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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:06,006 --> 00:00:08,634 ♪ ♪ 2 00:00:22,732 --> 00:00:26,485 A vision is in my mind and in my eyes. 3 00:00:26,527 --> 00:00:29,405 It cannot die, it cannot disappear, 4 00:00:29,447 --> 00:00:31,657 'cause, 'cause it's like energy. 5 00:00:31,699 --> 00:00:34,702 It just... transforms. 6 00:00:36,746 --> 00:00:39,832 And maybe Wolfgang will come back... 7 00:00:39,874 --> 00:00:42,293 as a ghost of a vision. 8 00:00:42,334 --> 00:00:45,212 Which is the same thing as a vision. 9 00:00:45,254 --> 00:00:48,591 Hai Lai, do you think it's okay for me to do the Requiem? 10 00:00:48,632 --> 00:00:50,134 -(phone buzzes) -Oh, shit. Okay. 11 00:00:50,176 --> 00:00:51,844 I actually do really want to talk about this, 12 00:00:51,886 --> 00:00:54,805 but I am late for work, and then I have rehearsal. 13 00:00:54,847 --> 00:00:57,349 -And then I have another work, -(duck quacking ringtone) 14 00:00:57,391 --> 00:00:59,935 and then another rehearsal, and, okay, that's ringing. 15 00:00:59,977 --> 00:01:01,812 And it's probably for you, so why don't you actually 16 00:01:01,854 --> 00:01:03,647 just keep the phone? Just keep the phone. I won't miss it. 17 00:01:03,689 --> 00:01:05,232 I don't want, uh, I don't want a telephone, Hai Lai. 18 00:01:05,274 --> 00:01:06,734 HAILEY: Nobody wants a phone. 19 00:01:06,776 --> 00:01:08,736 If someone feels neglected in a relationship, 20 00:01:08,778 --> 00:01:10,529 they should say something, right? 21 00:01:10,571 --> 00:01:12,281 Even if it's in front of the other person's uncle 22 00:01:12,323 --> 00:01:14,116 -he hasn't seen in eight years. -Uh, yes. 23 00:01:14,158 --> 00:01:15,951 If you feel neglected, you should definitely say something, 24 00:01:15,993 --> 00:01:17,536 but just probably not in front of the uncle. 25 00:01:20,456 --> 00:01:21,415 -What? -RODRIGO: Guess what. 26 00:01:21,457 --> 00:01:22,416 What? 27 00:01:22,458 --> 00:01:24,168 -Guess what. -What?! 28 00:01:24,210 --> 00:01:26,045 They're calling you for the Fukumoto conducting competition. 29 00:01:26,086 --> 00:01:27,338 They want to scout you next week. 30 00:01:27,379 --> 00:01:28,589 -Oh, my God! What?! -Yes, I know! 31 00:01:28,631 --> 00:01:30,174 Oh, my God! 32 00:01:30,216 --> 00:01:31,801 You didn't tell me that you applied. 33 00:01:31,842 --> 00:01:33,052 Why you didn't...? 34 00:01:33,093 --> 00:01:34,178 'Cause I didn't want to jinx it. 35 00:01:34,220 --> 00:01:35,596 Wait, what is it? 36 00:01:35,638 --> 00:01:37,097 It's the biggest conducting competition 37 00:01:37,139 --> 00:01:39,475 in the world. This could change her life. 38 00:01:43,813 --> 00:01:45,272 THOMAS: What does that say? 39 00:01:45,314 --> 00:01:46,524 "FFF." 40 00:01:46,565 --> 00:01:48,192 Yes, FFF. 41 00:01:48,234 --> 00:01:50,444 And why do you think Beethoven wrote three Fs 42 00:01:50,486 --> 00:01:52,279 into this score, Alan? 43 00:01:52,321 --> 00:01:54,240 Because he wanted it fortississimo? 44 00:01:54,281 --> 00:01:57,868 Because he wanted to start a fucking riot. 45 00:01:57,910 --> 00:02:00,204 He wanted to start an outbreak 46 00:02:00,246 --> 00:02:03,374 of joy and terror and spontaneous copulation. 47 00:02:03,415 --> 00:02:05,543 But of course we can't do that, can we, now? 48 00:02:05,584 --> 00:02:07,253 No, no, of course we can't. 49 00:02:07,294 --> 00:02:10,339 Because we need a trumpet section that can blow 50 00:02:10,381 --> 00:02:11,841 -like the fucking apocalypse. -(motorcycle engine revving) 51 00:02:22,017 --> 00:02:23,394 Thomas? 52 00:02:23,435 --> 00:02:24,645 (engine idling) 53 00:02:24,687 --> 00:02:26,981 Hello. Hi, how you doing? 54 00:02:27,022 --> 00:02:28,774 Um, 55 00:02:28,816 --> 00:02:30,943 I couldn't help noticing that you have a little problem 56 00:02:30,985 --> 00:02:32,486 with one of your cylinders. 57 00:02:32,528 --> 00:02:33,821 I didn't hear anything. 58 00:02:33,863 --> 00:02:36,782 Well... I have a highly-trained ear. 59 00:02:36,824 --> 00:02:38,325 -Oh. -In fact, I used to ride, 60 00:02:38,367 --> 00:02:40,744 you know, with the Liverpool Black Diamond Club 61 00:02:40,786 --> 00:02:42,413 way back in the '70s. 62 00:02:42,454 --> 00:02:44,248 I had a Vincent Black Shadow. 63 00:02:44,290 --> 00:02:45,499 May I? 64 00:02:45,541 --> 00:02:47,501 Yeah, go ahead. 65 00:02:47,543 --> 00:02:49,920 -(car horns honking) -MAN: Come on, let's go! 66 00:02:49,962 --> 00:02:52,256 -What the hell? -Sorry. 67 00:02:52,298 --> 00:02:53,507 We'll just be a moment. 68 00:02:53,549 --> 00:02:55,301 (honking continues) 69 00:02:55,342 --> 00:02:57,011 Here we go, here we go. 70 00:02:57,052 --> 00:02:58,262 -May I? -Sure. 71 00:02:58,304 --> 00:02:59,638 -(engine revving) -Oh. 72 00:02:59,680 --> 00:03:01,265 (laughing): Oh! 73 00:03:01,307 --> 00:03:03,559 Alan! 74 00:03:03,601 --> 00:03:06,520 Fortississimo! (laughs) 75 00:03:06,562 --> 00:03:08,981 (revving loudly) 76 00:03:09,023 --> 00:03:10,774 I need the strings 77 00:03:10,816 --> 00:03:13,611 to come on back towards this back wall here. 78 00:03:13,652 --> 00:03:15,779 Good, yes, just bring your stuff. 79 00:03:15,821 --> 00:03:17,531 Bring it all back. Here we go. 80 00:03:17,573 --> 00:03:19,366 Good, that's it, that's it, good. 81 00:03:19,408 --> 00:03:22,077 Um, winds, uh, you're okay. 82 00:03:22,119 --> 00:03:24,997 Although you may need earplugs. 83 00:03:25,039 --> 00:03:26,373 Uh, percussion, 84 00:03:26,415 --> 00:03:27,791 you can walk away. 85 00:03:27,833 --> 00:03:29,627 ALAN: And then what should they do? 86 00:03:29,668 --> 00:03:31,795 Uh, just find anything to bang on. 87 00:03:31,837 --> 00:03:34,673 You need a sound, so you got to find it. 88 00:03:34,715 --> 00:03:37,343 Eraseface, you've brought the beast. 89 00:03:37,384 --> 00:03:39,345 -She has arrived. -Hey, yeah, so me and the guys, 90 00:03:39,386 --> 00:03:40,721 we rigged up this kind of, like, 91 00:03:40,763 --> 00:03:42,264 -slide whistle thing. -Ah. 92 00:03:42,306 --> 00:03:43,807 It's not really working, but when I figure it out, 93 00:03:43,849 --> 00:03:45,643 -it's gonna be awesome. -HAILEY: Uh, 94 00:03:45,684 --> 00:03:47,144 is this a bad time? 95 00:03:47,186 --> 00:03:48,938 No, not at all, darling! 96 00:03:48,979 --> 00:03:51,023 -(chuckles) -They're scouting me at my show at Lizzie's. 97 00:03:51,065 --> 00:03:53,359 I can't believe it. Thank you for making me apply. 98 00:03:53,400 --> 00:03:54,652 -Of course they are. -(motorcycle engine starting) 99 00:03:54,693 --> 00:03:56,862 -Think bigger, Rutledge, think bigger. -(engine pops) 100 00:03:56,904 --> 00:03:58,572 -(revving and sputtering) -Um, yeah. 101 00:03:58,614 --> 00:04:01,575 So, to make it official, this is not working at all. 102 00:04:01,617 --> 00:04:04,703 Um... but I can figure it out. It's gonna be great. 103 00:04:04,745 --> 00:04:07,164 Are the players gonna be able to hear each other over that? 104 00:04:07,206 --> 00:04:09,083 -I have no idea. -(engine revving) 105 00:04:09,124 --> 00:04:12,002 I just think maybe I'm making a complete ass of myself. 106 00:04:12,044 --> 00:04:13,754 Oh, well, me, too. 107 00:04:13,796 --> 00:04:16,090 I have four days to prepare and I'm not even close to ready. 108 00:04:16,131 --> 00:04:17,341 I think we're gonna do the Shaw, 109 00:04:17,383 --> 00:04:18,968 even though we're still learning it. 110 00:04:19,009 --> 00:04:20,803 -I don't know, we can discuss it at our lesson. -Hmm. 111 00:04:20,844 --> 00:04:23,097 -I know it's unconventional, but... -Mm. 112 00:04:23,138 --> 00:04:24,932 Yeah. 113 00:04:24,974 --> 00:04:26,225 What? 114 00:04:26,266 --> 00:04:28,894 Um, I can't really say, you know. 115 00:04:28,936 --> 00:04:31,480 That's not like you. 116 00:04:31,522 --> 00:04:34,650 Apparently, Bjarne Berggren had a nervous breakdown. 117 00:04:34,692 --> 00:04:36,360 He chewed his fingernails off. 118 00:04:36,402 --> 00:04:38,028 -Ew. -So they needed a last-minute 119 00:04:38,070 --> 00:04:40,906 replacement on the judges' panel. 120 00:04:40,948 --> 00:04:42,199 Oh. 121 00:04:42,241 --> 00:04:43,409 (instruments warming up) 122 00:04:43,450 --> 00:04:45,077 Oh! 123 00:04:45,119 --> 00:04:46,328 So... 124 00:04:46,370 --> 00:04:47,871 -you can't... -I'm sorry, no. 125 00:04:47,913 --> 00:04:49,540 I'm barred from giving you any advice. 126 00:04:49,581 --> 00:04:50,791 You're gonna have to find a new coach. 127 00:04:50,833 --> 00:04:52,334 Do you know anybody? 128 00:04:52,376 --> 00:04:54,294 No, but, uh, don't get a second-rate hack 129 00:04:54,336 --> 00:04:57,047 and ruin my work. And... 130 00:04:57,089 --> 00:04:59,466 (whispers): don't use that piece. 131 00:04:59,508 --> 00:05:01,635 I mean, this lot, they're... "Go fuck yourself 132 00:05:01,677 --> 00:05:03,220 if you're not Brahms classical." 133 00:05:03,262 --> 00:05:05,472 So that's my final word. 134 00:05:05,514 --> 00:05:08,392 Except... 135 00:05:08,434 --> 00:05:10,978 if you blow this chance, 136 00:05:11,020 --> 00:05:12,438 I'm gonna kick your ass. 137 00:05:13,689 --> 00:05:15,691 -Okay, I won't. -Hmm. 138 00:05:19,319 --> 00:05:22,114 Each of these candidates has extensive experience 139 00:05:22,156 --> 00:05:24,283 in music education and would be 140 00:05:24,324 --> 00:05:26,326 an extremely capable music director. 141 00:05:26,368 --> 00:05:28,787 All you have to do is pick one. 142 00:05:28,829 --> 00:05:30,289 You pick one. 143 00:05:30,330 --> 00:05:31,582 -No, you pick one. -Gloria, you pick one. 144 00:05:31,623 --> 00:05:33,000 No, I picked the last three. 145 00:05:33,042 --> 00:05:34,460 They were all good. They were really good options. 146 00:05:34,501 --> 00:05:36,420 -Well, you fired them all. -Oh... 147 00:05:36,462 --> 00:05:38,005 Come on, Rodrigo! 148 00:05:41,425 --> 00:05:43,385 Okay, I... I will pick one. 149 00:05:45,429 --> 00:05:47,097 But I'm not doing Mozart's Requiem. 150 00:05:47,139 --> 00:05:49,391 I'm not doing it. No. 151 00:05:49,433 --> 00:05:50,642 GLORIA: Rodrigo, you're doing it. 152 00:05:50,684 --> 00:05:51,935 You're doing it. 153 00:05:55,898 --> 00:05:57,149 Ah. 154 00:06:12,498 --> 00:06:14,583 Yeah. Sí, perdon. Perdon, perdon, perdon, perdon. 155 00:06:14,625 --> 00:06:16,001 -Maestro? -Yes. 156 00:06:16,043 --> 00:06:18,003 Ms. Windsor said to tell you she's on a tight schedule. 157 00:06:18,045 --> 00:06:20,297 Okay, um, Sharon, could you...? 158 00:06:21,840 --> 00:06:24,843 Um... can you help me get something 159 00:06:24,885 --> 00:06:29,306 that Mozart touched, like a, like a toothbrush? 160 00:06:29,348 --> 00:06:30,766 I'm sure I can help you with that. 161 00:06:30,808 --> 00:06:32,142 Ay, thank you, thank you so much, thank you. 162 00:06:32,184 --> 00:06:35,270 I just wanted to let you know that... 163 00:06:35,312 --> 00:06:37,815 whatever feelings I've had for you are over, 164 00:06:37,856 --> 00:06:40,275 and, um, I'm ready to pursue 165 00:06:40,317 --> 00:06:43,112 a purely professional relationship. 166 00:06:43,153 --> 00:06:44,613 No. 167 00:06:44,655 --> 00:06:45,864 Okay, okay, that's fine. 168 00:06:45,906 --> 00:06:47,241 Help me with the mofongos. 169 00:06:47,282 --> 00:06:48,867 -Yes. -Yes? -(plates clatter) 170 00:06:48,909 --> 00:06:50,744 Thank you... okay, thank you. 171 00:06:50,786 --> 00:06:52,663 And, Gloria? 172 00:06:52,704 --> 00:06:54,915 I was thinking, how about the Fauré's Requiem? 173 00:06:54,957 --> 00:06:56,875 It's a good one, no? It's just a requiem. 174 00:06:56,917 --> 00:06:58,961 He said he wants Mozart. 175 00:06:59,002 --> 00:07:00,587 That's the only thing he wants. 176 00:07:00,629 --> 00:07:02,131 Excuse me. 177 00:07:02,172 --> 00:07:03,423 I'm the musical director, you know? So, in a way, 178 00:07:03,465 --> 00:07:04,842 I can choose whatever I want. 179 00:07:04,883 --> 00:07:07,010 Are you all right? Because you don't seem like yourself. 180 00:07:07,052 --> 00:07:08,679 I'm fine, I'm fine. What-what do I look like? 181 00:07:08,720 --> 00:07:09,930 You look tired. 182 00:07:09,972 --> 00:07:12,182 And... a little nervous. 183 00:07:12,224 --> 00:07:14,101 Yes, I am nervous, Gloria. I'm nervous because 184 00:07:14,143 --> 00:07:17,479 you make me do these things all the time. 185 00:07:17,521 --> 00:07:19,606 Fuck! I feel trapped, I feel completely trapped! 186 00:07:19,648 --> 00:07:21,441 Okay, okay, now, listen, listen, I'm gonna try something. 187 00:07:21,483 --> 00:07:22,943 So asphyxiated! 188 00:07:22,985 --> 00:07:25,445 I'm going to treat you like an adult. 189 00:07:25,487 --> 00:07:27,030 Yes, because I am an adult, Gloria. 190 00:07:27,072 --> 00:07:28,282 I'm an adult. 191 00:07:28,323 --> 00:07:31,285 You did this. You, okay? 192 00:07:31,326 --> 00:07:32,870 You wanted a youth orchestra. 193 00:07:32,911 --> 00:07:35,247 I said it wasn't the right time, but you went ahead. 194 00:07:35,289 --> 00:07:38,750 Fukumoto is a godsend for us. 195 00:07:38,792 --> 00:07:40,752 The youth orchestra, 196 00:07:40,794 --> 00:07:42,462 the building, our future. 197 00:07:42,504 --> 00:07:45,215 He makes everything easy. 198 00:07:45,257 --> 00:07:46,925 Yes, Gloria, I want to do things the easy way. 199 00:07:46,967 --> 00:07:48,343 The only thing is that I don't know 200 00:07:48,385 --> 00:07:50,012 what is happening in my head right now. 201 00:07:50,053 --> 00:07:54,349 I believe you're the greatest conductor alive today. 202 00:07:54,391 --> 00:07:58,395 -And I believe you can lift this city up. -Hmm. 203 00:07:58,437 --> 00:08:01,273 Lift the kids up. 204 00:08:01,315 --> 00:08:02,649 Same way 205 00:08:02,691 --> 00:08:06,445 Maestro Rivera lifted you up. 206 00:08:06,486 --> 00:08:07,696 So... 207 00:08:07,738 --> 00:08:10,407 don't let us down. 208 00:08:10,449 --> 00:08:14,203 Me, or him, or them. 209 00:08:14,244 --> 00:08:16,872 Yes. 210 00:08:18,123 --> 00:08:20,876 Hey, uh, did you pick one? 211 00:08:20,918 --> 00:08:23,128 -♪ ♪ -Yes. 212 00:08:23,170 --> 00:08:24,755 I pick you, Cynthia. 213 00:08:24,796 --> 00:08:26,798 -Oh, no. -I pick you. -Oh, no, no, she's off the menu. 214 00:08:26,840 --> 00:08:28,217 -You're the best. -I'm leaving. -No, she's not. 215 00:08:28,258 --> 00:08:29,468 -I'm gonna go see if... -Tell him! -No, Gloria. 216 00:08:29,509 --> 00:08:31,428 -Maestro? I found something. -No. 217 00:08:31,470 --> 00:08:33,096 Some... 218 00:08:33,138 --> 00:08:36,892 (classical music playing) 219 00:08:36,934 --> 00:08:39,519 (song ends) 220 00:08:39,561 --> 00:08:40,896 Okay. 221 00:08:40,938 --> 00:08:43,357 So, the Leonarda, it's very beautiful. 222 00:08:43,398 --> 00:08:45,525 A little slow, but I like that it's an obscure 223 00:08:45,567 --> 00:08:47,778 baroque female composer; that might surprise the judges. 224 00:08:47,819 --> 00:08:49,112 -Cool. -Totally. 225 00:08:49,154 --> 00:08:51,031 But just to play out the other option, the Berlioz, 226 00:08:51,073 --> 00:08:52,950 it's more down-the-middle programing-wise, 227 00:08:52,991 --> 00:08:55,118 but it's more of a showpiece, so... 228 00:08:55,160 --> 00:08:57,079 -Yeah. -Totally, yeah. -Awesome. 229 00:08:57,120 --> 00:08:58,455 Are you guys just agreeing with everything that I say? 230 00:08:58,497 --> 00:09:00,582 -No. -Yes. -We really have to go. 231 00:09:00,624 --> 00:09:02,125 Let us know what you decide. 232 00:09:03,835 --> 00:09:06,171 (sighs) 233 00:09:06,213 --> 00:09:07,714 It's called a Gunpowder Plot. 234 00:09:07,756 --> 00:09:09,216 I just learned how to make it. 235 00:09:09,258 --> 00:09:10,592 HAILEY: Wow. 236 00:09:10,634 --> 00:09:11,843 Here's to you. 237 00:09:11,885 --> 00:09:13,845 Congratulations. 238 00:09:13,887 --> 00:09:16,974 And to day drinking. 239 00:09:17,015 --> 00:09:19,226 There are three decent coaches in this city. 240 00:09:19,268 --> 00:09:20,978 Two of them are already working with other people, 241 00:09:21,019 --> 00:09:23,146 and one of them is conducting Stravinsky 242 00:09:23,188 --> 00:09:25,899 in the Himalayas, so I'm fucked. 243 00:09:25,941 --> 00:09:28,443 -You have other options, Hail. -Have you even been listening 244 00:09:28,485 --> 00:09:29,736 to anything that I've been saying 245 00:09:29,778 --> 00:09:31,238 over the past three months? I'm... 246 00:09:31,280 --> 00:09:32,239 BOTH: ...trying to stay out of his orbit. 247 00:09:32,281 --> 00:09:33,740 Yes, I have heard you. 248 00:09:33,782 --> 00:09:35,909 I know the words to the song. 249 00:09:35,951 --> 00:09:37,911 But are you really gonna sacrifice your chance 250 00:09:37,953 --> 00:09:40,372 to be in the Olympics because you don't want people 251 00:09:40,414 --> 00:09:41,665 to judge you for taking his advice? 252 00:09:41,707 --> 00:09:42,666 It's not what other people think, 253 00:09:42,708 --> 00:09:43,875 it's what I think. 254 00:09:43,917 --> 00:09:45,544 Well, maybe that's the problem. 255 00:09:45,585 --> 00:09:47,129 RODRIGO: Hai Lai! 256 00:09:47,170 --> 00:09:49,298 I'm sorry I missed the rehearsal. 257 00:09:49,339 --> 00:09:50,549 Say, Mr. Boyfriend, what do you think about 258 00:09:50,590 --> 00:09:52,009 the Leonarda for the scout? 259 00:09:52,050 --> 00:09:53,176 RODRIGO: I think it's a really beautiful piece. 260 00:09:53,218 --> 00:09:55,178 -Why not? Yes. -Yeah. 261 00:09:55,220 --> 00:09:56,930 'Cause she's thinking about changing it. 262 00:09:56,972 --> 00:09:58,181 Well, you can change it, you can do 263 00:09:58,223 --> 00:09:59,516 whatever you want-- of course, yes. 264 00:09:59,558 --> 00:10:01,643 -Wait. What? -Hai Lai, 265 00:10:01,685 --> 00:10:02,686 we should get a car right now 266 00:10:02,728 --> 00:10:03,729 and go to Long Island. 267 00:10:03,770 --> 00:10:04,813 I would love to, 268 00:10:04,855 --> 00:10:06,064 but I have to stay here 269 00:10:06,106 --> 00:10:07,649 and review all of Western music 270 00:10:07,691 --> 00:10:09,818 to find something that encapsulates my essence. 271 00:10:09,860 --> 00:10:10,819 Okay, trust me, trust me, 272 00:10:10,861 --> 00:10:12,070 this place that I'm taking you, 273 00:10:12,112 --> 00:10:13,238 I think you'll get what you need. 274 00:10:13,280 --> 00:10:14,656 Come on, come on. Follow me. 275 00:10:14,698 --> 00:10:16,074 L-Lizzie, can I leave the bicycle here? 276 00:10:16,116 --> 00:10:17,284 LIZZIE: Yeah. 277 00:10:17,326 --> 00:10:19,286 (mid-tempo classical music playing) 278 00:10:19,328 --> 00:10:21,288 ♪ ♪ 279 00:10:21,330 --> 00:10:24,249 RODRIGO: So, the person that we are seeing right now, 280 00:10:24,291 --> 00:10:26,543 this guy's called Morton Norton... 281 00:10:26,585 --> 00:10:29,046 Mort... Norton Morton. 282 00:10:29,087 --> 00:10:31,423 He's the biggest... biggest top collector 283 00:10:31,465 --> 00:10:33,550 -of musical "ephemephra." -It's "ephemera." 284 00:10:33,592 --> 00:10:34,676 "Emephera." 285 00:10:34,718 --> 00:10:36,887 -Ephem... ephemera. -Ephem... 286 00:10:36,928 --> 00:10:38,930 Okay, so you need one of Mozart's toothbrushes? 287 00:10:38,972 --> 00:10:40,974 Yeah, or-or something he touched. 288 00:10:41,016 --> 00:10:43,185 I lost him, Hai Lai. 289 00:10:43,226 --> 00:10:45,437 He told me not to do the Requiem. 290 00:10:45,479 --> 00:10:47,356 -Mozart said that? -Yeah, yeah. 291 00:10:47,397 --> 00:10:50,025 Yeah, and then...(blows) he was gone. 292 00:10:50,067 --> 00:10:53,111 First it was Maestro Rivera, then no Mozart. 293 00:10:53,153 --> 00:10:54,946 You know, it's like my head and my spirit is gone. 294 00:10:54,988 --> 00:10:56,740 I'm floating without any dark matter, you know. 295 00:10:56,782 --> 00:10:58,658 I'm just drifting away, like a galaxy, you know, 296 00:10:58,700 --> 00:11:00,535 -without anything. -(door opens) 297 00:11:01,953 --> 00:11:04,122 (plays fanfare) 298 00:11:06,291 --> 00:11:09,836 Announcing Rodrigo DeSousa and... 299 00:11:09,878 --> 00:11:13,006 -Uh, Hailey. -Hai... Hai Lai Rut-Rutledge. 300 00:11:13,048 --> 00:11:15,884 Hai Lai... (rolling "R"): Rutledge. 301 00:11:18,136 --> 00:11:20,138 (performing Gesualdo's "Che Fai Meco, Mio Cor") 302 00:11:25,852 --> 00:11:27,604 -(music ends) -MORTON: Che bella. 303 00:11:27,646 --> 00:11:31,733 My soul was transported to realms empyrean. 304 00:11:31,775 --> 00:11:33,193 Except, Mary Beth, what the hell? 305 00:11:33,235 --> 00:11:36,238 It's meant to sound dissonant, not disfigured. 306 00:11:36,279 --> 00:11:39,699 Again, from the top. 307 00:11:39,741 --> 00:11:43,370 (singing resumes) 308 00:11:43,412 --> 00:11:45,747 HAILEY (quietly): Wow. 309 00:11:45,789 --> 00:11:47,332 ♪ ♪ 310 00:11:47,374 --> 00:11:49,501 MORTON: Maestro! 311 00:11:49,543 --> 00:11:53,255 Benvenuti nel castello di Norton. 312 00:11:53,296 --> 00:11:55,549 Yes, you are the top collector of musical ephemera. 313 00:11:55,590 --> 00:11:58,969 -Right? -Am I? 314 00:11:59,010 --> 00:12:01,221 Or do I remind you of someone else? 315 00:12:01,263 --> 00:12:03,932 You do remind me of Carlo Gesualdo, 316 00:12:03,974 --> 00:12:05,267 the 16th century composer, but just a little bit. 317 00:12:05,308 --> 00:12:07,644 -Not... not so much. -(gasps) 318 00:12:07,686 --> 00:12:11,148 I can tell you that I feel most myself in his skin. 319 00:12:11,189 --> 00:12:13,358 Wasn't he the composer with the great harmonies, 320 00:12:13,400 --> 00:12:14,818 but who also killed his wife? 321 00:12:14,860 --> 00:12:16,111 Oh, that horrible, vicious rumor. 322 00:12:16,153 --> 00:12:17,904 It has never been proven. 323 00:12:17,946 --> 00:12:21,450 Didn't he run down the street covered in her blood? 324 00:12:21,491 --> 00:12:24,995 Are those actually Paganini's strings, or...? 325 00:12:25,036 --> 00:12:27,914 MORTON: I have age-tested the fibers. 326 00:12:27,956 --> 00:12:30,459 They are definitely North Italian, 19th century, 327 00:12:30,500 --> 00:12:32,461 but whether they are the genuine article 328 00:12:32,502 --> 00:12:37,799 or some elaborate fraud, not even I can say. 329 00:12:37,841 --> 00:12:41,678 Much the same as you, Maestro DeSousa. 330 00:12:41,720 --> 00:12:45,599 May I say that I have been longing to meet you? 331 00:12:45,640 --> 00:12:47,851 Uh, this, by the way, is most definitely 332 00:12:47,893 --> 00:12:49,769 Beethoven's ear horn. 333 00:12:49,811 --> 00:12:51,605 RODRIGO: Oh, my God, it is. 334 00:12:51,646 --> 00:12:54,024 Mr. Morton Norton, we are here because 335 00:12:54,065 --> 00:12:56,902 the maestro really needs something quite badly-- 336 00:12:56,943 --> 00:12:58,820 -something very important. -Yeah. 337 00:12:58,862 --> 00:13:00,405 -And, uh... -All right. 338 00:13:00,447 --> 00:13:01,698 These things happen from time to time. 339 00:13:01,740 --> 00:13:04,576 I can show them to you, but that's all. 340 00:13:04,618 --> 00:13:06,995 I hope it won't come to blows. 341 00:13:07,037 --> 00:13:09,331 All right, so I managed to get the tailpipes tuned to A-flat, 342 00:13:09,372 --> 00:13:10,999 and I got this contact mic that I'm running 343 00:13:11,041 --> 00:13:13,627 through some pedals into my digital workstation. 344 00:13:13,668 --> 00:13:15,795 Okay, listen, um, just work on the tone a little. 345 00:13:15,837 --> 00:13:17,339 And we have to 346 00:13:17,380 --> 00:13:19,674 get it up to E-flat. 347 00:13:19,716 --> 00:13:23,011 Ah, here's my other beautiful machine. 348 00:13:23,053 --> 00:13:24,262 What the hell is this? 349 00:13:24,304 --> 00:13:25,472 I took three trains to get here. 350 00:13:25,514 --> 00:13:27,182 I-I know. Listen. 351 00:13:27,224 --> 00:13:28,850 I need a player tonight. 352 00:13:28,892 --> 00:13:31,144 I need a player with heart and balls. 353 00:13:31,186 --> 00:13:33,230 There's no money, no glory, and 354 00:13:33,271 --> 00:13:34,731 I don't know what's going on with your wrist. 355 00:13:34,773 --> 00:13:37,359 Oh, fuck it, I'm yours. 356 00:13:37,400 --> 00:13:39,653 You pay for my cab home. 357 00:13:39,694 --> 00:13:41,488 I adore you, Cynth. 358 00:13:43,073 --> 00:13:45,492 Your childhood maté gourd. 359 00:13:45,534 --> 00:13:47,744 -Mm. -The jacket you wore 360 00:13:47,786 --> 00:13:49,579 at your conducting debut. 361 00:13:49,621 --> 00:13:50,997 Mm. 362 00:13:51,039 --> 00:13:52,832 Locks of hair. 363 00:13:52,874 --> 00:13:54,793 Yes, that's my hair. My hair. 364 00:13:54,834 --> 00:13:57,462 Brought to me by La Fiamma, 365 00:13:57,504 --> 00:13:59,214 before she went back into the asylum. 366 00:13:59,256 --> 00:14:01,258 So sad. 367 00:14:01,299 --> 00:14:02,759 The asylum? 368 00:14:02,801 --> 00:14:04,594 Listen, I see that you're both upset, 369 00:14:04,636 --> 00:14:05,971 and I understand. 370 00:14:06,012 --> 00:14:07,722 People find out that I have acquired 371 00:14:07,764 --> 00:14:10,183 their leave-behinds, and they want them back. 372 00:14:10,225 --> 00:14:13,019 Yours I procured merely as speculation. 373 00:14:13,061 --> 00:14:15,814 Who knows if they'll ever really be of any value? 374 00:14:15,855 --> 00:14:16,898 What do you mean? 375 00:14:16,940 --> 00:14:18,275 Well, what I mean to say is that 376 00:14:18,316 --> 00:14:19,818 I would be willing to strike a bargain. 377 00:14:19,859 --> 00:14:21,278 How much did you pay for my maté? 378 00:14:21,319 --> 00:14:22,737 Okay, that's not why we're here right now. 379 00:14:22,779 --> 00:14:24,239 We need something that belonged to Mozart. 380 00:14:24,281 --> 00:14:26,157 Why, do you intend to dress up like him, 381 00:14:26,199 --> 00:14:28,410 girlfriend who is more important than the Pope? 382 00:14:28,451 --> 00:14:29,536 That would be kinky. 383 00:14:29,578 --> 00:14:31,371 Maybe, if I'm in the mood. 384 00:14:31,413 --> 00:14:32,872 Good. I recommend it. 385 00:14:32,914 --> 00:14:35,166 It is such a privilege to choose the time 386 00:14:35,208 --> 00:14:36,710 in which we live. 387 00:14:36,751 --> 00:14:38,837 I so detest the present. 388 00:14:38,878 --> 00:14:40,213 Why Mozart? 389 00:14:42,841 --> 00:14:47,596 Okay, y-you know when you're talking to someone, 390 00:14:47,637 --> 00:14:49,180 and it seems like they're there, 391 00:14:49,222 --> 00:14:51,558 but then they're not actually there, 392 00:14:51,600 --> 00:14:52,809 and then they disappear? 393 00:14:52,851 --> 00:14:55,353 Oh... 394 00:14:57,314 --> 00:14:58,481 You have lost your muse. 395 00:15:00,108 --> 00:15:02,193 Yeah, he's an asshole of a muse. 396 00:15:02,235 --> 00:15:04,613 So many of them are. 397 00:15:04,654 --> 00:15:06,781 Where will you put the audience? 398 00:15:06,823 --> 00:15:08,533 Wherever they can get in. 399 00:15:08,575 --> 00:15:11,328 Oh, God, I haven't felt this nervous 400 00:15:11,369 --> 00:15:12,954 since I did The Dick Cavett Show 401 00:15:12,996 --> 00:15:15,248 after downing a handful of peyote. 402 00:15:15,290 --> 00:15:16,875 Oh, now, don't worry, darling. 403 00:15:16,916 --> 00:15:19,502 Everyone's here just to have fun. 404 00:15:19,544 --> 00:15:21,046 What? 405 00:15:21,087 --> 00:15:23,590 Is she playing with you? 406 00:15:23,632 --> 00:15:25,842 Oh, yeah, Cynthia. Mm. 407 00:15:25,884 --> 00:15:28,970 Okay, so, I'm 93% sure 408 00:15:29,012 --> 00:15:31,097 that it's not going to explode when you first touch it. 409 00:15:31,139 --> 00:15:32,766 -Hmm. -But if it does, 410 00:15:32,807 --> 00:15:34,809 -I pre-apologize. -Pre-apology accepted. 411 00:15:34,851 --> 00:15:37,228 Have you seen Hailey? I was supposed to meet her here. 412 00:15:38,271 --> 00:15:41,691 You're, um... Eraserhead. 413 00:15:41,733 --> 00:15:43,902 Erasefa... I'm sorry, I don't mean to be obnoxious. 414 00:15:43,943 --> 00:15:45,695 Just, like, people know... 415 00:15:45,737 --> 00:15:47,781 No, yeah, you're, um, you're playing my venue in Bushwick. 416 00:15:47,822 --> 00:15:50,784 Oh, yeah, no, I'm... I'm pretty booked 417 00:15:50,825 --> 00:15:52,327 for, like, four years, but thank you for being a fan. 418 00:15:52,369 --> 00:15:53,370 I appreciate it. 419 00:15:53,411 --> 00:15:54,746 Oh, no, no, I'm not a fan. 420 00:15:54,788 --> 00:15:56,748 I mean, what you do is fine, 421 00:15:56,790 --> 00:15:59,376 but I'm-I'm, uh, I'm just desperate. 422 00:15:59,417 --> 00:16:01,961 I need to sell tickets, so, uh, say yes. 423 00:16:02,003 --> 00:16:04,506 Yeah. Okay. 424 00:16:04,547 --> 00:16:06,341 Great. (chuckles) 425 00:16:06,383 --> 00:16:07,884 Wait, why did you say yes? 426 00:16:07,926 --> 00:16:10,512 I don't know, I guess I kind of like women 427 00:16:10,553 --> 00:16:12,222 who treat me with disdain. 428 00:16:14,140 --> 00:16:16,726 Ah... this is the violin 429 00:16:16,768 --> 00:16:20,105 that belonged to Mozart's sister, Maria Anna. 430 00:16:20,146 --> 00:16:21,981 Wow. 431 00:16:23,441 --> 00:16:24,734 -My brother stole it from me. -(Hailey gasps) 432 00:16:24,776 --> 00:16:27,070 -Hi. -Hai Lai. 433 00:16:27,112 --> 00:16:30,031 This is great. Really nice. 434 00:16:30,073 --> 00:16:31,700 -RODRIGO: Yeah. -And then he played 435 00:16:31,741 --> 00:16:35,620 little ditties all night to taunt me. 436 00:16:35,662 --> 00:16:38,415 Liszt's writing desk. 437 00:16:38,456 --> 00:16:41,292 -MORTON: Bartók's... -I cannot see the appeal. 438 00:16:41,334 --> 00:16:43,461 I suppose he is sensual. 439 00:16:43,503 --> 00:16:45,672 Packing cases from the Ballets Russes. 440 00:16:45,714 --> 00:16:47,048 I don't even know what's in them. 441 00:16:47,090 --> 00:16:48,717 Is he quite good at the lovemaking? 442 00:16:48,758 --> 00:16:51,845 Uh, yes. Shh! 443 00:16:51,886 --> 00:16:53,346 What did you say? 444 00:16:53,388 --> 00:16:57,058 I said shh-it looks amazing... here. 445 00:16:57,100 --> 00:17:00,186 Meet me in the Damentoilette. 446 00:17:02,063 --> 00:17:03,773 I'm gonna go to the damn toilet right now. 447 00:17:03,815 --> 00:17:05,150 You okay, Hai Lai? 448 00:17:05,191 --> 00:17:06,860 Yeah. 449 00:17:08,486 --> 00:17:12,991 Welcome to the ladies' room of feminine ephemera. 450 00:17:13,032 --> 00:17:14,409 WOMAN: Horrid name, is it not? 451 00:17:14,451 --> 00:17:16,953 Hailey Rutledge, meet Isabella... 452 00:17:16,995 --> 00:17:18,455 -Isabella Leonarda. -(classical piano music plays) 453 00:17:18,496 --> 00:17:20,123 I'm conducting one of your pieces right now. 454 00:17:20,165 --> 00:17:21,583 I know, I've heard it. 455 00:17:21,624 --> 00:17:23,001 Bless you, my child, bless you. 456 00:17:23,042 --> 00:17:24,961 That piece that you're playing, I know it. 457 00:17:25,003 --> 00:17:28,006 "Die Nonne"-- "The Nun." Fanny wrote it, 458 00:17:28,047 --> 00:17:30,091 although Felix took the credit for it. 459 00:17:30,133 --> 00:17:32,260 Excuse me for not getting up, Fraulein, 460 00:17:32,302 --> 00:17:34,971 but, as you can see, I'm in this... 461 00:17:35,013 --> 00:17:36,473 interesting condition. 462 00:17:36,514 --> 00:17:39,309 Fanny Mendelssohn, I've listened to over 100 463 00:17:39,350 --> 00:17:40,935 of your pieces back in high school and... 464 00:17:40,977 --> 00:17:42,896 MARIA ANNA: She wrote hundreds more. 465 00:17:42,937 --> 00:17:44,481 Of course, they were never published. 466 00:17:44,522 --> 00:17:46,399 Is that a, uh... 467 00:17:46,441 --> 00:17:48,985 My baton, yeah. 468 00:17:49,027 --> 00:17:51,738 Batons came into style when I was a child, 469 00:17:51,780 --> 00:17:53,865 but, of course, I could never have one, 470 00:17:53,907 --> 00:17:56,117 so I made it myself. 471 00:17:56,159 --> 00:17:57,702 Just to dream. 472 00:17:57,744 --> 00:17:59,370 So, what are you doing here, Fraulein? 473 00:17:59,412 --> 00:18:01,706 Wandering around this dusty manse. 474 00:18:01,748 --> 00:18:03,958 Well, I'm um... I'm actually being scouted 475 00:18:04,000 --> 00:18:05,335 for a conducting competition, 476 00:18:05,376 --> 00:18:06,461 and I'm trying to pick my music. 477 00:18:06,503 --> 00:18:07,462 They let you conduct? 478 00:18:07,504 --> 00:18:08,755 They let you compete? 479 00:18:08,797 --> 00:18:10,882 Tell us everything. 480 00:18:10,924 --> 00:18:14,636 Mozart's death mask. 481 00:18:14,677 --> 00:18:17,055 -Made an hour after he passed. -Hmm. 482 00:18:17,096 --> 00:18:18,723 I acquired it 483 00:18:18,765 --> 00:18:23,853 from the Austrian National Library in 1991. 484 00:18:23,895 --> 00:18:26,272 And these. 485 00:18:26,314 --> 00:18:28,441 Pages from the Requiem. 486 00:18:28,483 --> 00:18:30,985 Most of the beginning was completed, of course, 487 00:18:31,027 --> 00:18:35,657 but then it fades away and simply ends. 488 00:18:35,698 --> 00:18:38,076 As did he. 489 00:18:39,619 --> 00:18:40,912 Can I borrow them? 490 00:18:40,954 --> 00:18:41,996 (laughs) 491 00:18:42,038 --> 00:18:44,624 You are a ballsy little turnip. 492 00:18:44,666 --> 00:18:47,043 Please. Please, there-there's this woman in the Bronx 493 00:18:47,085 --> 00:18:49,212 that told me that I have to bring her something 494 00:18:49,254 --> 00:18:51,214 that-that Mozart touched. 495 00:18:51,256 --> 00:18:53,424 She can bring him back to me. 496 00:18:53,466 --> 00:18:55,301 Oh, my dear boy. 497 00:18:55,343 --> 00:18:58,471 You don't need a woman in the Bronx. 498 00:18:58,513 --> 00:19:01,349 You are speaking to the master. 499 00:19:05,478 --> 00:19:06,980 Hey. 500 00:19:07,021 --> 00:19:10,441 Can you tie me up in back? 501 00:19:10,483 --> 00:19:12,485 HAILEY: Well, there's the Berlioz, 502 00:19:12,527 --> 00:19:14,571 -which is a little safer. -FANNY: Safer? 503 00:19:14,612 --> 00:19:17,824 If you think riding on the wings of the Devil is safe. 504 00:19:17,866 --> 00:19:19,993 Well, but there's also the Caroline Shaw piece, 505 00:19:20,034 --> 00:19:22,412 and she's into all sorts of weird shit, 506 00:19:22,453 --> 00:19:25,039 like Tuvan throat singing or little janky bells 507 00:19:25,081 --> 00:19:26,457 from the hardware store, 508 00:19:26,499 --> 00:19:28,835 -or-or flowerpots, or... -Flowerpots? 509 00:19:28,877 --> 00:19:30,211 Was ist das? 510 00:19:30,253 --> 00:19:31,838 The blumen pots. 511 00:19:31,880 --> 00:19:34,883 -Ah. -I thought you were going to do my piece. 512 00:19:34,924 --> 00:19:37,343 The "Vivace." I was so happy. 513 00:19:37,385 --> 00:19:40,430 It hasn't been done in over 300 years. 514 00:19:40,471 --> 00:19:44,267 Uh, well, I-I just need to consider all of my options. 515 00:19:44,309 --> 00:19:46,603 Isabella's piece is too tame. 516 00:19:46,644 --> 00:19:49,147 Tame? I was a rebel for my time. 517 00:19:49,188 --> 00:19:50,732 You are already a woman. 518 00:19:50,773 --> 00:19:52,191 You are already different. 519 00:19:52,233 --> 00:19:54,903 Pick the piece that will make you acceptable. 520 00:19:54,944 --> 00:19:56,487 And win, 521 00:19:56,529 --> 00:19:58,531 for those of us who never got the chance. 522 00:19:58,573 --> 00:20:01,034 Tell me more about this, uh, Caroline Shaw. 523 00:20:01,075 --> 00:20:04,245 Okay, well, the piece that she gave me is called "Hi." 524 00:20:04,287 --> 00:20:07,582 And it's about how she wishes we could all say hi to each other 525 00:20:07,624 --> 00:20:10,251 with total explosive joy and realness, 526 00:20:10,293 --> 00:20:13,671 like a volcano of-of happiness and sorrow, or like a spaceship, 527 00:20:13,713 --> 00:20:15,715 but I guess you guys don't actually know 528 00:20:15,757 --> 00:20:17,008 what a spaceship is, but like a spaceship 529 00:20:17,050 --> 00:20:18,301 that you would take to the stars, 530 00:20:18,343 --> 00:20:21,179 and from there, you can see everything. 531 00:20:21,220 --> 00:20:24,265 Look at how your face changes when you talk about it. 532 00:20:24,307 --> 00:20:27,018 I'm just tired of doing things that are acceptable. 533 00:20:27,060 --> 00:20:28,436 I want to do something else. 534 00:20:28,478 --> 00:20:30,188 MARIA ANNA: This competition. 535 00:20:30,229 --> 00:20:34,400 Yeah, whether you win or lose, that is not in your hands. 536 00:20:34,442 --> 00:20:38,237 Play the music that will change them forever. 537 00:20:38,279 --> 00:20:40,239 I like that. 538 00:20:40,281 --> 00:20:42,325 I think mine would be a good compromise to play. 539 00:20:42,367 --> 00:20:45,078 -Don't... you think so? -Mm-mm. 540 00:20:46,663 --> 00:20:47,914 My baton. 541 00:20:47,956 --> 00:20:49,290 Take it. 542 00:20:49,332 --> 00:20:50,458 No. Fanny, I can't do that. 543 00:20:50,500 --> 00:20:51,918 MARIA ANNA: Why? 544 00:20:51,960 --> 00:20:54,003 He won't miss it. He never comes in here. 545 00:20:54,045 --> 00:20:58,341 He's not interested because we cannot make him the money. 546 00:20:58,383 --> 00:21:01,427 Take it, Fraulein. For luck. 547 00:21:01,469 --> 00:21:03,471 -Take it. -MARIA ANNA: Take it. -FANNY: Take it. 548 00:21:03,513 --> 00:21:04,597 -Take it. -Take it. -Take it. 549 00:21:04,639 --> 00:21:07,016 (repeating): Take it. 550 00:21:07,058 --> 00:21:09,143 (cello playing) 551 00:21:13,690 --> 00:21:17,026 This is how Gesualdo spoke to the spirits. 552 00:21:17,068 --> 00:21:19,237 Wearing an amulet. 553 00:21:19,278 --> 00:21:23,449 Conduit between the worlds of the living and the dead. 554 00:21:23,491 --> 00:21:25,493 ♪ ♪ 555 00:21:29,205 --> 00:21:34,752 The familiar object encased in a book of magic. 556 00:21:34,794 --> 00:21:36,796 (orchestra playing) 557 00:21:47,682 --> 00:21:49,726 Let's begin. 558 00:21:54,272 --> 00:21:56,274 (motorcycle revving) 559 00:22:22,341 --> 00:22:24,135 Holy shit. 560 00:22:24,177 --> 00:22:26,387 I really don't know which one is hotter right now. 561 00:22:36,439 --> 00:22:38,024 (music stops) 562 00:22:38,066 --> 00:22:40,068 (inhaling, exhaling) 563 00:22:42,361 --> 00:22:44,739 RODRIGO: Wolfgang? 564 00:22:44,781 --> 00:22:46,783 Gesualdo? 565 00:22:48,826 --> 00:22:50,495 Norton Morton? 566 00:22:50,536 --> 00:22:51,871 Morton? 567 00:22:51,913 --> 00:22:53,581 MORTON: He's nearby. 568 00:22:53,623 --> 00:22:56,084 But I'm having trouble making the connection. 569 00:22:56,125 --> 00:22:58,127 (shrieks) 570 00:22:58,169 --> 00:23:00,338 Ask him. 571 00:23:00,379 --> 00:23:03,341 Why doesn't he want me to do the Requiem? 572 00:23:03,382 --> 00:23:07,929 Because you never listened to him, 573 00:23:07,970 --> 00:23:10,556 you traitor. 574 00:23:10,598 --> 00:23:13,101 I tell you, he's an asshole. 575 00:23:13,142 --> 00:23:14,310 He's an asshole. 576 00:23:14,352 --> 00:23:15,770 (gasping) 577 00:23:15,812 --> 00:23:18,189 He says, 578 00:23:18,231 --> 00:23:20,983 "If you think I'm an asshole, 579 00:23:21,025 --> 00:23:24,695 wait until you meet the other guy." 580 00:23:24,737 --> 00:23:26,697 What other guy? 581 00:23:26,739 --> 00:23:29,826 (sighs) 582 00:23:29,867 --> 00:23:32,829 And he's gone. Wow. 583 00:23:32,870 --> 00:23:36,040 They kind of have to want to talk to you. 584 00:23:36,082 --> 00:23:38,709 It's a seduction, really. 585 00:23:38,751 --> 00:23:42,088 Wh-What other guy? 586 00:23:42,130 --> 00:23:44,549 -So, Glo, tell me the truth. -(Gloria laughs) 587 00:23:44,590 --> 00:23:46,300 -What do you think? -Oh, what can I say? 588 00:23:46,342 --> 00:23:49,262 It was wonderful and totally surprising. 589 00:23:49,303 --> 00:23:52,390 I-- you know, I-I didn't know what to expect next. 590 00:23:52,431 --> 00:23:53,683 -Mm. -Which is great. 591 00:23:53,724 --> 00:23:55,810 -You hated it. -No, not at all. 592 00:23:55,852 --> 00:23:57,603 -Not at all. No, no... -Yes, you did. 593 00:23:57,645 --> 00:23:58,980 -No, no, no, no. -You hated it. 594 00:23:59,021 --> 00:24:00,565 I'm still just processing. 595 00:24:00,606 --> 00:24:01,774 -You have to give me a moment... -Okay. 596 00:24:02,859 --> 00:24:06,195 (crickets chirping) 597 00:24:06,237 --> 00:24:09,157 Did you get what you need? 598 00:24:09,198 --> 00:24:11,534 No. 599 00:24:11,576 --> 00:24:13,578 I don't think so. 600 00:24:16,080 --> 00:24:18,040 I'm gonna go out on a limb here, 601 00:24:18,082 --> 00:24:22,295 and say that I think Mozart, 602 00:24:22,336 --> 00:24:24,297 or whatever, 603 00:24:24,338 --> 00:24:26,340 it's a part of you. 604 00:24:28,301 --> 00:24:32,388 You're worried about doing the Requiem for other reasons. 605 00:24:32,430 --> 00:24:34,932 Your maestro died. 606 00:24:34,974 --> 00:24:37,393 You didn't get to go to the funeral. 607 00:24:38,436 --> 00:24:40,438 Yeah. 608 00:24:43,399 --> 00:24:45,401 You're very kind to me. 609 00:24:46,611 --> 00:24:48,988 Everyone's kind to you. 610 00:24:49,030 --> 00:24:51,574 No, not the way you are. 611 00:24:51,616 --> 00:24:54,827 Listen, Thomas can't help me. 612 00:24:54,869 --> 00:24:56,287 Why? 613 00:24:56,329 --> 00:24:59,290 He's a judge in the competition. 614 00:24:59,332 --> 00:25:02,376 So I was wondering 615 00:25:02,418 --> 00:25:05,880 if maybe you could help me get ready. 616 00:25:05,922 --> 00:25:08,758 M-Me? Like, the coach? 617 00:25:08,799 --> 00:25:10,176 And the boyfriend? 618 00:25:10,218 --> 00:25:12,094 Yeah. We'll get you different hats, 619 00:25:12,136 --> 00:25:14,305 so we can tell the difference. But, yeah. 620 00:25:14,347 --> 00:25:17,725 Okay, yeah, but i-isn't that too much in the orbit? 621 00:25:17,767 --> 00:25:21,229 Well, I think it's you coming into my orbit. 622 00:25:22,271 --> 00:25:24,232 Okay, I like that. Yes. 623 00:25:24,273 --> 00:25:26,525 Also, I'm gonna do the Shaw. 624 00:25:26,567 --> 00:25:28,694 -The Shaw? -And if it's too out there, 625 00:25:28,736 --> 00:25:30,529 -then I'm too out there. -Of course, Hai Lai, no. 626 00:25:30,571 --> 00:25:32,531 The Shaw is-is really good. 627 00:25:32,573 --> 00:25:34,533 Yeah. 628 00:25:34,575 --> 00:25:35,952 Yeah, yeah. 629 00:25:35,993 --> 00:25:37,995 (piano playing in distance) 630 00:25:47,004 --> 00:25:49,006 (whispering): Do you hear? 631 00:25:51,092 --> 00:25:53,094 I'll come back. 632 00:26:00,226 --> 00:26:02,186 (whispering): Wolfgang? 633 00:26:02,228 --> 00:26:04,397 (piano continues) 634 00:26:04,438 --> 00:26:06,440 Johann Sebastian? 635 00:26:12,571 --> 00:26:15,533 MAN: Rodrigo DeSousa. 636 00:26:15,574 --> 00:26:17,702 It's me. 637 00:26:17,743 --> 00:26:19,328 Mr. Smiles. 638 00:26:19,370 --> 00:26:23,082 The Guru of Glitter. 639 00:26:23,124 --> 00:26:25,293 The Candelabra Kid. 640 00:26:25,334 --> 00:26:26,585 Ay, Liberace. 641 00:26:26,627 --> 00:26:28,129 Mm-hmm. 642 00:26:28,170 --> 00:26:29,213 Where's Wolfgang? 643 00:26:29,255 --> 00:26:30,798 Gone. 644 00:26:30,840 --> 00:26:32,216 And good riddance. 645 00:26:32,258 --> 00:26:35,094 I mean, you two had nothing in common. 646 00:26:35,136 --> 00:26:36,762 Whereas we... 647 00:26:36,804 --> 00:26:39,056 are kindred spirits. 648 00:26:39,098 --> 00:26:40,474 No, no. 649 00:26:40,516 --> 00:26:42,727 -Yes. Yes. -No. 650 00:26:42,768 --> 00:26:45,438 Well, for starters, we both love the limelight. 651 00:26:45,479 --> 00:26:46,647 No. 652 00:26:46,689 --> 00:26:48,691 (piano playing) 653 00:26:50,609 --> 00:26:52,737 ♪ Daisy, Daisy ♪ 654 00:26:52,778 --> 00:26:55,323 ♪ Give me your answer do ♪ 655 00:26:55,364 --> 00:27:00,077 ♪ I'm half crazy all for the love of you ♪ 656 00:27:00,119 --> 00:27:02,747 ♪ Oh, it won't be a stylish marriage ♪ 657 00:27:02,788 --> 00:27:05,708 ♪ 'Cause I can't afford a carriage ♪ 658 00:27:05,750 --> 00:27:07,835 ♪ But you'll look sweet upon the seat ♪ 659 00:27:07,877 --> 00:27:10,629 ♪ Of a bicycle built for two ♪ 660 00:27:10,671 --> 00:27:12,923 ♪ Oh, you'll look sweet upon the seat ♪ 661 00:27:12,965 --> 00:27:15,134 ♪ Of a bicycle built... ♪ 662 00:27:15,176 --> 00:27:16,969 Big finish. 663 00:27:18,387 --> 00:27:20,306 -♪ For two. ♪ -♪ For two. ♪ 664 00:27:20,348 --> 00:27:22,350 (piano continues playing) 665 00:27:24,352 --> 00:27:26,062 (piano stops) 666 00:27:27,521 --> 00:27:29,482 (Cavallaro's "Funiculi, Funicula" playing) 667 00:27:59,553 --> 00:28:01,514 ♪ ♪ 668 00:28:31,043 --> 00:28:34,046 ♪ ♪ 669 00:29:03,075 --> 00:29:05,035 ♪ ♪ 670 00:29:05,085 --> 00:29:09,635 Repair and Synchronization by Easy Subtitles Synchronizer 1.0.0.0 47541

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