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These are the user uploaded subtitles that are being translated: 1 00:00:01,000 --> 00:00:04,074 Subtitles downloaded from www.OpenSubtitles.org 2 00:00:14,334 --> 00:00:19,017 * SOME WALK BY NIGHT * 3 00:00:19,052 --> 00:00:23,666 * SOME FLY BY DAY * 4 00:00:23,701 --> 00:00:27,699 * SOMETHING IS SWEETER * 5 00:00:27,734 --> 00:00:31,933 * 'CAUSE WE MET ON THE WAY * 6 00:00:31,968 --> 00:00:36,133 * 'CAUSE WE MET ON THE WAY ** 7 00:00:44,534 --> 00:00:47,467 CAPTIONING MADE POSSIBLE BY LIONS GATE HOME ENTERTAINMENT 8 00:01:10,167 --> 00:01:11,434 YOU MIGHT AS WELL TAKE YOUR MONEY AND BURN IT 9 00:01:11,469 --> 00:01:12,618 BECAUSE I'M TELLING YOU, 10 00:01:12,653 --> 00:01:13,732 HE'S NOT A DISTANCE HORSE. 11 00:01:13,767 --> 00:01:16,334 SIX FURLONGS, HE'S GONNA GET BLOWN OFF THE MAP. 12 00:01:16,369 --> 00:01:17,365 WHY DO YOU SAY THAT? 13 00:01:17,400 --> 00:01:19,033 HEY, WHAT AM I, TALKING TO MYSELF? 14 00:01:19,068 --> 00:01:20,032 GO AHEAD. 15 00:01:20,067 --> 00:01:21,501 YOU GOT MONEY TO THROW IN THE STREETS, 16 00:01:21,536 --> 00:01:23,435 GO RIGHT AHEAD, PAL. 17 00:01:23,470 --> 00:01:25,299 I CAN MAKE THAT CALL, 18 00:01:25,334 --> 00:01:27,167 BUT I DON'T THINK IT'S A GOOD IDEA. I'LL TELL YOU WHY. 19 00:01:27,202 --> 00:01:28,132 WHY, BECAUSE IT WOULD COME 20 00:01:28,167 --> 00:01:29,899 DANGEROUSLY CLOSE TO EARNING YOUR 10%? 21 00:01:29,934 --> 00:01:31,534 COME ON, COME ON. DON'T GET DEFENSIVE ON ME. 22 00:01:31,569 --> 00:01:32,666 I'M BEING DEFENSIVE? 23 00:01:32,701 --> 00:01:34,100 YEAH, YOU'RE GETTING THAT TONE IN YOUR VOICE. 24 00:01:34,135 --> 00:01:35,801 UGH. YOU GOT AN ATTITUDE PROBLEM. 25 00:01:35,836 --> 00:01:36,868 IT'S ALL OVER TOWN. 26 00:01:36,903 --> 00:01:38,133 UGH. 27 00:01:39,434 --> 00:01:40,632 YOU'RE NOT HEARING ME. 28 00:01:40,667 --> 00:01:42,684 I'M LEAVING IN EXACTLY FIVE MINUTES. 29 00:01:42,719 --> 00:01:44,666 I HAVE TO MEET MY ATTORNEY ACROSS TOWN, 30 00:01:44,701 --> 00:01:47,400 AND I MAKE A POINT OF BEING ON TIME FOR MY APPOINTMENTS. 31 00:01:47,435 --> 00:01:49,868 NO, THANKS. SIX IS MY LIMIT. 32 00:01:51,701 --> 00:01:54,100 MRS. KENDRICK, I'M SURE DAVID WILL BE HERE ANY MINUTE. 33 00:01:54,135 --> 00:01:56,065 YOU DO UNDERSTAND. 34 00:01:56,100 --> 00:01:58,200 I REALLY NEED THOSE PICTURES TODAY. 35 00:01:58,235 --> 00:02:00,300 THE HEARING IS THE DAY AFTER TOMORROW. 36 00:02:00,335 --> 00:02:01,601 I DO UNDERSTAND. 37 00:02:01,636 --> 00:02:02,799 DO YOU? 38 00:02:02,834 --> 00:02:05,367 DO YOU REALIZE HOW MUCH THIS MEANS TO ME? 39 00:02:05,402 --> 00:02:07,901 I KNOW THERE'S A LOT OF MONEY INVOLVED. 40 00:02:07,936 --> 00:02:09,032 MISS HAYES, 41 00:02:09,067 --> 00:02:12,200 IF I CAN'T CONVINCE THE LAWYER BY FRIDAY, 42 00:02:12,235 --> 00:02:14,167 IF I CAN'T PRODUCE SOLID EVIDENCE 43 00:02:14,202 --> 00:02:16,065 THAT MY HUSBAND'S PLEAS OF POVERTY 44 00:02:16,100 --> 00:02:18,534 ARE A CROCK OF WHAT THIS COFFEE TASTES LIKE, 45 00:02:18,569 --> 00:02:20,866 I'M GONNA BE FORCED TO TAKE HIS OFFER. 46 00:02:20,901 --> 00:02:24,968 AND THAT'S ISN'T EVEN ENOUGH MONEY TO PAY THE GARDENER. 47 00:02:25,003 --> 00:02:26,518 YOU HAVE A VERY STRONG CASE. 48 00:02:26,553 --> 00:02:28,127 WE HAVE PHOTOS OF YOUR HUSBAND 49 00:02:28,162 --> 00:02:29,666 AND THE YACHT HE CLAIMS HE SOLD, 50 00:02:29,701 --> 00:02:31,467 PHOTOS OF THE FERRARI HE BOUGHT HIS GIRLFRIEND, 51 00:02:31,502 --> 00:02:33,167 THE BILL OF SALE WITH HIS SIGNATURE ON IT. 52 00:02:33,202 --> 00:02:34,434 NONE OF WHICH DOES ME A BIT OF GOOD 53 00:02:34,469 --> 00:02:36,401 UNTIL I HOLD IT IN MY HAND. 54 00:02:36,436 --> 00:02:38,334 I'M SURE DAVID WILL BE HERE. 55 00:02:38,369 --> 00:02:40,201 YES. I KNOW. 56 00:02:40,236 --> 00:02:42,033 ANY MINUTE. 57 00:02:43,834 --> 00:02:44,799 EXCUSE ME, SIR. 58 00:02:44,834 --> 00:02:46,000 I'M WITH MR. SPRINGSTEEN'S PARTY. 59 00:02:46,035 --> 00:02:47,167 DON'T BOTHER, I'LL FIND THEM. 60 00:02:47,202 --> 00:02:48,132 DAVID! 61 00:02:48,167 --> 00:02:49,499 MADDIE, MRS. KENDRICK, 62 00:02:49,534 --> 00:02:51,417 GOOD MORNING, SORRY I'M A LITTLE LATE. 63 00:02:51,452 --> 00:02:53,226 NO, MR. ADDISON, YOU'RE A LOT LATE. 64 00:02:53,261 --> 00:02:55,000 THE IMPORTANT THING IS YOU MADE IT. 65 00:02:55,035 --> 00:02:56,199 STAY DOWNWIND. 66 00:02:56,234 --> 00:02:57,934 I DON'T HAVE TIME FOR SMALL TALK. 67 00:02:57,969 --> 00:02:59,701 I'D JUST LIKE THE PHOTOS. 68 00:02:59,736 --> 00:03:01,434 PHOTOS? THE PICTURES. 69 00:03:01,469 --> 00:03:02,799 THE PICTURES? 70 00:03:02,834 --> 00:03:04,566 THE PICTURES I HIRED YOU TO TAKE. 71 00:03:04,601 --> 00:03:07,167 THE PICTURES WE'VE BEEN WAITING FOR YOU TO BRING. 72 00:03:07,202 --> 00:03:08,799 THE PICTURES WITHOUT WHICH 73 00:03:08,834 --> 00:03:11,334 YOU CAN KISS YOUR RETAINER GOOD-BYE. 74 00:03:11,369 --> 00:03:13,098 OH, YEAH. 75 00:03:13,133 --> 00:03:15,167 AH, THOSE PICTURES. 76 00:03:17,300 --> 00:03:19,700 WOULD YOU SETTLE FOR 1,000 WORDS? 77 00:03:19,735 --> 00:03:21,551 MISS HAYES, I THINK YOU'LL AGREE 78 00:03:21,586 --> 00:03:23,210 I'VE BEEN MORE THAN PATIENT. 79 00:03:23,245 --> 00:03:24,834 MRS. KENDRICK, DON'T YOU THINK- 80 00:03:24,869 --> 00:03:26,165 GOOD DAY. 81 00:03:26,200 --> 00:03:27,834 NO, SHE DOESN'T. 82 00:03:33,133 --> 00:03:35,000 NOW, LOOK, BEFORE YOU GET MAD- 83 00:03:35,035 --> 00:03:36,984 TOO LATE! 84 00:03:37,019 --> 00:03:38,934 TOUGH TABLE. 85 00:03:41,200 --> 00:03:42,834 MADDIE- LEAVE ME ALONE. I HATE YOU! 86 00:03:42,869 --> 00:03:44,234 I TOLD YOU, IT WASN'T MY FAULT. 87 00:03:44,269 --> 00:03:45,301 THE FREEWAY WAS JAMMED! 88 00:03:45,336 --> 00:03:46,568 THERE WAS A BIG ACCIDENT. 89 00:03:46,603 --> 00:03:47,801 WHAT, A GIN TRUCK OVERTURNED? 90 00:03:49,067 --> 00:03:50,434 GOOD MORNING, MISS HAYES. 91 00:03:50,469 --> 00:03:51,399 GRRR! 92 00:03:51,434 --> 00:03:52,500 YES, MISS HAYES. 93 00:03:52,535 --> 00:03:53,532 SO, THAT'S IT? 94 00:03:53,567 --> 00:03:54,901 JUST GONNA GO HIDE IN YOUR OFFICE 95 00:03:54,936 --> 00:03:56,235 AND BE MAD AT ME? 96 00:03:56,270 --> 00:03:57,534 I'M NOT MAD AT YOU! 97 00:03:57,569 --> 00:03:58,601 I HATE YOU! 98 00:03:58,636 --> 00:03:59,599 I DESPISE YOU. 99 00:03:59,634 --> 00:04:02,334 I LOATHE THE GROUND UNDER WHICH YOU BURROW! 100 00:04:09,801 --> 00:04:11,667 MAYBE IT WAS THE WIND? 101 00:04:11,702 --> 00:04:13,534 ARE YOU IN TROUBLE? 102 00:04:13,569 --> 00:04:15,499 TROUBLE, ME? 103 00:04:15,534 --> 00:04:16,667 TROUBLE'S MY MIDDLE NAME. 104 00:04:16,702 --> 00:04:17,732 I LAUGH AT TROUBLE. 105 00:04:17,767 --> 00:04:19,617 I TICKLE TROUBLE UNDER THE CHIN. 106 00:04:19,652 --> 00:04:21,459 MISS HAYES SEEMED A LITTLE UPSET. 107 00:04:21,494 --> 00:04:23,267 MISS HAYES IS ALWAYS A LITTLE UPSET. 108 00:04:23,302 --> 00:04:24,851 SHE'LL GET OVER IT. YOU'LL SEE. 109 00:04:24,886 --> 00:04:26,400 SHE'LL COME CRAWLING OUTOF THERE 110 00:04:26,435 --> 00:04:27,400 BEFORE YOU CAN SAY- 111 00:04:27,435 --> 00:04:29,434 GET IN HERE! 112 00:04:30,701 --> 00:04:32,200 SHE'S NUTS ABOUT ME. 113 00:04:37,300 --> 00:04:38,466 I WANT TO KNOW WHY YOU WERE LATE, 114 00:04:38,501 --> 00:04:39,965 I WANT TO KNOW WHY YOU FORGOT THE PHOTOGRAPHS, 115 00:04:40,000 --> 00:04:42,534 AND I WANT TO KNOW WHY YOU SMELL LIKE YOU SLEPT IN A CESSPOOL. 116 00:04:42,569 --> 00:04:44,068 MADDIE, WHAT WAS I SUPPOSED TO DO, 117 00:04:44,103 --> 00:04:45,532 LEAVE THE GUY TRAPPED IN A BURNING CAR 118 00:04:45,567 --> 00:04:47,501 BECAUSE I DIDN'T WANT TO SINGE MY CUFFLINKS? 119 00:04:47,536 --> 00:04:49,935 DAVID, THAT IS A STUPID LIE. 120 00:04:49,970 --> 00:04:52,299 THAT IS NOT A STUPID LIE. 121 00:04:52,334 --> 00:04:55,599 MY "DOG ATE MY TERM PAPER" IS A STUPID LIE. 122 00:04:55,634 --> 00:04:58,167 "OF COURSE, WE CAN STILL BE FRIENDS" IS A STUPID LIE. 123 00:04:58,202 --> 00:05:00,701 I HAPPEN TO THINK YOU CAN BUY "WRECK ON A FREEWAY" 124 00:05:00,736 --> 00:05:01,834 AND STILL HOLD YOUR HEAD UP. 125 00:05:03,267 --> 00:05:04,232 NO SALE, HUH? 126 00:05:04,267 --> 00:05:05,265 NOT AT HALF THE PRICE. 127 00:05:05,300 --> 00:05:06,634 ALL RIGHT, LOOK. FOR THE SAKE OF ARGUMENT, 128 00:05:06,669 --> 00:05:08,085 LET'S JUST SAY IT WAS MY FAULT. 129 00:05:08,120 --> 00:05:09,466 HAS IT EVER OCCURRED TO YOU 130 00:05:09,501 --> 00:05:11,117 THAT MAYBE I AM A NORMAL HUMAN BEING- 131 00:05:11,152 --> 00:05:12,476 THAT'S CERTAINLY NEVER OCCURRED TO ME. 132 00:05:12,511 --> 00:05:13,766 CAPABLE OF MAKING AN HONEST MISTAKE? 133 00:05:13,801 --> 00:05:15,734 HONEST MISTAKE? YES, HONEST MISTAKE, MADDIE. 134 00:05:15,769 --> 00:05:17,601 HAVEN'T YOU EVER HEARD OF HUMAN ERROR? 135 00:05:17,636 --> 00:05:19,451 YES, BUT HOW WOULD THAT APPLY TO YOU? 136 00:05:19,486 --> 00:05:21,267 I'M TALKING ABOUT THE EVERYDAY MISHAPS, 137 00:05:21,302 --> 00:05:22,732 LIKE FORGETTING TO SET THE ALARM- 138 00:05:22,767 --> 00:05:24,467 I'M NOT LISTENING! LOSING DIRECTIONS... 139 00:05:24,502 --> 00:05:25,651 YOU'RE WASTING YOUR BREATH! 140 00:05:25,686 --> 00:05:26,743 WAKING UP ON THE FLOOR OF A BAR 141 00:05:26,778 --> 00:05:28,422 WITH A COP TAKING YOUR PULSE. 142 00:05:28,457 --> 00:05:30,032 I KNEW IT! LITTLE FREE ADVICE, 143 00:05:30,067 --> 00:05:32,267 NEVER ORDER A DRINK CALLED A VICIOUS VIRGIN. 144 00:05:32,302 --> 00:05:34,467 AT LEAST, DON'T ORDER FIVE OF THEM IN A ROW. 145 00:05:34,502 --> 00:05:35,732 YOU KNOW OUR FINANCIAL SITUATION, 146 00:05:35,767 --> 00:05:38,217 YOU THE KIND OF MONEY THE KENDRICK CASE COULD BRING IN, 147 00:05:38,252 --> 00:05:40,667 AND YET YOU WALK IN HERE LOOKING LIKE THE WRATH OF GOD 148 00:05:40,702 --> 00:05:42,067 AND SMELLING LIKE A WINE CELLAR. 149 00:05:42,102 --> 00:05:43,098 MORE LIKE A WINE BUYER 150 00:05:43,133 --> 00:05:44,432 IF YOU WANT TO GET TECHNICAL ABOUT IT. 151 00:05:44,467 --> 00:05:46,167 AND ARE YOU EMBARRASSED? ARE YOU GUILT-RIDDEN? 152 00:05:46,202 --> 00:05:48,065 NO! IT DOESN'T EVEN FAZE YOU! 153 00:05:48,100 --> 00:05:50,000 NONSENSE. I'M AS FAZED AS THE NEXT GUY. 154 00:05:50,035 --> 00:05:51,467 SEE WHAT I MEAN? LOOK, MADDIE, 155 00:05:51,502 --> 00:05:52,833 WHAT IS THE BIG DEAL? 156 00:05:52,868 --> 00:05:55,432 ONE NIGHT IN 2 YEARS, I DRINK TOO MUCH, 157 00:05:55,467 --> 00:05:57,899 SLEEP TOO LITTLE, AND DON'T SHOWER. I OVERSLEPT. 158 00:05:57,934 --> 00:06:00,267 IF YOU CARED, YOU WOULDN'T BE DOING THE STAND-UP ROUTINE. 159 00:06:00,302 --> 00:06:01,666 YOU'D BE APOLOGIZING, 160 00:06:01,701 --> 00:06:03,065 YOU'D BE TRYING TO MAKE AMENDS. 161 00:06:03,100 --> 00:06:05,767 MAKE AMENDS? I'VE NEVER EVEN SEEN AN AMEND. 162 00:06:07,601 --> 00:06:08,965 OUT! OUT? 163 00:06:09,000 --> 00:06:11,267 OUT OF MY OFFICE, OUT OF MY SIGHT, OUT OF MY ZIP CODE! 164 00:06:11,302 --> 00:06:13,799 GO SOMEWHERE. NEED I BE MORE SPECIFIC? 165 00:06:13,834 --> 00:06:15,965 LET'S TAKE A MOMENT HERE FOR A PERSPECTIVE CHECK. 166 00:06:16,000 --> 00:06:18,667 I DO NOT THINK THAT THIS IS THE END OF LIFE AS WE KNOW IT. 167 00:06:18,702 --> 00:06:20,200 I DON'T THINK THE HEADLINE TOMORROW'S GOING TO READ, 168 00:06:20,235 --> 00:06:21,734 "ADDISON BLOWS CASE. WORLD SELF-DESTRUCTS." 169 00:06:21,769 --> 00:06:23,399 IT'S NOT THE CASE, DAVID, IT'S YOU. 170 00:06:23,434 --> 00:06:26,300 I'M SICK OF YOU. I'M SICK OF NOT BEING ABLE TO DEPEND ON YOU. 171 00:06:26,335 --> 00:06:28,584 YOU CAN DEPEND ON ME... 172 00:06:28,619 --> 00:06:30,834 A GREAT DEAL OF THE TIME. 173 00:06:30,869 --> 00:06:32,499 WHY DO I BOTHER? 174 00:06:32,534 --> 00:06:34,532 WHY DO I PUT MYSELF THROUGH THIS? 175 00:06:34,567 --> 00:06:36,567 WHY DON'T I JUST GIVE UP AND ACCEPT THE FACT 176 00:06:36,602 --> 00:06:37,532 THAT YOU ARE INCAPABLE 177 00:06:37,567 --> 00:06:39,200 OF ACTING LIKE A RESPONSIBLE ADULT? 178 00:06:39,235 --> 00:06:40,717 WRONG. WRONG? 179 00:06:40,752 --> 00:06:42,165 WRONG. INCORRECT. 180 00:06:42,200 --> 00:06:44,133 YOU LOSE ALL YOUR ACCUMULATED POINTS 181 00:06:44,168 --> 00:06:45,632 AND THE BROYHILL DINETTE SET. 182 00:06:45,667 --> 00:06:48,067 ARE YOU TELLING ME THAT YOU ARE A DEPENDABLE PERSON? 183 00:06:48,102 --> 00:06:51,701 NO, I'M TELLING YOU THAT I AM NOT INCAPABLE 184 00:06:51,736 --> 00:06:52,901 OF BEING A DEPENDABLE PERSON. 185 00:06:52,936 --> 00:06:54,499 PLEASE. IT'S THE TRUTH. 186 00:06:54,534 --> 00:06:56,901 I COULD BE THE PICTURE OF DEPENDABILITY IF I WANTED. 187 00:06:56,936 --> 00:06:58,834 SO, WHAT YOU'RE SAYING IS THAT THE WAY YOU ARE 188 00:06:58,869 --> 00:06:59,998 IS A CONSCIOUS CHOICE? 189 00:07:00,033 --> 00:07:02,667 "CONSCIOUS" BEING A RELATIVE TERM. IS THAT IT? 190 00:07:02,702 --> 00:07:03,965 YEAH. 191 00:07:04,000 --> 00:07:06,434 AND THIS IS NOT AN UNFORTUNATE GENETIC MISHAP, 192 00:07:06,469 --> 00:07:07,734 BUT SOMETHING THAT YOU WORK AT? 193 00:07:07,769 --> 00:07:08,933 RIGHT ON, BROTHER. 194 00:07:08,968 --> 00:07:10,567 AND THAT ANY DAY YOU COULD SIMPLY CHOOSE 195 00:07:10,602 --> 00:07:12,184 TO BE AN ENTIRELY DIFFERENT PERSON? 196 00:07:12,219 --> 00:07:13,732 DOES DOLLY PARTON SLEEP ON HER BACK? 197 00:07:13,767 --> 00:07:15,501 YOU WERE HAVING BETTER LUCK WITH THE FREEWAY STORY. 198 00:07:15,536 --> 00:07:16,933 WHAT DO YOU THINK, MADDIE? 199 00:07:16,968 --> 00:07:18,801 YOU THINK PEOPLE'S BEHAVIOR PATTERNS ARE DECIDED AT BIRTH, 200 00:07:18,836 --> 00:07:20,365 LIKE EYE COLOR OR GENDER, 201 00:07:20,400 --> 00:07:22,732 OR THAT THEY JUST BECOME IRRESPONSIBLE 202 00:07:22,767 --> 00:07:24,234 BECAUSE THEY AREN'T GETTING ENOUGH VITAMINS? 203 00:07:24,269 --> 00:07:25,499 I LOVE YOUR LOGIC. 204 00:07:25,534 --> 00:07:27,667 "I'M A JERK, BUT IT'S VOLUNTARY, 205 00:07:27,702 --> 00:07:29,132 SO THAT MAKES IT OK." 206 00:07:29,167 --> 00:07:30,767 LET ME TELL YOU SOMETHING, BABY. 207 00:07:30,802 --> 00:07:32,232 I THINK IT'S SAFE TO ASSUME 208 00:07:32,267 --> 00:07:34,701 THAT I'VE BEEN DOWN A FEW MORE ROADS THAN YOU. 209 00:07:34,736 --> 00:07:36,032 YOU MEAN SLEPT IN A FEW MORE GUTTERS. 210 00:07:36,067 --> 00:07:37,933 AND BY NOW, I FIGURED OUT WHICH ROADS ARE FOR ME, 211 00:07:37,968 --> 00:07:39,867 WHICH ROADS ARE FOR OTHER PEOPLE, AND WHERE THE DEAD ENDS ARE. 212 00:07:39,902 --> 00:07:41,767 FINE, DO YOU THINK WE COULD BRING THIS CONVERSATION TO ONE? 213 00:07:41,802 --> 00:07:43,568 AND THE FACT THAT THE WAY I CHOOSE TO BE 214 00:07:43,603 --> 00:07:45,334 DIFFERS FROM THE WAY YOU CHOOSE TO BE, 215 00:07:45,369 --> 00:07:46,399 DOES NOT GIVE YOU ANY RIGHT 216 00:07:46,434 --> 00:07:48,400 TO GET ON YOUR MORALLY SUPERIOR HIGH HORSE. 217 00:07:48,435 --> 00:07:49,584 IS THAT SO? 218 00:07:49,619 --> 00:07:50,699 YES, THAT'S SO. 219 00:07:50,734 --> 00:07:52,767 WELL, THAT'S KIND OF NICE FOR THE IRRESPONSIBLE TEAM, 220 00:07:52,802 --> 00:07:53,833 ISN'T IT? 221 00:07:53,868 --> 00:07:55,467 YOU COUNT ON THE REST OF US TO COVER FOR YOU, 222 00:07:55,502 --> 00:07:57,032 SO YOU'LL BE FREE TO DO WHATEVER YOU PLEASE! 223 00:07:57,067 --> 00:07:59,234 WHAT IF I'D WANTED TO PASS OUT IN A BAR LAST NIGHT? 224 00:07:59,269 --> 00:08:00,799 NOBODY WOULD HAVE STOPPED YOU. 225 00:08:00,834 --> 00:08:02,265 IN FACT, A LOT OF PEOPLE WOULD HAVE HELPED YOU. 226 00:08:02,300 --> 00:08:04,667 AND WHO WOULD HAVE MET MRS. KENDRICK FOR BREAKFAST? 227 00:08:06,501 --> 00:08:08,467 YOU DON'T HAVE A QUICK ANSWER FOR THAT ONE, DO YOU? 228 00:08:10,601 --> 00:08:13,467 WHAT'S THE MATTER, WIT WELL RUN DRY? 229 00:08:13,502 --> 00:08:15,051 YEAH. I GUESS SO. 230 00:08:15,086 --> 00:08:16,566 AM I EXCUSED? 231 00:08:16,601 --> 00:08:18,717 I'M NOT SURE I'M THROUGH TALKING. 232 00:08:18,752 --> 00:08:20,834 WELL, I'M SURE I'M THROUGH LISTENING. 233 00:08:31,267 --> 00:08:32,334 DAVID! 234 00:08:34,501 --> 00:08:36,117 DAVID. 235 00:08:36,152 --> 00:08:37,734 DON'T. 236 00:08:40,100 --> 00:08:42,299 I JUST CALLED MRS. KENDRICK. 237 00:08:42,334 --> 00:08:44,434 AND SHE'S WILLING TO GIVE US ANOTHER CHANCE. 238 00:08:44,469 --> 00:08:46,000 WE'RE MEETING WITH HER TOMORROW MORNING. 239 00:08:46,035 --> 00:08:48,101 I CAN'T. 240 00:08:48,136 --> 00:08:50,132 EXCUSE ME? 241 00:08:50,167 --> 00:08:51,601 I HAVE TO GO TO NEW YORK. 242 00:08:51,636 --> 00:08:53,051 NEW YORK? 243 00:08:53,086 --> 00:08:54,432 YEAH. 244 00:08:54,467 --> 00:08:55,432 I HAVE TO LEAVE RIGHT AWAY. 245 00:08:55,467 --> 00:08:56,868 I'LL JUST BE GONE A COUPLE DAYS. 246 00:08:56,903 --> 00:08:58,332 I SEE. 247 00:08:58,367 --> 00:09:01,133 FUNNY. I DON'T REMEMBER YOU ASKING ME FOR THE TIME OFF. 248 00:09:01,168 --> 00:09:02,901 I JUST GOT A CALL. 249 00:09:04,467 --> 00:09:05,766 SOMETHING CAME UP. 250 00:09:05,801 --> 00:09:07,868 SOME OLD FRIEND THROWING A PARTY YOU CAN'T MISS? 251 00:09:07,903 --> 00:09:10,734 SOME OLD FRIEND THROWING A FUNERAL- 252 00:09:10,769 --> 00:09:11,767 HIS OWN. 253 00:09:13,868 --> 00:09:15,251 OH, DAVID. 254 00:09:15,286 --> 00:09:17,826 I'M SORRY. 255 00:09:17,861 --> 00:09:20,367 YEAH. ME, TOO. 256 00:09:22,767 --> 00:09:23,933 WHO WAS IT? 257 00:09:23,968 --> 00:09:25,300 A GUY I USED TO KNOW WHEN I LIVED 258 00:09:25,335 --> 00:09:26,868 IN THE VILLAGE IN NEW YORK. 259 00:09:28,267 --> 00:09:31,234 ROLLED HIS CAR OVER ON THE JERSEY TURNPIKE THIS MORNING. 260 00:09:33,400 --> 00:09:35,400 I THOUGHT I WAS HAVING A BAD DAY. 261 00:09:37,801 --> 00:09:39,133 WHEN WAS THE LAST TIME YOU SAW HIM? 262 00:09:43,567 --> 00:09:45,117 ABOUT NINE YEARS AGO. 263 00:09:45,152 --> 00:09:46,667 BUT YOU KEPT IN TOUCH? 264 00:09:46,702 --> 00:09:49,065 NOT REALLY. 265 00:09:49,100 --> 00:09:51,417 I DON'T MEAN TO SEEM COLD, 266 00:09:51,452 --> 00:09:53,326 BUT I THINK YOU COULD GET AWAY 267 00:09:53,361 --> 00:09:55,200 WITH SENDING A NICE WREATH. 268 00:09:55,235 --> 00:09:57,965 IT'S NOT THAT SIMPLE. 269 00:09:58,000 --> 00:10:00,434 EVERYBODY I KNOW'S GOING TO BE AT THIS FUNERAL. 270 00:10:00,469 --> 00:10:01,701 I'M SURE THEY'D UNDERSTAND. 271 00:10:01,736 --> 00:10:04,965 I...I CAN'T. 272 00:10:05,000 --> 00:10:06,399 I HAVE AN OBLIGATION. 273 00:10:06,434 --> 00:10:08,501 TO SOME GUY YOU HAVEN'T SEEN IN A DECADE? 274 00:10:10,000 --> 00:10:12,100 HE'S MORE THAN JUST SOME GUY, MADDIE. 275 00:10:12,135 --> 00:10:13,384 EVEN IF HE'S YOUR FRIEND- 276 00:10:13,419 --> 00:10:14,634 HE'S MORE THAN MY FRIEND. 277 00:10:18,567 --> 00:10:20,968 I WAS SORT OF RELATED TO HIM FOR A WHILE. 278 00:10:22,634 --> 00:10:25,667 I WAS SORT OF MARRIED TO HIS SISTER. 279 00:10:37,033 --> 00:10:38,367 COME IN. 280 00:10:39,934 --> 00:10:41,000 MISS HAYES? 281 00:10:43,133 --> 00:10:46,634 WOULD YOU LIKE ME TO GET YOU A SANDWICH OR SOMETHING? 282 00:10:52,567 --> 00:10:53,833 YOU THINK YOU KNOW A PERSON, 283 00:10:53,868 --> 00:10:55,466 YOU THINKA PERSON IS YOUR FRIEND, 284 00:10:55,501 --> 00:10:57,750 YOU THINK THERE'S NOTHING ANYONE CAN TELL YOU 285 00:10:57,785 --> 00:11:00,000 ABOUT THAT PERSON THAT WOULD COME AS A SHOCK. 286 00:11:00,035 --> 00:11:02,200 MR. ADDISON? 287 00:11:04,567 --> 00:11:06,234 OH. 288 00:11:07,968 --> 00:11:08,901 WHAT? 289 00:11:15,334 --> 00:11:17,667 HE'S GAY, ISN'T HE? 290 00:11:17,702 --> 00:11:19,000 MR. ADDISON? 291 00:11:21,667 --> 00:11:24,300 MR. ADDISON'S BEEN MARRIED. 292 00:11:24,335 --> 00:11:26,200 HAS HE? 293 00:11:32,300 --> 00:11:33,998 WOW... 294 00:11:34,033 --> 00:11:35,850 THAT'S BETTER THAN GAY. 295 00:11:35,885 --> 00:11:37,426 I GUESS IT'S NO BIG DEAL 296 00:11:37,461 --> 00:11:38,933 THAT HE NEVER MENTIONED IT. 297 00:11:38,968 --> 00:11:41,100 NO REASON WHY HE SHOULD HAVE MENTIONED IT. 298 00:11:41,135 --> 00:11:42,766 MR. ADDISON...MARRIED. 299 00:11:42,801 --> 00:11:43,801 IT'S NOT LIKE HE TRIED TO HIDE IT. 300 00:11:43,836 --> 00:11:46,335 GOSH. SOMEWHERE IN THE WORLD, 301 00:11:46,370 --> 00:11:48,834 THERE'S A MRS. MR. ADDISON. 302 00:11:48,869 --> 00:11:51,365 YEAH...NO! 303 00:11:51,400 --> 00:11:53,868 A FORMER MRS. MR. ADDISON. 304 00:11:53,903 --> 00:11:55,666 WOW. 305 00:11:55,701 --> 00:11:59,165 I MEAN...BOY! 306 00:11:59,200 --> 00:12:03,199 WELL...WE'VE WASTED ENOUGH TIME 307 00:12:03,234 --> 00:12:05,717 ON THIS MILDLY INTERESTING DEVELOPMENT. 308 00:12:05,752 --> 00:12:08,226 THINK THE TRAFFIC'S DIED DOWN BY NOW? 309 00:12:08,261 --> 00:12:10,330 WHAT DO YOU SUPPOSE SHE LOOKS LIKE? 310 00:12:10,365 --> 00:12:12,166 I DON'T KNOW. HOW WOULD I KNOW? 311 00:12:12,201 --> 00:12:13,968 I HAVEN'T GIVEN IT A THOUGHT. 312 00:12:14,003 --> 00:12:15,065 NOT AT ALL? 313 00:12:15,100 --> 00:12:17,365 WELL, MAYBE A LITTLE. 314 00:12:17,400 --> 00:12:21,400 BUT IF IT TOOK HIM THIS LONG TO TELL ANYBODY, 315 00:12:21,435 --> 00:12:23,118 I'M NOT GOING TO HOLD MY BREATH WAITING 316 00:12:23,153 --> 00:12:24,801 FOR HIM TO BRING THE WEDDING PICTURES IN. 317 00:12:37,000 --> 00:12:38,901 I'LL TAKE THIS DRAWER, YOU TAKE THAT ONE! 318 00:12:48,834 --> 00:12:50,232 UGH! 319 00:12:50,267 --> 00:12:52,065 DON'T WORRY. 320 00:12:52,100 --> 00:12:55,299 HE BUYS THOSE ONLY FOR THE ARTICLES. 321 00:12:55,334 --> 00:12:58,601 AND I SUPPOSE THIS IS FOR THE FINE PRINT? 322 00:12:58,636 --> 00:13:00,799 WE'RE WASTING OUR TIME. 323 00:13:00,834 --> 00:13:03,232 THERE'S NOTHING HERE BUT JUNK AND SMUT. 324 00:13:03,267 --> 00:13:08,200 BESIDES, I DON'T EVEN CARE WHAT SHE LOOKS LIKE. 325 00:13:09,734 --> 00:13:11,499 IT'S LATE. 326 00:13:11,534 --> 00:13:13,167 WE REALLY SHOULD GO HOME. 327 00:13:17,634 --> 00:13:19,666 MRS. MR. ADDISON. 328 00:13:19,701 --> 00:13:22,901 THE FORMER MRS. MR. ADDISON. 329 00:13:26,234 --> 00:13:28,067 DAVID... 330 00:13:28,102 --> 00:13:29,901 MARRIED. 331 00:13:50,601 --> 00:13:52,334 GREENWICH VILLAGE. 332 00:14:33,133 --> 00:14:37,165 * WHY CAN'T I LAY LOW * 333 00:14:37,200 --> 00:14:41,367 * WHY CAN'T I SAY WHAT I MEAN * 334 00:14:41,402 --> 00:14:45,833 * WHY DON'T I STAY HOME * 335 00:14:45,868 --> 00:14:50,100 * GET MYSELF INTO SOME BORING ROUTINE * 336 00:14:50,135 --> 00:14:54,267 * WHY CAN'T I CALM DOWN * 337 00:14:54,302 --> 00:14:58,518 * WHY IS IT ALWAYS I FIND * 338 00:14:58,553 --> 00:15:02,699 * I CAN'T GET UNWOUND * 339 00:15:02,734 --> 00:15:06,834 * WHY DO I THROW MYSELF INTO THE NIGHTS * 340 00:15:23,767 --> 00:15:28,032 * I'M ON THE OUTSIDE * 341 00:15:28,067 --> 00:15:32,133 * I DON'T FIT INTO THE GROOVE * 342 00:15:32,168 --> 00:15:35,965 * NOW, I AIN'T A BAD GUY * 343 00:15:36,000 --> 00:15:40,734 * SO TELL ME WHAT AM I TRYING TO PROVE * 344 00:15:40,769 --> 00:15:44,566 * WHY CAN'T I COOL OUT * 345 00:15:44,601 --> 00:15:49,167 * WHY DON'T I BUTTON MY LIP * 346 00:15:49,202 --> 00:15:53,165 * WHY DO I LASH OUT * 347 00:15:53,200 --> 00:15:56,616 * WHY IS IT I ALWAYS SHOOT FROM THE HIP * 348 00:15:56,651 --> 00:16:00,033 * I CRUISE FROM HOUSTON TO CANAL STREET * 349 00:16:00,068 --> 00:16:05,599 * A MISFIT AND A REBEL * 350 00:16:05,634 --> 00:16:07,934 * SEE THE ONES TALKIN' TO THEMSELVES * 351 00:16:07,969 --> 00:16:12,100 * AND I CAN UNDERSTAND * 352 00:16:13,834 --> 00:16:17,517 * WHY IS IT EVERY TIME I GO OUT * 353 00:16:17,552 --> 00:16:21,200 * I ALWAYS SEEM TO GET IN TROUBLE * 354 00:16:22,367 --> 00:16:23,833 * I GUESS I MADE AN IMPRESSION * 355 00:16:23,868 --> 00:16:28,667 * ON SOMEBODY NORTH OF HESTER AND SOUTH OF GRAND * 356 00:16:43,734 --> 00:16:47,632 * SO IN MY SMALL WAY * 357 00:16:47,667 --> 00:16:52,133 * I'M A BIG MAN ON MULBERRY STREET * 358 00:16:52,168 --> 00:16:56,532 * I DON'T MEAN ALWAYS * 359 00:16:56,567 --> 00:17:00,834 * ONLY AT NIGHT WHEN I'M LIGHT ON MY FEET * 360 00:17:00,869 --> 00:17:04,933 * WHAT ELSE HAVE I GOT * 361 00:17:04,968 --> 00:17:09,134 * THAT I'D BE TRYING TO HIDE * 362 00:17:09,169 --> 00:17:13,265 * THERE'D BE A BLIND SPOT * 363 00:17:13,300 --> 00:17:17,934 * I HAVEN'T SEEN FROM THE SENSITIVE SIDE * 364 00:18:54,501 --> 00:18:58,632 * TO KNOW IN MY OWN HEART * 365 00:18:58,667 --> 00:19:03,067 * I'M A BIG MAN ON MULBERRY STREET * 366 00:19:03,102 --> 00:19:07,399 * I PLAY THE WHOLE PART * 367 00:19:07,434 --> 00:19:11,634 * I LEAVE A BIG TIP WITH EVERY RECEIPT * 368 00:19:11,669 --> 00:19:15,566 * I'M SO ROMANTIC * 369 00:19:15,601 --> 00:19:20,067 * I'M SUCH A PASSIONATE MAN * 370 00:19:20,102 --> 00:19:24,365 * SOMETIMES I PANIC * 371 00:19:24,400 --> 00:19:28,968 * WHAT IF NOBODY FINDS OUT WHO I AM ** 372 00:20:43,801 --> 00:20:45,151 AHH! 373 00:20:45,186 --> 00:20:46,501 OH. 374 00:20:48,267 --> 00:20:49,200 OH. 375 00:21:08,767 --> 00:21:10,632 YES, COULD YOU TELL ME, 376 00:21:10,667 --> 00:21:12,601 WHAT IS THE NEXT FLIGHT TO NEW YORK? 377 00:21:18,534 --> 00:21:20,033 BILL. 378 00:21:22,067 --> 00:21:23,000 WILLIAM. 379 00:21:25,601 --> 00:21:27,767 YO, FISH, WHAT ARE YOU TRYING TO PROVE? 380 00:21:28,868 --> 00:21:30,300 DO YOU BELIEVE THEY'LL ONLY GIVE US 381 00:21:30,335 --> 00:21:31,365 ONE PITCHER OF BEER AT A TIME? 382 00:21:31,400 --> 00:21:33,266 I MEAN, WHAT IS THE DEAL WITH THAT? 383 00:21:33,301 --> 00:21:35,133 WE'RE HAVING MY WAKE SOMEWHERE ELSE. 384 00:21:35,168 --> 00:21:36,334 TA-DA! 385 00:21:38,901 --> 00:21:40,301 YOU'RE GOING TO DIE. 386 00:21:40,336 --> 00:21:41,666 YEAH, OK, SURE FINE. 387 00:21:41,701 --> 00:21:44,501 ANYWAY, HE USED TO GET REAL DEPRESSED. 388 00:21:44,536 --> 00:21:47,132 ABOUT ANYTHING. ABOUT EVERYTHING. 389 00:21:47,167 --> 00:21:50,067 HE USED TO CALL ME AT 4:30 IN THE MORNING, 390 00:21:50,102 --> 00:21:52,968 CRYING ABOUT SOME MOVIE HE'D JUST SEEN ON TV 391 00:21:53,003 --> 00:21:55,935 OR SOME STORY HE'D READ IN THE PAPER. 392 00:21:55,970 --> 00:21:58,833 I HALF THINK HE SAW THAT CAR COMING 393 00:21:58,868 --> 00:22:01,400 AND JUST DECIDED HE DIDN'T WANT TO GET OUT OF THE WAY. 394 00:22:05,234 --> 00:22:07,267 WHAT THE HELL HAPPENED TO YOUR HAIR? 395 00:22:16,267 --> 00:22:17,432 YEAH. 396 00:22:17,467 --> 00:22:19,968 WHAT IN THE HELL HAPPENED TO YOUR HAIR, T.C.? 397 00:22:22,234 --> 00:22:23,901 T.C... 398 00:22:26,300 --> 00:22:28,634 TOP CAT. 399 00:22:29,701 --> 00:22:32,767 * THAT INDISPUTABLE * 400 00:22:32,802 --> 00:22:34,933 * TOP CAT * 401 00:22:34,968 --> 00:22:37,299 * WHO'S INTELLECTUAL * 402 00:22:37,334 --> 00:22:42,334 * CLOSE FRIENDS GET TO CALL HIM T.C. * 403 00:22:42,369 --> 00:22:47,434 * PROVIDING IT WITH DIGNITY * 404 00:22:47,469 --> 00:22:49,065 * TOP CAT * 405 00:22:49,100 --> 00:22:52,034 * THE MOST DISPUTABLE * 406 00:22:52,069 --> 00:22:54,968 * LEADER OF THE GANG * 407 00:22:55,003 --> 00:22:56,518 * HE'S THE TOP * 408 00:22:56,553 --> 00:22:57,998 * HE'S THE KING * 409 00:22:58,033 --> 00:23:01,417 * BUT ABOVE EVERYTHING * 410 00:23:01,452 --> 00:23:05,459 * HE'S THE MOST TIPTOP * 411 00:23:05,494 --> 00:23:09,467 * BIPPITY BOP, TOP CAT ** 412 00:23:13,367 --> 00:23:14,901 YEAH! 413 00:23:16,767 --> 00:23:18,067 TO JIMMY, BOYS. 414 00:23:19,667 --> 00:23:21,000 THE JIMMER. 415 00:23:29,834 --> 00:23:31,965 DID HE EVER DO THAT TO YOU? 416 00:23:32,000 --> 00:23:34,667 CALL YOU UP IN THE MIDDLE OF THE NIGHT... 417 00:23:34,702 --> 00:23:36,200 CRYING? 418 00:23:38,567 --> 00:23:40,400 YEAH. 419 00:23:43,367 --> 00:23:45,067 I'D JUST HANG UP ON HIM. 420 00:23:53,734 --> 00:23:55,934 WHERE YOU GOING? WHAT, DO YOU WANT TO WATCH? 421 00:23:59,000 --> 00:24:02,067 WHAT THE HELL DO YOU THINK HAPPENED TO HIS HAIR? 422 00:24:06,567 --> 00:24:08,400 HOW WOULD YOU LIKE TO BILL THIS CALL? 423 00:24:08,435 --> 00:24:10,234 YEAH, CHARGE THIS TO MY HOME NUMBER, PLEASE- 424 00:24:10,269 --> 00:24:12,985 213-555-6867. 425 00:24:13,020 --> 00:24:14,860 ONE MOMENT. 426 00:24:14,895 --> 00:24:16,701 THANK YOU. 427 00:24:19,234 --> 00:24:20,934 HI. THIS IS MADDIE HAYES. 428 00:24:20,969 --> 00:24:22,165 I'M NOT HERE RIGHT NOW, 429 00:24:22,200 --> 00:24:23,534 BUT PLEASE LEAVE YOUR NAME AND NUMBER 430 00:24:23,569 --> 00:24:24,532 AT THE SOUND OF THE BEEP. 431 00:24:24,567 --> 00:24:25,834 AND I'LL GET RIGHT BACK TO YOU. 432 00:24:28,334 --> 00:24:31,167 UH...HI, IT'S, UH, ME. 433 00:24:32,334 --> 00:24:34,950 UH...I GOT IN OK. 434 00:24:34,985 --> 00:24:37,532 EVERYTHING'S FINE. 435 00:24:37,567 --> 00:24:40,717 THE, UH...FUNERAL IS TOMORROW. 436 00:24:40,752 --> 00:24:43,059 I'LL BE HOME LATE THURSDAY, 437 00:24:43,094 --> 00:24:45,367 BE IN THE OFFICE FRIDAY. 438 00:24:47,667 --> 00:24:50,134 SO...IF YOU NEED ANYTHING, 439 00:24:50,169 --> 00:24:52,601 YOU CAN REACH ME AT THE HOTEL. 440 00:24:55,467 --> 00:24:57,434 WHAT ARE YOU DOING OUT THIS LATE? 441 00:25:20,601 --> 00:25:22,367 I KNOW YOU'RE WONDERING WHAT I'M DOING HERE. 442 00:25:22,402 --> 00:25:25,051 I DON'T KNOW MYSELF. 443 00:25:25,086 --> 00:25:27,666 SOMEWHERE OVER ARIZONA, 444 00:25:27,701 --> 00:25:31,132 I REALIZED I SHOULDN'T BE ON THIS PLANE. 445 00:25:31,167 --> 00:25:33,234 BY THEN, THERE WAS NOTHING I COULD DO ABOUT IT. 446 00:25:33,269 --> 00:25:34,199 SO HERE I AM. 447 00:25:34,234 --> 00:25:36,199 AND THE ONLY EXPLANATION I HAVE 448 00:25:36,234 --> 00:25:39,234 IS, I GUESS, I THOUGHT I COULD HELP YOU. 449 00:25:40,534 --> 00:25:42,534 I DON'T KNOW WHY I THOUGHT THAT, BUT I DID. 450 00:25:42,569 --> 00:25:44,566 BUT DON'T WORRY... 451 00:25:44,601 --> 00:25:45,868 DON'T WORRY, I CAN LEAVE. 452 00:25:45,903 --> 00:25:47,332 I ALREADY CHECKED, 453 00:25:47,367 --> 00:25:48,868 THERE'S A FLIGHT BACK TO L.A. IN AN HOUR. 454 00:25:48,903 --> 00:25:51,400 IF I CATCH A CAB NOW, I CAN MAKE IT. 455 00:25:53,534 --> 00:25:56,666 EXCEPT THAT I'M REALLY EXHAUSTED, 456 00:25:56,701 --> 00:25:59,968 AND I'D KIND OF LIKE TO GET SOME REST. 457 00:26:01,667 --> 00:26:02,833 ONLY IF I STAYED, 458 00:26:02,868 --> 00:26:06,184 I- I THOUGHT I'D LIKE TO BE SORT OF NEARBY. 459 00:26:06,219 --> 00:26:09,466 BUT I ALREADY ASKED ABOUT THE ROOM NEXT DOOR, 460 00:26:09,501 --> 00:26:12,934 AND THE MAN AT THE DESK SAID HE WOULDN'T GIVE IT TO ME... 461 00:26:12,969 --> 00:26:15,935 UNLESS YOU SAID IT WAS OK. 462 00:26:15,970 --> 00:26:18,901 SO I GUESS YOU HAVE TO... 463 00:26:18,936 --> 00:26:20,601 TELL HIM IT'S OK. 464 00:26:24,100 --> 00:26:27,267 UNLESS IT ISN'T OK. 465 00:26:27,302 --> 00:26:28,951 I FEEL... 466 00:26:28,986 --> 00:26:30,566 LIKE AN ASS. 467 00:26:30,601 --> 00:26:32,867 I KNOW I'M NOT MAKING MUCH SENSE. 468 00:26:32,902 --> 00:26:35,098 WHAT I'M TRYING TO SAY IS, UH, 469 00:26:35,133 --> 00:26:38,100 THAT I'M REALLY SORRY ABOUT YOUR FRIEND, 470 00:26:38,135 --> 00:26:40,566 I MEAN ABOUT YOUR BROTHER-IN-LAW. 471 00:26:40,601 --> 00:26:43,801 AND IF I SEEMED A LITTLE FROSTY WHEN YOU TOLD ME, 472 00:26:43,836 --> 00:26:47,033 IT'S ONLY BECAUSE I WAS SO SURPRISED 473 00:26:47,068 --> 00:26:49,117 THAT YOU'D BEEN MARRIED. 474 00:26:49,152 --> 00:26:51,167 WHICH IS STUPID, RIGHT? 475 00:26:52,834 --> 00:26:54,232 I MEAN, WHY SHOULD I THINK 476 00:26:54,267 --> 00:26:56,933 YOU WOULD HAVE TOLD ME YOU WERE MARRIED? 477 00:26:56,968 --> 00:27:01,167 I MEAN, I UNDERSTAND THAT THERE ARE THINGS... 478 00:27:01,202 --> 00:27:03,634 WE'LL NEVER TALK ABOUT. 479 00:27:05,501 --> 00:27:07,267 THERE SHOULD BE THINGS. 480 00:27:09,801 --> 00:27:11,933 PIECES... 481 00:27:11,968 --> 00:27:13,567 POCKETS OF OUR LIVES 482 00:27:13,602 --> 00:27:15,132 THAT ARE PRIVATE. 483 00:27:15,167 --> 00:27:18,901 I CERT-I MEAN, I CERTAINLY... 484 00:27:20,434 --> 00:27:23,200 HAVE PLENTY OF THINGS I'VE NEVER... 485 00:27:23,235 --> 00:27:25,599 TALKED TO YOU ABOUT. 486 00:27:25,634 --> 00:27:28,934 I MEAN, IT'S NOT LIKE WE HAVE THAT KIND OF RELATIONSHIP. 487 00:27:28,969 --> 00:27:30,767 IT'S NOT LIKE WE'RE... 488 00:27:42,767 --> 00:27:44,850 YOU KNOW, I JUST REALIZED WHAT I SHOULD DO. 489 00:27:44,885 --> 00:27:46,934 WHAT I SHOULD DO IS GO CATCH THAT AIRPLANE. 490 00:27:46,969 --> 00:27:48,267 DON'T GO. 491 00:27:49,834 --> 00:27:52,367 I WANT YOU TO STAY. 492 00:27:55,834 --> 00:27:58,632 I'LL TELL THE, UH... 493 00:27:58,667 --> 00:28:01,300 I'LL TELL THE GUY AT THE DESK YOU'RE MY SISTER. 494 00:28:05,234 --> 00:28:06,534 MY MOTHER. 495 00:28:08,100 --> 00:28:09,801 I'LL TELL HIM I'M YOUR FATHER. 496 00:28:14,434 --> 00:28:16,467 YOU CAN HAVE THE ROOM NEXT DOOR. 497 00:28:27,901 --> 00:28:29,300 I'LL SEE YOU IN A MINUTE. 498 00:28:49,000 --> 00:28:50,200 David: YOU AWAKE? 499 00:29:05,634 --> 00:29:07,334 YOU CAME ALL THE WAY OUT HERE. 500 00:29:11,634 --> 00:29:14,067 YOU CAME ALL THE WAY OUT HERE. 501 00:29:14,102 --> 00:29:15,300 WHY DID YOU DO THAT? 502 00:29:17,567 --> 00:29:18,834 I DON'T KNOW. 503 00:29:21,667 --> 00:29:23,267 I DON'T KNOW. 504 00:29:38,200 --> 00:29:40,934 THAT WAS A PRETTY LOUSY THING I DID TO YOU, 505 00:29:40,969 --> 00:29:43,632 WASN'T IT? 506 00:29:43,667 --> 00:29:46,134 I MEAN TELLING YOU I WAS MARRIED 507 00:29:46,169 --> 00:29:48,868 AND THEN HOPPING ON A PLANE. 508 00:29:48,903 --> 00:29:51,567 BUT I KNEW WHAT I WAS DOING. 509 00:29:51,602 --> 00:29:53,534 I KNEW THAT IT STUNK. 510 00:29:56,100 --> 00:29:58,400 I JUST DIDN'T WANT TO TALK ABOUT IT. 511 00:30:01,100 --> 00:30:03,484 IT WASN'T VERY IMPORTANT, ANYWAY. 512 00:30:03,519 --> 00:30:05,868 SHE WASN'T VERY IMPORTANT, ANYWAY. 513 00:30:05,903 --> 00:30:07,501 WHAT WAS SHE LIKE? 514 00:30:07,536 --> 00:30:09,100 WHAT HAPPENED? 515 00:30:11,667 --> 00:30:13,634 WHAT WAS SHE LIKE? WHAT HAPPENED? 516 00:30:15,100 --> 00:30:18,567 I REALLY KNEW HER JUST ABOUT ALL MY LIFE. 517 00:30:18,602 --> 00:30:20,299 UH... 518 00:30:20,334 --> 00:30:22,299 GRADE SCHOOL, HIGH SCHOOL. 519 00:30:22,334 --> 00:30:25,167 WE USED TO WALK TO SCHOOL TOGETHER. 520 00:30:26,767 --> 00:30:28,232 AND ONE DAY, 521 00:30:28,267 --> 00:30:29,834 WE WERE WALKING TO SCHOOL 522 00:30:29,869 --> 00:30:31,232 AND IT WAS RAINING. 523 00:30:31,267 --> 00:30:33,367 AND NEITHER OF US REALLY WANTED TO GO TO SCHOOL ANYWAY, 524 00:30:33,402 --> 00:30:35,701 IT WAS THE LAST PLACE WE WANTED TO BE. 525 00:30:35,736 --> 00:30:37,335 SO WE WENT BACK TO HER HOUSE. 526 00:30:37,370 --> 00:30:38,968 AND LIKE I SAID, IT WAS RAINING, 527 00:30:39,003 --> 00:30:40,567 AND IT WAS RAINING ALL THE WAY HOME, 528 00:30:40,602 --> 00:30:42,965 SO WE WERE SOAKING WET. 529 00:30:43,000 --> 00:30:45,868 AND WE TOOK OUR CLOTHES OFF. 530 00:30:47,801 --> 00:30:51,134 YOU KNOW, WHAT'S REALLY FUNNY IS 531 00:30:51,169 --> 00:30:54,467 I CANNOT REMEMBER ANY OTHER THING 532 00:30:54,502 --> 00:30:55,801 ABOUT THAT DAY. 533 00:31:00,534 --> 00:31:03,200 THE SECOND THAT WE STARTED... 534 00:31:04,334 --> 00:31:06,868 I FELT SO SAFE. 535 00:31:08,267 --> 00:31:09,801 THEN I WAS SCARED. 536 00:31:09,836 --> 00:31:11,232 I WAS SCARED. 537 00:31:11,267 --> 00:31:13,434 I MEAN, I HAD BEEN WITH OTHER GIRLS, 538 00:31:13,469 --> 00:31:15,068 I MEAN, I HAD FOOLED AROUND, 539 00:31:15,103 --> 00:31:16,868 BUT THIS WAS REALLY SPECIAL. 540 00:31:16,903 --> 00:31:18,402 THIS WAS REALLY SPECIAL. 541 00:31:18,437 --> 00:31:20,035 LIKE MY MIND IS GOING CRAZY. 542 00:31:20,070 --> 00:31:22,085 ONE SIDE OF MY BRAIN IS SAYING, 543 00:31:22,120 --> 00:31:24,100 "YOU WANT TO WORK IN A GAS STATION 544 00:31:24,135 --> 00:31:25,365 FOR THE REST OF YOUR LIFE?" 545 00:31:25,400 --> 00:31:27,000 I MEAN, THAT'S THE STORY YOU ALWAYS HEAR, RIGHT? 546 00:31:27,035 --> 00:31:28,965 18-YEAR-OLD GUY KNOCKS UP SOME GIRL, 547 00:31:29,000 --> 00:31:31,334 GETS MARRIED, HAS TO WORK IN A GAS STATION, RIGHT? 548 00:31:31,369 --> 00:31:32,899 BUT THE OTHER SIDE OF MY BRAIN- 549 00:31:32,934 --> 00:31:35,617 THE OTHER SIDE OF MY BRAIN IS GOING, 550 00:31:35,652 --> 00:31:38,300 "EVERYTHING IS JUST FINE, DAVE." 551 00:31:43,434 --> 00:31:45,499 ANYWAY... 552 00:31:45,534 --> 00:31:47,167 AS SOON AS WE WERE DONE, 553 00:31:47,202 --> 00:31:48,801 THE SECOND WE WERE DONE, 554 00:31:48,836 --> 00:31:50,100 IT GOT REALLY WEIRD. 555 00:31:50,135 --> 00:31:51,265 I JUST GOT UP 556 00:31:51,300 --> 00:31:53,132 AND GOT DRESSED AND LEFT. 557 00:31:53,167 --> 00:31:55,667 I REALLY DIDN'T HAVE ANYPLACE TO GO, 558 00:31:55,702 --> 00:31:57,268 SO I'M JUST WALKING AROUND. 559 00:31:57,303 --> 00:31:58,799 AND WHILE I'M WALKING AROUND, 560 00:31:58,834 --> 00:32:01,200 IN MY HEAD, I'M HAVING A CONVERSATION WITH GOD. 561 00:32:01,235 --> 00:32:04,117 I'M SAYING, "GOD, PLEASE, PLEASE. 562 00:32:04,152 --> 00:32:06,965 "I WILL NEVER EVER DO IT AGAIN. 563 00:32:07,000 --> 00:32:09,000 PLEASE JUST DON'T LET HER GET PREGNANT." 564 00:32:09,035 --> 00:32:11,332 AND IN MY MIND, ALL I SEE 565 00:32:11,367 --> 00:32:13,666 IS ME IN A BLUE SUNOCO UNIFORM 566 00:32:13,701 --> 00:32:15,667 WITH "DAVE" STITCHED OVER THE POCKET. 567 00:32:23,167 --> 00:32:27,701 ANYWAY, I GUESS GOD HAD SOMETHING ELSE ON HIS MIND. 568 00:32:30,567 --> 00:32:31,632 WE HAD TO GET MARRIED, 569 00:32:31,667 --> 00:32:34,300 AND THE BABY DIDN'T MAKE IT. 570 00:32:36,400 --> 00:32:38,098 SO, ANYWAY, 571 00:32:38,133 --> 00:32:39,666 SHE WANTS TO BE AN ACTRESS. 572 00:32:39,701 --> 00:32:41,300 HER BROTHER JIMMY LIVED IN NEW YORK, 573 00:32:41,335 --> 00:32:43,566 SO WE MOVED TO NEW YORK. 574 00:32:43,601 --> 00:32:46,699 GOT A PLACE DOWN ON 9th STREET. 575 00:32:46,734 --> 00:32:49,234 IT WAS EARLY SEVENTIES, REALLY A WILD TIME. 576 00:32:49,269 --> 00:32:51,734 I WAS TENDING BAR, SHE WAS GOING TO CLASS. 577 00:32:53,133 --> 00:32:54,699 AND ONE DAY, I COME HOME 578 00:32:54,734 --> 00:32:57,100 AND FIND THE CENSUS TAKER ON TOP OF HER 579 00:32:57,135 --> 00:32:59,467 GETTING ALL KINDS OF PERTINENT INFORMATION 580 00:32:59,502 --> 00:33:01,367 THAT ISN'T ON THE FORM. 581 00:33:05,300 --> 00:33:07,466 SEE? 582 00:33:07,501 --> 00:33:10,133 I TOLD YOU IT WASN'T VERY IMPORTANT. 583 00:33:11,901 --> 00:33:13,501 I'M SORRY. 584 00:33:15,634 --> 00:33:17,701 IT WAS A LONG TIME AGO. 585 00:33:17,736 --> 00:33:18,934 GOOD NIGHT. 586 00:33:29,334 --> 00:33:31,033 MADDIE, YOU AWAKE? 587 00:33:31,068 --> 00:33:32,098 I GOT TO GO. 588 00:33:32,133 --> 00:33:33,167 Maddie: JUST A SECOND. 589 00:33:39,968 --> 00:33:41,167 GOOD MORNING. 590 00:33:44,767 --> 00:33:46,534 HELLO. 591 00:33:48,000 --> 00:33:49,834 WHY ARE YOU LOOKING AT ME LIKE THAT? 592 00:33:49,869 --> 00:33:51,751 NO REASON. NO REASON? 593 00:33:51,786 --> 00:33:53,599 YOU'RE WEARING BLACK. 594 00:33:53,634 --> 00:33:55,251 I KNOW, WE'RE GOING TO A FUNERAL. 595 00:33:55,286 --> 00:33:56,833 I USED TO WEAR HOT PINK TO FUNERALS, 596 00:33:56,868 --> 00:33:58,901 BUT I ALWAYS FELT GUILTY ABOUT WAKING UP THE DEAD. 597 00:34:00,434 --> 00:34:03,100 IS THERE SOME SUBTLETY TO THIS CONVERSATION 598 00:34:03,135 --> 00:34:04,167 THAT I'M MISSING? 599 00:34:07,601 --> 00:34:10,766 DID YOU NOT WANT ME 600 00:34:10,801 --> 00:34:12,534 TO GO WITH YOU TO THIS FUNERAL? 601 00:34:14,033 --> 00:34:16,632 OF COURSE. 602 00:34:16,667 --> 00:34:18,365 OF COURSE YOU DIDN'T. 603 00:34:18,400 --> 00:34:20,250 LOOK, IT'S NOTHING PERSONAL. 604 00:34:20,285 --> 00:34:21,776 JUST HAVEN'T SEEN THESE PEOPLE 605 00:34:21,811 --> 00:34:23,267 FOR A LONG TIME, THAT'S ALL. 606 00:34:23,302 --> 00:34:24,351 YOU UNDERSTAND. 607 00:34:24,386 --> 00:34:25,400 I UNDERSTAND. 608 00:34:26,467 --> 00:34:28,901 NO, YOU DON'T UNDERSTAND. 609 00:34:28,936 --> 00:34:30,165 YES, I DO UNDERSTAND. 610 00:34:30,200 --> 00:34:31,734 NO, YOU DON'T. YES, I DO. 611 00:34:31,769 --> 00:34:33,285 NO, YOU DON'T. 612 00:34:33,320 --> 00:34:34,560 YES, I DO. 613 00:34:34,595 --> 00:34:36,064 FINE. FINE. 614 00:34:36,099 --> 00:34:37,666 GOOD. GOOD. 615 00:34:37,701 --> 00:34:39,234 I'M GOING. GO! 616 00:34:56,234 --> 00:34:57,232 YOU'RE MAD? 617 00:34:57,267 --> 00:34:58,834 I THOUGHT YOU WERE GOING. 618 00:34:58,869 --> 00:35:00,165 YOU ARE MAD. 619 00:35:00,200 --> 00:35:01,532 YOU'RE MAD BECAUSE I'M NOT TAKING YOU? 620 00:35:01,567 --> 00:35:03,067 I'M NOT MAD. WHAT MAKES YOU THINK I'M MAD? 621 00:35:03,102 --> 00:35:04,184 THE WAY YOU'RE SITTING THERE. 622 00:35:04,219 --> 00:35:05,267 THE WAY YOU'RE NOT LOOKING AT ME. 623 00:35:05,302 --> 00:35:06,334 LOOK AT ME! 624 00:35:06,369 --> 00:35:07,332 I'M NOT MAD! 625 00:35:07,367 --> 00:35:08,767 I DON'T BELIEVE THIS. 626 00:35:08,802 --> 00:35:10,132 I DO NOT BELIEVE THIS. 627 00:35:10,167 --> 00:35:12,217 WE ARE IN NEW YORK CITY, MADDIE. 628 00:35:12,252 --> 00:35:14,232 YOU ARE A $5.00 CAB RIDE AWAY 629 00:35:14,267 --> 00:35:15,833 FROM AT LEAST 150 DEPARTMENT STORES, 630 00:35:15,868 --> 00:35:18,132 NOT MENTION RESTAURANTS, THEATERS, MUSEUMS, 631 00:35:18,167 --> 00:35:20,267 AND YOU'RE MAD AT ME BECAUSE I'M NOT TAKING YOU TO THIS FUNERAL. 632 00:35:20,302 --> 00:35:22,534 I WAS LOOKING FORWARD TO THIS FUNERAL. 633 00:35:26,868 --> 00:35:30,000 IT'S NOT THAT I DON'T WANT TO TAKE YOU. 634 00:35:30,035 --> 00:35:32,499 IT'S JUST... 635 00:35:32,534 --> 00:35:35,200 I DON'T WANT TO TAKE YOU, NOT TO THIS FUNERAL. 636 00:35:41,133 --> 00:35:43,300 LOOK...LOOK... 637 00:35:44,467 --> 00:35:47,367 HERE. PICK A FUNERAL. 638 00:35:47,402 --> 00:35:48,432 HERE. 639 00:35:48,467 --> 00:35:49,801 I'LL TAKE YOU TO ANY ONE OF THESE FUNERALS. 640 00:35:49,836 --> 00:35:50,766 HERE. 641 00:35:50,801 --> 00:35:52,550 LOOK, THIS SOUNDS GOOD. RIGHT HERE. 642 00:35:52,585 --> 00:35:54,300 HUH? COME ON. THIS SOUNDS LIKE FUN. 643 00:35:54,335 --> 00:35:56,468 SHORT EULOGY, OPEN CASKET, 644 00:35:56,503 --> 00:35:58,601 DINNER, DRINKS, OPEN BAR. 645 00:36:07,033 --> 00:36:08,334 MADDIE. 646 00:36:10,033 --> 00:36:12,332 GETTING ME TO GO TO THIS THING 647 00:36:12,367 --> 00:36:15,300 WAS THE HARDEST THING I'VE EVER DONE. 648 00:36:16,701 --> 00:36:18,634 I JUST CAN'T TAKE YOU. 649 00:36:27,033 --> 00:36:28,667 WHAT TIME DO YOU THINK YOU'LL BE BACK? 650 00:36:31,767 --> 00:36:33,232 I DON'T KNOW. 651 00:36:33,267 --> 00:36:35,299 FUNERAL STARTS AT NOON. 652 00:36:35,334 --> 00:36:36,466 THERE WILL PROBABLY BE SOMETHING 653 00:36:36,501 --> 00:36:38,367 AT SOMEBODY'S HOUSE AFTER. I DON'T KNOW. 654 00:36:38,402 --> 00:36:39,432 WELL, DON'T WORRY. 655 00:36:39,467 --> 00:36:40,467 STAY AS LONG AS YOU WANT. 656 00:36:40,502 --> 00:36:42,218 I'LL BE FINE. 657 00:36:42,253 --> 00:36:43,934 WILL YOU? 658 00:36:46,567 --> 00:36:48,167 WHAT TIME DO YOU THINK? 659 00:36:49,367 --> 00:36:51,034 I DON'T KNOW. 660 00:36:51,069 --> 00:36:52,818 5:00, MAYBE. 661 00:36:52,853 --> 00:36:54,260 5:00? GREAT. 662 00:36:54,295 --> 00:36:55,632 HAVE FUN. 663 00:36:55,667 --> 00:36:58,033 IT MIGHT BE LATER THAN THAT. 664 00:36:58,068 --> 00:36:59,434 FINE. 665 00:36:59,469 --> 00:37:00,801 WHENEVER. 666 00:37:13,868 --> 00:37:15,567 THAT FABULOUS FIT. 667 00:37:15,602 --> 00:37:17,267 A BRAND-NEW CAR! 668 00:38:05,033 --> 00:38:06,501 Woman: ADDISON RESIDENCE. 669 00:38:07,634 --> 00:38:09,034 HELLO? 670 00:38:09,069 --> 00:38:10,434 HELLO? 671 00:38:41,234 --> 00:38:42,817 HELLO. 672 00:38:42,852 --> 00:38:44,365 HELLO. 673 00:38:44,400 --> 00:38:46,365 I HOPE I'M NOT TOO LATE. 674 00:38:46,400 --> 00:38:47,766 I DON'T MEAN TO BOTHER ANYONE. 675 00:38:47,801 --> 00:38:50,033 I JUST WOULD LIKE TO PAY MY RESPECTS. 676 00:38:58,567 --> 00:39:00,666 I'M JIMMY'S AUNT ROSEMARY. 677 00:39:00,701 --> 00:39:03,133 NICE TO MEET YOU. I'M MADDIE. MADDIE HAYES. 678 00:39:03,168 --> 00:39:06,232 CAN I HELP YOU FIND SOMEONE? 679 00:39:06,267 --> 00:39:08,667 NO, THANKS. I'LL JUST LOOK AROUND. 680 00:39:08,702 --> 00:39:11,033 ARE YOU A FRIEND OF JIMMY'S? 681 00:39:11,068 --> 00:39:12,599 YES. 682 00:39:12,634 --> 00:39:15,265 WELL, A LONG TIME AGO. 683 00:39:15,300 --> 00:39:18,234 I'M SURE HE WOULDN'T REMEMBER ME. 684 00:39:18,269 --> 00:39:20,267 I MEAN, IF HE COULD. 685 00:39:21,701 --> 00:39:23,032 ACTUALLY... 686 00:39:23,067 --> 00:39:24,667 I DIDN'T KNOW JIMMY. 687 00:39:24,702 --> 00:39:26,165 YOU DIDN'T? 688 00:39:26,200 --> 00:39:29,434 NO, I KNEW OF HIM FROM SOMEONE ELSE- HIS SISTER. 689 00:39:29,469 --> 00:39:31,200 YOU KNOW TESS? 690 00:39:31,235 --> 00:39:32,466 TESS? 691 00:39:32,501 --> 00:39:35,134 YES...I DID. A LONG TIME AGO. 692 00:39:35,169 --> 00:39:37,767 WELL, WHY DIDN'T YOU SAY SO? 693 00:39:37,802 --> 00:39:38,767 I'LL GO FIND HER. 694 00:39:38,802 --> 00:39:39,998 THAT'S OK. 695 00:39:40,033 --> 00:39:41,033 YOU DON'T HAVE TO BOTHER. 696 00:39:41,068 --> 00:39:42,234 Woman: EXCUSE ME. 697 00:39:43,701 --> 00:39:45,701 WERE YOU LOOKING FOR ME? 698 00:39:45,736 --> 00:39:47,666 Rosemary: YES, SHE WAS. 699 00:39:47,701 --> 00:39:50,817 YOU REMEMBER HER, YOUR OLD FRIEND? 700 00:39:50,852 --> 00:39:53,934 WHAT DID YOU SAY YOUR NAME WAS? 701 00:39:53,969 --> 00:39:55,767 MADDIE. MADDIE HAYES. 702 00:39:57,334 --> 00:39:58,699 IT WAS A LONG TIME AGO. 703 00:39:58,734 --> 00:39:59,968 I'M SURE YOU DON'T REMEMBER. 704 00:40:01,267 --> 00:40:03,450 I'M SORRY. YOU'RE RIGHT, 705 00:40:03,485 --> 00:40:05,599 UH, I DON'T REMEMBER. 706 00:40:05,634 --> 00:40:07,634 WHEN EXACTLY DID WE KNOW EACH OTHER? 707 00:40:09,567 --> 00:40:11,901 IS THERE SOMEWHERE WE COULD TALK PRIVATELY? 708 00:40:20,534 --> 00:40:21,732 IT'S A LITTLE CHILLY, 709 00:40:21,767 --> 00:40:24,634 BUT, UH, YOU CAN'T BEAT THE VIEW. 710 00:40:27,434 --> 00:40:29,432 THIS IS VERY AWKWARD. I'M SORRY. 711 00:40:29,467 --> 00:40:31,300 WE DON'T KNOW EACH OTHER. WE'VE NEVER MET. 712 00:40:31,335 --> 00:40:33,534 I'M A FRIEND OF DAVID'S. 713 00:40:33,569 --> 00:40:34,968 DAVID ADDISON? 714 00:40:36,801 --> 00:40:38,033 OH. 715 00:40:39,667 --> 00:40:41,400 DO YOU KNOW HAPPEN TO KNOW WHERE HE IS? 716 00:40:41,435 --> 00:40:43,634 I THOUGHT MAYBE HE WAS HERE. 717 00:40:43,669 --> 00:40:45,899 HE HASN'T BEEN HERE. 718 00:40:45,934 --> 00:40:47,334 NO ONE'S SEEN HIM ALL DAY. 719 00:40:47,369 --> 00:40:48,734 HE WASN'T AT THE FUNERAL? 720 00:40:48,769 --> 00:40:50,399 NO. 721 00:40:50,434 --> 00:40:53,065 BELIEVE ME, I LOOKED. 722 00:40:53,100 --> 00:40:55,701 I REALLY WANTED TO TALK TO HIM. 723 00:40:55,736 --> 00:40:56,968 YOU DID? 724 00:40:59,067 --> 00:41:02,467 I'VE BEEN WANTING TO TALK TO HIM FOR NINE YEARS. 725 00:41:02,502 --> 00:41:05,234 I'VE CALLED, I'VE WRITTEN. 726 00:41:05,269 --> 00:41:07,265 HE NEVER ANSWERS. 727 00:41:07,300 --> 00:41:10,783 I THOUGHT I HAD HIM CORNERED THIS TIME. 728 00:41:10,818 --> 00:41:14,267 HE LEFT THE HOTEL AT 11:00 THIS MORNING. 729 00:41:14,302 --> 00:41:16,901 DON'T WORRY. I'M SURE HE'S OK. 730 00:41:16,936 --> 00:41:18,501 YOU KNOW DAVID. 731 00:41:19,968 --> 00:41:24,467 HE PROBABLY JUST WASN'T IN THE MOOD FOR A FUNERAL TODAY. 732 00:41:26,667 --> 00:41:28,334 MAYBE HE JUST COULDN'T FACE YOU. 733 00:41:29,501 --> 00:41:31,300 HE TOLD YOU ABOUT IT? 734 00:41:35,501 --> 00:41:36,767 WELL... 735 00:41:38,167 --> 00:41:40,033 I GUESS THAT'S HIS RIGHT. 736 00:41:42,200 --> 00:41:44,566 I'M JUST SURPRISED. 737 00:41:44,601 --> 00:41:47,534 I'VE KNOWN DAVID SINCE WE WERE KIDS. 738 00:41:49,267 --> 00:41:53,434 BARING HIS SOUL IS NOT HIS STRONG SUIT. 739 00:41:55,000 --> 00:41:57,267 WELL, WE'RE PRETTY CLOSE. 740 00:41:59,000 --> 00:42:01,400 I MEAN, CLOSE, BUT NOT... 741 00:42:01,435 --> 00:42:03,499 IT DOESN'T MATTER. 742 00:42:03,534 --> 00:42:06,934 I JUST KNOW THAT DAVID STILL FEELS BADLY. 743 00:42:06,969 --> 00:42:10,167 I JUST WISH HE COULD... 744 00:42:10,202 --> 00:42:12,067 PUT IT BEHIND HIM. 745 00:42:13,400 --> 00:42:15,517 I MEAN I KNOW THERE IS NO CHANCE 746 00:42:15,552 --> 00:42:17,599 THAT WE'LL EVER BE CLOSE AGAIN. 747 00:42:17,634 --> 00:42:22,599 I WOULD JUST FEEL SO MUCH BETTER IF... 748 00:42:22,634 --> 00:42:26,033 IF HE COULD EVEN STAND TO BE IN THE SAME ROOM WITH ME. 749 00:42:28,400 --> 00:42:29,766 I'M SURE THAT'S NOT IT. 750 00:42:29,801 --> 00:42:32,232 I'M SURE A LOT OF IT IS THAT... 751 00:42:32,267 --> 00:42:34,767 DAVID DOESN'T WANT TO BE IN THE SAME ROOM WITH YOUR... 752 00:42:37,567 --> 00:42:38,783 THAT GUY. 753 00:42:38,818 --> 00:42:39,965 WHAT GUY? 754 00:42:40,000 --> 00:42:41,933 THAT GUY. YOUR GUY. 755 00:42:41,968 --> 00:42:43,767 THE GUY HE WALKED IN ON YOU WITH. 756 00:42:50,834 --> 00:42:51,834 WHAT? 757 00:42:53,300 --> 00:42:54,933 ANOTHER MAN? 758 00:42:54,968 --> 00:42:56,567 IS...IS THAT... 759 00:42:59,367 --> 00:43:01,667 OF COURSE THAT'S WHAT HE TOLD YOU. 760 00:43:03,300 --> 00:43:06,065 WELL, I HAVE TO HAND IT TO HIM. 761 00:43:06,100 --> 00:43:09,534 AT LEAST, HE WAS IN THE NEIGHBORHOOD OF THE TRUTH. 762 00:43:11,601 --> 00:43:13,868 I DON'T UNDERSTAND WHAT YOU'RE SAYING. 763 00:43:16,400 --> 00:43:20,667 WELL, HONEST ABE LEFT OUT A MINOR DETAIL. 764 00:43:22,133 --> 00:43:25,467 IT'S TRUE HE WALKED IN ON ME AND SOMEONE ELSE. 765 00:43:27,334 --> 00:43:29,033 BUT IT WASN'T ANOTHER MAN. 766 00:43:32,634 --> 00:43:34,599 THEN IN MY SOPHOMORE YEAR, 767 00:43:34,634 --> 00:43:37,601 I HAD THIS INCIDENT WITH MY CHEMISTRY TEACHER, 768 00:43:37,636 --> 00:43:39,566 MRS. DOHERTY. 769 00:43:39,601 --> 00:43:42,400 I WON'T BORE YOU WITH ALL THE GRUESOME DETAILS, 770 00:43:43,968 --> 00:43:46,501 BUT IT HAD TO DO WITH A SUGGESTION I MADE 771 00:43:46,536 --> 00:43:48,766 CONCERNING PART OF HER ANATOMY 772 00:43:48,801 --> 00:43:51,701 AND THE BUSINESS END OF A BUNSEN BURNER. 773 00:43:54,534 --> 00:43:56,534 DON'T WORRY ABOUT THE METER. 774 00:44:03,734 --> 00:44:04,699 I'M PLAYING HOOKY 775 00:44:04,734 --> 00:44:06,400 FROM MY BROTHER-IN-LAW'S FUNERAL. 776 00:44:10,200 --> 00:44:11,601 I DIDN'T PLAN ON IT. 777 00:44:13,801 --> 00:44:16,200 I MEAN, I DON'T THINK I PLANNED ON IT. 778 00:44:25,334 --> 00:44:27,599 I MEAN... 779 00:44:27,634 --> 00:44:30,100 IT'S NOT LIKE I DON'T WANT TO SEE HER. 780 00:44:32,300 --> 00:44:33,732 IT'S JUST THAT I KNOW TESS. 781 00:44:33,767 --> 00:44:37,400 IF I SEE HER, SHE'S GOING TO WANT TO TALK 782 00:44:37,435 --> 00:44:38,732 ABOUT WHAT HAPPENED. 783 00:44:38,767 --> 00:44:40,432 SHE'S GOING TO WANT TO ANALYZE IT. 784 00:44:40,467 --> 00:44:43,567 SHE'S GOING TO WANT ME TO TELL HER I'M OK WITH IT. 785 00:44:43,602 --> 00:44:45,365 WELL, I'M OK WITH IT, 786 00:44:45,400 --> 00:44:47,834 LONG AS I DON'T GOT TO THINK ABOUT IT. 787 00:44:53,200 --> 00:44:56,834 AND I'VE GOT THIS OTHER WOMAN BACK AT THE HOTEL. 788 00:44:56,869 --> 00:45:00,501 I DON'T KNOW WHAT IS GOING ON IN HER MIND. 789 00:45:00,536 --> 00:45:02,133 SHE FLIES ALL THE WAY OUT HERE. 790 00:45:02,168 --> 00:45:03,601 IT MUST BE SOMETHING. 791 00:45:10,534 --> 00:45:12,634 I DIDN'T TELL HER THE WHOLE TRUTH. 792 00:45:14,200 --> 00:45:16,367 NAH, I TOLD HER THE MOST IMPORTANT PART. 793 00:45:17,701 --> 00:45:21,299 BUT LOOK, LET'S FACE IT, 794 00:45:21,334 --> 00:45:23,517 A PERSON IN BED WITH YOUR WIFE 795 00:45:23,552 --> 00:45:25,701 IS A PERSON IN BED WITH YOUR WIFE. 796 00:45:25,736 --> 00:45:27,834 GENDER IS NOT THE MAIN ISSUE. 797 00:45:29,067 --> 00:45:30,399 IF THIS MAKES ME A JERK, 798 00:45:30,434 --> 00:45:32,367 THEN I GUESS I'M A JERK, HUH? 799 00:45:40,334 --> 00:45:41,868 YEAH. 800 00:45:43,133 --> 00:45:45,734 WELL, EVERYBODY'S ENTITLED TO THEIR OPINION. 801 00:46:57,434 --> 00:46:59,133 SHE WAS THERE WITH THAT GUY. 802 00:46:59,168 --> 00:47:00,466 WHAT GUY? 803 00:47:00,501 --> 00:47:02,767 YOU KNOW, AT THE FUNERAL. 804 00:47:02,802 --> 00:47:05,033 MY EX-WIFE'S GUY. THAT GUY. 805 00:47:05,068 --> 00:47:07,200 OH...HIM. 806 00:47:08,901 --> 00:47:11,367 YEAH. SOMEBODY TOLD ME THEY'RE GETTING MARRIED. 807 00:47:11,402 --> 00:47:13,418 REALLY? 808 00:47:13,453 --> 00:47:15,434 ABOUT TIME. 809 00:47:15,469 --> 00:47:16,634 YEAH. 810 00:47:17,701 --> 00:47:19,234 I GUESS SO. 811 00:47:25,400 --> 00:47:27,434 WAKE ME UP WHEN WE'RE IN THE CAB. 812 00:47:28,767 --> 00:47:30,100 DAVID? 813 00:47:30,135 --> 00:47:31,434 MADDIE? 814 00:47:33,868 --> 00:47:35,499 WANT HALF THE BLANKET? 815 00:47:35,534 --> 00:47:37,934 WE'LL FIGURE THAT OUT WHEN WE GET TO YOUR PLACE. 816 00:47:41,167 --> 00:47:42,800 YEAH. 817 00:47:42,835 --> 00:47:44,434 THANKS. 818 00:47:48,634 --> 00:47:50,998 IF I CAN BORROW HALF A SHOULDER. 819 00:47:51,033 --> 00:47:53,434 ONLY FOR ABOUT THE NEXT 20 OR 30 YEARS. 820 00:47:54,534 --> 00:47:56,534 THEN I'M GOING TO NEED IT BACK. 821 00:48:17,934 --> 00:48:20,899 CAPTIONING MADE POSSIBLE BY LIONS GATE HOME ENTERTAINMENT 822 00:48:20,934 --> 00:48:23,868 CAPTIONED BY THE NATIONAL CAPTIONING INSTITUTE - www.ncicap.org- 823 00:48:30,200 --> 00:48:35,084 * SOME WALK BY NIGHT * 824 00:48:35,119 --> 00:48:39,933 * SOME FLY BY DAY * 825 00:48:39,968 --> 00:48:43,866 * SOMETHING IS SWEETER * 826 00:48:43,901 --> 00:48:48,217 * 'CAUSE WE MET ON THE WAY * 827 00:48:48,252 --> 00:48:52,534 * 'CAUSE WE MET ON THE WAY ** 828 00:48:53,000 --> 00:48:56,139 Best watched using Open Subtitles MKV Player 829 00:48:56,189 --> 00:49:00,739 Repair and Synchronization by Easy Subtitles Synchronizer 1.0.0.0 56816

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