All language subtitles for 5. Raven Claw Davinci Shortcuts part 3 Shortcuts Kolder Creativ

Which brings me to my next shortcut,
which is art.

If I have a clip selected
and I select are,

I'm able to change the clip speed in here
with all these different parameters.

So like I just said,
we can slow this down to 40% so I can

go into here into the speed percentage
here, changes to 40%.

Make sure that I have ripple
timeline selected.

I usually do this on this is like what
I was talking about before.

If we leave this off,
then when this clip expands

from slowing it down, it will overwrite
the clips that are next to it.

But if we have Ripple timeline selected,
it's going to push everything over

and it won't be able to overwrite
onto any other clips.

So let's click change over here
and we can see that we've slowed down

this clip.

We've also extended it
and it is now playing back at 40% speed.

I'm just going to mute the audio here
because it does not sound good.

I don't even know why.

And FP John would need to record audio,
but we've slowed the clip down to 40%.

And of course we have some other options
when we press our as well.

We can change what frame rate we want
to playback at the duration of the clip.

We can also reverse the speed.

We can also freeze at a certain frame.

We got lots of functionality in here.

Next up, we have command
R, which gives us our read time controls.

If I hit command R, we can see

we are presented
with this speed change bar up here.

All zoom in on this
and if I click and drag on the top

right of this bar over here, we can see
the percentage over here is changing.

So I've brought it back to 100% speed
just like that.

If I want to slow it down,
I can grab the top right of this

slow it down all the way to 20%
if I want to.

Obviously, it's
going to be choppy in this case because

we're working with 60 frames per second,
so we can't slow down past 40%.

But this is just a quick way
for me to be able to re time

a clip simply by clicking and dragging
just like this.

I can also do the same thing
on the left side over here as well.

And if at any point I want to reset the re
timing that I did on any clip,

I can hit command option R
And just like that, we're back at 100%.

We've reset the RE timing.

I can also press command R again to hide
those re time

controls up top
and the next shortcut is command shift.

R So if I hit command shift
R it's going to give me my re time curve.

Now down here I'm able to do things
like add speed points.

So over here, if I hit option,
I can add a point over here,

I can add another point over here.

And if I hit command R and I clip again,
I'm able to see those speed points

that I've added.

So now I can make changes over here,
so I can grab these speed points,

move them around
so I can bring this middle part to 40%.

So I'm going from 100 to 40% to 100

and I can make speed changes
just like that very easily in my timeline.

Using the re time curve
can be very helpful because it allows me

to very quickly add speed points to my
clip like this, whereas the alternative

would be to go down here and select
add speed point, which is not as fun.

It takes a little bit longer,

but this is a topic
that we're going to be diving

much deeper into
in the edit tab on this specific lesson.

So I'm not going to dive too deep,
but just know that command shift

R allows us to bring up this re time
curve over here.

This is something that we're going
to be using a lot of.

And just like I said before,

we can hit command option in R
to reset our re timing on our clip

just like that,
I've brought it back to 100%

and I've deleted all of those speed
points.

It's basically reset the re timing
and just like before I can hit command R

to hide the re time controls and command
shift R to hide the re time curve.

So next up we have shift Z.

This is one of my favorite shortcuts.

It's so good.

So you can see how zoomed in
I am here on my timeline.

If I press shift z, I'm able to zoom out
to the full extent of my timeline.

So this is the first clip of my timeline.

This is the last clip.

So it basically kind of scales
the timeline to the size of the display.

So basically,

like zooms out of my entire timeline
so I can see every single clip in it.

So if I was to extend this clip out here
and I hit Shift

Z, then it would now zoom
to fit everything here.

So I'm going to delete this clip.

And if we press the shift Z again,
it will basically take us

to our previous scale
that we were at in terms of Zoom.

So if I zoom in here on my

timeline here, shift w you to zoom in

and I hit shift Z Now we've scaled out,
but if I hit Shift Z again,

we jump back to that previous zoom range
that we were at.

So this is really great.
I use it all the time.

If I need to take a look
at my entire timeline, maybe jump

to a different, different part of it,
I can hit shift, zoom out

and then zoom in again. Just like that.

Really, really amazing shortcut.

Next up, we have command
E, This is a whole lesson in itself.

We're going to be diving deep into this
as well in the edit tab.

But here's a quick summary.

If I select a bunch of clips
here, let's say these three over here

and I basically want to turn
these three clips into one

clip, I can basically grouped them
by making a new compound clip.

So if I hit command
E, I'm presented with this new compound

clip window and I can give it a name.

Most of the time I don't name them,
I just click enter.

And just like that,

we can see those three clips
magically turned into one clip

and this compound clip
is basically like a package.

Those clips are still inside of it,

but we're not able to deal with
those clips individually here anymore.

We've kind of group them together

and we are now dealing
with all three of those clips as one clip.

So if I make a position

change to this compound clip over here,
let's open up the inspectors shift tab

and let's say I zoom in here
and maybe rotated a little bit.

This is applied to the entire nested clip,

not just to one of the individual clips,
but to everything that is inside of it.

So we're basically

treating this compound clip
as though it is just an individual clip.

Does it matter how many clips or effects
or whatever is inside of it?

We are treating this whole compound clip
as though it's just one clip.

I mean, to close the Inspector

shift tab now, let's say
we want to enter this compound clip

that we've just created.

Well, we can do command shift E

This is a variation of the original,
which is command.

E command E is to create the compound clip
command shift.

E allows us to enter
that selected compound clip

so we can see that
there's actually four clips within it.

My bad, I thought there was only three,
but now we've entered that compound clip.

We're inside of that timeline.

Now you might be asking,
how do we know that

we're inside of the compound
clip over here?

Well, if we look in the bottom left
corner over here,

we can see this is the compound clip
that was found within Timeline one.

And we can quickly jump back to Timeline
one by just double clicking on Timeline

one down there.
And now we're back to where we started.

And we can see that this is the compound
clip that we were just inside of.

And of course, the last shortcut for this
is to decompose the compound clip.

If I hit option shift e, we can see that
all of the clips that were originally

inside of that compound clip have now
been brought back into this timeline.

This is huge because what we had to do
previously in programs

like Premiere or whatever,
I'd have to go into the compound clips.

So command shift e enter it.

And what I would have to do is just copy

all of this stuff, go back
to the original here, go back to the start

of the compound clip and just paste
that stuff back in, which is extra work.

The ability for us

to decompose the compound clips
simply by pressing option shift E is huge.

It's basically like, let's not make this
a compound clip anymore, give me my clips

back and I can do all of that
just with one shortcut.

Really, really awesome.

Next up, we have the ability to find
a certain clip within our media pool.

So if I have a clip selected
and I hit option F,

our media pool is going to open up
and then that clip that I selected

in my timeline that I hit option F on
is going to be highlighted

here in my media pool.

In a lot of situations,
you're going to want to be able

to very quickly find certain clips
that are in your timeline,

in your media pool,
for example, in some situations

I'll have a clip and a lot of the time
I'll accidentally delete the audio for it

may be underneath or something and
I'll be like, Where can I find that audio?

It's now, it's no longer in my timeline.

Well, I can just select the clip option
F find the clip

over here, the original double,
click it, view it in my preview

over here, and I can select the in and out
points four and five.

Normally, if the clip has audio,
I can hover my mouse over top of here

and then I have the ability to either
just drag the video or the audio down

so I could just bring the audio
if I wanted to,

or I can just click and drag,
bring the whole clip down with the audio

so it can be very useful
to find your clips

that are in your timeline
within your media pool.

Very quickly with the shortcut option.

F And that brings me to my next shortcut,
which is Command Shift F,

which is show in Finder.

If I right click on this clip, we can see
we have the option to reveal in Finder,

but that takes a long time.

So what I do is just command shift F
and it will show me the finder folder

where that clip is

and I'll use this a bunch as well,
especially when I'm in a project

and maybe I find a clip
that I'm definitely not going to be using.

Or maybe it's really long
and it's taking up space on my hard drive.

I'll just select the clip.

Hey, command shift f reveal it in
my finder hit command delete to bring it

to the trash bin and then command shift
delete to empty the trash bin

and to just very quickly free up
storage on my drives or my computer.

Wherever that footage is.

It can also be very useful
to find the original media

in case you need to send maybe just one
individual clip to someone else.

Command shift F is going to be
your best friend in those situations,

so I'm going to close the media pool here
by pressing tab.

Now, this next shortcut is one
that I use all the time,

but only when I'm not at home.

Usually when I'm just using my laptop

and I don't have any external monitors
and that is control.

Tilde If I hit control Tilde,
I'm able to enter full screen mode.

Now. This is very useful
when I'm watching stuff just on my laptop,

you know, making selects in this and that
because I'm able to view my preview

full screen.

And this is a lot more enjoyable
than, you know,

watching this little square over here.

So Control
Tilde allows me to toggle full screen mode

and I can watch my stuff just like that.

Now, one thing that's kind of annoying
for me is that I'm not able to use the up

and down arrow keys
when I'm in the edit page right now.

I was oddly enough, able to jump back
one clip, but that's it now.

It's not letting me do anything.

A lot of the time.

What I like to do is just enable full
screen mode and jump between the clips.

So to do that,

I'll just move over to the color
tab over here, enable full screen again.

And then in the color
tab you're able to jump up and down

with the up and down arrow keys
just like this.

So a small workaround.

I'm sure DaVinci will give us an update,
but right now all you got to do

is just go to the color tab

so that you can jump between clips
like this in full frame mode.

So next up we have Al on our keyboard
and that is loop playback

and that is on the right side
of the keyboard.

It's a shortcut that I use less of.

It is a shortcut that I use a bunch of
when I am in the sound design process.

But let me show you what it does.

So if I hit Al, we can see that
this icon is enabled.

Over here,
it turns red and this is the loop button.

So when I press L, the loop on is enabled.

Now what does the loop button do?

Well, it allows us to loop in
in our points on our timeline.

So if I create an endpoint over here
for 9.5 out point,

let's say I want to just continuously
watch this clip over here.

Well, with loop playback selected,
we can press the spacebar

and now this isn't going to work.

The spacebar doesn't allow us
to continuously loop.

What we have to do is select shift
and the spacebar.

So shift in spacebar
allows us to play in two out point

when we press play
by using shift and spacebar, it's

basically telling the computer,
let's play the into the out point,

but we have loop playback selected.

So it's going to constantly loop
from the out point back to the endpoint.

And this can be very, very useful,
especially when you're doing sound design

because a lot of times you'll be using VST
or external plug ins on your audio

and you're going want to just loop
a certain part of your video

and then you can mess around with the VST,
with the frequencies,

with anything that you want, and keep
listening to that sound in real time

while the timeline is just looping
that in and out points.

So very, very useful.

It's something
I use all the time in sound design,

so I'm going to hit option
X to clear that in and out point.

And the next shortcut we have is shift C.

This is used to show and hide your curve.

Editor So shift C we can see
this is the curve editor down here.

And if I zoom in on it like this,
we can see we have this little arrow here.

And basically this is a space
that allows us to play with keyframes

and the animation between the keyframes.

So if I click this little dropdown
here, let's select position

and what I can do is hold option
on this line

that comes up over here, create two points
and I can push this one up.

And I basically animated this clip
so that the position value goes from

this point here to this value over here
at this point in time.

So we're slowly animating
between these two points just like that.

We've been able to very quickly do that
just by using the Curve Editor.

Now, I'm not going to dive
too deep into this.

This is another whole lesson in itself.

Just know Shift
C allows us to show and hide the curve.

Editor So I'm going to delete
this second point over here.

If I had shift see again,
we've now had the Curve editor.

Now if I hit command shift,
see we are able to show and hide

the Keyframe Editor.

This is different.

Basically, this allows us to

just see the key frames
for all of the properties up here.

So in the transform section
in our inspector.

So if I press this little arrow
over here in the Keyframe editor,

I'm able to access all of the transform

properties of the clip that have already
had keyframes made for those parameters.

So in this case,
the position has been changed.

So that's why it's showing a step.

But let's say I set the keyframe for Zoom.

We can see that
now we have this Zoom area here

and I can start to play
with the keyframes for the zoom.

So if I increase the zoom over here
while I have keyframes enabled,

we can see that I've created
another keyframe here and I'm able

to play with where those keyframes
sit in time.

Now, the keyframes that we see over here
can also be seen in the Curve

editor as well.

If I hit shift, see, we can see that
we now have that same zoom keyframes

over here again, Don't worry,
if you do not understand what this is,

this is really just to understand
the shortcuts to enable these features.

The Curve editor and the Keyframe editor.

We're going to be diving deep, deep
into all of these.

Within the edit tab.

You're going to be an expert
at all of these functions later on.

Right now
we're just focusing on the shortcuts.

So again, shift C to Close the curve
Editor command, shift

C to close the Keyframe Editor.

And just like that,
we're back to where we started.

We can also hit Command Shift X to just
remove all of the attributes over here.

So I'm going to remove everything

and our clip is back to normal
and we're almost done here.

We only have a few more shortcuts left.

The next one is h

h basically allows me to show
the selected timeline in my media pool.

So when I press h, we can see over here
we have something selected.

I mean, hold shift and just scroll
so I can move over in this area

and we can see that the timeline

that we are currently working in
is selected within our media pool.

So this is just a great way
to very quickly

go to whatever timeline
you're working on in your timeline here.

Find it in the media pool.

It's great. It's honestly,
save me a lot of time.

I really like the shortcut.

An extra cut is y.

So if I'm in my timeline here
and I select Y first,

I'm going to zoom out, shift
Z to see everything.

Now, when I press y, we can see that
all the clips to the right of my head

have now been selected.

All of the clips in track one
that is, we can see these two clips

over here in track two,
they haven't been selected.

Well,
the reason they haven't been selected

is because only track one is selected
over here.

The way that we know
that track one is selected

is because V one over here
has this red border around it.

So if I press v two over here
and I press y again, we can see that now

we've selected everything in track two,
so Y will allow us to select

everything in track two.

Now, the reason

this last clip over here was selected
is because the audio is being selected.

We can see that there's only one
audio track and because one is selected,

we are also selecting this clip over here
because these clips are linked over here.

And next up, we have command y, which does
the opposite of what we just did.

So if I press command Y, it'll select
everything to the left of the play head.

Now because we have track to select it
over here it's selecting

nothing because there is nothing in track
two over here previous to the play head.

So if we have track one selected command

y, it'll select everything
previous of the play head.

Now I use command y a lot less when I use
more of the time is just y select

everything to the right of the play head
so I can just create an opening somewhere,

maybe out of sequence here at a bunch of
clips this, that, whatever it may be.

Y is great for selecting everything
after the play head.

And next

we have Shift D, which allows us to bypass
color grades and fusion effects.

So watch
what happens to this icon over here.

When I press shift,

we can see that we disable it and then by
pressing it again, we are enabling it.

So nothing's happening to our image
because there are no effects

or color grades applied to him.

But let's say we did some kind of effect
here.

Let's give it an S-curve.

Why not change the temperature as well?

Now, if

I'm in any page of DaVinci over here
and I select Shift

D, it'll basically bypass the color grades
and fusion effects just like that.

So if at any point I want to see
my raw image, I can just hit shift.

D I can also
just click this button over here.

But shift is the faster way to do it.

I'm able to very quickly see my raw image.

This is very useful in times
where you want to see

how far you've taken a clip.

Maybe you've added lots of effects to it.

Maybe you did some object
removal, this or that, whatever it may be.

You can hit shift DX to bypass
those grades or to turn them back on.

So that's it for this video.

This is essentially part one of the
Ravenclaw keyboard Shortcut layout.

This layout
is definitely pretty extensive.

There's a lot to memorize and that's
the thing you don't have to memorize.

Everything is really what you need to do
is just start editing and understand

what tasks
you're performing the most often

and just make sure that you are aware
of the shortcuts for those tasks.

And also feel free to create custom
shortcuts too.

That's something I do all the time.

Depending on the project.

Maybe there's gonna be a situation
in the future

where I'm going to be doing a lot of
something that I used to never do before,

and I'm going to want to create a shortcut
for it, maybe

long term or maybe just for that project,
whatever it may be,

It's important for me to know
how to customize my keyboard shortcuts.

And we learned that in the previous
lesson.

Command Shift K is a shortcut
to bring up our keyboard customization

window In here.
We can make any changes that we want.

Make sure to download the cheat
sheet as well.

Keep that handy
so you can always access it

and see all of these shortcuts at a glance
so that you know

it's going to be easier for you
when you're starting off.

You don't have everything memorized.

You can just quickly access
that cheat sheet

and find the exact shortcut
that you're looking for.

That's it for this video.
I hope you guys enjoyed.

I hope you learn something new
and I'll catch you in the next one.