All language subtitles for La.Casa.Que.Arde.De.Noche.1985.1080p.BluRay.x264.AAC-[YTS.MX]

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-Okay, lady, your turn.

Come on.

-$440.

-Give it to me.

Give it to me, please.

-You owe me $3,000.

-I'll pay you back the whole thing,

but give it to me.

Give it to me.

Give it to me.

Give it to me.

Give it to me.

-Wouldn't you rather work out with me,
daddy?

-Why?

Don't you see he has
that big muscle, too?

-Stop it, bitches,
or I'll beat you up.

-So aggressive, why is that?
-Because you're idiots.

-Oh honey, you are a witch.

-Yes, you're the worst, and unattractive.

-Yes, with that big macho face.

-Those are always the best ones.

-Oh sweetie, I hope what you
say comes true.

-Oh no, because they say
that he has such a big one.

-That's not how you do it.

-It's not?
-No.

-Then, how?

-Let me show you.

You see?

It's super easy.

Spread you legs wide,

then bring your stomach up

and lift your chest.

Then, take a deep breath

and bend over.

-Where are you from?

-From over there.

And the madam?

-She's sleeping.

-What's wrong? Is she ill?

-Poor thing is in bad shape.

-And what about you?

-Me?
-Yes.

-I'm the boss here.

-Just give me a chance.

-You, bunch of idiots,
it's past 4:00 PM.

And you, bunch of whores,
go get breakfast in your rooms.

-Be quiet.

-Get over here, my love.

-How did you sleep, queen?

-What do you mean by that?

Do I look sick to you?

-It's just the way I ask;

how did you sleep, queen?

How are you feeling today?

-Ma'am?

-Get over here.

We have no spots for you, girl,
you can't stay here.

-Yes, ma'am, but I don't have a ride.

I know how to do things, and then some.

-Let her stay,
and she can leave in the morning

with some American, right?

-Okay.

- I can dance,

and people like how I move and strip.

-Okay.

-Settle in.

-Where?

-Anywhere you can.

-Here, honey.

-No.
-Drink it, you'll feel better.

-Listen to me, honey.

Drink your medicine.

-No.

-You're going to feel better.

-What are you doing here?
Get the hell out of here.

-You get out, I know what's wrong
with her and I'm going to help her.

Get out of here.

Get out, I'll cure her.

Calm down, I'll help you.

It's cancer, you are finished.

I'm going to help you,

but be nice to me, lady.

Be quiet, stay still.

Mom, the black guy is angry

He says he wants to fight me

Tell my dad about it.

Mom, I get into my bed

I get covered from head to toes

And the black guy uncovers me.

Oh, what does this black guy want?

-Are you the boss here?

-Yes.

-Listen, you say how much, and I'll pay.

I want four women, but I want to
say, "This one, and that one".

You give me four women, and I'll pay.

-Four women?
-Four women, I can pay.

-Not even the stud from the border.

-The stud from the border.

-Take your pick.

Whichever you want, dummy.

-Okay.

Look, hey you, this one.

-You have work to do.

-Okay.

-This one.

Look! This one.

-That gringo took her.

Oh, what does this black guy want?

-300 bucks.

-Okay.

-There you go, stud from the border.

-I'm paying for the stud from the border.

-Don't get that gringo killed,
for the road.

-No, sir, we'll take care of him.

Go, go.

Here it goes.

-It's a shame to keep these hidden away.
Why don't we hang them on the wall?

- I have some tape.

-Bring it.

- I do have.

Wait, where is it?

Here it is.

-Have you known Eleazar for long?

-For many years.

He is brave.

Why do you ask?

-I'm just curious.

Aren't these cool?

-They're awesome.

-This one here,

I'll put it on the mirror
so that, whenever you look at yourself,

you see how beautiful you are.

-You're not dumb at all.

-You will always look beautiful.

-Oh, that damn generator.

I pay dollars for it,
and it's supposed to be guaranteed.

It's screwed, it's always shutting down.

Go light up a candle.

They're over there, with the matches.

-That guy's a good-for-nothing.

I think he's a gringo agent.

A bunch of questions about
you and the place.

-That asshole is up to something.

-Hey, that guy
Is a good-for-nothing.

-Fucking gringo.

It's your call.

-There's no way.

-You know what?

He's super cheap.

-No way.
I'm out of here.

What a waste of time.

-What's your mother's car?

Get more over here.

-The bigger you get,
the dummer you are, right?

I'll give you your medicine
So you cheer back up, man.

Come here.

-You were served too much.

-Call me daddy.

-Daddy, daddy.

-Fucking gringo, you're a fucking asshole,
you know?

-Did you hear that?

-No, just call me daddy.

-It was a gunshot.
-It's good.

It's really good.
-Oh, fucking gringo.

Leave me alone, I can't hear anything.

-So you're a cop, huh?

Fucking gringos,
they're always up to something.

I had to take this fucker out.

-My goodness.
Look at this mess.

Where are you going to toss him now?

-In a grave, as it should be.

-No, into the river.

No, the river is too far.

-Listen to what she's saying.

-What?
-Use the river.

-Take the trails up there
and toss him in the deepest part.

Tie him with some chains.

-Just rocks.
-Then he'll float.

-How can he fucking float with rocks?

-The knots would rot away.

What would you tie him with?

-Listen to what she says.

-That's true.
-Idiot.

-Then, come back through the trails,

and cross the border, then spend
a day or two there, or a few months,

but make sure you're seen there.

And then you can come back.

-Listen to her.

-Remove everything from him
because things could float away.

We can't take our chances.

-Okay, that's enough.

-Without clothes, it could be anyone.

Listen to what she says.
-I'm listening!

Now you strip him,
pair of idiots.

You get the easy job, right?

-I'll do it.

-What's up, Eleazar?

What are you doing here so early?

-What's up, man?

Nothing at all.

I couldn't sleep, and I thought
I wanted to cross the border.

-What are you carrying?

-Nothing, I'm clean.

Are you coming back soon?

-Who knows.

Maybe I won't come back.

What do you think?

-Just stay put,
on either side of the border,

but just stay.

Go on ahead.

- I want one.

You're forgetting about me, honey.

-Oh no, I'll zap myself on this.

Look, she dropped hers.

-Five, okay?

-Enjoy it.
-Thank you, boy.

-How are you, darling?

How's your life and your health?

Well, who else could it be?

Who else calls you 'my love'?

Tell me if there's someone else,
I'll kill him.

-My king, where are you?

Where are you?

Why don't you come here
to care for your girlfriend?

You asshole,
you left for two days and it's been months.

Where are you?

-I'm on the other side. Fine.

Working on some high-quality things.

-Who are you working for?

-That's funny.

You know I have no chance.

Hey, you sound better.

-Because I'm well now.

Alazana cured me.

Yes, she cares for me and pampers me,
but you need to come back.

-Who?
-Alazana.

Don't you remember her,
from the night you left?

-Yes.

That's what they call her.

Watch yourself, okay?

-Why is that?

- I don't know, just wait for me soon.

-But, when?

My little guy, my treasure.

- I don't know,

one of these days.

-Hi.

Where to?

- I can't speak English well.
-You can't?

Where are we going?

-Where are you going?

-Anywhere.

-That's where I'm going.

-Let's go, then.
-Let's go.

-Let's go.

Hey, Eleazar, honey,
where exactly are we going?

What are we--?

-Exactly?

That is exactly what I don't know, honey.

Why don't you bring over
a few beers from over there?

-A six-pack of beer?

-That sounds good.

-May I have a six-pack of beer, please?

-Hey, what are you doing?

Ele, where are you going?

Hold up, that's my car.

Hey, son of a bitch.
Come back here.

That's my car.
Come back.

You're not even good in bed.

-Keep this garbage,
I hope it works for you.

-Thanks.

-Goddammit, this fucking car.

-Well, what's up?

It's been months.

-Months.

-Many months.

You look well.

Do you want to come home?

-Just for a bit.

-They say that, on the other side,

there are lots of illegal people,
lots of border police,

and chicanos and bolillos.

We also get bolillos and chicanos,
and they come as they used to,

but they come even more often now.

They keep coming
and Alazana is getting rich.

-Alazana?

-Yes, don't you know her?

- I was getting to know her.

-She is the owner now.

I think she won't let you in.

-Mm-hm

-Esperia.

Just go meet with her.

Of all the girls who were here,
they are all no good now;

it's just you and the boss.

- I brought you this.

-What is this?

I haven't gotten a gift in years.

-"Protest and survive".

-I won't protest.

I'll just wear it and keep quiet.

Thank you.

Come, sit down and have some food.

We'll go inside after the sun sets.

-I'll have someone
clear this up for you.

-Okay, just leave it.

-Wait a minute, those whores
need to make themselves useful.

Naipes, Teresa, Cachucha.

Damn, don't play with that.

That's death right there.

-It's death,
but its head is so tiny.

-Come on, clear this up, you pigs.

With water and soap.

You've met Eleazar, right?

-For sure.

What's up, Eleazar?

-What's up?

-We know each other well,
don't we, daddy?

-Hey, save that for the customers.

- I brought this for you.

-Oh, shit.

Where did you get that?

-Eli, Eleazar.

-Look at that poor thing.

-Eli.

Eleazar.

-I'll wait outside.

-Did you see her?

Did you see her, my love?

Did you see that damned witch?

Do you see me now?

-Don't get too worked up.

-Crush her.

She is evil.

She is venomous, she'll make you rot.

Kill her, before she kills you.

Crush her.

-Well?

Why are you standing there like idiots?

-The old man brought that guy here.

-Give me the comb.

-Yes, ma'am, here you go.

They went to see Esperia.

-Okay, but tell me, which guy?

What does he have to do
with that dead woman?

- I don't know, ma'am,

but I think that
it may be that Eleazar guy,

don't you think?
-Yes.

-You are idiots,
complete idiots.

Let's go, screw it, right now.

-No, Madam.

-Madam, mother,
we think it was Eleazar.

-Let's go, honey.

-It's time.

-Champagne?

-Tequila.

-Champagne and tequila.

You took your sweet time.

- I didn't remember you.

-You never looked at me.

I did look at you.

You only had eyes for Esperia,

she was so beautiful, right?

Why are you here?

-I'm going to live here
for a while.

-You had problems in America.

-No.

-You didn't?

For how long?

This is my house.

-So you say.

-So I say.

-Esperia disagrees.

-Esperia is almost gone,
if she's not dead already.

Besides, what's your deal?

What's up? What do you want?

-Me?
-Yes.

-To be the boss.
-The boss?

You? The boss here?

Like you were with the late Esperia?

The little manager is back.

-No, not a little manager.

The boss.

-Breakfast in bed, for the king.

It's 3:00 PM.

Your breakfast, my king.

-You won't find a doctor this late.

Here in the desert,
they extract the venom with music.

Just listen, it's beautiful.

Just listen and you won't feel any pain.

None at all.

You'll be in heaven soon, darling.

It's awesome, right?

-Stop, idiot.

Do you want to leave your footprint on him?

Don't you get it?
He fell asleep and a snake bit him.

Don't you get that?

Let's go.

-Guys, wash the truck.

I want it spotless.

Poor old man, get some soda and ice.

Standing outside in this weather.

It can get you killed.

-Get me killed?

-Get the shot,

you'll need it.

-Let go of me.
-It's your turn now, bitch.

-Leave me alone.

-Get over here.

-Give me the keys.

Give them to me.

-Hey, boy!

Hold on.

Hold on.

-Get over here.

-Tequila for the king,
champagne for his slave.

Is that good?
-Sort of.

Long live the king.

-Long live the slave.

In what year were you born?

-Who?
-You, Eleazar.

There's no one else here.

In what year were you born?

-Around 1944, I think.

-You don't know?

You don't even know that about yourself?

-It was around that year.

Why?
-No reason.

In what month?

-In July.

-What day?

- I think it was July 11.

-And at what time?

-What?
How could I know at what time?

-Morning, afternoon, or night?

- I don't know.
What do you want? Why?

-I'm just getting tired.

-Tired of what?

-Of this life.

-What life?

-This life, this house,
this job.

I want to leave.

-Where are you going to go?

-Somewhere else?

-Where?

- I don't know.

I have money
on the other side of the border.

-People say that, right?

-And they're right.

-Damn.

-In what month were you born?

-Again with that question.

I don't know, any month.

Why?

-Because I want to know if you're my man,
so that I can take you with me,

and if not, to see if this time
I can kill you for good.

-You know what, lady?

We're just partners in this business,
okay?

Understand?

I don't like procurers.

You know what?
It was under a sun beam.

My mother didn't have a husband or a man.

She went to the cotton farm on the
other side, and that's where I was born,

right in a sun beam.

So, you tell me if I can
end up being your man

or if you'll send me to my grave.

-You can have him if you go
with him and Kate.

-Right now?

At this very moment?

-No, later.

Come with me.

-Uranus and Mars.

What a combination.

Criminal behavior.

Venus in Aries, Neptune in Scorpio.

Super sexual imagination,
perversion, and deviation.

I got you now, fucker.

I got you.

-Your bedroom.

-What?
-A gift, a surprise.

-A gift?
-Yes.

-Later.
-Now.

I can handle this.

It's a delicious, yummy gift.

Go, go on.

No more.

-Hello, nice one.

-What's up?

-They call me Binny, B-I-N-N-Y.

You got it? Double N.

-Binny.

-That's right.

You must be Eleazar.

-Yes.

-I'm at your service, darling.

I was sent by your boss, Alazana.

Where did my boss, Alazana, find you?

-On the other side.

I don't get together with lowly men,
because of AIDS.

No Indians tonight.

We're like water and oil.

Can I have some?

-Go ahead.

What can you do, beautiful?

-PhD in making out,

international queer repertoire.

At your service.

Just get comfortable, relax.

We can talk later, okay?

-And if I tell you to leave, beautiful?

-You would have to kick me out, darling,

because I am committed to,

and it's really my pleasure,

leave you flat.

If I dontt,
your witch will scratch my eyes out.

So, excuse me, darling.

Come, darling, it's getting late.

-So, I'll kick you out.

-No.
-Motherfucker.

I don't like those jokes,
idiot.

Fuck you, Alazana.

-Fucking bitch.

Pay up, or you'll see.

-What the hell?

-What do you mean?
-What the hell?

-What the hell?
What the hell.

-Blanca is covered
with pillars of gold and silver.

we'll tear down a pillar
to see Dona Blanca.

Then, I would wear a wrinkled veil
from my mother's wedding,

and the kids were running around playing.

I would feel so happy
when they'd break the circle.

The hornet would kiss me
and everyone would stare at me.

-The hornet?
-Yes.

Remember.

It's a nice song, right?
-Yes, go on.

-Do you want me to sing again?

-No, keep moving, dammit.

-After that, I was sent to school.

I used to love school,
but I ditched classes from day one.

We would go swim at Rio Grande.

The fucking gringos would
signal gross things from the other side.

My mom bought all my notebooks
on the other side,

covered with dolls and trains.

I wanted to go to school.

-You did?

You wanted to go to school?

You fucking--

-My mom didn't like it
when I was at home,

but I was
happy as a clam.

Hey,

who said that?

-Who said what?

-That I'm as happy as a clam.

My mother was very stern.

When the girls were busy,

she would get with the clients herself,
and say,"I still have some fuel in me".

My mom would say, "Go play".

She would give me a huge silver coin,
it was very heavy.

I would buy candy,
chamoy and mamey.

-Mamey?

-Yes, but it was candy, dummy.

Then, I started secondary,
the one they call high school.

I was great at dancing and singing.

I would twist and turn.

My mom would tell me,

"Oh, my white girl,
maybe you'll be good for entertainment".

-Shut up, dammit.

-Do you know what I liked the most
about high school?

Astrology.

- I said shut up, dammit.

-You know what I was thinking?

I was thinking about one of those
beautiful small towns in America.

You know what I mean.

Surrounded by pines and orange trees,
gardens everywhere.

Imagine, an American town
with its church and streets.

"Good morning,

good afternoon, good evening",
and then my money,

our money, in the bank.

Mr. and Mrs. - what?

Hey, Mr. and Mrs. what?
-What?

-What's your name, your last name?

Mr. and Mrs. what?

-What's with you?
What's your problem?

Take it easy, don't get excited, okay?

-Okay, I won't.

This is what I've always wanted,

what we are having now.

You know,

we've been together for over two weeks

and I don't need to use drugs anymore.

And you, aren't you like a cannon?

-If you don't let me sleep,
you'll get a cannon, all right,

but no bullets.

-You know,

I already saw a beautiful small town.

I want to go check it out tomorrow, okay?

-Tomorrow?
-Yes, tomorrow.

-No, what do you mean?

Let me sleep.

Shut up, okay.

I want no talking.

-Well, that's kind of a nice one,
but maybe that one over there.

Either of those two houses,

the one for sale or the one for rent.

Feel the air.

-What are you talking about?

I feel like I'm choking, let's go.

-Where?

-To El Charco,
where else?

-Did you get permission?

-Calm down.
Calm down, Esperia.

-Did you get permission to see me?

She jinxed you, Eli.

I warned you.

She made you into her lap dog.

-Calm down, Esperia.
Calm down.

Don't get worked up, you're sick, honey.

-Where did they take you?

-Nowhere.

I wanted to come back,
and I'm here with you.

With you.

-She ensnared you, honey.
-No, sweetie.

-That's what she does.

-No, sweetie.

I want you to find me,
and I want to find you.

Look, I brought you a gift.

-A gift?
-Yes.

-For me?
-Yes, for you.

-Like you used to.

-Like I used to.

To make you prettier,

to dance with you.

-It's like that time you brought
that movie with all those crazy things,

even the tiger's jump.

Then, you wanted to do
the same thing with me.

Oh, so naughty.

I've never decided if you are
hornier or prettier.

-I want you to see yourself as before.

That's it.

Wait, I'll make you beautiful.

-Well, long live the tiger's jump.

- I was told that my man
came to see you.

I was told that you were dead.

-Come in,

come in.

Yes, I've been expecting you.

-Stop it, honey,
stop it.

-Do you remember, or did you forget?

-You stop it, too, or I'll beat you up.

- I thought,

"If she's already dead,

poor thing,

I'll bring her some flowers,

but if not, I'm here
to tell her I'm leaving...

Because, do you remember when
you told Eleazar to crush me?

What do you know?
He didn't want to, he couldn't.

How could he, if he loves me.

I'm leaving.

-You two are not leaving.

-Yes, and I'm taking my man.

-He is not your man.

-Yes, he is.

-He is not.
-Of course he is.

Or is he your man?

-You're not leaving.
You're staying, and you'll burn.

If he goes with you, he'll burn, too.

You'll both burn.

-It's done.

-What is?

-Just like that.

They've been customers for many years.
-What?

-We're free, my love.

We are free.
-Are you insane?

-You haven't put any thought into it.

I put down 30% of the total price,
and for three years, they'll give us

10% of all income.

-What the hell are you talking about?

-Net income,
after expenses and all that.

-There's no way.

-Haven't you realized
what this is?

This is enough to do
whatever we want,

besides 70% of the price
and what we have in America.

-According to you, what is it that we want?

-Everything, my love.

It'll be you and me over there,
mister and miss.

I can see you mowing the lawn,
walking from church every Sunday.

-You know that those churches
are Protestant.

I mean, are you a Protestant.

-They are churches,

and people dress very nice
every Sunday there,

and they all know each other.

Besides, what do I know
about Protestantism and all that.

-We're not going.

-Excuse me?

-Why do you think I'm here?

Why do you think I came back?

-The stars, my love, they brought you here.

-Screw that,
I came because I like the smell of ass.

It's the only smell I know,

and I know no other.

-You have it.

Feel me,

smell me,

but it was the stars, my love,

they are the reason you love me,

because the smell
wasn't doing it for you.

You're over it.

-It has to be here.

It can't be anywhere else.

-It has to be there, on the other side.

-Here, nowhere else.

-But I'm saying there, my love.

It can't be anywhere else.

And you know it.

-Get off, get off.

Don't get near me; you reek.

-What do I reek of, my darling?

The stuff you like, you fucker?

-Of chemicals and shit, dammit.

-Don't be an asshole,

you can't even get your shoes wet.

Let go of me.

-You either leave right now,
or you'll never leave, you fucker.

-Then I'll leave right now.

Of course I'll leave.

Don't you dare hit me.

I assure you I won't lose.

I won't lose.

I won't lose.

-Over there and there.

Beautiful.

-Surprise, sweet.

It's me, Binny, the golden ass.

For the lower classes, "Las Nachas de Oro".

-How are you?

-I'm doing well.

If I'm being honest,
I went over and they told me about you.

You have no idea,
but your guy can't take it anymore.

-The customers are downstairs, dammit.

Go get changed.

Go get changed.
Still in your pyjamas?

Where are you taking that?

- I was called from upstairs.

-This is a brothel, not a restaurant.

What are you doing?

Go get changed.
Stop fooling around.

Go get changed.

- I dropped these fucking tits.
-What are you doing?

Go to work, get to washing and ironing.

Go get dressed, dammit. Get dressed.

-Go, dammit.

-And do you know why?

Because it was built to rot.

Okay,

my mistake,

but I do know that
you can't wait for him,

because you'll shoot yourself
before he comes.

Wait for him with me, my heart.

I'll be here.

-You're the sleaziest faggot in the world.

-Your joy?

I don't care.

I saw him walking
down the corner

With the walk
that attractive men have

His hands always
inside the pockets of his coat

So that you can't see
which hand is holding the knife

He wears a wide-brimmed hat,
tipped to the side

And sneakers, in case there's trouble,
to run away

Dark shades so you can' tell
who he is looking at

And a gold tooth
that gleams when he smiles

Like three blocks away
from that corner, there's a lady

She is going down the sidewalk
for the fifth time

She goes into a hallway
and has a drink just to forget

Pedro Navaja,
his hands always in his coat

-Hello?

Gleams again

As he walks by, he looks around
from corner to corner

There's not a soul,
the whole avenue is empty

-What is it, my love?

-Nothing, nothing.
Leave me alone.

He looks to one side, and to the
other side, there's no one there.

-I can't do it anymore.

I can't do it.

-No more.

-She jinxed you.

-Yes.

-I warned you.

I warned you.

You want to die.

- I want to see her.

-No.

-I'II go to her.
-No.

-So, I'll send for her, right?
-Don't, don't.

No.

-Why not?

Why not, honey?

Tell me why not.
What is the problem?

-Don't go.

Don't leave.

-Why?
“Why?

Let me be.

-My love, there's light.

A lot of light.

Light.

Light.

-While I was bored yesterday, I called
to hear your supposed man's voice,

but I didn't, because an idiot girl picked
up the phone, and, by the way, darling,

why do you think I'm wearing black?

That Esperia bitch is finally dead.

What a shame.

-What a big shame.

-Where there's cats, there's no mice.

-Rest in piece, Esperia.

-Or in the Devil's ass.

-Because she'd always be up and down.

-Up or down, she’ll still be an asshole.

-Alazana had her buried.

-Fucking snakes.

-What a colossal shame.

You are all motherless now.

-You left the other side.

Back again?

- I went to the cemetery.

- I saw you there.

-I've been thinking.

-You won, what's the point?

- I won, I'm not worried.

-Ever since you arrived, do you remember?

-How long has it been?

-Since then, you beat her,

since that very day.

-I've been thinking.

-You have?

What is it?

Are you going to tell me?

-No.

-You're not?

So, what?

-We both thought the same thing.

- I stayed here.

-Yes, thinking the same things
I thought about at the cemetery.

-Maybe.

And what was that?

-You tell me.

You tell me, Eleazar.

You are my man, and I'm your woman.

We've seen that, you saw it.

-Yes,

but it couldn't happen.

-Listen.

We just thought about something,

the same thing,

earlier today.

-Maybe.

-Maybe.

-Whatever.

I can't even remember
what I was thinking about,

I just spin,

and spin.
-1 went to see Esperia,

I saw how they lowered her box.

Death is good for being dead,

and then, what was it all for?

-I was thinking the same.

Then, I would look at the photos and think,

"What was all this for?"

-Exactly, what was it for?

If they buried Esperia,

they'll bury me, too,
what was it all for?

- I was looking at the statues,

and I would do some of this, some of that,

all kinds of things.

And all of it, for what?

And for what?

-For what?

For what?

For what?
-I can't even speak anymore.

-Let's just spin.

-Whoever talks, dies.

-There was nothing else for Esperia
besides sadness, pain, and anger.

-Let her be, don't you think?

- I will,

but we thought about the same thing.

-What was that?

-That she didn't know

when to die,

at the right time.

-And when is that?

-When you're happy, and I'm happy now.

-Sweetheart,

my love,

my passion,

my fated man.

You can't fool me,
you've never had a woman like me.

You love me.

Say you don't love me. Say it.

I know men,

and you're a man,

but what a man you've been to me.

Say that you don't.

- I haven't told you before,

but I will say it now,

I love you.

I love you.

-Tell me, when are you the happiest?

Tell me.

-Now.

I am happy now.

-Fire!