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Now that we have a better understanding
of the concept of noise, we'll be working
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with the sharpening settings
in the Detail Adjustment panel.
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Before we get started,
let's zoom in to this image
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using a magnification ratio of 4 to 1.
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Also, make sure that the ring occupies
the center of the preview area.
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You'll notice that in addition
to our image in the preview area here,
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we also have a smaller preview
in the Detail Adjustment panel
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and we can navigate around in here
as well.
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Now, to increase the sharpness
of this image,
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we need to increase the level of noise
in this image.
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That's exactly what the amount slider here
will do for us.
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If you slide the amount
slider to the right,
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you increase the noise level in this image
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and right away you can see
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that it becomes a lot sharper.
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Okay, so this is before and this is after.
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We can zoom back out
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to see the difference as well.
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So this is before just pay attention
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to the details in the ring
and this is after.
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So you can see that it did sharpen it up
quite a bit.
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Now, if we sharpen it too much, it
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creates
very defined white lines in the hand.
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And we do want to avoid that.
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And this is the reason it's important
to be careful on
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how much noise is applied,
especially with portraits.
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Noise can sometimes make skin pause
look a little bit too defined,
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and that's not a good thing.
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So for this reason, we'll bring the noise
back down just a little bit.
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Okay, that looks good.
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Now, the next slider we have
here is the radius.
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To better understand the role of
the radius setting, hold the option key.
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If you're on a mac or the alt key,
if you're on a Windows machine.
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So make sure you're holding the key down.
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Now, drag the radius slider to the right.
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This is a handy tool,
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and it allows us
to see the edges of our image.
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The edge is where any given
highlight meets a shadow.
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So intense lights and darks produce
much more pronounced edges.
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The sharpen setting actually sharpens
in the form of a gradient,
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extending outward
from the edges of our image.
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The radius defines
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how many pixels outside of the edge
the sharpening effect can travel.
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So for example, a radius of three
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will extend the sharpening effect.
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It extends three pixels
outside the edge of our image.
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So you can see the difference there.
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So a higher
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radius will definitely produce
a more dramatic effect for you.
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Now let go of the optional key and drag
the radius slider all the way to the left.
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You know, drag it all the way to the right
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so you can see the difference there.
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Definitely more noise when we drag
the radius all the way to the right.
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Now, the detail
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slider controls the amount of sharpening
on the details of the image.
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A smaller value will sharpen
only very large predominant edges,
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whereas a large value will apply The
sharpening effect to even smaller edges.
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And to test this,
you can move the slider from the left.
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And now drag it all the way to the right.
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You'll notice a much more dramatic effect
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when the slider is set to 100.
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Instead of a lower number.
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The masking slider
allows us to specify exactly
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which areas should be sharpened
or excluded.
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And before we take a look at this setting,
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go ahead and revert to the fit
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magnification.
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Now hold the option or alt
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key again
and drag the masking slider to the right.
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You'll notice that when we drag
the image slider to the left,
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the image becomes highlighted in white.
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The white areas indicate
where the sharpening effect
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will be applied, whereas the black areas
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indicate where the sharpening effect
will be excluded.
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So to make the sharpening effect
less dramatic, you pull the masking
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slider further to the right
and it would affect less areas.
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Since I
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only want the ring in champagne glass
to sparkle a bit
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or set the masking value to about 90.
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And there you can see the ring in
quite a bit of areas
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in the wine glass or sorry, the champagne
glass are also highlighted in white.
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Okay,
So I'm going to let go of the key now
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and to preview the final changes,
we can always toggle
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our preview button on and off.
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So hopefully you can see that
you'll definitely see a bigger change
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on your own screen
and depending on your screen resolution.
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I'll also zoom in a bit here
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and do that again.
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So this is before.
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This is after.
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Just look at the ring
in these parts over here
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and also look at the champagne glass
around the edges of the glass.
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Okay.
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So let's go back to the fit magnification
for the next lecture.
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We're going to be working
with noise reduction.
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So in this lecture, we added noise.
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Next, we'll work on removing noise.
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So just to prepare for the next lecture,
please go ahead and open this image here,
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which is portrait 002.
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jpg and we'll see you in the next lecture.
8503
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