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These are the user uploaded subtitles that are being translated: 1 00:00:02,000 --> 00:00:07,000 Downloaded from YTS.MX 2 00:00:02,335 --> 00:00:04,671 [ SILENCE ] 3 00:00:08,000 --> 00:00:13,000 Official YIFY movies site: YTS.MX 4 00:00:11,444 --> 00:00:13,480 [MAN] PICTURE THIS. 5 00:00:13,480 --> 00:00:15,248 HA HA HA. 6 00:00:15,548 --> 00:00:18,685 YOU'RE LYING ON A DESERTED BEACH. 7 00:00:18,685 --> 00:00:20,920 THE SAND IS SOFT. 8 00:00:21,688 --> 00:00:23,256 SUN FEELS GOOD. 9 00:00:23,256 --> 00:00:28,628 YOU SLIP OUT OF YOUR BIKINI AND JUST LIE THERE... 10 00:00:28,628 --> 00:00:30,997 ALL NAKED AND WARM. 11 00:00:30,997 --> 00:00:32,732 HA HA HA. 12 00:00:32,732 --> 00:00:35,602 I REACH OVER TO THAT DRINK BESIDE YOU 13 00:00:35,602 --> 00:00:38,605 AND TAKE OUT AN ICE CUBE, 14 00:00:38,605 --> 00:00:40,940 PUT IT IN YOUR MOUTH... 15 00:00:40,940 --> 00:00:45,278 TWIRL IT AROUND WITH YOUR TONGUE A LITTLE BIT. 16 00:00:45,278 --> 00:00:46,813 [WOMAN LAUGHS] 17 00:00:46,813 --> 00:00:48,615 YOU'D LIKE THAT. 18 00:00:48,615 --> 00:00:50,950 NOW SLIDE IT OUT OF YOUR MOUTH. 19 00:00:50,950 --> 00:00:55,622 LET THE COOL WATER RUN DOWN ALL OVER YOUR LIPS. 20 00:00:55,622 --> 00:00:56,623 [WOMAN MOANS] 21 00:00:56,623 --> 00:00:58,558 TAKE THE ICE. 22 00:00:58,558 --> 00:00:58,858 O.K. 23 00:00:58,858 --> 00:01:00,627 RUN IT DOWN YOUR NECK, 24 00:01:00,627 --> 00:01:02,495 ACROSS YOUR BREAST TO YOUR NIPPLE. 25 00:01:02,495 --> 00:01:03,897 TO MY NIPPLE. O.K. 26 00:01:03,897 --> 00:01:05,732 OH, IT'S COLD. 27 00:01:05,732 --> 00:01:06,900 HA HA! 28 00:01:06,900 --> 00:01:07,834 AHEM. 29 00:01:07,834 --> 00:01:10,003 IT'S COLD. 30 00:01:10,003 --> 00:01:11,671 HA HA! HA HA! 31 00:01:11,671 --> 00:01:14,074 NOW RUN IT DOWN YOUR STOMACH, 32 00:01:14,074 --> 00:01:16,042 AROUND YOUR BELLYBUTTON. 33 00:01:16,042 --> 00:01:17,010 MY STOMACH? 34 00:01:17,010 --> 00:01:17,577 OH, OOH. 35 00:01:17,577 --> 00:01:20,547 THEN ACROSS YOUR HIP TO YOUR THIGH. 36 00:01:20,547 --> 00:01:21,815 I AM. I AM. O.K. 37 00:01:21,815 --> 00:01:23,416 OH, IT FEELS GOOD. 38 00:01:23,416 --> 00:01:24,984 OH, IT'S WET. 39 00:01:24,984 --> 00:01:28,388 WHAT DO I DO NOW? 40 00:01:28,388 --> 00:01:29,322 [SIGHS] 41 00:01:29,322 --> 00:01:32,325 NOW RUN IT ALL THE WAY UP 42 00:01:32,325 --> 00:01:34,394 THE INSIDE OF YOUR THIGH. 43 00:01:34,394 --> 00:01:35,361 OHH. 44 00:01:35,361 --> 00:01:36,362 OH, GOD. 45 00:01:36,362 --> 00:01:37,330 OH, YES. 46 00:01:37,330 --> 00:01:38,298 [BEEPING] 47 00:01:38,298 --> 00:01:39,299 SHIT. 48 00:01:39,299 --> 00:01:40,333 SHIT? 49 00:01:40,333 --> 00:01:40,867 NO. 50 00:01:40,867 --> 00:01:42,569 LISTEN, HONEY, UM... 51 00:01:42,569 --> 00:01:45,672 GO GRAB...GO GRAB ANOTHER ICE CUBE, O.K.? 52 00:01:45,672 --> 00:01:46,639 NO. 53 00:01:46,639 --> 00:01:47,340 HELLO? 54 00:01:47,340 --> 00:01:48,074 [MAN] JOEY. 55 00:01:48,074 --> 00:01:48,875 HEY, MICKEY. 56 00:01:48,875 --> 00:01:51,311 HEY, LISTEN, MICK, I'M A LITTLE BUSY RIGHT NOW. 57 00:01:51,311 --> 00:01:53,012 ARE YOU ON THE OTHER LINE? 58 00:01:53,012 --> 00:01:53,913 YEAH. 59 00:01:53,913 --> 00:01:55,415 ALL RIGHT. LISTEN TO ME. 60 00:01:55,415 --> 00:01:56,783 YOU GOT A PROBLEM, KID. 61 00:01:56,783 --> 00:01:58,618 HARVEY'S OUT OF JAIL, 62 00:01:58,618 --> 00:02:00,753 AND HE'S LOOKING FOR YOU. 63 00:02:00,753 --> 00:02:01,955 SHIT. DID YOU TALK TO HIM? 64 00:02:01,955 --> 00:02:03,857 NO, BUT I'M WORKING ON IT. 65 00:02:03,857 --> 00:02:05,959 HE JUST GOT OUT LAST NIGHT, 66 00:02:05,959 --> 00:02:06,860 AND HE'S REALLY ANGRY. 67 00:02:06,860 --> 00:02:09,629 GOD DAMN IT. WHAT'S HIS PROBLEM? 68 00:02:09,629 --> 00:02:10,730 YOU'RE HIS PROBLEM. 69 00:02:10,730 --> 00:02:13,900 THIS GUY STILL THINKS YOU SET HIM UP. 70 00:02:13,900 --> 00:02:14,667 [SIGHS] 71 00:02:14,667 --> 00:02:16,970 LOOK, JUST BE CAREFUL TILL I FIX IT. 72 00:02:16,970 --> 00:02:19,372 THIS GUY'S LIABLE TO KILL YOU. 73 00:02:19,372 --> 00:02:21,074 WHAT DO YOU GOT FOR TONIGHT? 74 00:02:21,074 --> 00:02:22,675 WHAT IS IT? WEDNESDAY? 75 00:02:22,675 --> 00:02:24,077 I GOT ISABELLA. 76 00:02:24,077 --> 00:02:25,011 BELLA ISABELLA. 77 00:02:25,011 --> 00:02:27,547 LOOK, DROP BY TOMORROW, WE'LL HAVE LUNCH, 78 00:02:27,547 --> 00:02:29,649 WE'LL STRAIGHTEN THIS HARVEY THING OUT. 79 00:02:29,649 --> 00:02:31,117 ALL RIGHT. THAT SOUNDS GREAT. 80 00:02:31,117 --> 00:02:32,819 THANKS FOR THE WARNING. 81 00:02:32,819 --> 00:02:34,454 I'LL TAKE CARE OF IT. 82 00:02:34,454 --> 00:02:35,922 ALL RIGHT. BYE. 83 00:02:35,922 --> 00:02:38,491 [TELEPHONE RINGS] 84 00:02:38,491 --> 00:02:39,058 HELLO? 85 00:02:39,058 --> 00:02:40,460 YOU SON OF A BITCH. 86 00:02:40,460 --> 00:02:42,095 OH, JEEZ. ELENA, I'M SORRY. 87 00:02:42,095 --> 00:02:43,096 UH, DID YOU GET THE ICE? 88 00:02:43,096 --> 00:02:48,468 YEAH. I'D LIKE TO PACK YOUR HEAD IN IT, PRICK. 89 00:02:48,468 --> 00:02:50,837 [DIAL TONE] 90 00:02:51,938 --> 00:02:54,407 SO YOU'RE TELLING ME NOW? 91 00:02:54,407 --> 00:02:56,009 IN THE PARK? 92 00:02:56,009 --> 00:02:56,910 WELL, I'M SORRY. 93 00:02:56,910 --> 00:02:58,778 I THOUGHT IT WOULD BE BETTER 94 00:02:58,778 --> 00:03:00,647 THAN HAVING A SCENE IN THE APARTMENT. 95 00:03:00,647 --> 00:03:01,447 OR EASIER FOR YOU, 96 00:03:01,447 --> 00:03:03,049 BECAUSE I'D BE TOO EMBARRASSED TO MAKE A SCENE 97 00:03:03,049 --> 00:03:05,518 IN FRONT OF THE DAMN WORLD, IS THAT IT? 98 00:03:05,518 --> 00:03:07,921 NO. CONNIE... 99 00:03:09,088 --> 00:03:11,891 EXCUSE ME, WORLD! 100 00:03:11,891 --> 00:03:14,160 I JUST WANT YOU ALL TO KNOW 101 00:03:14,160 --> 00:03:17,764 THAT MY GIRLFRIEND IS TEARING MY HEART OUT 102 00:03:17,764 --> 00:03:18,565 HERE TODAY, 103 00:03:18,565 --> 00:03:20,667 BECAUSE SHE SUDDENLY DECIDED 104 00:03:20,667 --> 00:03:22,735 SHE NEEDS MORE SPACE. 105 00:03:22,735 --> 00:03:23,770 O.K.? 106 00:03:23,770 --> 00:03:25,738 SO WOULD EVERYBODY 107 00:03:25,738 --> 00:03:27,807 PLEASE GIVE HER 108 00:03:27,807 --> 00:03:30,443 SOME MORE SPACE? 109 00:03:30,777 --> 00:03:31,611 RIGHT, RIGHT. 110 00:03:31,611 --> 00:03:33,780 I SHOULD'VE DONE THIS IN PRIVATE. 111 00:03:33,780 --> 00:03:34,647 LISTEN, HONEY, 112 00:03:34,647 --> 00:03:36,716 YOU COULD LEARN THE FUCKING CODE OF SILENCE, 113 00:03:36,716 --> 00:03:37,884 AND IT WOULDN'T MATTER. 114 00:03:37,884 --> 00:03:39,786 SO, WHAT, YOU DUMPING ME? 115 00:03:39,786 --> 00:03:40,853 ARE YOU DUMPING ME? 116 00:03:40,853 --> 00:03:42,622 NO, I'M NOT. I--I JUST... 117 00:03:42,622 --> 00:03:45,959 I JUST NEED SOME TIME TO SORT THINGS OUT. 118 00:03:45,959 --> 00:03:48,661 I'VE FELT THIS WAY FOR A LONG TIME. 119 00:03:48,661 --> 00:03:49,195 I GUESS... 120 00:03:49,195 --> 00:03:52,699 I DIDN'T SAY ANYTHING 'CAUSE I HOPED IT WOULD CHANGE. 121 00:03:52,699 --> 00:03:54,467 IT WILL. IT WILL CHANGE. 122 00:03:54,467 --> 00:03:56,135 WE HAVEN'T GOTTEN OUT OF TOWN. 123 00:03:56,135 --> 00:03:58,705 WE'VE GOT CABIN FEVER. LET'S TAKE A VACATION. 124 00:03:58,705 --> 00:03:59,772 LET'S GO TO THE POCONOS. 125 00:03:59,772 --> 00:04:00,707 THAT'S NOT IT, CONNIE. 126 00:04:00,707 --> 00:04:04,043 IT'S THE WEDDING? WE DON'T HAVE TO GO TO THEIR WEDDING. 127 00:04:04,043 --> 00:04:05,011 MY PARENTS WILL LIVE. 128 00:04:05,011 --> 00:04:08,848 IT WAS A PERFECT TIME TO TELL THEM ABOUT US-- 129 00:04:08,848 --> 00:04:11,584 IT'S NOT THAT. IT'S US. 130 00:04:11,584 --> 00:04:13,720 IT'S US. 131 00:04:13,720 --> 00:04:16,923 LOOK, I DON'T WANT TO HURT YOU. 132 00:04:16,923 --> 00:04:17,991 JUST PLEASE... 133 00:04:17,991 --> 00:04:20,526 PLEASE TRY AND UNDERSTAND. 134 00:04:20,526 --> 00:04:22,829 I--I--I HAVE TO DO THIS. 135 00:04:22,829 --> 00:04:24,964 I LOVE YOU. 136 00:04:26,633 --> 00:04:30,637 PLEASE DON'T DO THIS TO ME, O.K.? 137 00:04:32,805 --> 00:04:34,173 I HAVE TO. 138 00:04:34,173 --> 00:04:37,543 I NEED TO FIGURE A FEW THINGS OUT. 139 00:04:37,543 --> 00:04:40,613 I HAVE TO BE AWAY FROM YOU TO DO THAT. 140 00:04:40,613 --> 00:04:42,515 WHERE ARE YOU GOING? 141 00:04:42,515 --> 00:04:43,950 I FOUND AN APARTMENT. 142 00:04:43,950 --> 00:04:44,651 WHAT? 143 00:04:44,651 --> 00:04:47,020 HOW LONG HAVE YOU PLANNED THIS? 144 00:04:47,020 --> 00:04:48,688 I HAVE TO GO. 145 00:04:48,688 --> 00:04:51,190 NO! ELLEN, WAIT! 146 00:04:51,190 --> 00:04:52,492 OH... 147 00:04:52,492 --> 00:04:54,027 WAIT! 148 00:05:01,501 --> 00:05:02,735 I DON'T FEEL PRETTY, 149 00:05:02,735 --> 00:05:05,104 AND I DON'T FEEL SEXY. 150 00:05:05,104 --> 00:05:06,105 AND, UH... 151 00:05:06,105 --> 00:05:08,241 I DON'T FEEL DESIRABLE. 152 00:05:09,042 --> 00:05:12,178 AND SOMEHOW I THINK IT'S... 153 00:05:12,178 --> 00:05:13,012 ALL MY FAULT, 154 00:05:13,012 --> 00:05:15,882 LIKE I MUST'VE DONE SOMETHING REAL WRONG. 155 00:05:15,882 --> 00:05:18,918 ISABELLA, YOU'RE WRONG. 156 00:05:18,918 --> 00:05:21,721 DON'T YOU SEE HE DID THIS TO YOU? 157 00:05:21,721 --> 00:05:25,024 YOU KNOW YOU'RE BEAUTIFUL AND SEXY. 158 00:05:25,024 --> 00:05:27,160 IT'S, UM... 159 00:05:27,960 --> 00:05:31,664 JUST THAT I'M AFRAID I'M NOT GOING TO HAVE... 160 00:05:31,664 --> 00:05:35,168 YOU KNOW, THOSE--THOSE FEELINGS. 161 00:05:36,069 --> 00:05:38,571 CLOSE YOUR EYES. 162 00:05:38,571 --> 00:05:40,106 WHY? 163 00:05:40,540 --> 00:05:41,841 JUST DO IT. 164 00:05:41,841 --> 00:05:43,676 TRUST ME. 165 00:05:48,281 --> 00:05:52,151 DO YOU REMEMBER YOUR FIRST BOYFRIEND... 166 00:05:53,653 --> 00:05:55,688 YOUR FIRST LOVER? 167 00:05:56,689 --> 00:05:57,990 DO YOU? 168 00:05:58,825 --> 00:05:59,325 YES. 169 00:05:59,325 --> 00:06:02,228 EXPLORING ONE ANOTHER'S BODIES, 170 00:06:02,228 --> 00:06:04,163 SKIN AGAINST SKIN, 171 00:06:04,163 --> 00:06:06,232 KISSING EACH OTHER... 172 00:06:07,767 --> 00:06:09,635 FOREVER AND EVER. 173 00:06:09,635 --> 00:06:13,272 DO YOU REMEMBER HOW THAT MADE YOU FEEL? 174 00:06:13,272 --> 00:06:14,307 YES. 175 00:06:14,307 --> 00:06:17,210 YOU STILL HAVE ALL THOSE FEELINGS. 176 00:06:20,646 --> 00:06:21,180 OHH. 177 00:06:21,180 --> 00:06:25,752 GOD, IT'S JUST BEEN SO LONG SINCE ANYONE'S TOUCHED ME. 178 00:06:26,786 --> 00:06:28,287 I WANT TO TOUCH YOU. 179 00:06:28,287 --> 00:06:30,056 WE'RE BACK AT HER PLACE, 180 00:06:30,056 --> 00:06:31,357 I'M ON TOP OF HER, 181 00:06:31,357 --> 00:06:32,959 THE BED'S ROCKING LIKE A HORSE, 182 00:06:32,959 --> 00:06:34,127 HER TITS WHACK ME. 183 00:06:34,127 --> 00:06:35,261 THE LIGHT FLICKS ON. 184 00:06:35,261 --> 00:06:38,064 GUESS WHO'S THERE WITH MY PANTS IN HIS HANDS? 185 00:06:38,064 --> 00:06:39,132 HER HUSBAND. 186 00:06:39,132 --> 00:06:40,299 YEAH. HOW'D YOU KNOW THAT? 187 00:06:40,299 --> 00:06:43,269 SHIT. YOU DIDN'T KNOW SHE HAD A HUSBAND? 188 00:06:43,269 --> 00:06:43,836 NO. 189 00:06:43,836 --> 00:06:46,906 SO I'M STANDING THERE, SCRAMBLING FOR MY SHOES. 190 00:06:46,906 --> 00:06:48,975 I TURN AROUND, AND SHE'S YELLING, 191 00:06:48,975 --> 00:06:51,611 "IRV, IRV, TODAY'S WEDNESDAY. 192 00:06:51,611 --> 00:06:52,678 WHAT ARE YOU DOING HERE?" 193 00:06:52,678 --> 00:06:55,114 JOEY, HOW MANY TIMES DO I GOT TO TELL YOU, 194 00:06:55,114 --> 00:06:57,683 THE FIRST THING YOU DO WHEN YOU GO IN 195 00:06:57,683 --> 00:07:00,219 IS YOU LOOK AT THE WEDDING PICTURES ON THE WALL. 196 00:07:00,219 --> 00:07:02,989 THAT'S HOW YOU KNOW IF SHE'S MARRIED. 197 00:07:02,989 --> 00:07:05,358 HOW DO YOU STAY SO FUCKING TRIM? 198 00:07:05,358 --> 00:07:08,161 DO ME A FAVOR. TAKE THIS SHIT. 199 00:07:08,161 --> 00:07:09,295 I DON'T WANT IT. 200 00:07:09,295 --> 00:07:11,898 I'M GOING ON A DIET RIGHT NOW. 201 00:07:11,898 --> 00:07:14,100 SO, WHAT'S THE PUNCH LINE? 202 00:07:14,100 --> 00:07:16,702 WHAT'S THE PUNCH LINE? THERE'S NO PUNCH LINE. 203 00:07:16,702 --> 00:07:18,104 THE HUSBAND WALKS IN-- 204 00:07:18,104 --> 00:07:20,039 YOU GET THE MONEY? 205 00:07:20,039 --> 00:07:20,673 WHAT? 206 00:07:20,673 --> 00:07:22,241 THE MONEY FROM ISABELLA. 207 00:07:22,241 --> 00:07:25,311 NO, I DIDN'T GET THE MONEY. 208 00:07:25,311 --> 00:07:27,847 WHAT DO I TELL YOU, JOEY? 209 00:07:27,847 --> 00:07:29,949 GET THE MONEY FIRST. 210 00:07:29,949 --> 00:07:30,683 JESUS CHRIST. 211 00:07:30,683 --> 00:07:31,984 YOU MIND ME ASKING YOU ONE THING? 212 00:07:31,984 --> 00:07:34,720 HOW AM I SUPPOSED TO DO THAT? 213 00:07:34,720 --> 00:07:37,089 YOU GOT TO GET THE MONEY FIRST. 214 00:07:37,089 --> 00:07:42,128 YOU'RE GOING TO GIVE YOURSELF A FUCKING HEART ATTACK. 215 00:07:42,128 --> 00:07:43,062 THAT'S RIGHT. 216 00:07:43,062 --> 00:07:45,164 YOU SAY IT AFTER ME. 217 00:07:45,164 --> 00:07:45,965 THAT'S RIGHT. 218 00:07:45,965 --> 00:07:47,233 I DIDN'T WEAR ANY PANTIES. 219 00:07:47,233 --> 00:07:49,402 OH, COME ON. YOU CAN TELL ME MORE. 220 00:07:49,402 --> 00:07:52,071 WHAT THE HELL IS THIS CRAP? 221 00:07:52,071 --> 00:07:53,806 DON'T START WITH ME. 222 00:07:53,806 --> 00:07:54,807 SOUNDS DELICIOUS. 223 00:07:54,807 --> 00:07:57,043 YOU LOVE THAT, DON'T YOU? 224 00:07:57,043 --> 00:07:59,011 COME ON, BABY. 225 00:07:59,011 --> 00:08:01,013 WHAT THE HELL ARE YOU DOING? 226 00:08:01,013 --> 00:08:01,914 CHRIST ALMIGHTY. 227 00:08:01,914 --> 00:08:04,083 DO IT AGAIN, BABY. 228 00:08:04,083 --> 00:08:05,651 JOEY... 229 00:08:06,085 --> 00:08:06,986 THAT'S RIGHT. 230 00:08:06,986 --> 00:08:09,055 HOW ARE WE DOING HERE? 231 00:08:09,055 --> 00:08:11,958 HARDER, BABY. 232 00:08:11,958 --> 00:08:12,758 OHH. 233 00:08:12,758 --> 00:08:14,827 OH, IT'S TOO BIG. 234 00:08:14,827 --> 00:08:15,795 OH, BABY. 235 00:08:15,795 --> 00:08:17,230 [MOANING] 236 00:08:17,230 --> 00:08:18,898 IT'S TOO BIG. 237 00:08:18,898 --> 00:08:20,266 OH, IT HURTS. 238 00:08:20,266 --> 00:08:22,068 OH, OH, BABY. 239 00:08:22,068 --> 00:08:23,402 JOEY. 240 00:08:31,844 --> 00:08:33,746 HEY, WHAT'S UP? 241 00:08:33,746 --> 00:08:35,848 ARE YOU CHEATING ME? 242 00:08:36,449 --> 00:08:38,017 WHAT? 243 00:08:38,284 --> 00:08:40,453 ARE YOU CHEATING ME? 244 00:08:40,453 --> 00:08:41,487 'CAUSE IF YOU'RE CHEATING ME, 245 00:08:41,487 --> 00:08:44,190 THAT WOULD HURT ME... VERY BAD. 246 00:08:44,190 --> 00:08:46,893 I MEAN, CONSIDERING OUR RELATIONSHIP, 247 00:08:46,893 --> 00:08:47,960 CONSIDERING THAT I'M THE GUY 248 00:08:47,960 --> 00:08:50,997 THAT'S GOING TO STRAIGHTEN OUT THIS MESS WITH HARVEY. 249 00:08:50,997 --> 00:08:52,064 YOU REMEMBER HARVEY. 250 00:08:52,064 --> 00:08:56,202 HE THINKS YOU WENT TO THE COPS AND SENT HIM AWAY. 251 00:08:56,202 --> 00:08:58,237 YOU KNOW I HAD NOTHING TO DO WITH THAT. 252 00:08:58,237 --> 00:09:02,241 WHAT'S THIS CHEATING? I WOULDN'T RIP YOU OFF. 253 00:09:02,241 --> 00:09:03,376 I KNOW. 254 00:09:03,376 --> 00:09:06,979 AND I'M SURE YOU APPRECIATE EVERYTHING I'VE DONE FOR YOU. 255 00:09:06,979 --> 00:09:08,781 I POLISHED YOU LIKE A DIAMOND 256 00:09:08,781 --> 00:09:13,152 SO YOU COULD SPARKLE FOR ALL THOSE RICH BITCHES ON PARK AVENUE. 257 00:09:13,853 --> 00:09:16,622 LOOK, I APPRECIATE WHAT YOU'VE DONE, O.K.? 258 00:09:16,622 --> 00:09:19,325 IT WON'T HAPPEN AGAIN. YOU WERE RIGHT. I'M WRONG. 259 00:09:19,325 --> 00:09:22,295 IT WON'T HAPPEN AGAIN. I PROMISE. 260 00:09:24,830 --> 00:09:26,499 ALL RIGHT. 261 00:09:26,499 --> 00:09:27,800 HEY. 262 00:09:27,800 --> 00:09:29,869 I'M JUST CHECKING. 263 00:09:30,736 --> 00:09:32,138 ALL RIGHT. 264 00:09:34,040 --> 00:09:35,808 SO WHAT'S UP FOR TONIGHT? 265 00:09:35,808 --> 00:09:38,277 YOU GOT SOMETHING FOR ME? 266 00:09:46,485 --> 00:09:49,255 IT'S A GOOD SPACE. IT FEELS GOOD, DOESN'T IT? 267 00:09:49,255 --> 00:09:50,656 YES, IT FEELS GREAT. 268 00:09:50,656 --> 00:09:52,091 IT REMINDS ME OF THAT MOVIE, 269 00:09:52,091 --> 00:09:56,262 THAT MOVIE WITH THE PUERTO RICAN GIRL AND THE INDUSTRIALIST, 270 00:09:56,262 --> 00:09:57,964 OFF-THE-SHOULDER SWEATSHIRT. 271 00:09:57,964 --> 00:09:59,065 WHAT WAS THAT? 272 00:09:59,065 --> 00:10:00,066 FLASHDANCE. 273 00:10:00,066 --> 00:10:03,169 YOU KNOW, ELLEN, IT'S VERY ARCHITECTURAL. 274 00:10:03,169 --> 00:10:04,136 YOU HATE IT. 275 00:10:04,136 --> 00:10:05,972 I DON'T HATE IT. 276 00:10:05,972 --> 00:10:06,539 IT'S O.K. 277 00:10:06,539 --> 00:10:09,008 IT'S NOT WEST PORT, BUT WHAT IS? 278 00:10:09,008 --> 00:10:09,809 [TELEPHONE RINGS] 279 00:10:09,809 --> 00:10:10,443 DON'T BE NASTY. 280 00:10:10,443 --> 00:10:12,979 YOU JUST SOUNDED LIKE MOM WHEN YOU SAID THAT. 281 00:10:12,979 --> 00:10:17,216 "GIRLS, GOOD MANNERS ARE THE BACKBONE OF SOCIETY." 282 00:10:17,216 --> 00:10:18,217 [BEEP] 283 00:10:18,217 --> 00:10:20,052 [CONNIE] ELLEN? 284 00:10:20,052 --> 00:10:22,121 ELLEN, ARE YOU THERE? 285 00:10:22,121 --> 00:10:23,656 THIS IS SO WEIRD. 286 00:10:23,656 --> 00:10:26,058 HONEY, PLEASE PICK UP. 287 00:10:26,058 --> 00:10:29,261 I NEED TO TALK TO YOU, O.K.? 288 00:10:29,261 --> 00:10:30,930 I LOVE YOU. 289 00:10:30,930 --> 00:10:32,398 [BEEP] 290 00:10:32,398 --> 00:10:33,933 I JUST THINK IT'S BETTER 291 00:10:33,933 --> 00:10:36,068 IF WE DON'T TALK FOR A WHILE. 292 00:10:36,068 --> 00:10:36,936 GOOD IDEA. 293 00:10:36,936 --> 00:10:38,037 DOES THIS NEED LIGHT? 294 00:10:38,037 --> 00:10:40,006 I CAN NEVER REMEMBER IF IT'S... 295 00:10:40,006 --> 00:10:42,408 A LOT OF LIGHT AND A LITTLE WATER 296 00:10:42,408 --> 00:10:45,111 OR A LITTLE LIGHT AND A LOT OF WATER. 297 00:10:45,111 --> 00:10:46,445 EITHER WAY, I'LL KILL IT. 298 00:10:46,445 --> 00:10:50,016 WE'VE NEVER REALLY TALKED ABOUT THIS BEFORE, BUT-- 299 00:10:50,016 --> 00:10:52,985 I REALLY APPRECIATE EVERYTHING, BUT I'M FINE. 300 00:10:52,985 --> 00:10:55,588 WELL, NOT FINE, BUT I'M HERE. 301 00:10:55,588 --> 00:10:57,356 I'M ABOUT TO HUMILIATE MYSELF 302 00:10:57,356 --> 00:11:00,426 IN FRONT OF A CLASS FULL OF ENGLISH MAJORS, 303 00:11:00,426 --> 00:11:03,095 BUT I'M...I'M MOVING FORWARD, RIGHT? 304 00:11:03,095 --> 00:11:05,131 ELLEN, I CARE ABOUT YOU. 305 00:11:05,131 --> 00:11:05,965 I'M YOUR SISTER. 306 00:11:05,965 --> 00:11:09,468 I'M NOT JUST SOME BITCH FROM CONNECTICUT. 307 00:11:09,468 --> 00:11:11,070 I LOVE YOU. 308 00:11:11,070 --> 00:11:11,637 I KNOW. 309 00:11:11,637 --> 00:11:14,940 I UNDERSTAND ABOUT THIS HOMOSEXUAL-- 310 00:11:14,940 --> 00:11:15,908 BISEXUAL-- 311 00:11:15,908 --> 00:11:16,509 WHATEVER THING. 312 00:11:16,509 --> 00:11:18,344 NO, YOU DON'T UNDERSTAND. 313 00:11:18,344 --> 00:11:19,412 YES, I DO. 314 00:11:19,412 --> 00:11:21,380 I WASN'T WITH CONNIE BECAUSE... 315 00:11:21,380 --> 00:11:25,418 IT'S NOT LIKE I WAS TRYING A NEW PERM OR SOMETHING. 316 00:11:25,418 --> 00:11:27,586 SHE TOOK ADVANTAGE OF YOU. 317 00:11:27,586 --> 00:11:28,421 YOU WERE WEAK. 318 00:11:28,421 --> 00:11:30,156 YOU WERE AN EMOTIONAL MESS. 319 00:11:30,156 --> 00:11:31,390 I REMEMBER. I WAS THERE. 320 00:11:31,390 --> 00:11:34,593 CONNIE JUST SWOOPED IN AND TOOK CONTROL. 321 00:11:34,593 --> 00:11:36,295 THAT IS BULLSHIT, O.K.? 322 00:11:36,295 --> 00:11:39,298 CONNIE LOVED ME, AND I LOVED HER. 323 00:11:39,298 --> 00:11:40,032 GET IT? 324 00:11:40,032 --> 00:11:42,935 CONNIE HELPED ME, ALLISON. 325 00:11:42,935 --> 00:11:44,170 SHE... 326 00:11:44,170 --> 00:11:46,205 LOOK, LET'S JUST FORGET IT, O.K.? 327 00:11:46,205 --> 00:11:46,672 I DON'T-- 328 00:11:46,672 --> 00:11:51,911 LET'S NOT TALK ABOUT WHAT YOU DON'T UNDERSTAND. 329 00:11:53,212 --> 00:11:54,313 O.K. 330 00:11:54,313 --> 00:11:55,981 I'M SORRY. 331 00:11:55,981 --> 00:11:56,415 BESIDES, 332 00:11:56,415 --> 00:11:58,050 I DECIDED NO DATING, 333 00:11:58,050 --> 00:12:00,086 NO MORE RELATIONSHIPS, 334 00:12:00,086 --> 00:12:01,454 NOTHING. 335 00:12:03,255 --> 00:12:05,624 [SIREN] 336 00:12:08,094 --> 00:12:09,595 IT'LL BE FUN. 337 00:12:09,595 --> 00:12:10,329 NO. 338 00:12:10,329 --> 00:12:11,497 NO, IT WON'T BE FUN. 339 00:12:11,497 --> 00:12:14,366 IT'LL BE THE COMPLETE OPPOSITE OF FUN. 340 00:12:14,366 --> 00:12:16,335 IT'LL BE A LIVING HELL. 341 00:12:16,335 --> 00:12:18,404 IT'S JUST A WEDDING. 342 00:12:18,404 --> 00:12:20,106 LORENZO, PLEASE. 343 00:12:20,106 --> 00:12:21,540 MY YOUNGER SISTER'S GETTING MARRIED 344 00:12:21,540 --> 00:12:23,442 IN FRONT OF HALF OF KRAKOW. 345 00:12:23,442 --> 00:12:25,277 YOU EVER BEEN TO A POLISH WEDDING? 346 00:12:25,277 --> 00:12:26,679 I'VE BEEN TO BAPTIST WEDDINGS. 347 00:12:26,679 --> 00:12:28,748 FAMILY IS WEIRD SHIT, YOU KNOW? 348 00:12:28,748 --> 00:12:32,184 BUT YOU SURVIVE IT. THAT'S THE THING ABOUT FAMILY. 349 00:12:32,184 --> 00:12:33,185 THEY'RE EXPECTING-- 350 00:12:33,185 --> 00:12:35,121 I PROMISED THEM SOMETHING. 351 00:12:35,121 --> 00:12:35,654 OH, WHAT? 352 00:12:35,654 --> 00:12:39,458 THE WHOLE FAMILY'S GOING TO BE THERE, SO I--I... 353 00:12:39,458 --> 00:12:42,428 I TOLD THEM I WAS GOING TO BRING MY FIANCE. 354 00:12:42,428 --> 00:12:44,196 IT WAS TO BE MY MOMENT. 355 00:12:44,196 --> 00:12:45,231 I WAS GOING TO COME OUT. 356 00:12:45,231 --> 00:12:50,970 I WAS TO SAY, "THIS IS THE GIRL I'M IN LOVE WITH." 357 00:12:50,970 --> 00:12:51,470 OPEN. 358 00:12:51,470 --> 00:12:55,007 I WANTED THEM TO SEE ME AND ELLEN TOGETHER. 359 00:12:55,007 --> 00:12:56,575 I CAN'T DO THIS ALONE. 360 00:12:56,575 --> 00:12:58,177 THEY DON'T KNOW ABOUT YOU? 361 00:12:58,177 --> 00:12:59,044 THEY'RE OLD-WORLD POLACKS. 362 00:12:59,044 --> 00:13:03,482 MY FATHER LOOKS AT ME AND SEES AN AGING NURSE WITHOUT HER DOCTOR. 363 00:13:03,482 --> 00:13:06,352 BLOW IT OFF. SAY YOU'RE SICK. 364 00:13:07,586 --> 00:13:10,489 MY...MY MOTHER IS SUCH A-- 365 00:13:10,489 --> 00:13:12,291 IF I WAS ON LIFE-SUPPORT, 366 00:13:12,291 --> 00:13:15,060 MY MOTHER WOULD RIP OUT THE I.V. 367 00:13:15,060 --> 00:13:17,696 AND DRAG ME TO THE CHURCH. 368 00:13:17,696 --> 00:13:18,464 HA HA HA. 369 00:13:18,464 --> 00:13:20,366 HEY. WHY DON'T YOU DO IT? 370 00:13:20,366 --> 00:13:24,603 YOUR FAMILY WOULD SHIT IF YOU BROUGHT HOME A BLACK MAN. 371 00:13:24,603 --> 00:13:27,039 DON'T YOU KNOW ANY OTHER GUYS? 372 00:13:27,039 --> 00:13:29,275 WHAT, LIKE NORMAL GUYS? 373 00:13:29,275 --> 00:13:30,209 I DON'T KNOW. 374 00:13:30,209 --> 00:13:31,177 HOW ABOUT, UH... 375 00:13:31,177 --> 00:13:32,711 WELL, THERE'S MR. GOODWRENCH. 376 00:13:32,711 --> 00:13:34,814 HOW ABOUT THE ALLSTATE AGENT? 377 00:13:34,814 --> 00:13:37,316 PERHAPS THE TIDYBOWL MAN. 378 00:13:38,117 --> 00:13:39,418 I KNOW. 379 00:13:39,418 --> 00:13:40,252 WAIT. 380 00:13:40,252 --> 00:13:42,621 WHY DON'T YOU RENT A GUY? 381 00:13:42,621 --> 00:13:45,391 HIRE A MALE ESCORT. 382 00:13:46,592 --> 00:13:48,093 HEY. 383 00:14:11,250 --> 00:14:12,351 HOW ARE YA? 384 00:14:12,351 --> 00:14:13,719 I'M JOE CASELLA. 385 00:14:13,719 --> 00:14:15,154 I'M CONNIE. 386 00:14:15,154 --> 00:14:18,724 I'LL BE WITH YOU IN A SEC. 387 00:14:24,830 --> 00:14:27,132 NICE PLACE YOU GOT HERE. 388 00:14:27,132 --> 00:14:28,500 THANKS. 389 00:14:46,785 --> 00:14:48,320 YOU LOOK GREAT. 390 00:14:48,320 --> 00:14:49,521 YEAH? 391 00:14:50,322 --> 00:14:50,856 YEAH. 392 00:14:50,856 --> 00:14:53,659 I LIKE THE, UH... THE LEATHER. 393 00:14:53,659 --> 00:14:55,227 LOOKS GOOD? 394 00:14:58,364 --> 00:15:00,499 I DON'T THINK SO. 395 00:15:01,166 --> 00:15:02,201 OH, YEAH. 396 00:15:02,201 --> 00:15:03,569 UM... 397 00:15:03,569 --> 00:15:04,570 BEFORE I FORGET, UH... 398 00:15:04,570 --> 00:15:07,373 THERE'S A LITTLE FINANCIAL MATTER WE NEED TO DISCUSS. 399 00:15:07,373 --> 00:15:10,876 YOU KNOW, I DON'T MEAN TO RUSH YOU, BUT... 400 00:15:10,876 --> 00:15:13,712 I GOT TO GET PAID UP-FRONT. 401 00:15:13,712 --> 00:15:14,647 YEAH? 402 00:15:14,647 --> 00:15:15,848 YOU KNOW, 403 00:15:15,848 --> 00:15:17,683 BEFORE. 404 00:15:17,683 --> 00:15:19,385 OHH. 405 00:15:20,519 --> 00:15:22,588 BEFORE WHAT? 406 00:15:22,588 --> 00:15:24,323 AHEM. 407 00:15:24,323 --> 00:15:26,392 WHATEVER YOU LIKE. 408 00:15:30,462 --> 00:15:32,765 YEAH, RIGHT. 409 00:15:33,432 --> 00:15:36,635 COULD YOU TAKE MY KEYS? 410 00:15:40,406 --> 00:15:44,610 [SINGING IN LATIN] 411 00:15:53,819 --> 00:15:56,588 [SPEAKING POLISH] 412 00:16:08,500 --> 00:16:10,202 Don't say a word, 413 00:16:10,202 --> 00:16:12,171 especially to my mother. 414 00:16:12,171 --> 00:16:15,774 Just do what I tell you and follow my lead. 415 00:16:15,774 --> 00:16:17,276 Got it? 416 00:16:17,810 --> 00:16:19,378 Got it. 417 00:16:21,714 --> 00:16:24,316 [SPEAKING POLISH] 418 00:16:32,458 --> 00:16:34,793 Who is she with? 419 00:16:47,740 --> 00:16:49,308 Weirdo. 420 00:16:50,376 --> 00:16:51,510 From high school. 421 00:16:51,510 --> 00:16:53,245 The high school weirdo. 422 00:16:53,245 --> 00:16:55,314 He gives me the creeps. 423 00:16:55,314 --> 00:16:57,783 [SPEAKING POLISH] 424 00:17:22,408 --> 00:17:25,277 YOU HAVE A LOVELY FAMILY. THANKS FOR HAVING ME. 425 00:17:25,277 --> 00:17:26,879 YOU'RE MISSING THE BEST PART. 426 00:17:26,879 --> 00:17:27,713 THE RECEPTION. 427 00:17:27,713 --> 00:17:29,982 I NEED THE BRIDESMAIDS A LITTLE CLOSER. 428 00:17:29,982 --> 00:17:30,716 A LITTLE CLOSER. 429 00:17:30,716 --> 00:17:34,019 HEY, FELLAS, THIS IS NOT THE TIME TO SMOKE. 430 00:17:34,019 --> 00:17:37,523 OH, YOU'RE TAKING A PICTURE? 431 00:17:37,790 --> 00:17:41,693 JOE, MY MAMA WANTS YOU IN THE PICTURE. 432 00:17:41,693 --> 00:17:42,861 OH, YOU WANT ME-- 433 00:17:42,861 --> 00:17:45,397 YOU WANT ME IN THE PHOTOGRAPH? 434 00:17:45,397 --> 00:17:46,231 [SPEAKING POLISH] 435 00:17:46,231 --> 00:17:47,499 I WANT YOU FOR PHOTOGRAPH. 436 00:17:47,499 --> 00:17:49,401 WHERE DID YOU MEET HIM? 437 00:17:49,401 --> 00:17:51,570 WHAT DIFFERENCE DOES IT MAKE? 438 00:17:51,570 --> 00:17:53,305 WE MET AT A MUSEUM. 439 00:17:53,305 --> 00:17:53,705 OH. 440 00:17:53,705 --> 00:17:57,309 WHEN I TURNED AND SAW YOUR BEAUTIFUL DAUGHTER STANDING THERE... 441 00:17:57,309 --> 00:17:59,912 WHEN SHE TOLD ME SHE WAS POLISH, FORGET IT. 442 00:17:59,912 --> 00:18:01,814 IT WAS LOVE AT FIRST SIGHT. 443 00:18:01,814 --> 00:18:03,615 I'M PART POLISH, TOO. 444 00:18:03,615 --> 00:18:04,683 YOU POLISH? 445 00:18:04,683 --> 00:18:06,385 OH, YOU DIDN'T KNOW? 446 00:18:06,385 --> 00:18:07,586 W-W-WAIT A SEC. 447 00:18:07,586 --> 00:18:10,823 CONNIE, TOO BAD YOU BROUGHT MR. ATTITUDE WITH YOU. 448 00:18:10,823 --> 00:18:12,591 I MEAN, YOU AND ME, 449 00:18:12,591 --> 00:18:14,126 WE COULD'VE HAD SOME FUN. 450 00:18:14,126 --> 00:18:16,361 WHAT IS THAT? "I'M PART POLISH." 451 00:18:16,361 --> 00:18:18,530 WHAT IS THAT, YOU KNOW? 452 00:18:18,530 --> 00:18:21,233 GET YOUR HANDS OFF ME. 453 00:18:21,967 --> 00:18:22,801 HEY. 454 00:18:22,801 --> 00:18:23,635 WHAT? 455 00:18:23,635 --> 00:18:25,404 WE GOT A PROBLEM HERE? 456 00:18:25,404 --> 00:18:26,338 EXCUSE ME? 457 00:18:26,338 --> 00:18:27,106 NO PROBLEM. 458 00:18:27,106 --> 00:18:30,409 SAY YOU'RE SORRY. 459 00:18:30,409 --> 00:18:31,076 I'M SORRY. 460 00:18:31,076 --> 00:18:33,278 PADRE, CAN WE GET A SMILE? 461 00:18:33,278 --> 00:18:34,713 IT'S A HAPPY OCCASION. 462 00:18:34,713 --> 00:18:36,048 O.K., I'M GOING. 463 00:18:36,048 --> 00:18:36,782 GET OVER HERE. 464 00:18:36,782 --> 00:18:37,749 WE'RE TAKING A PICTURE. 465 00:18:37,749 --> 00:18:40,886 EVERYONE, LOOK THIS WAY. 466 00:18:40,886 --> 00:18:41,954 THIS WAY. 467 00:18:41,954 --> 00:18:43,689 1...2... 468 00:18:43,689 --> 00:18:44,523 3. 469 00:18:44,523 --> 00:18:45,491 NICE. 470 00:18:45,491 --> 00:18:46,458 VERY NICE. 471 00:18:46,458 --> 00:18:47,326 THANK YOU. 472 00:18:47,326 --> 00:18:48,794 ♪ GIRL, GIRL, GIRL ♪ 473 00:18:48,794 --> 00:18:51,029 ♪ YOU GOTTA MAKE UP YOUR MIND ♪ 474 00:18:51,029 --> 00:18:52,631 ♪ MAKE UP YOUR MIND ♪ 475 00:18:52,631 --> 00:18:55,400 ♪ GIRL, GIRL, GIRL ♪ 476 00:18:55,400 --> 00:18:57,536 ♪ YOU GOTTA MAKE UP YOUR MIND ♪ 477 00:18:57,536 --> 00:18:59,138 ♪ MAKE UP YOUR MIND ♪ 478 00:18:59,138 --> 00:19:00,706 ♪ GIRL, GIRL ♪ 479 00:19:00,706 --> 00:19:01,507 ♪ GIRL ♪ 480 00:19:01,507 --> 00:19:03,542 ♪ YOU GOTTA MAKE UP YOUR MIND ♪ 481 00:19:03,542 --> 00:19:05,477 ♪ MAKE UP YOUR MIND ♪ 482 00:19:05,477 --> 00:19:08,647 ♪ AHH ♪ 483 00:19:08,647 --> 00:19:09,948 ♪ AHH... ♪ 484 00:19:09,948 --> 00:19:11,917 [TELEPHONE RINGS] 485 00:19:11,917 --> 00:19:12,951 HI. IT'S ELLEN. 486 00:19:12,951 --> 00:19:15,787 PLEASE LEAVE A MESSAGE, AND I'LL RETURN THE CALL. 487 00:19:15,787 --> 00:19:17,789 THANKS. 488 00:19:22,127 --> 00:19:24,796 [SINGING IN POLISH] 489 00:19:37,776 --> 00:19:40,646 [SPEAKING POLISH] 490 00:19:45,717 --> 00:19:47,486 HEY. 491 00:19:55,761 --> 00:19:57,863 [SPEAKING POLISH] 492 00:19:57,863 --> 00:20:00,032 PLAY THE SAMBA FOR ME. 493 00:20:00,032 --> 00:20:02,734 [SPEAKING POLISH] 494 00:20:07,472 --> 00:20:10,475 [SINGING IN PORTUGUESE] 495 00:20:37,636 --> 00:20:40,906 [SPEAKING POLISH] 496 00:21:00,859 --> 00:21:02,427 WHOO! 497 00:21:20,712 --> 00:21:23,081 CATCH IT! 498 00:21:32,124 --> 00:21:33,191 NO! 499 00:21:33,191 --> 00:21:35,961 [CHANTING IN POLISH] 500 00:21:43,535 --> 00:21:44,202 KISS HER! 501 00:21:44,202 --> 00:21:47,172 KISS HER! KISS HER! 502 00:21:47,172 --> 00:21:49,207 KISS HER! 503 00:21:52,010 --> 00:21:54,946 [CHANTING IN POLISH] 504 00:22:18,170 --> 00:22:20,639 [SINGING] 505 00:22:26,778 --> 00:22:31,683 ♪ AH, BUT MY HEART BELONGS TO SOMEONE ELSE ♪ 506 00:22:31,683 --> 00:22:35,721 ♪ HOW COULD I BE SO BOLD... ♪ 507 00:22:38,690 --> 00:22:41,059 THAT WAS SOME KISS. 508 00:22:43,228 --> 00:22:44,763 YEAH, WELL, WE, UH... 509 00:22:44,763 --> 00:22:48,834 STILL GOT A COUPLE HOURS LEFT. 510 00:22:48,834 --> 00:22:51,570 ANYTHING ELSE YOU MIGHT WANT TO DO? 511 00:22:51,570 --> 00:22:52,838 I DON'T KNOW. 512 00:22:52,838 --> 00:22:56,108 WHAT DO YOU HAVE IN MIND? 513 00:22:56,108 --> 00:22:58,009 ANYTHING YOU WANT. 514 00:22:58,009 --> 00:23:01,713 HOW DO YOU FEEL ABOUT TWO WOMEN? 515 00:23:01,713 --> 00:23:02,314 SOUNDS GREAT. 516 00:23:02,314 --> 00:23:03,915 THE MORE THE MERRIER. 517 00:23:03,915 --> 00:23:05,984 SURE YOU CAN HANDLE IT? 518 00:23:05,984 --> 00:23:09,654 THERE'S ONLY ONE WAY TO FIND OUT. 519 00:23:10,922 --> 00:23:15,694 I DIDN'T HIRE YOU FOR THE REASONS YOU THINK. 520 00:23:16,962 --> 00:23:17,629 OHH. 521 00:23:17,629 --> 00:23:20,632 SO WHAT'D YOU HIRE ME FOR THEN, HUH? 522 00:23:20,632 --> 00:23:23,735 BECAUSE MY GIRLFRIEND DUMPED ME. 523 00:23:33,712 --> 00:23:36,114 [HORN HONKS] 524 00:23:37,716 --> 00:23:40,719 IT'S RIGHT UP HERE ON THE CORNER. 525 00:23:45,791 --> 00:23:46,892 HEY, THANKS. 526 00:23:46,892 --> 00:23:48,794 I HAD A GREAT TIME. 527 00:23:48,794 --> 00:23:49,728 YOU SURE I, UH... 528 00:23:49,728 --> 00:23:52,230 CAN'T CONVINCE YOU TO COME UPSTAIRS? 529 00:23:52,230 --> 00:23:54,766 GET OUT OF HERE. 530 00:23:56,835 --> 00:23:59,604 IT WAS NICE MEETING YOU. I'LL SEE YOU AROUND. 531 00:23:59,604 --> 00:24:01,139 O.K. 532 00:24:01,139 --> 00:24:02,774 ALL RIGHT. 533 00:24:02,774 --> 00:24:04,242 I'LL SEE YA. 534 00:24:04,242 --> 00:24:05,744 BYE. 535 00:24:11,750 --> 00:24:13,652 OH, SHIT. MY KEYS. 536 00:24:13,652 --> 00:24:15,153 J-JUST WAIT. 537 00:24:15,153 --> 00:24:17,389 KEEP THE METER RUNNING, O.K.? 538 00:24:17,389 --> 00:24:19,324 SHIT. 539 00:24:31,303 --> 00:24:33,271 JOE. 540 00:24:33,839 --> 00:24:36,641 JOE, YOU HAVE MY KEYS. 541 00:24:37,642 --> 00:24:38,944 JOE. 542 00:24:40,946 --> 00:24:43,748 OH, MY. 543 00:25:19,851 --> 00:25:22,787 OH, MY GOD. 544 00:25:32,464 --> 00:25:35,834 YOU SHOULD CALL THE POLICE. 545 00:25:37,002 --> 00:25:39,004 NO, NO. NO COPS. 546 00:25:49,481 --> 00:25:51,116 THEY CUT THE LINES. 547 00:25:51,116 --> 00:25:54,452 L-LET'S GET OUT OF HERE, O.K.? 548 00:25:54,452 --> 00:25:57,489 YOU CAN COME TO MY PLACE AND USE THE PHONE. 549 00:25:57,489 --> 00:26:00,225 IT'S O.K. COME ON. 550 00:26:11,436 --> 00:26:13,405 WHAT'S THIS, THE HAMPTONS? 551 00:26:13,405 --> 00:26:15,006 JERSEY SHORE. 552 00:26:15,006 --> 00:26:16,374 CAPE MAY. 553 00:26:17,776 --> 00:26:18,977 IS THAT YOU? 554 00:26:18,977 --> 00:26:20,378 YEAH. WHY? 555 00:26:20,378 --> 00:26:23,815 'CAUSE IT LOOKS A LITTLE LIKE AXL ROSE. 556 00:26:23,815 --> 00:26:25,417 THANKS. 557 00:26:26,384 --> 00:26:29,387 THAT WAS UP IN THE CATSKILLS. 558 00:26:29,955 --> 00:26:33,425 SHE LOOKS LIKE A MOVIE STAR, DOESN'T SHE? 559 00:26:33,425 --> 00:26:35,827 LIKE VIVIEN LEIGH. 560 00:26:35,827 --> 00:26:37,395 AUDREY HEPBURN. 561 00:26:39,464 --> 00:26:40,966 SHIT. 562 00:26:40,966 --> 00:26:44,302 I'M NOT GOING TO GET THROUGH THIS. 563 00:26:44,302 --> 00:26:47,272 I'M NOT GOING TO BE ABLE TO. 564 00:26:47,272 --> 00:26:50,508 I CAN'T IMAGINE MY LIFE WITHOUT HER. 565 00:26:50,508 --> 00:26:53,178 HEY, HEY, HEY. 566 00:26:53,178 --> 00:26:54,279 IT'S ALL RIGHT. 567 00:26:54,279 --> 00:26:55,480 SHE'S GOING TO COME BACK. 568 00:26:55,480 --> 00:26:57,315 SHE'S GOING TO COME RUNNING BACK. 569 00:26:57,315 --> 00:27:00,352 HOW THE HELL DO YOU KNOW? 570 00:27:02,454 --> 00:27:03,555 I DON'T, BUT, YOU KNOW, 571 00:27:03,555 --> 00:27:05,423 SHE'S--SHE'S ON THE REBOUND, 572 00:27:05,423 --> 00:27:06,858 SHE'S VULNERABLE, SO... 573 00:27:06,858 --> 00:27:10,128 ANY ASSHOLE THAT'S NICE TO HER GETS HER? 574 00:27:10,128 --> 00:27:12,163 NO, BUT... 575 00:27:12,530 --> 00:27:14,833 LOOK, DON'T GET MAD, BUT... 576 00:27:14,833 --> 00:27:19,304 YOU KNOW, IS SHE... SHE ONLY INTO GIRLS, OR WHAT? 577 00:27:19,304 --> 00:27:20,505 GIRLS? 578 00:27:20,505 --> 00:27:23,208 LADIES, WOMEN. 579 00:27:23,208 --> 00:27:24,909 WELL...NO. 580 00:27:24,909 --> 00:27:27,545 SHE HAD A BOYFRIEND BEFORE ME. 581 00:27:27,545 --> 00:27:28,413 BINGO. 582 00:27:28,413 --> 00:27:30,415 PERFECT. I MEAN... WHO KNOWS? 583 00:27:30,415 --> 00:27:32,017 MAYBE SHE'LL TRY A GUY. 584 00:27:32,017 --> 00:27:33,318 SINCE MOST GUYS ARE ASSHOLES, 585 00:27:33,318 --> 00:27:34,252 IT'S ONLY A MATTER OF TIME 586 00:27:34,252 --> 00:27:35,854 BEFORE ONE OF THEM FUCKS HER OVER, 587 00:27:35,854 --> 00:27:40,058 SO SHE'LL BE BACK IN YOUR ARMS SOON. 588 00:27:40,058 --> 00:27:42,494 [TELEPHONE RINGS] 589 00:27:43,028 --> 00:27:43,895 HOW DO YOU KNOW? 590 00:27:43,895 --> 00:27:46,531 'CAUSE IT'S MY JOB. I KNOW WOMEN. 591 00:27:46,531 --> 00:27:48,233 [RING] 592 00:27:48,233 --> 00:27:49,134 HELLO. 593 00:27:49,134 --> 00:27:49,968 JOEY THERE? 594 00:27:49,968 --> 00:27:51,136 YEAH. HE'S RIGHT HERE. 595 00:27:51,136 --> 00:27:52,437 PUT HIM ON. JOEY. 596 00:27:52,437 --> 00:27:54,873 HEY, MICK. YOU GOT THE MESSAGE. 597 00:27:54,873 --> 00:27:55,607 I GOT THE MESSAGE. 598 00:27:55,607 --> 00:27:57,475 I'LL BET YOU ANYTHING HARVEY DID THIS. 599 00:27:57,475 --> 00:27:59,044 OF COURSE IT WAS HARVEY. 600 00:27:59,044 --> 00:28:00,478 ALL RIGHT, WAIT. WHERE ARE YOU? 601 00:28:00,478 --> 00:28:03,014 TALK TO THIS GUY. HE'S A FUCKING PSYCHO. 602 00:28:03,014 --> 00:28:06,184 I'LL TAKE CARE OF IT. WHERE ARE YOU? 603 00:28:06,184 --> 00:28:07,218 I DON'T KNOW. 604 00:28:07,218 --> 00:28:08,653 YOU CAN STAY WITH ME. 605 00:28:08,653 --> 00:28:10,522 IF I COME TO YOUR PLACE, 606 00:28:10,522 --> 00:28:13,258 HE'LL BE WAITING WITH A BLOWTORCH. 607 00:28:13,258 --> 00:28:14,359 WHERE WILL YOU STAY? 608 00:28:14,359 --> 00:28:16,394 I DON'T KNOW. HOTEL, I GUESS. 609 00:28:16,394 --> 00:28:17,629 NO. COME TO MY HOUSE. 610 00:28:17,629 --> 00:28:19,564 STAY HERE. STAY HERE TONIGHT. 611 00:28:19,564 --> 00:28:23,601 JOEY, YOU COME TO MY--HELLO! 612 00:28:23,601 --> 00:28:24,569 JOE! 613 00:28:24,569 --> 00:28:25,737 HEY, MICK, 614 00:28:25,737 --> 00:28:28,339 I'M GOING TO STAY HERE TONIGHT. 615 00:28:28,339 --> 00:28:30,141 WHERE'S HERE? 616 00:28:30,141 --> 00:28:31,342 A GIRL--A FRIEND. 617 00:28:31,342 --> 00:28:32,610 SHE A CLIENT? 618 00:28:32,610 --> 00:28:33,278 A FRIEND. 619 00:28:33,278 --> 00:28:34,946 SHE'D BETTER NOT BE A CLIENT. 620 00:28:34,946 --> 00:28:36,614 YOU GOT THE NUMBER? 621 00:28:36,614 --> 00:28:38,416 TAKE CARE OF THIS FOR ME. CALL HIM. 622 00:28:38,416 --> 00:28:40,418 YEAH. DON'T GO OUT. 623 00:28:40,418 --> 00:28:42,020 TALK TO YOU TOMORROW. 624 00:28:42,020 --> 00:28:43,855 LATER. 625 00:28:44,456 --> 00:28:45,256 THANKS. 626 00:28:45,256 --> 00:28:48,326 YOU KNOW, IT'S ONLY FOR A DAY OR TWO, 627 00:28:48,326 --> 00:28:50,361 TOPS. 628 00:28:51,529 --> 00:28:52,430 WHAT? 629 00:28:52,430 --> 00:28:54,466 YOU COULD DO IT, JOE. 630 00:28:54,466 --> 00:28:55,233 EXCUSE ME? 631 00:28:55,233 --> 00:28:57,368 YOU GET ELLEN BACK FOR ME. 632 00:28:57,368 --> 00:28:58,970 WHAT ARE YOU TALKING ABOUT? 633 00:28:58,970 --> 00:29:00,371 ARE YOU GOOD WITH WOMEN? 634 00:29:00,371 --> 00:29:02,474 ARE YOU GOOD WITH YOUR JOB? 635 00:29:02,474 --> 00:29:03,141 YEAH. 636 00:29:03,141 --> 00:29:04,309 YOU CAN BREAK HER HEART 637 00:29:04,309 --> 00:29:07,879 AND SEND HER RUNNING BACK TO ME. 638 00:29:09,314 --> 00:29:13,251 LOOK, I'M GOING TO STAY HERE ON THE COUCH, O.K.? 639 00:29:13,251 --> 00:29:15,420 NO, JOE, LOOK, IT'LL WORK. 640 00:29:15,420 --> 00:29:16,621 I GOT NOTHING TO LOSE. 641 00:29:16,621 --> 00:29:18,456 YOU KNOW, SHE ALREADY LEFT ME. 642 00:29:18,456 --> 00:29:21,359 JUST GO M--SEE HER. UH, MEET WITH HER. 643 00:29:21,359 --> 00:29:23,261 YOU CAN SIT IN HER CLASS. 644 00:29:23,261 --> 00:29:25,597 ALL RIGHT, ALL RIGHT, ALL RIGHT. 645 00:29:25,597 --> 00:29:26,664 O.K. 646 00:29:26,664 --> 00:29:30,101 I'LL SLEEP ON IT, ALL RIGHT? 647 00:29:30,101 --> 00:29:30,602 GREAT! 648 00:29:30,602 --> 00:29:32,370 UH, GREAT. I MEAN, SLEEP ON IT. 649 00:29:32,370 --> 00:29:33,738 THAT'LL--THAT'S-- THAT'LL WORK. 650 00:29:33,738 --> 00:29:35,140 THAT'S-- THAT'S PERFECT. 651 00:29:35,140 --> 00:29:37,475 SO LET'S START WITH INSPIRATION. 652 00:29:37,475 --> 00:29:38,309 I'VE GOT SOMETHING 653 00:29:38,309 --> 00:29:39,644 I'D LIKE TO READ FOR YOU TODAY. 654 00:29:39,644 --> 00:29:40,845 IT'S FROM A NOVEL CALLED VICTORIA, 655 00:29:40,845 --> 00:29:44,649 WRITTEN BY NEWT HAMPSON AROUND THE TURN OF THE CENTURY. 656 00:29:44,649 --> 00:29:46,351 YOU MINIMALIST GUYS WILL THINK 657 00:29:46,351 --> 00:29:47,719 IT'S A LITTLE OVER THE TOP, 658 00:29:47,719 --> 00:29:49,387 BUT THAT'S THE POINT. 659 00:29:49,387 --> 00:29:51,456 IT'S A LOVE STORY, 660 00:29:51,456 --> 00:29:53,691 A TRAGIC LOVE STORY. 661 00:29:53,691 --> 00:29:56,628 THE BEST KIND, RIGHT? 662 00:29:58,696 --> 00:30:00,165 "DEAR JOHANN, 663 00:30:00,165 --> 00:30:04,102 WHEN YOU READ THIS LETTER, I SHALL BE DEAD." 664 00:30:12,043 --> 00:30:14,512 "EVERYTHING SEEMS SO STRANGE NOW. 665 00:30:14,512 --> 00:30:17,816 "I DON'T FEEL ASHAMED TO WRITE TO YOU ANYMORE, 666 00:30:17,816 --> 00:30:21,152 "AND I'M WRITING JUST AS IF NOTHING HAPPENED 667 00:30:21,152 --> 00:30:23,655 TO PREVENT IT." 668 00:30:29,561 --> 00:30:33,198 "BEFORE, WHEN I WAS FULLY ALIVE..." 669 00:30:33,198 --> 00:30:35,834 "I WOULD RATHER HAVE SUFFERED NIGHT AND DAY 670 00:30:35,834 --> 00:30:37,302 "THAN WRITTEN TO YOU AGAIN, 671 00:30:37,302 --> 00:30:39,270 "BUT NOW I'VE STARTED TO DIE, 672 00:30:39,270 --> 00:30:43,308 AND I DON'T THINK IN THAT WAY ANY LONGER." 673 00:30:44,142 --> 00:30:46,511 "STRANGERS HAVE SEEN ME BLEED. 674 00:30:46,511 --> 00:30:48,580 "FORGIVE ME FOR THE WRONG I'VE DONE YOU 675 00:30:48,580 --> 00:30:51,716 "AND FOR NEVER HAVING THROWN MYSELF AT YOUR FEET 676 00:30:51,716 --> 00:30:53,051 "AND BEGGED YOUR FORGIVENESS. 677 00:30:53,051 --> 00:30:56,387 "I DO SO NOW WITH ALL MY HEART. 678 00:30:56,387 --> 00:30:59,324 "BE HAPPY, JOHANN, AND GOODBYE FOREVER. 679 00:30:59,324 --> 00:31:01,492 YOURS, VICTORIA." 680 00:31:03,461 --> 00:31:04,495 SO YOUR FIRST ASSIGNMENT 681 00:31:04,495 --> 00:31:07,131 IS TO WRITE A LETTER TO A LOVER. 682 00:31:07,131 --> 00:31:10,368 IT CAN BE A REAL OR IMAGINARY PERSON. 683 00:31:11,169 --> 00:31:12,270 WELL... 684 00:31:12,270 --> 00:31:15,406 GOOD. SO... HAVE A GOOD WEEK. 685 00:31:30,388 --> 00:31:33,157 THAT, UH... 686 00:31:33,157 --> 00:31:35,560 JOHANN WAS A LUCKY GUY, HUH? 687 00:31:35,560 --> 00:31:37,595 LUCKY? 688 00:31:37,595 --> 00:31:40,231 VICTORIA DIES. 689 00:31:40,231 --> 00:31:42,267 OH, SHE DIES? OH. 690 00:31:42,267 --> 00:31:44,702 WELL, YOU KNOW... 691 00:31:45,637 --> 00:31:48,239 AT LEAST HE WAS LOVED. 692 00:31:50,842 --> 00:31:52,410 UH... 693 00:31:53,411 --> 00:31:54,846 I'LL SEE YOU NEXT WEEK. 694 00:31:54,846 --> 00:31:56,781 YEAH. 695 00:31:56,781 --> 00:31:58,283 O.K. 696 00:31:58,283 --> 00:32:00,351 BYE-BYE. 697 00:32:00,351 --> 00:32:01,653 BYE. 698 00:32:11,396 --> 00:32:12,497 JOE? 699 00:32:12,497 --> 00:32:15,833 YEAH. I'M IN THE BATHROOM. 700 00:32:17,835 --> 00:32:18,670 HEY. 701 00:32:18,670 --> 00:32:20,104 HEY, HOW YOU DOING? 702 00:32:20,104 --> 00:32:21,539 ALL RIGHT. 703 00:32:21,539 --> 00:32:23,441 SO DID YOU FIND HER? 704 00:32:23,441 --> 00:32:25,376 RIGHT ON SCHEDULE. 705 00:32:25,376 --> 00:32:28,146 HOW DID SHE LOOK? DID SHE LOOK HAPPY? 706 00:32:28,146 --> 00:32:29,414 HAPPY? I DON'T KNOW. 707 00:32:29,414 --> 00:32:30,548 SHE LOOKED NERVOUS. 708 00:32:30,548 --> 00:32:32,617 IT WAS THE FIRST DAY OF CLASS. 709 00:32:32,617 --> 00:32:35,720 WANT TO GRAB MY SUIT FOR ME? 710 00:32:35,720 --> 00:32:37,455 SO W-WHAT DID YOU SAY TO HER? 711 00:32:37,455 --> 00:32:41,826 I SAID I'D FUCK HER LIGHTS OUT AND BREAK HER HEART. 712 00:32:41,826 --> 00:32:43,428 YOU GOT ANY DEODORANT? 713 00:32:43,428 --> 00:32:45,196 YOU'RE SUCH AN ASSHOLE. 714 00:32:45,196 --> 00:32:47,665 WHAT WAS-- WHAT WAS SHE WEARING? 715 00:32:47,665 --> 00:32:51,569 WHAT IS THIS, 20 QUESTIONS HERE? JESUS. 716 00:32:51,569 --> 00:32:52,570 WHAT WAS SHE WEARING? 717 00:32:52,570 --> 00:32:55,606 SHE WAS ALL DRESSED UP. SHE LOOKED GREAT. 718 00:32:55,606 --> 00:32:56,841 SLUT. 719 00:32:56,841 --> 00:32:58,509 LISTEN, DO ME A FAVOR AND GRAB MY SHOES. 720 00:32:58,509 --> 00:33:01,245 THEY'RE OUT IN THE HALLWAY. 721 00:33:01,245 --> 00:33:02,613 GOD, I'M LATE. 722 00:33:02,613 --> 00:33:06,718 WHAT'S THE BIG HURRY? WHERE ARE YOU GOING? 723 00:33:06,718 --> 00:33:08,720 I'M GOING TO WORK. 724 00:33:08,720 --> 00:33:09,754 TO WORK? 725 00:33:09,754 --> 00:33:10,488 YEAH. 726 00:33:10,488 --> 00:33:11,589 WHAT ABOUT ME? 727 00:33:11,589 --> 00:33:13,491 WHAT ABOUT ME AND ELLEN? 728 00:33:13,491 --> 00:33:15,727 WHAT ABOUT ELLEN? WHAT ABOUT ELLEN? 729 00:33:15,727 --> 00:33:17,495 PIECE OF CAKE. NO PROBLEM. 730 00:33:17,495 --> 00:33:20,698 LISTEN, I-- I GOT TO RUN. 731 00:33:20,698 --> 00:33:21,666 WHAT? 732 00:33:21,666 --> 00:33:22,800 YOU--SHAVING CREAM. 733 00:33:22,800 --> 00:33:24,369 OH, YEAH. O.K. THANKS. 734 00:33:24,369 --> 00:33:25,203 BYE. 735 00:33:25,203 --> 00:33:27,372 BYE. HAVE FUN. 736 00:33:30,775 --> 00:33:32,410 SHIT. 737 00:33:34,912 --> 00:33:36,714 I'M SORRY. 738 00:33:38,249 --> 00:33:40,385 YOU WANT HER? 739 00:33:40,918 --> 00:33:41,819 YEAH? 740 00:33:41,819 --> 00:33:43,488 YOU GOT HER. 741 00:33:43,788 --> 00:33:46,190 YOU O.K.? I GOT TO RUN. 742 00:33:46,190 --> 00:33:47,692 O.K. 743 00:33:48,393 --> 00:33:49,694 BYE. 744 00:33:50,862 --> 00:33:52,530 YES. 745 00:34:05,710 --> 00:34:06,644 GOOD EVENING. 746 00:34:06,644 --> 00:34:09,647 BILLY, TOTO NEEDS A LITTLE TREAT. 747 00:34:09,647 --> 00:34:11,949 THINK OF SOMETHING SPECIAL. 748 00:34:11,949 --> 00:34:12,650 SURE WILL. 749 00:34:12,650 --> 00:34:13,818 GOOD EVENING, MISS THOMAS. 750 00:34:13,818 --> 00:34:16,421 GOOD EVENING, MITCH. 751 00:34:51,022 --> 00:34:52,457 GOOD NIGHT, MITCH. 752 00:34:52,457 --> 00:34:55,460 HAVE A NICE NIGHT, MISS THOMAS. 753 00:34:58,696 --> 00:35:00,364 THAT'S NOT FUNNY. 754 00:35:00,364 --> 00:35:02,600 IT'S NOT LOADED. 755 00:36:25,917 --> 00:36:27,485 [GUNSHOT] 756 00:36:27,485 --> 00:36:28,786 AAH! 757 00:36:30,821 --> 00:36:31,756 "NOT LOADED"? 758 00:36:31,756 --> 00:36:34,792 GOD, YOU DIDN'T THINK I KNEW IT WAS LOADED. 759 00:36:34,792 --> 00:36:38,462 DO YOU HAVE ANY IDEA WHERE THAT GUN'S BEEN? 760 00:36:50,007 --> 00:36:51,609 ROOM SERVICE. 761 00:36:51,609 --> 00:36:53,077 HOLD ON! 762 00:36:53,077 --> 00:36:54,045 HELP! 763 00:36:54,045 --> 00:36:56,914 HA HA HA HA HA HA! 764 00:36:56,914 --> 00:36:59,083 HELP ME! 765 00:36:59,083 --> 00:37:01,018 FAKE IT. 766 00:37:02,587 --> 00:37:05,790 LIFESTYLES OF THE RICH AND FAMOUS BITCHES. 767 00:37:05,790 --> 00:37:09,060 LIFESTYLES OF THE BITCHY AND THE FAMOUS, 768 00:37:09,060 --> 00:37:11,028 OR THE INFAMOUS. 769 00:37:11,028 --> 00:37:13,598 HA HA HA HA! 770 00:37:28,579 --> 00:37:30,748 SHIT. 771 00:37:31,782 --> 00:37:34,418 HAVING TROUBLE, LORD BYRON? 772 00:37:34,418 --> 00:37:34,819 YEAH. 773 00:37:34,819 --> 00:37:37,455 YOU DIDN'T SAY NOTHING ABOUT HOMEWORK. 774 00:37:37,455 --> 00:37:40,658 LOOKS LIKE STUDY HALL FOR YOU. 775 00:37:40,658 --> 00:37:42,126 YEAH, RIGHT. 776 00:37:42,126 --> 00:37:44,895 I SPENT MY WHOLE SENIOR YEAR IN DETENTION. 777 00:37:44,895 --> 00:37:46,497 YOU WENT TO HIGH SCHOOL? 778 00:37:46,497 --> 00:37:48,766 YEAH. WHAT DID YOU THINK? 779 00:37:48,766 --> 00:37:49,634 I DON'T KNOW. 780 00:37:49,634 --> 00:37:53,070 I THOUGHT YOU WERE ONE OF THOSE STREET KIDS. 781 00:37:53,070 --> 00:37:55,339 WHO FOUGHT HIS WAY OUT OF THE GHETTO? 782 00:37:55,339 --> 00:37:59,543 YOU'VE BEEN WATCHING TOO MANY EPISODES OF MACGYVER. 783 00:37:59,543 --> 00:38:01,779 I GREW UP OVER THE BRIDGE IN HACKENSACK. 784 00:38:01,779 --> 00:38:05,449 MY OLD MAN RAN A LINCOLN MERCURY DEALERSHIP, 785 00:38:05,449 --> 00:38:07,518 AND MY MOM... 786 00:38:08,919 --> 00:38:11,155 SHE SPLIT. 787 00:38:12,857 --> 00:38:13,824 THAT'S IT. 788 00:38:13,824 --> 00:38:15,960 THE AMERICAN DREAM. 789 00:38:16,160 --> 00:38:19,797 HOW DID YOU BECOME AN ESCORT? 790 00:38:21,599 --> 00:38:24,769 I WATCHED TOO MANY MACGYVER EPISODES. 791 00:38:25,903 --> 00:38:29,173 ALL RIGHT. SO WHAT'S THIS ASSIGNMENT? 792 00:38:30,608 --> 00:38:34,211 SHE WANTS US TO WRITE SOME KIND OF LOVE LETTER. 793 00:38:34,211 --> 00:38:36,180 BITCH. 794 00:38:37,081 --> 00:38:38,849 ALL RIGHT. LET'S GIVE HER ONE 795 00:38:38,849 --> 00:38:41,886 THAT WILL MAKE HER BEAUTIFUL CHEEKS BLUSH. 796 00:38:41,886 --> 00:38:43,187 GREAT. 797 00:38:43,187 --> 00:38:44,555 UM... 798 00:38:44,555 --> 00:38:46,090 SHOOT. 799 00:38:46,390 --> 00:38:48,125 AS YOU CAME FROM THE HOT BATH, 800 00:38:48,125 --> 00:38:50,528 I TOOK YOU BEFORE THE LONG MIRROR-- 801 00:38:50,528 --> 00:38:52,663 WHOA, WHOA. 802 00:38:53,497 --> 00:38:55,166 AS... 803 00:38:55,166 --> 00:38:56,334 OH. 804 00:38:56,334 --> 00:38:59,837 "AS YOU CAME FROM THE HOT BATH, 805 00:38:59,837 --> 00:39:03,107 "I TOOK YOU BEFORE THE LONG MIRROR. 806 00:39:03,107 --> 00:39:05,976 "YOUR BREASTS QUIVERED IN MY HANDS. 807 00:39:05,976 --> 00:39:09,213 "YOUR BUTTOCKS SHIVERED AGAINST ME. 808 00:39:09,213 --> 00:39:11,849 "MY TONGUE MOVES INTO YOU... 809 00:39:11,849 --> 00:39:14,151 "AND YOU BECOME HOLLOW, 810 00:39:14,151 --> 00:39:16,220 "ABLAZE WITH WHIRLING LIGHT, 811 00:39:16,220 --> 00:39:20,691 LIKE THE INSIDE OF A VAST, EXPANDING PEARL." 812 00:39:25,296 --> 00:39:27,131 UM... 813 00:39:27,131 --> 00:39:30,034 "I CANNOT FORGET THE PERFUMED DUSK 814 00:39:30,034 --> 00:39:33,637 "INSIDE THE TENT OF YOUR BLACK HAIR, 815 00:39:33,637 --> 00:39:36,774 "AS WE AWOKE IN THE DAWN TO THE LOVE 816 00:39:36,774 --> 00:39:39,009 "AFTER A NIGHT OF LOVE. 817 00:39:39,009 --> 00:39:39,844 "AT THIS MOMENT, 818 00:39:39,844 --> 00:39:43,381 WE ARE THE HAPPIEST PEOPLE IN THE WORLD." 819 00:39:43,381 --> 00:39:49,720 "BUT NOW, EVERY MORNING, I WAKE ALONE..." 820 00:39:51,055 --> 00:39:53,557 "DREAMING..." 821 00:39:53,557 --> 00:39:55,960 UM... 822 00:39:55,960 --> 00:40:00,297 "MY ARM IS YOUR SWEET FLESH PRESSING MY LIPS. 823 00:40:00,297 --> 00:40:02,867 "WHAT CAN I WRITE TO YOU? 824 00:40:02,867 --> 00:40:05,136 "SICK WITH LOVE, I LONG TO SEE YOU. 825 00:40:05,136 --> 00:40:08,139 "I CAN WRITE ONLY I LOVE YOU, 826 00:40:08,139 --> 00:40:10,574 I LOVE YOU..." 827 00:40:10,574 --> 00:40:12,109 UM... 828 00:40:12,109 --> 00:40:14,845 "I LOVE--I LOVE YOU." 829 00:40:21,619 --> 00:40:23,154 THAT'S IT. 830 00:40:27,158 --> 00:40:27,858 O.K. 831 00:40:27,858 --> 00:40:31,595 THAT'S IT FOR TODAY. CLASS DISMISSED. 832 00:40:33,030 --> 00:40:36,066 MR. CASELLA, COULD YOU STAY FOR A MINUTE? 833 00:40:36,066 --> 00:40:37,902 UH, SURE. SURE. 834 00:40:37,902 --> 00:40:41,038 THAT WAS A VERY BEAUTIFUL LETTER. 835 00:40:43,140 --> 00:40:45,042 THANKS. 836 00:40:46,644 --> 00:40:48,112 YOU KNOW, YOU'VE VERY IN TOUCH 837 00:40:48,112 --> 00:40:51,749 WITH THE FEMININE SIDE OF YOURSELF. 838 00:40:53,651 --> 00:40:55,186 I NEVER KNEW THAT. 839 00:40:55,186 --> 00:41:01,392 IN FACT, YOU WOULD HAVE TO HAVE BEEN A JAPANESE WOMAN. 840 00:41:01,392 --> 00:41:03,327 UM... 841 00:41:03,327 --> 00:41:04,395 I DON'T UNDERSTAND. 842 00:41:04,395 --> 00:41:06,730 YOUR LETTER WAS WRITTEN BY A POET-- 843 00:41:06,730 --> 00:41:09,767 A JAPANESE POET NAMED MARAKIKO. 844 00:41:10,701 --> 00:41:12,236 MR. CASELLA, 845 00:41:12,236 --> 00:41:14,972 YOU'RE A PLAGIARIST. 846 00:41:14,972 --> 00:41:16,841 GOODBYE. 847 00:41:21,846 --> 00:41:24,815 SON OF A BITCH. 848 00:41:26,283 --> 00:41:28,686 THAT'S JUST IT. 849 00:41:28,686 --> 00:41:31,689 I AM A JAPANESE WOMAN. 850 00:41:31,956 --> 00:41:32,790 WHAT DO YOU THINK, 851 00:41:32,790 --> 00:41:36,694 IT'S FUN BEING TRAPPED INSIDE THIS BODY? 852 00:41:36,694 --> 00:41:38,195 ALL RIGHT. O.K. I'M SORRY. 853 00:41:38,195 --> 00:41:40,164 ALL I WANTED TO DO WAS IMPRESS YOU. 854 00:41:40,164 --> 00:41:42,733 YOU'RE LATE TO MY FIRST CLASS, 855 00:41:42,733 --> 00:41:43,367 YOU PLAGIARIZE. 856 00:41:43,367 --> 00:41:44,802 MAYBE YOU SHOULD TRY ANOTHER TEACHER. 857 00:41:44,802 --> 00:41:47,271 I DON'T WANT ANOTHER TEACHER. I WANT YOU. 858 00:41:47,271 --> 00:41:49,306 LOOK, JUST GIVE ME FIVE MINUTES. 859 00:41:49,306 --> 00:41:51,909 FIVE MINUTES OUT OF YOUR DAY. 860 00:41:51,909 --> 00:41:53,777 COME ON. 861 00:41:53,777 --> 00:41:55,713 PLEASE? 862 00:41:56,080 --> 00:41:56,914 I DON'T KNOW, 863 00:41:56,914 --> 00:41:59,817 I MUST HAVE BEEN 6 OR 7. 864 00:41:59,817 --> 00:42:02,186 I WAS 6. I WAS IN FIRST GRADE, 865 00:42:02,186 --> 00:42:05,155 AND I WAS SITTING ON THE LIVING ROOM FLOOR 866 00:42:05,155 --> 00:42:07,291 WATCHING BATMAN, AND I WAS STARVING. 867 00:42:07,291 --> 00:42:08,225 IT WAS AFTER SCHOOL, 868 00:42:08,225 --> 00:42:10,027 AND I WAS REALLY HUNGRY, 869 00:42:10,027 --> 00:42:12,863 SO, UH...I GOT UP, 870 00:42:12,863 --> 00:42:16,133 AND I--I WALKED INTO THE KITCHEN, 871 00:42:16,133 --> 00:42:18,068 AND, UH... 872 00:42:19,370 --> 00:42:21,939 UH... 873 00:42:21,939 --> 00:42:23,407 THERE SHE WAS. 874 00:42:23,407 --> 00:42:25,342 UH, MY MOTHER WAS... 875 00:42:25,342 --> 00:42:28,012 LAYING ON THE KITCHEN FLOOR. 876 00:42:30,314 --> 00:42:32,149 SHE HAD, UH... 877 00:42:32,149 --> 00:42:34,084 SHE--SHE HAD DIED. 878 00:42:34,885 --> 00:42:37,354 SHE WAS-- SHE WAS DEAD. 879 00:42:37,922 --> 00:42:40,057 SHE WAS INTO THIS COMBINATION 880 00:42:40,057 --> 00:42:41,992 OF BOOZE AND SMACK. 881 00:42:41,992 --> 00:42:44,995 REALLY KNOCKED HER FOR A LOOP. 882 00:42:46,163 --> 00:42:47,898 BUT THIS TIME, 883 00:42:47,898 --> 00:42:51,135 YOU KNOW, WAS THE LAST TIME. 884 00:42:51,135 --> 00:42:52,436 I'M SORRY. 885 00:42:52,436 --> 00:42:54,405 ANYWAY, COME ON. 886 00:42:54,405 --> 00:42:56,073 YOU GOT TO PLAY FAIR. 887 00:42:56,073 --> 00:42:58,342 YOU OWE ME A PERSONAL ANSWER. 888 00:42:58,342 --> 00:42:59,376 COME ON. 889 00:42:59,376 --> 00:43:00,344 O.K. 890 00:43:00,344 --> 00:43:01,779 ONE... 891 00:43:01,779 --> 00:43:03,747 AND NOT TOO PERSONAL. 892 00:43:03,747 --> 00:43:04,848 O.K. 893 00:43:04,848 --> 00:43:06,784 UM... 894 00:43:07,184 --> 00:43:09,787 SEEING THAT I'M...AUDITING 895 00:43:09,787 --> 00:43:12,790 AND, UH, YOU KNOW, NOT A REAL STUDENT, 896 00:43:12,790 --> 00:43:13,891 YOU KNOW, IF IT'S NOT ILLEGAL, 897 00:43:13,891 --> 00:43:16,226 I THOUGHT MAYBE WE COULD, UH, 898 00:43:16,226 --> 00:43:18,262 GET TOGETHER FOR DINNER 899 00:43:18,262 --> 00:43:19,830 OR, UH, A MOVIE, 900 00:43:19,830 --> 00:43:21,398 MAYBE ANOTHER CUP OF COFFEE SOMETIME. 901 00:43:21,398 --> 00:43:25,436 WELL, ACTUALLY, I'M-- I'M INVOLVED WITH SOMEBODY. 902 00:43:25,436 --> 00:43:31,175 I DON'T KNOW. I DON'T THINK IT'S THE RIGHT TIME. 903 00:43:31,175 --> 00:43:31,875 UH... 904 00:43:31,875 --> 00:43:34,345 WHAT'S--WHAT'S, UH, HIS NAME? 905 00:43:34,345 --> 00:43:35,512 CONRAD. 906 00:43:35,512 --> 00:43:38,048 HIS NAME'S CONRAD. 907 00:43:57,501 --> 00:43:59,169 CONRAD! 908 00:44:00,137 --> 00:44:03,841 OH, CONRAD, BABY. 909 00:44:04,074 --> 00:44:05,943 SHE SAID YOUR NAME WAS CONRAD 910 00:44:05,943 --> 00:44:07,945 AND YOU TWO WERE STILL AN ITEM. 911 00:44:07,945 --> 00:44:09,513 THAT LYING BITCH. 912 00:44:09,513 --> 00:44:10,948 I GOT HER AGAINST THE ROPES. 913 00:44:10,948 --> 00:44:13,217 SHE CAN'T KEEP LYING TO ME FOREVER. 914 00:44:13,217 --> 00:44:14,852 DID SHE READ MY LOVE LETTER? 915 00:44:14,852 --> 00:44:18,422 YEAH. SHE BUSTED ME FOR PLAGIARISM. NICE GOING. 916 00:44:18,422 --> 00:44:21,992 FUCK. SHE KNEW THAT ONE. 917 00:44:21,992 --> 00:44:23,260 CAN'T BELIEVE IT. 918 00:44:23,260 --> 00:44:24,995 THEN IT TOOK ME 15 MINUTES 919 00:44:24,995 --> 00:44:27,331 TO CONVINCE HER TO HAVE COFFEE. 920 00:44:27,331 --> 00:44:29,400 THANKS. 921 00:44:29,400 --> 00:44:31,201 AND? 922 00:44:31,201 --> 00:44:33,237 AND... 923 00:44:33,237 --> 00:44:34,571 HOW DOES A GUY LIKE ME 924 00:44:34,571 --> 00:44:36,306 CHARM A GIRL LIKE HER? 925 00:44:36,306 --> 00:44:36,940 HOW? 926 00:44:36,940 --> 00:44:39,543 I MADE UP THIS TOTALLY OUTRAGEOUS STORY 927 00:44:39,543 --> 00:44:41,512 ABOUT MY FUCKED-UP CHILDHOOD. 928 00:44:41,512 --> 00:44:42,646 SHE ATE IT UP. 929 00:44:42,646 --> 00:44:45,416 THE TWO OF YOU ARE FRIENDS NOW OR SOMETHING? 930 00:44:45,416 --> 00:44:48,886 YOU SHOULD HAVE SEEN HER EYES. SHE LOVED IT. 931 00:44:48,886 --> 00:44:50,921 OH, GOD, I CAN'T TAKE THIS ANYMORE. 932 00:44:50,921 --> 00:44:52,956 I'M GOING TO GO CRAZY. 933 00:44:52,956 --> 00:44:54,058 WOULD YOU RELAX? 934 00:44:54,058 --> 00:44:56,460 I KNOW WHAT I'M DOING, ALL RIGHT? 935 00:44:56,460 --> 00:44:59,163 I GOT EVERYTHING UNDER CONTROL, O.K.? 936 00:44:59,163 --> 00:45:00,931 HA. LOOK AT YOUR FACE. 937 00:45:00,931 --> 00:45:03,267 WHY DON'T YOU FINISH WHATEVER YOU'RE DOING? 938 00:45:03,267 --> 00:45:06,303 WE'LL GO DROWN SOME OLIVES. 939 00:45:06,303 --> 00:45:08,238 O.K. 940 00:45:08,939 --> 00:45:11,308 I KNOW JUST THE PLACE. 941 00:45:11,308 --> 00:45:13,577 J. EDGAR HOOVER. 942 00:45:13,577 --> 00:45:15,312 THE FBI GUY? 943 00:45:15,312 --> 00:45:16,480 THAT'S IMPOSSIBLE. 944 00:45:16,480 --> 00:45:17,381 YOU'RE TRYING TO TELL ME 945 00:45:17,381 --> 00:45:20,384 THE GUY WHO FOUNDED THE FBI IS GAY? 946 00:45:20,384 --> 00:45:21,618 TOTAL SCREAMER. 947 00:45:21,618 --> 00:45:26,290 HE HAD EVEN BUGGED HIS OWN SWING PARTIES. 948 00:45:26,290 --> 00:45:27,925 I HEARD THE TAPES. 949 00:45:27,925 --> 00:45:30,561 MAMIE EISENHOWER. 950 00:45:30,561 --> 00:45:32,429 GET OUT OF HERE! 951 00:45:32,429 --> 00:45:34,398 ABBOTT AND COSTELLO. 952 00:45:34,398 --> 00:45:35,733 NO WAY, ALL RIGHT? 953 00:45:35,733 --> 00:45:39,036 YOU EVER SEEN HOW THEY LOOKED AT EACH OTHER? 954 00:45:39,036 --> 00:45:39,970 I'M TELLING YOU, 955 00:45:39,970 --> 00:45:41,371 BABY, YOU GOT TO BELIEVE ME. 956 00:45:41,371 --> 00:45:43,073 IT'S INSTINCT. YOU CAN TELL. 957 00:45:43,073 --> 00:45:45,542 IT'S IN THEIR EYES-- THE LOOK. 958 00:45:45,542 --> 00:45:47,377 REALLY? 959 00:45:55,486 --> 00:45:57,454 HI THERE. 960 00:46:00,524 --> 00:46:03,494 YOU AIN'T THE ONLY KING IN THIS JOINT, SWEETHEART. 961 00:46:03,494 --> 00:46:05,129 WANT TO DANCE? 962 00:46:05,129 --> 00:46:06,263 AH, COME ON. 963 00:46:06,263 --> 00:46:08,031 COME ON, DANCE, CONNIE. 964 00:46:08,031 --> 00:46:09,666 DANCE WITH HIM. 965 00:46:09,666 --> 00:46:10,434 COME ON. 966 00:46:10,434 --> 00:46:13,070 ♪ HIGHER ♪ 967 00:46:16,340 --> 00:46:18,709 ♪ WHEN YOU SHAKE WHAT YOU GOT ♪ 968 00:46:18,709 --> 00:46:20,844 ♪ AND, GIRL, YOU'VE GOT A LOT ♪ 969 00:46:20,844 --> 00:46:23,080 ♪ YOU'RE REALLY SOMETHIN', CHILD ♪ 970 00:46:23,080 --> 00:46:25,682 ♪ YES, YA ARE ♪ 971 00:46:25,682 --> 00:46:26,450 AAH! 972 00:46:26,450 --> 00:46:28,418 ♪ WHEN YOU'RE HOT, YOU'RE HOT ♪ 973 00:46:28,418 --> 00:46:31,321 ♪ YOU REALLY SHOOT YOUR SHOT ♪ 974 00:46:31,321 --> 00:46:32,356 OH, YEAH! 975 00:46:32,356 --> 00:46:33,056 YEAH! 976 00:46:33,056 --> 00:46:36,593 ♪ THE WAY YOU WALK, YOU TALK ♪ 977 00:46:36,593 --> 00:46:40,030 ♪ REALLY TURNS ME ON ♪ 978 00:46:40,030 --> 00:46:42,266 SO YOU HAD A GOOD TIME? 979 00:46:42,266 --> 00:46:43,066 ABSOLUTELY. 980 00:46:43,066 --> 00:46:46,003 YOU'D SAY I'M A PRETTY GOOD DATE? 981 00:46:46,003 --> 00:46:46,970 THE BEST. 982 00:46:46,970 --> 00:46:49,406 ATTRACTIVE TO LOOK AT? 983 00:46:49,406 --> 00:46:50,541 SENSATIONAL. 984 00:46:50,541 --> 00:46:53,177 ALL-AROUND FUN GAL? 985 00:46:53,177 --> 00:46:54,144 A BLAST, WHY? 986 00:46:54,144 --> 00:46:56,313 I'M THINKING ABOUT GETTING OUT OF MEDICINE, 987 00:46:56,313 --> 00:46:59,550 GOING INTO THE LESBIAN ESCORT BUSINESS. 988 00:47:00,250 --> 00:47:01,185 WELL, YOU KNOW WHAT? 989 00:47:01,185 --> 00:47:06,223 YOU'RE GOING TO HAVE TO LEARN THE TRICKY PART. 990 00:47:06,223 --> 00:47:07,991 THE SEX? 991 00:47:07,991 --> 00:47:10,060 IT'S A TOTALLY SEPARATE NEGOTIATION. 992 00:47:10,060 --> 00:47:13,297 IT'S WHERE THE BIG BUCKS ARE AT. 993 00:47:13,297 --> 00:47:15,732 HOW MUCH CAN YOU MAKE? 994 00:47:15,732 --> 00:47:17,467 I'VE BEEN TIPPED A GRAND. 995 00:47:17,467 --> 00:47:20,270 A THOUSAND DOLLARS? WHOA. 996 00:47:20,270 --> 00:47:21,638 WHAT DID YOU DO? 997 00:47:21,638 --> 00:47:25,375 I HAD TO DRESS UP LIKE A CUB SCOUT. 998 00:47:27,077 --> 00:47:27,644 WHAT DO YOU DO 999 00:47:27,644 --> 00:47:29,012 IF THEY'RE OLD AND WRINKLED AND UGLY? 1000 00:47:29,012 --> 00:47:33,717 MAKE THEM FEEL LIKE THEY'RE THE HOTTEST WOMAN IN THE WORLD. 1001 00:47:33,717 --> 00:47:35,152 YOU CAN DO THAT? 1002 00:47:35,152 --> 00:47:41,592 ANY WOMAN, ANYTIME, ANYPLACE, GUARANTEED. 1003 00:47:42,259 --> 00:47:44,161 YOU'RE FULL OF SHIT. 1004 00:47:44,161 --> 00:47:48,999 ANY WOMAN, ANYTIME, ANYPLACE. 1005 00:47:49,666 --> 00:47:53,203 I'M GOING TO BE SO HUNG OVER TOMORROW. 1006 00:47:53,203 --> 00:47:55,505 I HARDLY HAVE A VOICE. 1007 00:47:55,505 --> 00:47:57,441 IT WAS GREAT. 1008 00:47:58,542 --> 00:48:02,479 WOW. YOU GOT BEAUTIFUL EYES. 1009 00:48:02,479 --> 00:48:04,648 THEY'RE HUGE. 1010 00:48:04,848 --> 00:48:06,750 HEY, THEY CHANGE COLOR, DON'T THEY? 1011 00:48:06,750 --> 00:48:09,453 LIKE BLUE TO GREEN. WHAT ARE THEY NOW? 1012 00:48:09,453 --> 00:48:11,088 THEY'RE KIND OF SILVERY RIGHT NOW. 1013 00:48:11,088 --> 00:48:14,324 YEAH. THERE'S LIKE A LITTLE BROWN AROUND THE CENTER. 1014 00:48:14,324 --> 00:48:16,193 YEAH. 1015 00:48:32,643 --> 00:48:35,012 YOU KNOW, CONNIE... 1016 00:48:35,012 --> 00:48:40,217 I REALLY DON'T KNOW QUITE HOW TO SAY THIS, BUT... 1017 00:48:41,418 --> 00:48:43,387 I DON'T THINK I REALLY MET 1018 00:48:43,387 --> 00:48:45,555 A WOMAN QUITE LIKE YOU BEFORE. 1019 00:48:45,555 --> 00:48:46,490 NO SHIT. 1020 00:48:46,490 --> 00:48:48,659 NO, I MEAN IT. I'M SERIOUS. 1021 00:48:48,659 --> 00:48:49,660 I KNOW WE JUST MET-- 1022 00:48:49,660 --> 00:48:52,129 WE'RE PRACTICALLY STRANGERS, BUT, YOU KNOW, 1023 00:48:52,129 --> 00:48:53,397 I FEEL LIKE I KNOW YOU, 1024 00:48:53,397 --> 00:48:57,134 LIKE THERE'S SOME KIND OF CONNECTION. 1025 00:48:58,235 --> 00:49:00,404 I KNOW WHAT YOU MEAN. 1026 00:49:00,404 --> 00:49:01,705 IT'S REALLY WEIRD. 1027 00:49:01,705 --> 00:49:02,406 EVERYTHING ABOUT YOU-- 1028 00:49:02,406 --> 00:49:05,642 THE WAY YOU TALK, THE WAY YOU DRESS, THE WAY YOU DANCE. 1029 00:49:05,642 --> 00:49:07,477 ANYWAY, I JUST WANTED TO TELL YOU 1030 00:49:07,477 --> 00:49:09,846 I THINK YOU GOT A LOT OF STYLE. 1031 00:49:09,846 --> 00:49:12,482 JOEY, YOU'RE SO SWEET. 1032 00:49:20,424 --> 00:49:21,792 THAT'S HOW I DO IT. 1033 00:49:21,792 --> 00:49:23,860 OH, YOU BASTARD. 1034 00:49:24,561 --> 00:49:28,198 ANY WOMAN, ANYTIME, ANYPLACE, 1035 00:49:28,198 --> 00:49:29,733 GUARANTEED. 1036 00:49:29,733 --> 00:49:31,535 STOP. 1037 00:49:31,535 --> 00:49:33,403 TOLD YOU. 1038 00:49:33,403 --> 00:49:36,740 YOU DON'T NEED TO BE SUCH A SEX MACHINE. 1039 00:49:36,740 --> 00:49:37,874 WHY DO YOU SAY THAT? 1040 00:49:37,874 --> 00:49:39,543 BECAUSE YOU'RE A NICE GUY, JOE. 1041 00:49:39,543 --> 00:49:43,847 PEOPLE LIKE YOU FOR MORE REASONS THAN YOU THINK. 1042 00:49:49,319 --> 00:49:50,654 THANKS. 1043 00:49:50,654 --> 00:49:52,489 SLEEP TIGHT. 1044 00:50:06,970 --> 00:50:13,510 1, 2, 3, 4, 5... 1045 00:50:13,710 --> 00:50:16,413 WHAT IS THIS? WHAT IS THIS, JACK LALANNE? 1046 00:50:16,413 --> 00:50:18,248 THIS IS NOT AN AEROBICS CLASS. 1047 00:50:18,248 --> 00:50:20,450 OH, I'M SORRY. I--I'M SORRY. 1048 00:50:20,450 --> 00:50:22,619 I JUST WASN'T SURE EXACTLY WHAT YOU WANTED. 1049 00:50:22,619 --> 00:50:25,288 LET ME EXPLAIN SOMETHING TO YOU, JACKIE. 1050 00:50:25,288 --> 00:50:28,425 THE CUSTOMERS THAT YOU'RE GOING TO BE DEALING WITH, 1051 00:50:28,425 --> 00:50:30,427 THEY'RE LIKE, THEY'RE-- THEY'RE--THEY'RE LONELY, 1052 00:50:30,427 --> 00:50:31,928 THEY'RE DESPERATE PEOPLE. 1053 00:50:31,928 --> 00:50:33,930 THEY'RE PAYING A BUCK A MINUTE 1054 00:50:33,930 --> 00:50:35,599 FOR SOME EMOTION. 1055 00:50:35,599 --> 00:50:37,334 YOU WANT THIS JOB? 1056 00:50:37,334 --> 00:50:38,301 OH, YES. 1057 00:50:38,301 --> 00:50:40,904 YOU GOT TO MAKE ME COME. 1058 00:50:41,438 --> 00:50:42,906 I'VE GOT TO--I'VE GOT-- 1059 00:50:42,906 --> 00:50:43,874 NOT--NOT LIKE THAT. 1060 00:50:43,874 --> 00:50:45,876 YOU KNOW, LIKE, YOU KNOW, FIGURATIVELY 1061 00:50:45,876 --> 00:50:47,544 ON THE COUNT. ONE FRY. 1062 00:50:47,544 --> 00:50:49,746 HE WANTS YOU TO TURN HIM ON 1063 00:50:49,746 --> 00:50:50,580 BY COUNTING TO 10. 1064 00:50:50,580 --> 00:50:52,549 YOU GOT TO DO IT SEXY--1, 2-- 1065 00:50:52,549 --> 00:50:56,586 HOT, HOT, HOT. LIKE THIS. LOOK AT ME. 1066 00:50:56,586 --> 00:50:57,888 OH... 1067 00:50:57,888 --> 00:51:01,658 2, 3. GO AHEAD. 1068 00:51:02,659 --> 00:51:04,761 1... 1069 00:51:04,761 --> 00:51:06,329 2... 1070 00:51:06,329 --> 00:51:07,931 [GASP] 1071 00:51:07,931 --> 00:51:09,399 3... 1072 00:51:09,399 --> 00:51:10,434 YEAH. 1073 00:51:10,434 --> 00:51:11,401 4... 1074 00:51:11,401 --> 00:51:12,569 FASTER. 1075 00:51:12,569 --> 00:51:13,370 5... 1076 00:51:13,370 --> 00:51:14,037 FASTER. 1077 00:51:14,037 --> 00:51:17,741 MICKEY, IT'S HARVEY ON LINE 2. 1078 00:51:19,409 --> 00:51:19,876 7! 1079 00:51:19,876 --> 00:51:21,011 YOU GOT THE JOB. 1080 00:51:21,011 --> 00:51:22,479 THANK YOU! 1081 00:51:22,479 --> 00:51:23,713 TALK TO DORIS OVER THERE. 1082 00:51:23,713 --> 00:51:24,981 SHE'LL HANDLE THE FORMALITIES. 1083 00:51:24,981 --> 00:51:26,917 I WANT TO TALK TO HIM. 1084 00:51:26,917 --> 00:51:28,285 LET ME HANDLE THIS. 1085 00:51:28,285 --> 00:51:30,587 I CAN TAKE CARE OF MYSELF. 1086 00:51:30,587 --> 00:51:32,556 LET ME HANDLE IT. 1087 00:51:33,790 --> 00:51:35,659 SHUT UP. 1088 00:51:37,761 --> 00:51:38,929 HARVEY, WHAT IS IT? 1089 00:51:38,929 --> 00:51:40,797 I WAS ON MY WAY OUT. 1090 00:51:40,797 --> 00:51:41,932 I'M LOOKING FOR CASELLA. 1091 00:51:41,932 --> 00:51:43,733 YEAH, RIGHT, JOE'S STILL WITH ME. 1092 00:51:43,733 --> 00:51:45,936 HE'S BEEN HAVING SOME PROBLEMS LATELY. 1093 00:51:45,936 --> 00:51:49,272 MICKEY, I'M ASKING YOU AS A PERSONAL FAVOR-- 1094 00:51:49,272 --> 00:51:51,441 DON'T GET INVOLVED WITH THIS. 1095 00:51:51,441 --> 00:51:52,843 HEY, HARVEY, GO FUCK YOURSELF. 1096 00:51:52,843 --> 00:51:55,078 I KNOW YOU TRASHED THE KID'S APARTMENT. 1097 00:51:55,078 --> 00:51:56,446 WHAT'S THE MATTER WITH YOU? 1098 00:51:56,446 --> 00:51:57,614 THAT--THAT'S YOUR WEAKNESS, HARVEY. 1099 00:51:57,614 --> 00:52:00,617 YOU JUMP TO CONCLUSIONS WITHOUT ANY EVIDENCE. 1100 00:52:00,617 --> 00:52:01,551 YOU'RE BLAMING THIS KID 1101 00:52:01,551 --> 00:52:03,653 FOR SOMETHING HE HAD NOTHING TO DO WITH. 1102 00:52:03,653 --> 00:52:05,088 THE PRICK SET ME UP. 1103 00:52:05,088 --> 00:52:09,526 I'LL USE HIS BALLS AS A FUCKIN' NECKLACE. 1104 00:52:10,660 --> 00:52:11,495 JESUS. 1105 00:52:11,495 --> 00:52:12,929 LISTEN TO ME, YOU COCKSUCKER. 1106 00:52:12,929 --> 00:52:15,632 YOU TOUCH THIS KID, YOU TOUCH ME. 1107 00:52:15,632 --> 00:52:17,934 YOU GOT IT? IF HE COMES IN HERE 1108 00:52:17,934 --> 00:52:19,736 WITH EVEN A FUCKING BRUISE, 1109 00:52:19,736 --> 00:52:21,004 YOU DEAL WITH ME. 1110 00:52:21,004 --> 00:52:22,506 LEAVE HIM THE FUCK ALONE! 1111 00:52:22,506 --> 00:52:24,841 WHY WON'T YOU LET ME TALK TO HIM? 1112 00:52:24,841 --> 00:52:26,977 YOU WANT TO REASON WITH HIM? 1113 00:52:26,977 --> 00:52:29,779 SHUT THE FUCK UP. LET ME HANDLE IT! 1114 00:52:29,779 --> 00:52:33,483 GODDAMN KID WANTS TO BE A FUCKIN' HERO! 1115 00:52:39,089 --> 00:52:43,326 O.K. ALSO--ALSO, THE MAN NEVER READ A BOOK. 1116 00:52:43,326 --> 00:52:44,361 EVER. 1117 00:52:44,361 --> 00:52:45,929 AND BECAUSE... 1118 00:52:45,929 --> 00:52:48,365 BECAUSE HE HAD WET HANDS. 1119 00:52:48,365 --> 00:52:49,533 YOU MADE HIM NERVOUS. 1120 00:52:49,533 --> 00:52:52,602 ALL I'M SAYING IS YOU CAN DO WHAT YOU WANT, 1121 00:52:52,602 --> 00:52:54,371 BUT HE LIVES IN THE CITY, 1122 00:52:54,371 --> 00:52:56,506 AND HE'S GOT THE BEST JOB ON WALL STREET, 1123 00:52:56,506 --> 00:53:00,477 AND BRIAN WEARS THE CUTEST LITTLE HORN-RIMMED GLASSES. 1124 00:53:00,477 --> 00:53:04,514 MMM. GREAT. YOU DATE HIM, ALLY, O.K.? 1125 00:53:04,514 --> 00:53:07,384 WHAT, DID MOM WRITE THIS UNDERWATER? 1126 00:53:07,384 --> 00:53:10,820 SHE PROBABLY JUST WEPT ALL OVER IT. 1127 00:53:10,820 --> 00:53:11,621 [KNOCK ON DOOR] 1128 00:53:11,621 --> 00:53:14,958 OH, THAT'S THE GUY FROM THE WINE STORE. 1129 00:53:14,958 --> 00:53:16,092 GOOD. 1130 00:53:16,092 --> 00:53:17,093 LOOK. LOOK AT ME. 1131 00:53:17,093 --> 00:53:18,528 YOU'RE TURNING ME INTO PAT NIXON. 1132 00:53:18,528 --> 00:53:26,136 ALL I WANT IS FOR YOU TO MEET A NICE, CHARMING, INTELLIGENT, SEXY-- 1133 00:53:26,136 --> 00:53:28,405 DO I HAVE THE RIGHT APARTMENT? 1134 00:53:28,405 --> 00:53:29,039 MAN. 1135 00:53:29,039 --> 00:53:30,707 I'M LOOKING FOR ELLEN ARMSTRONG. 1136 00:53:30,707 --> 00:53:32,776 AND WHOM SHALL I SAY IS CALLING? 1137 00:53:32,776 --> 00:53:36,079 JOE. CASELLA. I'M A STUDENT IN HER CLASS. 1138 00:53:36,079 --> 00:53:40,383 ELLEN. ELLEN. ELLEN. 1139 00:53:40,817 --> 00:53:43,520 ELLEN, DARLIN', JOE'S HERE. 1140 00:53:43,520 --> 00:53:44,754 I HEARD. 1141 00:53:44,754 --> 00:53:46,990 Get a grip. 1142 00:53:46,990 --> 00:53:48,658 HI, JOE. 1143 00:53:48,658 --> 00:53:49,693 HI. 1144 00:53:49,693 --> 00:53:50,794 SO, WHAT'S GOING ON? 1145 00:53:50,794 --> 00:53:52,562 WHAT ARE YOU DOING HERE? 1146 00:53:52,562 --> 00:53:53,830 WELL, THAT WAS POLITE. 1147 00:53:53,830 --> 00:53:55,465 WOULD YOU LIKE TO COME IN? 1148 00:53:55,465 --> 00:53:58,568 I DIDN'T MEAN TO CATCH YOU AT A BAD TIME. 1149 00:53:58,568 --> 00:54:03,006 NO, NO, NO. JUST TWO SISTERS TORTURING EACH OTHER. 1150 00:54:03,006 --> 00:54:04,808 IS EVERYTHING O.K.? 1151 00:54:04,808 --> 00:54:05,875 WELL, YEAH, SURE. 1152 00:54:05,875 --> 00:54:07,978 I, UH, I--I FINISHED THAT PAPER 1153 00:54:07,978 --> 00:54:10,780 WE WERE TALKING ABOUT IN THE COFFEE SHOP-- 1154 00:54:10,780 --> 00:54:13,483 THE ONE ABOUT WHEN I WAS A KID. 1155 00:54:13,483 --> 00:54:14,084 OH, GREAT. 1156 00:54:14,084 --> 00:54:15,952 I THINK IT TURNED OUT GOOD. 1157 00:54:15,952 --> 00:54:18,822 I JUST HAPPENED TO BE IN THE NEIGHBORHOOD. 1158 00:54:18,822 --> 00:54:21,191 I FIGURED I'D JUST DROP IT OFF. 1159 00:54:21,191 --> 00:54:22,292 I THINK YOUR... 1160 00:54:22,292 --> 00:54:24,094 I THINK YOUR GARLIC'S BURNING. 1161 00:54:24,094 --> 00:54:24,894 YEAH. EXCUSE ME. 1162 00:54:24,894 --> 00:54:26,730 ELLEN'S WORKING ON A NEW RECIPE. 1163 00:54:26,730 --> 00:54:30,100 WE'RE ALL VERY CONCERNED. 1164 00:54:30,100 --> 00:54:31,901 HERE IT IS. 1165 00:54:31,901 --> 00:54:33,203 READ IT AND WEEP. 1166 00:54:33,203 --> 00:54:35,005 GREAT. THANKS. 1167 00:54:35,005 --> 00:54:39,476 I, UH, BETTER RUN. YOU TWO ENJOY DINNER. 1168 00:54:39,476 --> 00:54:40,477 DID YOU SCRUB THOSE? 1169 00:54:40,477 --> 00:54:41,011 SHOULD YOU? 1170 00:54:41,011 --> 00:54:43,013 OH, YEAH. IT'S SHELLFISH. SURE. 1171 00:54:43,013 --> 00:54:44,447 UM... 1172 00:54:44,447 --> 00:54:45,015 SCRUB. 1173 00:54:45,015 --> 00:54:47,217 SCRUB AND THEN EAT. 1174 00:54:47,217 --> 00:54:49,119 LET ME DO THAT FOR YOU. 1175 00:54:49,119 --> 00:54:50,387 I, ON THE OTHER HAND, 1176 00:54:50,387 --> 00:54:53,490 I'VE GOT TO PICK UP KEVIN FROM NINJA CLASS. 1177 00:54:53,490 --> 00:54:58,061 IF I'M NOT THERE, HE'LL HURT THE OTHER CHILDREN. 1178 00:54:58,061 --> 00:54:59,929 NO-- 1179 00:55:02,799 --> 00:55:04,534 JOE, NICE TO MEET YOU. 1180 00:55:04,534 --> 00:55:06,836 NICE TO MEET YOU. 1181 00:55:06,836 --> 00:55:10,540 YOU'RE SURE THIS IS, UH, ALL RIGHT 1182 00:55:10,540 --> 00:55:12,142 WITH, UH, CONRAD? 1183 00:55:12,142 --> 00:55:12,842 WHO? 1184 00:55:12,842 --> 00:55:14,644 CONRAD'S ON DUTY AT THE HOSPITAL. 1185 00:55:14,644 --> 00:55:16,913 BESIDES, I HAVE MY OWN LIFE. 1186 00:55:16,913 --> 00:55:21,284 UH, I'LL CALL YOU TOMORROW, LITTLE SISTER. 1187 00:55:21,284 --> 00:55:23,453 ENJOY YOUR DINNER. 1188 00:55:24,587 --> 00:55:27,991 ALL RIGHT, WHAT HAVE WE GOT HERE? 1189 00:55:27,991 --> 00:55:29,926 OREGANO. 1190 00:55:33,229 --> 00:55:36,032 I HAD A FRIEND WHO TOLD ME ONCE-- 1191 00:55:36,032 --> 00:55:38,902 SHE SAID THAT IF YOU REALLY LOVE SOMEBODY-- 1192 00:55:38,902 --> 00:55:42,072 I MEAN, REALLY, LIKE, WHERE YOU CAN'T BREATHE-- 1193 00:55:42,072 --> 00:55:45,175 IF YOU REALLY LOVE SOMEBODY LIKE THAT, 1194 00:55:45,175 --> 00:55:47,877 THEN THEY'RE PROBABLY LOVING YOU BACK. 1195 00:55:47,877 --> 00:55:49,979 DO YOU BELIEVE THAT? 1196 00:55:53,616 --> 00:55:55,819 WHAT DO YOU WANT? 1197 00:55:56,586 --> 00:55:57,187 EXCUSE ME? 1198 00:55:57,187 --> 00:55:59,556 WHAT DO YOU WANT FROM MY CLASS? 1199 00:55:59,556 --> 00:56:02,025 I MEAN, I DON'T KNOW ANYTHING ABOUT YOU. 1200 00:56:02,025 --> 00:56:03,093 YOU COOK LIKE A CHEF, 1201 00:56:03,093 --> 00:56:06,696 YOU LOOK LIKE A MOVIE STAR OR SOMETHING. 1202 00:56:06,696 --> 00:56:08,098 MOVIE STAR. 1203 00:56:08,098 --> 00:56:09,999 YOU DO. 1204 00:56:11,301 --> 00:56:14,704 WELL, ACTUALLY... 1205 00:56:14,704 --> 00:56:15,605 I'M A MALE ESCORT. 1206 00:56:15,605 --> 00:56:19,943 SOMEBODY HIRED ME TO SHOW YOU A GOOD TIME. 1207 00:56:19,943 --> 00:56:22,612 MY SISTER'S TOO CHEAP. 1208 00:56:32,722 --> 00:56:34,624 WELL... 1209 00:56:34,958 --> 00:56:38,328 I'VE GOT A HELL OF A DAY TOMORROW. 1210 00:56:38,328 --> 00:56:39,329 THANK YOU FOR DINNER. 1211 00:56:39,329 --> 00:56:42,332 I HAD A... VERY NICE TIME. 1212 00:56:42,332 --> 00:56:46,202 HEY, YOU SCRUBBED MY CLAMS, YOU KNOW. 1213 00:56:46,970 --> 00:56:48,171 I WHAT? 1214 00:56:48,171 --> 00:56:50,073 MY GOD! 1215 00:56:51,074 --> 00:56:54,244 GET OUT. YOU BETTER GO. 1216 00:56:55,879 --> 00:56:57,714 YEAH. 1217 00:56:59,849 --> 00:57:01,885 WELL, I'LL SEE YOU SOON. 1218 00:57:07,357 --> 00:57:09,726 DO YOU LIKE THEATER? 1219 00:57:12,028 --> 00:57:13,196 SURE. 1220 00:57:13,196 --> 00:57:14,431 WELL, 'CAUSE THERE IS-- 1221 00:57:14,431 --> 00:57:18,735 THERE'S THIS PLAY ON WEDNESDAY NIGHT... 1222 00:57:19,035 --> 00:57:22,238 YOU KNOW, IF YOU'RE INTERESTED. 1223 00:57:26,876 --> 00:57:28,077 IT'S A DATE. 1224 00:57:28,077 --> 00:57:29,913 GREAT. 1225 00:57:35,251 --> 00:57:38,021 SO RALPH RUNS OFF SCREAMING LIKE A WOMAN, 1226 00:57:38,021 --> 00:57:39,022 LOOKING FOR A DOCTOR, 1227 00:57:39,022 --> 00:57:42,258 AND THIS STUPID IDIOT FROM ADMITTING IS THERE. 1228 00:57:42,258 --> 00:57:43,259 SHE'S FREAKING OUT. 1229 00:57:43,259 --> 00:57:45,061 THE WHOLE ROOM IS STARING AT ME. 1230 00:57:45,061 --> 00:57:47,096 I GRABBED THIS GUY'S COAT, 1231 00:57:47,096 --> 00:57:48,264 LAID THE WOMAN ON THE FLOOR. 1232 00:57:48,264 --> 00:57:50,133 SHE'S SCREAMING, "MY, GOD, IT'S COMING." 1233 00:57:50,133 --> 00:57:52,402 THE NEXT THING YOU KNOW, THE BABY'S HEAD-- 1234 00:57:52,402 --> 00:57:53,803 IT WAS LIKE A FOOTBALL. 1235 00:57:53,803 --> 00:57:56,306 IT JUST CAME RIGHT OUT, AND I CAUGHT IT. 1236 00:57:56,306 --> 00:57:58,341 YOU DID THIS ALL BY YOURSELF? 1237 00:57:58,341 --> 00:58:00,109 WHERE THE HELL WAS RALPH? 1238 00:58:00,109 --> 00:58:03,146 I SAID HE WAS LOOKING FOR THE DOCTOR. 1239 00:58:03,146 --> 00:58:05,281 ALL BY YOURSELF, HUH? 1240 00:58:06,649 --> 00:58:08,384 PRETTY GOOD. 1241 00:58:08,952 --> 00:58:11,888 HEY, CON, DID YOU SEE MY MONEY CLIP? 1242 00:58:11,888 --> 00:58:15,325 OH, NEVER MIND. I GOT IT RIGHT HERE. 1243 00:58:21,064 --> 00:58:23,132 7, ALL RIGHT. 1244 00:58:28,938 --> 00:58:30,740 I'M CALLING IT OFF. 1245 00:58:30,740 --> 00:58:31,307 CALLING OFF WHAT? 1246 00:58:31,307 --> 00:58:35,345 OUR DEAL OR WHATEVER YOU WANT TO CALL IT. IT'S WRONG. 1247 00:58:35,345 --> 00:58:37,113 WHAT ARE YOU TALKING ABOUT? 1248 00:58:37,113 --> 00:58:40,316 YOU CAN'T BAIL OUT ON ME. WE'RE WINNING. 1249 00:58:40,316 --> 00:58:43,419 I DON'T FEEL LIKE I'M WINNING. 1250 00:58:43,419 --> 00:58:45,822 ALL I NEED IS A LITTLE MORE TIME. 1251 00:58:45,822 --> 00:58:49,125 COME ON, NOT LONG. JUST A FEW MORE DAYS. 1252 00:58:49,125 --> 00:58:51,828 YOU KNOW SHE'S WORTH IT. 1253 00:58:51,828 --> 00:58:53,997 YEAH, SHE IS. 1254 00:58:54,797 --> 00:58:56,099 SO WHERE ARE YOU GOING? 1255 00:58:56,099 --> 00:59:00,003 I'M GOING TO WORK. I'LL BE HOME LATE. 1256 00:59:00,837 --> 00:59:02,906 THANKS. 1257 00:59:03,139 --> 00:59:04,407 BYE. 1258 00:59:14,017 --> 00:59:15,919 HELLO, THIS IS YVONNE. 1259 00:59:15,919 --> 00:59:17,353 I'M NOT AT HOME. 1260 00:59:17,353 --> 00:59:19,022 LEAVE A MESSAGE. 1261 00:59:19,022 --> 00:59:19,455 [BEEP] 1262 00:59:19,455 --> 00:59:21,891 HI, YVONNE. IT'S JOE CALLING. 1263 00:59:21,891 --> 00:59:23,993 LISTEN, I'M NOT FEELING TOO GOOD TONIGHT, 1264 00:59:23,993 --> 00:59:27,797 SO I'M GOING TO HAVE TO CANCEL FOR LATER ON, 1265 00:59:27,797 --> 00:59:30,934 AND I'LL GIVE YOU A RAIN CHECK. 1266 00:59:30,934 --> 00:59:32,268 O.K. 1267 00:59:35,505 --> 00:59:37,240 IS EVERYTHING O.K.? 1268 00:59:37,240 --> 00:59:38,274 GREAT. 1269 00:59:38,274 --> 00:59:39,909 AFTER YOU. 1270 00:59:40,343 --> 00:59:43,079 [MODERN MUSIC PLAYING] 1271 01:00:33,463 --> 01:00:36,032 [THUNDER] 1272 01:00:43,973 --> 01:00:47,410 IT WAS SIMPLE, BUT IT WAS LOVED. 1273 01:00:47,410 --> 01:00:53,583 AND NOW IT STANDS COLD AND SHRIVELED WITH LONELINESS 1274 01:00:53,583 --> 01:00:57,053 AT THE EDGE OF TIME. 1275 01:01:00,456 --> 01:01:04,861 I DON'T THINK THESE PEOPLE EVEN LIKED IT. 1276 01:01:12,969 --> 01:01:16,372 LET'S GO. 1277 01:01:21,277 --> 01:01:23,279 ELLEN! 1278 01:01:27,016 --> 01:01:28,584 ELLEN. 1279 01:01:28,584 --> 01:01:30,853 HI. 1280 01:01:30,853 --> 01:01:32,622 YOU LOOK BEAUTIFUL. 1281 01:01:32,622 --> 01:01:35,391 OH, YOU LOOK AMAZING. 1282 01:01:39,562 --> 01:01:42,298 JOE, THIS IS MY FRIEND CONNIE. 1283 01:01:42,298 --> 01:01:45,201 HEY, CONNIE, HOW ARE YOU DOING? 1284 01:01:45,201 --> 01:01:46,602 FINE. 1285 01:01:46,602 --> 01:01:48,037 PLEASURE. 1286 01:01:48,037 --> 01:01:49,205 AHEM. 1287 01:01:49,205 --> 01:01:52,909 SO YOU GUYS KNOW WHAT THAT WAS ABOUT? 1288 01:01:52,909 --> 01:01:54,243 IT WAS LIKE... 1289 01:01:54,243 --> 01:01:56,179 REALLY SILLY. 1290 01:01:58,514 --> 01:02:01,517 WELL...WE SHOULD GET GOING. 1291 01:02:01,517 --> 01:02:04,420 GUESS YOU GOT, WHAT, DINNER PLANS OR SOMETHING? 1292 01:02:04,420 --> 01:02:07,423 YEAH. IT'S A PLEASURE TO MEET YOU. 1293 01:02:07,423 --> 01:02:08,191 YEAH. 1294 01:02:08,191 --> 01:02:11,227 WAIT. THERE'S THIS GREAT NEW CUBAN RESTAURANT 1295 01:02:11,227 --> 01:02:12,528 DOWN ON CORNELIA. 1296 01:02:12,528 --> 01:02:13,463 OH, GREAT. 1297 01:02:13,463 --> 01:02:15,598 DO YOU STILL LOVE PLANTAINS? 1298 01:02:15,598 --> 01:02:17,133 YEAH, I DO. 1299 01:02:17,133 --> 01:02:18,668 THAT SOUNDS GREAT. THANKS. 1300 01:02:18,668 --> 01:02:20,069 YOU READY? 1301 01:02:20,069 --> 01:02:22,438 YEAH. TAKE CARE. 1302 01:02:22,438 --> 01:02:24,107 EXCUSE ME. 1303 01:02:32,148 --> 01:02:33,916 I NEED A STORY, YOU KNOW. 1304 01:02:33,916 --> 01:02:35,585 THERE WAS NO STORY. 1305 01:02:35,585 --> 01:02:38,254 COULD YOU TELL ME WHAT THAT WAS ALL ABOUT? 1306 01:02:38,254 --> 01:02:40,289 THAT'S WHY I'M TAKING YOUR CLASS, 1307 01:02:40,289 --> 01:02:42,658 BECAUSE I'VE ALWAYS READ A LOT, 1308 01:02:42,658 --> 01:02:46,229 BUT I REALLY WANT TO LEARN HOW TO WRITE. 1309 01:02:46,229 --> 01:02:49,632 JOE, I NEED TO TELL YOU SOMETHING. 1310 01:02:50,366 --> 01:02:52,001 THAT WOMAN BACK THERE, 1311 01:02:52,001 --> 01:02:54,203 THAT WOMAN WE JUST MET... 1312 01:02:54,203 --> 01:02:55,371 YEAH, SURE. 1313 01:02:55,371 --> 01:02:58,441 SHE--SHE AND I WERE A COUPLE. 1314 01:02:58,441 --> 01:02:59,475 WE WERE A COUPLE. 1315 01:02:59,475 --> 01:03:01,644 WE WERE LIVING TOGETHER. 1316 01:03:03,679 --> 01:03:05,548 UH, CONNIE. 1317 01:03:05,548 --> 01:03:08,451 YEAH. CONRAD. 1318 01:03:08,451 --> 01:03:09,719 STUPID. 1319 01:03:09,719 --> 01:03:12,455 I DON'T KNOW WHY I LIED ABOUT THAT, YOU KNOW. 1320 01:03:12,455 --> 01:03:13,589 I GUESS... I DON'T KNOW. 1321 01:03:13,589 --> 01:03:17,960 I'M GOING TO HAVE TO THINK ABOUT THAT. 1322 01:03:19,495 --> 01:03:20,696 BUT, UM... 1323 01:03:20,696 --> 01:03:24,233 YOU KNOW, I'M--I'M SORRY. 1324 01:03:24,233 --> 01:03:27,537 SO WHAT ARE YOU, UH... 1325 01:03:27,537 --> 01:03:31,307 WHAT ARE YOU, ARE YOU STILL TOGETHER? 1326 01:03:34,110 --> 01:03:35,378 NO. 1327 01:03:35,711 --> 01:03:37,213 DO YOU, UH... 1328 01:03:37,213 --> 01:03:39,816 WHAT, DO YOU STILL LOVE HER? 1329 01:03:39,816 --> 01:03:41,784 YEAH, I DO. 1330 01:03:41,784 --> 01:03:43,686 I LOVE HER. 1331 01:03:46,689 --> 01:03:49,392 CONNIE'S IN MY HEART. 1332 01:03:53,696 --> 01:03:56,432 UH, BUT IT'S NOT LIKE YOU CAN 1333 01:03:56,432 --> 01:03:59,402 MAKE YOURSELF STAY IN LOVE. 1334 01:04:00,837 --> 01:04:02,672 YOU CAN'T. 1335 01:04:05,474 --> 01:04:07,343 IT'S NOT LIKE YOU CAN-- 1336 01:04:07,343 --> 01:04:10,046 IT'S NOT LIKE YOU CAN TAKE SOME PILL 1337 01:04:10,046 --> 01:04:11,447 THAT KEEPS YOU IN LOVE FOREVER. 1338 01:04:11,447 --> 01:04:16,719 HEY, HEY, HEY. COME HERE. 1339 01:04:16,719 --> 01:04:19,088 IT'S O.K. 1340 01:04:37,373 --> 01:04:40,476 CAN I ASK YOU SOMETHING? 1341 01:04:40,476 --> 01:04:43,212 SURE. 1342 01:04:45,214 --> 01:04:50,019 WHAT IS THIS THING ON TOP OF YOUR HEAD? 1343 01:04:50,353 --> 01:04:52,822 I'M SERIOUS. WHAT HAVE YOU GOT IN THERE? 1344 01:04:52,822 --> 01:04:54,257 ARE YOU STORING CHANGE IN THERE? 1345 01:04:54,257 --> 01:04:55,558 YOUR LIPSTICK UP THERE? 1346 01:04:55,558 --> 01:04:58,394 THIS IS A VERY SOPHISTICATED HAIR STYLE. 1347 01:04:58,394 --> 01:04:59,695 HELLO. 1348 01:04:59,695 --> 01:05:03,165 IT ONLY TOOK ME HALF THE DAY, CREEP. 1349 01:05:03,165 --> 01:05:03,699 [MUMBLING] 1350 01:05:03,699 --> 01:05:05,668 YOU WANT ME TO TAKE IT DOWN? 1351 01:05:05,668 --> 01:05:07,703 I CAN TAKE IT DOWN. 1352 01:05:07,703 --> 01:05:11,507 NO, I'M ONLY KIDDING. 1353 01:05:11,507 --> 01:05:14,310 YOU HATE IT. 1354 01:05:15,811 --> 01:05:18,047 I LOVE IT. 1355 01:05:21,884 --> 01:05:24,153 YOU'RE BEAUTIFUL. 1356 01:05:25,421 --> 01:05:29,358 YOU'RE SO BEAUTIFUL YOU MAKE MY HEART STOP. 1357 01:05:37,833 --> 01:05:42,405 ♪ SUMMER GREEN TURNS GRAY COLD ♪ 1358 01:05:42,405 --> 01:05:45,775 ♪ THE BOYS WERE LEAVIN' WE WERE TOLD ♪ 1359 01:05:45,775 --> 01:05:50,813 ♪ AND SO WE SAID GOODBYE ♪ 1360 01:05:50,813 --> 01:05:52,748 JOE... 1361 01:05:52,748 --> 01:05:55,551 JOE, I WANT YOU TO STAY HERE TONIGHT. 1362 01:05:55,551 --> 01:05:58,621 ♪ PLAYIN' WITH US IN THE STREAM ♪ 1363 01:05:58,621 --> 01:06:00,489 O.K., STAY WITH ME. 1364 01:06:00,489 --> 01:06:04,393 ♪ TO ALL OUR HEROES... ♪ 1365 01:06:07,363 --> 01:06:10,266 I CAN'T, UM... 1366 01:06:13,536 --> 01:06:15,604 I'M SORRY. IT'S JUST... 1367 01:06:15,604 --> 01:06:19,342 I CAN'T STAY TONIGHT. 1368 01:06:19,342 --> 01:06:21,410 WELL, WHAT'S WRONG? 1369 01:06:22,645 --> 01:06:25,514 NOTHING. IT'S, UM... 1370 01:06:26,582 --> 01:06:30,720 IT'S NOT YOU, IT'S ME. 1371 01:06:30,720 --> 01:06:34,423 I JUST CAN'T... STAY HERE... 1372 01:06:34,423 --> 01:06:37,426 UH, NOW, TONIGHT. 1373 01:06:39,395 --> 01:06:42,331 THIS IS CRAZY. 1374 01:06:42,698 --> 01:06:45,134 I'M SORRY. 1375 01:06:52,575 --> 01:06:56,145 I BETTER-- I BETTER GO. 1376 01:06:58,381 --> 01:07:00,282 SORRY. 1377 01:07:02,518 --> 01:07:04,453 GOOD NIGHT. 1378 01:07:20,836 --> 01:07:23,639 COME ON. OOH. 1379 01:07:23,639 --> 01:07:25,374 I'LL SEDUCE YOUR FOOT. 1380 01:07:25,374 --> 01:07:27,877 COME TO BED. 1381 01:07:27,877 --> 01:07:30,646 I'LL KISS YOUR TOES. 1382 01:07:30,646 --> 01:07:33,149 I'LL KISS YOUR LITTLE TOES. 1383 01:07:33,149 --> 01:07:36,786 ALL RIGHT, NOW GO BACK TO THE CAMERA 1384 01:07:36,786 --> 01:07:38,320 LIKE YOU WERE. 1385 01:07:38,320 --> 01:07:39,789 GO LIKE THIS. 1386 01:07:39,789 --> 01:07:41,357 THAT CLOSE, O.K. 1387 01:07:41,357 --> 01:07:45,061 NOW TELL ME WHAT YOU LIKE ABOUT ME. 1388 01:07:45,061 --> 01:07:48,898 COME ON, DO IT. DO IT. 1389 01:07:48,898 --> 01:07:51,033 COME ON, O.K. TELL ME. 1390 01:07:51,033 --> 01:07:52,701 THINK OF SOMETHING. 1391 01:07:52,701 --> 01:07:53,736 I'M THINKING. 1392 01:07:53,736 --> 01:07:55,104 NO, NO, NO. COME ON. 1393 01:07:55,104 --> 01:07:56,639 OFF THE TOP OF YOUR HEAD. 1394 01:07:56,639 --> 01:08:00,042 YOU'RE SWEET, AND YOU'RE FUNNY, AND YOU'RE LOVING, 1395 01:08:00,042 --> 01:08:01,744 AND YOU'RE WARM... 1396 01:08:01,744 --> 01:08:03,412 ISN'T SHE BEAUTIFUL? 1397 01:08:03,412 --> 01:08:05,181 AND YOU'RE MY BEST FRIEND, 1398 01:08:05,181 --> 01:08:06,549 AND YOU'RE BEAUTIFUL, 1399 01:08:06,549 --> 01:08:08,918 AND YOU HAVE LEGS FOR DAYS, 1400 01:08:08,918 --> 01:08:13,422 AND YOU'RE A GREAT KISSER. 1401 01:08:13,422 --> 01:08:15,357 WHEN ARE YOU GOING TO GET OVER THIS-- 1402 01:08:15,357 --> 01:08:15,925 THIS OBSESSION, 1403 01:08:15,925 --> 01:08:17,626 THESE STUPID, FUCKING VIDEOS? 1404 01:08:17,626 --> 01:08:18,828 IT'S PATHETIC. 1405 01:08:18,828 --> 01:08:22,398 WHAT THE HELL DO YOU CARE WHAT VIDEOS I WATCH? 1406 01:08:22,398 --> 01:08:24,500 I CAN WATCH WHATEVER VIDEOS I WANT TO. 1407 01:08:24,500 --> 01:08:25,868 WHAT THE HELL WERE YOU DOING THERE? 1408 01:08:25,868 --> 01:08:28,337 WHAT WAS THAT ALL ABOUT? 1409 01:08:28,337 --> 01:08:30,372 I WANTED TO SEE HER. 1410 01:08:30,372 --> 01:08:32,808 WELL, YOU SAW HER, ALL RIGHT? 1411 01:08:32,808 --> 01:08:35,344 YOU FEEL BETTER? 1412 01:08:35,344 --> 01:08:36,378 WHAT HAPPENED TONIGHT? 1413 01:08:36,378 --> 01:08:39,615 WHAT HAPPENED? YOU ALMOST FUCKED EVERYTHING UP. 1414 01:08:39,615 --> 01:08:41,484 THAT'S ALMOST WHAT HAPPENED TONIGHT. 1415 01:08:41,484 --> 01:08:44,453 I THOUGHT YOU SAID YOU WERE GOING TO WORK. 1416 01:08:44,453 --> 01:08:47,056 I WAS WORKING, REMEMBER? 1417 01:08:47,056 --> 01:08:49,625 HOW COULD THEY NOT LOVE YOU? 1418 01:08:49,625 --> 01:08:50,426 I DON'T KNOW. 1419 01:08:50,426 --> 01:08:51,160 I'M EXHAUSTED. 1420 01:08:51,160 --> 01:08:54,897 MAYBE ONCE THEY GET OVER THEIR SHOCK. 1421 01:08:54,897 --> 01:08:56,365 I'M GOING TO BED. 1422 01:08:56,365 --> 01:08:58,000 IT'LL BE O.K. 1423 01:08:58,000 --> 01:09:00,870 I KNOW, IT'S LIKE THE UNSPOKEN THING. 1424 01:09:00,870 --> 01:09:03,038 WE'RE ALL PASSIVE, AGGRESSIVE, 1425 01:09:03,038 --> 01:09:07,042 AND CRAZY AND POLISH AND CATHOLIC, 1426 01:09:07,042 --> 01:09:08,944 AND WE'RE PRETTY FUNNY. 1427 01:09:08,944 --> 01:09:11,413 THEY'RE GOING TO LOVE YOU. 1428 01:09:11,413 --> 01:09:12,715 I KNOW IT. 1429 01:09:12,715 --> 01:09:15,718 MY MOM WILL LOVE YOU. 1430 01:09:25,861 --> 01:09:26,595 WHERE? 1431 01:09:26,595 --> 01:09:28,364 ALL RIGHT, LOOK. WAIT HERE, 1432 01:09:28,364 --> 01:09:31,467 AND DON'T COME OVER TILL I CALL YOU. 1433 01:09:31,467 --> 01:09:33,402 HARVEY. 1434 01:09:34,603 --> 01:09:37,606 HEY, STILL MAD AT ME? 1435 01:09:37,606 --> 01:09:39,642 HEY, WHAT IS THIS THING? 1436 01:09:39,642 --> 01:09:41,977 IS IT FOR THE ARMS? 1437 01:09:41,977 --> 01:09:44,813 GET THAT PIECE OF SHIT OUT OF MY SIGHT. 1438 01:09:44,813 --> 01:09:47,449 HEY, HARVEY, COME ON. THIS IS JOEY. 1439 01:09:47,449 --> 01:09:48,951 JOEY'S COOL, FOR CHRIST'S SAKE. 1440 01:09:48,951 --> 01:09:51,687 IF HE SAYS HE DIDN'T TURN YOU IN, 1441 01:09:51,687 --> 01:09:53,689 HE DIDN'T TURN YOU IN. 1442 01:09:53,689 --> 01:09:55,090 YOU KNOW WHAT THIS IS? 1443 01:09:55,090 --> 01:09:59,862 THIS IS A COMMUNICATION SITUATION HERE. 1444 01:09:59,862 --> 01:10:01,163 COME ON, DO IT FOR ME. 1445 01:10:01,163 --> 01:10:02,731 WOULD YOU GUYS KISS AND MAKE UP? 1446 01:10:02,731 --> 01:10:05,935 I MEAN, TALK TO HIM. HE FEELS LIKE SHIT. 1447 01:10:05,935 --> 01:10:07,937 DON'T FUCK WITH MY MIND, MAN. 1448 01:10:07,937 --> 01:10:09,505 I KNOW WHAT HAPPENED. 1449 01:10:09,505 --> 01:10:10,406 I KNOW WHAT HE DID. 1450 01:10:10,406 --> 01:10:11,774 WHY DO YOU WANT TO GET IN THE MIDDLE OF THIS? 1451 01:10:11,774 --> 01:10:14,076 I DON'T KNOW WHERE YOU GET YOUR INFORMATION, 1452 01:10:14,076 --> 01:10:16,412 BUT IT'S WRONG, PAL. 1453 01:10:16,412 --> 01:10:18,047 TAKE IT EASY. 1454 01:10:18,047 --> 01:10:19,048 YOU THINK I'D WASTE MY TIME 1455 01:10:19,048 --> 01:10:20,950 TALKING TO THE COPS OR ANYBODY ABOUT YOU? 1456 01:10:20,950 --> 01:10:25,888 YOU'D SELL YOUR MOTHER FOR MONEY. YOU'RE A WHORE. 1457 01:10:25,888 --> 01:10:28,591 EXACTLY. EXACTLY, HARVEY. 1458 01:10:28,591 --> 01:10:31,126 HE IS. HE'S A WHORE. 1459 01:10:31,126 --> 01:10:33,729 YOU'RE A WHORE... 1460 01:10:33,729 --> 01:10:35,798 BUT HE'S MY FUCKING WHORE. 1461 01:10:35,798 --> 01:10:36,865 LOOK AT THAT BEAUTIFUL FACE. 1462 01:10:36,865 --> 01:10:38,934 YOU FUCK WITH THAT FACE, YOU'RE FUCKING WITH ME. 1463 01:10:38,934 --> 01:10:43,105 SO LET'S JUST CALM THE FUCK DOWN. 1464 01:10:43,105 --> 01:10:45,174 HOW DO I MAKE THIS RIGHT WITH YOU? 1465 01:10:45,174 --> 01:10:48,744 ALL RIGHT, ALL RIGHT. 1466 01:10:48,744 --> 01:10:51,046 I WANT TO SEE THIS ASSHOLE 1467 01:10:51,046 --> 01:10:51,880 ON A STRETCHER. 1468 01:10:51,880 --> 01:10:54,116 I WANT TO SEE HIS FUCKING BONES BROKEN. 1469 01:10:54,116 --> 01:10:56,652 YOU WANT TO THROW DOWN? FUCK YOU. 1470 01:10:56,652 --> 01:10:57,152 COME ON. 1471 01:10:57,152 --> 01:10:59,021 WHY ARE YOU PUSHING ME? 1472 01:10:59,021 --> 01:11:00,522 GET THE FUCK-- 1473 01:11:00,522 --> 01:11:01,490 HEY, FUCK YOU. 1474 01:11:01,490 --> 01:11:03,892 STAY HERE. I WANT TO TALK TO YOU. 1475 01:11:03,892 --> 01:11:07,630 GET OVER HERE. COME HERE, COME HERE. 1476 01:11:07,630 --> 01:11:08,998 MOTHERFUCKERS. 1477 01:11:11,934 --> 01:11:14,637 GET OUT OF HERE. LET ME TALK TO HIM. 1478 01:11:14,637 --> 01:11:17,773 GET OUT OF HERE. YOU GOT A DATE. GO. 1479 01:11:17,773 --> 01:11:19,642 I'M NOT WORKING. I GOT PLANS. 1480 01:11:19,642 --> 01:11:22,111 I CALLED YOUR MACHINE LAST NIGHT. 1481 01:11:22,111 --> 01:11:26,749 I TOLD YOU YOU HAVE A DATE. 1482 01:11:26,749 --> 01:11:28,484 HERE. 1483 01:11:28,917 --> 01:11:30,986 YEAH, HERE. DONNA. 1484 01:11:30,986 --> 01:11:33,155 GO. JUST GO. 1485 01:11:33,155 --> 01:11:34,723 WAIT A MINUTE. 1486 01:11:34,723 --> 01:11:35,190 GO AHEAD. 1487 01:11:35,190 --> 01:11:37,593 WHAT, AM I SUPPOSED TO GO LIKE THIS? 1488 01:11:37,593 --> 01:11:42,965 THEY DON'T CARE. THEY CARE ABOUT WHAT YOU DON'T WEAR. 1489 01:11:45,734 --> 01:11:50,105 HEY, WHAT ARE WE GOING TO DO? 1490 01:11:50,105 --> 01:11:51,974 HE FUCKED ME, MICKEY, 1491 01:11:51,974 --> 01:11:54,977 AND HE'S GOING TO FUCK YOU. 1492 01:12:15,664 --> 01:12:16,765 I'M SORRY. 1493 01:12:16,765 --> 01:12:19,835 JOE, CUT IT OUT. THIS IS STUPID, O.K. 1494 01:12:19,835 --> 01:12:22,304 YOU DON'T WANT TO BE HERE, FINE, 1495 01:12:22,304 --> 01:12:24,239 JUST DON'T WASTE MY TIME. 1496 01:12:24,239 --> 01:12:28,911 I DO WANT TO BE HERE. WHAT? 1497 01:12:31,847 --> 01:12:34,550 I WANT TO BE WITH YOU. 1498 01:12:34,550 --> 01:12:36,752 FORGET IT. 1499 01:12:39,088 --> 01:12:40,889 ELLEN. 1500 01:12:44,860 --> 01:12:47,062 WHAT--WHAT DO YOU WANT? 1501 01:12:47,062 --> 01:12:49,965 I WANT TO KNOW WHO YOU ARE. 1502 01:12:53,535 --> 01:12:55,871 I DON'T GET IT. 1503 01:12:55,871 --> 01:12:57,773 WHAT DO YOU MEAN WHO AM I? 1504 01:12:57,773 --> 01:13:00,576 LOOK, YOU'RE NOT A WRITING STUDENT. 1505 01:13:00,576 --> 01:13:03,212 YOU'RE CERTAINLY NOT WITH ME. 1506 01:13:03,212 --> 01:13:05,881 WHO ARE YOU? 1507 01:13:09,151 --> 01:13:10,786 I'M JUST JOE. 1508 01:13:10,786 --> 01:13:14,523 THAT'S NOT GOOD ENOUGH, JOE. 1509 01:13:17,893 --> 01:13:19,795 DID YOU BRING YOUR ASSIGNMENT? 1510 01:13:19,795 --> 01:13:23,332 IT WAS TO DESCRIBE YOUR FEAR. 1511 01:13:23,332 --> 01:13:25,834 I DIDN'T DO IT. 1512 01:13:29,171 --> 01:13:30,873 DO IT NOW. 1513 01:13:36,245 --> 01:13:39,214 DO WHAT? THIS IS...IT'S BLANK. 1514 01:13:39,214 --> 01:13:42,084 DESCRIBE YOUR FEARS. 1515 01:13:44,787 --> 01:13:47,289 LOOK, I CAN'T DO THIS, O.K. 1516 01:13:47,289 --> 01:13:49,625 I JUST...THIS IS STUPID. 1517 01:13:49,625 --> 01:13:51,660 I FEEL LIKE AN IDIOT. 1518 01:13:51,660 --> 01:13:52,895 NO. 1519 01:13:54,663 --> 01:13:56,865 I'M THE IDIOT. 1520 01:13:59,902 --> 01:14:01,203 OH, ALL RIGHT. 1521 01:14:01,203 --> 01:14:02,905 HEY, NO, NO. WAIT. 1522 01:14:02,905 --> 01:14:05,874 HEY, COME HERE. 1523 01:14:09,111 --> 01:14:11,980 I'M...JUST, YOU KNOW... 1524 01:14:11,980 --> 01:14:17,286 I'M AFRAID OF...NOTHING. 1525 01:14:17,286 --> 01:14:18,887 NOT REAL. 1526 01:14:18,887 --> 01:14:23,225 I'M AFRAID OF MYSELF, YOU KNOW, 1527 01:14:23,225 --> 01:14:24,760 WHAT I AM. 1528 01:14:24,760 --> 01:14:26,962 WHAT AM I TO DO? 1529 01:14:26,962 --> 01:14:29,932 I'M AFRAID OF YOUR HONESTY 1530 01:14:29,932 --> 01:14:33,602 AND THE WAY YOU MAKE ME FEEL... 1531 01:14:35,170 --> 01:14:38,106 AND THE THINGS YOU MAKE ME SEE. 1532 01:14:48,016 --> 01:14:50,953 I FEEL SO WEAK SOMETIMES. 1533 01:14:51,954 --> 01:14:54,289 YOU'RE NOT WEAK. 1534 01:14:57,025 --> 01:14:59,761 I'M NOT VERY GOOD AT THIS. 1535 01:15:01,363 --> 01:15:04,800 IT'S HARD TO SAY. THAT'S TOUGH. 1536 01:15:11,406 --> 01:15:13,242 SORRY. 1537 01:15:20,015 --> 01:15:21,650 THANK YOU. 1538 01:15:40,269 --> 01:15:42,671 [WOMAN TALKING] 1539 01:15:43,272 --> 01:15:45,741 OH, DARLING, I COMPLETELY UNDERSTAND. 1540 01:15:45,741 --> 01:15:47,009 LAST TIME I USED THESE PEOPLE 1541 01:15:47,009 --> 01:15:51,246 THEY PUT WAY TOO MUCH SALT ON EVERYTHING. 1542 01:15:51,947 --> 01:15:56,418 I SPENT MORE ON WATER THAN I DID ON THE FOOD. 1543 01:15:56,418 --> 01:16:01,924 DON'T LET THEM SELL YOU ON THE DIM SUM OR THE CANAPES. 1544 01:16:01,924 --> 01:16:04,059 THEY'LL CHARGE YOU A FORTUNE, 1545 01:16:04,059 --> 01:16:07,062 AND EVERYONE'S STILL HUNGRY. 1546 01:16:07,062 --> 01:16:08,430 YEAH. 1547 01:16:09,298 --> 01:16:11,300 [SNAPS FINGERS] 1548 01:16:11,300 --> 01:16:15,404 YEAH. AH. YEAH. 1549 01:16:15,404 --> 01:16:19,541 THEY HAVE AN ABSOLUTELY SNIPPY BARTENDER--JUAN. 1550 01:16:19,541 --> 01:16:22,110 DON'T IF THEY GIVE YOU JUAN. 1551 01:16:22,110 --> 01:16:24,746 ASK FOR, UH... 1552 01:16:24,746 --> 01:16:25,380 ASK FOR NEIL. 1553 01:16:25,380 --> 01:16:30,152 HE'S TALL, AND HE MAKES A PERFECT MANHATTAN. 1554 01:16:30,152 --> 01:16:32,254 YEAH, I KNOW, 1555 01:16:32,254 --> 01:16:36,058 AND THEY'RE GOING TO TRY AND SOAK YOU ON THE WINE, 1556 01:16:36,058 --> 01:16:39,795 BUT THEY HAVE A PERFECTLY GOOD CHARDONNAY-- 1557 01:16:39,795 --> 01:16:41,964 '83. YEAH. 1558 01:16:41,964 --> 01:16:46,501 IT'S CHEAPER, AND NOBODY WILL KNOW THE DIFFERENCE. 1559 01:16:48,103 --> 01:16:49,805 I GOT TO GET OFF. 1560 01:16:49,805 --> 01:16:52,808 I'LL CALL YOU LATER. 1561 01:16:54,076 --> 01:16:56,011 WHAT'S WRONG WITH YOU? 1562 01:16:56,011 --> 01:16:58,180 I'M SORRY. I'M JUST... 1563 01:16:58,180 --> 01:16:59,581 I'M JUST TIRED. 1564 01:16:59,581 --> 01:17:01,049 WELL, THAT'S ALL RIGHT. 1565 01:17:01,049 --> 01:17:04,453 I CAN HELP YOU WITH THAT. 1566 01:17:04,987 --> 01:17:06,588 STOP IT. DON'T TOUCH ME. 1567 01:17:06,588 --> 01:17:08,890 WHAT'S THE MATTER WITH YOU? 1568 01:17:08,890 --> 01:17:10,092 DON'T... 1569 01:17:10,092 --> 01:17:11,460 DON'T TOUCH ME. 1570 01:17:11,460 --> 01:17:13,562 LAST TIME YOU CANCELED ON ME, 1571 01:17:13,562 --> 01:17:15,397 AND NOW YOU'RE PLAYING GAMES WITH ME. 1572 01:17:15,397 --> 01:17:17,933 GET OUT OF THOSE CLOTHES AND INTO BED. 1573 01:17:17,933 --> 01:17:21,370 I DON'T WANT TO TOUCH YOU. 1574 01:17:21,370 --> 01:17:23,872 YOU MAKE ME SICK. 1575 01:17:23,872 --> 01:17:25,173 I MAKE YOU SICK? 1576 01:17:25,173 --> 01:17:27,442 OH, JOE. I'VE SPOILED YOU. 1577 01:17:27,442 --> 01:17:30,278 YOU THINK YOU'RE SPECIAL. YOU'RE NOT SPECIAL, 1578 01:17:30,278 --> 01:17:34,016 BUT I DO OWN YOU TILL TOMORROW MORNING. 1579 01:17:34,016 --> 01:17:36,852 WHERE DO YOU THINK YOU'RE GOING? 1580 01:17:36,852 --> 01:17:40,055 JOE, GET BACK HERE. 1581 01:17:40,055 --> 01:17:42,858 YOU CAN'T WALK OUT ON ME, JOE. 1582 01:17:42,858 --> 01:17:44,226 I'LL CALL MICKEY. 1583 01:17:44,226 --> 01:17:46,428 YOUR TROUBLE'S JUST BEGINNING, JOE. 1584 01:17:46,428 --> 01:17:48,964 THIS ISN'T THE END OF THIS. 1585 01:18:45,654 --> 01:18:47,255 ELLEN. 1586 01:18:50,625 --> 01:18:51,626 HEY. 1587 01:18:51,626 --> 01:18:53,328 HI. 1588 01:19:02,471 --> 01:19:03,472 WHAT'S GOING ON? 1589 01:19:03,472 --> 01:19:05,640 I HAVE TO TELL YOU SOMETHING. 1590 01:19:05,640 --> 01:19:08,009 WHAT? 1591 01:19:08,610 --> 01:19:12,080 MY LIFE IS SUCH A MESS. 1592 01:19:15,016 --> 01:19:16,418 IT'S O.K. 1593 01:19:16,418 --> 01:19:20,122 COME HERE. IT'S O.K. 1594 01:19:20,122 --> 01:19:21,923 ♪ HE DEALS THE CARDS ♪ 1595 01:19:21,923 --> 01:19:25,227 ♪ AS A MEDITATION ♪ 1596 01:19:25,227 --> 01:19:30,132 ♪ AND THOSE HE PLAYS NEVER SUSPECT ♪ 1597 01:19:31,399 --> 01:19:36,705 ♪ HE DOESN'T PLAY FOR THE MONEY HE WINS ♪ 1598 01:19:36,705 --> 01:19:41,977 ♪ HE DOESN'T PLAY FOR RESPECT ♪ 1599 01:19:42,477 --> 01:19:47,616 ♪ HE DEALS THE CARDS TO FIND THE ANSWER ♪ 1600 01:19:48,483 --> 01:19:53,088 ♪ THE SACRED GEOMETRY OF CHANCE ♪ 1601 01:19:53,622 --> 01:19:59,995 ♪ THE HIDDEN LAW OF A PROBABLE OUTCOME ♪ 1602 01:19:59,995 --> 01:20:04,166 ♪ THE NUMBERS LEAD A DANCE ♪ 1603 01:20:04,766 --> 01:20:07,369 ♪ I KNOW THAT THE SPADES ♪ 1604 01:20:07,369 --> 01:20:11,139 ♪ ARE THE SWORDS OF A SOLDIER ♪ 1605 01:20:11,139 --> 01:20:16,077 ♪ I KNOW THAT THE CLUBS ARE WEAPONS OF WAR ♪ 1606 01:20:16,778 --> 01:20:19,080 ♪ I KNOW THAT DIAMONDS ♪ 1607 01:20:19,080 --> 01:20:21,616 ♪ MEAN MONEY FOR THIS ART ♪ 1608 01:20:21,616 --> 01:20:27,622 ♪ BUT THAT'S NOT THE SHAPE OF MY HEART ♪ 1609 01:20:28,690 --> 01:20:33,962 ♪ HE MAY PLAY THE JACK OF DIAMONDS ♪ 1610 01:20:34,329 --> 01:20:39,201 ♪ HE MAY LAY THE QUEEN OF SPADES ♪ 1611 01:20:40,235 --> 01:20:42,137 ♪ HE MAY CONCEAL ♪ 1612 01:20:42,137 --> 01:20:45,707 ♪ THE KING IN HIS HAND ♪ 1613 01:20:45,707 --> 01:20:49,377 ♪ WHILE THE MEMORY OF IT FADES ♪ 1614 01:20:49,377 --> 01:20:51,146 I LOVE YOU. 1615 01:20:51,146 --> 01:20:53,415 ♪ I KNOW THAT THE SPADES ♪ 1616 01:20:53,415 --> 01:20:56,518 ♪ ARE THE SWORDS OF A SOLDIER ♪ 1617 01:20:56,518 --> 01:21:01,723 ♪ I KNOW THAT THE CLUBS ARE WEAPONS OF WAR ♪ 1618 01:21:03,124 --> 01:21:04,759 ♪ I KNOW THAT DIAMONDS ♪ 1619 01:21:04,759 --> 01:21:07,329 ♪ MEAN MONEY FOR THIS ART ♪ 1620 01:21:07,329 --> 01:21:13,635 ♪ BUT THAT'S NOT THE SHAPE OF MY HEART ♪ 1621 01:21:13,635 --> 01:21:19,140 ♪ THAT'S NOT THE SHAPE ♪ 1622 01:21:19,140 --> 01:21:26,715 ♪ THE SHAPE OF MY HEART ♪ 1623 01:21:28,183 --> 01:21:31,152 I CAN'T BELIEVE YOU DID THIS TO ME. 1624 01:21:31,152 --> 01:21:32,454 YVONNE'S FURIOUS. 1625 01:21:32,454 --> 01:21:35,490 SHE'S MY BEST CLIENT. 1626 01:21:35,490 --> 01:21:37,626 DID YOU EVER THINK ABOUT RETIRING, MICK? 1627 01:21:37,626 --> 01:21:39,227 PLEASE, PLEASE. JOEY, JOEY. 1628 01:21:39,227 --> 01:21:42,264 WHAT THE FUCK ARE YOU TALKING ABOUT? 1629 01:21:42,264 --> 01:21:45,200 SO SHE'S A LITTLE CRAZY. SO WHAT? 1630 01:21:45,200 --> 01:21:49,304 NO, IT'S NOT JUST HER. IT'S EVERYTHING. 1631 01:21:50,238 --> 01:21:52,307 I CAN'T DO IT ANYMORE. 1632 01:21:52,307 --> 01:21:54,910 WHAT IS THIS, SOME BULLSHIT FANTASY? 1633 01:21:54,910 --> 01:21:57,612 YOU WANT TO PRETEND YOU'RE SOMEBODY ELSE? 1634 01:21:57,612 --> 01:21:59,481 IS THAT IT? 1635 01:21:59,481 --> 01:22:03,084 ALL RIGHT, JUST OUT OF CURIOSITY, 1636 01:22:03,084 --> 01:22:06,087 WHAT ARE YOU GOING TO DO FOR MONEY? 1637 01:22:06,087 --> 01:22:07,722 ARE YOU GOING TO DIG DITCHES? 1638 01:22:07,722 --> 01:22:11,559 ARE YOU GOING TO SELL NEWSPAPERS ON THE CORNER? 1639 01:22:12,794 --> 01:22:15,263 WHAT ARE YOU GOING TO DO? 1640 01:22:15,263 --> 01:22:18,500 HOW ARE YOU GOING TO GET BY, 1641 01:22:18,500 --> 01:22:20,502 WITH YOUR BRAINS? 1642 01:22:20,502 --> 01:22:23,338 WITH YOUR WONDERFUL PERSONALITY? 1643 01:22:25,440 --> 01:22:27,642 IT'S YOUR DICK, JOE. 1644 01:22:27,642 --> 01:22:28,543 YOUR DICK, 1645 01:22:28,543 --> 01:22:30,412 AND I'M THE GUY THAT KNOWS WHERE TO SEND IT, 1646 01:22:30,412 --> 01:22:32,614 TO MAKE YOU MORE MONEY THAN YOU EVER DREAMT OF. 1647 01:22:32,614 --> 01:22:34,282 I DON'T KNOW WHAT I'M GOING TO DO, 1648 01:22:34,282 --> 01:22:36,851 BUT I'M NOT DOING THIS ANYMORE. 1649 01:22:36,851 --> 01:22:41,256 I'LL BARTEND, WAIT TABLES, GO TO SCHOOL. WHO KNOWS? 1650 01:22:41,256 --> 01:22:42,490 GO TO SCHOOL? 1651 01:22:42,490 --> 01:22:44,492 I'D LIKE TO SEE THAT. 1652 01:22:44,492 --> 01:22:45,860 HERE YOU GO, TEACHER. 1653 01:22:45,860 --> 01:22:47,262 HERE'S A NICE SHINY APPLE, 1654 01:22:47,262 --> 01:22:49,431 OR BETTER YET, I'M KIND OF DUMB. 1655 01:22:49,431 --> 01:22:53,501 MAYBE I CAN FUCK YOU AFTER CLASS FOR AN "A." 1656 01:22:53,501 --> 01:22:55,370 YOU WANT ME TO SAY O.K.? 1657 01:22:55,370 --> 01:22:56,438 YOU'RE RIGHT. GO AHEAD. 1658 01:22:56,438 --> 01:22:59,741 GO TO SCHOOL. I'LL SEE YOU AT GRADUATION. 1659 01:22:59,741 --> 01:23:02,777 YOU WERE NOTHING WHEN I MET YOU. 1660 01:23:02,777 --> 01:23:04,713 I TURNED YOU INTO SOMETHING, 1661 01:23:04,713 --> 01:23:08,216 AND IF YOU THINK I'M GOING TO LET YOU WALK AWAY 1662 01:23:08,216 --> 01:23:10,251 AFTER ALL THAT, 1663 01:23:10,251 --> 01:23:11,519 THEN YOU'RE WRONG, 1664 01:23:11,519 --> 01:23:12,787 DEAD FUCKING WRONG. 1665 01:23:12,787 --> 01:23:16,358 YOU JUST DON'T GET IT, DO YOU? 1666 01:23:16,358 --> 01:23:18,760 I'M NOT GOING TO APOLOGIZE TO NOBODY, 1667 01:23:18,760 --> 01:23:22,297 AND I'M NOT GOING TO BE ANYWHERE AT 8:00 OR 9:00 OR 10:00 1668 01:23:22,297 --> 01:23:23,832 TO FUCK ANYBODY. 1669 01:23:27,202 --> 01:23:28,803 GOT IT? 1670 01:23:30,438 --> 01:23:32,273 WHERE ARE YOU GOING? 1671 01:23:32,273 --> 01:23:32,774 JOEY. 1672 01:23:32,774 --> 01:23:35,210 LOOK, WHAT THE HELL ARE WE FIGHTING FOR? 1673 01:23:35,210 --> 01:23:36,411 COME ON BACK IN THE OFFICE. 1674 01:23:36,411 --> 01:23:38,213 WE CAN WORK THIS OUT. 1675 01:23:38,213 --> 01:23:39,948 JOEY. 1676 01:23:39,948 --> 01:23:42,283 [DOOR CLOSES] 1677 01:24:05,673 --> 01:24:08,476 HARVEY. 1678 01:24:23,792 --> 01:24:27,629 WE GOT TO TALK, CONNIE. 1679 01:24:28,763 --> 01:24:31,699 WOULD YOU STOP CLEANING? 1680 01:24:34,969 --> 01:24:37,972 I SPENT THE NIGHT WITH HER, CONNIE. 1681 01:24:37,972 --> 01:24:40,809 OH, REALLY? 1682 01:24:40,809 --> 01:24:43,978 LOOK, DO YOU HEAR WHAT I'M SAYING? 1683 01:24:43,978 --> 01:24:45,780 DO YOU KNOW WHAT THIS MEANS? 1684 01:24:45,780 --> 01:24:48,817 CONNIE, I CAN'T DO THIS ANYMORE. 1685 01:24:51,019 --> 01:24:54,355 HOW DARE YOU LIVE WITH ME 1686 01:24:54,355 --> 01:24:55,557 IN MY HOME 1687 01:24:55,557 --> 01:24:58,660 AND FUCK MY GIRLFRIEND. 1688 01:24:58,660 --> 01:25:00,929 I TRUSTED YOU. 1689 01:25:00,929 --> 01:25:03,398 YOU ANIMAL. 1690 01:25:04,833 --> 01:25:07,569 CONNIE, LOOK, I'M SORRY. 1691 01:25:07,569 --> 01:25:09,838 I DIDN'T WANT TO HURT-- 1692 01:25:09,838 --> 01:25:11,573 GET OUT! 1693 01:25:11,573 --> 01:25:12,874 I DIDN'T WANT TO HURT YOU. 1694 01:25:12,874 --> 01:25:15,577 WOULD YOU STOP? WHAT ARE YOU DOING? 1695 01:25:15,577 --> 01:25:16,511 STOP IT, WILL YOU? 1696 01:25:16,511 --> 01:25:19,380 GET OUT OF MY HOUSE! 1697 01:25:19,380 --> 01:25:20,715 GET OUT! 1698 01:25:22,283 --> 01:25:25,453 CONNIE, OPEN THE DOOR, WOULD YOU, PLEASE? 1699 01:25:25,453 --> 01:25:27,355 I NEED TO TALK TO YOU. 1700 01:25:27,355 --> 01:25:29,023 PLEASE, JUST OPEN UP. 1701 01:25:29,023 --> 01:25:30,692 CONNIE, OPEN THE DOOR. 1702 01:25:30,692 --> 01:25:31,326 [BANGING] 1703 01:25:31,326 --> 01:25:32,794 OPEN UP THE GOD DAMN DOOR! 1704 01:25:32,794 --> 01:25:34,729 OPEN UP! LET ME IN! 1705 01:25:34,729 --> 01:25:36,030 AAH! 1706 01:25:39,734 --> 01:25:42,570 OH, MY GOD! STOP! 1707 01:25:46,941 --> 01:25:50,945 HI. MY NAME IS HARVEY. 1708 01:25:55,450 --> 01:25:56,751 MISS ME, FUCK HEAD? 1709 01:25:56,751 --> 01:25:58,753 [CONNIE] OH, GOD. 1710 01:26:00,054 --> 01:26:02,457 GET HER OUT OF HERE. 1711 01:26:02,457 --> 01:26:05,760 JOE! JOE! 1712 01:26:07,996 --> 01:26:09,864 JOE! 1713 01:26:12,100 --> 01:26:16,905 NOW WE'RE GOING TO TEACH YOU SOME RESPECT, JOE. 1714 01:26:16,905 --> 01:26:18,106 DO HIM GOOD. 1715 01:26:18,106 --> 01:26:21,075 [CONNIE] NO! 1716 01:26:23,778 --> 01:26:26,381 NO! 1717 01:26:29,617 --> 01:26:31,819 AAH! 1718 01:26:31,819 --> 01:26:36,457 OH, GOD! 1719 01:26:47,635 --> 01:26:50,038 WHAT'S GOING ON? WHERE IS HE? 1720 01:26:50,038 --> 01:26:52,540 ELLEN, I'M SO GLAD YOU'RE HERE. 1721 01:26:52,540 --> 01:26:55,076 JOE'S BEEN BEAT UP. HE'S BEEN BEAT UP PRETTY BAD. 1722 01:26:55,076 --> 01:26:57,946 HE'S OVER THERE. HE'S GOING TO BE O.K. 1723 01:26:57,946 --> 01:27:02,116 ELLEN, NO MATTER WHAT, I DID IT BECAUSE I LOVE YOU. 1724 01:27:02,116 --> 01:27:03,818 I WANTED YOU TO KNOW-- 1725 01:27:03,818 --> 01:27:04,953 HOW DO YOU KNOW JOE? 1726 01:27:04,953 --> 01:27:06,588 JOE'S A MALE ESCORT, O.K.? 1727 01:27:06,588 --> 01:27:09,023 I HIRED HIM TO GET YOU BACK. 1728 01:27:09,023 --> 01:27:10,658 OH, THAT'S RIDICULOUS. 1729 01:27:10,658 --> 01:27:12,560 THAT'S RIDICULOUS, CONNIE. 1730 01:27:12,560 --> 01:27:13,428 COME ON. 1731 01:27:13,428 --> 01:27:15,496 CONNIE, STOP. 1732 01:27:25,106 --> 01:27:26,674 HI. 1733 01:27:28,943 --> 01:27:30,211 TELL HER, JOE. 1734 01:27:30,211 --> 01:27:33,147 COME ON, TELL HER THE TRUTH. 1735 01:27:34,816 --> 01:27:38,019 SHE DOESN'T BELIEVE ME. COME ON. 1736 01:27:41,189 --> 01:27:42,690 GOD DAMN IT, JOE. 1737 01:27:42,690 --> 01:27:45,026 TELL HER ABOUT US. 1738 01:27:45,026 --> 01:27:46,594 IT'S NOT TRUE. 1739 01:27:46,594 --> 01:27:50,632 I KNOW IT'S NOT TRUE, RIGHT? 1740 01:27:50,632 --> 01:27:52,934 COME ON, TELL ME. 1741 01:27:54,002 --> 01:27:55,737 I'M SORRY. 1742 01:27:55,737 --> 01:27:59,941 IS IT? IS IT TRUE? 1743 01:28:02,110 --> 01:28:05,813 I TRIED TO TELL YOU. 1744 01:28:06,614 --> 01:28:08,650 OH, GOD. 1745 01:28:23,998 --> 01:28:26,968 YOU TWO DESERVE EACH OTHER. 1746 01:28:26,968 --> 01:28:29,971 ELLEN, WAIT, WAIT. I CAN-- 1747 01:28:40,214 --> 01:28:42,583 WE BLEW IT. 1748 01:29:05,106 --> 01:29:06,808 HEY, KID. 1749 01:29:07,141 --> 01:29:09,477 HOW ARE YOU DOING? 1750 01:29:09,877 --> 01:29:11,512 YOU LOOK LIKE SHIT. 1751 01:29:11,512 --> 01:29:15,016 THE DOC SAYS YOU'LL BE OUT SOON. 1752 01:29:17,719 --> 01:29:18,619 FUCKING HARVEY, 1753 01:29:18,619 --> 01:29:22,590 HE CAN'T DO NOTHING WITHOUT RESORTING TO VIOLENCE. 1754 01:29:22,590 --> 01:29:25,159 OH, I, UH... 1755 01:29:25,159 --> 01:29:26,694 I ALSO, UH... 1756 01:29:26,694 --> 01:29:28,096 I GOT YOU... 1757 01:29:28,096 --> 01:29:29,097 A GET-WELL PRESENT, 1758 01:29:29,097 --> 01:29:33,034 BUT, UH... WHAT DID I DO WITH IT? 1759 01:29:35,169 --> 01:29:37,672 UH... HOPE YOU LIKE IT. 1760 01:29:37,672 --> 01:29:41,909 UH...YOU KNOW, I FIGURED WHILE YOU'RE RECUPERATING, 1761 01:29:41,909 --> 01:29:46,547 MAYBE, YOU KNOW, WE'LL MAKE A FEW BUCKS. 1762 01:29:46,547 --> 01:29:47,315 YVONNE CALLED. 1763 01:29:47,315 --> 01:29:51,652 SHE, UH... SHE LIKES TO TALK ON THE PHONE. 1764 01:29:51,652 --> 01:29:53,788 MAYBE YOU CAN GIVE HER A CALL, 1765 01:29:53,788 --> 01:29:56,057 YOU KNOW, MAKE UP. 1766 01:29:59,127 --> 01:30:01,896 YOU DID THIS TO ME, MICKEY. 1767 01:30:01,896 --> 01:30:02,697 YOU DID IT. 1768 01:30:02,697 --> 01:30:03,831 WHAT ARE YOU TALKING ABOUT? 1769 01:30:03,831 --> 01:30:06,234 YOU WERE THE ONLY ONE WHO KNEW THE ADDRESS, 1770 01:30:06,234 --> 01:30:08,970 THE ONLY ONE WHO COULD HAVE TOLD HARVEY. 1771 01:30:08,970 --> 01:30:12,006 ARE YOU OUT OF YOUR FUCKING MIND? 1772 01:30:12,006 --> 01:30:16,077 I WOULD NEVER DO THAT TO YOU. NEVER. 1773 01:30:17,311 --> 01:30:19,113 I SWEAR ON MY MOTHER 1774 01:30:19,113 --> 01:30:20,114 I WOULDN'T DO THAT TO YOU. 1775 01:30:20,114 --> 01:30:26,087 I MEAN, I PAID YOUR HOSPITAL BILL, FOR CHRIST'S SAKES. 1776 01:30:27,221 --> 01:30:28,823 ALL YOU EVER TALK ABOUT 1777 01:30:28,823 --> 01:30:31,392 IS THE THINGS YOU DONE FOR ME, 1778 01:30:31,392 --> 01:30:33,795 HOW I NEED YOU... 1779 01:30:34,862 --> 01:30:36,931 WHEN THE TRUTH IS YOU USED ME 1780 01:30:36,931 --> 01:30:39,300 SINCE THE FUCKING START... 1781 01:30:40,001 --> 01:30:43,604 AND I'M THROUGH WITH THAT, YOU HEAR ME? 1782 01:30:44,305 --> 01:30:46,574 I'M THROUGH WITH THAT. 1783 01:30:48,109 --> 01:30:49,777 SO WHY DON'T YOU DO ME A FAVOR 1784 01:30:49,777 --> 01:30:52,880 AND JUST GET THE HELL OUT OF HERE, HUH? 1785 01:30:53,314 --> 01:30:55,249 IF YOU DON'T GET OUT OF HERE, MICKEY, 1786 01:30:55,249 --> 01:31:00,121 I'M AFRAID OF WHAT I MIGHT FUCKING DO TO YOU! 1787 01:31:01,656 --> 01:31:03,257 GET OUT OF HERE! 1788 01:31:18,873 --> 01:31:21,008 WHAT THE HELL IS TAKING SO LONG HERE? 1789 01:31:21,008 --> 01:31:22,677 A LOT OF PAPERWORK. 1790 01:31:22,677 --> 01:31:23,277 I'LL SAY. 1791 01:31:23,277 --> 01:31:24,011 RELAX. 1792 01:31:24,011 --> 01:31:28,349 THANKS FOR COMING AND GETTING ME OUT OF THIS PLACE. 1793 01:31:28,349 --> 01:31:30,952 YOU'RE WELCOME. 1794 01:31:30,952 --> 01:31:32,220 WHAT'S THIS FOR? 1795 01:31:32,220 --> 01:31:34,388 HOSPITAL PROCEDURE. 1796 01:31:34,388 --> 01:31:36,324 WHAT, DO I LOOK LIKE I CAN'T WALK? 1797 01:31:36,324 --> 01:31:40,628 IF YOU'RE CARRIED IN, YOU WHEEL OUT. 1798 01:31:41,229 --> 01:31:42,430 THIS IS INSANE. 1799 01:31:42,430 --> 01:31:45,066 I'M AN RN. I'LL WHEEL HIM OUT. 1800 01:31:45,066 --> 01:31:46,234 I DON'T CARE WHO PUSHES, 1801 01:31:46,234 --> 01:31:47,435 AS LONG AS YOU'RE IN IT. 1802 01:31:47,435 --> 01:31:50,104 I'LL BE BACK WITH YOUR PAPERS. 1803 01:31:50,104 --> 01:31:53,641 WHILE WE'RE STILL YOUNG. 1804 01:32:00,848 --> 01:32:03,651 SO DID YOU TALK TO ELLEN? 1805 01:32:07,321 --> 01:32:08,189 I TRIED. 1806 01:32:08,189 --> 01:32:10,324 I MUST HAVE CALLED HER A MILLION TIMES, 1807 01:32:10,324 --> 01:32:14,028 BUT SHE WON'T PICK UP. 1808 01:32:14,028 --> 01:32:15,029 SO? 1809 01:32:15,029 --> 01:32:18,032 SO THAT...THAT'S IT. 1810 01:32:18,032 --> 01:32:20,167 WHAT ELSE CAN I DO? 1811 01:32:20,167 --> 01:32:23,371 GO SEE HER. 1812 01:32:23,371 --> 01:32:26,941 CONNIE, SHE DON'T WANT TO SEE ME. 1813 01:32:26,941 --> 01:32:29,477 SHE... SHE DON'T LOVE ME. 1814 01:32:29,477 --> 01:32:30,878 BULLSHIT. 1815 01:32:30,878 --> 01:32:33,814 SHE DOESN'T LOVE ME. 1816 01:32:34,015 --> 01:32:37,518 JESUS, IT TOOK ME A WHILE TO FIGURE THAT OUT. 1817 01:32:37,518 --> 01:32:40,087 I WAS TURNING INTO THE MAD STALKER. 1818 01:32:40,087 --> 01:32:45,793 PRETTY GLAD I DIDN'T SEND HER MY NUDE PHOTOS. 1819 01:32:45,793 --> 01:32:48,195 OW! OW! 1820 01:32:58,940 --> 01:33:03,077 I JUST COULDN'T LET HER GO. 1821 01:33:03,744 --> 01:33:07,381 LOVE IS LIKE SOME FUCKING FORCE OF NATURE. 1822 01:33:07,381 --> 01:33:10,351 YOU CAN'T TRICK IT. 1823 01:33:12,019 --> 01:33:15,756 YOU SURE CAN'T CONTROL IT. 1824 01:33:16,490 --> 01:33:21,362 BUT THAT'S THE GREAT PART. THAT'S THE RIDE. 1825 01:33:22,530 --> 01:33:25,800 ENJOY IT, JOE. 1826 01:33:25,800 --> 01:33:26,467 YEAH, RIGHT. 1827 01:33:26,467 --> 01:33:30,104 IT'LL NEVER WORK AFTER WHAT WE DID TO HER. 1828 01:33:32,206 --> 01:33:34,108 IT'LL WORK. 1829 01:33:35,142 --> 01:33:37,244 HOW DO YOU KNOW? 1830 01:33:37,244 --> 01:33:39,013 BECAUSE I KNOW WOMEN. 1831 01:33:39,013 --> 01:33:44,218 I CAN GET ANY WOMAN, ANYPLACE, ANYTIME. 1832 01:33:44,218 --> 01:33:46,821 GUARANTEED. 1833 01:33:48,022 --> 01:33:51,125 OW! DON'T MAKE ME LAUGH. 1834 01:33:51,125 --> 01:33:52,793 IT HURTS MY RIBS. 1835 01:33:52,793 --> 01:33:55,029 O.K., HERE YOU GO. 1836 01:33:55,296 --> 01:33:57,798 COME ON. HOP IN, CASELLA. 1837 01:33:57,798 --> 01:34:00,234 I'LL GIVE YOU A RIDE. 1838 01:34:00,935 --> 01:34:02,903 UH, TOUCH . 1839 01:34:02,903 --> 01:34:06,307 COME ON, I'M A TRAINED PROFESSIONAL. 1840 01:34:07,942 --> 01:34:10,211 THAT'S WHAT WORRIES ME. 1841 01:34:14,348 --> 01:34:15,916 SEE YOU LATER. 1842 01:34:15,916 --> 01:34:17,585 WE CAN STILL MAKE THAT SHOW. 1843 01:34:17,585 --> 01:34:20,187 GOING UPTOWN. 1844 01:34:21,389 --> 01:34:24,291 JULIE, WAIT FOR ME. 1845 01:34:29,530 --> 01:34:31,032 I'M OUT OF HERE, GUYS. 1846 01:34:31,032 --> 01:34:33,601 YOU WANT TO GET A CAB? 1847 01:34:33,601 --> 01:34:35,336 TAXI! 1848 01:34:46,380 --> 01:34:47,915 HEY. 1849 01:34:54,121 --> 01:34:55,856 I'M SORRY. 1850 01:34:55,856 --> 01:34:57,324 NO. 1851 01:34:59,894 --> 01:35:03,064 ELLEN, WHAT COULD I DO? I... 1852 01:35:03,064 --> 01:35:05,066 DO? 1853 01:35:05,066 --> 01:35:07,401 WHAT CAN YOU DO? 1854 01:35:10,237 --> 01:35:11,839 NOTHING. 1855 01:35:19,447 --> 01:35:23,451 "FORGIVE ME THE WRONG I'VE DONE YOU... 1856 01:35:23,451 --> 01:35:28,456 "AND FOR NEVER HAVING THROWN MYSELF AT YOUR FEET 1857 01:35:28,456 --> 01:35:31,525 "AND BEGGED YOUR FORGIVENESS. 1858 01:35:35,396 --> 01:35:39,433 I DO SO NOW WITH ALL MY HEART." 1859 01:35:41,268 --> 01:35:42,903 YOU SEE, I... 1860 01:35:42,903 --> 01:35:44,505 I LISTENED, ELLEN. 1861 01:35:44,505 --> 01:35:46,640 I HEARD YOU. 1862 01:35:49,176 --> 01:35:50,244 ELLEN, DON'T YOU UNDERSTAND 1863 01:35:50,244 --> 01:35:53,614 THAT EVERYTHING IN MY LIFE IS DIFFERENT NOW? 1864 01:35:53,614 --> 01:35:56,450 I MEAN, BECAUSE OF YOU. 1865 01:35:57,017 --> 01:36:00,554 I WAS A HUSTLER. I HUSTLED YOU. 1866 01:36:00,554 --> 01:36:02,456 YOU WERE BRILLIANT. 1867 01:36:02,456 --> 01:36:03,958 NO. 1868 01:36:05,259 --> 01:36:07,495 I SCREWED UP... 1869 01:36:07,495 --> 01:36:09,530 BECAUSE I FELL IN LOVE, 1870 01:36:09,530 --> 01:36:13,434 AND I NEVER EXPECTED THAT. 1871 01:36:13,434 --> 01:36:14,401 LOOK, I KNOW YOU THINK 1872 01:36:14,401 --> 01:36:17,705 EVERY WORD OUT OF MY MOUTH IS A LIE. 1873 01:36:17,705 --> 01:36:20,107 WOULDN'T YOU? 1874 01:36:20,307 --> 01:36:23,344 I JUST WANT YOU TO KNOW THE TRUTH. 1875 01:36:25,446 --> 01:36:27,515 I LOVE YOU. 1876 01:36:32,153 --> 01:36:35,122 I--I REALLY SHOULD GET GOING. 1877 01:36:37,625 --> 01:36:39,593 O.K. 1878 01:36:39,994 --> 01:36:42,997 YOU KNOW, I'M NOT GOING TO CHASE YOU 1879 01:36:42,997 --> 01:36:46,367 OR, YOU KNOW, PRESSURE YOU OR ANYTHING... 1880 01:36:46,367 --> 01:36:48,569 IF YOU NEED TIME. 1881 01:36:49,637 --> 01:36:52,039 YEAH, O.K. 1882 01:37:04,185 --> 01:37:06,554 FUCK THIS. 1883 01:37:11,559 --> 01:37:12,626 [HONKING] 1884 01:37:12,626 --> 01:37:15,529 ELLEN! 1885 01:37:16,430 --> 01:37:21,669 ELLEN! 1886 01:37:35,616 --> 01:37:39,253 WELL, THAT WAS IMPRESSIVE. 1887 01:37:39,253 --> 01:37:42,756 I COULD HAVE CAUGHT THAT CAB IN HEELS. 1888 01:37:47,494 --> 01:37:49,196 YOU SEE? 1889 01:37:49,196 --> 01:37:52,566 YOU SEE WHAT HAPPENS I TAKE YOUR ADVICE? 1890 01:37:52,566 --> 01:37:56,170 WHO KNEW YOU WERE GOING TO BE SO SLOW? 1891 01:37:57,571 --> 01:38:01,275 WHAT THE HELL ARE YOU DOING HERE, ANYWAY? 1892 01:38:01,275 --> 01:38:03,277 I THOUGHT YOU GAVE UP STALKING. 1893 01:38:03,277 --> 01:38:04,812 I'M NOT STALKING. 1894 01:38:04,812 --> 01:38:06,313 I'M LURKING. 1895 01:38:06,313 --> 01:38:10,117 BESIDES, ELLEN AND I HAD A DATE. 1896 01:38:11,085 --> 01:38:12,353 YEAH, RIGHT. 1897 01:38:12,353 --> 01:38:13,287 CALM DOWN, HANDSOME. 1898 01:38:13,287 --> 01:38:17,625 I'M JUST RETURNING SOME OF HER STUFF. 1899 01:38:22,263 --> 01:38:24,131 SWITCHING TO LASER DISC. 1900 01:38:24,131 --> 01:38:27,101 IT'S THE WAVE OF THE FUTURE. 1901 01:38:31,305 --> 01:38:32,673 SO... 1902 01:38:32,673 --> 01:38:34,575 WHAT NOW, DR. LOVE? 1903 01:38:34,575 --> 01:38:36,610 I ALREADY TRIED APOLOGIZING. 1904 01:38:36,610 --> 01:38:39,780 EVER HEAR OF EXPENSIVE JEWELRY? 1905 01:38:39,780 --> 01:38:42,249 I'M OUT OF WORK, REMEMBER? 1906 01:38:42,249 --> 01:38:43,250 THAT'S RIGHT. 1907 01:38:43,250 --> 01:38:44,518 THAT'S A DRAG. 1908 01:38:44,518 --> 01:38:46,754 YEAH, YOU AIN'T KIDDING. 1909 01:38:49,657 --> 01:38:51,158 SO, CON, I WAS THINKING. 1910 01:38:51,158 --> 01:38:54,395 SINCE I GOT TO GET OUT OF MY PLACE, MAYBE-- 1911 01:38:54,395 --> 01:38:55,429 OUT OF THE QUESTION. 1912 01:38:55,429 --> 01:38:56,630 COUPLE DAYS! 1913 01:38:56,630 --> 01:38:58,832 CONNIE... 1914 01:38:58,832 --> 01:39:01,268 YOU COULD GET ELLEN BACK FOR ME. 1915 01:39:01,268 --> 01:39:02,803 YOU'RE GOOD WITH WOMEN... 1916 01:39:02,803 --> 01:39:04,538 GET AWAY FROM ME! 1917 01:39:04,538 --> 01:39:06,507 HA HA HA HA! 1918 01:39:08,175 --> 01:39:09,209 COME HERE. 1919 01:39:09,209 --> 01:39:11,879 O.K., I'LL-- I'LL GET HER BACK... 1920 01:39:11,879 --> 01:39:14,315 UNDER ONE CONDITION. 1921 01:39:14,315 --> 01:39:15,249 WHAT'S THAT? 1922 01:39:15,249 --> 01:39:17,851 JUST DON'T INVITE ME TO THE WEDDING. 1923 01:39:17,851 --> 01:39:19,486 I HATE WEDDINGS. 1924 01:39:19,486 --> 01:39:20,321 OH, YEAH? 1925 01:39:20,321 --> 01:39:21,455 ANYWAY, I KNOW YOU-- 1926 01:39:21,455 --> 01:39:22,890 YOU'RE GOING TO GET DRUNK, 1927 01:39:22,890 --> 01:39:26,493 YOU'RE GOING TO WANT TO KISS ME. 1928 01:39:26,493 --> 01:39:28,295 ELLEN WILL GO MOCUS. 1929 01:39:28,295 --> 01:39:29,363 HA HA HA HA! 1930 01:39:29,363 --> 01:39:31,298 IT'LL BE A NIGHTMARE. 1931 01:39:31,298 --> 01:39:33,634 IT'LL BE ROMANTIC. 1932 01:39:56,390 --> 01:39:57,858 ♪ HE DEALS THE CARDS ♪ 1933 01:39:57,858 --> 01:40:01,195 ♪ AS A MEDITATION ♪ 1934 01:40:01,862 --> 01:40:06,166 ♪ AND THOSE HE PLAYS NEVER SUSPECT ♪ 1935 01:40:07,801 --> 01:40:09,470 ♪ HE DOESN'T PLAY ♪ 1936 01:40:09,470 --> 01:40:13,507 ♪ FOR THE MONEY HE WINS ♪ 1937 01:40:13,507 --> 01:40:17,745 ♪ HE DOESN'T PLAY FOR RESPECT ♪ 1938 01:40:18,879 --> 01:40:23,817 ♪ HE DEALS THE CARDS TO FIND THE ANSWER ♪ 1939 01:40:24,752 --> 01:40:28,856 ♪ THE SACRED GEOMETRY OF CHANCE ♪ 1940 01:40:30,691 --> 01:40:32,326 ♪ THE HIDDEN LAW ♪ 1941 01:40:32,326 --> 01:40:36,663 ♪ OF A PROBABLE OUTCOME ♪ 1942 01:40:36,663 --> 01:40:39,867 ♪ THE NUMBERS LEAD A DANCE ♪ 1943 01:40:41,935 --> 01:40:43,637 ♪ I KNOW THAT THE SPADES ♪ 1944 01:40:43,637 --> 01:40:47,408 ♪ ARE THE SWORDS OF A SOLDIER ♪ 1945 01:40:47,408 --> 01:40:51,912 ♪ I KNOW THAT THE CLUBS ARE WEAPONS OF WAR ♪ 1946 01:40:53,480 --> 01:40:54,982 ♪ I KNOW THAT DIAMONDS ♪ 1947 01:40:54,982 --> 01:40:57,951 ♪ MEAN MONEY FOR THIS ART ♪ 1948 01:40:57,951 --> 01:41:03,891 ♪ BUT THAT'S NOT THE SHAPE OF MY HEART ♪ 1949 01:41:04,758 --> 01:41:09,863 ♪ HE MAY PLAY THE JACK OF DIAMONDS ♪ 1950 01:41:10,731 --> 01:41:16,303 ♪ HE MAY LAY THE QUEEN OF SPADES ♪ 1951 01:41:16,303 --> 01:41:18,038 ♪ AND HE MAY CONCEAL ♪ 1952 01:41:18,038 --> 01:41:21,875 ♪ THE KING IN HIS HAND ♪ 1953 01:41:21,875 --> 01:41:25,946 ♪ WHILE THE MEMORY OF IT FADES ♪ 1954 01:41:27,881 --> 01:41:29,516 ♪ I KNOW THAT THE SPADES ♪ 1955 01:41:29,516 --> 01:41:32,953 ♪ ARE THE SWORDS OF A SOLDIER ♪ 1956 01:41:32,953 --> 01:41:37,925 ♪ I KNOW THAT THE CLUBS ARE WEAPONS OF WAR ♪ 1957 01:41:38,992 --> 01:41:40,894 ♪ I KNOW THAT DIAMONDS ♪ 1958 01:41:40,894 --> 01:41:43,764 ♪ MEAN MONEY FOR THIS ART ♪ 1959 01:41:43,764 --> 01:41:49,770 ♪ BUT THAT'S NOT THE SHAPE OF MY HEART ♪ 1960 01:41:49,770 --> 01:41:55,409 ♪ THAT'S NOT THE SHAPE ♪ 1961 01:41:55,409 --> 01:42:02,983 ♪ THE SHAPE OF MY HEART ♪ 1962 01:42:26,540 --> 01:42:30,711 ♪ AND IF I TOLD HER THAT I LOVED YOU ♪ 1963 01:42:31,912 --> 01:42:36,383 ♪ YOU MAYBE THINK THERE'S SOMETHING WRONG ♪ 1964 01:42:37,918 --> 01:42:39,653 ♪ I MET A MAN ♪ 1965 01:42:39,653 --> 01:42:43,490 ♪ WITH TOO MANY FACES ♪ 1966 01:42:43,490 --> 01:42:47,661 ♪ THE MASK I WEAR IS ONE ♪ 1967 01:42:49,496 --> 01:42:53,867 ♪ ALTHOUGH THEY SPEAK, KNOW NOTHIN' ♪ 1968 01:42:55,068 --> 01:43:00,140 ♪ OR FIND OUT TO THEIR CROSS ♪ 1969 01:43:00,140 --> 01:43:03,076 ♪ LIKE THOSE WHO CURSE THEIR LUCK ♪ 1970 01:43:03,076 --> 01:43:06,813 ♪ IN TOO MANY PLACES ♪ 1971 01:43:06,813 --> 01:43:10,784 ♪ FOR THOSE WHO FEAR ARE LOST ♪ 1972 01:43:12,186 --> 01:43:13,854 ♪ I KNOW THAT THE SPADES ♪ 1973 01:43:13,854 --> 01:43:17,591 ♪ ARE THE SWORDS OF A SOLDIER ♪ 1974 01:43:17,591 --> 01:43:23,630 ♪ I KNOW THAT THE CLUBS ARE WEAPONS OF WAR ♪ 1975 01:43:23,630 --> 01:43:25,465 ♪ I KNOW THAT DIAMONDS ♪ 1976 01:43:25,465 --> 01:43:28,235 ♪ MEAN MONEY FOR THIS ART ♪ 1977 01:43:28,235 --> 01:43:33,674 ♪ BUT THAT'S NOT THE SHAPE OF MY HEART ♪ 1978 01:43:34,141 --> 01:43:40,047 ♪ THAT'S NOT THE SHAPE OF MY HEART ♪ 1979 01:43:40,047 --> 01:43:45,719 ♪ THAT'S NOT THE SHAPE ♪ 1980 01:43:45,719 --> 01:43:49,723 ♪ THE SHAPE OF MY HEART ♪ 119166

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