAVE ANY IDEA WHAT IT'S LIKE WHEN YOU GO INTO PREPRODUCTION? 1456 01:15:12,638 --> 01:15:14,379 IT'S MURDER. YEAH, I'VE HEARD. 1457 01:15:14,553 --> 01:15:16,337 I KNOW YOU'RE DISAPPOINTED. 1458 01:15:16,512 --> 01:15:18,470 BUT YOU HAVE GOT EVERYTHING IN THE WORLD AHEAD OF YOU. 1459 01:15:18,644 --> 01:15:20,167 YOU'VE GOT A GREAT CAREER AHEAD OF YOU. 1460 01:15:20,341 --> 01:15:22,256 IN ANOTHER DAY, YOU'LL BE A HAPPY, MARRIED LADY. 1461 01:15:22,430 --> 01:15:24,824 THIS IS LIKE A BAD DREAM. 1462 01:15:24,998 --> 01:15:27,000 WHAT ARE YOU TALKIN' ABOUT? IT'S A MOVIE. 1463 01:15:27,174 --> 01:15:30,090 I MEAN, IF NOT THIS MOVIE, IT'LL BE ANOTHER MOVIE, A BETTER ONE. 1464 01:15:30,264 --> 01:15:31,439 YEAH. 1465 01:15:33,093 --> 01:15:35,531 YOU'RE A VERY SPECIAL GIRL, LAURIE. 1466 01:15:37,750 --> 01:15:39,665 BUT NOT TO YOU? 1467 01:15:39,839 --> 01:15:41,624 I TOLD YOU. IT'S NOT MY DECISION. 1468 01:15:41,798 --> 01:15:44,627 I WASN'T TALKING ABOUT THE FILM. 1469 01:15:46,977 --> 01:15:48,413 [car horn honking] 1470 01:15:48,587 --> 01:15:50,415 I'VE GOTTA RUN. 1471 01:15:50,589 --> 01:15:52,330 I'M SORRY YOU CAN'T JOIN US, 1472 01:15:52,504 --> 01:15:54,811 BUT LET'S, YOU KNOW, KEEP THE CHANNELS OPEN, KEEP IN TOUCH, HUH? 1473 01:15:54,985 --> 01:15:56,464 YEAH. 1474 01:15:56,639 --> 01:15:58,728 LAURIE. HEY. 1475 01:15:59,903 --> 01:16:01,382 FRIENDS? 1476 01:16:02,340 --> 01:16:03,254 YEAH. 1477 01:16:03,428 --> 01:16:05,778 OK. BYE-BYE. 1478 01:16:38,768 --> 01:16:41,248 [man] OK, LAURIE. TAPE IS ROLLING. THIS IS TAKE ONE. 1479 01:16:41,988 --> 01:16:44,077 HI, EVERYBODY. 1480 01:16:44,251 --> 01:16:47,037 UM, MY NAME IS LAURIE. AND, UH... 1481 01:16:47,211 --> 01:16:49,169 AND THIS IS MY FRIEND LARRY. 1482 01:16:49,343 --> 01:16:50,823 [sniffling] 1483 01:16:50,997 --> 01:16:53,086 HE'S SOMETHIN', HUH? WHAT A KID, HUH? 1484 01:16:55,654 --> 01:16:57,047 DON'T--DON'T APPLAUD TOO LOUD 1485 01:16:57,221 --> 01:16:59,963 OR HE'LL START ASKING ME FOR FOOD. 1486 01:17:00,137 --> 01:17:01,921 SOME KID, HUH? 1487 01:17:02,095 --> 01:17:03,793 50-YEAR-OLD MIDGET. 1488 01:17:06,534 --> 01:17:07,840 [sniffling] 1489 01:17:08,014 --> 01:17:10,016 JOKING ASIDE, LADIES AND GENTLEMEN, 1490 01:17:10,190 --> 01:17:14,455 I USE MY DUMMY IN MY ACT FOR ONE OVERWHELMING, COMPELLING REASON. 1491 01:17:14,630 --> 01:17:15,761 HE WORKS CHEAP. 1492 01:17:28,469 --> 01:17:30,254 GET IT? 1493 01:17:32,299 --> 01:17:34,737 [Si] LET'S HAVE A BIG HAND NOW FOR MY DAUGHTER, 1494 01:17:34,911 --> 01:17:37,087 LAURIE ROBINSON! 1495 01:17:40,830 --> 01:17:42,396 UH... 1496 01:17:43,833 --> 01:17:46,139 YOU KNOW, THIS--THIS KID'S REALLY SMART. 1497 01:17:46,313 --> 01:17:48,576 WE HAD HIM TESTED. 1498 01:17:48,751 --> 01:17:50,622 HE'S ONLY 10 YEARS OLD, BUT HE'S GOT THE BRAIN OF A 30-YEAR-OLD MONKEY. 1499 01:17:50,796 --> 01:17:51,710 [audience laughing] 1500 01:18:10,598 --> 01:18:12,731 IT'S ALL RIGHT, HONEY. IT DIDN'T WORK FOR ME, EITHER. NEVER MIND. 1501 01:18:12,905 --> 01:18:14,994 [audience applauding] 1502 01:18:17,257 --> 01:18:19,085 [laughing] 1503 01:18:20,870 --> 01:18:24,612 OH, MY AGENT TOLD ME THIS ACT I-IS A REAL SLEEPER. 1504 01:18:24,787 --> 01:18:26,658 HE SAID EVERYBODY WHO SEES IT GOES TO SLEEP. 1505 01:18:27,920 --> 01:18:30,531 [laughing] 1506 01:18:33,099 --> 01:18:35,145 YOU GET IT? 1507 01:18:35,972 --> 01:18:37,582 HUH? 1508 01:18:37,756 --> 01:18:40,019 GOES TO SLEEP. 1509 01:18:41,455 --> 01:18:44,197 YOU KNOW, I WANT TO DO SOMETHING RIGHT NOW 1510 01:18:44,371 --> 01:18:46,765 THAT I DON'T USUALLY DO IN A CHEAP SHOW LIKE THIS. 1511 01:18:46,939 --> 01:18:50,377 I'M GONNA BRING OUT MY PRIDE AND JOY, MY DAUGHTER-- 1512 01:18:50,551 --> 01:18:52,336 LAURIE ROBINSON! COME OUT, SWEETIE. 1513 01:18:52,510 --> 01:18:54,599 LAURIE ROBINSON! 1514 01:18:54,773 --> 01:18:57,297 COME ON. LET'S HEAR IT FOR HER. COME ON, EVERYBODY. 1515 01:18:57,471 --> 01:19:01,040 COME ON. DO-DON'T, DON'T, UH, MAKE ME LOOK BAD IN FRONT OF MY KID, OK? 1516 01:19:01,214 --> 01:19:02,955 COME ON, LET ME HEAR IT. 1517 01:19:03,129 --> 01:19:06,219 OH, ISN'T SHE SOMETHING? LOOK AT THAT PUNIM. WHAT A FACE. 1518 01:19:06,393 --> 01:19:08,308 AH, ISN'T SHE BEAUTIFUL? 1519 01:19:12,269 --> 01:19:15,054 YOU KNOW, WE--WE CALL HER BASEBALL. 1520 01:19:15,228 --> 01:19:16,708 I BET YOU CAN'T GUESS-- I BET YOU CAN'T 1521 01:19:16,882 --> 01:19:19,189 GUESS WHY WE--WE CALL HER BASEBALL. 1522 01:19:19,363 --> 01:19:21,974 WE CALL HIM BASEBALL 'CAUSE WE'RE ALWAYS THROWING HIM OUT AT HOME. 1523 01:19:22,148 --> 01:19:25,456 YOU KNOW WHAT ELSE? SHE REALLY, REALLY BRIGHTENS UP THE HOUSE. 1524 01:19:25,630 --> 01:19:27,284 I MEAN, SHE IS TERRIFIC. 1525 01:19:27,458 --> 01:19:29,634 SHE BRIGHTENS THE HOUSE, 'CAUSE SHE NEVER TURNS OFF A LIGHT. 1526 01:19:29,808 --> 01:19:31,331 [Laurie laughing] 1527 01:19:31,505 --> 01:19:33,290 DON'T LAUGH TOO LOUD, GUESTS. 1528 01:19:33,464 --> 01:19:36,249 YOU KNOW, YOU MIGHT, UH, SPLIT YOUR SEAMS OVER THERE. 1529 01:19:51,830 --> 01:19:53,353 SORRY. 1530 01:19:56,139 --> 01:19:58,750 I CAN'T GO ON ANYMORE RIGHT NOW. 1531 01:20:15,767 --> 01:20:18,291 [crying] 1532 01:20:19,292 --> 01:20:20,641 [door opening] 1533 01:20:20,816 --> 01:20:22,818 LAURA? 1534 01:20:35,178 --> 01:20:37,136 LAURA. 1535 01:20:41,184 --> 01:20:44,927 HEY, COME ON. WHAT-- WHAT'S WITH THE CRYING, HONEY? 1536 01:20:45,101 --> 01:20:47,712 GET YOUR EYES ALL WET. 1537 01:20:47,886 --> 01:20:50,019 [continues crying] 1538 01:20:51,237 --> 01:20:53,936 ROUGH OUT THERE TODAY, HUH? 1539 01:20:54,110 --> 01:20:57,243 HA, NEVER MIND. YOU'LL GET THEM NEXT TIME, OK? 1540 01:20:57,417 --> 01:20:58,984 I DON'T WANT TO GET 'EM. 1541 01:20:59,158 --> 01:21:01,160 SURE, YOU WANNA GET 'EM. 1542 01:21:01,334 --> 01:21:03,684 YOU'RE ALL UPSET RIGHT NOW, BUT YOU'LL GET OVER THAT. 1543 01:21:03,859 --> 01:21:06,731 THIS THING WITH KENNY HAS PROBABLY GOTTEN TO YOU. 1544 01:21:08,907 --> 01:21:10,953 YOU DON'T WANNA TALK ABOUT IT NOW, OK. 1545 01:21:11,127 --> 01:21:12,519 TALK ABOUT IT WHEN THE TIME'S RIGHT. 1546 01:21:12,693 --> 01:21:16,175 IT'S NOT THE RIGHT TIME, POP. 1547 01:21:16,349 --> 01:21:18,351 NOW, LISTEN. LISTEN. I WAS OUT THERE WATCHING YOU. 1548 01:21:18,525 --> 01:21:20,353 YOU KNOW WHAT IT IS? 1549 01:21:20,527 --> 01:21:22,703 IT'S THE TIMING. YEAH. 1550 01:21:22,878 --> 01:21:25,097 YOU--YOU KNOW, WITH THE BASEBALL JOKE, FOR EXAMPLE. 1551 01:21:25,271 --> 01:21:28,796 GOD ALMIGHTY, WHEN ARE YOU GONNA EVER LISTEN TO ME? 1552 01:21:28,971 --> 01:21:30,624 IT IS NOT THE TIMING. 1553 01:21:30,798 --> 01:21:32,191 YES, IT'S THE TIMING. 1554 01:21:32,365 --> 01:21:35,542 NO, IT'S NOT! I DON'T WANNA DO THE ACT ANYMORE. 1555 01:21:35,716 --> 01:21:36,848 WHAT ARE YOU TALKING ABOUT? 1556 01:21:37,022 --> 01:21:38,415 I HATE IT! 1557 01:21:38,589 --> 01:21:41,766 I-I-I-I'VE TRIED TO LIKE IT, BUT I HATE IT, 1558 01:21:41,940 --> 01:21:43,768 AND I DON'T WANT TO DO IT ANYMORE. 1559 01:21:43,942 --> 01:21:45,770 WHAT DO YOU MEAN YOU DON'T WANNA DO IT ANYMORE? 1560 01:21:45,944 --> 01:21:47,685 THAT'S YOUR LIFE. 1561 01:21:47,859 --> 01:21:52,342 NO, POP. IT'S NOT MY LIFE. THAT'S YOUR LIFE. 1562 01:21:56,172 --> 01:21:59,349 I'M--I'M A REALLY GOOD SINGER. 1563 01:21:59,523 --> 01:22:02,613 AND A REALLY GOOD SONGWRITER. 1564 01:22:02,787 --> 01:22:05,311 I'M NOT FUNNY. YOU ARE. 1565 01:22:05,921 --> 01:22:07,705 I'M NOT. 1566 01:22:07,879 --> 01:22:09,272 LAURA. 1567 01:22:14,277 --> 01:22:16,627 I'M GOING TO NEW YORK. 1568 01:22:18,368 --> 01:22:21,458 YOU? WHY DO YOU WANNA GO TO NEW YORK? 1569 01:22:21,632 --> 01:22:25,723 WELL, I FOUND OUT THAT, UH, THAT COLUMBIA 1570 01:22:26,942 --> 01:22:28,944 IS INTERESTED IN--IN SIGNING ME. 1571 01:22:29,596 --> 01:22:31,207 HEY. 1572 01:22:31,381 --> 01:22:34,427 AND, UH, THEY WANT ME TO RECORD IN ONE OF THEIR STUDIOS 1573 01:22:34,601 --> 01:22:36,081 WITH ONE OF THEIR PRODUCERS. 1574 01:22:36,255 --> 01:22:37,604 TERRIFIC. 1575 01:22:37,778 --> 01:22:41,217 IT'S A SHOT, BUT, UH, I'M GONNA TAKE IT. 1576 01:22:41,391 --> 01:22:43,654 THAT'S A TERRIFIC SHOT. 1577 01:22:44,437 --> 01:22:46,091 READY FOR THAT? 1578 01:22:50,748 --> 01:22:54,491 HAVE YOU-- HAVE YOU EVER EVEN HEARD ANY OF MY SONGS? 1579 01:22:56,884 --> 01:22:58,495 WELL, I'VE BEEN ON THE ROAD A LOT, YOU KNOW. 1580 01:23:04,066 --> 01:23:06,155 THIS IS ME, POP. 1581 01:23:08,026 --> 01:23:09,506 AND I'M GOOD. 1582 01:23:14,990 --> 01:23:17,644 OK. TELL YOU WHAT. WANNA GO BACK TO NEW YORK? 1583 01:23:17,818 --> 01:23:19,907 TERRIFIC. WE'LL GO TOGETHER. I'LL PLAY THE HILLS, 1584 01:23:20,082 --> 01:23:22,649 AND YOU'LL MAKE RECORDS, OR WHATEVER, HUH? 1585 01:23:27,176 --> 01:23:29,004 I LOVE YOU. 1586 01:23:30,918 --> 01:23:33,182 BUT YOU GOTTA LET GO. 1587 01:23:37,708 --> 01:23:39,927 I DIDN'T KNOW I WAS HOLDING ON. 1588 01:23:44,367 --> 01:23:48,023 I'VE GOTTA GO TO NEW YORK BY MYSELF. 1589 01:23:52,462 --> 01:23:53,941 YEAH. 1590 01:23:55,943 --> 01:23:57,597 YOU SURE YOU CAN MAKE IT BY YOURSELF? 1591 01:23:57,771 --> 01:24:00,035 [sighing] 1592 01:24:02,124 --> 01:24:03,995 YEAH. 1593 01:24:04,822 --> 01:24:06,954 I THINK I CAN MAKE IT. 1594 01:24:09,479 --> 01:24:14,484 GOD. I LEARNED SOMETHING TODAY, POP. 1595 01:24:14,658 --> 01:24:16,964 IT WAS REALLY PAINFUL. 1596 01:24:17,139 --> 01:24:19,402 BUT I LEARNED SOMETHING. 1597 01:24:19,576 --> 01:24:22,622 I LEARNED THAT I GOTTA DEPEND ON MYSELF. 1598 01:24:22,796 --> 01:24:26,670 I CAN'T DEPEND ON ANYBODY ELSE, AND THAT'S OK. 1599 01:24:26,844 --> 01:24:29,064 YOU KNOW WHY? 1600 01:24:29,238 --> 01:24:33,111 BECAUSE I'M A REALLY GOOD PERSON TO DEPEND ON. 1601 01:24:35,113 --> 01:24:39,683 I MEAN, MAYBE--MAYBE I DON'T HAVE SOMEBODY THAT I THOUGHT I LOVED A LOT, 1602 01:24:41,163 --> 01:24:44,644 BUT THAT'S OK BECAUSE I'VE GOT ME. 1603 01:24:44,818 --> 01:24:48,692 AND I'VE GOT MY WORK AND I'VE GOT MY MUSIC. 1604 01:24:49,823 --> 01:24:51,738 AND I LOVE THAT. 1605 01:24:51,912 --> 01:24:54,132 MORE THAN ANYTHING ON THIS EARTH. 1606 01:24:59,094 --> 01:25:02,271 I HAD NO IDEA YOU FELT SO STRONGLY ABOUT IT. 1607 01:25:02,445 --> 01:25:05,448 I'M SORRY, LAURA. I GUESS I WASN'T PAYING ATTENTION. 1608 01:25:05,622 --> 01:25:08,015 HEY, IT'S OK. 1609 01:25:08,190 --> 01:25:12,368 IT REALLY IS, BECAUSE YOU WERE DOING YOUR THING. 1610 01:25:15,371 --> 01:25:18,287 AND THAT'S JUST THE POINT. 1611 01:25:18,461 --> 01:25:20,941 I GOTTA START DOING MY THING. 1612 01:25:27,426 --> 01:25:29,472 I REALLY LOVE YOU. 1613 01:25:37,697 --> 01:25:39,308 YOU WANNA HEAR SOMETHING FUNNY? 1614 01:25:39,482 --> 01:25:40,874 WHAT? 1615 01:25:42,224 --> 01:25:43,138 I LOVE YOU. 1616 01:25:47,142 --> 01:25:50,057 OH, BOY. IT'S GONNA BE TERRIFIC, HUH? 1617 01:25:50,232 --> 01:25:51,624 YOU HIT THE BIG TOWN. 1618 01:25:51,798 --> 01:25:53,539 LAURIE ROBINSON, NUMBER ONE ON THE CHARTS. 1619 01:25:53,713 --> 01:25:54,888 BOOM-BOOM, HUH? 1620 01:25:55,062 --> 01:25:56,151 [both laughing] 1621 01:25:57,413 --> 01:25:58,979 THAT WOULD TAKE A LITTLE LUCK. 1622 01:25:59,154 --> 01:26:00,546 HMM. 1623 01:26:02,505 --> 01:26:04,159 WOULDN'T THAT BE NICE? 1624 01:26:07,466 --> 01:26:09,033 THE BEST. 1625 01:26:22,612 --> 01:26:25,397 AH, LISTEN. COME ON. 1626 01:26:25,571 --> 01:26:29,836 COME ON. NOW, YOU GET YOUR STUFF TOGETHER, AND CUT OUT, HUH? 1627 01:27:25,152 --> 01:27:29,505 [Laurie] ♪ SO MANY NIGHTS ♪ 1628 01:27:29,679 --> 01:27:34,597 ♪ I'D SIT BY MY WINDOW ♪ 1629 01:27:34,771 --> 01:27:39,079 ♪ WAITING FOR SOMEONE ♪ 1630 01:27:39,254 --> 01:27:43,867 ♪ TO SING ME HIS SONG ♪ 1631 01:27:44,041 --> 01:27:47,914 ♪ SO MANY DREAMS ♪ 1632 01:27:48,088 --> 01:27:52,571 ♪ I'VE KEPT DEEP INSIDE ME ♪ 1633 01:27:52,745 --> 01:27:56,227 ♪ ALONE IN THE DARK ♪ 1634 01:27:56,401 --> 01:28:02,451 ♪ BUT NOW YOU'VE COME ALONG ♪ 1635 01:28:02,625 --> 01:28:04,888 ♪ AND YOU ♪ 1636 01:28:05,062 --> 01:28:09,675 ♪ LIGHT UP MY LIFE ♪ 1637 01:28:09,849 --> 01:28:14,463 ♪ YOU GIVE ME HOPE ♪ 1638 01:28:14,637 --> 01:28:17,640 ♪ TO CARRY ON ♪ 1639 01:28:18,641 --> 01:28:22,949 ♪ YOU LIGHT UP MY DAYS ♪ 1640 01:28:23,123 --> 01:28:28,738 ♪ AND FILL MY NIGHTS ♪ 1641 01:28:29,913 --> 01:28:32,437 ♪ WITH SONG ♪ 1642 01:28:35,397 --> 01:28:38,313 ♪ ROLLIN' AT SEA ♪ 1643 01:28:39,836 --> 01:28:43,448 ♪ ADRIFT ON THE WATER ♪ 1644 01:28:44,667 --> 01:28:48,540 ♪ COULD IT BE FINALLY ♪ 1645 01:28:48,714 --> 01:28:52,718 ♪ I'M TURNING FOR HOME ♪ 1646 01:28:53,806 --> 01:28:56,983 ♪ FINALLY A CHANCE ♪ 1647 01:28:58,028 --> 01:29:02,075 ♪ TO SAY HEY, I LOVE YOU ♪ 1648 01:29:03,076 --> 01:29:05,905 ♪ NEVER AGAIN ♪ 1649 01:29:07,516 --> 01:29:11,389 ♪ TO BE ALL ALONE ♪ 1650 01:29:12,608 --> 01:29:14,566 ♪ AND YOU ♪ 1651 01:29:14,740 --> 01:29:19,397 ♪ YOU LIGHT UP MY LIFE ♪ 1652 01:29:20,311 --> 01:29:23,967 ♪ YOU GIVE ME HOPE ♪ 1653 01:29:24,141 --> 01:29:27,710 ♪ TO CARRY ON ♪ 1654 01:29:28,972 --> 01:29:32,932 ♪ YOU LIGHT UP MY DAYS ♪ 1655 01:29:33,977 --> 01:29:38,721 ♪ AND FILL MY NIGHTS ♪ 1656 01:29:40,592 --> 01:29:43,421 ♪ WITH SONG ♪ 1657 01:29:45,423 --> 01:29:47,425 ♪ 'CAUSE YOU ♪ 1658 01:29:47,599 --> 01:29:51,255 ♪ YOU LIGHT UP MY LIFE ♪ 1659 01:29:52,474 --> 01:29:56,782 ♪ YOU GIVE ME HOPE ♪ 1660 01:29:56,956 --> 01:30:00,743 ♪ TO CARRY ON ♪ 1661 01:30:00,917 --> 01:30:05,312 ♪ YOU LIGHT UP MY DAYS ♪ 1662 01:30:06,444 --> 01:30:10,709 ♪ AND FILL MY NIGHTS ♪ 1663 01:30:10,883 --> 01:30:13,277 ♪ WITH SONG ♪ 1664 01:30:15,322 --> 01:30:19,979 ♪ IT CAN'T BE WRONG ♪ 1665 01:30:20,153 --> 01:30:24,419 ♪ WHEN IT FEELS SO RIGHT ♪ 1666 01:30:26,769 --> 01:30:29,380 ♪ 'CAUSE YOU ♪ 1667 01:30:33,950 --> 01:30:37,344 ♪ YOU LIGHT UP ♪ 1668 01:30:38,607 --> 01:30:41,784 ♪ MY ♪ 1669 01:30:41,958 --> 01:30:46,571 ♪ LIFE ♪♪♪ 119165

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