Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated:
1
00:00:20,542 --> 00:00:23,327
[audience applauding]
2
00:00:28,245 --> 00:00:30,204
HOW ABOUT THIS KID?
ISN'T HE SOMETHIN'?
3
00:00:30,378 --> 00:00:31,727
A 50-YEAR-OLD MIDGET.
4
00:00:31,901 --> 00:00:33,816
[audience laughing]
5
00:00:33,990 --> 00:00:36,514
DON'T APPLAUD TOO LOUD,
OR HE'LL START ASKIN' ME
FOR FOOD.
6
00:00:36,688 --> 00:00:38,560
[audience laughing]
7
00:00:38,734 --> 00:00:39,865
[Si whispering]
HE LOVES YOU.
8
00:00:40,040 --> 00:00:42,259
HE LOVES YOU.
HE'D BE SMILING NOW,
9
00:00:42,433 --> 00:00:44,740
BUT LAST WEEK WE WERE
A LITTLE SHORT OF CASH,
AND I HAD TO SELL HIS TEETH.
10
00:00:44,914 --> 00:00:46,568
[audience laughing]
11
00:00:46,742 --> 00:00:49,092
KID'S SO BRIGHT, HE FINISHED
NURSERY SCHOOL IN 2 TERMS,
12
00:00:49,266 --> 00:00:50,267
TRUMAN'S AND EISENHOWER'S.
13
00:00:50,441 --> 00:00:52,356
[audience laughing]
14
00:00:52,530 --> 00:00:55,098
TRUMAN'S AND EISENHOWER'S,
HUH?
15
00:00:55,272 --> 00:00:56,752
OH, THE HELL WITH IT. OK.
16
00:00:56,926 --> 00:00:58,188
[whispering]
KIDDING ASIDE.
17
00:00:58,362 --> 00:01:00,756
JOKING ASIDE,
LADIES AND GENTLEMEN,
18
00:01:00,930 --> 00:01:04,499
I USE MY DUMMY IN MY ACT
FOR ONE OVERWHELMING,
COMPELLING REASON:
19
00:01:04,673 --> 00:01:06,109
HE WORKS CHEAP.
20
00:01:07,850 --> 00:01:10,461
IT'S ALL RIGHT, HONEY.
YOU DID FINE.
YOU REALLY DID.
21
00:01:10,635 --> 00:01:12,768
IT'S ALL RIGHT.
22
00:01:12,942 --> 00:01:15,597
WHAT'S THE MATTER, BABY?
DID YOU GET NERVOUS
OUT THERE TONIGHT?
23
00:01:15,771 --> 00:01:17,338
NO.
24
00:01:17,512 --> 00:01:19,601
YOU DIDN'T SEEM TO BE HAVING
A GOOD TIME AT ALL.
25
00:01:19,775 --> 00:01:21,646
DID YOU NOTICE ME
OUT THERE TONIGHT?
26
00:01:21,820 --> 00:01:23,561
DID YOU SEE THE WAY I WAS--
THE WAY I WAS
REALLY GOIN'?
27
00:01:23,735 --> 00:01:25,128
I MEAN, I WAS REALLY
ROLLIN' TONIGHT.
28
00:01:25,302 --> 00:01:26,869
BUT I WAS WATCHING YOU.
29
00:01:27,043 --> 00:01:28,566
YOU SEEMED-- I DON'T KNOW.
YOU SEEMED SCARED THERE.
30
00:01:28,740 --> 00:01:29,915
WEREN'T YOU HAVIN'
A GOOD TIME?
31
00:01:30,090 --> 00:01:31,787
YEAH.
32
00:01:31,961 --> 00:01:34,137
DON'T YOU WANT
TO MAKE THOSE PEOPLE LAUGH?
YEAH.
33
00:01:34,311 --> 00:01:36,922
GEE, I'VE TOLD YOU
A HUNDRED TIMES, LAURA.
I MEAN, YOUR TIMING IS OFF.
34
00:01:37,097 --> 00:01:39,403
YOU JUST-- YOU KNOW
THAT JOKE YOU DO
ABOUT THE--THE KID--
35
00:01:39,577 --> 00:01:41,013
THE 10 YEAR OLD KID?
36
00:01:41,188 --> 00:01:42,406
DO THAT,
DO THAT FOR ME.
37
00:01:42,580 --> 00:01:44,800
HE'S A BRIGHT KID.
HE'S ONLY 10 YEARS OLD,
38
00:01:44,974 --> 00:01:47,281
BUT HE HAS THE BRAIN
OF A 30-YEAR-OLD MONKEY.
39
00:01:47,455 --> 00:01:49,848
THAT'S WHAT I MEAN.
I TOLD YOU
A THOUSAND TIMES, SWEETIE.
40
00:01:50,022 --> 00:01:52,895
YOU DON'T TIME IT RIGHT.
YOU CAN'T RUSH THROUGH
THOSE LINES.
41
00:01:53,069 --> 00:01:55,245
YOU CAN'T GIVE 'EM
LIKE A WHOLE LOAF OF BREAD
AT ONE TIME.
42
00:01:55,419 --> 00:01:57,421
YOU GOTTA GIVE 'EM
A SLICE AT A TIME,
YOU KNOW?
43
00:01:57,595 --> 00:01:59,423
I THOUGHT I HAD IT RIGHT.
44
00:01:59,597 --> 00:02:03,166
LISTEN TO ME.
UM, HE'S A BRIGHT KID.
WE HAD HIM TESTED.
45
00:02:03,340 --> 00:02:06,561
HE'S ONLY 10 YEARS OLD,
BUT HE'S GOT THE BRAIN
OF A 30-YEAR-OLD...
46
00:02:06,735 --> 00:02:07,953
MONKEY.
47
00:02:08,128 --> 00:02:09,129
SEE THE DIFFERENCE?
YEAH.
48
00:02:09,303 --> 00:02:11,348
TRY IT. TRY IT.
49
00:02:11,522 --> 00:02:13,568
HE'S ONLY 10 YEARS OLD,
BUT HE HAS THE BRAIN
OF A 30-YEAR-OLD...
50
00:02:13,742 --> 00:02:15,439
MONKEY.
51
00:02:15,613 --> 00:02:17,920
THAT'S IT.
THAT'S THE IDEA.
SEE HOW EASY IT IS?
52
00:02:18,094 --> 00:02:19,095
YOU GOTTA JUST TAKE IT EASY.
53
00:02:19,269 --> 00:02:21,141
TIMING. TIMING IS EVERYTHING.
54
00:02:21,315 --> 00:02:22,881
I THOUGHT OF A LINE TODAY.
55
00:02:23,055 --> 00:02:25,493
UM, LADIES AND GENTLEMEN,
YOU'VE HEARD OF CHOPIN.
56
00:02:25,667 --> 00:02:28,365
WELL, MY DAUGHTER WORKED
WITH HIS BROTHER BEDPAN.
57
00:02:28,539 --> 00:02:29,192
HUH?
58
00:02:29,366 --> 00:02:30,715
I DON'T LIKE IT.
59
00:02:30,889 --> 00:02:32,326
KIND OF A FUNNY IDEA,
THOUGH, ISN'T IT?
60
00:02:32,500 --> 00:02:34,154
FUNNY SOUND?
CHOPIN, BEDPAN?
61
00:02:34,328 --> 00:02:36,417
NO? OK.
62
00:02:37,853 --> 00:02:39,637
WHAT'S THE MATTER, HONEY?
YOU'RE SWEATIN'.
63
00:02:39,811 --> 00:02:41,073
WHAT ARE YOU
SWEATIN' FOR?
64
00:02:41,248 --> 00:02:42,336
I'M DOIN' ALL THE WORK
AND YOU SWEAT?
65
00:02:42,510 --> 00:02:43,641
YOU MAKE ME SWEAT.
66
00:02:43,815 --> 00:02:45,643
I MAKE YOU SWEAT?
67
00:02:45,817 --> 00:02:47,210
HOW DO I MAKE YOU SWEAT?
68
00:02:47,384 --> 00:02:48,820
I DON'T KNOW.
69
00:02:48,994 --> 00:02:51,388
THAT'S RIDICULOUS, LAURIE.
YOU'RE RIDICULOUS.
70
00:02:53,695 --> 00:02:55,523
IF YOU WANT ME,
I'LL BE INSIDE.
71
00:03:00,876 --> 00:03:02,138
[door closing]
72
00:03:19,460 --> 00:03:23,028
♪ CALIFORNIA DAYDREAMS ♪
73
00:03:23,203 --> 00:03:26,467
♪ YOU CAN HARDLY BEAT 'EM ♪
74
00:03:29,209 --> 00:03:32,777
♪ SUN POURS THROUGH THE CITY ♪
75
00:03:32,951 --> 00:03:36,912
♪ AND ANOTHER STAR
IS BORN TODAY ♪
76
00:03:38,740 --> 00:03:40,872
♪ ANYONE WILL TELL YOU ♪
77
00:03:41,046 --> 00:03:44,093
♪ IT'S FOR CERTAIN ♪
78
00:03:44,267 --> 00:03:49,011
♪ HE'S GONNA MAKE IT,
SHE'S GONNA MAKE IT ♪
79
00:03:49,185 --> 00:03:51,709
♪ CAN'T YOU JUST SEE ♪
80
00:03:53,537 --> 00:03:55,409
♪ CAN'T YOU JUST FEEL IT ♪
81
00:03:55,583 --> 00:03:58,281
♪ IN THE AIR? ♪
82
00:04:00,240 --> 00:04:03,199
♪ EVERYBODY'S LOOKING ♪
83
00:04:03,373 --> 00:04:05,375
♪ LIKE A WINNER ♪
84
00:04:07,159 --> 00:04:09,379
♪ MY, MY, YES ♪
85
00:04:09,553 --> 00:04:13,862
♪ EVERYBODY'S GONNA
GO REAL FAR ♪
86
00:04:17,909 --> 00:04:23,263
♪ EVERYBODY'S SHININ'
LIKE A HERO ♪
87
00:04:24,438 --> 00:04:26,701
♪ MY, MY, YES ♪
88
00:04:26,875 --> 00:04:31,532
♪ EVERYBODY'S GONNA
BE A STAR ♪♪♪
89
00:04:33,447 --> 00:04:34,404
[buzzer beeping]
90
00:04:34,578 --> 00:04:37,929
LAURIE ROBINSON.
CONWAY AGENCY.
91
00:04:38,103 --> 00:04:40,454
"FENWICK HENS
ARE HAPPY HENS.
92
00:04:40,628 --> 00:04:43,370
"THAT'S THE REASON
FENWICK FARMS
HAS MAINTAINED
93
00:04:43,544 --> 00:04:46,503
"ITS HIGH QUALITY OF EGGS
DAY AFTER DAY,
94
00:04:46,677 --> 00:04:49,419
"WEEK AFTER WEEK,
MONTH AFTER MONTH.
95
00:04:49,593 --> 00:04:52,248
"FINER EGGS
FOR FLUFFIER OMELETS.
96
00:04:52,422 --> 00:04:54,816
WE SEND OUR HENS
HIGH INTO THE HILLS."
97
00:04:54,990 --> 00:04:58,036
CUT. TOO MUCH EMOTION.
98
00:04:58,210 --> 00:05:00,909
OH, UH, JIM, EXCUSE ME.
IT JUST STARTED.
GIVE ME A CHANCE.
99
00:05:01,083 --> 00:05:02,302
OK.
100
00:05:02,476 --> 00:05:03,781
NO. IF I CAN WORK WITH HER,
I'LL GET IT.
101
00:05:03,955 --> 00:05:05,957
WELL, UNLESS IT'S JUST
REALLY ALL WRONG,
102
00:05:06,131 --> 00:05:08,960
UM, MAYBE I CAN HELP
IF I CAN JUST GIVE YOU
A SUGGESTION.
103
00:05:09,134 --> 00:05:12,747
SEE, I THINK THE PROBLEM
IS THAT--THAT YOU SEE IT
AS THE END PRODUCT.
104
00:05:12,921 --> 00:05:15,358
I THINK THAT YOU SEE IT
AS THE OMELET.
105
00:05:15,532 --> 00:05:16,794
I SEE IT AS THE EGG.
106
00:05:16,968 --> 00:05:18,579
HE'S RIGHT.
IT'S THE EGG.
107
00:05:21,538 --> 00:05:23,279
WELL, I-I-I'M SORRY.
108
00:05:23,453 --> 00:05:25,934
I--I DON'T KNOW WHAT THE HELL
YOU GUYS ARE TALKING ABOUT.
109
00:05:26,108 --> 00:05:27,675
UM, UH, LOOK. WHAT--
110
00:05:27,849 --> 00:05:29,503
[man]
I'M TALKING ABOUT EGGS.
111
00:05:29,677 --> 00:05:30,504
[Laurie]
WHAT?
112
00:05:30,678 --> 00:05:31,722
I'M TALKING ABOUT EGGS.
113
00:05:31,896 --> 00:05:33,463
LOOK, UM...
114
00:05:34,595 --> 00:05:36,031
YOU MEAN TO TELL ME
115
00:05:36,205 --> 00:05:39,643
THAT I--I WANT
TO HELP THESE PEOPLE?
116
00:05:39,817 --> 00:05:42,864
NO. NO, YOU WANT
TO HELP THEIR OMELETS.
117
00:05:43,038 --> 00:05:44,866
OH, I WANT TO HELP
THEIR OMELETS.
118
00:05:45,040 --> 00:05:46,998
RIGHT. OK?
119
00:05:47,172 --> 00:05:50,393
TRY IT. TRY IT. JUST GO ON.
YOU DON'T HAVE TO GO BACK.
120
00:05:50,567 --> 00:05:53,527
OK. UM, OK.
121
00:05:53,701 --> 00:05:55,355
"THIS IS A FENWICK EGG--"
122
00:05:55,529 --> 00:05:56,747
[woman]
CUT.
123
00:05:56,921 --> 00:05:58,923
WAIT. YOU DIDN'T GIVE HIM
A SLATE.
124
00:06:00,969 --> 00:06:02,449
I GAVE IT TO HIM BEFORE.
125
00:06:03,319 --> 00:06:04,451
BETTER GIVE HIM ANOTHER.
126
00:06:07,018 --> 00:06:09,630
LAURIE ROBINSON.
CONWAY AGENCY.
127
00:06:09,804 --> 00:06:11,458
CONTINUING TAKE ONE.
128
00:06:11,632 --> 00:06:13,416
"THIS IS A FENWICK EGG.
129
00:06:13,590 --> 00:06:15,331
"THIS IS A REGULAR EGG.
130
00:06:15,505 --> 00:06:17,202
"N-NOTICE THE DIFFERENCE.
131
00:06:17,377 --> 00:06:19,814
"AFTER YOU'VE TRIED
A FENWICK EGG, YOU'LL SAY:
132
00:06:19,988 --> 00:06:23,165
'NO WONDER
YOU'RE HAVING TROUBLE
MAKING FLUFFY OMELETS.'"
133
00:06:23,339 --> 00:06:26,386
CUT. NO. ALMOST, HONEY,
BUT, UM...
134
00:06:26,560 --> 00:06:29,258
[man]
UH, JIM, IF I COULD INTERRUPT
FOR JUST A MOMENT.
135
00:06:29,432 --> 00:06:32,957
UM, LAURIE,
TH-TH-THE ENTIRE CAMPAIGN
136
00:06:33,131 --> 00:06:36,744
IS--IS BASED ON THE FACT
THAT FENWICK HENS
ARE HAPPY HENS.
137
00:06:36,918 --> 00:06:39,790
AND HAPPY HENS
LAY BIGGER EGGS.
138
00:06:39,964 --> 00:06:42,576
AND BIGGER EGGS
MAKE FLUFFIER OMELETS.
139
00:06:43,533 --> 00:06:45,187
YOU KNOW, IT'S, UM,
140
00:06:45,361 --> 00:06:48,146
IT'S NOT REALLY THE EGG
THAT MAKES THE OMELET FLUFFY.
141
00:06:48,320 --> 00:06:49,670
IT'S THE MILK.
142
00:06:49,844 --> 00:06:51,106
WHAT?
143
00:06:51,280 --> 00:06:53,325
IT'S THE MILK.
144
00:06:58,548 --> 00:07:00,202
UH, I THINK WE'VE SEEN ENOUGH.
145
00:07:00,376 --> 00:07:02,073
THANK YOU. VERY NICE READING.
THANK YOU FOR COMING IN.
146
00:07:02,247 --> 00:07:05,947
♪ CALIFORNIA DAYDREAMS ♪
147
00:07:06,121 --> 00:07:08,602
♪ EVERYBODY HAS ONE ♪
148
00:07:11,822 --> 00:07:14,477
♪ ANYTIME TOMORROW ♪
149
00:07:15,565 --> 00:07:17,088
♪ THE PHONE WILL RING ♪
150
00:07:17,262 --> 00:07:20,831
♪ AND YOU'LL BE ON YOUR WAY ♪
151
00:07:21,832 --> 00:07:24,400
♪ THEY'LL CALL IN OHIO ♪
152
00:07:24,574 --> 00:07:26,968
♪ THEY WON'T BELIEVE YOU ♪
153
00:07:27,142 --> 00:07:32,321
♪ BUT YOU'RE GONNA MAKE IT,
YOU'RE GONNA MAKE IT ♪
154
00:07:32,495 --> 00:07:35,455
♪ CAN'T THEY JUST FEEL IT
IN THE AIR ♪
155
00:07:35,629 --> 00:07:37,631
[phone ringing]
156
00:07:39,067 --> 00:07:42,157
♪ EVERYBODY'S LOOKING
LIKE A WINNER ♪
157
00:07:42,331 --> 00:07:44,551
[phone continues ringing]
158
00:07:45,943 --> 00:07:47,510
HI, I'M LAURIE ROBINSON.
159
00:07:47,684 --> 00:07:49,033
CAN YOU WAIT JUST A MINUTE,
PLEASE?
160
00:07:49,207 --> 00:07:53,342
♪ EVERYBODY'S GONNA GO
REAL FAR ♪
161
00:07:53,516 --> 00:07:54,735
HI.
162
00:07:56,693 --> 00:07:59,522
♪ EVERYBODY'S SHINING ♪
163
00:07:59,696 --> 00:08:02,307
♪ LIKE A HERO ♪
164
00:08:03,613 --> 00:08:05,528
♪ MY, MY, YES ♪
165
00:08:05,702 --> 00:08:10,098
♪ EVERYBODY'S GONNA
BE A STAR ♪♪♪
166
00:08:10,272 --> 00:08:11,316
HI.
WHAT'S WRONG WITH YOU?
167
00:08:11,491 --> 00:08:13,623
ARE YOU UP FOR THIS?
YEAH.
168
00:08:13,797 --> 00:08:15,495
OH, GOD.
IT IS THE CIRCUS.
169
00:08:15,669 --> 00:08:16,670
THAT BAD?
170
00:08:16,844 --> 00:08:19,020
OH, MY KNEES.
[exclaims]
171
00:08:19,194 --> 00:08:21,718
LISTEN. IT CAN'T BE
ANY WORSE THAN THE ZOO
I JUST CAME FROM.
172
00:08:21,892 --> 00:08:23,024
OH.
173
00:08:23,198 --> 00:08:24,939
WELL, WAIT FOR ME, OK?
I GOTTA SIGN IN.
174
00:08:25,113 --> 00:08:26,984
OH, I CAN'T. I HAVE
A CALLBACK AT WAINFORD.
175
00:08:27,158 --> 00:08:29,596
FENWICK FARMS?
YEAH.
176
00:08:29,770 --> 00:08:30,945
THAT'S THE ZOO.
177
00:08:31,119 --> 00:08:32,729
OH, NO.
178
00:08:32,903 --> 00:08:36,472
OH, LISTEN.
IF THE DIRECTOR
OFFERS YOU HIS WATCH,
179
00:08:36,646 --> 00:08:38,300
YEAH.
...KEEP IT.
180
00:08:38,474 --> 00:08:39,388
WHAT?
181
00:08:39,562 --> 00:08:40,824
[typewriter clicking]
182
00:08:40,998 --> 00:08:42,130
[phone ringing]
183
00:08:42,304 --> 00:08:45,350
IT'S AS IF I GIVE YOU
THIS WATCH,
184
00:08:45,525 --> 00:08:49,964
AND I SAY TO YOU,
"THANK YOU.
THANK YOU, ANNIE GERRARD,
185
00:08:50,138 --> 00:08:52,706
FOR TELLING ME
ABOUT FENWICK FARMS."
186
00:08:52,880 --> 00:08:54,142
WELL, THANK YOU.
187
00:08:54,316 --> 00:08:56,492
EXCUSE ME.
MAY I HELP YOU?
188
00:08:56,666 --> 00:08:58,625
OH, YEAH. UM,
189
00:08:58,799 --> 00:09:00,757
UH, YES.
I AM LAURIE ROBINSON,
190
00:09:00,931 --> 00:09:02,629
AND I'M HERE TO SEE
ED McMORGAN.
191
00:09:02,803 --> 00:09:05,109
OK. IT'S GONNA BE
A FEW MINUTES.
WHY DON'T YOU HAVE A SEAT?
192
00:09:05,283 --> 00:09:06,894
OK. WANT ME
TO WALK YOU OUT?
193
00:09:07,068 --> 00:09:08,069
YEAH.
OK.
194
00:09:08,243 --> 00:09:10,114
[phone ringing]
195
00:09:10,288 --> 00:09:12,682
SO HOW DID THE SHOW GO?
196
00:09:12,856 --> 00:09:14,118
IT SUCKED.
197
00:09:14,292 --> 00:09:15,729
OH, THAT BAD?
198
00:09:15,903 --> 00:09:17,339
YEAH.
199
00:09:17,513 --> 00:09:20,647
ANNIE. I THINK THEY'RE GONNA
GIVE ME THE AXE.
200
00:09:20,821 --> 00:09:21,778
YOU'RE KIDDING.
201
00:09:21,952 --> 00:09:23,214
NO.
202
00:09:23,388 --> 00:09:26,435
WELL, MAYBE IT'LL BE
A BLESSING IN DISGUISE.
203
00:09:26,609 --> 00:09:28,785
WHAT ARE YOU TALKING ABOUT?
I SAW IT LAST WEEK.
204
00:09:28,959 --> 00:09:30,091
IT MADE ME LAUGH.
205
00:09:30,265 --> 00:09:34,008
YOU AND MY FATHER
WERE THE ONLY ONES.
206
00:09:34,182 --> 00:09:37,446
UH, THEY HAD TO GET CANNED
LAUGHTER FOR THE CHILDREN.
207
00:09:38,142 --> 00:09:39,013
OH, REALLY?
208
00:09:39,187 --> 00:09:41,058
YEAH.
209
00:09:41,232 --> 00:09:43,365
I DON'T KNOW.
MAYBE I'M JUST NOT FUNNY.
[elevator bell dings]
210
00:09:43,539 --> 00:09:45,976
NO, STOP IT.
YOU'RE A GENIUS.
211
00:09:46,150 --> 00:09:48,326
DO ME A FAVOR.
TELL THAT TO
THE FENWICK FARMS DIRECTOR.
212
00:09:48,500 --> 00:09:49,371
[chuckles]
213
00:09:49,545 --> 00:09:50,764
♪ HEY ♪
214
00:09:50,938 --> 00:09:52,504
♪♪♪[harmonizing]
215
00:09:52,679 --> 00:09:56,465
♪ DO YOU KNOW SOME
GOOD BACKGROUND SINGERS ♪
216
00:09:56,639 --> 00:10:00,295
♪ YOU BETTER FIND
SOME REALLY GOOD ♪
217
00:10:00,469 --> 00:10:03,037
♪ BACKGROUND SINGERS ♪
218
00:10:03,211 --> 00:10:06,257
♪ TO SING IN A GROOVE
IN ANY KEY ♪
219
00:10:06,431 --> 00:10:09,347
♪ IN 2, 3, 4-PART HARMONY ♪
220
00:10:10,566 --> 00:10:12,829
♪ OOH ♪
221
00:10:13,003 --> 00:10:16,093
♪ NOW YOU'RE READY
TO RECORD A SONG ♪
222
00:10:16,267 --> 00:10:18,574
♪ ABOUT LOVE ♪
223
00:10:18,748 --> 00:10:21,272
[all]
♪ YOU CAN TURN THE WORLD ON ♪
224
00:10:22,534 --> 00:10:24,362
♪ WITH YOUR MUSIC ♪
225
00:10:25,407 --> 00:10:28,018
♪ YOU CAN TURN THE WORLD ON ♪
226
00:10:29,193 --> 00:10:31,108
♪ WITH YOUR SONG ♪
227
00:10:32,153 --> 00:10:34,634
♪ YOU CAN SAY YOUR OWN THING ♪
228
00:10:35,983 --> 00:10:38,507
♪ IN YOUR OWN WAY ♪
229
00:10:38,681 --> 00:10:41,162
♪ YOU'LL BE ON THE RADIO ♪
230
00:10:42,076 --> 00:10:44,121
♪ BEFORE LONG ♪
231
00:10:46,863 --> 00:10:48,212
♪ HEY ♪
232
00:10:49,126 --> 00:10:51,868
♪ DO YOU HAVE A PIANO? ♪
233
00:10:53,696 --> 00:10:55,611
♪ HEY ♪
234
00:10:55,785 --> 00:10:58,570
♪ DO YOU HAVE A PIANO? ♪
235
00:10:59,659 --> 00:11:01,269
♪ I SAID, HEY ♪
236
00:11:02,270 --> 00:11:05,142
♪ DO YOU HAVE A PIANO? ♪
237
00:11:06,927 --> 00:11:10,147
♪ THEN YOU CAN
WRITE YOURSELF ♪
238
00:11:10,321 --> 00:11:15,196
♪ A SONG ABOUT LOVE ♪♪♪
239
00:11:26,294 --> 00:11:28,688
IT SOUNDED GOOD
IN THE PHONES.
HOW DID IT FEEL?
240
00:11:30,254 --> 00:11:31,081
IT FELT GOOD.
241
00:11:31,255 --> 00:11:32,126
[man]
I NEED MORE DRUMS.
242
00:11:32,300 --> 00:11:33,475
THAT'S A GOOD SONG.
243
00:11:33,649 --> 00:11:34,955
THANKS, CASEY.
244
00:11:35,129 --> 00:11:36,739
[Casey]
THESE GUYS HAD
A GOOD GROOVE GOIN'.
245
00:11:36,913 --> 00:11:39,220
YEAH. YOU GUYS WERE DYNAMITE.
246
00:11:39,394 --> 00:11:40,874
YOU GUYS WEREN'T
TOO BAD YOURSELVES.
247
00:11:41,048 --> 00:11:42,919
[man]
YOU THINK WE SHOULD
DO IT PROFESSIONALLY?
248
00:11:43,093 --> 00:11:43,920
NO.
249
00:11:44,094 --> 00:11:45,182
[laughing]
250
00:11:45,356 --> 00:11:47,576
COME ON. LET'S GO LISTEN
TO IT BACK.
251
00:11:47,750 --> 00:11:48,882
♪♪♪[piano playing]
252
00:11:49,056 --> 00:11:50,492
[Casey]
WHAT TIME IS THE TAPING?
253
00:11:50,666 --> 00:11:52,581
RIGHT AFTER THIS.
254
00:11:52,755 --> 00:11:54,235
OH, IT'S GONNA BE
A DISASTER.
255
00:11:54,409 --> 00:11:56,672
WELL, WHY DON'T YOU TELL SI
YOU DON'T WANT TO DO IT?
256
00:11:56,846 --> 00:11:59,719
I CAN'T, ANNIE. I MEAN,
HE DOESN'T HEAR ME.
257
00:11:59,893 --> 00:12:01,721
I TELL HIM OVER
AND OVER AGAIN
258
00:12:01,895 --> 00:12:03,461
I'M NOT A COMEDIAN.
259
00:12:03,635 --> 00:12:05,942
I WANT TO-- I WANT TO SING
MY SONGS. I WANT TO ACT.
260
00:12:06,116 --> 00:12:07,378
I WANT TO RECORD.
261
00:12:07,552 --> 00:12:09,337
[bell ringing]LISTEN, YOU DON'T HAVE
262
00:12:09,511 --> 00:12:11,295
TO CONVINCE ME.
I'M ON YOUR SIDE.
263
00:12:11,469 --> 00:12:13,123
MAYBE THE KIDS
WILL LAUGH THIS TIME.
264
00:12:13,297 --> 00:12:14,777
YEAH, MAYBE. COME ON.
265
00:12:14,951 --> 00:12:15,909
[tape rewinding]
266
00:12:16,083 --> 00:12:17,737
LAURIE, THERE'S A CALL
FOR YOU.
267
00:12:17,911 --> 00:12:20,740
OH, OK.
HOLD THIS FOR ME? HERE?
268
00:12:22,263 --> 00:12:23,264
HELLO?
269
00:12:24,134 --> 00:12:25,440
OH, HI.
270
00:12:25,614 --> 00:12:27,181
WHAT?
271
00:12:27,355 --> 00:12:30,010
OH. OH, OK, WAIT.
HOLD ON A SECOND.
272
00:12:30,184 --> 00:12:32,316
IT'S SI. CAN I HAVE
A PENCIL, PLEASE, MATT?
273
00:12:32,490 --> 00:12:33,622
THANKS.
274
00:12:34,318 --> 00:12:35,276
YEAH. SHOOT.
275
00:12:36,973 --> 00:12:37,887
UH-HUH.
276
00:12:38,061 --> 00:12:39,454
[boy]
SHARE A CAB WITH YOU?
277
00:12:39,628 --> 00:12:40,934
[girl]
OK.
278
00:12:41,978 --> 00:12:43,632
SI,
279
00:12:43,806 --> 00:12:46,809
I DIDN'T KNOW THAT PABULUM
HAS VALIUM IN IT THESE DAYS?
280
00:12:48,942 --> 00:12:51,858
SI, THE KIDS ARE TOO YOUNG
TO KNOW WHAT VALIUM IS.
281
00:12:52,032 --> 00:12:54,904
YEAH, I--I--I KNOW. I KNOW.
I KNOW IT'S A PUT-DOWN
282
00:12:55,078 --> 00:12:57,037
IN CASE
THEY DON'T LAUGH, YEAH.
283
00:12:59,039 --> 00:13:01,215
OK. OK, I'LL TRY IT.
284
00:13:01,389 --> 00:13:03,826
I-I'LL BE THERE
IN A FEW MINUTES. I'M JUST
FINISHING UP A SESSION HERE.
285
00:13:04,000 --> 00:13:06,220
OK, BYE.
286
00:13:06,394 --> 00:13:08,004
[Casey]
ANOTHER JOKE?
287
00:13:08,178 --> 00:13:10,267
OH, NO. UH, IT'S A PUT-DOWN
IN CASE THEY DON'T WORK.
288
00:13:10,441 --> 00:13:12,182
JUST FORGET ABOUT IT,
YOU KNOW?
289
00:13:12,356 --> 00:13:13,444
THINGS COULD BE WORSE.
290
00:13:13,618 --> 00:13:15,925
OH, YEAH?
YOU GO FACE THOSE KIDS.
291
00:13:16,099 --> 00:13:17,579
NOT ME.
292
00:13:17,753 --> 00:13:19,537
CAN WE HEAR THAT BACK,
PLEASE, MATT?
293
00:13:19,711 --> 00:13:20,974
[children chattering]
294
00:13:21,148 --> 00:13:23,106
[man]
OK, SCOOT OVER TO YOUR LEFT.
295
00:13:25,456 --> 00:13:27,676
HOLY TOLEDO!
I DISCOVERED WAX!
296
00:13:27,850 --> 00:13:29,809
[girl]
STOP IT.
297
00:13:29,983 --> 00:13:33,160
YOU KNOW, YOU GOT ENOUGH
IN THERE TO RECORD OKLAHOMA.
298
00:13:33,334 --> 00:13:35,640
HEY, I'M A HIT. HUH.
299
00:13:35,815 --> 00:13:37,381
YOU KNOW,
HE'S A VERY SMART KID.
300
00:13:37,555 --> 00:13:39,166
UM, WE HAD HIM TESTED.
301
00:13:39,340 --> 00:13:40,689
HE'S ONLY 10 YEARS OLD,
302
00:13:40,863 --> 00:13:42,909
AND HE HAS THE BRAIN
OF A 30-YEAR-OLD...
303
00:13:43,083 --> 00:13:43,910
MONKEY.
304
00:13:44,084 --> 00:13:45,607
[girl]
I WANNA SIT THERE.
305
00:13:45,781 --> 00:13:47,827
[whispering]
I DIDN'T KNOW PABULUM
HAS VALIUM IN IT.
306
00:13:51,265 --> 00:13:53,528
HEY, YOU KIDS
ARE WRECKIN' MY CAREER.
307
00:13:53,702 --> 00:13:55,791
DIDN'T KNOW THAT PABULUM
HAD VALIUM IN IT THESE DAYS.
308
00:13:55,965 --> 00:13:57,401
[child]
STOP IT.
309
00:13:58,228 --> 00:13:59,534
[children chattering]
310
00:14:03,538 --> 00:14:05,714
OH. UH, ALL RIGHT.
311
00:14:05,888 --> 00:14:08,978
WELL, ANYWAY, MY AGENT
TOLD ME THAT THIS DUMMY ACT
WAS A REAL SLEEPER.
312
00:14:09,152 --> 00:14:10,371
[laughing]
313
00:14:10,545 --> 00:14:12,068
EVERYONE WHO SEES IT
GOES TO SLEEP.
314
00:14:13,504 --> 00:14:14,679
[sighing]
315
00:14:14,854 --> 00:14:16,420
THAT'S IT, FOLKS.
316
00:14:16,594 --> 00:14:18,553
SWEETIE, IT WAS TERRIFIC,
317
00:14:18,727 --> 00:14:21,121
BUT YOU MISSED IT
BY JUST THAT MUCH.
318
00:14:21,295 --> 00:14:23,819
WOULD YOU BELIEVE
THAT MUCH?
319
00:14:23,993 --> 00:14:26,082
LISTEN, POP.
I THINK IT'S A BIG MISTAKE.
320
00:14:26,256 --> 00:14:27,823
WHY, YOU'RE DOING GREAT.
321
00:14:27,997 --> 00:14:29,564
NO. I THINK THE KIDS ARE
TOO YOUNG FOR MY MATERIAL.
322
00:14:29,738 --> 00:14:31,566
AW.
THEY'RE GETTING YOUNGER
ON ME.
323
00:14:31,740 --> 00:14:33,568
HEY, TOM. TERRIFIC, HUH?
324
00:14:33,742 --> 00:14:34,917
WELL, IT NEEDS WORK.
325
00:14:35,091 --> 00:14:36,658
YEAH, WELL,
WE'RE WORKIN' ON IT.
326
00:14:36,832 --> 00:14:38,442
WE'LL GET IT.
WE'LL GET IT.
327
00:14:38,616 --> 00:14:41,010
I HOPE SO.
SURE.
328
00:14:41,184 --> 00:14:43,404
SEE? SEE THERE?
HE LOVES THE ACT.
329
00:14:43,578 --> 00:14:45,580
HE THINKS YOU'RE GREAT.
330
00:14:45,754 --> 00:14:46,798
HE'S JUST
A FRIEND OF YOURS.
331
00:14:46,973 --> 00:14:48,713
THAT'S GOT NOTHING
TO DO WITH IT.
332
00:14:48,888 --> 00:14:51,803
LOOK, POP. I APPRECIATE
YOUR RECOMMENDING ME
TO TOM.
333
00:14:51,978 --> 00:14:54,241
I--I JUST DON'T LIKE
REPLACING SOMEBODY
TO BEGIN WITH.
334
00:14:54,415 --> 00:14:57,331
AH.
AND CAROLINE
WAS VERY FUNNY.
335
00:14:57,505 --> 00:14:58,723
I DON'T SEEM
TO BE DOING TOO WELL.
336
00:14:58,898 --> 00:15:00,725
YOU ARE DOING TERRIFIC.
337
00:15:00,900 --> 00:15:03,293
WHEN CAROLINE DROPPED OUT
OF THE SHOW, IT WAS
A BIG BREAK FOR YOU.
338
00:15:03,467 --> 00:15:06,427
BUT, I MEAN, YOU GOTTA
WORK ON YOUR TIMING,
'CAUSE TIMING IS EVERYTHING.
339
00:15:06,601 --> 00:15:08,342
[man]
KILL THE KLIEGS
AND THAT'LL BE A WRAP.
340
00:15:08,516 --> 00:15:10,344
ALL RIGHT, POP.
LOOK, LET ME, UH, GO.
341
00:15:10,518 --> 00:15:12,346
I GOT ANOTHER SESSION
THIS AFTERNOON.
342
00:15:12,520 --> 00:15:13,347
THANKS.
343
00:15:13,521 --> 00:15:14,783
OK.
344
00:15:16,132 --> 00:15:17,568
TIMING, HONEY.
345
00:15:19,048 --> 00:15:24,140
♪ EVERYBODY'S SHININ'
LIKE A HERO ♪
346
00:15:26,055 --> 00:15:28,231
♪ MY, MY, YES ♪
347
00:15:28,405 --> 00:15:32,932
♪ EVERYBODY'S GONNA
BE A STAR ♪
348
00:15:36,979 --> 00:15:39,677
♪ EVERYBODY'S SHINING ♪
349
00:15:39,851 --> 00:15:42,637
♪ LIKE THE WINNER ♪
350
00:15:45,205 --> 00:15:48,512
♪ EVERYBODY'S GONNA GO ♪
351
00:15:48,686 --> 00:15:50,950
♪ REAL FAR ♪♪♪
352
00:15:52,255 --> 00:15:53,996
NOW LET ME ASK YOU
ONE THING.
353
00:15:54,170 --> 00:15:55,780
WHAT?
354
00:15:55,955 --> 00:15:57,608
HOW DID YOU
SAY THAT LINE?
355
00:15:57,782 --> 00:16:01,482
YOU KNOW, THE ONE THAT,
UM, CAME AT THE END.
356
00:16:01,656 --> 00:16:05,486
"NO WONDER
YOU'RE HAVING TROUBLE
MAKING FLUFFIER OMELETS."
357
00:16:06,269 --> 00:16:07,967
I SAID IT LIKE,
358
00:16:08,141 --> 00:16:10,839
"NO WONDER
YOU'RE HAVING TROUBLE
MAKING FLUFFIER OMELETS."
359
00:16:12,188 --> 00:16:13,537
YOU SAID IT LIKE THAT?
360
00:16:13,711 --> 00:16:15,452
YEAH, EXACTLY LIKE THAT.
361
00:16:15,626 --> 00:16:17,802
WHY DO I LISTEN
TO THOSE SCHMUCKS?
362
00:16:17,977 --> 00:16:20,544
OH, HEY, I NEVER DO.
I NEVER LISTEN TO ANY OF 'EM.
363
00:16:20,718 --> 00:16:22,633
I JUST DO IT
THE WAY I WANNA DO IT.
364
00:16:22,807 --> 00:16:25,158
SOONER OR LATER, THEY THINK
I'M DOIN' IT THEIR WAY.
365
00:16:26,594 --> 00:16:27,464
OH, MAN.
366
00:16:27,638 --> 00:16:29,205
[people laughing]
367
00:16:30,685 --> 00:16:32,904
[people chattering]
368
00:16:33,079 --> 00:16:34,819
♪♪♪[music playing]
369
00:16:37,648 --> 00:16:39,563
[pay phone dinging]
370
00:16:43,524 --> 00:16:46,614
MARK, I DON'T MIND IT,
BUT IT SEEMS TO ME
LIKE WE'RE STUCK.
371
00:16:48,398 --> 00:16:51,097
[man]
YOU LOOK MORE LIKE
A STEWARDESS THAN A SECRETARY.
372
00:16:56,450 --> 00:16:58,365
CHANGE FOR A QUARTER, PLEASE?
373
00:16:59,540 --> 00:17:02,325
I'LL SEE YOU TOMORROW.
YOU, TOO. THANKS.
374
00:17:03,848 --> 00:17:05,024
IT'S ALL YOURS.
375
00:17:06,895 --> 00:17:09,985
LISTEN. EXCUSE ME.
I GOTTA MAKE ONE FAST,
VERY URGENT CALL.
376
00:17:10,159 --> 00:17:11,247
YOU DON'T MIND,
DO YOU?
377
00:17:11,421 --> 00:17:13,032
WELL, I DID HAVE
TO MAKE A CALL.
378
00:17:13,206 --> 00:17:15,425
[coins clinking]
379
00:17:15,599 --> 00:17:18,037
OH, WAIT, WAIT, WAIT. REALLY.
IT'S JUST GONNA TAKE A MINUTE.
380
00:17:18,211 --> 00:17:20,430
YEAH, BUT MY DINNER'S
GETTING COLD.
381
00:17:20,604 --> 00:17:23,303
IT'S A VERY IMPORTANT CALL,
AND YOU'RE A VERY IMPORTANT
PART OF THIS CALL.
382
00:17:23,477 --> 00:17:25,087
OPERATOR.
383
00:17:25,261 --> 00:17:27,220
I WANNA PLACE
A PERSON-TO-PERSON
COLLECT CALL
384
00:17:27,394 --> 00:17:29,439
TO A MR. JEROME BENNETTE
IN NEW YORK CITY.
385
00:17:29,613 --> 00:17:33,748
AREA CODE 212-759-8720.
386
00:17:33,922 --> 00:17:36,229
AND MY NAME IS CRIS NOLAN.
387
00:17:36,403 --> 00:17:38,144
AND WHAT'S YOUR NAME?
388
00:17:38,318 --> 00:17:39,145
LAURIE.
389
00:17:39,319 --> 00:17:41,103
AND LAURIE.
390
00:17:41,277 --> 00:17:43,540
[man]
BAGELS AND LOX.
391
00:17:43,714 --> 00:17:45,934
LOOK. I HAVEN'T EATEN
ALL DAY, OK?
392
00:17:46,108 --> 00:17:47,501
AND--AND I'M REALLY
VERY HUNGRY.
393
00:17:47,675 --> 00:17:49,590
WE'RE WAITIN'
ON DESTINY.
394
00:17:49,764 --> 00:17:50,939
OH, DESTINY.
395
00:17:51,113 --> 00:17:52,636
YEAH, YEAH. HE ACCEPTS IT.
JERRY.
396
00:17:52,810 --> 00:17:54,421
HOW MUCH?
397
00:17:54,595 --> 00:17:56,858
I'M REALLY HUNGRY.
MY MOZZARELLA'S
GETTING COLD.
398
00:17:57,032 --> 00:17:58,903
I'LL COME BACK LATER
AND SEE HOW IT ALL PANS OUT.
399
00:17:59,078 --> 00:18:02,603
TAKE IT.
YES, YES, TAKE IT FOR...
400
00:18:02,777 --> 00:18:06,215
IN FACT, CALL MARK
AND--AND TELL HIM
THAT I TALKED TO YOU.
401
00:18:06,389 --> 00:18:08,043
HOW SOON
DO WE GET A DEPOSIT?
402
00:18:09,131 --> 00:18:10,698
48 HOURS.
THAT'S TERRIFIC.
403
00:18:11,655 --> 00:18:12,613
GREAT.
404
00:18:12,787 --> 00:18:14,310
LAURIE THINKS IT'S TERRIFIC.
405
00:18:14,484 --> 00:18:16,051
NEVER MIND.
THANK YOU, JERRY.
406
00:18:16,225 --> 00:18:17,226
YOU MADE ME
A VERY HAPPY MAN,
407
00:18:17,400 --> 00:18:19,707
AND LAURIE
A VERY HAPPY WOMAN.
408
00:18:19,881 --> 00:18:22,405
ALL RIGHT. THANK YOU.
GOOD NIGHT.
409
00:18:24,103 --> 00:18:25,060
THAT'S IT.
410
00:18:25,234 --> 00:18:26,366
GOOD. THANKS.
411
00:18:26,540 --> 00:18:27,802
CONGRATULATE ME.
412
00:18:27,976 --> 00:18:29,543
CONGRATULATIONS.
CONGRATULATIONS.
413
00:18:29,717 --> 00:18:31,675
♪ DANCE, DANCE ♪
414
00:18:31,849 --> 00:18:33,851
♪ DANCE, DANCE
TO THE ROCK 'N' ROLL MUSIC ♪
415
00:18:34,025 --> 00:18:36,376
THAT WAS A TERRIFIC KISS.
416
00:18:36,550 --> 00:18:38,073
THAT WAS A TERRIFIC KISS.
417
00:18:38,247 --> 00:18:39,553
CAN I BUY YOU A DRINK?
418
00:18:39,727 --> 00:18:40,945
[sighing]
419
00:18:41,120 --> 00:18:43,818
I--I HAVE A--A PHONE CALL
TO MAKE.
420
00:18:44,471 --> 00:18:47,387
I'LL WAIT.
421
00:18:47,561 --> 00:18:51,652
A-AND I HAVE FRIENDS
AND--AND DINNER
WAITING OVER THERE.
422
00:18:51,826 --> 00:18:53,958
GOOD. NOW YOU GOT ME
WAITIN' FOR YOU.
423
00:19:09,539 --> 00:19:10,671
HELLO?
424
00:19:12,238 --> 00:19:14,283
YES, THIS IS LAURIE.
ANY MESSAGES?
425
00:19:15,110 --> 00:19:16,416
♪ DANCE, DANCE ♪
426
00:19:16,590 --> 00:19:18,331
OK.
427
00:19:18,505 --> 00:19:19,723
♪ DANCE, DANCE
TO THE ROCK 'N' ROLL MUSIC ♪
428
00:19:19,897 --> 00:19:20,898
THANKS.
429
00:19:22,161 --> 00:19:23,466
ANY CALLS?
430
00:19:23,640 --> 00:19:24,902
NO.
431
00:19:25,076 --> 00:19:27,601
GOOD. I DON'T REALLY
WANT TO BUY YOU A DRINK.
432
00:19:27,775 --> 00:19:28,906
OH, OK.
433
00:19:29,080 --> 00:19:30,299
WHAT I REALLY WANT
434
00:19:30,473 --> 00:19:32,258
IS FOR YOU
TO COME HOME WITH ME.
435
00:19:39,526 --> 00:19:41,658
OH. UM...
436
00:19:41,832 --> 00:19:44,008
I CAN'T, REALLY.
437
00:19:44,183 --> 00:19:46,794
I HAVE FRIENDS WAITIN' FOR ME.
438
00:19:46,968 --> 00:19:47,882
LAURIE.
439
00:19:54,584 --> 00:19:56,369
I'M GONNA SIT THERE
ON THE BAR STOOL,
440
00:19:57,239 --> 00:19:58,675
AND I'M GONNA WAIT.
441
00:19:58,849 --> 00:20:01,461
I'M GONNA WAIT FOREVER
TILL YOU COME BACK.
442
00:20:01,635 --> 00:20:04,377
♪ DANCE, DANCE
TO THE ROCK 'N' ROLL MUSIC ♪
443
00:20:04,551 --> 00:20:06,379
NO, I--I CAN'T. REALLY.
444
00:20:06,553 --> 00:20:08,294
YES, YOU CAN.
445
00:20:08,468 --> 00:20:11,340
♪ DANCE, DANCE
TO THE ROCK 'N' ROLL MUSIC ♪
446
00:20:11,514 --> 00:20:13,386
I--I CAN'T.
447
00:20:13,560 --> 00:20:15,083
YES, YOU CAN.
448
00:20:54,862 --> 00:20:56,646
YOU KNOW,
YOU'RE VERY PRETTY.
449
00:20:59,475 --> 00:21:00,955
I'M NOT, REALLY.
450
00:21:01,129 --> 00:21:02,435
OH, YES, YOU ARE.
451
00:21:07,091 --> 00:21:08,876
YOU DON'T HAVE TO SAY THAT.
452
00:21:10,747 --> 00:21:12,706
I WOULDN'T SAY IT
IF I DIDN'T MEAN IT.
453
00:21:20,409 --> 00:21:22,629
YOU'RE VERY PRETTY, TOO.
454
00:21:43,214 --> 00:21:46,566
UM, DO YOU MIND
TURNING THE LIGHT OFF?
455
00:21:49,743 --> 00:21:51,310
I'M KIND OF SHY.
456
00:21:52,311 --> 00:21:53,399
SURE.
457
00:22:07,151 --> 00:22:09,197
WILL YOU TURN THE OTHER ONE
OFF, TOO, PLEASE?
458
00:22:12,592 --> 00:22:14,420
I GUESS I'M REALLY SHY.
459
00:22:15,812 --> 00:22:16,813
SURE.
460
00:22:18,467 --> 00:22:19,816
I DON'T MIND.
461
00:23:05,384 --> 00:23:07,647
OH, WHAT DO YOU TAKE
IN YOUR COFFEE?
462
00:23:07,821 --> 00:23:09,605
OH, I--I DON'T TAKE
ANY COFFEE. THANK YOU.
463
00:23:09,779 --> 00:23:10,954
WHY NOT?
464
00:23:11,128 --> 00:23:14,305
UH, WELL, CAFFEINE IN IT
MAKES ME CRAZY.
465
00:23:14,480 --> 00:23:16,482
I'M SURE
IT'S VERY GOOD.
466
00:23:16,656 --> 00:23:17,787
OK, YOU WANT SOME TEA?
467
00:23:17,961 --> 00:23:18,832
NO, THANKS.
468
00:23:19,006 --> 00:23:20,399
WHAT TIME IS IT?
469
00:23:22,139 --> 00:23:24,011
10 AFTER 9:00.
470
00:23:24,185 --> 00:23:25,316
HMM. I BETTER HURRY.
471
00:23:25,491 --> 00:23:26,753
WHERE ARE YOU GOIN'?
472
00:23:26,927 --> 00:23:29,190
UH, I HAVE A REALLY
BUSY DAY TODAY.
473
00:23:29,364 --> 00:23:31,235
OH?
I HAVE A COMMERCIAL,
474
00:23:31,410 --> 00:23:33,194
A RECORDING SESSION.
LATER ON,
I HAVE A--A--A REHEARSAL.
475
00:23:33,368 --> 00:23:34,674
WHAT KIND OF REHEARSAL?
476
00:23:36,197 --> 00:23:39,026
OH, UM,
WEDDING REHEARSAL.
477
00:23:39,200 --> 00:23:41,289
OH. WHOSE WEDDING?
478
00:23:47,861 --> 00:23:48,775
MINE.
479
00:23:52,692 --> 00:23:54,345
YOURS?
480
00:23:56,391 --> 00:23:58,306
HMM. YEP. MINE.
481
00:24:03,050 --> 00:24:04,660
YOU'RE KIDDIN'.
482
00:24:07,141 --> 00:24:09,622
UH-UH.
NO, I'M NOT KIDDING.
483
00:24:11,754 --> 00:24:14,278
I WISH I WAS KIDDING.
484
00:24:20,720 --> 00:24:22,243
LISTEN, UM,
485
00:24:24,201 --> 00:24:26,334
YOU DO THIS KIND
OF THING OFTEN?
486
00:24:27,596 --> 00:24:29,076
NO.
487
00:24:33,733 --> 00:24:36,083
DO YOU?
488
00:24:36,257 --> 00:24:38,346
NOW AND THEN. ARE YOU
REALLY GETTING MARRIED?
489
00:24:38,520 --> 00:24:39,782
MMM-HMM.
490
00:24:41,131 --> 00:24:43,046
YEAH, ABSOLUTELY.
491
00:24:45,222 --> 00:24:46,528
OK.
492
00:24:49,966 --> 00:24:51,751
ARE YOU MARRIED?
493
00:24:51,925 --> 00:24:53,492
SEPARATED.
494
00:24:54,884 --> 00:24:56,756
OH, THERE YOU GO.
495
00:25:00,977 --> 00:25:02,588
[car horn honks]
496
00:25:03,980 --> 00:25:05,025
LET ME ASK YOU SOMETHING.
497
00:25:05,199 --> 00:25:07,288
WHAT?
498
00:25:07,462 --> 00:25:10,160
WHAT WAS THIS, JUST KIND OF
LIKE A LAST FLING BEFORE
YOU GOT MARRIED OR WHAT?
499
00:25:10,334 --> 00:25:12,728
I DON'T KNOW. I GUESS SO.
I MEAN, IT JUST HAPPENED,
YOU KNOW.
500
00:25:12,902 --> 00:25:14,208
HEY, YOU DON'T HAVE
TO APOLOGIZE.
501
00:25:14,382 --> 00:25:16,079
I KNOW I DON'T.
502
00:25:16,253 --> 00:25:18,995
SO, UH, YOU KNOW, HOW LONG
HAVE YOU BEEN ENGAGED?
503
00:25:19,169 --> 00:25:19,996
6 MONTHS.
504
00:25:20,170 --> 00:25:21,563
YEAH? YOU LIVE WITH HIM?
505
00:25:21,737 --> 00:25:22,564
NOPE.
506
00:25:22,738 --> 00:25:23,565
WHY NOT?
507
00:25:23,739 --> 00:25:24,566
JUST DON'T.
508
00:25:24,740 --> 00:25:25,611
JUST ASKING.
509
00:25:26,786 --> 00:25:28,222
HAVE YOU KNOWN HIM LONG?
510
00:25:28,396 --> 00:25:30,224
YEAH. WE WENT
TO COLLEGE TOGETHER.
511
00:25:30,398 --> 00:25:31,312
OH.
512
00:25:34,489 --> 00:25:37,492
THANKS. WHY YOU KEEP
ASKING ME
ALL THESE QUESTIONS?
513
00:25:37,666 --> 00:25:39,581
IT GETS ME HOT.
514
00:25:39,755 --> 00:25:42,192
OH. WELL,
I'D BETTER GO.
515
00:25:45,500 --> 00:25:46,719
WELL,
THANKS FOR BREAKFAST.
516
00:25:46,893 --> 00:25:49,330
YOU'RE VERY WELCOME.
517
00:25:49,504 --> 00:25:51,941
I'M SORRY, CRIS.
I REALLY DO HAVE TO GO.
518
00:25:52,115 --> 00:25:53,334
OK.
519
00:25:54,161 --> 00:25:55,858
[engine starting]
520
00:25:56,032 --> 00:25:57,556
HEY, YOU WANNA COME BACK
LATER TONIGHT?
521
00:25:57,730 --> 00:26:00,036
NO, I CAN'T. REALLY.
522
00:26:02,430 --> 00:26:04,563
OK. BYE-BYE.
523
00:26:06,477 --> 00:26:08,218
GOODBYE.
524
00:26:08,392 --> 00:26:09,219
HEY, LAURIE.
525
00:26:09,393 --> 00:26:11,657
WHAT?
526
00:26:11,831 --> 00:26:14,921
I DON'T EVEN KNOW
YOUR LAST NAME.
I WANT TO CALL YOU.
527
00:26:15,095 --> 00:26:18,359
OH, IT'S OK, CRIS.
GOODBYE.
528
00:26:22,581 --> 00:26:23,973
♪♪♪[piano playing]
529
00:26:25,061 --> 00:26:27,542
♪ ROAST 'EM, TOAST 'EM ♪
530
00:26:27,716 --> 00:26:30,414
♪ PUT 'EM IN YOUR OVEN ♪
531
00:26:30,589 --> 00:26:35,115
♪ EAT MRS. FRANKLIN'S WAFFLES
EVERY MORNIN' ♪
532
00:26:37,204 --> 00:26:41,512
♪ EAT MRS. FRANKLIN'S WAFFLES
EVERY MORNIN' ♪♪♪
533
00:26:46,474 --> 00:26:47,518
FREEZE.
534
00:26:47,693 --> 00:26:48,955
[bell rings]
535
00:26:51,784 --> 00:26:53,350
NO.
536
00:26:53,524 --> 00:26:56,005
THERE'S SOMETHING WRONG.
537
00:26:56,179 --> 00:26:58,312
REMEMBER, WE'RE LOOKING
FOR ETHEL MERMAN.
538
00:26:59,618 --> 00:27:01,489
NO, NO. REALLY.
NOW BE SERIOUS.
539
00:27:01,663 --> 00:27:03,970
WELL, I DON'T MEAN TO,
LIKE, START AN ARGUMENT
OR ANYTHING,
540
00:27:04,144 --> 00:27:06,494
BUT SINCE WE'RE SUPPOSED
TO BE LIKE ETHEL MERMAN,
541
00:27:06,668 --> 00:27:08,235
THEN HOW COME
WE'RE DRESSED LIKE THIS?
542
00:27:12,935 --> 00:27:14,633
I DON'T KNOW. MAX.
543
00:27:19,333 --> 00:27:21,727
[Max]
IT'S AMERICANA.
544
00:27:21,901 --> 00:27:24,947
DON'T YOU PEOPLE
UNDERSTAND AMERICANA?
545
00:27:25,121 --> 00:27:27,602
YOU'RE SUPPOSED TO BE
MRS. BEN FRANKLIN.
546
00:27:27,776 --> 00:27:28,864
YEAH.
547
00:27:29,604 --> 00:27:30,736
[snickers]
548
00:27:34,130 --> 00:27:35,610
WHERE WERE WE?
549
00:27:35,784 --> 00:27:38,308
I GOT A NEW IDEA.
550
00:27:38,482 --> 00:27:40,267
UH, WOULD YOU ALL GO DOWN
ON YOUR KNEES, PLEASE?
551
00:27:40,441 --> 00:27:41,268
WHAT?
552
00:27:41,442 --> 00:27:42,878
WOULD YOU KNEEL?
553
00:27:51,017 --> 00:27:53,323
YOU KNOW, WE DON'T NEED
ETHEL MERMAN HERE.
554
00:27:53,497 --> 00:27:56,370
WHAT WE NEED HERE
IS AL JOLSON.
555
00:27:56,544 --> 00:27:59,547
BUT, RICHMOND, THE CLIENT
EXPECTS ETHEL MERMAN.
556
00:27:59,721 --> 00:28:02,506
WELL, WE'VE GOT
AN ETHEL MERMAN
VERSION ON FILM.
557
00:28:02,681 --> 00:28:05,205
NOW LET'S PUT
AN AL JOLSON ONE ON FILM.
558
00:28:05,379 --> 00:28:07,033
IT WON'T COST ANY MORE.
559
00:28:07,207 --> 00:28:09,818
WELL, AS LONG AS
IT DOESN'T COST ANY MORE,
IT'S ALL RIGHT.
560
00:28:09,992 --> 00:28:11,515
OK. THEY'RE HERE
FOR THE DAY.
561
00:28:12,865 --> 00:28:14,605
CAN WE GET UP NOW,
PLEASE?
562
00:28:14,780 --> 00:28:17,391
NO. I WANT YOU TO DO AL JOLSON
RIGHT WHERE YOU ARE
ON YOUR KNEES.
563
00:28:17,565 --> 00:28:20,176
NOW, FORGET EVERYTHING
I TOLD YOU
AND JUST IMPROVISE.
564
00:28:20,350 --> 00:28:21,525
ALL OF US?
565
00:28:21,700 --> 00:28:24,920
YES, I WANT YOU ALL
TO THINK AL JOLSON.
566
00:28:25,094 --> 00:28:26,226
OH, WAIT A MINUTE.
567
00:28:26,400 --> 00:28:28,532
YOU WANT ME
TO SING LIKE AL JOLSON,
568
00:28:28,707 --> 00:28:32,058
BUT YOU WANT BONNIE AND ANNIE
TO MAINTAIN THE ATTITUDE
OF AL JOLSON.
569
00:28:32,232 --> 00:28:33,537
NO.
570
00:28:33,712 --> 00:28:36,758
I WANT LAURIE
TO SING LIKE AL JOLSON,
571
00:28:36,932 --> 00:28:39,805
AND YOU TWO GUYS MAINTAIN
THE ATTITUDE
572
00:28:39,979 --> 00:28:41,807
OF SOMEONE
WHO LIKES WAFFLES.
573
00:28:41,981 --> 00:28:43,678
OK, READY?
574
00:28:44,461 --> 00:28:45,854
LET'S GO.
575
00:28:46,028 --> 00:28:47,290
[man]
QUIET, PLEASE.
ROLL SOUND.
576
00:28:47,464 --> 00:28:48,552
[bell rings]
577
00:28:48,727 --> 00:28:49,815
SPEED.
578
00:28:50,511 --> 00:28:52,556
CAMERA. MARK IT.
579
00:28:52,731 --> 00:28:56,125
X-58, TAKE 42.
MRS. FRANKLIN'S WAFFLES.
580
00:28:57,126 --> 00:28:58,040
ACTION.
581
00:28:58,214 --> 00:29:00,173
♪♪♪[piano playing]
582
00:29:00,347 --> 00:29:03,350
♪ ROAST 'EM, TOAST 'EM ♪
583
00:29:03,524 --> 00:29:05,656
♪ PUT 'EM IN YOUR OVEN ♪
584
00:29:05,831 --> 00:29:08,747
♪ EAT MRS. FRANKLIN'S
WAFFLES ♪
585
00:29:08,921 --> 00:29:11,750
♪ EVERY MORNIN' ♪♪♪
586
00:29:15,754 --> 00:29:18,495
[Laurie]
EXCUSE ME, PLEASE.
HEY, KENNY.
587
00:29:18,669 --> 00:29:19,758
HMM.
588
00:29:19,932 --> 00:29:21,585
SORRY I'M LATE.
HOW ARE YOU DOIN'?
589
00:29:21,760 --> 00:29:23,457
STEAK SANDWICH. PLAIN.
NOTHIN' ON IT,
ALL RIGHT.
590
00:29:23,631 --> 00:29:25,024
I JUST ORDERED YOU
A STEAK SANDWICH.
591
00:29:25,198 --> 00:29:26,155
HOW COME?
592
00:29:26,329 --> 00:29:27,722
THE OTHER STUFF
MAKES ME SICK.
593
00:29:27,896 --> 00:29:29,289
OH, OH, OH,
LISTEN, FRED.
594
00:29:29,463 --> 00:29:31,595
I'D RATHER HAVE
THE, UH, USUAL, OK?
595
00:29:31,770 --> 00:29:32,858
WITH AN ORANGE.
596
00:29:33,032 --> 00:29:34,990
HMM.
597
00:29:35,164 --> 00:29:37,253
MICHAEL AND CONNIE
INVITED US OVER
TO DINNER TOMORROW NIGHT.
598
00:29:37,427 --> 00:29:38,733
WELL, I CAN'T GO.
599
00:29:39,429 --> 00:29:40,517
WHY NOT?
600
00:29:40,691 --> 00:29:42,432
WELL, BECAUSE I--I...
OH, THANKS.
601
00:29:42,606 --> 00:29:44,565
I'VE--I'VE GOT A SESSION
TOMORROW NIGHT.
602
00:29:45,914 --> 00:29:48,090
I THOUGHT
YOU HAD ONE TODAY.
603
00:29:48,264 --> 00:29:51,050
I DID.
BUT I HAVE ANOTHER ONE
TOMORROW NIGHT.
604
00:29:51,224 --> 00:29:52,181
COULDN'T YOU
CANCEL IT?
605
00:29:52,355 --> 00:29:54,270
NO, KENNY, I CAN'T CANCEL IT.
606
00:29:54,444 --> 00:29:55,968
I'VE ALREADY
BOOKED THE MUSICIANS.
607
00:29:56,142 --> 00:29:57,839
AND--AND I GAVE THEM A DEPOSIT
AT THE STUDIO.
608
00:29:58,013 --> 00:29:59,449
OH, COME ON.
609
00:29:59,623 --> 00:30:01,408
CANCEL IT.
I'LL PAY FOR IT.
610
00:30:01,582 --> 00:30:03,932
I DON'T UNDERSTAND
WHY YOU WON'T LET ME PAY
FOR THAT STUFF ANYWAY.
611
00:30:04,106 --> 00:30:07,980
IT'S NOT STUFF, KENNY.
WHY DO YOU KEEP
CALLING IT STUFF?
612
00:30:08,154 --> 00:30:10,286
WHATEVER IT IS.
613
00:30:10,460 --> 00:30:12,811
I DIDN'T EVEN KNOW
YOU HAD TO PAY FOR IT.
614
00:30:12,985 --> 00:30:15,596
WHO DO YOU THINK PAYS FOR IT,
THE SALVATION ARMY?
YOU KNOW, I EARN MONEY, TOO.
615
00:30:15,770 --> 00:30:17,467
ALL RIGHT, ALL RIGHT,
CALM DOWN, HUH?
616
00:30:17,641 --> 00:30:19,469
WELL, WHAT ABOUT
TOMORROW NIGHT, HUH?
617
00:30:19,643 --> 00:30:21,123
[horn blaring]
618
00:30:23,647 --> 00:30:27,086
KENNETH, I AM GONNA BE
RECORDING TOMORROW NIGHT.
619
00:30:32,656 --> 00:30:33,527
OK.
620
00:30:33,701 --> 00:30:35,355
LOOK, KENNY.
621
00:30:35,529 --> 00:30:37,618
I'M REALLY CLOSE.
622
00:30:37,792 --> 00:30:40,447
I--I MEAN, I CAN SENSE IT.
I MEAN, IT'S RIGHT THERE
WAITING FOR ME.
623
00:30:40,621 --> 00:30:42,536
I'M GOING TO THE PARTY.
624
00:30:42,710 --> 00:30:44,886
GOOD. OK.
WELL, HAVE A GOOD TIME.
625
00:30:45,060 --> 00:30:47,584
YOU ALWAYS HAVE FUN
WITH, UH, WITH CONNIE
AND MICHAEL ANYWAY.
626
00:30:47,758 --> 00:30:50,718
I DON'T UNDERSTAND
WHAT'S SO IMPORTANT
ABOUT SOME ROTTEN SESSION.
627
00:30:52,154 --> 00:30:53,764
LET'S DROP IT, ALL RIGHT?
628
00:30:55,070 --> 00:30:56,942
OK, HOW WAS YOUR DAY?
629
00:30:57,551 --> 00:30:59,205
BORING.
630
00:31:00,597 --> 00:31:03,165
IT'S ALWAYS BORING.
I GOTTA TEACH BEGINNERS.
631
00:31:04,732 --> 00:31:07,213
YOU KNOW WHAT I'M DOIN'
THIS AFTERNOON?
632
00:31:07,387 --> 00:31:09,476
I'M GONNA RALLY
WITH HAMPTON COOKE.
633
00:31:09,650 --> 00:31:12,871
HE CAME IN THE QUARTERFINALS
AT SOUTH HAMPTON, HUH, HUH?
634
00:31:13,045 --> 00:31:16,222
YOU'RE GONNA HAVE A REALLY
GOOD DAY THIS AFTERNOON.
YOU'LL GET A GOOD WORKOUT.
635
00:31:16,396 --> 00:31:17,919
I'M LOOKING FORWARD
TO THAT, I TELL YOU.
636
00:31:18,093 --> 00:31:18,920
YEAH, THAT'S GREAT.
637
00:31:19,094 --> 00:31:22,663
OH, MY GOD. KENNY.
638
00:31:22,837 --> 00:31:24,447
OH, LOOK WHAT TIME IT IS.
I'M GONNA BE LATE.
639
00:31:24,621 --> 00:31:26,580
WELL, GOOD LUCK.
640
00:31:28,277 --> 00:31:29,975
KENNY, HAVE A GOOD AFTERNOON.
641
00:31:30,149 --> 00:31:31,628
OK. ALL RIGHT,
I'LL SEE YOU LATER THEN.
642
00:31:31,802 --> 00:31:33,282
OH, TELL ME.
643
00:31:34,457 --> 00:31:35,806
[people chattering]
644
00:31:35,981 --> 00:31:37,243
COME ON.
645
00:31:37,417 --> 00:31:38,505
TELL YOU WHAT?
646
00:31:38,679 --> 00:31:39,985
BREAK A LEG.
647
00:31:40,159 --> 00:31:41,638
OH, YEAH, YEAH.
BREAK A LEG,
BREAK A LEG.
648
00:31:41,812 --> 00:31:43,379
OK, BYE.
YEAH.
649
00:31:43,553 --> 00:31:44,990
[chuckles]
BREAK A LEG.
650
00:31:46,208 --> 00:31:48,297
♪♪♪[playing piano]
651
00:31:56,827 --> 00:32:02,007
♪ ROLLING THE CHORDS
ON THIS OLD PIANO ♪
652
00:32:02,181 --> 00:32:05,880
♪ HELPS ME GET
THROUGH THE NIGHT ♪
653
00:32:07,577 --> 00:32:12,539
♪ DOWN HOME GUITAR LICKS
I'LL DO JUST ONE MORE MIX ♪
654
00:32:12,713 --> 00:32:16,586
♪ AND EVERYTHING
WILL TURN OUT RIGHT ♪
655
00:32:17,848 --> 00:32:21,896
♪ DOWN ON THE BACK ROADS
OF HOLLYWOOD ♪
656
00:32:23,419 --> 00:32:26,988
♪ WHERE LIFE SPEAKS
OF ANOTHER TIME ♪
657
00:32:28,685 --> 00:32:33,647
♪ I SPEND MY NIGHTS
RECORDING MY SONGS ♪
658
00:32:33,821 --> 00:32:37,129
♪ AND WATCHING
THE WORLD PASS ♪
659
00:32:38,869 --> 00:32:41,785
♪ THROUGH ROSE-COLORED WINE ♪
660
00:32:44,658 --> 00:32:49,619
♪ A STEEL GUITAR CAN
MAKE ME FEEL HAPPY ♪
661
00:32:49,793 --> 00:32:53,449
♪ EVERY TIME I HEAR IT PLAY ♪
662
00:32:55,321 --> 00:32:59,803
♪ A COUNTRY FIDDLE,
A HARP IN THE MIDDLE ♪
663
00:32:59,978 --> 00:33:03,807
♪ IS BOUND TO
BRIGHTEN UP MY DAY ♪
664
00:33:05,548 --> 00:33:10,292
♪ DOWN ON THE BACK ROADS
OF HOLLYWOOD ♪
665
00:33:10,466 --> 00:33:16,081
♪ WHERE LIFE SPEAKS
OF ANOTHER TIME ♪
666
00:33:16,255 --> 00:33:21,303
♪ I SPEND MY NIGHTS
RECORDING MY SONGS ♪
667
00:33:21,477 --> 00:33:25,264
♪ AND WATCHING
THE WORLD PASS ♪
668
00:33:26,656 --> 00:33:30,182
♪ THROUGH ROSE-COLORED WINE ♪♪♪
669
00:33:30,965 --> 00:33:32,880
[inaudible]
670
00:33:41,410 --> 00:33:44,152
♪♪♪[harmonizing]
671
00:33:52,639 --> 00:33:56,034
♪ DOWN ON THE BACK ROADS
OF HOLLYWOOD ♪
672
00:33:57,470 --> 00:34:01,213
♪ WHERE LIFE SPEAKS
OF ANOTHER TIME ♪
673
00:34:02,823 --> 00:34:07,480
♪ I SPEND MY NIGHTS
RECORDING MY SONGS ♪
674
00:34:07,654 --> 00:34:11,745
♪ AND WATCHING
THE WORLD PASS ♪
675
00:34:12,876 --> 00:34:16,445
♪ THROUGH ROSE-COLORED WINE ♪
676
00:34:18,360 --> 00:34:22,147
♪ AND ALL MY TOMORROWS ♪
677
00:34:24,540 --> 00:34:29,067
♪ ARE GONNA BE FINE ♪♪♪
678
00:34:39,686 --> 00:34:41,905
♪♪♪[organ playing]
679
00:34:58,705 --> 00:35:00,794
LEFT TOGETHER, TA-TUM.
680
00:35:01,969 --> 00:35:03,927
RIGHT TOGETHER, TA-TUM.
681
00:35:05,407 --> 00:35:09,063
LEFT. THAT'S RIGHT.
VERY GOOD. VERY, VERY NICE.
682
00:35:09,237 --> 00:35:14,024
GOOD. THINK OF IT AS A LOVE
ARCHWAY FOR THE SEASHELL.
683
00:35:14,199 --> 00:35:16,723
LIKE THE SEA MEETS THE SKY.
684
00:35:16,897 --> 00:35:18,855
RIGHT. GOOD, GOOD.
VERY PRETTY.
685
00:35:20,030 --> 00:35:22,903
USHERS, DELICATELY.
686
00:35:23,077 --> 00:35:25,427
YOU'RE LIKE CREATURES
OF THE SEA.
687
00:35:25,601 --> 00:35:27,473
YOU'RE LIKE SEA URCHINS.
688
00:35:27,647 --> 00:35:29,083
DID THAT GUY
JUST CALL ME AN URCHIN?
689
00:35:29,257 --> 00:35:30,128
YEAH.
690
00:35:30,302 --> 00:35:32,347
UM, LET 'EM OUT NOW, POP?
691
00:35:32,521 --> 00:35:35,611
"LET 'EM OUT NOW, POP."
NO, YOU IDIOT.
JUST GET THE LIGHTS READY.
692
00:35:35,785 --> 00:35:38,614
[Nussbaum]
COME. YES. YES.
693
00:35:38,788 --> 00:35:42,140
VERY NICE.
OK, START FORMING
YOUR SHELL ON THE ALTAR.
694
00:35:42,314 --> 00:35:44,620
THAT'S RIGHT. VERY GOOD.
695
00:35:44,794 --> 00:35:46,840
START FORMING YOUR SHELL.
GOOD.
696
00:35:47,014 --> 00:35:48,624
USHERS, DELICATELY.
DELICATELY.
697
00:35:50,409 --> 00:35:53,803
THAT'S RIGHT. STEP LEFT.
698
00:35:53,977 --> 00:35:56,589
RIGHT, RIGHT.
WONDERFUL, WONDERFUL.
699
00:35:56,763 --> 00:35:58,460
PRETTY, PRETTY.
700
00:36:00,549 --> 00:36:02,072
PRESS THE BUTTON.
701
00:36:04,771 --> 00:36:09,254
♪ OH, PROMISE ME
THAT SOMEDAY YOU AND I ♪
702
00:36:11,865 --> 00:36:14,998
♪ WILL TAKE OUR LOVE
TOGETHER ♪♪♪
703
00:36:16,565 --> 00:36:18,567
KEN, YOU PROMISED.
704
00:36:18,741 --> 00:36:20,743
I KNOW I PROMISED,
BUT I AM NOT GETTING MARRIED
IN A GIANT CLAM.
705
00:36:20,917 --> 00:36:22,180
WHAT'S THE MATTER?
706
00:36:22,354 --> 00:36:23,703
HAVE YOU EVER RIDDEN
IN THIS CLAM?
707
00:36:23,877 --> 00:36:25,400
ALL THE TIME.
708
00:36:25,574 --> 00:36:27,446
MR. NUSSBAUM,
709
00:36:30,144 --> 00:36:31,406
THAT IS A NOISY CLAM.
710
00:36:31,580 --> 00:36:33,365
IT'S MOTORIZED.
711
00:36:34,453 --> 00:36:35,932
EXCUSE ME.
712
00:36:36,106 --> 00:36:38,544
[Nussbaum]
USHERS, BRIDESMAIDS,
TAKE 5.
713
00:36:40,937 --> 00:36:43,549
♪♪♪[woman singing operatically]
714
00:36:52,166 --> 00:36:54,560
SI, CAN I, UH, SEE YOU
FOR A MINUTE, PLEASE?
715
00:36:57,954 --> 00:37:01,262
CAN I TALK TO YOU A MINUTE?
SIT DOWN.
716
00:37:01,436 --> 00:37:03,264
WHAT'S THE MATTER, HUH?
717
00:37:03,438 --> 00:37:05,048
[people laughing]
718
00:37:05,223 --> 00:37:06,485
I DON'T KNOW
HOW TO SAY THIS, UH...
719
00:37:06,659 --> 00:37:08,226
WELL, JUST SAY IT.
WHAT IS IT?
720
00:37:11,316 --> 00:37:13,274
I HATE THAT CLAM.
721
00:37:15,015 --> 00:37:16,538
WHAT DO YOU MEAN
YOU HATE THE CLAM?
722
00:37:16,712 --> 00:37:20,063
I HATE THE CLAM.
I HATE THE OPENING.
I HATE THE CLAM.
723
00:37:20,238 --> 00:37:22,718
POP.
724
00:37:22,892 --> 00:37:25,504
COULD YOU-- COULD YOU
TELL MR. NUSSBAUM
WE DON'T WANT THE CLAM?
725
00:37:25,678 --> 00:37:28,768
OH, SWEETIE, COME ON.
HE'S MY OLDEST FRIEND.
IT WOULD BREAK HIS HEART.
726
00:37:28,942 --> 00:37:29,943
HEY, ARNOLD.
727
00:37:30,117 --> 00:37:32,380
UH, HAROLD.
728
00:37:32,554 --> 00:37:35,209
[birds cooing]WHAT ARE--
WHAT ARE THOSE FOR?
729
00:37:35,383 --> 00:37:38,168
OH, WE--WE LET THEM LOOSE
WHEN YOU SAY YOUR VOWS.
730
00:37:38,343 --> 00:37:39,561
OH, MY GOD.
731
00:37:40,432 --> 00:37:42,521
YOU GOTTA
BE KIDDING, POP.
732
00:37:42,695 --> 00:37:45,567
SWEETIE, NUSSBAUM HAD THOSE
BROUGHT IN FROM GREECE.
733
00:37:45,741 --> 00:37:48,570
PLEASE, POP. COME ON.
GIVE US A BREAK, WILL YA?
734
00:37:48,744 --> 00:37:50,920
[Nussbaum]
KENNETH, I NEED YOU
FOR A MINUTE, PLEASE.
735
00:37:51,094 --> 00:37:52,574
WHAT NOW, MR. NUSSBAUM?
736
00:37:52,748 --> 00:37:54,924
I WANNA WORK ON THE CLAM.
NO, NOT YOU, LAURIE, HONEY.
737
00:37:55,098 --> 00:37:56,665
IT'S GONNA BE BEAUTIFUL.
COME ON.
738
00:37:56,839 --> 00:37:58,580
LOOK, SI, PLEASE.
739
00:37:58,754 --> 00:38:00,278
[sighs]
740
00:38:01,322 --> 00:38:03,063
GOD.
POP.
741
00:38:03,237 --> 00:38:05,761
YOU LOOK TIRED.
WHAT'S THE MATTER?
YOU HAVEN'T BEEN SLEEPING?
742
00:38:05,935 --> 00:38:07,372
I'M SLEEPING FINE.
JUST FINE.
743
00:38:07,546 --> 00:38:10,462
LISTEN, I NEED JOKES.
CARPET JOKES, RUG JOKES.
744
00:38:10,636 --> 00:38:12,507
OK. WHAT ARE YOU DOING,
A ROAST?
745
00:38:12,681 --> 00:38:13,943
YEAH.
OK, WHAT ARE YOU ROASTING?
746
00:38:14,117 --> 00:38:14,944
KING MOOSE.
747
00:38:15,118 --> 00:38:16,468
OK, OK. KING MOOSE.
748
00:38:16,642 --> 00:38:18,252
YEAH.
ONLY YOU'D BE ROASTING
A KING MOOSE.
749
00:38:18,426 --> 00:38:19,819
OK. WHERE IS IT?
LODGE HALL.
750
00:38:19,993 --> 00:38:22,125
LODGE HALL. OK, OK.
THAT'S A BIG ROOM.
751
00:38:22,300 --> 00:38:23,910
YOU BET.
ALL RIGHT.
752
00:38:24,084 --> 00:38:25,694
UH, WHAT DOES HE DO
FOR A LIVING?
753
00:38:25,868 --> 00:38:28,175
UH, HE'S--HE'S GOT A CHAIN
OF DISCOUNT CARPET STORES.
754
00:38:28,349 --> 00:38:30,046
OK. DISCOUNT JOKES.
CHEAP JOKES.
755
00:38:30,220 --> 00:38:32,005
YEAH, CHEAP.
I GOT A JOKE.
756
00:38:32,179 --> 00:38:35,400
HE'S SO CHEAP, UH,
HIS KIDS WEREN'T BORN.
THEY WERE MADE IN JAPAN.
757
00:38:35,574 --> 00:38:36,618
HUH?
758
00:38:36,792 --> 00:38:38,316
THAT'S VERY GOOD. OK.
COME ON.
759
00:38:38,490 --> 00:38:40,405
OK, SO, UM,
WHAT ABOUT HIS FRIENDS?
760
00:38:40,579 --> 00:38:41,580
HE HASN'T GOT ANY FRIENDS.
761
00:38:41,754 --> 00:38:43,277
HE DOESN'T HAVE ANY--
I LOVE IT.
762
00:38:43,451 --> 00:38:45,627
WHAT?
OK, UM...
763
00:38:48,543 --> 00:38:51,198
HE LAYS CARPET,
BUT HE SCREWS HIS FRIENDS.
764
00:38:51,372 --> 00:38:52,504
GOOD.
765
00:38:52,678 --> 00:38:53,505
[Laurie chuckling]
766
00:38:53,679 --> 00:38:54,854
HOLD IT. LAYS CARPET...
767
00:38:55,028 --> 00:38:55,855
MORE, MORE, MORE.
768
00:38:56,029 --> 00:38:57,073
[Laurie]
OK, OK.
769
00:38:59,337 --> 00:39:00,381
COME ON.
770
00:39:00,555 --> 00:39:02,296
[Nussbaum]
SI, LAURIE, I NEED YOU.
771
00:39:02,470 --> 00:39:03,950
LATER.
OK. I'M THINKIN'.
772
00:39:04,124 --> 00:39:05,430
LAYS CARPET,
SCREWS HIS FRIENDS.
773
00:39:05,604 --> 00:39:06,518
F-F-FIRST POSITION.
774
00:39:06,692 --> 00:39:08,128
[Nussbaum]
NO, 4TH POSITION.
775
00:39:08,302 --> 00:39:10,086
[audience laughing]
776
00:39:10,260 --> 00:39:11,914
YOU WANNA--
YOU WANNA KNOW
WHERE I GOT THIS MATERIAL?
777
00:39:12,088 --> 00:39:13,829
WELL, I M.C. AT FUNERALS.
778
00:39:14,003 --> 00:39:15,048
[audience laughing]
779
00:39:15,222 --> 00:39:16,223
THIS IS ONE OF 'EM.
780
00:39:16,397 --> 00:39:18,356
[audience laughing]
781
00:39:18,530 --> 00:39:21,881
YEAH, I'VE HEARD--
I'VE HEARD OF COMICS
GOING INTO THE GROUND,
782
00:39:22,055 --> 00:39:25,754
BUT THIS IS THE FIRST TIME
THE AUDIENCE IS GONNA
BE THERE WAITING FOR ME.
783
00:39:25,928 --> 00:39:27,060
RIGHT, MR. GRANEK, HUH?
784
00:39:27,234 --> 00:39:28,714
YOU'RE BEAUTIFUL,
785
00:39:28,888 --> 00:39:30,759
WHAT ARE YOU LAUGHING AT?
YOU'RE BEAUTIFUL!
786
00:39:30,933 --> 00:39:34,937
AH, YOU'RE A WONDERFUL--
WONDERFUL MAN, REALLY.
YOU'RE A WONDERFUL MAN.
787
00:39:35,111 --> 00:39:36,765
YOU KNOW,
HE COMES BY THIS BUSINESS...
788
00:39:36,939 --> 00:39:38,463
OH, YOU SHOULD REALLY
APPLAUD LOUDER,
789
00:39:38,637 --> 00:39:40,465
BECAUSE HE'S A LITTLE DEAF,
YOU KNOW.
790
00:39:40,639 --> 00:39:42,684
YEAH. YEAH, THOSE OF--
THOSE OF YOU--
791
00:39:42,858 --> 00:39:44,294
[audience applauds]
792
00:39:44,469 --> 00:39:46,862
YOU HEAR THAT? YEAH.
793
00:39:47,036 --> 00:39:50,823
THOSE OF YOU, THOSE OF YOU
WHO HAVE ANY COMPLAINTS
KNOW THAT HE'S DEAF.
794
00:39:50,997 --> 00:39:53,434
BUT HE REALLY, HE COMES BY
THIS BUSINESS VERY HONESTLY,
795
00:39:53,608 --> 00:39:55,915
BECAUSE HIS GREAT GRANDFATHER
BACK IN EUROPE,
796
00:39:56,089 --> 00:39:58,657
HE RAN A STRING OF DUNGEONS
BACK THERE.
797
00:39:58,831 --> 00:40:01,921
[audience laughing]
798
00:40:02,095 --> 00:40:05,272
YOU KNOW, I'M--I'M REALLY,
I'M REALLY, I'M PROUD TO SAY
THAT I KNOW YOU.
799
00:40:05,446 --> 00:40:08,057
TO THINK THAT YOU BROUGHT
THIS PLACE FROM WHAT IT WAS,
800
00:40:08,231 --> 00:40:09,929
A NOTHING A FEW YEARS AGO,
801
00:40:10,103 --> 00:40:11,583
AND JUST BY YOUR OWN WORK,
802
00:40:11,757 --> 00:40:13,236
YOU BROUGHT IT TO
WHAT IT IS TODAY.
803
00:40:13,411 --> 00:40:14,237
A REAL TOILET, HUH?
804
00:40:14,412 --> 00:40:16,239
[audience laughing]
805
00:40:16,414 --> 00:40:21,419
♪ EVERYBODY'S SHINING
LIKE A HERO ♪
806
00:40:23,116 --> 00:40:25,423
♪ MY, MY, YES ♪
807
00:40:25,597 --> 00:40:30,297
♪ EVERYBODY'S GONNA
BE A STAR ♪♪♪
808
00:40:41,787 --> 00:40:43,571
HELLO?
HI.
809
00:40:43,745 --> 00:40:47,183
HI. UH, I-I'M LAURIE ROBINSON
TO SEE CHARLEY NELSON.
810
00:40:47,357 --> 00:40:49,316
UH, YEAH.
811
00:40:49,490 --> 00:40:51,797
HI, I'M BARBARA CLAYBOURNE,
HIS ASSISTANT.
812
00:40:51,971 --> 00:40:53,494
WE'VE BEEN EXPECTING YOU.
813
00:40:53,668 --> 00:40:56,279
YOU ARE A LITTLE EARLY,
BUT I'M SURE IT'S OK.
814
00:40:56,454 --> 00:40:57,977
OH, LISTEN. I CAN WAIT.
815
00:40:58,151 --> 00:40:59,892
NO, NO. I'LL TAKE YOU IN.
816
00:41:00,066 --> 00:41:01,459
OK.
817
00:41:03,373 --> 00:41:05,767
UH, THEY'RE IN STUDIO A-1.
818
00:41:05,941 --> 00:41:06,899
WANNA COME THIS WAY?
OK.
819
00:41:07,073 --> 00:41:09,162
[man]
2, 3, AND...
820
00:41:09,336 --> 00:41:10,206
♪♪♪[orchestra playing]
821
00:41:10,380 --> 00:41:12,426
NO, JUST THE TRUMPET.
822
00:41:12,600 --> 00:41:16,212
JACK, CAN YOU DO
A 7:00 TO 10:00 TONIGHT?
JOAN WANTS TO KNOW.
823
00:41:16,386 --> 00:41:18,824
IF WE'RE DONE HERE,
WE CAN.
824
00:41:18,998 --> 00:41:20,390
YEAH, WE'LL BE DONE.
825
00:41:20,565 --> 00:41:21,653
OK, GREAT.
826
00:41:21,827 --> 00:41:24,960
OH, CHARLEY,
THIS IS LAURIE ROBINSON.
827
00:41:25,134 --> 00:41:26,092
CHARLEY NELSON.
828
00:41:26,266 --> 00:41:28,311
HELLO. NICE TO MEET YOU.
829
00:41:28,486 --> 00:41:31,010
HI, LAURIE.
HEY, I LIKED YOUR TAPE.
JESSE SENT IT OVER.
830
00:41:31,184 --> 00:41:33,403
WELL, THANK YOU.
831
00:41:33,578 --> 00:41:35,928
I GUESS YOU'VE HEARD
WE'RE HAVING A PROBLEM
WITH THE LEAD IN THIS MOVIE,
832
00:41:36,102 --> 00:41:39,235
AND WE NEED SOMEONE
TO, UH, TO DUB HER VOICE IN.
833
00:41:39,409 --> 00:41:41,890
SO, UH, YOU DON'T MIND,
DO YOU?
834
00:41:42,064 --> 00:41:43,936
OH, NO, NOT AT ALL.
835
00:41:44,110 --> 00:41:45,981
FINE.
LET'S MEET THE DIRECTOR.
836
00:41:46,155 --> 00:41:49,071
[man]
2, 3, AND...
837
00:41:49,245 --> 00:41:51,160
♪♪♪[orchestra playing]
838
00:41:53,380 --> 00:41:55,251
[Roy]
HOLD IT! PSST! PSST!
839
00:41:55,425 --> 00:41:57,340
[Chris]
THERE'S SOMETHING
REALLY WRONG WITH THIS.
840
00:41:57,515 --> 00:42:00,300
THAT STRING LINE
IS SO, SO BUSY.
WE'VE GOTTA WORK ON IT.
841
00:42:00,474 --> 00:42:02,607
HEY, WAIT, WAIT, WAIT.
HOLD IT, YOU GUYS. SHH.
842
00:42:02,781 --> 00:42:04,260
[Roy]
ALL RIGHT.
843
00:42:04,434 --> 00:42:06,436
[all chattering]
844
00:42:06,611 --> 00:42:07,829
WE GOTTA WORK ON THAT.
845
00:42:08,003 --> 00:42:10,832
YEAH. "B". "B". OK.
ALL RIGHT. WE'LL MUTE.
846
00:42:11,006 --> 00:42:14,183
UH, STRINGS MUTE AT "B"
THE 2ND TIME YOU COME IN,
PLAY IT NICE AND EASY.
847
00:42:14,357 --> 00:42:16,055
WHAT'S THE MATTER?
AND LET'S TRY IT AGAIN.
848
00:42:16,229 --> 00:42:17,796
[Laurie]
OH, NOTHING.
849
00:42:17,970 --> 00:42:19,537
CRIS? CRIS.
850
00:42:19,711 --> 00:42:21,147
[Chris]
WAIT A MINUTE.
WAIT A MINUTE. WHAT?
851
00:42:21,321 --> 00:42:23,018
[Charley]
YOU DON'T MIND
IF WE INTERRUPT?
852
00:42:23,192 --> 00:42:24,890
NO. WHAT?
853
00:42:25,064 --> 00:42:27,283
THIS IS LAURIE ROBINSON.
LAURIE, CRIS NOLAN,
THE DIRECTOR.
854
00:42:27,457 --> 00:42:29,634
JESUS.
OH, NICE TO MEET YOU.
855
00:42:30,896 --> 00:42:32,506
WHAT ARE YOU DOING HERE?
856
00:42:32,680 --> 00:42:34,813
THIS IS THE SINGER
I WAS TELLING YOU ABOUT.
857
00:42:37,119 --> 00:42:38,904
[sighs]
858
00:42:39,078 --> 00:42:41,297
I DIDN'T KNOW
YOU WERE A SINGER.
859
00:42:41,471 --> 00:42:42,734
YEAH.
860
00:42:42,908 --> 00:42:45,127
UH, YOU TWO
HAVE WORKED TOGETHER?
861
00:42:45,301 --> 00:42:47,303
ONCE BEFORE.
YEAH, ONCE BEFORE.
862
00:42:48,696 --> 00:42:51,264
I DIDN'T KNOW
YOU WERE DIRECTING THIS MOVIE.
863
00:42:56,748 --> 00:42:59,141
WELL, LISTEN.
YOU'RE A LITTLE EARLY,
864
00:42:59,315 --> 00:43:02,014
BECAUSE WE'RE WORKIN'
ON--ON SOMETHIN' RIGHT NOW.
865
00:43:02,188 --> 00:43:04,233
OH, GOOD.
OK. I--I CAN...
866
00:43:04,407 --> 00:43:06,322
WAIT A MINUTE, UH,
867
00:43:06,496 --> 00:43:08,673
DID YOU BRING SOMETHING FOR--
TO SING?
868
00:43:08,847 --> 00:43:10,631
SURE.
869
00:43:10,805 --> 00:43:12,546
UH, IF YOU WANT ME
TO WAIT, YOU KNOW--
870
00:43:12,720 --> 00:43:15,767
NO, NO, THAT'S ALL RIGHT.
LET ME TAKE A LOOK AT IT.
IS THIS IT?
871
00:43:15,941 --> 00:43:17,246
YEAH.
872
00:43:19,509 --> 00:43:20,815
IT'S A SONG I WROTE.
873
00:43:20,989 --> 00:43:22,687
[Charley]
I'LL, UH, I'LL BE INSIDE.
874
00:43:22,861 --> 00:43:25,690
I DIDN'T KNOW YOU...
OK, CHARLEY.
I DIDN'T KNOW YOU WROTE SONGS.
875
00:43:25,864 --> 00:43:27,605
YEAH.
WHAT'S ALL THIS?
876
00:43:27,779 --> 00:43:29,476
OH, I HAD
SOME ARRANGEMENTS MADE...
877
00:43:29,650 --> 00:43:30,782
♪♪♪[flute playing]
878
00:43:30,956 --> 00:43:32,261
OH.
879
00:43:32,435 --> 00:43:34,089
...BY A GUY
NAMED JOHN BELSON.
880
00:43:34,263 --> 00:43:35,874
BELSON.
HMM.
881
00:43:36,048 --> 00:43:38,006
YOU KNOW HIM?
YEAH. HE'S VERY GOOD.
882
00:43:39,355 --> 00:43:41,227
UH--
WAIT A MINUTE.
883
00:43:41,401 --> 00:43:44,099
UM, HEY, ROY,
TAKE A LOOK AT THESE.
884
00:43:44,273 --> 00:43:45,535
YOU THINK THE GUYS
COULD DO THIS?
885
00:43:45,710 --> 00:43:46,972
DO WHAT?
WAIT A MINUTE.
886
00:43:47,146 --> 00:43:48,321
UM...
887
00:43:49,409 --> 00:43:51,411
YEAH, YEAH, WE CAN.
888
00:43:51,585 --> 00:43:53,979
THERE'S NOT ENOUGH PARTS,
BUT WE'LL DOUBLE
ON SOME PARTS.
889
00:43:54,153 --> 00:43:57,243
OK. WHY DON'T YOU
PASS THEM OUT? FINE.
890
00:43:57,417 --> 00:44:00,289
WILL IT THROW YOU IF YOU
DO YOUR AUDITION
WITH A FULL ORCHESTRA?
891
00:44:02,248 --> 00:44:03,771
NO, IT WOULDN'T THROW ME.
892
00:44:03,945 --> 00:44:06,078
I'VE JUST-- I'VE NEVER HEARD
THESE CHARTS BEFORE.
893
00:44:06,252 --> 00:44:07,949
I MEAN--
NEITHER HAVE I.
894
00:44:08,123 --> 00:44:10,299
WE'LL JUST HEAR 'EM TOGETHER.
THEY'RE PROBABLY GREAT.
895
00:44:10,473 --> 00:44:11,736
SO JUST RELAX, OK?
896
00:44:11,910 --> 00:44:13,738
YEAH.
897
00:44:13,912 --> 00:44:16,218
IT'S REALLY OK.
I MEAN, I COULD DO IT
WITH MY GUITAR.
898
00:44:18,699 --> 00:44:20,701
I DON'T BELIEVE THIS.
I DON'T BELIEVE IT EITHER.
899
00:44:20,875 --> 00:44:22,834
LISTEN. COME ON.
LET'S RUN ONE DOWN.
900
00:44:23,008 --> 00:44:24,966
UM, ROY...
HEY, LISTEN. EXCUSE ME.
901
00:44:25,140 --> 00:44:27,447
ROY, THIS IS LAURIE.
LAURIE, THIS IS ROY.
902
00:44:27,621 --> 00:44:29,449
WHERE WOULD YOU LIKE HER
TO SIT? OR STAND?
903
00:44:29,623 --> 00:44:31,799
LET'S PUT HER RIGHT THERE.
YOU WANT A STOOL?
OK.
904
00:44:31,973 --> 00:44:35,673
UH, COULD WE HAVE A STOOL
AND A U-46? THANK YOU.
905
00:44:35,847 --> 00:44:39,111
OK, SO ROY WILL
TAKE CARE OF YOU.
WE'RE ALL BALANCED INSIDE.
906
00:44:39,285 --> 00:44:44,246
AND I'LL BE IN THE BOOTH.
ENJOY YOURSELF. OK.
907
00:44:44,420 --> 00:44:46,031
OH, HERE.
EXCUSE ME.
908
00:44:46,205 --> 00:44:48,990
LET ME GET YOUR GUITAR.
I'LL GET IT
OUT OF THE WAY HERE.
909
00:44:49,164 --> 00:44:50,731
THANKS, UM, ROY?
910
00:44:52,428 --> 00:44:54,126
I GUESS I WON'T
BE NEEDING MY GUITAR, HUH?
911
00:44:54,300 --> 00:44:56,084
[chuckling]
YOU WON'T NEED A GUITAR, NO.
912
00:44:56,258 --> 00:44:58,608
IT'S REALLY OK.
I MEAN, I DON'T MIND.
913
00:44:58,783 --> 00:45:01,524
NO, IT'S FINE. IT'S FINE.
RELAX. IT'S GONNA BE GOOD.
914
00:45:03,831 --> 00:45:05,877
I'VE NEVER BEEN
IN THIS SITUATION BEFORE.
915
00:45:06,051 --> 00:45:09,924
I MEAN, PLAYING MY SONG
WITH AN ORCHESTRA.
916
00:45:10,098 --> 00:45:13,014
THEY'RE THE BEST.
THERE'S 50 OF THE BEST
MUSICIANS IN L.A. OUT THERE.
917
00:45:13,188 --> 00:45:15,234
THEY'RE GONNA MAKE YOU
SOUND GREAT. SO YOU JUST...
918
00:45:15,408 --> 00:45:19,107
LOOK, THEY'RE READY.
JUST SIT DOWN THERE,
AND WE'RE READY TO GO.
919
00:45:19,281 --> 00:45:21,762
THANKS, ROY.
SURE.
920
00:45:21,936 --> 00:45:23,546
OK. YOU GUYS READY?
GOT YOUR PARTS?
921
00:45:23,721 --> 00:45:24,765
IS IT OK TO LEAVE MY--
922
00:45:24,939 --> 00:45:26,158
SURE. JUST
PUT IT RIGHT THERE.
923
00:45:26,332 --> 00:45:27,812
THANK YOU.
924
00:45:27,986 --> 00:45:29,770
♪♪♪[flute playing]
925
00:45:31,337 --> 00:45:33,861
[Roy]
OK. UH, STRINGS, YOU DON'T--
926
00:45:34,035 --> 00:45:36,124
[Cris]
LET ME KNOW WHEN YOU GUYS
ARE READY OUT THERE.
927
00:45:36,298 --> 00:45:39,171
ALMOST READY.
STRINGS DON'T COME IN
UNTIL "B" THE 2ND TIME.
928
00:45:39,345 --> 00:45:40,999
OH, OH, AHEM...
929
00:45:41,173 --> 00:45:43,001
EXCUSE ME.
YES.
930
00:45:43,175 --> 00:45:45,525
TALKING ABOUT
THE STRINGS, UH,
931
00:45:45,699 --> 00:45:48,006
JOHN BELSON, THE MAN
WHO--WHO ARRANGED THIS
FOR ME,
932
00:45:48,180 --> 00:45:49,616
DIDN'T HAVE TIME
TO CHANGE IT,
933
00:45:49,790 --> 00:45:52,401
BUT THE VIOLINS
ARE TO BE AN OCTAVE HIGHER.
934
00:45:52,575 --> 00:45:55,709
OK. UP AN OCTAVE
WHEN YOU COME IN, STRINGS.
935
00:45:55,883 --> 00:45:57,711
I REALLY DON'T WANT
TO CAUSE ANY TROUBLE.
936
00:45:57,885 --> 00:46:00,061
[chuckles]
IT'S ALL RIGHT. NO, IT'S OK.
937
00:46:00,235 --> 00:46:04,022
IT'S ALL RIGHT. RELAX.
YOU'LL ENJOY IT.
YOU'LL HAVE FUN.
938
00:46:04,196 --> 00:46:06,198
OK,
ANYBODY GOT ANY QUESTIONS?
EVERYTHING LOOK OK?
939
00:46:07,373 --> 00:46:08,548
OK.
940
00:46:10,071 --> 00:46:11,681
OH, UH,
IT'S IN 3-QUARTER TIME.
941
00:46:11,856 --> 00:46:15,250
YEAH, WE SAW THAT. YEAH.
IT'S IN 3-4, GUYS. OK.
942
00:46:18,471 --> 00:46:20,038
WHENEVER YOU'RE READY.
OK. ALL RIGHT.
943
00:46:20,212 --> 00:46:22,083
UH, YOU WON'T NEED.
IT'S--IT'S LIVE. YOU WON'T--
944
00:46:22,257 --> 00:46:24,172
WHAT?
945
00:46:24,346 --> 00:46:27,306
YOU DON'T NEED THE EARPHONES
BECAUSE YOU'RE GONNA
SING LIVE.
946
00:46:27,480 --> 00:46:30,222
OH. OH, YEAH. OF COURSE.
OK.
947
00:46:32,615 --> 00:46:35,880
OK, DRUMS, THERE'S A HIT
AT "C" COMING IN.
WATCH THAT.
948
00:46:36,054 --> 00:46:38,578
LET'S HOLD EVERYTHING DOWN
FIRST TIME THROUGH.
949
00:46:40,841 --> 00:46:42,800
OK, EVERYBODY GET A GOOD LOOK,
AND WE'LL GO.
950
00:46:42,974 --> 00:46:45,063
[Cris]
OK, WHAT'S THE NAME
OF THE SONG?
951
00:46:45,237 --> 00:46:47,065
YOU LIGHT UP MY LIFE.
952
00:46:47,239 --> 00:46:49,023
[Roy]
YOU LIGHT UP MY LIFE.
953
00:46:49,197 --> 00:46:51,112
[Cris]
RIGHT. YOU LIGHT UP MY LIFE.
TAKE ONE.
954
00:46:51,896 --> 00:46:54,115
OK. I'LL GIVE YOU 2.
955
00:46:54,289 --> 00:46:58,293
1, 2, 3.
2, 2, AND...
956
00:46:59,991 --> 00:47:01,906
♪♪♪[music playing]
957
00:47:03,603 --> 00:47:07,955
♪ SO MANY NIGHTS ♪
958
00:47:08,129 --> 00:47:11,829
♪ I'D SIT BY MY WINDOW ♪
959
00:47:13,134 --> 00:47:17,182
♪ WAITING FOR SOMEONE ♪
960
00:47:17,356 --> 00:47:21,621
♪ TO SING ME HIS SONG ♪
961
00:47:21,795 --> 00:47:25,146
♪ SO MANY DREAMS ♪
962
00:47:26,582 --> 00:47:30,760
♪ I'VE KEPT DEEP INSIDE ME ♪
963
00:47:30,935 --> 00:47:35,113
♪ ALONE IN THE DARK ♪
964
00:47:35,287 --> 00:47:39,813
♪ BUT NOW YOU'VE COME ALONG ♪
965
00:47:40,945 --> 00:47:42,555
♪ AND YOU ♪
966
00:47:43,469 --> 00:47:46,298
♪ LIGHT UP MY LIFE ♪
967
00:47:48,126 --> 00:47:51,303
♪ YOU GIVE ME HOPE ♪
968
00:47:52,782 --> 00:47:55,524
♪ TO CARRY ON ♪
969
00:47:56,874 --> 00:48:01,095
♪ YOU LIGHT UP MY DAYS ♪
970
00:48:02,140 --> 00:48:07,449
♪ AND FILL MY NIGHTS ♪
971
00:48:08,537 --> 00:48:10,452
♪ WITH SONG ♪
972
00:48:13,760 --> 00:48:17,895
♪ ROLLIN' AT SEA ♪
973
00:48:18,069 --> 00:48:22,638
♪ ADRIFT ON THE WATERS ♪
974
00:48:22,812 --> 00:48:26,947
♪ COULD IT BE FINALLY ♪
975
00:48:27,121 --> 00:48:31,996
♪ I'M TURNING FOR HOME ♪
976
00:48:32,170 --> 00:48:36,217
♪ FINALLY, A CHANCE ♪
977
00:48:36,391 --> 00:48:40,700
♪ TO SAY, HEY, I LOVE YOU ♪
978
00:48:41,614 --> 00:48:44,312
♪ NEVER AGAIN ♪
979
00:48:45,705 --> 00:48:50,623
♪ TO BE ALL ALONE ♪
980
00:48:50,797 --> 00:48:53,234
♪ AND YOU ♪
981
00:48:53,408 --> 00:48:56,759
♪ YOU LIGHT UP MY LIFE ♪
982
00:48:58,239 --> 00:49:01,590
♪ YOU GIVE ME HOPE ♪
983
00:49:02,940 --> 00:49:05,768
♪ TO CARRY ON ♪
984
00:49:07,335 --> 00:49:11,209
♪ YOU LIGHT UP MY DAYS ♪
985
00:49:12,166 --> 00:49:16,562
♪ AND FILL MY NIGHTS ♪
986
00:49:19,086 --> 00:49:21,697
♪ WITH SONG ♪
987
00:49:23,830 --> 00:49:26,093
♪ 'CAUSE YOU ♪
988
00:49:26,267 --> 00:49:30,054
♪ YOU LIGHT UP MY LIFE ♪
989
00:49:30,880 --> 00:49:34,014
♪ YOU GIVE ME HOPE ♪
990
00:49:35,494 --> 00:49:39,106
♪ TO CARRY ON ♪
991
00:49:39,280 --> 00:49:43,067
♪ YOU LIGHT UP MY DAYS ♪
992
00:49:44,590 --> 00:49:48,898
♪ AND FILL MY NIGHTS ♪
993
00:49:49,073 --> 00:49:52,554
♪ WITH SONG ♪
994
00:49:53,816 --> 00:49:56,689
♪ IT CAN'T BE WRONG ♪
995
00:49:58,169 --> 00:50:02,434
♪ WHEN IT FEELS SO RIGHT ♪
996
00:50:04,523 --> 00:50:07,134
♪ 'CAUSE YOU ♪
997
00:50:12,183 --> 00:50:15,273
♪ YOU LIGHT ♪
998
00:50:15,447 --> 00:50:16,578
♪ UP ♪
999
00:50:16,752 --> 00:50:18,276
♪ MY ♪
1000
00:50:20,452 --> 00:50:22,845
♪ LIFE ♪♪♪
1001
00:50:34,074 --> 00:50:35,336
[orchestra stops playing]
1002
00:50:36,076 --> 00:50:37,730
[all clapping]
1003
00:50:40,341 --> 00:50:41,386
[Roy]
SUPER, SUPER.
1004
00:50:46,043 --> 00:50:48,567
OH, LISTEN.
I REALLY COULD HAVE DONE IT
BETTER IF WE REHEARSED.
1005
00:50:48,741 --> 00:50:51,222
NO, YOU COULDN'T HAVE
DONE IT MUCH BETTER.
THAT WAS A GOOD JOB.
1006
00:50:51,396 --> 00:50:52,701
SHE'S FANTASTIC.
1007
00:50:52,875 --> 00:50:53,920
YES, SHE IS.
LET ME ASK YOU SOMETHING.
1008
00:50:54,094 --> 00:50:55,443
CAN YOU ACT?
1009
00:50:56,836 --> 00:50:58,533
I'M AN ACTRESS,
IF THAT'S WHAT YOU MEAN.
1010
00:50:58,707 --> 00:51:01,058
UH-HUH.
HOW ARE YOU AT COLD READINGS?
1011
00:51:02,885 --> 00:51:05,149
ABOUT AS GOOD AS I AM
AT COLD SINGINGS.
1012
00:51:05,323 --> 00:51:07,194
THAT'S WHAT I WAS HOPING
YOU'D SAY. COME WITH ME.
1013
00:51:07,368 --> 00:51:09,022
I WANT YOU TO READ SOMETHING.
GIVE THE MEN 5.
1014
00:51:09,196 --> 00:51:10,154
[Roy]
YOU GOT IT.
1015
00:51:12,069 --> 00:51:14,549
[Charley]
HEY, LAURIE.
YOU WERE GREAT. DYNAMITE.
1016
00:51:14,723 --> 00:51:17,335
JERRY, I WANNA USE
THIS MIXING ROOM
FOR A MINUTE.
1017
00:51:17,509 --> 00:51:18,336
[Jerry]
OK.
1018
00:51:18,510 --> 00:51:19,685
OK? THANK YOU.
1019
00:51:19,859 --> 00:51:21,513
COME ON, GUYS.
LET'S GO GET SOME COFFEE.
1020
00:51:21,687 --> 00:51:23,080
[Laurie sighs]
1021
00:51:25,691 --> 00:51:27,345
[Cris]
HEY, CHARLEY, TELL ROY
1022
00:51:27,519 --> 00:51:28,911
THAT I'LL BE ON
IN ABOUT 15 MINUTES.
1023
00:51:29,086 --> 00:51:30,783
WE'LL START AT THE TOP
OF THE LOVE SCENE, OK?
1024
00:51:30,957 --> 00:51:32,524
YEAH.
ALL RIGHT.
1025
00:51:32,698 --> 00:51:33,786
OK.
1026
00:51:35,309 --> 00:51:37,137
YEAH.
1027
00:51:37,311 --> 00:51:40,706
I WANT YOU TO LOOK
RIGHT FROM HERE DOWN TO HERE.
1028
00:51:40,880 --> 00:51:42,447
OK?
OK.
1029
00:51:43,317 --> 00:51:45,014
SIT DOWN.
1030
00:51:45,189 --> 00:51:46,886
YOU REALLY ARE
DIRECTING THIS MOVIE,
AREN'T YOU?
1031
00:51:47,060 --> 00:51:49,671
WELL, UNLESS I'VE BEEN FIRED
IN THE LAST HALF HOUR, I AM.
1032
00:51:54,850 --> 00:51:56,722
HOW DO YOU KNOW
SO MUCH ABOUT MUSIC?
1033
00:51:56,896 --> 00:51:57,897
I USED TO PRODUCE RECORDS.
1034
00:51:58,680 --> 00:52:01,074
TAKE A LOOK AT THAT.
1035
00:52:01,248 --> 00:52:03,294
JUST THIS--
JUST THIS SPEECH RIGHT HERE.
1036
00:52:03,468 --> 00:52:04,904
OK. AND YOU'RE
GONNA READ WITH ME?
1037
00:52:05,078 --> 00:52:06,210
I'M GONNA-- I'LL CUE YOU
IN RIGHT HERE, OK?
1038
00:52:06,384 --> 00:52:08,864
OK, FINE.
1039
00:52:09,038 --> 00:52:11,171
WELL, MAYBE WE SHOULD
JUST READ IT TOGETHER.
ARE YOU--
1040
00:52:11,345 --> 00:52:13,217
WILL THAT THROW YOU?
1041
00:52:13,391 --> 00:52:15,262
NO, NOT AT ALL.
OK.
1042
00:52:15,436 --> 00:52:18,135
SO YOU JUST TELL ME
WHEN YOU'RE READY,
AND I'LL CUE YOU IN.
1043
00:52:19,527 --> 00:52:21,050
OK.
1044
00:52:22,051 --> 00:52:24,489
"I LIKE THE SOUND OF TRAINS."
1045
00:52:25,751 --> 00:52:28,145
"I NEVER LIKED TRAINS.
1046
00:52:30,364 --> 00:52:33,454
"THEY ALWAYS REMIND ME
THAT SOMEONE IS LEAVING.
1047
00:52:33,628 --> 00:52:35,674
"YOU KNOW, TRAINS
1048
00:52:35,848 --> 00:52:38,764
"ALWAYS MAKE ME THINK
OF PEOPLE WHO ARE LEAVING,
1049
00:52:40,200 --> 00:52:42,159
"PEOPLE WHO ARE NEVER
COMING BACK.
1050
00:52:42,333 --> 00:52:43,725
"I DON'T MIND PLANES.
1051
00:52:43,899 --> 00:52:45,640
[Laurie chuckles]
1052
00:52:45,814 --> 00:52:48,948
"I DON'T KNOW WHY I SAID THAT.
I'VE NEVER EVEN BEEN
ON A PLANE.
1053
00:52:49,122 --> 00:52:52,169
"BUT, UH, IF I-- IF I
WERE GONNA BE ON A PLANE,
1054
00:52:52,343 --> 00:52:55,041
"I'D PROBABLY BE
GOING SOMEPLACE
WHERE THE SUN IS WARM,
1055
00:52:55,215 --> 00:52:57,783
"AND PEOPLE ARE HAPPY,
1056
00:52:57,957 --> 00:53:02,135
"AND I'D PROBABLY
BE COMING BACK.
1057
00:53:02,309 --> 00:53:05,573
"I GUESS YOU COULD SAY
I'M NOT TOO CRAZY
ABOUT TRAINS.
1058
00:53:05,747 --> 00:53:08,576
HEY, CAN I
HAVE ANOTHER BEER?"
1059
00:53:08,750 --> 00:53:11,405
YOU'RE HOLDING THURSDAY?
IS THAT A DEFINITE?
1060
00:53:11,579 --> 00:53:13,277
SOMEBODY ELSE
WANTS THE STUDIO.
1061
00:53:13,451 --> 00:53:15,453
OH, BOY.
I THINK WE'LL NEED IT,
CHARLEY, HUH?
1062
00:53:15,627 --> 00:53:17,585
IT'S BEEN GOING WELL.
I THINK IT'S TIME
WE'LL NEED.
1063
00:53:17,759 --> 00:53:18,847
HOLD IT.
DON'T GIVE IT AWAY.
1064
00:53:19,021 --> 00:53:20,284
OK, YOU GOT IT.
KEEP IT GOING.
1065
00:53:20,458 --> 00:53:22,373
YOU'LL NEED
THE SAME INSTRUMENTATION?
1066
00:53:22,547 --> 00:53:24,113
YEAH, ESPECIALLY
OVER HERE.
1067
00:53:25,593 --> 00:53:27,378
THANK YOU.
SHE WAS FABULOUS.
1068
00:53:27,552 --> 00:53:29,467
I ONLY BRING
TALENTED PEOPLE IN.
1069
00:53:29,641 --> 00:53:30,946
WELL,
1070
00:53:32,470 --> 00:53:35,429
DESTINY KEEPS
BRINGING US TOGETHER.
1071
00:53:35,603 --> 00:53:36,778
I THOUGHT
I BROUGHT YOU TOGETHER.
1072
00:53:36,952 --> 00:53:37,953
[chuckles]
1073
00:53:38,127 --> 00:53:39,738
HEY.
1074
00:53:39,912 --> 00:53:40,782
[all laugh]
1075
00:53:40,956 --> 00:53:42,175
SHALL I SEE YOU OUT?
1076
00:53:42,349 --> 00:53:43,785
THAT'S ALL RIGHT.
I'LL SEE HER TO HER CAR.
1077
00:53:43,959 --> 00:53:45,222
THANK YOU, BARBARA.
1078
00:53:45,396 --> 00:53:47,136
[Roy]
LAURIE, WE'VE GOT
YOUR PARTS HERE.
1079
00:53:48,921 --> 00:53:49,965
[Laurie]
OH.
1080
00:53:50,139 --> 00:53:51,097
OK.
1081
00:53:51,271 --> 00:53:52,664
[Laurie]
THANKS, ROY.
1082
00:53:52,838 --> 00:53:53,752
[Cris]
ROY, I'LL BE BACK
IN A MINUTE.
1083
00:53:53,926 --> 00:53:55,057
[Roy]
OK.
1084
00:53:55,232 --> 00:53:56,581
YOU READY?
YEAH.
1085
00:53:56,755 --> 00:53:58,104
[Charley]
BYE. THANKS AGAIN.
GOODBYE.
1086
00:53:58,278 --> 00:53:59,497
THANK YOU.
1087
00:53:59,671 --> 00:54:01,847
COME ON.
1088
00:54:02,021 --> 00:54:04,980
LISTEN. UH,
WHY DON'T YOU WAIT FOR ME?
WE'LL HAVE LUNCH TOGETHER.
1089
00:54:05,677 --> 00:54:07,331
OH.
1090
00:54:07,505 --> 00:54:09,202
I CAN'T, UH,
1091
00:54:09,376 --> 00:54:11,378
I HAVE-- I HAVE A LOT
OF ERRANDS TO RUN TODAY.
1092
00:54:11,552 --> 00:54:13,206
I'LL RUN 'EM WITH YOU.
WAIT FOR ME.
1093
00:54:13,380 --> 00:54:14,642
I CAN'T. REALLY.
1094
00:54:14,816 --> 00:54:17,079
COME ON.
I'LL ONLY BE A HALF AN HOUR.
1095
00:54:17,254 --> 00:54:20,213
NO, I--I REALLY GOTTA GO.
1096
00:54:20,387 --> 00:54:23,347
HOW'S IT GONNA LOOK IF I KEEP
FOLLOWIN' YOU AROUND
TILL YOU SAY YES?
1097
00:54:23,521 --> 00:54:25,523
I CAN'T HAVE LUNCH
WITH YOU, CRIS.
1098
00:54:25,697 --> 00:54:27,786
OK. WE'LL FORGET ABOUT LUNCH.
IT WAS A BAD IDEA ANYWAY,
RIGHT?
1099
00:54:27,960 --> 00:54:30,267
RIGHT.
SPEND THE NIGHT
WITH ME.
1100
00:54:30,441 --> 00:54:31,877
NO.
1101
00:54:32,051 --> 00:54:34,140
I'LL PICK YOU UP AT 7:00.
WHERE DO YOU LIVE?
1102
00:54:34,314 --> 00:54:36,098
I DON'T WANT
TO SEE YOU ANYMORE, CRIS.
1103
00:54:36,273 --> 00:54:38,449
I DON'T BELIEVE YOU.
WHAT'S YOUR ADDRESS?
1104
00:54:38,623 --> 00:54:42,235
LISTEN.
I AM GETTING MARRIED
IN A FEW DAYS.
1105
00:54:42,409 --> 00:54:45,064
YOU WERE GETTING MARRIED
IN A FEW DAYS
A FEW DAYS AGO.
1106
00:54:45,238 --> 00:54:47,501
LOOK.
1107
00:54:47,675 --> 00:54:50,374
WHAT HAPPENED HAPPENED.
DON'T START MAKING ME
FEEL GUILTY, OK?
1108
00:54:50,548 --> 00:54:52,898
IS THIS OUR FIRST FIGHT?
1109
00:54:53,072 --> 00:54:55,379
I'M SERIOUS.
ME, TOO.
1110
00:54:55,553 --> 00:54:58,207
OK, CAN WE TALK BUSINESS
FOR A MINUTE?
1111
00:54:58,382 --> 00:54:59,687
I WANT TO USE YOU
IN THE FILM.
1112
00:54:59,861 --> 00:55:01,689
I DEFINITELY WANT
TO USE YOUR VOICE.
1113
00:55:01,863 --> 00:55:03,256
REALLY?
1114
00:55:03,430 --> 00:55:05,214
IN FACT, I WOULD LIKE
TO USE YOUR SONG.
1115
00:55:05,389 --> 00:55:07,391
YOU LIGHT UP MY LIFE?
UH-HUH. IT'S PERFECT.
1116
00:55:07,565 --> 00:55:09,567
THE ONLY THING IS
WE GOTTA TONE IT DOWN
A LITTLE BIT.
1117
00:55:09,741 --> 00:55:11,220
OK.
1118
00:55:11,395 --> 00:55:13,222
HEY, WHY DON'T YOU COME
TO MY OFFICE TOMORROW?
1119
00:55:13,397 --> 00:55:17,052
AROUND 2:30.
I'M IN THE 9000 BUILDING.
WE'LL WORK ON IT.
1120
00:55:17,226 --> 00:55:20,229
OK, BUT I WANT YOU TO KNOW
I MEANT WHAT I SAID.
1121
00:55:20,404 --> 00:55:22,493
I UNDERSTAND.
1122
00:55:22,667 --> 00:55:25,539
WE'LL WORK TOGETHER,
I'LL KISS YOU GOODBYE,
WE'LL BE FRIENDS.
1123
00:55:25,713 --> 00:55:27,715
HOW ABOUT WE SHAKE HANDS
AND BE FRIENDS?
1124
00:55:27,889 --> 00:55:29,804
YOU GOT IT.
1125
00:55:34,548 --> 00:55:36,507
I CHEATED A LITTLE.
1126
00:55:38,900 --> 00:55:41,381
[people chattering]
1127
00:55:41,555 --> 00:55:45,298
IT IS SO LOVELY TO HAVE
A PARTY BEFORE THE WEDDING.
1128
00:55:45,472 --> 00:55:46,430
YEAH.
1129
00:55:46,604 --> 00:55:48,649
♪♪♪[music playing]
1130
00:55:52,958 --> 00:55:54,263
[laughing]
1131
00:55:54,438 --> 00:55:56,222
MURRAY AND JUDY JUST CAME.
I'M GONNA SAY HELLO.
1132
00:55:56,396 --> 00:55:59,007
KEN, IT LOOKS
LIKE YOUR FLORIST
EXPLODED IN THE POOL.
1133
00:55:59,181 --> 00:56:00,095
[laughing]
1134
00:56:00,269 --> 00:56:02,271
I'LL SEE YOU LATER.
1135
00:56:02,446 --> 00:56:04,317
I DON'T BELIEVE,
I DON'T BELIEVE ANY OF THIS.
THIS IS JUST...
1136
00:56:04,491 --> 00:56:06,493
OH, YOU'RE IN A GREAT MOOD,
AREN'T YOU?
1137
00:56:06,667 --> 00:56:09,235
OH, I HAD A DREAM LAST NIGHT.
I WANNA TELL YOU.
1138
00:56:09,409 --> 00:56:12,847
I KILLED EVERY MOOSE
IN THE LODGE. IT WAS
JUST SENSATIONAL. BEAUTIFUL.
1139
00:56:13,021 --> 00:56:15,546
IT WAS ONE OF THOSE NIGHTS.
I HAD THEM ROLLING
IN THE AISLE
1140
00:56:15,720 --> 00:56:18,462
UNTIL THE USHER CAME DOWN
AND TOOK THE DICE AWAY.
1141
00:56:18,636 --> 00:56:19,724
WHAT WORKED?
1142
00:56:19,898 --> 00:56:22,030
WELL, EVERYTHING WORKED.
EVERYTHING.
1143
00:56:22,204 --> 00:56:24,381
EVEN THE OLD STUFF WORKED.
YOU KNOW, UH,
"YOUR AUTOPSY IS NEGATIVE."
1144
00:56:24,555 --> 00:56:25,860
REALLY? WHAT ELSE?
1145
00:56:26,034 --> 00:56:27,819
THE WICK IN THE EAR,
THE ETERNAL LIGHT.
1146
00:56:27,993 --> 00:56:30,561
HOW ABOUT
"HE--HE--HE LAYS A CARPET
BUT HE SCREWS HIS FRIENDS"?
1147
00:56:30,735 --> 00:56:32,171
THE BIGGEST LAUGH
OF THE NIGHT.
1148
00:56:32,345 --> 00:56:33,955
HE LAYS HIS CARPET
BUT HE SCREWS HIS FRIENDS.
1149
00:56:34,129 --> 00:56:35,392
RIM SHOT.
IT WAS SENSATIONAL.
1150
00:56:49,623 --> 00:56:51,103
[people chattering]
1151
00:56:53,932 --> 00:56:55,368
YOU LOOKED TERRIFIC
OUT THERE.
1152
00:56:55,542 --> 00:56:56,848
YEAH, HAD A GOOD TIME.
1153
00:56:57,022 --> 00:56:58,066
HMM, NICE PARTY,
HUH?
1154
00:56:58,240 --> 00:56:59,981
OH, YEAH.
1155
00:57:00,155 --> 00:57:01,330
ARE YOU OK?
1156
00:57:01,505 --> 00:57:02,419
SURE, FINE.
1157
00:57:02,593 --> 00:57:03,855
HEY, YOU SORE AT ME?
1158
00:57:04,899 --> 00:57:06,161
AM I SORE?
YEAH.
1159
00:57:06,335 --> 00:57:08,337
NO. WHY?
1160
00:57:08,512 --> 00:57:10,992
YOU'RE NOT SORE ABOUT NUSSBAUM
AND THE DOVES AND THE SHELLS
AND ALL THAT?
1161
00:57:11,166 --> 00:57:13,647
OF COURSE NOT.
I'M NOT SORE AT YOU
OR MAD AT YOU.
1162
00:57:13,821 --> 00:57:15,606
I MEAN, WHY ARE YOU
ASKING ME THESE QUESTIONS?
1163
00:57:15,780 --> 00:57:18,870
'CAUSE I KNOW YOU.
WHEN YOU'RE NOT FEELING RIGHT,
YOU ACT FUNNY.
1164
00:57:24,266 --> 00:57:25,833
DO YOU LOVE HIM?
1165
00:57:27,008 --> 00:57:28,096
WHO?
1166
00:57:30,098 --> 00:57:32,318
GODZILLA WHO. KEN!
1167
00:57:32,492 --> 00:57:35,974
OF COURSE I LOVE HIM.
WHY DO YOU EVEN
HAVE TO ASK ME THAT?
1168
00:57:36,148 --> 00:57:38,759
'CAUSE YOU HAVEN'T DANCED
WITH HIM ALL AFTERNOON.
1169
00:57:38,933 --> 00:57:40,326
HE DOESN'T
LIKE TO DANCE.
1170
00:57:40,500 --> 00:57:41,806
YOU HAVEN'T EVEN TOUCHED HIM.
1171
00:57:41,980 --> 00:57:43,329
YOU KNOW,
THERE ARE PEOPLE AROUND.
1172
00:57:43,503 --> 00:57:44,896
OH, YEAH.
1173
00:57:45,070 --> 00:57:47,159
YOU KNOW, WHEN YOUR MOTHER
AND I WERE ENGAGED,
1174
00:57:47,333 --> 00:57:48,682
WE WERE SO CRAZY
ABOUT EACH OTHER,
1175
00:57:48,856 --> 00:57:50,902
WE COULDN'T KEEP OUR HANDS
OFF EACH OTHER.
1176
00:57:51,076 --> 00:57:52,773
THAT'S 'CAUSE
YOU'RE A LECH.
1177
00:57:52,947 --> 00:57:54,122
YEAH. WELL, MAYBE A LITTLE.
1178
00:57:55,820 --> 00:57:57,735
YOU STILL ARE, POP.
1179
00:58:03,654 --> 00:58:04,481
LAURA.
1180
00:58:04,655 --> 00:58:06,091
WHAT?
1181
00:58:09,747 --> 00:58:11,183
WHAT?
1182
00:58:11,357 --> 00:58:14,491
I DON'T WANT YOU
TO DO ANYTHING FOR ME.
I MEAN...
1183
00:58:15,709 --> 00:58:17,406
I MEAN,
THIS REALLY IS TERRIFIC,
1184
00:58:17,581 --> 00:58:19,583
BUT I KNOW
WE NEVER HAD A HOME
LIKE THIS.
1185
00:58:19,757 --> 00:58:21,846
WE TRAVELED
FROM ONE HOTEL TO ANOTHER.
I KNOW THAT.
1186
00:58:22,020 --> 00:58:24,413
IT WAS NEVER, NEVER GREAT,
BUT...
1187
00:58:25,806 --> 00:58:28,592
SI, IT WAS THE BEST.
1188
00:58:28,766 --> 00:58:31,159
THE BEST. IT WASN'T THE BEST.
IT WAS...
1189
00:58:31,333 --> 00:58:33,074
IT WAS THE BEST.
1190
00:58:33,248 --> 00:58:34,772
THE BEST.
1191
00:58:40,038 --> 00:58:44,259
THE THING IS,
IF I THOUGHT YOU WERE
DOING ANY OF THIS FOR ME,
1192
00:58:44,433 --> 00:58:45,739
IT WOULD BREAK MY HEART.
1193
00:58:45,913 --> 00:58:47,349
OH, POP.
1194
00:58:47,524 --> 00:58:51,397
I KNOW, I KNOW THAT ONE DAY
THE ROASTS WILL BE OVER
1195
00:58:51,571 --> 00:58:53,138
AND THE JOKES
WILL BE FINISHED.
1196
00:58:53,312 --> 00:58:54,618
BUT I--I DON'T
NEED ALL THIS.
1197
00:58:54,792 --> 00:58:55,793
SI.
1198
00:58:55,967 --> 00:58:58,839
SHH. I LOVE YOU,
1199
00:58:59,579 --> 00:59:01,233
BUT YOU'RE CRAZY.
1200
00:59:01,407 --> 00:59:03,365
♪♪♪[playing]
1201
00:59:14,420 --> 00:59:18,859
♪ IT'S THE MORNING
OF MY LIFE ♪
1202
00:59:20,513 --> 00:59:26,345
♪ I WANNA WRITE YOU A SONG ♪
1203
00:59:26,519 --> 00:59:31,785
♪ IT'S THE START
OF SOMETHING NICE ♪
1204
00:59:31,959 --> 00:59:37,791
♪ AND SO
I'LL WRITE YOU A SONG ♪
1205
00:59:37,965 --> 00:59:43,449
♪ OF PAINTED RAINBOWS
AND DREAMS ♪
1206
00:59:43,623 --> 00:59:47,845
♪ LOOKING FOR LOVE
IN THE CITY ♪
1207
00:59:49,629 --> 00:59:51,544
♪ AND MAKE-BELIEVING ♪
1208
00:59:51,718 --> 00:59:55,330
♪ THAT LIFE IS REAL ♪
1209
00:59:55,504 --> 01:00:00,422
♪ LOOKING FOR SOMEONE
WHO'S PRETTY ♪
1210
01:00:01,859 --> 01:00:07,386
♪ IT'S THE MORNING
OF MY LIFE ♪
1211
01:00:07,560 --> 01:00:12,609
♪ AND SO
I'LL WRITE YOU A SONG ♪♪♪
1212
01:00:37,198 --> 01:00:38,678
OK. ALL RIGHT NOW, KATHY.
1213
01:00:38,852 --> 01:00:40,637
JUST KEEP YOUR EYE
ON THE BALL, ALL RIGHT?
1214
01:00:40,811 --> 01:00:42,029
I'LL TRY.
1215
01:00:42,203 --> 01:00:43,944
JUST SWING EASY.
1216
01:00:44,118 --> 01:00:46,164
YOU'RE DOING GREAT.
YOU'RE DOING GREAT.
ALL RIGHT.
1217
01:00:51,952 --> 01:00:54,085
COULD YOU PLEASE PAGE
KENNY ROTHENBERG?
1218
01:00:54,259 --> 01:00:55,521
HE'S ON THE COURT
WITH A LESSON.
1219
01:00:55,695 --> 01:00:58,524
YEAH, I KNOW.
UH, IT'S IMPORTANT.
1220
01:00:58,698 --> 01:01:00,744
YOU'RE LAURIE,
RIGHT?
1221
01:01:00,918 --> 01:01:02,049
OK.
1222
01:01:04,791 --> 01:01:08,621
KEN ROTHENBERG,
PLEASE COME
TO THE FRONT DESK.
1223
01:01:25,943 --> 01:01:27,640
[Kenny]
LAURIE, WHAT ARE YOU
DOIN' HERE?
1224
01:01:27,814 --> 01:01:28,989
SORRY TO BOTHER YOU.
1225
01:01:29,163 --> 01:01:31,209
NO, NO, NO. IT'S OK.
WHAT'S UP?
1226
01:01:31,383 --> 01:01:33,559
OH, UH, I DON'T KNOW.
I'M, UH...
1227
01:01:33,733 --> 01:01:35,692
I DON'T KNOW. I FEEL
KIND OF DEPRESSED.
1228
01:01:36,518 --> 01:01:38,042
WHY?
1229
01:01:38,216 --> 01:01:39,217
WELL...
1230
01:01:40,566 --> 01:01:42,568
UM, I DON'T KNOW.
1231
01:01:44,135 --> 01:01:45,832
YOU'VE JUST GOT
PRE-WEDDING JITTERS.
1232
01:01:46,006 --> 01:01:47,834
OR YOU WANT ME
TO COME OVER TONIGHT?
1233
01:01:48,008 --> 01:01:50,097
WHAT I WANT YOU TO DO
IS--IS HUG ME.
1234
01:01:50,271 --> 01:01:51,882
OK.
1235
01:01:53,013 --> 01:01:55,624
NOW, WHAT'S ALL THIS, HUH?
1236
01:01:55,799 --> 01:01:57,409
I JUST WANT TO
HOLD ONTO YOU.
1237
01:01:57,583 --> 01:01:59,150
I'M NOT GOIN' ANYWHERE.
1238
01:01:59,324 --> 01:02:01,065
YEAH, I KNOW.
1239
01:02:01,239 --> 01:02:04,546
UH, SOME PRODUCER HEARD
MY INSURANCE COMMERCIAL,
1240
01:02:04,721 --> 01:02:06,940
AND HE WANTS ME
TO COME IN TOMORROW
TO MEET THE DIRECTOR.
1241
01:02:07,114 --> 01:02:08,420
THEY WANNA
HEAR ME SING.
1242
01:02:08,594 --> 01:02:09,900
THAT'S INCREDIBLE.
1243
01:02:10,074 --> 01:02:11,466
IS THAT WHAT YOU CAME
OVER HERE TO TELL ME?
1244
01:02:11,640 --> 01:02:13,773
UM, WELL...
1245
01:02:14,861 --> 01:02:16,863
[tennis balls bouncing]
1246
01:02:19,170 --> 01:02:21,085
DO YOU LOVE ME, KENNY?
1247
01:02:23,870 --> 01:02:27,308
WELL, OF COURSE
I LOVE YOU.
1248
01:02:27,482 --> 01:02:29,528
YEAH. I KNOW.
1249
01:02:33,097 --> 01:02:34,794
BUT DO YOU
REALLY LOVE ME?
1250
01:02:36,709 --> 01:02:39,538
LOOK, WH-WHAT'S THE MATTER
WITH YOU, HUH?
1251
01:02:42,149 --> 01:02:44,456
I DON'T KNOW.
1252
01:02:44,630 --> 01:02:47,720
LOOK, I, UH,
I GOTTA GET BACK.
1253
01:02:47,894 --> 01:02:49,983
SURE, OK. OK.
1254
01:02:52,551 --> 01:02:55,989
OH, YOU, UH, Y-YOU WANT ME
TO HUG YOU AGAIN?
1255
01:02:56,163 --> 01:02:57,948
[players chattering]
1256
01:02:58,122 --> 01:02:59,645
YEAH.
1257
01:03:01,125 --> 01:03:02,430
OK.
1258
01:03:03,649 --> 01:03:05,694
YOU HAVE A GOOD AUDITION, OK?
1259
01:03:05,869 --> 01:03:08,436
YEAH, OK. OK.
HEY, TELL ME.
1260
01:03:08,610 --> 01:03:09,742
TELL YOU WHAT?
1261
01:03:09,916 --> 01:03:12,353
OH, YOU KNOW.
BREAK A LEG.
1262
01:03:12,527 --> 01:03:14,965
BREAK A LEG, HUH.
1263
01:03:15,139 --> 01:03:17,663
OH. DO YOU HAVE ENOUGH GAS
IN THAT CAR OF YOURS?
1264
01:03:17,837 --> 01:03:20,100
YES.
1265
01:03:20,274 --> 01:03:22,581
I WANT YOU TO GET RID
OF THAT CAR.
I KNOW.
1266
01:03:22,755 --> 01:03:24,409
NO, I MEAN IT, NOW.
1267
01:03:24,583 --> 01:03:26,803
I WANT YOU TO START THINKING
OF A NEW CAR FOR YOURSELF.
1268
01:03:26,977 --> 01:03:29,980
OK. OK. I WILL.
1269
01:03:30,154 --> 01:03:31,198
YOU'D BETTER GO.
1270
01:03:31,372 --> 01:03:33,418
I'LL GO. GOODBYE.
1271
01:03:33,592 --> 01:03:35,159
GOOD NIGHT.
1272
01:03:38,945 --> 01:03:43,558
♪ FINALLY A CHANCE TO SAY ♪
1273
01:03:43,732 --> 01:03:47,301
♪ HEY, I LOVE YOU ♪
1274
01:03:47,475 --> 01:03:50,435
♪ NEVER AGAIN ♪
1275
01:03:50,609 --> 01:03:54,047
♪ TO BE ALL ALONE ♪♪♪
1276
01:03:55,657 --> 01:03:57,268
HOW'D YOU KNOW MY SONG
SO FAST?
1277
01:03:57,442 --> 01:03:58,617
THAT'S WHAT I DO.
1278
01:03:58,791 --> 01:04:00,662
BUT YOU--YOU SEE
WHAT I'M SAYIN'?
1279
01:04:00,837 --> 01:04:04,841
WHEN YOU-- IT'S--
YOU'RE TELLIN' SOMEBODY
THIS STORY, RIGHT?
1280
01:04:05,015 --> 01:04:07,452
IT'S NOT EVERY DAY
YOU GET A CHANCE TO SAY
"I LOVE YOU," RIGHT?
1281
01:04:07,626 --> 01:04:09,497
SO WHEN YOU SING THE WORDS,
"I LOVE YOU,"
1282
01:04:09,671 --> 01:04:12,283
I MEAN, IT'S LIKE
ALL THE HEARTACHE
IN THE WORLD'S GOTTA BE THERE.
1283
01:04:12,457 --> 01:04:14,851
YOU KNOW,
IT'S LIKE A RELEASE.
1284
01:04:16,287 --> 01:04:18,071
YOU KNOW
WHAT I'M SAYIN'?
1285
01:04:18,245 --> 01:04:19,203
I THINK SO.
1286
01:04:21,335 --> 01:04:23,772
[inaudible]
1287
01:05:05,640 --> 01:05:07,599
[birds chirping]
1288
01:05:12,560 --> 01:05:14,301
THANKS.
1289
01:05:16,913 --> 01:05:19,785
ANNIE,
I'M--I'M REALLY IN TROUBLE.
1290
01:05:20,873 --> 01:05:23,006
I THINK
I'M IN LOVE WITH HIM.
1291
01:05:24,224 --> 01:05:25,660
OH, NO.
1292
01:05:27,097 --> 01:05:28,620
YEAH.
1293
01:05:29,577 --> 01:05:30,448
WHAT AM I GONNA DO?
1294
01:05:30,622 --> 01:05:32,841
WHAT CAN YOU DO?
1295
01:05:33,016 --> 01:05:35,366
I COULD RUN.
1296
01:05:35,540 --> 01:05:37,194
COULD YOU?
1297
01:05:39,674 --> 01:05:40,849
NO.
1298
01:05:41,024 --> 01:05:42,721
IT ALL SEEMS SO FAST.
1299
01:05:42,895 --> 01:05:47,030
I KNOW. IT'S--IT'S LIKE
MY WILDEST FANTASY
IS COMING TO LIFE.
1300
01:05:49,249 --> 01:05:52,252
I THOUGHT
YOU WERE GETTING MARRIED
IN A FEW DAYS.
1301
01:05:52,426 --> 01:05:54,037
I GET IT.
I MEAN, YOU--
1302
01:05:54,211 --> 01:05:57,040
YOU WOULDN'T SEE HIM AGAIN
IF--IF YOU WERE ME, RIGHT?
1303
01:05:57,214 --> 01:05:58,693
WELL, I WOULDN'T.
1304
01:05:58,867 --> 01:06:00,869
I--I WOULD JUST CHALK IT UP
TO ONE LAST FLING
1305
01:06:01,044 --> 01:06:02,784
AND FORGET ABOUT IT.
1306
01:06:02,959 --> 01:06:06,614
BUT I KNOW YOU,
AND YOU'RE GONNA DO
WHAT YOU WANT.
1307
01:06:06,788 --> 01:06:09,617
WELL, I-IT'S JUST--
IT'S JUST NOT THAT EASY.
1308
01:06:09,791 --> 01:06:12,751
DO YOU KNOW THAT
ON--ON TOP OF EVERYTHING ELSE,
1309
01:06:15,536 --> 01:06:18,670
I THINK I MAY HAVE THE LEAD
IN THIS FILM.
1310
01:06:18,844 --> 01:06:19,758
YOU'RE KIDDING.
1311
01:06:19,932 --> 01:06:22,021
NO. I MEAN...
1312
01:06:22,195 --> 01:06:23,196
[sighing]
1313
01:06:23,370 --> 01:06:25,198
WELL,
1314
01:06:25,372 --> 01:06:27,853
D-DID HE TELL YOU
YOU--YOU HAD IT?
1315
01:06:29,855 --> 01:06:31,552
YEAH.
1316
01:06:31,726 --> 01:06:34,425
HE TOLD ME
THAT I HAVE IT.
1317
01:06:34,599 --> 01:06:38,342
"I GUESS YOU COULD SAY
I'M NOT TOO CRAZY
ABOUT TRAINS.
1318
01:06:38,516 --> 01:06:39,996
CAN I HAVE ANOTHER BEER?"
1319
01:06:40,170 --> 01:06:42,259
THAT WAS VERY GOOD.
1320
01:06:42,433 --> 01:06:44,130
SHE'S GOOD.
1321
01:06:44,304 --> 01:06:47,394
I ONLY BRING
TALENTED PEOPLE IN.
1322
01:06:47,568 --> 01:06:49,309
THE SCENE I JUST READ,
IT'S NEW, ISN'T IT?
1323
01:06:49,483 --> 01:06:50,789
HMM. THAT'S RIGHT.
1324
01:06:50,963 --> 01:06:52,747
I LIKE IT.
ME, TOO.
1325
01:06:54,706 --> 01:06:57,361
UH, CRIS,
I SAW LAURIE ROBINSON.
1326
01:06:58,405 --> 01:07:00,103
YOU DID SAY
I HAVE THE PART?
1327
01:07:00,277 --> 01:07:01,930
THAT'S WHAT I SAID.
1328
01:07:02,105 --> 01:07:05,064
I GUESS,
LIKE MOST ACTRESSES,
1329
01:07:05,238 --> 01:07:07,893
I GUESS
I'M A LITTLE INSECURE.
1330
01:07:08,067 --> 01:07:09,677
HEY, IF I SAID
YOU GOT THE PART,
1331
01:07:09,851 --> 01:07:10,896
YOU GOT THE PART.
1332
01:07:14,247 --> 01:07:16,336
LET'S GO BACK
TO WORK, HUH?
1333
01:07:16,510 --> 01:07:18,512
COME ON.
I'LL WALK YOU OUT.
1334
01:07:19,818 --> 01:07:22,516
A CUP OF COFFEE.
EVERYBODY JUST TAKE A BREAK.
1335
01:07:32,657 --> 01:07:35,616
I'VE GOT GREAT NEWS.
COME HERE.
1336
01:07:35,790 --> 01:07:37,792
NO CLAM, HUH.
1337
01:07:37,966 --> 01:07:39,838
I CONVINCED NUSSBAUM
NOT TO USE THE CLAMS.
ISN'T THAT GREAT?
1338
01:07:40,012 --> 01:07:41,318
NOW, WE GOTTA
GO OVER THERE.
1339
01:07:41,492 --> 01:07:43,059
HE'S--HE'S GONNA GIVE US
OUR NEW MOVES, RIGHT?
1340
01:07:43,233 --> 01:07:44,451
NO, KENNY.
I WANNA TALK TO YOU.
1341
01:07:47,672 --> 01:07:50,153
OK. WHAT? WHAT'S UP?
1342
01:07:58,552 --> 01:08:00,511
I CAN'T MARRY YOU, KENNY.
1343
01:08:01,903 --> 01:08:03,209
WHAT?
1344
01:08:07,431 --> 01:08:10,564
I CAN'T MARRY YOU.
1345
01:08:10,738 --> 01:08:12,740
WHAT ARE YOU TALKING ABOUT?
COME ON.
1346
01:08:12,914 --> 01:08:14,220
YOU'RE JUST VERY NERVOUS.
1347
01:08:15,656 --> 01:08:17,876
I DON'T LOVE YOU, KENNY.
1348
01:08:22,054 --> 01:08:24,709
IT'S JUST NOT THE WAY
IT SHOULD BE.
1349
01:08:26,189 --> 01:08:28,191
THINK ABOUT IT.
1350
01:08:30,889 --> 01:08:32,586
WHEN DID THIS HAPPEN?
1351
01:08:34,719 --> 01:08:37,417
I DON'T KNOW.
1352
01:08:37,591 --> 01:08:41,291
IT'S BEEN HAPPENING
FOR SOME TIME NOW.
1353
01:08:41,465 --> 01:08:45,164
[Nussbaum]
KEN, WOULD YOU GO FOR A GIANT
CHRYSANTHEMUM THAT OPENS?
1354
01:08:48,080 --> 01:08:49,690
MR. NUSSBAUM,
NOT NOW, HUH?
1355
01:08:49,864 --> 01:08:51,692
[Nussbaum]
WELL, PLEASE HURRY,
I WANNA GET--
1356
01:08:51,866 --> 01:08:52,954
ALL RIGHT,
MR. NUSSBAUM.
1357
01:08:53,129 --> 01:08:54,130
[Nussbaum]
PLEASE HURRY, KEN.
1358
01:08:54,304 --> 01:08:55,827
ALL RIGHT!
1359
01:09:00,005 --> 01:09:03,051
OH, LAURIE,
FOR GOD'S SAKE.
1360
01:09:04,314 --> 01:09:06,490
LOOK WHAT YOU'RE DOING.
1361
01:09:06,664 --> 01:09:10,146
BELIEVE ME, KENNY.
I HAVE LOOKED AT IT.
1362
01:09:10,320 --> 01:09:12,235
I'VE GIVEN IT
A LOT OF THOUGHT.
1363
01:09:16,674 --> 01:09:18,632
THEN WHY'D YOU SAY
YOU'D MARRY ME?
1364
01:09:23,246 --> 01:09:25,335
IS THERE
SOMEBODY ELSE?
1365
01:09:28,512 --> 01:09:29,991
THAT'S THE REASON?
1366
01:09:31,602 --> 01:09:33,473
THAT'S NOT THE REASON.
1367
01:09:36,955 --> 01:09:39,305
WHAT DO YOU WANT ME TO DO?
YOU WANT ME TO
JUST GO OVER THERE,
1368
01:09:39,479 --> 01:09:41,612
AND YOU WANT ME
TO TELL EVERYBODY
THE SHOW'S OFF, HUH?
1369
01:09:41,786 --> 01:09:44,702
DO YOU WANT ME
TO GO AND TELL THEM?
1370
01:09:50,011 --> 01:09:53,537
YOU CAN GET OUTTA HERE.
I'LL TELL EVERYBODY,
ALL RIGHT?
1371
01:09:53,711 --> 01:09:56,192
I'M SORRY, KENNY.
1372
01:09:56,366 --> 01:09:58,498
GET OUTTA HERE, OK?
1373
01:10:12,860 --> 01:10:14,558
[phone ringing]
1374
01:10:15,863 --> 01:10:16,951
HELLO?
1375
01:10:17,125 --> 01:10:18,170
[Charley]
LAURIE?
1376
01:10:18,344 --> 01:10:20,041
WHO IS THIS, PLEASE?
1377
01:10:20,216 --> 01:10:23,523
THIS IS CHARLEY NELSON.
CRIS NOLAN'S ASSOCIATE.
1378
01:10:23,697 --> 01:10:26,657
OH, YEAH, YEAH.
UH, HOW ARE YOU, CHARLEY?
1379
01:10:26,831 --> 01:10:29,790
UH, FINE.
CRIS ASKED ME TO CALL YOU.
1380
01:10:29,964 --> 01:10:33,577
UH, WELL,
I--I DON'T QUITE KNOW
HOW TO SAY THIS,
1381
01:10:33,751 --> 01:10:35,709
BUT WE'RE HAVIN' A PROBLEM
WITH THE MOVIE.
1382
01:10:35,883 --> 01:10:38,756
WHAT KIND OF PROBLEM?
1383
01:10:38,930 --> 01:10:43,282
AS A MATTER OF FACT,
THE, UH, STUDIO WANTS US
TO USE A BLONDE.
1384
01:10:46,503 --> 01:10:47,895
WHAT?
1385
01:10:48,069 --> 01:10:50,376
WELL, UH, WE'RE SORRY.
1386
01:10:50,550 --> 01:10:52,857
YOU KNOW,
CRIS WANTED YOU
FOR THE PART.
1387
01:10:55,947 --> 01:10:59,777
WELL, UH,
WHY DIDN'T HE FIGHT FOR ME?
1388
01:10:59,951 --> 01:11:03,171
I--I MEAN, IF HE FELT
THAT I SHOULD HAVE THE PART,
1389
01:11:03,346 --> 01:11:04,912
THEN WHY DIDN'T
HE JUST TELL THEM?
1390
01:11:05,086 --> 01:11:06,784
HE'S THE DIRECTOR.
1391
01:11:06,958 --> 01:11:09,395
LAURIE, I WASN'T THERE, OK?
1392
01:11:13,486 --> 01:11:15,793
WELL, WHERE IS CRIS, CHARLEY?
1393
01:11:15,967 --> 01:11:18,622
I MEAN, UH, HOW COME
HE DIDN'T CALL ME HIMSELF?
1394
01:11:18,796 --> 01:11:20,754
CRIS IS IN A MEETING
AT THE STUDIO.
1395
01:11:22,408 --> 01:11:24,323
BUT HE WANTED YOU TO KNOW
RIGHT AWAY.
1396
01:11:26,586 --> 01:11:28,632
OK. THANK YOU, CHARLEY.
1397
01:11:28,806 --> 01:11:30,416
YEAH.
1398
01:11:31,809 --> 01:11:33,463
GOODBYE.
1399
01:11:37,510 --> 01:11:39,947
[sniffling]
1400
01:11:47,041 --> 01:11:49,435
[dialing]
1401
01:11:57,661 --> 01:11:59,489
[phone ringing]
1402
01:11:59,663 --> 01:12:01,578
[female operator]
HELLO, 0-5-0-5.
1403
01:12:01,752 --> 01:12:04,798
HELLO? UH, UH,
CRIS NOLAN'S OFFICE, PLEASE.
1404
01:12:04,972 --> 01:12:06,452
JUST ONE MOMENT.
I'LL CONNECT YOU.
1405
01:12:06,626 --> 01:12:07,845
THANK YOU.
1406
01:12:09,499 --> 01:12:11,065
[Barbara]
CRIS NOLAN'S OFFICE.
1407
01:12:11,239 --> 01:12:14,025
YEAH, HI, BARBARA.
UH, THIS IS LAURIE ROBINSON.
1408
01:12:14,199 --> 01:12:15,809
IS CRIS THERE, PLEASE?
1409
01:12:15,983 --> 01:12:18,856
UH, NO, LAURIE.
I HAVEN'T SEEN HIM ALL DAY.
1410
01:12:19,030 --> 01:12:20,858
I THINK HE'S AT HOME.
1411
01:12:21,032 --> 01:12:23,034
WHY DON'T YOU TRY
TO REACH HIM THERE?
1412
01:12:23,208 --> 01:12:25,428
BUT, UH...
SORRY, BARBARA.
1413
01:12:25,602 --> 01:12:27,691
UH, H-HE'S NOT IN A MEETING
RIGHT NOW?
1414
01:12:27,865 --> 01:12:32,478
UH, NO. I DON'T SEE ANYTHING
IN THE BOOK TILL NEXT WEEK.
1415
01:12:33,479 --> 01:12:34,698
I SEE.
1416
01:12:36,090 --> 01:12:37,570
OK. THANK YOU, BARBARA.
1417
01:12:37,744 --> 01:12:39,355
BYE.
1418
01:12:42,445 --> 01:12:44,534
[sighing]
1419
01:13:38,892 --> 01:13:40,720
[doorbell buzzing]
1420
01:13:44,507 --> 01:13:45,943
[people chattering]
1421
01:13:48,554 --> 01:13:49,599
LAURIE.
1422
01:13:49,773 --> 01:13:51,949
[Charley]
OH, HI, LAURIE.
1423
01:13:52,123 --> 01:13:54,212
HI. OH, HI.
1424
01:13:54,386 --> 01:13:55,213
HI.
1425
01:13:55,387 --> 01:13:56,780
WHAT ARE YOU DOIN' HERE?
1426
01:13:58,172 --> 01:13:59,913
I JUST CAME
TO TALK TO YOU.
1427
01:14:01,306 --> 01:14:04,440
UM, I GUESS THIS IS--IS
A--A BAD TIME.
1428
01:14:04,614 --> 01:14:07,225
UH, WE WERE JUST
ON OUR WAY OUT.
1429
01:14:07,399 --> 01:14:09,575
I DON'T-- I DON'T WANT
TO KEEP YOU.
1430
01:14:09,749 --> 01:14:11,229
ARE YOU OK?
1431
01:14:11,403 --> 01:14:12,926
YEAH.
1432
01:14:13,100 --> 01:14:14,711
YEAH, I'M--I'M OK.
1433
01:14:14,885 --> 01:14:17,453
I, UH, I WANTED
T-T-TO TALK TO YOU.
1434
01:14:17,627 --> 01:14:19,455
YEAH?
1435
01:14:20,499 --> 01:14:23,546
UH, ABOUT THE ACT,
YOU KNOW.
1436
01:14:23,720 --> 01:14:25,504
OH, THE THING
IS TONIGHT, HUH?
1437
01:14:25,678 --> 01:14:28,072
OH, YEAH.
MY--MY--MY SHOW'S TONIGHT.
1438
01:14:28,246 --> 01:14:32,380
AND, UH, I'M TAPING--
I'M--I'M TAPING
MY--MY SHOW TONIGHT.
1439
01:14:32,555 --> 01:14:35,209
UH, LISTEN. WE WERE JUST
GONNA GET SOMETHING TO EAT.
1440
01:14:35,383 --> 01:14:36,428
DO YOU WANT TO COME WITH US?
1441
01:14:36,602 --> 01:14:38,691
OH, NO. NO.
NO, THANK YOU.
1442
01:14:38,865 --> 01:14:40,606
I--I DON'T WANNA--
1443
01:14:40,780 --> 01:14:43,261
IT'S--IT'S OK.
1444
01:14:43,435 --> 01:14:45,393
UH, LET ME-- LET ME
WALK YOU DOWN
TO YOUR CAR, OK?
1445
01:14:45,568 --> 01:14:47,352
UM, UH, WHY DON'T I MEET YOU
DOWN IN THE GARAGE?
1446
01:14:47,526 --> 01:14:48,527
WHY DON'T YOU
LOCK UP FOR ME?
1447
01:14:48,701 --> 01:14:49,702
OH, YEAH.
1448
01:14:49,876 --> 01:14:50,703
I'LL SEE YOU
IN A MINUTE.
1449
01:14:50,877 --> 01:14:51,791
COME ON.
1450
01:14:58,711 --> 01:15:00,408
I DON'T KNOW WHAT TO SAY.
1451
01:15:02,019 --> 01:15:03,716
I AM REALLY SORRY
ABOUT THE PART.
1452
01:15:03,890 --> 01:15:05,457
I WOULD HAVE CALLED YOU.
I SHOULD HAVE.
1453
01:15:05,631 --> 01:15:07,851
YOU CANNOT BELIEVE
WHAT A HECTIC DAY
IT'S BEEN.
1454
01:15:08,025 --> 01:15:10,114
I'VE HAD CALLS
FROM BOTH COASTS.
1455
01:15:10,288 --> 01:15:12,464
DO YOU HAVE ANY IDEA
WHAT IT'S LIKE WHEN YOU
GO INTO PREPRODUCTION?
1456
01:15:12,638 --> 01:15:14,379
IT'S MURDER.
YEAH, I'VE HEARD.
1457
01:15:14,553 --> 01:15:16,337
I KNOW
YOU'RE DISAPPOINTED.
1458
01:15:16,512 --> 01:15:18,470
BUT YOU HAVE GOT
EVERYTHING IN THE WORLD
AHEAD OF YOU.
1459
01:15:18,644 --> 01:15:20,167
YOU'VE GOT A GREAT CAREER
AHEAD OF YOU.
1460
01:15:20,341 --> 01:15:22,256
IN ANOTHER DAY,
YOU'LL BE A HAPPY,
MARRIED LADY.
1461
01:15:22,430 --> 01:15:24,824
THIS IS LIKE A BAD DREAM.
1462
01:15:24,998 --> 01:15:27,000
WHAT ARE YOU TALKIN' ABOUT?
IT'S A MOVIE.
1463
01:15:27,174 --> 01:15:30,090
I MEAN, IF NOT THIS MOVIE,
IT'LL BE ANOTHER MOVIE,
A BETTER ONE.
1464
01:15:30,264 --> 01:15:31,439
YEAH.
1465
01:15:33,093 --> 01:15:35,531
YOU'RE A VERY SPECIAL GIRL,
LAURIE.
1466
01:15:37,750 --> 01:15:39,665
BUT NOT TO YOU?
1467
01:15:39,839 --> 01:15:41,624
I TOLD YOU.
IT'S NOT MY DECISION.
1468
01:15:41,798 --> 01:15:44,627
I WASN'T TALKING
ABOUT THE FILM.
1469
01:15:46,977 --> 01:15:48,413
[car horn honking]
1470
01:15:48,587 --> 01:15:50,415
I'VE GOTTA RUN.
1471
01:15:50,589 --> 01:15:52,330
I'M SORRY YOU CAN'T JOIN US,
1472
01:15:52,504 --> 01:15:54,811
BUT LET'S, YOU KNOW,
KEEP THE CHANNELS OPEN,
KEEP IN TOUCH, HUH?
1473
01:15:54,985 --> 01:15:56,464
YEAH.
1474
01:15:56,639 --> 01:15:58,728
LAURIE. HEY.
1475
01:15:59,903 --> 01:16:01,382
FRIENDS?
1476
01:16:02,340 --> 01:16:03,254
YEAH.
1477
01:16:03,428 --> 01:16:05,778
OK. BYE-BYE.
1478
01:16:38,768 --> 01:16:41,248
[man]
OK, LAURIE. TAPE IS ROLLING.
THIS IS TAKE ONE.
1479
01:16:41,988 --> 01:16:44,077
HI, EVERYBODY.
1480
01:16:44,251 --> 01:16:47,037
UM, MY NAME IS LAURIE.
AND, UH...
1481
01:16:47,211 --> 01:16:49,169
AND THIS IS
MY FRIEND LARRY.
1482
01:16:49,343 --> 01:16:50,823
[sniffling]
1483
01:16:50,997 --> 01:16:53,086
HE'S SOMETHIN', HUH?
WHAT A KID, HUH?
1484
01:16:55,654 --> 01:16:57,047
DON'T--DON'T
APPLAUD TOO LOUD
1485
01:16:57,221 --> 01:16:59,963
OR HE'LL START ASKING ME
FOR FOOD.
1486
01:17:00,137 --> 01:17:01,921
SOME KID, HUH?
1487
01:17:02,095 --> 01:17:03,793
50-YEAR-OLD MIDGET.
1488
01:17:06,534 --> 01:17:07,840
[sniffling]
1489
01:17:08,014 --> 01:17:10,016
JOKING ASIDE,
LADIES AND GENTLEMEN,
1490
01:17:10,190 --> 01:17:14,455
I USE MY DUMMY IN MY ACT
FOR ONE OVERWHELMING,
COMPELLING REASON.
1491
01:17:14,630 --> 01:17:15,761
HE WORKS CHEAP.
1492
01:17:28,469 --> 01:17:30,254
GET IT?
1493
01:17:32,299 --> 01:17:34,737
[Si]
LET'S HAVE A BIG HAND NOW
FOR MY DAUGHTER,
1494
01:17:34,911 --> 01:17:37,087
LAURIE ROBINSON!
1495
01:17:40,830 --> 01:17:42,396
UH...
1496
01:17:43,833 --> 01:17:46,139
YOU KNOW,
THIS--THIS KID'S REALLY SMART.
1497
01:17:46,313 --> 01:17:48,576
WE HAD HIM TESTED.
1498
01:17:48,751 --> 01:17:50,622
HE'S ONLY 10 YEARS OLD,
BUT HE'S GOT THE BRAIN
OF A 30-YEAR-OLD MONKEY.
1499
01:17:50,796 --> 01:17:51,710
[audience laughing]
1500
01:18:10,598 --> 01:18:12,731
IT'S ALL RIGHT, HONEY.
IT DIDN'T WORK FOR ME, EITHER.
NEVER MIND.
1501
01:18:12,905 --> 01:18:14,994
[audience applauding]
1502
01:18:17,257 --> 01:18:19,085
[laughing]
1503
01:18:20,870 --> 01:18:24,612
OH, MY AGENT TOLD ME
THIS ACT I-IS A REAL SLEEPER.
1504
01:18:24,787 --> 01:18:26,658
HE SAID EVERYBODY WHO SEES IT
GOES TO SLEEP.
1505
01:18:27,920 --> 01:18:30,531
[laughing]
1506
01:18:33,099 --> 01:18:35,145
YOU GET IT?
1507
01:18:35,972 --> 01:18:37,582
HUH?
1508
01:18:37,756 --> 01:18:40,019
GOES TO SLEEP.
1509
01:18:41,455 --> 01:18:44,197
YOU KNOW, I WANT TO
DO SOMETHING RIGHT NOW
1510
01:18:44,371 --> 01:18:46,765
THAT I DON'T USUALLY DO
IN A CHEAP SHOW LIKE THIS.
1511
01:18:46,939 --> 01:18:50,377
I'M GONNA BRING OUT
MY PRIDE AND JOY,
MY DAUGHTER--
1512
01:18:50,551 --> 01:18:52,336
LAURIE ROBINSON!
COME OUT, SWEETIE.
1513
01:18:52,510 --> 01:18:54,599
LAURIE ROBINSON!
1514
01:18:54,773 --> 01:18:57,297
COME ON.
LET'S HEAR IT FOR HER.
COME ON, EVERYBODY.
1515
01:18:57,471 --> 01:19:01,040
COME ON. DO-DON'T,
DON'T, UH, MAKE ME LOOK BAD
IN FRONT OF MY KID, OK?
1516
01:19:01,214 --> 01:19:02,955
COME ON, LET ME HEAR IT.
1517
01:19:03,129 --> 01:19:06,219
OH, ISN'T SHE SOMETHING?
LOOK AT THAT PUNIM.
WHAT A FACE.
1518
01:19:06,393 --> 01:19:08,308
AH, ISN'T SHE BEAUTIFUL?
1519
01:19:12,269 --> 01:19:15,054
YOU KNOW,
WE--WE CALL HER BASEBALL.
1520
01:19:15,228 --> 01:19:16,708
I BET YOU CAN'T GUESS--
I BET YOU CAN'T
1521
01:19:16,882 --> 01:19:19,189
GUESS WHY
WE--WE CALL HER BASEBALL.
1522
01:19:19,363 --> 01:19:21,974
WE CALL HIM BASEBALL
'CAUSE WE'RE ALWAYS
THROWING HIM OUT AT HOME.
1523
01:19:22,148 --> 01:19:25,456
YOU KNOW WHAT ELSE?
SHE REALLY, REALLY
BRIGHTENS UP THE HOUSE.
1524
01:19:25,630 --> 01:19:27,284
I MEAN, SHE IS TERRIFIC.
1525
01:19:27,458 --> 01:19:29,634
SHE BRIGHTENS THE HOUSE,
'CAUSE SHE NEVER
TURNS OFF A LIGHT.
1526
01:19:29,808 --> 01:19:31,331
[Laurie laughing]
1527
01:19:31,505 --> 01:19:33,290
DON'T LAUGH TOO LOUD, GUESTS.
1528
01:19:33,464 --> 01:19:36,249
YOU KNOW, YOU MIGHT, UH,
SPLIT YOUR SEAMS OVER THERE.
1529
01:19:51,830 --> 01:19:53,353
SORRY.
1530
01:19:56,139 --> 01:19:58,750
I CAN'T GO ON ANYMORE
RIGHT NOW.
1531
01:20:15,767 --> 01:20:18,291
[crying]
1532
01:20:19,292 --> 01:20:20,641
[door opening]
1533
01:20:20,816 --> 01:20:22,818
LAURA?
1534
01:20:35,178 --> 01:20:37,136
LAURA.
1535
01:20:41,184 --> 01:20:44,927
HEY, COME ON. WHAT--
WHAT'S WITH THE CRYING, HONEY?
1536
01:20:45,101 --> 01:20:47,712
GET YOUR EYES ALL WET.
1537
01:20:47,886 --> 01:20:50,019
[continues crying]
1538
01:20:51,237 --> 01:20:53,936
ROUGH OUT THERE
TODAY, HUH?
1539
01:20:54,110 --> 01:20:57,243
HA, NEVER MIND.
YOU'LL GET THEM
NEXT TIME, OK?
1540
01:20:57,417 --> 01:20:58,984
I DON'T WANT TO GET 'EM.
1541
01:20:59,158 --> 01:21:01,160
SURE, YOU WANNA
GET 'EM.
1542
01:21:01,334 --> 01:21:03,684
YOU'RE ALL UPSET RIGHT NOW,
BUT YOU'LL GET OVER THAT.
1543
01:21:03,859 --> 01:21:06,731
THIS THING WITH KENNY
HAS PROBABLY
GOTTEN TO YOU.
1544
01:21:08,907 --> 01:21:10,953
YOU DON'T WANNA
TALK ABOUT IT NOW, OK.
1545
01:21:11,127 --> 01:21:12,519
TALK ABOUT IT
WHEN THE TIME'S RIGHT.
1546
01:21:12,693 --> 01:21:16,175
IT'S NOT THE RIGHT TIME, POP.
1547
01:21:16,349 --> 01:21:18,351
NOW, LISTEN. LISTEN.
I WAS OUT THERE WATCHING YOU.
1548
01:21:18,525 --> 01:21:20,353
YOU KNOW WHAT IT IS?
1549
01:21:20,527 --> 01:21:22,703
IT'S THE TIMING. YEAH.
1550
01:21:22,878 --> 01:21:25,097
YOU--YOU KNOW,
WITH THE BASEBALL JOKE,
FOR EXAMPLE.
1551
01:21:25,271 --> 01:21:28,796
GOD ALMIGHTY, WHEN ARE YOU
GONNA EVER LISTEN TO ME?
1552
01:21:28,971 --> 01:21:30,624
IT IS NOT THE TIMING.
1553
01:21:30,798 --> 01:21:32,191
YES, IT'S THE TIMING.
1554
01:21:32,365 --> 01:21:35,542
NO, IT'S NOT! I DON'T WANNA
DO THE ACT ANYMORE.
1555
01:21:35,716 --> 01:21:36,848
WHAT ARE YOU
TALKING ABOUT?
1556
01:21:37,022 --> 01:21:38,415
I HATE IT!
1557
01:21:38,589 --> 01:21:41,766
I-I-I-I'VE TRIED TO LIKE IT,
BUT I HATE IT,
1558
01:21:41,940 --> 01:21:43,768
AND I DON'T WANT
TO DO IT ANYMORE.
1559
01:21:43,942 --> 01:21:45,770
WHAT DO YOU MEAN
YOU DON'T WANNA DO IT ANYMORE?
1560
01:21:45,944 --> 01:21:47,685
THAT'S YOUR LIFE.
1561
01:21:47,859 --> 01:21:52,342
NO, POP. IT'S NOT MY LIFE.
THAT'S YOUR LIFE.
1562
01:21:56,172 --> 01:21:59,349
I'M--I'M A REALLY
GOOD SINGER.
1563
01:21:59,523 --> 01:22:02,613
AND A REALLY GOOD SONGWRITER.
1564
01:22:02,787 --> 01:22:05,311
I'M NOT FUNNY. YOU ARE.
1565
01:22:05,921 --> 01:22:07,705
I'M NOT.
1566
01:22:07,879 --> 01:22:09,272
LAURA.
1567
01:22:14,277 --> 01:22:16,627
I'M GOING TO NEW YORK.
1568
01:22:18,368 --> 01:22:21,458
YOU? WHY DO YOU
WANNA GO TO NEW YORK?
1569
01:22:21,632 --> 01:22:25,723
WELL, I FOUND OUT THAT, UH,
THAT COLUMBIA
1570
01:22:26,942 --> 01:22:28,944
IS INTERESTED
IN--IN SIGNING ME.
1571
01:22:29,596 --> 01:22:31,207
HEY.
1572
01:22:31,381 --> 01:22:34,427
AND, UH,
THEY WANT ME TO RECORD
IN ONE OF THEIR STUDIOS
1573
01:22:34,601 --> 01:22:36,081
WITH ONE OF
THEIR PRODUCERS.
1574
01:22:36,255 --> 01:22:37,604
TERRIFIC.
1575
01:22:37,778 --> 01:22:41,217
IT'S A SHOT, BUT, UH,
I'M GONNA TAKE IT.
1576
01:22:41,391 --> 01:22:43,654
THAT'S A TERRIFIC SHOT.
1577
01:22:44,437 --> 01:22:46,091
READY FOR THAT?
1578
01:22:50,748 --> 01:22:54,491
HAVE YOU-- HAVE YOU
EVER EVEN HEARD
ANY OF MY SONGS?
1579
01:22:56,884 --> 01:22:58,495
WELL, I'VE BEEN ON THE ROAD
A LOT, YOU KNOW.
1580
01:23:04,066 --> 01:23:06,155
THIS IS ME, POP.
1581
01:23:08,026 --> 01:23:09,506
AND I'M GOOD.
1582
01:23:14,990 --> 01:23:17,644
OK. TELL YOU WHAT.
WANNA GO BACK TO NEW YORK?
1583
01:23:17,818 --> 01:23:19,907
TERRIFIC.
WE'LL GO TOGETHER.
I'LL PLAY THE HILLS,
1584
01:23:20,082 --> 01:23:22,649
AND YOU'LL MAKE RECORDS,
OR WHATEVER, HUH?
1585
01:23:27,176 --> 01:23:29,004
I LOVE YOU.
1586
01:23:30,918 --> 01:23:33,182
BUT YOU GOTTA LET GO.
1587
01:23:37,708 --> 01:23:39,927
I DIDN'T KNOW
I WAS HOLDING ON.
1588
01:23:44,367 --> 01:23:48,023
I'VE GOTTA GO TO NEW YORK
BY MYSELF.
1589
01:23:52,462 --> 01:23:53,941
YEAH.
1590
01:23:55,943 --> 01:23:57,597
YOU SURE YOU CAN MAKE IT
BY YOURSELF?
1591
01:23:57,771 --> 01:24:00,035
[sighing]
1592
01:24:02,124 --> 01:24:03,995
YEAH.
1593
01:24:04,822 --> 01:24:06,954
I THINK I CAN MAKE IT.
1594
01:24:09,479 --> 01:24:14,484
GOD. I LEARNED SOMETHING
TODAY, POP.
1595
01:24:14,658 --> 01:24:16,964
IT WAS REALLY PAINFUL.
1596
01:24:17,139 --> 01:24:19,402
BUT I LEARNED SOMETHING.
1597
01:24:19,576 --> 01:24:22,622
I LEARNED
THAT I GOTTA DEPEND ON MYSELF.
1598
01:24:22,796 --> 01:24:26,670
I CAN'T DEPEND
ON ANYBODY ELSE,
AND THAT'S OK.
1599
01:24:26,844 --> 01:24:29,064
YOU KNOW WHY?
1600
01:24:29,238 --> 01:24:33,111
BECAUSE I'M
A REALLY GOOD PERSON
TO DEPEND ON.
1601
01:24:35,113 --> 01:24:39,683
I MEAN, MAYBE--MAYBE
I DON'T HAVE SOMEBODY
THAT I THOUGHT I LOVED A LOT,
1602
01:24:41,163 --> 01:24:44,644
BUT THAT'S OK
BECAUSE I'VE GOT ME.
1603
01:24:44,818 --> 01:24:48,692
AND I'VE GOT MY WORK
AND I'VE GOT MY MUSIC.
1604
01:24:49,823 --> 01:24:51,738
AND I LOVE THAT.
1605
01:24:51,912 --> 01:24:54,132
MORE THAN ANYTHING
ON THIS EARTH.
1606
01:24:59,094 --> 01:25:02,271
I HAD NO IDEA YOU FELT
SO STRONGLY ABOUT IT.
1607
01:25:02,445 --> 01:25:05,448
I'M SORRY, LAURA. I GUESS
I WASN'T PAYING ATTENTION.
1608
01:25:05,622 --> 01:25:08,015
HEY, IT'S OK.
1609
01:25:08,190 --> 01:25:12,368
IT REALLY IS,
BECAUSE YOU WERE
DOING YOUR THING.
1610
01:25:15,371 --> 01:25:18,287
AND THAT'S JUST THE POINT.
1611
01:25:18,461 --> 01:25:20,941
I GOTTA START DOING MY THING.
1612
01:25:27,426 --> 01:25:29,472
I REALLY LOVE YOU.
1613
01:25:37,697 --> 01:25:39,308
YOU WANNA HEAR
SOMETHING FUNNY?
1614
01:25:39,482 --> 01:25:40,874
WHAT?
1615
01:25:42,224 --> 01:25:43,138
I LOVE YOU.
1616
01:25:47,142 --> 01:25:50,057
OH, BOY.
IT'S GONNA BE TERRIFIC, HUH?
1617
01:25:50,232 --> 01:25:51,624
YOU HIT THE BIG TOWN.
1618
01:25:51,798 --> 01:25:53,539
LAURIE ROBINSON,
NUMBER ONE ON THE CHARTS.
1619
01:25:53,713 --> 01:25:54,888
BOOM-BOOM, HUH?
1620
01:25:55,062 --> 01:25:56,151
[both laughing]
1621
01:25:57,413 --> 01:25:58,979
THAT WOULD TAKE
A LITTLE LUCK.
1622
01:25:59,154 --> 01:26:00,546
HMM.
1623
01:26:02,505 --> 01:26:04,159
WOULDN'T THAT BE NICE?
1624
01:26:07,466 --> 01:26:09,033
THE BEST.
1625
01:26:22,612 --> 01:26:25,397
AH, LISTEN.
COME ON.
1626
01:26:25,571 --> 01:26:29,836
COME ON. NOW,
YOU GET YOUR STUFF TOGETHER,
AND CUT OUT, HUH?
1627
01:27:25,152 --> 01:27:29,505
[Laurie]
♪ SO MANY NIGHTS ♪
1628
01:27:29,679 --> 01:27:34,597
♪ I'D SIT BY MY WINDOW ♪
1629
01:27:34,771 --> 01:27:39,079
♪ WAITING FOR SOMEONE ♪
1630
01:27:39,254 --> 01:27:43,867
♪ TO SING ME HIS SONG ♪
1631
01:27:44,041 --> 01:27:47,914
♪ SO MANY DREAMS ♪
1632
01:27:48,088 --> 01:27:52,571
♪ I'VE KEPT DEEP INSIDE ME ♪
1633
01:27:52,745 --> 01:27:56,227
♪ ALONE IN THE DARK ♪
1634
01:27:56,401 --> 01:28:02,451
♪ BUT NOW YOU'VE COME ALONG ♪
1635
01:28:02,625 --> 01:28:04,888
♪ AND YOU ♪
1636
01:28:05,062 --> 01:28:09,675
♪ LIGHT UP MY LIFE ♪
1637
01:28:09,849 --> 01:28:14,463
♪ YOU GIVE ME HOPE ♪
1638
01:28:14,637 --> 01:28:17,640
♪ TO CARRY ON ♪
1639
01:28:18,641 --> 01:28:22,949
♪ YOU LIGHT UP MY DAYS ♪
1640
01:28:23,123 --> 01:28:28,738
♪ AND FILL MY NIGHTS ♪
1641
01:28:29,913 --> 01:28:32,437
♪ WITH SONG ♪
1642
01:28:35,397 --> 01:28:38,313
♪ ROLLIN' AT SEA ♪
1643
01:28:39,836 --> 01:28:43,448
♪ ADRIFT ON THE WATER ♪
1644
01:28:44,667 --> 01:28:48,540
♪ COULD IT BE FINALLY ♪
1645
01:28:48,714 --> 01:28:52,718
♪ I'M TURNING FOR HOME ♪
1646
01:28:53,806 --> 01:28:56,983
♪ FINALLY A CHANCE ♪
1647
01:28:58,028 --> 01:29:02,075
♪ TO SAY HEY, I LOVE YOU ♪
1648
01:29:03,076 --> 01:29:05,905
♪ NEVER AGAIN ♪
1649
01:29:07,516 --> 01:29:11,389
♪ TO BE ALL ALONE ♪
1650
01:29:12,608 --> 01:29:14,566
♪ AND YOU ♪
1651
01:29:14,740 --> 01:29:19,397
♪ YOU LIGHT UP MY LIFE ♪
1652
01:29:20,311 --> 01:29:23,967
♪ YOU GIVE ME HOPE ♪
1653
01:29:24,141 --> 01:29:27,710
♪ TO CARRY ON ♪
1654
01:29:28,972 --> 01:29:32,932
♪ YOU LIGHT UP MY DAYS ♪
1655
01:29:33,977 --> 01:29:38,721
♪ AND FILL MY NIGHTS ♪
1656
01:29:40,592 --> 01:29:43,421
♪ WITH SONG ♪
1657
01:29:45,423 --> 01:29:47,425
♪ 'CAUSE YOU ♪
1658
01:29:47,599 --> 01:29:51,255
♪ YOU LIGHT UP MY LIFE ♪
1659
01:29:52,474 --> 01:29:56,782
♪ YOU GIVE ME HOPE ♪
1660
01:29:56,956 --> 01:30:00,743
♪ TO CARRY ON ♪
1661
01:30:00,917 --> 01:30:05,312
♪ YOU LIGHT UP MY DAYS ♪
1662
01:30:06,444 --> 01:30:10,709
♪ AND FILL MY NIGHTS ♪
1663
01:30:10,883 --> 01:30:13,277
♪ WITH SONG ♪
1664
01:30:15,322 --> 01:30:19,979
♪ IT CAN'T BE WRONG ♪
1665
01:30:20,153 --> 01:30:24,419
♪ WHEN IT FEELS SO RIGHT ♪
1666
01:30:26,769 --> 01:30:29,380
♪ 'CAUSE YOU ♪
1667
01:30:33,950 --> 01:30:37,344
♪ YOU LIGHT UP ♪
1668
01:30:38,607 --> 01:30:41,784
♪ MY ♪
1669
01:30:41,958 --> 01:30:46,571
♪ LIFE ♪♪♪
119165
Can't find what you're looking for?
Get subtitles in any language from opensubtitles.com, and translate them here.