All language subtitles for The.Haunted.Hathaways.S01E10.Haunted.Interview.1080p.AMZN.WEB-DL.DDP2.0.x264-TVSmash_track4_[eng]

af Afrikaans
sq Albanian
am Amharic
ar Arabic
hy Armenian
az Azerbaijani
eu Basque
be Belarusian
bn Bengali
bs Bosnian
bg Bulgarian
ca Catalan
ceb Cebuano
ny Chichewa
zh-CN Chinese (Simplified)
zh-TW Chinese (Traditional)
co Corsican
hr Croatian
cs Czech
da Danish
nl Dutch
en English
eo Esperanto
et Estonian
tl Filipino
fi Finnish
fr French
fy Frisian
gl Galician
ka Georgian
de German
el Greek Download
gu Gujarati
ht Haitian Creole
ha Hausa
haw Hawaiian
iw Hebrew
hi Hindi
hmn Hmong
hu Hungarian
is Icelandic
ig Igbo
id Indonesian
ga Irish
it Italian
ja Japanese
jw Javanese
kn Kannada
kk Kazakh
km Khmer
ko Korean
ku Kurdish (Kurmanji)
ky Kyrgyz
lo Lao
la Latin
lv Latvian
lt Lithuanian
lb Luxembourgish
mk Macedonian
mg Malagasy
ms Malay
ml Malayalam
mt Maltese
mi Maori
mr Marathi
mn Mongolian
my Myanmar (Burmese)
ne Nepali
no Norwegian
ps Pashto
fa Persian
pl Polish
pt Portuguese
pa Punjabi
ro Romanian
ru Russian
sm Samoan
gd Scots Gaelic
sr Serbian
st Sesotho
sn Shona
sd Sindhi
si Sinhala
sk Slovak
sl Slovenian
so Somali
es Spanish
su Sundanese
sw Swahili
sv Swedish
tg Tajik
ta Tamil
te Telugu
th Thai
tr Turkish
uk Ukrainian
ur Urdu
uz Uzbek
vi Vietnamese
cy Welsh
xh Xhosa
yi Yiddish
yo Yoruba
zu Zulu
or Odia (Oriya)
rw Kinyarwanda
tk Turkmen
tt Tatar
ug Uyghur
Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:12,767 --> 00:00:14,833 - WHAT ARE YOU DOING? 2 00:00:14,867 --> 00:00:17,500 - INCREASING THE BLOOD FLOW TO MY BRAIN. 3 00:00:17,533 --> 00:00:21,533 - I CAN SEE UP YOUR NOSE. IT'S NOT PLEASANT. 4 00:00:21,567 --> 00:00:24,300 - I HAVE TO WRITE AN ESSAY FOR A SCHOOL I'M APPLYING TO, 5 00:00:24,333 --> 00:00:25,800 AND IT HAS TO BE PERFECT. 6 00:00:25,833 --> 00:00:28,667 - WHAT HAVE YOU GOT SO FAR? - A HEADACHE. 7 00:00:28,700 --> 00:00:30,433 - WHY ARE YOU SO HUNG UP 8 00:00:30,467 --> 00:00:32,633 ON GETTING INTO SOME PRIVATE SCHOOL ANYWAY? 9 00:00:32,667 --> 00:00:34,733 - IT'S NOT SOME PRIVATE SCHOOL. 10 00:00:34,767 --> 00:00:38,767 IT'S PENNINGTON ACADEMY, THE TOP SCHOOL IN NEW ORLEANS. 11 00:00:38,800 --> 00:00:40,433 THEIR CREATIVE WRITING DEPARTMENT 12 00:00:40,467 --> 00:00:42,300 IS THE BEST IN THE COUNTRY. 13 00:00:42,333 --> 00:00:43,433 - [mock excitement] REALLY? 14 00:00:43,467 --> 00:00:45,733 YAWN. 15 00:00:45,767 --> 00:00:48,633 - THEY ALSO SERVE TATER TOTS EVERY MONDAY. 16 00:00:48,667 --> 00:00:51,633 - I'M LISTENING. 17 00:00:51,667 --> 00:00:53,400 - SO HOW'S THE BIG ESSAY COMING? 18 00:00:53,433 --> 00:00:54,667 - IT'S NOT. 19 00:00:54,700 --> 00:00:55,867 I DON'T KNOW WHAT TO WRITE 20 00:00:55,900 --> 00:00:57,500 THAT'S GOING TO SET ME APART. 21 00:00:57,533 --> 00:00:58,767 - OH, SWEETIE. 22 00:00:58,800 --> 00:01:00,333 I KNOW HOW MUCH YOU WANT THIS, 23 00:01:00,367 --> 00:01:01,500 BUT THE WORST THING YOU CAN DO 24 00:01:01,533 --> 00:01:02,867 IS PUT PRESSURE ON YOURSELF. 25 00:01:02,900 --> 00:01:04,833 SO JUST WRITE SOMETHING, 26 00:01:04,867 --> 00:01:06,433 BECAUSE WE HAVE TO TURN IN THE ESSAY BY THE END OF THE DAY, 27 00:01:06,467 --> 00:01:07,500 WHICH, BY MY WATCH, IS IN THREE HOURS. 28 00:01:07,533 --> 00:01:10,367 WE CANNOT MISS THIS DEADLINE! 29 00:01:10,400 --> 00:01:13,567 AGAIN, NO PRESSURE. 30 00:01:13,600 --> 00:01:14,800 - YOU WANT MY ADVICE? 31 00:01:14,833 --> 00:01:16,167 JUST WRITE ABOUT SOMETHING 32 00:01:16,200 --> 00:01:19,167 IN YOUR LIFE THAT'S... AWESOME. 33 00:01:19,200 --> 00:01:21,833 - I ONCE ATE A SCAB OFF MY KNEE. 34 00:01:21,867 --> 00:01:25,633 - NO, SOMETHING AWESOMER. 35 00:01:25,667 --> 00:01:28,800 - I ONCE ATE TWO SCABS OFF MY KNEE. 36 00:01:28,833 --> 00:01:32,267 - NOTHING ABOUT EATING SCABS! 37 00:01:32,300 --> 00:01:36,300 NOW LOOK WHAT YOU MADE ME DO. 38 00:01:36,333 --> 00:01:38,133 - LOUIE, THAT'S IT! 39 00:01:38,167 --> 00:01:39,733 I SHOULD DO MY ESSAY ON YOU. 40 00:01:39,767 --> 00:01:41,700 BRILLIANT. 41 00:01:41,733 --> 00:01:43,733 - NICE. LOOKS LIKE LOUIE THE GHOST 42 00:01:43,767 --> 00:01:45,267 IS FINALLY GETTING SOME LOVE. 43 00:01:45,300 --> 00:01:48,100 NO THANKS TO BUTTERFINGERS OVER HERE. 44 00:01:48,133 --> 00:01:49,767 HEY, I WAS JOKING! 45 00:01:49,800 --> 00:01:51,700 COME BACK. 46 00:01:51,733 --> 00:01:54,667 HE CAN'T GET FAR. 47 00:01:54,700 --> 00:01:58,133 [spooky rock music] 48 00:01:58,167 --> 00:02:00,933 - * IF YOU MOVE INTO A HAUNTED HOUSE * 49 00:02:00,967 --> 00:02:03,367 * YOU GOTTA TRY TO WORK THINGS OUT * 50 00:02:03,400 --> 00:02:05,933 - * SO IF YOU'RE LIVING WITH A GHOST OR THREE * 51 00:02:05,967 --> 00:02:09,600 - * YOU GOTTA BE ONE BIG, SEMI-SCARY FAMILY * 52 00:02:09,633 --> 00:02:11,800 - * DON'T KNOW HOW WE ENDED UP THIS WAY * 53 00:02:11,833 --> 00:02:13,467 - * BUT I GUESS YOU COULD CALL US * 54 00:02:13,500 --> 00:02:16,300 - * THE HAUNTED HATHAWAYS 55 00:02:16,333 --> 00:02:19,133 * THE HAUNTED HATHAWAYS 56 00:02:19,167 --> 00:02:20,800 - * THE HAUNTED HATHAWAYS 57 00:02:20,833 --> 00:02:24,867 * 58 00:02:24,900 --> 00:02:26,633 - * THE HAUNTED HATHAWAYS 59 00:02:26,667 --> 00:02:29,200 * 60 00:02:34,767 --> 00:02:36,267 - ARE YOU SERIOUS? 61 00:02:36,300 --> 00:02:38,133 ARE YOU SERIOUS? 62 00:02:38,167 --> 00:02:39,333 ARE YOU SERIOUS? 63 00:02:39,367 --> 00:02:42,400 [squeals] 64 00:02:42,433 --> 00:02:45,500 - TAYLOR, PLEASE, NO SCREAMING. 65 00:02:45,533 --> 00:02:49,167 I GOT A GHOST COLD AND A WICKED HEADACHE. 66 00:02:49,200 --> 00:02:51,133 - I'LL TELL YOU WHY YOU GOT SICK, DAD. 67 00:02:51,167 --> 00:02:52,267 IT'S STRESS. 68 00:02:52,300 --> 00:02:53,333 YOU NEED TO RELAX. 69 00:02:53,367 --> 00:02:55,133 HOW MANY MORE FLYERS 70 00:02:55,167 --> 00:02:57,767 DO I HAVE TO GIVE YOU BEFORE YOU ATTEND MY FREE YOGA SEMINAR? 71 00:02:57,800 --> 00:03:01,867 - SIX MILLION. 72 00:03:01,900 --> 00:03:03,567 - GOOD NEWS. 73 00:03:03,600 --> 00:03:05,867 SO EVERY MONTH, MY SCHOOL PUTS OUT A NEWSPAPER-- 74 00:03:05,900 --> 00:03:06,867 - THAT'S AWESOME. 75 00:03:06,900 --> 00:03:08,233 NICE TO HEAR JOURNALISM 76 00:03:08,267 --> 00:03:09,667 IS ALIVE AND WELL IN THIS COUNTRY. 77 00:03:09,700 --> 00:03:12,333 - THAT'S NOT THE GOOD NEWS, MILES. 78 00:03:12,367 --> 00:03:14,567 THEY WANNA DO A FEATURE ARTICLE ON ME 79 00:03:14,600 --> 00:03:16,700 SINCE I'M THE NEW GYMNASTICS TEAM CAPTAIN. 80 00:03:16,733 --> 00:03:19,267 MY PICTURE'S GONNA BE ON EVERY PAPER IN SCHOOL. 81 00:03:19,300 --> 00:03:20,633 DO YOU KNOW WHAT THAT MEANS? 82 00:03:20,667 --> 00:03:23,500 - YOU'LL BE AN INSPIRATION TO OTHERS. 83 00:03:23,533 --> 00:03:26,533 - NO, THAT I HAVE TO WEAR SOMETHING CUTE. 84 00:03:26,567 --> 00:03:27,800 - NO WAY. 85 00:03:27,833 --> 00:03:30,767 NO WAY. NO WAY! 86 00:03:30,800 --> 00:03:33,433 [squeals] 87 00:03:33,467 --> 00:03:35,433 FRANKIE! - [groans] 88 00:03:35,467 --> 00:03:36,433 - COME ON, DAD. 89 00:03:36,467 --> 00:03:37,600 DOESN'T LOOKING AT THIS 90 00:03:37,633 --> 00:03:40,833 IMMEDIATELY RELAX YOU? 91 00:03:40,867 --> 00:03:42,633 - NOT EVEN A LITTLE BIT. 92 00:03:42,667 --> 00:03:44,333 - FRANKIE. 93 00:03:44,367 --> 00:03:47,433 GET IN HERE! 94 00:03:47,467 --> 00:03:48,467 - WHAT'S UP? 95 00:03:48,500 --> 00:03:50,167 - PENNINGTON ACADEMY 96 00:03:50,200 --> 00:03:52,633 REVIEWED YOUR APPLICATION AND THEY LOVED IT! 97 00:03:52,667 --> 00:03:53,800 ESPECIALLY THE ESSAY. 98 00:03:53,833 --> 00:03:55,700 - NO WAY! REALLY? 99 00:03:55,733 --> 00:03:57,533 - MM-HMM. - CAN'T SAY I'M SURPRISED. 100 00:03:57,567 --> 00:04:01,633 FRANKIE HAD SOME PRETTY CHOICE MATERIAL TO WRITE ABOUT. 101 00:04:03,500 --> 00:04:05,633 - FRONT PAGE ARTICLES? ELITE SCHOOLS? 102 00:04:05,667 --> 00:04:09,533 OOH, MY REFLECTION JOURNAL IS GONNA BE FILLED UP TONIGHT. 103 00:04:09,567 --> 00:04:11,200 - WE CAN'T CELEBRATE YET. 104 00:04:11,233 --> 00:04:12,567 THE DIRECTOR OF ADMISSIONS IS COMING 105 00:04:12,600 --> 00:04:13,767 THIS AFTERNOON FOR YOUR INTERVIEW. 106 00:04:13,800 --> 00:04:14,900 WE ALL NEED TO BE READY. 107 00:04:14,933 --> 00:04:16,367 THAT MEANS NO GHOSTING. 108 00:04:16,400 --> 00:04:18,500 - BELIEVE ME, WITH THIS COLD, 109 00:04:18,533 --> 00:04:21,667 GHOSTING IS THE LAST THING I WANNA DO. 110 00:04:21,700 --> 00:04:23,400 - I NEVER KNEW GHOSTS COULD CATCH COLDS. 111 00:04:23,433 --> 00:04:26,167 - YEP. THEY'RE JUST LIKE REGULAR COLDS. 112 00:04:26,200 --> 00:04:27,233 - [sneezes] 113 00:04:27,267 --> 00:04:31,433 [house rumbles] 114 00:04:31,467 --> 00:04:35,467 - YEAH, TOTALLY THE SAME. 115 00:04:37,800 --> 00:04:40,633 - TAYLOR, CAN I ASK YOU A QUESTION? 116 00:04:40,667 --> 00:04:42,600 - SURE. - GOOD. 117 00:04:42,633 --> 00:04:44,133 IT'S NICE TO KNOW I CAN COME TO YOU 118 00:04:44,167 --> 00:04:47,133 IF I EVER HAVE A QUESTION. 119 00:04:47,167 --> 00:04:48,700 OOH, THOUGHT OF ONE. 120 00:04:48,733 --> 00:04:51,100 WHEN'S YOUR INTERVIEW? - AFTER SCHOOL. 121 00:04:51,133 --> 00:04:53,667 I'M MEETING THE REPORTER AT THE BAKERY. 122 00:04:53,700 --> 00:04:55,500 - HEY, TAY! - [screams] 123 00:04:55,533 --> 00:04:57,067 - WHAT IS IT? 124 00:04:57,100 --> 00:04:59,200 - OH, IT'S JUST A BEE. 125 00:04:59,233 --> 00:05:01,433 - THE EXTRA HONEY PACKET I TOOK AT LUNCH. 126 00:05:01,467 --> 00:05:04,467 THEY FOUND ME! 127 00:05:14,500 --> 00:05:16,900 - MILES, WHAT ARE YOU DOING HERE? 128 00:05:16,933 --> 00:05:20,200 - I HAVE A MAJOR PROBLEM AND I REALLY NEED YOUR ADVICE. 129 00:05:20,233 --> 00:05:22,267 - WHAT IS IT? 130 00:05:22,300 --> 00:05:23,567 - SO I'M BUILDING A MODEL RACE CAR 131 00:05:23,600 --> 00:05:25,133 WITH MY FRIEND, SCOOTER, FROM GHOST SCOUTS. 132 00:05:25,167 --> 00:05:26,600 HE WANTS TO GO WITH RACING STRIPES, 133 00:05:26,633 --> 00:05:28,133 BUT I WANNA GO WITH COOL FLAMES. 134 00:05:28,167 --> 00:05:30,867 BIG PICKLE, RIGHT? 135 00:05:30,900 --> 00:05:33,467 - YOU CAME TO MY SCHOOL... 136 00:05:33,500 --> 00:05:35,400 AND SCARED OFF MY FRIEND 137 00:05:35,433 --> 00:05:37,867 TO TALK ABOUT RACE CARS? 138 00:05:37,900 --> 00:05:39,333 - [scoffs] NO. 139 00:05:39,367 --> 00:05:42,267 RACE CAR STICKERS. 140 00:05:42,300 --> 00:05:44,267 - MILES, WE NEED BOUNDARIES. 141 00:05:44,300 --> 00:05:46,267 JUST BECAUSE WE LIVE IN THE SAME HOUSE 142 00:05:46,300 --> 00:05:47,833 DOESN'T MEAN YOU NEED TO BE INVOLVED 143 00:05:47,867 --> 00:05:49,600 IN EVERY PART OF MY LIFE. 144 00:05:49,633 --> 00:05:51,233 - FINE. 145 00:05:51,267 --> 00:05:52,800 - WHEN I'M AT SCHOOL, NO POPPING IN. 146 00:05:52,833 --> 00:05:53,800 BOUNDARIES. GOT IT? 147 00:05:53,833 --> 00:05:55,300 - I GOT IT. 148 00:05:55,333 --> 00:05:57,267 NO POPPING INTO YOUR SCHOOL LIFE. 149 00:05:57,300 --> 00:05:59,833 - THANK YOU. - YEAH. 150 00:05:59,867 --> 00:06:01,500 - MILES! 151 00:06:01,533 --> 00:06:05,267 - NO, I'M NILES, THE FAMOUS WESTERN COWPOKE. 152 00:06:05,300 --> 00:06:07,367 OH, AND I WAS JUST WONDERING 153 00:06:07,400 --> 00:06:10,300 WHAT YOU THINK ABOUT THOSE, UH, RACE CAR STICKERS. 154 00:06:10,333 --> 00:06:12,900 - YOU PROMISED. - OKEY-DOKEY. 155 00:06:12,933 --> 00:06:14,500 I'LL LET MILES KNOW, LITTLE LADY. 156 00:06:14,533 --> 00:06:17,533 IF I SEE HIM. 157 00:06:19,767 --> 00:06:21,167 [doorbell rings] - [gasps] 158 00:06:21,200 --> 00:06:22,200 SHE'S HERE. 159 00:06:22,233 --> 00:06:25,233 JUST ACT COOL. 160 00:06:28,667 --> 00:06:30,467 - THAT'S YOUR COOL WALK? 161 00:06:30,500 --> 00:06:34,400 - YES, IT'S HOW I LET PEOPLE KNOW I'M HAPPENING. 162 00:06:34,433 --> 00:06:36,733 - MRS. HATHAWAY, ELEANOR KRAVITZ. 163 00:06:36,767 --> 00:06:38,300 - OH, IT'S A PLEASURE, MRS. KRAVITZ. 164 00:06:38,333 --> 00:06:42,333 AND THIS IS MY AMAZING DAUGHTER, FRANKIE. 165 00:06:43,800 --> 00:06:45,433 - HOW DO YOU DO? 166 00:06:45,467 --> 00:06:46,800 - AH, WELL, I MUST SAY, FRANKIE, 167 00:06:46,833 --> 00:06:48,500 YOUR ESSAY WAS ONE OF THE MOST UNIQUE 168 00:06:48,533 --> 00:06:49,600 I'VE READ IN YEARS. 169 00:06:49,633 --> 00:06:51,400 - WOW, THANKS. 170 00:06:51,433 --> 00:06:53,733 - SHE'S VERY CREATIVE. 171 00:06:53,767 --> 00:06:56,833 I GUESS SOMETIMES THE APPLE DOES FALL CLOSE TO THE TREE. 172 00:06:56,867 --> 00:06:59,100 - EXCUSE ME? 173 00:06:59,133 --> 00:07:02,133 - I'VE ALWAYS HAD A LOVE AFFAIR WITH THE WRITTEN WORD. 174 00:07:02,167 --> 00:07:05,633 "THE SAD CLOWN DANCES. THE RED BALLOON FLOATS AWAY. 175 00:07:05,667 --> 00:07:08,700 PAPA, CAN YOU HEAR ME?" 176 00:07:08,733 --> 00:07:10,167 - SO FRANKIE, UH... 177 00:07:10,200 --> 00:07:13,167 YOUR ESSAY WAS VERY INTERESTING. 178 00:07:13,200 --> 00:07:15,367 MIND IF WE DISCUSS IT? 179 00:07:15,400 --> 00:07:18,567 - ALL RIGHT, THE LADY WANTS TO TALK ABOUT THE L-TRAIN, 180 00:07:18,600 --> 00:07:21,233 I DON'T BLAME HER. 181 00:07:21,267 --> 00:07:23,433 - [whispering] LOUIE, SCRAM. 182 00:07:23,467 --> 00:07:27,900 - NO WAY. I WANT TO BASK IN MY GLORY. 183 00:07:27,933 --> 00:07:30,400 - UM, WHY DON'T WE SKIP ALL THE ESSAY TALK? 184 00:07:30,433 --> 00:07:31,833 - FRANKIE, WHAT ARE YOU DOING? 185 00:07:31,867 --> 00:07:33,400 - [laughs] DON'T BE MODEST. 186 00:07:33,433 --> 00:07:35,267 THIS--THIS ESSAY IS FASCINATING. 187 00:07:35,300 --> 00:07:37,733 YOUR MAIN CHARACTER IS-- - I THINK WE GET IT. 188 00:07:37,767 --> 00:07:40,133 TALK TO ME ABOUT TATER TOT DISTRIBUTION. 189 00:07:40,167 --> 00:07:43,367 MY SOURCES SAY IT'S SIX TIMES A MONTH? 190 00:07:43,400 --> 00:07:46,400 - WILL YOU EXCUSE US? 191 00:07:51,367 --> 00:07:52,667 WHAT IS GOING ON? 192 00:07:52,700 --> 00:07:54,233 I THOUGHT YOU WANTED TO GET INTO THIS SCHOOL. 193 00:07:54,267 --> 00:07:56,533 - I DO. IT'S JUST MY ESSAY. 194 00:07:56,567 --> 00:08:00,300 IT'S ABOUT A GHOST BOY NAMED LOUIE WHO'S ALWAYS MESSING UP. 195 00:08:00,333 --> 00:08:01,900 THAT'S WHY I DON'T WANT HER TALKING ABOUT IT 196 00:08:01,933 --> 00:08:03,167 IN FRONT OF HIM. 197 00:08:03,200 --> 00:08:04,467 LOUIE WOULD FREAK OUT. 198 00:08:04,500 --> 00:08:06,167 - I'M SURE HE'LL BE FINE. 199 00:08:06,200 --> 00:08:08,567 - I'M FREAKING OUT! 200 00:08:08,600 --> 00:08:12,367 - THEN AGAIN, MAYBE NOT. 201 00:08:12,400 --> 00:08:13,700 - IT'S JUST A PHOTO. 202 00:08:13,733 --> 00:08:17,733 LOOK CONFIDENT, WISE, AND GYMNASTIC-Y. 203 00:08:23,400 --> 00:08:25,700 - AH, DEEP IN THOUGHT. 204 00:08:25,733 --> 00:08:27,233 YOU'RE CLEARLY CONSIDERING THE IMPORTANCE 205 00:08:27,267 --> 00:08:30,900 OF RACE CAR ORNAMENTATION. 206 00:08:30,933 --> 00:08:32,800 - MILES, I'M BUSY. 207 00:08:32,833 --> 00:08:34,433 BOUNDARIES. 208 00:08:34,467 --> 00:08:36,267 - YOU SAID STAY OUT OF YOUR SCHOOL BUSINESS. 209 00:08:36,300 --> 00:08:37,567 THIS IS THE BAKERY. 210 00:08:37,600 --> 00:08:38,733 - I'M WAITING TO BE INTERVIEWED. 211 00:08:38,767 --> 00:08:39,833 IT'S SCHOOL-RELATED. 212 00:08:39,867 --> 00:08:41,533 - FINE. 213 00:08:41,567 --> 00:08:45,567 BY THE WAY, NILES THE COWBOY SAYS YOU'RE RUDE. 214 00:08:52,267 --> 00:08:54,833 - YEAH, GO WITH HANDS ON CHIN. IT'S A CLASSIC. 215 00:08:54,867 --> 00:08:56,700 - YOU CAUGHT ME. 216 00:08:56,733 --> 00:08:58,700 SORRY, I'M WAITING FOR A REPORTER 217 00:08:58,733 --> 00:09:00,400 AND I'M A LITTLE NERVOUS. 218 00:09:00,433 --> 00:09:02,533 - WAIT, YOU'RE THE NEW GYMNASTICS CAPTAIN. 219 00:09:02,567 --> 00:09:03,767 TAYLOR, RIGHT? 220 00:09:03,800 --> 00:09:05,667 I'M A GRADE BELOW YOU. BARRY. 221 00:09:05,700 --> 00:09:07,333 - OH, YEAH, I'VE SEEN YOU AT SCHOOL. 222 00:09:07,367 --> 00:09:09,467 - LOOK, I'VE NEVER BEEN INTERVIEWED, 223 00:09:09,500 --> 00:09:11,167 BUT YOU SHOULDN'T BE NERVOUS. 224 00:09:11,200 --> 00:09:14,300 - IT'S JUST I'M REPRESENTING THE WHOLE TEAM. 225 00:09:14,333 --> 00:09:15,833 I DON'T WANNA SAY ANYTHING STUPID. 226 00:09:15,867 --> 00:09:18,600 - YOUR TEAMMATES ELECTED YOU CAPTAIN. 227 00:09:18,633 --> 00:09:20,333 YOU'D HAVE TO SAY SOME PRETTY WACKY STUFF 228 00:09:20,367 --> 00:09:21,367 TO UPSET THEM. 229 00:09:21,400 --> 00:09:22,833 YOU KNOW, LIKE, 230 00:09:22,867 --> 00:09:24,733 "I'M THE GREATEST GYMNAST EVER. 231 00:09:24,767 --> 00:09:27,733 MY TEAM SHOULD ERECT A STATUE OF ME." 232 00:09:27,767 --> 00:09:29,300 - [laughs] 233 00:09:29,333 --> 00:09:32,500 CAN YOU IMAGINE IF I DID THAT IN MY INTERVIEW? 234 00:09:32,533 --> 00:09:35,633 EVERY GIRL ON THE TEAM SHOULD KNEEL BEFORE QUEEN TAYLOR. 235 00:09:35,667 --> 00:09:37,500 - AH, IT MUST BE HARD FOR THE QUEEN 236 00:09:37,533 --> 00:09:39,567 TO PRETEND TO LIKE HER TEAMMATES. 237 00:09:39,600 --> 00:09:41,167 - [scoffs] THOSE PEASANTS. 238 00:09:41,200 --> 00:09:43,200 THEY'RE LUCKY TO BREATHE THE SAME AIR I DO. 239 00:09:43,233 --> 00:09:44,200 - [gasps] 240 00:09:44,233 --> 00:09:45,200 - MY BACK ACHES 241 00:09:45,233 --> 00:09:46,267 FROM HAVING TO CARRY THEM 242 00:09:46,300 --> 00:09:47,800 AT EVERY MEET. 243 00:09:47,833 --> 00:09:48,900 [laughs] 244 00:09:48,933 --> 00:09:51,300 - AND WE'RE DONE. THANKS. 245 00:09:51,333 --> 00:09:53,167 - WAIT. WHAT NOW? 246 00:09:53,200 --> 00:09:54,200 - BARRY FINK. 247 00:09:54,233 --> 00:09:55,367 INVESTIGATIVE JOURNALIST, 248 00:09:55,400 --> 00:09:56,767 TWEEN DIVISION. 249 00:09:56,800 --> 00:09:58,667 - YOU'RE THE SCHOOL REPORTER. 250 00:09:58,700 --> 00:10:00,533 WHY DIDN'T YOU TELL ME? 251 00:10:00,567 --> 00:10:02,667 - 'CAUSE YOU WOULDN'T HAVE SAID ANYTHING INTERESTING. 252 00:10:02,700 --> 00:10:05,600 NOW I HAVE PLENTY TO WRITE ABOUT, AND IT'S ON TAPE. 253 00:10:05,633 --> 00:10:07,333 - YOU'RE GOING TO USE THOSE QUOTES? 254 00:10:07,367 --> 00:10:08,700 I WAS JOKING. 255 00:10:08,733 --> 00:10:09,900 IF YOU WRITE THAT, 256 00:10:09,933 --> 00:10:11,633 MY FRIENDS WILL NEVER FORGIVE ME. 257 00:10:11,667 --> 00:10:13,233 - THANKS. 258 00:10:13,267 --> 00:10:14,800 OOH, NOW I ALSO HAVE THE PERFECT PICTURE 259 00:10:14,833 --> 00:10:17,233 TO RUN WITH THE ARTICLE. 260 00:10:17,267 --> 00:10:18,733 - NO, WAIT. 261 00:10:18,767 --> 00:10:22,500 THAT POSE WASN'T EVEN GYMNASTIC-Y. 262 00:10:22,533 --> 00:10:24,133 COME BACK! 263 00:10:24,167 --> 00:10:26,433 - YEE-HAW! 264 00:10:26,467 --> 00:10:28,800 - NOT YOU. 265 00:10:31,433 --> 00:10:32,833 - OH. IS EVERYTHING OKAY? 266 00:10:32,867 --> 00:10:34,133 - UH, PEACHY. 267 00:10:34,167 --> 00:10:37,800 HOW ABOUT SOME TEA? 268 00:10:37,833 --> 00:10:40,333 - EVERYTHING LOUIE DOES GOES WRONG? 269 00:10:40,367 --> 00:10:41,700 WHEN HE TRIED TO BLOW OFF THE LIGHTS, 270 00:10:41,733 --> 00:10:43,467 INSTEAD HE BLEW OFF HIS PANTS? 271 00:10:43,500 --> 00:10:46,467 MY BELT BUCKLE WAS BROKEN! 272 00:10:46,500 --> 00:10:49,367 - WE CAN DISCUSS THIS LATER. 273 00:10:49,400 --> 00:10:52,133 - YOU DON'T THINK I CAN BLOW OUT THE LIGHTS? 274 00:10:52,167 --> 00:10:54,500 [whoosh] 275 00:10:56,600 --> 00:10:59,433 I'VE GOTTA GET A NEW BELT. 276 00:10:59,467 --> 00:11:03,267 - YOU'RE NOT GONNA RUIN THIS FOR ME, SO KNOCK IT OFF. 277 00:11:03,300 --> 00:11:05,267 AND PUT ON YOUR PANTS. 278 00:11:05,300 --> 00:11:06,833 - PUT ON MY WHAT? 279 00:11:06,867 --> 00:11:09,867 - TEA'S READY! 280 00:11:10,933 --> 00:11:13,167 - ANYONE SEEN MY TISSUES? 281 00:11:13,200 --> 00:11:16,700 OR MORE IMPORTANTLY, LOUIE'S PANTS? 282 00:11:16,733 --> 00:11:19,467 - LOUIE, I'M SORRY FOR CALLING YOU A TOTAL DISASTER AS A GHOS-- 283 00:11:19,500 --> 00:11:22,133 - YOU CALLED ME A TOTAL DISASTER? 284 00:11:22,167 --> 00:11:24,133 THAT'S IT! 285 00:11:24,167 --> 00:11:27,167 [steam hisses] 286 00:11:27,200 --> 00:11:30,233 [piano plays discordant notes] 287 00:11:30,267 --> 00:11:31,667 - WH--WHAT IS HAPPENING? 288 00:11:31,700 --> 00:11:34,133 - OH, JUST SOME OF THAT WACKY NEW ORLEANS WEATHER. 289 00:11:34,167 --> 00:11:35,300 LEMON? 290 00:11:35,333 --> 00:11:37,333 OR A BOOK? 291 00:11:37,367 --> 00:11:38,733 - SON, STOP RIGHT NOW. 292 00:11:38,767 --> 00:11:41,767 OR I'LL--I'LL-- [sneezes] 293 00:11:41,800 --> 00:11:46,733 [house rumbles] 294 00:11:46,767 --> 00:11:48,767 - I'VE SEEN ALL I NEED TO SEE. 295 00:11:48,800 --> 00:11:50,333 - PLEASE, PLEASE DON'T LEAVE. 296 00:11:50,367 --> 00:11:51,500 THIS IS A KIND HOME. 297 00:11:51,533 --> 00:11:53,167 A-A LOVING HOME. 298 00:11:53,200 --> 00:11:54,267 - WITH FLYING CATS! 299 00:11:54,300 --> 00:11:57,300 [cat meowing] - [screams] 300 00:11:59,400 --> 00:12:03,367 THE INTERVIEW'S OVER! 301 00:12:03,400 --> 00:12:06,400 - SO DO YOU CALL US OR SHO--UM... 302 00:12:13,800 --> 00:12:15,233 - THIS IS AWFUL. 303 00:12:15,267 --> 00:12:16,467 YOUR BEST SHOT AT PENNINGTON ACADEMY 304 00:12:16,500 --> 00:12:17,800 JUST RAN OUT THE DOOR. 305 00:12:17,833 --> 00:12:20,800 - WITH A CAT ON HER FACE. 306 00:12:20,833 --> 00:12:23,467 - I'VE GOTTA CALL HER AND PRAY SHE HAS A SENSE OF HUMOR. 307 00:12:23,500 --> 00:12:26,500 AND A RABIES SHOT. 308 00:12:27,700 --> 00:12:28,833 - HEY, YOU. 309 00:12:28,867 --> 00:12:31,333 - BETTER STAY AWAY. 310 00:12:31,367 --> 00:12:33,500 YOU NEVER KNOW WHEN LOUIE'S GONNA MESS UP. 311 00:12:33,533 --> 00:12:34,767 END QUOTE. 312 00:12:34,800 --> 00:12:37,600 - JUST LET ME EXPLAIN. 313 00:12:37,633 --> 00:12:39,400 - THERE'S NOTHING TO EXPLAIN. 314 00:12:39,433 --> 00:12:41,233 NOW I KNOW WHAT YOU REALLY THINK OF ME. 315 00:12:41,267 --> 00:12:42,733 YOU THINK I'M A CRUMMY GHOST? 316 00:12:42,767 --> 00:12:45,800 WELL, I THINK YOU'RE A CRUMMY FRIEND. 317 00:12:45,833 --> 00:12:48,700 - THE GOOD NEWS IS I TRACKED DOWN THE CAT. 318 00:12:48,733 --> 00:12:52,733 THE BAD NEWS, HE HAD HUMAN HAIR IN HIS CLAWS. 319 00:12:54,333 --> 00:12:56,533 - THAT'S NOT GONNA HELP THINGS. 320 00:12:56,567 --> 00:13:00,633 - LOUIE, YOUR BEHAVIOR HAS EARNED YOU A TIME OUT. 321 00:13:00,667 --> 00:13:02,633 NOW, GO TO YOUR ROOM. 322 00:13:02,667 --> 00:13:04,300 - SORRY, LOUIE. 323 00:13:04,333 --> 00:13:07,400 - SAVE IT FOR YOUR NEXT ESSAY. 324 00:13:07,433 --> 00:13:09,600 - [sighs] I GOT KRAVITZ ON THE PHONE. 325 00:13:09,633 --> 00:13:11,567 I TOLD HER IT WAS ALL A HUGE MISUNDERSTANDING, 326 00:13:11,600 --> 00:13:13,100 THEN I STARTED RECITING HAIKU. 327 00:13:13,133 --> 00:13:16,467 SHE CUT ME OFF AND AGREED TO COME BACK. 328 00:13:16,500 --> 00:13:18,567 NOW WE JUST NEED A WAY TO EXPLAIN WHAT HAPPENED. 329 00:13:18,600 --> 00:13:21,800 - WHY DON'T YOU TELL HER IT WAS MAGIC? 330 00:13:21,833 --> 00:13:23,400 - I-I DON'T GET IT. 331 00:13:23,433 --> 00:13:25,833 - JUST TELL KRAVITZ THE WHOLE THING 332 00:13:25,867 --> 00:13:27,667 WAS PART OF FRANKIE'S MAGIC ACT. 333 00:13:27,700 --> 00:13:30,733 THEN I RECREATE EVERYTHING KRAVITZ SAW, 334 00:13:30,767 --> 00:13:33,500 BUT MAKE IT LOOK LIKE FRANKIE'S DOING IT. 335 00:13:33,533 --> 00:13:35,733 - THIS COULD WORK. 336 00:13:35,767 --> 00:13:38,800 MAGIC IS JUST ANOTHER ONE OF HER DIVERSE INTERESTS. 337 00:13:38,833 --> 00:13:40,800 - I GOTTA ADMIT, FOR GROWNUPS, 338 00:13:40,833 --> 00:13:44,167 YOU GUYS HAVE PUT TOGETHER A DECENT PLAN. 339 00:13:44,200 --> 00:13:45,800 - OF COURSE. 340 00:13:45,833 --> 00:13:47,067 WHAT COULD GO WRONG? 341 00:13:47,100 --> 00:13:50,633 - [sneezes] [house rumbles] 342 00:13:50,667 --> 00:13:53,667 - THIRD TIME TODAY! 343 00:13:58,333 --> 00:14:00,667 - WOMEN. - YOU SAID IT, BROTHER. 344 00:14:00,700 --> 00:14:02,867 - WHO DO THEY THINK THEY ARE? 345 00:14:02,900 --> 00:14:06,367 - PREACHING TO THE CHOIR, MY MAN. 346 00:14:06,400 --> 00:14:09,567 - MILES, SORRY FOR BRUSHING YOU OFF EARLIER, 347 00:14:09,600 --> 00:14:11,433 BUT I NEED YOUR HELP. 348 00:14:11,467 --> 00:14:14,233 A REPORTER AT SCHOOL IS ABOUT TO RUN A HORRIBLE STORY ON ME, 349 00:14:14,267 --> 00:14:15,467 AND I-- - OH, I'M SORRY. 350 00:14:15,500 --> 00:14:17,433 THIS SOUNDS SCHOOL-RELATED. 351 00:14:17,467 --> 00:14:20,100 BOUNDARIES, REMEMBER? 352 00:14:20,133 --> 00:14:22,533 - MILES, I'M SERIOUS. 353 00:14:22,567 --> 00:14:24,733 THIS STORY COULD COST ME ALL MY FRIENDS. 354 00:14:24,767 --> 00:14:29,233 - WELL, IN THAT CASE... 355 00:14:29,267 --> 00:14:32,400 LET'S SEE IN MY LITTLE SCHEDULE I'VE GOT HERE. 356 00:14:32,433 --> 00:14:37,200 [muttering to self] 357 00:14:37,233 --> 00:14:39,833 OH! I CAN PENCIL YOU IN FOR SPRING. 358 00:14:39,867 --> 00:14:42,633 I WOULDN'T WANNA "POP IN" UNANNOUNCED. 359 00:14:42,667 --> 00:14:45,633 - JUST FORGET IT. 360 00:14:45,667 --> 00:14:47,567 - WHAT'S WITH HER? 361 00:14:47,600 --> 00:14:50,133 - TAYLOR THINKS I HAVE A PROBLEM RESPECTING BOUNDARIES. 362 00:14:50,167 --> 00:14:51,267 CAN YOU BELIEVE THAT? 363 00:14:51,300 --> 00:14:52,767 - [unconvincing] YOU? 364 00:14:52,800 --> 00:14:56,200 NO. THAT'S CRAZY. 365 00:14:56,233 --> 00:14:58,733 - I KNOW, RIGHT? WHY ARE YOU MAD? 366 00:14:58,767 --> 00:15:00,667 FRANKIE THINKS I'M A BAD GHOST. 367 00:15:00,700 --> 00:15:04,633 CAN YOU BELIEVE THAT-- AAH! 368 00:15:04,667 --> 00:15:06,700 - [unconvincing] YOU? 369 00:15:06,733 --> 00:15:09,133 NO, THAT'S CRAZY. 370 00:15:09,167 --> 00:15:11,500 - WELL, SHE DOES. 371 00:15:11,533 --> 00:15:13,133 SHE WROTE ALL ABOUT IT. 372 00:15:13,167 --> 00:15:14,667 IT WAS HUMILIATING. 373 00:15:14,700 --> 00:15:18,367 - WAIT, ARE YOU TALKING ABOUT HER SCHOOL ESSAY? 374 00:15:18,400 --> 00:15:19,633 DID YOU READ THE WHOLE THING? 375 00:15:19,667 --> 00:15:22,433 - OF COURSE I READ THE WHOLE THING. 376 00:15:22,467 --> 00:15:24,233 WELL, MOST OF IT. 377 00:15:24,267 --> 00:15:25,833 A LOT OF IT. 378 00:15:25,867 --> 00:15:27,667 THE FIRST PAGE. 379 00:15:27,700 --> 00:15:31,633 - LOUIE, THE ESSAY ISN'T ABOUT YOU BEING A BAD GHOST. 380 00:15:31,667 --> 00:15:33,533 IT'S ABOUT HOW DETERMINED YOU ARE. 381 00:15:33,567 --> 00:15:36,600 AND NO MATTER HOW MANY THINGS GO WRONG, YOU NEVER GIVE UP. 382 00:15:36,633 --> 00:15:38,767 SHE CALLS YOU ONE OF HER HEROES. 383 00:15:38,800 --> 00:15:42,633 - SHE WROTE THAT? HOW DO YOU KNOW? 384 00:15:42,667 --> 00:15:44,567 - OH, I READ IT WHILE I WAS HANGING OUT 385 00:15:44,600 --> 00:15:46,267 IN HER BACKPACK. 386 00:15:46,300 --> 00:15:48,200 - YOU HANG OUT IN FRANKIE'S BACKPACK? 387 00:15:48,233 --> 00:15:50,200 - WELL, YEAH, ONLY WHEN TAYLOR'S BACKPACK 388 00:15:50,233 --> 00:15:51,500 ISN'T AROUND. 389 00:15:51,533 --> 00:15:53,067 - [mouths silently] 390 00:15:53,100 --> 00:15:54,833 - OH, MY GOSH. 391 00:15:54,867 --> 00:15:57,367 I HAVE NO BOUNDARIES. 392 00:15:57,400 --> 00:15:58,667 TAYLOR'S RIGHT. 393 00:15:58,700 --> 00:16:00,700 AND I BLEW HER OFF IN HER TIME OF NEED? 394 00:16:00,733 --> 00:16:02,200 I GOTTA FIX THIS. 395 00:16:02,233 --> 00:16:03,800 - BEFORE YOU GO, ANY CHANCE 396 00:16:03,833 --> 00:16:06,267 YOU'VE GOT AN EXTRA COPY OF FRANKIE'S ESSAY? 397 00:16:06,300 --> 00:16:07,800 - SURE, LOUIE. 398 00:16:07,833 --> 00:16:09,233 I'M SUCH A WEIRDO I GO AROUND 399 00:16:09,267 --> 00:16:12,433 MAKING COPIES OF PEOPLE'S ESSAYS. 400 00:16:12,467 --> 00:16:14,633 SECOND DRAWER. 401 00:16:14,667 --> 00:16:17,667 UNDERNEATH TAYLOR'S DIARY. 402 00:16:19,767 --> 00:16:22,367 - TAYLOR, IT'S NEWSPAPER DAY. 403 00:16:22,400 --> 00:16:23,833 YOU KNOW WHAT THAT MEANS. 404 00:16:23,867 --> 00:16:26,333 - YEAH, THE NEWSPAPER COMES OUT TODAY. 405 00:16:26,367 --> 00:16:27,833 - IT DOES? 406 00:16:27,867 --> 00:16:29,567 EXCITING! 407 00:16:29,600 --> 00:16:31,567 - BARRY! 408 00:16:31,600 --> 00:16:34,400 THERE'S THAT TALL DRINK OF HANDSOME. 409 00:16:34,433 --> 00:16:36,733 - I'M STILL RUNNING THE STORY, HATHAWAY. 410 00:16:36,767 --> 00:16:39,333 - I HATE YOU. 411 00:16:39,367 --> 00:16:41,600 - SORRY, TOOTS. SCANDAL SELLS. 412 00:16:41,633 --> 00:16:43,467 - SO YOU ADMIT YOUR STORY IS A LIE? 413 00:16:43,500 --> 00:16:45,500 - OF COURSE IT'S A LIE. SO WHAT? 414 00:16:45,533 --> 00:16:47,800 THESE STOOGES BELIEVE ANYTHING THEY READ. 415 00:16:47,833 --> 00:16:50,500 THEY'RE IDIOTS. 416 00:16:50,533 --> 00:16:54,200 I END UP LOOKING LIKE A GENIUS. 417 00:16:54,233 --> 00:16:56,233 [pop] 418 00:16:59,167 --> 00:17:01,733 - IS THAT WHAT A GENIUS LOOKS LIKE? 419 00:17:01,767 --> 00:17:03,567 - SOMEONE BOOBY-TRAPPED MY LOCKER. 420 00:17:03,600 --> 00:17:06,133 [spits] BLEH. 421 00:17:06,167 --> 00:17:08,767 HEY, WHERE ARE ALL THE NEWSPAPERS? 422 00:17:08,800 --> 00:17:10,233 THEY WERE STORED IN HERE. 423 00:17:10,267 --> 00:17:12,533 - THEY'RE GONE? - OH. 424 00:17:12,567 --> 00:17:15,533 YOU DID THIS, HATHAWAY. 425 00:17:16,833 --> 00:17:18,633 YOU KNOW WHAT? IT DOESN'T MATTER. 426 00:17:18,667 --> 00:17:21,800 BECAUSE EVERYTHING YOU SAID IS STILL HERE ON MY RECORDER. 427 00:17:21,833 --> 00:17:24,200 LISTEN TO THIS, EVERYONE. 428 00:17:24,233 --> 00:17:25,667 - SO YOU ADMIT YOUR STORY IS A LIE? 429 00:17:25,700 --> 00:17:27,600 - OF COURSE IT'S A LIE. SO WHAT? 430 00:17:27,633 --> 00:17:29,800 THESE STOOGES WILL BELIEVE ANYTHING THEY READ. 431 00:17:29,833 --> 00:17:31,467 THEY'RE IDIOTS. 432 00:17:31,500 --> 00:17:33,533 NO, NO, NO, NO, NO. NOT YOU GUYS. 433 00:17:33,567 --> 00:17:36,700 YOU GUYS ARE AWESOME. SUPER SMART. 434 00:17:36,733 --> 00:17:38,133 [bell rings] 435 00:17:38,167 --> 00:17:40,100 WAIT! HEY, COME BACK! 436 00:17:40,133 --> 00:17:43,300 I'M BARRY FINK! I AM THE NEWS! 437 00:17:47,867 --> 00:17:49,767 - MILES? 438 00:17:49,800 --> 00:17:53,367 MILES, I KNOW YOU MUST BE BEHIND THIS. 439 00:17:53,400 --> 00:17:54,567 - DON'T BE MAD. 440 00:17:54,600 --> 00:17:55,733 I KNOW HOW YOU DON'T WANT ME 441 00:17:55,767 --> 00:17:57,167 BARGING INTO YOUR SCHOOL LIFE. 442 00:17:57,200 --> 00:17:59,233 - MILES, YOU TOTALLY SAVED ME. 443 00:17:59,267 --> 00:18:00,400 THAT WAS AWESOME. 444 00:18:00,433 --> 00:18:01,800 FORGET ALL THAT BOUNDARY STUFF. 445 00:18:01,833 --> 00:18:03,167 I WAS WRONG TO SAY THAT. 446 00:18:03,200 --> 00:18:04,533 - NO, NO. 447 00:18:04,567 --> 00:18:05,800 YOU WERE RIGHT. 448 00:18:05,833 --> 00:18:07,633 I NEED TO RESPECT YOUR PRIVACY MORE. 449 00:18:07,667 --> 00:18:10,200 - LOOK, THE TRUTH IS, WE'RE LIKE A FAMILY NOW, 450 00:18:10,233 --> 00:18:12,800 AND FAMILY SOMETIMES MEDDLES IN EACH OTHER'S BUSINESS. 451 00:18:12,833 --> 00:18:14,600 - THANKS, TAYLOR. 452 00:18:14,633 --> 00:18:18,167 - HEY, YOU WANNA JUMP IN MY BACKPACK FOR THE RIDE HOME? 453 00:18:18,200 --> 00:18:19,533 - SURE. 454 00:18:19,567 --> 00:18:23,567 THERE'S A FIRST TIME FOR EVERYTHING. 455 00:18:28,633 --> 00:18:31,067 - THANK YOU SO MUCH FOR COMING BACK, ELEANOR. 456 00:18:31,100 --> 00:18:32,167 UH, MAY I CALL YOU ELEANOR? 457 00:18:32,200 --> 00:18:34,333 - NO. UH-UH. 458 00:18:34,367 --> 00:18:36,267 JUST, UH, SAY WHAT YOU NEED TO SAY. 459 00:18:36,300 --> 00:18:38,233 THIS PLACE FREAKS ME OUT. 460 00:18:38,267 --> 00:18:41,067 - I PROMISE WE CAN EXPLAIN EVERYTHING YOU SAW. 461 00:18:41,100 --> 00:18:42,833 - YEAH, WELL, MAKE IT QUICK. OH, WAIT. 462 00:18:42,867 --> 00:18:44,600 JUST, UH... 463 00:18:44,633 --> 00:18:45,633 [clears throat] 464 00:18:45,667 --> 00:18:47,367 CAN'T LOSE ANY MORE HAIR. 465 00:18:47,400 --> 00:18:50,233 - OKAY. OKAY. 466 00:18:50,267 --> 00:18:52,833 [music plays] 467 00:18:52,867 --> 00:18:57,167 INTRODUCING MY WELL-ROUNDED, STRAIGHT-A, 468 00:18:57,200 --> 00:18:58,700 COMMUNITY-SERVICE-LOVING DAUGHTER, 469 00:18:58,733 --> 00:19:01,800 THE GREAT FRANKINI. 470 00:19:05,300 --> 00:19:07,200 - OH. 471 00:19:07,233 --> 00:19:08,533 - YOU SEE? ALL THOSE WEIRD THINGS 472 00:19:08,567 --> 00:19:10,633 YOU SAW EARLIER, THEY WERE JUST MAGIC TRICKS. 473 00:19:10,667 --> 00:19:15,333 - I WAS ATTACKED BY A FLOATING CAT. 474 00:19:15,367 --> 00:19:16,867 - MAGIC. 475 00:19:16,900 --> 00:19:18,400 OBSERVE. 476 00:19:18,433 --> 00:19:21,900 PIANO, BRING US MUSIC. 477 00:19:21,933 --> 00:19:23,733 SHOO-BA-DEE-DOO! 478 00:19:23,767 --> 00:19:24,800 - RAY. 479 00:19:24,833 --> 00:19:28,800 SHOO-BA-DEE-DOO! SHOO-BA-DEE-DOO! 480 00:19:28,833 --> 00:19:31,833 YOU ARE SO PRETTY. 481 00:19:33,200 --> 00:19:35,400 - I'M UP. I'M UP. 482 00:19:35,433 --> 00:19:37,400 TRY SOMETHING ELSE, FRANKIE. 483 00:19:37,433 --> 00:19:40,300 - UM...FLYING BOOKS. 484 00:19:40,333 --> 00:19:42,700 - [snores] - SHOO-BA-DEE-DOO. 485 00:19:42,733 --> 00:19:44,733 - [sighs] 486 00:19:46,367 --> 00:19:48,800 - UH. 487 00:19:48,833 --> 00:19:50,300 - OKAY. 488 00:19:50,333 --> 00:19:51,567 YOU KNOW WHAT? WE'RE DONE. 489 00:19:51,600 --> 00:19:53,467 BUT, UH, THANK YOU 490 00:19:53,500 --> 00:19:55,167 FOR YOUR INTEREST IN PENNINGTON ACADEMY. 491 00:19:55,200 --> 00:19:56,267 - NO, WAIT. NOTHING'S WEIRD! 492 00:19:56,300 --> 00:19:57,467 [cat meowing] - OH! OH! 493 00:19:57,500 --> 00:20:01,467 WHAT WAS THAT? 494 00:20:01,500 --> 00:20:05,900 - IT'S THE L-TRAIN, HERE TO SAVE THE DAY. 495 00:20:05,933 --> 00:20:07,133 - GREAT. 496 00:20:07,167 --> 00:20:08,533 FOLLOW MY LEAD. 497 00:20:08,567 --> 00:20:10,500 WATCH THIS, MRS. K. 498 00:20:10,533 --> 00:20:13,533 FLYING PEACOCK. 499 00:20:16,233 --> 00:20:19,233 FLYING COUCH. 500 00:20:23,267 --> 00:20:25,467 SERIOUSLY? 501 00:20:25,500 --> 00:20:27,267 FLYING FRANKINI. 502 00:20:27,300 --> 00:20:28,700 - [screams] 503 00:20:28,733 --> 00:20:31,267 - OOPS. - PUT HER DOWN! 504 00:20:31,300 --> 00:20:32,700 - WHA-- 505 00:20:32,733 --> 00:20:35,300 - HEY, I GOT ONE RIGHT. 506 00:20:35,333 --> 00:20:37,067 - MRS. KRAVITZ. UH, MRS. KRAVITZ-- 507 00:20:37,100 --> 00:20:40,300 - THAT WAS SPECTACULAR. - REALLY? 508 00:20:40,333 --> 00:20:41,700 - HOW ON EARTH DID YOU DO THAT? 509 00:20:41,733 --> 00:20:45,433 - A MAGICIAN NEVER REVEALS HER SECRETS. 510 00:20:45,467 --> 00:20:47,833 - FOR A SECOND THERE, I-I ACTUALLY THOUGHT 511 00:20:47,867 --> 00:20:49,267 THIS HOUSE WAS HAUNTED. 512 00:20:49,300 --> 00:20:52,800 [both laugh] 513 00:20:52,833 --> 00:20:54,667 - THAT'S SO FUNNY. 514 00:20:54,700 --> 00:20:58,533 - PENNINGTON WOULD BE LUCKY TO HAVE SUCH A CREATIVE TALENT. 515 00:20:58,567 --> 00:20:59,767 I'LL BE IN TOUCH. 516 00:20:59,800 --> 00:21:02,833 both: YES. 517 00:21:02,867 --> 00:21:03,900 - [snores] 518 00:21:03,933 --> 00:21:05,533 - I THOUGHT YOU WERE MAD AT ME. 519 00:21:05,567 --> 00:21:07,200 WHAT MADE YOU DECIDE TO HELP? 520 00:21:07,233 --> 00:21:09,167 - I READ THE REST OF YOUR ESSAY. 521 00:21:09,200 --> 00:21:11,433 AND, AS YOUR HERO, I COULDN'T LET YOU DOWN. 522 00:21:11,467 --> 00:21:13,200 - SO WE'RE GOOD? 523 00:21:13,233 --> 00:21:15,400 - YEAH, WE'RE GOOD. 524 00:21:15,433 --> 00:21:17,633 - MRS. KRAVITZ FORGOT HER HANDBAG. 525 00:21:17,667 --> 00:21:20,400 - HERE. LET ME GET IT FOR YOU. 526 00:21:20,433 --> 00:21:22,767 [whoosh] 527 00:21:29,767 --> 00:21:31,533 LET THE WAVE OF RELAXATION 528 00:21:31,567 --> 00:21:33,400 RUN ALL THE WAY THROUGH YOU. 529 00:21:33,433 --> 00:21:36,500 FEEL THAT? YEAH, YOU DO. 530 00:21:36,533 --> 00:21:38,300 - [relaxed sigh] WOW. 531 00:21:38,333 --> 00:21:39,733 I ACTUALLY DO FEEL BETTER. 532 00:21:39,767 --> 00:21:43,533 THERE MIGHT BE SOMETHING TO THIS YOGA. 533 00:21:43,567 --> 00:21:45,167 - AH, YES. 534 00:21:45,200 --> 00:21:48,200 EASTERN PHILOSOPHY OFTEN HAS A CALMING EFFECT, 535 00:21:48,233 --> 00:21:49,300 LIKE HAIKU. 536 00:21:49,333 --> 00:21:52,167 [cymbals ring] 537 00:21:52,200 --> 00:21:53,667 MOCKED FOR MY POEMS, 538 00:21:53,700 --> 00:21:55,633 AND YET I WRITE ON BRAVELY. 539 00:21:55,667 --> 00:21:58,667 MY WORDS DANCE, SMILE, CRY. 540 00:22:02,067 --> 00:22:03,700 - THANK YOU, SON. 541 00:22:03,733 --> 00:22:06,733 - YOU'RE WELCOME, POPS. 36557

Can't find what you're looking for?
Get subtitles in any language from opensubtitles.com, and translate them here.