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1
00:00:23,720 --> 00:00:25,360
Have you peed?
I'm going to stitch you in.
2
00:00:56,800 --> 00:00:59,160
Tell me about it, stud.
3
00:00:59,200 --> 00:01:00,880
Man!
Wow.
4
00:01:00,920 --> 00:01:03,320
(whistling)
5
00:01:03,360 --> 00:01:04,519
Is it too much?
6
00:01:05,400 --> 00:01:06,760
Are you kidding me?
7
00:01:06,800 --> 00:01:10,200
♪ 'Cause the power
you're supplying ♪
8
00:01:10,880 --> 00:01:12,240
♪ It's electrifying! ♪
9
00:01:12,280 --> 00:01:13,520
OK, let's go for a ride.
10
00:01:14,080 --> 00:01:15,160
OK. Alright.
11
00:01:15,720 --> 00:01:16,840
I got this.
12
00:01:16,880 --> 00:01:17,960
Girls?
13
00:01:19,840 --> 00:01:21,160
♪ You'd better shape up ♪
14
00:01:22,320 --> 00:01:23,960
♪ 'Cause I need a man ♪
15
00:01:25,640 --> 00:01:28,240
♪ And my heart is set on you ♪
16
00:01:29,240 --> 00:01:30,480
♪ You better shape up ♪
17
00:01:31,320 --> 00:01:33,640
♪ You better understand ♪
18
00:01:34,760 --> 00:01:37,080
♪ To my heart I must be true. ♪
19
00:01:37,120 --> 00:01:38,320
♪ Nothin' left ♪
20
00:01:38,360 --> 00:01:40,600
♪ Nothin' left for me to do. ♪
21
00:01:40,640 --> 00:01:42,080
♪ You're the one that I want ♪
22
00:01:42,120 --> 00:01:43,520
♪ You are the one I want ♪
23
00:01:43,560 --> 00:01:45,480
♪ Ooh, ooh, ooh, honey ♪
24
00:01:45,520 --> 00:01:46,816
♪ The one that I want...
Looking good, guys.
25
00:01:46,840 --> 00:01:48,080
♪ You are the one I want ♪
26
00:01:48,120 --> 00:01:49,920
♪ Ooh, ooh, ooh, honey ♪
27
00:01:49,960 --> 00:01:51,280
♪ You're the one that I want ♪
28
00:01:51,320 --> 00:01:52,680
♪ You are the one I want ♪
29
00:01:52,720 --> 00:01:54,120
♪ Ooh, ooh, ooh ♪
30
00:01:54,160 --> 00:01:55,880
♪ The one I need ♪
31
00:01:55,920 --> 00:01:57,960
♪ Oh, yes, indeed. ♪
32
00:02:11,800 --> 00:02:12,840
Come on.
33
00:02:15,840 --> 00:02:19,000
I'm here, live in LA, at
the world premiere of 'Grease'.
34
00:02:21,480 --> 00:02:24,200
Olivia. Olivia, congratulations.
35
00:02:27,240 --> 00:02:28,560
You're beautiful!
36
00:02:30,560 --> 00:02:32,200
Olivia! Can I get a picture?
37
00:02:33,600 --> 00:02:35,640
One more. One more.
38
00:02:36,520 --> 00:02:37,680
I can't believe it.
39
00:02:37,720 --> 00:02:39,176
OK, thank you so
much, ladies and gentlemen.
40
00:02:39,200 --> 00:02:40,896
There will be more opportunities
later. Thank you.
41
00:02:40,920 --> 00:02:42,600
How did I get here?
42
00:02:42,640 --> 00:02:44,560
You're the only one who
knows the answer to that.
43
00:02:46,440 --> 00:02:48,720
(Bell ringing)
44
00:03:02,440 --> 00:03:04,600
♪ I woke up bright
and early this mornin' ♪
45
00:03:05,320 --> 00:03:07,560
♪ My little girl was not
in sight ♪
46
00:03:08,640 --> 00:03:11,160
♪ I been lookin' everywhere ♪
47
00:03:11,200 --> 00:03:13,400
♪ Mornin', noon and daylight ♪
48
00:03:13,440 --> 00:03:16,480
♪ 'Cause she's so fine ♪
49
00:03:16,520 --> 00:03:19,120
♪ She's so fine ♪
50
00:03:19,160 --> 00:03:20,360
♪ Well, she's so fine... ♪
51
00:03:20,400 --> 00:03:22,400
Rats! Why do I
always go the wrong way?
52
00:03:22,440 --> 00:03:25,240
Liv. Liv!
Oh, my gosh! What's the time?
53
00:03:25,280 --> 00:03:26,960
Do you want to miss the show?
No, sorry.
54
00:03:27,000 --> 00:03:29,080
Good luck, Livvy!
We're all going to be watching!
55
00:03:29,120 --> 00:03:30,600
Sorry. Sorry. Bye.
56
00:03:30,640 --> 00:03:34,160
Come on. Quick, quick. Quick, run.
57
00:03:34,200 --> 00:03:35,320
Sorry.
58
00:03:37,160 --> 00:03:40,000
I should just leave school so
I can sing full-time.
59
00:03:40,040 --> 00:03:42,320
With nothing to fall
back on when it stops?
60
00:03:42,360 --> 00:03:44,840
Don't imagine you can rely
on a man to look after you.
61
00:03:44,880 --> 00:03:47,080
I don't. I'm never
getting married anyway.
62
00:03:47,120 --> 00:03:48,920
Look, just because
things didn't work out
63
00:03:48,960 --> 00:03:51,720
between your father and I, doesn't
mean that marriage is all bad.
64
00:03:57,160 --> 00:04:00,280
Pat!
Surprise!
65
00:04:00,320 --> 00:04:01,640
Are you coming to watch?
66
00:04:01,680 --> 00:04:03,200
Of course. As if I'd miss it!
67
00:04:03,720 --> 00:04:05,440
Tonight's going to launch your big
career.
68
00:04:05,480 --> 00:04:06,720
Singing isn't a career.
69
00:04:06,760 --> 00:04:08,736
It's an interlude before
you do something important.
70
00:04:08,760 --> 00:04:10,000
I'll make it important.
71
00:04:10,880 --> 00:04:13,880
Competition tonight
is on TV Australia-wide.
72
00:04:13,920 --> 00:04:15,800
Oh, gosh, I'm so nervous.
73
00:04:15,840 --> 00:04:17,760
You'll be great.
Why are you nervous?
74
00:04:17,800 --> 00:04:19,760
You're already singing
on TV every week.
75
00:04:20,240 --> 00:04:22,240
That's just a kids' show, Mum.
76
00:04:23,200 --> 00:04:26,360
Tonight's about being given
an opportunity and taking it.
77
00:04:26,400 --> 00:04:30,560
If I win 'Sing, Sing, Sing',
I get to record a single in Sydney.
78
00:04:30,600 --> 00:04:32,200
Well, you have to win first.
79
00:04:36,080 --> 00:04:37,480
Ian thinks I'm good enough.
80
00:04:38,120 --> 00:04:41,000
I think this young Turpie
wants you to grow up too soon.
81
00:04:44,320 --> 00:04:45,840
Oh, Ian!
82
00:04:49,280 --> 00:04:50,800
Why do you have to come and watch?
83
00:04:50,840 --> 00:04:52,160
Why do you think?
84
00:04:52,840 --> 00:04:54,800
What if I'm terrible?
85
00:04:54,840 --> 00:04:56,600
You'll end up being
disappointed in me.
86
00:04:57,080 --> 00:05:00,040
You wouldn't know how to
disappoint anybody.
87
00:05:05,480 --> 00:05:07,160
(bell rings)
88
00:05:07,200 --> 00:05:08,720
See ya.
See ya.
89
00:05:12,560 --> 00:05:14,000
I'm going to throw up on camera.
90
00:05:14,040 --> 00:05:15,360
No, you're not.
91
00:05:15,400 --> 00:05:19,200
And just remember, you're allowed
to sing and move at the same time.
92
00:05:19,240 --> 00:05:22,680
You should be doing it. You're a
better singer than me, in any case.
93
00:05:22,720 --> 00:05:26,680
Just sing from the heart. For Ian.
If I do that, my mum'll jump out of
94
00:05:26,720 --> 00:05:28,800
the audience and kill me
on Australian television.
95
00:05:28,840 --> 00:05:30,880
That'll certainly leave an
impression on the judges.
96
00:05:32,600 --> 00:05:36,480
Anyway, who cares if he's five
years older than you? He's dreamy.
97
00:05:38,320 --> 00:05:41,320
I'll have your baby, John Farrar.
Any time you care to say.
98
00:05:44,800 --> 00:05:46,880
Our next contestant on
'Sing, Sing, Sing',
99
00:05:46,920 --> 00:05:49,560
ladies and gentlemen, a
lovely girl. You may have seen her
100
00:05:49,600 --> 00:05:52,520
on TV before, but tonight, she's
going to be singing just for us.
101
00:05:52,560 --> 00:05:55,120
Give her a big 'Sing, Sing, Sing'
welcome, ladies and gentlemen.
102
00:05:55,160 --> 00:05:58,080
Olivia Newton-John, with
'Anyone Who Had a Heart.'
103
00:06:07,240 --> 00:06:09,600
Olivia Newton-John!
104
00:06:17,360 --> 00:06:19,360
And here she is!
105
00:06:34,200 --> 00:06:36,280
♪ Anyone who ever loved ♪
106
00:06:37,360 --> 00:06:38,680
♪ Could look at me ♪
107
00:06:39,560 --> 00:06:43,320
♪ And know that I love you ♪
108
00:06:44,080 --> 00:06:46,280
♪ Anyone who ever dreamed ♪
109
00:06:47,200 --> 00:06:48,480
♪ Could look at me ♪
110
00:06:49,640 --> 00:06:53,480
♪ And know I dream of you ♪
111
00:06:54,480 --> 00:06:59,160
♪ Knowing I love you so ♪
112
00:07:00,120 --> 00:07:02,280
♪ Anyone who had a heart ♪
113
00:07:02,320 --> 00:07:08,040
♪ Would take me in his
arms and love me, too ♪
114
00:07:08,080 --> 00:07:11,200
♪ You couldn't really have a heart ♪
115
00:07:11,240 --> 00:07:18,640
♪ And hurt me like you
hurt me and be so untrue ♪
116
00:07:18,680 --> 00:07:22,800
♪ Anyone who had a heart
would love me, too, yeah... ♪
117
00:07:28,200 --> 00:07:30,760
And the winner is...
Drum roll, please.
118
00:07:31,480 --> 00:07:36,760
The winner of this year's 'Sing,
Sing, Sing' is Olivia Newton-John!
119
00:07:44,520 --> 00:07:45,920
Now, Olivia, you have
120
00:07:45,960 --> 00:07:48,600
won a deal to cut a single,
and here's the big surprise.
121
00:07:49,160 --> 00:07:51,800
It's with Decca Records -
in London!
122
00:08:00,360 --> 00:08:01,520
I won't go.
123
00:08:03,880 --> 00:08:05,280
Not unless you come with me.
124
00:08:05,800 --> 00:08:09,400
Liv, I can't leave. I can't walk
out on my 'Go Show' contract.
125
00:08:09,440 --> 00:08:11,800
It's six weeks on a boat both ways!
126
00:08:13,120 --> 00:08:16,400
This is how our business is.
You have to go to London.
127
00:08:16,440 --> 00:08:18,240
This could be everything for you.
128
00:08:22,920 --> 00:08:24,760
I'll leave you two to it.
129
00:08:24,800 --> 00:08:26,160
Mrs Newton-John.
130
00:08:29,480 --> 00:08:31,080
Did I hear right?
131
00:08:32,039 --> 00:08:35,280
I thought this was
everything you ever wanted.
132
00:08:35,320 --> 00:08:36,799
I do want it.
133
00:08:37,480 --> 00:08:38,960
But I want Ian, too.
134
00:08:39,760 --> 00:08:45,200
Olivia, darling, you know,
sometimes change demands courage.
135
00:08:46,520 --> 00:08:47,776
If you want to make the best from
136
00:08:47,800 --> 00:08:50,440
your life, you cannot turn
your back on opportunity.
137
00:08:50,960 --> 00:08:54,400
Talent is God-given. You've always
had it but you've been too young to
138
00:08:54,440 --> 00:08:55,760
make anything of it.
139
00:08:55,800 --> 00:08:58,120
Perhaps now you're
catching up with yourself.
140
00:08:58,920 --> 00:09:01,200
Where's that favourite
daughter of mine?
141
00:09:01,920 --> 00:09:04,360
Dear me. Why are there tears?
142
00:09:04,400 --> 00:09:08,320
Liv's just a little sad
about leaving Ian.
143
00:09:08,360 --> 00:09:11,440
Are you bonkers, sis? It's London!
144
00:09:12,080 --> 00:09:14,880
You won. You won!
145
00:09:14,920 --> 00:09:19,040
♪ I don't care if the sky
is pretty blue ♪
146
00:09:20,480 --> 00:09:26,560
♪ I-I don't care if the
sun comes shining through ♪
147
00:09:27,160 --> 00:09:31,360
♪ It really
doesn't matter, baby ♪
148
00:09:32,160 --> 00:09:35,160
♪ My heart keeps cryin' ♪
149
00:09:35,200 --> 00:09:38,400
♪ Oh, life means nothing ♪
150
00:09:38,960 --> 00:09:44,000
♪ Till you say you'll be mine... ♪
Stop! Stop. Stop.
151
00:09:46,880 --> 00:09:48,120
You're squeaking.
152
00:09:48,160 --> 00:09:50,720
Am I? I'm sorry.
153
00:09:50,760 --> 00:09:53,480
This is a Jackie DeShannon cover.
154
00:09:53,520 --> 00:09:55,480
You have heard of Jackie DeShannon?
155
00:09:55,520 --> 00:09:58,480
Yes. She's amazing.
Strewth, cobber.
156
00:09:58,520 --> 00:10:01,600
It's good to know you get to
listen to the wireless Down Under.
157
00:10:06,120 --> 00:10:07,720
It's a great song.
158
00:10:07,760 --> 00:10:10,480
But I thought I'd probably
be recording an original,
159
00:10:10,520 --> 00:10:11,960
rather than a cover.
160
00:10:16,320 --> 00:10:17,920
Let's do this again, shall we?
161
00:10:17,960 --> 00:10:19,360
But this time,
162
00:10:20,200 --> 00:10:23,480
like you mean it.
OK. One, two, three.
163
00:10:33,480 --> 00:10:37,280
♪ I-I don't care if
the sky is pretty blue... ♪
164
00:10:37,320 --> 00:10:38,560
Oh, my gosh, I'm so nervous.
165
00:10:43,920 --> 00:10:45,160
What does it say?
166
00:10:58,160 --> 00:10:59,560
Darling, what do they say?
167
00:11:03,200 --> 00:11:04,560
They think I'm a joke.
168
00:11:05,360 --> 00:11:06,920
They hated me, Mum.
169
00:11:14,000 --> 00:11:16,040
Oh, Liebchen.
170
00:11:16,080 --> 00:11:18,960
Sometimes, good singles
sink without a trace.
171
00:11:19,000 --> 00:11:20,600
No rhyme nor reason.
172
00:11:21,360 --> 00:11:24,080
Well, maybe if you found her a
better song.
173
00:11:24,120 --> 00:11:25,280
I don't think getting into
174
00:11:25,320 --> 00:11:27,320
the 'maybes' is going
to change anything here.
175
00:11:27,360 --> 00:11:30,560
This is a very brutal business.
She can handle it.
176
00:11:31,320 --> 00:11:35,200
You're up against the best female
vocalists in the world over here.
177
00:11:35,240 --> 00:11:37,440
Yes. I know I am.
178
00:11:41,880 --> 00:11:43,840
We won't be signing
you for a second single.
179
00:11:46,800 --> 00:11:48,360
Why don't you take this time to go
180
00:11:48,400 --> 00:11:51,120
and think about whether the music
business is really for you?
181
00:12:03,200 --> 00:12:05,240
What do these recording people
know anyway?
182
00:12:05,280 --> 00:12:07,000
We don't give up
at the first hurdle.
183
00:12:07,040 --> 00:12:10,760
We're here and here we stay
till you become a success.
184
00:12:11,600 --> 00:12:15,080
I used to want to be a vet.
I could go home and do that.
185
00:12:15,120 --> 00:12:18,640
Nothing worthwhile happens
without persistence. You know that.
186
00:12:19,440 --> 00:12:22,160
Your grandfather won the Nobel
Prize for physics. Do you think
187
00:12:22,200 --> 00:12:24,840
that would've happened if he
stopped when things got tough?
188
00:12:24,880 --> 00:12:26,720
He was a scientist, Mum.
189
00:12:26,760 --> 00:12:29,200
Didn't matter whether
people liked him or not.
190
00:12:29,240 --> 00:12:32,640
It matters if you're a singer.
And they don't like me.
191
00:12:32,680 --> 00:12:34,320
Well, I wasn't exactly liked
192
00:12:34,360 --> 00:12:37,600
as a German after the war,
when I first met your father.
193
00:12:38,560 --> 00:12:41,400
But I used my charm. I stuck at it.
194
00:12:46,600 --> 00:12:48,760
Liv!
Pat!
195
00:12:50,800 --> 00:12:52,280
What are you doing here?
196
00:12:52,320 --> 00:12:54,360
I signed with some UK promoters.
197
00:12:54,400 --> 00:12:56,200
You're looking at a support act!
198
00:12:57,680 --> 00:12:59,720
Pat, darling.
Mrs Newton-John.
199
00:13:00,200 --> 00:13:02,240
How are you, honey?
I'm good. How are you?
200
00:13:02,280 --> 00:13:04,320
I'm fine.
I can't believe you're here.
201
00:13:04,360 --> 00:13:05,440
Me neither.
202
00:13:06,160 --> 00:13:08,680
Of course, you can stay, can't she,
Mum?
203
00:13:08,720 --> 00:13:10,640
You'll have to share
the fold-up couch.
204
00:13:12,840 --> 00:13:15,240
Wow. This is fab.
205
00:13:15,280 --> 00:13:17,560
Sure it is.
It's a home away from home.
206
00:13:18,480 --> 00:13:19,920
It's so good you're here.
207
00:13:22,760 --> 00:13:25,200
Jackie DeShannon's
version was really great.
208
00:13:25,240 --> 00:13:27,640
My track sounded like
I'm in someone's bathroom.
209
00:13:27,680 --> 00:13:31,120
Their loss. You just got
stuck with a dodgy arrangement.
210
00:13:31,160 --> 00:13:33,296
"Of course, you're up against
the best girl vocalists in
211
00:13:33,320 --> 00:13:36,920
the world.
Cilla, Lulu, Dusty, Sandie Shaw."
212
00:13:36,960 --> 00:13:38,920
Olivia Newton-John. Pat Carroll!
213
00:13:40,520 --> 00:13:43,840
OK, so, how's that John Farrar?
214
00:13:44,520 --> 00:13:47,120
Well, he's... incredible.
215
00:13:49,360 --> 00:13:50,600
And how's Ian?
216
00:13:55,840 --> 00:13:57,520
We said if I wasn't
back in three months,
217
00:13:57,560 --> 00:13:59,160
he could start seeing someone else.
218
00:14:02,000 --> 00:14:05,160
So... we're both in London. Scream!
219
00:14:05,200 --> 00:14:06,800
Now, when are we gonna be famous?
220
00:14:06,840 --> 00:14:09,520
I thought we already were.
We might be up against the best
221
00:14:09,560 --> 00:14:13,320
solo acts in the world. Doesn't
mean we can't be the best duo.
222
00:14:13,360 --> 00:14:14,400
What?
223
00:14:14,440 --> 00:14:18,280
Sing together?
Pat and Olivia. Two groovy chicks.
224
00:14:18,320 --> 00:14:19,480
'Glamour and Song'.
225
00:14:19,520 --> 00:14:21,160
Why not? It sets us apart.
226
00:14:21,200 --> 00:14:22,640
Maybe I can talk to my promoters.
227
00:14:22,680 --> 00:14:24,200
But the contract's only for you.
228
00:14:24,240 --> 00:14:27,120
Two Aussie chicks for the price of
one. I mean, how can they say no?
229
00:14:27,160 --> 00:14:28,560
I've already got all my dates.
230
00:14:29,480 --> 00:14:31,040
What would we call ourselves?
231
00:14:31,080 --> 00:14:34,080
Um... Pat and Olivia?
232
00:14:43,400 --> 00:14:48,040
♪ Today, there is something on
my mind ♪
233
00:14:49,800 --> 00:14:54,520
♪ You say that
I'm not really your kind ♪
234
00:14:56,440 --> 00:14:57,760
♪ So long ♪
235
00:14:58,240 --> 00:15:01,000
♪ It was good while it lasted ♪
236
00:15:01,040 --> 00:15:02,200
♪ Mmm ♪
237
00:15:02,880 --> 00:15:07,720
♪ Today, I can do without today ♪
238
00:15:08,560 --> 00:15:11,040
♪ Tomorrow may be better ♪
239
00:15:16,240 --> 00:15:20,800
♪ Today, there is something on my
mind ♪
240
00:15:22,720 --> 00:15:27,400
♪ Go away,
there is nothing to hold me ♪
241
00:15:29,320 --> 00:15:33,920
♪ I cried, but
my tears didn't help now ♪
242
00:15:35,840 --> 00:15:40,600
♪ Today, I
can do without today ♪
243
00:15:41,360 --> 00:15:43,720
♪ Tomorrow may
be better. ♪
244
00:15:49,400 --> 00:15:53,040
♪ Last night,
I spent the whole night cryin' ♪
245
00:15:53,600 --> 00:15:55,560
♪ I don't think I'll ever
sleep again ♪
246
00:15:56,160 --> 00:15:59,440
♪ Last night, I thought that I
was dying ♪
247
00:15:59,480 --> 00:16:01,880
♪ I don't think I'll
ever sleep again ♪
248
00:16:02,480 --> 00:16:06,920
♪ Today, I'm just left with the
memories ♪
249
00:16:08,760 --> 00:16:13,360
♪ No chance that you
come back and want me ♪
250
00:16:15,400 --> 00:16:19,920
♪ Because someone else
is in my place... ♪
251
00:16:19,960 --> 00:16:22,080
Oh, thank God you're in
one piece!
252
00:16:26,080 --> 00:16:29,320
But still not famous.
What are you saying?
253
00:16:29,360 --> 00:16:34,640
They absolutely love us in Sweden!
Really? Pat. Hi, darling.
254
00:16:34,680 --> 00:16:36,440
They've been on our program
once before.
255
00:16:36,480 --> 00:16:39,360
It's great to welcome back The
Shadows.
256
00:16:39,400 --> 00:16:43,040
Oh, my god. It's The Shadows. Mum?
257
00:16:43,080 --> 00:16:44,480
Mum, quick. It's The Shadows.
258
00:16:48,520 --> 00:16:50,256
These are the guys we're
going to be touring with.
259
00:16:50,280 --> 00:16:51,880
They're
Cliff Richard's backing group.
260
00:16:51,920 --> 00:16:55,240
Mm-hm.
The 'UK Music Review' says they
261
00:16:55,280 --> 00:16:57,080
haven't had a hit in two years.
262
00:17:03,520 --> 00:17:06,440
Wonderful band. So sad.
263
00:17:37,560 --> 00:17:38,880
That's great.
264
00:17:42,360 --> 00:17:44,960
Bruce Welch.
This must be Olivia.
265
00:17:45,000 --> 00:17:47,600
Yes, hi. And this is...
And this is Pat.
266
00:17:47,640 --> 00:17:48,880
It's really great to meet you.
267
00:17:48,920 --> 00:17:50,496
No, we're just
grateful you're willing to
268
00:17:50,520 --> 00:17:52,200
tour with us tired old bunch
of has-beens.
269
00:17:52,240 --> 00:17:53,320
Speak for yourself.
270
00:17:54,640 --> 00:17:56,960
No, thank you for having us.
Thank you for the opportunity.
271
00:17:59,200 --> 00:18:01,096
Well, they've been keeping
you busy by all accounts.
272
00:18:01,120 --> 00:18:02,400
Can't say I'm surprised.
273
00:18:02,440 --> 00:18:03,680
We've been very lucky.
274
00:18:03,720 --> 00:18:05,000
Yeah, and we'll go anywhere.
275
00:18:05,040 --> 00:18:06,456
Well, a one-night stand in
Cleethorpes
276
00:18:06,480 --> 00:18:07,680
shouldn't be a problem, then.
277
00:18:08,520 --> 00:18:10,960
We're finished. We'll let
you guys do your sound check.
278
00:18:11,000 --> 00:18:13,920
Guys? This is Pat and Olivia.
Hi. Hi.
279
00:18:13,960 --> 00:18:15,200
This is Hank.
280
00:18:15,240 --> 00:18:17,320
Brian Bennett. And Rostill.
281
00:18:17,360 --> 00:18:19,696
Watch out for this guy. Rhythm
guitarists, they're the worst.
282
00:18:19,720 --> 00:18:22,080
Don't listen to him.
Oh, wait.
283
00:18:22,120 --> 00:18:25,040
Before you go! My boyfriend
is the biggest Shadows fan.
284
00:18:25,080 --> 00:18:26,936
Do you think that I could
get a photo with you guys?
285
00:18:26,960 --> 00:18:28,480
Of course.
Do you mind?
286
00:18:28,520 --> 00:18:31,240
In case you sack us after tonight.
It's not going to happen.
287
00:18:33,160 --> 00:18:34,560
Three, two...
288
00:18:35,440 --> 00:18:37,240
Thank you so much!
289
00:18:37,280 --> 00:18:39,600
What about Olivia?
One for her boyfriend?
290
00:18:39,640 --> 00:18:40,920
She doesn't have a boyfriend.
291
00:18:44,800 --> 00:18:46,000
Smile!
292
00:18:48,320 --> 00:18:50,760
Now, that is a smile that
could light up the world.
293
00:18:52,000 --> 00:18:53,600
See you.
Bye.
294
00:19:08,320 --> 00:19:09,520
God.
295
00:19:09,560 --> 00:19:11,096
How many people do you
think there are out there?
296
00:19:11,120 --> 00:19:13,360
I don't know. 800?
297
00:19:13,400 --> 00:19:14,800
I'm not going to be sick.
298
00:19:15,560 --> 00:19:16,880
I will not be...
299
00:19:17,480 --> 00:19:20,440
Will not be sick.
Liv, you will not be sick, OK?
300
00:19:22,200 --> 00:19:24,560
'Warm-up act' doesn't
do you girls justice.
301
00:19:24,600 --> 00:19:26,416
You're going to set all
those mums and dads on fire.
302
00:19:26,440 --> 00:19:28,080
Those are mums and dads?
Mm-hm.
303
00:19:28,120 --> 00:19:29,600
How many mums and dads are there?
304
00:19:29,640 --> 00:19:32,520
2,000, roughly.
Hello, Bournemouth!
305
00:19:32,560 --> 00:19:34,520
Are you OK?
Nerves. Sorry.
306
00:19:34,560 --> 00:19:35,920
It's so stupid.
307
00:19:37,040 --> 00:19:39,640
Close your eyes. Take a breath in.
308
00:19:41,240 --> 00:19:44,280
..Australia! So let's
give them a big Bournemouth
309
00:19:44,320 --> 00:19:47,080
welcome - to Pat and Olivia!
310
00:19:47,120 --> 00:19:49,120
Breathe. You're gonna be smashing.
Come on.
311
00:19:51,720 --> 00:19:53,120
He's so charming.
312
00:19:53,160 --> 00:19:54,400
He's so married.
313
00:19:54,440 --> 00:19:55,960
But the papers say
they're breaking up.
314
00:20:05,120 --> 00:20:08,520
(Loud music)
315
00:20:18,240 --> 00:20:20,360
(music continues)
316
00:20:37,400 --> 00:20:39,560
It would be nice if we could just
get to talk someday.
317
00:20:39,600 --> 00:20:40,720
I can't hear...
318
00:20:41,720 --> 00:20:44,640
It would be nice if we could just
get to talk someday.
319
00:20:46,640 --> 00:20:47,960
Oh, my god, Bruce! Hi!
320
00:21:06,920 --> 00:21:08,640
Bruce wants me to meet
Paul McCartney.
321
00:21:09,200 --> 00:21:11,136
We're going to have dinner tomorrow
night at Paul's house,
322
00:21:11,160 --> 00:21:12,280
with Jane Asher.
323
00:21:12,320 --> 00:21:15,400
That's what he calls
'just talking'? It's a date.
324
00:21:15,440 --> 00:21:17,560
A date? Is it?
325
00:21:18,280 --> 00:21:20,160
No, we're just good friends. Really.
326
00:21:20,200 --> 00:21:22,240
Eugh, Liv, you call it
want you want. It's a date.
327
00:21:22,280 --> 00:21:23,960
Yes, but
328
00:21:24,000 --> 00:21:27,120
it's really far too soon for him
to think about seeing anybody new.
329
00:21:27,160 --> 00:21:28,520
He's a rock star.
330
00:21:42,920 --> 00:21:45,120
So, are you excited
about meeting Paul McCartney?
331
00:21:45,960 --> 00:21:47,040
No.
332
00:21:47,800 --> 00:21:49,280
What do you reckon?
333
00:21:49,320 --> 00:21:51,360
I think he should be excited about
meeting you.
334
00:21:52,240 --> 00:21:54,120
I was excited about meeting The
Shadows, too.
335
00:21:54,160 --> 00:21:55,280
Mmm... Mm-mm.
336
00:21:55,320 --> 00:21:58,200
Cliff Richard and The Shadows.
You're major stars.
337
00:21:58,240 --> 00:21:59,936
Well, Cliff will still be going
when he's 80.
338
00:21:59,960 --> 00:22:03,440
But The Shadows, we're finished.
You sold out every town we played.
339
00:22:03,480 --> 00:22:04,920
Nostalgia.
340
00:22:06,920 --> 00:22:09,160
Everything's changed now.
Everything's R&B.
341
00:22:09,640 --> 00:22:12,200
The Who, even Lulu. Things move on.
342
00:22:12,680 --> 00:22:14,240
I'm into production now.
343
00:22:15,280 --> 00:22:17,600
Unearthing new talent
and recording them.
344
00:22:18,120 --> 00:22:19,400
That's my bag.
345
00:22:19,880 --> 00:22:21,360
It's all still ahead of you.
346
00:22:21,400 --> 00:22:23,760
Feels like Pat and I are going
to be a support act forever.
347
00:22:23,800 --> 00:22:26,600
Oh, rubbish. You'll get
the next big break and then...
348
00:22:26,640 --> 00:22:28,080
(whistles an ascending note)
349
00:22:28,120 --> 00:22:30,960
I'll be Bruce who?
Don't say that.
350
00:22:31,000 --> 00:22:32,320
It's a fact of life, Liv.
351
00:22:33,520 --> 00:22:35,120
Nothing lasts forever.
352
00:22:50,920 --> 00:22:53,960
Bruce!
Bruce. Bruce, over here, mate!
353
00:22:55,800 --> 00:22:57,640
Where's the wife tonight, Bruce?
354
00:22:57,680 --> 00:22:59,040
Bruce, can we get a picture?
355
00:22:59,080 --> 00:23:00,720
Having a bit on the side, Bruce?
356
00:23:02,840 --> 00:23:04,360
What are people going to think?
357
00:23:04,880 --> 00:23:08,120
"Ambitious young Australian singer
Olivia Newton-John."
358
00:23:08,840 --> 00:23:11,640
How can they say I'm ambitious?
There are worse things.
359
00:23:11,680 --> 00:23:13,160
Is anybody accusing you of murder?
360
00:23:13,200 --> 00:23:16,160
I'm not ambitious!
It's a horrible thing to say.
361
00:23:16,200 --> 00:23:19,120
'Ambition' isn't a dirty word.
It is when they make it sound like
362
00:23:19,160 --> 00:23:20,960
I'm trying to sleep
my way to the top.
363
00:23:21,000 --> 00:23:23,720
Look, it's... it's awful. It is.
364
00:23:23,760 --> 00:23:28,440
But, you know, it's recognition.
This is all just part of the game.
365
00:23:28,480 --> 00:23:30,400
If that's what it
takes, then I don't want it.
366
00:23:30,440 --> 00:23:31,680
Listen to me.
367
00:23:32,320 --> 00:23:36,200
There is nothing wrong
with making a name for yourself.
368
00:23:36,240 --> 00:23:38,280
Nobody else is going
to do it for you.
369
00:23:42,320 --> 00:23:45,680
So, what did Bruce tell
the sleaze-bag reporters?
370
00:23:45,720 --> 00:23:47,120
Told them to sod off.
371
00:24:02,120 --> 00:24:04,080
What time do you think this is?
372
00:24:04,120 --> 00:24:05,360
A group of us went out.
373
00:24:07,080 --> 00:24:09,720
A group? Without Pat?
374
00:24:09,760 --> 00:24:11,280
We don't do everything together.
375
00:24:12,360 --> 00:24:13,960
What are you doing up, Mum?
376
00:24:14,680 --> 00:24:17,520
Um, the phone woke me.
377
00:24:17,560 --> 00:24:18,880
Australia.
378
00:24:18,920 --> 00:24:22,480
Rona needs help with the children
and with her new job.
379
00:24:23,120 --> 00:24:26,600
But listen, if I'm going to
leave you here by yourself,
380
00:24:26,640 --> 00:24:27,960
I want to know that you're safe.
381
00:24:28,000 --> 00:24:30,200
Not that you're coming home at all
382
00:24:30,240 --> 00:24:32,440
hours, after having done
who-knows-what with whom.
383
00:24:33,000 --> 00:24:35,760
Mum, I'm 18 now.
384
00:24:36,960 --> 00:24:38,320
I'm earning my own money.
385
00:24:39,520 --> 00:24:40,960
Does this mean you
386
00:24:41,640 --> 00:24:43,880
won't need your mother, I suppose?
387
00:24:45,720 --> 00:24:47,200
I'll miss you like crazy.
388
00:24:48,240 --> 00:24:51,360
You'll be fine.
You have Pat to look after you.
389
00:24:55,120 --> 00:24:56,360
My visa's expired.
390
00:24:57,240 --> 00:25:00,480
The Home Office said they're under
no obligation to review my case.
391
00:25:00,520 --> 00:25:02,240
Four weeks to leave the country.
392
00:25:02,920 --> 00:25:03,960
What a bummer.
393
00:25:04,840 --> 00:25:06,960
Why couldn't my dad
have been British, too?
394
00:25:08,400 --> 00:25:09,680
I'm coming back with you.
395
00:25:09,720 --> 00:25:11,400
We'll get lots of work.
396
00:25:11,440 --> 00:25:15,280
What will you do? Every Australian
TV show twice? Then what?
397
00:25:16,160 --> 00:25:17,520
Of course, you're staying here.
398
00:25:19,400 --> 00:25:20,760
We were doing this together.
399
00:25:23,200 --> 00:25:25,320
So just stay here
and do it all for me.
400
00:25:25,360 --> 00:25:27,800
You're beautiful, you've got a
voice and the camera loves you.
401
00:25:28,680 --> 00:25:30,200
So bloody stay here
and make it happen.
402
00:25:30,920 --> 00:25:32,600
It won't be the same without you.
403
00:25:33,480 --> 00:25:34,840
You're stronger than you know.
404
00:25:37,760 --> 00:25:38,880
Come on.
405
00:25:44,080 --> 00:25:46,320
Ladies and gentlemen,
please welcome Pat
406
00:25:46,360 --> 00:25:48,280
and Olivia onto the stage.
407
00:25:50,840 --> 00:25:51,960
Close your eyes.
408
00:25:53,000 --> 00:25:54,120
Take a breath.
409
00:25:58,000 --> 00:25:59,360
One last time, then?
410
00:26:10,680 --> 00:26:13,240
♪ I'm in love about my baby ♪
411
00:26:13,280 --> 00:26:16,920
♪ Come,
take my hand, please understand ♪
412
00:26:16,960 --> 00:26:18,200
♪ I want you ♪
413
00:26:18,240 --> 00:26:20,400
♪ I'm in love about my baby ♪
414
00:26:20,440 --> 00:26:22,560
♪ I need you so much ♪
415
00:26:22,600 --> 00:26:26,080
♪ Want your tender touch, ooh ♪
416
00:26:26,120 --> 00:26:28,320
♪ I'm in love about my baby ♪
417
00:26:28,360 --> 00:26:29,440
♪ Come take my... ♪
418
00:26:33,080 --> 00:26:34,800
Jesus. Truly awkward.
419
00:26:36,040 --> 00:26:39,680
It was one of the most...
Put your shirt in.
420
00:26:39,720 --> 00:26:43,160
Olivia Newton-John, take five.
Um, it's great, yeah.
421
00:26:43,200 --> 00:26:46,360
I miss home, but the music scene
is much bigger here and there's
422
00:26:46,400 --> 00:26:49,560
more opportunity. We're even
hoping I can record an album soon.
423
00:26:49,600 --> 00:26:51,880
Mm-hm. And we're
planning our wedding.
424
00:26:53,160 --> 00:26:54,400
I got you there.
425
00:27:34,400 --> 00:27:37,960
Dad, this is my fiance, Bruce Welch.
426
00:27:38,000 --> 00:27:39,920
Mr Newton-John.
Oh, do call me Brin.
427
00:27:39,960 --> 00:27:41,240
Everybody does.
428
00:27:41,280 --> 00:27:44,120
I had to be in Cambridge for
the Convocation anyway,
429
00:27:44,160 --> 00:27:45,960
so I thought a brief
detour was in order.
430
00:27:46,520 --> 00:27:49,000
This is Geordie and Murphy.
Oh.
431
00:27:49,040 --> 00:27:51,280
Bruce plays
rhythm guitar in The Shadows.
432
00:27:51,320 --> 00:27:55,960
Oh, sadly I'm more of a JSB man,
myself. Johann Sebastian Bach.
433
00:27:57,200 --> 00:28:00,720
In any case, I'm leaving The Shads
in December to devote myself more
434
00:28:00,760 --> 00:28:02,680
fully to your daughter's career.
Oh.
435
00:28:02,720 --> 00:28:05,400
I'll link up with Peter
Gormley's management agency.
436
00:28:05,440 --> 00:28:08,080
Peter's another Aussie.
He manages Cliff Richard
437
00:28:08,120 --> 00:28:10,840
and The Shadows and now Liv, too.
438
00:28:11,640 --> 00:28:14,760
Peter's going to be my manager but
Bruce will oversee things.
439
00:28:15,280 --> 00:28:17,720
I always thought Olivia's
voice was a little reedy.
440
00:28:18,360 --> 00:28:20,440
But, that's just me.
441
00:28:23,320 --> 00:28:25,400
Perhaps we could go for a stroll?
442
00:28:26,560 --> 00:28:27,560
Yeah.
443
00:28:28,640 --> 00:28:30,240
Bruce appears to have quite
444
00:28:30,280 --> 00:28:32,760
a firm grip on where he thinks
your career ought to be heading.
445
00:28:33,400 --> 00:28:35,880
Bruce has done everything.
446
00:28:36,600 --> 00:28:38,120
He knows everybody.
447
00:28:39,320 --> 00:28:41,400
He's opening so many doors for me.
448
00:28:42,240 --> 00:28:45,360
It's just the start but
I'm getting somewhere.
449
00:28:45,400 --> 00:28:47,480
Well, as long as you're
making your own decisions.
450
00:28:47,520 --> 00:28:48,520
I am, Dad.
451
00:28:49,800 --> 00:28:51,160
I've agreed to be in a movie.
452
00:28:52,400 --> 00:28:55,920
It's with the people who make
the James Bond films and the guys
453
00:28:55,960 --> 00:28:57,800
who put The Monkees together.
Ahh.
454
00:28:58,920 --> 00:29:01,840
What was that film you
did with that Turpie chap?
455
00:29:01,880 --> 00:29:03,720
'Funny Things Happen Down Under'.
456
00:29:03,760 --> 00:29:04,760
Yes.
457
00:29:06,000 --> 00:29:08,840
At the end, I was still waiting
for the funny things to happen.
458
00:29:08,880 --> 00:29:10,840
This is a proper movie, Dad.
459
00:29:11,400 --> 00:29:12,840
Do I get a 'well done'?
460
00:29:14,840 --> 00:29:16,200
Ten out of ten.
461
00:29:20,480 --> 00:29:22,800
Welcome, our star!
462
00:29:22,840 --> 00:29:26,520
Am I? That's exciting.
Val Guest. Director.
463
00:29:28,200 --> 00:29:32,840
Charming. Now, you and I must
wag chins about our little movie.
464
00:29:32,880 --> 00:29:34,280
Come on, come on.
465
00:29:35,040 --> 00:29:38,120
Through here. Let's show our
star some images, shall we?
466
00:29:38,160 --> 00:29:40,840
Now, let's see. Ahh, here, yes.
467
00:29:40,880 --> 00:29:45,600
Yourself and the three young lads
in your pop group are whisked off
468
00:29:45,640 --> 00:29:47,720
to outer-space by the aliens.
Do you see?
469
00:29:47,760 --> 00:29:49,840
Mmm.
Because the vibrations you create
470
00:29:49,880 --> 00:29:53,120
with your sound are the key
to the alien race's survival.
471
00:29:53,160 --> 00:29:58,080
Then, you're placed in a vacuum
chamber where all your clothes are
472
00:29:58,120 --> 00:30:00,480
literally sucked from your body.
473
00:30:01,920 --> 00:30:03,600
Can I read the script?
474
00:30:05,200 --> 00:30:06,800
Done some acting, have you?
475
00:30:07,320 --> 00:30:10,440
Little bit. Would I have
seen many of your films?
476
00:30:10,480 --> 00:30:12,760
Oh, everything, darl.
'The Camp on Blood Island'.
477
00:30:12,800 --> 00:30:14,280
'Stop Me Before I Kill'.
478
00:30:16,640 --> 00:30:20,080
Sweetness, our producers adore you.
479
00:30:20,120 --> 00:30:22,800
They want to sign you
to a three-picture deal.
480
00:30:24,040 --> 00:30:26,240
We could all make
rather a lot of money.
481
00:30:26,880 --> 00:30:28,800
I'm not taking my clothes off.
482
00:30:30,040 --> 00:30:33,960
Well, I thought these
were the Swinging '60s.
483
00:30:34,000 --> 00:30:36,400
I'm sorry if that means you
have to replace me.
484
00:30:37,240 --> 00:30:39,000
But I'm not going to do it.
485
00:30:48,160 --> 00:30:50,560
What is this?
Looks like we're up in space, man.
486
00:30:50,600 --> 00:30:53,040
This can't be real.
This sort of thing doesn't happen.
487
00:30:53,080 --> 00:30:55,600
Maybe it's a dream.
Well, if it is, then
488
00:30:55,640 --> 00:30:58,040
we're all in it.
What a disaster.
489
00:30:58,080 --> 00:31:00,120
They've pulled
'Toomorrow' from the cinemas.
490
00:31:01,160 --> 00:31:02,200
Some legal dispute.
491
00:31:03,080 --> 00:31:06,880
Well, all I can say is thank
goodness no-one will ever see it.
492
00:31:06,920 --> 00:31:09,840
Look, Liv,
you're not going to win a BAFTA
493
00:31:09,880 --> 00:31:12,680
this year, but neither did Cliff
Richards for 'Summer Holiday'.
494
00:31:13,360 --> 00:31:15,616
In fact, none of the films we
did with Cliff were masterpieces.
495
00:31:15,640 --> 00:31:17,520
This is one setback.
496
00:31:18,560 --> 00:31:21,960
Trust me, it's for the best.
I'll look after everything, OK?
497
00:31:22,800 --> 00:31:24,000
In fact,
498
00:31:25,080 --> 00:31:27,080
I had a chat with Hank yesterday.
499
00:31:27,120 --> 00:31:29,320
We're going to write some
songs, get back in the studio.
500
00:31:29,960 --> 00:31:31,720
Perhaps we could write something
for you.
501
00:31:32,840 --> 00:31:34,280
Really?
Mm-hm.
502
00:31:35,680 --> 00:31:39,080
We'd love that, wouldn't we,
Geordie? Yes, we would.
503
00:31:39,120 --> 00:31:40,520
We'd need a third guitar, though.
504
00:31:42,160 --> 00:31:43,560
I might know someone.
505
00:31:45,800 --> 00:31:48,120
Thanks so much for this, Bruce.
It's great to be here.
506
00:31:48,160 --> 00:31:50,480
Look at you, Mrs John Farrar.
507
00:31:52,240 --> 00:31:54,520
This is such a huge break.
508
00:31:54,560 --> 00:31:56,160
I don't know how to thank you.
509
00:31:56,200 --> 00:31:58,440
Marvin, Welch & Farrar.
510
00:31:58,480 --> 00:32:01,360
It's got a ring to it. Well, more
of a ring than Pat and Olivia had.
511
00:32:05,960 --> 00:32:07,840
Bruce is producing the whole thing.
512
00:32:07,880 --> 00:32:09,960
He's got so many ideas for me.
513
00:32:10,000 --> 00:32:11,120
You're happy?
514
00:32:12,240 --> 00:32:17,600
Three years and he still loves me so
much. He's everything I ever wanted.
515
00:32:19,000 --> 00:32:21,080
Every day, he's asking me when we're
getting married!
516
00:32:28,040 --> 00:32:31,040
♪ If not for you ♪
517
00:32:31,960 --> 00:32:35,400
♪ Babe, I couldn't even find the
door... ♪
518
00:32:38,640 --> 00:32:40,280
John, I mean, why this song?
519
00:32:40,320 --> 00:32:42,120
Shouldn't it be
something more emotional?
520
00:32:42,160 --> 00:32:44,560
Like 'You're My World',
'Anyone Who Had a Heart'?
521
00:32:44,600 --> 00:32:45,920
Liv.
522
00:32:46,640 --> 00:32:49,336
I don't know why you want me sounding
like something out of Nashville.
523
00:32:49,360 --> 00:32:51,736
Because Nashville's the perfect
fit for your voice and you'll have
524
00:32:51,760 --> 00:32:53,480
the market here all to yourself.
525
00:32:53,520 --> 00:32:56,440
When was the last time you
heard Lulu or Cilla sing Dylan?
526
00:32:56,480 --> 00:32:58,040
Do I even get a say?
527
00:32:59,320 --> 00:33:01,560
John has worked up a
fabulous arrangement.
528
00:33:01,600 --> 00:33:04,080
I can get the best out of your
voice but you need to trust me.
529
00:33:04,760 --> 00:33:06,000
Rostill's written
530
00:33:06,600 --> 00:33:08,920
plenty of songs for you that
will work down the track.
531
00:33:08,960 --> 00:33:13,800
But a debut album needs a break-out
hit. And this... this is the one.
532
00:33:16,760 --> 00:33:19,360
Would you like a moment to discuss
things with Geordie and Murphy?
533
00:33:19,880 --> 00:33:21,040
No.
534
00:33:22,960 --> 00:33:25,480
One more take? Please? Yes?
535
00:33:26,240 --> 00:33:27,560
Good girl.
536
00:33:34,400 --> 00:33:42,400
♪ I'd be sad and blue if
not for you... ♪
537
00:33:43,080 --> 00:33:48,720
Uh... you're pushing too much
OK. OK.
538
00:33:48,760 --> 00:33:50,320
Relax back, OK?
539
00:33:50,360 --> 00:33:53,840
♪ Babe, the night would see
me wide awake ♪
540
00:33:54,400 --> 00:33:58,120
♪ The day would surely
have to break ♪
541
00:33:58,160 --> 00:34:01,800
♪ It would not be new ♪
542
00:34:02,280 --> 00:34:05,320
♪ If not for you ♪
543
00:34:11,400 --> 00:34:15,679
♪ If
not for you, my sky would fall ♪
544
00:34:15,719 --> 00:34:19,679
♪ Rain would gather, too ♪
545
00:34:19,719 --> 00:34:23,000
♪ Without your love,
I'd be nowhere at all ♪
546
00:34:23,040 --> 00:34:27,679
♪ I'd be lost, if not for you ♪
547
00:34:29,360 --> 00:34:31,280
♪ Oh-oh ♪
548
00:34:32,080 --> 00:34:34,800
♪ If not for you ♪
549
00:34:36,040 --> 00:34:39,080
♪ The winter would hold
no spring... ♪
550
00:34:39,600 --> 00:34:42,719
Gotcha. OK. Ta, Guv.
551
00:34:45,360 --> 00:34:46,560
Well?
552
00:34:49,320 --> 00:34:51,360
We're number seven in the UK.
553
00:34:52,800 --> 00:34:55,120
And we're number 14 in Australia.
554
00:34:55,159 --> 00:34:56,840
And, drumroll please...
555
00:34:57,440 --> 00:34:59,680
we're number 25 in America!
556
00:34:59,720 --> 00:35:03,120
I can't believe it!
So did we know what we were doing?
557
00:35:03,160 --> 00:35:06,360
If Not For You, Bruce! Thank you!
558
00:35:06,400 --> 00:35:08,680
I think it was Geordie's
contribution on percussion.
559
00:35:09,960 --> 00:35:11,320
This is just the beginning.
560
00:35:13,800 --> 00:35:15,360
This is amazing!
Cheers.
561
00:35:23,440 --> 00:35:25,920
Oh, here we go.
562
00:35:27,840 --> 00:35:30,640
If they
ask you for a kiss, say no.
563
00:35:30,680 --> 00:35:31,920
Always, Liv.
564
00:35:37,120 --> 00:35:38,400
Hi, there.
565
00:35:42,000 --> 00:35:43,320
Olivia!
566
00:35:45,920 --> 00:35:47,120
Olivia!
567
00:35:47,160 --> 00:35:49,000
Hi.
Can you sign my record?
568
00:36:03,640 --> 00:36:05,040
Why don't we do a song together?
569
00:36:05,080 --> 00:36:07,776
Just in honour of Donny and Marie
Osmond because it just happens that
570
00:36:07,800 --> 00:36:10,400
I'm only just double Donny's age.
571
00:36:10,440 --> 00:36:13,480
I hate to admit it but I'm
almost twice Marie's age, too.
572
00:36:13,520 --> 00:36:15,560
I bet that's got them worried.
What should we sing?
573
00:36:15,600 --> 00:36:18,800
I'll leave it all up to you.
Rightio, Grandma.
574
00:36:30,440 --> 00:36:34,720
♪ I'm leaving it all up to you ♪
575
00:36:35,320 --> 00:36:39,760
♪ You decide
what you're going to do ♪
576
00:36:40,640 --> 00:36:43,840
♪ Now do you want
my love... ♪
577
00:36:44,640 --> 00:36:46,040
Sorry I'm late.
578
00:36:46,080 --> 00:36:50,440
♪ ..or are we through? ♪
Really nice show, love.
579
00:36:50,480 --> 00:36:52,880
That's the perfect
number for you guys.
580
00:36:53,360 --> 00:36:55,520
Should have worn
something else, though.
581
00:36:56,400 --> 00:36:58,840
That dress doesn't do
much for your figure.
582
00:36:58,880 --> 00:37:01,000
You think?
Mmm.
583
00:37:01,600 --> 00:37:03,680
And you weren't
following Cliff's moves.
584
00:37:03,720 --> 00:37:05,520
Did you notice how you
were slightly off-beat?
585
00:37:06,160 --> 00:37:08,040
Not until you just pointed it out.
586
00:37:08,920 --> 00:37:10,920
That's why I'm here.
587
00:37:10,960 --> 00:37:12,360
Looking out for you.
588
00:37:17,560 --> 00:37:19,160
Did you see 'I Am Woman'
589
00:37:19,200 --> 00:37:21,040
made number one in the States?
590
00:37:21,080 --> 00:37:22,760
I'm so pleased for Helen Reddy.
591
00:37:22,800 --> 00:37:25,080
We'll get to number
one in the States.
592
00:37:25,120 --> 00:37:26,240
Leave it with me.
593
00:37:27,240 --> 00:37:30,600
♪ ..or are we through ♪
594
00:37:33,040 --> 00:37:35,680
♪ Now, do you
want my love... ♪
595
00:37:36,800 --> 00:37:38,120
I should get changed.
596
00:37:38,160 --> 00:37:41,520
OK.
♪ ..or are we through? ♪
597
00:37:50,160 --> 00:37:53,080
You've been with Bruce since you
were 18. You were just a baby.
598
00:37:53,120 --> 00:37:54,600
Of course, things
are going to change.
599
00:37:54,640 --> 00:37:56,520
I wouldn't be anything without him.
600
00:37:56,560 --> 00:37:59,280
You were well on your way
before you left Australia.
601
00:37:59,320 --> 00:38:01,840
He's taken me from nothing
to having hit records.
602
00:38:01,880 --> 00:38:03,960
Fine. You can thank Bruce for
the hit records.
603
00:38:04,000 --> 00:38:06,240
But you're allowed to be happy, too.
604
00:38:07,400 --> 00:38:09,920
How can I not be happy? I'm engaged.
605
00:38:11,640 --> 00:38:13,240
You're never going to marry him.
606
00:38:15,320 --> 00:38:17,760
You've been engaged
for three years.
607
00:38:17,800 --> 00:38:19,840
If you'd wanted to marry
him, you would have by now.
608
00:38:22,600 --> 00:38:24,080
Maybe it's just run its course.
609
00:38:24,920 --> 00:38:26,440
I can't hurt him.
610
00:38:28,840 --> 00:38:29,920
I can't do it to him.
611
00:38:31,040 --> 00:38:32,040
I can't.
612
00:38:36,480 --> 00:38:42,440
Ladies and gentlemen, Sacha
Distel and Olivia Newton-John.
613
00:38:43,920 --> 00:38:45,160
Follow me, children!
614
00:38:46,440 --> 00:38:49,440
It'll be so much fun. Come on!
Amazing!
615
00:38:50,360 --> 00:38:53,360
Sorry, guys. Have fun.
I'll see you tomorrow.
616
00:38:53,400 --> 00:38:54,680
Oh, Liv!
617
00:38:54,720 --> 00:38:56,240
Oh, come on!
Sorry.
618
00:39:00,440 --> 00:39:02,480
You didn't have to
come and pick me up.
619
00:39:02,520 --> 00:39:05,160
Me picking you up in
the Rolls used to make you smile.
620
00:39:20,680 --> 00:39:22,280
Did you have fun with Distel
tonight?
621
00:39:24,600 --> 00:39:26,320
Can we please not fight?
622
00:39:36,520 --> 00:39:38,480
The audience is
loving you two together.
623
00:39:39,720 --> 00:39:42,760
Oh,
you know, it's all part of the show.
624
00:39:44,960 --> 00:39:46,480
There are too many duets.
625
00:39:46,520 --> 00:39:47,960
You should demand another solo.
626
00:39:52,120 --> 00:39:54,880
OK. I'll ask about it.
627
00:39:55,400 --> 00:39:56,560
I'll ask him.
628
00:39:57,560 --> 00:39:58,640
No.
629
00:40:00,400 --> 00:40:02,160
No, you don't want to
drop a duet with him
630
00:40:02,200 --> 00:40:03,880
or, no,
you don't want me to ask him?
631
00:40:03,920 --> 00:40:07,600
Neither. Both.
I'm handling your career, Liv.
632
00:40:07,640 --> 00:40:09,400
You need to listen to me.
I want to break up.
633
00:40:11,080 --> 00:40:12,960
I can't do this anymore. I'm sorry.
634
00:40:20,280 --> 00:40:21,440
Do what?
635
00:40:24,000 --> 00:40:27,560
Why? What... what have I done?
636
00:40:27,600 --> 00:40:29,120
You haven't done anything.
637
00:40:34,600 --> 00:40:35,760
Is it Distel?
638
00:40:37,200 --> 00:40:41,080
Are you having an affair?
What? No, of course not!
639
00:40:41,600 --> 00:40:43,480
It's
got nothing to do with anyone else.
640
00:40:43,520 --> 00:40:44,720
Then why?
641
00:40:45,960 --> 00:40:48,440
Liv, what...
I'm not a teenager anymore.
642
00:40:52,360 --> 00:40:57,120
I'm so grateful for everything
you've done for me. I truly am.
643
00:40:57,640 --> 00:40:59,400
And I always will be.
644
00:41:01,840 --> 00:41:04,200
But I have to start
making my own life.
645
00:41:08,480 --> 00:41:11,720
I'm sorry.
No.
646
00:41:11,760 --> 00:41:13,360
I'm sorry.
647
00:41:13,400 --> 00:41:17,840
Liv. Olivia. Please?
648
00:42:09,600 --> 00:42:11,600
(phone rings)
649
00:43:09,600 --> 00:43:11,440
(chatter)
650
00:43:13,320 --> 00:43:16,720
♪ Deck the halls with
boughs of holly ♪
651
00:43:16,760 --> 00:43:19,600
♪ Fa-la-la-la-la, la-la-la-la ♪
652
00:43:20,080 --> 00:43:23,360
♪ Tis the season to be jolly ♪
653
00:43:23,840 --> 00:43:26,840
♪ Fa-la-la-la-la, la-la-la-la ♪
654
00:43:32,920 --> 00:43:34,616
This is for you, from
me and Brett and Tottie.
655
00:43:34,640 --> 00:43:36,000
It's just something silly.
656
00:43:36,040 --> 00:43:38,320
For me? Thank you!
657
00:43:39,320 --> 00:43:43,880
Ahh! Oh, I love it.
658
00:43:51,840 --> 00:43:53,080
It really suits you.
659
00:43:55,440 --> 00:43:56,720
How did you get that?
660
00:44:00,680 --> 00:44:03,080
This is crazy, Liv.
What were you thinking?
661
00:44:03,120 --> 00:44:05,120
That I didn't want to break his
heart like that.
662
00:44:05,160 --> 00:44:06,760
I feel sorry for him, too,
663
00:44:06,800 --> 00:44:08,760
but people get ditched every day
664
00:44:08,800 --> 00:44:10,120
and they get over it.
665
00:44:10,160 --> 00:44:11,480
You have to leave him.
666
00:44:13,000 --> 00:44:14,960
What if I
did and the worst happened?
667
00:44:15,000 --> 00:44:17,400
You don't owe him the rest
of your life,
668
00:44:17,440 --> 00:44:19,840
sacrificing your
feelings for his.
669
00:44:19,880 --> 00:44:21,040
It's not your fault.
670
00:44:25,200 --> 00:44:26,800
What have you got?
671
00:44:26,840 --> 00:44:28,360
Aunty Liv, come and see!
672
00:44:33,240 --> 00:44:34,760
Bruce is under the mistletoe!
673
00:44:35,400 --> 00:44:36,480
So he is.
674
00:44:40,280 --> 00:44:41,640
On the lips!
675
00:44:41,680 --> 00:44:43,000
Come on, on the lips!
676
00:44:45,320 --> 00:44:46,960
Whoo!
677
00:45:20,120 --> 00:45:24,080
If it were up to me,
we'd be forever.
678
00:45:30,360 --> 00:45:31,640
But not like this.
679
00:45:37,080 --> 00:45:39,120
Bruce, you gave me so much.
680
00:45:40,640 --> 00:45:42,000
And now you've outgrown me.
681
00:45:50,440 --> 00:45:52,080
I thought you
were the most beautiful
682
00:45:52,120 --> 00:45:53,640
girl I'd ever seen in my life.
683
00:45:56,120 --> 00:45:57,520
Couldn't believe my luck.
684
00:46:06,400 --> 00:46:07,840
It's a fact of life, Liv.
685
00:46:09,680 --> 00:46:11,160
Nothing lasts forever.
686
00:46:24,560 --> 00:46:29,040
♪ We both know
I got somewhere else to go ♪
687
00:46:32,000 --> 00:46:34,760
♪ But I've got something
to tell you ♪
688
00:46:35,320 --> 00:46:38,240
♪ That I never thought I would ♪
689
00:46:39,080 --> 00:46:45,080
♪ But I believe you really
ought to know... ♪
690
00:46:48,000 --> 00:46:50,200
It's beautiful.
♪ Love you. ♪
691
00:46:50,240 --> 00:46:51,960
You like it?
I love it.
692
00:46:54,800 --> 00:46:58,480
Peter Allen. Aussie songwriter.
He wrote it with Jeff Barry.
693
00:46:58,520 --> 00:47:02,320
An Aussie? I love it even more.
Where did you find it?
694
00:47:02,360 --> 00:47:04,560
I was just trawling
through some old demos.
695
00:47:04,600 --> 00:47:05,880
Thought I'd give it a listen.
696
00:47:06,920 --> 00:47:10,320
John, I have to have this song.
Will you produce it?
697
00:47:10,880 --> 00:47:12,640
Of course he will.
698
00:47:13,120 --> 00:47:14,960
Of course I will.
699
00:47:15,000 --> 00:47:18,720
So, because she needs the work
and she's here to sing herself her
700
00:47:18,760 --> 00:47:23,040
fantastic new single, 'I Honestly
Love You', Olivia Newton-John.
701
00:47:26,320 --> 00:47:29,800
♪ Maybe I hang around here ♪
702
00:47:29,840 --> 00:47:33,400
♪ A little more than I should ♪
703
00:47:33,440 --> 00:47:40,200
♪ We both know I've
got somewhere else to go ♪
704
00:47:40,760 --> 00:47:44,600
♪ But I got something to tell you ♪
705
00:47:44,640 --> 00:47:47,760
♪ That I never thought I would ♪
706
00:47:48,280 --> 00:47:55,320
♪ But I believe you really
ought to know... ♪
707
00:47:57,480 --> 00:47:59,760
♪ I love you ♪
708
00:48:05,040 --> 00:48:06,320
♪ I love you ♪
709
00:48:09,640 --> 00:48:13,680
♪ I honestly love you ♪
710
00:48:18,320 --> 00:48:25,640
♪ If we both were born in
another place and time ♪
711
00:48:25,680 --> 00:48:32,360
♪ This moment might be ending
in a kiss ♪
712
00:48:33,040 --> 00:48:36,600
♪ But there you are with yours ♪
713
00:48:36,640 --> 00:48:40,240
♪ and here I am with mine ♪
714
00:48:40,280 --> 00:48:48,280
♪ So I guess we'll just
be leaving it at this ♪
715
00:48:49,760 --> 00:48:52,040
♪ I love you ♪
716
00:48:54,280 --> 00:48:58,360
♪ I honestly love you ♪
717
00:48:59,280 --> 00:49:05,480
♪ I honestly love you ♪
718
00:49:07,280 --> 00:49:14,040
♪ I honestly love you. ♪
719
00:49:19,520 --> 00:49:21,320
You sound beautiful, Nashville!
720
00:49:23,560 --> 00:49:24,840
Bless you.
721
00:49:27,480 --> 00:49:31,760
Olivia Newton-John? Helen Reddy.
Haven't you been in the headlines?
722
00:49:31,800 --> 00:49:33,160
Let me buy you a drink.
723
00:49:33,200 --> 00:49:35,840
They're even objecting to me
wearing a Stetson on stage.
724
00:49:35,880 --> 00:49:39,000
Tammy Wynette started her own
awards in protest at all
725
00:49:39,040 --> 00:49:40,200
the crossover artists.
726
00:49:40,240 --> 00:49:43,280
Only Dolly Parton stood up for me.
Word of advice, friend.
727
00:49:43,320 --> 00:49:46,240
The only things that matter over
here are success and survival.
728
00:49:46,280 --> 00:49:47,920
Now, you have the success.
729
00:49:47,960 --> 00:49:50,240
Parlay that into long-term
survival and they'll love
730
00:49:50,280 --> 00:49:53,800
you like one of their own. And try
not to get too jaded along the way.
731
00:49:53,840 --> 00:49:55,960
Oh, I'm far too cheerful for that.
732
00:49:56,560 --> 00:50:00,440
Great. Don't let 'em knock
that out of you. It's not easy
733
00:50:00,480 --> 00:50:03,800
being on 24 hours a day, everybody
wanting their pound of flesh.
734
00:50:03,840 --> 00:50:06,000
Well, nothing that can't
735
00:50:06,040 --> 00:50:07,736
be fixed by a Bex and a
good lie-down, right?
736
00:50:07,760 --> 00:50:09,120
Don't lie down too long, honey.
737
00:50:09,760 --> 00:50:11,160
Cheers.
738
00:50:15,200 --> 00:50:16,480
Here, Mademoiselle.
739
00:50:21,000 --> 00:50:22,440
Merci.
740
00:50:29,920 --> 00:50:31,120
Liv?
741
00:50:31,720 --> 00:50:32,960
I'm OK.
742
00:50:34,000 --> 00:50:35,920
I'm just wondering what's next.
743
00:50:36,840 --> 00:50:38,400
London not calling you back?
744
00:50:40,360 --> 00:50:42,560
Don't you and John
get homesick sometimes?
745
00:50:43,080 --> 00:50:46,080
Not yet. But we've got each other.
746
00:50:48,800 --> 00:50:51,120
Do you remember how we
crashed after our big tour?
747
00:50:51,960 --> 00:50:54,160
Then you took off like a
rocket and haven't looked back.
748
00:50:54,360 --> 00:50:56,440
Mm-hm.
Whatever's coming
749
00:50:56,480 --> 00:50:58,160
next, it's going to be even better.
750
00:51:00,240 --> 00:51:01,720
What about you?
751
00:51:01,760 --> 00:51:03,600
When are you and John starting
a family?
752
00:51:03,640 --> 00:51:06,080
Ha, ha. Give us a chance!
753
00:51:06,120 --> 00:51:07,560
We still like practicing.
754
00:51:10,080 --> 00:51:13,200
What would your dream be,
if you could click your fingers?
755
00:51:13,800 --> 00:51:15,720
Just the normal things.
756
00:51:16,320 --> 00:51:19,000
A nice house. Some dogs.
757
00:51:19,040 --> 00:51:20,640
A horse.
758
00:51:20,680 --> 00:51:22,480
Someone I love to share
it all with.
759
00:51:34,560 --> 00:51:35,840
Excuse-moi.
760
00:51:35,880 --> 00:51:36,960
Madame?
761
00:51:43,480 --> 00:51:44,840
Turned out nice again.
762
00:51:46,920 --> 00:51:49,040
Oh, yes. Very balmy.
763
00:51:53,560 --> 00:51:56,520
So, you sing a bit, do you?
764
00:52:09,400 --> 00:52:11,480
(inaudible chatter)
765
00:52:43,280 --> 00:52:45,600
What are you
doing for dinner, tomorrow night?
766
00:52:47,440 --> 00:52:49,160
I'm eating at home.
767
00:52:49,200 --> 00:52:50,440
Right.
768
00:52:50,480 --> 00:52:53,320
In London.
London?
769
00:52:53,360 --> 00:52:54,480
Yes.
770
00:53:05,600 --> 00:53:07,160
I'm stealing this from you.
771
00:53:07,200 --> 00:53:08,320
That is really nice.
772
00:53:08,360 --> 00:53:09,720
I'm glad I got that one.
773
00:53:13,720 --> 00:53:15,840
You didn't tell
me you were flying out, too.
774
00:53:15,880 --> 00:53:17,840
We have dinner plans, don't we?
775
00:53:19,040 --> 00:53:22,640
Lucky I'm on your flight.
Ahh, you mean the overbooked one?
776
00:53:22,680 --> 00:53:24,960
With no spare seats on it?
777
00:53:27,720 --> 00:53:32,240
You don't have a ticket, do you?
I am about to... get one.
778
00:53:35,800 --> 00:53:39,720
I need a ticket and I'm
willing to pay. Anybody?
779
00:53:40,720 --> 00:53:41,960
You, Sir?
780
00:53:53,200 --> 00:53:54,320
Good man.
781
00:53:58,800 --> 00:54:00,400
What time should I pick you up?
782
00:54:09,600 --> 00:54:11,400
No-one wanted to
give Helen a break
783
00:54:11,440 --> 00:54:12,760
but I was relentless.
784
00:54:12,800 --> 00:54:14,440
I wouldn't leave
Artie Mogull alone.
785
00:54:14,480 --> 00:54:15,960
Never take 'no' for an answer.
786
00:54:16,000 --> 00:54:18,080
Trust me, he doesn't.
787
00:54:18,120 --> 00:54:21,160
So, when are you making the move
to the States? I know it's tough
788
00:54:21,200 --> 00:54:23,696
when you two are new but that's
what the Concorde is for, right?
789
00:54:23,720 --> 00:54:26,000
You need to be available.
I'm with you.
790
00:54:26,040 --> 00:54:29,360
But you'll need to take it up with
Geordie and Murphy.
791
00:54:30,040 --> 00:54:32,560
My Irish setters.
They don't have dogs in the States?
792
00:54:32,600 --> 00:54:34,120
Houses for people to live in?
793
00:54:34,160 --> 00:54:36,160
They're family.
Sweetheart, you're
794
00:54:36,200 --> 00:54:38,416
the biggest-selling crossover
artist in the States right now.
795
00:54:38,440 --> 00:54:41,280
Maybe even the world.
You did it first, Helen.
796
00:54:41,320 --> 00:54:44,280
You did it bigger. Whether those
ol' country farts like it or not.
797
00:54:44,320 --> 00:54:47,680
Well, they've settled right down
now they've seen how Olivia
798
00:54:47,720 --> 00:54:50,760
and John Denver grew their market.
Then all the more reason to move.
799
00:54:50,800 --> 00:54:52,840
I've had plenty of offers from LA
managers,
800
00:54:52,880 --> 00:54:54,920
but I wouldn't know who to trust.
801
00:54:54,960 --> 00:54:56,200
None of the assholes!
802
00:54:56,800 --> 00:54:58,560
Lucky my old man manages me.
803
00:54:58,600 --> 00:55:00,016
Who's going to look out for you
better
804
00:55:00,040 --> 00:55:01,680
than the guy you hit the sack with?
805
00:55:01,720 --> 00:55:04,080
Oh! That's true.
806
00:55:07,200 --> 00:55:08,440
Manage me?
807
00:55:08,480 --> 00:55:10,880
Are you serious?
Don't you dare start laughing again.
808
00:55:10,920 --> 00:55:14,680
You have no experience
with management. Or entertainment.
809
00:55:15,800 --> 00:55:17,640
Besides,
we're only six weeks into a...
810
00:55:17,680 --> 00:55:20,600
Sexy, delicious fling, right?
811
00:55:22,040 --> 00:55:23,800
Liv, business is business.
812
00:55:23,840 --> 00:55:28,160
It's in my blood. I knew
bugger-all about cowboy boots.
813
00:55:29,080 --> 00:55:30,960
Let's conquer the States together!
814
00:55:32,000 --> 00:55:34,040
Can't you
just come over as my boyfriend?
815
00:55:34,080 --> 00:55:39,200
What? No! Kicking my heels on
Rodeo Drive all day? I'd go spare.
816
00:55:40,040 --> 00:55:41,720
Give the chap something to do.
817
00:55:44,760 --> 00:55:48,320
I would love for us to move to
the States together. I would...
818
00:55:50,480 --> 00:55:51,760
But what?
819
00:55:52,640 --> 00:55:54,800
Talk to me.
After Bruce, I...
820
00:55:55,480 --> 00:55:56,640
Bruce who?
821
00:55:59,280 --> 00:56:02,600
I swore I'd never mix business
and boyfriends together again.
822
00:56:04,080 --> 00:56:06,400
This is my life.
I have to make my own decisions.
823
00:56:06,440 --> 00:56:08,800
Yes. Yes, exactly!
824
00:56:09,280 --> 00:56:10,800
So make the right one.
825
00:56:12,520 --> 00:56:15,320
Liv, I sell cowboy boots.
826
00:56:15,360 --> 00:56:17,040
Uh, don't laugh!
827
00:56:17,920 --> 00:56:21,760
I don't craft them,
I don't make them, I sell them.
828
00:56:21,800 --> 00:56:24,000
And I market them,
and I get the best
829
00:56:24,040 --> 00:56:25,760
possible bloody deal for them.
830
00:56:27,760 --> 00:56:29,440
You see where I'm going with this?
831
00:56:31,040 --> 00:56:33,320
So, you're saying I'm
an old boot, right?
832
00:56:33,360 --> 00:56:35,360
Precisely.
That's what you're saying?
833
00:56:35,400 --> 00:56:37,240
Exactly.
OK.
834
00:56:55,000 --> 00:56:58,240
Olivia! Welcome to La-La Land.
835
00:56:59,640 --> 00:57:02,040
Lee, this is Artie Mogull from MCA.
836
00:57:02,080 --> 00:57:03,760
Artie, this is Lee Kramer.
Artie.
837
00:57:03,800 --> 00:57:05,560
Hey, you sounded older on
the phone.
838
00:57:06,720 --> 00:57:08,480
Eh, you've got balls.
839
00:57:08,520 --> 00:57:10,360
And god, you're going
to need 'em in this town.
840
00:57:10,960 --> 00:57:13,720
Hey, you want any advice,
you give me a call.
841
00:57:13,760 --> 00:57:14,840
Thanks, Artie.
842
00:57:15,760 --> 00:57:17,320
Hi, there.
Hi.
843
00:57:17,360 --> 00:57:19,560
All of America honestly loves her.
844
00:57:19,600 --> 00:57:22,040
Thank you so much. Thank you. Bye.
Bye, Olivia! Bye!
845
00:57:23,480 --> 00:57:30,600
♪ Let me take whatever's wrong and
make it right ♪
846
00:57:30,640 --> 00:57:35,480
♪ Let me take you
through that wonderland ♪
847
00:57:35,520 --> 00:57:38,280
♪ That only two can share ♪
848
00:57:38,800 --> 00:57:40,600
♪ All I ask you ♪
849
00:57:41,640 --> 00:57:44,720
♪ Is let me be there ♪
850
00:57:45,960 --> 00:57:49,640
♪ All I ask you ♪
851
00:57:49,680 --> 00:57:52,280
♪ Is let me be there. ♪
852
00:57:57,000 --> 00:57:59,000
Hi. That's lovely.
Thank you.
853
00:57:59,040 --> 00:58:00,456
I thank you for being
with us tonight.
854
00:58:00,480 --> 00:58:01,976
Pleasure.
Well, what a year you've had. I
855
00:58:02,000 --> 00:58:04,520
don't want to embarrass you
but, it's kind of remarkable.
856
00:58:04,560 --> 00:58:06,320
In your rather short career,
857
00:58:06,360 --> 00:58:07,760
at least here in this country,
858
00:58:07,800 --> 00:58:09,440
you've had
two Grammy Awards - Record
859
00:58:09,480 --> 00:58:11,560
of the Year, Best Female Vocal
performance
860
00:58:11,600 --> 00:58:14,600
- four American Music Awards -
the Best Country Album, the Best Pop
861
00:58:14,640 --> 00:58:16,456
Album, the Best Single, the Best
Pop Performance.
862
00:58:16,480 --> 00:58:17,920
'Billboard Magazine',
863
00:58:17,960 --> 00:58:20,480
the Top Female Vocalist of the Year.
The 'People's Choice Show',
864
00:58:20,520 --> 00:58:21,800
you tied with Barbra Streisand
865
00:58:21,840 --> 00:58:23,680
as the Most Popular
Female Singer of the Year.
866
00:58:32,520 --> 00:58:35,080
To John Farrar and Peter Allen.
867
00:58:35,680 --> 00:58:38,920
Yes, cheers to you,
Mr Never Been Mellower.
868
00:58:38,960 --> 00:58:41,160
How many hit singles are
you planning to write?
869
00:58:41,200 --> 00:58:43,960
'Have You Never Been Mellow' was a
fluke. We got lucky.
870
00:58:44,000 --> 00:58:46,600
You're way too modest.
You should be blowing your trumpet
871
00:58:46,640 --> 00:58:47,840
all over the place.
872
00:58:48,360 --> 00:58:52,440
So, thanks to the two best
songwriters in the whole world.
873
00:58:53,360 --> 00:58:55,200
Don't know why you're thanking me.
874
00:58:55,240 --> 00:58:58,680
Are you kidding me? 'I Honestly
Love You' changed everything.
875
00:58:58,720 --> 00:58:59,880
Right back at you, Babe.
876
00:58:59,920 --> 00:59:02,400
To the Gum Leaf Mafia!
Taking over LA!
877
00:59:02,440 --> 00:59:03,560
That, I'll drink to.
878
00:59:07,000 --> 00:59:10,760
Sorry about that. It was MCA.
879
00:59:11,800 --> 00:59:14,920
'Please Mr Please' has gone gold!
880
00:59:16,200 --> 00:59:18,480
That's five gold discs on the trot,
881
00:59:18,520 --> 00:59:21,600
$5 million in retail
sales in the US alone.
882
00:59:21,640 --> 00:59:22,960
Now you're just showing off!
883
00:59:23,000 --> 00:59:25,040
Cheers. Cheers. Cheers.
884
00:59:33,680 --> 00:59:36,280
Oh, god, it seems like
another lifetime ago.
885
00:59:39,240 --> 00:59:40,840
I'm glad we're still
doing this together.
886
00:59:42,560 --> 00:59:43,720
Me, too.
887
00:59:52,920 --> 00:59:54,120
(dog whines)
888
01:00:09,480 --> 01:00:10,720
How did your call go?
889
01:00:11,320 --> 01:00:15,400
They want you to do Johnny Carson
and Dean Martin on the same night.
890
01:00:16,000 --> 01:00:18,400
So my gut tells me to
ditch Dean Martin,
891
01:00:18,440 --> 01:00:22,400
but I'll see
what Artie thinks. Now...
892
01:00:22,440 --> 01:00:24,320
Oh, babe, you need to relax.
893
01:00:26,080 --> 01:00:28,600
Why did you say no to me opening
that animal shelter?
894
01:00:29,240 --> 01:00:31,320
Well, because it's in Arizona.
895
01:00:32,760 --> 01:00:34,240
I'd like to fit it in somehow.
896
01:00:36,320 --> 01:00:41,240
Liv, you do realise you
can't please everybody, right?
897
01:00:41,720 --> 01:00:44,240
You're exhausting yourself.
898
01:00:44,280 --> 01:00:47,320
If you keep trying to make
everybody happy, then
899
01:00:47,360 --> 01:00:49,200
some day, something's
going to give.
900
01:00:52,440 --> 01:00:54,680
Promise me you'll think of that.
901
01:00:59,480 --> 01:01:01,160
Sure.
OK.
902
01:01:03,160 --> 01:01:05,360
After I've opened
the animal shelter in Arizona.
903
01:01:09,160 --> 01:01:11,040
What's this?
Wait! Don't read that...
904
01:01:11,680 --> 01:01:16,440
Some knob sent me a Randy
Newman interview in 'Playboy'.
905
01:01:16,480 --> 01:01:19,480
"Olivia Newton-John. Good
Christ, what is that all about?"
906
01:01:19,520 --> 01:01:21,680
It's off to an encouraging start.
907
01:01:21,720 --> 01:01:23,840
Don't worry, Randy
Newman's a tosser. So...
908
01:01:24,600 --> 01:01:26,400
You know what I got the other day?
909
01:01:26,440 --> 01:01:27,920
"If white bread could sing..."
910
01:01:27,960 --> 01:01:29,416
"it would sound like
Olivia Newton-John."
911
01:01:29,440 --> 01:01:30,840
Yeah, I know.
Yeah.
912
01:01:34,080 --> 01:01:35,840
You are the hottest ticket in town
913
01:01:35,880 --> 01:01:38,320
and you are the loveliest
person on the planet.
914
01:01:38,360 --> 01:01:39,960
They're jealous.
915
01:01:41,080 --> 01:01:42,680
Hmm? Come on.
916
01:01:43,360 --> 01:01:45,360
Relax. Come here.
917
01:01:46,240 --> 01:01:47,880
I'll deal with it.
918
01:01:47,920 --> 01:01:48,920
Alright?
919
01:01:49,920 --> 01:01:51,120
OK.
OK.
920
01:01:57,440 --> 01:02:00,240
(chatter, music playing)
921
01:02:17,560 --> 01:02:18,760
Olivia!
922
01:02:19,360 --> 01:02:22,560
Olivia, so great you could make it!
923
01:02:22,600 --> 01:02:23,880
Oh, hi, Marty.
924
01:02:25,240 --> 01:02:27,720
You know Lee. These are my friends.
925
01:02:27,760 --> 01:02:28,840
Olivia!
926
01:02:28,880 --> 01:02:30,040
Olivia.
927
01:02:30,600 --> 01:02:32,440
You've got to meet Jack Nicholson.
928
01:02:33,600 --> 01:02:36,120
Oh. We lost her.
929
01:02:36,160 --> 01:02:37,520
Get used to it.
930
01:02:40,240 --> 01:02:41,880
Oh, my god, it's Grace Jones.
931
01:02:41,920 --> 01:02:44,200
What the hell?
Why don't you take it anyway?
932
01:02:44,240 --> 01:02:47,040
That's very kind of you but
I already have a manager.
933
01:02:48,720 --> 01:02:51,040
I can see why you want
Lee in your bed,
934
01:02:51,080 --> 01:02:53,080
but do you really
want him in your business?
935
01:02:53,120 --> 01:02:58,080
I hear he calls Artie Mogull three
or four times a day for advice.
936
01:02:59,800 --> 01:03:01,520
I guess if you're a shoe salesman,
937
01:03:01,560 --> 01:03:03,320
that's what a shoe salesman does,
huh?
938
01:03:03,360 --> 01:03:06,120
Marv,
are you making mischief again?
939
01:03:06,160 --> 01:03:07,440
Artie.
940
01:03:08,440 --> 01:03:09,640
Hey.
941
01:03:15,120 --> 01:03:17,160
Yeah, well, you
took his bloody card!
942
01:03:17,200 --> 01:03:19,136
I wasn't going to tear it up in
front of his face.
943
01:03:19,160 --> 01:03:20,760
I was going to wait until now to do
it.
944
01:03:20,800 --> 01:03:22,560
He's an LA shark.
He's trying to shaft me.
945
01:03:22,600 --> 01:03:24,840
Of course he is! This is LA.
946
01:03:24,880 --> 01:03:26,720
Don't take it all so personally!
947
01:03:26,760 --> 01:03:28,760
For God's sake, just play the game.
948
01:03:28,800 --> 01:03:31,480
And, Lee, I want you to run
everything past me from now on.
949
01:03:32,280 --> 01:03:35,360
Are you still pissed about
this whole animal shelter thing?
950
01:03:35,400 --> 01:03:37,096
Are you not happy with
the deals that I'm cutting you?
951
01:03:37,120 --> 01:03:39,320
It doesn't get any better
than the Vegas deal.
952
01:03:39,360 --> 01:03:41,280
For anybody.
I know that. I'm grateful!
953
01:03:41,320 --> 01:03:43,056
I consult you on everything
that matters, but I can't have
954
01:03:43,080 --> 01:03:46,120
you second-guessing me. You need to
give me a mandate to negotiate with.
955
01:03:46,160 --> 01:03:47,320
You're not my boss.
956
01:03:47,360 --> 01:03:48,640
Actually, I am.
957
01:04:18,080 --> 01:04:19,280
You ready?
958
01:04:19,320 --> 01:04:20,480
Yeah.
959
01:04:26,640 --> 01:04:27,920
Wow.
960
01:04:29,520 --> 01:04:32,360
Do you think anybody else gets the
urge to paint a moustache on me?
961
01:04:34,520 --> 01:04:36,200
You deserve this.
962
01:04:36,240 --> 01:04:37,800
You worked your arse off.
963
01:04:41,240 --> 01:04:43,520
There's still that little
bit of me that's scared it
964
01:04:43,560 --> 01:04:44,840
could all end tomorrow.
965
01:04:45,520 --> 01:04:47,040
Hey, hey, hey.
966
01:04:48,720 --> 01:04:50,760
Not a chance.
967
01:04:57,440 --> 01:04:59,520
If you stacked up all those awards
of yours,
968
01:04:59,560 --> 01:05:01,480
they'd reach higher than
the Hollywood sign.
969
01:05:01,520 --> 01:05:03,160
Oh, no, not quite, Allan.
970
01:05:03,200 --> 01:05:05,640
Being modest again. Liv slayed
them at the Met last week.
971
01:05:05,680 --> 01:05:07,096
Well, according to the
'New York Times',
972
01:05:07,120 --> 01:05:09,120
I merely conveyed my niceness.
973
01:05:09,160 --> 01:05:11,320
That's how that twat headlined his
review,
974
01:05:11,360 --> 01:05:14,160
'Olivia Newton-John Conveys Her
Niceness'.
975
01:05:14,200 --> 01:05:18,040
Nobody reads 'The Times' anymore,
anyhow. And besides, what's wrong
976
01:05:18,080 --> 01:05:21,080
with conveying your niceness?
You're doing it now.
977
01:05:21,120 --> 01:05:22,600
Am I? I'm trying not to.
978
01:05:24,880 --> 01:05:26,520
That's the thing, you're adorable!
979
01:05:26,560 --> 01:05:29,120
What's next for you?
Have you thought of movies?
980
01:05:29,160 --> 01:05:30,520
What about marriage?
981
01:05:31,640 --> 01:05:33,760
Oh, no! No wedding bells. Hey,
982
01:05:33,800 --> 01:05:37,040
no intention of getting married.
Really?
983
01:05:40,400 --> 01:05:43,160
Lee, you don't Lee, you don't
even want to get married.
984
01:05:43,200 --> 01:05:44,360
I know I don't!
985
01:05:44,960 --> 01:05:48,440
But it would be nice to be asked
so that I can say that I don't.
986
01:05:48,920 --> 01:05:50,920
Jeez, Lee, does every conversation
987
01:05:50,960 --> 01:05:53,880
we have, have to be an argument?
It's exhausting.
988
01:05:54,520 --> 01:05:57,080
Listen, why don't we shut
the office next week and take off
989
01:05:57,120 --> 01:05:58,960
somewhere? Take the whole week off?
990
01:05:59,880 --> 01:06:01,920
We can reschedule the photo shoots.
991
01:06:01,960 --> 01:06:03,280
I can make some calls.
992
01:06:07,400 --> 01:06:09,640
Olivia. There you are.
993
01:06:09,680 --> 01:06:11,360
I thought you'd disappeared.
994
01:06:12,600 --> 01:06:15,520
Now, you know I'm producing
the movie adaptation of 'Grease'.
995
01:06:15,560 --> 01:06:17,840
I have had a lightbulb moment.
996
01:06:17,880 --> 01:06:21,160
You're the one that I want
to play Sandy Dumbrowski.
997
01:06:21,200 --> 01:06:23,400
I've already cast
John Travolta as Danny.
998
01:06:23,440 --> 01:06:26,880
He's just wrapped 'Saturday Night
Fever'. He is going to be huge.
999
01:06:28,480 --> 01:06:30,040
Thank you, Allan.
1000
01:06:30,080 --> 01:06:34,120
I'm very flattered. But I'd want to
do a screen test for you first.
1001
01:06:34,160 --> 01:06:35,720
God, I'm not asking you to test!
1002
01:06:35,760 --> 01:06:37,640
No, believe me, I
know my limitations.
1003
01:06:37,680 --> 01:06:40,360
I was in a terrible movie
that didn't last a week.
1004
01:06:40,400 --> 01:06:43,520
I'm quite capable of being lousy
if it's the wrong part for me.
1005
01:06:44,000 --> 01:06:46,440
Olivia knows best what's
going to work for her.
1006
01:06:47,840 --> 01:06:51,680
Well, OK. John's in town next week,
but he leaves Thursday.
1007
01:06:52,200 --> 01:06:53,640
Could you test with him Wednesday?
1008
01:06:55,080 --> 01:06:57,840
We can come to you,
keep it on the down-low.
1009
01:06:57,880 --> 01:07:00,560
We don't want to set
tongues wagging... yet!
1010
01:07:00,600 --> 01:07:04,280
Next week might be a little tight
but I'll check Liv's schedule
1011
01:07:04,320 --> 01:07:05,920
and I'll
call you in the morning.
1012
01:07:05,960 --> 01:07:07,760
It's OK, Allan. Wednesday's good.
1013
01:07:16,240 --> 01:07:20,720
Olivia Newton-John.
Hi.
1014
01:07:21,680 --> 01:07:23,680
Meet John Travolta.
1015
01:07:23,720 --> 01:07:26,280
Hi. Oop.
Sorry.
1016
01:07:27,440 --> 01:07:29,040
Thrilled to meet you. Big fan.
1017
01:07:29,080 --> 01:07:32,560
Stars of the all-time
mega movie hit, 'Grease'.
1018
01:07:32,600 --> 01:07:35,480
World, the legend begins!
1019
01:07:36,040 --> 01:07:37,960
Lee?
Oh, Lee had to shoot
1020
01:07:38,000 --> 01:07:39,920
over to London. Business.
1021
01:07:40,440 --> 01:07:42,960
And there's the crew.
Keep talking, you two.
1022
01:07:45,320 --> 01:07:47,880
Well, thanks for coming
over here to do the test.
1023
01:07:47,920 --> 01:07:49,880
Oh, I love the secret
squirrel stuff.
1024
01:07:49,920 --> 01:07:52,680
And Allan says it's my job
to convince you to play Sandy.
1025
01:07:53,200 --> 01:07:54,520
Good luck.
1026
01:07:55,120 --> 01:07:57,480
Wow! You have a pool.
1027
01:07:57,520 --> 01:08:00,440
Yeah.
Oh, this place is neat.
1028
01:08:02,920 --> 01:08:05,760
Will we read the pages?
Just talk for a bit.
1029
01:08:05,800 --> 01:08:08,520
Shoot the breeze. Communicate.
1030
01:08:12,720 --> 01:08:15,320
Oh, wow.
What 'wow' now?
1031
01:08:15,960 --> 01:08:18,160
The way you're sitting right
now with your arms folded.
1032
01:08:18,200 --> 01:08:21,040
One of your early albums, you had
your arms folded just like that.
1033
01:08:21,080 --> 01:08:23,240
And you were wearing a blue shirt.
1034
01:08:23,279 --> 01:08:25,359
I would be so mesmerised
by that album cover.
1035
01:08:25,880 --> 01:08:28,359
Mmm. That was
'If You Love Me, Let Me Know'.
1036
01:08:28,399 --> 01:08:30,040
Yeah, yeah, yeah. How's it go?
1037
01:08:30,600 --> 01:08:33,560
♪ If you... ♪
♪ ..love me, let me know ♪
1038
01:08:34,120 --> 01:08:37,439
♪ If you don't then let me go... ♪
1039
01:08:37,479 --> 01:08:40,920
♪ I can't take another minute... ♪
1040
01:08:42,000 --> 01:08:45,960
You and John are magic together.
Even before you pick up the script.
1041
01:08:46,520 --> 01:08:48,240
He made it easy for me.
1042
01:08:48,279 --> 01:08:50,200
It's a good
distraction for the kid.
1043
01:08:50,840 --> 01:08:52,960
His girlfriend died
three months ago.
1044
01:08:53,439 --> 01:08:54,760
I read about that.
1045
01:08:54,800 --> 01:08:56,120
It's so awful.
1046
01:08:59,359 --> 01:09:03,000
So, are you in?
I don't know if I can be the girl
1047
01:09:03,040 --> 01:09:06,240
next door forever. I'll be nudging
30 by the time it comes out.
1048
01:09:06,279 --> 01:09:08,520
Extreme 20s.
1049
01:09:09,399 --> 01:09:12,399
And, honey, I promise you,
you won't be the girl next
1050
01:09:12,439 --> 01:09:14,120
door by the end of this movie!
1051
01:09:14,160 --> 01:09:16,520
Not when Sandy
becomes a sex kitten.
1052
01:09:16,560 --> 01:09:18,200
Then there's the American accent.
1053
01:09:18,240 --> 01:09:19,640
She's Australian.
1054
01:09:21,040 --> 01:09:22,520
Sandy Olsson.
1055
01:09:22,560 --> 01:09:24,040
Her parents work in the States.
1056
01:09:24,920 --> 01:09:26,040
So, you'll do it?
1057
01:09:28,279 --> 01:09:31,520
I'd really love to, Allan, but
let me talk it through with Lee.
1058
01:09:32,880 --> 01:09:35,680
OK, I won't do 'Grease', then!
It's not about 'Grease'.
1059
01:09:35,720 --> 01:09:37,479
Of course you're doing 'Grease'.
1060
01:09:37,520 --> 01:09:40,240
I'm gonna cut a deal with Allan
Carr that'll make his eyes bleed.
1061
01:09:40,279 --> 01:09:42,120
That's not what this
is about! It's...
1062
01:09:46,560 --> 01:09:48,640
It's about us.
1063
01:09:50,240 --> 01:09:52,920
I don't know what I am anymore.
1064
01:09:53,479 --> 01:09:55,160
Am I your husband?
1065
01:09:55,200 --> 01:09:58,320
Am I your lover? Your manager?
Your hired-help? What am I?
1066
01:09:58,360 --> 01:09:59,960
I said it right from the start.
1067
01:10:00,000 --> 01:10:02,320
Having your lover manage
you, it doesn't work.
1068
01:10:02,880 --> 01:10:04,440
It's too close.
1069
01:10:05,840 --> 01:10:08,320
Maybe someone else can manage me.
Who?
1070
01:10:09,600 --> 01:10:11,120
Who would you trust? Hmm?
1071
01:10:18,040 --> 01:10:20,400
You're doing 'Grease', OK?
1072
01:10:22,440 --> 01:10:23,840
If you had to choose,
1073
01:10:25,440 --> 01:10:26,640
right now,
1074
01:10:27,200 --> 01:10:31,240
between saving us or being my
manager, which would you choose?
1075
01:10:31,280 --> 01:10:33,320
That question is bollocks.
No, come on.
1076
01:10:34,880 --> 01:10:36,520
If someone held a
gun to your head.
1077
01:11:18,360 --> 01:11:22,880
Day one! It's finally here!
And how excited are we?
1078
01:11:22,920 --> 01:11:24,440
So excited.
Olivia! What about these?
1079
01:11:24,480 --> 01:11:26,160
They're the genuine thing,
1080
01:11:26,200 --> 01:11:27,560
from the '50's.
1081
01:11:27,600 --> 01:11:28,800
I found them in a flea market.
1082
01:11:28,840 --> 01:11:31,480
I was thinking these with
maybe a boob-tube top.
1083
01:11:31,520 --> 01:11:33,200
We'll tease your hair into an up-do.
1084
01:11:33,920 --> 01:11:36,960
Oh, gosh. Can she transform
1085
01:11:37,000 --> 01:11:40,000
and still be more... like me?
Of course.
1086
01:11:41,280 --> 01:11:42,840
OK.
Thank you.
1087
01:11:46,000 --> 01:11:48,520
Did you see the looks those
people were giving me?
1088
01:11:48,560 --> 01:11:50,920
'Cause you're going to
be kissing John Travolta.
1089
01:11:50,960 --> 01:11:52,696
When they were shooting
'Saturday Night Fever' in
1090
01:11:52,720 --> 01:11:56,040
Brooklyn, so many girls turned up
that the streets got gridlocked.
1091
01:11:56,080 --> 01:11:57,720
If I wasn't nervous enough.
1092
01:11:58,640 --> 01:11:59,960
Hey, what's happening?
1093
01:12:00,440 --> 01:12:02,080
Gosh, nerves. Big-time.
1094
01:12:07,640 --> 01:12:10,480
John Travolta!
You really don't have to be nervous.
1095
01:12:11,000 --> 01:12:13,640
You're going to be great.
Trust me.
1096
01:12:15,040 --> 01:12:16,240
OK.
Come on.
1097
01:12:25,120 --> 01:12:28,360
Oh, hi.
Hi. Nancy Chuda,
1098
01:12:28,400 --> 01:12:30,520
meet John Travolta.
Hello.
1099
01:12:30,560 --> 01:12:31,720
Hey.
Hey.
1100
01:12:31,760 --> 01:12:33,536
Olivia's been telling
me all about you, Nancy.
1101
01:12:33,560 --> 01:12:35,880
Well, not half as much as
I've been hearing about you.
1102
01:12:35,920 --> 01:12:37,000
Come on. Let's sit down.
1103
01:12:38,680 --> 01:12:42,880
OK, now, you guys know I have
to do my job and I have to ask
1104
01:12:42,920 --> 01:12:44,240
you about the rumours.
1105
01:12:47,920 --> 01:12:50,680
Hi.
I have had my ear to the ground.
1106
01:12:51,600 --> 01:12:53,880
Everyone says you are
doing an amazing job.
1107
01:12:54,560 --> 01:12:56,920
If I'm doing any good,
it's because John Travolta
1108
01:12:56,960 --> 01:12:58,520
is making it easy for me.
1109
01:12:59,200 --> 01:13:00,600
He's so lovely.
1110
01:13:00,640 --> 01:13:04,040
Just taking the pressure off me.
So sweet.
1111
01:13:04,080 --> 01:13:05,960
Mm-hm. Really sweet.
1112
01:13:07,320 --> 01:13:10,240
Don't give me that look.
Oh, come on, you know
1113
01:13:10,280 --> 01:13:11,760
the gossip's already started.
1114
01:13:11,800 --> 01:13:14,240
I heard two girls at
the supermarket yesterday. "I bet
1115
01:13:14,280 --> 01:13:17,080
John and Olivia will fall in love."
Well, that's just cruel.
1116
01:13:17,120 --> 01:13:20,200
He's still grieving his girlfriend.
And besides, I'm
1117
01:13:20,240 --> 01:13:22,120
still going through...
Hi, Lee.
1118
01:13:22,600 --> 01:13:23,840
You're glowing!
1119
01:13:23,880 --> 01:13:25,600
Try telling my queasy tummy that.
1120
01:13:31,520 --> 01:13:33,560
Should I make myself scarce?
1121
01:13:33,600 --> 01:13:34,960
No. No, stay.
1122
01:13:38,000 --> 01:13:39,600
Good news.
1123
01:13:39,640 --> 01:13:42,960
I've finally negotiated a solo
number for you in the film.
1124
01:13:43,000 --> 01:13:44,760
A new song that's not
in the stage version.
1125
01:13:44,800 --> 01:13:46,240
John's writing it as we speak.
1126
01:13:46,280 --> 01:13:47,520
Ahh, that's my boy.
1127
01:13:48,520 --> 01:13:49,520
Thanks.
1128
01:13:51,560 --> 01:13:53,080
Took some doing.
1129
01:13:55,480 --> 01:13:56,840
Thank you.
1130
01:13:59,040 --> 01:14:00,360
OK.
1131
01:14:00,880 --> 01:14:03,200
I'll have the contract addendum
done for you to sign off.
1132
01:14:08,320 --> 01:14:09,600
Eugh.
1133
01:14:09,640 --> 01:14:11,080
Now I just feel sad.
1134
01:14:13,040 --> 01:14:14,440
We're a good team.
1135
01:14:15,520 --> 01:14:18,680
But he made his choice.
He's still in love with you.
1136
01:14:20,800 --> 01:14:23,440
Two ambitious people in a
relationship does not work.
1137
01:14:24,720 --> 01:14:26,960
Oh, hi.
Wanna hear Sandy's solo?
1138
01:14:27,000 --> 01:14:28,440
A little lurve song.
1139
01:14:28,480 --> 01:14:29,840
You finished it?
1140
01:14:31,080 --> 01:14:33,800
What's it called?
'Hopelessly Devoted to You'.
1141
01:14:36,240 --> 01:14:38,320
What? What's wrong with that?
1142
01:14:39,240 --> 01:14:40,280
Nothing.
1143
01:14:46,840 --> 01:14:54,280
♪ Guess mine is not the
first heart broken ♪
1144
01:14:54,960 --> 01:15:01,240
♪ My eyes are not the first
to cry ♪
1145
01:15:04,960 --> 01:15:09,160
♪ There's just no
getting over you... ♪
1146
01:15:14,360 --> 01:15:20,480
♪ I know I'm just a fool who's
willing ♪
1147
01:15:21,040 --> 01:15:26,880
♪ To sit around
and wait for you ♪
1148
01:15:27,440 --> 01:15:30,440
♪ But, baby, can't you see ♪
1149
01:15:31,000 --> 01:15:35,680
♪ There's nothing else
for me to do? ♪
1150
01:15:37,160 --> 01:15:43,480
♪ I'm hopelessly devoted to you ♪
1151
01:15:44,600 --> 01:15:46,480
♪ But now ♪
1152
01:15:46,520 --> 01:15:49,960
♪ There's no way to hide ♪
1153
01:15:50,000 --> 01:15:53,280
♪ Since you pushed my
love aside ♪
1154
01:15:53,320 --> 01:15:56,960
♪ I'm out of my head ♪
1155
01:15:57,000 --> 01:16:03,360
♪ Hopelessly devoted to you ♪
1156
01:16:03,400 --> 01:16:11,400
♪ Hopelessly devoted to you... ♪
1157
01:16:11,920 --> 01:16:13,360
I can't believe it's over.
1158
01:16:13,400 --> 01:16:15,160
♪ Hopelessly devoted to you... ♪
So soon.
1159
01:16:15,200 --> 01:16:16,680
I'm really going to miss you guys.
1160
01:16:16,720 --> 01:16:18,120
We'll miss you.
1161
01:16:18,160 --> 01:16:19,520
No, I'll miss you more.
1162
01:16:19,560 --> 01:16:21,120
It's been so fun.
1163
01:16:21,160 --> 01:16:22,880
Yeah.
Sorry.
1164
01:16:23,800 --> 01:16:25,480
Need Liv's signature.
1165
01:16:26,440 --> 01:16:27,920
Last one.
See you at the party, Liv.
1166
01:16:28,960 --> 01:16:32,080
Here?
Mm-hm. And there.
1167
01:16:35,640 --> 01:16:39,680
Oh, thank you. Thank you so much.
1168
01:16:39,720 --> 01:16:41,800
You were amazing. Bye.
1169
01:16:42,360 --> 01:16:43,840
Can we talk for a minute?
1170
01:16:45,360 --> 01:16:47,040
Of course.
Yeah. Come on.
1171
01:16:57,320 --> 01:16:59,160
How is this going to work, Lee?
1172
01:16:59,880 --> 01:17:03,080
Long-term.
We agreed I should keep managing
1173
01:17:03,120 --> 01:17:05,160
you and that's what I'm doing.
1174
01:17:06,720 --> 01:17:08,720
We both know we
should end it cleanly.
1175
01:17:09,680 --> 01:17:11,560
We just don't want to admit it.
1176
01:17:14,040 --> 01:17:15,240
You know,
1177
01:17:15,280 --> 01:17:17,920
I've worked my arse off to get
you the deal for this project.
1178
01:17:17,960 --> 01:17:20,200
Yeah, and you're amazing
at what you do.
1179
01:17:20,240 --> 01:17:22,160
But it's not that easy to keep
business
1180
01:17:22,200 --> 01:17:23,880
and personal feelings separate.
1181
01:17:24,360 --> 01:17:26,320
One day, we're going
to hate each other.
1182
01:17:30,560 --> 01:17:34,200
No, that's,
um... that's not possible.
1183
01:17:35,880 --> 01:17:37,640
You need to let
someone else manage me.
1184
01:17:47,480 --> 01:17:50,080
I'll have someone let you know
what MCA's lawyers come up with.
1185
01:18:16,000 --> 01:18:17,640
Ahh, just in time!
1186
01:18:17,680 --> 01:18:19,760
It's not a wrap party
until out stars arrive.
1187
01:18:19,800 --> 01:18:21,840
Every guy in America is going to be
1188
01:18:21,880 --> 01:18:24,360
having naughty dreams about Sandy
too.
1189
01:18:24,400 --> 01:18:27,120
Hell, I am already. And I'm gay.
1190
01:18:29,440 --> 01:18:31,600
Oh, I'm so glad you guys are here.
1191
01:18:31,640 --> 01:18:33,440
I couldn't have done it without
you.
1192
01:18:35,160 --> 01:18:36,400
Oh. Quick! Come.
1193
01:18:36,440 --> 01:18:37,800
Let's get you two some drinks.
1194
01:18:37,840 --> 01:18:39,160
Oh! Thanks.
1195
01:18:40,560 --> 01:18:42,040
What?
1196
01:18:42,080 --> 01:18:44,320
Want to, uh,
make it a night to remember?
1197
01:18:46,480 --> 01:18:48,120
What are you doing?
1198
01:18:48,160 --> 01:18:51,360
♪ I got chills,
they're multiplying ♪
1199
01:18:52,280 --> 01:18:56,160
♪ And I'm losing control ♪
1200
01:18:56,840 --> 01:19:00,360
♪ 'Cause the power
you're supplying ♪
1201
01:19:01,160 --> 01:19:02,520
♪ It's electrifying! ♪
1202
01:19:10,240 --> 01:19:11,440
♪ You better shape up ♪
1203
01:19:12,480 --> 01:19:14,400
♪ 'Cause I need a man ♪
1204
01:19:15,720 --> 01:19:18,360
♪ And my heart is set on you ♪
1205
01:19:19,040 --> 01:19:20,920
♪ You better shape up ♪
1206
01:19:21,480 --> 01:19:23,800
♪ You better understand ♪
1207
01:19:24,760 --> 01:19:27,200
♪ To my heart, I must be true. ♪
1208
01:19:27,240 --> 01:19:28,440
♪ Nothin' left ♪
1209
01:19:28,480 --> 01:19:30,680
♪ Nothin
left for me to do. ♪
1210
01:19:30,720 --> 01:19:32,240
♪ You're the one that I want ♪
1211
01:19:32,280 --> 01:19:33,720
♪ You are the one I want ♪
1212
01:19:33,760 --> 01:19:35,640
♪ Ooh, ooh, ooh, honey ♪
1213
01:19:35,680 --> 01:19:36,880
♪ You're the one that I want ♪
1214
01:19:36,920 --> 01:19:38,240
♪ You are the one I want ♪
1215
01:19:38,280 --> 01:19:40,080
♪ Ooh, ooh, ooh, honey ♪
1216
01:19:40,120 --> 01:19:41,360
♪ You're the one that I want ♪
1217
01:19:41,400 --> 01:19:42,680
♪ You are the one I want ♪
1218
01:19:42,720 --> 01:19:44,080
♪ Ooh, ooh, ooh ♪
1219
01:19:44,120 --> 01:19:45,920
♪ The one I need ♪
1220
01:19:45,960 --> 01:19:48,840
♪ Oh, yes, indeed ♪
1221
01:19:48,880 --> 01:19:50,280
♪ You're the one that I want ♪
1222
01:19:50,320 --> 01:19:51,680
♪ You are the one I want ♪
1223
01:19:51,720 --> 01:19:53,600
♪ Ooh, ooh, ooh, honey ♪
1224
01:19:53,640 --> 01:19:54,840
♪ You're the one that I want ♪
1225
01:19:54,880 --> 01:19:56,200
♪ You are the one I want ♪
1226
01:19:56,240 --> 01:19:58,080
♪ Ooh, ooh, ooh, honey ♪
1227
01:19:58,120 --> 01:19:59,320
♪ You're the one that I want ♪
1228
01:19:59,360 --> 01:20:00,720
♪ You are the one I want ♪
1229
01:20:00,760 --> 01:20:02,200
♪ Ooh, ooh, ooh ♪
1230
01:20:02,240 --> 01:20:04,000
♪ The one I need ♪
1231
01:20:04,040 --> 01:20:06,040
♪ Oh, yes, indeed ♪
1232
01:20:06,760 --> 01:20:08,200
♪ You're the one that I want. ♪
1233
01:20:11,280 --> 01:20:12,480
Come on.
1234
01:20:17,120 --> 01:20:20,960
Well, I'm here, live in LA, at
the world premiere of 'Grease'.
1235
01:20:23,320 --> 01:20:24,520
Olivia?
1236
01:20:33,880 --> 01:20:35,760
Olivia. Olivia.
Congratulations.
1237
01:20:35,800 --> 01:20:37,800
Thank you so much.
The movie hasn't even
1238
01:20:37,840 --> 01:20:40,000
opened and you already have
a huge hit on your hands.
1239
01:20:40,040 --> 01:20:42,720
I hope so. But, we have to go. Ooh!
1240
01:20:46,880 --> 01:20:48,360
Olivia? Can I get a picture?
1241
01:20:50,280 --> 01:20:52,680
One more. One more.
1242
01:20:53,920 --> 01:20:55,576
OK, thank you so much,
ladies and gentlemen.
1243
01:20:55,600 --> 01:20:57,480
There'll be more
opportunities later. Thank you.
1244
01:20:59,120 --> 01:21:01,880
Well, it's official.
'Grease' is a showbiz
1245
01:21:01,920 --> 01:21:07,080
phenomenon, taking $58 million at
the box office in its first month,
1246
01:21:07,120 --> 01:21:10,680
making it the highest-grossing
movie musical of all time.
1247
01:21:10,720 --> 01:21:15,360
Olivia Newton-John, the name on
everyone's lips... lips... lips...
93750
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