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[EERIE MUSIC]
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NARRATOR: There is a fifth dimension
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beyond that which is known to man.
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It is a dimension as vast as space
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and as timeless as infinity.
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It is the middle ground
between light and shadow
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between science and superstition
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and it lies between
the pit of man's fears
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and the summit of his knowledge.
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This is the dimension of imagination.
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It is an area which we
call the Twilight Zone.
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[TRUMPET PLAYING]
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NARRATOR: Joey Crown,
musician with an odd, intense face,
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whose life is a quest
for impossible things.
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Like flowers in concrete,
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or like trying to pluck a
note of music out of the air
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and put it under glass to treasure.
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[MUSIC STOPS, APPLAUSE]
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Hi, Joey!
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00:01:54,351 --> 00:01:56,810
Hi, Baron!
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Listen, I, uh...
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I brought along my baby,
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I thought you might need
somebody with a horn.
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Uh, not tonight, Joey.
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The last time you played trumpet for me,
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you loused it up.
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I had to share you with a bottle.
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A bottle? Me?
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I forgot what the stuff tastes like.
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Six, seven months, I'm
way up on the wagon.
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Sure, Joey, sure.
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What am I? Some kind of kook?
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Look, Baron, I know what
that stuff does to me, but...
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I ain't an old man.
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Me and the horn, we
got a lot of years left.
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00:02:32,628 --> 00:02:34,378
I could be a number one boy.
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What am I gonna do? Chuck
it away on some bum habit?
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Listen, I...
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It's a pretty mellow horn.
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I got some nice music in here.
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You know yourself, when
I pick it up and I blow it,
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I can make 'em cry!
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What do you say, Baron?
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Don't do it.
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For old times, Joey, huh?
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For old times when you had it.
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A magic horn.
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Harry James and Max Kaminsky,
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and Butterfield, a little
bit of all of 'em, baby!
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You traded it off for some bad hooch
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and you got took.
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You got the crummy end
of the stick! Why, Joey, why?
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00:03:34,213 --> 00:03:36,631
Because I'm sad,
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00:03:36,715 --> 00:03:38,715
because I'm nothing,
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because I'll live and die
in a crummy one-roomer
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with dirty walls and cracked pipes.
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I'll never even have a girl.
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I'll never be anybody.
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Half of me is this horn.
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00:03:52,851 --> 00:03:55,936
I can't even talk to people, Baron,
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'cause this horn,
that's half my language.
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00:04:02,900 --> 00:04:05,567
But when I'm drunk, Baron,
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oh, when I'm drunk, boy,
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I don't see the dirty
walls or the cracked pipes,
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I don't know the clock's going,
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that the hours are going by,
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'cause then I'm Gabriel.
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Oh, I'm... I'm Gabriel with a golden horn.
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And when I put it to my lips, it...
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Comes out jewels.
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It comes out a symphony...
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Comes out the smell of...
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Of fresh flowers in summer.
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Comes out beauty.
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Beauty.
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When I'm drunk, Baron.
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Only when I'm drunk.
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Just plain ordinary nothing.
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00:05:29,503 --> 00:05:31,128
Oh, man, I'm...
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I'm tired of hanging around.
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[MELANCHOLY MELODY]
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[HIGH SQUEAKY NOTE]
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[REPEATS MELODY]
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[HIGH SQUEAKY NOTE]
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NARRATOR: Joey Crown,
musician with an odd, intense face,
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who in a moment will
try to leave the earth
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and discover the middle ground,
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the place we call the Twilight Zone.
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00:06:54,187 --> 00:06:56,021
Back again, huh, Joey?
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Hi, Nate.
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This time I'm selling it.
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Eight and a half.
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Eight and a half...? Alright.
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Eight and a half.
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Sign it.
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00:07:13,409 --> 00:07:16,619
I got enough instruments
now to equip Sousa's Band.
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00:07:16,703 --> 00:07:19,997
I need another bugle
like I need my taxes raised.
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[CASH REGISTER RINGS]
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Don't worry, I ain't
gettin' that price so fast.
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00:08:13,868 --> 00:08:16,578
I got an overhead too, you know!
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Guys like you, you don't understand that.
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00:08:20,623 --> 00:08:23,916
What kind of responsibilities
somebody like you got, hm?
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Nothin', nothin' at all.
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Yeah.
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Nothin'.
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Nothin' at all.
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No responsibilities.
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No nothing.
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[TRUCK HORN BLARES]
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Look, Officer, I assure you,
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I'm not what you would
call drunk, you see.
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You can ask Officer Flaherty
who's usually on this beat.
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Why, he'll tell you
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00:09:38,011 --> 00:09:40,111
I'm not the kind of
guy that runs around...
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00:09:59,735 --> 00:10:01,835
Excuse me, buddy, you happen to have a...?
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Excuse me, pal, you
happen to have a match?
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I said you happen to have a match.
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Movies better than ever?
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Look, lady, [UNINTELLIGIBLE],
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but, you see, I know the girl
that usually works here, Gracie.
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I was gonna tell her what happened to me.
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This big truck and I, we tangled,
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and the first thing I knew I was...
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00:10:38,595 --> 00:10:43,431
Look, at least you can be
a little courteous, I mean...
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Look at me!
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Now, look.
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Now, listen.
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Somebody's trying to pull a gag.
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00:11:15,204 --> 00:11:18,622
Somebody's trying to shake me up.
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00:11:18,706 --> 00:11:20,624
Now, look, miss.
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Please, something's going
on, somebody trying to pull...
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Look, fellow, you happen to have a light?
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[RELIEVED] Oh.
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I'm dead.
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That's it.
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I'm just plain old deceased.
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Hey, I'm a ghost.
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You know, that truck made it after all.
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I'm haunting you.
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I'm a gh... boojie, boojie!
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Well, at last.
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For the first time
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in the very short life of Joey Crown...
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He was successful at something.
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Charlie's off, huh?
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You don't hear me either, do you?
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Nobody hear me?
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00:12:59,652 --> 00:13:02,488
Anybody see me?
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00:13:05,949 --> 00:13:08,033
I used to come in here a lot.
150
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Of course, I don't
recognize any of you people.
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None of you of course woulda noticed me.
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I mean, uh... you don't
hear me either, do you?
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I'm not the kind of guy you would notice.
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00:13:30,132 --> 00:13:31,800
Well, Charlie, every now and then
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he used to give me a drink on the house.
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He was a nice guy, Charlie.
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You know what he did one time?
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You know what he did?
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00:13:53,565 --> 00:13:55,858
Charlie went out and...
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00:13:55,942 --> 00:13:59,736
And bought an old Tommy Dorsey
record from way back...
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00:13:59,820 --> 00:14:02,530
When I was playing with him...
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00:14:02,614 --> 00:14:04,406
And on this record there was a...
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00:14:04,490 --> 00:14:08,867
There was a long singer
with me on the horn.
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00:14:08,951 --> 00:14:12,370
Old Charlie goes and orders it.
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00:14:12,454 --> 00:14:15,914
Like a big surprise for me.
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Puts it on the juke.
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[TSK] Would you believe it?
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A nice thing like that from old Charlie.
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When I was alive.
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[FAST TRUMPET BAND MUSIC]
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[THUD]
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[PERFECT TRUMPET MUSIC]
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Hey, don't stop, it's... it's
coming out beautiful.
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00:15:41,975 --> 00:15:43,017
Thanks.
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00:15:43,101 --> 00:15:44,227
That's alright.
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00:15:46,770 --> 00:15:48,729
You said thanks.
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00:15:48,813 --> 00:15:50,647
Thanks.
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00:15:50,731 --> 00:15:52,482
You hear me?
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00:15:52,566 --> 00:15:54,192
I hear you.
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00:15:54,276 --> 00:15:56,401
You see me?
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00:15:56,485 --> 00:15:57,986
Very clearly.
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00:15:58,070 --> 00:15:59,695
Oh, you're a ghost too, huh?
183
00:15:59,779 --> 00:16:01,989
[CHUCKLES] Not really.
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I am. I stepped in front
185
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of a rather large vehicle this morning,
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I [UNINTELLIGIBLE], believe me.
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00:16:09,578 --> 00:16:12,829
You wanna blow this a while, Joey?
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00:16:12,913 --> 00:16:15,581
Yeah.
189
00:16:15,665 --> 00:16:18,459
Yeah, I'd like to.
190
00:16:18,543 --> 00:16:20,001
You mind?
191
00:16:20,085 --> 00:16:22,503
Whatever you like.
192
00:16:24,797 --> 00:16:27,590
Joey? You called me Joey.
193
00:16:27,674 --> 00:16:29,633
Joey Crown, that's the name, isn't it?
194
00:16:29,717 --> 00:16:31,802
Yeah, that's my name but...
195
00:16:31,886 --> 00:16:33,719
We ain't never been introduced.
196
00:16:33,803 --> 00:16:35,679
Not formally but I know who you are.
197
00:16:35,763 --> 00:16:38,848
You play a nice trumpet.
198
00:16:38,932 --> 00:16:41,016
I know, I'm an expert on trumpets.
199
00:16:41,100 --> 00:16:44,268
You ain't no slouch
on it, that's for sure.
200
00:16:44,352 --> 00:16:47,396
Well, go ahead.
201
00:16:48,772 --> 00:16:49,981
Okay.
202
00:16:52,317 --> 00:16:56,028
[PREVIOUS MELANCHOLY TUNE]
203
00:17:11,538 --> 00:17:14,165
[PREVIOUSLY SQUEAKY HIGH NOTE, PERFECT]
204
00:17:22,254 --> 00:17:24,046
How come you know who I am?
205
00:17:24,130 --> 00:17:26,840
You say you're not a
ghost, you're not dead.
206
00:17:26,924 --> 00:17:29,843
No, I'm not dead.
207
00:17:29,927 --> 00:17:31,469
Neither are you, Joey.
208
00:17:36,847 --> 00:17:39,432
I'm not?
209
00:17:39,516 --> 00:17:40,767
By no means.
210
00:17:43,894 --> 00:17:46,855
But... what about the people in the bar?
211
00:17:46,939 --> 00:17:48,313
The girl in the ticket booth
212
00:17:48,397 --> 00:17:49,940
and the people in the streets?
213
00:17:50,024 --> 00:17:51,941
They are dead.
214
00:17:52,025 --> 00:17:55,235
They're the ghosts, they
just don't know it, that's all.
215
00:17:55,319 --> 00:17:59,154
Sometimes to make it easier,
we have to work it that way.
216
00:17:59,238 --> 00:18:02,323
We let them go on in a life
that they're familiar with.
217
00:18:02,407 --> 00:18:04,950
They never know for a long while.
218
00:18:05,034 --> 00:18:07,702
But that's why they couldn't hear you.
219
00:18:07,786 --> 00:18:11,079
You're the one that's alive.
220
00:18:11,163 --> 00:18:13,623
But like I said, I stepped off a curb...
221
00:18:13,707 --> 00:18:15,833
That you did.
222
00:18:15,917 --> 00:18:18,418
Right now you're in
a kind of a limbo, Joey.
223
00:18:18,502 --> 00:18:20,378
You're neither here nor there.
224
00:18:20,462 --> 00:18:22,129
You're in the middle.
225
00:18:22,213 --> 00:18:24,255
Between the two.
226
00:18:24,339 --> 00:18:28,550
The real and the shadow.
227
00:18:28,634 --> 00:18:30,469
Which do you prefer, Joey?
228
00:18:33,554 --> 00:18:36,264
Which do I prefer?
229
00:18:36,348 --> 00:18:38,140
You know something?
230
00:18:38,224 --> 00:18:40,726
I always felt I was getting
dealt from the bottom.
231
00:18:40,810 --> 00:18:46,146
Or maybe, maybe I just forgot
how much there was for me.
232
00:18:46,230 --> 00:18:48,230
And maybe I forgot about...
233
00:18:48,314 --> 00:18:50,774
About the music that I
could make on this horn.
234
00:18:50,858 --> 00:18:53,109
And how nice it sounded.
235
00:18:53,193 --> 00:18:55,027
And going into Charlie's...
236
00:18:55,111 --> 00:18:56,820
And talking to people...
237
00:18:56,904 --> 00:18:59,822
And maybe going to a
movie now and then, huh?
238
00:18:59,906 --> 00:19:02,532
You know, I never won
a beauty contest but...
239
00:19:02,616 --> 00:19:07,119
You know, I had friends, I mean,
I had good ones. Good ones.
240
00:19:07,203 --> 00:19:11,914
Yeah, somewhere along the line I
just forgot all the good things.
241
00:19:11,998 --> 00:19:15,333
That's what happened. I just forgot.
242
00:19:15,417 --> 00:19:18,002
You've got a choice, you know.
243
00:19:18,086 --> 00:19:20,086
A choice?
244
00:19:20,170 --> 00:19:23,505
There's still time.
245
00:19:23,589 --> 00:19:25,798
Well, if I've got a choice,
246
00:19:25,882 --> 00:19:28,675
I mean, if I've got a choice...
247
00:19:28,759 --> 00:19:30,427
Then I wanna go back.
248
00:19:30,511 --> 00:19:34,847
Understand? I wanna go back!
249
00:19:34,931 --> 00:19:36,556
All right.
250
00:19:36,640 --> 00:19:38,267
You go back.
251
00:19:41,227 --> 00:19:42,727
But Joey,
252
00:19:42,811 --> 00:19:45,646
no more stepping off curbs.
253
00:19:45,730 --> 00:19:48,482
Take what you get and you live with it.
254
00:19:48,566 --> 00:19:51,859
Sometimes it's sweet
frosting, nice gravy.
255
00:19:51,943 --> 00:19:56,320
Sometimes it's sour, it goes
down hard, but you live with it.
256
00:19:56,404 --> 00:20:00,323
Yeah, it's a nice talent you got.
257
00:20:00,407 --> 00:20:04,076
To make music, to move people.
258
00:20:04,160 --> 00:20:08,245
Make 'em wanna laugh, make 'em wanna cry.
259
00:20:08,329 --> 00:20:10,830
They can tap their feet.
260
00:20:10,914 --> 00:20:13,791
Make 'em wanna dance.
261
00:20:13,875 --> 00:20:18,169
That's an exceptional talent, Joey.
262
00:20:18,253 --> 00:20:19,462
Don't waste it.
263
00:20:24,174 --> 00:20:26,883
See you around, Joey.
264
00:20:26,967 --> 00:20:29,052
Hey!
265
00:20:29,136 --> 00:20:30,260
Hey, mister!
266
00:20:30,344 --> 00:20:31,720
What is it, Joey?
267
00:20:31,804 --> 00:20:32,804
I didn't get your name!
268
00:20:32,888 --> 00:20:34,389
How's that?
269
00:20:34,473 --> 00:20:36,182
Your name! I didn't get your name!
270
00:20:38,267 --> 00:20:39,850
My name?
271
00:20:39,934 --> 00:20:41,144
Call me Gabe.
272
00:20:42,771 --> 00:20:43,853
Gabe?
273
00:20:43,937 --> 00:20:46,064
Gabe!
274
00:20:46,148 --> 00:20:47,648
Short for Gabriel.
275
00:20:51,026 --> 00:20:52,402
Goodbye, Joey.
276
00:21:04,660 --> 00:21:07,120
[DISTANT TRUMPET PLAYING]
277
00:21:21,714 --> 00:21:22,756
[TRUCK HORN BLARES]
278
00:21:22,840 --> 00:21:24,215
[TIRES SCREECH]
279
00:21:24,299 --> 00:21:27,259
[THUD] [WOMAN SCREAMS]
280
00:21:27,343 --> 00:21:28,677
[MURMURS]
281
00:21:32,680 --> 00:21:34,264
DRIVER: I didn't see you, pal.
282
00:21:34,348 --> 00:21:36,182
You stepped right out in front of me.
283
00:21:36,266 --> 00:21:37,641
Lucky I only grazed you.
284
00:21:37,725 --> 00:21:39,059
Oh, that's okay, no harm done.
285
00:21:39,143 --> 00:21:41,686
Yeah, now look.
286
00:21:41,770 --> 00:21:44,396
I ain't had an accident for 14 years,
287
00:21:44,480 --> 00:21:47,106
and I'd be obliged to you if you, uh...
288
00:21:47,190 --> 00:21:50,401
Well, you know, no doctors,
no insurance companies,
289
00:21:50,485 --> 00:21:53,528
nothing like that, huh?
290
00:21:53,612 --> 00:21:55,780
Be a nice guy, huh, pal?
291
00:21:58,990 --> 00:22:02,660
[THUD AND ENGINE REVVS, BECOMES DISTANT]
292
00:22:09,081 --> 00:22:13,417
[TRUMPET PLAYING PLEASANTLY]
293
00:22:39,227 --> 00:22:43,271
You play it beautifully.
294
00:22:43,355 --> 00:22:45,564
Thanks.
295
00:22:45,648 --> 00:22:47,566
I gave it up this morning but...
296
00:22:47,650 --> 00:22:49,442
I'm taking her back.
297
00:22:49,526 --> 00:22:54,529
The bugle and me, till death do us part.
298
00:22:54,613 --> 00:22:56,781
I'm new here.
299
00:22:56,865 --> 00:23:00,950
I've... I've never even
been in New York before.
300
00:23:01,034 --> 00:23:03,994
I just moved in.
301
00:23:04,078 --> 00:23:05,286
My name is nan.
302
00:23:05,370 --> 00:23:08,122
Hi. I'm Joey.
303
00:23:08,206 --> 00:23:09,498
Joey Crown.
304
00:23:12,542 --> 00:23:14,752
Will you... play some more?
305
00:23:17,212 --> 00:23:18,629
Sure.
306
00:23:18,713 --> 00:23:20,380
I'll play whatever you like
307
00:23:20,464 --> 00:23:23,382
for as long as you like.
308
00:23:23,466 --> 00:23:25,759
You know, you may like it here.
309
00:23:25,843 --> 00:23:27,010
It's not a bad town.
310
00:23:27,094 --> 00:23:32,639
Oh, I'm sure it isn't.
311
00:23:32,723 --> 00:23:35,308
Maybe...
312
00:23:35,392 --> 00:23:37,351
Maybe you could show me some of it.
313
00:23:41,688 --> 00:23:42,855
Me?
314
00:23:46,399 --> 00:23:48,734
Sure. I'd love to. I...
315
00:23:48,818 --> 00:23:51,194
Well, I could show you the battery and...
316
00:23:51,278 --> 00:23:53,570
I could show you Central Park,
317
00:23:53,654 --> 00:23:55,947
I could show you 52nd Street!
318
00:23:56,031 --> 00:23:59,407
We could go in and listen
to some good jazz! And, uh...
319
00:23:59,491 --> 00:24:02,660
NARRATOR: Joey Crown, who makes music.
320
00:24:02,744 --> 00:24:05,746
And who discovered something about life
321
00:24:05,830 --> 00:24:09,331
that it can be rich and
rewarding and full of beauty.
322
00:24:09,415 --> 00:24:12,126
Just like the music he played.
323
00:24:12,210 --> 00:24:16,503
If a person would only
pause to look and to listen.
324
00:24:16,587 --> 00:24:22,467
Joey Crown, who got his
clue in the Twilight Zone.
325
00:24:27,887 --> 00:24:30,596
PRESENTER: Rod Serling,
the creator of Twilight Zone,
326
00:24:30,680 --> 00:24:32,640
will tell you about next week's story
327
00:24:32,724 --> 00:24:36,350
after this word from
our alternate sponsor.
328
00:24:36,434 --> 00:24:38,602
And now, Mr. Serling.
329
00:24:38,686 --> 00:24:39,936
Next week, you'll meet
330
00:24:40,020 --> 00:24:41,396
the occupant of this desk
331
00:24:41,480 --> 00:24:43,814
whose name is James B.W. Bevis,
332
00:24:43,898 --> 00:24:46,233
a warm and winning
twentieth century oddball
333
00:24:46,317 --> 00:24:48,359
about a mile and a half from the norm.
334
00:24:48,443 --> 00:24:50,652
He likes things like
zither music, little kids,
335
00:24:50,736 --> 00:24:52,737
and stuff like this.
336
00:24:52,821 --> 00:24:55,364
Orson Bean stars next
week on The Twilight Zone
337
00:24:55,448 --> 00:24:57,615
as Mr. Bevis. And Henry Jones
338
00:24:57,699 --> 00:24:59,450
plays his guardian angel.
339
00:24:59,534 --> 00:25:00,993
He's this kind of oddball.
340
00:25:03,453 --> 00:25:05,121
[CURTAIN MUSIC]
341
00:25:43,399 --> 00:25:46,025
PRESENTER: Kimberly Clark invites you
342
00:25:46,109 --> 00:25:47,525
to watch Steve McQueen
343
00:25:47,609 --> 00:25:49,903
in Wanted Dead or Alive.
344
00:25:49,987 --> 00:25:53,114
Saturday nights over
most of these same stations.
23941
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