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What's up, guys?
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Next shot is the 360 wraparound.
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If you just watch the last shot,
it's very, very similar to the 180 some.
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Right? 360.
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Now, I'll make this shot a little bit
different.
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Is the service
doing a 180 around the object?
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We are going to go all the way around
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from start to finish.
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Now, this can be a very,
very difficult shot to do
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whenever you try and do it.
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This is what happens.
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You start going around
and then your circle gets bigger
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and then you come back and it gets closer
and then your camera operator
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or yourself is trying to track the object.
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And it's very, very hard
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if you're not in a perfect circle
to kind of keep it right there.
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So one tip
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that I've used before
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for these shots
is to try and get as close as you can.
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This is if you're doing it manually.
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So if you're trying to do this shot
manually, you want to try
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and get kind of as close as you can
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to the circle
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or just to the place
where you have perspective of,
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you know, around the object.
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Another thing that can help is if you look
at the screen of what you're shooting.
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So if you're watching your camera off
or operator screen
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or you're watching your own screen,
just watch it and kind of see
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how how it looks.
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So I shot a 360 wraparound shot in Iceland
and this is our starting
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framing right
here. So we have kind of this
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this thing right here.
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And then Devin Graham
is standing here with his thing
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and then the hill goes up here
and we've got a waterfall
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back here.
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Now, on the Shot,
I was actually standing to the far right,
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just out of frame right here
with my little controller, as you can see.
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And so I was able to keep us out of it.
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And I made sure one one trick is
I didn't want us to be in the shot.
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Our whole crew was standing here.
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So that would have kind of
ruined the shot.
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So what we did, as I told my camera
operator park a while back, I said, okay,
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so I'm going to set up the shot low
right here for for the beginning.
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And then as we went,
I climbed higher, very slowly went higher.
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And then did my wraparound
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and then came back to
right where we are at.
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And so as it went higher, that made it
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my camera operator Parker
so that he had to tilt down
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to keep Devin in the frame
and then ended up cropping us out.
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So that's one trick to not get yourself
in the shot on the 360 shots.
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But yeah, very tricky shot.
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It was the only time in Iceland
when it wasn't like snowing, raining
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and super windy that we couldn't fly
and the sun came out
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and it was like the first time
it happened on like the two week trip.
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So it was cool.
We had two takes out of it.
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We ended up nailing it.
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The second take and the first take
was really, really cool as well.
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But a really cool thing
that I just started doing recently
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is something called Puli,
which is point of interest,
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and it's something
that the DJI stuff can do with 3D.
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Our solo can do it, and a lot of the other
new drones can do it too.
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But I mess with it
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for the first time, and I have to say
I'm pretty darn impressed with it.
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It's very, very cool.
I have a tutorial on how to do it.
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I should go and check it out.
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But what it means is you basically
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take the drone
above the spot that you want to film.
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So let's say that we've got
we've got a person right here
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or a car.
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We'll turn that into a person in a car.
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We'll just keep it safe, shall we?
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And so what you do is you take the drone
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over the top of whatever you want to film.
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You set a button
and then you pull out and you hit go,
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and the drone will automatically start
moving without you even touching it.
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And it will just
you can change the speed of it.
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You can also purchase six forward
or backwards and it will actually
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moving closer, but keep a distance.
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I mean, it'll get too close
so you can kind of do this
80
00:04:01,208 --> 00:04:05,083
and then you can also pull
back on the sticks and it will pull out,
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make for some very, very cool shots.
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So if you haven't checked out
the PI feature, I highly recommend that.
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And this honestly makes the 360 wraparound
shot very, very doable,
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very, very easily.
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Only drawback is if there's trees
in the way or something like that.
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You know,
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the sound
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that some of the drones are coming out
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that have the technology
to avoid that stuff.
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But yeah, you want to make sure
it's kind of a clear area.
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00:04:28,166 --> 00:04:31,250
And then the Puli is very, very cool.
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You want to make sure that you keep it
slower paced because I notice the faster
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that you go, the gimbal has a hard time
kind of keeping up with it.
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00:04:39,750 --> 00:04:41,041
All right, guys,
I'm going to go out right now
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and teach you guys
how to do this in the film.
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All right.
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This is a three, six year wraparound.
This is the shot.
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That is a lot of drones
are making it easier to use now.
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But this was in New Zealand.
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I think the only time the sun came out,
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the wind stopped
and it wasn't snowing or rain.
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And so we grabbed the shot.
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We got it in two takes, but I was.
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Flying and.
105
00:05:02,541 --> 00:05:07,083
Then my buddy Parker was camera
operating for me on this for Fly the Red
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00:05:07,166 --> 00:05:10,625
and we do a nice slow 360.
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There's Mr.
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Devin Supertramp there on the edge
and he just chills there as we wrap around
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and it makes for a very, very cool shot.
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It was up, guys.
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Today I'm gonna teach you
how to do the 360 shot the very easy way
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using point of interest
with the DJ Phantom.
113
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It should also work with the Inspire.
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I just tried it out
honestly, like 10 minutes ago
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and I'm really impressed with it.
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I haven't checked out the footage yet,
but the usability and the ease of
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00:06:39,041 --> 00:06:40,791
shots you can get is just amazing.
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So there we go.
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Yeah.
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Hey, guys. There we go. We got our pilot
app right here.
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What we're going to do,
first thing is you need to go to your menu
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and then we're going to go to where
you need to change the settings.
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So here this is
what it's going to look like on yours.
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Look like this.
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You want to keep turn off beginner mode.
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We're going to go to advanced settings,
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we're going to turn on
multiple flight modes.
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00:07:11,250 --> 00:07:12,666
So we want to make sure that is turned on.
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That's going to allow us
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to do our point of interest,
move care and go out of there.
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And then now we're going
to take our switch on the back right here.
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We're going to turn it to the F as F,
turn to the F,
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and that's going to give us our point
of interest menu thing right here.
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So I'm going to click on that
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and then we can hit point of interest
and it says, Please take off.
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So you have to take off first.
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So here we go, taking off,
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take one.
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Okay, So I'm going to pop it up
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that like.
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So I think you have to get it
so high to be able to turn it on.
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So I'm going to turn on
the point of interest mode.
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It tells you
what your current altitude is.
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This is fly that aircraft to the above
the subject of interest
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and set the position
as a point of interest.
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Okay.
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So I'm going to wrap around
this smokestack right here.
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So what that means
is I'm going to put my camera
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straight down, so I'm going to put
it straight down right now.
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Yeah.
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So we're straight down.
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I'm going to fly up
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and over the top.
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Okay.
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So now I need to record on this thing on
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recording.
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Right? Okay.
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All right.
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So now I'm on top of it,
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looking straight down.
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We want to get totally centered with it,
and I'm going to record the poi boom.
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Okay, That is recorded now.
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Now it says the aircraft will circle.
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And I will circle the pie at a slow speed.
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You commonly just
the circling rate is altitude speed
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by moving the control sticks
and adjusting the sliders.
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Okay, so now what we're going to do
is you notice I'm going to pull away now.
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I'm going to use my use my controls for
pulling away and it's changing the radius.
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Now we're at 13 feet
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are going to go a little bit closer.
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We're at 41 feet away now
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and I'm going to readjust
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you now.
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Going to drop it down a little bit lower
because I want to
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get some of our gorgeous mountains
skyline here.
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So I'm dropping it down.
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I'm going to tilt up a little bit.
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There we go.
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Look at those mountains back there.
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Yeah.
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So I'm going to pull back
a little bit now.
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I'm just going to drop it down
a little bit more.
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Okay?
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Okay. So here we go.
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I'm going to look over here.
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I want to make sure
I'm not going to hit anything.
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Cam Well above everything,
so it looks like I'm good.
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00:09:50,375 --> 00:09:52,583
Okay, so we got that set right there.
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00:09:52,583 --> 00:09:56,666
Now I'm going to hit apply
and it should start our move.
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Now. You can also change the speed here.
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Anti-Clockwise or clockwise.
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If you move the side to the right
in the clockwise, as you can see,
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change it up to 15 miles an hour
if you want to.
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But it doesn't get very good for us.
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If you go over that fast,
I'm going to bring it down to like a 4.7
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and I'm going to hit apply
and it should go anti-clockwise.
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So here we go.
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00:10:17,375 --> 00:10:20,375
It says the aircraft will return to home
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at 30 meters up because our current
altitude is 20, 23 meters.
200
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So that sounds good to me.
201
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Yeah.
202
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So it should be moving now.
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There we go.
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So it just kind of does its thing.
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It's doing it all by itself right now.
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00:10:41,458 --> 00:10:45,416
And if you get in trouble,
you can totally take control and stop it.
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00:10:45,416 --> 00:10:49,208
You can hit the pause button if you want.
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So check that out.
209
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Just nice, smooth footage.
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We're going to speed up a little bit here.
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00:10:55,125 --> 00:10:58,416
I'm actually I'm going to stop it, so
I'll bring it down so it goes really slow.
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I'm going to go clockwise
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00:11:02,458 --> 00:11:08,333
and now I'm going to go the other way.
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00:11:08,416 --> 00:11:09,166
I think the faster
215
00:11:09,166 --> 00:11:13,041
you go, the jerk,
your kind of shots, you you get. So
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00:11:13,125 --> 00:11:15,583
this is the bit where you that
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very pupil settings.
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00:11:19,958 --> 00:11:20,833
Okay so we're going to do
219
00:11:20,833 --> 00:11:23,833
now is I'm going to pause it.
220
00:11:23,875 --> 00:11:26,875
Actually I'm not I'm going to go
I'm gonna switch it to the other mode
221
00:11:27,000 --> 00:11:31,875
and something I'm going to do
is I'm going to push forward.
222
00:11:31,958 --> 00:11:34,958
I want to push forward
as we come up to it.
223
00:11:35,125 --> 00:11:36,333
So it'll be, it'll circle it.
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But watch this.
225
00:11:37,041 --> 00:11:41,250
We're going to get nice and close
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turn not to hit it.
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Watch out for that.
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00:11:47,666 --> 00:11:49,041
So I'm going around it right now.
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And as you watch
as I get around the back side of it,
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we're going to be able to pull away
231
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and make for first super shot.
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So here we go.
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00:11:59,083 --> 00:12:02,458
I'm pulling away,
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00:12:02,541 --> 00:12:05,750
going away, pulling away.
235
00:12:05,833 --> 00:12:08,125
So the awesome thing about this
236
00:12:08,125 --> 00:12:12,416
is it just rotates for you and then
you can control forward and backwards.
237
00:12:12,500 --> 00:12:15,041
And this has been out for a while,
but I've never tried it until now
238
00:12:15,041 --> 00:12:17,125
and I'm really quite happy with this.
239
00:12:17,125 --> 00:12:19,250
So this is very, very cool.
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00:12:19,250 --> 00:12:20,750
So that's pretty much it, guys.
241
00:12:20,750 --> 00:12:22,916
But let me show you
something about landing.
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00:12:22,916 --> 00:12:26,458
So I'm going to pause this.
243
00:12:26,541 --> 00:12:27,416
Okay. So I paused.
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00:12:27,416 --> 00:12:28,916
It is okay.
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00:12:28,916 --> 00:12:32,208
So one thing, if you if you do stay
246
00:12:32,291 --> 00:12:36,458
in the rotation mode,
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00:12:36,500 --> 00:12:36,916
watch this.
248
00:12:36,916 --> 00:12:41,916
I'm going to bring it down.
249
00:12:42,000 --> 00:12:42,333
Let's say
250
00:12:42,333 --> 00:12:45,791
like I'm going to try and land it right.
251
00:12:45,875 --> 00:12:51,291
But it only goes so far
252
00:12:51,375 --> 00:12:53,958
and it won't allow you to land.
253
00:12:53,958 --> 00:12:57,333
So first of all, we're going
to film Creighton right now,
254
00:12:57,416 --> 00:12:59,458
watch him fall,
255
00:12:59,458 --> 00:13:03,875
run into Devin Graham's car.
256
00:13:03,958 --> 00:13:06,958
Right.
257
00:13:07,208 --> 00:13:07,583
Okay.
258
00:13:07,583 --> 00:13:13,166
So what you had to do to land it
then is yet if you have to hit exit
259
00:13:13,250 --> 00:13:16,250
so exit is that it's going to hover
260
00:13:16,250 --> 00:13:20,250
and then now we can we can land it
261
00:13:20,333 --> 00:13:21,875
the way would you want to land it.
262
00:13:21,875 --> 00:13:23,458
You've got this kind of thing.
263
00:13:23,458 --> 00:13:23,750
Yeah.
264
00:13:23,750 --> 00:13:32,083
So we're going to, we're going to see
how this plays out right here.
265
00:13:32,166 --> 00:13:38,666
I'm all right.
266
00:13:38,666 --> 00:13:42,125
Yeah.
267
00:13:42,208 --> 00:13:42,791
All right, guys.
268
00:13:42,791 --> 00:13:44,000
That's pretty much it.
269
00:13:44,000 --> 00:13:46,041
You can see through land
Super sweet feature.
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00:13:46,041 --> 00:13:48,416
So you want to make sure, of course,
you're not flying around.
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00:13:48,416 --> 00:13:50,750
People like large groups of people
272
00:13:50,750 --> 00:13:54,166
don't fly around things
you're not supposed to fly around.
273
00:13:54,250 --> 00:13:57,916
But it was super easy to make it happen.
274
00:13:58,000 --> 00:14:01,208
So guys play,
to be honest, is really quite amazing.
275
00:14:01,208 --> 00:14:04,750
That's my first time using it today
and I'm really kind of blown away
276
00:14:04,750 --> 00:14:08,000
about how easy it was to get a 360 shot
that worked
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00:14:08,000 --> 00:14:11,833
the same for a 180 shot as well. Um,
278
00:14:11,916 --> 00:14:16,083
but yeah, so definitely give it a shot
if you guys haven't tried it out yet.
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00:14:16,166 --> 00:14:18,000
Really good for real estate,
280
00:14:18,000 --> 00:14:21,708
you know, filming smokestacks
and kind of any anything you want, man.
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00:14:21,708 --> 00:14:23,500
It's just really, really cool.
282
00:14:23,500 --> 00:14:25,166
So I can't wait. To check out the footage.
283
00:14:25,166 --> 00:14:28,375
I hope this helps you guys out
and stay tuned for more videos.
22639
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