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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:01,139 --> 00:00:06,558 [reel whirring, ♪] 2 00:00:02,000 --> 00:00:07,000 Downloaded from YTS.MX 3 00:00:08,000 --> 00:00:13,000 Official YIFY movies site: YTS.MX 4 00:00:30,375 --> 00:00:34,172 YOU ARE A VERY SAD MAN, MR. KENT. 5 00:00:34,206 --> 00:00:37,071 HAH HAH! NOTHING GETS ME DOWN, SUGAR. 6 00:00:37,106 --> 00:00:40,040 PUT YOUR HANDS ON THE ICE. 7 00:00:40,074 --> 00:00:42,283 NEXT TO MINE. -JUST A SECOND. 8 00:00:42,318 --> 00:00:45,942 STAND BEHIND ME FOR MORAL SUPPORT. 9 00:00:47,495 --> 00:00:49,842 MY OTHER POCKET'S LONELY. 10 00:00:54,606 --> 00:00:56,849 LET 'ER RIP. 11 00:00:59,369 --> 00:01:04,305 KEEP MOVING YOUR HANDS UNTIL YOU FEEL SOMETHING. 12 00:01:09,448 --> 00:01:11,864 OH, SHE'S A WISE OLD WOMAN. 13 00:01:12,658 --> 00:01:15,247 LOOK INTO THE ICE. 14 00:01:16,317 --> 00:01:18,250 I'M LOOKING. 15 00:01:21,495 --> 00:01:23,359 CLOSER. 16 00:01:23,393 --> 00:01:27,501 LOOK INTO YOUR SOUL, MR. KENT. 17 00:01:30,918 --> 00:01:32,884 [slow trumpet solo] 18 00:01:39,306 --> 00:01:44,794 [indistinct opera song] 19 00:02:34,395 --> 00:02:36,915 AS YOUR WISE OLD FINGERS WILL TELL YOU, 20 00:02:36,949 --> 00:02:39,642 I DIDN'T CRY AT MY MOTHER'S FUNERAL AND I DON'T CRY NOW. 21 00:02:39,676 --> 00:02:42,507 LOOK TO YOUR OWN MISERIES, MR. KENT, 22 00:02:42,541 --> 00:02:45,613 OTHERWISE YOU ARE A DEAD MAN. 23 00:02:45,648 --> 00:02:48,133 NARCISSA DO YOU HAVE ANOTHER NICKEL? 24 00:02:48,168 --> 00:02:49,928 GIVE HER A TIP. 25 00:02:53,207 --> 00:02:54,760 A DEAD MAN! 26 00:02:54,795 --> 00:02:56,590 DEAD! 27 00:02:56,624 --> 00:03:00,490 SEE HOW MUCH HAPPINESS YOUR MONEY CAN BUY! 28 00:03:00,525 --> 00:03:06,496 HAH, HAH, HAH! 29 00:03:53,509 --> 00:03:56,132 NOW, WHAT POSSESSED YOU TO TAKE ME THERE? 30 00:03:56,166 --> 00:04:01,206 WELL, WHEN I FIRST SAW YOU, MY TAPEWORM SAID "FORTUNE TELLER" 31 00:04:01,241 --> 00:04:02,690 AND THAT SETTLED IT. 32 00:04:02,725 --> 00:04:04,520 I NEVER GO AGAINST MY TAPEWORM. 33 00:04:04,554 --> 00:04:06,936 HAH, I DON'T BELIEVE IN THIS TAPEWORM OF YOURS. 34 00:04:06,970 --> 00:04:09,870 MOST TAPEWORMS ARE CHEWERS, NOT TALKERS. 35 00:04:09,904 --> 00:04:14,012 OH YES. HE'S GOT A VERY STRONG WILL. HE'S IRRESISTIBLE. 36 00:04:14,046 --> 00:04:15,772 I'M COLD. 37 00:04:15,807 --> 00:04:18,327 LET'S TAKE A STREETCAR. 38 00:04:18,361 --> 00:04:20,363 WE CAN'T PAY. 39 00:04:20,398 --> 00:04:22,365 [STREETCAR BELL CLANGS] IT'S THE TWENTY-THREE. 40 00:04:22,400 --> 00:04:24,264 WE WON'T HAVE TO. 41 00:04:33,411 --> 00:04:35,516 ARE YOU AN AMERICAN? 42 00:04:35,551 --> 00:04:36,828 I'M NOT AN AMERICAN. 43 00:04:36,862 --> 00:04:39,727 I'M A NYMPHOMANIAC. 44 00:04:39,762 --> 00:04:42,903 AS LONG AS YOU'RE NOT AMERICAN, YOU CAN BE WHATEVER YOU LIKE. 45 00:04:42,937 --> 00:04:45,699 WELL, HE'S AN AMERICAN. 46 00:04:45,733 --> 00:04:47,632 YOU'RE MISTAKEN. 47 00:04:47,666 --> 00:04:50,151 HE MAY HAVE THE STINK OF AMERICA ON HIM, 48 00:04:50,186 --> 00:04:53,534 BUT I ASSURE YOU, HE'S CANADIAN 100 PER CENT. 49 00:04:53,569 --> 00:04:55,329 YOU LIED TO ME? -NO. 50 00:04:55,364 --> 00:04:59,471 IT'S LIKE I SAID, I'M A PRODUCER FROM NEW YORK. 51 00:04:59,506 --> 00:05:01,231 JUST DOWN ON HIS LUCK. 52 00:05:01,266 --> 00:05:04,649 A REAL LIVE YANKEE DOODLE BOY. 53 00:05:04,683 --> 00:05:07,307 THEN YOU'RE NO SON OF MINE. 54 00:05:11,449 --> 00:05:13,278 MUSKEG BEER HALL. 55 00:05:13,313 --> 00:05:15,660 END OF THE LINE. 56 00:05:15,694 --> 00:05:21,079 [♪] 57 00:05:21,113 --> 00:05:23,219 ♪ GET UP, GET YOUR BOOTS ON. 58 00:05:23,253 --> 00:05:24,807 ♪ HURRY UP, HURRY UP. 59 00:05:24,841 --> 00:05:27,050 ♪ TIME'S A-WASTIN' 60 00:05:29,398 --> 00:05:33,332 [♪] 61 00:05:39,511 --> 00:05:44,136 ♪ LADY PORT-HUNTLY BEEEEEER; ♪ 62 00:05:44,171 --> 00:05:48,209 ♪ IT'S FOR ME AND FOR YOU 63 00:05:48,244 --> 00:05:51,281 ♪ IT'S FOR ME AND FOR YOU 64 00:05:51,316 --> 00:05:56,148 THE MUSKEG BEER HOUR IS STILL GUSHING! 65 00:05:56,183 --> 00:06:00,014 I'M DUNCAN ELLSWORTH, YOUR CLASSICAL MUSIC HOST. 66 00:06:00,049 --> 00:06:04,502 AND I'VE GOT MAJOR KEY NEWS FOR YOU. 67 00:06:04,536 --> 00:06:06,780 A CONTEST, LADIES AND GENTLEMEN. 68 00:06:06,814 --> 00:06:10,093 THE MOST EXCITING IN OUR HISTORY. 69 00:06:10,128 --> 00:06:14,304 WANT TO TRADE YOUR SORROWS IN FOR SOME SPONDOOLICKS? 70 00:06:14,339 --> 00:06:17,963 HERE TO EXPLAIN HOW, IS HER SERENITY HERSELF, 71 00:06:17,998 --> 00:06:21,139 LADY PORT-HUNTLY. 72 00:06:21,173 --> 00:06:23,659 THANK YOU, DUNCAN. 73 00:06:23,693 --> 00:06:27,179 LISTEN TO THE SOUNDS OF WINNIPEG, 74 00:06:27,214 --> 00:06:30,424 THE WHITE BREATHING OF A NOCTURNAL CITY 75 00:06:30,459 --> 00:06:34,463 IN THIS SAD, SAD WORLD. 76 00:06:34,497 --> 00:06:40,227 WE AT MUSKEG BEER ARE PROUD THAT WINNIPEG HAS BEEN CHOSEN 77 00:06:40,261 --> 00:06:43,748 FOUR YEARS IN A ROW BY THE LONDON TIMES AS THE WORLD'S 78 00:06:43,782 --> 00:06:47,337 CAPITAL OF SORROW IN THE GREAT DEPRESSION. 79 00:06:47,372 --> 00:06:49,892 IN RECOGNITION OF THIS HONOR, 80 00:06:49,926 --> 00:06:54,137 WE WILL BE HOSTING A WORLDWIDE CONTEST TO DETERMINE 81 00:06:54,172 --> 00:06:58,556 WHICH NATION'S MUSIC TRULY DESERVES TO BE CALLED 82 00:06:58,590 --> 00:07:01,455 THE SADDEST IN THE WORLD. 83 00:07:01,490 --> 00:07:05,701 ASPIRING VIRTUOSOS OF TEARFUL MELODY ARE WELCOME 84 00:07:05,735 --> 00:07:09,359 TO TRAVEL HERE AND LAY CLAIM TO THE JEWEL-STUDDED 85 00:07:09,394 --> 00:07:12,535 CROWN OF FROZEN TEARS 86 00:07:12,570 --> 00:07:17,644 AND $25,000 IN PRIZE MONEY. 87 00:07:19,300 --> 00:07:25,168 THAT'S RIGHT- 25,000 DEPRESSION-ERA DOLLARS! 88 00:07:27,654 --> 00:07:29,794 I CAN ALREADY SEE THAT RETURN TICKET TO MANHATTAN. 89 00:07:29,828 --> 00:07:31,485 C'MON LET'S DRINK FAST. 90 00:07:31,520 --> 00:07:32,797 I GOT BUSINESS TO ATTEND TO. 91 00:07:32,831 --> 00:07:37,698 THE LADY PORT HUNTLY'S SADDEST MUSIC IN THE WORLD CONTEST! 92 00:07:37,733 --> 00:07:39,804 AND THEY'RE OFF! 93 00:07:39,838 --> 00:07:42,841 [♪] 94 00:08:27,368 --> 00:08:31,821 [♪] 95 00:09:36,540 --> 00:09:39,820 WHAT DO WE REALLY GET FOR OUR MONEY? 96 00:09:41,891 --> 00:09:43,375 LISTEN. 97 00:09:43,410 --> 00:09:47,897 WITHIN A FEW MONTHS CONGRESS WILL END PROHIBITION AND 98 00:09:47,932 --> 00:09:51,798 AMERICA WILL BE SAYING GOODBYE TO BOOTLEGGERS AND BE RUNNING - 99 00:09:51,832 --> 00:09:55,042 AND I MEAN RUNNING- BACK TO THE NEIGHBORHOOD'S BAR. 100 00:09:55,077 --> 00:09:56,561 IMAGINE! 101 00:09:56,596 --> 00:10:01,221 A HUNDRED MILLION DRINKERS WILLING TO PAY TOP DOLLARS FOR LEGAL BOOZE 102 00:10:01,255 --> 00:10:05,259 EVEN IF THEY CAN'T MAKE THE RENT OR BUY THEIR CHILDREN SHOES. 103 00:10:05,294 --> 00:10:09,194 WE -- CANADA - THAT HAPPY SUDS BUDDY TO THE NORTH- 104 00:10:09,229 --> 00:10:12,266 OPEN THE FLOODGATES AND MAKES A KILLING. 105 00:10:13,371 --> 00:10:18,894 IF YOU'RE SAD AND LIKE BEER, I'M YOUR LADY. 106 00:10:20,171 --> 00:10:23,484 HEY, MAYBE YOU SHOULD MAKE YOURSELF SCARCE FOR A WHILE. 107 00:10:23,519 --> 00:10:27,281 BUT WAIT, DON'T DISAPPEAR ON ME. 108 00:10:27,316 --> 00:10:28,973 HOW LONG WILL YOU BE? 109 00:10:29,007 --> 00:10:32,977 IF I'M NOT THROWN OUT, UNDER HALF AN HOUR. 110 00:10:33,011 --> 00:10:35,704 I'LL JUST CURL UP HERE AND TAKE A NAP. 111 00:10:55,206 --> 00:10:58,968 WE WILL BE GOING FOR COUNTRIES WITH THE HIGHEST RATE OF DEPRESSION 112 00:10:59,003 --> 00:11:01,074 CAUSE THIS IS WHAT THEY WILL BE BEEN DRINKING MOST. 113 00:11:01,108 --> 00:11:02,385 EXCUSE ME FOR INTERRUPTING. 114 00:11:02,420 --> 00:11:05,423 BUT SOMEBODY CALLING HIMSELF THE AMERICAN AMBASSADOR OF SADNESS 115 00:11:05,457 --> 00:11:07,667 SAYS THAT YOU WISH TO SEE HIM IMMEDIATELY. 116 00:11:07,701 --> 00:11:10,186 HE CAN TAKE A SEAT IN THE WAITING ROOM, LIKE EVERYBODY ELSE. 117 00:11:10,221 --> 00:11:11,878 HE REFUSES TO WAIT. 118 00:11:11,912 --> 00:11:13,949 HE SAID IF I DIDN'T ANNOUNCE HIM INSTANTLY, 119 00:11:13,983 --> 00:11:14,881 YOU'D HAVE ME FIRED. 120 00:11:14,915 --> 00:11:17,538 HOOO, HAH. 121 00:11:17,573 --> 00:11:19,955 AND WHAT DOES THIS BUFFOON LOOK LIKE? 122 00:11:19,989 --> 00:11:22,751 HMMM. WELL TAILORED. WEARS SPATS. 123 00:11:22,785 --> 00:11:24,891 CLEAN FINGERNAILS. CLEAN SHAVEN. 124 00:11:24,925 --> 00:11:27,272 SPATS? 125 00:11:28,066 --> 00:11:30,413 WOULD YOU CALL HIS HAIR SLIPPERY? 126 00:11:33,623 --> 00:11:37,627 HHHHH. CHESTER KENT. 127 00:11:38,870 --> 00:11:42,909 OK EVERYBODY. FIFTEEN MINUTES. 128 00:11:44,220 --> 00:11:47,327 TEDDY, STAY HERE. 129 00:11:57,578 --> 00:11:59,270 LADY P. 130 00:11:59,304 --> 00:12:01,790 HAD A FEW HOURS BETWEEN TRAINS -- THOUGHT I'D DROP IN. 131 00:12:01,824 --> 00:12:03,412 FOR WHAT PURPOSE? 132 00:12:03,446 --> 00:12:04,965 WELL. 133 00:12:05,000 --> 00:12:07,036 TO SEE HOW YOU'RE GETTING ON. 134 00:12:07,071 --> 00:12:09,004 IT'S A BAD TIME FOR ME. 135 00:12:09,038 --> 00:12:14,354 I'M DEVOURED WITH GUILT ABOUT THE OBSCENE AMOUNT OF MONEY I'M MAKING 136 00:12:14,388 --> 00:12:18,358 AT A TIME WHERE SO MANY PEOPLE HAVE NOTHING. 137 00:12:18,392 --> 00:12:20,947 I'M SURE YOU DO WHAT YOU CAN. 138 00:12:20,981 --> 00:12:25,054 AND I AM HEARTSICK ABOUT POOR TEDDY OVER HERE, 139 00:12:25,089 --> 00:12:27,919 WHO HAS A WONDERFUL WIFE AND TWO BEAUTIFUL CHILDREN 140 00:12:27,954 --> 00:12:32,337 AND HAS TO MAKE ME "SING IN THE SEESAW" 141 00:12:32,372 --> 00:12:34,236 WHENEVER I ASKED HIM, 142 00:12:34,270 --> 00:12:36,617 JUST TO KEEP HIS JOB. 143 00:12:36,652 --> 00:12:38,309 DON'T BE EMBARRASSED TEDDY. 144 00:12:38,343 --> 00:12:41,381 IDEALISM AND BUSINESS RARELY MIX. 145 00:12:41,415 --> 00:12:43,003 MAY I? 146 00:12:44,971 --> 00:12:47,697 BUT I CONSOLE MYSELF WITH THE THOUGHT, CHESTER, 147 00:12:47,732 --> 00:12:51,840 THAT IF I HADN'T MET YOU I MIGHT NEVER HAVE DONE ANYTHING 148 00:12:51,874 --> 00:12:53,117 TO BE ASHAMED OF. 149 00:12:53,151 --> 00:12:55,464 WHY BOTHER WITH SHAME AT ALL, IS MY PHILOSOPHY. 150 00:12:55,498 --> 00:12:57,224 LOOK AT THE PICTURES ON THE WALL. 151 00:12:57,259 --> 00:12:58,743 LOOK AT THEM! 152 00:12:58,778 --> 00:13:01,332 TELL ME WHAT YOU THINK? 153 00:13:01,366 --> 00:13:02,747 YOU'RE EVERYWHERE. 154 00:13:02,782 --> 00:13:05,163 I'D SAY YOU QUALIFY AS THE STAR OF YOUR OWN LIFE. 155 00:13:05,198 --> 00:13:08,270 [SLAMS PIANO] 156 00:13:10,617 --> 00:13:14,483 WHEN I HAD A LIFE; THAT WAS TRUE. 157 00:13:16,692 --> 00:13:19,799 YOU'VE GOT A NEW DOLLY - IT'S NICE. 158 00:13:21,455 --> 00:13:25,149 TEDDY, HAVE YOU EVER WONDERED WHERE MY LEGS WENT? 159 00:13:25,183 --> 00:13:27,496 HE'S BEEN A DEAR. HE HAS NEVER ASKED ONCE. 160 00:13:27,530 --> 00:13:29,256 WELL, LET'S BE FAIR, HELEN. 161 00:13:29,291 --> 00:13:31,500 YOU CAN ONLY HANG ONE OF THOSE MISSING LEGS ON ME. 162 00:13:31,534 --> 00:13:33,053 WHAT IS IT THAT YOU WANT FROM ME TODAY? 163 00:13:33,088 --> 00:13:34,399 I WANT A CRACK AT THAT PRIZE MONEY. 164 00:13:34,434 --> 00:13:37,644 OH, HA HA. 165 00:13:37,678 --> 00:13:39,853 AND HOW DO YOU INTEND TO DO THAT? 166 00:13:39,888 --> 00:13:41,993 BY SERVING UP THE SADDEST NUMBER YOU EVER HEARD. 167 00:13:42,028 --> 00:13:44,547 I'VE GOT SCHMALTZ ROUTINES THAT COULD WRING SOBS FROM A MOOSE. 168 00:13:44,582 --> 00:13:47,861 REALLY? AND YOU WOULD BE REPRESENTING AMERICA, RIGHT? 169 00:13:47,896 --> 00:13:49,621 YEAH. TEARS HELEN! 170 00:13:49,656 --> 00:13:52,348 FOR ALL THOSE BLUBBERERS IN THE OLD MELTING POT. 171 00:13:52,383 --> 00:13:56,766 CHESTER I DOUBT THAT THERE IS ANYONE ON EARTH WHO KNOWS 172 00:13:56,801 --> 00:13:59,839 LESS ABOUT GRIEF THAN YOU DO. 173 00:13:59,873 --> 00:14:01,633 NOTHING MAKES A DENT. 174 00:14:01,668 --> 00:14:03,912 SADNESS IS JUST HAPPINESS TURNED ON ITS ASS. 175 00:14:03,946 --> 00:14:05,499 IT'S ALL SHOW BIZ. 176 00:14:05,534 --> 00:14:07,881 YOU GOT AN ORCHESTRA HANDY, I'LL PROVE IT TO YOU. 177 00:14:07,916 --> 00:14:10,159 ACTUALLY, I DO. -GREAT. HAUL 'EM IN HERE. 178 00:14:10,194 --> 00:14:12,334 TEDDY! THE ORCHESTRA. 179 00:14:14,094 --> 00:14:15,682 THEY'RE VERY GENTEEL. 180 00:14:15,716 --> 00:14:17,166 THEY PLAY BLINDFOLDED. 181 00:14:17,201 --> 00:14:18,892 A NOVELTY ACT, HUH? 182 00:14:18,927 --> 00:14:20,100 WHAT'S THE KICKER? 183 00:14:21,205 --> 00:14:26,486 WHEN TEDDY AND I "SING ON THE SEESAW," THEY PLAY. 184 00:14:26,520 --> 00:14:28,074 THAT'S A HARD ACT TO FOLLOW. 185 00:14:28,108 --> 00:14:31,594 OH, YOUR AUDITION WILL BE MUCH SIMPLER. 186 00:14:31,629 --> 00:14:34,908 I WANT YOU TO TELL ABOUT MY "ACCIDENT", 187 00:14:34,943 --> 00:14:37,980 IF YOU CAN STILL REMEMBER IT. 188 00:14:38,015 --> 00:14:39,740 TEDDY. 189 00:14:48,404 --> 00:14:52,201 NO TEDDY. YOU'VE BEEN SPARED TODAY. GO BACK. 190 00:14:52,236 --> 00:14:54,410 START THE MUSIC. 191 00:14:54,445 --> 00:14:57,758 PLAY NOT TOO FAST, AND WITH FEELING. 192 00:14:59,588 --> 00:15:00,934 [♪] 193 00:15:00,969 --> 00:15:02,660 SO WHERE DO I START? 194 00:15:02,694 --> 00:15:06,802 WHY DON'T YOU START WITH YOUR FATHER AND END WITH HIM. 195 00:15:06,836 --> 00:15:08,735 FULL CIRCLE. 196 00:15:16,363 --> 00:15:18,020 WELL. 197 00:15:18,055 --> 00:15:21,472 HE WAS IN LOVE WITH YOU, BUT THERE WAS A PROBLEM. 198 00:15:21,506 --> 00:15:23,923 YOU LOVED ME. 199 00:15:23,957 --> 00:15:27,823 YES, AND YOU NEVER LOVED ME. 200 00:15:27,857 --> 00:15:29,549 YES, I SEE IT. 201 00:15:29,583 --> 00:15:30,791 SO LONG AGO. 202 00:15:30,826 --> 00:15:32,414 FEELS LIKE YESTERDAY. 203 00:15:32,448 --> 00:15:34,140 WELL, I WAS FLATTERED. 204 00:15:34,174 --> 00:15:39,214 A BEAUTIFUL WOMAN PAYING ATTENTION TO ME. 205 00:15:39,248 --> 00:15:41,009 HE SUSPECTED ME. 206 00:15:41,043 --> 00:15:42,976 HE HAD GOOD REASON TO. 207 00:15:43,011 --> 00:15:45,289 RIGHT UNDER HIS NOSE. 208 00:15:45,323 --> 00:15:47,981 EVERY CHANCE WE GOT. 209 00:15:48,016 --> 00:15:49,707 WE DROVE HIM TO DRINK. 210 00:15:49,741 --> 00:15:52,054 HE WANTED TO MARRY YOU. 211 00:15:54,229 --> 00:15:57,163 HE THOUGHT HIMSELF A CUCKOLD. 212 00:15:57,197 --> 00:15:59,234 BY YOU. 213 00:15:59,268 --> 00:16:01,443 OH YES, I SEE IT. 214 00:16:01,477 --> 00:16:03,410 ♪ SO LONG AGO. 215 00:16:03,445 --> 00:16:07,690 ♪ IT FEELS LIKE YESTERDAY. 216 00:16:07,725 --> 00:16:10,970 HE STARTED WEARING HIS OLD UNIFORM. 217 00:16:11,004 --> 00:16:12,972 CANADIAN LIEUTENANT. 218 00:16:13,006 --> 00:16:14,559 THE GREAT WAR. 219 00:16:14,594 --> 00:16:18,149 MARCHING UP AND DOWN THE STAIRS, LATE INTO THE NIGHT, WITH HIS RIFLE. 220 00:16:18,184 --> 00:16:24,293 DRUNK. -YOUR BROTHER, RODERICK, TRYING TO HEAL HIM WITH MUSIC. 221 00:16:24,328 --> 00:16:27,020 THE DAY OF THE CAR TRIP. 222 00:16:27,055 --> 00:16:28,849 THE ICE STORM. 223 00:16:28,884 --> 00:16:30,196 THE EMPTY ROAD. 224 00:16:30,230 --> 00:16:32,612 EXCEPT FOR HIM. TRYING TO STOP THE CAR. 225 00:16:32,646 --> 00:16:34,027 YEAH HIS WAS HAND OUT. 226 00:16:34,062 --> 00:16:35,442 AND THERE WAS YOUR HEAD. 227 00:16:35,477 --> 00:16:39,239 LIFTING UP, BLOCKING MY VIEW. 228 00:16:39,274 --> 00:16:41,069 [SOUND OF SCREECHING TIRES] 229 00:16:41,103 --> 00:16:43,968 OH, YES. I SEE IT. -YEAH, I SEE IT. 230 00:16:44,003 --> 00:16:48,145 [TOGETHER] SO LONG AGO. FEELS LIKE YESTERDAY. 231 00:16:52,804 --> 00:16:55,186 AH, JESUS DAD! WHAT DO WE DO? 232 00:16:55,221 --> 00:16:56,394 GET MY BAG. 233 00:16:56,429 --> 00:16:58,327 HER LEG'S STUCK. WE'VE GOT TO GET IT LOOSE! 234 00:16:58,362 --> 00:17:00,088 NAH YOU'LL TEAR IT COMPLETELY OFF, YOU IDIOT. 235 00:17:00,122 --> 00:17:01,434 DO AS I SAY. 236 00:17:01,468 --> 00:17:03,401 I'M THE DOCTOR HERE. 237 00:17:03,436 --> 00:17:04,781 YOU'RE DRUNK. 238 00:17:04,816 --> 00:17:06,369 MY BAG! 239 00:17:06,404 --> 00:17:08,992 I'M GOING TO SAVE THE WOMAN I LOVE. 240 00:17:09,028 --> 00:17:11,926 DO YOU HEAR ME? THE WOMAN I LOVE! 241 00:17:11,961 --> 00:17:14,826 WE'RE GOING TO GET MARRIED! 242 00:17:14,861 --> 00:17:20,073 PLEASE, AH, AHHH, PLEASE DO SOMETHING. 243 00:17:20,108 --> 00:17:22,662 HELP ME. 244 00:17:22,695 --> 00:17:25,215 MMMM, HMMMM. 245 00:17:25,251 --> 00:17:28,668 NOW, WE'VE GOT TO OCCUPATE, UM, AMPUTATE. 246 00:17:28,702 --> 00:17:31,429 DAD, YOU'D BETTER LET ME HELP. -OUT OF MY WAY. 247 00:17:31,464 --> 00:17:33,535 YOU MAKE ME SICK. 248 00:17:33,569 --> 00:17:37,194 THERE LOVE. 249 00:17:37,228 --> 00:17:39,817 NOW THERE'S A PUZZLE. 250 00:17:39,851 --> 00:17:43,579 STEADY, WOOOO, STEADY, STEADY, STEADY. 251 00:17:43,614 --> 00:17:44,753 AHHHH. 252 00:17:44,787 --> 00:17:46,962 AHHH, AHHH, AHHH, AHHH! 253 00:17:46,996 --> 00:17:48,170 THERE. 254 00:17:48,205 --> 00:17:49,309 AHHH. 255 00:17:49,344 --> 00:17:52,381 HEY! YOU'RE CUTTING THE WRONG LEG! 256 00:17:52,416 --> 00:17:54,107 THERE, THERE. 257 00:17:54,142 --> 00:17:56,351 DAD! YOU'RE THROUGH THE BONE ALREADY! 258 00:17:56,385 --> 00:17:58,042 THAT'S HER GOOD LEG! 259 00:17:58,077 --> 00:17:59,664 NOW LOOK AT WHAT YOU MADE ME DO! 260 00:17:59,699 --> 00:18:01,666 STOP! 261 00:18:01,701 --> 00:18:03,185 HAH! 262 00:18:03,220 --> 00:18:06,499 HAH. AHHH. 263 00:18:06,533 --> 00:18:10,330 NAH, HEEE, HOOO. 264 00:18:10,365 --> 00:18:11,780 YOU, YOU, YOU. 265 00:18:11,814 --> 00:18:14,610 OH MY, OH MY. AHHHH! 266 00:18:16,647 --> 00:18:18,131 [SLAP] 267 00:18:18,166 --> 00:18:20,306 HELLO, HELEN. 268 00:18:20,340 --> 00:18:23,550 I'M HERE TO REPRESENT CANADA. 269 00:18:23,585 --> 00:18:26,346 IF YOU'LL LET ME. 270 00:18:29,004 --> 00:18:31,696 TAKE YOUR BLINDFOLDS OFF, GENTLEMEN. 271 00:18:31,731 --> 00:18:35,459 PAY ATTENTION. THIS IS CANADA SPEAKING. 272 00:18:35,493 --> 00:18:37,564 PLAY RED MAPLE LEAVES. 273 00:18:37,599 --> 00:18:40,602 ON THE DOUBLE. 274 00:18:40,636 --> 00:18:44,433 DON'T TELL ME YOU LIVE HERE AND YOU DON'T KNOW IT. 275 00:18:46,228 --> 00:18:50,094 ♪ JUST A RED MAPLE LEAF. 276 00:18:50,129 --> 00:18:51,854 WHAT DO YOU SAY? 277 00:18:51,889 --> 00:18:53,166 ABOUT YOUR LEGS? 278 00:18:53,201 --> 00:18:54,581 MMM. 279 00:18:54,616 --> 00:18:57,481 PRETTY TOUGH BREAK. 280 00:18:58,344 --> 00:19:01,968 DOESN'T IT MAKE YOU SAD? 281 00:19:02,002 --> 00:19:04,833 WELL, LIFE'S FULL OF SURPRISES, HELEN. 282 00:19:04,867 --> 00:19:09,009 TAKE AWAY THOSE SURPRISES, AND LIFE'S A PRETTY DULL PROPOSITION. 283 00:19:09,044 --> 00:19:11,184 ISN'T THAT RIGHT, POP? 284 00:19:11,219 --> 00:19:12,461 WHY ARE YOU HERE? 285 00:19:12,496 --> 00:19:15,602 SAME AS YOU. ONE LAST CRACK AT THE JACKPOT. 286 00:19:15,637 --> 00:19:18,398 I WILL LOVE THIS WOMAN UNTIL MY DYING DAY. 287 00:19:18,433 --> 00:19:20,400 LET ME SHOUT IT TO THE ROOFTOPS. 288 00:19:20,435 --> 00:19:22,195 I EVEN BROUGHT HER SOMETHING. 289 00:19:22,230 --> 00:19:25,992 STOP IT! NO BRIBES! 290 00:19:26,026 --> 00:19:26,958 ALL RIGHT! 291 00:19:26,993 --> 00:19:28,408 HERE'S AN ANGLE FOR YOU, HELEN. 292 00:19:28,443 --> 00:19:30,721 AMERICA VERSUS CANADA. 293 00:19:30,755 --> 00:19:34,518 A BRASH SON COMES HOME TO DUKE IT OUT MUSICALLY WITH HIS WAR-VET POP. 294 00:19:34,552 --> 00:19:36,485 THE OLD MAN'S DROWNING IN HIS SORROWS, 295 00:19:36,520 --> 00:19:38,142 THE SON WANTS NO PART OF THIS. 296 00:19:38,177 --> 00:19:44,769 BUT IN ORDER TO WIN THE DOUGH THAT YANK'S GOT TO FIND HIS TEAR DUCTS IN A HURRY. 297 00:19:44,804 --> 00:19:47,116 YOU'VE GOT SOMETHING THERE. 298 00:19:48,048 --> 00:19:51,362 OKAY, AMERICA. YOU'RE ON. 299 00:20:06,584 --> 00:20:08,828 AND NOW WE SEE GAVRILO THE GREAT, 300 00:20:08,862 --> 00:20:11,382 ONE OF THE GREATEST CELLISTS IN EUROPE. 301 00:20:11,417 --> 00:20:14,523 NO ONE HAS EVER SEEN HIS FACE UNCOVERED 302 00:20:14,558 --> 00:20:17,077 FOR HE WEARS UPON IT AT ALL TIMES 303 00:20:17,112 --> 00:20:19,045 EVEN DURING PUBLIC PERFORMANCES, 304 00:20:19,079 --> 00:20:21,116 A VEIL AS BLACK AS NIGHT. 305 00:20:21,150 --> 00:20:22,462 THAT'S RIGHT, MARY. 306 00:20:22,497 --> 00:20:26,017 THEY SAY HE WEARS IT TO EXPRESS THE NATIONAL SADNESS OF SERBIA 307 00:20:26,052 --> 00:20:28,710 WHOSE FAMED ASSASSIN, GAVRILO PRINCIP, 308 00:20:28,744 --> 00:20:31,989 FIRED THE FIRST FATEFUL SHOTS OF THE GREAT WAR-- 309 00:20:32,023 --> 00:20:34,336 THE WAR TO END ALL WARS. 310 00:20:34,371 --> 00:20:36,787 NINE MILLION KILLED, DUNCAN. 311 00:20:36,821 --> 00:20:39,272 THAT SHOULD MAKE A MAN VERY SAD INDEED! 312 00:20:39,307 --> 00:20:41,343 MMM, RODERICK? 313 00:20:44,760 --> 00:20:46,279 RODERICK. 314 00:20:46,314 --> 00:20:48,626 FATHER. 315 00:20:48,661 --> 00:20:52,147 UMMM, OOOH! 316 00:20:52,181 --> 00:20:55,668 C'MERE, GIVE YOUR FATHER A HUG. [LAUGH] 317 00:20:55,702 --> 00:21:01,674 OOOH, AHHH, AHHHH 318 00:21:05,816 --> 00:21:08,681 I'M SORRY IT'S JUST MY S-SKIN IS VERY SENSITIVE. 319 00:21:08,715 --> 00:21:10,096 OH. 320 00:21:10,130 --> 00:21:11,684 YOU LOOK WELL, FATHER. 321 00:21:11,718 --> 00:21:14,549 OH, MY HEALTH IS GONE-- BUT I'M SOBER, 322 00:21:14,583 --> 00:21:18,380 AND I PAY MY BILLS, AND I KEEP MY PANTS PRESSED HA HA! 323 00:21:18,415 --> 00:21:20,313 WHERE'S CHESTER? 324 00:21:20,348 --> 00:21:22,142 HE WAS SUPPOSED TO BE HERE. 325 00:21:22,177 --> 00:21:24,800 AHH I COULDN'T STAND ONE MORE SECOND WITH HIM TEN YEARS AGO-- 326 00:21:24,835 --> 00:21:26,319 WHY WOULD HE STOMACH ME NOW? 327 00:21:26,354 --> 00:21:27,700 RODERICK! 328 00:21:27,734 --> 00:21:30,150 I'D FORGOTTEN HOW BRIGHT THE LIGHT IS HERE. 329 00:21:30,185 --> 00:21:32,739 DON'T MIND THESE GLASSES. 330 00:21:34,258 --> 00:21:35,811 HOW CAN YOU SEE THOUGH THOSE? 331 00:21:35,846 --> 00:21:39,608 IT'S LIKE I'M PAINTING THINGS JUST BY LOOKING AT THEM. 332 00:21:39,643 --> 00:21:40,885 BUT WHERE'S CHESTER? 333 00:21:40,920 --> 00:21:42,784 HE MUST BE AT THE MUSIC HALL. 334 00:21:42,818 --> 00:21:45,787 THE OPENING PAGEANT IS SET FOR TONIGHT. 335 00:21:45,821 --> 00:21:47,478 LET'S MARCH, MY BOY! 336 00:21:47,513 --> 00:21:48,686 FATHER? 337 00:21:48,721 --> 00:21:53,070 DID CHESTER EVER ADMIT TO STEALING MY MUSIC BOX? 338 00:21:53,104 --> 00:21:55,521 THAT WAS TEN YEARS AGO, SON! 339 00:21:55,555 --> 00:21:58,282 CAN'T YOU EVER FORGET ANYTHING? 340 00:22:03,460 --> 00:22:07,567 [♪] 341 00:22:19,648 --> 00:22:25,447 [♪♪♪] 342 00:22:33,697 --> 00:22:39,116 AHHH UGH! THERE WE ARE. 343 00:22:39,150 --> 00:22:45,122 HERE WE ARE. [LAUGH] 344 00:22:46,226 --> 00:22:47,780 OH THERE! 345 00:22:47,814 --> 00:22:51,370 AH! HOME. 346 00:22:51,404 --> 00:22:53,406 [SOUND OF LOVEMAKING] 347 00:22:53,441 --> 00:22:56,029 GOOD LORD WHAT'S THAT? 348 00:22:58,998 --> 00:23:00,965 UHHHH... 349 00:23:01,000 --> 00:23:03,658 EH, CLOSE YOUR EARS. EXCUSE ME. 350 00:23:03,692 --> 00:23:06,419 [YELLING] CHESTER! 351 00:23:06,454 --> 00:23:09,318 YOUR BROTHER'S HERE-- COULD YOU SAY GOODBYE TO YOUR-- 352 00:23:09,353 --> 00:23:11,113 GUEST AND COME DOWN? 353 00:23:11,148 --> 00:23:12,667 QUICKLY? 354 00:23:12,701 --> 00:23:15,152 HAVE HER GO OUT BY THE BACK WAY! 355 00:23:15,186 --> 00:23:18,535 CAN'T HAVE STRANGERS AT A HOMECOMING. 356 00:23:18,569 --> 00:23:20,502 YOU DON'T PLAY ANY MORE. 357 00:23:20,537 --> 00:23:25,334 OH YES, BUT ON MY KNEES. NO MORE DIGNITY. 358 00:23:27,785 --> 00:23:29,477 "NO MORE DIGNITY," HUH? 359 00:23:29,511 --> 00:23:31,996 FAMILY MOTTO. 360 00:23:39,072 --> 00:23:40,557 HOW ARE YOU, RODERICK? 361 00:23:40,591 --> 00:23:43,042 CHESTER! JUST THE WAY I ALWAYS PICTURE YOU! 362 00:23:43,076 --> 00:23:46,666 THUNDERING DOWN THE STAIRS-- BURSTING INTO A ROOM [SNICKER] 363 00:23:46,701 --> 00:23:48,461 EVEN IN BARE FEET YOU THUNDER. 364 00:23:48,496 --> 00:23:50,498 YOU STILL SOUND LIKE YOUR MEWLING CELLO. 365 00:23:50,532 --> 00:23:54,122 IN A NOISY HOUSE, SOMEONE MUST BE SOFT. 366 00:23:54,156 --> 00:23:56,296 THIS ONE PLAYS THE GRACE NOTES. 367 00:23:56,331 --> 00:23:58,126 EH? 368 00:23:58,160 --> 00:24:04,926 WHICH REMINDS ME-- ALL THESE YEARS I HAVE A PRESENT FOR YOU. 369 00:24:04,960 --> 00:24:08,274 [CLEARS THROAT] I WAS WAITING FOR THIS DAY. 370 00:24:08,308 --> 00:24:09,896 THERE WAS NO NEED FOR YOU TO DO THIS FATHER. 371 00:24:09,931 --> 00:24:13,452 OHHH I REMEMBER TAKING IT OUT NIGHTS, 372 00:24:13,486 --> 00:24:15,833 WHEN THE RATS WERE SCURRYING. 373 00:24:15,868 --> 00:24:20,804 CARRYING IT OVER TO THE WINDOW AND CALLING YOUR NAME THROUGH IT 374 00:24:20,838 --> 00:24:23,979 TO BRING YOU HOME. 375 00:24:24,014 --> 00:24:30,020 ROOOOOOOOOOOOODDDDDDDDYYYYYYYY! 376 00:24:36,267 --> 00:24:39,512 HA, HA, HA. WHAT ELSE'VE YOU GOT SQUIRRELED AWAY FOR HIM? 377 00:24:39,547 --> 00:24:42,377 I KNITTED YOU A SWEATER. 378 00:24:42,411 --> 00:24:45,725 ACTUALLY I MADE THREE. 379 00:24:45,760 --> 00:24:52,214 ONE FOR Y-- YOU AND ONE FOR YOUR WIFE AND-- 380 00:24:52,249 --> 00:24:53,906 ONE FOR YOUR SON. 381 00:24:53,940 --> 00:24:57,219 MY SKIN IS FAR TOO EXCITABLE FOR WOOL, I FEAR. 382 00:24:57,254 --> 00:24:59,463 WOULD YOU MIND TERRIBLY IF WE TURN THAT LIGHT OFF? 383 00:24:59,498 --> 00:25:01,534 YOU'RE STILL A HYPOCHONDRIAC. 384 00:25:02,777 --> 00:25:04,813 TAKE THAT UP WITH MY PHYSICIAN, DR. LOURDES-- 385 00:25:04,848 --> 00:25:06,366 THE BEST DOCTOR IN GERMANY! 386 00:25:06,401 --> 00:25:08,403 HIS OPINION, FOR WHAT IT'S WORTH, IS THAT I AM LUCKY TO BE ALIVE! 387 00:25:08,437 --> 00:25:10,370 HAVE YOU HEARD NOTHING FROM YOUR WIFE? 388 00:25:10,405 --> 00:25:13,995 NOT A SIGN, NOT A WORD-- NOT A SAUSAGE. 389 00:25:14,029 --> 00:25:16,204 SHE JUST DISAPPEARED WHEN YOUR SON DIED? 390 00:25:18,206 --> 00:25:20,104 IT WAS GRADUAL. 391 00:25:20,139 --> 00:25:27,146 A SHIP GOING DOWN WITH ALL HER LIGHTS, AND BARELY A SOUND. 392 00:25:27,180 --> 00:25:30,425 SHE FORGOT ABOUT LOVING ME. 393 00:25:31,426 --> 00:25:33,393 SHE EVEN FORGOT ABOUT OUR SON. 394 00:25:33,428 --> 00:25:35,395 WHAT'S THAT HISSING-- CAN SOMEBODY TURN IT OFF? 395 00:25:35,430 --> 00:25:38,088 I THINK YOU HEAR A FAUCET RUNNING UPSTAIRS. 396 00:25:38,122 --> 00:25:39,399 AHHH! 397 00:25:39,434 --> 00:25:40,608 IS YOUR FRIEND STILL HERE? 398 00:25:40,642 --> 00:25:41,988 SHE WENT OUT THE BACK. 399 00:25:42,023 --> 00:25:44,543 WELL SOMEONE'S LEFT THE FAUCET ON! 400 00:25:44,577 --> 00:25:46,648 NO MORE DEBATE-- JUST DEAL WITH IT! 401 00:25:46,683 --> 00:25:48,892 ALL RIGHT, I'LL DEAL WITH IT. 402 00:25:51,032 --> 00:25:53,759 NOW DON'T HURT RODERICK! 403 00:25:53,793 --> 00:25:55,450 OW. 404 00:26:13,295 --> 00:26:17,748 LADY PORT-HUNTLY'S SADDEST MUSIC IN THE WORLD OPENING PAGEANT 405 00:26:17,783 --> 00:26:23,685 HAS BEGUN LEAD BY THE ZANIS OF AFRICA, RESPLENDENT! 406 00:26:23,720 --> 00:26:28,656 IF I CAN FOCUS MY OPERA GLASSES FOR A MOMENT HERE-- YYYES! 407 00:26:28,690 --> 00:26:32,625 RESPLENDENT IN THEIR DELIGHTFUL PAINTS AND SCARVES! 408 00:26:32,660 --> 00:26:35,179 ABSOLUTELY BEAUTIFUL! 409 00:26:35,214 --> 00:26:40,909 THIS PAGEANT OF SAD NATIONS, BOUGHT TO US BY LADY PORT-HUNTLY'S BEER, 410 00:26:40,944 --> 00:26:44,706 IS SHAPING UP TO BE A FRIGHTENING CONTEST OF HUMAN DESPAIR 411 00:26:44,741 --> 00:26:49,711 A CAVALCADE OF MISERY. THERE'S POLAND, CHINA, 412 00:26:49,746 --> 00:26:52,058 ALBANIAAAA! 413 00:26:52,093 --> 00:26:55,303 SIAM, URUGUAY, MEXICO! 414 00:26:55,337 --> 00:26:57,581 OH. 415 00:26:57,616 --> 00:26:59,687 THAT WAS GOOD FUN NARCISSA. 416 00:26:59,721 --> 00:27:01,447 I MUST TELL YOU MY DREAM. 417 00:27:01,481 --> 00:27:05,416 YEAH WELL, HURRY COMPETITION'S ABOUT TO START. 418 00:27:05,451 --> 00:27:08,903 A MAN WAS SHOWING ME HOW TO TAKE THE GUTS OUT OF A GOOSE. 419 00:27:08,937 --> 00:27:12,389 HE STOOD ON THE WINGS AND PULLED THE BIRD'S LEGS. HARD. 420 00:27:12,423 --> 00:27:14,702 IT'S HOW YOU DO IT. 421 00:27:14,736 --> 00:27:19,776 EVERYTHING CAME LOOSE IN A WET HEAP EXCEPT FOR THE BREAST AND THE HEART. 422 00:27:19,810 --> 00:27:23,469 HE PUT THE HEART IN MY HANDS IT WAS STILL BEATING, 423 00:27:23,503 --> 00:27:25,264 VERY FAINTLY. 424 00:27:25,298 --> 00:27:28,232 HEY MAYBE YOU CAN SING ABOUT THAT MAKE US SOME PRIZE MONEY. 425 00:27:28,267 --> 00:27:33,928 AT THE VERY LAST MOMENT OF THE DREAM IT DIDN'T SEEM TO BE THE BIRD'S HEART I WAS HOLDING. 426 00:27:33,962 --> 00:27:38,587 IT WAS SO SMALL. I DON'T KNOW WHOSE IT WAS. 427 00:27:38,622 --> 00:27:39,968 THEN I WOKE UP. 428 00:27:40,003 --> 00:27:44,076 WELL IT WAS TINY, AND COVERED WITH SLIME IT WAS PROBABLY MINE. 429 00:27:44,110 --> 00:27:45,629 HA, HA, HA. 430 00:27:45,664 --> 00:27:48,045 YOU REALLY DON'T UNDERSTAND ME AT ALL. 431 00:27:48,080 --> 00:27:51,359 UNDERSTAND THIS: IF I DON'T GET SOME BACKING, FAST, 432 00:27:51,393 --> 00:27:55,052 FOR A PRODUCTION NUMBER -- ONE WITH PLENTY OF SALT WATER DRESSING, 433 00:27:55,087 --> 00:27:57,020 ONE OF THOSE FOREIGN ONION PEELERS DOWN THERE IS 434 00:27:57,054 --> 00:27:59,436 GONNA SNATCH MY PRIZE MONEY. 435 00:28:02,370 --> 00:28:04,441 C'MON, 436 00:28:04,475 --> 00:28:06,788 LET'S GET CRACKING. 437 00:28:10,999 --> 00:28:17,005 [CHEERING] 438 00:28:22,597 --> 00:28:26,394 [♪] 439 00:28:30,778 --> 00:28:37,267 NO ONE CAN BEAT THE SIAMESE WHEN IT COMES TO DIGNITY, CATS, OR TWINS, 440 00:28:37,301 --> 00:28:40,719 BUT I'M EMBARRASSED TO SAY THAT BEFORE NOW I'D NEVER 441 00:28:40,753 --> 00:28:44,274 TAKEN SIAMESE SADNESS ALL THAT SERIOUSLY. 442 00:28:44,308 --> 00:28:49,589 YOU CAN ALMOST HEAR THE TYPHOON BEARING DOWN ON A DEFENSELESS 443 00:28:49,624 --> 00:28:55,147 SEASIDE VILLAGE THROUGH THIS TORTURED FLUTE SOLO 444 00:28:55,181 --> 00:28:59,427 THE FATAL DELUGE IS ANNOUNCED BY BIRDS. 445 00:28:59,461 --> 00:29:02,533 THE PERFORMER HAS TAKEN THE TROUBLE TO PUT OUT THEIR EYES 446 00:29:02,568 --> 00:29:06,779 SO THEY'LL HAVE A BIT MORE SOUL TO THEIR WARNING CHIRPS. 447 00:29:06,814 --> 00:29:09,886 HMM IT'S ALL IN THE DETAILS, MARY! 448 00:29:09,920 --> 00:29:13,613 [♪] 449 00:29:18,032 --> 00:29:21,276 [BUZZER] 450 00:29:21,311 --> 00:29:24,590 [♪] 451 00:29:26,903 --> 00:29:30,596 AND NOW THE MEXICANS TAKE THEIR FIRST TURN. 452 00:29:30,630 --> 00:29:35,463 [♪] 453 00:29:45,922 --> 00:29:49,063 [BUZZER] 454 00:29:49,097 --> 00:29:52,514 [♪] 455 00:30:04,906 --> 00:30:07,012 [BUZZER] 456 00:30:07,046 --> 00:30:12,258 [♪] 457 00:30:16,228 --> 00:30:18,195 [BUZZER] 458 00:30:18,230 --> 00:30:21,923 [♪] 459 00:30:37,974 --> 00:30:44,290 ♪ [SPANISH SINGING] 460 00:30:44,325 --> 00:30:49,123 THE SINGERS ARE GIVING US A SAD PEEK INTO CHILD BURIAL CUSTOMS 461 00:30:49,157 --> 00:30:51,263 DOWN MEXICO WAY 462 00:30:51,297 --> 00:30:55,750 THE MEXICAN MAMA IS BEING VERY FIRM WITH HER DEAD INFANT. 463 00:30:55,784 --> 00:30:58,339 NOW GO AWAY, SHE WAILS. 464 00:30:58,373 --> 00:31:01,721 YOU ARE DEAD. 465 00:31:01,756 --> 00:31:05,104 DON'T SNEAK IN AT NIGHT TO NURSE MY BREAST. 466 00:31:05,139 --> 00:31:08,521 THAT MILK IS ONLY FOR THE LIVING. 467 00:31:08,556 --> 00:31:11,248 TO CANADIAN EARS, THAT MAY SOUND HARSH. 468 00:31:11,283 --> 00:31:14,493 WELL, I GUESS DEAD CHILDREN, LIKE ANY OTHER KIND, 469 00:31:14,527 --> 00:31:16,633 HAVE GOT TO LEARN. 470 00:31:16,667 --> 00:31:20,016 [♪] 471 00:31:20,050 --> 00:31:23,709 [CHEERING LOUDLY] 472 00:31:29,404 --> 00:31:31,682 SHH! 473 00:31:36,342 --> 00:31:41,140 [CHHERING LOUDLY] 474 00:31:49,286 --> 00:31:54,671 THE MEXICANS NOW TAKE THEIR VICTORY BATH IN THE PORT-HUNTLY POND. 475 00:31:54,705 --> 00:32:00,159 FOR THE MEXICANS, THIS IS A FIRST-TIME FULL IMMERSION IN BEER [LAUGH] 476 00:32:00,194 --> 00:32:01,471 NO, 477 00:32:01,505 --> 00:32:03,507 THEY DON'T SEEM VERY EXCITED. 478 00:32:03,542 --> 00:32:05,440 SO FAR, NOBODY'S DRINKING. 479 00:32:05,475 --> 00:32:07,339 GOD! 480 00:32:07,373 --> 00:32:09,168 WE STILL GOT PROHIBITION, 481 00:32:09,203 --> 00:32:13,207 AND THEY GOT SWIMMING POOLS FULL OF BEER UP THERE IN CANADA! 482 00:32:13,241 --> 00:32:15,243 WHY AIN'T THEY DRINKIN', ED? 483 00:32:15,278 --> 00:32:17,245 MEXICANS AIN'T USED TO WINNING. 484 00:32:17,280 --> 00:32:18,833 NOT SINCE THE ALAMO. 485 00:32:18,867 --> 00:32:20,662 THEY SMELL A RAT. 486 00:32:20,697 --> 00:32:25,115 IF I GOT THAT LUCKY I'D DRINK 'TIL I DROWNED. 487 00:32:29,913 --> 00:32:31,984 NOW THAT'S SAD. 488 00:32:32,019 --> 00:32:34,469 YEP. 489 00:32:34,504 --> 00:32:38,370 [♪] 490 00:32:38,404 --> 00:32:40,475 LOOK AT THIS STREET. 491 00:32:40,510 --> 00:32:43,409 WHERE AM I GOING TO FIND A PATRON OF THE ARTS IN WINNIPEG-- 492 00:32:43,444 --> 00:32:45,687 IN THE DEAD OF WINTER, IN THIS DEPRESSION? 493 00:32:45,722 --> 00:32:47,241 HOW MUCH DO YOU NEED? 494 00:32:47,275 --> 00:32:51,038 I JUST RENTED A WAREHOUSE I GOT PEOPLE LINED UP TO BUILD SETS, 495 00:32:51,072 --> 00:32:52,660 MAKE COSTUMES-- I GOT MUSICIANS, 496 00:32:52,694 --> 00:32:55,559 ARRANGERS, I GOTTA PUT UP FIRST, OR THEY'LL SHUT ME DOWN. 497 00:32:55,594 --> 00:32:58,148 MAYBE YOU SHOULD KEEP IT SIMPLE. 498 00:32:58,183 --> 00:32:59,632 AMERICA GOES SIMPLE. 499 00:32:59,667 --> 00:33:01,220 THAT'S A HOT ONE. 500 00:33:01,255 --> 00:33:04,361 NO - IT'S GOTTA BE VULGAR AND OBVIOUS. FULL OF GIMMICKS! 501 00:33:04,396 --> 00:33:07,433 YOU KNOW, SADNESS BUT WITH SASS AND PIZZAZZ! 502 00:33:07,468 --> 00:33:08,814 THEY'LL EAT IT UP. 503 00:33:08,848 --> 00:33:10,298 BUT WE GOT TO HIT 'EM LOTS OF DIFFERENT WAYS 504 00:33:10,333 --> 00:33:12,507 'CAUSE IF THE JUDGE SEES THE SAME THING MORE THAN ONCE 505 00:33:12,542 --> 00:33:15,027 SHE'LL HOLD BACK THOSE SNIFFLES. 506 00:33:15,062 --> 00:33:18,341 PLEASE, SIR? WE'RE HUNGRY-- DO YOU HAVE ANY FOOD YOU COULD GIVE US? 507 00:33:18,375 --> 00:33:20,481 NO I DON'T. 508 00:33:23,415 --> 00:33:25,072 HACE MUCHO FRIO, HUH? 509 00:33:25,106 --> 00:33:26,176 SI. 510 00:33:26,211 --> 00:33:28,247 SI, MUCHO FRIO. 511 00:33:28,282 --> 00:33:31,699 WELL IF YOU AGREE TO DROP OUT OF THIS COMPETITION AND JOIN MY AMERICAN TEAM 512 00:33:31,733 --> 00:33:33,666 I'LL PAY YOUR WAY BACK HOME WHEN I WIN. 513 00:33:33,701 --> 00:33:34,495 REALLY? 514 00:33:34,529 --> 00:33:36,428 GET TO THE BREWERY. WAIT FOR ME. 515 00:33:36,462 --> 00:33:39,293 SI. GRACIAS. OH, GRACIAS, SENOR! 516 00:33:41,364 --> 00:33:43,435 DAMNED SLEEPWALKER. 517 00:33:50,235 --> 00:33:53,928 [KISS SOUND] GOODNIGHT, MOTHER. 518 00:34:02,488 --> 00:34:08,598 SO YOU, UH, MANAGE TO KEEP YOURSELF SAD AT ALL TIMES, DO YA? 519 00:34:08,632 --> 00:34:11,324 IN MY POCKET IS A JAR. 520 00:34:11,359 --> 00:34:16,985 IN THE JAR, PRESERVED IN MY OWN TEARS, IS MY SON'S HEART. 521 00:34:23,406 --> 00:34:26,202 THIS IS THE PIECE THAT WOULD WIN THE CONTEST. 522 00:34:26,235 --> 00:34:28,790 THE SONG IS YOU. 523 00:34:28,824 --> 00:34:35,831 WE PLAYED IT FOR MOTHER. I PLAYED IT FOR MY SON, AT HIS FUNERAL. 524 00:34:35,866 --> 00:34:38,110 THAT'S MY SADNESS. 525 00:34:38,145 --> 00:34:42,908 ONE DEATH, OR TWO. 526 00:34:42,942 --> 00:34:45,911 I PLAY IT EVERY DAY, FIRST ON THE CYLINDER, 527 00:34:45,945 --> 00:34:48,016 THEN ON MY CELLO. 528 00:34:48,051 --> 00:34:50,777 THERE IS NOTHING SADDER. 529 00:34:52,262 --> 00:34:55,196 I NEED THIS SONG! 530 00:34:55,231 --> 00:34:57,681 BUT I WILL NEVER PLAY IT FOR MONEY. 531 00:34:57,716 --> 00:34:58,993 OH, RODERICK. 532 00:34:59,027 --> 00:35:00,891 IN FACT, I WANT NO ONE ELSE EVER TO HEAR IT 533 00:35:00,926 --> 00:35:04,171 UNTIL I PLAY IT AGAIN FOR MY WIFE, WHENEVER I FIND HER! 534 00:35:04,205 --> 00:35:06,966 LET'S NOT DWELL ON THE PAST SO! 535 00:35:07,001 --> 00:35:11,764 AS FOR ME-- I WILL DRAW ON THE SADNESS OF SERBIA 536 00:35:11,799 --> 00:35:15,630 THE LITTLE COUNTRY THAT STARTED THE GREAT WAR. 537 00:35:15,665 --> 00:35:20,739 GAVRILO THE GREAT WILL ATONE FOR THOSE NINE MILLION DEAD 538 00:35:20,773 --> 00:35:24,191 BY SHOVING THEM DOWN CHESTER'S THROAT! 539 00:35:24,225 --> 00:35:28,264 AND PULLING OUT TWENTY-FIVE THOUSAND DOLLARS! 540 00:35:28,298 --> 00:35:31,370 THEN PERHAPS I CAN AFFORD TO LOOK PROPERLY FOR MY WIFE. 541 00:35:31,405 --> 00:35:33,096 RODERICK!? 542 00:35:34,753 --> 00:35:38,446 YOU'RE A CANADIAN, BORN AND RAISED! 543 00:35:38,481 --> 00:35:42,381 UNTIL I WALKED DOWN THE STREETS OF BELGRADE FOR THE FIRST TIME 544 00:35:42,416 --> 00:35:45,729 I NEVER FELT AT HOME-- ANYWHERE. 545 00:35:45,764 --> 00:35:50,665 I FINALLY KNEW WHO I WAS-- AND WHERE MY HEART DWELT. 546 00:35:50,700 --> 00:35:55,532 COME, LET ME SHOW YOU WHERE I HIDE MY HEART. 547 00:36:07,510 --> 00:36:10,823 HEY, HOW DOES YOUR TAPEWORM FEEL ABOUT BURIALS? 548 00:36:10,858 --> 00:36:12,618 LIKE A BRIDE AT HER WEDDING! 549 00:36:12,653 --> 00:36:14,448 A FESTIVAL OF WORMS! 550 00:36:14,482 --> 00:36:18,210 A GRAND OLD WINNIPEG BANKER IS BEING PLANTED TODAY. 551 00:36:18,245 --> 00:36:21,800 I'VE GOT A HUNCH HIS WIDOW MIGHT JUST GO FOR A SAD SONG TRIBUTE 552 00:36:21,834 --> 00:36:24,112 TO HIS FINANCIAL PROWESS. 553 00:36:24,147 --> 00:36:28,945 LET'S GO, WE NEED A GOOD SPOT-- NEXT TO THE FAMILY. 554 00:36:36,021 --> 00:36:38,230 I'LL LET YOU IN ON A LITTLE SECRET 555 00:36:38,265 --> 00:36:41,647 I DON'T BELIEVE THAT ALL THIS SADNESS REALLY EXISTS. 556 00:36:41,682 --> 00:36:43,511 WHAT A DELIGHTFUL NOTION. 557 00:36:43,546 --> 00:36:44,926 WELL BAD THINGS HAPPEN. 558 00:36:44,961 --> 00:36:46,997 I'M NOT DENYING THAT. PLENTY OF 'EM. 559 00:36:47,032 --> 00:36:50,622 SOMEHOW, WHEN PEOPLE START TRYING TO SHOW HOW THEY'VE BEEN 560 00:36:50,656 --> 00:36:54,522 AFFECTED BY THESE BAD THINGS, THEY START FAKING IT. 561 00:36:54,557 --> 00:36:58,112 THEY KNOW THAT, DEEP DOWN, NO ONE REALLY CARES 562 00:36:58,146 --> 00:37:00,770 BUT THEY WANT PEOPLE TO KNOW THEY'RE SUFFERING, DAMN IT. 563 00:37:00,804 --> 00:37:03,497 AND OTHERS WILL GO ALONG WITH IT, MAKING FACES, 564 00:37:03,531 --> 00:37:07,846 HOPING SOMEONE WILL NOTICE SO THAT WHEN SOMETHING AWFUL HAPPENS TO THEM 565 00:37:07,880 --> 00:37:11,194 THEY CAN GET SOME OF THIS FAKE PITY FOR THEMSELVES. 566 00:37:11,229 --> 00:37:13,369 AND NOW MICHAEL'S DAUGHTER, AGNES, 567 00:37:13,403 --> 00:37:16,544 WILL QUICKLY SING HIS FAVORITE SONG. 568 00:37:16,579 --> 00:37:20,341 [SAD WHIMPERING] ♪ SKIP - SKIP, SKIP TO MY LOU ♪ 569 00:37:20,376 --> 00:37:23,448 [WHIMPER] ♪ SKIP TO MY LOU MY DARLING ♪ 570 00:37:23,482 --> 00:37:29,454 [CRYING] 571 00:37:43,088 --> 00:37:45,435 AH! DON'T FALL ON ME! 572 00:37:45,470 --> 00:37:47,265 NO, AH, MRS. BURNE-JONES? 573 00:37:47,299 --> 00:37:51,199 I'M CHESTER KENT, A PRODUCER OF MUSICAL SPECTACULARS IN NEW YORK. 574 00:37:51,234 --> 00:37:54,858 I WAS VERY MOVED BY YOUR DAUGHTER'S PERFORMANCE. 575 00:37:54,893 --> 00:37:56,170 WE ALL WERE. 576 00:37:56,204 --> 00:38:00,105 IT STRUCK ME THAT MORE PEOPLE SHOULD HAVE A CHANCE TO HEAR HER 577 00:38:00,139 --> 00:38:03,073 AND THE OTHER SAD MUSIC THAT SOOTHED YOUR HUSBAND. 578 00:38:03,108 --> 00:38:08,700 IF WE COULD-- MOUNT A MUSICAL TRIBUTE TO HIM ON INTERNATIONAL RADIO 579 00:38:08,734 --> 00:38:11,427 PEOPLE WOULD BE REMINDED OF WHAT HE MEANT TO THEM, 580 00:38:11,461 --> 00:38:17,122 AND-- LISTENERS WHO DIDN'T KNOW ABOUT THIS WONDERFUL BANKER'S LIFE AND GREAT SPIRIT. 581 00:38:17,156 --> 00:38:19,918 IS THAT FOR THAT RADIO CONTEST? 582 00:38:19,952 --> 00:38:24,509 NO... BUT WAIT A MINUTE! 583 00:38:24,543 --> 00:38:28,167 MAYBE WE COULDTIE IT IN WITH THAT THERE'S SUCH A GREAT AUDIENCE, YOU SEE. 584 00:38:28,202 --> 00:38:29,928 WELL - IF I LET MY DAUGHTER SING FOR YOU, 585 00:38:29,962 --> 00:38:31,516 SHE WON'T COME CHEAP! 586 00:38:31,550 --> 00:38:34,001 AND YOU'LL HAVE TO PAY IN ADVANCE. 587 00:38:37,176 --> 00:38:39,765 WELL, I'D BE WILLING TO GO AS HIGH AS A DOLLAR SEVENTY-FIVE. 588 00:38:39,800 --> 00:38:44,045 AH, SHE'S WORTH MORE THAN THAT. 589 00:38:51,639 --> 00:38:53,848 LOOK NOBODY KNOWS I'M BROKE! 590 00:38:53,883 --> 00:38:56,506 GIVE A POOR MUSICIAN JUST A WHIFF OF AMERICAN DOUGH, 591 00:38:56,541 --> 00:38:59,371 AND HE'LL BEND RIGHT OVER FOR UNCLE SAM! 592 00:38:59,406 --> 00:39:01,304 HEY! 593 00:39:01,339 --> 00:39:03,030 CARE TO DANCE? 594 00:39:05,964 --> 00:39:09,899 POOR YIDDISH, NO COUNTRY OF YOUR OWN, HUH? 595 00:39:09,933 --> 00:39:12,902 COME ON OVER, AND PUT A LITTLE 'SPRITZ' IN AMERICA. 596 00:39:24,396 --> 00:39:28,573 UNTIL YOUR EYES GET USED TO IT WE'LL KEEP THE LIGHT SOFT. 597 00:39:31,817 --> 00:39:33,957 LEGS! 598 00:39:33,992 --> 00:39:39,307 HOW PLIABLE AND DELICATE AND STURDY THEY ARE. 599 00:39:39,342 --> 00:39:45,072 WHAT DANGEROUS MOODS. WHAT SUBTLE SHIFTS IN EXPRESSION 600 00:39:46,591 --> 00:39:52,873 THE LEG THAT TEASES, THE LEG THAT FEELS GUILTY, 601 00:39:52,907 --> 00:39:55,876 THE LEG THAT BLUSHES, AND WANTS TO APOLOGIZE, 602 00:39:57,360 --> 00:40:03,573 THE LEG THAT STAMMERS OUT ITS LOVE, AND THE LEG THAT REPUDIATES IT. 603 00:40:03,608 --> 00:40:04,954 HEEWWW! 604 00:40:04,988 --> 00:40:08,923 SINCE THE ACCIDENT WHEN I GAVE UP MY DOCTOR'S LICENSE 605 00:40:08,958 --> 00:40:13,272 NOT A DAY HAS PASSED WITHOUT MY THINKING HOW I WOULD MAKE THINGS BETTER FOR HELEN. 606 00:40:13,307 --> 00:40:16,206 YOU DO EVIDENTLY-- LOVE HER. 607 00:40:16,241 --> 00:40:17,449 HOW COULD YOU THINK OTHERWISE? 608 00:40:17,484 --> 00:40:18,795 UGHHH! 609 00:40:18,830 --> 00:40:21,004 SHE MUST HAVE ARTIFICIAL LEGS BY NOW. 610 00:40:21,039 --> 00:40:22,385 BUT SHE DOESN'T. 611 00:40:22,420 --> 00:40:24,387 WOOD AND LEATHER DON'T AGREE WITH HER, 612 00:40:24,422 --> 00:40:27,355 THEY GIVE HER PURPLE RASHES, AND BIG UNSIGHTLY WELTS. 613 00:40:27,390 --> 00:40:30,358 NONE OF THE ORDINARY PROSTHETIC MATERIALS WILL DO. 614 00:40:30,393 --> 00:40:33,672 THEN, SITTING AMONG ALL THE BOTTLES THAT I'D EMPTIED, 615 00:40:33,707 --> 00:40:36,019 IT FINALLY CAME TO ME! 616 00:40:36,054 --> 00:40:37,504 GLASS! 617 00:40:37,538 --> 00:40:39,022 GLASS? 618 00:40:39,057 --> 00:40:43,441 YES-- IT'S THE PERFECT SOLUTION - HELEN LOVES GLASS! 619 00:40:43,475 --> 00:40:45,339 SHE SURROUNDS HERSELF WITH IT. 620 00:40:46,789 --> 00:40:51,759 HER HOUSE IS FILLED WITH-- GLASS ORNAMENTS, CREATURES LARGE AND SMALL-- 621 00:40:51,794 --> 00:40:54,486 SHE COLLECTS GLASS DOLLS-- HUNDREDS OF DOLLS, 622 00:40:54,521 --> 00:40:56,454 IN A STAINED GLASS ROOM, 623 00:40:56,488 --> 00:41:01,493 WAITING, LIKE SHE IS, TO WALK. 624 00:41:03,115 --> 00:41:04,945 BEHOLD! 625 00:41:10,882 --> 00:41:14,989 I'VE TRIED TO GIVE THESE TO HER, CAN NEVER FIND THE RIGHT MOMENT. 626 00:41:15,024 --> 00:41:16,439 MY GOD. 627 00:41:16,474 --> 00:41:19,891 AND THEY WERE MADE RIGHT HERE IN CANADA! 628 00:41:19,925 --> 00:41:23,204 NOW LADY PORT-HUNTLY CAN STAND UP AND DANCE 629 00:41:23,239 --> 00:41:25,379 TO THE SADDEST MUSIC IN THE WORLD. 630 00:41:25,413 --> 00:41:30,004 I'VE EVEN FILLED THEM WITH PORT-HUNTLY MUSKEG BEER! 631 00:41:30,039 --> 00:41:31,592 WHY DO YOU FROWN? 632 00:41:33,180 --> 00:41:34,837 I WAS THINKING ABOUT MY WIFE. 633 00:41:34,871 --> 00:41:36,942 HAPPIER THOUGHTS-- PLEASE! 634 00:41:36,977 --> 00:41:42,914 I HAVE A PHOTOGRAPH OF HER [LAUGH] LEAPING ACROSS A GUTTER 635 00:41:42,948 --> 00:41:46,676 HER LEGS-- SUSPENDED IN MID-AIR. 636 00:41:48,540 --> 00:41:50,784 WELL, I'M AFRAID THESE WON'T PERMIT THAT, 637 00:41:50,818 --> 00:41:52,717 BUT THEY CAN STRETCH OUT A FAIR WAY! 638 00:41:52,751 --> 00:41:54,822 COULD I SEE THE PICTURE? 639 00:42:01,001 --> 00:42:03,244 NO. IT'S-- 640 00:42:06,178 --> 00:42:11,770 UH, SHE'S NOT AT ALL AS I PICTURED HER. 641 00:42:13,979 --> 00:42:15,325 EXCUSE ME? 642 00:42:15,360 --> 00:42:18,570 I'VE BEEN ADMIRING YOUR EAR FOR THE PAST FIVE MINUTES. 643 00:42:18,605 --> 00:42:20,814 I FIND IT UTTERLY BEAUTIFUL. 644 00:42:20,848 --> 00:42:24,093 IT IS PERFECTLY SHAPED, THIS ONE-- THE LEFT ONE! 645 00:42:24,127 --> 00:42:27,648 I WONDER-- I WONDER IF I MIGHT WHISPER SOMETHING INTO IT? 646 00:42:27,683 --> 00:42:29,823 JUST A LITTLE STORY YOU MIGHT LIKE. 647 00:42:29,857 --> 00:42:32,101 WOULD YOU MIND? I WON'T COME TOO CLOSE. 648 00:42:32,135 --> 00:42:34,621 UH, AH, UH I'M DEAF IN THAT EAR! 649 00:42:34,655 --> 00:42:38,832 BUT, UH I CAN HEAR JUST FINE I-IN THE OTHER ONE. 650 00:42:38,866 --> 00:42:40,074 HMM. 651 00:42:40,109 --> 00:42:44,769 NO, THIS IS THE ONE I WANT YOU CAN STILL FEEL MY BREATH-- 652 00:42:44,803 --> 00:42:47,599 IMAGINE WHAT I AM TELLING YOU. 653 00:42:47,634 --> 00:42:53,571 [SOUND OF APPLAUSE IN BACKGROUND] 654 00:42:55,607 --> 00:42:57,298 SO WHY'D YOU SEND FOR ME? 655 00:42:57,333 --> 00:43:00,647 SUPPOSE I DECIDED TO BACK YOU? 656 00:43:00,681 --> 00:43:03,857 WELL, THAT WOULD BE VERY SPORTING. 657 00:43:03,891 --> 00:43:06,687 I HAVE TO WARN YOU -- THERE'LL BE MANY, MANY BILLS TO PAY. 658 00:43:06,722 --> 00:43:10,933 WE CAN BOTH PAY OUR BILLS. -YOU WANT ME TO WIN, I SUPPOSE? 659 00:43:12,935 --> 00:43:15,144 UNDO ME. 660 00:43:15,731 --> 00:43:16,835 BEG YOUR PARDON. 661 00:43:16,870 --> 00:43:19,769 YOU HAVE TO START PAYING YOUR FIRST BILL RIGHT NOW. 662 00:43:22,703 --> 00:43:24,498 I DISLIKE BEER. 663 00:43:24,532 --> 00:43:29,020 FOR MY JUBILEE, I REQUESTED CHAMPAGNE AND MILK. 664 00:43:29,054 --> 00:43:31,332 THAT'S A PRETTY SMALL TUB. 665 00:43:31,367 --> 00:43:32,610 THERE'D BE ROOM ENOUGH. 666 00:43:32,644 --> 00:43:34,232 SUPPOSE I REFUSE? 667 00:43:34,266 --> 00:43:36,234 OH, YOU'RE WASTING YOUR TIME. 668 00:43:36,268 --> 00:43:38,650 HAH! DO I GET INSTRUCTIONS? 669 00:43:38,685 --> 00:43:43,586 HEY IT'S VERY SIMPLE-- YOU UNDRESS ME, YOU BATHE ME, 670 00:43:43,621 --> 00:43:44,829 YOU PUT ME TO BED. 671 00:43:44,863 --> 00:43:46,554 I LIKE TO BE ASKED-- NOT TOLD. 672 00:43:46,589 --> 00:43:49,385 OH, WHO CARES WHAT YOU LIKE! -YOU DO! 673 00:43:49,419 --> 00:43:54,045 ALL THIS BULLY BOY STUFF! JUST SAY YOU WANT ME. 674 00:43:54,079 --> 00:43:56,703 IT'S EASY TO WANT YOU, HELEN-- YOU'RE STILL BEAUTIFUL. 675 00:43:56,737 --> 00:43:58,912 JUST SAY IT, [KISS SOUND] 676 00:43:58,946 --> 00:44:01,535 AND THEN LET'S GO SOMEWHERE WHERE WE CAN GET SERIOUS. 677 00:44:01,569 --> 00:44:03,261 JUST UNDRESS ME. 678 00:44:06,367 --> 00:44:08,715 NO SALE! 679 00:44:08,749 --> 00:44:12,650 ONE OF YOU BOYS TAKE OFF YOUR BLINDFOLD, AND FISH HER OUT WHEN SHE'S DONE. 680 00:44:23,039 --> 00:44:24,938 WELL THAT WAS THE LAST OF MY PRIDE. 681 00:44:24,972 --> 00:44:26,905 DOES YOUR OFFER STILL STAND? 682 00:44:26,940 --> 00:44:32,842 AHH A LITTLE BIT OF BACKBONE 683 00:44:32,877 --> 00:44:35,431 IS SEXY IN A MAN. 684 00:44:35,465 --> 00:44:39,435 BE UNDRESSED BY THE TIME I COUNT TO FIVE. 685 00:44:39,469 --> 00:44:45,441 ONE TWO THREE FOUR 686 00:44:46,304 --> 00:44:48,099 [BUZZER] 687 00:44:48,133 --> 00:44:54,519 [APPLAUSE] 688 00:44:54,553 --> 00:45:01,181 REPRESENTING CANADA IS OUR FIRST PERFORMER THIS EVENING-- FYODOR KENT. 689 00:45:01,215 --> 00:45:05,495 HE IS WEARING WHAT APPEARS TO BE HIS OWN UNIFORM FROM THE GREAT WAR. 690 00:45:05,530 --> 00:45:09,707 AND HE STANDS ON THE STAGE WITH AN UPTURNED PIANO, 691 00:45:09,741 --> 00:45:16,783 HIS TOUCHING TRIBUTE TO THE CANADIANS WHO FELL ON THE EUROPEAN BATTLEFIELDS. 692 00:45:16,817 --> 00:45:19,647 A CANADIAN TROOP SITE AT VIMY, 693 00:45:19,682 --> 00:45:25,032 THE BIRD NOTES OF REVEILLE AT DAWN. 694 00:45:25,067 --> 00:45:27,932 LET US FOLLOW THE LEAVES OF RED 695 00:45:27,966 --> 00:45:33,523 AS THEY SWIRL ACROSS THE FIELDS OF FRANCE AND THE RAGING OCEAN. 696 00:45:33,558 --> 00:45:39,529 COME HOME, MY BOYS, COME HOME. 697 00:45:46,882 --> 00:45:52,888 ♪ JUST THE RED MAPLE LEAVES 698 00:45:52,922 --> 00:45:58,100 ♪ AND WHEN THEY COME AGAIN, YOU'LL FIND ME ♪ 699 00:45:58,134 --> 00:46:03,346 ♪ WHERE I LEFT MY HEART BEHIND ME ♪ 700 00:46:03,381 --> 00:46:09,042 ♪ NEATH THE RED MAPLE LEAVES ♪ 701 00:46:09,076 --> 00:46:11,216 ♪ MAPLE LEAVES 702 00:46:11,251 --> 00:46:13,011 [BUZZER] 703 00:46:13,046 --> 00:46:15,117 [DRUMS] 704 00:46:15,151 --> 00:46:17,809 [LINE IN AFRICAN DIALECT] 705 00:46:17,844 --> 00:46:22,227 NOW THE ZANI PERFORMERS FROM THE CAMEROONS ARE SHOWING US 706 00:46:22,262 --> 00:46:26,059 HOW VILLAGERS THERE CONDUCT A PROPER PYGMY FUNERAL. 707 00:46:26,093 --> 00:46:29,096 FROM THESE WILDLY BEATEN JUNGLE SKINS, 708 00:46:29,131 --> 00:46:33,066 WE ARE HEARING THE TRUE SOUNDS OF BEREAVEMENT 709 00:46:33,100 --> 00:46:39,589 WHILE FRIENDS AND FAMILY OF THE DECEASED PUNISH THEMSELVES WITH SHARP STONES 710 00:46:39,624 --> 00:46:43,352 OPENING WOUNDS ACROSS KNEECAP AND FOREHEAD-- 711 00:46:43,386 --> 00:46:48,046 WOUNDS THAT WEEP TEARS OF BLOOD. 712 00:46:48,081 --> 00:46:54,052 ♪ [SINGING IN AFRICAN DIALECT] ♪ [DRUMS] 713 00:47:13,106 --> 00:47:15,453 [BUZZER] 714 00:47:18,594 --> 00:47:25,773 ♪ WE GATHERED LEAVES TO PRESS THEM, AS LOVERS SOMETIMES DO ♪ 715 00:47:25,808 --> 00:47:31,779 ♪ YOU'RE GONE, BUT I CARESS THEM, THEY'RE ALL I HAVE OF YOU ♪ 716 00:47:34,196 --> 00:47:39,373 ♪ ALL I HAVE-- [2 BUZZERS] 717 00:47:39,408 --> 00:47:45,379 ♪ [DRUMS AND SINGING] ALL I HAVE OF YOU! ALL I HAVE OF YOU! ♪ 718 00:47:47,588 --> 00:47:54,043 ♪ [DRUMS AND SINGING] ALL I HAVE OF YOU! ALL I HAVE OF YOU! ♪ 719 00:47:54,078 --> 00:47:58,772 ♪ [DRUMS AND SINGING] ALL I HAVE OF YOU! ALL I HAVE OF YOU! ♪ 720 00:47:58,806 --> 00:48:02,465 ♪ ALL I HAVE OF YOU! 721 00:48:02,500 --> 00:48:07,056 [BREAKS DOWN] [DRUMS CONTINUE] 722 00:48:07,091 --> 00:48:10,473 [LOUD CHEERING, APPLAUSE] 723 00:48:13,476 --> 00:48:15,996 THIS HAS BEEN A REAL EYE-OPENER FOR THE 724 00:48:16,031 --> 00:48:19,172 TRADITIONALLY RESERVED CANADIAN AUDIENCE GATHERED HERE THIS EVENING. 725 00:48:19,206 --> 00:48:24,004 THE CROWD IS ON ITS FEET-- SWEPT UP IN THE ZANI FRENZY. 726 00:48:24,039 --> 00:48:26,317 [LOUD CHEERING] 727 00:48:36,085 --> 00:48:42,402 THE AFRICANS HAVE ELIMINATED CANADA IN THEIR FIRST CHALLENGE. 728 00:48:42,436 --> 00:48:45,612 THE BEER BATH MAKES IT OFFICIAL. 729 00:48:45,646 --> 00:48:50,513 FYODOR KENT MUST REALIZE THAT IN A WORLD COMPETITION 730 00:48:50,548 --> 00:48:52,860 ORDINARY TEARS AREN'T GOING TO BE ENOUGH. 731 00:48:52,895 --> 00:48:57,693 YES, MARY-- A GREAT DISAPPOINTMENT FOR CANADA AND FYODOR KENT. 732 00:48:57,727 --> 00:49:01,766 BUT THE ZANIS REALLY SEEM TO BE ENJOYING THEIR VICTORY 733 00:49:01,800 --> 00:49:08,152 NOW THEY'RE WHIPPING THE HEAD ON THE BREW INTO A HAPPY PORT-HUNTLY MOUNTAIN. 734 00:49:08,186 --> 00:49:11,845 [CLAPPING] GREAT WORK, DAD! 735 00:49:11,879 --> 00:49:13,640 YOU'VE NEVER SUNG IT BETTER! 736 00:49:13,674 --> 00:49:16,850 'COURSE THOSE TRIBESMEN PUT ON QUITE A SHOW, DON'T THEY? 737 00:49:16,884 --> 00:49:18,403 WE COULD LEARN SOMETHING FROM THEM. 738 00:49:18,438 --> 00:49:20,716 YOU HAVEN'T BROUGHT YOUR - 'KEPT WOMAN' WITH YA, I HOPE? 739 00:49:20,750 --> 00:49:22,511 WHICH ONE DO YOU MEAN? 740 00:49:22,545 --> 00:49:24,789 THE GIRL ON MY STREETCAR--THE SAME ONE I SUPPOSE WHO WAS 741 00:49:24,823 --> 00:49:26,894 MAKING LIKE A HURRICANE UPSTAIRS WHEN YOUR BROTHER CAME HOME! 742 00:49:26,929 --> 00:49:28,137 NARCISSA? 743 00:49:28,172 --> 00:49:29,518 YEAH, SHE'S HERE ALL RIGHT-- SHE BETTER BE-- 744 00:49:29,552 --> 00:49:30,898 MY WHOLE NUMBER DEPENDS ON HER. 745 00:49:30,933 --> 00:49:32,383 WHY? WHAT'S WRONG? 746 00:49:32,417 --> 00:49:35,317 WHERE DOES SHE COME FROM? WHAT DO YOU KNOW ABOUT HER? 747 00:49:35,351 --> 00:49:36,974 I MET HER AT THE FAIRGROUND! 748 00:49:37,008 --> 00:49:40,046 SHE SAYS SHE'S FROM SERBIA SHE MAKES STUFF UP THOUGH. 749 00:49:40,080 --> 00:49:41,702 HAS SHE MENTIONED RODERICK? 750 00:49:41,737 --> 00:49:43,221 NO, SHE'S NEVER MET HIM. 751 00:49:43,256 --> 00:49:44,671 CANCEL YOUR NUMBER. 752 00:49:44,705 --> 00:49:46,880 GET HER OUT OF HERE-- WHETHER I'M RIGHT OR WRONG, 753 00:49:46,914 --> 00:49:48,295 IT'S NOT WORTH THE RISK. 754 00:49:48,330 --> 00:49:51,850 WHERE I COME FROM, POP WINNING IS WORTH EVERY RISK! 755 00:49:51,885 --> 00:49:53,991 YOU'LL KILL ME, JUDAS, AND YOUR BROTHER TOO-- 756 00:49:54,025 --> 00:49:56,303 SHE'S RODERICK'S WIFE! 757 00:49:57,925 --> 00:50:00,031 THAT'S A GREAT YARN! 758 00:50:00,066 --> 00:50:02,206 I'M NOT BUYING IT THOUGH. 759 00:50:02,240 --> 00:50:05,588 AND EVEN IF IT WAS TRUE, THAT'S SHOWBIZ! 760 00:50:05,623 --> 00:50:07,694 I CAN'T BELIEVE YOU'RE MY SON. 761 00:50:07,728 --> 00:50:11,525 HEY, I DIDN'T SEE YOU CANCELING YOUR NUMBER. 762 00:50:15,736 --> 00:50:21,570 IN THE NEXT ROUND WE HAVE AMERICAN SADNESS SQUARING OFF AGAINST THAT OF SPAIN. 763 00:50:21,604 --> 00:50:27,334 BROADWAY PRODUCER CHESTER KENT HAS SELECTED JUST THE RIGHT VINTAGE OF AMERICAN SADNESS, 764 00:50:27,369 --> 00:50:31,200 FROM THE COTTON FIELDS OF THE DEEP SOUTH. 765 00:50:31,235 --> 00:50:34,548 LET'S, AH. 766 00:50:37,758 --> 00:50:40,002 AH LET'S GET AWAY FROM ALL THIS HULLABALOO. 767 00:50:40,037 --> 00:50:41,107 YOU NEED YOUR QUIET. 768 00:50:41,141 --> 00:50:42,660 OH, NO. 769 00:50:42,694 --> 00:50:47,906 I WANT TO SEE WHAT THIS BROADWAY JACKANAPES KNOWS 770 00:50:47,941 --> 00:50:49,529 ABOUT SADNESS. 771 00:50:55,983 --> 00:50:58,089 SPAIN, RIGHT? 772 00:50:58,124 --> 00:51:02,266 TELL YOU WHAT, IF YOU WANT TO DROP OUT OF THIS COMPETITION AND JOIN AMERICA 773 00:51:02,300 --> 00:51:05,062 I'LL PAY YOUR WAY BACK HOME WHEN I WIN. 774 00:51:08,720 --> 00:51:10,826 THINK ABOUT IT. 775 00:51:10,860 --> 00:51:14,243 [BUZZER] 776 00:51:14,278 --> 00:51:19,766 [♪] 777 00:51:19,800 --> 00:51:25,841 THE ALWAYS IMPETUOUS SPANISH OFFER US A JAIL SIDE VIEW OF THE WAGES OF SIN. 778 00:51:25,875 --> 00:51:32,123 ESMERELDA AWAITS EXECUTION HER PRISON CELL ECHOES WITH HER SAVAGE LAMENT. 779 00:51:32,158 --> 00:51:37,577 ♪ [SPANISH] 780 00:52:14,303 --> 00:52:18,100 [BUZZER] 781 00:52:18,135 --> 00:52:23,243 [CHEERING] 782 00:52:31,493 --> 00:52:34,289 [♪] 783 00:52:54,585 --> 00:52:59,141 ♪ SWING LOW 784 00:52:59,176 --> 00:53:03,041 ♪ SWEET CHARIOT 785 00:53:03,076 --> 00:53:08,150 ♪ COMING FORTH TO CARRY ME HOME ♪ 786 00:53:09,393 --> 00:53:13,604 ♪ SWING LOW 787 00:53:13,638 --> 00:53:17,953 ♪ SWEET CHARIOT 788 00:53:17,987 --> 00:53:23,855 ♪ COMING FORTH TO CARRY ME HOME ♪ 789 00:53:28,135 --> 00:53:29,689 [BUZZER] 790 00:53:29,723 --> 00:53:34,107 ♪ [SPANISH] 791 00:53:34,141 --> 00:53:36,558 [BUZZER] 792 00:53:36,592 --> 00:53:39,492 [♪] 793 00:53:42,288 --> 00:53:44,255 MY EYES! 794 00:53:44,290 --> 00:53:49,053 CLOSE YOUR EYES. NO, NO! CLOSE YOUR EY-EYES! 795 00:53:49,087 --> 00:53:51,400 TAKE A FEW DEEP BREATHS 796 00:53:51,435 --> 00:53:53,782 OH, WHOA, WHOA, WHOAAHHH 797 00:53:53,816 --> 00:53:56,750 TOO MANY TEACAKES FOR DINNERRRR 798 00:53:56,785 --> 00:53:57,924 MY EARS! 799 00:53:57,958 --> 00:54:00,133 SHE'S GOT HER TEETH IN THEM! 800 00:54:00,167 --> 00:54:05,449 ♪ COMING FORTH TO CARRY ME HOME. ♪ 801 00:54:05,483 --> 00:54:07,278 THE RAINDROPS BURN ME! 802 00:54:07,313 --> 00:54:09,280 YOU HEAR THEIR HISS? ! 803 00:54:09,315 --> 00:54:11,455 LET'S LEAVE. 804 00:54:11,489 --> 00:54:13,457 HUH! 805 00:54:15,700 --> 00:54:19,014 CAN'T YOU SMELL HER? IT'S ROSES! 806 00:54:19,048 --> 00:54:21,913 MY NOSTRILS ARE CHOKING! 807 00:54:21,948 --> 00:54:26,124 TOO MANY THORNS! I BLEED. 808 00:54:26,159 --> 00:54:27,471 UP! UP! 809 00:54:27,505 --> 00:54:29,335 SHE WON'T STAY DOWN! 810 00:54:29,369 --> 00:54:31,060 NARCISSA! 811 00:54:31,095 --> 00:54:33,235 AHHHH! 812 00:54:35,927 --> 00:54:38,447 [BUZZER] 813 00:54:38,482 --> 00:54:40,553 I'M GOING MAD. 814 00:54:40,587 --> 00:54:43,487 [♪] 815 00:54:57,811 --> 00:55:03,092 [APPLAUSE] 816 00:55:04,162 --> 00:55:08,235 AMERICA JUST SWALLOWED UP SPAIN IN THAT MATCH. 817 00:55:08,270 --> 00:55:11,308 THE LOCAL CROWD IS CLEARLY CARRIED AWAY BY BOTH 818 00:55:11,342 --> 00:55:14,000 THE PERFORMER AND THE PYROTECHNICS! 819 00:55:14,034 --> 00:55:18,038 AS FAR AS THEY'RE CONCERNED, SADNESS ISN'T HURT ONE BIT 820 00:55:18,073 --> 00:55:22,319 BY A LITTLE 'RAZZLE-DAZZLE' SHOWMANSHIP! 821 00:55:22,353 --> 00:55:28,428 [APPLAUSE] 822 00:55:28,463 --> 00:55:32,915 [CHEERING] YEAH YEAH YEAH! 823 00:55:59,148 --> 00:56:01,599 RODERICK, RODERICK, 824 00:56:01,634 --> 00:56:03,705 RODERICK. 825 00:56:03,739 --> 00:56:05,223 WHO GOES THERE? 826 00:56:05,258 --> 00:56:08,813 GAVRILO THE GREAT, I'M HERE TO PLAY FOR THE FUNERAL. 827 00:56:08,848 --> 00:56:11,747 YOU MAY ENTER. 828 00:56:14,992 --> 00:56:17,304 WHO GOES THERE? 829 00:56:17,339 --> 00:56:24,001 RODERICK KUKOC, SON OF FYODOR. I'M LOOKING FOR MY INSTRUMENT. 830 00:56:24,035 --> 00:56:26,969 GO ON IN. 831 00:56:33,666 --> 00:56:35,495 WHY ARE YOU SO LATE? 832 00:56:35,530 --> 00:56:39,913 I CAME AS QUICK AS I COULD. I GOT THROUGH ALL THE DOORS. 833 00:56:39,948 --> 00:56:42,122 BUT YOU WEREN'T SUPPOSED TO COME THROUGH ANY OF THEM. 834 00:56:42,157 --> 00:56:46,126 YOU TOLD THEM WHAT THEY WANTED TO KNOW, NOW HE'S DEAD, 835 00:56:46,161 --> 00:56:48,543 AND I HAVE TO CLOSE ALL THE DOORS BETWEEN US 836 00:56:48,577 --> 00:56:51,062 AND LOCK THEM WITH THIS KEY. 837 00:56:51,097 --> 00:56:53,548 OUR SON IS DEAD? 838 00:56:54,549 --> 00:56:57,206 THE DOORS WERE FOR HIM-- NOT FOR YOU. 839 00:56:57,241 --> 00:57:01,141 YOU TOOK THEM ALL AWAY FROM HIM-- AND SO HE DIED. 840 00:57:01,176 --> 00:57:05,387 PLEASE DON'T LEAVE ME HERE WHO WILL PLAY AT THE FUNERAL? 841 00:57:05,422 --> 00:57:07,665 YOU CAN PLAY-- FROM IN HERE. 842 00:57:07,700 --> 00:57:12,532 BUT NOT TOO SOFT OR HE WON'T HEAR. 843 00:57:12,567 --> 00:57:14,638 AHH! 844 00:57:17,468 --> 00:57:19,505 SON? 845 00:57:19,539 --> 00:57:21,679 I BEG YOU NOT TO GO ON 846 00:57:23,094 --> 00:57:25,096 I MUST PLAY. 847 00:57:27,271 --> 00:57:31,620 PLEASE! PLEASE DON'T! 848 00:57:31,655 --> 00:57:34,381 THEY'LL BE LISTENING. 849 00:57:36,107 --> 00:57:37,971 [BUZZER] 850 00:57:38,006 --> 00:57:43,977 [CHEERING] 851 00:57:44,599 --> 00:57:48,361 [BOOING] 852 00:57:58,198 --> 00:58:02,202 A TARDY GAVRILO THE GREAT FINALLY APPEARS ON THE STAGE, 853 00:58:02,237 --> 00:58:04,929 TO FACE AN IMPATIENT CROWD. 854 00:58:04,964 --> 00:58:09,037 WE'VE HEARD MUCH TALK ABOUT HIS PLAINTIVE CELLO-HORN 855 00:58:09,071 --> 00:58:16,596 WHICH HAS DRAWN ENOUGH MOISTURE FROM HARDENED OLD WORLD EYES TO FILL THE ENGLISH CHANNEL! 856 00:58:16,631 --> 00:58:19,426 I'M SORRY TO HAVE KEPT YOU WAITING. 857 00:58:19,461 --> 00:58:23,983 [CHEERING FOR SCOTLAND] 858 00:58:28,056 --> 00:58:31,577 I'M SORRY BUT MY EARS ARE QUITE SENSITIVE! 859 00:58:31,611 --> 00:58:35,926 SOME OF YOU IN THE FIRST FEW ROWS ARE SWALLOWING TOO LOUDLY. 860 00:58:35,960 --> 00:58:40,551 AND YOU, SIR, COULD YOU PLEASE REFRAIN FROM BREATHING THROUGH YOUR NOSE LIKE THAT? 861 00:58:40,586 --> 00:58:43,174 AND THERE'S A WOMAN IN A STRAW HAT WHOSE STOMACH IS GROWLING. 862 00:58:43,209 --> 00:58:44,935 NOW WHAT IS THAT STINK? 863 00:58:44,969 --> 00:58:47,662 IS THIS A HOG BARN OR A CONCERT HALL?! 864 00:58:50,527 --> 00:58:54,496 [SCOTISH DRUMS] 865 00:59:04,541 --> 00:59:06,232 [BUZZER] 866 00:59:06,266 --> 00:59:11,064 ♪ [CELLO MUSIC] 867 00:59:35,951 --> 00:59:37,712 [BUZZER] 868 00:59:37,746 --> 00:59:42,544 ♪ [BAGPIPES AND DRUMS] 869 01:00:11,193 --> 01:00:12,470 [BUZZER] 870 01:00:12,505 --> 01:00:16,198 ♪ [CELLO MUSIC] 871 01:00:24,793 --> 01:00:28,625 [APPLAUSE] 872 01:00:49,680 --> 01:00:55,652 STILL NO WORD ON THE CONDITION OF GAVRILO THE GREAT. 873 01:00:55,686 --> 01:00:58,033 WE DON'T KNOW IF HE'S IN A COMA, 874 01:00:58,068 --> 01:01:01,450 OR JUST VERY VERY SAD. 875 01:01:01,485 --> 01:01:04,730 WE'LL TRY TO FIND OUT AS SOON AS WE CAN. 876 01:01:04,764 --> 01:01:07,629 NOW A WORD FROM PORT-HUNTLY BEER! 877 01:01:13,324 --> 01:01:17,087 ♪ GET UP GET YOUR BOOTS ON HURRY UP, HURRY UP! ♪ 878 01:01:17,121 --> 01:01:22,817 ♪ TIME'S A WASTIN' IF YOU'RE NOT TASTIN' LADY PORT-HUNTLY'S BEER. ♪ 879 01:01:22,851 --> 01:01:25,682 [♪] 880 01:01:32,516 --> 01:01:35,174 STAY, AWAY FROM HIM! HAVEN'T YOU DONE ENOUGH? 881 01:01:35,208 --> 01:01:38,556 NARCISSA, HAVE YOU EVER SEEN MY BROTHER BEFORE? 882 01:01:40,179 --> 01:01:42,733 HE LOOKS VAGUELY FAMILIAR. 883 01:01:42,768 --> 01:01:45,563 YOU HAVEN'T BEEN MARRIED TO THIS GENTLEMAN, HAVE YOU? 884 01:01:45,598 --> 01:01:47,289 OR HAD A CHILD WITH HIM? 885 01:01:47,324 --> 01:01:49,775 THAT WOULDN'T HAVE SLIPPED YOUR MIND, I TRUST. 886 01:01:49,809 --> 01:01:53,088 I WOULD HATE TO BE SO CARELESS WITH LOVED ONES 887 01:01:53,123 --> 01:01:57,886 BUT HE COULD BE ANYONE. 888 01:01:59,163 --> 01:02:01,683 WELL SHE'S SCATTERBRAINED-- I'LL ADMIT 889 01:02:01,718 --> 01:02:03,133 SHE'S NOT LYING. 890 01:02:03,167 --> 01:02:07,862 DID YOU SEE HIM WHILE SHE WAS ON THAT SWING-- LOOK AT HIM NOW! 891 01:02:07,896 --> 01:02:09,656 MAYBE IF I SPOKE TO HIM. 892 01:02:09,691 --> 01:02:12,211 I WANT YOU BOTH TO LEAVE IF HE WAKES UP AND SEES YOU, 893 01:02:12,245 --> 01:02:13,902 HE'LL NEVER PLAY AGAIN! 894 01:02:13,937 --> 01:02:16,180 SHEE-HAH! 895 01:02:16,215 --> 01:02:17,837 YOU HEARD THE MAN, NARCISSA. 896 01:02:17,872 --> 01:02:19,701 HUH-HAH! 897 01:02:26,570 --> 01:02:28,089 I KNOW YOU'RE NOT THE JEALOUS TYPE. 898 01:02:28,123 --> 01:02:32,921 BUT MY TAPEWORM SAYS I SHOULD SPEND AT LEAST ONE NIGHT WITH YOUR BROTHER. 899 01:02:34,854 --> 01:02:37,615 I THINK THE FACT THAT, HE'S MY BROTHER, 900 01:02:37,650 --> 01:02:40,549 MIGHT BE GOOD REASON NOT TO. 901 01:02:40,584 --> 01:02:42,310 WELL, IT'S NOT UP TO ME. 902 01:02:42,344 --> 01:02:43,725 I'M ASKING YOU NOT TO. 903 01:02:43,760 --> 01:02:49,144 HAH, IT'S EMBARRASSING BUT I'M ASKING YOU NOT TO. 904 01:02:49,179 --> 01:02:51,526 DON'T WORRY. 905 01:03:00,466 --> 01:03:02,364 WHAT HAPPENED TO ME OUT THERE? 906 01:03:03,676 --> 01:03:07,059 YOUR SENSES DIDN'T HAVE TIME TO COOL DOWN. 907 01:03:08,267 --> 01:03:10,648 THERE WILL BE OTHER CHANCES. 908 01:03:11,926 --> 01:03:17,517 I WAS HYPNOTIZED BY THAT SWING, THAT GIRL! -- WHO WAS SHE? 909 01:03:17,552 --> 01:03:21,556 A NORTH END STRIPPER. ONE OF CHESTER'S SHOWGIRLS. 910 01:03:21,590 --> 01:03:23,938 ALL THAT BROADWAY SISS-BOOM-BAH! 911 01:03:23,972 --> 01:03:26,733 DON'T YOU THINK THE MUSIC SHOULD SPEAK FOR ITSELF, RODERICK? 912 01:03:26,768 --> 01:03:31,083 I HEARD AND SAW NARCISSA-- SHE SENT SHIVERS THROUGH ME. 913 01:03:31,117 --> 01:03:37,158 NEXT TIME, YOU MUST KEEP YOUR HEAD CLEAR OF DISTRACTIONS BEFORE YOU PERFORM. 914 01:03:37,192 --> 01:03:41,610 IF I EVER PERFORM AGAIN! THE JUDGE MUST BE FURIOUS WITH ME. 915 01:03:41,645 --> 01:03:46,581 DON'T FRET, MY SON. TONIGHT WE'LL MAKE HER SO HAPPY. 916 01:03:46,615 --> 01:03:49,756 SHE'LL FORGIVE EVERYTHING THAT'S EVER HAPPENED. 917 01:03:49,791 --> 01:03:52,104 SHOULDN'T WE WAIT FOR A LUCKIER TIME? 918 01:03:52,138 --> 01:03:53,899 HHH-OHHH! 919 01:04:00,767 --> 01:04:03,701 MAKE SURE YOU TELL HER THEY'RE FROM ME. 920 01:04:05,980 --> 01:04:11,399 OOOH 921 01:04:11,433 --> 01:04:14,126 OH, TEDDY, LET'S NOT ARGUE. 922 01:04:14,160 --> 01:04:15,886 MMM-HMMM 923 01:04:15,921 --> 01:04:17,923 THE "TREATY OF VERSAILLES" NUMBER. 924 01:04:17,957 --> 01:04:19,890 IT'S A STINK ISN'T IT? 925 01:04:19,925 --> 01:04:21,996 [LAUGH] A-OOOH! 926 01:04:22,030 --> 01:04:26,069 I WOULDN'T LET THOSE GERMAN CLEAN MY KITCHEN FLOOR! 927 01:04:26,103 --> 01:04:28,209 EXCUSE ME! LADY PORT-HUNTLY? 928 01:04:28,243 --> 01:04:30,418 MAY I SPEAK TO YOU PRIVATELY FOR A MINUTE? 929 01:04:30,452 --> 01:04:35,078 UH, THE GREAT GAVRILO-- YOU WANT ANOTHER SHOT AT THE ARCHDUKE? 930 01:04:35,112 --> 01:04:36,838 PLEASE! 931 01:04:36,873 --> 01:04:38,805 I AM MOST HUMBLED IN YOUR PRESENCE-- 932 01:04:38,840 --> 01:04:40,842 I'M HERE TO ARRANGE AN INTRODUCTION. 933 01:04:40,877 --> 01:04:42,913 [ANNOYED SIGH] IN CASE YOU HAVEN'T NOTICED, 934 01:04:42,948 --> 01:04:45,226 I AM JUDGING A CONTEST RIGHT NOW. 935 01:04:45,260 --> 01:04:49,023 YOU MUST BELIEVE, THIS INTRODUCTION WILL MATTER MORE. 936 01:04:49,057 --> 01:04:54,097 HEY NO TRICKS. YOU MUST WIN YOUR MONEY DOWN THERE, LIKE EVERYONE ELSE, ON THE STAGE. 937 01:04:54,131 --> 01:04:57,721 I AM ONLY HERE AS AN AMBASSADOR OF HAPPINESS! 938 01:04:57,755 --> 01:04:58,825 HUH. 939 01:04:58,860 --> 01:05:01,242 YOU HAVEN'T HAD A MOMENT'S PEACE, 940 01:05:01,276 --> 01:05:04,072 SINCE YOU AND THESE FRIENDS PARTED COMPANY. 941 01:05:04,107 --> 01:05:08,663 YOU ARE AS PRESUMPTUOUS AS YOU ARE RUDE-- JUST-- LEAVE! 942 01:05:08,697 --> 01:05:11,010 IF I AM WRONG, JUST SAY THE WORD. -YOU ARE WRONG! 943 01:05:11,045 --> 01:05:16,843 IF I AM WRONG TOGETHER, WE CAN THROW THESE 'FRIENDS' FROM THE BALCONY. 944 01:05:16,878 --> 01:05:18,984 YOU GO WITH THEM! 945 01:05:19,018 --> 01:05:21,641 [APPLAUSE IN BACKGROUND] 946 01:05:21,676 --> 01:05:23,954 TEDDY? 947 01:05:23,989 --> 01:05:27,509 GO LIFT A THUMB-- POLAND JUST BEAT GERMANY! 948 01:05:27,544 --> 01:05:30,996 LET'S SEE BEFORE WE MAKE THE FINAL TOSS. 949 01:05:31,030 --> 01:05:32,652 A MOMENT. 950 01:05:45,769 --> 01:05:47,944 FROM FATHER. 951 01:05:47,978 --> 01:05:50,601 [♪] 952 01:06:22,047 --> 01:06:26,983 ♪ I HEAR MUSIC WHEN I LOOK AT YOU, ♪ 953 01:06:27,017 --> 01:06:30,503 ♪ MMM, MMM, MMM 954 01:06:30,538 --> 01:06:35,957 ♪ OF EVERY DREAM I EVER KNEW 955 01:06:35,992 --> 01:06:40,203 ♪ DOWN DEEP IN MY HEART, 956 01:06:40,237 --> 01:06:44,414 ♪ I HEAR IT PLAY, 957 01:06:44,448 --> 01:06:48,487 ♪ I FEEL IT START, 958 01:06:48,521 --> 01:06:53,561 ♪ THEN MELT AWAY 959 01:06:53,595 --> 01:06:57,461 ♪ I HEAR MUSIC WHEN I LOOK AT YOU, ♪ 960 01:06:57,496 --> 01:07:02,225 ♪ A BEAUTIFUL THEME OF EVERY DREAM I EVER KNEW ♪ 961 01:07:02,259 --> 01:07:04,399 ♪ DOWN DEEP IN MY HEART 962 01:07:04,434 --> 01:07:10,405 ♪ I HEAR IT SAY, IS THIS THE DAY? ♪ 963 01:07:12,407 --> 01:07:17,102 ♪ I ALONE HAVE HEARD THIS LOVELY STRAIN, ♪ 964 01:07:17,136 --> 01:07:21,865 ♪ I ALONE HAVE HEARD THIS GLAD REFRAIN. ♪ 965 01:07:21,899 --> 01:07:25,903 ♪ MUST IT BE FOREVER INSIDE OF ME? ♪ 966 01:07:25,938 --> 01:07:28,734 ♪ WHY CAN'T I LET IT GO? 967 01:07:28,768 --> 01:07:31,116 ♪ WHY CAN'T I LET YOU KNOW? 968 01:07:31,150 --> 01:07:35,948 ♪ WHY CAN'T I LET YOU KNOW THE SONG MY HEART WOULD SING? ♪ 969 01:07:35,982 --> 01:07:40,021 ♪ A BEAUTIFUL RHAPSODY OF LOVE AND YOUTH AND SPRING? ♪ 970 01:07:40,056 --> 01:07:46,027 ♪ THE MUSIC IS SWEET, THE WORDS ARE TRUE, THE SONG IS YOU. ♪ 971 01:07:49,858 --> 01:07:52,585 ♪ I HEAR MUSIC WHEN I LOOK AT YOU, ♪ 972 01:07:52,620 --> 01:07:56,037 ♪ A BEAUTIFUL THEME OF EVERY DREAM I EVER KNEW, ♪ 973 01:07:56,072 --> 01:08:01,767 ♪ DOWN DEEP IN MY HEART, I HEAR IT PLAY, I FEEL IT START, ♪ 974 01:08:01,801 --> 01:08:04,425 ♪ THEN MELT AWAY. 975 01:08:04,459 --> 01:08:07,359 ♪ I HEAR MUSIC WHEN I TOUCH YOUR HAND. ♪ 976 01:08:07,393 --> 01:08:10,810 ♪ A BEAUTIFUL MELODY FROM SOME ENCHANTED LAND. ♪ 977 01:08:10,845 --> 01:08:16,816 ♪ DOWN DEEP IN MY HEART, I HEAR IT SAY, IS THIS THE DAY? ♪ 978 01:08:18,473 --> 01:08:21,856 ♪ I ALONE HAVE HEARD THIS LOVELY STRAIN, ♪ 979 01:08:21,889 --> 01:08:25,411 ♪ I ALONE HAVE HEARD THIS GLAD REFRAIN, ♪ 980 01:08:25,446 --> 01:08:28,483 ♪ MUST IT BE FOREVER INSIDE OF ME? ♪ 981 01:08:28,518 --> 01:08:30,071 ♪ WHY CAN'T I LET IT GO? 982 01:08:30,106 --> 01:08:31,831 ♪ WHY CAN'T I LET YOU KNOW? 983 01:08:31,866 --> 01:08:35,282 ♪ WHY CAN'T I LET YOU KNOW THE SONG MY HEART WOULD SING? ♪ 984 01:08:35,318 --> 01:08:38,907 ♪ THAT BEAUTIFUL RHAPSODY OF LOVE AND YOUTH AND SPRING! ♪ 985 01:08:38,942 --> 01:08:44,913 ♪ THE MUSIC IS SWEET, THE WORDS ARE TRUE, THE SONG IS YOU. ♪ 986 01:08:46,777 --> 01:08:51,196 ♪ THE SONG IS YOU! 987 01:08:51,229 --> 01:08:52,990 NARCISSA! 988 01:08:54,026 --> 01:08:55,165 MMM! 989 01:08:55,200 --> 01:08:56,580 AH OW! 990 01:08:56,615 --> 01:08:59,514 AHH! 991 01:09:04,069 --> 01:09:06,107 IF YOU LIKE, I COULD SING SOMETHING ELSE. 992 01:09:06,142 --> 01:09:11,906 YOU HAVE TURNED OUR MOST PRIVATE GRIEF INTO... 993 01:09:13,321 --> 01:09:19,948 A CARNIVAL PEEP SHOW WITH MY BROTHER-- THE PIMP-- SELLING TICKETS! 994 01:09:19,983 --> 01:09:22,606 WHY NOT FIND YOURSELF A DANCE PARTNER? 995 01:09:22,640 --> 01:09:25,126 THERE'S NOTHING WRONG WITH THE TUNE, LONG HAIR-- IT'S CATCHY! 996 01:09:25,161 --> 01:09:26,921 OOHH! 997 01:09:26,955 --> 01:09:29,441 OOHH! 998 01:09:29,475 --> 01:09:31,270 AHHH! 999 01:09:32,443 --> 01:09:33,893 DIE! 1000 01:09:33,928 --> 01:09:35,619 OWW! 1001 01:09:35,654 --> 01:09:38,380 AH GIVE ME MORE O' THAT FIZZ-- 1002 01:09:41,901 --> 01:09:44,145 YOU'VE BEEN AWAY LONG ENOUGH. 1003 01:09:45,905 --> 01:09:48,184 [♪] 1004 01:10:06,547 --> 01:10:09,273 CARE TO DANCE? 1005 01:10:09,308 --> 01:10:11,103 WELL, LOOK AT YOU! 1006 01:10:11,137 --> 01:10:13,795 CINDERELLA IN SPADES! 1007 01:10:16,419 --> 01:10:19,767 I AM TOLD, I AM UN-BREAKABLE! 1008 01:10:19,800 --> 01:10:22,597 I JUST KICKED A BALL! 1009 01:10:22,632 --> 01:10:25,048 AND RIGHT THEN I THOUGHT TONIGHT, 1010 01:10:25,082 --> 01:10:28,293 I'M GOING TO GO TO ONE! I'M GOING TO BRING MY ORCHESTRA! 1011 01:10:28,327 --> 01:10:32,055 IT'S NOT A MASKED BALL-- ALL BLINDFOLDS OFF! 1012 01:10:32,089 --> 01:10:33,677 COME! 1013 01:10:36,541 --> 01:10:40,305 [♪] 1014 01:11:00,428 --> 01:11:05,088 IF YOU WANT ME TO BE YOUR WIFE I'M HAPPY TO SAY I'M YOUR WIFE. 1015 01:11:05,121 --> 01:11:06,814 IF YOU WANT US TO HAVE A DEAD SON, 1016 01:11:06,848 --> 01:11:09,230 I HAVE NO OBJECTION TO HAVING ONE. 1017 01:11:09,264 --> 01:11:14,270 BUT REALLY, IF HE'S DEAD I DON'T SEE WHAT DIFFERENCE IT MAKES. 1018 01:11:27,938 --> 01:11:30,527 HUH! 1019 01:11:30,562 --> 01:11:32,253 HA, HA, HA. 1020 01:11:35,221 --> 01:11:36,706 YOU KNOW? 1021 01:11:36,740 --> 01:11:38,639 I HARDLY RECOGNIZE YOU. 1022 01:11:38,673 --> 01:11:40,123 OH! 1023 01:11:40,157 --> 01:11:43,644 I FEEL ALL THOSE LOST, WONDERFUL YEARS 1024 01:11:43,678 --> 01:11:45,956 COME RUNNING BACK TO ME. 1025 01:11:45,991 --> 01:11:49,270 I KNOW THEY'RE NOT, BUT THIS IS HOW I FEEL! 1026 01:11:49,305 --> 01:11:50,927 IT'S YOUR HAPPINESS I DON'T RECOGNIZE. 1027 01:11:50,960 --> 01:11:52,135 WHERE'S ALL THAT CRUELTY, HELEN? 1028 01:11:52,169 --> 01:11:54,102 YOU HAD THE MARKET CORNERED. 1029 01:11:54,137 --> 01:11:58,521 LET'S COMPARE LEGS! COME ON! 1030 01:12:00,246 --> 01:12:04,837 AH, THERE'S NO CONTEST FOR ONE THING, THERE'S NO BEER IN MINE. 1031 01:12:04,871 --> 01:12:07,150 LOOK HOW THEY SPARKLE! 1032 01:12:07,184 --> 01:12:10,049 OH, THEY FEEL SO SMOOTH. 1033 01:12:10,084 --> 01:12:12,085 I'LL NEVER HAVE TO SHAVE. 1034 01:12:12,120 --> 01:12:14,639 COME, TOUCH THEM! 1035 01:12:14,675 --> 01:12:20,232 AH I SWEAR I CAN FEEL YOUR TOUCH 1036 01:12:20,266 --> 01:12:22,027 MAKES ME BUBBLE! 1037 01:12:24,823 --> 01:12:26,031 AHHH! 1038 01:12:26,065 --> 01:12:27,550 HEY, YOU GOT ANY TOENAIL POLISH? 1039 01:12:27,584 --> 01:12:29,931 I'LL PAINT YOUR TOENAILS FOR YOU. 1040 01:12:30,967 --> 01:12:32,520 HEY YOU DEVIL! 1041 01:12:32,555 --> 01:12:35,178 ARE YOU ALREADY COUNTING YOUR PRIZE MONEY? 1042 01:12:35,212 --> 01:12:36,869 NOT SO. 1043 01:12:39,147 --> 01:12:43,393 WE MIGHT AS WELL BE-- STRANGERS 1044 01:12:43,428 --> 01:12:47,293 GOOD LORD, THE YEARS LEAVE NO TRACE! 1045 01:12:47,327 --> 01:12:48,950 NOT A MARK ON YOU! 1046 01:12:50,849 --> 01:12:54,473 AND YET YOU MUST HAVE BEEN HURT MORE THAN I? 1047 01:13:01,135 --> 01:13:03,758 HAH WAIT! 1048 01:13:03,793 --> 01:13:05,553 WAS THAT ME? -- DID I BREAK? 1049 01:13:05,588 --> 01:13:09,661 NO, NO! DOWNSTAIRS. SOME OTHER GLASS LADY. 1050 01:13:09,695 --> 01:13:12,111 SHODDY WORKMANSHIP! 1051 01:13:12,146 --> 01:13:14,320 HAHHH! 1052 01:13:15,218 --> 01:13:17,978 THAT WAS NICE-- I HOPE I SEE YOU AGAIN! 1053 01:13:23,433 --> 01:13:24,745 WHERE ARE YOU GOING? 1054 01:13:24,779 --> 01:13:26,643 I'VE GOT TO REHEARSE. 1055 01:13:26,678 --> 01:13:28,782 GOOD LUCK IN THE CONTEST. 1056 01:15:01,117 --> 01:15:03,188 [HORSE NAYS] 1057 01:15:08,365 --> 01:15:10,885 AM I GOING TO BE ENOUGH FOR YOU FOR A WHILE? 1058 01:15:10,920 --> 01:15:13,923 YOU'RE THE ONLY NAME LEFT ON THE DANCE CARD. 1059 01:15:13,957 --> 01:15:16,581 HOW LONG BEFORE YOU START LAUGHING AT ME? 1060 01:15:16,615 --> 01:15:18,893 I'M ONLY GONNA MAKE YOU HAPPY. 1061 01:15:18,928 --> 01:15:24,105 IF YOU SUCCEED, I'M GOING TO MAKE YOU VERY, VERY RICH. 1062 01:15:26,210 --> 01:15:30,905 I WISH I COULD FEEL THE COLD AGAINST MY LEG, MY SKIRT. 1063 01:15:33,977 --> 01:15:36,221 LOOK, NO SAG! 1064 01:15:36,255 --> 01:15:40,812 NO VARICOSE VEINS. THESE ARE LEGS TO DIE FOR, HELEN! 1065 01:15:40,846 --> 01:15:43,159 HA, HA, HA HMM! 1066 01:15:43,193 --> 01:15:47,439 WELL, I THOUGHT IF THE TWO OF YOU WANT SOMETHING TO LAUGH AT 1067 01:15:47,473 --> 01:15:48,889 TRY ME! 1068 01:15:48,923 --> 01:15:50,166 FATHER! 1069 01:15:50,960 --> 01:15:54,860 OH SOONER OR LATER, HELEN 1070 01:15:54,895 --> 01:15:57,483 I KNEW YOU'D SHOW UP TO PAY YOUR RESPECTS. 1071 01:15:57,518 --> 01:16:00,797 YOU HAVE A LONG WAY TO GO BEFORE I START SAYING "THANK YOU." 1072 01:16:00,832 --> 01:16:03,144 HIM! HAVE YOU FORGOTTEN? HE HELPED ME SAW! 1073 01:16:03,179 --> 01:16:04,525 THAT'S A LIE! 1074 01:16:04,559 --> 01:16:06,562 I WAS THERE, REMEMBER! 1075 01:16:07,459 --> 01:16:09,219 ALL RIGHT! 1076 01:16:09,254 --> 01:16:12,188 ALL RIGHT! FORGIVE ME! PLEASE! 1077 01:16:15,225 --> 01:16:16,882 BETTER QUIT, POP-- YOU'RE JUST MAKING IT WORSE! 1078 01:16:16,916 --> 01:16:19,989 LET'S GO. LET'S GO! THIS IS NOT A REQUEST! 1079 01:16:20,023 --> 01:16:21,541 HE'S AN ABOMINATION! 1080 01:17:04,689 --> 01:17:06,173 YYYYAHHH! 1081 01:17:06,207 --> 01:17:07,553 RRRAHHH. 1082 01:17:07,588 --> 01:17:10,004 YAAAA! 1083 01:17:12,248 --> 01:17:13,629 RRAHHHH. 1084 01:17:13,663 --> 01:17:18,219 AH HAH HEE. 1085 01:17:20,912 --> 01:17:22,534 YYYAAH! 1086 01:17:26,987 --> 01:17:29,196 YYYAHH! 1087 01:17:58,397 --> 01:18:01,538 [♪] 1088 01:18:46,445 --> 01:18:49,103 [GLASS BREAKING] 1089 01:18:52,589 --> 01:18:56,559 [SPLASH] 1090 01:19:32,837 --> 01:19:34,977 THE FAMILY'S FINISHED WHEN WE BURY HIM. 1091 01:19:35,011 --> 01:19:37,807 I'D SAY IT WAS OVER A LONG TIME AGO. 1092 01:19:37,842 --> 01:19:39,947 AND WHAT BRINGS YOU HERE? 1093 01:19:41,673 --> 01:19:47,575 THE LAST TIME WE CAME CHESTER, THERE WAS A BLIZZARD, REMEMBER? 1094 01:19:47,610 --> 01:19:50,094 WHAT GOOD IS MEMORY, NARCISSA? 1095 01:19:50,130 --> 01:19:53,064 WHY MAKE YOURSELF SAD? -I'M NOT. 1096 01:19:53,098 --> 01:19:54,513 THAT WAS A HAPPY DAY. 1097 01:19:54,548 --> 01:19:57,585 I'LL SAY. I MADE A SNOW ANGEL ON TOP OF YOU. 1098 01:19:58,690 --> 01:20:00,588 RAHH, AHH. 1099 01:20:00,623 --> 01:20:02,383 RRRRR. 1100 01:20:02,418 --> 01:20:04,040 AHH, AHHH. 1101 01:20:04,075 --> 01:20:05,593 AHHH. 1102 01:20:05,628 --> 01:20:07,630 ACCCH, ACHHH, AHH. 1103 01:20:07,664 --> 01:20:10,115 AHHH! 1104 01:20:25,612 --> 01:20:27,098 RODERICK? 1105 01:20:27,132 --> 01:20:28,582 THANK YOU. 1106 01:20:28,616 --> 01:20:31,654 YOU JUST GAVE ME A GREAT IDEA FOR A NUMBER. 1107 01:20:33,344 --> 01:20:36,624 [♪] 1108 01:22:07,612 --> 01:22:09,717 [CHEERING LOUDLY] 1109 01:22:09,752 --> 01:22:16,207 AND SO IT WILL BE AMERICA'S CHESTER KENT AGAINST SERBIA'S GAVRILO THE GREAT 1110 01:22:16,241 --> 01:22:22,213 IN TOMORROW NIGHT'S LADY PORT-HUNTLY'S BEER SADDEST MUSIC IN THE WORLD FINALE. 1111 01:22:28,012 --> 01:22:29,668 I'M GETTING COLD. 1112 01:22:29,702 --> 01:22:31,463 SINCE WHEN DO YOU GET COLD? 1113 01:22:31,498 --> 01:22:34,708 I WAS HOPING FOR ONE OF YOUR SPECIAL SNOW TREATS. 1114 01:22:34,742 --> 01:22:38,160 MAYBE WE SHOULD JUST CONCENTRATE ON THE SINGING. 1115 01:22:38,193 --> 01:22:40,231 AS YOU WISH. 1116 01:22:40,264 --> 01:22:43,579 HAS YOUR TAPEWORM DECIDED TO GIVE ME THE OLD 'HEAVE-HO'? 1117 01:22:43,612 --> 01:22:45,995 I THINK HE MAY BE DEAD. 1118 01:22:46,030 --> 01:22:50,344 I'M SORRY TO HEAR THAT; WE GOT ALONG SO WELL. 1119 01:22:50,379 --> 01:22:53,934 MAYBE HE'S JUST EATING. I FEEL KIND OF EMPTY. 1120 01:22:53,969 --> 01:22:58,559 YOU AND ME BOTH. I'M STUCK FOR A FINAL NUMBER. 1121 01:22:58,594 --> 01:23:00,389 ISN'T IT ALL DECIDED? 1122 01:23:00,423 --> 01:23:04,634 THE JUDGE SEEMS TO BE SINGING 'THE STAR SPANGLED BANNER' IN HER SLEEP. 1123 01:23:04,669 --> 01:23:06,809 I WANT PEOPLE TO SAY I DESERVED IT. 1124 01:23:06,843 --> 01:23:09,501 WHICH PEOPLE? -MY BROTHER! 1125 01:23:09,536 --> 01:23:13,712 THAT FELLOW YOU WENT OFF WITH THE NIGHT I NEARLY DIED OF A HEAD INJURY? 1126 01:23:15,404 --> 01:23:16,818 I WANNA CRUSH HIM. 1127 01:23:16,853 --> 01:23:19,787 [HORSE NAYS] IN THE NAME OF SERBIA, 1128 01:23:19,822 --> 01:23:21,099 I KILL YOU BOTH-- 1129 01:23:21,134 --> 01:23:22,928 LET THE WORLD WAR BEGIN. 1130 01:23:22,963 --> 01:23:25,517 POW! POW! POW! POW! POW! 1131 01:23:25,552 --> 01:23:26,760 HOW MANY BULLETS WILL IT TAKE? 1132 01:23:26,794 --> 01:23:27,761 RODERICK? 1133 01:23:27,795 --> 01:23:29,383 THAT'S THE THIRD TIME YOU'VE ATTACKED ME. 1134 01:23:29,418 --> 01:23:32,352 I DON'T CARE IF YOU ARE CRAZY-- I'VE HAD ENOUGH! 1135 01:23:32,386 --> 01:23:33,594 RAHHH! 1136 01:23:33,629 --> 01:23:35,596 AHHH! 1137 01:23:35,630 --> 01:23:37,840 AHHHH! 1138 01:23:37,874 --> 01:23:39,600 AHHHH! 1139 01:23:39,635 --> 01:23:41,085 OH! 1140 01:23:41,119 --> 01:23:45,123 AHHH, AHHHH, AHAHAHAAAHHH. 1141 01:23:49,645 --> 01:23:51,302 WHY WON'T YOU DIE? 1142 01:23:51,335 --> 01:23:53,889 YOU DIDN'T HAVE A GUN. 1143 01:23:53,925 --> 01:23:56,445 GAVRILO THE GREAT WOULDN'T HAVE MISSED. 1144 01:23:56,478 --> 01:24:01,829 TWO SHOTS IN-- SARAJEVO, AND THE, THE WHOLE WORLD GOES TO WAR. 1145 01:24:01,864 --> 01:24:05,557 NINE MILLION DEAD, NARCISSA. 1146 01:24:05,592 --> 01:24:08,940 AND, AND YOU WON'T EVEN REMEMBER ONE? 1147 01:24:11,977 --> 01:24:13,669 LET ME OUT PLEASE. 1148 01:24:32,619 --> 01:24:34,793 IT WAS FUN WHILE IT LASTED. 1149 01:24:36,830 --> 01:24:39,281 LOOK FOR ME IN THE WINNER'S CIRCLE! 1150 01:24:41,973 --> 01:24:43,457 LONG WAY HOME TO INDIA, HUH? 1151 01:24:43,492 --> 01:24:45,701 HOW WOULD YOU GIRLS LIKE TO EARN SOME QUICK BUCKS JUST BY 1152 01:24:45,735 --> 01:24:48,393 PLAYING ESKIMOS FOR TEN MINUTES, OKAY? 1153 01:24:48,428 --> 01:24:53,088 ACCORDING TO MY SPIES, YOU HAVE NOT STOPPED SEEING NARCISSA 1154 01:24:53,121 --> 01:24:55,814 UNTIL LAST NIGHT, WHEN SHE WANDERED OFF INTO THE TUNDRA. 1155 01:24:55,849 --> 01:24:58,576 WHEN I TOLD YOU IT WAS OVER, I THOUGHT IT WAS. 1156 01:24:58,610 --> 01:25:00,405 TRULY. 1157 01:25:00,440 --> 01:25:01,889 TURNS OUT, IT WAS ALMOST OVER. 1158 01:25:01,924 --> 01:25:04,306 QUITE A PIECE OF WORK, CHESTER KENT. 1159 01:25:04,340 --> 01:25:05,859 YEAH, I KNOW. 1160 01:25:05,893 --> 01:25:07,136 I THOUGHT THAT'S WHAT YOU LIKED ABOUT ME. 1161 01:25:07,171 --> 01:25:10,760 YOU MIGHT BE A TOO BIG A PIECE OF WORK, EVEN FOR ME. 1162 01:25:10,795 --> 01:25:13,004 YOU SAYING YOU'RE THROUGH WITH ME? 1163 01:25:13,038 --> 01:25:14,799 I WISH I WAS SAYING THAT. 1164 01:25:16,180 --> 01:25:19,942 I'M SAYING THAT YOU'RE HANGING BY A THREAD. 1165 01:25:21,254 --> 01:25:23,877 WELL, MAYBE WHEN YOU SEE THIS NUMBER TONIGHT, 1166 01:25:23,911 --> 01:25:26,568 THAT THREAD'LL TURN INTO A ROPE. 1167 01:25:26,603 --> 01:25:33,093 AW LOOK, HELEN I SWEAR I'M GOING TO CLIMB BACK OVER INTO YOUR GOOD GRACES. 1168 01:25:33,128 --> 01:25:34,818 CHECK THE BACK OF MY LEG. 1169 01:25:34,853 --> 01:25:37,270 TELL ME THERE IS NOT A CRACK. 1170 01:25:44,760 --> 01:25:46,520 I DON'T SEE ANYTHING. 1171 01:25:48,246 --> 01:25:53,182 AMERICA'S CHESTER KENT HAS CONQUERED THE AIR AND THE EARTH. 1172 01:25:53,217 --> 01:25:55,529 NOW POISED TO VANQUISH WATER, 1173 01:25:55,564 --> 01:26:01,535 HE IMMORTALIZES THE LONG FORGOTTEN ALASKAN KAYAK TRAGEDY OF 1898. 1174 01:26:03,744 --> 01:26:09,992 AND APPROACHING THE STAGE AREA IS THE MAESTRO OF MELANCHOLY, 1175 01:26:10,026 --> 01:26:16,688 THE SERBIAN "NE PLUS ULTRA" OF THE CELLO HORN, GAVRILO THE GREAT. 1176 01:26:16,723 --> 01:26:18,690 [BUZZER] 1177 01:26:20,036 --> 01:26:23,557 [♪] 1178 01:26:43,784 --> 01:26:47,547 [CHEERING] 1179 01:26:55,451 --> 01:26:59,559 [♪] 1180 01:28:10,733 --> 01:28:15,807 [LOUD CHEERING] 1181 01:28:15,842 --> 01:28:18,809 ISN'T IT RATHER ODD THAT LADY PORT-HUNTLY 1182 01:28:18,844 --> 01:28:21,951 IS ACTUALLY IN ONE OF THESE NUMBERS WHEN SHE'S ALSO THE JUDGE. 1183 01:28:21,986 --> 01:28:26,128 WELL MARY, I THINK SHE LOOKS SPECTACULAR! 1184 01:28:28,130 --> 01:28:31,443 [♪] 1185 01:28:31,478 --> 01:28:33,584 HERE COMES THE TRAGIC STORM. 1186 01:28:33,618 --> 01:28:37,103 THE WAVES ARE BILLOWING IN A HAIR-RAISING ILLUSION OF AN 1187 01:28:37,139 --> 01:28:40,004 ACTUAL STORM AT SEA. 1188 01:28:40,038 --> 01:28:43,041 [♪] 1189 01:28:49,702 --> 01:28:51,326 [SCRAPING CELLO NOISES] 1190 01:28:51,360 --> 01:28:54,259 [♪] 1191 01:29:06,582 --> 01:29:11,725 [SCRAPING CELLO] [GLASS CRACKING] 1192 01:29:25,360 --> 01:29:26,568 [CHEERING, YELLING, HOOTS ETC] 1193 01:29:26,602 --> 01:29:29,880 MY GOD! MARY! 1194 01:29:29,916 --> 01:29:34,334 AHHHHH! STOP THIS! 1195 01:29:34,369 --> 01:29:36,543 BRING THESE SAVAGES TO AN END! 1196 01:29:36,577 --> 01:29:37,958 STOP IT! 1197 01:29:37,993 --> 01:29:39,028 TEDDY! 1198 01:29:39,063 --> 01:29:40,823 TEDDY! 1199 01:29:43,308 --> 01:29:46,346 [LOUD AUDIENCE NOISES] 1200 01:30:15,893 --> 01:30:20,035 [♪] 1201 01:30:35,464 --> 01:30:38,674 HELEN, ARE YOU ALL RIGHT? 1202 01:30:40,849 --> 01:30:43,645 JUST LOOK AT ME! 1203 01:30:43,679 --> 01:30:45,647 WHAT DO YOU THINK? 1204 01:30:45,681 --> 01:30:47,787 I THINK YOU CAN BE FIXED. 1205 01:30:47,821 --> 01:30:50,824 ANYTHING THAT'S BUILT CAN BE REBUILT. 1206 01:30:50,859 --> 01:30:53,517 C'MON, WE'LL GET PAST THIS, I PROMISE YOU. 1207 01:30:53,550 --> 01:30:55,277 LET ME LEAN ON YOU. 1208 01:30:55,967 --> 01:30:57,486 HELP ME OUT OF HERE PLEASE. 1209 01:30:57,521 --> 01:30:59,384 OF COURSE. 1210 01:30:59,419 --> 01:31:01,490 I DON'T KNOW WHAT I WAS THINKING. I'M SORRY. 1211 01:31:01,525 --> 01:31:04,907 LISTEN ARE YOU SURE YOU WANT TO LEAVE BEF -- UNHHH! 1212 01:31:04,942 --> 01:31:06,150 UNHHH! 1213 01:31:06,184 --> 01:31:08,186 AHHH. 1214 01:31:08,221 --> 01:31:11,120 UHHH, UHHH. 1215 01:31:12,536 --> 01:31:16,091 WELL, NOW YOU'VE GIVEN ME SOMETHING TO LAUGH ABOUT. 1216 01:31:16,125 --> 01:31:18,818 I TAKE IT THE JUDGE'S DECISION IS FINAL. 1217 01:31:18,852 --> 01:31:20,853 GO TO HELL, CHESTER. 1218 01:31:20,889 --> 01:31:22,580 IN DUE TIME. 1219 01:31:24,099 --> 01:31:26,653 FIRST I'M GOING TO HAVE MY VICTORY CIGAR. 1220 01:31:31,624 --> 01:31:34,040 GOD HELP ME I'VE EARNED IT. 1221 01:31:40,356 --> 01:31:43,567 [LAUGHS] 1222 01:31:51,782 --> 01:31:55,510 [LAUGHS] 1223 01:31:59,410 --> 01:32:04,484 [♪] 1224 01:32:49,702 --> 01:32:55,673 ♪ I HEAR MUSIC WHEN I LOOK AT YOU ♪ 1225 01:32:57,813 --> 01:33:00,402 ♪ A BEAUTIFUL THEME 1226 01:33:00,436 --> 01:33:05,959 ♪ OF EVERY DREAM I EVER KNEW 1227 01:33:07,478 --> 01:33:12,172 ♪ NOW DEEP IN MY HEART, 1228 01:33:12,207 --> 01:33:15,348 ♪ I HEAR IT PLAY 1229 01:33:15,382 --> 01:33:18,523 ♪ I FEEL IT START 1230 01:33:20,974 --> 01:33:26,946 ♪ A BEAUTIFUL DREAM 1231 01:33:32,572 --> 01:33:38,543 ♪ I HEAR MUSIC WHEN I TOUCH YOUR HAND. ♪ 1232 01:33:39,924 --> 01:33:45,896 ♪ A BEAUTIFUL MELODY FROM SOME ENCHANTED LAND ♪ 1233 01:33:48,761 --> 01:33:52,074 ♪ HOW DEEP IN MY HEART 1234 01:33:53,248 --> 01:33:55,112 ♪ I HEAR YOU SAY 1235 01:33:56,561 --> 01:34:02,050 "IS THIS THE DAY?" ♪ 1236 01:34:21,759 --> 01:34:26,487 [COMMOTION] 1237 01:34:38,293 --> 01:34:39,570 KEEP PLAYING. 1238 01:34:39,603 --> 01:34:42,124 LET'S HEAR IT ALL. 1239 01:34:45,990 --> 01:34:51,962 ♪ I ALONE HAVE HEARD THIS HAPPY STRAIN. ♪ 1240 01:34:54,689 --> 01:35:00,660 ♪ I ALONE HAVE HEARD THIS SAD REFRAIN. ♪ 1241 01:35:02,731 --> 01:35:08,460 ♪ MUST IT BE FOREVER INSIDE OF ME? ♪ 1242 01:35:08,495 --> 01:35:12,291 ♪ WHY CAN'T I LET YOU KNOW? 1243 01:35:12,327 --> 01:35:16,089 ♪ WHY CAN'T I LET IT GO? 1244 01:35:16,124 --> 01:35:22,094 ♪ WHY CAN'T I LET YOU SHOW THE SONG MY HEART WOULD SING! ♪ 1245 01:35:24,166 --> 01:35:30,138 ♪ A BEAUTIFUL MELODY OF LOVE AND BEAUTIFUL DREAMS. ♪ 1246 01:35:32,657 --> 01:35:35,626 ♪ THE MUSIC IS SWEET 1247 01:35:37,145 --> 01:35:40,735 ♪ THE WORDS ARE TRUE 1248 01:35:43,668 --> 01:35:49,639 [COUGHS] ♪ MY SONG IS YOU! 1249 01:36:00,684 --> 01:36:06,380 [LAUGHS] 1250 01:36:09,384 --> 01:36:15,183 CHESTER: I ASK YOU, IS THERE ANYBODY HERE AS HAPPY AS I AM? 84915

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