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[music playing]
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♪ Take a look at the great ♪
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♪ Remember how great it should be ♪
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♪ Think what it was ♪
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Official YIFY movies site:
YTS.MX
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♪ Shops are full of the fashion ♪
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♪ People told what they want ♪
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♪ The street that was a partOf the British Monarchy ♪
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♪ British Monarchy ♪
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♪ Who wants Afghans and all that ♪
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♪ We don't need them now ♪
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♪ Why should we accept the change ♪
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♪ And buy clothes of today ♪
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♪ Kids, kids, kids repel the change and ♪
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♪ Bring back the street ♪
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♪ Shops filled by whole nations ♪
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♪ Carnaby Street ♪
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♪ Carnaby Street, Carnaby Street ♪
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♪ The street is a mirror ♪
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♪ For our country ♪
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♪ Reflects the rise and fall ♪
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♪ Of our nation, nation ♪
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♪ The street that was a legend ♪
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♪ Is a mockery ♪
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♪ A part of the British tradition ♪
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♪ Gone down the drain ♪
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♪ You don't need no glass ball ♪
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♪ To see its faults ♪
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♪ Take a walk along that street ♪
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♪ And you'll see what I mean ♪
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♪ Carnaby Street ♪
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♪ Carnaby Street ♪
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{\an8}♪ Carnaby StreetNot what it used to be ♪
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{\an8}♪ Carnaby StreetNot what it used to be ♪
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♪ Carnaby Street ♪
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[singing]
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♪ Carnaby Street ♪
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[singing]
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♪ Carnaby Street ♪
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♪ Carnaby Street ♪
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{\an8}[singer] Thank you. Got you all sober now.
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Quite ironic, innit?
I promised an Aerosmith.
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There's a tune you wanna know.
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["In the City" playing]
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♪ In the city there's a thousand thingsI want to say to you ♪
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♪ But whenever I approach youYou make me look a fool ♪
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♪ I wanna say ♪
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♪ I wanna tell you ♪
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♪ About the young ideas ♪
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♪ But you turn them into fears ♪
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♪ In the city there's a thousand facesAll shining bright ♪
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♪ And those golden faces are under 25 ♪
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♪ They wanna say… ♪
[music fades]
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[singing]
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[singing]
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[singing]
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[singing]
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[singing]
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[singing]
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[singing]
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[singing]
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Anyway, the beginnings of punk.
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Um…
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Why don't I let you talk, go on.
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Why don't you let me talk. What was the--
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Uh…
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Yeah, in London last year,
right, there was a pub scene,
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and you had various bands
playing a lot of,
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you know, the pubs in London.
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A lot of people were having
music in pubs, you know.
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Hope & Anchor, the Keni--
Kensington, The Nashville.
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[laughing]
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Jim, in or out.
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[laughing]
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Go on, then.
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Go on, tell them about punk rock.
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The identification with, with…
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to identify with something of their own.
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They have nothing of their own.
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Everybody would say how
great the '50s were,
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how great the '60s were,
you know, and that we were
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-all living off the '60s, you know.
-Not even related to the '60s.
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Put down all that old crap
that was going down, you know,
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like, you know, we needed
an identity of our own.
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-You know, 1977.
-No. This political angle ain't new.
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They've all done it all before
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in that movie The Privilege
with Paul Jones.
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"Street Fighting Man"
by The Stones, you know.
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I mean, that was political, you know.
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But the point is, we just,
you know, talking about youth
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and singing songs about
problems of everyday life.
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People have just been singing songs
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about science fiction fantasy
and shit like that.
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You know, I mean, what relevance is, like,
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I love my baby, you know,
and I've shagged my bird
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'round the back street, you know,
what relevance is that today?
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There are problems,
you know, which have been
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pushed underground for too long,
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which today have to be
brought up to light.
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People ain't got time
to think about the cosmos
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-and the universe, you know.
-Yeah.
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When they ain't got any money to live on.
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Yeah.
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The whole Western world's a big joke.
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You go around, you know,
you got 50 pence, you know.
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You used to get a meal or something.
Go to the movies.
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It's totally boring,
you know, after the, like,
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the hippie era, you know,
where like, everything is free, man.
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You know, it was, like,
you could live off that, you know.
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It was great.
It was great to live off that.
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-[phone ringing]
-I used to live off that, personally.
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That scene, you know, that era, you know?
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But, uh…
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This is it, you know.
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And I just thought, well,
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with the crap that was
going down then, you know.
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[phone continues ringing]
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One second.
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The crap that was
going down then, you know,
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it was, like, not relevant
to me at all, you know.
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It was nothing to do with
the way I felt, you know.
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So I thought, well,
I'll do it myself, you know.
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Come spring, and then the band
got together, you know.
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James Stevenson on guitar,
Carey Fortune on drums,
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and Andy Czezowski, our manager.
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-Hello.
-You know, Simon Vitesse on bass.
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You know, we just got together
and we thought,
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"Right, let's change it.
Let's do something."
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[punk music plays]
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[shouting]
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[music stops]
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[chattering]
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Sound out of tune, actually.
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Play the right key, there.
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Tune to a chord.
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Take five.
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-You're not filming this.
-Yeah, yeah.
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One, two, three, four.
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Yeah!
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♪ Standing around just ♪
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♪ For seven days a week ♪
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♪ I won't even get no singing on fee ♪
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♪ I feel ripped off, yeah ♪
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♪ Hey, what about you ♪
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♪ Where was I born ♪
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♪ What are we gonna do ♪
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♪ But this I say ♪
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♪ We have the right to work ♪
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♪ We have the right to work ♪
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♪ We have the right to work ♪
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♪ We have the right to work ♪
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♪ Hey, yes we do ♪
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♪ I don't even knowwhat tomorrow will bring ♪
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♪ But let me tell you,having no future is a terrible thing ♪
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♪ Standing around justwaiting for a career ♪
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♪ Listen ♪
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♪ We don't take drugsand we don't drink beer ♪
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♪ We're not dead weight ♪
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♪ We have the right to work ♪
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♪ We have the right to work ♪
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♪ We have the right to work ♪
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♪ We have the right to work ♪
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♪ Hey, yes we do ♪
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Chelsea was like, um…
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one of the first bands ever
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to play the Roxy, you know,
with other bands, you know?
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Um…
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I think it's very, very important
to the music that's going down now.
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It's very hardcore, very political.
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As you guys know,
we have this single out "Right to Work".
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-Yeah.
-Um…
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Which is about, you know,
the millions of kids
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that leave school, you know,
who haven't got a job
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and the individual, really,
the rights of the individual
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to do their thing, you know.
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That's what it's about.
You have the right to work.
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When the punk rock business
was starting up
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and groups wanted to play,
they were rejected
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by everybody and everywhere,
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and so it was very difficult
to get work for them.
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So the obvious thing was to try
and do something yourself,
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which was equally as difficult
because we have
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a lot of problems in London about licenses
and drinking and playing loud music.
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Um…
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So there's a lot of problems
that came up about the same time.
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See, I managed a group called The Damned,
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and I also managed a group
called Generation X.
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Um… when I worked with Generation X,
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I realised that there's a lot of problems
that are involved with…
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with getting work for these bands,
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so the easiest thing probably
was to just find a place yourself.
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Um…
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This I did by finding
a club called The Roxy Club,
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And…
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I put on this band called Generation X,
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and it worked very well,
which we knew it would.
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At the same time,
a lot of new groups were coming
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and playing in London all the time,
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so they actually contacted me
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to put on their groups
to play in the club.
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But the club was on a very loose basis.
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I hired it every week,
and very expensive too
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because the man wasn't prepared
to let me have the club
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because he said there was
too much risk involved
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because of teenagers and drinking
and drugs and loud music.
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So I had to pay very high rent
to compensate him.
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Um… but it was worth it to me
because we weren't so much
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interested in making money,
but just to have some fun
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and have an outlet for this new energy
which was growing all the time,
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especially the music and the clothes
and the fashions, everything.
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So we had an understanding between us,
the sort of thing we wanted to do.
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So it became an immediate success,
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and we didn't have to advertise
because it wasn't necessary
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to bring people
from the streets into the club
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because we only wanted people in the club
who were interested.
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If they were interested
in the music and the clothes,
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they would come down naturally
because of their friends
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who would be involved in something.
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So it became a very exciting
and central point
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to all the punk rock, um…
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Because they had somewhere
to create things,
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to mix with each other,
to form new bands and exchange ideas.
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It stopped because it just
got too much eventually.
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The money that was wanted from us,
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we couldn't afford to generate
from the bands and from the people
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because we had still the restraints
of the outside world which was high rents,
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and they just wouldn't meet.
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We couldn't…
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We wouldn't put the prices up on the door
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because we would be in the same
capacity as the people
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who had, were in rock music before,
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where they were charging
maybe five pounds,
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you know, to get to see a group,
which we didn't want to do.
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We were only concerned with charging
maybe one pound to see three groups.
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[In German] One of the most exciting bands
on the live album of Roxy Club
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is X-Ray Spex.
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Little girls should be seen and not heard.
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"Oh Bondage, Up Yours"!
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One, two, three, four.
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♪ Bind me tie me ♪
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♪ Chain me to the wall ♪
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♪ I wanna be a slave to you all ♪
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♪ Oh bondage up yours ♪
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00:13:55,583 --> 00:13:58,750
♪ Oh bondage no more ♪
246
00:13:58,833 --> 00:14:01,791
♪ Oh bondage up yours ♪
247
00:14:01,875 --> 00:14:04,416
♪ Oh bondage no more ♪
248
00:14:07,083 --> 00:14:08,500
♪ Chain-store chain-smoke ♪
249
00:14:08,583 --> 00:14:10,208
♪ I consume you all ♪
250
00:14:10,291 --> 00:14:11,833
♪ Chain-gang chain-mail ♪
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00:14:11,916 --> 00:14:13,166
♪ I don't think at all ♪
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00:14:13,250 --> 00:14:16,250
♪ Oh bondage up yours ♪
253
00:14:16,333 --> 00:14:19,458
♪ Oh bondage no more ♪
254
00:14:19,541 --> 00:14:22,583
♪ Oh bondage up yours ♪
255
00:14:22,666 --> 00:14:25,458
♪ Oh bondage no more ♪
256
00:14:48,416 --> 00:14:49,791
♪ Thrash me crash me ♪
257
00:14:49,875 --> 00:14:51,500
♪ Beat me till I fall ♪
258
00:14:51,583 --> 00:14:53,083
♪ I wanna be a victim ♪
259
00:14:53,166 --> 00:14:54,375
♪ For you all ♪
260
00:14:54,458 --> 00:14:57,500
♪ Oh bondage up yours ♪
261
00:14:57,583 --> 00:15:00,708
♪ Oh bondage no more ♪
262
00:15:00,791 --> 00:15:03,875
♪ Oh bondage up yours ♪
263
00:15:03,958 --> 00:15:06,666
♪ Oh bondage no more ♪
264
00:15:09,208 --> 00:15:12,291
♪ Bind me tie me chain me to the wall ♪
265
00:15:12,375 --> 00:15:13,833
♪ I wanna be a slave ♪
266
00:15:13,916 --> 00:15:15,250
♪ To you all ♪
267
00:15:15,333 --> 00:15:18,458
♪ Oh bondage up yours ♪
268
00:15:18,541 --> 00:15:21,666
♪ Oh bondage no more ♪
269
00:15:21,750 --> 00:15:24,875
♪ Oh bondage up yours ♪
270
00:15:24,958 --> 00:15:27,750
♪ Oh bondage no more ♪
271
00:15:51,125 --> 00:15:54,291
♪ Bind me tie me chain me to the wall ♪
272
00:15:54,375 --> 00:15:55,875
♪ I wanna be a slave ♪
273
00:15:55,958 --> 00:15:57,166
♪ To you all ♪
274
00:15:57,250 --> 00:16:00,375
♪ Oh bondage up yours ♪
275
00:16:00,458 --> 00:16:03,166
♪ Oh bondage no more ♪
276
00:16:03,708 --> 00:16:06,875
♪ Oh bondage up yours ♪
277
00:16:06,958 --> 00:16:10,083
♪ Oh bondage no more ♪
278
00:16:10,166 --> 00:16:13,333
♪ Oh bondage up yours ♪
279
00:16:13,416 --> 00:16:16,208
♪ Oh bondage no more ♪
280
00:16:20,291 --> 00:16:25,958
I write things-- I write most things about
plastic things and artificial things.
281
00:16:26,583 --> 00:16:28,625
Um, you could say they're social comments
282
00:16:28,708 --> 00:16:31,708
that they're slightly different
to what anybody else is writing.
283
00:16:34,041 --> 00:16:35,208
Do you like plastic?
284
00:16:36,166 --> 00:16:38,791
I mean, it's there, isn't it?
I mean, it's part of now.
285
00:16:39,375 --> 00:16:41,666
It's not a question
of whether I like it, it exists,
286
00:16:41,750 --> 00:16:45,041
and I just write about things like that
in my major environment.
287
00:16:46,625 --> 00:16:49,333
"Identity"!
288
00:16:49,416 --> 00:16:51,458
One, two, three four
289
00:17:04,333 --> 00:17:06,416
♪ Identity ♪
290
00:17:06,500 --> 00:17:08,291
♪ Is the crisis ♪
291
00:17:08,375 --> 00:17:10,791
♪ Can't you see ♪
292
00:17:10,875 --> 00:17:13,000
♪ Identity ♪
293
00:17:14,250 --> 00:17:16,958
♪ Identity ♪
294
00:17:17,041 --> 00:17:18,791
♪ When you look in the mirror ♪
295
00:17:18,875 --> 00:17:20,333
♪ Do you see yourself ♪
296
00:17:20,416 --> 00:17:22,083
♪ Do you see yourself ♪
297
00:17:22,166 --> 00:17:23,958
♪ On the T.V. screen ♪
298
00:17:24,041 --> 00:17:25,500
♪ Do you see yourself ♪
299
00:17:25,583 --> 00:17:27,208
♪ In the magazine ♪
300
00:17:27,291 --> 00:17:29,041
♪ When you see yourself ♪
301
00:17:29,125 --> 00:17:31,041
♪ Does it make you scream ♪
302
00:17:37,833 --> 00:17:39,875
♪ Identity ♪
303
00:17:39,958 --> 00:17:41,916
♪ Is the crisis ♪
304
00:17:42,000 --> 00:17:43,333
♪ Can't you see ♪
305
00:17:44,458 --> 00:17:46,708
♪ Identity ♪
306
00:17:47,750 --> 00:17:52,000
♪ Identity ♪
307
00:17:55,958 --> 00:17:57,083
Yeah!
308
00:18:17,166 --> 00:18:19,250
♪ Identity ♪
309
00:18:19,333 --> 00:18:21,166
♪ Is the crisis ♪
310
00:18:21,250 --> 00:18:22,708
♪ Can't you see ♪
311
00:18:23,875 --> 00:18:26,041
♪ Identity ♪
312
00:18:27,208 --> 00:18:29,750
♪ Identity ♪
313
00:18:29,833 --> 00:18:31,666
♪ When you look in the mirror ♪
314
00:18:31,750 --> 00:18:33,166
♪ Do you smash it quick ♪
315
00:18:33,250 --> 00:18:34,958
♪ Do you take the glass ♪
316
00:18:35,041 --> 00:18:36,750
♪ And slash your wrists ♪
317
00:18:36,833 --> 00:18:38,416
♪ Did you do it for fame ♪
318
00:18:38,500 --> 00:18:40,000
♪ Did you do it in a fit ♪
319
00:18:40,083 --> 00:18:41,791
♪ Did you do it before ♪
320
00:18:41,875 --> 00:18:43,708
♪ You read about it ♪
321
00:18:50,500 --> 00:18:52,625
♪ Identity ♪
322
00:18:52,708 --> 00:18:54,583
♪ Is the crisis ♪
323
00:18:54,666 --> 00:18:57,041
♪ Can't you see ♪
324
00:18:57,125 --> 00:18:59,416
♪ Identity ♪
325
00:19:00,458 --> 00:19:06,458
♪ Identity ♪
326
00:19:09,208 --> 00:19:10,375
Yeah!
327
00:19:23,708 --> 00:19:27,375
Well, "Bondage" is just…
most people associate bondage
328
00:19:27,458 --> 00:19:29,333
with sexual bondage and things like that.
329
00:19:29,416 --> 00:19:33,291
That's probably why we get banned
because they think it's perverted,
330
00:19:33,375 --> 00:19:36,750
and, you know, they think of whips
and things like that, but it isn't really.
331
00:19:36,833 --> 00:19:38,958
It's about any form of slavery
332
00:19:39,041 --> 00:19:41,208
and it's against that,
and saying no bondage, up yours,
333
00:19:41,291 --> 00:19:42,875
you know, fuck off tonight.
334
00:19:42,958 --> 00:19:45,541
[laughing]
335
00:19:45,625 --> 00:19:46,666
Cunt.
336
00:19:48,125 --> 00:19:51,750
And that's that one, really.
And then what was the other one we did?
337
00:19:51,833 --> 00:19:56,416
"Identity", it's just about that's one
of the current problems
338
00:19:56,500 --> 00:19:59,958
at the moment is identity, you know,
people try to identify something.
339
00:20:00,041 --> 00:20:02,666
Everybody's looking desperately to try
340
00:20:02,750 --> 00:20:05,666
and identify with one thing
instead of themselves,
341
00:20:05,750 --> 00:20:07,291
and that's what that's about.
342
00:20:08,041 --> 00:20:09,000
All right.
343
00:20:09,083 --> 00:20:12,000
[laughing]
344
00:20:12,083 --> 00:20:15,666
I don't like talking, you know, very much.
That's why I write songs.
345
00:20:26,041 --> 00:20:31,166
[In German] It's humiliating to live
in a flat without your own front door.
346
00:20:32,166 --> 00:20:35,708
In the South of London, Artury Bassick
lives in one of these flats
347
00:20:35,791 --> 00:20:39,208
with his parents. He is the 19-year
old bass player of The Lurkers.
348
00:20:39,291 --> 00:20:41,500
The Lurkers have been
around for a few months.
349
00:20:41,583 --> 00:20:45,083
They've released their own single
"Shadow" and it's very successful.
350
00:20:47,166 --> 00:20:49,875
It's just, I've always liked
energetic music,
351
00:20:49,958 --> 00:20:53,166
but it became really stagnant
over the last four years,
352
00:20:53,250 --> 00:20:55,500
sort of with heavy metal groups
353
00:20:55,583 --> 00:20:59,041
with long guitar solos
and 20-minute numbers.
354
00:20:59,791 --> 00:21:00,833
And…
355
00:21:01,791 --> 00:21:03,625
And I just like it
because it's so accessible.
356
00:21:03,708 --> 00:21:07,625
You can get, it's really easy
to understand because it's,
357
00:21:07,708 --> 00:21:10,750
you know, two-minute numbers
and you get straight to the point
358
00:21:10,833 --> 00:21:14,916
with no monkeying around,
not like someone like, I don't know,
359
00:21:15,000 --> 00:21:17,541
Led Zeppelin or Black Sabbath or whatever.
360
00:21:17,625 --> 00:21:21,750
It's really, like, too long and drawn out
and you can go to sleep.
361
00:21:21,833 --> 00:21:24,833
I've fallen asleep
at a Black Sabbath concert before.
362
00:21:24,916 --> 00:21:28,958
Even the volume couldn't keep me awake.
I was just really bored.
363
00:21:29,625 --> 00:21:33,333
Punk is so much more energetic
and to the point, you know.
364
00:21:34,416 --> 00:21:39,291
There are some punk groups like The Clash
with political and social statements.
365
00:21:39,375 --> 00:21:40,666
What do you think about it?
366
00:21:40,750 --> 00:21:44,000
They're really good. It needed to be said.
367
00:21:44,083 --> 00:21:46,458
A lot of groups are just singing
about love all the time,
368
00:21:46,541 --> 00:21:49,041
and that's always been
done for years and years.
369
00:21:49,125 --> 00:21:52,333
No one's ever sung political songs before,
370
00:21:52,416 --> 00:21:56,625
and it's about time somebody did
because it affects everyone all the time.
371
00:21:58,041 --> 00:22:00,708
There's no doubt about it.
You can't get away from politics.
372
00:22:00,791 --> 00:22:03,666
It affects everybody, every move you make,
373
00:22:04,916 --> 00:22:07,708
from drinking a pint of beer
to buying a car or whatever.
374
00:22:07,791 --> 00:22:12,416
It's all to do with politics,
which really stem from money.
375
00:22:12,500 --> 00:22:16,791
And The Clash can put political situations
376
00:22:17,333 --> 00:22:21,541
and aspects of politics
into a really short space of time,
377
00:22:21,625 --> 00:22:24,291
in two-minute numbers
and really get a point over about it.
378
00:22:25,208 --> 00:22:28,041
I think it's really good to be able
to sing about politics.
379
00:22:29,333 --> 00:22:31,666
[interviewer]
How long are you playing now, the bass?
380
00:22:31,750 --> 00:22:33,833
-With The Lurkers?
-Uh, no.
381
00:22:33,916 --> 00:22:37,125
Oh, the-- I've only been playing the bass
since I've been with the Lurkers,
382
00:22:37,208 --> 00:22:40,875
which is about four-and-a-half months,
five months.
383
00:22:40,958 --> 00:22:43,000
But I've mucked around
just playing the guitar
384
00:22:43,083 --> 00:22:45,875
for about five years
without ever doing anything.
385
00:22:46,875 --> 00:22:51,041
Just playing in my bedroom,
you know, to myself,
386
00:22:51,125 --> 00:22:54,666
annoying my mom and dad
and making the ornaments shake
387
00:22:54,750 --> 00:22:59,000
-on people's mantelpieces, you know?
-[parents laughing]
388
00:22:59,958 --> 00:23:01,500
Making the windows rattle.
389
00:23:02,541 --> 00:23:03,458
[interviewer] First?
390
00:23:03,541 --> 00:23:05,291
This is the first time
I'm playing with a group,
391
00:23:05,375 --> 00:23:08,958
this time with The Lurkers,
and it's really good.
392
00:23:10,708 --> 00:23:12,000
Better than all this stuff.
393
00:23:13,833 --> 00:23:16,458
[interviewer] What have you done before
you become a musician?
394
00:23:17,625 --> 00:23:20,708
Worked as a store man, gardener,
395
00:23:21,875 --> 00:23:25,833
packer in a factory, French polisher.
396
00:23:27,291 --> 00:23:32,375
-Uh, newspaper boy when I was 10.
-Hot dog stand.
397
00:23:32,458 --> 00:23:37,000
I used to sell hot dogs at race meetings.
398
00:23:39,291 --> 00:23:41,625
I've been out,
I left school five years now.
399
00:23:41,708 --> 00:23:45,833
I've been on the dole for about
three years, haven't I?
400
00:23:45,916 --> 00:23:46,791
Off and on.
401
00:23:46,875 --> 00:23:50,541
Off and on for about
three years out of five unemployed.
402
00:23:52,708 --> 00:23:54,208
Out of choice, mainly.
403
00:23:55,500 --> 00:23:56,750
Boomtown Rats.
404
00:23:57,791 --> 00:23:59,958
Useless. Not as good as the Lurkers.
405
00:24:01,083 --> 00:24:03,583
-Are they successful?
-They are.
406
00:24:04,541 --> 00:24:07,916
Big record company behind them
putting their money into it.
407
00:24:08,000 --> 00:24:09,958
That's the only way you get a lot of fame.
408
00:24:11,291 --> 00:24:12,333
Corrupt.
409
00:24:13,791 --> 00:24:15,000
Sold out.
410
00:24:16,833 --> 00:24:21,541
Do you think you may be corrupt too,
by the business sometimes?
411
00:24:22,541 --> 00:24:25,625
We don't have the chance to be.
No one offered us any money.
412
00:24:26,750 --> 00:24:28,583
We've got managers,
but they've got nothing.
413
00:24:28,666 --> 00:24:32,416
It's hard enough to get a packet
of strings out of them, a set of strings,
414
00:24:32,500 --> 00:24:37,333
let alone a hundred thousand pound advance
to live in luxury.
415
00:24:38,875 --> 00:24:40,250
Have to live in this place.
416
00:24:41,166 --> 00:24:43,041
We're up in the sky.
417
00:24:44,541 --> 00:24:48,583
Talking to the birds
as they fly past the windows.
418
00:24:52,500 --> 00:24:54,916
Now, question to your parents.
419
00:24:55,000 --> 00:25:00,375
What do you think about punk rock
and your son now as a musician?
420
00:25:00,458 --> 00:25:02,833
Well, I'm glad he's going on a bit,
you know?
421
00:25:03,875 --> 00:25:06,250
I'm glad he's doing something he likes,
you know?
422
00:25:06,333 --> 00:25:07,583
Yeah.
423
00:25:07,666 --> 00:25:11,166
-I've always been aimless, haven't I?
-Yeah, drifting about.
424
00:25:11,250 --> 00:25:14,125
I've never done anything
till I was in a group.
425
00:25:14,208 --> 00:25:15,250
Yeah.
426
00:25:15,875 --> 00:25:17,833
Have you ever seen
a concert of The Lurkers?
427
00:25:17,916 --> 00:25:20,458
No. No.
428
00:25:20,541 --> 00:25:22,500
They'd have to come with ear plugs on.
429
00:25:22,583 --> 00:25:26,833
I've heard his records.
I heard a record of his.
430
00:25:26,916 --> 00:25:27,958
It's alright.
431
00:25:29,416 --> 00:25:31,041
-Better than some of them.
-Yeah.
432
00:25:31,125 --> 00:25:33,416
My mom said it's as good
as anything The Rolling Stones
433
00:25:33,500 --> 00:25:34,916
have ever done, didn't you?
434
00:25:35,000 --> 00:25:36,041
Didn't you, Mum?
435
00:25:37,500 --> 00:25:38,958
It's better, though.
436
00:25:39,041 --> 00:25:41,500
They'd had it. Gone to America.
437
00:25:41,583 --> 00:25:44,000
Nothing English anymore, nothing British.
438
00:25:45,291 --> 00:25:46,333
Sold out.
439
00:25:48,458 --> 00:25:49,583
It's a song,
440
00:25:52,625 --> 00:25:54,750
and it's called "Shadow".
441
00:25:56,708 --> 00:25:58,791
Right, next. Alright.
442
00:26:12,291 --> 00:26:14,500
One, two, three, four.
443
00:26:20,791 --> 00:26:23,875
♪ Shadow, shadow, shadow ♪
444
00:26:23,958 --> 00:26:27,041
♪ Shadow, shadow, shadow ♪
445
00:26:27,125 --> 00:26:28,291
♪ Shadow ♪
446
00:26:28,375 --> 00:26:30,291
♪ My heart's in the shadow ♪
447
00:26:30,375 --> 00:26:32,291
♪ His heart's in the shadow ♪
448
00:26:32,375 --> 00:26:34,208
♪ My heart's in the shadow ♪
449
00:26:34,291 --> 00:26:36,083
♪ His heart's in the shadow ♪
450
00:26:43,958 --> 00:26:46,250
♪ I heard you got a new boy ♪
451
00:26:46,333 --> 00:26:48,166
♪ He got more than me ♪
452
00:26:48,250 --> 00:26:51,000
♪ He's lots of fun to have around ♪
453
00:26:51,083 --> 00:26:53,000
♪ He's got lots of money ♪
454
00:26:53,083 --> 00:26:56,000
♪ Shadow, shadow, shadow ♪
455
00:26:56,083 --> 00:26:58,375
♪ Shadow, shadow, shadow ♪
456
00:26:58,458 --> 00:26:59,625
♪ Shadow ♪
457
00:26:59,708 --> 00:27:01,500
♪ My heart's in the shadow ♪
458
00:27:01,583 --> 00:27:03,375
♪ His heart's in the shadow ♪
459
00:27:03,458 --> 00:27:05,250
♪ My heart's in the shadow ♪
460
00:27:05,333 --> 00:27:07,000
♪ His heart's in the shadow ♪
461
00:27:14,583 --> 00:27:16,375
♪ Last night I saw you dancing ♪
462
00:27:16,458 --> 00:27:18,208
♪ I had to watch it all the while ♪
463
00:27:18,291 --> 00:27:20,083
♪ He whispered something in your ear ♪
464
00:27:20,166 --> 00:27:21,875
♪ You both saw me and smiled ♪
465
00:27:21,958 --> 00:27:24,875
♪ Shadow, shadow, shadow ♪
466
00:27:24,958 --> 00:27:27,666
♪ Shadow, shadow, shadow ♪
467
00:27:27,750 --> 00:27:29,083
♪ Shadow ♪
468
00:27:29,166 --> 00:27:31,000
♪ My heart's in the shadow ♪
469
00:27:31,083 --> 00:27:33,041
♪ His heart's in the shadow ♪
470
00:27:33,125 --> 00:27:34,833
♪ My heart's in the shadow ♪
471
00:27:34,916 --> 00:27:37,000
♪ His heart's in the shadow ♪
472
00:27:44,041 --> 00:27:45,958
♪ Jenny said she'd lend me a gun ♪
473
00:27:46,041 --> 00:27:47,708
♪ She knows I'm not well ♪
474
00:27:47,791 --> 00:27:49,583
♪ Then I'll shoot that boy in the legs ♪
475
00:27:49,666 --> 00:27:51,500
♪ When he comes to ring your bell ♪
476
00:27:51,583 --> 00:27:54,250
♪ Shadow, shadow, shadow ♪
477
00:27:54,333 --> 00:27:57,375
♪ Shadow, shadow, shadow ♪
478
00:27:57,458 --> 00:27:58,625
♪ Shadow ♪
479
00:27:58,708 --> 00:28:00,333
♪ My heart's in the shadow ♪
480
00:28:00,416 --> 00:28:02,250
♪ His heart's in the shadow ♪
481
00:28:02,333 --> 00:28:04,125
♪ My heart's in the shadow ♪
482
00:28:04,208 --> 00:28:06,250
♪ His heart's in the shadow ♪
483
00:28:06,333 --> 00:28:08,041
♪ My heart's in the shadow ♪
484
00:28:08,125 --> 00:28:10,166
♪ His heart's in the shadow ♪
485
00:28:10,250 --> 00:28:11,791
♪ My heart's in the shadow ♪
486
00:28:11,875 --> 00:28:14,041
♪ His heart's in the shadow ♪
487
00:28:14,625 --> 00:28:17,375
[cheering]
488
00:28:17,458 --> 00:28:22,375
[chattering]
489
00:28:54,458 --> 00:28:57,250
[In German] The Red Cow in Hammersmith,
where The Lurkers performed,
490
00:28:57,333 --> 00:29:01,250
is less stylish than other clubs,
but the atmosphere is better.
491
00:29:01,333 --> 00:29:05,375
Lots of bands have started here.
The sign that said: "Free entry"
492
00:29:05,458 --> 00:29:08,875
has been replaced by "Live Music".
493
00:29:08,958 --> 00:29:11,750
Before The Lurkers,
a band jumped on stage unannounced.
494
00:29:11,833 --> 00:29:14,458
They thought punk meant
that you couldn't play.
495
00:29:18,708 --> 00:29:20,541
We've got your back.
496
00:29:20,625 --> 00:29:22,375
Now let's go have some music.
497
00:29:22,458 --> 00:29:23,875
-How'd you like the rehearsal?
498
00:29:23,958 --> 00:29:27,625
[crowd shouting]
499
00:29:45,875 --> 00:29:51,208
[singing]
500
00:29:51,291 --> 00:29:58,583
[singing]
501
00:29:58,666 --> 00:30:05,916
[singing]
502
00:30:06,000 --> 00:30:13,041
[singing]
503
00:30:15,083 --> 00:30:17,416
They opened the door for us.
504
00:30:18,208 --> 00:30:19,500
Don't open the door.
505
00:30:19,583 --> 00:30:21,250
[mumbling]
506
00:30:22,625 --> 00:30:24,041
Working in an office.
507
00:30:26,000 --> 00:30:27,541
I bet you have. Bet you have.
508
00:30:32,291 --> 00:30:34,125
It's exactly like a year…
509
00:30:35,166 --> 00:30:38,916
It's exactly a year tomorrow
since we formed.
510
00:30:39,000 --> 00:30:41,791
-Since we formed.
-Tomorrow is our first anniversary.
511
00:30:41,875 --> 00:30:42,916
Yeah.
512
00:30:43,000 --> 00:30:44,250
Happy birthday.
513
00:30:45,416 --> 00:30:46,416
♪ You're cold ♪
514
00:30:46,500 --> 00:30:47,416
♪ Your life is a farce ♪
515
00:30:47,500 --> 00:30:48,833
♪ You're cold ♪
516
00:30:48,916 --> 00:30:50,125
♪ You're a pain in the arse ♪
517
00:30:50,208 --> 00:30:51,666
♪ You're cold ♪
518
00:30:51,750 --> 00:30:52,958
♪ You make me despair ♪
519
00:30:53,041 --> 00:30:54,125
♪ You're cold ♪
520
00:30:54,208 --> 00:30:56,250
♪ 'Cause you just don't care ♪
521
00:30:57,333 --> 00:30:58,833
♪ You're a must to avoid ♪
522
00:30:58,916 --> 00:31:00,000
♪ Try so hard to be kind ♪
523
00:31:00,083 --> 00:31:01,375
♪ You're a must to avoid ♪
524
00:31:01,458 --> 00:31:02,666
♪ Going out of my mind ♪
525
00:31:02,750 --> 00:31:04,041
♪ You're a must to avoid ♪
526
00:31:04,125 --> 00:31:05,250
♪ Try so hard to be nice ♪
527
00:31:05,333 --> 00:31:06,625
♪ You're a must to avoid ♪
528
00:31:06,708 --> 00:31:10,208
♪ You're as cold as ice ♪
529
00:31:20,708 --> 00:31:23,208
♪ I've seen your faceeverywhere that I've been ♪
530
00:31:23,291 --> 00:31:25,833
♪ Your face it haunts melike bad, old dream ♪
531
00:31:25,916 --> 00:31:28,458
♪ Your only value is how you appear ♪
532
00:31:28,541 --> 00:31:30,458
♪ You're so stupidthat it's driving me square ♪
533
00:31:30,541 --> 00:31:32,083
♪ You're cold ♪
534
00:31:32,166 --> 00:31:33,083
♪ Your life is a farce ♪
535
00:31:33,166 --> 00:31:34,500
♪ You're cold ♪
536
00:31:34,583 --> 00:31:35,750
♪ You're a pain in the arse ♪
537
00:31:35,833 --> 00:31:37,208
♪ You're cold ♪
538
00:31:37,291 --> 00:31:38,291
♪ You make me despair ♪
539
00:31:38,375 --> 00:31:39,708
♪ You're cold ♪
540
00:31:39,791 --> 00:31:41,666
♪ 'Cause you just don't care ♪
541
00:31:42,958 --> 00:31:44,541
♪ You're cold ♪
542
00:31:44,625 --> 00:31:45,625
♪ Your life is a farce ♪
543
00:31:45,708 --> 00:31:47,000
♪ You're cold ♪
544
00:31:47,083 --> 00:31:48,250
♪ You're a pain in the arse ♪
545
00:31:48,333 --> 00:31:49,791
♪ You're cold ♪
546
00:31:49,875 --> 00:31:50,958
♪ You make me despair ♪
547
00:31:51,041 --> 00:31:52,416
♪ You're cold ♪
548
00:31:52,500 --> 00:31:55,000
♪ 'Cause you just don't care ♪
549
00:32:00,125 --> 00:32:03,833
[In German] The nerve centre of punk
was the office of Miles Copeland.
550
00:32:03,916 --> 00:32:07,791
From here, he managed a lot of bands and
record labels as well as Sniffin' Glue…
551
00:32:07,875 --> 00:32:09,541
the biggest punk magazine.
552
00:32:12,666 --> 00:32:15,541
[chattering]
553
00:32:16,541 --> 00:32:19,083
This is only the second edition
of this magazine.
554
00:32:19,166 --> 00:32:20,250
Right.
555
00:32:21,791 --> 00:32:22,791
What do you charge an ad?
556
00:32:23,666 --> 00:32:28,083
Uhh, 50 pounds for a full page.
557
00:32:28,166 --> 00:32:29,750
-How much?
-50 pounds for a full page.
558
00:32:29,833 --> 00:32:33,625
-Yeah? What's the circulation?
-5,000 this last time.
559
00:32:33,708 --> 00:32:35,833
Do you have anybody selling it here?
560
00:32:35,916 --> 00:32:36,958
Yeah, me.
561
00:32:37,750 --> 00:32:39,291
Because you might ought to talk to Harry
because, you know what I mean,
562
00:32:39,375 --> 00:32:40,416
he's selling all the Glues.
563
00:32:40,500 --> 00:32:42,291
Maybe he'd be interested in
helping you distribute.
564
00:32:42,375 --> 00:32:44,375
Yes, that would be nice.
I'll have to talk to him.
565
00:32:44,458 --> 00:32:45,583
He's already got a set up for it.
566
00:32:45,666 --> 00:32:46,916
I mean, that's,
a lot of people are coming to us
567
00:32:47,000 --> 00:32:50,250
because we've already established
a distribution network
568
00:32:50,333 --> 00:32:53,375
and to slot something else in doesn't add
anymore cost to us and saves everybody,
569
00:32:53,458 --> 00:32:55,291
-saves other people a lot of money.
-It certainly does.
570
00:32:55,375 --> 00:32:58,166
So, I mean, Sniffing Glue
is up to 10,000 circulation now.
571
00:32:58,791 --> 00:33:01,208
And if they're shipping that kind of stuff
out with another magazine,
572
00:33:01,291 --> 00:33:03,125
I'm sure he'd be interested
in doing something with you guys.
573
00:33:03,208 --> 00:33:04,541
Well, you'll have to introduce me,
won't you?
574
00:33:04,625 --> 00:33:06,041
Yeah, well, he's here, you know.
575
00:33:06,125 --> 00:33:07,166
Hey, Harry?
576
00:33:09,500 --> 00:33:12,750
Well, I got rather bored with things
that were going on, and, um…
577
00:33:13,583 --> 00:33:15,458
I had some of the people in the office
who were telling me
578
00:33:15,541 --> 00:33:17,333
that things were going on in the clubs
and I wanted to come down
579
00:33:17,416 --> 00:33:19,208
and see what's happening, and which I did.
580
00:33:19,291 --> 00:33:22,541
And I spent time out in the clubs
and see all the new groups.
581
00:33:22,625 --> 00:33:26,666
And the Roxy Club
was in the beginning then, um…
582
00:33:27,666 --> 00:33:29,666
And I was very excited about it.
583
00:33:29,750 --> 00:33:32,208
Most of the groups I had been
dealing with were groups that,
584
00:33:32,291 --> 00:33:36,833
which were getting over 30 years old,
almost 40, they had kids.
585
00:33:36,916 --> 00:33:39,250
Uh, it was very difficult
to work with them
586
00:33:39,333 --> 00:33:42,625
because you start having success and…
587
00:33:44,333 --> 00:33:46,875
they wouldn't be able to follow through
because of their home life.
588
00:33:46,958 --> 00:33:48,458
For instance, The Climax Blues Band.
589
00:33:48,541 --> 00:33:52,666
We had a single which became a very big
single in England, very big in America.
590
00:33:52,750 --> 00:33:54,625
I had TV shows booked in Europe.
591
00:33:54,708 --> 00:33:56,458
They couldn't, they wouldn't go
because they had something
592
00:33:56,541 --> 00:33:58,125
to do with their families,
which is fair enough,
593
00:33:58,208 --> 00:34:01,541
but it means it's very frustrating
for somebody dealing with older people.
594
00:34:02,250 --> 00:34:04,416
They, uh, don't work very hard.
595
00:34:04,500 --> 00:34:07,125
And so when you see the young kids
and the energy
596
00:34:07,208 --> 00:34:09,250
that is being expressed by these kids,
597
00:34:09,333 --> 00:34:12,083
also the political aspect of it to me
was very exciting.
598
00:34:12,166 --> 00:34:13,958
I've always been interested
in the politics,
599
00:34:14,041 --> 00:34:17,000
and these kids are actually
reacting to society,
600
00:34:17,083 --> 00:34:18,541
which to me is far more important.
601
00:34:19,583 --> 00:34:24,000
Two places right now that are interesting
musically right now,
602
00:34:24,083 --> 00:34:26,458
and that is New York City and London.
603
00:34:26,541 --> 00:34:32,166
London is twice as exciting right now
musically as is, as is New York.
604
00:34:32,250 --> 00:34:36,958
Maybe it's because the economic situation
in England is more aggravated.
605
00:34:37,041 --> 00:34:40,291
It creates more ferment in this society.
606
00:34:40,375 --> 00:34:41,791
I don't know, umm…
607
00:34:41,875 --> 00:34:46,125
But London is a very, very exciting place
musically at the moment,
608
00:34:46,208 --> 00:34:48,458
and it's much easier for a group
to get a start here.
609
00:34:48,541 --> 00:34:51,583
In New York, there are very few clubs
that a group can play in.
610
00:34:51,666 --> 00:34:54,458
There's CBGBs, there's Max's,
and one or two others.
611
00:34:54,541 --> 00:34:58,208
In London there's 20, 30 clubs,
all over the country, there's more clubs.
612
00:34:58,291 --> 00:34:59,916
So it's easier for a group
to get in front of the people.
613
00:35:02,500 --> 00:35:04,500
I know you don't like folk music.
614
00:35:05,958 --> 00:35:07,041
By the way, I'm wearing,
615
00:35:07,125 --> 00:35:09,958
I'm wearing a pair of Joan Baez's
dirty panties.
616
00:35:10,916 --> 00:35:14,791
She wore them at the 1964
Newport Folk Festival.
617
00:35:14,875 --> 00:35:17,250
I was a big fan of hers back then,
you know.
618
00:35:17,333 --> 00:35:19,458
I was only three, three years old.
619
00:35:19,541 --> 00:35:21,333
I didn't know no better, you know.
620
00:35:21,416 --> 00:35:22,458
She's okay.
621
00:35:23,166 --> 00:35:26,708
This song, this is for all you jerk offs
in the audience.
622
00:35:28,250 --> 00:35:30,125
Ooh, look at the wankers.
623
00:35:31,958 --> 00:35:36,250
This is called
"You Make Me Cream In My Jeans."
624
00:35:39,000 --> 00:35:40,166
♪ Oh, yeah, all right ♪
625
00:35:45,291 --> 00:35:46,458
♪ Yeah ♪
626
00:35:49,791 --> 00:35:51,708
♪ You make me cream in my jeans ♪
627
00:35:52,958 --> 00:35:54,958
♪ You make me cream in my jeans ♪
628
00:35:56,291 --> 00:35:59,250
♪ Every time I pass you by ♪
629
00:35:59,333 --> 00:36:01,750
♪ Oh, can't you see the gleam in my eye ♪
630
00:36:02,500 --> 00:36:04,250
♪ You make me cream in my jeans ♪
631
00:36:05,583 --> 00:36:07,458
♪ You make me cream in my jeans ♪
632
00:36:08,666 --> 00:36:10,541
♪ You make me cream in my jeans ♪
633
00:36:11,833 --> 00:36:13,375
♪ I try so hard ♪
634
00:36:13,458 --> 00:36:14,958
♪ To run away ♪
635
00:36:15,041 --> 00:36:16,375
♪ You make me do it ♪
636
00:36:16,458 --> 00:36:18,000
♪ Every single day ♪
637
00:36:18,083 --> 00:36:20,041
♪ You make me cream in my jeans ♪
638
00:36:21,083 --> 00:36:22,583
♪ I tried and I tried ♪
639
00:36:22,666 --> 00:36:24,166
♪ It's just no use ♪
640
00:36:24,250 --> 00:36:25,791
♪ I tried to break away ♪
641
00:36:25,875 --> 00:36:27,333
♪ But I can't cut you loose ♪
642
00:36:27,416 --> 00:36:28,541
♪ I try to keep dry ♪
643
00:36:28,625 --> 00:36:31,000
♪ But baby, you got me juiced ♪
644
00:36:31,083 --> 00:36:33,958
♪ Every time is just like the first time ♪
645
00:36:34,041 --> 00:36:36,000
♪ You make me cream in my jeans ♪
646
00:36:37,000 --> 00:36:38,958
♪ You make me cream in my jeans ♪
647
00:36:40,541 --> 00:36:43,583
♪ Every time I pass you by ♪
648
00:36:43,666 --> 00:36:46,875
♪ Can't you see the gleam in my eye ♪
649
00:36:46,958 --> 00:36:48,833
♪ You make me cream in my jeans ♪
650
00:36:50,333 --> 00:36:52,000
♪ You make me cream in my jeans ♪
651
00:36:53,250 --> 00:36:54,958
♪ You make me cream in my jeans ♪
652
00:36:56,458 --> 00:36:58,041
♪ You make me cream in my jeans ♪
653
00:36:59,458 --> 00:37:01,625
♪ You make me cream in my jeans ♪
654
00:37:01,708 --> 00:37:02,750
♪ Yeah ♪
655
00:37:10,291 --> 00:37:12,833
[cheering]
656
00:37:12,916 --> 00:37:13,958
Thank you.
657
00:37:17,000 --> 00:37:22,166
[singing]
658
00:37:22,250 --> 00:37:27,375
[singing]
659
00:37:27,458 --> 00:37:33,625
[singing]
660
00:37:33,708 --> 00:37:36,750
[singing]
661
00:37:37,791 --> 00:37:40,916
[singing]
662
00:37:41,666 --> 00:37:47,083
[singing]
663
00:37:48,791 --> 00:37:50,000
That's it. See ya.
664
00:37:50,083 --> 00:37:52,375
[crowd shouting]
665
00:38:08,416 --> 00:38:10,958
[In German] Unfortunately,
we noticed The Killjoys too late.
666
00:38:11,041 --> 00:38:12,958
They opened for The Electric Chairs.
667
00:38:13,041 --> 00:38:16,166
We look them up the next day
as they play in the Greyhound in Fulham
668
00:38:16,250 --> 00:38:18,750
after the daily striptease show.
669
00:38:21,500 --> 00:38:24,208
♪ And you say we're old pals ♪
670
00:38:24,291 --> 00:38:26,375
♪ I don't know what the fuckyou're talking about ♪
671
00:38:26,458 --> 00:38:28,875
♪ The press only like usbecause we scream and shout ♪
672
00:38:28,958 --> 00:38:30,958
♪ But they don't know what I'm on about ♪
673
00:38:31,041 --> 00:38:33,166
♪ It could be me ♪
674
00:38:33,250 --> 00:38:34,291
♪ It could be me ♪
675
00:38:35,625 --> 00:38:37,666
♪ It could be me ♪
676
00:38:37,750 --> 00:38:38,958
♪ It could be me ♪
677
00:38:40,166 --> 00:38:41,458
♪ It could be me ♪
678
00:38:41,541 --> 00:38:42,583
♪ It could be me ♪
679
00:38:42,666 --> 00:38:45,291
♪ It could be me, it could be meit could be me ♪
680
00:38:45,375 --> 00:38:47,666
♪ You say you won't accept that advice ♪
681
00:38:47,750 --> 00:38:49,958
♪ Speaking your pieceevery fucking night ♪
682
00:38:50,041 --> 00:38:52,166
♪ Have a little drink,have a little bite ♪
683
00:38:52,250 --> 00:38:54,375
♪ I try going out andsee your mother at night ♪
684
00:38:54,458 --> 00:38:56,583
♪ It could be me ♪
685
00:38:56,666 --> 00:38:57,708
♪ It could be me ♪
686
00:38:58,875 --> 00:39:01,291
♪ It could be me ♪
687
00:39:01,375 --> 00:39:02,458
♪ It could be me ♪
688
00:39:03,541 --> 00:39:04,791
♪ It could be me ♪
689
00:39:04,875 --> 00:39:06,000
♪ It could be me ♪
690
00:39:06,083 --> 00:39:09,708
♪ It could be me, it could be meit could be me ♪
691
00:39:10,791 --> 00:39:14,000
Yeah, well, we're the Killjoys,
as you know, from Birmingham.
692
00:39:14,083 --> 00:39:17,333
We formed about a year ago in Birmingham
through adverts in the papers
693
00:39:17,416 --> 00:39:19,500
and we knew, knew some of each other.
694
00:39:19,583 --> 00:39:22,958
And we would have, we would have…
695
00:39:23,041 --> 00:39:25,375
We would make it a lot quicker
had we have come from London,
696
00:39:25,458 --> 00:39:28,625
but Birmingham is 120 miles away.
697
00:39:28,708 --> 00:39:30,750
That was obviously not,
that's not where London is.
698
00:39:30,833 --> 00:39:32,541
But, um… [smacks lips]
699
00:39:34,833 --> 00:39:37,875
Things are starting to go
all right for us now, you know.
700
00:39:37,958 --> 00:39:40,291
We've got a lot of people interested,
we're going down well wherever we go,
701
00:39:40,375 --> 00:39:41,458
and we're accepted now in London,
702
00:39:41,541 --> 00:39:43,583
whereas we used to play
in Birmingham before.
703
00:39:45,333 --> 00:39:46,875
Alright, could you please tell me
something about
704
00:39:46,958 --> 00:39:48,750
the punk scene in Birmingham?
705
00:39:49,666 --> 00:39:53,041
It started off really laid back at first.
706
00:39:53,125 --> 00:39:54,791
There were only a few to begin with.
707
00:39:55,458 --> 00:40:00,000
Uh, and it's taken quite a long time
to catch on in the initial stages.
708
00:40:00,083 --> 00:40:02,500
But John Tully and Bob Ruthers
709
00:40:02,583 --> 00:40:06,541
have done a lot to promote
punk in Birmingham.
710
00:40:07,125 --> 00:40:08,625
London is where it comes from though,
really.
711
00:40:08,708 --> 00:40:11,000
I mean, Birmingham is behind,
there's no doubt about it.
712
00:40:11,083 --> 00:40:13,500
Birmingham is…
London is the centre of punk, you know?
713
00:40:13,583 --> 00:40:16,708
It's the centre of the music world,
and Birmingham…
714
00:40:16,791 --> 00:40:19,250
Birmingham people just do
what London people tell them to do.
715
00:40:19,333 --> 00:40:21,250
If it comes from London and it's punk,
they think it's good,
716
00:40:21,333 --> 00:40:22,500
whether it's good or not.
717
00:40:23,125 --> 00:40:25,000
They just do what London tells them to do.
718
00:40:25,083 --> 00:40:26,208
One, two, three, four.
719
00:40:31,833 --> 00:40:38,375
♪ I don't care what's going on tonight ♪
720
00:40:39,875 --> 00:40:42,958
♪ So leave me outof your double-headed mind ♪
721
00:40:44,416 --> 00:40:46,750
♪ I'm sick of hearing you try another… ♪
722
00:40:46,833 --> 00:40:48,125
♪ Get it right ♪
723
00:40:49,208 --> 00:40:52,708
♪ How the hell do you goto sleep at night? ♪
724
00:40:54,041 --> 00:40:55,625
♪ At night ♪
725
00:41:01,208 --> 00:41:03,041
♪ You abuse your position every time ♪
726
00:41:03,125 --> 00:41:04,583
♪ You've got to pay your rent ♪
727
00:41:05,708 --> 00:41:08,958
♪ …someone else's band ♪
728
00:41:10,583 --> 00:41:11,708
♪ It's time to take a look around ♪
729
00:41:11,791 --> 00:41:13,958
♪ See you're really not going nowhere ♪
730
00:41:15,333 --> 00:41:18,541
♪ Just going round in circles… ♪
731
00:41:19,916 --> 00:41:21,291
♪ That you care ♪
732
00:41:23,833 --> 00:41:24,916
♪ Make a band ♪
733
00:41:25,000 --> 00:41:27,166
♪ Future's riding in your hand ♪
734
00:41:27,250 --> 00:41:29,416
♪ You don't like the song of mine ♪
735
00:41:29,500 --> 00:41:32,416
♪ How you going to sleep at night?
736
00:41:33,791 --> 00:41:34,833
♪ How? ♪
737
00:41:42,875 --> 00:41:46,250
♪ Who needs punks like you do… ♪
738
00:41:47,541 --> 00:41:50,791
[singing]
739
00:41:52,208 --> 00:41:55,458
[singing]
740
00:41:56,916 --> 00:41:58,125
♪ 'Cause in three months time ♪
741
00:41:58,208 --> 00:42:00,208
♪ You'll be kicking him in the teeth ♪
742
00:42:01,625 --> 00:42:04,041
♪ In the teeth ♪
743
00:42:04,125 --> 00:42:06,666
♪ 'Cause it's up to you to pick a band ♪
744
00:42:06,750 --> 00:42:08,916
♪ Future's riding in your hand ♪
745
00:42:09,000 --> 00:42:11,166
♪ You don't like the song of mine ♪
746
00:42:11,250 --> 00:42:14,791
♪ How you going to sleep at night ♪
747
00:42:15,666 --> 00:42:18,166
♪ 'Cause it's up to you to make a band ♪
748
00:42:18,250 --> 00:42:20,416
♪ Future's riding in your hand ♪
749
00:42:20,500 --> 00:42:22,625
♪ You don't like the song of mine ♪
750
00:42:22,708 --> 00:42:27,291
♪ How you going to sleep at night ♪
751
00:42:34,125 --> 00:42:36,625
The way the shop was started,
it was started as a…
752
00:42:36,708 --> 00:42:39,500
not as a record supermarket,
but as an agitprop shop,
753
00:42:39,583 --> 00:42:41,708
which had a political point of view.
754
00:42:41,791 --> 00:42:45,000
People can come in and just sit down
and sort of talk about things.
755
00:42:45,083 --> 00:42:46,625
You can't do that in most other shops.
756
00:42:46,708 --> 00:42:48,583
In most other shops
they would come in and, like,
757
00:42:48,666 --> 00:42:51,458
buy a record and go out,
or buy whatever they're selling.
758
00:42:51,541 --> 00:42:52,958
And they just want to get rid of you,
you know,
759
00:42:53,041 --> 00:42:56,166
because there's no interest
in anybody talking or doing anything.
760
00:42:56,250 --> 00:42:59,208
That's why people can come in and read
the magazines and do things like that.
761
00:42:59,291 --> 00:43:02,333
It was obvious that this shop would know
about punk music from the beginning,
762
00:43:02,416 --> 00:43:06,166
because people that work in these shops
spend their time going to gigs.
763
00:43:06,250 --> 00:43:08,291
And if you go to gigs,
you know what's going on
764
00:43:08,375 --> 00:43:09,958
because people tell you what's good.
765
00:43:10,041 --> 00:43:13,000
And if you've got ears to listen,
you go out and see what's happening.
766
00:43:13,083 --> 00:43:16,625
I mean, that's the only reason why
this shop was at the start of the new wave
767
00:43:16,708 --> 00:43:19,375
because everyone here was involved in it.
768
00:43:19,458 --> 00:43:21,666
I mean, and as soon as
we first heard the music,
769
00:43:21,750 --> 00:43:25,625
we knew this was the kind of music
we've been waiting for, for a long time.
770
00:43:25,708 --> 00:43:28,916
I mean, people come in to buy records,
and their attitude would be,
771
00:43:29,000 --> 00:43:30,458
"Well, I must get a new sound
for this week."
772
00:43:30,541 --> 00:43:32,416
or get a piece of aural wallpaper,
773
00:43:32,500 --> 00:43:35,333
and they take it home and they sit
in their rooms and listen to it.
774
00:43:35,416 --> 00:43:37,291
But all that changed when people realised
775
00:43:37,375 --> 00:43:39,166
that if there was a record
that they really wanted to hear,
776
00:43:39,250 --> 00:43:42,125
not because it would make them sit down
and forget about the world,
777
00:43:42,208 --> 00:43:44,791
but because it would make them get up
and do something about the world,
778
00:43:44,875 --> 00:43:47,541
or at least feel good enough
to go out and be on the street,
779
00:43:47,625 --> 00:43:49,208
and that was a change.
780
00:43:49,291 --> 00:43:51,416
It's just something,
it's just a matter of us realizing
781
00:43:51,500 --> 00:43:52,625
that something was going on.
782
00:43:53,291 --> 00:43:56,291
And that whole "Mr. Jones" syndrome
you know, something is happening.
783
00:43:57,666 --> 00:43:59,041
But now it's getting back because, like,
784
00:43:59,125 --> 00:44:00,750
people are coming
and just buying every record
785
00:44:00,833 --> 00:44:03,125
without even thinking about it,
and not listening about it.
786
00:44:03,208 --> 00:44:05,541
Just because it's punk
or something like that.
787
00:44:05,625 --> 00:44:09,166
You've got certain groups that
they just buy straight off, every title.
788
00:44:09,250 --> 00:44:11,375
It's just become a trendy thing now,
hasn't it?
789
00:44:11,458 --> 00:44:12,791
Punk is just a trend.
790
00:44:14,083 --> 00:44:16,000
-It's a fashion.
-Yeah, it's a fad.
791
00:44:16,083 --> 00:44:19,750
-But it's still, I mean--
-[overlapping dialogue]
792
00:44:19,833 --> 00:44:22,416
With people getting in, like,
people getting into reggae
793
00:44:22,500 --> 00:44:24,125
and stuff like that
because that's exciting music,
794
00:44:24,208 --> 00:44:25,125
and it's interesting.
795
00:44:25,208 --> 00:44:27,166
Because the major record
companies don't seem to--
796
00:44:27,250 --> 00:44:28,791
It's a mass market record.
797
00:44:28,875 --> 00:44:30,291
And having made that decision,
798
00:44:30,375 --> 00:44:33,333
they're not interested in making
those records available to the public.
799
00:44:33,416 --> 00:44:35,583
And if they're not available,
people can't buy them.
800
00:44:35,666 --> 00:44:38,833
And given the fact that the music
is made by black people,
801
00:44:38,916 --> 00:44:41,833
and there's a tremendous
amount of racialism amongst white people
802
00:44:41,916 --> 00:44:45,333
in their attitude towards blacks,
that also plays a part in it.
803
00:44:45,416 --> 00:44:47,125
But, I mean, we feel,
we feel really excited
804
00:44:47,208 --> 00:44:49,375
because boundaries
are beginning to be broken down.
805
00:44:49,458 --> 00:44:52,125
We're finding that a lot of shops around
the country are interested.
806
00:44:52,208 --> 00:44:53,208
In Germany, too.
807
00:44:53,291 --> 00:44:55,791
I mean, we send records
to a shop in Berlin.
808
00:44:55,875 --> 00:44:59,041
-Alright. I think they're a great band.
-[shouting]
809
00:44:59,125 --> 00:45:02,041
-You all know the fucking--
-[shouting]
810
00:45:02,125 --> 00:45:05,833
-Here comes The Adverts, right?
-[cheering]
811
00:45:16,875 --> 00:45:18,500
-[electric guitar plays]
-[banging]
812
00:45:20,250 --> 00:45:21,708
Hi, how you doing tonight?
813
00:45:24,250 --> 00:45:26,291
[punk music playing]
814
00:45:27,791 --> 00:45:28,791
Right.
815
00:45:30,083 --> 00:45:31,541
I don't care what you do down there,
816
00:45:31,625 --> 00:45:34,291
but don't injure yourself,
don't injure us.
817
00:45:34,375 --> 00:45:38,250
[yelling]
818
00:45:38,333 --> 00:45:39,500
Don't do that.
819
00:45:43,125 --> 00:45:44,791
Impart these words of wisdom.
820
00:45:46,375 --> 00:45:47,458
Let's do it.
821
00:45:48,333 --> 00:45:52,541
-"One Chord Wonders"!
-[cheering]
822
00:45:54,916 --> 00:45:56,958
[punk music playing]
823
00:46:00,208 --> 00:46:03,000
♪ I wonder what we'll playfor you tonight ♪
824
00:46:03,083 --> 00:46:05,500
♪ Something heavy or something light ♪
825
00:46:05,583 --> 00:46:10,916
♪ Something to set your soul alight ♪
826
00:46:11,000 --> 00:46:13,916
♪ I wonder how we'll answer when you say ♪
827
00:46:14,000 --> 00:46:16,500
♪ We don't like you, go away ♪
828
00:46:16,583 --> 00:46:21,541
♪ Come back when you've learned to play ♪
829
00:46:33,041 --> 00:46:35,833
♪ I wonder what we'll doWhen things go wrong ♪
830
00:46:35,916 --> 00:46:38,541
♪ When we're halfway throughOur favourite song ♪
831
00:46:38,625 --> 00:46:44,208
♪ We look up and the audience has gone ♪
832
00:46:44,291 --> 00:46:49,708
♪ Will we feel a little bit obscureThink we're not needed here ♪
833
00:46:49,791 --> 00:46:55,041
♪ We must be new waveThey'll like us next year ♪
834
00:47:06,708 --> 00:47:09,625
♪ The wonders don't careWe don't give a damn ♪
835
00:47:09,708 --> 00:47:12,541
♪ The wonders don't careWe don't give a damn ♪
836
00:47:12,625 --> 00:47:18,166
♪ The wonders don't careWe don't give a damn ♪
837
00:47:18,250 --> 00:47:21,208
♪ The wonders don't careWe don't give a damn ♪
838
00:47:21,291 --> 00:47:24,208
♪ The wonders don't careWe don't give a damn ♪
839
00:47:24,291 --> 00:47:29,833
♪ The wonders don't careWe don't give a damn ♪
840
00:47:29,916 --> 00:47:32,833
♪ The wonders don't careWe don't give a damn ♪
841
00:47:32,916 --> 00:47:35,666
♪ The wonders don't careWe don't give a damn ♪
842
00:47:35,750 --> 00:47:41,416
♪ The wonders don't careWe don't give a damn ♪
843
00:47:41,500 --> 00:47:44,500
♪ The wonders don't careWe don't give a damn ♪
844
00:47:44,583 --> 00:47:47,333
♪ The wonders don't careWe don't give a damn ♪
845
00:47:47,416 --> 00:47:53,250
♪ The wonders don't careWe don't give a damn ♪
846
00:47:53,333 --> 00:47:54,625
♪ The wonders don't care ♪
847
00:47:56,166 --> 00:47:57,458
♪ The wonders don't care ♪
848
00:47:59,458 --> 00:48:04,583
♪ The wonders don't care ♪
849
00:48:04,666 --> 00:48:06,125
♪ The wonders don't care ♪
850
00:48:07,708 --> 00:48:08,833
♪ The wonders don't care ♪
851
00:48:19,250 --> 00:48:21,208
-[music stops]
-[cheering]
852
00:48:24,625 --> 00:48:25,666
[In German] In Camden,
853
00:48:25,750 --> 00:48:28,833
on a dilapidated terrain
of the British Railways,
854
00:48:28,916 --> 00:48:31,958
is the rehearsal space "Rehearsal
Rehearsals", belonging to The Clash.
855
00:48:32,041 --> 00:48:35,250
A lot of new bands are allowed
to practice there.
856
00:48:38,416 --> 00:48:41,916
♪ I've been walkingAlong this shallow slope ♪
857
00:48:42,000 --> 00:48:45,083
♪ Looking for nothing particularly ♪
858
00:48:52,500 --> 00:48:59,041
♪ See no true reflectionWith no intention ♪
859
00:48:59,125 --> 00:49:01,166
♪ With no intention ♪
860
00:49:03,875 --> 00:49:06,875
♪ To receive a visit soon ♪
861
00:49:06,958 --> 00:49:10,083
♪ Although you need a visit soon ♪
862
00:49:10,166 --> 00:49:14,000
♪ I'll guarantee a wooden spoon ♪
863
00:49:14,083 --> 00:49:20,333
♪ Ambivalence ♪
864
00:49:30,291 --> 00:49:33,333
♪ Am I guided or is this life for free ♪
865
00:49:33,416 --> 00:49:40,208
♪ Because nothing everseems to happen to me ♪
866
00:49:42,666 --> 00:49:46,208
♪ And I won't be tempted by vile evils ♪
867
00:49:46,291 --> 00:49:50,583
♪ Because these evils are vile evils ♪
868
00:49:56,750 --> 00:49:59,791
♪ You consider no question ♪
869
00:49:59,875 --> 00:50:03,166
♪ See no true reflection ♪
870
00:50:03,250 --> 00:50:08,208
♪ With no intention ♪
871
00:50:08,291 --> 00:50:11,458
♪ To receive a visit soon ♪
872
00:50:11,541 --> 00:50:14,375
♪ Although you need a visit soon ♪
873
00:50:14,458 --> 00:50:18,666
♪ I'll guarantee a wooden spoon ♪
874
00:50:18,750 --> 00:50:24,208
♪ Ambivalence ♪
875
00:50:24,291 --> 00:50:29,625
♪ Calls your every tune ♪
876
00:51:00,250 --> 00:51:02,291
Can I turn this up for the singing?
877
00:51:03,375 --> 00:51:06,250
-[guitar plays]
-Turn this up.
878
00:51:11,500 --> 00:51:12,833
One, two, three, four.
879
00:51:12,916 --> 00:51:15,000
[punk music playing]
880
00:51:31,625 --> 00:51:34,333
♪ When you see the things you seeDon't exist ♪
881
00:51:34,416 --> 00:51:38,291
♪ No need to wonder why ♪
882
00:51:38,375 --> 00:51:43,791
♪ And if you can't see tallNo need to cry ♪
883
00:51:45,333 --> 00:51:50,375
♪ The only time you'll seeWhat is in the middle ♪
884
00:51:52,166 --> 00:51:57,791
♪ Set the past as what will be ♪
885
00:51:58,750 --> 00:52:01,875
♪ Do you want to dieOr is it too disgraceful ♪
886
00:52:01,958 --> 00:52:07,041
♪ Do you want to lieOr am I being wasteful now ♪
887
00:52:07,125 --> 00:52:09,500
♪ Standing out of view ♪
888
00:52:11,583 --> 00:52:16,875
♪ See kids act in a wayYou've never seen before ♪
889
00:52:18,125 --> 00:52:25,416
[singing]
890
00:52:25,500 --> 00:52:31,375
[singing]
891
00:52:31,458 --> 00:52:37,791
[singing]
892
00:52:37,875 --> 00:52:41,166
♪ Do you want to dieOr is it too disgraceful ♪
893
00:52:41,250 --> 00:52:45,166
♪ Do you want to lieOr am I being wasteful now ♪
894
00:52:46,416 --> 00:52:49,708
♪ Out of view ♪
895
00:52:49,791 --> 00:52:51,666
♪ Out of touch ♪
896
00:52:52,958 --> 00:52:58,125
♪ Standing out of viewStanding out of touch ♪
897
00:53:09,416 --> 00:53:11,625
The words are not…
898
00:53:12,541 --> 00:53:13,750
I don't really think they're…
899
00:53:15,041 --> 00:53:18,500
like most songs, they're sort of…
900
00:53:19,708 --> 00:53:22,125
The words that you use are not the sort of
901
00:53:22,875 --> 00:53:25,625
words that you usually get
in rock records.
902
00:53:27,000 --> 00:53:29,083
They're sort of taken… I write…
903
00:53:30,208 --> 00:53:32,250
say an essay or something like that,
904
00:53:32,333 --> 00:53:36,125
and from that condense
the words for a song.
905
00:53:37,125 --> 00:53:42,208
So it doesn't end up being, like,
a sort of normal rock song, hopefully.
906
00:53:43,083 --> 00:53:46,833
Formed about a year ago exactly.
907
00:53:48,041 --> 00:53:49,083
And, um…
908
00:53:50,166 --> 00:53:53,333
Since then we've sort of been playing
with different drummers.
909
00:53:54,166 --> 00:53:58,125
We play with one drummer and then
stopping for about three months.
910
00:53:59,125 --> 00:54:01,750
Because we've never had
one drummer that we liked.
911
00:54:04,041 --> 00:54:05,750
Why do you play punk rock?
912
00:54:07,375 --> 00:54:11,708
Um… I don't really think we do.
913
00:54:13,958 --> 00:54:17,708
Exactly, we don't play what everyone
thinks is punk rock.
914
00:54:19,916 --> 00:54:23,083
We're more like, sort of Buddy Holly.
915
00:54:31,458 --> 00:54:35,333
[In German] On the same site, above the
rehearsal space, lives Roadent.
916
00:54:35,416 --> 00:54:38,250
He's the roadie and practically
fifth band member of The Clash.
917
00:54:38,333 --> 00:54:41,375
Oh, yeah, Load of Old Bollocks,
that's what we were.
918
00:54:41,458 --> 00:54:45,375
Load of Old Bollocks.
That's what all the new bands are.
919
00:54:45,458 --> 00:54:50,083
Nearly all of them copy
the Sex Pistols or the Clash.
920
00:54:50,166 --> 00:54:52,416
Now half of them are jumping
on the bandwagon.
921
00:54:53,666 --> 00:54:56,875
They're a load of crap.
There's a couple of good ones.
922
00:54:56,958 --> 00:54:58,375
The Slits.
923
00:54:58,458 --> 00:55:02,375
Interview them, the singer is German.
You can speak to her.
924
00:55:02,458 --> 00:55:07,583
Uh, there's this group downstairs,
Subway Sect, they're okay.
925
00:55:07,666 --> 00:55:08,791
They're a bit different.
926
00:55:11,958 --> 00:55:13,000
But, uh…
927
00:55:13,666 --> 00:55:20,166
Most of them are all, like, the same.
You just get bored watching them.
928
00:55:22,625 --> 00:55:26,916
Like, when it started, we wanted lots
of different sorts of groups,
929
00:55:27,000 --> 00:55:30,333
not lots of groups
all trying to copy each other.
930
00:55:30,416 --> 00:55:33,875
That's why I like
The Clash and the Sex Pistols,
931
00:55:33,958 --> 00:55:37,333
the only two of the old ones
who are any good.
932
00:55:37,416 --> 00:55:38,958
All the rest sort of just copied.
933
00:55:40,500 --> 00:55:43,416
-What do you think about reggae music?
-About what?
934
00:55:43,500 --> 00:55:45,791
-Reggae music.
-Oh, Reggie.
935
00:55:51,041 --> 00:55:56,208
{\an8}Green for the land, yellow for the sun
that gives life to the land,
936
00:55:56,291 --> 00:55:59,500
{\an8}red for the blood
that was spilt for the land.
937
00:55:59,583 --> 00:56:01,916
It's great. Love it.
938
00:56:03,250 --> 00:56:04,750
I think it's like…
939
00:56:06,583 --> 00:56:07,625
It's good.
940
00:56:09,333 --> 00:56:14,375
A lot of bands are influenced by reggae.
What do you think about it?
941
00:56:14,458 --> 00:56:16,166
Well, a lot of bands were influenced
942
00:56:16,250 --> 00:56:19,458
by The Clash
and the Sex Pistols liking reggae.
943
00:56:20,208 --> 00:56:21,541
[chuckles]
944
00:56:21,625 --> 00:56:25,000
A lot of them didn't know
what it was until…
945
00:56:26,333 --> 00:56:28,291
sort of, ten months ago.
946
00:56:29,166 --> 00:56:33,750
What they thought reggae was… [humming]
947
00:56:33,833 --> 00:56:35,958
That sort of Desmond Dekker things.
948
00:56:37,041 --> 00:56:40,750
Lots of them didn't bother
with it until recently
949
00:56:40,833 --> 00:56:42,375
when it became fashionable.
950
00:56:44,583 --> 00:56:48,916
Well, what have you done before
you become a roadie of the profession?
951
00:56:49,875 --> 00:56:51,291
As little as possible.
952
00:56:52,375 --> 00:56:54,833
Uh, unemployed most of the time.
953
00:56:55,916 --> 00:56:58,000
Didn't work, didn't like working.
954
00:56:59,375 --> 00:57:00,916
Should I tell him I was in prison?
955
00:57:03,791 --> 00:57:05,458
Yes. [coughs]
956
00:57:06,125 --> 00:57:08,416
-And why?
-For insurrectionary activities.
957
00:57:09,583 --> 00:57:15,208
Expropriation of substances
from other people,
958
00:57:15,291 --> 00:57:18,750
richer people, stealing.
959
00:57:22,791 --> 00:57:24,250
Political activities.
960
00:57:26,333 --> 00:57:28,541
That's what the angry brigade man said
in court.
961
00:57:32,791 --> 00:57:35,958
Well, for Sounds,
being a paper that's geared
962
00:57:36,041 --> 00:57:38,333
to new music, to rock music…
963
00:57:39,291 --> 00:57:43,791
we became aware of the Sex Pistols,
who were really the first band
964
00:57:43,875 --> 00:57:46,916
to open up the punk rock thing.
965
00:57:47,000 --> 00:57:50,375
The music papers,
along with everybody else,
966
00:57:50,458 --> 00:57:53,916
was tired of the old game,
the old music business game,
967
00:57:54,000 --> 00:57:58,708
and, in consequence, got very involved
and very interested in punk rock,
968
00:57:58,791 --> 00:58:05,083
and the Sounds was one of the first
to really pick up on it and to explore it.
969
00:58:05,166 --> 00:58:08,541
And maybe, although this is more the case
970
00:58:08,625 --> 00:58:10,583
of the national press,
to exploit it a bit.
971
00:58:12,041 --> 00:58:14,541
I mean, the national press
have exploited punk
972
00:58:14,625 --> 00:58:16,750
for its sensation value and…
973
00:58:18,333 --> 00:58:21,000
The violence really stems
from their coverage and the fact that
974
00:58:21,083 --> 00:58:22,875
they've only really given coverage
975
00:58:22,958 --> 00:58:26,291
to the more violent aspects
and not to any of the ideals,
976
00:58:26,375 --> 00:58:29,416
and certainly not very much
to the music at all.
977
00:58:29,500 --> 00:58:31,750
They fail to understand the music,
978
00:58:31,833 --> 00:58:35,708
and they fail to understand the ideals
behind the change,
979
00:58:35,791 --> 00:58:37,375
because I guess it affects
their readership.
980
00:58:37,458 --> 00:58:40,666
Their readership
is basically the generation
981
00:58:40,750 --> 00:58:44,875
with which the punks are not,
or are disaffectionate.
982
00:58:45,625 --> 00:58:51,166
And in some cases,
they have encouraged violence
983
00:58:51,250 --> 00:58:53,583
between a non-existent group of Teds.
984
00:58:53,666 --> 00:58:57,291
They're not really, there is no real
Ted movement as such.
985
00:58:57,375 --> 00:59:01,958
That whole movement died out in the '50s.
That was when they reached their peak.
986
00:59:02,041 --> 00:59:05,083
That was when they were
the new young rebels,
987
00:59:05,166 --> 00:59:09,125
and it's now just maybe even kids
988
00:59:09,208 --> 00:59:10,958
who have got nothing better
to do on a Saturday
989
00:59:11,041 --> 00:59:14,458
other than go in search
of some violence or something
990
00:59:14,541 --> 00:59:17,166
that will give them a chance
to appear in the papers.
991
00:59:17,750 --> 00:59:18,708
We're Teddy Boys.
992
00:59:18,791 --> 00:59:21,291
We like rock and roll because we think
there's never been a better music.
993
00:59:21,375 --> 00:59:23,416
We like our style of dress
because we think it's the best.
994
00:59:24,000 --> 00:59:25,625
I don't like punk rockers,
995
00:59:25,708 --> 00:59:29,500
um, but there'll always be fights
between different factions.
996
00:59:29,583 --> 00:59:32,375
Let's face it, there's no war,
so people have to.
997
00:59:32,458 --> 00:59:36,375
It's like, it's like bulls
in a herd fighting one another.
998
00:59:36,458 --> 00:59:39,541
It's human nature. People are different.
999
00:59:40,375 --> 00:59:43,500
I don't like them,
and they probably don't like me.
1000
00:59:43,583 --> 00:59:46,166
-I don't care.
-Why don't you like them?
1001
00:59:46,958 --> 00:59:49,166
Well, they, to me, they look effeminate.
1002
00:59:49,250 --> 00:59:53,208
Um, they don't look like they're gonna
even be men when they grow up.
1003
00:59:53,291 --> 00:59:56,541
They look like some sort of third sex.
It's weird.
1004
00:59:58,500 --> 01:00:02,208
Strange, they look like invaders
from another planet or something.
1005
01:00:03,750 --> 01:00:04,791
Very odd.
1006
01:00:05,958 --> 01:00:10,875
They just, they're whole culture
is alien to ours, that says it all.
1007
01:00:10,958 --> 01:00:13,583
And the thing we don't like
especially is they…
1008
01:00:14,500 --> 01:00:17,250
they copy some our styles of dress,
like they'll put a drape jacket on,
1009
01:00:17,333 --> 01:00:19,708
and then they rip it, you know?
1010
01:00:19,791 --> 01:00:21,083
Stupid.
1011
01:00:21,166 --> 01:00:24,708
And then they copy bits of our music
and try and say its new, you know.
1012
01:00:24,791 --> 01:00:27,250
It just sounds like rock and roll
played very badly to me.
1013
01:00:28,708 --> 01:00:31,000
There's more and more
Teddy boys all the time.
1014
01:00:31,083 --> 01:00:34,333
They just want to be different.
They don't want to be like everybody else.
1015
01:00:34,416 --> 01:00:37,291
I think a lot of them,
their parents were Teddy Boys,
1016
01:00:37,375 --> 01:00:40,125
and they start talking
about it to their fathers
1017
01:00:40,208 --> 01:00:42,000
and they tell them how they
used to get their clothes made
1018
01:00:42,083 --> 01:00:45,041
and everything, and they want
to be like their fathers, I think, maybe.
1019
01:00:45,125 --> 01:00:48,791
That's 20 years ago.
These guys will have children.
1020
01:00:48,875 --> 01:00:51,250
The old Teddy Boys have children,
I think these are a lot of the children.
1021
01:00:51,333 --> 01:00:54,541
We was, we've been around
a lot longer than anything else,
1022
01:00:54,625 --> 01:00:56,500
any other form of dress or anything.
1023
01:00:56,583 --> 01:01:00,458
And they've come along, they're saying,
"Oh, we wiped Teds out, we're like punks,
1024
01:01:00,541 --> 01:01:04,000
this Johnny Rotten, this The Jam
and all this shit, you know?"
1025
01:01:04,083 --> 01:01:06,500
And they're trying to, they're trying
to put it across the country,
1026
01:01:06,583 --> 01:01:08,791
starting in Britain,
but we're not having it.
1027
01:01:09,791 --> 01:01:13,500
That is why we give them a good
hiding every time we meet 'em.
1028
01:01:13,583 --> 01:01:15,375
[overlapping dialogue]
1029
01:01:15,458 --> 01:01:18,291
They can have their Global Village
and all the places they go to,
1030
01:01:18,375 --> 01:01:19,750
but when they start
coming around this area,
1031
01:01:19,833 --> 01:01:22,708
they go around Ted pubs,
they get a good hiding.
1032
01:01:22,791 --> 01:01:23,666
And that is us.
1033
01:01:23,750 --> 01:01:26,416
They come around here
because they tend to shock,
1034
01:01:26,500 --> 01:01:27,375
they reckon it shocks people.
1035
01:01:27,458 --> 01:01:30,375
They're taking a mickey, piss,
whatever, out of our music.
1036
01:01:30,458 --> 01:01:31,958
They think it shocks people.
1037
01:01:32,041 --> 01:01:33,416
They're taking the mickey
out of our music.
1038
01:01:33,500 --> 01:01:35,666
They shock people, right?
1039
01:01:35,750 --> 01:01:39,583
Why do people don't even see us
when we walk down the road?
1040
01:01:39,666 --> 01:01:44,833
They go dustbin liners,
strawberry-coloured hair, why bother?
1041
01:01:44,916 --> 01:01:45,791
There's no point,
1042
01:01:45,875 --> 01:01:48,708
it makes them look silly little boys
and girls which they are, full stop.
1043
01:01:48,791 --> 01:01:51,041
They rip drapes up, don't they?
They rip them up and--
1044
01:01:51,125 --> 01:01:53,666
[all speaking at once]
1045
01:01:53,750 --> 01:01:54,625
Earring, short hair.
1046
01:01:54,708 --> 01:01:56,916
It all stems a bit of skinhead,
bit of Ted.
1047
01:01:57,000 --> 01:01:58,541
They take the piss all the time.
1048
01:01:58,625 --> 01:02:02,250
So everyone I see, bus, along the road,
in the swinging bars…
1049
01:02:02,333 --> 01:02:04,625
-I'll give them a good hiding.
-That's right.
1050
01:02:04,708 --> 01:02:07,208
Then he's got a bit of red in his hair.
Blood.
1051
01:02:07,291 --> 01:02:08,333
Yeah, right. [laughs]
1052
01:02:08,416 --> 01:02:09,833
-Shouting.
-Yeah, this is it.
1053
01:02:09,916 --> 01:02:11,708
Shout all the time. They call it music.
1054
01:02:11,791 --> 01:02:12,666
Punk rock ain't music.
1055
01:02:12,750 --> 01:02:14,041
What do they call that? They call that…
1056
01:02:14,125 --> 01:02:15,166
Take away our stuff and everything.
1057
01:02:15,250 --> 01:02:17,166
They reckon dancing is jumping up and down
1058
01:02:17,250 --> 01:02:19,333
-like they're on a pogo stick.
-Jumping up and down.
1059
01:02:19,416 --> 01:02:21,708
Is that dancing? No, it ain't.
1060
01:02:21,791 --> 01:02:24,041
What energy can you burn up through that?
1061
01:02:24,125 --> 01:02:27,083
Like, and he had dog collar on
with a dog's chain
1062
01:02:27,166 --> 01:02:29,750
around his neck and a little bit
of leather where you hold
1063
01:02:29,833 --> 01:02:31,458
onto the dog right at the end,
1064
01:02:31,541 --> 01:02:34,875
and he had tickets all stuck
over him with safety pins,
1065
01:02:34,958 --> 01:02:37,375
and he just all his shirts ripped,
everything.
1066
01:02:37,458 --> 01:02:39,500
And there's nothing good
about that, is there?
1067
01:02:39,583 --> 01:02:40,625
They look idiots.
1068
01:02:40,708 --> 01:02:42,208
Take mickey all the time.
1069
01:02:42,291 --> 01:02:46,041
They basically started it by saying
they're gonna wipe Teds out.
1070
01:02:46,125 --> 01:02:47,583
Teds live in the past.
1071
01:02:47,666 --> 01:02:50,166
Alright, fair enough,
the style lives in the past,
1072
01:02:50,250 --> 01:02:52,791
but Teds live for today, and music today,
1073
01:02:52,875 --> 01:02:55,958
rock and roll still lives
and always shall live.
1074
01:02:56,041 --> 01:02:59,916
It started way back, what,
1940s, something like that?
1075
01:03:00,000 --> 01:03:01,708
Fats Domino's very first records,
1076
01:03:01,791 --> 01:03:05,583
something about '47, '48,
something like that, okay?
1077
01:03:05,666 --> 01:03:06,875
And it's been going from there,
1078
01:03:06,958 --> 01:03:09,250
and it's going today
and it will be going tomorrow
1079
01:03:09,333 --> 01:03:11,208
and 20 years hence.
1080
01:03:11,291 --> 01:03:14,625
Punk rockers come along
and say, "Okay, we're clever,
1081
01:03:14,708 --> 01:03:16,458
we have a beat, we've got music."
1082
01:03:16,541 --> 01:03:18,583
They may call it music, but it's not.
1083
01:03:18,666 --> 01:03:22,708
They said they was gonna wipe Teds out.
No way. That's why they get hiding.
1084
01:03:22,791 --> 01:03:26,791
They get themselves beaten up because
they reckon they're bigger than us.
1085
01:03:26,875 --> 01:03:30,250
There are fights between Teds and punks.
1086
01:03:30,333 --> 01:03:32,541
It's not a new thing in a way, really,
1087
01:03:32,625 --> 01:03:37,041
because you used to have to fights
with the mods and the rockers,
1088
01:03:37,916 --> 01:03:42,250
and the skinheads
and the Pakis, Pakistanis.
1089
01:03:42,333 --> 01:03:47,750
So in general,
the youth of any generation,
1090
01:03:47,833 --> 01:03:49,166
if there's a not a war on,
1091
01:03:49,250 --> 01:03:52,750
they like to use their aggression up
in some way
1092
01:03:52,833 --> 01:03:55,125
at football matches or things like that.
1093
01:03:55,208 --> 01:04:01,500
So they, they've got an ideal thing
to have a go at, which is the punks.
1094
01:04:01,583 --> 01:04:03,208
In the Ted's point of view, anyway.
1095
01:04:05,708 --> 01:04:07,750
It's very difficult to sort of say
1096
01:04:07,833 --> 01:04:12,166
that they just like fighting
for the sake of fighting.
1097
01:04:14,000 --> 01:04:17,666
They feel as though they've got
to use their energy on something.
1098
01:04:22,333 --> 01:04:27,041
[In German] In the prestigious 100 Club,
The Jam, the purest punk band…
1099
01:04:27,125 --> 01:04:31,291
is recording their first live album
for Polydor.
1100
01:04:31,375 --> 01:04:35,000
All their shows are sold out, even though
the venue is twice as big as this one.
1101
01:04:44,791 --> 01:04:46,875
[punk music playing]
1102
01:04:47,916 --> 01:04:52,333
♪ Take a look at the great streetIt don't seem the same ♪
1103
01:04:53,958 --> 01:04:58,250
♪ Remember how great it should beThink what it was ♪
1104
01:04:59,625 --> 01:05:01,458
♪ Shops are full of the fashion ♪
1105
01:05:02,750 --> 01:05:04,166
♪ People told what they want ♪
1106
01:05:05,750 --> 01:05:09,958
♪ The street that was a partOf the British Monarchy ♪
1107
01:05:11,416 --> 01:05:12,791
♪ British Monarchy ♪
1108
01:05:14,750 --> 01:05:18,625
♪ Who wants Afghans and all thatWe don't need them now ♪
1109
01:05:20,375 --> 01:05:24,666
♪ Why should we accept the changeAnd buy clothes of today ♪
1110
01:05:25,958 --> 01:05:30,458
♪ Kids, kids, kids repel the changeAnd bring back the street ♪
1111
01:05:31,708 --> 01:05:36,166
♪ Shops filled by whole nationsCarnaby Street ♪
1112
01:05:38,041 --> 01:05:40,875
♪ Carnaby Street, Carnaby Street ♪
1113
01:05:46,583 --> 01:05:50,583
♪ The street is a mirror for our country ♪
1114
01:05:51,916 --> 01:05:56,500
♪ Reflects the rise and fallOf our nation ♪
1115
01:05:56,583 --> 01:05:57,458
♪ Nation ♪
1116
01:06:03,625 --> 01:06:07,666
♪ The street that was a legendIs a mockery ♪
1117
01:06:09,375 --> 01:06:13,541
♪ A part of the British traditionGone down the drain ♪
1118
01:06:14,875 --> 01:06:19,333
♪ You don't need no glass ballTo see its faults ♪
1119
01:06:20,750 --> 01:06:25,041
♪ Take a walk along that streetAnd you'll see what I mean ♪
1120
01:06:26,875 --> 01:06:27,958
♪ Carnaby Street ♪
1121
01:06:29,916 --> 01:06:31,000
♪ Carnaby Street ♪
1122
01:06:32,833 --> 01:06:33,875
♪ Carnaby Street ♪
1123
01:06:35,791 --> 01:06:38,083
♪ Carnaby StreetNot what it used to be ♪
1124
01:06:38,708 --> 01:06:41,541
♪ Carnaby StreetNot what it used to be ♪
1125
01:06:41,625 --> 01:06:44,500
♪ Carnaby StreetNot what it used to be ♪
1126
01:06:44,583 --> 01:06:46,750
♪ Carnaby Street, oh, oh, oh ♪
1127
01:06:47,500 --> 01:06:49,916
♪ Carnaby Street, oh, oh, oh ♪
1128
01:06:58,041 --> 01:06:59,416
-[music stops]
-[cheering]
1129
01:06:59,500 --> 01:07:00,541
Thank you.
1130
01:07:13,875 --> 01:07:16,583
Quite ironic, isn't it?
Our problems at Hammersmith.
1131
01:07:24,333 --> 01:07:25,958
Here's a tune you might know.
1132
01:07:26,875 --> 01:07:28,958
[punk music playing]
1133
01:07:41,875 --> 01:07:45,208
♪ In the city there's a thousand thingsI want to say to you ♪
1134
01:07:46,791 --> 01:07:50,125
♪ But whenever I approach you,You make me look a fool ♪
1135
01:07:51,958 --> 01:07:53,041
♪ I wanna say ♪
1136
01:07:54,458 --> 01:07:55,583
♪ I wanna tell you ♪
1137
01:07:56,375 --> 01:08:00,375
♪ About the young ideasBut you turn them into fears ♪
1138
01:08:02,666 --> 01:08:05,750
♪ In the city there's a thousand facesAll shining bright ♪
1139
01:08:07,500 --> 01:08:10,625
♪ And those golden faces are under 25 ♪
1140
01:08:12,875 --> 01:08:13,750
♪ We wanna say ♪
1141
01:08:15,166 --> 01:08:16,875
♪ We gonna tell ya ♪
1142
01:08:16,958 --> 01:08:19,083
♪ About the young ideas ♪
1143
01:08:19,166 --> 01:08:21,375
♪ You better listen nowYou've said your bit ♪
1144
01:08:37,958 --> 01:08:41,708
♪ I don't know what you're thinkingYou're scared of that kind of crap ♪
1145
01:08:42,958 --> 01:08:46,750
♪ But you'd better listen, manBecause the kids know where it's at ♪
1146
01:08:50,250 --> 01:08:53,666
♪ In the city there's a thousand menIn uniforms ♪
1147
01:08:55,416 --> 01:08:58,500
♪ And I've heard they nowHave the right to kill a man ♪
1148
01:09:00,666 --> 01:09:01,750
♪ We wanna say ♪
1149
01:09:03,208 --> 01:09:04,416
♪ We gonna tell ya ♪
1150
01:09:05,041 --> 01:09:07,291
♪ About the young ideas ♪
1151
01:09:07,375 --> 01:09:09,750
♪ And if they don't work,At least I fuckin' tried ♪
1152
01:09:12,666 --> 01:09:13,583
♪ In the city ♪
1153
01:09:15,166 --> 01:09:16,083
♪ In the city ♪
1154
01:09:17,583 --> 01:09:18,458
♪ In the city ♪
1155
01:09:20,041 --> 01:09:21,208
♪ In the city ♪
1156
01:09:21,291 --> 01:09:24,500
♪ In the city there's a thousand thingsI want to say to you ♪
1157
01:09:28,875 --> 01:09:31,375
-[music stops]
-[cheering]
1158
01:09:33,666 --> 01:09:37,375
[In German] The new wave band with the
most commercial success is The Stranglers.
1159
01:09:37,458 --> 01:09:40,916
Their first album was the eighth
most successful of last year.
1160
01:09:41,000 --> 01:09:46,166
But are they really a punk band,
apart from their name?
1161
01:09:46,250 --> 01:09:51,208
We want to ask their PR manager,
but we are refused.
1162
01:09:53,875 --> 01:09:56,916
[indistinct chattering]
1163
01:09:58,208 --> 01:10:00,291
Right, one of those.
For one of the pictures--
1164
01:10:00,375 --> 01:10:02,375
-What are they gonna do?
-[indistinct chatter]
1165
01:10:03,916 --> 01:10:07,791
-We want The Stranglers.
-We want your band to stay in our movie.
1166
01:10:07,875 --> 01:10:08,750
Eh?
1167
01:10:08,833 --> 01:10:13,500
We want only your statement
why you don't want to stay in our movie.
1168
01:10:14,291 --> 01:10:15,583
Because I'm no prostitute.
1169
01:10:17,541 --> 01:10:19,500
And you don't do--
1170
01:10:19,583 --> 01:10:22,250
I don't want to sell
any records in Germany.
1171
01:10:22,333 --> 01:10:25,041
I want German bands
to sell them in Germany.
1172
01:10:25,125 --> 01:10:28,125
-And you hate Germans, you said.
-Eh? The majority, yeah.
1173
01:10:28,750 --> 01:10:30,583
Simply because we are German?
1174
01:10:30,666 --> 01:10:33,291
No, simply because you take
and you don't give.
1175
01:10:33,375 --> 01:10:35,208
You don't, you've got
a lot of responsibility
1176
01:10:35,291 --> 01:10:38,125
to the idea of Europe,
and you're just taking.
1177
01:10:40,458 --> 01:10:42,791
I'll play to people
who want to hear us in Germany,
1178
01:10:42,875 --> 01:10:46,458
but otherwise I couldn't care a fuck.
1179
01:10:46,541 --> 01:10:48,750
But a lot of people
in Germany want to hear you
1180
01:10:48,833 --> 01:10:49,958
and want to know something about you.
1181
01:10:50,041 --> 01:10:51,041
Then they can hear us next week.
1182
01:10:51,125 --> 01:10:53,416
They didn't want not hear us
nine months ago.
1183
01:10:53,500 --> 01:10:56,541
See, I'm very suspicious
of German motives.
1184
01:10:56,625 --> 01:10:58,666
I reckon they're just a pose.
1185
01:10:58,750 --> 01:11:00,750
I don't believe they're genuine,
1186
01:11:00,833 --> 01:11:04,083
until they've proven themselves,
then we don't want to know.
1187
01:11:07,083 --> 01:11:09,000
I don't understand
your arguments because--
1188
01:11:09,083 --> 01:11:10,208
Well, you never do.
1189
01:11:14,250 --> 01:11:16,375
I think punk now is a joke, actually.
1190
01:11:16,458 --> 01:11:18,125
I don't think it bears any resemblance
1191
01:11:18,208 --> 01:11:22,041
to what it started out as,
and I don't think it's fulfilled
1192
01:11:22,125 --> 01:11:25,833
very many of its original aims
in England, anyway.
1193
01:11:25,916 --> 01:11:30,083
I mean, it's been turned
into a commercial carnival
1194
01:11:30,166 --> 01:11:32,333
um, so quickly that the people
who started it
1195
01:11:32,416 --> 01:11:36,458
and people put the original ideas
have lost control of what they're doing.
1196
01:11:36,541 --> 01:11:40,083
Record companies
and the music business in general,
1197
01:11:40,166 --> 01:11:43,125
and the media have cashed in on it
so quickly,
1198
01:11:43,208 --> 01:11:44,583
and they've taken everything out of it.
1199
01:11:44,666 --> 01:11:48,458
They've taken the creativity,
the ideas, the imagination out of it,
1200
01:11:48,541 --> 01:11:51,541
and they've put nothing back except money,
and that has actually killed it.
1201
01:11:51,625 --> 01:11:53,291
-I mean, I think…
-Uh-huh.
1202
01:11:53,375 --> 01:11:55,375
Uh, the people who were responsible
1203
01:11:55,458 --> 01:11:59,250
for making punk rock what it is,
or making punk rock,
1204
01:11:59,333 --> 01:12:01,708
never envisioned what has
happened now, and, I mean--
1205
01:12:01,791 --> 01:12:02,791
-Yeah. They've lost out, basically.
-Yeah.
1206
01:12:02,875 --> 01:12:04,666
When they started the whole thing
it was their idea,
1207
01:12:04,750 --> 01:12:06,583
and they've really lost out
on all the benefits of it.
1208
01:12:06,666 --> 01:12:09,750
The people who put it together
were like people like Andrew Czezowski,
1209
01:12:09,833 --> 01:12:12,000
who opened The Roxy Club,
people like that.
1210
01:12:12,083 --> 01:12:15,416
They've been bought out
by bigger concerns,
1211
01:12:15,500 --> 01:12:17,333
by big companies, record companies.
1212
01:12:17,416 --> 01:12:19,416
They've ended up with no money, nothing,
1213
01:12:19,500 --> 01:12:23,416
and punk has been taken out
as just another commodity to sell.
1214
01:12:23,500 --> 01:12:26,625
So in a way it hasn't
achieved any of its ideas.
1215
01:12:26,708 --> 01:12:30,416
The original idea was to get away
from the old music selling of product.
1216
01:12:30,500 --> 01:12:34,166
The original thing for punk
was that the kids could identify with it.
1217
01:12:34,250 --> 01:12:36,500
They could talk, they could go up
and talk to the bands.
1218
01:12:36,583 --> 01:12:37,458
Right.
1219
01:12:37,541 --> 01:12:38,708
The bands would go
to the same places as they would.
1220
01:12:38,791 --> 01:12:41,458
They, you know, they could just see
the bands all over the place.
1221
01:12:41,541 --> 01:12:42,625
They weren't stars.
1222
01:12:42,708 --> 01:12:43,791
But unfortunately, it's very difficult,
1223
01:12:43,875 --> 01:12:46,291
because bands have got to get
record company contracts, right?
1224
01:12:46,375 --> 01:12:48,625
-I mean, to be able to survive.
-They've got to make some money.
1225
01:12:48,708 --> 01:12:50,958
It's very difficult to see how they could
have combined the two, you know,
1226
01:12:51,041 --> 01:12:55,041
keeping it on the level with the kids
and having the money, you know?
1227
01:12:55,125 --> 01:12:57,375
There's no way
that punk could have stayed--
1228
01:12:57,458 --> 01:12:58,333
As it was.
1229
01:12:58,416 --> 01:12:59,791
There's no way punk
could have stayed as it was.
1230
01:12:59,875 --> 01:13:02,500
Punk would have had to evolve
and become a big business.
1231
01:13:02,583 --> 01:13:05,000
It's just unfortunate it became
a big business so quickly.
1232
01:13:05,083 --> 01:13:07,541
And it trod on so many people
on the way up, that's the problem.
1233
01:13:07,625 --> 01:13:10,291
And a lot of the people have proved
that once they're successful,
1234
01:13:10,375 --> 01:13:13,583
they're just as rich and they're just
as into being capitalists,
1235
01:13:13,666 --> 01:13:18,291
and they're just as into making money
and forget the people who put them there,
1236
01:13:18,375 --> 01:13:22,041
as was the old generation
of the old farts or whatever.
1237
01:13:22,125 --> 01:13:24,083
So the new wave has quickly become
1238
01:13:24,166 --> 01:13:26,583
exactly the same as the old wave…
1239
01:13:26,666 --> 01:13:28,416
-In most cases. In most cases.
-I'm afraid.
1240
01:13:28,500 --> 01:13:29,875
But unfortunately, the punk followers
1241
01:13:29,958 --> 01:13:31,750
have gotten into the same thing
as these sort of,
1242
01:13:31,833 --> 01:13:34,291
the old hippies, you know,
the old farts as Rotten says,
1243
01:13:34,375 --> 01:13:36,416
you know, that they,
they only accept their own kind.
1244
01:13:36,500 --> 01:13:38,625
They're not tolerant to other people,
which is what they should be.
1245
01:13:38,708 --> 01:13:41,416
I mean, the whole thing about
anarchy was to, you know…
1246
01:13:41,500 --> 01:13:43,333
-You do what you want to do.
-Say, personal anarchy.
1247
01:13:43,416 --> 01:13:45,291
You don't interfere
in anybody else's business.
1248
01:13:45,375 --> 01:13:47,791
You keep to what you want to do,
and that's how you should go.
1249
01:13:47,875 --> 01:13:49,583
And unfortunately,
it hasn't turned out like that.
1250
01:13:49,666 --> 01:13:51,541
He's the only person
who's kept doing that, really.
1251
01:13:51,625 --> 01:13:52,833
The whole thing about punk rock
1252
01:13:52,916 --> 01:13:54,625
was it didn't matter
whether you were black,
1253
01:13:54,708 --> 01:13:55,750
it didn't matter whether you were white,
1254
01:13:55,833 --> 01:13:57,791
it didn't matter whether
what your hair was,
1255
01:13:57,875 --> 01:14:00,875
what you looked like, whether you're ugly,
rich, poor, or pretty.
1256
01:14:00,958 --> 01:14:03,875
But already there's
a snobbery within punk where…
1257
01:14:03,958 --> 01:14:05,708
-You've got to look a certain way.
-You've got to have short hair.
1258
01:14:05,791 --> 01:14:07,333
You've got to have tight trousers.
1259
01:14:07,416 --> 01:14:09,333
You've got to have plastic clothes,
or whatever.
1260
01:14:09,416 --> 01:14:11,875
And already they're as bad
as the people with long hair
1261
01:14:11,958 --> 01:14:14,125
who said that you couldn't be fashionable
1262
01:14:14,208 --> 01:14:16,125
if you had short hair
and this sort of thing.
1263
01:14:16,208 --> 01:14:18,583
So it's a shame that punk has…
1264
01:14:18,666 --> 01:14:22,250
it's not fulfilled a lot
of its original aims in a nutshell.
1265
01:14:23,791 --> 01:14:25,375
And that's it, the cynic's
view of punk rock.
1266
01:14:25,458 --> 01:14:26,458
[laughs]
1267
01:14:27,750 --> 01:14:30,666
-What next?
-Yeah, what next?
1268
01:14:31,500 --> 01:14:33,583
[punk music playing]
1269
01:15:02,833 --> 01:15:06,083
♪ There's no point in askingYou'll get no reply ♪
1270
01:15:06,166 --> 01:15:12,541
♪ Oh, just remember and don't decideI got no reason it's all too much ♪
1271
01:15:12,625 --> 01:15:14,625
♪ You'll always find us ♪
1272
01:15:17,041 --> 01:15:18,541
♪ Out to lunch ♪
1273
01:15:20,958 --> 01:15:24,583
♪ Oh, we're so prettyOh, so pretty ♪
1274
01:15:25,958 --> 01:15:27,541
♪ We're vacant ♪
1275
01:15:27,625 --> 01:15:31,125
♪ Oh, we're so prettyOh, so pretty ♪
1276
01:15:32,583 --> 01:15:34,000
♪ Vacant ♪
1277
01:15:34,083 --> 01:15:36,166
[rock music playing]
1278
01:15:40,000 --> 01:15:43,041
[In German] In The Marquee Club,
The Boomtown Rats are playing today.
1279
01:15:43,125 --> 01:15:46,375
Although 700 people
are refused at the door,
1280
01:15:46,458 --> 01:15:50,666
the club is so hot and crowded
that the singer faints on stage.
1281
01:15:58,041 --> 01:16:00,375
[chattering]
1282
01:16:06,250 --> 01:16:07,250
♪ Whoa ♪
1283
01:16:08,375 --> 01:16:10,625
[man singing]
1284
01:16:10,708 --> 01:16:12,541
[music playing]
1285
01:16:33,541 --> 01:16:40,833
[singing]
1286
01:16:41,875 --> 01:16:49,166
[singing]
1287
01:16:49,250 --> 01:16:56,541
[singing]
1288
01:17:03,750 --> 01:17:06,291
[In German]
It started with the Sex Pistols last year
1289
01:17:06,375 --> 01:17:08,541
when they were a support act.
1290
01:17:09,416 --> 01:17:13,458
Musically speaking, they were awful.
The singer couldn't sing.
1291
01:17:13,541 --> 01:17:18,750
the bass only had three strings
and the drummer was drunk.
1292
01:17:19,333 --> 01:17:24,333
The audience didn't like it
and then we were through with punk.
1293
01:17:24,416 --> 01:17:29,666
In the three, four months that followed,
punk gained a huge following
1294
01:17:29,750 --> 01:17:35,625
because of new fashion
and lots of attention by the press.
1295
01:17:36,250 --> 01:17:40,375
A lot of people asked me if I
could please book some punk bands.
1296
01:17:40,458 --> 01:17:45,750
I caved and I booked
some punk rock bands last summer.
1297
01:17:46,375 --> 01:17:49,375
That was a huge success
and since then we do punk rock.
1298
01:17:49,458 --> 01:17:54,333
What kind of bands played here before?
-Rock bands, hardrock…
1299
01:17:54,416 --> 01:17:57,125
underground. Hard rock bands.
1300
01:17:57,708 --> 01:18:01,125
What's the difference
between the punk crowd
1301
01:18:01,208 --> 01:18:06,000
and the fans of other bands? There has
been some talk about violence.
1302
01:18:06,083 --> 01:18:11,041
Kids want to listen to music here.
Whether it's punk rock
1303
01:18:11,125 --> 01:18:15,083
or other bands, they come to
The Marquee for live music.
1304
01:18:15,708 --> 01:18:19,250
They don't come to fight or to get wasted.
1305
01:18:19,333 --> 01:18:21,375
Good music for good money.
1306
01:18:24,250 --> 01:18:28,375
How come you're running
The Marquee, as a German guy?
1307
01:18:28,458 --> 01:18:30,833
It's one of the biggest clubs in London.
1308
01:18:30,916 --> 01:18:34,791
I had heard about The Marquee in Germany.
Then I went to England.
1309
01:18:34,875 --> 01:18:39,875
I started watching bands in The Marquee
in London. And I liked it.
1310
01:18:39,958 --> 01:18:44,125
I asked around for a job,
that's how I started here.
1311
01:18:44,208 --> 01:18:48,333
It was hard. I worked 12, 14 hours a day.
That's how I worked my way up.
1312
01:18:48,416 --> 01:18:51,750
After three years, I book the bands
and run the club.
1313
01:18:53,125 --> 01:18:57,166
Does punk have a future?
1314
01:18:58,000 --> 01:19:03,208
Punk has a great future.
All the music labels are interested.
1315
01:19:03,875 --> 01:19:10,250
Punk sells good because it's new,
different and fashionable.
1316
01:19:11,375 --> 01:19:15,583
For kids, it's fresh.
They don't feel like
1317
01:19:15,666 --> 01:19:18,500
going to concerts of Yes or Genesis.
1318
01:19:18,583 --> 01:19:21,750
It's too complicated. Punk is simpler.
1319
01:19:22,875 --> 01:19:25,750
Simple, hard music. Hard rock.
1320
01:19:25,833 --> 01:19:29,708
Music that's played fast.
They can go and join in.
1321
01:19:30,583 --> 01:19:33,166
What do you personally think about punk?
1322
01:19:33,250 --> 01:19:35,625
Professionally, punk
is really good for us.
1323
01:19:35,708 --> 01:19:39,083
And personally…
At home, I listen to the Eagles.
1324
01:19:40,916 --> 01:19:41,958
It's like…
1325
01:19:43,708 --> 01:19:46,166
You just got done
somewhere like the Fort X,
1326
01:19:46,250 --> 01:19:49,333
listen to half the groups
and you see how boring they are.
1327
01:19:49,416 --> 01:19:53,166
We find that most people
would be put to sleep by it all.
1328
01:19:54,666 --> 01:19:58,541
There's just, just a couple
of good bands and that's it.
1329
01:19:58,625 --> 01:20:00,541
They're gonna make a lot of money
1330
01:20:02,791 --> 01:20:05,041
and make a lot of music
1331
01:20:06,125 --> 01:20:10,416
and the rest will fade away and die.
1332
01:20:14,000 --> 01:20:17,083
All the high plan ideals
disappeared years ago.
1333
01:20:20,083 --> 01:20:22,041
That shocked you. You didn't expect that.
1334
01:20:22,125 --> 01:20:24,416
-They've become very watered down.
-Yeah.
1335
01:20:24,500 --> 01:20:28,458
You're going to Germany next month.
Do you have any idea about Germany?
1336
01:20:29,541 --> 01:20:32,083
Uh, yeah. They're all rich in Germany.
1337
01:20:32,166 --> 01:20:35,708
Lots of Deutschmarks,
apart from these three.
1338
01:20:38,250 --> 01:20:40,958
Yeah. No, I don't know. I only know about…
1339
01:20:42,375 --> 01:20:44,500
the only things I bother
reading about Germany
1340
01:20:44,583 --> 01:20:45,833
are about the RAF
1341
01:20:47,541 --> 01:20:48,875
because they're interesting,
1342
01:20:48,958 --> 01:20:52,416
but reading about Willy Brandt
and Chancellor Schmidt
1343
01:20:52,500 --> 01:20:55,416
or whoever they all are, is boring so…
1344
01:20:58,333 --> 01:21:01,208
Very efficient country, we're told.
Very efficient.
1345
01:21:02,166 --> 01:21:03,833
♪ Whoa ♪
1346
01:21:05,083 --> 01:21:07,833
♪ Someone's really smart ♪
1347
01:21:07,916 --> 01:21:10,166
♪ Whoa ♪
1348
01:21:11,083 --> 01:21:13,375
♪ Complete control even over this song ♪
1349
01:21:18,125 --> 01:21:22,583
-And then he met me, then he met--
-And he met him, and he met him.
1350
01:21:22,666 --> 01:21:25,625
-Right, then we both bumped into him.
-Got that, all right?
1351
01:21:25,708 --> 01:21:27,833
-That's how we met.
-It was coincidence.
1352
01:21:27,916 --> 01:21:29,500
And then we all met him together.
1353
01:21:30,791 --> 01:21:32,458
-And here we are.
-Fucked up.
1354
01:21:32,541 --> 01:21:37,125
-And then we met him coming in the room.
-That was the worst time, when we met him.
1355
01:21:37,208 --> 01:21:39,708
We formed about a year ago
or two years ago?
1356
01:21:44,833 --> 01:21:47,041
People ask us this question
all the time, you know.
1357
01:21:47,125 --> 01:21:49,500
-I'd say 18 months.
-18 months, right?
1358
01:21:50,916 --> 01:21:53,500
You cut, you nicked my fucking--
1359
01:21:54,375 --> 01:21:56,041
Why you bothering the cameraman?
1360
01:21:58,375 --> 01:21:59,666
We haven't ate since we've been here.
1361
01:21:59,750 --> 01:22:02,333
We've been here three days,
we haven't had a thing to eat yet.
1362
01:22:05,166 --> 01:22:07,250
[punk music playing]
1363
01:22:11,250 --> 01:22:12,416
♪ Hate and war ♪
1364
01:22:14,083 --> 01:22:15,500
♪ The only things we got ♪
1365
01:22:17,000 --> 01:22:18,583
♪ If I close my eyes ♪
1366
01:22:19,791 --> 01:22:21,500
♪ They will not go away ♪
1367
01:22:22,375 --> 01:22:24,291
♪ You have to deal with it ♪
1368
01:22:25,666 --> 01:22:26,916
♪ It is the currency ♪
1369
01:22:29,708 --> 01:22:31,458
♪ The hate of a nation ♪
1370
01:22:31,541 --> 01:22:33,625
♪ Of a nation ♪
1371
01:22:33,708 --> 01:22:35,291
♪ A million miles from home ♪
1372
01:22:36,208 --> 01:22:38,208
♪ And get war from the junkies ♪
1373
01:22:39,166 --> 01:22:40,750
♪ Who don't like my form ♪
1374
01:22:41,958 --> 01:22:43,708
♪ I'm gonna stay in the city ♪
1375
01:22:44,875 --> 01:22:47,458
♪ Even when the house fall down ♪
1376
01:22:47,541 --> 01:22:49,708
♪ I don't dream of a holiday ♪
1377
01:22:50,458 --> 01:22:52,666
♪ When hate and war come around ♪
1378
01:22:56,041 --> 01:22:58,125
♪ The things that we got today ♪
1379
01:22:58,208 --> 01:23:00,375
♪ Hate and war ♪
1380
01:23:03,625 --> 01:23:05,458
♪ I have the will to survive ♪
1381
01:23:06,583 --> 01:23:08,333
♪ I cheat if I can't win ♪
1382
01:23:09,125 --> 01:23:10,875
♪ If someone locks me out ♪
1383
01:23:11,791 --> 01:23:13,875
♪ I kick my way back in ♪
1384
01:23:14,791 --> 01:23:16,458
♪ And if I get aggression ♪
1385
01:23:17,541 --> 01:23:20,250
♪ I give it to them two times back ♪
1386
01:23:20,333 --> 01:23:22,958
♪ Every day the fucking same ♪
1387
01:23:23,041 --> 01:23:25,333
♪ With hate and war on my back ♪
1388
01:23:25,416 --> 01:23:28,208
♪ Hate and war, I hate all the ♪
1389
01:23:28,291 --> 01:23:30,166
♪ Hate and war, I hate all the ♪
1390
01:23:30,750 --> 01:23:31,958
♪ Hate and war ♪
1391
01:23:33,625 --> 01:23:34,541
♪ Hate and war ♪
1392
01:23:36,208 --> 01:23:37,125
♪ Hate and war ♪
1393
01:23:37,208 --> 01:23:39,250
[singing]
1394
01:23:50,750 --> 01:23:53,666
-You had a lot of problems in Germany.
-Yeah, yeah. It's fucking horrible.
1395
01:23:53,750 --> 01:23:55,333
I never want to come back there again.
It stinks.
1396
01:23:55,416 --> 01:23:56,333
I do, though.
1397
01:23:56,416 --> 01:23:57,958
-Unless we're at war.
-I think it's great.
1398
01:23:58,041 --> 01:24:02,250
So far, but it's like, we've been
in hotels and it's been really horrible.
1399
01:24:02,333 --> 01:24:06,291
People, a lot of older people have been
very sort of, like, nasty to us.
1400
01:24:06,375 --> 01:24:08,958
They're not sort of helping us at all.
1401
01:24:09,041 --> 01:24:10,791
Like, the young people are great,
1402
01:24:10,875 --> 01:24:14,458
like, at the concert tonight,
the reactions.
1403
01:24:14,541 --> 01:24:16,833
They ain't got a fucking hotel for us.
The gigs are fucking useless.
1404
01:24:16,916 --> 01:24:18,208
-We ain't got no sleep.
-Yeah. We ain't got a hotel.
1405
01:24:18,291 --> 01:24:22,750
We got, the police came and dragged us out
from the hotel, you know.
1406
01:24:22,833 --> 01:24:25,000
I mean, we really want
to like, Germany, yeah.
1407
01:24:25,083 --> 01:24:28,125
Well, I do anyway. I think it looks great.
1408
01:24:35,541 --> 01:24:38,166
♪ Police and thieves in the streets ♪
1409
01:24:39,666 --> 01:24:40,708
♪ Oh, yeah ♪
1410
01:24:41,583 --> 01:24:47,166
♪ Scaring the nationWith their guns and ammunition ♪
1411
01:24:47,250 --> 01:24:49,791
♪ Police and thieves in the street ♪
1412
01:24:51,166 --> 01:24:52,208
♪ Oh, yeah ♪
1413
01:24:53,083 --> 01:24:58,083
♪ Fighting the nationWith their guns and ammunition ♪
1414
01:24:58,875 --> 01:25:00,250
♪ From Genesis ♪
1415
01:25:01,833 --> 01:25:03,041
♪ To Revelation ♪
1416
01:25:04,375 --> 01:25:05,791
♪ The next generation ♪
1417
01:25:07,750 --> 01:25:09,208
♪ Will be hear me ♪
1418
01:25:10,250 --> 01:25:11,333
♪ From Genesis ♪
1419
01:25:13,125 --> 01:25:14,833
♪ To Revelation ♪
1420
01:25:15,875 --> 01:25:17,250
♪ The next generation ♪
1421
01:25:19,041 --> 01:25:20,083
♪ Will be here ♪
1422
01:25:21,250 --> 01:25:23,291
♪ And all the crowd comes in ♪
1423
01:25:24,958 --> 01:25:26,208
♪ Day by day ♪
1424
01:25:27,916 --> 01:25:29,083
♪ Don't try to stop it ♪
1425
01:25:30,875 --> 01:25:31,791
♪ In anyway ♪
1426
01:25:33,333 --> 01:25:34,916
♪ And all the peacemaker ♪
1427
01:25:36,125 --> 01:25:37,833
♪ Turn war officer ♪
1428
01:25:39,083 --> 01:25:42,000
♪ Hear what I say ♪
1429
01:26:07,916 --> 01:26:09,041
We'll rule the world.
1430
01:26:10,333 --> 01:26:12,875
-By Christmas.
-Depends if we can get a hotel or not.
1431
01:26:12,958 --> 01:26:14,000
Yeah.
1432
01:26:14,875 --> 01:26:19,166
-A hotel, a hotel, my kingdom for a hotel.
-The group for a hotel.
1433
01:26:37,666 --> 01:26:43,000
♪ Back in the garageWith my bullshit detector ♪
1434
01:26:43,875 --> 01:26:48,541
♪ Carbon monoxideMaking sure it's effective ♪
1435
01:26:48,625 --> 01:26:53,791
♪ People ringing upMaking offers for my life ♪
1436
01:26:53,875 --> 01:26:59,875
♪ But I just wanna stayIn the garage all night ♪
1437
01:27:01,791 --> 01:27:03,583
♪ We're a garage band ♪
1438
01:27:04,416 --> 01:27:06,166
♪ Oh ♪
1439
01:27:06,916 --> 01:27:08,583
♪ We come from garageland ♪
1440
01:27:09,500 --> 01:27:11,166
♪ Oh ♪
1441
01:27:15,125 --> 01:27:19,583
♪ Things are hotting upIn the West End, all right ♪
1442
01:27:19,666 --> 01:27:24,708
♪ Contracts in the offices,Groups in the night ♪
1443
01:27:24,791 --> 01:27:29,083
♪ My bummin' slummin' friendsHave all got new boots ♪
1444
01:27:29,875 --> 01:27:32,833
♪ And someone just asked me if the group ♪
1445
01:27:34,333 --> 01:27:35,500
♪ Would wear suits ♪
1446
01:27:37,541 --> 01:27:39,083
♪ We're a garage band ♪
1447
01:27:40,000 --> 01:27:41,541
♪ Oh ♪
1448
01:27:42,500 --> 01:27:44,166
♪ We come from garageland ♪
1449
01:27:45,083 --> 01:27:46,708
♪ Oh ♪
1450
01:27:47,541 --> 01:27:49,000
♪ Oh ♪
1451
01:27:59,958 --> 01:28:01,625
♪ They think they're so clever ♪
1452
01:28:02,458 --> 01:28:03,625
♪ They think they're so right ♪
1453
01:28:03,708 --> 01:28:07,333
♪ But the truth is only known ♪
1454
01:28:07,416 --> 01:28:11,625
♪ By guttersnipes ♪
1455
01:28:12,458 --> 01:28:14,000
♪ We're a garage band ♪
1456
01:28:14,916 --> 01:28:16,583
♪ Oh ♪
1457
01:28:17,333 --> 01:28:18,750
♪ We come from garageland ♪
1458
01:28:19,708 --> 01:28:21,375
♪ Oh ♪
1459
01:28:22,166 --> 01:28:24,666
♪ Oh ♪
1460
01:28:24,750 --> 01:28:25,708
♪ Stop ♪
1461
01:28:37,208 --> 01:28:38,500
♪ 22 singers ♪
1462
01:28:39,541 --> 01:28:40,791
♪ One microphone ♪
1463
01:28:41,958 --> 01:28:44,416
♪ Back in the garage ♪
1464
01:28:46,833 --> 01:28:50,333
[singing]
1465
01:28:51,666 --> 01:28:54,166
♪ Back in the garage ♪
1466
01:28:56,583 --> 01:28:57,708
♪ Five guitar players ♪
1467
01:28:59,000 --> 01:28:59,958
♪ One guitar ♪
1468
01:29:01,458 --> 01:29:03,833
♪ Back in the garage ♪
1469
01:29:03,916 --> 01:29:06,291
♪ Back in the garage ♪
1470
01:29:06,375 --> 01:29:09,500
♪ Back in the garage all night ♪
1471
01:29:09,583 --> 01:29:11,666
-[music stops]
-[cheering]
115463
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