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1
00:00:09,467 --> 00:00:11,833
- FRANKIE, YOU'RE STARRING
IN YOUR SCHOOL PLAY.
2
00:00:11,867 --> 00:00:13,433
AREN'T YOU NERVOUS?
3
00:00:13,467 --> 00:00:15,633
- NO, BECAUSE MOM HERE'S
A GREAT DIRECTOR.
4
00:00:15,667 --> 00:00:17,367
AND UNLIKE MOST
OF MY COMPLIMENTS,
5
00:00:17,400 --> 00:00:20,133
I DON'T EVEN MEAN THAT
SARCASTICALLY.
6
00:00:20,167 --> 00:00:21,467
- AWW.
7
00:00:21,500 --> 00:00:23,167
- BACK IN NEW YORK,
I WROTE AND DIRECTED
8
00:00:23,200 --> 00:00:25,567
SEVERAL
OF FRANKIE'S SCHOOL PLAYS.
9
00:00:25,600 --> 00:00:27,333
I GUESS
I WAS THE OBVIOUS CHOICE
10
00:00:27,367 --> 00:00:29,333
HAVING GROWN UP
IN THE THEATER.
11
00:00:29,367 --> 00:00:30,867
- YOU WERE A CHILD ACTOR?
12
00:00:30,900 --> 00:00:33,333
- NO, I LIVED IN A THEATER.
13
00:00:33,367 --> 00:00:36,100
DAD THOUGHT HE COULD CONVERT IT
TO A COOL HOUSE.
14
00:00:36,133 --> 00:00:37,833
HE COULD NOT.
15
00:00:37,867 --> 00:00:40,167
BUT WE WERE THRILLED
WHEN FRANKIE'S NEW SCHOOL
16
00:00:40,200 --> 00:00:44,100
AGREED TO DO MY LATEST WORK,
MONSTERS IN YOUR MOUTH.
17
00:00:44,133 --> 00:00:45,667
- WELL, I'M NOT EXACTLY
INTO HORROR,
18
00:00:45,700 --> 00:00:48,733
BUT I THINK FRANKIE'S GONNA
MAKE A GREAT MUMMY.
19
00:00:48,767 --> 00:00:51,400
- OH, SHE'S NOT A MUMMY.
IT'S A PLAY ABOUT ORAL HYGIENE.
20
00:00:51,433 --> 00:00:52,767
MEET DETECTIVE DENTAL FLOSS,
21
00:00:52,800 --> 00:00:55,567
THE NUMBER ONE CAVITY COP
ON THE FORCE.
22
00:00:55,600 --> 00:00:57,567
- HEY, COOL MUMMY COSTUME.
23
00:00:57,600 --> 00:00:59,367
- SHE'S NOT A MUMMY.
IT'S A PLAY ABOUT ORAL--
24
00:00:59,400 --> 00:01:01,733
AH, NEVER MIND.
25
00:01:01,767 --> 00:01:03,767
HEY, TAYLOR,
CAN I COUNT ON YOU AND MILES
26
00:01:03,800 --> 00:01:05,700
TO HELP OUT IN THE BAKERY
WHILE I WORK ON THE PLAY?
27
00:01:05,733 --> 00:01:07,567
- YOU'RE MY MOTHER.
OF COURSE I'D LOVE TO HELP.
28
00:01:07,600 --> 00:01:08,767
- AW.
29
00:01:08,800 --> 00:01:09,800
- I GET TO KEEP
ALL THE TIPS, RIGHT?
30
00:01:09,833 --> 00:01:12,100
TAY NEEDS A NEW PAIR OF BOOTS.
31
00:01:12,133 --> 00:01:13,200
- THAT'S MY GIRL.
32
00:01:13,233 --> 00:01:14,300
- SPEAKING OF TIPS,
33
00:01:14,333 --> 00:01:15,667
I'VE GOT A LIST OF IDEAS
34
00:01:15,700 --> 00:01:16,733
WHICH I REALLY THINK
COULD BOOST BUSINESS.
35
00:01:16,767 --> 00:01:18,233
- HMM.
- DRINK THIS IN--
36
00:01:18,267 --> 00:01:21,300
BANANA BREAD.
37
00:01:21,333 --> 00:01:23,800
- YEAH.
38
00:01:23,833 --> 00:01:26,600
SO OUR NEW BAKER CLEM
WILL BE THERE TO SUPERVISE
39
00:01:26,633 --> 00:01:27,867
IF YOU NEED ANYTHING.
40
00:01:27,900 --> 00:01:32,567
AS FOR ME,
IT IS BACK TO THE REWRITE.
41
00:01:32,600 --> 00:01:34,100
AH, THE PEN.
42
00:01:34,133 --> 00:01:36,800
MY GREATEST ENEMY,
43
00:01:36,833 --> 00:01:39,100
MY DEAREST FRIEND.
44
00:01:39,133 --> 00:01:40,800
THIS IS SO FUN!
[giggles]
45
00:01:40,833 --> 00:01:44,300
- I'M SO LOVING THIS.
46
00:01:44,333 --> 00:01:46,233
I'M SO HATING THIS.
47
00:01:46,267 --> 00:01:47,533
- BUT YOU JUST SAID YOU--
48
00:01:47,567 --> 00:01:50,500
- I'M AN ACTOR, MILES.
TRY TO KEEP UP.
49
00:01:50,533 --> 00:01:52,167
- I THOUGHT YOU LIKED DOING
MOM'S PLAYS.
50
00:01:52,200 --> 00:01:54,600
- I TOLERATE THEM
BECAUSE IT MAKES HER HAPPY.
51
00:01:54,633 --> 00:01:58,367
BUT...HOW DO I PUT THIS
IN A NICE WAY?
52
00:01:58,400 --> 00:02:01,200
THIS PLAY IS GARBAGE!
53
00:02:01,233 --> 00:02:04,267
I'M GOING TO HUMILIATE MYSELF
IN FRONT OF THE WHOLE SCHOOL.
54
00:02:04,300 --> 00:02:06,333
- WELL, YOU CAN'T QUIT.
IT'D BREAK HER HEART.
55
00:02:06,367 --> 00:02:09,167
- LOOK, JUST TELL MICHELLE
HOW YOU HONESTLY FEEL.
56
00:02:09,200 --> 00:02:10,167
SHE'LL UNDERSTAND.
57
00:02:10,200 --> 00:02:11,667
- YES, MILES.
58
00:02:11,700 --> 00:02:14,100
THAT'D CERTAINLY BE
THE HONORABLE THING TO DO.
59
00:02:14,133 --> 00:02:15,700
- SEE?
- YOU'RE GONNA FAKE AN INJURY.
60
00:02:15,733 --> 00:02:17,333
AREN'T YOU?
- OH, YEAH.
61
00:02:17,367 --> 00:02:19,700
OH, MY TOE.
62
00:02:21,133 --> 00:02:23,600
THE PAIN.
- WAIT A MINUTE.
63
00:02:23,633 --> 00:02:26,200
YOU HURT YOUR TOE
WHEN YOU MISSED MY POETRY SLAM.
64
00:02:26,233 --> 00:02:27,700
- THAT TIME WAS REAL.
65
00:02:27,733 --> 00:02:29,233
- OH.
66
00:02:31,900 --> 00:02:35,300
[spooky rock music]
67
00:02:35,333 --> 00:02:38,133
- * IF YOU MOVE
INTO A HAUNTED HOUSE *
68
00:02:38,167 --> 00:02:40,800
* YOU GOTTA TRY
TO WORK THINGS OUT *
69
00:02:40,833 --> 00:02:43,100
- * SO IF YOU'RE LIVING
WITH A GHOST OR THREE *
70
00:02:43,133 --> 00:02:46,867
- * YOU GOTTA BE
ONE BIG, SEMI-SCARY FAMILY *
71
00:02:46,900 --> 00:02:49,300
- * DON'T KNOW
HOW WE ENDED UP THIS WAY *
72
00:02:49,333 --> 00:02:50,733
- * BUT I GUESS
YOU COULD CALL US *
73
00:02:50,767 --> 00:02:53,600
- * THE HAUNTED HATHAWAYS
74
00:02:53,633 --> 00:02:56,467
* THE HAUNTED HATHAWAYS
75
00:02:56,500 --> 00:02:58,533
- * THE HAUNTED HATHAWAYS
76
00:02:58,567 --> 00:03:02,367
*
77
00:03:02,400 --> 00:03:04,400
- * THE HAUNTED HATHAWAYS
78
00:03:04,433 --> 00:03:06,500
*
79
00:03:09,467 --> 00:03:11,200
- OH, YEAH.
80
00:03:11,233 --> 00:03:12,467
PONIES VS. ROBOTS 4!
81
00:03:12,500 --> 00:03:14,667
THIS IS
THE SICKEST VIDEO GAME EVER.
82
00:03:14,700 --> 00:03:18,633
GIDDYUP, DAFFODIL.
[laughs]
83
00:03:18,667 --> 00:03:20,267
- WHOA.
COOL LASERS.
84
00:03:20,300 --> 00:03:22,767
I WANT TO PLAY.
85
00:03:22,800 --> 00:03:25,367
- OKAY, "A," NOT HAPPENING.
86
00:03:25,400 --> 00:03:28,400
"B..."
[blows raspberry]
87
00:03:28,433 --> 00:03:30,367
- WHAT, ARE YOU AFRAID
I'M GONNA WIPE OUT
88
00:03:30,400 --> 00:03:32,100
ALL YOUR HIGH SCORES AGAIN?
89
00:03:32,133 --> 00:03:34,333
- I FEAR NO FEMALE.
90
00:03:34,367 --> 00:03:36,267
AAH!
91
00:03:37,533 --> 00:03:39,300
- RAY, THANKS SO MUCH
FOR VOLUNTEERING
92
00:03:39,333 --> 00:03:41,533
TO WRITE A MUSICAL NUMBER
FOR MONSTERS IN YOUR MOUTH.
93
00:03:41,567 --> 00:03:44,233
DANKE.
- HAPPY TO HELP.
94
00:03:44,267 --> 00:03:46,800
AS A PROFESSIONAL MUSICIAN,
IT SHOULDN'T BE HARD.
95
00:03:46,833 --> 00:03:48,333
- AND AS A PROFESSIONAL,
96
00:03:48,367 --> 00:03:49,700
YOU'RE USED TO GETTING NOTES,
RIGHT?
97
00:03:49,733 --> 00:03:51,433
- I SUPPOSE I--
- GOOD.
98
00:03:51,467 --> 00:03:52,733
YOUR MUSIC TENDS
TO BE MORE...
99
00:03:52,767 --> 00:03:54,567
* SKOODILY DOODILY
BOP BOP BOP *
100
00:03:54,600 --> 00:03:56,333
I NEED
A MORE BROADWAY SOUND, LIKE,
101
00:03:56,367 --> 00:03:58,133
* I'M WALKIN',
I'M TALKIN' *
102
00:03:58,167 --> 00:04:01,300
* AND I'M SINGIN' MY SONG
103
00:04:01,333 --> 00:04:05,600
- YEAH, 'CAUSE SKOODILY DOO
SOUNDS STUPID.
104
00:04:05,633 --> 00:04:07,600
- HOW'S MY LITTLE STAR'S TOE?
105
00:04:07,633 --> 00:04:11,300
- I'LL BE FINE.
WELL, TIME TO REHEARSE.
106
00:04:11,333 --> 00:04:15,767
AAH!
SEARING, UNDENIABLE PAIN!
107
00:04:15,800 --> 00:04:17,200
- OH, NO,
YOU DON'T.
108
00:04:17,233 --> 00:04:19,200
YOU'RE HURT.
NO PLAY FOR YOU.
109
00:04:19,233 --> 00:04:21,667
- BUT I MADE A COMMITMENT
TO THE THEATER.
110
00:04:21,700 --> 00:04:23,267
- MM, SORRY.
111
00:04:23,300 --> 00:04:24,800
WE'LL JUST HAVE TO FIND
A REPLACEMENT MUMMY.
112
00:04:24,833 --> 00:04:26,700
- DETECTIVE.
- I KNEW THAT.
113
00:04:26,733 --> 00:04:28,833
[lasers shooting
on video game]
114
00:04:28,867 --> 00:04:31,200
- RAY, REMEMBER
WHEN YOU SAID YOU WISHED
115
00:04:31,233 --> 00:04:32,867
YOU COULD GET LOUIE
OUT OF THE HOUSE AND AWAY
116
00:04:32,900 --> 00:04:34,467
FROM ALL HIS VIDEO GAMES?
117
00:04:34,500 --> 00:04:36,800
- I DON'T REMEMBER SAYING--
- WELL, YOU DID.
118
00:04:36,833 --> 00:04:38,333
AND I THINK IT'S A GREAT IDEA
FOR LOUIE
119
00:04:38,367 --> 00:04:39,467
TO REPLACE ME IN THE PLAY.
120
00:04:39,500 --> 00:04:42,267
- EXCUSE ME?
121
00:04:42,300 --> 00:04:44,800
- HE'S HEARD ME RUN LINES,
SO HE KNOWS THE DIALOGUE.
122
00:04:44,833 --> 00:04:46,400
YOU'RE A GENIUS, RAY.
123
00:04:46,433 --> 00:04:47,700
- HE HAS BEEN PLAYING
124
00:04:47,733 --> 00:04:50,067
A LOT OF PONIES VS. ROBOTS
LATELY.
125
00:04:50,067 --> 00:04:52,733
- BUT PEOPLE CAN'T SEE LOUIE.
HE'S A GHOST.
126
00:04:52,767 --> 00:04:54,800
- HE CAN POSSESS
THE COSTUME.
127
00:04:54,833 --> 00:04:57,600
AND GHOSTS CAN PROJECT THEIR
VOICES WHENEVER WE WANT TO.
128
00:04:57,633 --> 00:04:59,533
- I'D LIKE TO BE HEARD
RIGHT NOW.
129
00:04:59,567 --> 00:05:03,133
I DON'T WANNA!
130
00:05:03,167 --> 00:05:05,333
- DIRECTING A GHOST
WOULD BE A CHALLENGE.
131
00:05:05,367 --> 00:05:08,300
AND THEATER IS
ALL ABOUT MEETING CHALLENGES.
132
00:05:08,333 --> 00:05:11,133
I'LL DO IT!
133
00:05:11,167 --> 00:05:14,133
- BUT THE PONIES
AND THE ROBOTS!
134
00:05:14,167 --> 00:05:16,233
- HAVE FUN.
[blows raspberry]
135
00:05:22,167 --> 00:05:24,867
- MILES, YOUR "MUFFIN
ON A STICK" IDEA IS KILLING IT.
136
00:05:24,900 --> 00:05:27,133
I'VE ALREADY GOT TWICE
AS MANY TIPS AS USUAL.
137
00:05:27,167 --> 00:05:28,500
YOU ARE BRILLIANT.
138
00:05:28,533 --> 00:05:30,100
- AW, THANKS, TAYLOR.
139
00:05:30,133 --> 00:05:31,600
I'VE GOT A WHOLE BINDER
FULL OF IDEAS.
140
00:05:31,633 --> 00:05:32,867
WANT TO HEAR MY NEXT ONE?
- SURE!
141
00:05:32,900 --> 00:05:35,100
- TUCK IN YOUR SHIRT.
142
00:05:35,133 --> 00:05:36,333
- EXCUSE ME?
143
00:05:36,367 --> 00:05:38,100
- APPEARANCES ARE IMPORTANT
144
00:05:38,133 --> 00:05:39,767
TO THE SUCCESS
OF A BUSINESS.
145
00:05:39,800 --> 00:05:41,767
THE WAY YOU LOOK REFLECTS
ON ALL OF US.
146
00:05:41,800 --> 00:05:43,367
- OH. OKAY.
147
00:05:43,400 --> 00:05:46,267
- OH, AND THE HAIRNET
I LEFT OUT FOR YOU?
148
00:05:46,300 --> 00:05:48,367
TAKE A HINT.
149
00:05:48,400 --> 00:05:51,167
- ALL RIGHT, MILES.
SLOW DOWN.
150
00:05:51,200 --> 00:05:52,467
YOU'RE NOT THE BOSS HERE.
151
00:05:52,500 --> 00:05:55,067
CLEM IS.
- HEY, YO, TAYLOR.
152
00:05:55,067 --> 00:05:58,633
FYI, I'M GONNA BE IN THE KITCHEN
TRYING A NEW PIE RECIPE.
153
00:05:58,667 --> 00:06:01,233
IF I COULD JUST FIND
THE DARN FLOUR.
154
00:06:01,267 --> 00:06:02,600
- WELL, CLEM,
155
00:06:02,633 --> 00:06:04,433
HAVE YOU CHECKED THE HUGE BAG
ON YOUR SHOULDER
156
00:06:04,467 --> 00:06:06,467
LABELED "FLOUR"?
157
00:06:06,500 --> 00:06:07,533
- NO...
158
00:06:07,567 --> 00:06:09,800
BUT I'M GONNA.
159
00:06:12,200 --> 00:06:14,133
both: WOW.
160
00:06:17,467 --> 00:06:19,300
- CAST AND CREW,
161
00:06:19,333 --> 00:06:21,333
I HAVE SOME DISTRESSING NEWS,
162
00:06:21,367 --> 00:06:25,233
BUT I WON'T DANCE
AROUND THE TOOTH.
163
00:06:25,267 --> 00:06:28,400
SO USING THAT.
164
00:06:28,433 --> 00:06:30,167
BECAUSE OF AN INJURY,
165
00:06:30,200 --> 00:06:32,200
WE NEED TO REPLACE FRANKIE
WITH A NEW DETECTIVE FLOSS.
166
00:06:32,233 --> 00:06:34,833
SO PLAYING THE PART
OF OUR STAR
167
00:06:34,867 --> 00:06:36,500
WILL NOW BE NONE OTHER THA--
168
00:06:36,533 --> 00:06:38,100
- [gasps]
YES! YES!
169
00:06:38,133 --> 00:06:39,400
IN YOUR FACE, WORLD!
170
00:06:39,433 --> 00:06:44,233
MY TIME HAS COME, BABY!
171
00:06:44,267 --> 00:06:45,800
IT'S NOT ME, IS IT?
172
00:06:45,833 --> 00:06:47,267
- NO.
173
00:06:48,833 --> 00:06:51,167
DETECTIVE FLOSS
WILL NOW BE PLAYED
174
00:06:51,200 --> 00:06:54,067
BY OUR NEW EXCHANGE STUDENT,
LOUIE.
175
00:06:56,800 --> 00:06:58,167
- ALL RIGHT,
LET'S GET THIS OVER WITH.
176
00:06:58,200 --> 00:07:02,133
- OKAY, PLACES, PEOPLE!
177
00:07:02,167 --> 00:07:05,333
SO FAR, SO GOOD.
NO ONE SUSPECTS ANYTHING.
178
00:07:05,367 --> 00:07:08,500
AND ACTION!
179
00:07:08,533 --> 00:07:11,100
- LOOK AT THE SIZE
OF THIS CAVITY!
180
00:07:11,133 --> 00:07:13,567
WHAT KIND OF LOWLIFE GERM
WOULD ATTACK
181
00:07:13,600 --> 00:07:16,300
AN INNOCENT TOOTH
LIKE THIS?
182
00:07:16,333 --> 00:07:19,767
ANY IDEAS, GINGER VITUS?
183
00:07:19,800 --> 00:07:23,267
- NICE TRY, FLOSS,
BUT I HAVE AN ALIBI.
184
00:07:24,800 --> 00:07:26,400
- PRETTY DAME.
185
00:07:26,433 --> 00:07:29,333
BUT I THINK SHE'S GIVING ME
THE BRUSH-OFF.
186
00:07:29,367 --> 00:07:32,600
REALLY?
187
00:07:32,633 --> 00:07:34,733
I'LL FIND OUT WHO DID THIS,
188
00:07:34,767 --> 00:07:37,433
BECAUSE IF NOT ME, WHO?
189
00:07:37,467 --> 00:07:38,400
WHO?
- [mouths silently]
190
00:07:38,433 --> 00:07:39,467
- [screams]
191
00:07:43,067 --> 00:07:45,100
[applause]
192
00:07:45,133 --> 00:07:47,067
- LOUIE, THAT WAS AMAZING.
193
00:07:47,067 --> 00:07:49,100
- YOU'RE WAY BETTER
THAN FRANKIE.
194
00:07:49,133 --> 00:07:52,467
- WILL YOU SPEAK
AT MY BAR MITZVAH?
195
00:07:54,500 --> 00:07:56,633
- THANK YOU SO MUCH.
COME BACK AND SEE US AGAIN.
196
00:07:56,667 --> 00:07:59,233
- AH, MUCH BETTER, TAYLOR.
197
00:07:59,267 --> 00:08:01,200
YOU WERE POLITE,
YOU SMILED,
198
00:08:01,233 --> 00:08:02,533
YOU GAVE BACK
THE CORRECT CHANGE.
199
00:08:02,567 --> 00:08:04,133
THOSE ARE THE POSITIVES.
200
00:08:04,167 --> 00:08:06,800
NOW LET'S DISCUSS
AREAS OF IMPROVEMENT.
201
00:08:06,833 --> 00:08:08,500
ITEM ONE--
[clears throat] YOUR POSTURE.
202
00:08:08,533 --> 00:08:12,333
- MILES, YOU'VE BEEN
CRITICIZING ME ALL DAY.
203
00:08:12,367 --> 00:08:16,233
- [scoffs] UM, MY ATTENTION
TO DETAIL IS THE REASON
204
00:08:16,267 --> 00:08:17,667
WHY THIS TIP JAR
IS ALMOST FULL.
205
00:08:17,700 --> 00:08:19,733
- NO, THAT TIP JAR
IS ALMOST FULL
206
00:08:19,767 --> 00:08:22,267
BECAUSE I'M THE ONLY ONE
ACTUALLY DOING ANYTHING,
207
00:08:22,300 --> 00:08:24,100
SO STOP ACTING LIKE
YOU'RE IN CHARGE.
208
00:08:24,133 --> 00:08:25,400
- OH, WAKE UP.
209
00:08:25,433 --> 00:08:28,100
WE BOTH KNOW
I'M RUNNING THIS RODEO.
210
00:08:28,133 --> 00:08:29,600
- HEY, I NEED SOME FEEDBACK
ON A SONG
211
00:08:29,633 --> 00:08:32,667
I'VE BEEN WORKING ON
FOR MICHELLE'S PLAY.
212
00:08:32,700 --> 00:08:34,133
WHAT'S GOING ON?
213
00:08:34,167 --> 00:08:36,133
- BUSINESS IS BOOMING,
THANKS TO ME.
214
00:08:36,167 --> 00:08:37,533
- MILES PUTS A MUFFIN
ON A STICK
215
00:08:37,567 --> 00:08:39,067
AND THINKS HE'S THE BOSS.
216
00:08:39,100 --> 00:08:41,400
- I THOUGHT THE NEW GUY CLEM
WAS THE BOSS.
217
00:08:41,433 --> 00:08:44,800
- THIS ROLLING PIN
IS AMAZING!
218
00:08:44,833 --> 00:08:49,233
- THAT'S A FIRE EXTINGUISHER,
CLEM.
219
00:08:49,267 --> 00:08:53,533
- AWW, YOU ALMOST HAD ME,
TAYLOR.
220
00:08:53,567 --> 00:08:56,167
- WOW.
221
00:08:56,200 --> 00:08:58,733
LOOK, ISN'T IT POSSIBLE
YOU'RE BOTH THE REASON
222
00:08:58,767 --> 00:09:00,300
THE BAKERY IS DOING
SO GREAT?
223
00:09:00,333 --> 00:09:01,833
both: NO.
224
00:09:01,867 --> 00:09:03,567
- LOOK.
225
00:09:03,600 --> 00:09:05,833
WHEN IT COMES TO ORGANIZATION,
I'M THE REAL DEAL.
226
00:09:05,867 --> 00:09:08,267
DAD, YOU REMEMBER
THAT FILING CONTEST
227
00:09:08,300 --> 00:09:09,600
WHERE I TOOK HOME
THE BLUE RIBBON?
228
00:09:09,633 --> 00:09:12,467
- YES, I DO, SON.
229
00:09:12,500 --> 00:09:14,867
- IT'S TOO BAD WE DON'T
EACH HAVE OUR OWN BAKERY.
230
00:09:14,900 --> 00:09:16,533
THEN WE COULD SEE
WHO'S RESPONSIBLE
231
00:09:16,567 --> 00:09:18,167
FOR FILLING THAT TIP JAR.
232
00:09:18,200 --> 00:09:21,633
- THAT'S NOT A BAD IDEA.
233
00:09:21,667 --> 00:09:22,700
AND YOU KNOW WHAT?
234
00:09:22,733 --> 00:09:24,667
PROBLEM SOLVED.
235
00:09:24,700 --> 00:09:29,733
[snaps fingers]
[whooshing]
236
00:09:31,267 --> 00:09:33,300
NOW YOU EACH HAVE
YOUR OWN WORKSPACE.
237
00:09:33,333 --> 00:09:36,567
BUT I BET YOU'LL FIND
THAT YOU CAN DO MORE TOGETHER
238
00:09:36,600 --> 00:09:37,633
THAN YOU CAN APART.
239
00:09:37,667 --> 00:09:39,433
- THAT'S GENIUS, RAY.
240
00:09:39,467 --> 00:09:41,500
OH, MILES,
LOOKS LIKE A CUSTOMER
241
00:09:41,533 --> 00:09:43,333
ON YOUR HALF
NEEDS SOME SERVICE.
242
00:09:43,367 --> 00:09:45,333
- OH, YOU'LL HAVE TO HELP ME.
243
00:09:45,367 --> 00:09:46,800
MIGHT LOOK WEIRD IF A GHOST
WAITED ON HER.
244
00:09:46,833 --> 00:09:50,267
- SORRY, I DON'T WORK
ON THAT SIDE ANYMORE.
245
00:09:50,300 --> 00:09:52,100
YIKES.
246
00:09:52,133 --> 00:09:54,467
- OH, SO WE'RE PLAYING IT
THAT WAY?
247
00:09:54,500 --> 00:09:56,733
- WAIT, WHAT ABOUT MY SONG?
248
00:09:56,767 --> 00:09:58,467
* FLOSS
249
00:09:58,500 --> 00:10:02,533
* I WANNA CLEAN FOREVER
250
00:10:02,567 --> 00:10:04,767
* I WANNA KEEP
YOUR BREATH FRESH *
251
00:10:04,800 --> 00:10:06,200
* FLOSS
252
00:10:06,233 --> 00:10:09,833
* I COME IN MINT
OR UNSCENTED *
253
00:10:09,867 --> 00:10:12,233
* BABY, REMEMBER MY NAME
254
00:10:12,267 --> 00:10:15,233
* REMEMBER, REMEMBER,
REMEMBER, RE-- *
255
00:10:17,700 --> 00:10:20,500
REMEMBER?
256
00:10:20,533 --> 00:10:22,133
- [laughs]
257
00:10:22,167 --> 00:10:23,533
[lasers shooting on video game]
TAKE THAT, ROBOTS!
258
00:10:23,567 --> 00:10:27,267
AND ANOTHER LOUIE HIGH SCORE
GOES BYE-BYE.
259
00:10:29,167 --> 00:10:31,600
- LOOKS LIKE SOMEONE'S TOE
IS BETTER.
260
00:10:31,633 --> 00:10:35,167
- [sighs]
I'M PLAYING THROUGH THE PAIN.
261
00:10:35,200 --> 00:10:38,100
SO HOW'D REHEARSAL GO?
262
00:10:38,133 --> 00:10:39,333
TORTURE, HUH?
263
00:10:39,367 --> 00:10:41,400
- ACTUALLY...
264
00:10:41,433 --> 00:10:43,800
- PIZZA PARTY IN HONOR OF LOUIE!
265
00:10:43,833 --> 00:10:46,367
[all cheering]
266
00:10:46,400 --> 00:10:49,167
- A WHAT PARTY
IN HONOR OF WHO NOW?
267
00:10:49,200 --> 00:10:50,600
- DON'T GET ME WRONG.
268
00:10:50,633 --> 00:10:52,633
WE MISSED YOU TERRIBLY,
SWEETIE.
269
00:10:52,667 --> 00:10:56,167
BUT TODAY, LOUIE REMINDED ME
WHY I WRITE,
270
00:10:56,200 --> 00:10:58,800
WHY I CREATE.
271
00:10:58,833 --> 00:11:02,467
- IT'S TRUE.
I DID.
272
00:11:02,500 --> 00:11:05,667
- I LOVE YOUR COMMITMENT
OF NEVER TAKING OFF THE COSTUME.
273
00:11:05,700 --> 00:11:07,733
- OH, LIKE YOU AND YOUR EARS.
274
00:11:07,767 --> 00:11:08,733
[laughs]
275
00:11:08,767 --> 00:11:13,100
- WHAT ARE YOU SAYING?
276
00:11:13,133 --> 00:11:16,167
- ALL RIGHT, EVERYBODY.
COME GET FOOD.
277
00:11:16,200 --> 00:11:17,733
- THIS IS JUST LIKE
THE PIZZA PARTY
278
00:11:17,767 --> 00:11:19,500
YOUR MOM THREW YOU.
279
00:11:19,533 --> 00:11:20,633
OH, WAIT.
280
00:11:20,667 --> 00:11:22,133
THAT NEVER HAPPENED!
281
00:11:22,167 --> 00:11:23,567
[laughs]
282
00:11:23,600 --> 00:11:26,867
- EXCUSE ME, LOUIE?
- YEAH, SWEETS?
283
00:11:26,900 --> 00:11:29,667
- THE CAST KNOWS HOW YOU LIKE
TO UNWIND WITH VIDEO GAMES,
284
00:11:29,700 --> 00:11:34,100
SO WE POOLED OUR MONEY
AND GOT YOU THIS.
285
00:11:34,133 --> 00:11:36,467
- PONIES VS. ROBOTS 5?
286
00:11:36,500 --> 00:11:39,700
THAT'S LIMITED EDITION!
287
00:11:39,733 --> 00:11:41,433
- HOW KIND.
288
00:11:41,467 --> 00:11:43,167
I'LL TREASURE IT.
289
00:11:43,200 --> 00:11:44,267
NOW GO.
290
00:11:44,300 --> 00:11:46,333
GRAB YOURSELF SOME 'ZA.
291
00:11:46,367 --> 00:11:48,233
- [giggles]
292
00:11:48,267 --> 00:11:50,300
- YOU'RE REALLY ENJOYING THIS,
AREN'T YOU?
293
00:11:50,333 --> 00:11:53,167
- LIKE YOU WOULDN'T BELIEVE.
294
00:11:56,233 --> 00:11:59,200
- MOM, IT'S A MIRACLE.
MY TOE'S ALL BETTER.
295
00:11:59,233 --> 00:12:00,633
NOW I CAN HAVE
MY PART BACK.
296
00:12:00,667 --> 00:12:03,667
- NO, FRANKIE.
YOUR FOOT NEEDS TO REST.
297
00:12:03,700 --> 00:12:06,200
- I AGREE, MICHELLE.
POOR FRANKIE.
298
00:12:06,233 --> 00:12:09,800
OR AS WE SAY
IN THE THEATER...
299
00:12:09,833 --> 00:12:13,633
"LOSER!"
300
00:12:18,467 --> 00:12:21,367
- IT'S BEEN A WHILE SINCE
I COMPOSED AN ORIGINAL TUNE,
301
00:12:21,400 --> 00:12:23,067
AND I WAS STRUGGLING.
- HMM.
302
00:12:23,100 --> 00:12:27,633
- BUT THIS--
THIS IS A CLOSING NUMBER.
303
00:12:27,667 --> 00:12:30,267
- * FLOSS, FLOSS,
FLOSS YOUR TEETH *
304
00:12:30,300 --> 00:12:31,767
* GENTLY ON THE GUM
305
00:12:31,800 --> 00:12:33,633
* MERRILY, MERRILY,
MERRILY, MERRILY *
306
00:12:33,667 --> 00:12:36,433
* CLEANING TEETH IS FUN
307
00:12:36,467 --> 00:12:38,733
YOU SICKEN ME.
YOU'RE OFF THE PROJECT.
308
00:12:38,767 --> 00:12:40,200
- WHAT?
309
00:12:40,233 --> 00:12:44,100
THIS IS GOLD, BABY!
GOLD!
310
00:12:50,367 --> 00:12:51,733
- I FEEL A SLIGHT CHILL.
311
00:12:51,767 --> 00:12:56,500
CAN SOMEBODY BE A LAMB
AND BRING ME MY ROBE?
312
00:13:00,833 --> 00:13:03,400
- OH, PUKE.
313
00:13:03,433 --> 00:13:06,100
- HONEY, WHAT ARE YOU
DOING HERE?
314
00:13:06,133 --> 00:13:07,533
- JUST WANTED
TO SHOW SUPPORT.
315
00:13:07,567 --> 00:13:09,100
- AWW.
316
00:13:09,133 --> 00:13:10,533
- LOUIE LOOKS LIKE
HE'S BECOME A HANDFUL.
317
00:13:10,567 --> 00:13:12,067
- MM. WORTH THE JOURNEY.
318
00:13:12,067 --> 00:13:14,133
HE TEACHES ME
SOMETHING NEW EVERY DAY.
319
00:13:14,167 --> 00:13:17,100
- IS THIS THING ON?
[laughs]
320
00:13:17,133 --> 00:13:18,100
[farts]
321
00:13:18,133 --> 00:13:19,467
[laughter]
322
00:13:19,500 --> 00:13:23,333
- LET'S TAKE FIVE, EVERYONE.
323
00:13:23,367 --> 00:13:25,300
- OKAY, LOUIE.
THIS ENDS NOW.
324
00:13:25,333 --> 00:13:27,700
I'M SUPPOSED TO BE THE STAR
OF THIS PLAY.
325
00:13:27,733 --> 00:13:30,733
- AND YET YOU'RE NOT.
326
00:13:30,767 --> 00:13:32,300
- OKAY, FUNNY GUY.
327
00:13:32,333 --> 00:13:34,200
ARE YOU GONNA GIVE ME
MY ROLE BACK OR NOT?
328
00:13:34,233 --> 00:13:35,600
- I'LL GIVE YOU A HINT.
329
00:13:35,633 --> 00:13:38,200
MY ANSWER RHYMES
WITH NO.
330
00:13:38,233 --> 00:13:40,633
IT'S NO.
331
00:13:40,667 --> 00:13:43,500
- FINE.
THEN I'M GONNA TAKE IT BACK.
332
00:13:43,533 --> 00:13:45,700
ATTENTION, DRAMA DORKS,
333
00:13:45,733 --> 00:13:48,067
LOUIE IS NOT
WHO YOU THINK HE IS.
334
00:13:48,067 --> 00:13:51,567
CHECK THIS OUT.
335
00:13:51,600 --> 00:13:53,333
- FRANKIE, CUT IT OUT!
336
00:13:53,367 --> 00:13:55,200
[all gasp]
337
00:13:55,233 --> 00:13:57,600
- WHOA, I CAN'T BELIEVE IT!
338
00:13:57,633 --> 00:14:00,267
HE'S A GREAT ACTOR
AND A MAGICIAN!
339
00:14:00,300 --> 00:14:02,067
[applause]
340
00:14:02,100 --> 00:14:03,667
- ARE YOU KIDDING ME?
341
00:14:03,700 --> 00:14:05,133
- NICE TRY.
342
00:14:05,167 --> 00:14:06,600
BUT THE PEOPLE LOVE ME.
343
00:14:06,633 --> 00:14:09,433
FLOSS-TA LA VISTA, BABY.
344
00:14:12,700 --> 00:14:16,267
- MILES, MY BAKERY IS SO GONNA
KICK YOUR BAKERY'S BUTT.
345
00:14:16,300 --> 00:14:18,467
YOU KNOW, IT ISN'T REALLY
A FAIR COMPETITION
346
00:14:18,500 --> 00:14:20,400
SINCE CUSTOMERS
CAN'T EVEN SEE YOU.
347
00:14:20,433 --> 00:14:23,300
- WHICH IS WHY I SPENT
ALL MORNING...
348
00:14:23,333 --> 00:14:28,067
WORKING ON THIS!
349
00:14:28,067 --> 00:14:30,367
THE MILES-O-PIES 3000!
350
00:14:30,400 --> 00:14:33,267
NOW ADDED WITH BOW TIE.
351
00:14:33,300 --> 00:14:35,067
- ARE YOU SERIOUS WITH THIS?
352
00:14:35,100 --> 00:14:38,200
- I FULLY AUTOMATED THE ENTIRE
PIE-DELIVERING PROCESS.
353
00:14:38,233 --> 00:14:41,200
ALSO, HIS ARMS SQUIRT...
354
00:14:41,233 --> 00:14:43,067
WHIPPED CREAM
AND CHOCOLATE SYRUP.
355
00:14:43,067 --> 00:14:45,700
BUT I LIKE YOUR LITTLE
PASTRY PYRAMID THING --
356
00:14:45,733 --> 00:14:49,633
THAT TOOK THOUGHT TOO.
357
00:14:49,667 --> 00:14:52,533
- HEY, EVERYTHING GOING
OKAY IN HERE?
358
00:14:52,567 --> 00:14:54,267
- GREAT.
359
00:14:54,300 --> 00:14:56,200
I JUST DIVIDED THE BAKERY
IN HALF AND ADDED A ROBOT.
360
00:14:56,233 --> 00:15:00,133
- OH, OKEYDOKEY.
361
00:15:02,467 --> 00:15:04,133
- WELCOME.
362
00:15:04,167 --> 00:15:07,467
THE MILES-O-PIES 3000 IS READY
TO SERVE YOU TODAY.
363
00:15:07,500 --> 00:15:09,733
- OR YOU CAN COME OVER HERE
AND BE SERVED
364
00:15:09,767 --> 00:15:11,200
BY A FRIENDLY STAFFER
365
00:15:11,233 --> 00:15:13,067
WHO DOESN'T HAVE
TO BE PLUGGED IN.
366
00:15:13,067 --> 00:15:17,500
PLEASE NOTE
THE PASTRY PYRAMID.
367
00:15:17,533 --> 00:15:20,067
- I'M GOING WITH THE ROBOT.
368
00:15:20,067 --> 00:15:23,800
- OKAY.
SO YOU GOT LUCKY ONE TIME.
369
00:15:27,567 --> 00:15:30,067
- FINALLY, A CUSTOMER!
370
00:15:30,067 --> 00:15:31,767
HI, THERE.
WHAT CAN I GET YOU TODAY?
371
00:15:31,800 --> 00:15:33,167
- A TOILET.
372
00:15:33,200 --> 00:15:35,400
- IT'S IN THE BACK.
373
00:15:35,433 --> 00:15:38,500
- LOVE THE PYRAMID.
374
00:15:41,767 --> 00:15:43,667
- OPENING NIGHT.
375
00:15:43,700 --> 00:15:45,700
THIS IS SO HUMBLING.
376
00:15:45,733 --> 00:15:48,633
TAKE THESE ROSES
AND THROW THEM AT ME WHEN I BOW.
377
00:15:48,667 --> 00:15:50,300
- SO, SON,
378
00:15:50,333 --> 00:15:52,067
WE JUST WANTED TO COME BACK
AND SAY BREAK A LEG.
379
00:15:52,100 --> 00:15:54,133
BUT NOT A TOE, BECAUSE THEN
YOU'LL LOSE YOUR PART.
380
00:15:54,167 --> 00:15:56,567
[laughs]
AM I RIGHT, FRANKIE?
381
00:15:56,600 --> 00:15:59,433
SHE KNOWS
WHAT I'M TALKING ABOUT.
382
00:15:59,467 --> 00:16:05,200
- I'M SORRY, WHAT SCENE IS
YOUR ORIGINAL SONG IN AGAIN?
383
00:16:05,233 --> 00:16:08,333
- I'M GONNA GO FIND MY SEAT.
384
00:16:08,367 --> 00:16:11,167
- LOUIE,
WHEN YOU CAME TO ME,
385
00:16:11,200 --> 00:16:13,100
YOU WERE A FRIGHTENED,
TIMID CATERPILLAR.
386
00:16:13,133 --> 00:16:14,300
- NO, I WASN'T.
387
00:16:14,333 --> 00:16:16,067
- YES, YOU WERE.
388
00:16:16,067 --> 00:16:18,733
BUT NOW I'VE TURNED YOU
INTO A TALENTED BUTTERFLY
389
00:16:18,767 --> 00:16:19,733
READY TO SOAR.
390
00:16:19,767 --> 00:16:20,733
[giggles]
391
00:16:20,767 --> 00:16:25,133
FLY, TINY ACTOR.
FLY.
392
00:16:25,167 --> 00:16:26,200
- OKAY.
393
00:16:26,233 --> 00:16:27,633
BEST OF LUCK.
394
00:16:27,667 --> 00:16:30,667
HOPE YOU GET ANY SURPRISES
OUT THERE ONSTAGE.
395
00:16:35,700 --> 00:16:38,067
- GET THAT STUPID BRUSH
OUT OF HERE.
396
00:16:38,067 --> 00:16:42,067
HE'S CONTAMINATING
MY CRIME SCENE.
397
00:16:42,067 --> 00:16:44,067
- I DON'T USE THE WORD
"MASTERPIECE" A LOT.
398
00:16:44,067 --> 00:16:46,067
OF ALL MY MASTERPIECES,
399
00:16:46,067 --> 00:16:50,333
THIS IS
MY MOST MASTER...PIECIEST.
400
00:16:50,367 --> 00:16:53,467
SHH, SHH, SHH.
LET'S WATCH.
401
00:16:53,500 --> 00:16:55,767
- DETECTIVE,
HAVE YOU FIGURED OUT
402
00:16:55,800 --> 00:16:57,600
WHO CAUSED THIS CAVITY CRIME?
403
00:16:57,633 --> 00:17:01,567
AND IF SO,
CAN YOU TELL US IN A SONG?
404
00:17:01,600 --> 00:17:03,833
- I HAVE, AND I WILL.
405
00:17:03,867 --> 00:17:05,533
GIVE ME A BEAT!
406
00:17:05,567 --> 00:17:06,667
[piano playing]
407
00:17:06,700 --> 00:17:08,467
[all gasp]
408
00:17:08,500 --> 00:17:10,433
- WAIT!
409
00:17:10,467 --> 00:17:14,200
EVERYBODY, FREEZE.
410
00:17:14,233 --> 00:17:16,067
- FRANKIE?
- FRANKIE?
411
00:17:16,067 --> 00:17:17,633
- WHO'S FRANKIE?
412
00:17:17,667 --> 00:17:20,067
I'M THE NEW DETECTIVE
WHO'S TAKING OVER THIS CASE.
413
00:17:20,067 --> 00:17:21,700
- YOU'RE A CHRISTMAS TREE.
414
00:17:21,733 --> 00:17:24,767
- NOT A LOT OF OPTIONS
IN THE COSTUME ROOM.
415
00:17:24,800 --> 00:17:28,600
IT WAS EITHER THIS
OR THE STATUE OF LIBERTY.
416
00:17:28,633 --> 00:17:30,167
- WHAT IS HAPPENING?
417
00:17:30,200 --> 00:17:31,633
- OKAY, DETECTIVE.
I'LL TAKE IT FROM HERE.
418
00:17:31,667 --> 00:17:33,500
YOU'RE OFF THE CASE.
NOW GIVE ME THE BADGE!
419
00:17:33,533 --> 00:17:36,567
- NO WAY!
THIS IS MY CRIME SCENE.
420
00:17:36,600 --> 00:17:40,133
[grunting]
421
00:17:40,167 --> 00:17:41,367
- OH!
422
00:17:42,533 --> 00:17:45,267
[curtain tearing]
423
00:17:48,467 --> 00:17:50,367
- HOW'S BUSINESS
ON YOUR HALF?
424
00:17:50,400 --> 00:17:52,067
DOESN'T LOOK TOO GOOD.
425
00:17:52,067 --> 00:17:54,133
- I HAVE A FEELING
IT'S ABOUT TO PICK UP.
426
00:17:54,167 --> 00:17:57,500
OH, CLEM?
427
00:17:57,533 --> 00:17:59,300
CLEM HERE HAS
GRACIOUSLY OFFERED
428
00:17:59,333 --> 00:18:01,333
TO PLAY THE BAGPIPES
FOR YOU ALL.
429
00:18:01,367 --> 00:18:03,500
- THIS INSTRUMENT
COMES WITH A DRESS.
430
00:18:03,533 --> 00:18:05,133
[chuckles]
431
00:18:05,167 --> 00:18:07,667
- CLEM CAN PLAY BAGPIPES?
- NOPE.
432
00:18:07,700 --> 00:18:08,767
WHICH IS WHY
HE'S GONNA DO IT
433
00:18:08,800 --> 00:18:10,300
ON YOUR SIDE
OF THE BAKERY.
434
00:18:10,333 --> 00:18:11,667
TAKE IT AWAY, CLEM.
435
00:18:11,700 --> 00:18:12,667
- OH, RIGHT ON.
436
00:18:12,700 --> 00:18:15,267
IT'S MY FIRST CONCERT.
437
00:18:15,300 --> 00:18:18,267
[playing off-key]
438
00:18:18,300 --> 00:18:20,067
*
439
00:18:20,100 --> 00:18:21,433
- WELCOME, ALL.
440
00:18:21,467 --> 00:18:24,600
FREE SET OF EARPLUGS
WITH EVERY PIE PURCHASE.
441
00:18:24,633 --> 00:18:30,100
[playing bagpipes harmoniously]
442
00:18:30,133 --> 00:18:32,467
- NICE TRY, TAY.
BAGPIPE CAMP.
443
00:18:32,500 --> 00:18:34,233
TWO SUMMERS.
444
00:18:34,267 --> 00:18:37,333
- I AM ROCKING THIS.
445
00:18:37,367 --> 00:18:38,667
- ALL RIGHT.
446
00:18:38,700 --> 00:18:40,133
ATTENTION, CUSTOMERS!
447
00:18:40,167 --> 00:18:43,067
BUY ONE PIE,
GET ONE FREE.
448
00:18:43,100 --> 00:18:45,467
- WHAT?
YOU CAN'T UNDERSELL ME!
449
00:18:45,500 --> 00:18:48,067
ATTENTION:
BUY NO PIE, GET ONE FREE!
450
00:18:48,067 --> 00:18:49,367
- WHAT?
451
00:18:49,400 --> 00:18:50,600
NO FAIR!
452
00:18:50,633 --> 00:18:52,233
- WHAT? SORRY.
453
00:18:52,267 --> 00:18:53,600
I CAN'T HEAR YOU
ABOVE ALL THE RINGING
454
00:18:53,633 --> 00:18:55,200
OF THE CASH REGISTER,
455
00:18:55,233 --> 00:18:57,067
WHICH I'M ONLY DOING
SOUND EFFECTS
456
00:18:57,100 --> 00:19:00,267
BECAUSE I'M GIVING AWAY
ALL THE PIES.
457
00:19:00,300 --> 00:19:02,300
- YOU LIKE FREE PIES
SO MUCH?
458
00:19:02,333 --> 00:19:05,367
HAVE SOME MORE, ROBOT MAN.
459
00:19:06,533 --> 00:19:09,567
- MY BABY.
460
00:19:09,600 --> 00:19:12,700
OH, IT'S ON.
461
00:19:15,567 --> 00:19:16,667
[all gasp]
462
00:19:23,767 --> 00:19:25,733
all: OH!
463
00:19:25,767 --> 00:19:27,400
- AAH!
464
00:19:29,100 --> 00:19:31,333
[popping]
465
00:19:36,133 --> 00:19:38,267
- GINGER VITUS,
I KNOW IT WAS YOU
466
00:19:38,300 --> 00:19:39,633
WHO CAUSED THIS CAVITY,
467
00:19:39,667 --> 00:19:41,167
SO CONFESS TO ME!
468
00:19:41,200 --> 00:19:44,233
- NO, CONFESS TO ME,
GINGER VITUS!
469
00:19:44,267 --> 00:19:45,567
- DON'T LISTEN TO HER.
470
00:19:45,600 --> 00:19:47,200
SHE'S JUST AN INSANE TREE.
471
00:19:47,233 --> 00:19:50,500
WHAT'S SHE DOING
IN A MOUTH ANYWAY?
472
00:19:50,533 --> 00:19:53,400
- I'M SO CONFUSED.
473
00:19:53,433 --> 00:19:55,500
- STOP IT, BOTH OF YOU!
474
00:19:55,533 --> 00:19:58,333
FOR IT IS I...
475
00:19:58,367 --> 00:20:01,367
INSPECTOR LIBERTY.
476
00:20:03,700 --> 00:20:08,100
- I GOT TO START COMING
TO THE THEATER MORE OFTEN.
477
00:20:08,133 --> 00:20:10,067
- CHRISTMAS TREE,
478
00:20:10,100 --> 00:20:12,000
YOU ARE NOT SUPPOSED
TO BE HERE.
479
00:20:12,033 --> 00:20:16,000
- BUT THIS WAS SUPPOSED
TO BE MY CASE.
480
00:20:16,033 --> 00:20:18,367
- BUT THEN IT BECAME MY CASE
481
00:20:18,400 --> 00:20:19,700
WHEN YOU HURT YOURSELF.
482
00:20:19,733 --> 00:20:21,500
OR PRETENDED TO.
483
00:20:21,533 --> 00:20:23,167
- PRETENDED TO?
484
00:20:23,200 --> 00:20:26,033
WHAT DOES DETECTIVE FLOSS
MEAN BY "PRETENDED TO"?
485
00:20:26,067 --> 00:20:30,033
- I THOUGHT THIS PLAY--
OR CASE WAS GONNA BE A DUD.
486
00:20:30,067 --> 00:20:31,467
I'M SORRY.
487
00:20:31,500 --> 00:20:33,467
- I THINK THE THREE OF US
488
00:20:33,500 --> 00:20:36,000
NEED TO DISCUSS THIS
BACK AT HEADQUARTERS.
489
00:20:36,033 --> 00:20:37,067
- WAIT, WAIT, WAIT.
490
00:20:37,100 --> 00:20:38,733
WHEN AM I GOING
TO CONFESS?
491
00:20:38,767 --> 00:20:40,767
- YOU JUST DID, GINGER.
YOU JUST DID.
492
00:20:40,800 --> 00:20:43,800
BOOK HER, TOOTHPASTE.
493
00:20:47,233 --> 00:20:49,267
FRANKIE, IF YOU DIDN'T
WANT TO DO THE PLAY,
494
00:20:49,300 --> 00:20:51,100
YOU SHOULD'VE JUST TOLD ME.
495
00:20:51,133 --> 00:20:53,033
- I KNOW.
I WAS WRONG.
496
00:20:53,067 --> 00:20:55,067
AND THEN LOUIE
WAS SO MUCH BETTER THAN ME
497
00:20:55,100 --> 00:20:57,033
IN THE PLAY,
I GOT JEALOUS.
498
00:20:57,067 --> 00:20:58,633
- WELL, NOW YOU KNOW
HOW IT FEELS.
499
00:20:58,667 --> 00:21:00,467
- WHAT ARE YOU TALKING ABOUT?
500
00:21:00,500 --> 00:21:02,100
- WHY DO YOU THINK
I DON'T WANT YOU
501
00:21:02,133 --> 00:21:03,667
PLAYING MY VIDEO GAMES?
502
00:21:03,700 --> 00:21:05,833
YOU ALWAYS CRUSH
MY HIGH SCORE.
503
00:21:05,867 --> 00:21:08,767
IT'S NOT FUN.
504
00:21:08,800 --> 00:21:10,567
- SORRY I MADE YOU FEEL BAD.
505
00:21:10,600 --> 00:21:14,133
- SORRY MY TALENTS MADE YOU
FEEL INADEQUATE.
506
00:21:15,667 --> 00:21:19,600
- I AM SO PROUD
OF YOU TWO.
507
00:21:21,667 --> 00:21:23,633
BUT I'M NOT TAKING A HIT
FOR THIS STINKER.
508
00:21:23,667 --> 00:21:26,267
YOU'RE ON YOUR OWN.
509
00:21:26,300 --> 00:21:30,333
[applause]
510
00:21:30,367 --> 00:21:32,367
THEY LIKED ME!
511
00:21:46,367 --> 00:21:49,067
- WHAT THE HECK HAPPENED HERE?
512
00:21:49,067 --> 00:21:51,533
- WE FOUND OUT
WHO THE BETTER MANAGER WAS.
513
00:21:51,567 --> 00:21:54,100
- YEAH.
NEITHER OF US.
514
00:21:54,133 --> 00:21:56,600
- WHAT ABOUT THE GUY
YOUR MOM HIRED?
515
00:21:56,633 --> 00:21:58,733
YOU WERE SUPPOSED
TO BE SUPERVISED.
516
00:21:58,767 --> 00:22:00,500
- YO, T.
517
00:22:00,533 --> 00:22:04,800
ANY IDEA HOW TO GET
A SNEAKER OUT OF A TOASTER?
518
00:22:06,467 --> 00:22:08,467
- MAKES SENSE NOW.
35376
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