All language subtitles for Georgina

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( Otis Redding's "Fa Fa Fa Fa Fa
[Sad Song]" playing )

* Fa-fa-fa-fa-fa-fa-fa-fa-fa

* Fa-fa-fa-fa-fa-fa-fa-fa

* I keep singin' them
Sad, sad songs, y'all *

You want to take
the wheel, Sade?

Sade.

* I keep singin'
Them sad, sad songs *

Shit on this.

* Sad songs is all I know

* There's a sweet melody
Tonight *

* Anybody can sing it
Any old time *

* It's got to your heart
Put you in a groove *

* And when you sing this song

It'll make
Your whole body move *

* It goes
Fa-fa-fa-fa-fa-fa-fa-fa-fa *

* Your turn

* Our turn

* Fa-fa-fa-fa-fa-fa-fa-fa-fa

( knock on door )

Housekeeping.

MAN:
It's a little early.

You're lucky
it's just me.

Could be my ass.

Do you know who I am?

Yeah.

You're the T-Man.
"I'm Gonna Make You Mine."

You're Trucker.

Your turn.

I'm Sadie Flood.

I sing.

SADIE:
This is great.

This is my happy home,
my retreat from care.

There's a place
for everything,

and everything's
in its place.

It's how I keep track.
You understand?

Who are you expecting?

* If me and my baby
Fuss and fight *

* And the next minute

* We all right

* Ooh-ooh-ooh

* Ain't nobody's business

* If we do

* But I'm three times seven

* Uh-uh-uh
That makes 21 *

* Ooh-ooh-ooh

* Ain't nobody's business

* If we do

* Well, hell, it ain't
Ain't nobody's business *

* If we do

( engine starts )

What did you think
you were doing?

You need to do
what I tell you.

What?

If we gonna go
this journey,

I don't mean for you
to look at, talk to,

or fraternize.

My sidemen got friends.
They don't need friends.

You're with me.

Respect it.

Hello, Chasman.

How you doing?

Great. I'm great.
This is great.

How are you?

That's so great.

I guess I'm gonna
have to kill you.

Joke, Sadie.

Blanks.

( meows )

( over radio ):
* I can't stand it *

* You're foolin' around *

* I can't stand it *

* You're runnin' around *

* I won't stand it *

* You're foolin' around
With my heart *

* I'll explain *

MAN ( on radio ):
...tomorrow, once the fog
clears, with highs near 70.

Currently 68 across.

And that's the lowdown.
Mike Jones reporting.

ANNOUNCER:
More pure rock.

No-repeat workdays
with no useless talk.

99.9 FM, KISW.

Seattle's best rock.

We're here.

Where's the cat?

Bummer.

( all cheering )

( playing soft music )

* Let us pause
On life's pleasures *

* And count its many tears

* While we all share sorrow
With the poor *

* There's a song
That will linger *

* Forever in our ears

* Oh, hard times
Come again no more *

* It's a song

* A sigh of the weary

* Hard times, hard times

* Come again no more

* Many days have you lingered

* Around my cabin door

* Oh, hard times
Come again no more *

( cheers and applause )

* While we seek mirth
And beauty *

* And music bright and gay

* There are frail forms
Fainting at the door *

* And though their voices
Are silent *

* Their fleeting looks
Will say *

* Oh, hard times
Come again no more *

* It's a song

* A sigh of the weary

* Hard times, hard times

* Come again no more

* Many days have you lingered

* Around my cabin door

* Oh, oh, hard times
Come again no more *

* Oh, hard times
Come again no more *

* No more hard times

* No more hard times

* No more hard times

* No more hard times

* No more hard times

* No more hard times

* No more hard times

* No more hard

* Times

SINGER:
Stephen Foster, 1859.

( all cheering )

Whoo! Whoo!

Thank you.

( all chattering )

We've been trying out
new songs.

I knew
you'd be here.

I didn't know
I'd be here.

Well, I felt you
out there.

Hey, Mish is here.
Did you see Mish?

Andrew's asleep
in the dressing room.

He'll wander out
in a minute.

God, you look amazing.

Well,
you always look amazing.

I look like shit, Jake.

No, not to me.
Never.

This is Chasman.

Hiya.

This is Jake.

Best man in the world.

Hiya.

Uh, could I get you
something to eat?

How you doing,
Sadie?

No, thanks, Jake.

Incredible out there
tonight, huh?

Pretty intense.

So how you doing?
Great.

I heard you were
with the Trucker.

That true?

For about half a second.
You heard that?

He's my man,
you know.

You heard that, huh?

Oh, God. Heh-heh.

God.

Good to see you.

You were great
out there, man.

So in-fucking-credibly great.

You tear me up,
you know?

What did Dad used to say?
"God kissed her.

God kissed that girl."

God, I'm glad
you're here.

Well.

Well.

Hey, Mish.
Hey.

I get a hug?
Sure.

You don't have to.
No, sure.

That was great.

So are you drinking?

You know me.
Whatever's cheap or free.

So you're here
in Seattle?

Looks like it.

Hello.

This is Chasman.

Hi.

He's with me.
Oh?

Came up from San Francisco.
Saved my life.

GEORGIA:
Oh.

Hello. I'm a fan.

So Sadie said
you were her sister.

SADIE:
Chasman's a promoter.

Oh.
What do you promote?

Me.

Sadie's among my clients.
Yeah, my star client.

I met Sadie
in San Francisco.

I'm from London
originally.

GEORGIA:
Oh?

CHASMAN:
Balham. You can hear the accent.

Where are you staying?

Well, I thought, you know, I'd
come home for a little maybe.

Oh, that'd be great.

Ferguson heard
you were with Trucker.

What, Hewitt Trucker?

"I'm Gonna Make You Mine."
Trucker, yeah.

For about, half a minute, yeah.

You're great. You were great
tonight. What you do up there.

Thank you.

CHASMAN:
I know you think
that sounds like bullshit.

No.

We're staying in town tonight.

Let us get you a room
at the hotel.

Unless you--

That's be great.

So you're thinking of staying
with us a little?

Until I got settled.

That's fantastic.

I could help with the house.

Well, maybe not.

Has someone
got an eye on Andrew?

Andrew's fine.

Mish,
you wanna go see to Andrew?

Sure. See you, Sadie.

You bet.

What are your plans?

Chasman.
He's gotta go back.

Not tonight.

No, not tonight.

Not tomorrow, maybe,
not either.

It's a long ride.

Well, we'll see, won't we?

There's tons of food
over there.

Could I fix you a plate?

Well, I was thinking
of you guys actually.

* Whose honey are you?

* Whose tea do you sweeten?

* With sugar and spice
And everything nice *

* Depend upon you

* You got a tiny little touch
Of heaven *

( whiskey sloshes )

* In her fingertips

( The Pogues' "House of
the Gods" playing on stereo)

* Singha beer
Don't ask no questions *

* Singha beer
Don't tell no lies *

* Singha beer
Don't ask no questions *

I mean, it fired loud.

But I didn't get hit
by anything.

He had guns everywhere.

He just always thinks
people are doing him in.

And so he's always expecting,
like, a siege.

Mish?

So everybody's out to get you.

And also...germs.

He has a thing
about germs.

And the faucet

had to be right
in the middle of the sink,

or his life was ruined.

GEORGIA:
Come on, you guys.

You want me to take them?
No, I'll take them.

Well, Sadie's here.
I'll take them.

Andrew!

Is there brown sugar?

And he would do
these midnight raids

where he would look
through the cupboards

to see if I'd eaten
anything.

Mish.

Are there
any grapes?

He's definitely
multiple personalities.

I mean,
there were three main ones,

and two were very mean.

And then there were,
like, subgroups.

There you go,
Druid.

He'd roll a joint
big as cigars.

He was real nice
when he smoked.

He'd become really mellow.

He could smoke two huge spliffs
and still sing great.

And, you know,
he can be so wonderful.

He can be
such a fabulous singer.

He has great vocal range,
great breath control.

You guys
have about 20 minutes

before you have to be
out that door.

SADIE:
That woman can
sure as hell sing.

JAKE:
As opposed to what?

Did I say something?

I didn't mean anything
by it, Jake.

Everything's Jake,
Jake.

( thunder rumbling )

Is she gonna stay?

Don't know.

Mish, you're gonna
ruin your eyes.

What are you doing?

It's 8:00
in the morning.

You need not to do that
around the kids, okay?

Wouldn't.

I don't need to say
I'm grateful I'm here.

No, Sadie.

How was the tour?

It was great.

I wasn't on the tour.

Oh?

I don't manage
the band anymore.

No?

Not for six years,
Sadie.

You don't know what
the hell I do, do you?

I do.

Sure, I do.

You are so fucked.

I do!

I teach and I write.

I knew that.

I want to start
working the farm.

I like doing stuff
with my hands.

They think they own her.

I'd be walking around,

making sure the sound was good
and everything's fine,

and I've had guys go,
"Hey, you with the band?

God, I'd like to fuck her."

You know, you gotta
bland it off. You know?

See, we've been
through it.

She slept with somebody,
so I slept with somebody,

or we thought we were
gonna sleep with somebody.

The fights are one thing,
but the sex --

( chuckles )

We hurt each other.

We've done just about
every lie there is.

And sometimes I am amazed

that somehow
we're still here.

And all I can think about
is that I fell in love with her

the moment
I laid eyes on her.

She's Georgia, you know?

And we're gonna
grow old together.

( thunder rumbling )

I stripped the beds.

You didn't need
to do that.

Yeah, well,
sure, I did.

It's pouring, Sadie.

And you hang them out.
How dumb to forget.

Well, no harm done.

I borrowed this, okay?

Whatever. It's fine.

You don't need
to clean the house, Sadie.

I was cleaning
motel rooms.

Really.

No, really.

Oh, God.
Sadie reduced to that.

Or is there anything
Sadie can't be reduced to?

You want to give me
a break, Sadie?

You want to give me one?

I can feel
what you're feeling.

No.

No, you can't.

You can't feel what I'm feeling.
You aren't me.

I think we should
not get into this.

Fine. Better for me.

Shit.

Dad's coming
to stay a week, Friday.

I'll be here.

Gets really tense,
Sadie.

I'll be here, okay?

How's he doing?

GEORGIA:
Fine.

I think fine.

I think all right.

You need some money?

Yeah.

Yeah. Something to get
started on.

I'm good for it.

I don't want you
to be good for it.

It pleases me to be able
to give it to you.

I love being able
to give it to you.

Okay.

Things are gonna break for me.

There is not a doubt in my mind.

This has all gotta be about
something.

This whole...adventure.

Everything is stored
for later use.

There must be a pony.
( chuckles )

( playing rock music )

* There she goes again

* There she goes

* She's knocked out
On her feet again *

* There she goes

* She's down on her knees
My friend *

* There she goes

* She'll never ask you
Please again *

* There she goes

* Now take a look

* There's no tears in her eyes

* Like a bird, you know
She will fly, fly, fly away *

* Fly, fly
Fly, fly, fly, fly, fly *

* Just see her walkin'
Down the street *

* Fly, fly, fly, fly

* Look at all your friends
She's gonna meet *

* Fly, fly, fly, fly, fly

* She's gonna go downtown

* Fly, fly
Fly, fly, fly, fly, fly *

* Gonna go downtown
Go downtown *

* Gonna shoot it up, baby
Shoot it up, baby *

( cheering and applause )

Thank you.

We're gonna take a little break.

Everybody, buy a pitcher
of beer. We like the gig.

( soft rock music
plays over speakers )

Whatever he's drinking,
I'm buying.

BARTENDER:
You want another round?

No.

Nice dress.

It's Georgia's.

I hear you're looking
for a backup singer.

And where'd
you hear that?

I made it up.

Come on, Bobby.

I want two solos.

( scoffs )

Come on, Bobby.
We were good together.

Leland's still with you.
And Paul?

( scoffs )

You want to sit in?

Yeah.

How was San Francisco?

Had a few gigs.

Got myself a manager.

Yeah?

You had a gig
with Trucker.

Yeah. Unreal.

BOBBY:
Want to welcome a good friend.

Georgia's baby sister,
Sadie Flood.

Come on, y'all!
Give it up!

( scattered applause )

BOBBY:
"Almost Blue."

( band playing "Almost Blue" )

Hi.

MAN:
Hi.

Comrade.

* Almost blue

* Almost doing things we

* Used to do

* There's a boy here and he's

* Almost you

* Almost

* All the things

* That you promised
With your eyes *

* I see in his too

* Now your eyes are red

* From cryin'

* Almost blue

* Flirting with this disaster
Became me *

* It named me as a fool

* Who only aimed to leave

* Almost blue

* Almost touching it will

* Almost do

* There's a part of me that's

* Always true

* Always

* All the things

* That you promised
With your eyes *

* I see in his too

* Now your eyes are red

* From cryin'

* Almost you

* Almost me

* Almost

* Blue

BOBBY:
Okay.

Thank you.

( scattered applause )

I forgot how much
I love this place.

Only a couple of days,
Sadie. That's it.

Scout's honor.

If we take you on, the first
time you fuck us over--

I'm not gonna
fuck you over.

'Cause the band's
doing okay.

I'm not going
to fuck you over, Bobby.

You show up
standing up.

Both.

You've been
out of my life, Sadie.

I don't want you back in,
not like before.

Yeah, I know. Okay.

Don't shit where you eat.
It's top of the list.

Sadie, with the makeup?
A hair less of everything.

You're the boss.

Did you fuck him?

Who?

Trucker.

No.

( band playing
"Sally Can't Dance" )

* Sally is losin' her face

* She lives on
St. Mark's Place *

* In a rent-controlled
Apartment, $80 a month *

* She has lots of fun
She has lots of fun *

BOTH:
* Sally can't dance no more

* Oh, Sally can't dance
No more *

* She went and carried on and
Can't get off of the floor *

* Now Sally

* She can't dance no more

* Sally can't dance

* Oh, mean Sally
What you mean you can't dance? *

* Sally can't dance

* Hey, Sally
I know you can do it *

* Sally can't dance

* Come on, Sally
Come on, come on, come on *

* Sally can't dance

No, no, no
Sally can't dance*

BOBBY:
* Hey, hey, hey, Sally

* Sally can't

* Hey, hey, hey, Sally, yeah

* Hey, hey, hey, Sally

Supposed to rain
tomorrow.

ALL:
Nobody answer the phone!

See you guys.

See you.

( engine starts )

Which one's Mellon?

Me.

What, nobody answers
their phone anymore?

What, do you think
you're gonna play in this?

Hey, we got a gig, man,
we show up.

Yeah, right.

( band cheers )

We love you,
Seattle!

( band playing rock music )

* Keep straight ahead
For the most glorious place *

* On the face of the earth

* Or the sky

* Hold onto your heart
Hold onto your hat *

* Hold onto your dreams

* This magical place
Is more than it seems *

We'll be back in 15.

Great song.
You're great!

Okay, pal, you too.

What'd you have,
Sadie?

It was blow.

I would've took it.

I offered, Herman.

Was I there?

Yeah, Herman.

Wow.

What do you want
with blow, Herman?

What'd you do
with it?

I flushed it.

Well, I wish
you'd have asked.

You know
where you are, Herman?

We're in a fucking
bowling alley.

( chuckles )

You got a way home?

Yeah. Leland.

Delivery.

SADIE:
Yeah!

( door unlocks )

Thanks.

Uh, Mr. Bruno had me stop
at the liquor store on the way.

( coughs )

Mr. Bruno's a great man.

How much do I owe you?

Um, groceries
are $4.53,

and the liquor is...

$36.60.

Come in.

Gotta take those down.

( sighs )

Never get a chance
to pick up, you know?

Days just... Pfft.

...get away from me.

That's $41.13.

Are you all right?

What?

Yeah, I'm okay.

I mean, I'm not
a maniac or anything.

And there's a little
something for you.

Hey, you know, I don't--
I don't feel right about that.

Well, it's not a lot,
and I'd like you to have it.

I know who you are.

Yeah?

Well, I try to catch you.

Well, I'm glad
you're out there.

No, I do, whenever you--

I think you're great.

"Only Blue"?

"Almost Blue."

Yeah.

That's a great song.

Well, that's Mr. Costello.

I don't know.
Everything you do...

Guess I'm making
a perfect ass of myself.

Yeah, I guess so.

What would you think
if I sort of hung out?

You know, like,
hung out with you.

Made myself useful.

I could do that.

I don't know what you're talking
about.

Wouldn't have to be--

You know, I mean,
that's not why.

Then why?

I didn't mean
to offend you.

I have the highest
respect for you.

I have been brought up

to have the highest
respect for women.

Very much so.

How old are you?

Twenty-three.

What's your name?

Axel.

Well, I'm gonna have
a drink, Axel.

Would you like one?

Don't drink.

You're a very nice
person, Axel.

Thank you.

( crowd chattering )

( band playing "Hava Nagilah" )

( singing "Hava Nagilah"
in Hebrew )

( all chattering )

( Sadie singing in Hebrew )

( band playing
"I'll Be Your Mirror" )

* I'll be your mirror
Reflect what you are *

* In case you don't know

* I'll be the wind
The rain, and the sunset *

* The light on your door
To show that you are home *

* When you think the night
Has seen your mind *

* That inside
You're twisted and unkind *

* Let me stand to show
That you are blind *

* Please put down your hands

* 'Cause I see you

* I'll be your mirror

* Reflect that you are

SADIE:
* I'll be your mirror

* Reflect what you are

* I'll be your mirror

BOBBY:
* Reflect what you are

* I find it hard
To believe you don't... *

* A light in the darkness

* So you won't be afraid

* When you think the night
Has seen your mind *

* That inside
You're twisted and unkind *

* Let me stand to show
That you are blind *

* Please put down your hands

* 'Cause I see you

* I'll be your mirror

MAN:
* Reflect what you are

BOBBY:
* I'll be your mirror

MAN:
* Reflect what you are

BOBBY:
Sorry, hon.

It's all right, Bobby.

SADIE:
Why'd you leave me, Bobby?

She's not gonna get sick
in the Rabbit, is she?

It's the fucking Nyquil, man.

Don't get pissed at me.

Don't get sick in the Rabbit,
okay, Sadie?

She just slid down the wall,
you know? Passed out.

Nothing major.

To your right.

I'm with her.

( water running )

You know I love you, Bobby.

'Cause you taught me
to listen to the bottom.

Bass and drums, man.

Shut up, Sadie.

Don't play it.
Don't lie it.

If you're gonna do it,
be it. Try it.

Don't you wish
you'd said it, Sadie?

Don't cut me loose, Bobby.

I'll disappear.

Do yourself a favor.

AXEL:
What kind of a thing
is that to say?

You used to be able
to get my clothes off.

Shut up, Sadie.

Shit.

You know what, Sadie?

Got the flu, Bobby.

AXEL:
It's true, man.
She's burnin' up.

And I-I told her, you know,
she shouldn't mess around,

but, you know, she had the gig
and everything.

So I think it's okay
to deliver groceries.

You know.
I've done a lot of things.

I've done a lot worse.

But I have my whole life
ahead of me.

My love is cars.
I fix vintage cars.

I think there's
where my future is.

Very much so.

You'll take me seriously?

Yeah.

I do, Axel.

I'm young,
but I know what love is.

I miss love.

I miss it.

I had a really great lady.

She gave up everything
for me.

She followed me
to Chicago.

We lived there
together two years,

24 hours a day.

Then one day,
she said, "That's it.

We aren't anymore."

She went back to Minnesota.
I never heard from her again.

I'm sorry, Axel.

See, I know if
it's really love that...

...you try to work it out
if it's going wrong.

( inhales deeply )

So maybe it wasn't love.

I had these goals about
getting to know myself better

so I'm not so dependent
on love.

There's a lot of unkindness
in the world.

You know your--
Your life, your day?

They could be
the most important part.

One day could be the most
important thing in your life.

You'd never know it.

I think, you know,
you're good for me.

I walk into a club,

and there's this beautiful girl
smiling at me,

singing to me.

And these shining eyes at me.

She makes me real.

She gives me reality,
so...

I'm in love.

* I'll tell the Arizona moon

* I'll tell the Arizona

* Moon

( cheers and applause )

WOMAN:
Thank you very much.

( upbeat country music
playing over speakers )

Well, I'm glad
you made it.

I had to see you.

This is Axel.
Hey, Axel.

Hi. That was great.

Yeah, the band
was hot tonight.

I want you
to give my best to Bobby.

You guys are working.

Doing good, yeah.

Hey, you know who came by
the backstage? Georgia.

Really?

When?

It was Wednesday. We were
working Wednesday and Thursday.

Yeah, it was Wednesday.

Did I just screw around
with a can of worms here?

No.

'Cause if it's open,
you know, I'll step in it.

You know,
we opened for Georgia.

I heard.

Yeah.

In Austin, and Eugene,
and Winnipeg, and...

So she came by,

and they were just
coming off the ceiling.

You know, I don't think
she'd feel too good

stepping in your light.

( laughs )

Fuck you very much, Jo.

( soft country music
playing over stereo )

I'm sorry. I didn't know
you were in here.

No, come in, Mish.
It's all right.

I was just...

I don't know
what I was just.

Everybody's
looking for you.

Thank you for finding me.

You are so
like your mother.

Two peas in a pod.

And your grandfather.

Three peas in a pod.

I'm like my dad,
I think.

SADIE:
The table looks great, Mish.

You know what's so good
about us, Georgia?

We're so close.

Growing up,

I can't remember
not doing everything together.

Are you okay?

I'm fine.

What are you doing
with Axel, Sadie?

How do you and Dad find
so much to talk about?

We don't.
We don't talk much.

I'm going to marry him.

His grandmother's ring.

And there's
only one Jake.

How old is he, Sadie?

He loves me.

I'm gonna stay
out of this.

SADIE:
So what is it
that happens between you

when you don't talk?

GEORGIA:
Leave Dad alone.

I do. I do.
That's what I do.

Will you come
to the wedding?

Sure. Okay.

I'm going to do it.
Fine.

You know, I watch you,
and I listen to you.

This gift from God.

And I swell up with
admiration and pride

and love.

And I swear
on Mish and Andrew

there is no envy.

You know, I can't.

And here I am,
not three feet away from you,

and I talk to you,

and I swear, Georgia,
it feels like no one's home.

You disappear on me.

You know what I
truly want for you, Sadie?

I want you to be happy.

You want to be
trouble-free, Georgia.

Okay. All right.

How you coming
with the table, Mish?

Finished.

GEORGIA:
Why don't you see
if anyone needs anything?

Things are going
good for me.

I'm glad.

You know
his last name?

Axel?

Yeah.
Of course.

Yeah?

Yeah.
What do you think?

You writing?

Every day.

Working on an album?
Yes.

I should do some backup.
If you want.

Good idea.

You haven't come to hear me.
Why is that?

I will if you want.

It would be great
if you did.

Well, I will then.

Okay, great.

I'm interesting,
you know?

You were the one
with ambition, Sadie.

I never gave a damn.

You say.

You know it's the truth.

Funny how things work out.

Not what I meant.

You know, I let you
talk to me this way,

and I manage to make myself
think it's okay.

And I'm always glad
you've been here.

And I can't stand it
when you're hurting.

And I've made peace with...

That nothing's
enough for you.

I don't want to know
what you do,

locked away in that bathroom
for half an hour.

I don't want
my kids to know.

I wouldn't do that
in your house, Georgia.

Okay.

This is
a wonderful home.

It's very warm.

You must be
very happy here.

Sadie and Georgia
grew up in this house.

Georgia bought it
when it came on the market.

How you doing, Dad?

I'm doing all right.

SADIE:
It's good to see you.

You ought to
get out more, Dad.

Well, I get out almost more
than I like anymore.

How you doing, Sadie?

I couldn't be better.

ERWIN:
This is your young man?

Yes.

ERWIN:
Good for you.

Axel delivers groceries.

I specialize
in vintage cars.

So you've given us
to understand.

Is that your, uh,
vehicle out there?

That's my treasure.
Very much so.

Well, I wish you both
every happiness, Axel.

You're a peach, Dad.

I meant to do that.

AXEL:
It doesn't matter.

What do you say
we get married, Axel?

Yeah. See, I thought
that's what we were doing.

I've been with
a lot of men, Axel.

Is there anyone I'm supposed
to be approved by?

Heh. "Approved by"?

To meet. Family.

I don't think so.

I mean, it's not like you
have to meet 'em right away.

Axel Goldman, right?

Yeah.

See? I know it.

( horns honking,
whistle blowing)

( inaudible dialogue )

Hello.

My name is Sadie Flood.

( scattered applause )

That's all, my fan.

I got married today.

( applause )

Thank you.

My husband, Axel.

Thank you, Axel.

So everybody buy another pitcher
of beer because we need the gig.

My sister's here tonight,
everybody.

( enthusiastic applause )

SADIE:
And we're gonna do
one of her songs!

You want to come up
and do it with us, Georgia?

( cheers and applause )

MAN:
Georgia!

WOMAN:
Georgia!

SADIE:
My sister!

The single person I'll miss
when I leave this earth.

( playing "If I Wanted" )

* What am I
Supposed to do with *

* Happy times
I have in my hand *

* Send them off
To purgatory *

* Thoroughly confused

Do the next.

* Maybe they could meet

* Some old acquaintances
Of theirs *

* And we could have
A drink together *

* Reminiscing
Missing you *

* If I wanted

* I could scrap you

* If I wanted
To get back at you *

* To get back at you

BOTH:
* I don't know
What makes me more mad *

* Than losin' you

* If I wanted

* I could feel good

* If I wanted

BOTH:
Like I should

* I don't know
What makes me more mad *

* Than losin' you

* What am I
Supposed to feel when *

* Every time
I hear your name *

* I fall four steps behind

* When I have
Only climbed up two *

* I don't wanna
Give away my fears *

* I don't want anyone
To taste my tears *

* I don't want help

* From anyone but you

* If I wanted

* I could kill you

* If I wanted

BOTH:
I would die too

* I don't know
What makes me more mad *

* Than losin' you

* If I wanted
I could never *

* Find another friend forever

* I don't know
What makes me more mad *

* Than losin' you

* If I wanted

* If I wanted

( applause )

( cheers and applause )

MAN:
So do you write too,
Sadie?

You do your own songs?

I don't write songs.

That whole concept's
foreign to me.

I make 'em up.

I put down the words sometimes
to remember 'em, but...

You know.

We're gonna have to go.
And don't get up.

JAKE:
Congratulations.
See you.

JAKE:
That was
a nice thing you did.

GEORGIA:
Didn't know I had a choice.

I thought it
was pretty terrific.

And there's
a reporter there.

I mean,
what's that all about?

What's running
through her head?

It was a good thing
you did, Georgia.

I feel bad for Axel.

"I don't write.
I make them up."

She didn't even say it.
It's not even hers.

I mean, it belongs
to someone else.

What's the matter
with you?

Nothing. I'm tired, that's all.

She swallows people up.

How do you not see it?

I think
she's an original,

and brave,
and without malice.

Fine.

She shouldn't sing.

What the hell's
the matter with you?

BOBBY:
Yet another casualty.

SADIE:
Another casualty!

HERMAN: Pays the rent.
BOBBY: Pays the rent.

SADIE:
Pays the rent.

( doorbell rings )

Are you fucked up?

Hell, no.

Hell, no.

Hi.
SADIE: Hi. Hello.

You want to bring your gear
around back?

Someone will
meet you back there.

Hello.
My name is Sadie.

Hi.
Okay. Thanks.

Don't fuck around.

We gotta cut you loose.

Yeah, uh,
that's what you said.

That's what you said.

You're fucked up
all the time, Herman.

I had Thursday down
for the gig,

and I don't know
how I got Thursday--

It's not Thursday
anymore, Herman.

Thursday came and went.

This stuff
is making you stupid.

Yeah. You think so?

So y-you all decided
this together?

Yeah.

Not me.

Leland, Paul, and Clay,

we're trying to be
in a business here.

We're not 23 anymore.
We at least got to show up.

I mean, our drummer's
got to show up, Herman.

I don't have a clue
how I missed it, Bobby.

It's not
the first time, H.

And it's not
the 10th time.

So...

Okay.

( scoffs )

Yeah.

Don't be a stranger, okay?

I love you guys.

All right,
see you around, then.

Take it easy, Herman.

Well, that sucked
pretty good.

You guys would tell me

if you were looking
for a new backup singer.

Come on, Sadie.

SADIE:
You wouldn't. You fuckers.

You wouldn't,
would you?

Come on, Sadie.
Give it up.

What's your fucking problem?

Why do we have to turn this
into your loss, huh?

Goddamn it. Don't answer me.
Don't say anything.

I want to run through the set.

HERMAN:
Nice.

Neat.

So you know, so what
Bobby had to do,

you know,
I understand.

I'd have done
the same thing.

The same thing,
yeah.

This stuff'll kill you
a lot quicker than smack.

You can go a lot of years doing
smack, barring accident.

Chetty was...58.

Art was 60, or something.

Lady Day made it into her 40s.

It's not gonna be
a lot of therapy.

I know it's a
real hard kick.

Alcohol's
bad shit, man.

It's a real
bring-down.

Those guys did
everything though.

Did you ever try
morning glory seeds?

What are you gonna do, H?

Didn't you think Bobby
was gonna go the distance?

I thought he was gonna go
the whole nine yards.

Bobby's a poet.

He's an artist.

When you see
desperation in the eyes,

it's a bad sign.

It gets about
paying the rent.

What are you gonna do, H?

I could always get a gig.

Don't you think so?

I've been looking
to get out of Seattle.

But I'm afraid to leave
my connection, man.

Every time I go out of town,
it's a disaster.

In Chicago, I went downtown
to see where to score,

and I see these three
big huge black guys

with guns in their pants.

And I knew that all
was gonna happen

was I was gonna get robbed.

Moved to New Orleans,
tried to do it there.

Got robbed.

I knew I was gonna get robbed,
and I got robbed.

And I...

You know...

I used the detox
to get off the street.

My sister's always good
for a few bucks.

She's not gonna
put me up forever.

I don't want to be
on the street, man.

It's not my bag.

I thought, you know,
I could teach.

Yeah?

So you and Axel doing okay?
You making out?

He has a car to work on
every so often.

He's in paradise.

And his mom sends him
a little something,

regular.

He's a neat guy, Axel.

Yeah.

Yeah.

Axel's a prince.

Axel's a saint.

( heavy breathing )

SADIE ( quietly ):
* Lots of time
Just to dream there *

* Golden sun in the valley

* Take me to Aruanda

* Easy life
Waiting your welcome *

* Take me there

* Leave my sadness behind me

* Let sweet paradise find me

* Heaven waits over yonder

Everybody now.

Axel.

I told them
to bring you in the studio.

Yeah, I-I know.
I don't like to disturb.

It's not my nature.

How you doing, Jake?
All right.

Hey, you.

Hello, Axel.

Hey, you, Axel!

What's up, Axel?
Everything's great.

Oh.

Georgia, you think
I could have a minute?

Could I have a few minutes
with Georgia, Jake?

No offense.

No offense, Axel.

I mean, if you're taking
a break, you know.

GEORGIA: I know.
You want to take a walk?

Sure.

So you think
spring will get here?

I think you can
count on it.

I think it's been delayed.
Mechanical difficulties.

So, you guys
don't call a lot.

You come into town.

You know, like,
you don't always call.

Well, there's not
always time, you know.

You're not always home,
and we have to get back, and--

Well, I understand.
Very much so.

She sort of knows
when you're in town,

that's all. It comes up.

She doesn't call me,
either, Axel.

And when's the last time
you came out to the house?

She's not
with Bobby anymore.

It was like
a self-fulfilling prophecy.

You know, they had
this history and everything.

It kept getting
in the way.

Sadie gets
in the way, Axel.

So she's been
sitting in around town,

and she jams when she can.

You could help her.

Like how, Axel?

You could do
something for her.

Like what, Axel?

Honestly.

It's just breaking my heart,
that's all.

She's full of hope.
She's full of hope.

You know what she's like.

Sometimes it gets
too harsh, you know?

You know, no offense.
You're her sister.

You know,
when you offer her money,

she takes the money,

and God knows
we could use it,

but she takes it
really not to offend you.

I think
you don't know that.

Maybe you do know that.

Maybe I don't know
what I'm talking about.

I hate this, don't you?
It's freezing.

Want to get some coffee
or something?

( cheers and applause )

GEORGIA:
Steven Soles.

And Ken Stringfellow.

( cheers and applause )

WOMAN:
All right, Georgia!

MAN:
Georgia!

You want to
shoot some pool?

You got hours,
whole hours.

I gotcha.

It's gonna be all right.

GEORGIA:
One, two, three.

( playing soft country music )

* I got a field

* Of unrighteousness

* Sow a seed

* Of scorn and bitterness

Nice shot.

Your lady's
got a touch, Axel.

Yeah.

Oh, my God!

We should start back.

It's gonna be great.

It's gonna be
sensational.

Who did this?
Did you do this?

Georgia did this.

Why don't you
not have that?

This is to you.

For always being Jake.

The only thing
I ever envied my sister.

This is to you
and tonight.

And tonight.
Yeah.

Georgia's pregnant.

Oh?

God!

Well, that's so great!

It's pretty great.

It's a knockout.

( sighs )

( cheers and applause )

It's a very special privilege

for me to bring Sadie Flood
out here tonight.

Seattle's home.

( cheers and applause )

We're gonna kick
the shit out of this thing.

Put it to bed, baby.

It's incredible
for me to be here,

on this stage
with my sister.

The single person I'll miss
when I leave this earth.

Yeah. How sweet this is.

( playing "Take Me Back" )

The only thing
that has any meaning

is what's real, right?

What we get,
what we give each other.

And in the dark,
we're all scared.

We're all scared.

And there's more of us
out there all the time, man.

And the song
is from Van Morrison.

* I've been walkin'
By the river *

* I've been walkin' down
By the water *

* I been walkin' down
By the river *

* Do-do-do

* I been feelin'
So sad and blue *

* I been thinkin',
I been thinkin' *

* I been thinkin',
I been thinkin' *

* I been thinkin'

* I've been thinkin'

* Oh, there's
So much sufferin' *

* And it's too much confusion

* Too much, too much
Confusion in the world *

* Take me back, take me back
Take me back *

* Take me way back, take me
Way back, take me way back *

* Take me way back, take me
Way back, take me way back *

* Take me way back,
Take me way back, oh *

* Take me way, way, way
Way, way, way, way back *

* Help me un--

* Help me understand

* Take me

* Do you remember the time,
Darlin' *

* When everything
Made more sense in the world? *

* Yeah

* Oh, I remember

* I remember
When life made more sense *

* Oh, I

* Take me back

* Take me back, take me back
Take me back *

* Take me back, take me back
Take me back *

* Take me back, take me back
Take me back *

* Whoa, whoa, to when

* The world made

* More sense

* Well, there's too much
Sufferin' and confusion *

* And I'm walkin' down
By the river *

* Oh, let me understand
Religion *

* All the way back

* Way back

* When you walked

* In a green field
In a green meadow *

* Down an avenue of trees

* Oh, on a

* On a golden summer

* And the sky was blue

* And you didn't have
No worries *

* You didn't have no care

* You were walkin'
In a green field *

* In a meadow
Through the buttercups *

* In the summertime

* And you looked
Way out over *

Way out, way out over
The city and the water *

* And it felt so good
And it felt so good *

* And you keep on walkin'

( chuckles )

* And the music on the radio
And the music on the radio *

* Has so much soul

* Has so much soul

* And you listen
In the nighttime *

* While we're still and quiet

* And you look out on the water
On the big ships *

* And the big boats
Came on sailin' by *

* Bye-bye, bye-bye

* And you felt so good now

* And I felt so good

* I felt I wanna hear Clay
Blow his harmonica *

( harmonica plays solo )

* Take me back there
Take me way back *

* Take me back, take me back
Take me back *

* Take me way, way, way
Back, back to when *

* To when I understood

* When I understood the light
When I understood the light *

* In the golden afternoon
In the golden afternoon *

* In the golden afternoon
In the golden afternoon *

* In the golden afternoon

* Well, we sat and listened
To sonny boy blow *

* In the golden afternoon

* Well, we sat and let
Sonny boy blow *

* Blow his harp

* Take me back, take me back
Take me back *

* Take me way, way, way

* Way, way, way, way, way,
Way, way, way, way back *

* To when I understood

* When I understood

* Yeah

* Oh, ah, take me back to when
When, when, when, when *

* When, when, when, when
When, when, when I was walkin' *

* Walkin' down the streets

* And it didn't matter

* 'Cause everything felt

* Everything felt
Everything felt *

* Everything felt

* Everything felt
Everything felt *

* Everything felt

* Everything felt
Everything felt *

* Everything felt

* Everything felt
Everything felt so right *

( humming )

* And so good

* Everything felt
So right and so good *

* Everything felt
So right and so good *

* Everything felt

* So right and so good
So good *

* In the eternal now

* In the eternal moment

* In the eternal now

* In the eternal moment

* In the eternal now

* Everything felt
So good, so good *

* So good, so good
So good, and so right *

* And so right, just so good
And so right *

* In the eternal
In the eternal moment *

* In the eternal moment
In the eternal moment *

* In the eternal moment

* When you lived
When you lived *

* When you lived in the light

* When you lived

* In the grace

* In the grace

* In grace when you lived

* In the light

* And the grace

* And the blessing

( light applause )

( applause )

Thank you!
God bless.

You were real good.

Keep drinkin'.
Round the edges.

I love you.

I love you, Georgia!

( cheers and applause )

Want me to drive?

No, I don't
want you to drive.

I take it that
you're angry with me.

You took her to a bar,

got her juiced up,
got you juiced up.

Why would that
bother me?

She was wound up tight.

She was gonna come
boppin' off the walls.

Well, you fixed that.

Did you seriously think

that she had no other access
to a bottle

or whatever else she wanted
before she got there?

I don't need
to be right, Georgia.

I don't think
I could ever grasp--

I mean, not a clue.

--what it's like
to be your sister.

Ever so sorry
about that.

Very much so.

Thank you, Jake.

I whipped your ass
at pool.

Yup.

SADIE:
I whipped his ass.

Where are we going?

To the house.

Ah. Right.

Family weekend.

So was I great,
or was I great?

I wish I'd been there.
Heh-heh.

You were there.

Or was I just okay?

You could hear
a pin drop.

You were great.

I thought that
you were something.

Ha!

What did sissy think?

( panting )

Ooh. Stern silence.

Georgia was embarrassed
of me.

For me.

Which?

Georgia needed
to help me out up there.

Didn't you, Georgia?

See, I thought
I was doing fine,

but my sister

couldn't leave it alone.

For fear of what?

For fear of fucking what,
Georgia?

Did I need saving, Georgia?

How good did it feel
to be able to pull me out?

It felt like a thousand pounds
of dead weight, Sadie.

Is that what
you want to hear?

I don't want this
anymore, Sadie.

I want you
to let go of me.

Let go of me!

Please!

Please, Sadie!

Do whatever you have to do,

but I don't want to be
a part of it anymore.

I can't do it.
I don't want to do it.

Georgia.

Right.

( door opens )

Sadie! Sade.

GEORGIA:
Good, Sadie.

You want to get out?
JAKE: Georgia.

Do you want to get out,
Sadie?

JAKE:
Georgia!

What do you want to do?

This is entirely
up to you, Sadie.

( in cowboy accent ):
This rig's not big enough
for the both of us.

( chuckles )

You're welcome to spend
the night, you and Axel.

What do you
want to do, Sadie?

We're in the middle
of nowhere.

( vehicle approaches )

How long were you
prepared to sit here?

( gear shifts )

* But he sure
Found out the hard way *

* That dreams
Don't always come true *

* Oh, no, uh-uh

* Oh, no

* So he pawned all his hopes

* Whoo-hoo, hoo-hoo
* And even sold his old car

* Whoo-hoo, hoo-hoo

* Bought a one-way ticket back

* To the life he once knew

* Oh, yes, he did
He said he would *

* Oh, he's leavin'

* Leavin'

SADIE:
* On that midnight train
To Georgia *

BAND:
* Leavin' on
The midnight train *

* I'd rather live in his world

* Than be without him in mine

* Come on

* And I'm on

* The midnight train
To ride *

Thanks, guys.
Night.

MAN 1:
Night, Sadie.

MAN 2: Night, Sadie.
Good night.

Well.

( engine starts )

Can I fix you
something?

No, sweetie.

It's no trouble.

No, baby.

( glass clinks )

Are you scared of me,
Axel?

No.

Gotta go home
for a while.

Chicago?

Yeah.
For a while.

I'll come with you.

Well, you know,

maybe you could
come later, you know?

You taking a hike, Axel?

No.

'Cause it's all right.

I don't think
my mom's okay.

I'm sorry.

I'll be back.

Hard to know
how long, right?

( match ignites )

I can send for you.

( sighs )

This must have taken
you days, Axel.

I can.
I can send for you.

I'm 23, Sadie.
Try cutting me some slack.

How about a blowjob
instead?

Fuck you, Sadie.

Didn't mean it.

I swear.

I do everything
I know how for you.

I know, Axel.

You gonna be
all right?

Yes.

I'm not leaving you.

No.

No such luck,
all right?

Send for me, Axel.

( door opens )

I got back.

Did you meet Brian?

Yes.

Do you know
Georgia Flood, Brian?

This is her sister.

Oh. Uh, well,
it's good to meet you.

I'm a big fan.

CHASMAN:
She sang with Trucker too.
Didn't you?

How's the world
treating you, Sade?

Well, we're trying
to come to terms.

You and the world?
That would be a shame.

I'm a married woman.

What, you?

Yes, me.
Yes, me.

Well, congratulations.

So how you doing?

The same.

Things are
about to break.

I'm not a homosexual,
Brian.

Did she tell you
I was a homosexual?

No.

CHASMAN:
Sadie's little joke.

Did you get another cat?
CHASMAN: No.

Yeah.
Well, I tried a dog.

You can rely on a dog,
but I couldn't train him.

Messed all over
the apartment.

Shit and pissed.
So damn dependent, dogs.

I need a gig,
place to stay.

Let me look into it, okay?

Yeah, well,
a place to stay.

Yeah, I'll look into it.

What kind of answer is that?
You're my manager, right?

Whatever the hell that means.

Where were you
for me to manage?

I don't remember
seeing 10 percent

for the months at a time
you were gone.

It's not the money,
Sadie.

I always thought
you had the goods.

I appreciate talent.
I put myself on the line.

You want work
and time to pay off.

I'm not above
getting hurt.

So if I'm not in total
rapture at seeing you,

you'll understand.

You are so full of shit,
Chasman.

SADIE:
The other day, man,
I couldn't find the door.

Shit.

I swear.

I couldn't find
the goddamn door.

No fucking shit.

You know where's the door
to this apartment,

like the back of my hand.

And I can't find the door.

Did you lose Brian?

Brian found the door.

Guess so.

Well, I'm game.

Fuck it.

We'll check ourselves in.

Detox.

We'll go to L.A.

You've got to make it
in L.A. to mean anything.

Yeah.

We'll clean up.

Yeah.

Don't touch my wake-up.

Want to find it right there
in the morning.

( coughs, sniffles )

( sneezes )

Do you have a prepaid ticket
here for Sadie Flood?

( keyboard clacking )

For Seattle.
The 11:30?

I'm not showing anything.

Flight 484?

I don't know.
I'm in Medford, right?

The 11:30.

( keyboard clacking )

I'm not showing
anything.

Yeah, well,
maybe you could call.

As soon as it was prepaid,

they'd have put it
in the computer.

It would show up
on the computer.

I'm sick, see?

There was supposed
to be a wheelchair.

So, uh, maybe you
could call someone.

Why don't you have a seat?
I'll see what I can do.

Yeah, well...

There's another flight
at 2:35.

I'm not on this plane,
I'm out of here!

It's a medical emergency!

I'm sick, and--

How long ago was
the ticket purchased?

I don't know.
Hour, half-hour.

Look, do you
have a supervisor?

I got to be on the plane.

I'm sick, see?

What's your name?

Why don't you sit down
and let me see what I can do?

I really need to take care
of the rest of these people.

Okay...Helen.

Who do you have to fuck
to get some help around here?

( panting )

WOMAN ( on PA ):
Rollinger, Munson,
Okeson and Rice,

( coughs )

...to the boarding doorway
gate C-2 for departure.

You can't get on the plane
without shoes, miss.

Do you have shoes?

Are you kidding me?

It's an airline
regulation, miss.

It's a medical emergency.
I have to get to a hospital.

I'm sorry, ma'am.

You're not gonna
let me board?

We can't let anybody board
without shoes, ma'am.

Shit!
Fucking horseshit, man!

Anybody got
a pair of shoes?

This is
a medical emergency!

Anybody got a pair of shoes

so I can get on a goddamn plane?

Please?

Anybody want to give me
a pair of shoes

to get on this fucking plane,
please?!

Thank you.

WOMAN ( on PA ):
The arrival of Flight 484
at 12:37 from Medford, Oregon.

All those arriving passengers
can be met momentarily

at gate marked E-4.

( water running,
toilet flushes )

Hi.

I'm sorry.

Your flight
was early.

Twenty minutes, yeah.

I thought
Jake would come.

No. I wanted
to come get you.

So how'd you find me
in here?

I left my bag outside.

I'm really sick,
Georgia.

Let's get your stuff.

Look at you.

You told 'em
not to let me die, right?

Yeah.

You know what I mean?
Yes.

Thank you.

I didn't know who else
to call.

( Sadie crying )

I'm so sorry, Georgia.

They weren't gonna
let me on the plane.

This kid was great.

Well, I'm thin, huh?

You're not gonna be able
to find a vein.

Why don't
you let me do that?

I think I've got this
under control.

She's gonna be okay.

We're gonna be giving her
high doses of Valium

so she doesn't seize.

And, uh, he'll give her
clonidine patches

for the heroin.

You go home and rest.

She'll pretty much sleep
the next couple of days.

This is probably
inappropriate, but...

I'm a really big fan.

( elevator bell dings,
doors open )

( sighs )

What are you
doing here, Dad?

I don't want you here, Dad.

Really not.

This is my party.

( chuckles softly )

Where's my sweetheart?

Who?

This guy
I was sleeping with.

He left me.

She awake?

She wants a cigarette.

( groans )

I'm sorry
about the robe.

I really love this robe.

I don't care about the robe.
It's yours.

( lighter flicks )

Make sure she's sitting up
while she's smoking.

Don't nod out on us,
Sadie.

We're very proud of this girl.
She's come a really long way.

She's the best nurse
on the ward.

You are, huh?

They hate me here.
( laughs )

They do.

So this must be
a real embarrassment to you.

No.

Why?

I cry all the time.

The patches make me
a little...

You know.

Well, you see.

How's it going?

( sighs )

Lots of paperwork.
It's all paperwork.

And meetings.

Meetings.

I'm having some trouble with

the "God as I understand him"
part.

( chuckles )

What was Dad
doing here?

Dad?

Really.

I don't think so.

Right there
in that chair.

( sighs )

I like my counselor.

David.

Donald.

Which?

David.

Donald.

David Donald.
( laughs )

I think that's his name.

Do you want me
to call Axel?

Oh, God. Axel.

Sweet Axel.

Axel needs
to get a life.

So when do you think
you're gonna have this baby?

I don't know.

Can I?

It's so amazing.

Did I tell you
about Stewart?

The one who
designed speakers.

For concerts.

Who's in love with you.

Yeah.

You mean Sam.

Sam?

Heh-heh. Yeah.

( both laughing )

Did I tell you about Sam?

( laughs )

Ow.

( both laughing )

You look good.

You too.

They had to see
if I was approved.

Yeah. I make a list.

Like I'm in control here.

( chuckles )

So how is it?

It's great, yeah.

Real people.

So how you doing?

You know.

Survival.

And Bobby?

( chuckles )

Seattle's own, huh?

Say hello.

Sure.

I did it myself.

It was driving me crazy.

They let you
have scissors?

Yeah. Scissors.

So you think
I look okay?

You look great.

I miss you guys.

Yeah, me too.

I miss Herman.

Yeah, me too.
I could've called that.

What?

Ah, shit.

I'm sorry.

A month,
month and a half ago.

Fuckin' Herman.

SADIE:
* Lookin' for soul food
And a place to eat *

* Went to the Apollo

* Should have seen him
Go, go, go *

* They said

BOTH:
* Hey, sugar

* Take a walk on
The wild side *

* I said
Hey, babe *

BOTH:
* Take a walk
On the wild side *

* All right, ha

* And the colored girls go

* Do, do-do, do-do
Do-do-do-do, do *

* Do-do, do-do, do-do-do

* Do, do-do, do-do
Do-do-do-do, do *

* Do-do, do-do, do-do-do

* Do, do-do, do-do
Do-do-do-do do *

* Do-do, do-do, do-do-do-o-o

( baby coos )

Good job, Druid.

( mid-tempo rock music
playing over stereo )

* And I can't afford to go
To Mardi Gras this year *

* I don't even care
About payin' my phone bill *

* Know what I mean?

* And private property

Is really an outmoded concept *

* Because

My mind gets up five minutes
before I do.

And then it's sitting
on the bed.

Saying,"I've been
waiting for you.

"I have something
to say to you.

I've been wanting
to talk to you."

* If I wanna sleep
On the floor *

* If I wanna sleep
In my breakfast *

Your mind says,
"I've been awake all night.

"I just want you to know
you have cancer.

"You're on the verge
of bankruptcy.

"Nobody likes you."

Overriding doom.
It's a mind-fuck.

Andrew.

He's all right.

You're going all
touchy-feely, Andrew.

I don't mind.

( chuckles )

I'm sure not.

Ray Hammond Kiley.

That's a lot of weight.

My mother's father's name.

SADIE:
It'll keep him grounded.

One would hope.

You didn't come visit.

No, I didn't,
but I love you just the same.

I hold a very special
place for you, Sadie.

Do you, Jake?

Yeah.

A sacred place.

Well...

You've only ever been

the only man in the world
for me, Jake.

( chuckles )

Yes.

Yes? You sure?
Yes. Mm-hmm.

I don't want to take it unless

it was going to Goodwill,
anyway.

Ha-ha!
You're in my closet, Sadie.

You can have anything
you like, really.

Yours.

Don't do that.

Don't do what?

Take what you need.

( crickets chirping )

What are you doing?

Nothing.
My favorite thing.

Mish has got the ticket.

She can become
weightless.

Thin air. It's something
I'm apt to encourage.

Are you gonna need money?

Not a lot.

It's not a
bottomless pit, Sadie.

Well, sis...
I know that, sis.

I'm keeping accounts.
You didn't know that.

( laughs )

You're so funny, Sadie.

You haven't asked
my plans.

No, I haven't.

Do you care?

( chuckles )

I knew you'd tell me.

Uncertain.

I think L.A.

I think in stages.

Oh, good.

Good what?

I don't know, Sadie.

As long as you're okay.

I was just thinking,
you know?

You never left home,
Georgia.

I guess so.

I must scare the shit
out of you.

I must be
your worst nightmare.

Sadie's out there,
gobbling it up.

Always. That's
always how I see you.

Gobbling it up again.

I hate the desperation.

Everything's so desperate.

Yeah.

Well, you don't do
anything desperate.

You don't feel
anything desperately.

It's not in your nature.

Feeling isn't your
strong suit, Georgia.

No, not like you.

Nothing consuming.
No.

Not passion.

Passion?

( scoffs )

Okay, passion.

Or pain.

No. Or suffering.

That's a gift you mistake
for voice, Sadie.

My God. It's how
you define yourself.

It's yours,
I'll give you that.

And Sadie's pain
has to be fed, goddamn it.

Kept alive.

And we're all here,
ready to serve.

You don't sing, Sadie.

You can't sing.

( chuckles )

You wish.

( giggles )

( both giggling )

My name's Sadie Flood.

( scattered applause )

And we're gonna come to terms,
Portland, okay?

This is my harp player
and my guitar player,

Mark Olsen.

( light applause )

And my drummer... What?

Joey.
Joey Venizzioni.

Joey.

What?
Venizzioni.

Joey Venizzioni
on the drums.

( light applause )

And Guy Davis on bass.

( cheers and applause )

GEORGIA:
Thank you.

* It's a song and a sigh
Of the weary *

* Hard times, hard times

* Come again no more

* Many years have you lingered

* Around our cabin door

* Oh, hard times
Come again no more *

* No more hard times

* No more hard times

* No more hard times

* No more hard times

* No more hard times

* No more hard times

* No more hard times

( scattered applause )

No one does that song
better than my sister.

Who?

Thank you, comrade.

( Tom Waits' "The Piano
Has Been Drinking" playing )

* The piano has been drinking

* My nectar is sweet

* And the combo
Went back to New York *

* The jukebox
Has to take a leak *

* And the carpet
Needs a haircut *

* And the spotlight
Looks like a prison break *

* 'Cause the telephone's
Out of cigarettes *

* And the balcony
Is on the make *

* And the piano
Has been drinking *

* The piano
Has been drinking *

* And the menus
Are all freezing *

* And the light man's
Blind in one eye *

* And they can't see
Out of the other *

* And the piano-tuner's
Got a hearing aid *

* And he showed up
With his mother *

* And the piano
Has been drinking *

* The piano
Has been drinking *

* As the bouncer
Is a sumo wrestler *

* Cream-puff casper
Milquetoast *

* And the owner
Is a mental midget *

* With the IQ
Of a fence post *

* 'Cause the piano
Has been drinking *

* The piano
Has been drinking *

* And you can't find
Your waitress *

* With a Geiger counter

* And she hates you
And your friends *

* And you just can't
Get served without her *

* And the box office
Is drooling *

* And the barstools
Are on fire *

* And the newspapers
Were fooling *

* And the ashtrays
Have retired *

* 'Cause the piano
Has been drinking *

* The piano
Has been drinking *

* The piano
Has been drinking *

* Not me

* Not me

* Not me

* Not me

* Not me