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These are the user uploaded subtitles that are being translated: 1 00:00:00,330 --> 00:00:04,770 All right welcome back hopefully you've been able to get some photos of yourself or download the resources 2 00:00:05,220 --> 00:00:06,520 to follow along here. 3 00:00:06,660 --> 00:00:12,630 I thought I would point out a quake Here's a couple Photoshop fails you can google Photoshop fails and 4 00:00:12,630 --> 00:00:17,030 find all kinds of crazy things but I thought I'd point these two things out to you. 5 00:00:17,430 --> 00:00:20,850 One of which we look at this obviously is not lifting this much weight. 6 00:00:20,880 --> 00:00:26,540 It could be believable but if we look into the mirror obviously it's been Photoshopped. 7 00:00:26,550 --> 00:00:31,440 And what about here we with this extra hand hanging out on the shoulder here we've obviously cloned 8 00:00:31,440 --> 00:00:34,770 out somebody sitting next to her but we forgot about the hand. 9 00:00:35,010 --> 00:00:41,190 So as we work through this section about Photoshop compositing make sure you pay attention to the details 10 00:00:41,190 --> 00:00:41,500 . 11 00:00:41,640 --> 00:00:48,540 And one of the details in one of the skill sets that will help you master this section is your selections 12 00:00:48,960 --> 00:00:50,900 so to get started. 13 00:00:50,900 --> 00:00:55,920 Go ahead and grab that photo of yourself and I'm going to just open this random photo I downloaded or 14 00:00:55,950 --> 00:01:00,060 do a couple of these photos here that I can show you a couple of different selection methods. 15 00:01:00,090 --> 00:01:02,970 So depending on the image you're working with. 16 00:01:02,970 --> 00:01:06,630 You may or may not have the perfect photo to work with. 17 00:01:06,630 --> 00:01:13,020 So here's an example of a couple of different tools we can use going to do is I'm going to zoom in real 18 00:01:13,020 --> 00:01:18,480 quick on the command and space it's a shortcut I could click on the zoom tool and my tools over here 19 00:01:18,510 --> 00:01:24,420 but I like to work with my move to a selected space part of my hand tool if I need to move around in 20 00:01:24,420 --> 00:01:29,970 the image or hold on spacebar and command to get my zoom to sort of do. 21 00:01:29,970 --> 00:01:34,300 Now is the letter W to get my brush my quick selection too. 22 00:01:34,300 --> 00:01:36,690 It's kind of like a brush and a magic wand at the same time. 23 00:01:36,690 --> 00:01:42,480 So this is a great tool if I wanted to quickly brush out and you'll see with an image like this it's 24 00:01:42,480 --> 00:01:46,920 basically being gift wrapped to me it's such a high contrast between the background and the foreground 25 00:01:47,310 --> 00:01:48,960 that I almost didn't have to do anything. 26 00:01:48,960 --> 00:01:55,410 So with this magic wand selected here we've got these ants marching around here this marquee. 27 00:01:55,410 --> 00:02:00,960 If I click on the background layer and hit command J it will jump cut it to a new layer here. 28 00:02:01,080 --> 00:02:05,670 Now I can hold the command key and click on this new layer icon to put a layer below. 29 00:02:06,090 --> 00:02:09,340 If I just click on the new layer icon it'll put a new layer above. 30 00:02:09,360 --> 00:02:18,060 So I want a new layer below with my default swatches set over here a minute hit command delete make 31 00:02:18,060 --> 00:02:22,410 sure I'm on layer to here that blank layer command delete will fill with whatever is in your background 32 00:02:22,410 --> 00:02:27,900 color so I can see I've got him cut out here on his own layer which is fine that works great. 33 00:02:27,960 --> 00:02:34,290 I'm going to double click on this library image I have over here for this background and I could easily 34 00:02:35,190 --> 00:02:40,420 drag and drop him at a click with my move tool drag up towards tab hold for a second come back down 35 00:02:40,430 --> 00:02:40,640 . 36 00:02:40,950 --> 00:02:45,240 And all of a sudden I've got him in the same photo command T to get my free transform tool and I'll 37 00:02:45,240 --> 00:02:49,380 drag him up a little bit so you can see I've got this asset that I could work with. 38 00:02:49,410 --> 00:02:52,380 Obviously the selection as we bring it in here it's not that great. 39 00:02:52,380 --> 00:02:57,060 It did miss quite a bit of the details it's got this glow around it and wouldn't work out. 40 00:02:57,060 --> 00:02:58,600 So I'm going to delete that layer. 41 00:02:58,890 --> 00:03:02,090 But I did want to show you these two layers too. 42 00:03:02,100 --> 00:03:06,950 I didn't want to show you that with this brush tool we can make a quick selection the magic wand tools 43 00:03:06,960 --> 00:03:11,760 another one like that as well where I can click once and it'll select similar colors. 44 00:03:11,760 --> 00:03:14,080 A better example of that would be on this shorts model. 45 00:03:14,070 --> 00:03:19,650 So if I click once over here in the gray background it selects right I've my tolerance it's 20. 46 00:03:19,650 --> 00:03:24,660 So about a threshold of 20 gets pretty close. 47 00:03:24,660 --> 00:03:30,810 If I put this up to say 50 it'll grab a lot more of those details and then I can hold down the Shift 48 00:03:30,810 --> 00:03:34,140 key to add to that selection. 49 00:03:34,500 --> 00:03:37,890 But you'll see real quick it starts to bleed in and grab a lot more than I wanted to. 50 00:03:37,890 --> 00:03:42,350 So if I put this tolerance back down to about 20 I commanded a de-select. 51 00:03:42,440 --> 00:03:43,830 Now I'm going to click once. 52 00:03:43,830 --> 00:03:48,500 Shift click again and just keep shift clicking until I get most of the selections I wanted to. 53 00:03:48,750 --> 00:03:50,280 So there's a lot of ways to work with selections. 54 00:03:50,280 --> 00:03:55,860 I don't have to come in and try and select the model I can select around everything else then come up 55 00:03:55,860 --> 00:04:02,130 to select Inv. and now I've got the inverse selection so if I back it out now it's just selecting him 56 00:04:02,920 --> 00:04:08,910 with that layer selected I'll hit command J the jump cut him to his own layer click and drag up back 57 00:04:08,910 --> 00:04:13,590 to that industrial factory photo and then we've got him put in there and you know we can work with this 58 00:04:13,590 --> 00:04:14,900 and make it somewhat believable. 59 00:04:14,910 --> 00:04:16,290 But again take a look here. 60 00:04:16,290 --> 00:04:19,070 We didn't clip out between his legs or between his hand. 61 00:04:19,080 --> 00:04:23,160 So if somebody was really paying attention they would notice those things especially like the detail 62 00:04:23,160 --> 00:04:28,620 around the hair we miss some things especially in the dark background so let's try again. 63 00:04:28,620 --> 00:04:32,640 Let's come back over here to the selection tool or to the side of this image here. 64 00:04:32,650 --> 00:04:34,680 We'll use a different selection tool. 65 00:04:34,710 --> 00:04:37,830 Another option we have would be like the lasso tools with the letter L. 66 00:04:37,860 --> 00:04:44,280 There's a few different lassos we can use the regular Lasso tool is just that we can draw with our mouse 67 00:04:44,280 --> 00:04:47,370 to make the selection and this can be really tough to get a perfect selection. 68 00:04:47,370 --> 00:04:49,410 But if I wanted to I could zoom in. 69 00:04:49,410 --> 00:04:54,840 Hold down the Shift key and add to the selection or hold on the Alt key to remove from the selection 70 00:04:55,230 --> 00:04:59,700 and just work it back and forth until I get it you know pretty close to what I want it to be. 71 00:04:59,700 --> 00:05:03,810 This would obviously take a lot of time but depending on what you're selecting sometimes that's a good 72 00:05:03,810 --> 00:05:05,540 way to work. 73 00:05:05,610 --> 00:05:13,010 I'm going to de-select that we have the polygon Lasso tool which is a nice quick way to get straight 74 00:05:13,270 --> 00:05:16,100 selections sometimes that works great for what you need to do. 75 00:05:16,110 --> 00:05:17,770 So I make quick selections here. 76 00:05:17,790 --> 00:05:23,520 DoubleClick when I'm done and it closes that off I commanded to de-select and then the magnetic lasso 77 00:05:23,510 --> 00:05:23,590 . 78 00:05:23,590 --> 00:05:28,110 Well that's another good one where if you have a high contrast image here if I just start directing 79 00:05:28,110 --> 00:05:33,770 right here and I kind of get it close and I can click along the way where I want it to stick. 80 00:05:33,930 --> 00:05:35,180 It's kind of a sticky selection. 81 00:05:35,190 --> 00:05:40,590 So even if I wander out just a little bit still What's a snap back to that high contrast area. 82 00:05:40,580 --> 00:05:42,830 So that might be a good way to work. 83 00:05:42,830 --> 00:05:44,540 But let me show you the way that I like to work. 84 00:05:44,560 --> 00:05:45,390 Here's the deal. 85 00:05:45,380 --> 00:05:49,450 You're never going to be gift wrapped an image that's got this much contrast between it. 86 00:05:49,460 --> 00:05:53,280 Sometimes you're going to have an image like this which is a great photo but what happens if we want 87 00:05:53,270 --> 00:05:56,160 to put this person into a new image. 88 00:05:56,310 --> 00:06:02,520 Well if we tried the quick selection tool it is a quick selection and sometimes it works great. 89 00:06:02,510 --> 00:06:09,390 So if I click and drag it does a pretty good job of grabbing just the images or just the pixels I want 90 00:06:09,380 --> 00:06:09,620 . 91 00:06:09,680 --> 00:06:14,290 Now if I hold on the old key I can remove or subtract from that selection. 92 00:06:14,310 --> 00:06:15,730 And it does a pretty good job. 93 00:06:15,930 --> 00:06:21,870 If I were to zoom in pretty close you can see it jumped around a little bit on the hair and you know 94 00:06:21,890 --> 00:06:25,230 it forgot this backpack strap things. 95 00:06:25,280 --> 00:06:30,230 You know most people wouldn't even notice but sometimes they do and it depends on the level of complexity 96 00:06:30,240 --> 00:06:34,440 you're working with so I'm holding down shift as I click and drag over these rocks here. 97 00:06:34,470 --> 00:06:39,030 It got way more than I wanted to go out and drag. 98 00:06:39,360 --> 00:06:43,880 So this really is an incredible tool and sometimes it works really well it really depends on the image 99 00:06:43,880 --> 00:06:43,900 . 100 00:06:43,910 --> 00:06:50,760 When a do is hit the letter V to get my move tool and I didn't even jump cut this to a new layer with 101 00:06:50,750 --> 00:06:55,260 the selection is going to click and drag and you see my selection my move toward turns to an icon with 102 00:06:55,250 --> 00:07:00,080 the arrow and the scissors which means I can cut it and actually move it or bring it up to this tab 103 00:07:00,250 --> 00:07:02,870 drop it back into this setting. 104 00:07:02,970 --> 00:07:06,560 Command you to free transform and just kind of scale it up a little bit. 105 00:07:06,720 --> 00:07:09,840 So not not a horrible selection. 106 00:07:09,870 --> 00:07:16,020 And if we were going to do something else with maybe a dark sky background or a mountain type of a background 107 00:07:16,350 --> 00:07:19,870 let's see if I already downloaded one of those here. 108 00:07:20,570 --> 00:07:23,570 Let's put her in a different setting. 109 00:07:23,690 --> 00:07:25,660 I just click and drag that in here quick. 110 00:07:25,790 --> 00:07:29,750 Whoops that's the wrong one. 111 00:07:29,750 --> 00:07:30,850 There you go. 112 00:07:30,870 --> 00:07:31,130 All right. 113 00:07:31,130 --> 00:07:33,380 So scale that up a bit. 114 00:07:33,880 --> 00:07:35,760 It's going to drag this layer below the other one here. 115 00:07:35,750 --> 00:07:40,920 And so I could put her into this scene and we could do some work with the lighting to lighten it up 116 00:07:40,910 --> 00:07:42,440 and make it look a little more believable. 117 00:07:42,440 --> 00:07:43,860 But the rocks really look good. 118 00:07:43,880 --> 00:07:48,940 And because of the detail and all of the color around it that selection is more than sufficient. 119 00:07:48,950 --> 00:07:52,390 Now here is probably one of the best ways to make a selection. 120 00:07:52,440 --> 00:07:57,060 And this is something I would do if I really needed to know that my selection was perfect. 121 00:07:57,060 --> 00:08:02,900 So here's an example of an image I used for my client and I really wanted the image the selection to 122 00:08:02,900 --> 00:08:04,340 be perfect. 123 00:08:04,400 --> 00:08:07,280 So what I did is I use the pen tool to daughter. 124 00:08:07,310 --> 00:08:13,720 We we'll get our pen to click up here on the top two options bar and makes her program path selected 125 00:08:13,740 --> 00:08:16,240 we want to do a shape right now let me show what does a shape really quick. 126 00:08:16,280 --> 00:08:21,840 I click on shape click and drag it will make a shape and I can change a color up here. 127 00:08:21,870 --> 00:08:23,480 So you can play with that later. 128 00:08:23,630 --> 00:08:24,340 I'm going to come over here. 129 00:08:24,350 --> 00:08:33,940 I Pads window click on that path and delete it because it's not what I'm after right now. 130 00:08:34,600 --> 00:08:44,250 Right now if I come back to my pen tool the letter P changes down to path I can click and drag or just 131 00:08:44,250 --> 00:08:49,070 click clicking and dragging will make curves we called Bezier curves. 132 00:08:49,410 --> 00:08:56,060 If I command a return or if I come over here to path and command click on this icon I'll get the marching 133 00:08:56,070 --> 00:08:57,100 ants again. 134 00:08:57,120 --> 00:08:58,980 So this is a no way to make a selection. 135 00:08:59,030 --> 00:09:02,810 Just like the other selections you've seen but the difference is with the other selections it was pretty 136 00:09:02,820 --> 00:09:08,730 tough to go back through and refine selections here if I wanted to get really fine you know with detailed 137 00:09:08,730 --> 00:09:15,690 with this work I could hit my caps lock key which changes my cursor from the pen tool to a precise cursor 138 00:09:16,080 --> 00:09:20,410 so I can click once click and drag to get to bend this line. 139 00:09:20,420 --> 00:09:26,650 And now wherever I click it will follow that anchor point and that's my actual path. 140 00:09:26,640 --> 00:09:31,850 So it's a little bit of a tricky tool to get used to but you'll start to see if you can play with this 141 00:09:31,860 --> 00:09:34,320 a little bit on your own time and get good at it. 142 00:09:34,400 --> 00:09:39,080 You can create incredible incredibly precise selections. 143 00:09:39,090 --> 00:09:41,660 So I'm just going to rough this one out road quick. 144 00:09:42,000 --> 00:09:46,600 I'm just I'm just clicking real fast so we can move along in this tutorial here. 145 00:09:46,830 --> 00:09:54,420 But what I like about it is I can come in and really really control exactly how am I my anger points 146 00:09:54,410 --> 00:09:59,430 land and I can also move them exactly to where I want them to be. 147 00:10:00,080 --> 00:10:05,150 Some is going to make my selection here. 148 00:10:08,020 --> 00:10:15,620 And you can see that I can quickly zip through this and it does not to be perfect especially if the 149 00:10:15,620 --> 00:10:18,530 size is going to be that large. 150 00:10:18,540 --> 00:10:23,830 But if you needed to be perfect you could come back in on the command key click on any one of these 151 00:10:23,840 --> 00:10:30,260 anchor points and move it right to where it needs to be so that way it's pixel perfect when you're ready 152 00:10:30,260 --> 00:10:34,410 come back click on that last point you left off on and continue on your way. 153 00:10:34,590 --> 00:10:39,240 If at any point you accidentally de-select your path and you can't see it you can come over this pass 154 00:10:39,240 --> 00:10:39,700 later. 155 00:10:39,710 --> 00:10:41,090 Click on that work path. 156 00:10:41,100 --> 00:10:41,940 Hit the letter P 157 00:10:45,000 --> 00:10:47,420 Lemmer time command click on this and right here. 158 00:10:47,420 --> 00:10:54,200 Now I've got my my pen to I'll click and I'm off and running again off that path that I left off on 159 00:10:54,200 --> 00:10:54,370 . 160 00:10:54,380 --> 00:10:59,570 So hopefully you can see how this could be a really great tool see and I didn't catch that curve right 161 00:10:59,580 --> 00:11:05,350 there so I can grab this anchor point and then grab my handle and bend that out a little bit. 162 00:11:05,390 --> 00:11:10,440 Click once on that and point click and drag and now I'm off and running again. 163 00:11:10,430 --> 00:11:13,430 So it's a really really great tool. 164 00:11:13,430 --> 00:11:14,600 Things you need to work on here. 165 00:11:14,610 --> 00:11:26,630 If I click and drag it'll bend it or I can click once drag to get my anchor my handle and then come 166 00:11:26,630 --> 00:11:29,150 back and click again to get a bend. 167 00:11:29,490 --> 00:11:34,950 I can come back over it with the Alt key selected and change my curves from a rounded curve to a hard 168 00:11:34,940 --> 00:11:37,340 curve. 169 00:11:37,350 --> 00:11:40,550 Or I can grab my direct selection tool here the letter A. 170 00:11:40,940 --> 00:11:42,440 Grab those points that I don't want. 171 00:11:42,440 --> 00:11:44,200 Hit the delete key and delete them. 172 00:11:44,250 --> 00:11:48,610 So it's really really flexible way to make your selections. 173 00:11:48,620 --> 00:11:58,220 I hid the letter P Whoops the letter P real quick and grab that in point and I'm going to zoom out a 174 00:11:58,230 --> 00:12:01,250 little bit. 175 00:12:01,460 --> 00:12:04,890 I'll come back over and find where I started. 176 00:12:04,940 --> 00:12:06,040 I want to hover. 177 00:12:06,170 --> 00:12:11,190 I get my pen tool with the circle next to a medium closing that path. 178 00:12:11,490 --> 00:12:18,750 So now that selected I can right click with my pen tool selected and hit make selection which gives 179 00:12:18,750 --> 00:12:23,750 me the option to make a new selection or if I already have a selection I can subtract from the selection 180 00:12:24,600 --> 00:12:31,670 I make Mandy or I click on this work path here but the command key selected to get the selection soon 181 00:12:31,670 --> 00:12:36,430 after I wanted to come back to my layers like command J to jump cut this to a new layer. 182 00:12:36,620 --> 00:12:43,040 And if I bring this over into my let's see I could be you know really where I wanted to. 183 00:12:43,460 --> 00:12:48,550 But you can see how we can make selections and their pixel perfect. 184 00:12:48,600 --> 00:12:53,090 So what I want you to do is go ahead and spend some time cutting out your image trying to get it to 185 00:12:53,100 --> 00:12:56,330 where it looks like this. 186 00:12:56,340 --> 00:12:59,130 Here let me grab my example real quick 187 00:13:02,450 --> 00:13:08,930 so we've got this guy where he's totally cut out all the details are removed and we're ready to work 188 00:13:09,090 --> 00:13:10,490 in our new scene. 189 00:13:10,500 --> 00:13:13,590 Here's another example where I've gone ahead and actually cut him out completely. 190 00:13:13,590 --> 00:13:15,590 So go ahead and do that real quick. 191 00:13:15,600 --> 00:13:18,680 Get your image cut out and then we'll dive into the next video. 19741

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