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1
00:00:03,300 --> 00:00:07,450
* SOME WALK BY NIGHT *
2
00:00:07,485 --> 00:00:11,601
* SOME FLY BY DAY *
3
00:00:12,667 --> 00:00:17,250
* NOTHING COULD CHANGE YOU *
4
00:00:17,285 --> 00:00:22,076
* SET AND SURE
OF THE WAY *
5
00:00:22,111 --> 00:00:26,833
* THERE IS THE SUN
AND MOON *
6
00:00:26,868 --> 00:00:31,551
* THEY SING
THEIR OWN SWEET TUNE *
7
00:00:31,586 --> 00:00:36,234
* WATCH THEM
WHEN DAWN IS NEW *
8
00:00:36,269 --> 00:00:40,566
* SHARING ONE SPACE *
9
00:00:40,601 --> 00:00:45,400
* WE'LL WALK
BY NIGHT, BABE *
10
00:00:45,435 --> 00:00:49,933
* WE'LL FLY BY DAY *
11
00:00:49,968 --> 00:00:54,801
* MOONLIGHTING STRANGERS *
12
00:00:54,836 --> 00:00:59,634
* WHO JUST MET
ON THE WAY **
13
00:01:03,767 --> 00:01:06,701
CAPTIONING MADE POSSIBLE BY
LIONS GATE HOME ENTERTAINMENT
14
00:01:07,000 --> 00:01:10,074
Subtitles downloaded from www.OpenSubtitles.org
15
00:01:49,534 --> 00:01:51,866
YOU MUST BE
THE UNHAPPY BRIDE.
16
00:01:51,901 --> 00:01:53,667
IF I HAD KNOWN
THROWING THIS PARTY FOR YOU
17
00:01:53,702 --> 00:01:54,699
WOULD DEPRESS
YOU SO,
18
00:01:54,734 --> 00:01:55,868
I NEVER WOULD
HAVE INVITED YOU.
19
00:01:55,903 --> 00:01:57,566
I'M NOT DEPRESSED.
20
00:01:57,601 --> 00:01:59,667
WHAT MAKES YOU THINK
I'M DEPRESSED?
21
00:01:59,702 --> 00:02:01,499
I DON'T KNOW.
22
00:02:01,534 --> 00:02:03,834
COULD BE
THAT BLACK CLOUD OVER YOUR HEAD,
23
00:02:03,869 --> 00:02:04,833
OR THE WAY
YOUR CHIN
24
00:02:04,868 --> 00:02:06,933
KEEPS DRAGGING
ON THE GROUND,
25
00:02:06,968 --> 00:02:08,868
OR THE WAY YOU
KEEP BELTING DOWN THAT GIN.
26
00:02:10,033 --> 00:02:11,067
IT'S A PARTY.
27
00:02:12,734 --> 00:02:15,400
I WANT YOU TO HAVE
A GOOD TIME.
28
00:02:15,435 --> 00:02:17,167
I AM HAVING
A GOOD TIME.
29
00:02:25,801 --> 00:02:27,365
WHAT'S THIS?
30
00:02:27,400 --> 00:02:29,699
I DON'T KNOW.
WHAT IS IT?
31
00:02:29,734 --> 00:02:32,133
WHY DON'T YOU
OPEN IT AND SEE? I DON'T KNOW.
32
00:02:33,367 --> 00:02:35,000
THANK YOU.
33
00:02:37,100 --> 00:02:38,850
HAPPY ANNIVERSARY.
34
00:02:38,885 --> 00:02:40,726
IT'S A CRUISE.
35
00:02:40,761 --> 00:02:42,532
AROUND THE WORLD.
36
00:02:42,567 --> 00:02:44,165
YOU'VE GIVEN ME
TEN YEARS.
37
00:02:44,200 --> 00:02:46,000
THE LEAST
I CAN GIVE YOU IS SIX MONTHS.
38
00:04:14,634 --> 00:04:15,933
*YEAH, YEAH, YEAH *
39
00:04:15,968 --> 00:04:18,601
* I SAY SHAKE,
RATTLE, AND ROLL *
40
00:04:18,636 --> 00:04:21,234
* I SAY SHAKE,
RATTLE, AND ROLL *
41
00:04:21,269 --> 00:04:22,265
* WHAT'S UP, KIDS? *
42
00:04:22,300 --> 00:04:25,000
* I SAY SHAKE,
RATTLE, AND ROLL **
43
00:04:25,035 --> 00:04:26,467
WHAT'S THE SCHEME, TEAM?
44
00:04:26,502 --> 00:04:27,968
FIRE DRILL?
45
00:04:33,634 --> 00:04:36,466
LA DOLCE DIPESTO!
46
00:04:36,501 --> 00:04:38,234
YOU ALLOW THIS KIND
OF THING TO HAPPEN IN YOUR OFFICE?
47
00:04:38,269 --> 00:04:39,365
ME?
48
00:04:39,400 --> 00:04:41,067
WELL, I DIDN'T SAY
IT WAS A BAD THING, DID I?
49
00:04:44,334 --> 00:04:46,667
15-YARD PENALTY!
TOO MUCH TIME IN THE HUDDLE.
50
00:04:50,801 --> 00:04:52,484
MR. HAYES...
51
00:04:52,519 --> 00:04:53,926
MISS ADDISON...
52
00:04:53,961 --> 00:04:55,299
CLOSE ENOUGH.
53
00:04:55,334 --> 00:04:56,734
HAVEN'T YOU EVER
HEARD OF A FIRE ESCAPE?
54
00:04:58,334 --> 00:05:00,365
THE TIMES CALLED.
55
00:05:00,400 --> 00:05:02,367
THEY SAID
YOUR RADIATOR'S ON THE BLINK.
56
00:05:02,402 --> 00:05:03,799
YOUR POOL MAN CALLED,
57
00:05:03,834 --> 00:05:07,100
WANTS TO KNOW IF YOU WANT
TO RENEW YOUR SUBSCRIPTION.
58
00:05:07,135 --> 00:05:09,084
THE MECHANIC CALLED.
59
00:05:09,119 --> 00:05:10,726
HE SAID IT WAS, UH...
60
00:05:10,761 --> 00:05:12,334
TIME FOR MORE CHLORINE.
61
00:05:12,369 --> 00:05:14,299
MISS DIPESTO!
62
00:05:14,334 --> 00:05:17,634
I'D LIKE TO SEE YOU
IN MY OFFICE.
63
00:05:17,669 --> 00:05:19,434
AND I THINK DAVID
AND MR...
64
00:05:19,469 --> 00:05:22,000
VIOLA.
HERBERT VIOLA.
65
00:05:22,035 --> 00:05:24,632
HERBERT VIOLA...
66
00:05:24,667 --> 00:05:27,467
MIGHT ALSO
WANT TO HAVE A CONVERSATION,
67
00:05:27,502 --> 00:05:29,034
AS WELL.
68
00:05:29,069 --> 00:05:30,532
WE MIGHT?
69
00:05:30,567 --> 00:05:32,699
OF COURSE WE MIGHT.
70
00:05:32,734 --> 00:05:34,632
INTO THE WOODSHED,
VIOLA.
71
00:05:34,667 --> 00:05:36,834
SEEMS LIKE THERE'S A PADDLE
WITH YOUR NAME ON IT.
72
00:05:57,133 --> 00:06:00,133
OOH!
OOH! OOH!
73
00:06:06,501 --> 00:06:07,766
I'M SORRY.
74
00:06:07,801 --> 00:06:09,534
THAT'S NOT WHY
I CALLED YOU IN HERE.
75
00:06:09,569 --> 00:06:11,165
WELL, I'M SORRY ANYWAY?
76
00:06:11,200 --> 00:06:13,601
YOU WANT TO TELL ME
HOW IT HAPPENED?
77
00:06:13,636 --> 00:06:14,666
NO.
78
00:06:14,701 --> 00:06:16,133
AGNES, DON'T BE
EMBARRASSED.
79
00:06:16,168 --> 00:06:17,467
YOU CAN
TALK TO ME.
80
00:06:18,834 --> 00:06:20,100
DID HE HURT YOU?
81
00:06:21,534 --> 00:06:23,300
DID HE FORCE
HIMSELF ON YOU?
82
00:06:24,734 --> 00:06:26,601
HE JUST GRABBED YOU
AND KISSED YOU
83
00:06:26,636 --> 00:06:27,732
AND THREW YOU
ON THE DESK
84
00:06:27,767 --> 00:06:29,367
AND FORCED YOU
TO RETURN HIS AFFECTIONS?
85
00:06:29,402 --> 00:06:31,934
NO, I GRABBED HIM
AND KISSED HIM
86
00:06:31,969 --> 00:06:33,032
AND THREW HIM
ON THE DESK
87
00:06:33,067 --> 00:06:34,501
AND FORCED HIM
TO RETURN MY AFFECTIONS.
88
00:06:35,868 --> 00:06:37,801
YOU DON'T THINK HE'LL
PRESS CHARGES, DO YOU?
89
00:06:39,000 --> 00:06:40,365
I WAS THINKING,
90
00:06:40,400 --> 00:06:41,866
MAYBE I COULD GET SOME
OF THE OTHER GIRLS
91
00:06:41,901 --> 00:06:44,367
TO SWEAR THAT THEY'D BEEN
ON A DESK WITH HIM, TOO.
92
00:06:44,402 --> 00:06:47,067
SHE ATTACKED HIM-
WHAT ARE YOU DOING?
93
00:06:47,102 --> 00:06:48,384
WAIT A SECOND.
WHOA, WHOA, WHOA!
94
00:06:48,419 --> 00:06:50,160
NO HITTING
BELOW THE KNUCKLE.
95
00:06:50,195 --> 00:06:51,901
THERE!
BEG FOR MERCY, YOU DIGIT!
96
00:06:51,936 --> 00:06:53,332
1, 2, 3.
97
00:06:53,367 --> 00:06:54,399
IT'S ALL OVER.
98
00:06:54,434 --> 00:06:55,901
CLEAN OUT YOUR
LOCKER AND GO HOME.
99
00:06:55,936 --> 00:06:57,165
ONE MORE TIME?
100
00:06:57,200 --> 00:06:58,367
DIDN'T YOU HEAR
WHAT I SAID?
101
00:06:58,402 --> 00:06:59,367
SHE ATTACKED HIM!
102
00:06:59,402 --> 00:07:00,434
SHE?
SHE!
103
00:07:00,469 --> 00:07:02,098
SEE?
104
00:07:02,133 --> 00:07:04,200
I TOLD HIM, MS. HAYES,
BUT HE WOULDN'T LISTEN TO ME.
105
00:07:04,235 --> 00:07:05,234
IS THIS WHAT
YOU'VE BEEN DOING
106
00:07:05,269 --> 00:07:06,434
FOR THE PAST
10 MINUTES?
107
00:07:06,469 --> 00:07:07,566
ARE YOU KIDDING?
108
00:07:07,601 --> 00:07:09,151
I'VE BEEN
GRILLING HIM EVERY WHICH WAY.
109
00:07:09,186 --> 00:07:10,560
WE'RE JUST TAKING
A BREAK, THAT'S ALL.
110
00:07:10,595 --> 00:07:12,364
WHY DO I FIND THAT
HARD TO BELIEVE?
111
00:07:12,399 --> 00:07:14,133
WHO KNOWS? I PELTED HIM
WITH STONES.
112
00:07:14,168 --> 00:07:15,833
I STITCHED A SCARLET "K"
ON HIS SHIRT
113
00:07:15,868 --> 00:07:17,567
SO EVERYBODY
WOULD KNOW WHAT KIND OF KNUCKLEHEAD HE WAS.
114
00:07:17,602 --> 00:07:19,501
MISS HAYES,
MR. ADDISON.
115
00:07:22,334 --> 00:07:23,766
OH...
116
00:07:23,801 --> 00:07:26,000
HELLO AGAIN.
117
00:07:29,234 --> 00:07:30,766
MISS DIPESTO,
WHAT IS IT?
118
00:07:30,801 --> 00:07:32,734
THERE'S SOMEONE HERE
TO SEE YOU.
119
00:07:33,968 --> 00:07:35,151
WHO?
120
00:07:35,186 --> 00:07:36,299
HUH?
121
00:07:36,334 --> 00:07:38,033
WELL, SHOW
WHOEVER IT IS IN.
122
00:07:42,634 --> 00:07:44,100
AHH!
123
00:07:47,567 --> 00:07:49,200
SO WHAT ARE WE GOING
TO DO ABOUT IT?
124
00:07:49,235 --> 00:07:50,432
ABOUT WHAT?
125
00:07:50,467 --> 00:07:51,850
ABOUT WHAT?
THANKS.
126
00:07:51,885 --> 00:07:53,059
MADELYN, MADELYN-
127
00:07:53,094 --> 00:07:54,199
DAVID, SAVE IT.
128
00:07:54,234 --> 00:07:55,734
I KNOW THIS
CONVERSATION BY HEART.
129
00:07:55,769 --> 00:07:56,751
IT'S TWO PARTS
"LIGHTEN UP,"
130
00:07:56,786 --> 00:07:57,699
AND 10 PARTS
WHAT MY GARDNER
131
00:07:57,734 --> 00:07:58,767
SPREADS ON THE LAWN
EVERY SPRING.
132
00:07:58,802 --> 00:08:00,065
EXCUSE ME.
133
00:08:00,100 --> 00:08:01,632
I'M NOT CERTAIN
IF THIS IS
134
00:08:01,667 --> 00:08:03,684
THE OFFICE I WAS
SUPPOSED TO WALK INTO OR NOT.
135
00:08:03,719 --> 00:08:05,701
THE RECEPTIONIST
WAS RUNNING BY ME SO FAST.
136
00:08:05,736 --> 00:08:08,185
OH, COME RIGHT IN.
I'M MADELYN HAYES,
137
00:08:08,220 --> 00:08:10,027
AND THIS IS
MY ASSOCIATE DAVID ADDISON.
138
00:08:10,062 --> 00:08:11,834
HOW YOU DOING?
HAVE A SEAT, PLEASE.
139
00:08:11,869 --> 00:08:12,934
THANK YOU.
140
00:08:15,534 --> 00:08:17,199
MY NAME
IS GAIL WOODLEY.
141
00:08:17,234 --> 00:08:18,784
I DON'T QUITE KNOW
HOW TO DO THIS.
142
00:08:18,819 --> 00:08:20,334
I'VE BEEN MARRIED
FOR 10 YEARS-
143
00:08:20,369 --> 00:08:22,065
10 YEARS A MONTH AGO.
144
00:08:22,100 --> 00:08:24,000
MY HUSBAND IS
A VERY NICE MAN.
145
00:08:24,035 --> 00:08:25,132
I LOVE MY HUSBAND.
146
00:08:25,167 --> 00:08:27,132
I GUESS THE POINT
THAT I'M TRYING TO MAKE
147
00:08:27,167 --> 00:08:30,334
IS THAT I WOULD
NEVER DO ANYTHING TO HARM OUR MARRIAGE,
148
00:08:30,369 --> 00:08:33,133
AND I WOULD NEVER DO
ANYTHING TO HARM HIM, NEVER.
149
00:08:33,168 --> 00:08:34,632
I HAVE NEVER CHEATED.
150
00:08:34,667 --> 00:08:36,000
I HAVE NEVER EVEN
THOUGHT ABOUT IT.
151
00:08:36,035 --> 00:08:37,367
NOT SERIOUSLY ANYWAY.
152
00:08:39,634 --> 00:08:43,901
ANYWAY, ABOUT
21/2 YEARS AGO,
153
00:08:43,936 --> 00:08:45,499
I RECEIVED A LETTER.
154
00:08:45,534 --> 00:08:47,200
THERE WAS
NO RETURN ADDRESS ON IT,
155
00:08:47,235 --> 00:08:48,965
JUST A POST OFFICE BOX.
156
00:08:49,000 --> 00:08:50,834
IT WAS TYPEWRITTEN,
ADDRESSED TO ME.
157
00:08:53,601 --> 00:08:55,984
IT WAS WRITTEN BY
THIS PERSON-THIS MAN-
158
00:08:56,019 --> 00:08:58,410
WHO SAYS HE KNOWS ME,
KNOWS ALL ABOUT ME.
159
00:08:58,445 --> 00:09:00,766
HE KNOWS THE DRESS
THAT I WORE LAST THURSDAY,
160
00:09:00,801 --> 00:09:03,300
HE KNOWS THE BLOUSE
THAT I WORE THE MONDAY BEFORE THAT.
161
00:09:03,335 --> 00:09:05,717
HE SAYS HE LIKES
THE SMELL OF MY PERFUME.
162
00:09:05,752 --> 00:09:07,976
HE LIKES TO SPEND
HIS DAYS IMAGINING...
163
00:09:08,011 --> 00:09:10,165
WELL, YOU CAN FIGURE
THE REST OF THAT OUT.
164
00:09:10,200 --> 00:09:12,868
THERE WERE
OTHER THINGS, TOO. IT WAS QUITE A LETTER.
165
00:09:12,903 --> 00:09:14,265
NEEDLESS TO SAY,
166
00:09:14,300 --> 00:09:16,200
I DO NOT KNOW
WHO THIS PERSON IS.
167
00:09:16,235 --> 00:09:17,532
IT COULD BE ANYONE.
168
00:09:17,567 --> 00:09:19,032
IT COULD'VE BEEN
THE MAN
169
00:09:19,067 --> 00:09:20,900
WHO FILLS MY CAR
AT THE GAS STATION,
170
00:09:20,935 --> 00:09:22,734
IT COULD HAVE BEEN
THE FELLOW BEHIND
171
00:09:22,769 --> 00:09:25,067
THE MEAT COUNTER
AT THE MARKET.
172
00:09:25,102 --> 00:09:27,167
IT COULD'VE BEEN
ANYONE.
173
00:09:27,202 --> 00:09:28,766
HE KNOWS ME
174
00:09:28,801 --> 00:09:30,934
AND CLEARLY WANTS TO GET
TO KNOW ME BETTER.
175
00:09:30,969 --> 00:09:33,567
I WAS A LITTLE
FRIGHTENED AT FIRST.
176
00:09:33,602 --> 00:09:35,299
I PUT THE LETTER AWAY.
177
00:09:35,334 --> 00:09:38,067
AND THEN ABOUT A WEEK LATER,
I TOOK IT OUT AND READ IT.
178
00:09:38,102 --> 00:09:40,365
THE MORE I REREAD IT,
179
00:09:40,400 --> 00:09:42,234
THE MORE INTRIGUED
I BECAME.
180
00:09:42,269 --> 00:09:45,534
IT SEEMED SO ANONYMOUS.
181
00:09:47,400 --> 00:09:48,733
SO...
182
00:09:48,768 --> 00:09:50,067
RECKLESS.
183
00:09:52,467 --> 00:09:53,701
THEN...
184
00:09:55,267 --> 00:09:56,899
ONE RAINY AFTERNOON,
185
00:09:56,934 --> 00:09:59,734
I SAT DOWN,
AND I WROTE HIM BACK.
186
00:10:01,601 --> 00:10:03,767
I GAVE IT TO THE POSTMAN
BECAUSE I WAS AFRAID
187
00:10:03,802 --> 00:10:05,467
I'D CHANGE MY MIND
AT THE MAILBOX.
188
00:10:06,868 --> 00:10:08,532
AND I WAITED.
189
00:10:08,567 --> 00:10:11,934
A WEEK LATER,
I RECEIVED HIS LETTER.
190
00:10:11,969 --> 00:10:14,965
ONLY THIS TIME,
IT WAS...
191
00:10:15,000 --> 00:10:18,383
MORE PERSONAL.
IT WAS MORE INTIMATE.
192
00:10:18,418 --> 00:10:21,732
I FOUND MYSELF
RACING TO THE MAILBOX
193
00:10:21,767 --> 00:10:24,968
EVERY MORNING,
HOPING TO FIND ANOTHER LETTER.
194
00:10:25,003 --> 00:10:26,801
I'D SEE MEN LOOKING
AT ME ON THE STREET,
195
00:10:26,836 --> 00:10:30,599
AND I'D WONDER
IF THAT WAS HIM.
196
00:10:30,634 --> 00:10:32,400
I WOULD WONDER IF
HE WAS THINKING ABOUT
197
00:10:32,435 --> 00:10:34,367
WHAT I HAD
WRITTEN TO HIM.
198
00:10:34,402 --> 00:10:36,300
IT JUST SEEMED
SO HARMLESS.
199
00:10:36,335 --> 00:10:37,432
SO WHAT HAPPENED?
200
00:10:37,467 --> 00:10:39,934
ABOUT A MONTH AGO,
OUR 10th WEDDING ANNIVERSARY,
201
00:10:39,969 --> 00:10:42,134
MY HUSBAND
SURPRISES ME WITH A GIFT-
202
00:10:42,169 --> 00:10:44,265
A CRUISE AROUND THE WORLD
FOR SIX MONTHS.
203
00:10:44,300 --> 00:10:47,167
SOMEHOW MY FRIEND
FINDS OUT, AND HE WASN'T PLEASED.
204
00:10:47,202 --> 00:10:48,599
DIDN'T I REALIZE
205
00:10:48,634 --> 00:10:50,065
THAT THE MAIL COULD BE
DELAYED FOR WEEKS
206
00:10:50,100 --> 00:10:52,334
ON A CRUISE SHIP
AS IT MOVES FROM PORT TO PORT?
207
00:10:52,369 --> 00:10:53,965
AND HOW COULD I
POSSIBLY WRITE HIM BACK
208
00:10:54,000 --> 00:10:56,200
IF I'M WITH MY HUSBAND
EVERY MINUTE OF THE DAY?
209
00:10:56,235 --> 00:10:58,332
HE SAID HE COULDN'T
POSSIBLY STAND
210
00:10:58,367 --> 00:11:00,850
NOT COMMUNICATING
WITH ME FOR SIX MONTHS.
211
00:11:00,885 --> 00:11:03,334
HE TOLD ME
I SHOULDN'T GO, I COULDN'T GO.
212
00:11:03,369 --> 00:11:04,998
I TOLD HIM
I HAD TO GO.
213
00:11:05,033 --> 00:11:07,016
HIS NEXT LETTER
WAS ANGRIER.
214
00:11:07,051 --> 00:11:08,965
HE TOLD ME
TO LEAVE MY HUSBAND.
215
00:11:09,000 --> 00:11:12,100
AND HIS LAST LETTER
SUGGESTED SOMETHING DARKER STILL.
216
00:11:12,135 --> 00:11:14,299
WHAT WOULD YOU
LIKE US TO DO?
217
00:11:14,334 --> 00:11:17,017
I WANT YOU TO FIND HIM
AND STOP HIM!
218
00:11:17,052 --> 00:11:19,666
I'M NOT ABOUT TO
LEAVE MY HUSBAND.
219
00:11:19,701 --> 00:11:22,667
I'M NOT ABOUT TO
DO ANY OF THE THINGS THAT HE SUGGESTED.
220
00:11:22,702 --> 00:11:24,265
I'M SCARED.
221
00:11:24,300 --> 00:11:25,866
I MEAN,
HE HAS MY ADDRESS.
222
00:11:25,901 --> 00:11:27,566
WHAT'S TO STOP HIM
FROM PHONING ME,
223
00:11:27,601 --> 00:11:30,234
OR FOR THAT MATTER,
SHOWING UP AT MY HOME?
224
00:11:31,868 --> 00:11:33,998
IT STARTED OUT
AS BEING FUN,
225
00:11:34,033 --> 00:11:37,100
KIND OF LIKE MAKING LOVE
WITH A BLINDFOLD ON.
226
00:11:40,767 --> 00:11:42,767
BUT THIS ISN'T
FUN ANYMORE.
227
00:11:45,634 --> 00:11:47,400
HOW LONG DO YOU THINK
THIS IS GOING TO TAKE?
228
00:11:47,435 --> 00:11:48,634
I DON'T KNOW,
HOW LONG?
229
00:11:48,669 --> 00:11:50,466
HOW MANY DAYS?
230
00:11:50,501 --> 00:11:51,934
HOW MANY DAYS
ARE WE GONNA HAVE TO GET UP
231
00:11:51,969 --> 00:11:53,065
AT 6:00
IN THE MORNING
232
00:11:53,100 --> 00:11:54,600
AND DRIVE DOWN
TO THE POST OFFICE
233
00:11:54,635 --> 00:11:55,984
AND SIT BESIDE
A POST OFFICE BOX
234
00:11:56,019 --> 00:11:57,299
TO WAIT AND SEE
IF SOME CRANK
235
00:11:57,334 --> 00:11:58,701
IS GONNA SHOW UP
TO PICK UP HIS MAIL?
236
00:11:58,736 --> 00:12:00,566
WELL, I DON'T KNOW.
237
00:12:00,601 --> 00:12:01,950
COULD BE
A COUPLE DAYS.
238
00:12:01,985 --> 00:12:03,265
COULD BE
A COUPLE WEEKS.
239
00:12:03,300 --> 00:12:05,167
YOU GOT A BETTER WAY
TO CATCH THIS ROMEO?
240
00:12:07,067 --> 00:12:08,699
LOOK AT
THE BRIGHT SIDE-
241
00:12:08,734 --> 00:12:10,065
FOR WHO KNOWS
HOW MANY MORNINGS,
242
00:12:10,100 --> 00:12:12,334
MINE WILL BE
THE FIRST FACE YOU'LL SEE.
243
00:12:17,701 --> 00:12:19,117
YOU KNOW,
THIS IS GOOD PRACTICE.
244
00:12:19,152 --> 00:12:20,499
WHEN WE START
SHOWERING TOGETHER,
245
00:12:20,534 --> 00:12:22,100
WHICH SIDE DO YOU
WANT ME TO SCRUB FIRST?
246
00:12:25,367 --> 00:12:27,200
ALL RIGHT, I GIVE UP.
WHAT'S WITH YOU TODAY?
247
00:12:27,235 --> 00:12:29,001
THE WORLD'S WITH ME.
248
00:12:29,036 --> 00:12:30,868
THE WORLD?
IS THAT ALL?
249
00:12:30,903 --> 00:12:32,402
NEVER MIND.
FORGET IT.
250
00:12:32,437 --> 00:12:33,901
YOU WOULDN'T
UNDERSTAND.
251
00:12:33,936 --> 00:12:35,601
OK.
252
00:12:38,367 --> 00:12:40,267
DAVID, WHAT'S
GOING ON IN THE WORLD?
253
00:12:40,302 --> 00:12:42,599
IN THE WORLD?
254
00:12:42,634 --> 00:12:45,584
WELL, YOU GOT
YOUR ARMS RACE.
255
00:12:45,619 --> 00:12:47,993
YOU GOT YOUR
ASSORTED DISEASES.
256
00:12:48,028 --> 00:12:50,331
YOU STILL GOT
YOUR APARTHEID
257
00:12:50,366 --> 00:12:52,599
DOWN THERE
IN SOUTH AFRICA.
258
00:12:52,634 --> 00:12:54,734
WHAT "WHAT" WERE YOU
REFERRING TO?
259
00:12:54,769 --> 00:12:56,032
MAYBE IT'S
NOT THE WORLD.
260
00:12:56,067 --> 00:12:57,599
MAYBE IT'S ME.
MAYBE WHAT'S YOU?
261
00:12:57,634 --> 00:12:59,367
MAYBE I'M THE ONLY ONE
WHO GETS UPSET
262
00:12:59,402 --> 00:13:00,632
ABOUT SEEING A SECRETARY
263
00:13:00,667 --> 00:13:02,998
LAY A MAN ACROSS HER DESK
LIKE A BLOTTER
264
00:13:03,033 --> 00:13:06,834
OR CHASE HIM
AROUND AN OFFICE LIKE PEP� LE PEW.
265
00:13:06,869 --> 00:13:09,084
MAYBE I'M THE ONLY ONE
WHO FINDS IT STRANGE
266
00:13:09,119 --> 00:13:11,300
WHEN A MARRIED WOMAN
WALKS IN AND TELLS US
267
00:13:11,335 --> 00:13:12,432
SHE WANTS
TO STOP AN AFFAIR
268
00:13:12,467 --> 00:13:13,732
THAT SHE'S HAVING
THROUGH THE MAIL.
269
00:13:13,767 --> 00:13:15,467
CAN YOU BLAME HER?
THOSE LITTLE ENVELOPES
270
00:13:15,502 --> 00:13:16,799
KINDA LIMIT
THE POSSIBILITIES.
271
00:13:16,834 --> 00:13:19,501
OH, DAVID, NOTHING
MAKES SENSE ANYMORE.
272
00:13:19,536 --> 00:13:21,833
WHAT'S HAPPENED
TO ALL THE RULES?
273
00:13:21,868 --> 00:13:24,133
YOU MEET SOMEONE.
YOU FLIRT WITH THEM A LITTLE.
274
00:13:24,168 --> 00:13:25,834
YOU FLIRT WITH THEM
ALITTLE MORE.
275
00:13:25,869 --> 00:13:27,466
YOU GO OUT.
YOU FALL IN LOVE.
276
00:13:27,501 --> 00:13:29,484
YOU GET MARRIED.
YOU STAY MARRIED.
277
00:13:29,519 --> 00:13:31,660
WHAT'S HAPPENED
TO ALL OF THAT?
278
00:13:31,695 --> 00:13:33,766
WHAT'S HAPPENED
TO ROMANCE?
279
00:13:33,801 --> 00:13:35,467
HAVE YOU LOOKED
AT A CALENDAR LATELY?
280
00:13:35,502 --> 00:13:36,965
WHAT'S THAT SUPPOSED
TO MEAN?
281
00:13:37,000 --> 00:13:38,817
IT MEANS THIS IS
THE EIGHTIES, MADDIE,
282
00:13:38,852 --> 00:13:40,634
AND IN THE EIGHTIES,
YOU TAKE YOUR ROMANCE
283
00:13:40,669 --> 00:13:42,132
WHERE YOU CAN FIND IT.
284
00:13:42,167 --> 00:13:44,417
AND IF THAT MEANS
A 22-CENT STAMP, FINE.
285
00:13:44,452 --> 00:13:46,667
IF IT MEANS A BUCK TO
RENT AN ADULT VIDEO,
286
00:13:46,702 --> 00:13:47,833
THAT'S FINE, TOO.
287
00:13:47,868 --> 00:13:49,434
MAYBE IT'S
A $2.00 TOLL CALL
288
00:13:49,469 --> 00:13:50,965
TO SOMEONE
YOU NEVER MET
289
00:13:51,000 --> 00:13:52,683
WHO WOULD SAY THINGS
YOU WOULD NEVER UTTER
290
00:13:52,718 --> 00:13:54,367
TO SOMEONE YOU KNOW.
IT'S ALL ROMANCE.
291
00:13:54,402 --> 00:13:56,135
THAT'S NOT ROMANCE.
292
00:13:56,170 --> 00:13:57,833
THAT'S DIRTY SOLITAIRE.
293
00:13:57,868 --> 00:14:00,534
YEAH. THESE ARE
GREAT TIMES WE'RE LIVING IN, HUH?
294
00:14:00,569 --> 00:14:02,267
IT NO LONGER
TAKES TWO TO TANGO.
295
00:14:05,467 --> 00:14:09,200
EXACTLY 7:00 A.M.
I LOVE THIS COUNTRY.
296
00:14:14,567 --> 00:14:16,032
YOU'RE AWFULLY HAPPY
FOR SOMEONE
297
00:14:16,067 --> 00:14:17,834
WHO'S GOING
TO SIT ON A COLD MARBLE FLOOR
298
00:14:17,869 --> 00:14:20,032
FOR HOURS, DAYS,
WEEKS.
299
00:14:20,067 --> 00:14:22,833
SURE I'M HAPPY.
I LOVE POST OFFICES.
300
00:14:22,868 --> 00:14:25,300
WHEN I WAS IN JUNIOR HIGH,
POST OFFICE WAS MY GAME.
301
00:14:29,634 --> 00:14:31,767
"4692."
302
00:14:31,802 --> 00:14:33,901
54...
303
00:14:35,667 --> 00:14:37,867
97...
4...
304
00:14:37,902 --> 00:14:40,218
4...
2...
305
00:14:40,253 --> 00:14:42,499
94, 98...
306
00:14:42,534 --> 00:14:44,234
4692, THERE'S
THE LITTLE SCOUNDREL.
307
00:14:44,269 --> 00:14:45,701
NOW WHAT?
308
00:14:45,736 --> 00:14:47,133
NOW WE WAIT.
309
00:14:59,334 --> 00:15:00,850
2:00.
I WATCH. YOU WALK.
310
00:15:00,885 --> 00:15:02,367
HOW WERE
THE WANTED POSTERS?
311
00:15:02,402 --> 00:15:03,332
THEY LEFT ME WANTING.
312
00:15:03,367 --> 00:15:04,567
STILL HAVEN'T MADE
THE TOP 10?
313
00:15:04,602 --> 00:15:06,098
WHAT CAN I SAY?
314
00:15:06,133 --> 00:15:08,567
I'M DOOMED
TO BE UNDER-APPRECIATED.
315
00:15:10,467 --> 00:15:12,100
BYE.
316
00:15:36,901 --> 00:15:38,734
I'VE WRITTEN
MY MOTHER, MY FATHER,
317
00:15:38,769 --> 00:15:40,232
MY AUNT GRACE...
318
00:15:40,267 --> 00:15:42,367
WELL, AT LEAST YOU
WON'T HAVE TOO FAR TO GO TO MAIL THEM.
319
00:15:52,567 --> 00:15:54,100
WHAT ARE YOU
WRITING NOW?
320
00:15:55,834 --> 00:15:57,399
MY WILL.
321
00:15:57,434 --> 00:15:58,699
THIS PLACE IS
MAKING ME SUICIDAL.
322
00:15:58,734 --> 00:16:01,067
OH, YEAH? MAKE SURE
YOU LEAVE ME SOMETHING.
323
00:16:01,102 --> 00:16:02,501
CONSIDER
YOURSELF LEFT.
324
00:16:21,701 --> 00:16:23,267
OH, EXCUSE ME.
325
00:17:00,167 --> 00:17:01,399
COME ON.
326
00:17:01,434 --> 00:17:03,267
OUR MYSTERY GUEST
JUST SIGNED IN.
327
00:17:06,067 --> 00:17:07,299
THAT'S HIM-
328
00:17:07,334 --> 00:17:08,766
THE DAPPER-LOOKING
VAGRANT
329
00:17:08,801 --> 00:17:10,834
STUDYING THAT LETTER
FROM PUBLISHER'S CLEARING HOUSE.
330
00:17:10,869 --> 00:17:12,232
LISTEN, KEEP
AN EYE ON HIM.
331
00:17:12,267 --> 00:17:13,868
IF HE GETS
ON THE BUS, GET THE NUMBER.
332
00:17:13,903 --> 00:17:15,133
I'M GONNA GO
GET THE CAR.
333
00:17:45,167 --> 00:17:46,532
I DON'T KNOW, DAVID.
334
00:17:46,567 --> 00:17:48,634
SURE YOU DO.
HE LOOKS JUST LIKE ME.
335
00:17:48,669 --> 00:17:50,666
NO, I MEAN,
I DON'T KNOW, DAVID.
336
00:17:50,701 --> 00:17:53,767
THIS MAN DOESN'T
LOOK LIKE I EXPECTED THIS MAN TO LOOK.
337
00:17:53,802 --> 00:17:55,400
WHAT DID YOU
EXPECT THIS MAN TO LOOK LIKE?
338
00:17:55,435 --> 00:17:57,334
I DON'T KNOW.
WELL-TO-DO.
339
00:17:57,369 --> 00:17:59,199
OR AT LEAST
BETTER-TO-DO.
340
00:17:59,234 --> 00:18:00,834
LIKE HE TOOK A BATH
ONCE IN A WHILE.
341
00:18:02,234 --> 00:18:03,399
WAIT A SECOND.
342
00:18:03,434 --> 00:18:05,868
PUT YOUR SEATS
IN FULL UPRIGHT POSITION.
343
00:18:05,903 --> 00:18:08,200
WE MAY BE COMING IN
FOR A LANDING.
344
00:18:28,567 --> 00:18:29,998
WELL...
345
00:18:30,033 --> 00:18:33,601
IT'S EITHER
MRS. G. BROWN OR MR. P. MASON.
346
00:18:47,834 --> 00:18:48,866
COME ON.
347
00:18:48,901 --> 00:18:51,201
COME ON WHAT?
WHAT ARE WE GOING TO DO?
348
00:18:51,236 --> 00:18:53,501
COME ON, WE'RE GONNA
GO TALK TO HIM.
349
00:18:53,536 --> 00:18:55,252
WHAT'S A MATTER
WITH YOU?
350
00:18:55,287 --> 00:18:56,933
I DON'T KNOW.
THIS PLACE.
351
00:18:56,968 --> 00:18:58,968
I MEAN, I WASN'T
EXPECTING HIM TO LIVE HERE,
352
00:18:59,003 --> 00:19:00,335
IN A PLACE LIKE
THIS. I MEAN,
353
00:19:00,370 --> 00:19:01,667
THE LETTERS WERE
SO WELL WRITTEN.
354
00:19:01,702 --> 00:19:02,766
WHAT ARE YOU
TALKING ABOUT?
355
00:19:02,801 --> 00:19:03,967
YOU THINK THEY GIVE
YOU SOME KIND
356
00:19:04,002 --> 00:19:05,133
OF AN ILLITERACY
TEST TO MOVE INTO
357
00:19:05,168 --> 00:19:06,199
A PLACE LIKE THIS?
358
00:19:06,234 --> 00:19:08,183
MADDIE,
THIS IS A HOVEL.
359
00:19:08,218 --> 00:19:10,098
LOTS OF YOUR
MAJOR WRITERS
360
00:19:10,133 --> 00:19:12,067
LIVED, WORKED,
AND DIED IN HOVELS.
361
00:19:12,102 --> 00:19:13,699
IT MAKES SENSE.
IT COMPUTES.
362
00:19:13,734 --> 00:19:16,267
WE'RE JUST GONNA
HAVE A LITTLE CHAT WITH THIS GUY.
363
00:19:19,667 --> 00:19:21,100
YO! MR. MACY.
364
00:19:26,968 --> 00:19:29,200
MR. MACY,
CAN WE SPEAK TO YOU?
365
00:19:36,100 --> 00:19:39,000
IF WE COULD JUST SPEAK
TO YOU FOR A MINUTE, SIR.
366
00:19:39,035 --> 00:19:41,133
IF YOU'LL JUST
OPEN THIS DOOR.
367
00:19:45,534 --> 00:19:46,998
WHAT ARE YOU DOING?
368
00:19:47,033 --> 00:19:48,333
I'M GETTING READY TO
BREAK THIS DOOR DOWN.
369
00:19:48,368 --> 00:19:49,634
BREAK THIS DOOR DOWN?
YOU CAN'T DO THAT.
370
00:19:49,669 --> 00:19:50,799
WHY NOT?
371
00:19:50,834 --> 00:19:52,332
BECAUSE IT'S NOT
OUR DOOR, IT'S HIS DOOR.
372
00:19:52,367 --> 00:19:54,167
YOU CAN'T GO AROUND
BREAKING OTHER PEOPLE'S DOORS DOWN.
373
00:19:54,202 --> 00:19:55,367
WE'LL GET HIM
A NEW DOOR.
374
00:19:55,402 --> 00:19:56,499
BUT THIS IS HIS DOOR.
375
00:19:56,534 --> 00:19:57,868
WHAT IF HE LIKES
HIS DOOR, DAVID?
376
00:19:57,903 --> 00:19:59,367
MADDIE, DO YOU
REALIZE-
377
00:20:01,367 --> 00:20:03,133
...AND DOWN
THE FIRE ESCAPE.
378
00:20:05,701 --> 00:20:07,968
END OF DISCUSSION.
379
00:20:14,000 --> 00:20:16,267
I HOPE WE DIDN'T
DISTURB YOU, SIR.
380
00:20:19,067 --> 00:20:23,165
OK, WE'LL
DO IT YOUR WAY.
381
00:20:23,200 --> 00:20:24,601
I HAVE THREE
MESSAGES TO DELIVER
382
00:20:24,636 --> 00:20:26,834
FROM A MRS.
GAIL WOODLEY.
383
00:20:26,869 --> 00:20:27,998
MESSAGE NUMBER ONE,
384
00:20:28,033 --> 00:20:30,300
STOP WRITING HER.
MESSAGE NUMBER TWO,
385
00:20:30,335 --> 00:20:32,567
DON'T EVEN THINK
ABOUT THREATENING HER
386
00:20:32,602 --> 00:20:33,632
OR HER HUSBAND.
387
00:20:33,667 --> 00:20:34,866
MESSAGE
NUMBER THREE,
388
00:20:34,901 --> 00:20:36,501
WE KNOW WHO YOU ARE
AND WHERE YOU LIVE.
389
00:20:36,536 --> 00:20:37,501
CAPISCE?
390
00:20:42,901 --> 00:20:45,234
YOU DON'T SEEM
TO UNDERSTAND, MR. MACY.
391
00:20:45,269 --> 00:20:46,567
WE HAVE A LITTLE
PROBLEM HERE.
392
00:20:46,602 --> 00:20:47,768
YOU SEE,
I DON'T GET PAID
393
00:20:47,803 --> 00:20:49,035
UNTIL I DELIVER
THIS MESSAGE,
394
00:20:49,070 --> 00:20:50,185
AND I'M NOT
GONNA BE SURE
395
00:20:50,220 --> 00:20:51,293
I DELIVERED
THIS MESSAGE
396
00:20:51,328 --> 00:20:52,332
UNTIL I SEE YOU
TURN AROUND.
397
00:20:52,367 --> 00:20:54,367
SO WHY DON'T YOU
JUST TURN AROUND
398
00:20:54,402 --> 00:20:55,732
OR I'M GONNA
BE FORCED
399
00:20:55,767 --> 00:20:58,767
TO FINISH KICKING
THIS DOOR IN!
400
00:21:04,133 --> 00:21:06,634
NO MORE LETTERS,
AND NO MORE THREATS.
401
00:21:08,234 --> 00:21:09,367
WELL, SAY SOMETHING.
402
00:21:09,402 --> 00:21:11,732
UHH! UHH!
403
00:21:11,767 --> 00:21:12,834
DAVID, HE'S...
404
00:21:22,868 --> 00:21:24,534
MRS. WOODLEY.
405
00:21:24,569 --> 00:21:25,651
GAIL?
406
00:21:25,686 --> 00:21:26,699
GAIL?
407
00:21:26,734 --> 00:21:28,799
WE WORK FOR GAIL.
408
00:21:28,834 --> 00:21:32,784
SHE'S NOT GOING
TO WRITE YOU ANYMORE.
409
00:21:32,819 --> 00:21:36,734
SHE DOESN'T WANT YOU
TO WRITE, EITHER.
410
00:21:36,769 --> 00:21:38,634
YOU FRIGHTEN HER.
411
00:21:38,669 --> 00:21:39,899
NO.
412
00:21:39,934 --> 00:21:42,466
NO, YOU DO.
413
00:21:42,501 --> 00:21:44,234
SEE, IT'S A GAME.
414
00:21:44,269 --> 00:21:46,035
THAT'S ALL.
415
00:21:46,070 --> 00:21:47,551
A GAME.
416
00:21:47,586 --> 00:21:49,033
UNDERSTAND?
417
00:21:52,200 --> 00:21:53,734
MR. MACY, LOOK AT ME.
418
00:21:55,767 --> 00:21:59,400
SHE DOESN'T LOVE YOU.
419
00:21:59,435 --> 00:22:00,998
SHE NEVER DID.
420
00:22:01,033 --> 00:22:04,501
SHE THOUGHT
IT WAS...FUN.
421
00:22:04,536 --> 00:22:06,232
THAT'S ALL.
422
00:22:06,267 --> 00:22:09,183
NOW IT'S NOT FUN ANYMORE.
423
00:22:09,218 --> 00:22:12,100
NOW SHE WANTS YOU
TO GO AWAY
424
00:22:12,135 --> 00:22:13,667
AND LEAVE HER ALONE.
425
00:22:13,702 --> 00:22:14,901
UNDERSTAND?
426
00:22:18,100 --> 00:22:19,400
DO YOU UNDERSTAND?
427
00:22:31,334 --> 00:22:33,067
MR. MACY.
428
00:22:33,102 --> 00:22:34,766
MR. MACY-
429
00:22:34,801 --> 00:22:36,601
HE UNDERSTANDS.
430
00:22:44,467 --> 00:22:47,100
HERE. THIS IS
FOR THE DOOR.
431
00:22:55,300 --> 00:22:57,200
I HATE THIS JOB.
432
00:23:08,267 --> 00:23:09,667
MR. ADDISON IN YET?
433
00:23:09,702 --> 00:23:11,801
YES.
YES.
434
00:23:13,701 --> 00:23:15,901
MS. DIPESTO?
MR. VIOLA.
435
00:23:17,200 --> 00:23:18,633
HELP ME.
I'M SORRY.
436
00:23:18,668 --> 00:23:20,067
I'M SORRY.
HELP ME.
437
00:23:20,102 --> 00:23:21,434
KNOCK IT OFF.
438
00:23:26,701 --> 00:23:28,466
I GOT AN IDEA!
EXCUSE ME?
439
00:23:28,501 --> 00:23:30,000
AN IDEA, YOU KNOW,
AN ORIGINAL THOUGHT.
440
00:23:30,035 --> 00:23:31,165
YOU'VE HEARD
OF THEM.
441
00:23:31,200 --> 00:23:32,667
ANYWAY, I WAS
JUST LYING IN MY BED LAST NIGHT,
442
00:23:32,702 --> 00:23:34,351
JUST LYING THERE
FEELING TERRIBLE
443
00:23:34,386 --> 00:23:35,965
ABOUT HAVING TO
TELL THAT POOR MAN
444
00:23:36,000 --> 00:23:37,200
THAT HE COULDN'T
WRITE MRS. WOODLEY ANYMORE,
445
00:23:37,235 --> 00:23:38,200
WHEN SUDDENLY,
BA-BING!
446
00:23:38,235 --> 00:23:39,667
I GET THIS IDEA.
447
00:23:39,702 --> 00:23:41,065
BA-WHAT?
HUH?
448
00:23:41,100 --> 00:23:43,567
BA-WHAT? I THOUGHT
I JUST HEARD YOU SAY "BA-BING."
449
00:23:43,602 --> 00:23:44,998
BA-BING?
BA-BING.
450
00:23:45,033 --> 00:23:47,817
SO WHAT IF I DID
SAY BA-BING? SO WHAT?
451
00:23:47,852 --> 00:23:49,893
ANYWAY, DAVID,
I SUDDENLY REALIZED...
452
00:23:49,928 --> 00:23:52,030
WHY ARE YOU LOOKING
AT ME LIKE THAT?
453
00:23:52,065 --> 00:23:54,133
HUH?
WHY ARE LOOKING AT ME LIKE THAT?
454
00:23:54,168 --> 00:23:55,534
YOU'RE DOING ME.
455
00:23:55,569 --> 00:23:56,833
I'M WHAT?
456
00:23:56,868 --> 00:23:59,732
YOU'RE DOING ME, MADDIE.
457
00:23:59,767 --> 00:24:01,332
YOU COME IN HERE,
YOU SLAM THE DOOR,
458
00:24:01,367 --> 00:24:03,267
YOU SAY BA-BING,
YOU SIT ON THE CORNER OF THAT DESK...
459
00:24:03,302 --> 00:24:05,334
I KNOW WHAT I'M
TALKING ABOUT, MADDIE HAYES.
460
00:24:05,369 --> 00:24:06,566
THIS IS NOT JUST
SOME IDEA
461
00:24:06,601 --> 00:24:08,334
I PLUCKED OUT
OF THE AIR WILLY-
462
00:24:08,369 --> 00:24:09,899
NOW I'M DOING YOU!
463
00:24:09,934 --> 00:24:11,265
DAVID, ARE YOU
ALL RIGHT?
464
00:24:11,300 --> 00:24:13,067
TRUST ME, MADDIE.
WE'RE DOING THIS BACKWARDS.
465
00:24:13,102 --> 00:24:14,234
WE'LL JUST GO OUT
INTO YOUR OFFICE
466
00:24:14,269 --> 00:24:15,401
AND START
ALL OVER AGAIN.
467
00:24:15,436 --> 00:24:16,534
THERE ARE JUST
CERTAIN THINGS
468
00:24:16,569 --> 00:24:17,699
THAT HAPPEN CERTAIN WAYS.
469
00:24:17,734 --> 00:24:19,400
YOU SLEEP AT NIGHT,
WAKE UP IN THE MORNING.
470
00:24:19,435 --> 00:24:21,067
YOU KISS BEFORE YOU PET,
I SAY BA-BING,
471
00:24:21,102 --> 00:24:22,132
YOU SAY EXCUSE ME.
472
00:24:22,167 --> 00:24:24,500
AND IT ALL HAPPENS
IN YOUR OFFICE,
473
00:24:24,535 --> 00:24:26,967
AND THAT IS JUST
THE WAY IT IS.
474
00:24:27,002 --> 00:24:28,768
NOW, TELL ME
ABOUT THIS IDEA.
475
00:24:28,803 --> 00:24:30,485
WELL, IT'S REALLY
VERY SIMPLE.
476
00:24:30,520 --> 00:24:31,860
SIMPLE, BUT
A LITTLE CRAZY.
477
00:24:31,895 --> 00:24:33,281
THE LONG OF
THE SHORT OF IT IS,
478
00:24:33,316 --> 00:24:34,667
I WANT TO GO BACK
TO MRS. WOODLEY
479
00:24:34,702 --> 00:24:35,851
AND ASK HER
TO KEEP WRITING
480
00:24:35,886 --> 00:24:37,143
TO THAT MAN.
YOU WANT TO WHAT?
481
00:24:37,178 --> 00:24:38,365
I WANT TO ASK
MRS. WOODLEY
482
00:24:38,400 --> 00:24:39,801
IF SHE'LL CONSIDER
WRITING TO THAT MAN
483
00:24:39,836 --> 00:24:41,100
AND LETTING HIM
WRITE TO HER.
484
00:24:41,135 --> 00:24:42,501
WRITE?
RIGHT.
485
00:24:42,536 --> 00:24:43,868
WRITE?
RIGHT!
486
00:24:45,334 --> 00:24:46,632
MADDIE, THAT WOMAN
JUST PAID US
487
00:24:46,667 --> 00:24:48,667
A GOOD DEAL OF MONEY
TO STOP THOSE LETTERS
488
00:24:48,702 --> 00:24:50,401
FROM COMING TO HER HOUSE.
I KNOW.
489
00:24:50,436 --> 00:24:52,100
THEN WHY WOULD SHE
BE INTERESTED
490
00:24:52,135 --> 00:24:53,165
IN STARTING THEM
UP AGAIN?
491
00:24:53,200 --> 00:24:54,200
BECAUSE YOU AND I
WILL TELL HER
492
00:24:54,235 --> 00:24:55,200
IT'S THE RIGHT
THING TO DO.
493
00:24:55,235 --> 00:24:56,701
WE WILL?
WE WILL.
494
00:24:56,736 --> 00:24:58,132
MADDIE,
BE REALISTIC.
495
00:24:58,167 --> 00:24:59,667
THE MAN THREATENED
HER HUSBAND'S LIFE.
496
00:24:59,702 --> 00:25:01,332
OH, COME ON, DAVID!
497
00:25:01,367 --> 00:25:02,934
YOU MET THAT
POOR LITTLE MAN!
498
00:25:02,969 --> 00:25:04,351
HE'S NOT GOING
TO HURT ANYBODY.
499
00:25:04,386 --> 00:25:05,734
SO HE SAID SOME
FRIGHTENING THINGS
500
00:25:05,769 --> 00:25:07,299
IN HIS LAST
FEW LETTERS.
501
00:25:07,334 --> 00:25:08,965
BUT THAT
WAS ONLY BECAUSE HE WAS CONVINCED
502
00:25:09,000 --> 00:25:10,801
HE WAS GOING
TO LOSE SOMETHING PRECIOUS TO HIM.
503
00:25:10,836 --> 00:25:12,268
THIS IS
A CRAZY IDEA.
504
00:25:12,303 --> 00:25:13,666
IT'S
A ROMANTIC IDEA,
505
00:25:13,701 --> 00:25:15,165
A WONDERFULLY
ROMANTIC IDEA.
506
00:25:15,200 --> 00:25:17,200
WHAT'S THE HARM
IN HIM WRITING LETTERS
507
00:25:17,235 --> 00:25:19,200
OR DREAMING
ABOUT THE COLOR OF HER DRESS
508
00:25:19,235 --> 00:25:20,499
OR THE SMELL
OF HER PERFUME?
509
00:25:20,534 --> 00:25:23,734
THIS ISN'T A LOVE
ANYBODY EXPECTS TO BE CONSUMMATED.
510
00:25:23,769 --> 00:25:25,199
IT'S A LOVE
FROM AFAR.
511
00:25:25,234 --> 00:25:27,167
IT AIN'T A LOVE
FROM A-ANYWHERE.
512
00:25:27,202 --> 00:25:28,132
HE'S A NUT.
513
00:25:28,167 --> 00:25:29,766
WHETHER HE'S
A DISABLED NUT
514
00:25:29,801 --> 00:25:31,751
OR A SYMPATHETIC NUT
OR CHOCK FULL OF NUTS,
515
00:25:31,786 --> 00:25:33,666
HE'S A NUT! TAKE IT
FROM YOUR OLD BUDDY,
516
00:25:33,701 --> 00:25:35,734
DRY ROASTED DAVE.
LET'S LEAVE WELL ENOUGH ALONE.
517
00:25:35,769 --> 00:25:37,133
WE DID OUR JOB, AND
LET'S LEAVE IT AT THAT.
518
00:25:39,167 --> 00:25:40,866
WHERE ARE YOU GOING?
519
00:25:40,901 --> 00:25:43,501
TO MRS. WOODLEY'S.
ARE YOU COMING?
520
00:25:43,536 --> 00:25:44,434
NOPE.
521
00:25:48,501 --> 00:25:49,968
ARE YOU COMING?
522
00:25:50,003 --> 00:25:51,601
N- O.
523
00:25:56,767 --> 00:25:58,467
DAVID!
NO!
524
00:25:59,834 --> 00:26:01,901
COME ON. YOU KNEW
I WAS GOING TO GO.
525
00:26:01,936 --> 00:26:03,701
WE STILL GOT
HALF A SHOW LEFT.
526
00:26:03,736 --> 00:26:05,467
DAVID, WHAT'S THAT?
WHAT'S WHAT?
527
00:26:20,234 --> 00:26:22,534
LOOKS LIKE
THIS JOINT'S A HOT TICKET.
528
00:26:29,100 --> 00:26:30,984
DAVID, YOU DON'T
THINK THAT'S...
529
00:26:31,019 --> 00:26:32,868
THERE'S ONLY ONE WAY
TO FIND OUT.
530
00:26:37,067 --> 00:26:38,232
HELLO, OFFICER.
531
00:26:38,267 --> 00:26:39,365
WE'RE FROM
CLEVELAND MUTUAL LIFE.
532
00:26:39,400 --> 00:26:41,234
I UNDERSTAND YOU HAVE
A POLICYHOLDER INSIDE
533
00:26:41,269 --> 00:26:42,367
IN DIRE NEED.
534
00:26:45,300 --> 00:26:46,683
WOODLEY.
535
00:26:46,718 --> 00:26:48,067
W- O-O-D-L-E-Y.
536
00:26:48,102 --> 00:26:49,332
GAIL.
537
00:26:49,367 --> 00:26:51,065
BLUNT INSTRUMENT.
538
00:26:51,100 --> 00:26:52,767
THERE'S
SOME BLOOD ON THE BEDROOM PHONE,
539
00:26:52,802 --> 00:26:53,801
SO WE'RE BRINGING
THAT WITH US.
540
00:26:53,836 --> 00:26:55,265
NO, NO, NO.
541
00:26:55,300 --> 00:26:57,234
NO SIGNS
OF FORCED ENTRY. NO SIGNS OF THEFT.
542
00:26:57,269 --> 00:26:59,534
JUST A NIGHT TABLE
DRAWER FORCED OPEN.
543
00:27:00,601 --> 00:27:01,632
NO, THE HUSBAND
SAYS HIS WIFE
544
00:27:01,667 --> 00:27:02,968
DIDN'T KEEP ANYTHING
OF VALUE IN THERE,
545
00:27:03,003 --> 00:27:05,485
MAYBE A FEW LETTERS
OR SOMETHING.
546
00:27:05,520 --> 00:27:07,560
TRUST ME. I'M
DUSTING THE WORLD.
547
00:27:07,595 --> 00:27:09,601
YEAH. I'LL GET
BACK TO YOU-
548
00:27:09,636 --> 00:27:10,901
MR. WOODLEY?
549
00:27:13,467 --> 00:27:15,634
I'M MADOLYN HAYES,
THIS IS DAVID ADDISON.
550
00:27:15,669 --> 00:27:17,801
WE KNEW YOUR WIFE.
WE'RE TERRIBLY SORRY.
551
00:27:22,067 --> 00:27:24,933
I WAS AT WORK.
552
00:27:24,968 --> 00:27:26,767
I WAS TRYING
TO SCHEDULE A MANICURE.
553
00:27:26,802 --> 00:27:28,732
EXCUSE ME?
554
00:27:28,767 --> 00:27:30,467
WHILE THIS ANIMAL
WAS KILLING MY WIFE,
555
00:27:30,502 --> 00:27:32,799
I WAS ON A TELEPHONE
556
00:27:32,834 --> 00:27:34,868
TRYING TO GET SOMEBODY
TO FILE MY NAILS.
557
00:27:38,033 --> 00:27:39,534
I'D NEVER
HAD ONE BEFORE.
558
00:27:41,033 --> 00:27:43,634
WHAT ARE YOU
SUPPOSED TO DO,
559
00:27:43,669 --> 00:27:44,984
SPEND ALL DAY
EVERY DAY
560
00:27:45,019 --> 00:27:46,300
GUARDING
THE ONES YOU LOVE?
561
00:27:50,367 --> 00:27:51,868
HE HIT HER.
562
00:27:53,100 --> 00:27:54,734
THEY THINK
HE HIT HER...
563
00:27:57,534 --> 00:27:59,132
WITH THE PHONE.
564
00:27:59,167 --> 00:28:01,799
WHAT KIND OF A MONSTER...
565
00:28:01,834 --> 00:28:04,534
WHO KILLS A HELPLESS
WOMAN LIKE THAT?
566
00:28:04,569 --> 00:28:06,033
BREAKS IN...
567
00:28:07,534 --> 00:28:08,968
HITS HER...
568
00:28:12,167 --> 00:28:14,133
I BITE MY NAILS.
569
00:28:18,167 --> 00:28:20,200
I SHOULD HAVE BEEN HERE.
570
00:28:23,501 --> 00:28:25,534
WE'RE SORRY,
MR. WOODLEY.
571
00:28:30,701 --> 00:28:32,834
WHERE ARE WE GOING?
THIS ISN'T THE WAY BACK-
572
00:28:32,869 --> 00:28:34,034
YOU KNOW WHERE
WE'RE GOING.
573
00:28:34,069 --> 00:28:35,200
YOU WERE RIGHT,
I WAS WRONG.
574
00:28:35,235 --> 00:28:36,165
HE'S A NUT.
575
00:28:36,200 --> 00:28:37,534
HE KILLED HER,
DIDN'T HE, DAVID?
576
00:28:37,569 --> 00:28:38,734
WE DON'T KNOW THAT.
577
00:28:38,769 --> 00:28:40,399
WE KNOW THAT,
578
00:28:40,434 --> 00:28:42,434
OR WE'RE
GOING TO KNOW IT.
579
00:28:50,367 --> 00:28:52,766
MR. MACY,
OPEN THE DOOR.
580
00:28:52,801 --> 00:28:54,267
I DON'T THINK
HE'S GONNA HEAR YOU.
581
00:28:56,033 --> 00:28:57,467
MR. MACY!
582
00:28:58,534 --> 00:28:59,965
KICK IT IN.
583
00:29:00,000 --> 00:29:01,566
WHAT?
KICK THE DOOR DOWN!
584
00:29:01,601 --> 00:29:03,534
BUT IT'S HIS DOOR.
HE'S HAD IT SINCE HE WAS A BOY!
585
00:29:03,569 --> 00:29:05,118
HE RAISED IT
FROM A PEEP HOLE!
586
00:29:05,153 --> 00:29:06,667
KICK IT,
OR I'LL KICK YOU.
587
00:29:08,267 --> 00:29:10,100
EASY CHOICE.
588
00:29:15,901 --> 00:29:17,499
HE'S GONE.
589
00:29:17,534 --> 00:29:18,984
WHAT'D YOU THINK,
HE WAS GOING
590
00:29:19,019 --> 00:29:20,434
TO HANG AROUND
FOR THE FUNERAL?
591
00:29:22,067 --> 00:29:23,532
DAVID.
592
00:29:23,567 --> 00:29:25,332
"TO WHOM IT MAY CONCERN,
593
00:29:25,367 --> 00:29:27,601
"MY NAME IS PETER MACY.
NO FUTURE EXISTS FOR ME.
594
00:29:27,636 --> 00:29:29,399
"MY FUTURE WAS
A WOMAN NAMED GAIL,
595
00:29:29,434 --> 00:29:31,400
"THE MAGNET OF MY BEING,
THE THOUGHT THAT DREW MY EVERY BREATH.
596
00:29:31,435 --> 00:29:33,434
"WHEN SHE DENIED
HERSELF TO ME IN THIS LIFE,
597
00:29:33,469 --> 00:29:35,132
"SHE LEFT ME NO CHOICE
BUT TO END HERS.
598
00:29:35,167 --> 00:29:37,467
"BY DOING WHAT I'VE DONE,
PERHAPS BEYOND THIS WORLD
599
00:29:37,502 --> 00:29:39,100
I'LL FIND GAIL
IN ANOTHER LIFE."
600
00:29:39,135 --> 00:29:41,167
GEE, THAT SOUNDS LIKE-
601
00:29:41,202 --> 00:29:42,334
IT IS.
602
00:29:45,601 --> 00:29:47,467
HE DID.
603
00:29:52,934 --> 00:29:54,334
SORRY I'M LATE.
TELL MR. ADDISON
604
00:29:54,369 --> 00:29:55,699
TO GO DOWN AND
START THE CAR.
605
00:29:55,734 --> 00:29:56,801
WE'LL NEVER MAKE IT
TO THIS FUNERAL.
606
00:29:56,836 --> 00:29:57,968
I'VE GOT TO MAKE
A QUICK CALL-
607
00:29:58,003 --> 00:30:00,098
MR. ADDISON
ISN'T IN YET.
608
00:30:00,133 --> 00:30:02,901
WHAT DO YOU MEAN
MR. ADDISON ISN'T IN YET?
609
00:30:02,936 --> 00:30:04,466
IT'S 10:30!
610
00:30:04,501 --> 00:30:06,032
HE'S NOT IN YET.
611
00:30:06,067 --> 00:30:07,801
LOTS OF PEOPLE
AREN'T IN YET.
612
00:30:07,836 --> 00:30:08,901
HUH?
613
00:30:12,334 --> 00:30:14,100
OH!
614
00:30:15,968 --> 00:30:17,965
OH...
615
00:30:18,000 --> 00:30:21,199
NOBODY ANSWERS
AT HIS PLACE.
616
00:30:21,234 --> 00:30:24,067
I CALLED THE POLICE,
THE HOSPITALS,
617
00:30:24,102 --> 00:30:26,584
EVERY TEMP AGENCY
IN TOWN.
618
00:30:26,619 --> 00:30:28,809
AT LEAST I KNOW
HE'S NOT DEAD
619
00:30:28,844 --> 00:30:30,965
OR WORKING
SOMEWHERE ELSE.
620
00:30:31,000 --> 00:30:33,734
WELL, THAT
CERTAINLY TAKES A LOAD OFF MY MIND.
621
00:30:35,801 --> 00:30:38,901
YOU'LL BUZZ ME WHEN
MR. ADDISON ARRIVES?
622
00:30:38,936 --> 00:30:40,234
UH-HUH.
623
00:30:48,968 --> 00:30:50,566
OW!
624
00:30:50,601 --> 00:30:52,834
WHAT ARE YOU DOING
UNDER THERE?
625
00:30:52,869 --> 00:30:54,300
GET OUT!
626
00:30:58,234 --> 00:31:00,534
WHAT WERE YOU
DOING UNDER THERE?
627
00:31:00,569 --> 00:31:02,098
FISCAL '85.
628
00:31:02,133 --> 00:31:03,133
THAT'S NOT
WHAT I MEANT.
629
00:31:03,168 --> 00:31:04,200
I KNOW.
630
00:31:09,767 --> 00:31:11,901
CAN I ASK YOU
A QUESTION?
631
00:31:11,936 --> 00:31:13,232
WHY DO YOU STAY HERE?
632
00:31:13,267 --> 00:31:14,766
WHY DO YOU
COME IN EVERY DAY?
633
00:31:14,801 --> 00:31:17,133
CLEARLY, SHE'S
MAKING YOUR LIFE MISERABLE FOR YOU.
634
00:31:17,168 --> 00:31:18,866
YOU'RE
A TEMPORARY EMPLOYEE.
635
00:31:18,901 --> 00:31:20,500
WHY DON'T YOU JUST
CALL YOUR EMPLOYER
636
00:31:20,535 --> 00:31:22,100
AND ASK HIM TO GET YOU
OUT OF HERE?
637
00:31:23,467 --> 00:31:25,150
I DON'T KNOW.
638
00:31:25,185 --> 00:31:26,834
I LIKE IT HERE.
639
00:31:32,667 --> 00:31:34,365
I LIKE YOU.
640
00:31:34,400 --> 00:31:36,500
I LIKE MR. ADDISON.
641
00:31:36,535 --> 00:31:38,718
I LIKE THIS PLACE.
642
00:31:38,753 --> 00:31:41,210
HEY, IT'S CRAZY.
643
00:31:41,245 --> 00:31:43,667
I MEAN, IT'S LIKE...
644
00:31:43,702 --> 00:31:45,132
IT'S LIKE...
645
00:31:45,167 --> 00:31:49,467
SPECIAL CLASS IN JUNIOR
HIGH SCHOOL, YOU KNOW?
646
00:31:49,502 --> 00:31:53,767
AND EVERY DAY'S
AN ASSEMBLY OR A FIELD TRIP.
647
00:31:53,802 --> 00:31:55,267
I DON'T KNOW, UH...
648
00:31:57,834 --> 00:31:59,767
HOW ABOUT
MISS DIPESTO?
649
00:31:59,802 --> 00:32:00,968
DO YOU LIKE HER?
650
00:32:01,003 --> 00:32:03,133
WELL...
651
00:32:04,834 --> 00:32:06,384
SHE'S NOT YOUR COUSIN,
IS SHE?
652
00:32:06,419 --> 00:32:07,809
I MEAN, I FIGURE
SHE'S GOT TO BE
653
00:32:07,844 --> 00:32:09,872
RELATED TO SOMEBODY
AROUND HERE.
654
00:32:09,907 --> 00:32:11,901
NO. SHE KINDA
CAME WITH THE PLACE.
655
00:32:11,936 --> 00:32:13,732
AH!
656
00:32:13,767 --> 00:32:15,767
WELL, THEN, UM...
657
00:32:15,802 --> 00:32:16,868
HONESTLY?
658
00:32:19,534 --> 00:32:20,934
I...
659
00:32:23,033 --> 00:32:25,100
DON'T KNOW HOW
I FEEL ABOUT HER.
660
00:32:27,267 --> 00:32:29,868
I MEAN, I'M ALWAYS
TOO BUSY RUNNING AWAY FROM HER.
661
00:32:29,903 --> 00:32:31,285
THEN WHY NOT
STOP RUNNING?
662
00:32:31,320 --> 00:32:32,693
BECAUSE THEN
SHE'D CATCH ME.
663
00:32:32,728 --> 00:32:34,067
AND THEN WHAT
WILL HAPPEN?
664
00:32:36,601 --> 00:32:39,801
YES? MR. ADDISON?
PUT HIM ON.
665
00:32:39,836 --> 00:32:41,151
DAVID, WHERE
ARE YOU?
666
00:32:41,186 --> 00:32:42,467
WE'RE GONNA
BE LATE-
667
00:32:42,502 --> 00:32:44,299
POST OFFICE?
668
00:32:44,334 --> 00:32:46,767
STOP YELLING!
ALL RIGHT.
669
00:32:46,802 --> 00:32:48,601
I'LL BE RIGHT THERE.
670
00:32:54,801 --> 00:32:57,467
LOOK, YOU CAN
STAY IN HERE AS LONG AS YOU WANT.
671
00:32:57,502 --> 00:32:59,584
YOU CAN CRAWL
BACK UNDER THE DESK
672
00:32:59,619 --> 00:33:01,667
FOR ALL I CARE.
I JUST THINK...
673
00:33:05,167 --> 00:33:06,667
IT DOESN'T MATTER
WHAT I THINK.
674
00:33:06,702 --> 00:33:08,268
IF I DON'T
SEE YOU AGAIN,
675
00:33:08,303 --> 00:33:09,834
HAVE A NICE LIFE,
MR. VIOLA.
676
00:33:27,267 --> 00:33:28,501
HERBERT.
677
00:33:30,167 --> 00:33:32,432
HERBERT.
678
00:33:32,467 --> 00:33:33,934
HERBERT! HERBERT!
679
00:33:33,969 --> 00:33:35,501
HERBERT.
680
00:33:41,467 --> 00:33:43,732
WHAT?
681
00:33:43,767 --> 00:33:45,734
WERE YOU IN THERE
ALL THE TIME?
682
00:34:00,968 --> 00:34:03,466
WHAT ARE YOU DOING?
683
00:34:03,501 --> 00:34:04,950
I'M JUST
STANDING HERE.
684
00:34:04,985 --> 00:34:06,400
WHAT ARE
YOU DOING?
685
00:34:10,601 --> 00:34:11,767
OH...
686
00:35:07,701 --> 00:35:10,033
HEY, LADY!
WANT TO LICK MY MAIL?
687
00:35:10,068 --> 00:35:11,399
DAVID!
MADDIE!
688
00:35:11,434 --> 00:35:12,534
YOU SCARED ME
TO DEATH!
689
00:35:12,569 --> 00:35:13,599
WHAT ARE WE
DOING HERE?
690
00:35:13,634 --> 00:35:15,334
WHY AREN'T WE AT
GAIL WOODLEY'S FUNERAL?
691
00:35:15,369 --> 00:35:16,833
WALK WITH ME.
692
00:35:16,868 --> 00:35:18,450
YOU'RE NOT GOING
TO BELIEVE THIS.
693
00:35:18,485 --> 00:35:20,033
LAST NIGHT,
I STARTED THINKING.
694
00:35:20,068 --> 00:35:21,232
IT'S ABOUT TIME.
695
00:35:21,267 --> 00:35:22,334
YOU KNOW THE ONE THING
THAT DOESN'T MAKE SENSE?
696
00:35:22,369 --> 00:35:23,851
NOW, WHAT DOESN'T
MAKE SENSE IS
697
00:35:23,886 --> 00:35:25,299
THAT OUR FRIEND
PETER MACY,
698
00:35:25,334 --> 00:35:27,868
WHO APPARENTLY
HAS NO CAR OR DRIVER'S LICENSE,
699
00:35:27,903 --> 00:35:30,335
TAKES A BUS,
FIVE DIFFERENT BUSES IN ALL,
700
00:35:30,370 --> 00:35:32,767
ALL THE WAY ACROSS TOWN
TO KILL GAIL WOODLEY.
701
00:35:32,802 --> 00:35:34,968
THEN WHEN HE'S DONE,
WHAT DOES HE DO?
702
00:35:35,003 --> 00:35:36,165
COVERED WITH
BLOOD AND GUILT,
703
00:35:36,200 --> 00:35:37,567
HE GOES DOWN
TO THE CORNER TO WAIT
704
00:35:37,602 --> 00:35:38,766
FOR THE FIRST
OF 5 BUSES
705
00:35:38,801 --> 00:35:40,550
THAT TAKE HIM ALL
THE WAY BACK DOWNTOWN
706
00:35:40,585 --> 00:35:42,226
WHERE DO HE DOES WHAT?
KILLS HIMSELF?
707
00:35:42,261 --> 00:35:43,833
DOESN'T MAKE SENSE.
DOESN'T MAKE SENSE?
708
00:35:43,868 --> 00:35:45,834
DOESN'T MAKE SENSE.
YOU TAKE THE VAST MAJORITY
709
00:35:45,869 --> 00:35:47,601
OF YOUR MURDER-SUICIDES,
AND IN THE MAIN,
710
00:35:47,636 --> 00:35:48,901
THEY DO NOT FEATURE
AN INTERMISSION
711
00:35:48,936 --> 00:35:50,167
BETWEEN ACT ONE
AND ACT TWO.
712
00:35:50,202 --> 00:35:51,432
SO WHAT ARE YOU
SAYING?
713
00:35:51,467 --> 00:35:53,184
I'M SAYING MAYBE
HE DIDN'T KILL GAIL.
714
00:35:53,219 --> 00:35:54,901
AND MAYBE HE DIDN'T
KILL HIMSELF.
715
00:36:01,701 --> 00:36:03,098
WHY ARE WE
STANDING HERE?
716
00:36:03,133 --> 00:36:04,868
BECAUSE 10 MINUTES
BEFORE I CALLED YOU,
717
00:36:04,903 --> 00:36:07,033
I PLANTED A SEED.
PLANTED A SEED?
718
00:36:07,068 --> 00:36:08,567
PLANTED A SEED?
INDEED.
719
00:36:08,602 --> 00:36:10,032
I CALLED MR. KEN WOODLEY.
720
00:36:10,067 --> 00:36:11,801
CAUGHT HIM JUST
AS HE WAS ON HIS WAY OUT THE DOOR
721
00:36:11,836 --> 00:36:13,132
TO HIS WIFE'S FUNERAL.
722
00:36:13,167 --> 00:36:15,801
TOLD HIM WHO WE WERE,
TOLD HIM HOW WE KNEW GAIL.
723
00:36:15,836 --> 00:36:17,732
TOLD HIM ABOUT
POOR MR. MACY DYING,
724
00:36:17,767 --> 00:36:19,868
HOW IT LOOKED LIKE
A SUICIDE, BUT WE THINK IT'S MURDER.
725
00:36:19,903 --> 00:36:22,634
TOLD HIM GAIL HAD WRITTEN
A WARNING TO MR. MACY,
726
00:36:22,669 --> 00:36:24,098
WARNING HIM ABOUT
THAT SOMEONE ELSE
727
00:36:24,133 --> 00:36:26,434
WAS BEHIND THIS WHOLE
LETTER-WRITING GAME,
728
00:36:26,469 --> 00:36:28,185
THAT SOMEONE
WAS TRYING TO USE HIM,
729
00:36:28,220 --> 00:36:29,901
AND THAT THAT LETTER
IS PROBABLY STILL
730
00:36:29,936 --> 00:36:31,767
IN MR. MACY'S
POST OFFICE BOX,
731
00:36:31,802 --> 00:36:33,165
JUST WAITING
FOR THE COPS
732
00:36:33,200 --> 00:36:34,499
TO COME UP
WITH A COURT ORDER.
733
00:36:34,534 --> 00:36:37,501
NOW, HERE'S THE BEAUTY
OF THIS LITTLE BABY.
734
00:36:37,536 --> 00:36:39,834
I RUN DOWN HERE,
ADDRESS AN ENVELOPE-
735
00:36:39,869 --> 00:36:41,199
PLANTED A SEED-
736
00:36:41,234 --> 00:36:42,766
AND ACCORDING
TO MY CALCULATIONS,
737
00:36:42,801 --> 00:36:45,133
PRESTIDIGITATIONS,
AND OTHER ASSORTED ABBREVIATIONS,
738
00:36:45,168 --> 00:36:47,000
MY LITTLE SAPLING
OUGHT TO BE ARRIVING
739
00:36:47,035 --> 00:36:48,265
ANY MOMENT NOW.
740
00:36:48,300 --> 00:36:50,100
THAT'S RIDICULOUS!
HOW CAN YOU BE SO-
741
00:37:02,534 --> 00:37:04,934
Maddie:
YOUR OWN KEY. HOW CONVENIENT.
742
00:37:04,969 --> 00:37:07,334
GOOD MORNING,
MR. WOODLEY.
743
00:37:07,369 --> 00:37:09,032
A HELPFUL TIP.
744
00:37:09,067 --> 00:37:11,083
WHEN YOU HEAR
THE PELLETS HIT THE WATER,
745
00:37:11,118 --> 00:37:13,100
COUNT TO FIVE
AND TAKE A REALLY DEEP BREATH.
746
00:37:13,135 --> 00:37:14,467
YOU DIE QUICKER THAT WAY.
747
00:37:16,067 --> 00:37:17,650
YOU KILLED GAIL,
DIDN'T YOU?
748
00:37:17,685 --> 00:37:19,234
THEN YOU KILLED MACY
AND MADE IT
749
00:37:19,269 --> 00:37:20,567
LOOK LIKE
A MURDER-SUICIDE.
750
00:37:20,602 --> 00:37:21,666
WHY?
751
00:37:21,701 --> 00:37:23,484
I LOVED GAIL.
752
00:37:23,519 --> 00:37:25,267
I DID. I DO.
753
00:37:28,767 --> 00:37:30,899
I DID.
754
00:37:30,934 --> 00:37:33,100
IN THE BEGINNING,
IT WAS JUST A JOKE.
755
00:37:33,135 --> 00:37:35,232
THINGS WERE GETTING
A LITTLE DULL
756
00:37:35,267 --> 00:37:37,617
BACK AT THE RANCH,
SO I GOT THIS IDEA.
757
00:37:37,652 --> 00:37:39,859
I SENT THIS
LOVE LETTER TO MY WIFE.
758
00:37:39,894 --> 00:37:42,067
I DIDN'T SIGN IT,
NO RETURN ADDRESS.
759
00:37:44,801 --> 00:37:47,032
JUST A POST OFFICE BOX.
760
00:37:47,067 --> 00:37:50,733
I SAID A LOT OF PRIVATE,
KINDA PERSONAL THINGS-
761
00:37:50,768 --> 00:37:54,400
A LITTLE ANAIS NIN,
A LITTLE HENRY MILLER-
762
00:37:54,435 --> 00:37:56,084
THINKING I'D COME
HOME ONE EVENING
763
00:37:56,119 --> 00:37:57,960
AND SHE'D SHOW ME
THIS NOTE SHE GOT,
764
00:37:57,995 --> 00:37:59,766
WE'D BOTH OF US
RETIRE TO THE RACK
765
00:37:59,801 --> 00:38:02,251
AND GIGGLE ABOUT
THE DAMN THING ALL NIGHT LONG.
766
00:38:02,286 --> 00:38:04,701
BUT EVERY NIGHT
I'D COME HOME, SHE SAID NOTHING.
767
00:38:04,736 --> 00:38:06,834
I'D CHECK
THE COFFEE TABLE,
768
00:38:06,869 --> 00:38:07,965
NO SIGN OF IT THERE.
769
00:38:08,000 --> 00:38:10,400
WHEN IT DIDN'T ARRIVE
AFTER A FEW WEEKS,
770
00:38:10,435 --> 00:38:12,801
I FIGURED IT WAS LOST.
I GAVE IT UP.
771
00:38:14,501 --> 00:38:16,133
FIGURED THE GOOD OLD
U.S. POSTAL SERVICE
772
00:38:16,168 --> 00:38:18,133
HAD BEATEN ME
OUT OF 22 CENTS
773
00:38:18,168 --> 00:38:19,965
AND A NIGHT OF PASSION.
774
00:38:20,000 --> 00:38:22,167
I DIDN'T GIVE IT
MUCH THOUGHT AFTER THAT.
775
00:38:22,202 --> 00:38:24,199
THEN ABOUT
3 WEEKS LATER,
776
00:38:24,234 --> 00:38:26,101
I GET A CALL
FROM THE POSTMASTER.
777
00:38:26,136 --> 00:38:27,968
DO I WANT TO RENEW
RENT ON THE BOX?
778
00:38:28,003 --> 00:38:30,067
"HELL, NO. WHAT FOR?"
779
00:38:30,102 --> 00:38:31,701
SO, UH...
780
00:38:32,901 --> 00:38:34,968
I CAME BACK DOWN HERE
TO RETURN THE KEY,
781
00:38:35,003 --> 00:38:36,566
AND, UH...
782
00:38:36,601 --> 00:38:38,634
THERE'S A LETTER
IN THE BOX.
783
00:38:39,834 --> 00:38:41,998
GAIL WROTE
THE BASTARD BACK.
784
00:38:42,033 --> 00:38:45,667
THIS GUY...THIS GUY
THAT DOESN'T EXIST.
785
00:38:45,702 --> 00:38:47,532
SHE WROTE HIM BACK.
786
00:38:47,567 --> 00:38:49,432
AND HER LETTER
IS AS PRIVATE
787
00:38:49,467 --> 00:38:53,534
AND AS PERSONAL
AND AS INTIMATE AS MINE IS.
788
00:38:53,569 --> 00:38:56,132
SO WHAT AM I TO DO?
789
00:38:56,167 --> 00:38:59,400
I MEAN, MY WIFE
IS CHEATING ON ME...
790
00:38:59,435 --> 00:39:01,067
WITH ME.
791
00:39:03,300 --> 00:39:04,934
I MEAN, THAT REALLY
GOT TO ME.
792
00:39:07,534 --> 00:39:11,251
BUT I GO ON WRITING,
AND SHE GOES ON WRITING.
793
00:39:11,286 --> 00:39:14,968
AND NOW SHE'S STARTING
TO WRITE TO ME ABOUT ME.
794
00:39:16,534 --> 00:39:18,901
I MEAN, TO MY FACE,
EVERYTHING IS WONDERFUL,
795
00:39:18,936 --> 00:39:21,868
BUT TO THIS GUY
WHO DOESN'T EXIST...
796
00:39:24,434 --> 00:39:26,200
SHE SAID, UH...
797
00:39:28,033 --> 00:39:29,567
SOME TERRIBLE THINGS.
798
00:39:29,602 --> 00:39:30,732
WHAT ABOUT MACY?
799
00:39:30,767 --> 00:39:31,983
WHY'D YOU
SET HIM UP?
800
00:39:32,018 --> 00:39:33,165
HOW'D YOU
SET HIM UP?
801
00:39:33,200 --> 00:39:34,868
WELL, HE WAS ALWAYS
HANGING AROUND HERE.
802
00:39:34,903 --> 00:39:36,299
HE WAS JUST
HANGING AROUND.
803
00:39:36,334 --> 00:39:38,534
I USED TO GO SIT
ON THE PARK BENCH ACROSS THE STREET
804
00:39:38,569 --> 00:39:40,232
TO READ GAIL'S LETTERS,
AND ONE DAY,
805
00:39:40,267 --> 00:39:42,834
HE SAW ME CRYING,
AND WE STARTED TO TALK.
806
00:39:42,869 --> 00:39:44,751
WELL, YOU KNOW
WHAT I MEAN.
807
00:39:44,786 --> 00:39:46,599
HE LOOKED LIKE
HE NEEDED MONEY,
808
00:39:46,634 --> 00:39:49,367
AND I WAS LOSING
THE STOMACH TO KEEP UP THE CHARADE,
809
00:39:49,402 --> 00:39:51,567
SO I TOLD HIM
TO TAKE OVER WRITING TO HER.
810
00:39:51,602 --> 00:39:53,199
HE DIDN'T KNOW
SHE WAS MY WIFE.
811
00:39:53,234 --> 00:39:55,300
I SHOWED HIM PICTURES
OF HER, WE TALKED ABOUT HER.
812
00:39:58,267 --> 00:40:00,300
I THINK HE TOOK THE JOB
VERY MUCH TO HEART.
813
00:40:03,767 --> 00:40:05,901
SO WHAT DO WE DO NOW?
814
00:40:05,936 --> 00:40:07,332
THE POLICE?
815
00:40:07,367 --> 00:40:09,601
THAT'S USUALLY HOW
WE WRAP THINGS UP AROUND HERE.
816
00:40:10,901 --> 00:40:12,167
WELL...
817
00:40:21,234 --> 00:40:25,067
* OH, YES, WAIT A MINUTE,
MR. POSTMAN *
818
00:40:25,102 --> 00:40:28,965
* WAI-AI-AI-AIT,
MR. POSTMAN *
819
00:40:29,000 --> 00:40:31,634
* PLEASE, MR. POSTMAN,
LOOK AND SEE *
820
00:40:31,669 --> 00:40:33,601
* OH, YEAH *
821
00:40:33,636 --> 00:40:35,499
INCOMING MAIL!
822
00:40:35,534 --> 00:40:39,567
* PLEASE, MR. POSTMAN *
823
00:40:39,602 --> 00:40:41,951
* OH, YEAH *
824
00:40:41,986 --> 00:40:44,265
* OH, OH *
825
00:40:44,300 --> 00:40:47,700
* THERE MUST BE
SOME WORD TODAY *
826
00:40:47,735 --> 00:40:51,065
* FROM MY BOYFRIEND
SO FAR AWAY *
827
00:40:51,100 --> 00:40:53,734
PERSONALLY, I'D LIKE
TO END THE EPISODE RIGHT HERE.
828
00:40:53,769 --> 00:40:57,933
* MR. POSTMAN,
LOOK AND SEE *
829
00:40:57,968 --> 00:41:01,133
* IF THERE'S A LETTER,
A LETTER FOR ME *
830
00:41:03,300 --> 00:41:05,801
THAT'LL TAKE A WHOLE LOT
OF EXTRA POSTAGE.
831
00:41:08,033 --> 00:41:11,634
* I'VE BEEN STANDIN' HERE
A- WAITIN', MR. POSTMAN *
832
00:41:11,669 --> 00:41:15,365
* SO-O, SO PATIENTLY *
833
00:41:15,400 --> 00:41:18,900
* FOR JUST A CARD
OR JUST A LETTER *
834
00:41:18,935 --> 00:41:22,400
* SAYIN' HE'S RETURNIN'
HOME TO ME *
835
00:41:22,435 --> 00:41:24,098
* PLEASE, MR. POSTMAN *
836
00:41:24,133 --> 00:41:25,934
* MR. POSTMAN,
LOOK AND SEE *
837
00:41:25,969 --> 00:41:27,299
* OH, YEAH *
838
00:41:27,334 --> 00:41:29,968
* IS THERE A LETTER
IN YOUR BAG FOR ME *
839
00:41:30,003 --> 00:41:34,100
* PLEASE, PLEASE,
MR. POSTMAN *
840
00:41:34,135 --> 00:41:35,599
* OH, YEAH *
841
00:41:35,634 --> 00:41:38,033
"PHOTOGRAPHS-
DO NOT BEND."
842
00:41:38,068 --> 00:41:39,732
NOW LOOK WHAT
YOU DID!
843
00:41:39,767 --> 00:41:43,432
* SO MANY DAYS
YOU PASSED ME BY *
844
00:41:43,467 --> 00:41:47,617
* YOU SAW THE TEARS
STANDIN' IN MY EYES *
845
00:41:47,652 --> 00:41:51,767
* YOU WOULDN'T STOP
TO MAKE ME FEEL BETTER *
846
00:41:51,802 --> 00:41:55,168
* BY LEAVIN' ME
A CARD OR A LETTER *
847
00:41:55,203 --> 00:41:58,534
* PLEASE, MR. POSTMAN,
LOOK AND SEE *
848
00:41:58,569 --> 00:42:01,032
* OH, YEAH *
849
00:42:01,067 --> 00:42:06,267
* PLEASE, PLEASE,
MR. POSTMAN *
850
00:42:06,302 --> 00:42:07,466
* OH, YEAH *
851
00:42:07,501 --> 00:42:09,284
I'D STILL RATHER
END THE SHOW
852
00:42:09,319 --> 00:42:11,032
WITH HER LEGS
IN THE AIR.
853
00:42:11,067 --> 00:42:13,300
* WAIT A MINUTE,
MR. POSTMAN **
854
00:44:01,767 --> 00:44:04,300
"DEAR FELLA..."
855
00:44:04,335 --> 00:44:06,518
"HELLO, STRANGER."
856
00:44:06,553 --> 00:44:08,701
"YOU DON'T KNOW ME...
857
00:44:10,601 --> 00:44:13,766
BUT I KNOW YOU."
858
00:44:13,801 --> 00:44:17,667
"JUST FELT LIKEDROPPINGYOUAN ANONYMOUS LINE
859
00:44:17,702 --> 00:44:19,234
"AND TELL YOUI'M WATCHING
860
00:44:19,269 --> 00:44:20,767
AND WAITINGAND WONDERING."
861
00:44:42,734 --> 00:44:45,098
TOMORROW.
TOMORROW.
862
00:44:45,133 --> 00:44:48,132
CAPTIONING MADE POSSIBLE BY
LIONS GATE HOME ENTERTAINMENT
863
00:44:48,167 --> 00:44:51,100
CAPTIONED BY THE NATIONAL
CAPTIONING INSTITUTE - www.ncicap.org-
864
00:45:38,100 --> 00:45:42,566
* SOME WALK BY NIGHT *
865
00:45:42,601 --> 00:45:46,998
* SOME FLY BY DAY *
866
00:45:47,033 --> 00:45:51,867
* NOTHING COULD CHANGE YOU *
867
00:45:51,902 --> 00:45:56,701
* SET AND SURE
OF THE WAY *
868
00:45:56,736 --> 00:46:01,466
* THERE IS THE SUN
AND MOON *
869
00:46:01,501 --> 00:46:06,217
* THEY SING
THEIR OWN SWEET TUNE *
870
00:46:06,252 --> 00:46:10,934
* WATCH THEM
WHEN DAWN IS NEW *
871
00:46:10,969 --> 00:46:15,399
* SHARING ONE SPACE *
872
00:46:15,434 --> 00:46:20,267
* WE'LL WALK
BY NIGHT, BABE *
873
00:46:20,302 --> 00:46:24,566
* WE'LL FLY BY DAY *
874
00:46:24,601 --> 00:46:30,000
* MOONLIGHTING STRANGERS *
875
00:46:30,035 --> 00:46:35,400
* WHO JUST MET
ON THE WAY **
876
00:46:36,000 --> 00:46:39,084
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877
00:46:39,134 --> 00:46:43,684
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60438
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