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APPLAUSE
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MUSIC: Ring Of Fire by Johnny Cash
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# Love is a burning thing
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# And it makes a fiery ring
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# Bound by wild desire
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# I fell into a ring of fire
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# I fell into a burning ring of fire
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# I went down, down, down
and the flames went higher
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# And it burns, burns, burns
The ring of fire
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# The ring of fire
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# I fell into a burning ring of fire
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# I went down, down, down
and the flames went higher
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# And it burns, burns, burns
The ring of fire
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# The ring of fire
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# The taste of love is sweet
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# When hearts like ours meet
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# I fell for you like a child
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# Oh, but the fire went wild
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# I fell into a burning ring of fire
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# I went down, down, down
and the flames went higher
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# And it burns, burns, burns
The ring of fire
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# The ring of fire
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# I fell into a burning ring of fire
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# I went down, down, down
and the flames went higher
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# And it burns, burns, burns
The ring of fire
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# The ring of fire
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# And it burns, burns, burns
The ring of fire
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# The ring of fire. #
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HE MIMICS BIRD CALL
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GUNSHOT
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HE LAUGHS
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You want to get me,
don't you? You son of a gun!
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Only place I can tell
he is hurt is... He's got one little
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wing bone broken. It's not hurt.
It's not every day you catch a crow.
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CROW SQUAWKS
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You son of a gun, you!
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I already like you, for some reason.
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I'll take you home and see if you
are hurt bad, OK?
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HE HUMS TO HIMSELF
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# If I had wings
like a grey goose got
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# I'd leave you
whether my heart break or not
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# I'd leave you
Woman, I'd leave you
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# I can't make my feet walk... #
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HE HUMS
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# ..But if I could fly like Mr Crow
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# Woman, I know I'd go. #
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Ah!
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One, two, three, four...
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MUSIC STARTS
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I would leave them
completely off the intro.
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And I would wait
until I am into the song, you know?
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Have you got a little pencil?
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I would keep that flat top guitar
way up on the intro
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because that is powerful.
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The way...with the drum slap.
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Don't you think, Bob? Yes.
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I just...
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Because when they come in,
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I can hear it, it's kind of a
pleasant surprise, you know? Yes.
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I filled it up so you can have what
you wanted to choose from.
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OK, cut all intro.
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As we go along, Johnny, tell me
where you want them in or out
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and I'll write it down, OK?
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One, two, three...
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MUSIC: Land Of Israel
by Johnny Cash
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# From the top of Sinai
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# To the Sea of Galilee... #
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CREW CHATTERS
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# ..Every hill and plain is home
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# Every place is dear to me
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# There the breezes tell the stories
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# Oh, what stories they do tell
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# Of the mighty things that happened
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# In the land of Israel
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# Here, where Moses and the prophets
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# Spoke of one who would be king
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# Of a heavenly messiah
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# And the blessings he would bring
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# Oh, to hear again the call
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# All is peaceful, all is well
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# Upon every rock and mountain
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# In the land of Israel. #
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Where my daddy was born. Yeah.
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Kingsland, that's where I was born.
Oh, great.
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Well, do we go right past
on this...? No, we turn.
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We turned south here,
on 81, to Monticello.
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We're not very far off,
then, are we now? No.
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We're almost there.
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When you come from
either side of that river,
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and that's part of the country,
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you learn to understand most
everything, you have to,
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cos it's a grind from the time
you get up till you lay down.
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And there ain't nothing
given to you. You sweat.
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Somebody in the family sweats for
that bread that's on that plate.
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Right, John? Yes.
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And it's usually the whole family
it takes to make a living,
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whether it's cotton...and, er, the
people that's farming the land...
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is not the one that gets the money.
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Somebody owns it
and you get part of it.
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MUSIC: Daddy Sang Bass
by Johnny Cash
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# I remember when I was a lad
Times were hard and things were bad
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# But there's a silver linin'
behind every cloud
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# Just poor people
That's all we were
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# Tryin' to make a livin'
out of black land earth
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# We'd get together
in a family circle singin' loud
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# Daddy sang bass
Mama sang tenor
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# Me and little brother
would join right in there
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# Cos singin' seems
to help a troubled soul
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# One of these days
and it won't be long
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# I'll rejoin them in a song
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# I'm gonna join the family circle
at the throne
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# No, the circle won't be broken
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# By and by, Lord, by and by
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# Daddy'll sing bass
Mama'll sing tenor
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# Me and little brother
will join right in there
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# In the sky, Lord, in the sky
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# I remember after work
Mama would call in all of us
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# You could hear us singin'
for a country mile
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# Now little brother has done gone on
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# But I'll rejoin him in a song
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# We'll be together again up yonder
in a little while
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# Daddy'll sing bass
Mama'll sing tenor
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# Me and little brother
would join right in there
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# Cos singin' seems to help
a troubled soul
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# One of these days
and it won't be long... #
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CHEERING
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Hello, I'm Johnny Cash.
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BAND BEGINS,
HUGE CHEER
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# I hear the train a comin'
It's rolling round the bend
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# And I ain't seen the sunshine
since I don't know when
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# I'm stuck in Folsom Prison
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# And time keeps draggin' on
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# But that train keeps a-rollin'
on down to San Antone
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# When I was just a baby
my mama told me, son
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# Always be a good boy
Don't ever play with guns
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# But I shot a man in Reno
just to watch him die
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# When I hear that whistle blowing
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# I hang my head and cry... #
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Hey, come on!
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GUITAR SOLO,
CHEERING
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Ye-e-eah!
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# I bet there's rich folks
eating in a fancy dining car
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# They're probably drinking coffee
and smoking big cigars
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# Well, I know I had it coming
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# I know I can't be free
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# But those people keep a-moving
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# And that's what tortures me... #
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Go for it! Yeah
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GUITAR SOLO
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CHEERING
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# ..Well, if they freed me
from this prison
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# If that railroad train was mine
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# I bet I'd move it on
a little farther down the line
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# Far from Folsom Prison
That's where I want to stay
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# And I'd let that lonesome whistle
blow my blues away. #
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MUSIC STOPS
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Do you think it's a main theme going
through country and western music?
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A main message or a type of thing
you're trying to appeal to
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in the country and western songs
that you do? Um...
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Well, the things of country music
are much the same in other music.
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There's love, and love is the main
theme of all music, of course.
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Um...
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There's much more sadness
in country music.
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Um, I don't know what the real
reason is, maybe because, er...
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I don't know, because of the fact
that it is from the grassroots
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and of the simple way of life.
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MAN: Look up there.
There's some good-looking apples.
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The best apples are still up
in the tree, way up in the top.
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But I couldn't shake them down
without that.
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CHILD: I... I don't want...
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LEAVES RUSTLE
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Too many apples.
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Johnny, that will kick you,
you better watch it.
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Daddy, did you...? Watch it, she
will kick if you hit her back there.
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Rosanne, watch it!
Watch it, Rosanne.
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Walk behind her, honey,
she might kick.
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I'm sorry, he was just fixing
to hit her back there,
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and that would have been
all it would have taken!
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There.
MAN LAUGHS: You go in behind!
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Get over here, girl!
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LAUGHTER CONTINUES
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Oh, John, please, that's cruelty!
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CHILDREN LAUGH
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Go, Jenny!
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CHILDREN CHATTER
Come here, come here, come here.
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I'm shivering. I am too, I am cold.
I'm cold, I cannot continue.
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I wish she would bray.
She brays just like her daddy.
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MAN BRAYS
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Like Gordon used to do, you know.
Mm-hm.
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The first year that we was at Dyess,
let's see, how old were you?
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Oh, four years old. Four years old?
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I went the runs at the river one
evening... Now, this is true...
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Come on in.
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SPEECH DROWNED OUT BY CHILDREN
195
00:13:34,720 --> 00:13:37,880
..come on in here.
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00:13:37,880 --> 00:13:40,800
JOHNNY: Come here!
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00:13:37,880 --> 00:13:40,800
CHILDREN CHATTER
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00:13:40,800 --> 00:13:44,200
Waiting for them to just
come by... You have to!
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00:13:44,200 --> 00:13:46,920
I really don't have to sing
that song again, do I?
200
00:13:46,920 --> 00:13:49,400
LAUGHTER
201
00:13:46,920 --> 00:13:49,400
Yeah, I forgot that song...
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00:13:49,400 --> 00:13:52,480
# On Monday, we have bread and gravy
203
00:13:52,480 --> 00:13:55,480
# On Tuesday, it's gravy and bread
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00:13:55,480 --> 00:13:59,480
# On Wednesday and Thursday
it's gravy and toast
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00:13:59,480 --> 00:14:01,760
# But that's only
gravy and bread... #
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00:14:01,760 --> 00:14:05,040
LAUGHTER
# On Friday, we said to the landlord
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00:14:05,040 --> 00:14:09,600
# Landlord?
Oh, please give us something instead
208
00:14:09,600 --> 00:14:13,160
# So on Saturday morning
by way of a change
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00:14:13,160 --> 00:14:16,480
# We had gravy
without any bread... #
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00:14:16,480 --> 00:14:18,280
LAUGHTER
211
00:14:18,280 --> 00:14:20,200
Good for you!
212
00:14:20,200 --> 00:14:22,360
JOHNNY APPLAUDS: Yey!
213
00:14:22,360 --> 00:14:24,680
OK, girls, sing.
214
00:14:24,680 --> 00:14:27,280
Daddy, you want to sing us a song?
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00:14:27,280 --> 00:14:30,040
Johnny, I ain't no singer.
216
00:14:30,040 --> 00:14:33,320
There's one thing...
You would sing it in the bathtub.
217
00:14:33,320 --> 00:14:37,000
And his name was Slicker?
What was that song? No.
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00:14:37,000 --> 00:14:40,720
Sing all them World War I songs.
No, I don't think I could do it.
219
00:14:40,720 --> 00:14:45,440
About where you walked up to the fire
alarm box and it was in New York.
220
00:14:45,440 --> 00:14:49,080
Sing that one. Oh, that...
Let me hear it.
221
00:14:49,080 --> 00:14:51,080
Grab that propeller?
222
00:14:51,080 --> 00:14:55,680
# I'd writ some letters on the train
that I wanted to mail back home
223
00:14:55,680 --> 00:15:00,760
# And I'd tell 'em about the things
I'd seen and just how far I'd come
224
00:15:00,760 --> 00:15:05,440
# I'd seen a box all painted red
and I dropped the letters in
225
00:15:05,440 --> 00:15:09,880
# Fire engines came from all around
and the bells began to ring... #
226
00:15:09,880 --> 00:15:13,960
WOMAN LAUGHS
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00:15:09,880 --> 00:15:13,960
# And oh, my, what they did to me
228
00:15:13,960 --> 00:15:19,000
# Squirted water all over me!
I grabbed up a man and I said to him
229
00:15:19,000 --> 00:15:21,280
# Haul me out, I don't want to drown
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00:15:21,280 --> 00:15:25,480
# He said, you're just a darned old
root from a high grass town... #
231
00:15:25,480 --> 00:15:28,400
I don't remember all of it, sorry.
I ain't going to sing no more.
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00:15:28,400 --> 00:15:30,240
LAUGHTER
233
00:15:30,240 --> 00:15:31,720
Tom Ford used to sing that.
234
00:15:31,720 --> 00:15:33,880
He learned that to me
when I was a little boy.
235
00:15:35,400 --> 00:15:37,680
I was a little boy,
about four years old,
236
00:15:37,680 --> 00:15:41,400
when the Mississippi River
broke the levee.
237
00:15:41,400 --> 00:15:44,120
Floodwaters come over
the cotton land,
238
00:15:44,120 --> 00:15:46,640
come up to the doorstep
at the front of the house.
239
00:15:46,640 --> 00:15:48,320
One morning, I was laying in the bed
240
00:15:48,320 --> 00:15:51,400
and I heard my mama hollering
to my daddy, she said...
241
00:15:51,400 --> 00:15:53,560
# How high's the water, Daddy? #
242
00:15:53,560 --> 00:15:56,120
APPLAUSE AND CHEERING
243
00:15:53,560 --> 00:15:56,120
# Two feet high and risin'
244
00:15:56,120 --> 00:16:00,040
# How high's the water, Mama?
Two feet high and risin'
245
00:16:00,040 --> 00:16:02,600
# We can make it to the road
in a home-made boat
246
00:16:02,600 --> 00:16:05,000
# That's the only thing
we got left that'll float
247
00:16:05,000 --> 00:16:07,440
# It's already over
all the wheat and the oats
248
00:16:07,440 --> 00:16:09,760
# Two feet high and risin'
249
00:16:11,880 --> 00:16:14,240
# How high's the water, Mama?
250
00:16:14,240 --> 00:16:16,680
# Three feet high and risin'
251
00:16:16,680 --> 00:16:18,680
# How high's the water, Papa?
252
00:16:18,680 --> 00:16:20,960
# She said it's
three feet high and risin'
253
00:16:20,960 --> 00:16:23,360
# Well, my hives are gone
I lost my bees
254
00:16:23,360 --> 00:16:25,840
# The chickens are sleepin'
in the willow trees
255
00:16:25,840 --> 00:16:28,120
# Cow's in water up past her knees
256
00:16:28,120 --> 00:16:30,360
# Three feet high and risin'
257
00:16:32,480 --> 00:16:34,560
# How high's the water, Mama?
258
00:16:34,560 --> 00:16:37,240
# Four feet high and risin'
259
00:16:37,240 --> 00:16:38,840
# How high's the water, Papa?
260
00:16:38,840 --> 00:16:41,360
# She said it's
four feet high and risin'
261
00:16:41,360 --> 00:16:43,680
# Hey, come look through
the window pane
262
00:16:43,680 --> 00:16:46,000
# The bus is comin'
Gonna take us to the train
263
00:16:46,000 --> 00:16:48,440
# Looks like we'll be blessed
with a little more rain
264
00:16:48,440 --> 00:16:50,240
# Four feet high and risin'
265
00:16:52,640 --> 00:16:55,160
# How high's the water, Mama?
266
00:16:55,160 --> 00:16:57,280
# Five feet high and risin'
267
00:16:57,280 --> 00:16:59,160
# How high's the water, Papa?
268
00:16:59,160 --> 00:17:01,640
# She said it's
five feet high and risin'
269
00:17:01,640 --> 00:17:04,040
# The rails are washed out
north of town
270
00:17:04,040 --> 00:17:06,200
# We gotta head for higher ground
271
00:17:06,200 --> 00:17:08,680
# We can't come back
till the water goes down
272
00:17:08,680 --> 00:17:11,000
# Five feet high and risin'
273
00:17:11,000 --> 00:17:14,920
# Five feet high and risin'. #
274
00:17:14,920 --> 00:17:17,960
APPLAUSE
275
00:17:17,960 --> 00:17:19,320
Thank you.
276
00:17:23,960 --> 00:17:25,920
Thank you. Thank you.
You were wonderful!
277
00:17:25,920 --> 00:17:27,600
Thank you, nice to be with you.
278
00:17:29,800 --> 00:17:32,040
Thank you. Thank you.
279
00:17:32,040 --> 00:17:33,800
Yeah, how you doing?
280
00:17:33,800 --> 00:17:35,120
OK?
281
00:17:37,680 --> 00:17:40,120
CAMERA CLICKS
282
00:17:37,680 --> 00:17:40,120
Thank you. Thank you.
283
00:17:46,600 --> 00:17:48,640
SOFT CHATTER
284
00:17:51,280 --> 00:17:53,360
Thank you. Thank you, girls.
285
00:17:53,360 --> 00:17:55,920
WOMAN SPEAKS SOFTLY
286
00:17:53,360 --> 00:17:55,920
Thank you, how sweet.
287
00:17:55,920 --> 00:17:58,520
When I thinks about the best
we could say about Johnny...
288
00:17:58,520 --> 00:18:01,360
Why, that's very nice.
..I even got a tune to it.
289
00:18:01,360 --> 00:18:03,040
Let's hear it. Let's hear it.
290
00:18:03,040 --> 00:18:07,600
# Under lightning, rain or sleet
Johnny Cash just can't be beat
291
00:18:07,600 --> 00:18:10,080
# This ain't no lyin'
It ain't no bluff
292
00:18:10,080 --> 00:18:12,680
# When Johnny sings
He does his stuff... #
293
00:18:12,680 --> 00:18:14,640
LAUGHTER
294
00:18:14,640 --> 00:18:18,040
APPLAUSE
295
00:18:14,640 --> 00:18:18,040
Aw, that's cute! That's very nice.
296
00:18:18,040 --> 00:18:22,560
She wants you to play something
first. What? Great Speckled Bird.
297
00:18:22,560 --> 00:18:26,520
I mean, that's asking a favour...
They will want me out of here.
298
00:18:26,520 --> 00:18:28,200
Just... All right, open the door.
299
00:18:28,200 --> 00:18:30,720
GUITAR PLAYING BEGINS
300
00:18:28,200 --> 00:18:30,720
Come in, honey, come in.
301
00:18:32,160 --> 00:18:34,520
That's part of it.
We got your records...
302
00:18:34,520 --> 00:18:40,200
# What a beautiful thought
I am thinking
303
00:18:42,600 --> 00:18:47,760
# Concerning the great speckled bird
304
00:18:49,800 --> 00:18:55,600
# And to know
that my name is recorded
305
00:18:57,360 --> 00:19:03,360
# On the pages of God's holy word
306
00:19:05,200 --> 00:19:08,160
# Desiring...
307
00:19:08,160 --> 00:19:11,040
# To lower her standards
308
00:19:12,440 --> 00:19:18,120
# I watch every move that she makes
309
00:19:19,800 --> 00:19:24,880
# They long to find fault
with her teaching
310
00:19:27,200 --> 00:19:33,440
# But really she makes no mistakes
311
00:19:33,440 --> 00:19:39,400
# And when he cometh
descending from heaven
312
00:19:41,200 --> 00:19:47,000
# On a cloud
like he wrote in his word
313
00:19:48,520 --> 00:19:55,160
# I'll be joyfully carried
to meet him
314
00:19:55,160 --> 00:20:01,240
# On the wings
of the great speckled bird. #
315
00:20:02,720 --> 00:20:04,320
What do you think that means?
316
00:20:04,320 --> 00:20:08,840
The great speckled bird is,
er, a symbol of the Church.
317
00:20:08,840 --> 00:20:10,560
That's what it means.
318
00:20:10,560 --> 00:20:13,200
You were talking about songs
being a part of me.
319
00:20:13,200 --> 00:20:15,560
Now, we've bought some property
up near Smithville.
320
00:20:15,560 --> 00:20:19,760
It's woods and there's a trout
stream running to the cliffs
321
00:20:19,760 --> 00:20:23,920
and we were up there not long ago,
June, the girls and I,
322
00:20:23,920 --> 00:20:26,840
and I sat down on a rock
323
00:20:26,840 --> 00:20:30,120
and started writing a thing that
I don't know if it would be...
324
00:20:30,120 --> 00:20:33,720
It might possibly be recorded
commercially, I don't know,
325
00:20:33,720 --> 00:20:36,600
it's called, um...
326
00:20:38,360 --> 00:20:41,560
Well, what, it's called, er...
327
00:20:41,560 --> 00:20:45,520
What I Need Is You.
All I Need Is You, I believe, yeah.
328
00:20:45,520 --> 00:20:48,440
You're All I Need.
329
00:20:45,520 --> 00:20:48,440
HE BEGINS PLAYING
330
00:20:48,440 --> 00:20:52,400
# Beside a singin' mountain stream
331
00:20:52,400 --> 00:20:55,480
# Where the pussy willow grew
332
00:20:55,480 --> 00:20:58,720
# Where the silver leaf of maple
333
00:20:58,720 --> 00:21:03,120
# Sparkled in the morning dew
334
00:21:03,120 --> 00:21:06,040
# I braided twigs of willow
335
00:21:06,040 --> 00:21:09,880
# Made a string of buckeye beads
336
00:21:09,880 --> 00:21:13,160
# But flesh and blood
needs flesh and blood
337
00:21:13,160 --> 00:21:16,800
# And you are what I need
338
00:21:16,800 --> 00:21:20,120
# Flesh and blood
needs flesh and blood
339
00:21:20,120 --> 00:21:22,960
# And you are what I need
340
00:21:25,440 --> 00:21:28,600
# I leaned against the bark of birch
341
00:21:28,600 --> 00:21:32,000
# And I smelled the honey dew
342
00:21:32,000 --> 00:21:34,760
# I watched a flock of geese
343
00:21:34,760 --> 00:21:38,760
# Against the sky of baby blue
344
00:21:38,760 --> 00:21:42,480
# I walked among the lily pads
345
00:21:42,480 --> 00:21:45,760
# Carved a whistle from a reed
346
00:21:45,760 --> 00:21:48,880
# Mother Nature's quite a lady
347
00:21:48,880 --> 00:21:52,680
# But you are what I need
348
00:21:52,680 --> 00:21:55,880
# Mother Nature's quite a lady
349
00:21:55,880 --> 00:21:59,480
# But you are what I need. #
350
00:21:59,480 --> 00:22:01,120
I think that's pretty.
351
00:22:04,120 --> 00:22:08,000
And there's another verse, of course,
I always forget the last verse.
352
00:22:08,000 --> 00:22:09,520
SHE LAUGHS
353
00:22:09,520 --> 00:22:13,120
HE SINGS TO HIMSELF
John always writes these songs down.
354
00:22:13,120 --> 00:22:17,080
# A mockingbird sang in the trees
355
00:22:17,080 --> 00:22:19,640
# And I thanked him for the song
356
00:22:19,640 --> 00:22:23,680
# Then the sun
went slowly to the west
357
00:22:23,680 --> 00:22:26,000
# And I had to move along
358
00:22:27,480 --> 00:22:30,440
# I walked...
I walked through...
359
00:22:30,440 --> 00:22:34,120
# I walked beside the wild oats
360
00:22:34,120 --> 00:22:39,080
# Where the roebuck...
Where the deer and the roebuck feed
361
00:22:39,080 --> 00:22:42,440
# But flesh and blood
calls for flesh and blood
362
00:22:42,440 --> 00:22:45,920
# And you are what I need
363
00:22:45,920 --> 00:22:49,000
# Flesh and blood
calls for flesh and blood
364
00:22:49,000 --> 00:22:52,160
# And you are what I need. #
365
00:22:53,960 --> 00:22:57,880
That's another little thing
I wrote just...
366
00:22:57,880 --> 00:22:59,880
in one of my alone moods.
367
00:23:08,160 --> 00:23:11,080
I didn't mind the hard work
on the farm all that much.
368
00:23:11,080 --> 00:23:14,040
It's something
that we had to do and so,
369
00:23:14,040 --> 00:23:17,760
we accepted it that hard work
was part of our life.
370
00:23:18,960 --> 00:23:22,520
I'm sure that, if you've ever
lived on a cotton patch
371
00:23:22,520 --> 00:23:26,520
or any part of the country
where times are hard,
372
00:23:26,520 --> 00:23:30,400
that you appreciate the good things
when they do come much more.
373
00:23:30,400 --> 00:23:33,520
John and I talked many times
about the old saying
374
00:23:33,520 --> 00:23:35,480
and that line that says,
375
00:23:35,480 --> 00:23:39,880
"Steel is strong because it knew
the hammer and white heat."
376
00:23:39,880 --> 00:23:43,200
HE LAUGHS
377
00:23:39,880 --> 00:23:43,200
I'm, er, I've learned, um,
378
00:23:43,200 --> 00:23:45,760
to adapt very well to prosperity,
I like it.
379
00:23:51,160 --> 00:23:54,360
From the home
of the world-renowned Grand Ole Opry
380
00:23:54,360 --> 00:23:59,120
in Nashville, Tennessee,
the Kraft Music Hall presents...
381
00:23:59,120 --> 00:24:02,280
The Second Annual
Country Music Awards!
382
00:24:02,280 --> 00:24:05,240
APPLAUSE,
FANFARE PLAYS
383
00:24:06,480 --> 00:24:10,880
With guest stars
Roy Acuff, Chet Atkins,
384
00:24:10,880 --> 00:24:14,880
Pat Boone, Bobby Goldsboro,
385
00:24:14,880 --> 00:24:18,640
Roger Miller, Jeannie C Riley,
386
00:24:18,640 --> 00:24:23,560
Tex Ritter, Bob Wills, Johnny Cash!
387
00:24:23,560 --> 00:24:27,200
The next award is for the
Country Music Album Of The Year.
388
00:24:27,200 --> 00:24:29,000
The albums nominated are...
389
00:24:29,000 --> 00:24:31,880
Best Of Merle Haggard.
Performer - Merle Haggard.
390
00:24:31,880 --> 00:24:34,880
By The Time I Get To Phoenix.
Performer - Glen Campbell.
391
00:24:34,880 --> 00:24:37,160
D-I-V-O-R-C-E.
Performer - Tammy Wynette.
392
00:24:37,160 --> 00:24:39,840
Gentle On My Mind.
Performer - Glen Campbell.
393
00:24:39,840 --> 00:24:43,400
And Johnny Cash At Folsom Prison.
Performer - Johnny Cash.
394
00:24:43,400 --> 00:24:44,920
The winner is...
395
00:24:50,400 --> 00:24:54,160
The Album Of The Year -
Johnny Cash At Folsom Prison.
396
00:24:54,160 --> 00:24:56,560
CHEERING,
FANFARE PLAYS
397
00:25:12,040 --> 00:25:14,040
Thank you.
398
00:25:14,040 --> 00:25:16,840
I would like to say, first of all,
399
00:25:16,840 --> 00:25:19,520
thanks to the people
that helped support me
400
00:25:19,520 --> 00:25:21,480
to make this possible, to...
401
00:25:22,600 --> 00:25:25,360
..Luther Perkins especially.
Thank you.
402
00:25:25,360 --> 00:25:26,880
APPLAUSE
403
00:25:32,400 --> 00:25:34,520
Mr Davies, how are you doing?
404
00:25:36,280 --> 00:25:38,680
Hello there. How are you doing?
405
00:25:41,960 --> 00:25:43,960
Hello. Hello.
406
00:25:43,960 --> 00:25:46,000
How are you doing? What's your name?
407
00:25:46,000 --> 00:25:49,560
Don Freed. Nice to meet you, Don.
Nice to meet you too.
408
00:25:49,560 --> 00:25:53,120
Are you the fella that came down from
Canada? That's right. Saskatoon.
409
00:25:53,120 --> 00:25:55,320
..Going merrily downhill, sort of.
410
00:25:55,320 --> 00:25:57,440
He had such high ideals,
411
00:25:57,440 --> 00:26:00,040
I kind of hated to stand by
and watch him.
412
00:26:20,000 --> 00:26:25,760
# Come away from the roadside
413
00:26:25,760 --> 00:26:30,640
# Your feat, it is done
414
00:26:32,200 --> 00:26:36,800
# The battle is over
415
00:26:36,800 --> 00:26:41,640
# You have both lost and won
416
00:26:41,640 --> 00:26:47,520
# For the drums, they're but an echo
417
00:26:47,520 --> 00:26:52,480
# Your trumpet players die
418
00:26:52,480 --> 00:26:58,240
# Come away, come away
419
00:26:58,240 --> 00:27:03,600
# And know how hard you tried
420
00:27:07,280 --> 00:27:11,800
# The king, he holds the aces
421
00:27:13,160 --> 00:27:16,960
# He has not held your hand
422
00:27:18,720 --> 00:27:23,960
# The queen, with her embraces
423
00:27:23,960 --> 00:27:28,560
# You did not understand
424
00:27:28,560 --> 00:27:33,680
# And the seeds that have fallen
425
00:27:33,680 --> 00:27:39,920
# Along the weary hobo's trail
426
00:27:39,920 --> 00:27:44,840
# And just as they have fallen
427
00:27:44,840 --> 00:27:50,520
# Don't let yourself be felled... #
428
00:27:53,720 --> 00:27:56,600
HE PLAYS HARMONICA
429
00:28:15,840 --> 00:28:19,920
Good. Very good writing. Would you
like to hear another? Mm-hm.
430
00:28:19,920 --> 00:28:22,040
All right. I'll sit down. Sure.
431
00:28:22,040 --> 00:28:25,360
That's a beautiful tune.
A very pretty tune.
432
00:28:28,560 --> 00:28:31,880
I'd like to get you an audition
with Columbia Records.
433
00:28:31,880 --> 00:28:34,400
I don't want you to do it
just as a favour.
434
00:28:34,400 --> 00:28:37,440
If you don't think I'm good
enough... I wouldn't do it
435
00:28:37,440 --> 00:28:40,280
just as a favour. If I didn't think
you were good enough,
436
00:28:40,280 --> 00:28:41,840
I wouldn't do it at all.
437
00:28:44,280 --> 00:28:45,880
But I think you've got it,
438
00:28:45,880 --> 00:28:49,240
so I'll be happy to try
to set you up an audition.
439
00:28:49,240 --> 00:28:51,080
I want to hear another.
440
00:28:51,080 --> 00:28:53,560
I'll see if I can find that guy.
441
00:28:55,360 --> 00:28:57,320
HE LAUGHS
442
00:29:10,880 --> 00:29:13,560
# Look a-yonder comin'
443
00:29:13,560 --> 00:29:16,960
# Comin' down that railroad track
444
00:29:16,960 --> 00:29:19,720
# Hey, look a-yonder comin'
445
00:29:19,720 --> 00:29:23,000
# Comin' down that railroad track
446
00:29:23,000 --> 00:29:26,440
# It's that Orange Blossom Special
447
00:29:26,440 --> 00:29:29,760
# Bringin' my baby back... #
448
00:30:07,760 --> 00:30:10,280
HE CHUCKLES
449
00:30:11,600 --> 00:30:14,560
# ..Well, I'm going down to Florida
450
00:30:14,560 --> 00:30:17,560
# And get some sand in my shoes
451
00:30:17,560 --> 00:30:20,560
# Or maybe Californy
452
00:30:20,560 --> 00:30:23,520
# And get some sand in my shoes
453
00:30:23,520 --> 00:30:26,960
# I'll ride that
Orange Blossom Special
454
00:30:26,960 --> 00:30:30,200
# And lose these New York blues... #
455
00:30:43,160 --> 00:30:45,920
CROWD CHEERS
456
00:30:54,280 --> 00:30:56,840
"Say, man,
when you going back to Florida?"
457
00:30:56,840 --> 00:30:59,800
"I don't know, I don't reckon
I'll ever go back to Florida."
458
00:30:59,800 --> 00:31:02,680
"Ain't you worried about getting
your nourishment in New York?"
459
00:31:02,680 --> 00:31:06,400
"Well, I don't care
if I do-die-do-die-do-die-do."
460
00:31:06,400 --> 00:31:09,280
# ..Hey, talk about a-ramblin'
461
00:31:09,280 --> 00:31:12,640
# She's the fastest train on the line
462
00:31:12,640 --> 00:31:15,560
# Talk about a-travellin'
463
00:31:15,560 --> 00:31:18,800
# She's the fastest train on the line
464
00:31:18,800 --> 00:31:22,080
# It's that Orange Blossom Special
465
00:31:22,080 --> 00:31:25,120
# Rollin' down the seaboard line... #
466
00:31:35,400 --> 00:31:38,240
CHEERING AND APPLAUSE
467
00:31:42,480 --> 00:31:44,760
COUGHING
468
00:31:50,040 --> 00:31:52,240
You want me to get in closer on it?
469
00:31:52,240 --> 00:31:54,640
You want me to get in closer?
470
00:32:10,640 --> 00:32:13,800
# Down the street
the dogs are barking
471
00:32:13,800 --> 00:32:17,120
# And the day is getting dark
472
00:32:18,800 --> 00:32:21,520
# As the night begins to fall
473
00:32:21,520 --> 00:32:24,680
# Then the dogs will lose their bark
474
00:32:26,000 --> 00:32:28,800
# And the silent night will shatter
475
00:32:28,800 --> 00:32:32,120
# From the sounds inside my mind
476
00:32:32,120 --> 00:32:35,600
# And I'm just one too many mornings
477
00:32:35,600 --> 00:32:41,320
# And a thousand miles behind
478
00:32:43,800 --> 00:32:47,480
# From the crossroads of my doorstep
479
00:32:47,480 --> 00:32:50,600
# My eyes, they begin to fade
480
00:32:51,840 --> 00:32:54,880
# And I turn my head back
to the room
481
00:32:54,880 --> 00:32:57,920
# Where my love and I have laid
482
00:32:57,920 --> 00:33:01,520
# And I gaze back to the street
483
00:33:01,520 --> 00:33:05,040
# The sidewalk and the sign
484
00:33:06,440 --> 00:33:09,200
# And I'm one too many mornings
485
00:33:09,200 --> 00:33:13,200
# And a thousand miles behind
486
00:33:13,200 --> 00:33:17,240
# Yea-eah
487
00:33:17,240 --> 00:33:20,880
# Well, it's a restless, hungry
feeling
488
00:33:20,880 --> 00:33:23,960
# It don't do nobody no good
489
00:33:25,720 --> 00:33:27,720
# And everything I'm saying
490
00:33:27,720 --> 00:33:30,920
# You can say it just as good
491
00:33:32,360 --> 00:33:35,040
# Cos you're right from your side
492
00:33:35,040 --> 00:33:37,720
# That I'm right from mine
493
00:33:37,720 --> 00:33:38,960
# I know it
494
00:33:39,960 --> 00:33:42,720
# We're just one too many mornings
495
00:33:42,720 --> 00:33:47,480
# And a thousand miles behind
496
00:33:47,480 --> 00:33:49,160
# Dead right
497
00:33:49,160 --> 00:33:53,320
# Down the street
the dogs are barking
498
00:33:53,320 --> 00:33:56,280
# And the day is getting dark
499
00:33:57,960 --> 00:34:00,640
# As the night comes in a-falling
500
00:34:00,640 --> 00:34:03,760
# The dogs will lose their bark
501
00:34:03,760 --> 00:34:07,640
# And the silent night will shatter
502
00:34:07,640 --> 00:34:10,600
# From the sounds inside my mind
503
00:34:10,600 --> 00:34:12,440
# Dead right
504
00:34:12,440 --> 00:34:15,280
BOTH: # As I'm one too many mornings
505
00:34:15,280 --> 00:34:19,960
# And a thousand miles behind
506
00:34:19,960 --> 00:34:23,680
# I'm just one too many mornings
507
00:34:23,680 --> 00:34:26,560
# And a thousand miles behind
508
00:34:26,560 --> 00:34:29,280
# Just one too many mornings
509
00:34:29,280 --> 00:34:32,160
# And a thousand miles behind
510
00:34:32,160 --> 00:34:34,720
# I'm just one too many mornings
511
00:34:34,720 --> 00:34:37,800
# And a thousand miles behind
512
00:34:37,800 --> 00:34:41,280
# I'm just one too many mornings
513
00:34:41,280 --> 00:34:43,360
# And a thousand
514
00:34:43,360 --> 00:34:45,600
# And a thousand
And a thousand
515
00:34:45,600 --> 00:34:49,720
# Another thousand
Miles and miles
516
00:34:49,720 --> 00:34:53,000
# Yeah, a thousand miles
A thousand miles behind
517
00:34:53,000 --> 00:34:56,040
# And a thousand miles behind
518
00:34:56,040 --> 00:34:59,080
# I'm just one too many mornings
519
00:34:59,080 --> 00:35:01,600
# And a thousand miles behind... #
520
00:35:01,600 --> 00:35:05,160
I've got very little
Indian blood in me, myself,
521
00:35:05,160 --> 00:35:08,000
except in my heart.
I've got 100% for you tonight.
522
00:35:08,000 --> 00:35:10,440
CHEERING AND APPLAUSE
523
00:35:11,680 --> 00:35:13,480
Thank you.
524
00:35:13,480 --> 00:35:16,000
# Gather round me, people
525
00:35:16,000 --> 00:35:18,600
# There's a story I would tell
526
00:35:18,600 --> 00:35:21,400
# About a brave young Indian
527
00:35:21,400 --> 00:35:23,560
# That we should remember well
528
00:35:23,560 --> 00:35:25,840
# From the tribe of the Pima Indian
529
00:35:25,840 --> 00:35:28,040
# A proud and peaceful band
530
00:35:28,040 --> 00:35:32,120
# Who farmed the Phoenix Valley
in Arizona land
531
00:35:32,120 --> 00:35:34,880
# Down the ditches
for a thousand years
532
00:35:34,880 --> 00:35:37,520
# The water grew Ira's people's crops
533
00:35:37,520 --> 00:35:40,120
# Till the white man stole
the water rights
534
00:35:40,120 --> 00:35:42,280
# And the sparklin' water stopped
535
00:35:42,280 --> 00:35:44,320
# Now Ira's folks were hungry
536
00:35:44,320 --> 00:35:46,640
# And their land grew crops of weeds
537
00:35:46,640 --> 00:35:48,920
# But when war came, Ira volunteered
538
00:35:48,920 --> 00:35:51,400
# And forgot the white man's greed
539
00:35:51,400 --> 00:35:54,160
# Call him drunken Ira Hayes
540
00:35:54,160 --> 00:35:56,640
# He won't answer any more
541
00:35:56,640 --> 00:35:59,160
# Not the whisky-drinking Indian
542
00:35:59,160 --> 00:36:01,360
# Nor the Marine that went to war
543
00:36:03,040 --> 00:36:05,960
# There they battled
up Iwo Jima's hill
544
00:36:05,960 --> 00:36:08,480
# Two hundred and fifty men
545
00:36:08,480 --> 00:36:11,880
# But only twenty seven lived
to fight back down again
546
00:36:11,880 --> 00:36:14,840
# And when that fight was over
547
00:36:14,840 --> 00:36:17,400
# And when Old Glory raised
548
00:36:17,400 --> 00:36:19,960
# Among the men who held it high
549
00:36:19,960 --> 00:36:22,280
# Was the Indian, Ira Hayes
550
00:36:22,280 --> 00:36:25,040
# Call him drunken Ira Hayes
551
00:36:25,040 --> 00:36:27,400
# He won't answer any more
552
00:36:27,400 --> 00:36:30,120
# Not the whisky-drinking Indian
553
00:36:30,120 --> 00:36:32,760
# Nor the Marine that went to war
554
00:36:34,040 --> 00:36:36,720
# Ira Hayes returned a hero
555
00:36:36,720 --> 00:36:38,800
# Celebrated through the land
556
00:36:38,800 --> 00:36:41,480
# He was wined and speeched
and honoured
557
00:36:41,480 --> 00:36:43,640
# Everybody shook his hand
558
00:36:43,640 --> 00:36:45,760
# But he was just a Pima Indian
559
00:36:45,760 --> 00:36:48,080
# No water, no crops, no chance
560
00:36:48,080 --> 00:36:50,800
# At home nobody cared
what Ira'd done
561
00:36:50,800 --> 00:36:53,080
# And when did the Indians dance?
562
00:36:53,080 --> 00:36:56,280
# And then Ira started drinking hard
563
00:36:56,280 --> 00:36:58,360
# Jail was often his home
564
00:36:58,360 --> 00:37:01,240
# There they'd let him
raise the flag and lower it
565
00:37:01,240 --> 00:37:03,520
# Like you'd throw a dog a bone
566
00:37:03,520 --> 00:37:05,520
# He died drunk early one morning
567
00:37:05,520 --> 00:37:07,800
# Alone in the land he fought to save
568
00:37:07,800 --> 00:37:10,560
# Two inches of water
in a lonely ditch
569
00:37:10,560 --> 00:37:12,920
# Was a grave for Ira Hayes
570
00:37:12,920 --> 00:37:15,360
# Call him drunken Ira Hayes
571
00:37:15,360 --> 00:37:17,760
# He won't answer any more
572
00:37:17,760 --> 00:37:20,080
# Not the whisky-drinking Indian
573
00:37:20,080 --> 00:37:22,880
# Nor the Marine that went to war
574
00:37:22,880 --> 00:37:25,880
# Yeah, call him drunken Ira Hayes
575
00:37:25,880 --> 00:37:28,560
# But his land is just as dry
576
00:37:28,560 --> 00:37:31,400
# And his ghost is lying thirsty
577
00:37:31,400 --> 00:37:34,360
# In the ditch where Ira died. #
578
00:37:34,360 --> 00:37:37,360
CHEERING AND APPLAUSE
579
00:37:37,360 --> 00:37:39,560
WHISTLING
580
00:37:41,280 --> 00:37:43,360
Thank you.
581
00:37:43,360 --> 00:37:46,760
# Ooh, ooh-ooh
582
00:37:46,760 --> 00:37:54,440
# Sometimes it causes me to tremble
583
00:37:54,440 --> 00:37:57,760
# Tremble, tremble, tremble
584
00:37:57,760 --> 00:38:02,040
# Tremble
585
00:38:03,560 --> 00:38:11,560
# Were you there
when they laid him in the tomb?
586
00:38:11,560 --> 00:38:19,560
# Were you there
when the stone was rolled away?
587
00:38:22,840 --> 00:38:30,840
# Were you there
when the stone was rolled away?
588
00:38:34,280 --> 00:38:44,040
# Ooh...
589
00:38:44,040 --> 00:38:46,760
# Ooh-ooh
590
00:38:46,760 --> 00:38:54,480
# Sometimes it causes me to tremble
591
00:38:54,480 --> 00:38:56,720
# Tremble, tremble, tremble
592
00:38:56,720 --> 00:39:00,680
# Tremble
593
00:39:02,520 --> 00:39:10,520
# Were you there
when the stone was rolled away? #
594
00:39:14,760 --> 00:39:16,960
APPLAUSE
595
00:39:16,960 --> 00:39:19,520
They call it sharecropping.
596
00:39:19,520 --> 00:39:24,360
And these are sharecropper houses,
bungalows, here.
597
00:39:24,360 --> 00:39:27,880
Most of them are what they call
"shotgun shacks".
598
00:39:27,880 --> 00:39:31,640
There's three rooms in a row.
599
00:39:31,640 --> 00:39:35,040
A front room, a middle room
and a back room.
600
00:39:39,960 --> 00:39:42,640
Each one of these houses
601
00:39:42,640 --> 00:39:45,400
had a barn,
602
00:39:45,400 --> 00:39:49,120
a chicken house,
a smokehouse, where the farmers...
603
00:39:49,120 --> 00:39:53,080
They raised their own hogs
and cured their meat.
604
00:39:54,880 --> 00:39:58,400
And they had a mule
and 20 acres of land here.
605
00:39:58,400 --> 00:40:01,080
The next house, just up the road,
606
00:40:01,080 --> 00:40:05,120
the line, the property line,
was halfway between the two houses.
607
00:40:05,120 --> 00:40:09,320
They all had 20 acres of land
to begin with in 1935.
608
00:40:13,080 --> 00:40:15,840
And this is one of those...
You called it a canal,
609
00:40:15,840 --> 00:40:20,040
it's a drainage ditch.
This is ditch 40. Oh, wow.
610
00:40:20,040 --> 00:40:22,760
Are these the banks...?
611
00:40:22,760 --> 00:40:28,000
These are some of the banks that...
that my daddy and all of them
612
00:40:28,000 --> 00:40:32,320
were cleaning off when I was
a water boy on the river gang.
613
00:40:32,320 --> 00:40:34,840
I'd just soon wait over there.
614
00:40:34,840 --> 00:40:36,760
The bus is heavy.
615
00:40:38,120 --> 00:40:41,120
The only original building
in the circle
616
00:40:41,120 --> 00:40:44,000
is the administration building.
617
00:40:44,000 --> 00:40:48,320
There's the Dyess Theater where
I saw all the Tex Ritter movies,
618
00:40:48,320 --> 00:40:52,000
Sunset Carson, Gene Autry movies
619
00:40:53,480 --> 00:40:55,960
There was a bank, a theatre,
620
00:40:55,960 --> 00:40:59,440
there was a big co-op store
over there.
621
00:41:02,520 --> 00:41:05,520
There was a nice restaurant there.
622
00:41:07,120 --> 00:41:09,640
It was a beautiful little place.
623
00:41:11,560 --> 00:41:13,280
Was it...?
624
00:41:13,280 --> 00:41:16,400
The library's on down here,
isn't it? Mm-hm.
625
00:41:24,120 --> 00:41:27,880
There it is. Frank Huff,
that I was telling you about,
626
00:41:27,880 --> 00:41:29,760
right there he is.
627
00:41:29,760 --> 00:41:31,520
Really? Mm-hm.
628
00:41:35,440 --> 00:41:37,600
There is Frank Huff.
629
00:41:39,440 --> 00:41:41,680
Hello, Mr Huff!
630
00:41:41,680 --> 00:41:43,320
INDISTINCT REPLY
631
00:41:43,320 --> 00:41:47,160
I got to get out to talk to him for a
minute. Just a minute, I'll get out.
632
00:41:47,160 --> 00:41:49,160
Hi. Get out, get out!
633
00:41:49,160 --> 00:41:50,560
I will.
634
00:41:50,560 --> 00:41:53,240
Shall I turn it off, John, or...
635
00:41:55,960 --> 00:41:59,360
You still live out here on the road?
No, I live here.
636
00:41:59,360 --> 00:42:00,800
Oh, you do?
637
00:42:00,800 --> 00:42:03,200
Is Jay still up north?
638
00:42:03,200 --> 00:42:05,320
Yes, he is still up there.
639
00:42:05,320 --> 00:42:07,960
Hi, how are you doing?
640
00:42:07,960 --> 00:42:10,320
How are you doing?
641
00:42:10,320 --> 00:42:12,320
Good to see you.
642
00:42:12,320 --> 00:42:14,360
Long time. Sure...
643
00:42:31,360 --> 00:42:33,800
Is it locked? Yeah.
644
00:42:36,240 --> 00:42:40,640
John, is that the same...?
Was that there, back years ago?
645
00:42:40,640 --> 00:42:44,360
No, I don't think...
These concrete blocks were.
646
00:43:07,360 --> 00:43:09,240
Sure looks smaller, doesn't it?
647
00:43:09,240 --> 00:43:14,440
Yes, it's just amazing
how small all the rooms look.
648
00:43:14,440 --> 00:43:18,160
Here's something
that broke me up, Louise.
649
00:43:18,160 --> 00:43:21,120
On the floor there,
the holes where Mama's stove...
650
00:43:21,120 --> 00:43:23,760
wore holes in the floor.
651
00:43:23,760 --> 00:43:27,080
We moved in this house
in the winter of 1935.
652
00:43:27,080 --> 00:43:29,680
There were five cans of paint
sitting there on the floor.
653
00:43:29,680 --> 00:43:31,800
It's all there was, remember?
654
00:43:31,800 --> 00:43:35,120
Every one of us sat down in
the middle of the floor and cried.
655
00:43:35,120 --> 00:43:37,600
First new house we'd ever owned.
656
00:43:37,600 --> 00:43:40,120
This is where I'd sit
and listen to the radio.
657
00:43:40,120 --> 00:43:41,960
I thought of that very thing.
658
00:43:41,960 --> 00:43:45,520
Remember at night, Daddy'd say,
"Turn it down, John!"
659
00:43:45,520 --> 00:43:49,080
He'd sit there with his ear
glued to that radio...
660
00:43:49,080 --> 00:43:52,160
Did he think
if he turned it down...?
661
00:43:52,160 --> 00:43:54,040
Yeah.
662
00:44:04,320 --> 00:44:08,920
# My bills are all due
and the babies need shoes
663
00:44:08,920 --> 00:44:10,880
# But I'm busted
664
00:44:13,520 --> 00:44:17,120
# Cotton's gone down
to a quarter a pound
665
00:44:17,120 --> 00:44:18,840
# And I'm busted
666
00:44:20,680 --> 00:44:23,560
# I got a cow that went dry
667
00:44:23,560 --> 00:44:25,920
# And a hen that won't lay
668
00:44:25,920 --> 00:44:28,040
# A big stack of bills
669
00:44:28,040 --> 00:44:30,360
# That get bigger each day
670
00:44:30,360 --> 00:44:33,480
# The county will haul
my belongings away
671
00:44:33,480 --> 00:44:35,440
# I'm busted
672
00:44:37,080 --> 00:44:41,960
# I called on my brother
to ask for a loan
673
00:44:41,960 --> 00:44:43,880
# I was busted
674
00:44:45,600 --> 00:44:50,320
# I hate to beg like a dog for a bone
675
00:44:50,320 --> 00:44:52,360
# But I'm busted
676
00:44:53,840 --> 00:44:57,920
# My brother said
there ain't a thing I can do
677
00:44:57,920 --> 00:45:02,320
# My wife and my kids
are all down with the flu
678
00:45:02,320 --> 00:45:06,120
# And I was just thinking
of calling on you
679
00:45:06,120 --> 00:45:08,640
# I'm busted. #
680
00:45:25,120 --> 00:45:31,760
# I walked in the big yard
to feel the warm sunshine
681
00:45:31,760 --> 00:45:38,440
# A ninety-nine-year man
stepped over to me
682
00:45:38,440 --> 00:45:44,240
# He offered a smoke
and he said as I rolled it
683
00:45:44,240 --> 00:45:50,360
# Tomorrow I'm going to break out
and go free
684
00:45:50,360 --> 00:45:53,520
# They watch us by sunlight
685
00:45:53,520 --> 00:45:56,160
# They watch us by spotlight
686
00:45:56,160 --> 00:46:02,240
# But I know a way
for a man to go free
687
00:46:02,240 --> 00:46:08,400
# Down under my cell
I'm digging a tunnel
688
00:46:08,400 --> 00:46:15,240
# The walls of a prison
will never hold me
689
00:46:29,080 --> 00:46:35,200
# Next morning at breakfast
the old man was missing
690
00:46:35,200 --> 00:46:40,640
# Then we all heard the rifles
high up on the wall
691
00:46:40,640 --> 00:46:46,560
# He'd gone through the tunnel
just like he had promised
692
00:46:46,560 --> 00:46:52,440
# And they said he was crying
when they saw him fall
693
00:46:52,440 --> 00:46:55,800
# They watch us by sunlight
694
00:46:55,800 --> 00:46:58,400
# They watch us by spotlight
695
00:46:58,400 --> 00:47:04,040
# But I know a way
for a man to go free
696
00:47:04,040 --> 00:47:09,480
# Down under my cell
I'm digging a tunnel
697
00:47:09,480 --> 00:47:16,320
# The walls of a prison
will never hold me... #
698
00:47:24,640 --> 00:47:26,800
INDISTINCT CHATTER
699
00:47:31,800 --> 00:47:35,240
I was hoping it'd be bad.
700
00:47:39,160 --> 00:47:42,000
You know,
it's not like Folsom Prison,
701
00:47:42,000 --> 00:47:44,600
but it gives you the same feeling,
doesn't it?
702
00:47:44,600 --> 00:47:46,560
A prison's a prison.
703
00:47:48,560 --> 00:47:50,920
That's all it is.
704
00:47:59,720 --> 00:48:02,880
Go around,
back through the passageway.
705
00:48:02,880 --> 00:48:04,600
All right.
706
00:48:35,200 --> 00:48:37,440
Thank you very much.
You're very kind
707
00:48:37,440 --> 00:48:41,000
and we've enjoyed singing for you
this afternoon,
708
00:48:41,000 --> 00:48:44,000
but we would like to continue
with the Johnny Cash Show
709
00:48:44,000 --> 00:48:47,160
and bring to you the man
that you've actually come to see.
710
00:48:47,160 --> 00:48:49,560
I'm sure you'll enjoy him
this afternoon.
711
00:48:49,560 --> 00:48:52,360
He seems to have
a lot of things in common with you.
712
00:48:52,360 --> 00:48:54,480
Mr Johnny Cash!
713
00:48:54,480 --> 00:48:56,760
CHEERING AND APPLAUSE
714
00:48:59,480 --> 00:49:03,720
# Now, I taught the weeping willow
how to cry
715
00:49:03,720 --> 00:49:08,560
# And I showed the clouds
how to cover up a clear-blue sky
716
00:49:08,560 --> 00:49:11,200
# And the tears I cried
for that woman
717
00:49:11,200 --> 00:49:12,880
# Are gonna flood you, big river
718
00:49:12,880 --> 00:49:16,000
# And I'm gonna sit right here
until I die
719
00:49:27,640 --> 00:49:31,080
# Then you took me to St Louis
720
00:49:31,080 --> 00:49:33,320
# Later on down the river
721
00:49:33,320 --> 00:49:37,560
# A freighter said she's been here
but she's gone, boy, she's gone
722
00:49:37,560 --> 00:49:41,760
# I found her trail in Memphis
but she just walked up the bluff
723
00:49:41,760 --> 00:49:45,160
# She raised a few eyebrows
and went on down alone
724
00:49:45,160 --> 00:49:48,920
# Now, won't you batter down
by Baton Rouge, River Queen
725
00:49:48,920 --> 00:49:50,520
# Roll it on
726
00:49:50,520 --> 00:49:53,880
# Take that woman on down
to New Orleans, New Orleans
727
00:49:53,880 --> 00:49:57,720
# Go on, I've had enough
Dump my blues down in the gulf
728
00:49:57,720 --> 00:50:01,320
# She loves you, Big River
More than me. #
729
00:50:05,200 --> 00:50:06,240
Yeah!
730
00:50:06,240 --> 00:50:09,440
CHEERING AND APPLAUSE
731
00:50:09,440 --> 00:50:12,200
You guys must say something nice
for the camera, now,
732
00:50:12,200 --> 00:50:14,480
don't say "Shit"
or anything like that.
733
00:50:15,640 --> 00:50:16,920
Can't put that on TV.
734
00:50:18,720 --> 00:50:21,160
The fellas here on the bass
and the drums have been with me
735
00:50:21,160 --> 00:50:22,360
for about 13 years.
736
00:50:22,360 --> 00:50:24,480
This is Marshall Grant
and WS Holland.
737
00:50:24,480 --> 00:50:26,000
Let's give them a big hand.
738
00:50:26,000 --> 00:50:28,000
APPLAUSE
739
00:50:29,760 --> 00:50:32,600
The young man on the guitar
has been with us just a short while,
740
00:50:32,600 --> 00:50:34,880
since the death of our guitar player
Luther Perkins,
741
00:50:34,880 --> 00:50:36,360
for about four or five months.
742
00:50:36,360 --> 00:50:38,520
He's joined the group
and doing a great job -
743
00:50:38,520 --> 00:50:41,520
from Tulsa, Oklahoma, Bob Wootton.
744
00:50:41,520 --> 00:50:43,800
WHISTLING AND APPLAUSE
745
00:50:45,120 --> 00:50:48,600
Well, we did a show at Folsom Prison
in California.
746
00:50:48,600 --> 00:50:52,640
And, er...there's some pretty
mean-looking characters out there
747
00:50:52,640 --> 00:50:54,640
compared to some of you fellas.
748
00:50:54,640 --> 00:50:57,480
One guy I know is in for life
for stealing eggs.
749
00:50:57,480 --> 00:51:00,320
LAUGHTER
750
00:51:05,560 --> 00:51:07,720
Here's some of the songs
we did out at Folsom,
751
00:51:07,720 --> 00:51:11,360
and...we've done
at almost all of our shows.
752
00:51:13,000 --> 00:51:18,320
# Ten years ago
on a cold, dark night
753
00:51:18,320 --> 00:51:22,920
# Someone was killed
'neath the town hall lights
754
00:51:22,920 --> 00:51:28,080
# There were few at the scene
but they all agreed
755
00:51:28,080 --> 00:51:33,400
# That the slayer who ran
looked a lot like me
756
00:51:35,080 --> 00:51:40,720
# The scaffold is high
and eternity is near
757
00:51:40,720 --> 00:51:45,480
# She stood in the crowd
and shed not a tear
758
00:51:45,480 --> 00:51:50,840
# But sometimes at night
when the cold wind moans
759
00:51:50,840 --> 00:51:57,760
# In a long black veil
she cries o'er my bones
760
00:51:57,760 --> 00:52:03,080
# She walks these hills
in a long black veil
761
00:52:03,080 --> 00:52:10,920
# She visits my grave
when the night winds wail
762
00:52:12,680 --> 00:52:17,840
# Nobody knows, nobody sees
763
00:52:17,840 --> 00:52:21,360
# Nobody knows but me. #
764
00:52:23,160 --> 00:52:25,600
CHEERING AND APPLAUSE
765
00:52:30,880 --> 00:52:32,000
Hi!
766
00:52:35,160 --> 00:52:38,800
# We got married in a fever
767
00:52:38,800 --> 00:52:42,440
# Hotter than a pepper sprout
768
00:52:42,440 --> 00:52:46,160
# We've been talkin' 'bout Jackson
769
00:52:46,160 --> 00:52:49,000
# Ever since the fire went out
770
00:52:49,000 --> 00:52:50,920
# I'm goin' to Jackson
771
00:52:52,160 --> 00:52:54,080
# I'm gonna mess around
772
00:52:55,800 --> 00:52:58,280
# Yeah, I'm goin' to Jackson
773
00:52:59,360 --> 00:53:01,480
# Look out, Jackson town... #
774
00:53:01,480 --> 00:53:02,760
Look out!
775
00:53:02,760 --> 00:53:06,520
# Well, go on down to Jackson
776
00:53:06,520 --> 00:53:10,000
# Go ahead and wreck your health
777
00:53:10,000 --> 00:53:13,360
# Go play your hand
you big-talkin' man
778
00:53:13,360 --> 00:53:16,680
# Make a big fool of yourself
779
00:53:16,680 --> 00:53:19,720
# You're goin' to Jackson
780
00:53:19,720 --> 00:53:22,320
# You big-talkin' man
781
00:53:23,400 --> 00:53:27,080
# And I'll be waitin' in Jackson
782
00:53:27,080 --> 00:53:29,960
# Behind my Jaypen fan
783
00:53:29,960 --> 00:53:33,000
# Well, when I breeze into that city
784
00:53:34,040 --> 00:53:36,760
# The people gonna stoop and bow... #
785
00:53:36,760 --> 00:53:37,960
Ha!
786
00:53:37,960 --> 00:53:44,160
# All them women gonna make me
teach 'em what they don't know how
787
00:53:44,160 --> 00:53:46,200
# I'm goin' to Jackson
788
00:53:47,240 --> 00:53:49,360
# You turn-a loose my coat
789
00:53:51,360 --> 00:53:53,320
# Yeah, I'm goin' to Jackson
790
00:53:54,720 --> 00:53:57,720
# "Goodbye", that's all she wrote
791
00:53:57,720 --> 00:54:01,120
# Well, they'll laugh at you
in Jackson
792
00:54:01,120 --> 00:54:05,000
# And I'll be dancin' on a Pony Keg
793
00:54:05,000 --> 00:54:08,640
# They'll lead you round town
like a scalded hound
794
00:54:08,640 --> 00:54:11,960
# With your tail tucked
between your legs
795
00:54:11,960 --> 00:54:14,080
# You'll go to Jackson
796
00:54:15,320 --> 00:54:17,600
# You big-talkin' man
797
00:54:18,800 --> 00:54:22,480
# And I'll be waitin' in Jackson
798
00:54:22,480 --> 00:54:24,360
# Behind my Jaypen fan
799
00:54:24,360 --> 00:54:27,360
# Well
800
00:54:27,360 --> 00:54:30,280
# We got married in a fever
801
00:54:31,280 --> 00:54:33,760
# Hotter than a pepper sprout
802
00:54:34,920 --> 00:54:38,680
# We've been talkin' 'bout Jackson
803
00:54:38,680 --> 00:54:41,400
# Ever since the fire went out
804
00:54:41,400 --> 00:54:43,560
# I'm goin' to Jackson
805
00:54:44,640 --> 00:54:46,960
# And that's a fact
806
00:54:48,320 --> 00:54:50,960
# Yeah, we're goin' to Jackson
807
00:54:52,000 --> 00:54:55,000
# Ain't never coming back
808
00:54:55,000 --> 00:54:58,920
# Well, we got married in a fever
Ooh...
809
00:54:58,920 --> 00:55:02,360
# Hotter than a pepper sprout
Ooh... #
810
00:55:02,360 --> 00:55:04,720
CHEERING AND APPLAUSE
811
00:55:22,680 --> 00:55:27,000
# Join your friends while you got 'em
812
00:55:28,400 --> 00:55:32,480
# Cos you know
they're gettin' fewer every day
813
00:55:33,880 --> 00:55:37,960
# You can't wait to let them
take you to the bottom
814
00:55:39,640 --> 00:55:43,800
# And I'm gettin' tired
of standin' in your way
815
00:55:44,920 --> 00:55:50,520
# But when you hit the ground
don't come looking around
816
00:55:50,520 --> 00:55:54,680
# For the pieces of the love
you threw away
817
00:55:56,040 --> 00:56:00,040
# That's the price of the high life
you're livin'
818
00:56:01,720 --> 00:56:05,760
# And you still got the devil to pay
819
00:56:10,240 --> 00:56:15,920
# You've been flying so high
you don't know that you're blind
820
00:56:15,920 --> 00:56:21,240
# To the writin' on the wall
821
00:56:21,240 --> 00:56:24,440
# But some day you'll look down
822
00:56:24,440 --> 00:56:28,880
# And you'll find
you've got no place to fall
823
00:56:32,720 --> 00:56:35,440
# When your bright lights are gone
824
00:56:35,440 --> 00:56:38,640
# You'll be standing alone
825
00:56:38,640 --> 00:56:42,440
# Forsaken in the naked light of day
826
00:56:43,560 --> 00:56:48,160
# And then you'll know
that it's all over but the dying
827
00:56:49,400 --> 00:56:53,800
# And you've still got
the devil to pay. #
93858
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