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[ CHEERS AND APPLAUSE
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>>> WE THE BEST MUSIC.
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DON'T EVER PLAY IT
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ANOTHER ONE, I AM.
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♪ DJ KHALED
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YEAH WE ON AND
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WE GOIN' CRAZY
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CRAZY GO ♪
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♪ OH-OH-OH-WAY-OH
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SAID WE ON AND
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WE GOIN' CRAZY
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♪ ONLY LIVE ONE LIF
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CAME UP BY YOUR SIDE
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JUST MIGHT
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FASHION KILLA NO KNIFE ♪
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♪ MURDER MURDER YEA
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I WRIT
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LONG ROAD WE ON ON
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OH YEAH YEAH WE HIGH ♪
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♪ CAN'T HAVE NO LAM
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UP OUR VIB
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WE GOIN' CRAZY ♪
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OH I KNOW THAT YOU
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ONLYFANS ♪
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♪ RUN IT UP RUN-RUN IT UP
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WE NEED MANY BANDS
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MANY BANDS
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WHEN I'M TALKIN' BANDS ♪
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♪ YEAH WE ON AN
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WE GOIN' CRAZY
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CRAZY GO
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OH-OH-OH-WAY-OH ♪
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♪ SAID WE ON AN
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WE GOIN' CRAZY
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CRAZY WOO WOO WOO WOO GO
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YEAH WE ON AND ♪
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♪♪
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♪♪
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♪♪
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♪♪
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♪♪
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YEAH WE ON AND ♪
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♪ WE GOIN' CRAZ
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YEAH WE ON AND ♪
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♪ WE GOIN' CRAZ
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YEAH WE ON AND ♪
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♪ WE GOIN' CRAZ
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YEAH WE ON AND ♪
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♪ WE GOIN' CRAZ
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>> WE THE BEST MUSIC
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AVAILABLE NOW, NUMBER ONE ON
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BILLBOARDS
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CONGRATULATIONS ON YOUR
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GRADUATION
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I LOVE YOU
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I'M GOING TO DO IT FOR MY FAMILY
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FOREVER.
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THAT'S MY MAMA
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[ CHEERS AND APPLAUSE
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>> I SAY WE CRAZY, WE VERY
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CRAZY.
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>> FROM MICROSOFT THEATERS, IT'S
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THE 2021 BILLBOARD MUSIC AWARDS
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WITH PERFORMANCES BY AJR
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ALICIA KEYS.
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BAD BUNNY.
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BTS.
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DURAN DURAN.
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BLACK ANIMALS.
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JONAS BROTHERS
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CAROL G.
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MARSHMELLO
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PINK
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THE WEEKND
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21 PILOTS.
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PLUS DOJA CAT.
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SPECIAL MOMENT IN MINNEAPOLIS
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WITH JIMMY AND JERRY LEWIS
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ANN NESBY PERFORMS THE SOUNDS OF
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BLACKNESS.
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JOHN BON JOVI PRESENTS AN ICON
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AWARD TO PINK.
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THE BILLBOARD CHANGE MAKER
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AWARDS AND THE SPECIAL
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CELEBRATION, ARTIST OF THE
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DECADE
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>>> AND NOW PLEASE WELCOME YOUR
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HOST, NICK JONAS
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>> WELCOME TO THE BILLBOARD
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MUSIC AWARDS
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IT IS NO SECRET THIS LAST YEAR
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HAS BEEN AN INSANE ROLLER
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COASTER RIDE
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BUT I THINK ALL OF US ARE
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FEELING A LOT MORE OPTIMISTIC
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LATELY
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HOW GREAT IS IT TO BE BACK
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TOGETHER AGAIN
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NOW, LISTEN, WE ARE LIVE AND
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THERE IS A CROWD TO SEE OUR
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PERFORMANCES
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WE ARE ABLE TO DO THAT BECAUSE
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WE'RE MAKING SURE TO FOLLOW ALL
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THE PROPER COVID HEALTH AND
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SAFETY PROTOCOLS
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THIS WAY WE CAN ALL ENJOY WHAT
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PROMISES TO BE A FUN
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CELEBRATION, THE VERY BEST MUSIC
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AND ARTISTS OF THE PAST YEAR
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NOW, THIS IS MY FIRST TIME
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HOSTING THE SHOW, AND I CAN'T
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THINK OF A BETTER PLACE TO DO IT
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BECAUSE WE HAVE LITERALLY TAKEN
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OVER L.A. LIVE, AND WE'RE GOING
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TO BE HERE ON THE PLAZA ON THE
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OUTDOOR STAGE AND INSIDE THE
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MICROSOFT THEATER.
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IN FACT, LET'S HEAD INSIDE RIGHT
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NOW FOR OUR NEXT PERFORMANCE
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>>> AND NOW WE ARE ABOUT TO SEE
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ONE OF THE MANY GREAT
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PERFORMANCES COMING TO YOU FROM
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INSIDE THIS THEATER TONIGHT.
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OF XFINITY GIVES YOU A WAY
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BETTER WAY TO WATCH THIS NEXT
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PERFORMER DOJA CAT WHOSE HIGH
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ENERGY TALENT IS A MUST-SEE
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SPECTACLE.
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ARE YOU READY?
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FROM THE XFINITY STAGE LET'S
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GIVE IT UP FOR DOJA CAT
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FEATURING FIZZA.
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♪♪
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♪♪
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♪♪
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♪ WE HUG AN
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YES, WE MAKE LOV
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AND ALWAYS JUST SAY GOODNIGH
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♪ AND WE CUDDLE
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SURE I DO LOVE I
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BUT I NEED
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YOUR LIPS ON MINE ♪
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♪ CAN YOU KISS ME MORE?
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WE'RE SO YOUNG
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BOY, WE AIN'T GO
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NOTHIN' TO LOSE ♪
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♪ UH-OH
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IT'S JUST PRINCIPLE ♪
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♪ BABY, HOLD ME
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'CAUSE I LIK
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THE WAY WE MOV
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UH-OH ♪
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♪ BOY, YOU WRITE YOU NAME
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I CAN DO THE SAM
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OH, I LOVE THE TASTE
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LA, LA, LA, LA, LA, LA ♪
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♪ ALL ON MY TONGU
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I WANT IT ♪
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♪ BOY, YOU WRITE YOU NAME
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I CAN DO THE SAM
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OH, I LOVE THE TASTE
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LA, LA, LA, LA, LA, LA ♪
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♪ ALL ON MY TONGU
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I WANT IT ♪
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♪ I, I FEEL LIK
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CUFFIN' SOMETHIN
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BUT WE COULD
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BE CORNY, OKAY ♪
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♪ SUGAR, I AIN'
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NO DUMMY, DUMM
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I LIKE TO SAY,
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"WHAT IF?" ♪
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♪ BUT IF WE COULD KIS
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AND JUST CUT THE RUBBISH
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THEN I MIGHT B
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ONTO SOMETHIN' ♪
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♪ I AIN'T GIVIN' YO
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ONE IN PUBLI
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I'M GIVIN' YOU HUNDRED
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COME GET IT ♪
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♪ SOMETHIN' WE JUST
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GOTTA GET INTO ♪
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♪ SIGN FIRST, MIDDLE, LAS
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ON THE WISDOM TOOT
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AND THEY WISHIN' THA
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THE COOKIE WAS A KISSIN' BOOTH ♪
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♪ TASTE BREAKFAST, LUNCH,
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AND GIN AND JUICE ♪
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♪ AND THAT DINNER
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JUST LIKE DESSERT TO
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AND WHEN WE FRENCH
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REFRESH, GIMME TWO ♪
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♪ WHEN I BITE THAT LIP,
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COME GET ME TOO ♪
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♪ HE WANT LIPSTICK,
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LIP GLOSS,
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HICKEYS TOO, HUH
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♪ CAN YOU KISS ME MORE?
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WE'RE SO YOUNG
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BOY, WE AIN'T GO
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NOTHIN' TO LOSE ♪
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♪ UH-OH
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IT'S JUST PRINCIPLE ♪
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♪ BABY, HOLD ME
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'CAUSE I LIK
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THE WAY WE MOV
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UH-OH ♪
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♪ BOY, YOU WRITE YOU NAME
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I CAN DO THE SAM
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OH, I LOVE THE TASTE
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LA, LA, LA, LA, LA, LA ♪
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♪ ALL ON MY TONGU
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I WANT IT ♪
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♪ BOY, YOU WRITE YOU NAME
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I CAN DO THE SAM
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OH, I LOVE THE TASTE
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LA, LA, LA, LA, LA, LA ♪
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♪ ALL ON MY TONGU
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I WANT IT ♪
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♪ SAY GIVE ME A BUCK,
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NEED THAT GUSHY STUF
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PUSH THE LIMIT, NO
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YOU AIN'T GOOD ENOUG
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♪ ALL YOUR FELLAS SAY
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THAT YOU LOST WITHOUT ME
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ALL MY SHORTIES FEEL
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LIKE I DODGED THE COUNTY ♪
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♪ CUFFIN' WITH YO
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FEEL LIKE JAIL, BUDD
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I CAN'T EVEN
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EXHALE, BUDDY ♪
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♪ COOKIE LIKE HOLY GRAIL,
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YOU KNOW THA
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YOU GON' MAKE ME NEED BAIL
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YOU KNOW THAT ♪
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YOU AINT EVEN HALF MAN
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LYIN' ON YOU
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YOU KNOW THAT ♪
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♪ GOT ME A BA
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FULL OF BRICK,
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YOU KNOW THAT ♪
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♪ CONTROL, DON'T SLOW
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THE PACE IF
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THROW BACK ♪
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♪ ALL THIS CASH FOR REAL, A
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DRAMA MAKE YOU FEEL, A
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FANTASY AND WHIP APPEA
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IS ALL I CAN GIVE YOU ♪
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♪♪
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♪♪
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♪♪
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♪ CAN YOU KISS ME MORE?
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WE'RE SO YOUNG
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BOY, WE AIN'T GO
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NOTHIN' TO LOSE ♪
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♪ UH-OH
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IT'S JUST PRINCIPLE ♪
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♪ BABY, HOLD ME
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'CAUSE I LIK
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THE WAY Y MOVE
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UH-OH ♪
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♪ OH, DARLING ♪
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♪
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♪ BOY, YOU WRITE YOU NAME
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I CAN DO THE SAM
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OH, I LOVE THE TASTE
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OH, LA, LA, LA, LA, LA, LA ♪
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♪ ALL ON MY TONGU
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I WANT IT ♪
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♪ BOY, YOU WRITE YOU NAME
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I CAN DO THE SAM
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OH, I LOVE THE TASTE
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OH, LA, LA, LA, LA, LA, LA ♪
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♪ ALL ON MY TONGU
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I WANT IT ♪
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[ CHEERS AND APPLAUSE
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>> ANOTHER INCREDIBLE
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PERFORMANCE AND WE'RE ONLY TEN
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MINUTES IN, PEOPLE
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THANKS TO XFINITY FOR GIVING US
281
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A WAY BETTER WAY TO WATCH.
282
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NOW IT'S TIME FOR THE FIRST
283
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AWARD OF THE NIGHT
284
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HE'S AN AMAZING COMEDIAN AND THE
285
00:10:28,049 --> 00:10:38,169
HOST OF NBC'S SMALL FORTUNE,
286
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PLEASE WELCOME HOWIE
287
00:10:38,169 --> 00:10:40,090
>> HEY, WHAT'S GOING ON,
288
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EVERYBODY?
289
00:10:40,090 --> 00:10:42,029
THIS IS CRAZY.
290
00:10:40,090 --> 00:10:42,029
PEOPLE BE HAPPY, RIGHT
291
00:10:42,029 --> 00:10:45,250
I'M NOT MAKING THIS UP
292
00:10:42,029 --> 00:10:45,250
NOW, LOOK, I KNOW WHAT YOU'RE
293
00:10:45,250 --> 00:10:49,149
THINKING
294
00:10:45,250 --> 00:10:49,149
WHAT A YEAR IT HAS BEEN FOR ME
295
00:10:49,149 --> 00:10:54,169
I GOT GLENN CLOSE TO DO THE BUTT
296
00:10:49,149 --> 00:10:54,169
AT THE OSCARS, COME ON
297
00:10:54,169 --> 00:10:57,129
EVERYBODY SAYS NOW WHEN I DO THE
298
00:10:54,169 --> 00:10:57,129
AWARDS SHOWS THAT'S WHAT THEY
299
00:10:57,129 --> 00:11:00,279
WANT ME TO DO TO EVERYBODY
300
00:10:57,129 --> 00:11:00,279
IF I SEE BARBARA STRANGE, I'LL
301
00:11:00,279 --> 00:11:04,009
SEE IF SHE'LL DO THE TOOTSY
302
00:11:00,279 --> 00:11:04,009
ROLL
303
00:11:04,009 --> 00:11:06,080
WE'LL SEE WHAT HAPPENS
304
00:11:04,009 --> 00:11:06,080
I'M EXCITED BECAUSE I'M
305
00:11:06,080 --> 00:11:08,240
PRESENTING THE TOP 100 ARTISTS
306
00:11:06,080 --> 00:11:08,240
AT THE BILLBOARD MUSIC AWARDS!
307
00:11:08,240 --> 00:11:14,200
[ CHEERS AND APPLAUSE
308
00:11:08,240 --> 00:11:14,200
NOW, LOOK, NOT ONLY DID ALL FIVE
309
00:11:14,200 --> 00:11:17,220
OF THESE FINALISTS GIVE US SOME
310
00:11:14,200 --> 00:11:17,220
IS AMAZING MUSIC IN THE PAST
311
00:11:17,220 --> 00:11:21,129
YEAR, BUT I BEST BELIEVE GLENN
312
00:11:17,220 --> 00:11:21,129
CLOSE WAS DANCING ALSO
313
00:11:21,129 --> 00:11:23,200
EACH OF THESE ARTISTS ARE HERE
314
00:11:21,129 --> 00:11:23,200
AND -- LOOK, JUST SHOW THEM WHO
315
00:11:23,200 --> 00:11:27,139
IT IS.
316
00:11:23,200 --> 00:11:27,139
>> OKAY, THERE GO THAT BABY,
317
00:11:27,139 --> 00:11:30,000
HE'S BACK NOW.
318
00:11:27,139 --> 00:11:30,000
>> DaBABY.
319
00:11:30,000 --> 00:11:36,049
♪♪
320
00:11:30,000 --> 00:11:36,049
♪♪
321
00:11:36,049 --> 00:11:38,149
>> DRAKE
322
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♪♪
323
00:11:38,149 --> 00:11:49,000
♪♪
324
00:11:38,149 --> 00:11:49,000
>> DUA LIPA.
325
00:11:49,000 --> 00:11:55,090
♪♪
326
00:11:49,000 --> 00:11:55,090
♪♪
327
00:11:55,090 --> 00:11:57,289
>> POP SMOKE
328
00:11:55,090 --> 00:11:57,289
♪♪
329
00:11:57,289 --> 00:12:09,100
♪♪
330
00:11:57,289 --> 00:12:09,100
>> THE WEEKND.
331
00:12:09,100 --> 00:12:18,269
♪♪
332
00:12:09,100 --> 00:12:18,269
♪♪
333
00:12:18,269 --> 00:12:23,049
>> ALL RIGHT
334
00:12:18,269 --> 00:12:23,049
AND THE BILLBOARD MUSIC AWARD
335
00:12:23,049 --> 00:12:27,009
GOES TO THE WEEKND
336
00:12:23,049 --> 00:12:27,009
♪♪
337
00:12:27,009 --> 00:12:41,159
[ APPLAUSE ]
338
00:12:27,009 --> 00:12:41,159
>> THANK YOU
339
00:12:41,159 --> 00:12:46,259
THANK YOU.
340
00:12:41,159 --> 00:12:46,259
UM, FIRST AND FOREMOST, I'D LIKE
341
00:12:46,259 --> 00:12:50,159
TO THANK MY FELLOW NOMINEES.
342
00:12:46,259 --> 00:12:50,159
IT'S BEEN A DARK YEAR AND YOU
343
00:12:50,159 --> 00:12:54,090
BROUGHT LIGHT AND ESCAPE WITH
344
00:12:50,159 --> 00:12:54,090
YOUR MUSIC, GENIUS, BRILLIANCE,
345
00:12:54,090 --> 00:12:59,070
AND YOU DESERVE THIS AWARD JUST
346
00:12:54,090 --> 00:12:59,070
AS MUCH AS I DO, IF NOT MORE
347
00:12:59,070 --> 00:13:03,240
I WANT TO THANK MY TEAM, LAMAR,
348
00:12:59,070 --> 00:13:03,240
CASH, SAL, WOULD NOT BE HERE
349
00:13:03,240 --> 00:13:08,250
WITHOUT THEM
350
00:13:03,240 --> 00:13:08,250
I'D LIKE TO THANK MY FANS, OF
351
00:13:08,250 --> 00:13:09,149
COURSE
352
00:13:08,250 --> 00:13:09,149
GIVE IT UP FOR MY FANS
353
00:13:09,149 --> 00:13:14,080
[ CHEERS AND APPLAUSE
354
00:13:09,149 --> 00:13:14,080
I'D LIKE TO THANK MY FAMILY BACK
355
00:13:14,080 --> 00:13:19,190
HOME IN TORONTO.
356
00:13:14,080 --> 00:13:19,190
AND, YEAH, I'D LIKE TO THANK GOD
357
00:13:19,190 --> 00:13:20,190
THAT I DON'T HAVE TO WEAR THAT
358
00:13:19,190 --> 00:13:20,190
RED SUIT ANY MORE.
359
00:13:20,190 --> 00:13:25,269
THANK YOU.
360
00:13:20,190 --> 00:13:25,269
[ APPLAUSE ]
361
00:13:25,269 --> 00:13:29,159
>> COMING UP NEXT, TWENTY ONE
362
00:13:25,269 --> 00:13:29,159
PILOTS
363
00:13:29,159 --> 00:13:41,149
THEN LATER PERFORMANCES BY
364
00:13:29,159 --> 00:13:41,149
ALICIA KEYS, AJR
365
00:13:41,149 --> 00:13:45,139
[ CHEERS AND APPLAUSE
366
00:13:41,149 --> 00:13:45,139
>>> WELCOME BACK
367
00:13:45,139 --> 00:13:48,230
OUR NEXT PERFORMERS HAVE WON
368
00:13:45,139 --> 00:13:48,230
SEVEN BILLBOARD MUSIC AWARDS AND
369
00:13:48,230 --> 00:13:50,289
ARE MULTIPLE FINALISTS THIS
370
00:13:48,230 --> 00:13:50,289
YEAR
371
00:13:50,289 --> 00:13:53,220
THEIR NEW SONG, "SHY AWAY," IS
372
00:13:50,289 --> 00:13:53,220
ABOUT AN OLDER BROTHER'S ADVICE
373
00:13:53,220 --> 00:14:02,129
TO A YOUNGER BROTHER
374
00:13:53,220 --> 00:14:02,129
SOMETHING I KNOW A LITTLE ABOUT.
375
00:14:02,129 --> 00:14:14,139
AND HERE WITH "SHY AWAY,"
376
00:14:02,129 --> 00:14:14,139
WELCOME 21 PILOTS.
377
00:14:14,139 --> 00:14:15,169
♪♪
378
00:14:14,139 --> 00:14:15,169
♪♪
379
00:14:15,169 --> 00:14:17,070
♪♪
380
00:14:15,169 --> 00:14:17,070
♪ WHEN I GET HOME
381
00:14:17,070 --> 00:14:22,059
YOU BETTER NOT BE THER
382
00:14:17,070 --> 00:14:22,059
WE'RE PLACING BETS YOU
383
00:14:22,059 --> 00:14:27,049
WON'T SHED YOUR MODESTY ♪
384
00:14:22,059 --> 00:14:27,049
♪ AND THE ONLY THING TO
385
00:14:27,049 --> 00:14:30,149
LEAVE BEHIND I
386
00:14:27,049 --> 00:14:30,149
YOUR OWN SKI
387
00:14:30,149 --> 00:14:33,240
ON THE FLOOR ♪
388
00:14:30,149 --> 00:14:33,240
♪ DON'T YOU
389
00:14:33,240 --> 00:14:36,169
SHY AWAY
390
00:14:33,240 --> 00:14:36,169
AH
391
00:14:36,169 --> 00:14:39,110
MANIFEST A CEILING ♪
392
00:14:36,169 --> 00:14:39,110
♪ WHEN YOU SHY AWAY
393
00:14:39,110 --> 00:14:43,059
AH
394
00:14:39,110 --> 00:14:43,059
SEARCHING FOR THAT FEELING
395
00:14:43,059 --> 00:14:47,190
JUST LIKE AN I LOVE YOU ♪
396
00:14:43,059 --> 00:14:47,190
♪ OOH OOH
397
00:14:47,190 --> 00:14:49,080
THAT ISN'T WORDS
398
00:14:47,190 --> 00:14:49,080
OH O
399
00:14:49,080 --> 00:14:52,169
LIKE A SONG HE WROTE ♪
400
00:14:49,080 --> 00:14:52,169
♪ THAT'S NEVER HEAR
401
00:14:52,169 --> 00:14:54,070
DON'T YOU ♪
402
00:14:52,169 --> 00:14:54,070
♪♪
403
00:14:54,070 --> 00:15:03,190
♪♪
404
00:14:54,070 --> 00:15:03,190
♪♪
405
00:15:03,190 --> 00:15:07,149
♪ WHEN YOU GET HOME
406
00:15:03,190 --> 00:15:07,149
YOU BARELY RECOGNIZE
407
00:15:07,149 --> 00:15:10,080
THE PICTURES THE
408
00:15:07,149 --> 00:15:10,080
PUT IN A FRAME ♪
409
00:15:10,080 --> 00:15:14,039
♪ CAUSE YOU SHE
410
00:15:10,080 --> 00:15:14,039
YOUR MODESTY
411
00:15:14,039 --> 00:15:18,159
DON'T CIRCLE THE TRACK
412
00:15:14,039 --> 00:15:18,159
TAKE WHAT YOU HAVE ♪
413
00:15:18,159 --> 00:15:21,090
♪ AND LEAVE YOUR SKIN
414
00:15:18,159 --> 00:15:21,090
ON THE FLOOR
415
00:15:21,090 --> 00:15:23,149
DON'T YO
416
00:15:21,090 --> 00:15:23,149
SHY AWAY ♪
417
00:15:23,149 --> 00:15:26,250
♪ A
418
00:15:23,149 --> 00:15:26,250
MANIFEST A CEILING
419
00:15:26,250 --> 00:15:30,039
WHEN YOU SHY AWA
420
00:15:26,250 --> 00:15:30,039
AH ♪
421
00:15:30,039 --> 00:15:33,129
♪ SEARCHING FOR THAT FEELIN
422
00:15:30,039 --> 00:15:33,129
JUST LIKE AN I LOVE YO
423
00:15:33,129 --> 00:15:36,070
OOH OO
424
00:15:33,129 --> 00:15:36,070
THAT ISN'T WORDS ♪
425
00:15:36,070 --> 00:15:39,159
♪ OH OH
426
00:15:36,070 --> 00:15:39,159
LIKE A SONG HE WROTE
427
00:15:39,159 --> 00:15:45,019
THAT'S NEVER HEARD
428
00:15:39,159 --> 00:15:45,019
WHEN I GET HOME ♪
429
00:15:45,019 --> 00:15:47,250
♪ BOY YOU BETTE
430
00:15:45,019 --> 00:15:47,250
NOT BE THERE
431
00:15:47,250 --> 00:15:53,269
YOU'RE LONG GONE
432
00:15:47,250 --> 00:15:53,269
SHED YOUR MODESTY ♪
433
00:15:53,269 --> 00:15:56,190
♪ DON'T CIRCLE THE TRAC
434
00:15:53,269 --> 00:15:56,190
JUST BREAK THE
435
00:15:56,190 --> 00:15:59,120
CYCLE IN HAL
436
00:15:56,190 --> 00:15:59,120
AND LEAVE YOUR SKIN ♪
437
00:15:59,120 --> 00:16:05,000
♪ ON THE FLOO
438
00:15:59,120 --> 00:16:05,000
DON'T YO
439
00:16:05,000 --> 00:16:16,190
SHY AWAY
440
00:16:05,000 --> 00:16:16,190
AH ♪
441
00:16:16,190 --> 00:16:18,080
SEARCHING FOR THAT FEELING ♪
442
00:16:16,190 --> 00:16:18,080
♪ JUST LIKE AN I LOVE YOU
443
00:16:18,080 --> 00:16:19,279
OOH OO
444
00:16:18,080 --> 00:16:19,279
THAT ISN'T WORDS
445
00:16:19,279 --> 00:16:21,179
OOH OOH ♪
446
00:16:19,279 --> 00:16:21,179
♪ LIKE A SONG HE WROT
447
00:16:21,179 --> 00:16:30,049
THAT'S NEVER HEARD
448
00:16:21,179 --> 00:16:30,049
NO, IT'S NEVER HEARD ♪
449
00:16:30,049 --> 00:16:33,139
♪♪
450
00:16:30,049 --> 00:16:33,139
♪♪
451
00:16:33,139 --> 00:16:36,230
♪♪
452
00:16:33,139 --> 00:16:36,230
♪ AN I LOVE YOU
453
00:16:36,230 --> 00:16:41,070
THAT ISN'T WORDS
454
00:16:36,230 --> 00:16:41,070
LIKE A SONG HE WROTE
455
00:16:41,070 --> 00:16:47,090
THAT'S NEVER HEARD ♪
456
00:16:41,070 --> 00:16:47,090
♪ DON'T YOU SHY AWAY ♪
457
00:16:47,090 --> 00:16:50,289
♪♪
458
00:16:47,090 --> 00:16:50,289
♪♪
459
00:16:50,289 --> 00:16:52,259
WE GOT A NEW ALBUM
460
00:16:50,289 --> 00:16:52,259
IT'S OUT NOW
461
00:16:52,259 --> 00:16:56,100
GO CHECK IT OUT.
462
00:16:52,259 --> 00:16:56,100
♪♪
463
00:16:56,100 --> 00:17:13,039
[ CHEERS AND APPLAUSE
464
00:16:56,100 --> 00:17:13,039
>> Announcer: SHE'S AN ACTRESS,
465
00:17:13,039 --> 00:17:15,259
AN ACTIVIST, AND AN AUTHOR, WITH
466
00:17:13,039 --> 00:17:15,259
A NEW BOOK "SHADY BABY."
467
00:17:15,259 --> 00:17:18,160
PLEASE WELCOME GABRIELLE UNION
468
00:17:19,220 --> 00:17:22,150
>> THE BILLBOARD AWARD FOR TOP
469
00:17:19,220 --> 00:17:22,150
SELLING SONG WAS FIRST GIVEN
470
00:17:22,150 --> 00:17:25,240
IN 2016.
471
00:17:22,150 --> 00:17:25,240
AMONG THE PAST WINNERS ARE NAMES
472
00:17:25,240 --> 00:17:30,069
LIKE ADELE, LUIS FONSI,
473
00:17:25,240 --> 00:17:30,069
MAROON 5, AND LIL NAS X.
474
00:17:30,069 --> 00:17:33,160
IT JUST SHOWS THAT THIS AWARD
475
00:17:30,069 --> 00:17:33,160
AND THE ARTISTS IT HONORS COME
476
00:17:33,160 --> 00:17:35,049
FROM EVERY TYPE AND STYLE OF
477
00:17:33,160 --> 00:17:35,049
MUSIC.
478
00:17:35,049 --> 00:17:36,220
HERE ARE THIS YEAR'S FINALISTS
479
00:17:38,150 --> 00:17:40,210
>> Announcer: GABBY BARRETT
480
00:17:38,150 --> 00:17:40,210
FEATURING CHARLIE PUTH --
481
00:17:40,210 --> 00:17:49,099
"I HOPE.
482
00:17:40,210 --> 00:17:49,099
♪♪
483
00:17:49,099 --> 00:17:58,289
BTS -- "DYNAMITE."
484
00:17:49,099 --> 00:17:58,289
♪♪
485
00:17:58,289 --> 00:18:02,250
CARDI B FEATURING
486
00:17:58,289 --> 00:18:02,250
MEGAN THEE STALLION -- "WAP.
487
00:18:02,250 --> 00:18:11,089
♪♪
488
00:18:02,250 --> 00:18:11,089
MEGAN THEE STALLION FEATURING
489
00:18:11,089 --> 00:18:20,000
BEYONCE -- "SAVAGE."
490
00:18:11,089 --> 00:18:20,000
♪♪
491
00:18:20,000 --> 00:18:29,000
THE WEEKND -- "BLINDING LIGHTS."
492
00:18:20,000 --> 00:18:29,000
♪♪
493
00:18:29,000 --> 00:18:39,269
>> AND THE BILLBOARD MUSIC AWARD
494
00:18:29,000 --> 00:18:39,269
GOES TO --
495
00:18:39,269 --> 00:18:44,109
"DYNAMITE" - BTS
496
00:18:39,269 --> 00:18:44,109
[ CHEERS AND APPLAUSE
497
00:18:44,109 --> 00:18:49,099
THIS HAS ALREADY BEEN A BIG
498
00:18:44,109 --> 00:18:49,099
NIGHT FOR BTS.
499
00:18:49,099 --> 00:18:55,019
THEY WON TOP DUO GROUP
500
00:18:49,099 --> 00:18:55,019
LET'S HEAD TO SEOUL, SOUTH
501
00:18:55,019 --> 00:18:58,150
KOREA, FOR BTS
502
00:18:55,019 --> 00:18:58,150
>> WE ARE BTS.
503
00:18:58,150 --> 00:19:01,200
THANK YOU FOR THE TOP-SELLING
504
00:18:58,150 --> 00:19:01,200
SONG AWARD, WHICH IS AMAZING AND
505
00:19:01,200 --> 00:19:03,150
HUGE
506
00:19:01,200 --> 00:19:03,150
IT'S REALLY AN HONOR TO BE THE
507
00:19:03,150 --> 00:19:06,099
WINNER OF SUCH A SIGNIFICANT
508
00:19:03,150 --> 00:19:06,099
TITLE.
509
00:19:06,099 --> 00:19:11,099
WE WANT TO SHARE SOME FRESH
510
00:19:06,099 --> 00:19:11,099
ENERGY WITH EVERYONE THROUGH
511
00:19:11,099 --> 00:19:14,019
"DYNAMITE.
512
00:19:11,099 --> 00:19:14,019
WE THINK THIS AWARD, WE ACHIEVED
513
00:19:14,019 --> 00:19:16,210
THAT GOAL.
514
00:19:14,019 --> 00:19:16,210
A BIG THANK YOU, I LOVE YOU, AND
515
00:19:16,210 --> 00:19:19,079
BLESS.
516
00:19:16,210 --> 00:19:19,079
>> THANK YOU FOR LOVING OUR
517
00:19:19,079 --> 00:19:21,230
MUSIC.
518
00:19:19,079 --> 00:19:21,230
THANK YOU FOR THE AWARD WE WON
519
00:19:21,230 --> 00:19:22,180
>> THANK YOU
520
00:19:21,230 --> 00:19:22,180
>> THANK YOU
521
00:19:22,180 --> 00:19:28,279
>> THANK YOU
522
00:19:22,180 --> 00:19:28,279
>> UP NEXT, 20 YEARS AFTER SONGS
523
00:19:28,279 --> 00:19:33,289
IN A-MINOR, ALICIA KEYS TAKES
524
00:19:28,279 --> 00:19:33,289
THE STAGE TO PERFORM FROM THE
525
00:19:33,289 --> 00:19:37,039
LEGENDARY ALBUM.
526
00:19:33,289 --> 00:19:37,039
THIN LATER AJR, PINK, AND THE
527
00:19:37,039 --> 00:19:47,200
TO
528
00:19:37,039 --> 00:19:47,200
[ CHEERS AND APPLAUSE
529
00:19:47,200 --> 00:19:51,279
>>> WE'RE HERE AT THE 2020 -- 21
530
00:19:47,200 --> 00:19:51,279
BILLBOARD MUSIC AWARDS
531
00:19:51,279 --> 00:19:58,269
IT IS SO GOOD TO HEAR AN
532
00:19:51,279 --> 00:19:58,269
AUDIENCE AGAIN
533
00:19:58,269 --> 00:20:02,240
WHEN SHE WAS ONLY 19, ALICIA
534
00:19:58,269 --> 00:20:02,240
KEYS INTRODUCED HER SELF TO THE
535
00:20:02,240 --> 00:20:12,099
WORLD WITH THE RELEASE OF HER
536
00:20:02,240 --> 00:20:12,099
FIRST ALBUM, "SONGS IN A MINOR.
537
00:20:12,099 --> 00:20:17,200
IT PUT HER ON THE MAP.
538
00:20:12,099 --> 00:20:17,200
IT WAS THE FIRST STOP ON HER
539
00:20:17,200 --> 00:20:20,130
REMARKABLE JOURNEY
540
00:20:17,200 --> 00:20:20,130
SINCE HER RIDE, ALICIA KEYS HAS
541
00:20:20,130 --> 00:20:23,160
DEDICATED HERSELF TO MAKING A
542
00:20:20,130 --> 00:20:23,160
DIFFERENCE BEYOND THE STAGE AND
543
00:20:23,160 --> 00:20:27,220
HER POWERFUL MUSIC AND ACTIVISM
544
00:20:23,160 --> 00:20:27,220
HAVE INSPIRED SO MANY PEOPLE
545
00:20:27,220 --> 00:20:29,240
AROUND THE WORLD
546
00:20:27,220 --> 00:20:29,240
LET'S TAKE A LOOK AT THE ARTIST
547
00:20:29,240 --> 00:20:36,000
AND THE ALBUM THAT STARTED IT
548
00:20:29,240 --> 00:20:36,000
ALL.
549
00:20:36,000 --> 00:20:40,130
>> Announcer: THE FIRST TIME YOU
550
00:20:36,000 --> 00:20:40,130
HEARD "FALLIN'" FROM 2001'S
551
00:20:40,130 --> 00:20:50,230
"SONGS IN A MINOR," IT WAS
552
00:20:40,130 --> 00:20:50,230
INSTANTLY YOU KNEW IT WAS A
553
00:20:50,230 --> 00:20:53,289
SOUND LIKE YOU HAD NOT HEARD
554
00:20:50,230 --> 00:20:53,289
BEFORE
555
00:20:53,289 --> 00:20:58,269
IT EARNED A SPOT ON THE HIT
556
00:20:53,289 --> 00:20:58,269
SONGS OF THE DECADE.
557
00:20:58,269 --> 00:21:02,079
SHE INSPIRED AN UNFORGETTABLE
558
00:20:58,269 --> 00:21:02,079
CULTURAL WAVE.
559
00:21:02,079 --> 00:21:08,069
SHE IS THE NUMBER ONE RRIA
560
00:21:02,079 --> 00:21:08,069
CERTIFIEDER FEMALE ARTIST OF THE
561
00:21:08,069 --> 00:21:10,210
MILLENNIUM
562
00:21:08,069 --> 00:21:10,210
THE EMBODIMENT OF INNOVATION,
563
00:21:10,210 --> 00:21:13,089
VERSATILITY, CONNECTION,
564
00:21:10,210 --> 00:21:13,089
HUMILITY, CREATIVITY, STRENGTH
565
00:21:13,089 --> 00:21:18,210
AND COMPASSION
566
00:21:13,089 --> 00:21:18,210
>> I REMEMBER WHAT IT FELT LIKE
567
00:21:18,210 --> 00:21:22,160
TO HEAR THE SONG "FALLEN" FOR
568
00:21:18,210 --> 00:21:22,160
THE FIRST TIME
569
00:21:22,160 --> 00:21:28,180
IT WAS EDGY AND SOULFUL,
570
00:21:22,160 --> 00:21:28,180
GRACEFUL YET RAW
571
00:21:28,180 --> 00:21:33,119
THIS YOUNG SINGER WAS TAKING US
572
00:21:28,180 --> 00:21:33,119
TO CHURCH AND TO THE SYMPHONY
573
00:21:33,119 --> 00:21:37,140
AND TO A CANDLE LIGHT DINNER AND
574
00:21:33,119 --> 00:21:37,140
COUPLES THERAPY AND EVERYWHERE
575
00:21:37,140 --> 00:21:40,099
ELSE, ALL IN A LITTLE MORE THAN
576
00:21:37,140 --> 00:21:40,099
THREE MINUTES.
577
00:21:40,099 --> 00:21:44,039
I KNEW RIGHT THEN AND THERE THAT
578
00:21:40,099 --> 00:21:44,039
THIS WOULDN'T BE THE LAST WE'D
579
00:21:44,039 --> 00:21:48,109
HEAR FROM ALICIA KEYS.
580
00:21:44,039 --> 00:21:48,109
AND IN THE YEARS SINCE, SHE'S
581
00:21:48,109 --> 00:21:52,190
AMAZED US AGAIN AND AGAIN IN SO
582
00:21:48,109 --> 00:21:52,190
MANY WAYS.
583
00:21:52,190 --> 00:21:56,059
ALICIA IS NOT JUST AN ARTIST
584
00:21:52,190 --> 00:21:56,059
SHE'S ALSO AN ADVOCATE FOR WOMEN
585
00:21:56,059 --> 00:22:01,089
AND FAMILIES AROUND THE WORLD.
586
00:21:56,059 --> 00:22:01,089
A LEADER ON SOCIAL JUSTICE
587
00:22:01,089 --> 00:22:01,220
A WIFE
588
00:22:01,089 --> 00:22:01,220
A MENTOR
589
00:22:01,220 --> 00:22:09,000
A MOTHER
590
00:22:01,220 --> 00:22:09,000
BUT MOST OF ALL, SHE IS HERSELF,
591
00:22:09,000 --> 00:22:14,029
ALWAYS THOUGHTFUL, ALWAYS
592
00:22:09,000 --> 00:22:14,029
HOPEFUL, ALWAYS ALICIA
593
00:22:14,029 --> 00:22:20,000
AND IN BEARING HER TRUE SELF,
594
00:22:14,029 --> 00:22:20,000
SHE CALLS US ALL TO DO THE SAME
595
00:22:20,000 --> 00:22:23,250
IN OUR OWN LIVES, AND FOR EACH
596
00:22:20,000 --> 00:22:23,250
OTHER.
597
00:22:23,250 --> 00:22:26,240
ALICIA, YOU ARE SUCH A SHINING
598
00:22:23,250 --> 00:22:26,240
LIGHT.
599
00:22:26,240 --> 00:22:31,250
SUCH A SINGULAR FORCE.
600
00:22:26,240 --> 00:22:31,250
YOU INSPIRE ME AND MY DAUGHTERS
601
00:22:31,250 --> 00:22:34,150
AND MILLIONS OF FANS ALL AROUND
602
00:22:31,250 --> 00:22:34,150
THE WORLD.
603
00:22:34,150 --> 00:22:39,140
AND THAT'S WHY I COULDN'T BE
604
00:22:34,150 --> 00:22:39,140
MORE EXCITED TO INTRODUCE TO YOU
605
00:22:39,140 --> 00:22:42,160
ALL THE ONE AND ONLY ALICIA
606
00:22:39,140 --> 00:22:42,160
KEYS
607
00:22:42,160 --> 00:22:55,279
[ CHEERS AND APPLAUSE
608
00:22:42,160 --> 00:22:55,279
♪♪
609
00:22:55,279 --> 00:23:00,099
>> DO YOU KNOW MY NAME
610
00:22:55,279 --> 00:23:00,099
DO YOU KNOW MY NAME.
611
00:23:00,099 --> 00:23:06,119
ALWAYS GOT TO TRY.
612
00:23:00,099 --> 00:23:06,119
NO MATTER HOW LONG THAT TAKE
613
00:23:06,119 --> 00:23:13,009
YEAH YEAH.
614
00:23:06,119 --> 00:23:13,009
THIS IS AMAZING.
615
00:23:13,009 --> 00:23:18,160
♪♪
616
00:23:13,009 --> 00:23:18,160
>> SO MUCH IS DIFFERENT.
617
00:23:18,160 --> 00:23:25,059
BUT SO MUCH OF ME IS STILL THE
618
00:23:18,160 --> 00:23:25,059
SAME
619
00:23:25,059 --> 00:23:30,049
AND I REMEMBER WHEN THEY DOUBTED
620
00:23:25,059 --> 00:23:30,049
ME
621
00:23:30,049 --> 00:23:32,109
THEY MIGHT DOUBT YOU TOO, BUT WE
622
00:23:30,049 --> 00:23:32,109
GON FLIP IT.
623
00:23:32,109 --> 00:23:40,059
♪♪
624
00:23:32,109 --> 00:23:40,059
AND NOW I GOT ALL THIS WISDOM
625
00:23:40,059 --> 00:23:46,279
AND I'M NEVER LEAVING THE KEYS
626
00:23:40,059 --> 00:23:46,279
CAUSE I KNOW MY WORTH NOW.
627
00:23:46,279 --> 00:23:51,269
WE KNOW OUR WORTH NOW.
628
00:23:46,279 --> 00:23:51,269
SING
629
00:23:51,269 --> 00:23:54,190
♪ CAUSE A REAL MA
630
00:23:51,269 --> 00:23:54,190
KNOWS A REAL WOMAN
631
00:23:54,190 --> 00:23:59,029
WHEN HE SEES HER
632
00:23:54,190 --> 00:23:59,029
AND A REAL WOMAN ♪
633
00:23:59,029 --> 00:24:03,150
♪ KNOWS A REAL MA
634
00:23:59,029 --> 00:24:03,150
AIN'T AFRAID TO PLEASE HER
635
00:24:03,150 --> 00:24:07,109
AND A REAL WOMAN
636
00:24:03,150 --> 00:24:07,109
KNOWS A REAL MAN ♪
637
00:24:07,109 --> 00:24:11,240
♪ ALWAYS COMES FIRS
638
00:24:07,109 --> 00:24:11,240
AND A REAL MAN
639
00:24:11,240 --> 00:24:19,079
JUST CAN'T DEN
640
00:24:11,240 --> 00:24:19,079
A WOMAN'S WORTH ♪
641
00:24:19,079 --> 00:24:31,029
YEAH, UM-HMM
642
00:24:19,079 --> 00:24:31,029
NA-NA-NA
643
00:24:31,029 --> 00:24:41,009
YOU GOT TO SHOW US YOUR POWER
644
00:24:31,029 --> 00:24:41,009
♪♪
645
00:24:41,009 --> 00:24:45,210
>> SEE THE THING ABOUT WHEN YOU
646
00:24:41,009 --> 00:24:45,210
KNOW YOUR WORTH.
647
00:24:45,210 --> 00:24:49,039
CAN'T NOBODY TAKE IT FROM YOU.
648
00:24:45,210 --> 00:24:49,039
SO EVEN WHEN YOU ON THE PHONE
649
00:24:49,039 --> 00:24:53,140
CALLING THAT PERSON YOU LIKE AND
650
00:24:49,039 --> 00:24:53,140
IT'S RINGING --
651
00:24:53,140 --> 00:24:56,150
[ PHONE RINGS
652
00:24:53,140 --> 00:24:56,150
YOU'RE WONDERING, WAIT, ARE THEY
653
00:24:56,150 --> 00:25:00,200
GOING TO PICK UP THE PHONE
654
00:24:56,150 --> 00:25:00,200
YOU'RE NOT PICKING UP THE PHONE
655
00:25:00,200 --> 00:25:06,109
FOR ME
656
00:25:00,200 --> 00:25:06,109
♪ U
657
00:25:06,109 --> 00:25:11,259
I KEEP YOUR PICTUR
658
00:25:06,109 --> 00:25:11,259
BESIDE MY BED MM
659
00:25:11,259 --> 00:25:15,049
I STILL REMEMBER ♪
660
00:25:11,259 --> 00:25:15,049
♪ EVERYTHIN
661
00:25:15,049 --> 00:25:21,069
YOU SAID MMM
662
00:25:15,049 --> 00:25:21,069
HEY YEAH
663
00:25:21,069 --> 00:25:24,000
ALWAYS THOUGHT OUR LOVE ♪
664
00:25:21,069 --> 00:25:24,000
♪ WAS SO RIGH
665
00:25:24,000 --> 00:25:32,089
I GUESS I WAS WRON
666
00:25:24,000 --> 00:25:32,089
ALWAYS THOUGHT YOU'D B
667
00:25:32,089 --> 00:25:36,049
BY MY SIDE PAPA ♪
668
00:25:32,089 --> 00:25:36,049
♪ NOW YOU'RE GONE
669
00:25:36,049 --> 00:25:40,009
AND I'M NOT TRYN
670
00:25:36,049 --> 00:25:40,009
HEAR THA
671
00:25:40,009 --> 00:25:46,029
ALL I WANT TO KNOW BABY ♪
672
00:25:40,009 --> 00:25:46,029
♪ IF WHAT WE HAD WAS GOOD
673
00:25:46,029 --> 00:25:51,019
HOW COME YOU DON'T CALL ME
674
00:25:46,029 --> 00:25:51,019
HE
675
00:25:51,019 --> 00:25:55,150
HOW COME YOU DON'T CALL ME ♪
676
00:25:51,019 --> 00:25:55,150
♪ OH NO N
677
00:25:55,150 --> 00:26:02,200
HOW COME YOU DON'T CALL ME
678
00:25:55,150 --> 00:26:02,200
CALL ME BABY ANYMORE
679
00:26:02,200 --> 00:26:16,079
CALL ME NO MORE ♪
680
00:26:02,200 --> 00:26:16,079
♪ JUST SPEAK YOUR TRUTH
681
00:26:16,079 --> 00:26:31,099
♪♪
682
00:26:16,079 --> 00:26:31,099
♪♪
683
00:26:31,099 --> 00:26:39,250
♪ I KEEP ON FALLIN'
684
00:26:31,099 --> 00:26:39,250
IN AND OUT OF LOVE
685
00:26:39,250 --> 00:26:48,210
WITH YOU ♪
686
00:26:39,250 --> 00:26:48,210
♪ SOMETIMES I LOVE YA
687
00:26:48,210 --> 00:26:56,130
SOMETIMES YOU MAKE ME BLUE
688
00:26:48,210 --> 00:26:56,130
SOMETIMES I FEEL GOO
689
00:26:56,130 --> 00:27:04,049
AT TIMES I FEEL USED ♪
690
00:26:56,130 --> 00:27:04,049
♪ LOVIN' YOU DARLIN
691
00:27:04,049 --> 00:27:10,059
MAKES ME SO CONFUSED
692
00:27:04,049 --> 00:27:10,059
I KEEP ON FALLIN
693
00:27:10,059 --> 00:27:17,130
IN AND OUT ♪
694
00:27:10,059 --> 00:27:17,130
♪ OF LOVE WITH YO
695
00:27:17,130 --> 00:27:21,250
I NEVER LOVED SOMEON
696
00:27:17,130 --> 00:27:21,250
THE WAY THAT I
697
00:27:21,250 --> 00:27:31,049
LOVE YOU ♪
698
00:27:21,250 --> 00:27:31,049
♪ NOW BABY ♪
699
00:27:31,049 --> 00:27:38,099
I'M I'M I'M I'M FALLIN
700
00:27:31,049 --> 00:27:38,099
I'M I'M I'M I'M FALLIN
701
00:27:38,099 --> 00:27:56,170
FALL ♪
702
00:27:38,099 --> 00:27:56,170
♪ I KEEP ON FALLIN'
703
00:27:56,170 --> 00:28:01,000
♪ I KEEP ON FALLIN'
704
00:27:56,170 --> 00:28:01,000
IN AND OUT
705
00:28:01,000 --> 00:28:08,220
OF LOVE WITH YOU
706
00:28:01,000 --> 00:28:08,220
I NEVER LOVED SOMEONE ♪
707
00:28:08,220 --> 00:28:17,000
♪ THE WAY THAT I LOVE YOU
708
00:28:08,220 --> 00:28:17,000
I'M FALLIN' IN AND OUT
709
00:28:17,000 --> 00:28:23,240
OF LOVE WITH YOU
710
00:28:17,000 --> 00:28:23,240
I NEVER LOVED SOMEONE ♪
711
00:28:23,240 --> 00:28:30,160
♪ THE WAY THAT
712
00:28:23,240 --> 00:28:30,160
LOVE YOU ♪
713
00:28:30,160 --> 00:28:35,069
P
714
00:28:30,160 --> 00:28:35,069
[ CHEERS AND APPLAUSE
715
00:28:35,069 --> 00:28:38,140
>> Announcer: AND NOW, FROM
716
00:28:35,069 --> 00:28:38,140
"GIRLS5EVA" ON PEACOCK, PLEASE
717
00:28:38,140 --> 00:28:45,190
WELCOME, TONY AWARD WINNING
718
00:28:38,140 --> 00:28:45,190
ACTRESS, RENEE ELISE GOLDSBERRY.
719
00:28:45,190 --> 00:28:48,109
>> EACH OF THESE ARTISTS HAVE
720
00:28:45,190 --> 00:28:48,109
BROKEN BILLBOARD 200 RECORDS
721
00:28:48,109 --> 00:28:51,210
WITH CHART-TOPPING HITS.
722
00:28:48,109 --> 00:28:51,210
THEIR INCREDIBLE MUSIC HAS
723
00:28:51,210 --> 00:28:55,180
SHAPED COUNTRY MUSIC, PUSHING IT
724
00:28:51,210 --> 00:28:55,180
IN NEW DIRECTIONS.
725
00:28:55,180 --> 00:29:00,150
HERE ARE THE FINALISTS FOR
726
00:28:55,180 --> 00:29:00,150
TOP COUNTRY FEMALE ARTIST.
727
00:29:00,150 --> 00:29:11,119
>> Announcer: GABBY BARRETT.
728
00:29:00,150 --> 00:29:11,119
♪♪
729
00:29:11,119 --> 00:29:24,029
MAREN MORRIS
730
00:29:11,119 --> 00:29:24,029
♪♪
731
00:29:24,029 --> 00:29:37,009
CARRIE UNDERWOOD
732
00:29:24,029 --> 00:29:37,009
♪♪
733
00:29:37,009 --> 00:29:47,170
>> AND THE BILLBOARD MUSIC AWARD
734
00:29:37,009 --> 00:29:47,170
GOES TO --
735
00:29:47,170 --> 00:30:00,119
GABBY BARRETT.
736
00:29:47,170 --> 00:30:00,119
♪♪
737
00:30:00,119 --> 00:30:11,140
♪♪
738
00:30:00,119 --> 00:30:11,140
♪ HE'S ONE OF THE GOOD ONES ♪
739
00:30:11,140 --> 00:30:17,250
♪ AND HE'S ALL MINE ♪
740
00:30:11,140 --> 00:30:17,250
>> THANK YOU SO MUCH
741
00:30:17,250 --> 00:30:21,049
OH, MY GOSH!
742
00:30:17,250 --> 00:30:21,049
I'M GOING TO TRY TO KEEP IT
743
00:30:21,049 --> 00:30:24,119
TOGETHER THE BEST I CAN.
744
00:30:21,049 --> 00:30:24,119
OKAY, OH, MY GOSH.
745
00:30:24,119 --> 00:30:28,099
THIS IS A REALLY BIG DEAL.
746
00:30:24,119 --> 00:30:28,099
THANK Y'ALL SO MUCH.
747
00:30:28,099 --> 00:30:32,220
THIS MEANS SO MUCH TO ME
748
00:30:28,099 --> 00:30:32,220
[ CHEERS AND APPLAUSE
749
00:30:32,220 --> 00:30:36,000
IT MEANS SO MUCH TO ME
750
00:30:32,220 --> 00:30:36,000
THANK YOU SO MUCH TO MY TEAM
751
00:30:36,000 --> 00:30:39,000
I'VE BEEN PERFORMING FOR TEN
752
00:30:36,000 --> 00:30:39,000
YEARS REALLY HARD.
753
00:30:39,000 --> 00:30:42,130
MY DAD, MY SISTER ARE HERE, AND
754
00:30:39,000 --> 00:30:42,130
WE WORKED SO HARD TO GET HERE,
755
00:30:42,130 --> 00:30:49,059
THANK YOU SO MUCH TO EVERYBODY
756
00:30:42,130 --> 00:30:49,059
THANK YOU TO THE LORD JESUS.
757
00:30:49,059 --> 00:30:51,259
THANK YOU, LORD, FOR EVERYTHING.
758
00:30:49,059 --> 00:30:51,259
THANK YOU, MY HUSBAND AND MY
759
00:30:51,259 --> 00:30:53,220
SWEET DAUGHTERS BACK HOME
760
00:30:51,259 --> 00:30:53,220
WATCHING
761
00:30:53,220 --> 00:30:57,099
THANK YOU TO MY FAMILY, DAD,
762
00:30:53,220 --> 00:30:57,099
SILS
763
00:30:57,099 --> 00:30:59,279
SISTER, EVERYONE THAT SUPPORTED
764
00:30:57,099 --> 00:30:59,279
ME COMING UP, MY LABEL, MY TEAM,
765
00:30:59,279 --> 00:31:06,019
TOM AND BROOK, YOU'RE THE BEST
766
00:30:59,279 --> 00:31:06,019
THE MUSIC INDUSTRY
767
00:31:06,019 --> 00:31:07,269
SERIOUSLY, THANK YOU GUYS SO
768
00:31:06,019 --> 00:31:07,269
MUCH
769
00:31:07,269 --> 00:31:11,140
I WASN'T SUPPOSED TO MESS UP MY
770
00:31:07,269 --> 00:31:11,140
MAKEUP
771
00:31:11,140 --> 00:31:13,170
BUT SERIOUSLY, THANK YOU GUYS SO
772
00:31:11,140 --> 00:31:13,170
MUCH
773
00:31:13,170 --> 00:31:16,150
YOU MAKE DREAMS COME TRUE.
774
00:31:13,170 --> 00:31:16,150
THIS HAS CHANGED MY LIFE
775
00:31:16,150 --> 00:31:18,119
FOREVER.
776
00:31:16,150 --> 00:31:18,119
I'VE NEVER DONE THIS BEFORE.
777
00:31:18,119 --> 00:31:20,009
I GOT A NOTE CARD.
778
00:31:18,119 --> 00:31:20,009
THANK YOU, THANK YOU, THANK YOU,
779
00:31:20,009 --> 00:31:21,240
I LOVE YOU SO MUCH
780
00:31:20,009 --> 00:31:21,240
THANK YOU.
781
00:31:21,240 --> 00:31:29,069
YES!
782
00:31:21,240 --> 00:31:29,069
>> HOLD ON A MINUTE, GABBY
783
00:31:29,069 --> 00:31:31,140
THIS HAS BEEN A BIG NIGHT FOR
784
00:31:29,069 --> 00:31:31,140
YOU, GABBY
785
00:31:31,140 --> 00:31:33,269
WAIT ONE SECOND.
786
00:31:31,140 --> 00:31:33,269
NOT ONLY DID YOU JUST WIN THE
787
00:31:33,269 --> 00:31:36,289
BILLBOARD MUSIC AWARD FOR TOP
788
00:31:33,269 --> 00:31:36,289
COUNTRY FEMALE ARTIST --
789
00:31:36,289 --> 00:31:39,230
>> OH, GOSH.
790
00:31:36,289 --> 00:31:39,230
>> I GET TO TELL YOU THAT YOU
791
00:31:39,230 --> 00:31:45,140
WON THE AWARD FOR TOP COUNTRY
792
00:31:39,230 --> 00:31:45,140
SONG
793
00:31:45,140 --> 00:31:49,039
>> HEY
794
00:31:45,140 --> 00:31:49,039
>> CONGRATULATIONS, GABBY.
795
00:31:49,039 --> 00:31:54,140
WHAT DO YOU HAVE TO SAY NOW?
796
00:31:49,039 --> 00:31:54,140
[ CHEERS AND APPLAUSE
797
00:31:54,140 --> 00:31:59,170
>> THIS IS UNBELIEVABLE.
798
00:31:54,140 --> 00:31:59,170
THANK YOU!
799
00:31:59,170 --> 00:32:04,289
>> JUST AHEAD, MORE MUSIC AWARD
800
00:31:59,170 --> 00:32:04,289
TOP NOMINATED AJR.
801
00:32:04,289 --> 00:32:09,039
THEN LATER JOHN BON JOVI
802
00:32:04,289 --> 00:32:09,039
PRESENTS THE ICON AWARD TO PINK,
803
00:32:09,039 --> 00:32:19,170
FOLL
804
00:32:09,039 --> 00:32:19,170
[ CHEERS AND APPLAUSE
805
00:32:19,170 --> 00:32:24,210
>>> WE'RE BACK AT THE
806
00:32:19,170 --> 00:32:24,210
2021 BILLBOARD MUSIC AWARDS.
807
00:32:24,210 --> 00:32:27,039
AND I'VE GOT TO SAY, I AM HAVING
808
00:32:24,210 --> 00:32:27,039
A VERY GOOD TIME
809
00:32:27,039 --> 00:32:30,009
HOW ABOUT YOU GUYS
810
00:32:27,039 --> 00:32:30,009
IT'S GOOD TO HEAR THIS CROWD
811
00:32:30,009 --> 00:32:32,220
I CAN'T GET ENOUGH
812
00:32:30,009 --> 00:32:32,220
IT'S A BEAUTIFUL THING
813
00:32:32,220 --> 00:32:35,180
I HAVEN'T LEFT MY HOUSE IN
814
00:32:32,220 --> 00:32:35,180
ALMOST A YEAR AND A HALF AND NOW
815
00:32:35,180 --> 00:32:40,160
WE HAVE THIS WONDERFUL CROWD
816
00:32:35,180 --> 00:32:40,160
PLEASE WELCOME A DIGITAL STAR
817
00:32:40,160 --> 00:32:45,160
"DUMB BOY.
818
00:32:40,160 --> 00:32:45,160
OUT NOW, HERE IS DIXIE D'AMELIO.
819
00:32:45,160 --> 00:32:47,220
>> OUR NEXT PERFORMERS ARE
820
00:32:45,160 --> 00:32:47,220
FINALISTS TONIGHT FOR TOP GROUP
821
00:32:47,220 --> 00:32:54,119
AND TOP ROCK ARTIST.
822
00:32:47,220 --> 00:32:54,119
AND THESE THREE BROTHERS ARE
823
00:32:54,119 --> 00:32:58,240
PROOF THAT YOU CAN MAKE GREAT
824
00:32:54,119 --> 00:32:58,240
MUSIC ANYWHERE BECAUSE THEY
825
00:32:58,240 --> 00:33:02,039
CREATED THEIR LATEST ALBUM IN
826
00:32:58,240 --> 00:33:02,039
THEIR LIVING ROOM.
827
00:33:02,039 --> 00:33:09,250
WITH "BANG!" AND "WAY LESS SAD."
828
00:33:02,039 --> 00:33:09,250
HERE IS A J R!
829
00:33:09,250 --> 00:33:15,269
♪♪
830
00:33:09,250 --> 00:33:15,269
♪ I GET UP I GET DOWN
831
00:33:15,269 --> 00:33:19,069
AND I'M JUMPING AROUND
832
00:33:15,269 --> 00:33:19,069
AND THE RUMPUS AND RUCKU
833
00:33:19,069 --> 00:33:23,200
ARE COMFORTABLE NOW ♪
834
00:33:19,069 --> 00:33:23,200
♪ BEEN A HELL OF A RIDE
835
00:33:23,200 --> 00:33:28,019
BUT I'M THINKING IT'
836
00:33:23,200 --> 00:33:28,019
TIME TO GROW
837
00:33:28,019 --> 00:33:31,119
SO I GOT AN APARTMENT ♪
838
00:33:28,019 --> 00:33:31,119
♪ ACROSS FROM THE PAR
839
00:33:31,119 --> 00:33:34,039
PUT QUINOA IN MY FRIDG
840
00:33:31,119 --> 00:33:34,039
STILL I'M NO
841
00:33:34,039 --> 00:33:36,269
FEELING GROWN ♪
842
00:33:34,039 --> 00:33:36,269
♪ BEEN A HELL OF A RIDE
843
00:33:36,269 --> 00:33:43,170
BUT I'M THINKING IT'
844
00:33:36,269 --> 00:33:43,170
TIME TO GO
845
00:33:43,170 --> 00:33:46,150
HERE WE GO
846
00:33:43,170 --> 00:33:46,150
SO PUT YOUR BEST ♪
847
00:33:46,150 --> 00:33:48,220
♪ FACE ON EVERYBODY
848
00:33:46,150 --> 00:33:48,220
PRETEND YOU KNOW THI
849
00:33:48,220 --> 00:33:51,150
SONG EVERYBODY
850
00:33:48,220 --> 00:33:51,150
COME HANG ♪
851
00:33:51,150 --> 00:33:55,269
♪ LET'S GO OUT WITH A BAN
852
00:33:51,150 --> 00:33:55,269
BANG BANG BANG
853
00:33:55,269 --> 00:33:59,069
I'M WAY TOO YOUN
854
00:33:55,269 --> 00:33:59,069
TO LIE HERE FOREVER ♪
855
00:33:59,069 --> 00:34:02,000
♪ I'M WAY TOO OLD
856
00:33:59,069 --> 00:34:02,000
TO TRY SO WHATEVER
857
00:34:02,000 --> 00:34:06,130
COME HAN
858
00:34:02,000 --> 00:34:06,130
LET'S GO OUT WITH A BANG ♪
859
00:34:06,130 --> 00:34:10,250
♪ BANG BANG BAN
860
00:34:06,130 --> 00:34:10,250
FEEL LIKE I'M GONNA PUKE
861
00:34:10,250 --> 00:34:14,039
CAUSE MY TAXES ARE DUE
862
00:34:10,250 --> 00:34:14,039
DO MY PASSWORD BEGIN ♪
863
00:34:14,039 --> 00:34:18,000
♪ WITH A ONE OR A TWO
864
00:34:14,039 --> 00:34:18,000
BEEN A HELL OF A RID
865
00:34:18,000 --> 00:34:22,289
BUT I'M THINKING IT'
866
00:34:18,000 --> 00:34:22,289
TIME TO GROW ♪
867
00:34:22,289 --> 00:34:26,079
♪ MAN I'M UP TO SOMETHING
868
00:34:22,289 --> 00:34:26,079
OO-DEE-LA-DEE-DO
869
00:34:26,079 --> 00:34:29,190
THANK YOU ALL FOR COMING
870
00:34:26,079 --> 00:34:29,190
I HOPE YOU LIKE THE SHOW ♪
871
00:34:29,190 --> 00:34:33,150
♪ CAUSE IT'S ON A BUDGE
872
00:34:29,190 --> 00:34:33,150
SO OO-DEE-LA-DEE-DOE
873
00:34:33,150 --> 00:34:35,210
YEAH COME ON HERE WE G
874
00:34:33,150 --> 00:34:35,210
YEAH COME ON ♪
875
00:34:35,210 --> 00:34:38,139
♪ HERE WE G
876
00:34:35,210 --> 00:34:38,139
SO PUT YOUR BEST
877
00:34:38,139 --> 00:34:42,099
FACE ON EVERYBOD
878
00:34:38,139 --> 00:34:42,099
PRETEND YOU KNOW THIS ♪
879
00:34:42,099 --> 00:34:46,050
♪ SONG EVERYBOD
880
00:34:42,099 --> 00:34:46,050
COME HAN
881
00:34:46,050 --> 00:34:50,010
LET'S GO OUT WITH A BANG
882
00:34:46,050 --> 00:34:50,010
BANG BANG BANG ♪
883
00:34:50,010 --> 00:34:53,269
♪ I'M WAY TOO YOUNG
884
00:34:50,010 --> 00:34:53,269
TO LIE HERE FOREVE
885
00:34:53,269 --> 00:34:56,199
I'M WAY TOO OL
886
00:34:53,269 --> 00:34:56,199
TO TRY SO WHATEVER ♪
887
00:34:56,199 --> 00:35:01,019
♪ COME HANG
888
00:34:56,199 --> 00:35:01,019
LET'S GO OUT WITH A BANG
889
00:35:01,019 --> 00:35:03,099
BANG BANG BANG
890
00:35:01,019 --> 00:35:03,099
HERE WE GO ♪
891
00:35:03,099 --> 00:35:13,170
♪♪
892
00:35:03,099 --> 00:35:13,170
>> BILLBOARD, THERE'S OUR DAD.
893
00:35:13,170 --> 00:35:15,070
♪ DON'T YOU LOVE IT
894
00:35:13,170 --> 00:35:15,070
DON'T YOU LOVE I
895
00:35:15,070 --> 00:35:18,159
NO I AIN'T HAPPY YET
896
00:35:15,070 --> 00:35:18,159
BUT I'M WAY LESS SAD ♪
897
00:35:18,159 --> 00:35:20,219
♪ DON'T YOU LOVE IT
898
00:35:18,159 --> 00:35:20,219
DON'T YOU LOVE I
899
00:35:20,219 --> 00:35:26,079
NO I AIN'T HAPPY YET
900
00:35:20,219 --> 00:35:26,079
♪ BUT I'M WAY LESS SA
901
00:35:26,079 --> 00:35:28,139
I SHOULD MOV
902
00:35:26,079 --> 00:35:28,139
CAUSE NEW YORK I
903
00:35:28,139 --> 00:35:31,070
GETTING MUDDY OUT ♪
904
00:35:28,139 --> 00:35:31,070
♪ THERE'S L.A
905
00:35:31,070 --> 00:35:33,130
BUT IT'S ALWAY
906
00:35:31,070 --> 00:35:33,130
KINDA SUNNY OU
907
00:35:33,130 --> 00:35:36,070
AND I DON'T WANNA ♪
908
00:35:33,130 --> 00:35:36,070
♪ HURT NO MOR
909
00:35:36,070 --> 00:35:40,190
SO I SET MY BAR REAL LOW
910
00:35:36,070 --> 00:35:40,190
I'M A-OKAY
911
00:35:40,190 --> 00:35:43,289
I'M A-OKAY ♪
912
00:35:40,190 --> 00:35:43,289
♪ YOU SAY IT BUT YO
913
00:35:43,289 --> 00:35:47,239
JUST DON'T MEAN IT
914
00:35:43,289 --> 00:35:47,239
YOU'RE SO INSANE
915
00:35:47,239 --> 00:35:50,170
YOU'RE SO INSANE ♪
916
00:35:47,239 --> 00:35:50,170
♪ SHUT UP AND JUS
917
00:35:50,170 --> 00:35:53,099
ENJOY THIS FEELING
918
00:35:50,170 --> 00:35:53,099
DON'T YOU LOVE I
919
00:35:53,099 --> 00:35:57,059
DON'T YOU LOVE IT ♪
920
00:35:53,099 --> 00:35:57,059
♪ NO I AIN'T HAPPY YE
921
00:35:57,059 --> 00:35:59,289
BUT I'M WAY LESS SAD
922
00:35:57,059 --> 00:35:59,289
DON'T YOU LOVE I
923
00:35:59,289 --> 00:36:03,250
DON'T YOU LOVE IT ♪
924
00:35:59,289 --> 00:36:03,250
♪ NO I AIN'T HAPPY YE
925
00:36:03,250 --> 00:36:07,210
BUT I'M WAY LESS SAD
926
00:36:03,250 --> 00:36:07,210
HEY HEY HE
927
00:36:07,210 --> 00:36:11,010
HEY HEY HEY ♪
928
00:36:07,210 --> 00:36:11,010
♪ HEY HEY HEY
929
00:36:11,010 --> 00:36:14,269
BUT I'M WAY LESS SAD
930
00:36:11,010 --> 00:36:14,269
HEY HEY HE
931
00:36:14,269 --> 00:36:18,059
HEY HEY HEY ♪
932
00:36:14,269 --> 00:36:18,059
♪ HEY HEY HEY
933
00:36:18,059 --> 00:36:24,199
BUT I'M WAY LESS SAD
934
00:36:18,059 --> 00:36:24,199
♪♪
935
00:36:24,199 --> 00:36:28,170
♪♪
936
00:36:24,199 --> 00:36:28,170
WELL I CAN'T FALL ASLEEP
937
00:36:28,170 --> 00:36:31,099
AND I'M LOSING MY MIND ♪
938
00:36:28,170 --> 00:36:31,099
♪ CAUSE IT'S HALF PAST THRE
939
00:36:31,099 --> 00:36:35,059
AND MY BRAIN'S ON FIRE
940
00:36:31,099 --> 00:36:35,059
I BEEN COUNTING SHEE
941
00:36:35,059 --> 00:36:39,030
BUT THE SHEEP ALL DIED ♪
942
00:36:35,059 --> 00:36:39,030
♪ AND I'M TRYING TOO HARD
943
00:36:39,030 --> 00:36:41,250
BUT I CAN'T NOT TR
944
00:36:39,030 --> 00:36:41,250
WELL I CAN'T FALL ASLEEP
945
00:36:41,250 --> 00:36:45,050
AND I'M LOSING MY MIND ♪
946
00:36:41,250 --> 00:36:45,050
♪ CAUSE IT'S HALF PAST THRE
947
00:36:45,050 --> 00:36:47,280
AND MY BRAIN'S ON FIRE
948
00:36:45,050 --> 00:36:47,280
BRAINS ON FIRE
949
00:36:47,280 --> 00:36:50,210
I BEEN COUNTING SHEEP ♪
950
00:36:47,280 --> 00:36:50,210
♪ BUT THE SHEEP ALL DIE
951
00:36:50,210 --> 00:36:53,289
AND I'M NOT DEAD YET
952
00:36:50,210 --> 00:36:53,289
SO I GUESS I'LL BE ALRIGHT
953
00:36:53,289 --> 00:36:56,050
DON'T YOU LOVE IT ♪
954
00:36:53,289 --> 00:36:56,050
♪ DON'T YOU LOVE IT
955
00:36:56,050 --> 00:36:58,119
NO I AIN'T HAPPY YET
956
00:36:56,050 --> 00:36:58,119
HAPPY YE
957
00:36:58,119 --> 00:37:01,210
BUT I'M WAY LESS SAD ♪
958
00:36:58,119 --> 00:37:01,210
♪ DON'T YOU LOVE IT
959
00:37:01,210 --> 00:37:05,000
DON'T YOU LOVE I
960
00:37:01,210 --> 00:37:05,000
NO I AIN'T HAPPY YET
961
00:37:05,000 --> 00:37:08,260
BUT I'M WAY LESS SAD ♪
962
00:37:05,000 --> 00:37:08,260
♪ SO PUT YOUR BES
963
00:37:08,260 --> 00:37:12,050
FACE ON EVERYBOD
964
00:37:08,260 --> 00:37:12,050
PRETEND YOU KNOW THI
965
00:37:12,050 --> 00:37:14,280
SONG EVERYBODY ♪
966
00:37:12,050 --> 00:37:14,280
♪ COME HANG
967
00:37:14,280 --> 00:37:16,190
DON'T YOU LOVE I
968
00:37:14,280 --> 00:37:16,190
DON'T YOU LOVE I
969
00:37:16,190 --> 00:37:19,119
LET'S GO OUT WITH A BANG ♪
970
00:37:16,190 --> 00:37:19,119
♪ BANG BANG BAN
971
00:37:19,119 --> 00:37:21,179
HERE WE GO
972
00:37:19,119 --> 00:37:21,179
BANG BANG ♪
973
00:37:21,179 --> 00:37:31,019
♪♪
974
00:37:21,179 --> 00:37:31,019
[ CHEERS AND APPLAUSE
975
00:37:31,019 --> 00:37:33,079
>> Announcer: PLEASE WELCOME
976
00:37:31,019 --> 00:37:33,079
EMMY AWARD WINNING WRITER AND
977
00:37:33,079 --> 00:37:42,030
THE CREATOR OF SHOWTIME'S
978
00:37:33,079 --> 00:37:42,030
"THE CHI," LENA WAITHE
979
00:37:42,030 --> 00:37:45,119
>> THE IMPACT OF LATIN MUSIC IS
980
00:37:42,030 --> 00:37:45,119
UNDENIABLE
981
00:37:45,119 --> 00:37:48,050
THIS YEAR, LATIN ARTISTS
982
00:37:45,119 --> 00:37:48,050
DOMINATED THE GLOBAL SCENE AND
983
00:37:48,050 --> 00:37:53,289
BROKE STREAMING RECORDS ACROSS
984
00:37:48,050 --> 00:37:53,289
MUSIC PLATFORMS.
985
00:37:53,289 --> 00:37:56,219
TRANSFORMING THE INDUSTRY AND
986
00:37:53,289 --> 00:37:56,219
REACHING NEW AUDIENCES
987
00:37:56,219 --> 00:38:02,199
HERE ARE THE ARTISTS FOR TOP
988
00:37:56,219 --> 00:38:02,199
LATIN ARTIST
989
00:38:02,199 --> 00:38:08,199
>> Announcer: ANUEL AA
990
00:38:02,199 --> 00:38:08,199
BAD BUNNY.
991
00:38:08,199 --> 00:38:14,210
♪♪
992
00:38:08,199 --> 00:38:14,210
♪♪
993
00:38:14,210 --> 00:38:20,219
♪♪
994
00:38:14,210 --> 00:38:20,219
J BALVIN
995
00:38:20,219 --> 00:38:29,289
♪♪
996
00:38:20,219 --> 00:38:29,289
MALUMA
997
00:38:29,289 --> 00:38:40,219
♪♪
998
00:38:29,289 --> 00:38:40,219
OZUNA.
999
00:38:40,219 --> 00:38:53,010
♪♪
1000
00:38:40,219 --> 00:38:53,010
>> AND THE BILLBOARD MUSIC AWARD
1001
00:38:53,010 --> 00:38:55,039
GOES TO --
1002
00:39:00,000 --> 00:39:02,250
BAD BUNNY.
1003
00:39:00,000 --> 00:39:02,250
♪♪
1004
00:39:02,250 --> 00:39:43,079
♪♪
1005
00:39:02,250 --> 00:39:43,079
[ CHEERS AND APPLAUSE
1006
00:39:43,079 --> 00:40:31,159
[ SPEAKING IN SPANISH
1007
00:39:43,079 --> 00:40:31,159
[ CHEERS AND APPLAUSE
1008
00:40:31,159 --> 00:40:35,170
♪♪
1009
00:40:31,159 --> 00:40:35,170
>> Announcer: COMING UP NEXT,
1010
00:40:35,170 --> 00:40:38,110
JON BON JOVI PRESENTS THE
1011
00:40:35,170 --> 00:40:38,110
BILLBOARD ICON AWARD TO PINK,
1012
00:40:38,110 --> 00:40:41,030
AND SHE PERFORMS SOME OF HER
1013
00:40:38,110 --> 00:40:41,030
GREATEST HITS.
1014
00:40:41,030 --> 00:40:49,170
IT'S THE
1015
00:40:49,190 --> 00:41:01,260
[ CHEERS AND APPLAUSE
1016
00:40:49,190 --> 00:41:01,260
>>> WHEN YOU GIVE OUT AN AWARD
1017
00:41:01,260 --> 00:41:05,039
OF THE MAGNITUDE OF THE ICON
1018
00:41:01,260 --> 00:41:05,039
AWARD TO A VERY SPECIAL ARTIST,
1019
00:41:05,039 --> 00:41:09,130
YOU NEED IT TO BE BRENTED BY
1020
00:41:05,039 --> 00:41:09,130
ANOTHER ICON, A TRUE GIANT IN
1021
00:41:09,130 --> 00:41:15,000
THE MUSIC WORLD.
1022
00:41:09,130 --> 00:41:15,000
GUESS WHAT, THAT'S EXACTLY WHO
1023
00:41:15,000 --> 00:41:20,119
IS COMING TO THE STAGE
1024
00:41:15,000 --> 00:41:20,119
ONE OF MY FAVORITES.
1025
00:41:20,119 --> 00:41:24,139
JOHN BON JOVI.
1026
00:41:20,119 --> 00:41:24,139
>> THANKS, NICK
1027
00:41:24,139 --> 00:41:26,199
WHEN I FIRST HEARD PINK PERFORM
1028
00:41:24,139 --> 00:41:26,199
I WAS STUNNED.
1029
00:41:26,199 --> 00:41:28,260
SHE HAD IT ALL TALENT, ENERGY, A
1030
00:41:26,199 --> 00:41:28,260
MESSAGE IN HER SONGS, AND STAGE
1031
00:41:28,260 --> 00:41:32,059
PRESENCE THAT ONLY THE GREATS
1032
00:41:28,260 --> 00:41:32,059
HAVE
1033
00:41:32,059 --> 00:41:34,119
THE SECOND TIME PINK STUNNED ME
1034
00:41:32,059 --> 00:41:34,119
WAS WHEN I MET HER WHEN SHE WAS
1035
00:41:34,119 --> 00:41:37,050
ABOUT 22 YEARS OLD
1036
00:41:34,119 --> 00:41:37,050
SHE TOLD ME SHE HAD A CRUSH ON
1037
00:41:37,050 --> 00:41:39,110
ME WHEN SHE WAS JUST SEVEN YEARS
1038
00:41:37,050 --> 00:41:39,110
OLD AND THAT WHEN SHE HEARD I
1039
00:41:39,110 --> 00:41:42,039
WAS MARRIED, IT BROKE HER HEART.
1040
00:41:39,110 --> 00:41:42,039
I FELT BAD, SO I TRIED TO MAKE
1041
00:41:42,039 --> 00:41:44,269
UP FOR IT BY SENDING HER A
1042
00:41:42,039 --> 00:41:44,269
LIFE-SIZE FLOWER ARRANGEMENT AND
1043
00:41:44,269 --> 00:41:47,039
A PAIR OF LEATHER PANTS WITH A
1044
00:41:44,269 --> 00:41:47,039
NOTE THAT SAID, "NOW YOU CAN
1045
00:41:47,039 --> 00:41:52,030
FINALLY GET INTO MY PANTS.
1046
00:41:47,039 --> 00:41:52,030
EVER SINCE THEN, WE'VE BEEN
1047
00:41:52,030 --> 00:41:53,250
FRIENDS.
1048
00:41:52,030 --> 00:41:53,250
NOT IN THAT FAKE MUSIC BUSINESS
1049
00:41:53,250 --> 00:41:56,159
WAY, BUT REAL FRIENDS.
1050
00:41:53,250 --> 00:41:56,159
AND IT IS BECAUSE OF THAT AND MY
1051
00:41:56,159 --> 00:41:59,079
DEEP RESPECT FOR HER ARTISTRY
1052
00:41:56,159 --> 00:41:59,079
AND HER EVER GROWING LEGACY THAT
1053
00:41:59,079 --> 00:42:01,159
I AM SO THRILLED TO HAVE BEEN
1054
00:41:59,079 --> 00:42:01,159
ASKED TO PRESENT HER WITH THE
1055
00:42:01,159 --> 00:42:04,090
ICON AWARD
1056
00:42:01,159 --> 00:42:04,090
BUT FIRST, LET'S TAKE A LOOK AT
1057
00:42:04,090 --> 00:42:09,030
HER AMAZING CAREER
1058
00:42:11,260 --> 00:42:15,110
>> I'M BUSY, WHAT DO YOU WANT?
1059
00:42:11,260 --> 00:42:15,110
>> A FORCE OF NATURE FROM THE
1060
00:42:15,110 --> 00:42:17,179
VERY START, HER DEBUT ALBUM WENT
1061
00:42:15,110 --> 00:42:17,179
DOUBLE PLATINUM AND SHE EARNED
1062
00:42:17,179 --> 00:42:22,030
THE TITLE OF BILLBOARD NEW
1063
00:42:17,179 --> 00:42:22,030
FEMALE ARTIST OF THE YEAR.
1064
00:42:22,030 --> 00:42:25,170
♪♪
1065
00:42:22,030 --> 00:42:25,170
♪♪
1066
00:42:25,170 --> 00:42:28,119
BUT WHEN SHE FOLLOWED THAT UP
1067
00:42:25,170 --> 00:42:28,119
WITH "MISSUNDAZTOOD" PINK TRULY
1068
00:42:28,119 --> 00:42:31,190
CHANGED THE GAME
1069
00:42:28,119 --> 00:42:31,190
WITH INTERNATIONAL NUMBER ONE
1070
00:42:31,190 --> 00:42:33,280
SONGS "GET THE PARTY STARTED",
1071
00:42:31,190 --> 00:42:33,280
"DON'T LET ME GET ME," AND "JUST
1072
00:42:33,280 --> 00:42:36,179
LIKE A PILL.
1073
00:42:33,280 --> 00:42:36,179
PINK ANNOUNCED TO THE WORLD THAT
1074
00:42:36,179 --> 00:42:40,139
SHE WAS HERE TO STAY
1075
00:42:36,179 --> 00:42:40,139
♪♪
1076
00:42:40,139 --> 00:42:43,250
♪♪
1077
00:42:40,139 --> 00:42:43,250
A TRUE TRAILBLAZER, SHE BROKE
1078
00:42:43,250 --> 00:42:47,039
THE MOLD AND REDEFINED THE
1079
00:42:43,250 --> 00:42:47,039
CONCEPT OF A "POP STAR," A
1080
00:42:47,039 --> 00:42:51,159
SINGER, SONGWRITER, AND ARTIST
1081
00:42:47,039 --> 00:42:51,159
MAKING HER OWN KIND OF MUSIC
1082
00:42:51,159 --> 00:42:55,179
♪♪
1083
00:42:51,159 --> 00:42:55,179
♪♪
1084
00:42:55,179 --> 00:42:57,239
AND PINK HAS ALWAYS STAYED TRUE
1085
00:42:55,179 --> 00:42:57,239
TO HERSELF
1086
00:42:57,239 --> 00:43:00,179
BOLD AND BRASH, A WOMAN WHO
1087
00:42:57,239 --> 00:43:00,179
LIVES BY THE CREED THAT YOU
1088
00:43:00,179 --> 00:43:05,039
CAN'T MOVE MOUNTAINS BY
1089
00:43:00,179 --> 00:43:05,039
WHISPERING AT THEM
1090
00:43:05,039 --> 00:43:09,030
♪♪
1091
00:43:05,039 --> 00:43:09,030
♪♪
1092
00:43:09,030 --> 00:43:10,230
THROUGHOUT HER CAREER SHE HAS
1093
00:43:09,030 --> 00:43:10,230
BROKEN BARRIERS AND SHATTERED
1094
00:43:10,230 --> 00:43:13,150
BOUNDARIES
1095
00:43:10,230 --> 00:43:13,150
HER ONSTAGE PERFORMANCES ARE
1096
00:43:13,150 --> 00:43:15,219
LEGENDARY, ACROBATIC
1097
00:43:13,150 --> 00:43:15,219
MASTERPIECES THAT ARE SHEER
1098
00:43:15,219 --> 00:43:19,179
SPECTACLE.
1099
00:43:15,219 --> 00:43:19,179
OFFSTAGE, SHE IS PASSIONATELY
1100
00:43:19,179 --> 00:43:22,269
COMMITTED TO HER COMMUNITY AND
1101
00:43:19,179 --> 00:43:22,269
HER FANS, SHARING A MESSAGE OF
1102
00:43:22,269 --> 00:43:26,230
SELF-EMPOWERMENT THAT HAS
1103
00:43:22,269 --> 00:43:26,230
INSPIRED A GENERATION TO EMBRACE
1104
00:43:26,230 --> 00:43:29,289
THEMSELVES JUST AS THEY ARE.
1105
00:43:26,230 --> 00:43:29,289
♪♪
1106
00:43:29,289 --> 00:43:34,280
♪♪
1107
00:43:29,289 --> 00:43:34,280
ONE OF THE WORLD'S BEST SELLING
1108
00:43:34,280 --> 00:43:37,199
ARTISTS AND 2013'S BILLBOARD
1109
00:43:34,280 --> 00:43:37,199
WOMAN OF THE YEAR, SHE IS TRULY
1110
00:43:37,199 --> 00:43:46,090
THE WHOLE PACKAGE.
1111
00:43:37,199 --> 00:43:46,090
SHE'S A GROUND BREAKER
1112
00:43:46,090 --> 00:43:55,059
A BAD-ASS, A ONE OF A KIND
1113
00:43:46,090 --> 00:43:55,059
PERFORMER WHOSE JOURNEY HAD
1114
00:43:55,059 --> 00:43:57,130
TAKEN HER TO THE TOP AND DAZZLED
1115
00:43:55,059 --> 00:43:57,130
US ALL ALONG THE WAY
1116
00:43:57,130 --> 00:43:59,030
AND ONLY THE 10th ARTIST EVER TO
1117
00:43:57,130 --> 00:43:59,030
BE RECIPIENT OF THE
1118
00:43:59,030 --> 00:44:01,119
BILLBOARD ICON AWARD
1119
00:43:59,030 --> 00:44:01,119
♪♪
1120
00:44:01,119 --> 00:44:04,030
♪♪
1121
00:44:01,119 --> 00:44:04,030
TONIGHT, WE RAISE OUR GLASS TO
1122
00:44:04,030 --> 00:44:09,159
CELEBRATE AND HONOR PINK
1123
00:44:04,030 --> 00:44:09,159
[ CHEERS AND APPLAUSE
1124
00:44:09,159 --> 00:44:12,079
>> AND NOW, LADIES AND
1125
00:44:09,159 --> 00:44:12,079
GENTLEMEN, ENOUGH TALK
1126
00:44:12,079 --> 00:44:24,219
HOW ABOUT SOME MUSIC, PINK
1127
00:44:12,079 --> 00:44:24,219
[ CHEERS AND APPLAUSE
1128
00:44:24,219 --> 00:44:40,230
♪♪
1129
00:44:24,219 --> 00:44:40,230
♪ I'VE BEEN DREAMIN
1130
00:44:40,230 --> 00:44:44,190
OF FRIENDLY FACE
1131
00:44:40,230 --> 00:44:44,190
I'VE GOT SO MUCH
1132
00:44:44,190 --> 00:44:52,269
TIME TO KILL ♪
1133
00:44:44,190 --> 00:44:52,269
♪ JUST IMAGIN
1134
00:44:52,269 --> 00:45:01,059
PEOPLE LAUGHIN
1135
00:44:52,269 --> 00:45:01,059
I KNOW SOME DAY WE WIL
1136
00:45:01,059 --> 00:45:05,190
AND EVEN IF IT'S FAR AWAY ♪
1137
00:45:01,059 --> 00:45:05,190
♪ GET ME THROUGH ANOTHER DA
1138
00:45:05,190 --> 00:45:11,210
COVER ME IN SUNSHINE
1139
00:45:05,190 --> 00:45:11,210
SHOWER ME WITH GOOD TIME
1140
00:45:11,210 --> 00:45:14,139
TELL ME THAT THE WORLD'S ♪
1141
00:45:11,210 --> 00:45:14,139
♪ BEEN SPINNING
1142
00:45:14,139 --> 00:45:16,199
SINCE THE BEGINNIN
1143
00:45:14,139 --> 00:45:16,199
AND EVERYTHING WIL
1144
00:45:16,199 --> 00:45:22,230
BE ALL RIGHT ♪
1145
00:45:16,199 --> 00:45:22,230
♪ COVER ME IN SUNSHIN
1146
00:45:22,230 --> 00:45:29,110
FROM A DISTANC
1147
00:45:22,230 --> 00:45:29,110
ALL THESE MOUNTAIN
1148
00:45:29,110 --> 00:45:39,110
ARE JUST SOME TINY HILLS ♪
1149
00:45:29,110 --> 00:45:39,110
♪ WILDFLOWERS THE
1150
00:45:39,110 --> 00:45:44,250
KEEP LIVING WHILE THEY'R
1151
00:45:39,110 --> 00:45:44,250
JUST STANDING STIL
1152
00:45:44,250 --> 00:45:49,079
I'VE BEEN MISSING ♪
1153
00:45:44,250 --> 00:45:49,079
♪ YESTERDAY BUT WHAT IF
1154
00:45:49,079 --> 00:45:53,199
THERE'S A BETTER PLACE
1155
00:45:49,079 --> 00:45:53,199
COVER ME IN SUNSHINE
1156
00:45:53,199 --> 00:45:58,030
SHOWER ME WITH GOOD TIMES ♪
1157
00:45:53,199 --> 00:45:58,030
♪ TELL ME THAT THE WORLD'
1158
00:45:58,030 --> 00:46:01,130
BEEN SPINNING SINCE TH
1159
00:45:58,030 --> 00:46:01,130
BEGINNING AND EVERYTHING
1160
00:46:01,130 --> 00:46:08,179
WILL BE ALL RIGHT ♪
1161
00:46:01,130 --> 00:46:08,179
♪ COVER ME IN SUNSHIN
1162
00:46:08,179 --> 00:46:16,269
LA LA LA
1163
00:46:08,179 --> 00:46:16,269
LA L
1164
00:46:16,269 --> 00:46:28,139
LA LA LA
1165
00:46:16,269 --> 00:46:28,139
LA L
1166
00:46:28,139 --> 00:46:30,039
COVER ME IN SUNSHINE ♪
1167
00:46:28,139 --> 00:46:30,039
♪ SHOWER ME WITH GOOD
1168
00:46:30,039 --> 00:46:32,099
TIME
1169
00:46:30,039 --> 00:46:32,099
TELL ME THAT THE
1170
00:46:32,099 --> 00:46:37,260
WORLD'
1171
00:46:32,099 --> 00:46:37,260
BEEN SPINNING SINC
1172
00:46:37,260 --> 00:46:45,190
THE BEGINNING AND EVERYTHING ♪
1173
00:46:37,260 --> 00:46:45,190
♪ WILL BE ALL RIGHT
1174
00:46:45,190 --> 00:46:55,170
♪♪
1175
00:46:45,190 --> 00:46:55,170
♪♪
1176
00:46:55,170 --> 00:46:59,119
♪ I HAVEN'T ALWAY
1177
00:46:55,170 --> 00:46:59,119
BEEN THIS WA
1178
00:46:59,119 --> 00:47:04,110
I WASN'T BORN A RENEGADE
1179
00:46:59,119 --> 00:47:04,110
I FELT ALONE ♪
1180
00:47:04,110 --> 00:47:08,070
♪ STILL FEEL AFRAID
1181
00:47:04,110 --> 00:47:08,070
I STUMBLE THROUG
1182
00:47:08,070 --> 00:47:12,199
IT ANYWA
1183
00:47:08,070 --> 00:47:12,199
I WISH SOMEONE WOULD ♪
1184
00:47:12,199 --> 00:47:14,260
♪ HAVE TOLD M
1185
00:47:12,199 --> 00:47:14,260
THAT THIS LIFE I
1186
00:47:14,260 --> 00:47:17,199
OURS TO CHOOSE
1187
00:47:14,260 --> 00:47:17,199
NO ONE'S HANDING ♪
1188
00:47:17,199 --> 00:47:19,260
♪ YOU THE KEY
1189
00:47:17,199 --> 00:47:19,260
OR A BOOK WITH
1190
00:47:19,260 --> 00:47:22,019
ALL THE RULE
1191
00:47:19,260 --> 00:47:22,019
THE LITTLE THAT I KNOW ♪
1192
00:47:22,019 --> 00:47:25,289
♪ I'LL TELL TO YO
1193
00:47:22,019 --> 00:47:25,289
WHEN THEY DRESS YO
1194
00:47:25,289 --> 00:47:28,039
UP IN LIES
1195
00:47:25,289 --> 00:47:28,039
AND YOU'RE LEFT NAKED ♪
1196
00:47:28,039 --> 00:47:34,059
♪ WITH THE TRUT
1197
00:47:28,039 --> 00:47:34,059
YOU THROW YOUR HEAD BACK
1198
00:47:34,059 --> 00:47:38,019
AND YOU SPIT IN THE WIND
1199
00:47:34,059 --> 00:47:38,019
LET THE WALLS CRACK ♪
1200
00:47:38,019 --> 00:47:41,119
♪ CAUSE IT LETS THE LIGHT I
1201
00:47:38,019 --> 00:47:41,119
LET'EM DRAG YO
1202
00:47:41,119 --> 00:47:44,210
THROUGH HELL THEY CAN'
1203
00:47:41,119 --> 00:47:44,210
TELL YOU TO CHANGE ♪
1204
00:47:44,210 --> 00:48:06,239
♪ WHO YOU ARE
1205
00:47:44,210 --> 00:48:06,239
♪ PUT YOUR SWORD DOWN
1206
00:48:06,239 --> 00:48:09,000
DIVE RIGHT INTO THE PAIN
1207
00:48:06,239 --> 00:48:09,000
STAY UNFILTERED AND LOUD
1208
00:48:09,000 --> 00:48:13,130
YOU'LL BE PROUD OF THAT ♪
1209
00:48:09,000 --> 00:48:13,130
♪ SKIN FULL OF SCAR
1210
00:48:13,130 --> 00:48:17,250
THAT'S ALL I KNOW SO FAR
1211
00:48:13,130 --> 00:48:17,250
SO YOU MIGHT GIVE ♪
1212
00:48:17,250 --> 00:48:21,050
♪ YOURSELF AWAY YEA
1213
00:48:17,250 --> 00:48:21,050
AND PAY FULL PRICE
1214
00:48:21,050 --> 00:48:23,289
FOR EACH MISTAKE
1215
00:48:21,050 --> 00:48:23,289
BUT WHEN THE CANDY-COATING ♪
1216
00:48:23,289 --> 00:48:27,239
♪ HIDES THE RAZOR BLADE
1217
00:48:23,289 --> 00:48:27,239
YOU CAN CUT YOURSELF LOOSE
1218
00:48:27,239 --> 00:48:31,039
AND USE THAT RAG
1219
00:48:27,239 --> 00:48:31,039
I WISH SOMEONE WOULD ♪
1220
00:48:31,039 --> 00:48:33,260
♪ HAVE TOLD ME THAT THI
1221
00:48:31,039 --> 00:48:33,260
DARKNESS COMES AND GOE
1222
00:48:33,260 --> 00:48:36,190
PEOPLE WILL PRETEN
1223
00:48:33,260 --> 00:48:36,190
BUT BABY GIRL ♪
1224
00:48:36,190 --> 00:48:39,280
♪ NOBODY KNOW
1225
00:48:36,190 --> 00:48:39,280
AND EVEN I CAN'T TEACH
1226
00:48:39,280 --> 00:48:43,079
YOU HOW TO FLY
1227
00:48:39,280 --> 00:48:43,079
BUT I CAN SHOW YOU ♪
1228
00:48:43,079 --> 00:48:45,139
♪ HOW TO LIVE
1229
00:48:43,079 --> 00:48:45,139
LIKE YOUR LIFE I
1230
00:48:45,139 --> 00:48:51,159
ON THE LIN
1231
00:48:45,139 --> 00:48:51,159
YOU THROW YOUR HEAD BACK ♪
1232
00:48:51,159 --> 00:48:55,280
♪ AND YOU SPIT IN THE WIN
1233
00:48:51,159 --> 00:48:55,280
LET THE WALLS CRAC
1234
00:48:55,280 --> 00:48:59,090
CAUSE IT LETS THE LIGHT IN ♪
1235
00:48:55,280 --> 00:48:59,090
♪ LET'EM DRAG YOU
1236
00:48:59,090 --> 00:49:02,010
THROUGH HELL
1237
00:48:59,090 --> 00:49:02,010
THEY CAN'T TELL YO
1238
00:49:02,010 --> 00:49:07,170
TO CHANGE WHO YOU ARE ♪
1239
00:49:02,010 --> 00:49:07,170
♪ THAT'S ALL I KNOW SO FA
1240
00:49:07,170 --> 00:49:11,130
AND WHEN THE STORM'S OUT
1241
00:49:07,170 --> 00:49:11,130
YOU RUN IN THE RAI
1242
00:49:11,130 --> 00:49:15,260
PUT YOUR SWORD DOWN ♪
1243
00:49:11,130 --> 00:49:15,260
♪ DIVE RIGHT INTO THE PAI
1244
00:49:15,260 --> 00:49:20,070
STAY UNFILTERED AND LOUD
1245
00:49:15,260 --> 00:49:20,070
YOU'LL BE PROUD OF THA
1246
00:49:20,070 --> 00:49:25,219
SKIN FULL OF SCARS ♪
1247
00:49:20,070 --> 00:49:25,219
♪ THAT'S ALL I KNOW SO FA
1248
00:49:25,219 --> 00:49:29,179
THAT'S ALL I KNO
1249
00:49:25,219 --> 00:49:29,179
THAT'S ALL I KNOW SO FAR
1250
00:49:29,179 --> 00:49:34,019
THAT'S ALL I KNOW ♪
1251
00:49:29,179 --> 00:49:34,019
♪ THAT'S ALL I KNOW SO FA
1252
00:49:34,019 --> 00:49:38,139
THAT'S ALL I KNO
1253
00:49:34,019 --> 00:49:38,139
THAT'S ALL I KNOW SO FAR
1254
00:49:38,139 --> 00:49:44,159
THAT'S ALL I KNOW ♪
1255
00:49:38,139 --> 00:49:44,159
♪ THAT'S ALL I KNOW SO FA
1256
00:49:44,159 --> 00:49:48,119
I WILL BE WITH YOU
1257
00:49:44,159 --> 00:49:48,119
TIL THE WORLD BLOWS UP
1258
00:49:48,119 --> 00:49:56,000
HMM ♪
1259
00:49:48,119 --> 00:49:56,000
[ CHEERS AND APPLAUSE
1260
00:49:56,000 --> 00:50:04,090
♪♪
1261
00:49:56,000 --> 00:50:04,090
♪ I'M COMIN' UP
1262
00:50:04,090 --> 00:50:10,110
SO YOU BETTER GE
1263
00:50:04,090 --> 00:50:10,110
THIS PARTY STARTED
1264
00:50:10,110 --> 00:50:13,039
I'M COMIN' UP ♪
1265
00:50:10,110 --> 00:50:13,039
♪ SO YOU BETTER GET
1266
00:50:13,039 --> 00:50:20,090
THIS PARTY STARTED
1267
00:50:13,039 --> 00:50:20,090
I GUESS I JUST
1268
00:50:20,090 --> 00:50:23,010
LOST MY HUSBAND ♪
1269
00:50:20,090 --> 00:50:23,010
♪ I DON'T KNOW WHERE HE WEN
1270
00:50:23,010 --> 00:50:25,079
SO I'M GONNA DRINK
1271
00:50:23,010 --> 00:50:25,079
MY MONEY I'M NOT GONNA
1272
00:50:25,079 --> 00:50:28,010
PAY HIS RENT NOPE ♪
1273
00:50:25,079 --> 00:50:28,010
♪ I GOT A BRAND NEW ATTITUD
1274
00:50:28,010 --> 00:50:30,070
AND I'M GONNA WEAR
1275
00:50:28,010 --> 00:50:30,070
IT TONIGHT ♪
1276
00:50:30,070 --> 00:50:34,190
♪ I WANNA GET IN TROUBL
1277
00:50:30,070 --> 00:50:34,190
I WANNA START A FIGH
1278
00:50:34,190 --> 00:50:37,130
NA-NA-NA-NA NA-NA NA
1279
00:50:34,190 --> 00:50:37,130
I WANNA START A FIGHT ♪
1280
00:50:37,130 --> 00:50:40,219
♪ NA-NA-NA-NA NA-NA N
1281
00:50:37,130 --> 00:50:40,219
I WANNA START A FIGH
1282
00:50:40,219 --> 00:50:44,019
SO SO WHAT
1283
00:50:40,219 --> 00:50:44,019
I'M STILL A ROCK STAR ♪
1284
00:50:44,019 --> 00:50:47,110
♪ I GOT MY ROCK MOVES
1285
00:50:44,019 --> 00:50:47,110
AND I DON'T NEED YOU
1286
00:50:47,110 --> 00:50:51,070
AND GUESS WHAT
1287
00:50:47,110 --> 00:50:51,070
I'M HAVING MORE FUN ♪
1288
00:50:51,070 --> 00:50:56,059
♪ AND NOW THAT WE'RE DONE
1289
00:50:51,070 --> 00:50:56,059
I'M GONNA SHOW YOU TONIGHT
1290
00:50:56,059 --> 00:50:59,150
I'M ALL RIGH
1291
00:50:56,059 --> 00:50:59,150
I'M JUST FINE ♪
1292
00:50:59,150 --> 00:51:03,110
♪ AND YOU'RE A TOOL
1293
00:50:59,150 --> 00:51:03,110
SO SO WHAT
1294
00:51:03,110 --> 00:51:06,210
I AM A ROCK STAR
1295
00:51:03,110 --> 00:51:06,210
I GOT MY ROCK MOVES ♪
1296
00:51:06,210 --> 00:51:10,000
♪ AND I DON'T WAN
1297
00:51:06,210 --> 00:51:10,000
YOU TONIGH
1298
00:51:10,000 --> 00:51:12,230
I THINK I'VE FINALLY
1299
00:51:10,000 --> 00:51:12,230
HAD ENOUGH ♪
1300
00:51:12,230 --> 00:51:14,130
♪ I THINK I MAYBE THINK
1301
00:51:12,230 --> 00:51:14,130
TOO MUCH
1302
00:51:14,130 --> 00:51:18,250
I THINK THIS MIGHT
1303
00:51:14,130 --> 00:51:18,250
BE IT FOR US ♪
1304
00:51:18,250 --> 00:51:20,150
♪ BLOW ME ONE LAST KISS
1305
00:51:18,250 --> 00:51:20,150
YOU THINK I'M JUST
1306
00:51:20,150 --> 00:51:22,050
TOO SERIOU
1307
00:51:20,150 --> 00:51:22,050
I THINK YOU'RE FULL OF IT ♪
1308
00:51:22,050 --> 00:51:24,280
♪ MY HEAD IS SPINNING S
1309
00:51:22,050 --> 00:51:24,280
BLOW ME ONE LAST KIS
1310
00:51:24,280 --> 00:51:28,070
IF SOMEONE SAID THRE
1311
00:51:24,280 --> 00:51:28,070
YEARS FROM NOW ♪
1312
00:51:28,070 --> 00:51:32,030
♪ YOU'D BE LONG GON
1313
00:51:28,070 --> 00:51:32,030
I'D STAND UP AND
1314
00:51:32,030 --> 00:51:37,179
PUNCH THEM OUT
1315
00:51:32,030 --> 00:51:37,179
CAUSE THEY'RE ALL WRONG ♪
1316
00:51:37,179 --> 00:51:41,139
♪ AND THAT LAST KIS
1317
00:51:37,179 --> 00:51:41,139
I'LL CHERISH
1318
00:51:41,139 --> 00:51:48,039
UNTIL WE MEET AGAI
1319
00:51:41,139 --> 00:51:48,039
AND TIME MAKES IT HARDER ♪
1320
00:51:48,039 --> 00:51:55,250
♪ I WISH I COULD REMEMBER
1321
00:51:48,039 --> 00:51:55,250
BUT I KEEP YOUR MEMORY
1322
00:51:55,250 --> 00:52:03,159
YOU VISIT ME IN MY SLEEP
1323
00:51:55,250 --> 00:52:03,159
MY DARLING WHO KNEW ♪
1324
00:52:03,159 --> 00:52:06,150
[ CHEERS AND APPLAUSE
1325
00:52:03,159 --> 00:52:06,150
♪ WHERE I CAN RUN
1326
00:52:06,150 --> 00:52:09,079
JUST AS FAST AS I CA
1327
00:52:06,150 --> 00:52:09,079
TO THE MIDDLE OF NOWHERE
1328
00:52:09,079 --> 00:52:10,269
TO THE MIDDLE OF MY ♪
1329
00:52:09,079 --> 00:52:10,269
♪ FRUSTRATED FEAR
1330
00:52:10,269 --> 00:52:14,230
AND I SWEA
1331
00:52:10,269 --> 00:52:14,230
YOU'RE JUST LIKE A PIL
1332
00:52:14,230 --> 00:52:19,070
STEAD OF MAKIN ME BETTER ♪
1333
00:52:14,230 --> 00:52:19,070
♪ YOU KEEP MAKIN' ME IL
1334
00:52:19,070 --> 00:52:27,159
MAKIN' ME MAKIN' ME IL
1335
00:52:19,070 --> 00:52:27,159
JUST GIVE ME A REASO
1336
00:52:27,159 --> 00:52:30,250
JUST A LITTLE BIT'S ENOUGH ♪
1337
00:52:27,159 --> 00:52:30,250
♪ JUST A SECOND WE'RE
1338
00:52:30,250 --> 00:52:33,170
NOT BROKEN JUST BENT
1339
00:52:30,250 --> 00:52:33,170
AND WE CAN LEARN
1340
00:52:33,170 --> 00:52:37,130
TO LOVE AGAIN ♪
1341
00:52:33,170 --> 00:52:37,130
♪ IT'S IN THE STARS
1342
00:52:37,130 --> 00:52:41,090
IT'S BEEN WRITTE
1343
00:52:37,130 --> 00:52:41,090
IN THE SCARS ON OUR HEARTS
1344
00:52:41,090 --> 00:52:44,019
WE'RE NOT BROKEN JUST BENT ♪
1345
00:52:41,090 --> 00:52:44,019
♪ AND WE CAN LEAR
1346
00:52:44,019 --> 00:52:51,250
TO LOVE AGAI
1347
00:52:44,019 --> 00:52:51,250
I WILL BE WITH YOU
1348
00:52:51,250 --> 00:52:56,199
TIL THE WORLD BLOWS UP ♪
1349
00:52:51,250 --> 00:52:56,199
♪♪
1350
00:52:56,199 --> 00:53:05,210
[ CHEERS AND APPLAUSE
1351
00:52:56,199 --> 00:53:05,210
>> AND NOW, IT'S MY HONOR TO
1352
00:53:05,210 --> 00:53:08,139
PRESENT THE
1353
00:53:05,210 --> 00:53:08,139
2021 BILLBOARD ICON AWARD
1354
00:53:08,139 --> 00:53:22,150
TO PINK.
1355
00:53:08,139 --> 00:53:22,150
[ CHEERS AND APPLAUSE
1356
00:53:22,150 --> 00:53:24,239
>> THANK YOU
1357
00:53:22,150 --> 00:53:24,239
THIS IS RIDICULOUS
1358
00:53:24,239 --> 00:53:31,289
HI, MOM, HI, DAD, HI, JASON, HI,
1359
00:53:24,239 --> 00:53:31,289
JOHN BON JOVI.
1360
00:53:31,289 --> 00:53:35,280
I THINK YOU KNOW THIS.
1361
00:53:31,289 --> 00:53:35,280
I DIDN'T COME OUT OF MY ROOM FOR
1362
00:53:35,280 --> 00:53:39,179
A WEEK WHEN YOU MARRIED
1363
00:53:35,280 --> 00:53:39,179
DORATHIA
1364
00:53:39,179 --> 00:53:44,079
I RIPPED YOUR POSTER OFF THE
1365
00:53:39,179 --> 00:53:44,079
WALL AND REPLACED YOU WITH
1366
00:53:44,079 --> 00:53:47,280
SEBASTIAN BACH
1367
00:53:44,079 --> 00:53:47,280
I'M GLAD YOU FOUND LASTING LOVE,
1368
00:53:47,280 --> 00:53:51,159
BUT YOU BROKE MY HEART
1369
00:53:47,280 --> 00:53:51,159
I TAKE IT AS AN APOLOGY.
1370
00:53:51,159 --> 00:53:54,079
I ACCEPT
1371
00:53:51,159 --> 00:53:54,079
BILLBOARDS, THANK YOU.
1372
00:53:54,079 --> 00:53:59,289
WILLOW NAILED IT
1373
00:53:54,079 --> 00:53:59,289
JAMISON NAILING IT
1374
00:53:59,289 --> 00:54:03,050
I LOVE WHAT I DO AND I LOVE THE
1375
00:53:59,289 --> 00:54:03,050
PEOPLE THAT I GET TO DO IT WITH.
1376
00:54:03,050 --> 00:54:06,059
AND WE'RE PRETTY GOOD AT WHAT WE
1377
00:54:03,050 --> 00:54:06,059
DO, BUT IT WOULDN'T MATTER IF NO
1378
00:54:06,059 --> 00:54:07,239
ONE CAME TO SEE US AND PLAY WITH
1379
00:54:06,059 --> 00:54:07,239
US
1380
00:54:07,239 --> 00:54:14,010
SO ALL YOU GUYS OUT THERE AND
1381
00:54:07,239 --> 00:54:14,010
AROUND THE WORLD, THANK YOU FOR
1382
00:54:14,010 --> 00:54:17,219
COMING OUT
1383
00:54:14,010 --> 00:54:17,219
THANK YOU FOR LETTING US FEEL
1384
00:54:17,219 --> 00:54:19,260
TOGETHER
1385
00:54:17,219 --> 00:54:19,260
I CANNOT WAIT UNTIL WE CAN DO IT
1386
00:54:19,260 --> 00:54:25,250
AGAIN, SO WE CAN JUST SWEAT ALL
1387
00:54:19,260 --> 00:54:25,250
OVER EACH OTHER.
1388
00:54:25,250 --> 00:54:27,250
AND JUST THIS IS AN ABSOLUTE
1389
00:54:25,250 --> 00:54:27,250
HONOR.
1390
00:54:27,250 --> 00:54:30,239
DREAM BIG BECAUSE WHAT IF IT
1391
00:54:27,250 --> 00:54:30,239
COMES TRUE
1392
00:54:30,239 --> 00:54:46,039
THANK YOU.
1393
00:54:30,239 --> 00:54:46,039
[ CHEERS AND APPLAUSE
1394
00:54:46,039 --> 00:54:47,230
>> Announcer: KEEP WATCHING.
1395
00:54:46,039 --> 00:54:47,230
WE'VE GOT PERFORMANCES BY
1396
00:54:47,230 --> 00:54:50,159
KAROL G, BTS
1397
00:54:47,230 --> 00:54:50,159
AND COMING UP NEXT, THE AWARD
1398
00:54:50,159 --> 00:55:04,190
FOR TOP HOT 100 SONG PRESENTED
1399
00:54:50,159 --> 00:55:04,190
BY ROCKSTAR ENERGY
1400
00:55:04,190 --> 00:55:07,269
>>> BILLBOARD MUSIC AWARDS, HOW
1401
00:55:04,190 --> 00:55:07,269
WE FEELING
1402
00:55:07,269 --> 00:55:09,210
YOU KNOW WE'RE JUST GETTING
1403
00:55:07,269 --> 00:55:09,210
STARTED.
1404
00:55:09,210 --> 00:55:11,269
WE HAVE ONE OF THE BIGGEST
1405
00:55:09,210 --> 00:55:11,269
AWARDS COMING UP
1406
00:55:11,269 --> 00:55:14,230
ARE YOU READY?
1407
00:55:11,269 --> 00:55:14,230
LET'S GET INTO IT.
1408
00:55:14,230 --> 00:55:18,119
THIS YEAR ROCK STAR ENERGY HAS
1409
00:55:14,230 --> 00:55:18,119
TEAMED UP WITH THE BBMAs TO
1410
00:55:18,119 --> 00:55:21,139
BRING YOU ONE OF THE MOST
1411
00:55:18,119 --> 00:55:21,139
PRESTIGIOUS AWARDS
1412
00:55:21,139 --> 00:55:24,179
TO TELL US ABOUT IT FROM HIS
1413
00:55:21,139 --> 00:55:24,179
RECORDING STUDIO IN ATLANTA,
1414
00:55:24,179 --> 00:55:31,059
HERE IS LIL BABY
1415
00:55:24,179 --> 00:55:31,059
CHEERS
1416
00:55:31,059 --> 00:55:33,119
>> WHAT'S UP, IT'S LIL BABY HERE
1417
00:55:31,059 --> 00:55:33,119
IN THE STUDIO.
1418
00:55:33,119 --> 00:55:35,019
DO YOU KNOW HOW HARD IT IS TO
1419
00:55:33,119 --> 00:55:35,019
GET A SONG ON THE BILLBOARD
1420
00:55:35,019 --> 00:55:37,090
HOT 100 CHART?
1421
00:55:35,019 --> 00:55:37,090
MILLIONS OF SONGS ARE RELEASED
1422
00:55:37,090 --> 00:55:40,019
EVERY YEAR BUT ONLY ONE CAN
1423
00:55:37,090 --> 00:55:40,019
BECOME THE TOP HOT 100 SONG.
1424
00:55:40,019 --> 00:55:42,239
ROCKSTAR ENERGY SALUTES THE
1425
00:55:40,019 --> 00:55:42,239
ARTISTS WHO HUSTLE TO BEAT THOSE
1426
00:55:42,239 --> 00:55:45,170
INCREDIBLE ODDS AND GRIND TO
1427
00:55:42,239 --> 00:55:45,170
SHINE TO BECOME OUR FINALISTS
1428
00:55:45,170 --> 00:55:46,170
TONIGHT.
1429
00:55:47,239 --> 00:55:54,090
>> Announcer: 24KGOLDN FEATURING
1430
00:55:47,239 --> 00:55:54,090
IANN DIOR -- "MOOD."
1431
00:55:54,090 --> 00:55:58,269
♪♪
1432
00:55:54,090 --> 00:55:58,269
GABBY BARRETT FEATURING
1433
00:55:58,269 --> 00:56:06,150
CHARLIE PUTH -- "I HOPE.
1434
00:55:58,269 --> 00:56:06,150
♪♪
1435
00:56:06,150 --> 00:56:10,050
CHRIS BROWN AND YOUNG THUG,
1436
00:56:06,150 --> 00:56:10,050
"GO CRAZY.
1437
00:56:10,050 --> 00:56:17,150
♪♪
1438
00:56:10,050 --> 00:56:17,150
DABABY FEATURING RODDY RICCH,
1439
00:56:17,150 --> 00:56:25,179
"ROCKSTAR.
1440
00:56:17,150 --> 00:56:25,179
♪♪
1441
00:56:25,179 --> 00:56:36,010
THE WEEKND, "BLINDING LIGHTS."
1442
00:56:25,179 --> 00:56:36,010
♪♪
1443
00:56:36,010 --> 00:56:39,269
>> LIL BABY, THANK YOU
1444
00:56:36,010 --> 00:56:39,269
AND WE CAN'T WAIT TO HEAR THE
1445
00:56:39,269 --> 00:56:44,260
MUSIC YOU'RE WORKING ON.
1446
00:56:39,269 --> 00:56:44,260
AND NOW, THE
1447
00:56:44,260 --> 00:56:46,159
BILLBOARD MUSIC AWARD FOR TOP
1448
00:56:44,260 --> 00:56:46,159
HOT 100 SONG PRESENTED BY
1449
00:56:46,159 --> 00:56:57,099
ROCKSTAR ENERGY GOES TO --
1450
00:56:46,159 --> 00:56:57,099
"BLINDING LIGHTS" THE WEEKND!
1451
00:56:57,099 --> 00:57:09,039
♪♪
1452
00:56:57,099 --> 00:57:09,039
♪♪
1453
00:57:09,039 --> 00:57:15,239
[ CHEERS AND APPLAUSE
1454
00:57:09,039 --> 00:57:15,239
>> THANK YOU
1455
00:57:15,239 --> 00:57:19,219
I WANT TO TALK TO MY FANS.
1456
00:57:15,239 --> 00:57:19,219
[ CHEERS AND APPLAUSE
1457
00:57:19,219 --> 00:57:22,219
I WANT TO THANK EVERYONE
1458
00:57:19,219 --> 00:57:22,219
INVOLVED IN MAKING THIS MAGICAL
1459
00:57:22,219 --> 00:57:23,269
SONG
1460
00:57:22,219 --> 00:57:23,269
I WANT TO THANK MY FANS, OF
1461
00:57:23,269 --> 00:57:28,130
COURSE
1462
00:57:23,269 --> 00:57:28,130
[ CHEERS AND APPLAUSE
1463
00:57:28,130 --> 00:57:30,059
YOU GUYS MAKE ME WANT TO DO THIS
1464
00:57:28,130 --> 00:57:30,059
FOREVER.
1465
00:57:30,059 --> 00:57:37,170
I LOVE YOU SO MUCH
1466
00:57:30,059 --> 00:57:37,170
AND I JUST WANT TO SAY THE AFTER
1467
00:57:37,170 --> 00:57:38,230
HOURS ARE DONE AND THE DAWN IS
1468
00:57:37,170 --> 00:57:38,230
COMING
1469
00:57:38,230 --> 00:57:41,079
THANK YOU.
1470
00:57:38,230 --> 00:57:41,079
[ CHEERS AND APPLAUSE
1471
00:57:41,079 --> 00:57:44,039
♪♪
1472
00:57:46,170 --> 00:57:48,199
>> FOR OVER A YEAR THE EYES OF
1473
00:57:46,170 --> 00:57:48,199
THE WORLD HAVE BEEN
1474
00:57:48,199 --> 00:57:51,139
ON MINNEAPOLIS
1475
00:57:48,199 --> 00:57:51,139
A CITY THAT STOOD AS A SYMBOL OF
1476
00:57:51,139 --> 00:57:56,219
ACTIVISM AND STRENGTH.
1477
00:57:51,139 --> 00:57:56,219
WHEN WE WENT TO MINNEAPOLIS A
1478
00:57:56,219 --> 00:57:59,239
FEW DAYS AGO FOR THIS NEXT
1479
00:57:56,219 --> 00:57:59,239
PERFORMANCE, WE HAD NO WAY OF
1480
00:57:59,239 --> 00:58:03,150
KNOWING THE TRAGEDY THAT WAS
1481
00:57:59,239 --> 00:58:03,150
AWAITING THAT CITY THAT HAS GONE
1482
00:58:03,150 --> 00:58:05,239
THROUGH SO MUCH.
1483
00:58:03,150 --> 00:58:05,239
OUR HEARTS GO OUT TO THE
1484
00:58:05,239 --> 00:58:08,230
VICTIMS' FAMILIES THERE AND THE
1485
00:58:05,239 --> 00:58:08,230
INNOCENT VICTIMS' FAMILIES ALL
1486
00:58:08,230 --> 00:58:11,030
OVER THE WORLD
1487
00:58:08,230 --> 00:58:11,030
AT THIS MOMENT IT IS SO CRUCIAL
1488
00:58:11,030 --> 00:58:14,250
THAT WE GO OUT OF OUR WAY TO
1489
00:58:11,030 --> 00:58:14,250
SHOW LOVE WHENEVER POSSIBLE.
1490
00:58:14,250 --> 00:58:17,239
AND BELIEVE THAT WE CAN MAKE
1491
00:58:14,250 --> 00:58:17,239
THIS WORLD THE BETTER ONE IN
1492
00:58:17,239 --> 00:58:23,059
WHICH WE WANT TO LIVE.
1493
00:58:17,239 --> 00:58:23,059
[ APPLAUSE ]
1494
00:58:23,059 --> 00:58:25,019
THIS NEXT SONG REPRESENTS JUST
1495
00:58:23,059 --> 00:58:25,019
THAT
1496
00:58:25,019 --> 00:58:32,110
HERE ARE LEGENDARY SONG WRITER
1497
00:58:25,019 --> 00:58:32,110
PRODUCERS JIMMY JAM AND TERRY
1498
00:58:32,110 --> 00:58:40,030
LEWIS.
1499
00:58:32,110 --> 00:58:40,030
♪♪
1500
00:58:40,030 --> 00:58:46,230
♪ KEEP YOUR HEAD TO THE SKY ♪
1501
00:58:40,030 --> 00:58:46,230
♪ KEEP YOUR HEAD TO THE SKY ♪
1502
00:58:46,230 --> 00:58:49,090
♪ TO THE SKY ♪
1503
00:58:46,230 --> 00:58:49,090
♪
1504
00:58:49,090 --> 00:58:52,159
>> WE'RE HERE AT PRINCE'S
1505
00:58:49,090 --> 00:58:52,159
LEGENDARY PAISLEY PARK JUST
1506
00:58:52,159 --> 00:58:57,059
OUTSIDE OF OUR HOMETOWN OF
1507
00:58:52,159 --> 00:58:57,059
MINNEAPOLIS, MINNESOTA
1508
00:58:57,059 --> 00:59:00,010
A PLACE THAT MUSICALLY HAS
1509
00:58:57,059 --> 00:59:00,010
REPRESENTED CHANGE TO THE STATUS
1510
00:59:00,010 --> 00:59:04,010
QUO, COMBINING RACES, GENDERS,
1511
00:59:00,010 --> 00:59:04,010
UPTOWN AND DOWNTOWN, TO GIVE THE
1512
00:59:04,010 --> 00:59:10,059
WORLD HARMONIOUS GROOVES
1513
00:59:04,010 --> 00:59:10,059
THANKS TO THE PEOPLE OF THIS
1514
00:59:10,059 --> 00:59:11,260
CITY AND OTHER PEACEFUL
1515
00:59:10,059 --> 00:59:11,260
PARTICIPANTS
1516
00:59:11,260 --> 00:59:13,150
MINNEAPOLIS IS IN THE MIDST OF
1517
00:59:11,260 --> 00:59:13,150
CHANGING THE STATUS QUO YET
1518
00:59:13,150 --> 00:59:16,079
AGAIN.
1519
00:59:13,150 --> 00:59:16,079
>> AS FELLOW MINNESOTAN
1520
00:59:16,079 --> 00:59:19,179
BOB DYLAN PROMISED; "THE TIMES
1521
00:59:16,079 --> 00:59:19,179
THEY ARE A-CHANGING.
1522
00:59:19,179 --> 00:59:22,110
TIMES CHANGE BECAUSE OF THE
1523
00:59:19,179 --> 00:59:22,110
POWER OF THE PEOPLE.
1524
00:59:22,110 --> 00:59:25,260
MAKES IT CHANGE.
1525
00:59:22,110 --> 00:59:25,260
MUSIC IS A POWERFUL CATALYST AND
1526
00:59:25,260 --> 00:59:28,179
THIS NEXT SONG THAT WE WROTE
1527
00:59:25,260 --> 00:59:28,179
30 YEARS AGO EXPRESSES OUR
1528
00:59:28,179 --> 00:59:33,019
PERSPECTIVE THAT FAITH IS KEY TO
1529
00:59:28,179 --> 00:59:33,019
MAKE POSITIVE CHANGE
1530
00:59:33,019 --> 00:59:35,250
>> I LIKE TO SAY GOD PUT THE PEN
1531
00:59:33,019 --> 00:59:35,250
IN OUR HAND AND GUIDED IT FOR
1532
00:59:35,250 --> 00:59:41,059
THIS SONG.
1533
00:59:35,250 --> 00:59:41,059
>> SO, WITHOUT FURTHER ADO, WE
1534
00:59:41,059 --> 00:59:44,170
WANT YOU TO WELCOME RIGHT HERE
1535
00:59:41,059 --> 00:59:44,170
FROM MINNEAPOLIS, MINNESOTA,
1536
00:59:44,170 --> 00:59:49,179
CELEBRATING THEIR 50th YEAR
1537
00:59:44,170 --> 00:59:49,179
ANNIVERSARY, JOINED BY ANN
1538
00:59:49,179 --> 00:59:56,010
NESBY, "THE SOUNDS OF
1539
00:59:49,179 --> 00:59:56,010
BLACKNESS.
1540
00:59:56,010 --> 00:59:59,250
♪ WE'RE IN THE MIDST OF SORROW ♪
1541
00:59:56,010 --> 00:59:59,250
♪ SORROW ♪
1542
00:59:59,250 --> 01:00:04,030
♪ YOU KEPT ME UP WHEN LOOKING
1543
00:59:59,250 --> 01:00:04,030
DOWN ♪ ♪
1544
01:00:04,030 --> 01:00:07,079
♪ LOOKING DOWN ♪
1545
01:00:04,030 --> 01:00:07,079
♪ A BRIGHTER DAY, TOMORROW WILL
1546
01:00:07,079 --> 01:00:09,159
BRING ♪
1547
01:00:07,079 --> 01:00:09,159
♪ TOMORROW WILL BRING ♪
1548
01:00:09,159 --> 01:00:13,269
♪ OH, OH, OH, ♪
1549
01:00:09,159 --> 01:00:13,269
♪ BE OPTIMISTIC ♪
1550
01:00:13,269 --> 01:00:21,239
♪ YOU HEAR THAT VOICE ♪
1551
01:00:13,269 --> 01:00:21,239
♪ TELLING YOU THIS CAN NEVER BE
1552
01:00:21,239 --> 01:00:27,010
DOWN ♪ OH, YEAH ♪
1553
01:00:21,239 --> 01:00:27,010
♪ NO MATTER HOW HARD REALITY ♪
1554
01:00:27,010 --> 01:00:32,250
♪ REALITY IS ♪
1555
01:00:27,010 --> 01:00:32,250
♪ JUST HOLD ONTO YOUR DREAMS ♪
1556
01:00:32,250 --> 01:00:41,030
♪ YEAH ♪
1557
01:00:32,250 --> 01:00:41,030
♪ OH, ♪
1558
01:00:41,030 --> 01:00:41,150
♪ ♪
1559
01:00:41,030 --> 01:00:41,150
♪ ♪
1560
01:00:41,150 --> 01:00:44,130
♪ AS LONG AS YOU KEEP YOUR HEAD
1561
01:00:41,150 --> 01:00:44,130
TO THE SKY ♪
1562
01:00:44,130 --> 01:00:48,099
♪ MY, MY, MY, YOU CAN WIN,
1563
01:00:44,130 --> 01:00:48,099
CHILD ♪
1564
01:00:48,099 --> 01:00:53,199
♪ AS LONG AS YOU KEEP YOUR HEAD
1565
01:00:48,099 --> 01:00:53,199
TO THE SKY ♪
1566
01:00:53,199 --> 01:00:58,050
♪ BE OPTIMISTIC ♪
1567
01:00:53,199 --> 01:00:58,050
♪ WHEN THINGS AROUND YOU
1568
01:00:58,050 --> 01:01:00,119
CRUMBLE ♪
1569
01:00:58,050 --> 01:01:00,119
♪ CRUMBLE ♪
1570
01:01:00,119 --> 01:01:04,210
♪ SO YOU DON'T HAVE TO STUMBLE
1571
01:01:00,119 --> 01:01:04,210
AND FALL ♪
1572
01:01:04,210 --> 01:01:08,090
♪ OH, OH, ♪
1573
01:01:04,210 --> 01:01:08,090
♪ KEEP PUSHING ON AND DON'T YOU
1574
01:01:08,090 --> 01:01:10,190
LOOK BACK ♪
1575
01:01:08,090 --> 01:01:10,190
♪ DON'T LOOK BACK ♪
1576
01:01:10,190 --> 01:01:15,079
♪ NO, NO, NO, NO ♪
1577
01:01:10,190 --> 01:01:15,079
♪ OOH ♪
1578
01:01:15,079 --> 01:01:18,170
♪ OPTIMISTIC ♪
1579
01:01:15,079 --> 01:01:18,170
♪ I KNOW THE STORMS AND STRIFE ♪
1580
01:01:18,170 --> 01:01:25,130
♪ YOU KNOW THEY WILL ♪
1581
01:01:18,170 --> 01:01:25,130
♪ CLOUD YOUR EYES ♪
1582
01:01:25,130 --> 01:01:32,119
♪ JUST LOOK AHEAD AND YOU'LL
1583
01:01:25,130 --> 01:01:32,119
BE -- ♪
1584
01:01:32,119 --> 01:01:39,210
♪ HIGHER ♪
1585
01:01:32,119 --> 01:01:39,210
♪ YOU MAY BE DOWN BUT NEVER
1586
01:01:39,210 --> 01:01:42,030
OUT ♪
1587
01:01:39,210 --> 01:01:42,030
♪ THAT'S WHAT OPTIMISTIC IS ALL
1588
01:01:42,030 --> 01:01:42,139
ABOUT ♪
1589
01:01:42,030 --> 01:01:42,139
♪
1590
01:01:42,139 --> 01:01:51,250
♪♪
1591
01:01:42,139 --> 01:01:51,250
♪ AS LONG AS YOU KEEP YOUR HEAD
1592
01:01:51,250 --> 01:01:55,000
TO THE SKY ♪
1593
01:01:51,250 --> 01:01:55,000
♪ HEAD TO THE SKY ♪
1594
01:01:55,000 --> 01:01:57,110
♪ MY, MY, MY ♪
1595
01:01:55,000 --> 01:01:57,110
♪ YOU CAN WIN ♪
1596
01:01:57,110 --> 01:02:02,269
♪ YOU CAN WIN, CHILD ♪
1597
01:01:57,110 --> 01:02:02,269
♪ AS LONG AS YOU KEEP YOUR HEAD
1598
01:02:02,269 --> 01:02:06,230
TO THE SKY ♪
1599
01:02:02,269 --> 01:02:06,230
♪ BE OPTIMISTIC ♪
1600
01:02:06,230 --> 01:02:11,000
♪ YOU CAN WIN ♪
1601
01:02:06,230 --> 01:02:11,000
♪ LONG AS YOU KEEP YOUR HEAD TO
1602
01:02:11,000 --> 01:02:16,000
THE SKY ♪
1603
01:02:11,000 --> 01:02:16,000
♪ THANK YOU, LORD ♪
1604
01:02:16,000 --> 01:02:20,269
♪ LONG AS YOU KEEP YOUR HEAD TO
1605
01:02:16,000 --> 01:02:20,269
THE SKY ♪
1606
01:02:20,269 --> 01:02:23,250
♪ DON'T YOU LET NOBODY STOP
1607
01:02:20,269 --> 01:02:23,250
YOU ♪
1608
01:02:23,250 --> 01:02:25,150
♪ YOU CAN WIN ♪
1609
01:02:23,250 --> 01:02:25,150
♪ YOU CAN WIN ♪
1610
01:02:25,150 --> 01:02:32,099
♪ LONG AS YOU KEEP YOUR HEAD TO
1611
01:02:25,150 --> 01:02:32,099
THE SKY ♪
1612
01:02:32,099 --> 01:02:37,219
♪ SKY O-O-O-O ♪
1613
01:02:32,099 --> 01:02:37,219
♪ BE OPTIMISTIC ♪
1614
01:02:37,219 --> 01:02:39,230
[ CHEERS AND APPLAUSE
1615
01:02:37,219 --> 01:02:39,230
>> COMING UP NEXT, CAROL G
1616
01:02:39,230 --> 01:02:55,280
THEN LATER PER FORMATANCES B
1617
01:02:39,230 --> 01:02:55,280
[ CHEERS AND APPLAUSE
1618
01:02:55,280 --> 01:02:59,070
>>> WELCOME BACK
1619
01:02:55,280 --> 01:02:59,070
OUR NEXT ARTIST IS BREAKING ALL
1620
01:02:59,070 --> 01:03:01,139
THE RULES AND BREAKING RECORDS
1621
01:02:59,070 --> 01:03:01,139
ALONG THE WAY.
1622
01:03:01,139 --> 01:03:04,230
HER FIRST ALBUM LANDED THE
1623
01:03:01,139 --> 01:03:04,230
NUMBER ONE SPOT ON THE
1624
01:03:04,230 --> 01:03:08,019
BILLBOARD LATIN ALBUMS CHART,
1625
01:03:04,230 --> 01:03:08,019
AND SHE IS A RISING FORCE IN
1626
01:03:08,019 --> 01:03:10,250
REGGAETON MUSIC.
1627
01:03:08,019 --> 01:03:10,250
MAKING HER DEBUT PERFORMANCE ON
1628
01:03:10,250 --> 01:03:14,119
THE BILLBOARD MUSIC AWARDS, HERE
1629
01:03:10,250 --> 01:03:14,119
IS KAROL G
1630
01:03:14,119 --> 01:03:25,199
[ CHEERS AND APPLAUSE
1631
01:03:14,119 --> 01:03:25,199
♪♪
1632
01:03:25,199 --> 01:03:30,179
♪♪
1633
01:03:25,199 --> 01:03:30,179
[ SINGING IN FOREIGN LANGUAGE
1634
01:03:30,179 --> 01:03:35,010
♪♪
1635
01:03:30,179 --> 01:03:35,010
♪♪
1636
01:03:35,010 --> 01:03:44,119
[ SINGING IN FOREIGN LANGUAGE
1637
01:03:35,010 --> 01:03:44,119
♪♪
1638
01:03:44,119 --> 01:03:47,219
♪♪
1639
01:03:44,119 --> 01:03:47,219
[ SINGING IN FOREIGN LANGUAGE
1640
01:03:47,219 --> 01:03:57,199
♪♪
1641
01:03:47,219 --> 01:03:57,199
♪♪
1642
01:03:57,199 --> 01:04:02,190
[ SINGING IN FOREIGN LANGUAGE
1643
01:03:57,199 --> 01:04:02,190
♪♪
1644
01:04:02,190 --> 01:04:24,050
♪♪
1645
01:04:02,190 --> 01:04:24,050
[ SINGING IN FOREIGN LANGUAGE
1646
01:04:24,050 --> 01:04:36,099
♪♪
1647
01:04:24,050 --> 01:04:36,099
♪♪
1648
01:04:36,099 --> 01:04:51,070
[ SINGING IN FOREIGN LANGUAGE
1649
01:04:36,099 --> 01:04:51,070
[ SINGING IN FOREIGN LANGUAGE
1650
01:04:51,070 --> 01:05:02,079
♪♪
1651
01:04:51,070 --> 01:05:02,079
♪♪
1652
01:05:02,079 --> 01:05:16,190
[ SINGING IN FOREIGN LANGUAGE
1653
01:05:02,079 --> 01:05:16,190
♪♪
1654
01:05:16,190 --> 01:05:34,090
♪♪
1655
01:05:16,190 --> 01:05:34,090
[ SINGING IN FOREIGN LANGUAGE
1656
01:05:34,090 --> 01:05:37,190
♪♪
1657
01:05:34,090 --> 01:05:37,190
♪♪
1658
01:05:37,190 --> 01:05:56,289
[ SINGING IN FOREIGN LANGUAGE
1659
01:05:37,190 --> 01:05:56,289
♪♪
1660
01:05:56,289 --> 01:06:26,000
♪♪
1661
01:05:56,289 --> 01:06:26,000
[ SINGING IN FOREIGN LANGUAGE
1662
01:06:26,000 --> 01:06:37,159
[ CHEERS AND APPLAUSE
1663
01:06:26,000 --> 01:06:37,159
>>> AND NOW PLEASE WELCOME
1664
01:06:37,159 --> 01:06:46,260
RAPPER AND MEGAPRODUCER SWIZZ
1665
01:06:37,159 --> 01:06:46,260
BEATS.
1666
01:06:46,260 --> 01:06:49,019
>> THIS YEAR, WE LOST SO MANY IN
1667
01:06:46,260 --> 01:06:49,019
THE HIP-HOP COMMUNITY.
1668
01:06:49,019 --> 01:06:55,260
RAPPER AND PRODUCER SHOCK G,
1669
01:06:49,019 --> 01:06:55,260
BAD-BOY RAPPER BLACK ROB,
1670
01:06:55,260 --> 01:07:00,280
AND I
1671
01:06:55,260 --> 01:07:00,280
PRINCE MARKIE DEE OF
1672
01:07:00,280 --> 01:07:02,179
THE FAT BOYS AND
1673
01:07:00,280 --> 01:07:02,179
ECSTASY OF WHODINI
1674
01:07:02,179 --> 01:07:05,099
I ALSO WANT TO TAKE THIS MOMENT
1675
01:07:02,179 --> 01:07:05,099
TO REMEMBER MY FRIEND, MY
1676
01:07:05,099 --> 01:07:07,170
BROTHER, D M X
1677
01:07:05,099 --> 01:07:07,170
HE MADE MUSIC WITH A RAW PASSION
1678
01:07:07,170 --> 01:07:10,099
THAT SPOKE TO THE STREETS AND TO
1679
01:07:07,170 --> 01:07:10,099
THE WORLD.
1680
01:07:10,099 --> 01:07:13,019
FOLLOWING 2PAC, HE WAS THE
1681
01:07:10,099 --> 01:07:13,019
SECOND RAPPER TWO HAVE TWO
1682
01:07:13,019 --> 01:07:15,079
NUMBER ONE ALBUMS IN ONE YEAR.
1683
01:07:13,019 --> 01:07:15,079
HIS LEGACY WILL FOREVER BE
1684
01:07:15,079 --> 01:07:21,289
REMEMBERED
1685
01:07:15,079 --> 01:07:21,289
[ CHEERS AND APPLAUSE
1686
01:07:21,289 --> 01:07:25,099
I WANT EVERYBODY AROUND THE
1687
01:07:21,289 --> 01:07:25,099
WORLD TO PUT YOUR Xs UP IN THE
1688
01:07:25,099 --> 01:07:33,239
AIR AND MAY DMX REST IN PEACE.
1689
01:07:25,099 --> 01:07:33,239
OVER THE PAST TWO DECADES, I'VE
1690
01:07:33,239 --> 01:07:36,010
HAD THE HONOR OF PRODUCING HITS
1691
01:07:33,239 --> 01:07:36,010
FOR SO MANY TALENTED ARTISTS,
1692
01:07:36,010 --> 01:07:38,070
AND WHAT I'VE LEARNED IS HOW TO
1693
01:07:36,010 --> 01:07:38,070
LAY THE GROUNDWORK AND STEP
1694
01:07:38,070 --> 01:07:39,260
AWAY
1695
01:07:38,070 --> 01:07:39,260
WHEN THE PERFECT VERSE AND FLOW
1696
01:07:39,260 --> 01:07:41,159
MEET THE PERFECT ARRANGEMENT AND
1697
01:07:39,260 --> 01:07:41,159
BEAT, YOU GOT MAGIC.
1698
01:07:41,159 --> 01:07:44,260
HERE ARE THE FINALISTS FOR
1699
01:07:41,159 --> 01:07:44,260
TOP RAP SONG
1700
01:07:44,260 --> 01:07:49,050
>> Announcer: 24KGOLDN FEATURING
1701
01:07:44,260 --> 01:07:49,050
IANN DIOR, "MOOD."
1702
01:07:49,050 --> 01:07:53,230
♪♪
1703
01:07:49,050 --> 01:07:53,230
CARDI B FEATURING
1704
01:07:53,230 --> 01:08:03,150
MEGAN THEE STALLION, "WAP.
1705
01:07:53,230 --> 01:08:03,150
♪♪
1706
01:08:03,150 --> 01:08:06,260
DABABY FEATURING RODDY RICCH,
1707
01:08:03,150 --> 01:08:06,260
"ROCKSTAR.
1708
01:08:06,260 --> 01:08:15,260
♪♪
1709
01:08:06,260 --> 01:08:15,260
JACK HARLOW FEATURING DABABY,
1710
01:08:15,260 --> 01:08:19,239
TORY LANEZ AND LIL WAYNE,
1711
01:08:15,260 --> 01:08:19,239
"WHATS POPPIN.
1712
01:08:19,239 --> 01:08:26,029
♪♪
1713
01:08:19,239 --> 01:08:26,029
MEGAN THEE STALLION FEATURING
1714
01:08:26,029 --> 01:08:38,100
BEYONCE, "SAVAGE."
1715
01:08:26,029 --> 01:08:38,100
♪♪
1716
01:08:38,100 --> 01:08:46,060
>> NEW DMX ALBUM "EXODUS" COMING
1717
01:08:38,100 --> 01:08:46,060
FRIDAY."
1718
01:08:46,060 --> 01:08:55,239
>> AND THE BILLBOARD MUSIC AWARD
1719
01:08:46,060 --> 01:08:55,239
GOES TO --
1720
01:08:55,239 --> 01:08:58,069
ZONE, ZONE, ZONE
1721
01:08:55,239 --> 01:08:58,069
YES, SIR
1722
01:08:58,069 --> 01:09:08,149
♪♪
1723
01:08:58,069 --> 01:09:08,149
[ CHEERS AND APPLAUSE
1724
01:09:08,149 --> 01:09:18,079
>> IT'S ME, IT'S ME.
1725
01:09:08,149 --> 01:09:18,079
HOW I LOOK
1726
01:09:18,079 --> 01:09:24,079
I SAY, HOW I LOOK WITH THAT?
1727
01:09:18,079 --> 01:09:24,079
[ CHEERS AND APPLAUSE
1728
01:09:24,079 --> 01:09:26,289
ALL RIGHT, LET THEM KNOW WHO
1729
01:09:24,079 --> 01:09:26,289
THEY PLAYING WITH.
1730
01:09:26,289 --> 01:09:35,260
MAN, LOOK, YOU KNOW.
1731
01:09:26,289 --> 01:09:35,260
HEY, THE TO BE ABLE TO PUT OUT A
1732
01:09:35,260 --> 01:09:39,029
SONG LIKE "ROCK STAR" DURING THE
1733
01:09:35,260 --> 01:09:39,029
PANDEMIC AND SEE IT GO NUMBER
1734
01:09:39,029 --> 01:09:41,270
ONE, LONGEST RUNNING NUMBER ONE
1735
01:09:39,029 --> 01:09:41,270
ON THE BILLBOARD HOT 100 FOR
1736
01:09:41,270 --> 01:09:47,090
2020
1737
01:09:41,270 --> 01:09:47,090
[ CHEERS AND APPLAUSE
1738
01:09:47,090 --> 01:09:50,010
IT'S SORT OF A BLESSING.
1739
01:09:47,090 --> 01:09:50,010
NONE OF IT WOULD BE POSSIBLE
1740
01:09:50,010 --> 01:09:52,270
WITHOUT GOD AND MY TEAM.
1741
01:09:50,010 --> 01:09:52,270
I APPRECIATE ALL Y'ALL
1742
01:09:52,270 --> 01:09:56,010
OH, YEAH, AND MOST IMPORTANTLY,
1743
01:09:52,270 --> 01:09:56,010
LAST BUT NOT LEAST, THE FANS AND
1744
01:09:56,010 --> 01:10:00,100
THE SUPPORTERS
1745
01:09:56,010 --> 01:10:00,100
[ CHEERS AND APPLAUSE
1746
01:10:00,100 --> 01:10:04,149
BECAUSE IF Y'ALL DON'T, BECAUSE
1747
01:10:00,100 --> 01:10:04,149
IF Y'ALL DON'T PRESS PLAY, THE
1748
01:10:04,149 --> 01:10:05,260
MUSIC DON'T GET HEARD.
1749
01:10:04,149 --> 01:10:05,260
APPRECIATE Y'ALL
1750
01:10:05,260 --> 01:10:14,140
[ CHEERS AND APPLAUSE
1751
01:10:05,260 --> 01:10:14,140
♪♪
1752
01:10:14,140 --> 01:10:16,199
>> Announcer: KEEP WATCHING AS
1753
01:10:14,140 --> 01:10:16,199
TRAE THA TRUTH RECEIVES THE
1754
01:10:16,199 --> 01:10:24,039
BILLBOARD CHANGE MAKER AWARD
1755
01:10:16,199 --> 01:10:24,039
THEN LATER, PERFORMANCES BY BTS
1756
01:10:24,039 --> 01:10:33,000
BAD BUNNY, AND THE WEEKND HERE
1757
01:10:24,039 --> 01:10:33,000
ON NBC
1758
01:10:33,000 --> 01:10:34,199
>> Announcer: XFINITY BRINGS YOU
1759
01:10:33,000 --> 01:10:34,199
A WAY BETTER WAY TO WATCH YOUR
1760
01:10:34,199 --> 01:10:36,090
FAVORITE ARTISTS
1761
01:10:34,199 --> 01:10:36,090
AND NOW, CUSTOMERS CAN CATCH A
1762
01:10:36,090 --> 01:10:46,039
SPECIAL BONUS PERFORMANCE FROM
1763
01:10:36,090 --> 01:10:46,039
NOAH CYRUS
1764
01:10:46,039 --> 01:10:50,100
[ CHEERS AND APPLAUSE
1765
01:10:46,039 --> 01:10:50,100
♪♪
1766
01:10:50,100 --> 01:10:53,239
>>> LAST YEAR KILLER MIKE
1767
01:10:50,100 --> 01:10:53,239
RECEIVED THE VERY FIRST
1768
01:10:53,239 --> 01:10:57,220
BILLBOARD CHANGE MAKER AWARD
1769
01:10:53,239 --> 01:10:57,220
HERE TO HONOR THIS YEAR'S
1770
01:10:57,220 --> 01:11:01,020
RECIPIENT, IS THE ONE AND ONLY,
1771
01:10:57,220 --> 01:11:01,020
TINA KNOWLES-LAWSON.
1772
01:11:01,020 --> 01:11:03,079
>> TRAE THA TRUTH IS A
1773
01:11:01,020 --> 01:11:03,079
MODERN-DAY SUPERHERO
1774
01:11:03,079 --> 01:11:07,039
HE JUST DOESN'T WEAR THE CAPE.
1775
01:11:03,079 --> 01:11:07,039
I FIRST MET TRAE DOING WHAT HE
1776
01:11:07,039 --> 01:11:11,170
DOES BEST, HELPING OTHERS.
1777
01:11:07,039 --> 01:11:11,170
WHEN HURRICANE HARVEY RAVAGED
1778
01:11:11,170 --> 01:11:15,130
HOUSTON, TRAE WAS THERE RESCUING
1779
01:11:11,170 --> 01:11:15,130
PEOPLE FROM THE FLOODWATERS WITH
1780
01:11:15,130 --> 01:11:18,229
HIS BOAT AND DISTRIBUTING
1781
01:11:15,130 --> 01:11:18,229
MUCH-NEEDED SUPPLIES TO LOCAL
1782
01:11:18,229 --> 01:11:22,180
COMMUNITIES.
1783
01:11:18,229 --> 01:11:22,180
TRAE THA TRUTH IS A LEGEND
1784
01:11:22,180 --> 01:11:26,140
IN HOUSTON, WITH A HEART AS BIG
1785
01:11:22,180 --> 01:11:26,140
AS TEXAS
1786
01:11:26,140 --> 01:11:35,119
HE IS A TALENTED RAPPER, A VOICE
1787
01:11:26,140 --> 01:11:35,119
FOR SOCIAL CHANGE, AND A TRUE
1788
01:11:35,119 --> 01:11:37,180
HUMANITARIAN WHOSE WORK TOUCHES
1789
01:11:35,119 --> 01:11:37,180
CITIES ACROSS THE COUNTRY.
1790
01:11:37,180 --> 01:11:40,109
HIS NAME IS SO FITTING BECAUSE
1791
01:11:37,180 --> 01:11:40,109
TRAE REALLY IS THE TRUTH
1792
01:11:40,109 --> 01:11:46,140
LET'S TAKE A LOOK AT HOW
1793
01:11:40,109 --> 01:11:46,140
TRAE THA TRUTH'S COMMITMENT TO
1794
01:11:46,140 --> 01:11:57,210
ADVOCACY THROUGH HIS ART HAS
1795
01:11:46,140 --> 01:11:57,210
CREATED POWERFUL CHANGE.
1796
01:11:57,210 --> 01:12:00,220
>> IT'S MY RESPONSIBILITY TO
1797
01:11:57,210 --> 01:12:00,220
ALWAYS STEP UP
1798
01:12:00,220 --> 01:12:11,119
>> FOR NEARLY TWO DECADES RAPPER
1799
01:12:00,220 --> 01:12:11,119
AND ADVOCATE TRAE THA TRUTH HAS
1800
01:12:11,119 --> 01:12:14,039
BEEN SHOWING UP.
1801
01:12:11,119 --> 01:12:14,039
HE LED THE EFFORT TO DIRECT AID
1802
01:12:14,039 --> 01:12:17,020
TO FAMILIES IN NEED AND HAS
1803
01:12:14,039 --> 01:12:17,020
BECOME ONE OF THE MOST RESPECTED
1804
01:12:17,020 --> 01:12:20,180
ORGANIZATIONS IN THE AREA.
1805
01:12:17,020 --> 01:12:20,180
>> I'VE BEEN WITH PEOPLE ALL
1806
01:12:20,180 --> 01:12:22,260
MORNING.
1807
01:12:20,180 --> 01:12:22,260
WHAT'S UP, BRO
1808
01:12:22,260 --> 01:12:27,109
>> TRAE'S COMMITMENT TO SERVICE
1809
01:12:22,260 --> 01:12:27,109
GOES FAR BEYOND DISASTER RELIEF.
1810
01:12:27,109 --> 01:12:32,010
HE IN 2008 HE FOUNDED ANGEL BY
1811
01:12:27,109 --> 01:12:32,010
NATURE DEDICATE TODAY IMPROVING
1812
01:12:32,010 --> 01:12:35,090
THE LIVES OF THOSE AFFECTED BY
1813
01:12:32,010 --> 01:12:35,090
HARDSHIP, ESPECIALLY UNDER
1814
01:12:35,090 --> 01:12:40,270
SERVED YOUTH
1815
01:12:35,090 --> 01:12:40,270
>> I'M ALWAYS GOING TO BE THERE.
1816
01:12:40,270 --> 01:12:44,079
RATHER THAN SIT BACK, WAITING
1817
01:12:40,270 --> 01:12:44,079
AND TRYING TO STRATEGIZE,
1818
01:12:44,079 --> 01:12:48,189
SOMETIMES YOU HAVE TO MOVE RIGHT
1819
01:12:44,079 --> 01:12:48,189
THEN AND THERE BECAUSE THAT
1820
01:12:48,189 --> 01:12:51,029
PERCENT THAT YOU'RE HELPING CAN
1821
01:12:48,189 --> 01:12:51,029
CHANGE PEOPLE'S LIVES.
1822
01:12:51,029 --> 01:12:54,130
>> IN RECOGNITION OF HIS WORK,
1823
01:12:51,029 --> 01:12:54,130
THE CITY OF HOUSTON HONORS HIM
1824
01:12:54,130 --> 01:12:58,060
EVERY JULY 22nd KNOWN AS TRAE
1825
01:12:54,130 --> 01:12:58,060
DAY.
1826
01:12:58,060 --> 01:13:00,270
>> IT'S ABOUT BRINGING
1827
01:12:58,060 --> 01:13:00,270
ENTERTAINMENT TO UNDER
1828
01:13:00,270 --> 01:13:06,140
PRIVILEGED PEOPLE IN HOUSTON
1829
01:13:00,270 --> 01:13:06,140
>> TRAE, MY DEDICATION AND MY
1830
01:13:06,140 --> 01:13:08,149
OBLIGATION, I FEEL LIKE I NEED
1831
01:13:06,140 --> 01:13:08,149
TO
1832
01:13:08,149 --> 01:13:14,060
I TAKE CARE OF THE CITY.
1833
01:13:08,149 --> 01:13:14,060
>> TRAE THA TRUTH IS WILLING TO
1834
01:13:14,060 --> 01:13:16,140
PUT HIMSELF ON THE LINE TO MAKE
1835
01:13:14,060 --> 01:13:16,140
THINGS BETTER.
1836
01:13:16,140 --> 01:13:19,050
AND HE DOES THESE THINGS SIMPLY
1837
01:13:16,140 --> 01:13:19,050
BECAUSE HE CARES
1838
01:13:19,050 --> 01:13:21,250
AND THAT'S WHY THIS CITY LOVES
1839
01:13:19,050 --> 01:13:21,250
HIM.
1840
01:13:21,250 --> 01:13:25,050
AND NOT ONLY DO I RESPECT HIM, I
1841
01:13:21,250 --> 01:13:25,050
LOVE THE BROTHER
1842
01:13:25,050 --> 01:13:29,000
>> TRAE'S IMPACT IS FELT ACROSS
1843
01:13:25,050 --> 01:13:29,000
THE NATION
1844
01:13:29,000 --> 01:13:30,270
VOTER REGISTRATION DRIVE AND
1845
01:13:29,000 --> 01:13:30,270
DEMONSTRATIONS AGAINST POLICE
1846
01:13:30,270 --> 01:13:35,000
BRUTALITY.
1847
01:13:30,270 --> 01:13:35,000
LAST YEAR ALONGSIDE THE CITY OF
1848
01:13:35,000 --> 01:13:40,020
HOUSTON, TRAE ORGANIZED A SMALL
1849
01:13:35,000 --> 01:13:40,020
MARCH TO SUPPORT THE FAMILY OF
1850
01:13:40,020 --> 01:13:43,119
HIS FRIEND GEORGE FLOYD.
1851
01:13:40,020 --> 01:13:43,119
WITH ONLY TWO DAY'S NOTICE, THE
1852
01:13:43,119 --> 01:13:45,270
EVENT WAS ATTENDED BY OVER
1853
01:13:43,119 --> 01:13:45,270
60,000 PEOPLE.
1854
01:13:45,270 --> 01:13:50,090
>> WHEN WE DID AND CAME TO DO
1855
01:13:45,270 --> 01:13:50,090
THIS SUNDAY, WE HAD NO IDEA IT
1856
01:13:50,090 --> 01:13:52,079
WAS GOING TO BE TEN PEOPLE OR
1857
01:13:50,090 --> 01:13:52,079
10,000
1858
01:13:52,079 --> 01:13:56,210
I WANT TO TELL EACH AND EVERY
1859
01:13:52,079 --> 01:13:56,210
ONE OF Y'ALL PERSONALLY FROM THE
1860
01:13:56,210 --> 01:14:01,050
BOTTOM OF MY HEART, THANK Y'ALL.
1861
01:13:56,210 --> 01:14:01,050
>>> PEOPLE IS WHAT MAKES THE
1862
01:14:01,050 --> 01:14:09,020
WORLD FEEL SAFE.
1863
01:14:01,050 --> 01:14:09,020
AND TRAE THA TRUTH PROVIDES
1864
01:14:09,020 --> 01:14:11,180
DECENCY TO HIS COMMUNITY IN A
1865
01:14:09,020 --> 01:14:11,180
WAY THAT'S SO INSPIRING.
1866
01:14:11,180 --> 01:14:16,079
>> I THINK THAT'S GOING TO BE
1867
01:14:11,180 --> 01:14:16,079
THE CORNERSTONE OF TRAE'S
1868
01:14:16,079 --> 01:14:18,109
LEGACY
1869
01:14:16,079 --> 01:14:18,109
HE USES HIS POWER TO HELP HIS
1870
01:14:18,109 --> 01:14:21,140
FELLOW MAN
1871
01:14:18,109 --> 01:14:21,140
>> HE MOTIVATES OTHER TO
1872
01:14:21,140 --> 01:14:26,079
MOTIVATE PEOPLE.
1873
01:14:21,140 --> 01:14:26,079
>> I'M GOING TO CONTINUE DOING
1874
01:14:26,079 --> 01:14:31,050
IT UNTIL MY JOB IS DONE.
1875
01:14:26,079 --> 01:14:31,050
>> TRAE THA TRUTH IS A TRUE
1876
01:14:31,050 --> 01:14:37,020
CHANGE MAKER
1877
01:14:31,050 --> 01:14:37,020
>> AND NOW PLEASE WELCOME THE
1878
01:14:37,020 --> 01:14:42,170
RECIPIENT OF THIS 2021 BILLBOARD
1879
01:14:37,020 --> 01:14:42,170
CHANGE MAKER AWARD TRAE THA
1880
01:14:42,170 --> 01:15:04,039
TRUTH.
1881
01:14:42,170 --> 01:15:04,039
[ CHEERS AND APPLAUSE
1882
01:15:04,039 --> 01:15:05,229
>> ANOTHER DAY, ANOTHER
1883
01:15:04,039 --> 01:15:05,229
BLESSING
1884
01:15:05,229 --> 01:15:09,159
YOU KNOW NONE OF THIS WOULD BE
1885
01:15:05,229 --> 01:15:09,159
POSSIBLE IF IT WASN'T FOR THE
1886
01:15:09,159 --> 01:15:12,140
MAN UP ABOVE
1887
01:15:09,159 --> 01:15:12,140
SO I WANT TO TAKE THIS MOMENT TO
1888
01:15:12,140 --> 01:15:15,000
THANK HIM RIGHT NOW.
1889
01:15:12,140 --> 01:15:15,000
I WANT TO SAY THANK YOU TO MY
1890
01:15:15,000 --> 01:15:17,079
FAMILY
1891
01:15:15,000 --> 01:15:17,079
THANK YOU TO MY KIDS
1892
01:15:17,079 --> 01:15:20,220
I KNOW MY MAMA PROBABLY
1893
01:15:17,079 --> 01:15:20,220
SOMEWHERE GOING CRAZY RIGHT NOW.
1894
01:15:20,220 --> 01:15:22,279
THANK YOU TO MY TEAM AB RELIEF
1895
01:15:20,220 --> 01:15:22,279
GANG
1896
01:15:22,279 --> 01:15:28,180
MY BROTHER D.J. MR. ROGERS
1897
01:15:22,279 --> 01:15:28,180
MY BUMP BOX TEAM
1898
01:15:28,180 --> 01:15:31,250
MY FLEE DOMREEDOM FAMILY.
1899
01:15:28,180 --> 01:15:31,250
LAST BUT NOT LEAST, Y'ALL THE
1900
01:15:31,250 --> 01:15:34,279
REASON I DO WHAT I DO.
1901
01:15:31,250 --> 01:15:34,279
[ CHEERS AND APPLAUSE
1902
01:15:34,279 --> 01:15:38,079
COMING FROM WHERE I COME FROM,
1903
01:15:34,279 --> 01:15:38,079
NOTHING WAS EVER PROMISED.
1904
01:15:38,079 --> 01:15:40,220
I SAID IF I EVER GOT IN
1905
01:15:38,079 --> 01:15:40,220
POSITION, I'D BE THERE FOR THOSE
1906
01:15:40,220 --> 01:15:44,130
IN NEED.
1907
01:15:40,220 --> 01:15:44,130
WHETHER IT BE ASSISTING LITTLE
1908
01:15:44,130 --> 01:15:47,140
HOMIES IN MUSIC, ASSISTING
1909
01:15:44,130 --> 01:15:47,140
PEOPLE IN NEED OF RELIEF OR
1910
01:15:47,140 --> 01:15:51,010
WHETHER JUST FIGHTING ON THE
1911
01:15:47,140 --> 01:15:51,010
FRONT LINE FOR THOSE WHO CAN'T
1912
01:15:51,010 --> 01:15:54,050
FIGHT FOR THEMSELVES
1913
01:15:51,010 --> 01:15:54,050
I WANT TO SAY I APPRECIATE
1914
01:15:54,050 --> 01:15:56,260
BILLBOARD FOR TAKING THE TIME TO
1915
01:15:54,050 --> 01:15:56,260
SHED LIGHT ON ME RIGHT NOW
1916
01:15:56,260 --> 01:15:59,220
BECAUSE RIGHT NOW YOU SHED LIGHT
1917
01:15:56,260 --> 01:15:59,220
ON HOUSTON RIGHT NOW
1918
01:15:59,220 --> 01:16:02,260
YOU SHED LIGHT ON TEXAS.
1919
01:15:59,220 --> 01:16:02,260
YOU SHED LIGHT ON THE FEW REAL
1920
01:16:02,260 --> 01:16:09,060
LEADERS LEFT
1921
01:16:02,260 --> 01:16:09,060
I'M ONE OF THE ONES WHO
1922
01:16:09,060 --> 01:16:10,170
REPRESENTS THE STRUGGLE IN THE
1923
01:16:09,060 --> 01:16:10,170
LESS FORTUNATE
1924
01:16:10,170 --> 01:16:12,100
WHEN IT COMES TO CHANGE IT'S
1925
01:16:10,170 --> 01:16:12,100
IMPORTANT.
1926
01:16:12,100 --> 01:16:15,239
THAT'S WHY THIS AWARD IS SO
1927
01:16:12,100 --> 01:16:15,239
IMPORTANT TO ME, MAN
1928
01:16:15,239 --> 01:16:17,250
IT'S IMPORTANT TO CHANGE
1929
01:16:15,239 --> 01:16:17,250
PEOPLE'S LIVES
1930
01:16:17,250 --> 01:16:20,079
IT'S IMPORTANT TO CHANGE THE
1931
01:16:17,250 --> 01:16:20,079
THOUGHTS OF THOSE WHO GIVE UP AT
1932
01:16:20,079 --> 01:16:21,239
TIMES.
1933
01:16:20,079 --> 01:16:21,239
IT'S IMPORTANT TO CHANGE THINGS
1934
01:16:21,239 --> 01:16:23,210
THAT WEREN'T DESIGNED FOR OUR
1935
01:16:21,239 --> 01:16:23,210
BEST INTEREST.
1936
01:16:23,210 --> 01:16:27,210
FOR ME, I COME FROM THE STREETS.
1937
01:16:23,210 --> 01:16:27,210
WE HAVE TO PROTECT OUR WOMEN
1938
01:16:27,210 --> 01:16:31,210
WE HAVE TO PROTECT OUR CHILDREN.
1939
01:16:27,210 --> 01:16:31,210
WE HAVE TO PROTECT OUR ELDERS.
1940
01:16:31,210 --> 01:16:35,039
IT'S TIME FOR US TO CHANGE AND
1941
01:16:31,210 --> 01:16:35,039
CONTROL OUR OWN STORY RIGHT
1942
01:16:35,039 --> 01:16:37,060
ABOUT NOW.
1943
01:16:35,039 --> 01:16:37,060
IT'S ABOUT STEPPING UP, NOT
1944
01:16:37,060 --> 01:16:40,050
TAKING NO FOR AN ANSWER.
1945
01:16:37,060 --> 01:16:40,050
AND IF YOU KNOW ME, YOU KNOW I
1946
01:16:40,050 --> 01:16:47,039
NEVER BACK DOWN.
1947
01:16:40,050 --> 01:16:47,039
AND MOST OF ALL, NEVER GIVE UP
1948
01:16:47,039 --> 01:16:50,119
AND I WANT TO TAKE THIS MOMENT
1949
01:16:47,039 --> 01:16:50,119
RIGHT NOW TO DEDICATE THIS TO MY
1950
01:16:50,119 --> 01:16:54,140
BROTHER MONEY CLIFF D, MY LITTLE
1951
01:16:50,119 --> 01:16:54,140
BRO NIPSEY HUSSLE.
1952
01:16:54,140 --> 01:16:58,079
MY BROTHER D.J., ALL MY SUC
1953
01:16:54,140 --> 01:16:58,079
ANGELS
1954
01:16:58,079 --> 01:17:02,020
MY BROTHER DMX
1955
01:16:58,079 --> 01:17:02,020
THIS IS FOR MY NIECE, TOO.
1956
01:17:02,020 --> 01:17:04,199
YOU KNOW YOUR UNCLE, BABY.
1957
01:17:02,020 --> 01:17:04,199
THIS IS FOR ANYBODY WHO EVER
1958
01:17:04,199 --> 01:17:08,050
WALKED UP TO ME AND TOLD ME THEY
1959
01:17:04,199 --> 01:17:08,050
WERE INSPIRED OR MOTIVATED BY
1960
01:17:08,050 --> 01:17:10,220
ANYTHING I DO, MAN
1961
01:17:08,050 --> 01:17:10,220
I WANT TO TAKE THIS MOMENT TO
1962
01:17:10,220 --> 01:17:13,189
SAY THANK YOU TO MISS TINA,
1963
01:17:10,220 --> 01:17:13,189
BEYONCE.
1964
01:17:13,189 --> 01:17:16,210
THEY GOOD, YOU KNOW THEY WHOLE
1965
01:17:13,189 --> 01:17:16,210
FAMILY
1966
01:17:16,210 --> 01:17:19,140
IT'S TIMES WHEN PEOPLE WOULDN'T
1967
01:17:16,210 --> 01:17:19,140
STAND FOR ME
1968
01:17:19,140 --> 01:17:23,149
THEY ALWAYS STOOD WHEN OTHERS
1969
01:17:19,140 --> 01:17:23,149
DECIDED TO OVERLOOK.
1970
01:17:23,149 --> 01:17:28,079
AND PLUS IT'S CRAZEY BECAUSE MIS
1971
01:17:23,149 --> 01:17:28,079
TINA ALWAYS CALLS ME A
1972
01:17:28,079 --> 01:17:30,069
SUPERHERO.
1973
01:17:28,079 --> 01:17:30,069
THIS MEANS MORE TO ME THAN
1974
01:17:30,069 --> 01:17:34,039
ANYTHING TO BE GETTING AN AWARD
1975
01:17:30,069 --> 01:17:34,039
FROM YOU, YOU KNOW WHAT I'M
1976
01:17:34,039 --> 01:17:35,130
SAYING
1977
01:17:34,039 --> 01:17:35,130
[ APPLAUSE ]
1978
01:17:35,130 --> 01:17:38,119
WHAT I WILL SAY, I'D BE WRONG IF
1979
01:17:35,130 --> 01:17:38,119
I WOULDN'T LET THEM KNOW, RIGHT
1980
01:17:38,119 --> 01:17:43,279
NOW, THIS IS FOR HOUSTON, TEXAS.
1981
01:17:38,119 --> 01:17:43,279
THIS IS FOR THE AA TIME WE GOT
1982
01:17:43,279 --> 01:17:45,029
ONE.
1983
01:17:43,279 --> 01:17:45,029
WE ALL ONE RELIEF GANG
1984
01:17:45,029 --> 01:17:51,000
BUT ONE LAST THING, TOO.
1985
01:17:45,029 --> 01:17:51,000
DANIEL CAMERON, WE'RE STILL
1986
01:17:51,000 --> 01:17:53,149
GOING TO NEED JUSTICE FOR
1987
01:17:51,000 --> 01:17:53,149
BREONNA TAYLOR
1988
01:17:53,149 --> 01:18:05,270
[ CHEERS AND APPLAUSE
1989
01:17:53,149 --> 01:18:05,270
>> TRAE THA TRUTH HEAD TO
1990
01:18:05,270 --> 01:18:08,180
NFT.COM.
1991
01:18:05,270 --> 01:18:08,180
GET YOUR OWN COMMEMORATIVE
1992
01:18:08,180 --> 01:18:12,270
CHANGE MAKER ART NFT
1993
01:18:08,180 --> 01:18:12,270
THE PROCEEDS FROM SALES WILL BE
1994
01:18:12,270 --> 01:18:15,010
DONATED TO TRAE'S FOUNDATION,
1995
01:18:12,270 --> 01:18:15,010
ANGEL BY NATURE.
1996
01:18:15,010 --> 01:18:17,069
AND NOW PLEASE WELCOME THE
1997
01:18:15,010 --> 01:18:17,069
EMMY AWARD-WINNING HOST OF
1998
01:18:17,069 --> 01:18:22,130
BRAVO'S "TOP CHEF,"
1999
01:18:17,069 --> 01:18:22,130
PADMA LAKSHMI.
2000
01:18:22,130 --> 01:18:27,060
[ CHEERS AND APPLAUSE
2001
01:18:22,130 --> 01:18:27,060
>> THE NEXT PERFORMERS JUST KEEP
2002
01:18:27,060 --> 01:18:29,260
BREAKING RECORDS
2003
01:18:27,060 --> 01:18:29,260
THEY MADE HISTORY ON BILLBOARD'S
2004
01:18:29,260 --> 01:18:35,109
GLOBAL 200 CHART
2005
01:18:29,260 --> 01:18:35,109
EARNING FIVE TOP 10 HITS SO FAR,
2006
01:18:35,109 --> 01:18:39,069
THE MOST AMONG GROUPS.
2007
01:18:35,109 --> 01:18:39,069
AND THEY'VE HAD FIVE
2008
01:18:39,069 --> 01:18:47,029
NUMBER 1 ALBUMS ON THE
2009
01:18:39,069 --> 01:18:47,029
YOU KNOW WHO I'M TALKING ABOUT
2010
01:18:47,029 --> 01:18:50,010
ON THE BILLBOARD 200 CHART
2011
01:18:47,029 --> 01:18:50,010
IT'S NO SURPRISE THAT THEIR ARMY
2012
01:18:50,010 --> 01:18:54,100
KEEPS GROWING.
2013
01:18:50,010 --> 01:18:54,100
[ CHEERS AND APPLAUSE
2014
01:18:54,100 --> 01:18:58,069
COMING TO US FROM SEOUL,
2015
01:18:54,100 --> 01:18:58,069
SOUTH KOREA, AND PERFORMING
2016
01:18:58,069 --> 01:19:07,239
THEIR NEW SINGLE, "BUTTER," HERE
2017
01:18:58,069 --> 01:19:07,239
IS BTS
2018
01:19:07,239 --> 01:19:10,010
[ CHEERS AND APPLAUSE
2019
01:19:26,210 --> 01:19:31,279
[ CHEERS AND APPLAUSE
2020
01:19:43,199 --> 01:19:48,100
[ WHISTLING
2021
01:19:43,199 --> 01:19:48,100
[ CHEERS AND APPLAUSE
2022
01:19:48,100 --> 01:19:50,000
♪♪
2023
01:19:48,100 --> 01:19:50,000
♪♪
2024
01:19:50,000 --> 01:19:51,020
♪♪
2025
01:19:50,000 --> 01:19:51,020
♪♪
2026
01:19:51,020 --> 01:19:57,239
♪♪
2027
01:19:51,020 --> 01:19:57,239
♪ PUT THAT BUTTER BACK UNDER
2028
01:19:57,239 --> 01:20:03,109
COVER ♪
2029
01:19:57,239 --> 01:20:03,109
♪ BREAKING INTO YOUR HEART LIKE
2030
01:20:03,109 --> 01:20:03,220
THAT ♪
2031
01:20:03,109 --> 01:20:03,220
♪
2032
01:20:03,220 --> 01:20:17,079
♪♪
2033
01:20:03,220 --> 01:20:17,079
♪♪
2034
01:20:17,079 --> 01:20:47,210
♪♪
2035
01:20:17,079 --> 01:20:47,210
♪♪
2036
01:20:47,210 --> 01:21:12,180
♪♪
2037
01:20:47,210 --> 01:21:12,180
♪♪
2038
01:21:12,180 --> 01:21:49,199
♪♪
2039
01:21:12,180 --> 01:21:49,199
♪♪
2040
01:21:49,199 --> 01:22:14,020
♪♪
2041
01:21:49,199 --> 01:22:14,020
♪♪
2042
01:22:14,020 --> 01:22:31,010
♪♪
2043
01:22:14,020 --> 01:22:31,010
[ CHEERS AND APPLAUSE
2044
01:22:31,010 --> 01:22:32,210
>> Announcer: NEXT UP, DRAKE
2045
01:22:31,010 --> 01:22:32,210
ACCEPTS THE AWARD FOR
2046
01:22:32,210 --> 01:22:34,109
ARTIST OF THE DECADE
2047
01:22:32,210 --> 01:22:34,109
THEN LATER PERFORMANCES BY
2048
01:22:34,109 --> 01:22:37,039
DURAN DURAN FROM LONDON,
2049
01:22:34,109 --> 01:22:37,039
BAD BUNNY, GLASS ANIMALS AND
2050
01:22:37,039 --> 01:22:50,130
JONAS BROTHERS
2051
01:22:37,039 --> 01:22:50,130
[ CHEERS AND APPLAUSE
2052
01:22:50,130 --> 01:22:54,050
>> Announcer: WE'RE HERE AT THE
2053
01:22:50,130 --> 01:22:54,050
2021 BILLBOARD MUSIC AWARDS.
2054
01:22:54,050 --> 01:22:56,109
AND NOW IT'S TIME FOR THE
2055
01:22:54,050 --> 01:22:56,109
BILLBOARD ARTIST OF THE DECADE
2056
01:22:56,109 --> 01:23:09,100
AWARD.
2057
01:22:56,109 --> 01:23:09,100
>> SO, I'M SURE YOU'RE WRON
2058
01:23:09,100 --> 01:23:11,000
DERRING
2059
01:23:09,100 --> 01:23:11,000
WONDERING WHO ALL THESE PEOPLE
2060
01:23:11,000 --> 01:23:13,069
ON THE STAGE WERE.
2061
01:23:11,000 --> 01:23:13,069
WHEN DRAKE WAS ASKED WHO SHOULD
2062
01:23:13,069 --> 01:23:16,010
PRESENT HIM WITH THE ARTIST OF
2063
01:23:13,069 --> 01:23:16,010
THE DECADE, HE HAD A LOT OF
2064
01:23:16,010 --> 01:23:18,050
CHOICES.
2065
01:23:16,010 --> 01:23:18,050
IT COULD HAVE BEEN ONE OF HIS
2066
01:23:18,050 --> 01:23:21,069
PEERS.
2067
01:23:18,050 --> 01:23:21,069
IT COULD HAVE BEEN ONE OF HIS
2068
01:23:21,069 --> 01:23:22,260
MENTORS.
2069
01:23:21,069 --> 01:23:22,260
IT COULD HAVE JUST BEEN ONE OF
2070
01:23:22,260 --> 01:23:24,189
HIS FAMOUS FRIENDS THAT ARE
2071
01:23:22,260 --> 01:23:24,189
INTERESTING.
2072
01:23:24,189 --> 01:23:28,090
BUT HE LOOKED ME STRAIGHT IN THE
2073
01:23:24,189 --> 01:23:28,090
EYE AND SAID, IT SHOULD BE YOU
2074
01:23:28,090 --> 01:23:31,220
GUYS, MY FRIENDS AND FAMILY, THE
2075
01:23:28,090 --> 01:23:31,220
PEOPLE THAT HAVE BEEN THERE
2076
01:23:31,220 --> 01:23:36,260
EVERY STEP OF THE WAY WITH ME.
2077
01:23:31,220 --> 01:23:36,260
[ CHEERS AND APPLAUSE
2078
01:23:36,260 --> 01:23:39,210
YOU SEE, THAT'S JUST WHO DRAKE
2079
01:23:36,260 --> 01:23:39,210
IS
2080
01:23:39,210 --> 01:23:45,119
HE'S THE MOST KIND, SELFLESS,
2081
01:23:39,210 --> 01:23:45,119
GENEROUS PERSON WE KNOW.
2082
01:23:45,119 --> 01:23:51,000
[ CHEERS AND APPLAUSE
2083
01:23:45,119 --> 01:23:51,000
HERE'S A LITTLE BIT MORE ABOUT
2084
01:23:51,000 --> 01:24:02,149
THE ARTIST OF THE DECADE
2085
01:23:51,000 --> 01:24:02,149
>> LET ME TELL YOU SOMETHING
2086
01:24:02,149 --> 01:24:05,020
ACTORS DON'T REP
2087
01:24:02,149 --> 01:24:05,020
RAPPERS DON'T SING
2088
01:24:05,020 --> 01:24:11,119
RAPPERS DON'T COME FROM CANADA
2089
01:24:05,020 --> 01:24:11,119
WHERE IS CANADA?
2090
01:24:11,119 --> 01:24:17,039
I'M SUPPOSED TO BELIEVE IN THIS
2091
01:24:11,119 --> 01:24:17,039
LIGHT SKINNED R & B FACE CRYING
2092
01:24:17,039 --> 01:24:19,119
ON EVERY SONG?
2093
01:24:17,039 --> 01:24:19,119
DOES HE EVEN WRITE HIS OWN
2094
01:24:19,119 --> 01:24:21,149
SONGS?
2095
01:24:19,119 --> 01:24:21,149
WRITE HIS OWN SONGS, WRITE HIS
2096
01:24:21,149 --> 01:24:24,149
OWN SONGS?
2097
01:24:21,149 --> 01:24:24,149
I PROMISE YOU, THIS IS NEVER
2098
01:24:24,149 --> 01:24:27,239
GOING TO WORK.
2099
01:24:24,149 --> 01:24:27,239
THIS IS NEVER GOING TO LAST.
2100
01:24:27,239 --> 01:24:32,289
EVEN IF HE HAD A COSIGNER.
2101
01:24:27,239 --> 01:24:32,289
EVEN IF LIL' WAYNE COSIGNED, IT
2102
01:24:32,289 --> 01:24:36,039
DOESN'T EVEN MATTER.
2103
01:24:32,289 --> 01:24:36,039
OKAY, BEST I EVER HAD WAS A CUTE
2104
01:24:36,039 --> 01:24:40,010
ONE, BUT HE NEEDS ANOTHER ONE.
2105
01:24:36,039 --> 01:24:40,010
NO, ANOTHER ONE.
2106
01:24:40,010 --> 01:24:42,239
NO [ BLEEP ] THAT.
2107
01:24:40,010 --> 01:24:42,239
YOU KNOW WHAT?
2108
01:24:42,239 --> 01:24:45,079
OKAY
2109
01:24:42,239 --> 01:24:45,079
HE DID IT, BUT CAN HE DO IT
2110
01:24:45,079 --> 01:24:48,060
AGAIN?
2111
01:24:45,079 --> 01:24:48,060
NO, AGAIN.
2112
01:24:48,060 --> 01:24:53,260
NO, AGAIN.
2113
01:24:48,060 --> 01:24:53,260
NO, AGAIN.
2114
01:24:53,260 --> 01:24:57,220
[ CHEERS AND APPLAUSE
2115
01:24:53,260 --> 01:24:57,220
YOU KNOW WHAT?
2116
01:24:57,220 --> 01:25:02,220
HE'S JUST A LUCKY GUY.
2117
01:24:57,220 --> 01:25:02,220
>> ARE WE SURE IT'S LUCK
2118
01:25:02,220 --> 01:25:06,229
NINE NUMBER ONE ALBUMS
2119
01:25:02,220 --> 01:25:06,229
SIX NUMBER ONE SONGS
2120
01:25:06,229 --> 01:25:11,260
A RECORD 232 SONGS ON THE
2121
01:25:06,229 --> 01:25:11,260
BILLBOARD CHARTS
2122
01:25:11,260 --> 01:25:14,279
45 TOP TEN COMPOSITIONS, THE
2123
01:25:11,260 --> 01:25:14,279
MOST OF ANY ARTIST EVER.
2124
01:25:14,279 --> 01:25:18,220
ARE WE SURE IT'S LUCK?
2125
01:25:14,279 --> 01:25:18,220
THE FIRST ARTIST TO DEBUT AT
2126
01:25:18,220 --> 01:25:21,210
NUMBER ONE, TWO AND THREE
2127
01:25:18,220 --> 01:25:21,210
SIMULTANEOUSLY
2128
01:25:21,210 --> 01:25:25,239
MORE WEEKS ON THE HOT 100 THAN
2129
01:25:21,210 --> 01:25:25,239
ELVIS PRESLEY, ELTON JOHN,
2130
01:25:25,239 --> 01:25:31,079
STEVIE WONDER, MICHAEL JACKSON
2131
01:25:25,239 --> 01:25:31,079
MOST STREAMED ARTIST OF ALL
2132
01:25:31,079 --> 01:25:32,170
TIME
2133
01:25:31,079 --> 01:25:32,170
13 BILLBOARD AWARDS, THE MOST
2134
01:25:32,170 --> 01:25:37,189
EVER IN ONE NIGHT.
2135
01:25:32,170 --> 01:25:37,189
27 TOTAL BILLBOARD AWARDS, THE
2136
01:25:37,189 --> 01:25:42,100
MOST WINS IN MUSIC HISTORY
2137
01:25:37,189 --> 01:25:42,100
A RECORD 431 WEEKS ON HOT 100.
2138
01:25:42,100 --> 01:25:45,159
LUCK IS DEFINED AS SUCCESSOR
2139
01:25:42,100 --> 01:25:45,159
FAILURE APPARENTLY BROUGHT BY
2140
01:25:45,159 --> 01:25:48,250
CHANCE RATHER THAN THROUGH ONE'S
2141
01:25:45,159 --> 01:25:48,250
OWN ACTIONS.
2142
01:25:48,250 --> 01:25:51,220
A SPARK OF CHANCE.
2143
01:25:48,250 --> 01:25:51,220
PURPOSEFUL CHOICES
2144
01:25:51,220 --> 01:25:54,220
SELFLESS GESTURES.
2145
01:25:51,220 --> 01:25:54,220
RELENTLESS HOURS AND A WHOLE LOT
2146
01:25:54,220 --> 01:25:57,119
OF GOOD.
2147
01:25:54,220 --> 01:25:57,119
IT'S CLINICAL.
2148
01:25:57,119 --> 01:25:58,060
SURGICAL
2149
01:25:57,119 --> 01:25:58,060
MILITANT
2150
01:25:58,060 --> 01:26:00,220
EVEN WHEN THEY DON'T WANT TO
2151
01:25:58,060 --> 01:26:00,220
COMPETE ANY MORE, YOU FIND
2152
01:26:00,220 --> 01:26:02,010
SOMEONE TO CHALLENGE EVERY
2153
01:26:00,220 --> 01:26:02,010
SINGLE TIME.
2154
01:26:02,010 --> 01:26:06,039
EVEN IF THAT SOMEONE IS
2155
01:26:02,010 --> 01:26:06,039
YOURSELF
2156
01:26:06,039 --> 01:26:10,020
IT'S NOT LUCK, MY GOOD FRIEND.
2157
01:26:06,039 --> 01:26:10,020
IT'S CERTAIN DESTINY
2158
01:26:10,020 --> 01:26:24,170
[ CHEERS AND APPLAUSE
2159
01:26:10,020 --> 01:26:24,170
>> LADIES AND GENTLEMEN, IT IS
2160
01:26:24,170 --> 01:26:30,210
OUR HONOR TO PRESENT THE ARTIST
2161
01:26:24,170 --> 01:26:30,210
OF THE DECADE TO THE LEADER OF
2162
01:26:30,210 --> 01:26:37,000
OUR FAMILY, DRAKE.
2163
01:26:30,210 --> 01:26:37,000
[ CHEERS AND APPLAUSE
2164
01:26:37,000 --> 01:26:44,270
>> HEY
2165
01:26:37,000 --> 01:26:44,270
♪♪
2166
01:26:44,270 --> 01:27:08,100
♪♪
2167
01:26:44,270 --> 01:27:08,100
>> CAN YOU HOLD IT
2168
01:27:08,100 --> 01:27:18,079
[ CHEERS AND APPLAUSE
2169
01:27:08,100 --> 01:27:18,079
>> THANK YOU VERY, VERY, VERY
2170
01:27:18,079 --> 01:27:24,140
MUCH
2171
01:27:18,079 --> 01:27:24,140
[ CHEERS AND APPLAUSE
2172
01:27:24,140 --> 01:27:28,199
THAT VIDEO WAS, THAT VIDEO WAS
2173
01:27:24,140 --> 01:27:28,199
REALLY FULL OF A LOT OF
2174
01:27:28,199 --> 01:27:32,000
CONFIDENCE AND BRAVADO, BUT YOU
2175
01:27:28,199 --> 01:27:32,000
KNOW, THE TRUTH IS I'M REALLY
2176
01:27:32,000 --> 01:27:37,109
BAD AT TAKING COMPLIMENTS, YOU
2177
01:27:32,000 --> 01:27:37,109
KNOW
2178
01:27:37,109 --> 01:27:41,130
I'M -- THANK YOU
2179
01:27:37,109 --> 01:27:41,130
I'LL TAKE THAT ONE, THOUGH
2180
01:27:41,130 --> 01:27:45,140
THANK YOU.
2181
01:27:41,130 --> 01:27:45,140
YEAH, NO, I'M REALLY
2182
01:27:45,140 --> 01:27:48,140
SELF-CONSCIOUS ABOUT MY MUSIC.
2183
01:27:45,140 --> 01:27:48,140
EVEN IF I DO A GOOD JOB, I
2184
01:27:48,140 --> 01:27:50,260
ALWAYS WONDER HOW I COULD HAVE
2185
01:27:48,140 --> 01:27:50,260
DONE IT BETTER
2186
01:27:50,260 --> 01:27:55,039
I RARELY CELEBRATE ANYTHING.
2187
01:27:50,260 --> 01:27:55,039
AND JUST FOR ANYONE WATCHING
2188
01:27:55,039 --> 01:27:57,210
THIS THAT'S WONDERING HOW THIS
2189
01:27:55,039 --> 01:27:57,210
HAPPENED, YOU KNOW, THAT'S
2190
01:27:57,210 --> 01:28:01,090
REALLY THE ANSWER.
2191
01:27:57,210 --> 01:28:01,090
IT'S BEING SO UNSURE HOW YOU'RE
2192
01:28:01,090 --> 01:28:04,029
GETTING IT DONE THAT YOU JUST,
2193
01:28:01,090 --> 01:28:04,029
YOU JUST KIND OF KEEP GOING IN
2194
01:28:04,029 --> 01:28:08,260
THE HOPES OF FIGURING OUT THE
2195
01:28:04,029 --> 01:28:08,260
FORMULA, JUST FEELING SO LUCKY
2196
01:28:08,260 --> 01:28:13,000
AND BLESSED THAT THE FEAR OF
2197
01:28:08,260 --> 01:28:13,000
LOSING IT KEEPS YOU UP AT NIGHT.
2198
01:28:13,000 --> 01:28:15,159
I DIDN'T REALLY WRITE A
2199
01:28:13,000 --> 01:28:15,159
GRANDIOSE SPEECH ABOUT HOW TO
2200
01:28:15,159 --> 01:28:19,189
MAKE IT WORK OR WHAT IT TOOK
2201
01:28:15,159 --> 01:28:19,189
BECAUSE, YOU KNOW, TO BE REALLY
2202
01:28:19,189 --> 01:28:20,239
HONEST WITH YOU, I DON'T, I
2203
01:28:19,189 --> 01:28:20,239
DON'T QUITE UNDERSTAND IT
2204
01:28:20,239 --> 01:28:23,289
MYSELF
2205
01:28:20,239 --> 01:28:23,289
BUT I JUST KNOW --
2206
01:28:23,289 --> 01:28:34,039
[ CHEERS AND APPLAUSE
2207
01:28:23,289 --> 01:28:34,039
I JUST KNOW THAT, I KNOW I'VE
2208
01:28:34,039 --> 01:28:38,000
SPENT AN IN CALCULABLE AMOUNT OF
2209
01:28:34,039 --> 01:28:38,000
HOURS TRYING TO ANALYZE ALL THE
2210
01:28:38,000 --> 01:28:40,189
THINGS I DID WRONG ARE, BUT
2211
01:28:38,000 --> 01:28:40,189
TONIGHT FOR ONCE, I'M SURE AS
2212
01:28:40,189 --> 01:28:47,119
HELL WE DID SOMETHING RIGHT.
2213
01:28:40,189 --> 01:28:47,119
[ CHEERS AND APPLAUSE
2214
01:28:47,119 --> 01:28:49,270
I WANT TO DEDICATE THIS AWARD TO
2215
01:28:47,119 --> 01:28:49,270
MY FRIENDS
2216
01:28:49,270 --> 01:28:53,170
I WANT TO DEDICATE THIS AWARD TO
2217
01:28:49,270 --> 01:28:53,170
MY LONG-TIME COLLABORATORS
2218
01:28:53,170 --> 01:28:57,229
I WANT TO DEDICATE THIS AWARD TO
2219
01:28:53,170 --> 01:28:57,229
ALL MY PEERS, ALL OF YOUR
2220
01:28:57,229 --> 01:29:01,050
DECISIONS AND THE MUSIC YOU MAKE
2221
01:28:57,229 --> 01:29:01,050
REALLY DOES HAVE ME TOSSING AND
2222
01:29:01,050 --> 01:29:04,130
TURNING AT NIGHT TRYING TO
2223
01:29:01,050 --> 01:29:04,130
FIGURE OUT WHAT I SHOULD DO
2224
01:29:04,130 --> 01:29:05,170
NEXT
2225
01:29:04,130 --> 01:29:05,170
SO THANK YOU
2226
01:29:05,170 --> 01:29:09,279
TO MY BEAUTIFUL FAMILY -- HEY,
2227
01:29:05,170 --> 01:29:09,279
WAIT, WAIT, WAIT
2228
01:29:09,279 --> 01:29:12,100
AND TO YOU
2229
01:29:09,279 --> 01:29:12,100
I WANT TO DEDICATE IT TO --
2230
01:29:12,100 --> 01:29:17,069
[ LAUGHTER ]
2231
01:29:12,100 --> 01:29:17,069
♪♪
2232
01:29:17,069 --> 01:29:24,029
♪♪
2233
01:29:17,069 --> 01:29:24,029
>> Reporter: KEEP WATCHING AS WE
2234
01:29:24,029 --> 01:29:35,090
HAVE PERFORMANCES FROM DURAN
2235
01:29:24,029 --> 01:29:35,090
DURAN, AND THE
2236
01:29:35,090 --> 01:29:44,050
[ CHEERS AND APPLAUSE
2237
01:29:35,090 --> 01:29:44,050
>>> WE'RE BACK AT THE
2238
01:29:44,050 --> 01:29:47,140
2021 BILLBOARD MUSIC AWARDS.
2239
01:29:44,050 --> 01:29:47,140
OUR NEXT ARTIST IS ALWAYS
2240
01:29:47,140 --> 01:29:49,199
PUSHING THE BOUNDARIES OF MUSIC
2241
01:29:47,140 --> 01:29:49,199
TO NEW LIMITS AND BREAKING
2242
01:29:49,199 --> 01:29:53,159
RECORDS ALONG THE WAY.
2243
01:29:49,199 --> 01:29:53,159
HIS LATEST ALBUM,
2244
01:29:53,159 --> 01:29:56,260
"EL ULTIMO TOUR DEL MUNDO," IS
2245
01:29:53,159 --> 01:29:56,260
THE FIRST EVER ALL-SPANISH ALBUM
2246
01:29:56,260 --> 01:30:02,109
TO TAKE THE NUMBER ONE SPOT ON
2247
01:29:56,260 --> 01:30:02,109
THE BILLBOARD 200 ALBUMS CHART
2248
01:30:02,109 --> 01:30:03,109
PLEASE WELCOME, BAD BUNNY.
2249
01:30:06,079 --> 01:30:20,180
♪♪
2250
01:30:06,079 --> 01:30:20,180
♪♪
2251
01:30:20,180 --> 01:30:45,140
[ SINGING IN SPANISH ]
2252
01:30:20,180 --> 01:30:45,140
♪♪
2253
01:30:45,140 --> 01:31:00,109
♪♪
2254
01:30:45,140 --> 01:31:00,109
[ SINGING IN SPANISH ]
2255
01:31:00,109 --> 01:31:03,039
♪♪
2256
01:31:00,109 --> 01:31:03,039
♪♪
2257
01:31:03,039 --> 01:31:19,050
[ SINGING IN SPANISH ]
2258
01:31:03,039 --> 01:31:19,050
♪♪
2259
01:31:19,050 --> 01:31:35,220
♪♪
2260
01:31:19,050 --> 01:31:35,220
[ SINGING IN SPANISH ]
2261
01:31:35,220 --> 01:31:54,159
♪♪
2262
01:31:35,220 --> 01:31:54,159
♪♪
2263
01:31:54,159 --> 01:32:28,140
[ SINGING IN SPANISH ]
2264
01:31:54,159 --> 01:32:28,140
[ CHEERS AND APPLAUSE
2265
01:32:28,140 --> 01:32:33,170
>> WHAT A GREAT PERFORMANCE AND
2266
01:32:28,140 --> 01:32:33,170
CONGRATULATIONS TO BAD BUNNY FOR
2267
01:32:33,170 --> 01:32:39,090
WINNING TOP ARTIST, INCREDIBLE
2268
01:32:33,170 --> 01:32:39,090
THIS NEXT PRESENTER HAD A HABIT
2269
01:32:39,090 --> 01:32:42,220
OF POKING FUN AT ME AND MY
2270
01:32:39,090 --> 01:32:42,220
BROTHERS WITH HER SHOW YEARS
2271
01:32:42,220 --> 01:32:44,029
AGO.
2272
01:32:42,220 --> 01:32:44,029
HONESTLY, WHO WOULDN'T MAKE FUN
2273
01:32:44,029 --> 01:32:55,039
OF US, RIGHT
2274
01:32:44,029 --> 01:32:55,039
I WOULD MAKE FUN OF US
2275
01:32:55,039 --> 01:33:01,140
PLEASE WELCOME CHELSEA HANDLER
2276
01:32:55,039 --> 01:33:01,140
>> AC/DC, A J R,
2277
01:33:01,140 --> 01:33:04,069
FIVE FINGER DEATH PUNCH,
2278
01:33:01,140 --> 01:33:04,069
MACHINE GUN KELLY,
2279
01:33:04,069 --> 01:33:06,140
TWENTY ONE PILOTS -- THESE ARE
2280
01:33:04,069 --> 01:33:06,140
ALL THE DIFFERENT STRAINS OF
2281
01:33:06,140 --> 01:33:11,279
MARIJUANA I SMOKED BEFORE THE
2282
01:33:06,140 --> 01:33:11,279
SHOW STARTED
2283
01:33:11,279 --> 01:33:16,279
THEY'RE ALSO THE FINALISTS FOR
2284
01:33:11,279 --> 01:33:16,279
OUR NEXT AWARD, TOP ROCK ARTIST.
2285
01:33:16,279 --> 01:33:21,229
>> Announcer: AC/DC.
2286
01:33:16,279 --> 01:33:21,229
♪♪
2287
01:33:21,229 --> 01:33:27,060
A J R.
2288
01:33:21,229 --> 01:33:27,060
♪♪
2289
01:33:27,060 --> 01:33:32,039
FIVE FINGER DEATH PUNCH.
2290
01:33:27,060 --> 01:33:32,039
♪♪
2291
01:33:32,039 --> 01:33:37,060
MACHINE GUN KELLY.
2292
01:33:32,039 --> 01:33:37,060
♪♪
2293
01:33:37,060 --> 01:33:42,229
TWENTY ONE PILOTS.
2294
01:33:37,060 --> 01:33:42,229
♪♪
2295
01:33:42,229 --> 01:33:48,199
>> AND THE BILLBOARD MUSIC AWARD
2296
01:33:42,229 --> 01:33:48,199
GOES TO --
2297
01:33:48,199 --> 01:33:52,020
MACHINE GUN KELLY.
2298
01:33:48,199 --> 01:33:52,020
[ CHEERS AND APPLAUSE
2299
01:33:52,020 --> 01:34:17,260
♪♪
2300
01:33:52,020 --> 01:34:17,260
>> I RELEASED MY FIRST MIX TAPE
2301
01:34:17,260 --> 01:34:21,020
15 YEARS AGO AND THIS IS THE
2302
01:34:17,260 --> 01:34:21,020
FIRST BIG STAGE I'VE EVER BEEN
2303
01:34:21,020 --> 01:34:22,189
INVITED TO ACCEPT AN AWARD ON,
2304
01:34:21,020 --> 01:34:22,189
SO --
2305
01:34:22,189 --> 01:34:29,289
[ CHEERS AND APPLAUSE
2306
01:34:22,189 --> 01:34:29,289
I JUST WANT TO SAY, I WANT TO
2307
01:34:29,289 --> 01:34:32,050
SAY SOMETHING TO THE DREAMERS
2308
01:34:29,289 --> 01:34:32,050
OUT THERE WHO ARE GOING TO BE
2309
01:34:32,050 --> 01:34:43,050
TESTED BY REALITY THE WAY I WAS.
2310
01:34:32,050 --> 01:34:43,050
SUSPEND LOGIC AND INVITE MAGIC
2311
01:34:43,050 --> 01:34:46,060
AT FIVE YEARS, TEN YEARS, 12
2312
01:34:43,050 --> 01:34:46,060
YEARS WOULD HAVE BEEN TOO LONG
2313
01:34:46,060 --> 01:34:48,270
WAITING FOR THIS MOMENT, I
2314
01:34:46,060 --> 01:34:48,270
WOULDN'T BE HAVING THIS MOMENT
2315
01:34:48,270 --> 01:34:54,090
JUST SHOW THE UNIVERSE IT CAN'T
2316
01:34:48,270 --> 01:34:54,090
TAKE YOUR DREAM FROM YOU
2317
01:34:54,090 --> 01:34:57,000
IT'S FAMILY AND FANS THAT HELD
2318
01:34:54,090 --> 01:34:57,000
ME DOWN.
2319
01:34:57,000 --> 01:35:00,140
I LOVE YOU
2320
01:34:57,000 --> 01:35:00,140
MY BROTHERS, MANAGEMENT, BAND,
2321
01:35:00,140 --> 01:35:05,090
THOSE WHO MADE THE ALBUM WITH
2322
01:35:00,140 --> 01:35:05,090
ME
2323
01:35:05,090 --> 01:35:10,020
TO MY DAUGHTER WHO IS MY LIGHT,
2324
01:35:05,090 --> 01:35:10,020
MY TWIN WHO SHOWS ME LOVE, MY
2325
01:35:10,020 --> 01:35:12,140
FATHER WHO GAVE ME MY FIRST
2326
01:35:10,020 --> 01:35:12,140
GUITAR WHO IS LOOKING DOWN
2327
01:35:12,140 --> 01:35:17,020
PROUD.
2328
01:35:12,140 --> 01:35:17,020
[ CHEERS AND APPLAUSE
2329
01:35:17,020 --> 01:35:19,180
AND TO THE BOX THAT SOCIETY
2330
01:35:17,020 --> 01:35:19,180
KEEPS TRYING TO PUT ME IN.
2331
01:35:19,180 --> 01:35:21,090
YOU NEED STRONGER MATERIAL
2332
01:35:19,180 --> 01:35:21,090
BECAUSE YOU CAN'T KEEP ME IN IT.
2333
01:35:21,090 --> 01:35:23,039
I LOVE Y'ALL
2334
01:35:21,090 --> 01:35:23,039
[ CHEERS AND APPLAUSE
2335
01:35:23,039 --> 01:35:29,279
♪♪
2336
01:35:23,039 --> 01:35:29,279
>> Announcer: UP NEXT,
2337
01:35:29,279 --> 01:35:32,039
GLASS ANIMALS HERE AT
2338
01:35:29,279 --> 01:35:32,039
MICROSOFT THEATER.
2339
01:35:32,039 --> 01:35:36,000
THEN LATER, THE WEEKND,
2340
01:35:32,039 --> 01:35:36,000
DURAN DURAN, JONAS BROTHERS AND
2341
01:35:36,000 --> 01:35:48,119
THE BILLBOARD TOP ARTIST AWARD
2342
01:35:36,000 --> 01:35:48,119
HERE ON NBC.
2343
01:35:48,119 --> 01:35:53,109
>> Announcer: THE NEXT ARTIST IS
2344
01:35:48,119 --> 01:35:53,109
THE 2021 BILLBOARD MUSIC AWARDS.
2345
01:35:53,109 --> 01:35:55,010
AND NOW, FROM "WANDAVISION" ON
2346
01:35:53,109 --> 01:35:55,010
DISNEY PLUS, PLEASE WELCOME
2347
01:35:55,010 --> 01:35:56,170
KATHRYN HAHN
2348
01:35:57,239 --> 01:36:00,159
>> THE NEXT ARTISTS MET IN GRADE
2349
01:35:57,239 --> 01:36:00,159
SCHOOL IN THE U.K. WHEN THEY
2350
01:36:00,159 --> 01:36:06,000
WERE 13 YEARS OLD.
2351
01:36:00,159 --> 01:36:06,000
TONIGHT THEY MAKE THEIR DEBUT
2352
01:36:06,000 --> 01:36:09,130
BILLBOARD MUSIC AWARD
2353
01:36:06,000 --> 01:36:09,130
PERFORMANCE WITH THEIR HIT
2354
01:36:09,130 --> 01:36:13,289
SINGLE "HEAT WAVE.
2355
01:36:09,130 --> 01:36:13,289
PLEASE WELCOME ONE OF MY LEGIT
2356
01:36:13,289 --> 01:36:24,180
FAVORITES, GLASS ANIMALS
2357
01:36:13,289 --> 01:36:24,180
♪♪
2358
01:36:24,180 --> 01:36:27,109
♪ SOMETIMES ALL I THINK
2359
01:36:24,180 --> 01:36:27,109
ABOUT IS YOU
2360
01:36:27,109 --> 01:36:30,039
LATE NIGHTS IN
2361
01:36:27,109 --> 01:36:30,039
THE MIDDLE OF JUNE ♪
2362
01:36:30,039 --> 01:36:32,260
♪ HEAT WAVES BEEN
2363
01:36:30,039 --> 01:36:32,260
FAKING ME OU
2364
01:36:32,260 --> 01:36:36,060
CAN'T MAKE YOU
2365
01:36:32,260 --> 01:36:36,060
HAPPIER NOW ♪
2366
01:36:36,060 --> 01:36:38,279
♪ SOMETIMES
2367
01:36:36,060 --> 01:36:38,279
ALL I THINK ABOUT IS YOU
2368
01:36:38,279 --> 01:36:41,210
LATE NIGHTS IN
2369
01:36:38,279 --> 01:36:41,210
THE MIDDLE OF JUNE ♪
2370
01:36:41,210 --> 01:36:45,010
♪ HEAT WAVES BEEN
2371
01:36:41,210 --> 01:36:45,010
FAKING ME OU
2372
01:36:45,010 --> 01:36:47,239
CAN'T MAKE YOU
2373
01:36:45,010 --> 01:36:47,239
HAPPIER NOW ♪
2374
01:36:47,239 --> 01:36:51,029
♪ USUALLY I PUT
2375
01:36:47,239 --> 01:36:51,029
SOMETHING ON T
2376
01:36:51,029 --> 01:36:54,119
SO WE NEVER THIN
2377
01:36:51,029 --> 01:36:54,119
ABOUT YOU AND ME ♪
2378
01:36:54,119 --> 01:36:56,189
♪ BUT TODAY I SEE
2379
01:36:54,119 --> 01:36:56,189
OUR REFLECTION
2380
01:36:56,189 --> 01:36:59,109
CLEARLY IN HOLLYWOOD
2381
01:36:56,189 --> 01:36:59,109
LAYING ON THE SCREEN ♪
2382
01:36:59,109 --> 01:37:02,050
♪ YOU JUST NEED
2383
01:36:59,109 --> 01:37:02,050
A BETTER LIFE THAN THI
2384
01:37:02,050 --> 01:37:06,010
YOU NEED SOMETHING
2385
01:37:02,050 --> 01:37:06,010
I CAN NEVER GIVE ♪
2386
01:37:06,010 --> 01:37:08,229
♪ FAKE WATER ALL ACROSS
2387
01:37:06,010 --> 01:37:08,229
THE ROAD
2388
01:37:08,229 --> 01:37:11,159
IT'S GONE NO
2389
01:37:08,229 --> 01:37:11,159
THE NIGHT HAS COME BUT ♪
2390
01:37:11,159 --> 01:37:14,260
♪ SOMETIMES
2391
01:37:11,159 --> 01:37:14,260
ALL I THINK ABOUT IS YOU
2392
01:37:14,260 --> 01:37:17,180
LATE NIGHTS IN
2393
01:37:14,260 --> 01:37:17,180
THE MIDDLE OF JUNE ♪
2394
01:37:17,180 --> 01:37:20,119
♪ HEAT WAVES BEEN
2395
01:37:17,180 --> 01:37:20,119
FAKING ME OU
2396
01:37:20,119 --> 01:37:23,050
CAN'T MAKE YOU
2397
01:37:20,119 --> 01:37:23,050
HAPPIER NOW ♪
2398
01:37:23,050 --> 01:37:25,270
♪ YOU CAN'T FIGHT I
2399
01:37:23,050 --> 01:37:25,270
YOU CAN'T BREATH
2400
01:37:25,270 --> 01:37:29,060
YOU SAY SOMETHIN
2401
01:37:25,270 --> 01:37:29,060
SO LOVING BUT ♪
2402
01:37:29,060 --> 01:37:31,130
♪ NOW I'VE GOT TO
2403
01:37:29,060 --> 01:37:31,130
LET YOU GO
2404
01:37:31,130 --> 01:37:35,079
YOU'LL BE BETTER OFF
2405
01:37:31,130 --> 01:37:35,079
IN SOMEONE NEW ♪
2406
01:37:35,079 --> 01:37:41,109
♪ I DON'T WANNA BE ALON
2407
01:37:35,079 --> 01:37:41,109
YOU KNOW IT HURTS ME TOO
2408
01:37:41,109 --> 01:37:44,210
YOU LOOK SO BROKEN
2409
01:37:41,109 --> 01:37:44,210
WHEN YOU CRY ♪
2410
01:37:44,210 --> 01:37:46,270
♪ ONE MORE AND THEN
2411
01:37:44,210 --> 01:37:46,270
I'LL SAY GOODBYE
2412
01:37:46,270 --> 01:37:49,189
SOMETIME
2413
01:37:46,270 --> 01:37:49,189
ALL I THINK ABOUT IS YOU ♪
2414
01:37:49,189 --> 01:37:52,119
♪ LATE NIGHTS I
2415
01:37:49,189 --> 01:37:52,119
THE MIDDLE OF JUNE
2416
01:37:52,119 --> 01:37:55,229
HEAT WAVES BEE
2417
01:37:52,119 --> 01:37:55,229
FAKING ME OUT ♪
2418
01:37:55,229 --> 01:37:58,149
♪ CAN'T MAKE YO
2419
01:37:55,229 --> 01:37:58,149
HAPPIER NO
2420
01:37:58,149 --> 01:38:01,079
SOMETIME
2421
01:37:58,149 --> 01:38:01,079
ALL I THINK ABOUT IS YOU ♪
2422
01:38:01,079 --> 01:38:04,170
♪ LATE NIGHTS I
2423
01:38:01,079 --> 01:38:04,170
THE MIDDLE OF JUNE
2424
01:38:04,170 --> 01:38:07,100
HEAT WAVES BEE
2425
01:38:04,170 --> 01:38:07,100
FAKING ME OUT ♪
2426
01:38:07,100 --> 01:38:10,029
♪ CAN'T MAKE YO
2427
01:38:07,100 --> 01:38:10,029
HAPPIER NOW ♪
2428
01:38:10,029 --> 01:38:12,250
♪♪
2429
01:38:10,029 --> 01:38:12,250
♪ I JUST WONDER WHA
2430
01:38:12,250 --> 01:38:15,020
YOU'RE DREAMING OF
2431
01:38:12,250 --> 01:38:15,020
WHEN YOU SLEEP
2432
01:38:15,020 --> 01:38:17,239
AND SMILE SO COMFORTABLE ♪
2433
01:38:15,020 --> 01:38:17,239
♪ I JUST WISH THA
2434
01:38:17,239 --> 01:38:21,039
I COULD GIVE YOU THA
2435
01:38:17,239 --> 01:38:21,039
THAT LOOK THAT'S
2436
01:38:21,039 --> 01:38:23,270
PERFECTLY UNSAD ♪
2437
01:38:21,039 --> 01:38:23,270
♪ SOMETIMES
2438
01:38:23,270 --> 01:38:26,039
ALL I THINK ABOUT IS YOU
2439
01:38:23,270 --> 01:38:26,039
LATE NIGHTS IN
2440
01:38:26,039 --> 01:38:29,130
THE MIDDLE OF JUNE ♪
2441
01:38:26,039 --> 01:38:29,130
♪ HEAT WAVES BEEN
2442
01:38:29,130 --> 01:38:33,090
FAKING ME OU
2443
01:38:29,130 --> 01:38:33,090
HEAT WAVES BEE
2444
01:38:33,090 --> 01:38:38,270
FAKING ME OUT ♪
2445
01:38:33,090 --> 01:38:38,270
[ CHEERS AND APPLAUSE
2446
01:38:38,270 --> 01:38:41,199
♪ SOMETIMES
2447
01:38:38,270 --> 01:38:41,199
ALL I THINK ABOUT IS YOU
2448
01:38:41,199 --> 01:38:43,250
LATE NIGHTS IN
2449
01:38:41,199 --> 01:38:43,250
THE MIDDLE OF JUNE ♪
2450
01:38:43,250 --> 01:38:46,180
♪ HEAT WAVES BEEN
2451
01:38:43,250 --> 01:38:46,180
FAKING ME OU
2452
01:38:46,180 --> 01:38:49,109
CAN'T MAKE YOU
2453
01:38:46,180 --> 01:38:49,109
HAPPIER NOW ♪
2454
01:38:49,109 --> 01:38:52,029
SOMETIME
2455
01:38:49,109 --> 01:38:52,029
ALL I THINK ABOUT IS YOU
2456
01:38:52,029 --> 01:38:54,270
LATE NIGHTS IN
2457
01:38:52,029 --> 01:38:54,270
THE MIDDLE OF JUNE ♪
2458
01:38:54,270 --> 01:38:57,199
♪ HEAT WAVES BEEN
2459
01:38:54,270 --> 01:38:57,199
FAKING ME OU
2460
01:38:57,199 --> 01:39:01,000
CAN'T MAKE YOU
2461
01:38:57,199 --> 01:39:01,000
HAPPIER NOW ♪
2462
01:39:01,000 --> 01:39:04,090
♪ ROAD SHIMME
2463
01:39:01,000 --> 01:39:04,090
WIGGLING THE VISIO
2464
01:39:04,090 --> 01:39:07,020
HEAT HEAT WAVE
2465
01:39:04,090 --> 01:39:07,020
I'M SWIMMING IN A MIRROR ♪
2466
01:39:07,020 --> 01:39:10,109
♪ ROAD SHIMME
2467
01:39:07,020 --> 01:39:10,109
WIGGLING THE VISIO
2468
01:39:10,109 --> 01:39:13,039
HEAT HEAT WAVE
2469
01:39:10,109 --> 01:39:13,039
I'M SWIMMING IN A ♪
2470
01:39:13,039 --> 01:39:27,029
♪♪
2471
01:39:13,039 --> 01:39:27,029
[ CHEERS AND APPLAUSE
2472
01:39:27,029 --> 01:39:29,289
>> ANOTHER GREAT PERFORMANCE AT
2473
01:39:27,029 --> 01:39:29,289
THE BILLBOARD AWARDS
2474
01:39:29,289 --> 01:39:37,140
NOW LET'S GO TO DOWNTOWN L.A.
2475
01:39:29,289 --> 01:39:37,140
AND WELCOME, FROM THE UPCOMING
2476
01:39:37,140 --> 01:39:40,159
FILM "SNAKE EYES," HENRY
2477
01:39:37,140 --> 01:39:40,159
GOLDING.
2478
01:39:40,159 --> 01:39:42,220
>> I LOVE WATCHING THIS NEXT
2479
01:39:40,159 --> 01:39:42,220
ARTIST PERFORM
2480
01:39:42,220 --> 01:39:45,000
FROM HIS BRILLIANT MUSIC VIDEOS,
2481
01:39:42,220 --> 01:39:45,000
TO HIS EXPLOSIVE SUPER BOWL
2482
01:39:45,000 --> 01:39:47,050
HALFTIME SHOW.
2483
01:39:45,000 --> 01:39:47,050
HE NEVER DISAPPOINTS
2484
01:39:47,050 --> 01:39:49,119
AND TONIGHT, HE HAS 16 BILLBOARD
2485
01:39:47,050 --> 01:39:49,119
NOMINATIONS.
2486
01:39:49,119 --> 01:39:53,069
WITH "SAVE YOUR TEARS," HERE IS
2487
01:39:49,119 --> 01:39:53,069
THE WEEKND
2488
01:39:53,069 --> 01:39:59,100
♪♪
2489
01:39:53,069 --> 01:39:59,100
♪♪
2490
01:39:59,100 --> 01:40:06,090
♪♪
2491
01:39:59,100 --> 01:40:06,090
♪♪
2492
01:40:06,090 --> 01:40:13,180
♪ SAW YOU IN A CROWDED ROOM, YO
2493
01:40:06,090 --> 01:40:13,180
LOOKED SO HAPPY BUT I KNOW IT'S
2494
01:40:13,180 --> 01:40:14,000
YOU ♪
2495
01:40:13,180 --> 01:40:14,000
♪ ♪
2496
01:40:14,000 --> 01:40:23,100
♪ A SINGLE TEAR DROP FALLING
2497
01:40:14,000 --> 01:40:23,100
FROM YOUR EYE ♪
2498
01:40:23,100 --> 01:40:23,180
♪
2499
01:40:23,100 --> 01:40:23,180
♪
2500
01:40:23,180 --> 01:40:31,199
♪ I MADE YOU CRY ♪
2501
01:40:23,180 --> 01:40:31,199
♪ I RUN AWAY ♪
2502
01:40:31,199 --> 01:40:40,039
♪ YOU COULD HAVE ASKED ME WHY I
2503
01:40:31,199 --> 01:40:40,039
BROKE YOUR HEART ♪
2504
01:40:40,039 --> 01:40:47,109
♪ YOU COULD HAVE TOLD ME THAT
2505
01:40:40,039 --> 01:40:47,109
YOU FELL APART ♪
2506
01:40:47,109 --> 01:40:53,140
♪ YOU LOOKED LIKE I WASN'T THER
2507
01:40:47,109 --> 01:40:53,140
AND ACTED LIKE YOU DIDN'T CARE ♪
2508
01:40:53,140 --> 01:41:03,279
♪ I DON'T KNOW WHY I RUN AWAY ♪
2509
01:40:53,140 --> 01:41:03,279
♪ OOH GIRL ♪
2510
01:41:03,279 --> 01:41:11,189
♪ I RUN AWAY ♪
2511
01:41:03,279 --> 01:41:11,189
♪ YOU'LL TAKE ME BACK BECAUSE I
2512
01:41:11,189 --> 01:41:16,279
WANT TO STAY ♪
2513
01:41:11,189 --> 01:41:16,279
♪ SAVE YOUR TEARS FOR ANOTHER
2514
01:41:16,279 --> 01:41:18,149
DAY ♪
2515
01:41:16,279 --> 01:41:18,149
♪ YOUR TEARS FOR ANOTHER DAY ♪
2516
01:41:18,149 --> 01:41:27,229
♪ SAVE YOUR TEARS FOR ANOTHER
2517
01:41:18,149 --> 01:41:27,229
DAY ♪
2518
01:41:27,229 --> 01:41:37,079
♪ HEY ♪
2519
01:41:27,229 --> 01:41:37,079
♪ I THINK YOU THINK THAT I WOUL
2520
01:41:37,079 --> 01:41:40,050
ALWAYS STAY ♪
2521
01:41:37,079 --> 01:41:40,050
♪ I SAID SOME THINGS THAT I
2522
01:41:40,050 --> 01:41:43,069
SHOULD NEVER SAY ♪
2523
01:41:40,050 --> 01:41:43,069
♪ I BROKE YOUR HEART LIKE
2524
01:41:43,069 --> 01:41:50,090
SOMEONE DID YOU WRONG ♪
2525
01:41:43,069 --> 01:41:50,090
♪ NOW YOU WON'T LET ME FOR A
2526
01:41:50,090 --> 01:41:52,170
SECOND TIME ♪
2527
01:41:50,090 --> 01:41:52,170
♪ I DON'T KNOW WHY I RUN AWAY ♪
2528
01:41:52,170 --> 01:42:00,069
♪ OOH BABE ♪
2529
01:41:52,170 --> 01:42:00,069
♪ I MADE YOU CRY ♪
2530
01:42:00,069 --> 01:42:08,119
♪ YOU RUN AWAY ♪
2531
01:42:00,069 --> 01:42:08,119
♪ YOU'LL TAKE ME BACK 'CAUSE I
2532
01:42:08,119 --> 01:42:14,170
WANT TO STAY ♪
2533
01:42:08,119 --> 01:42:14,170
♪ SAVE YOUR TEARS FOR ANOTHER -
2534
01:42:14,170 --> 01:42:21,199
HEY ♪
2535
01:42:14,170 --> 01:42:21,199
♪ FEEL ALIVE ♪
2536
01:42:21,199 --> 01:42:25,220
♪ A BETTER DAY ♪
2537
01:42:21,199 --> 01:42:25,220
♪ SAVE YOUR TEARS FOR ANOTHER
2538
01:42:25,220 --> 01:42:27,109
DAY ♪
2539
01:42:25,220 --> 01:42:27,109
♪ OOH BABY ♪
2540
01:42:27,109 --> 01:42:30,159
♪ I SAID, SAVE YOUR TEARS FOR
2541
01:42:27,109 --> 01:42:30,159
ANOTHER DAY ♪
2542
01:42:30,159 --> 01:42:44,149
♪ HEY ♪
2543
01:42:30,159 --> 01:42:44,149
♪ I DON'T KNOW WHY I RUN AWAY ♪
2544
01:42:44,149 --> 01:42:53,090
♪ YEAH ♪
2545
01:42:44,149 --> 01:42:53,090
♪ I MAKE YOU CRY WHEN I RUN
2546
01:42:53,090 --> 01:42:59,029
AWAY ♪
2547
01:42:53,090 --> 01:42:59,029
♪ SAVE YOUR TEARS FOR ANOTHER
2548
01:42:59,029 --> 01:43:02,239
DAY ♪
2549
01:42:59,029 --> 01:43:02,239
♪ OOH OH, OH, ♪
2550
01:43:02,239 --> 01:43:11,140
♪ SAVE YOUR TEARS FOR ANOTHER
2551
01:43:02,239 --> 01:43:11,140
DAY ♪
2552
01:43:11,140 --> 01:43:18,199
♪ YOUR TEARS FOR ANOTHER -- ♪
2553
01:43:11,140 --> 01:43:18,199
♪ O-O-O ♪
2554
01:43:18,199 --> 01:43:29,239
♪ SAVE YOUR TEARS FOR ANOTHER
2555
01:43:18,199 --> 01:43:29,239
DAY ♪
2556
01:43:29,239 --> 01:43:30,260
[ APPLAUSE ]
2557
01:43:29,239 --> 01:43:30,260
>> KEEP WATCHING
2558
01:43:30,260 --> 01:43:34,220
WE'VE GOT MORE AWARDS COMING UP
2559
01:43:30,260 --> 01:43:34,220
AND PERFORMANCES BY DURAN DURAN
2560
01:43:34,220 --> 01:43:46,260
AND JONAS BROTHERS JOINED BY
2561
01:43:34,220 --> 01:43:46,260
>> Announcer: PLEASE WELCOME
2562
01:43:46,260 --> 01:43:55,199
AWARD WINNING SINGER,
2563
01:43:46,260 --> 01:43:55,199
SONGWRITER, CYNTHIA ERIVO.
2564
01:43:55,199 --> 01:43:58,130
>> I STREAMED, DOWNLOADED, AND
2565
01:43:55,199 --> 01:43:58,130
PLAYED THESE RECORDS OVER AND
2566
01:43:58,130 --> 01:44:07,170
OVER
2567
01:43:58,130 --> 01:44:07,170
TWO OF THE MEN WE LOST TOO SOON,
2568
01:44:07,170 --> 01:44:10,189
BUT WE'LL CELEBRATE THEM FOREVER
2569
01:44:07,170 --> 01:44:10,189
MORE
2570
01:44:10,189 --> 01:44:14,069
ALL FIVE CREATED ALBUMS WE
2571
01:44:10,189 --> 01:44:14,069
COULDN'T GET ENOUGH OF
2572
01:44:14,069 --> 01:44:20,029
HERE ARE THE FINALISTS FOR THE
2573
01:44:14,069 --> 01:44:20,029
TOP BILLBOARD 200 ALBUM.
2574
01:44:20,029 --> 01:44:24,210
>> Announcer: JUICE WRLD,
2575
01:44:20,029 --> 01:44:24,210
♪♪
2576
01:44:24,210 --> 01:44:27,140
"LEGENDS NEVER DIE."
2577
01:44:24,210 --> 01:44:27,140
LIL BABY, "MY TURN."
2578
01:44:27,140 --> 01:44:31,100
POP SMOKE, "SHOOT FOR THE STARS,
2579
01:44:27,140 --> 01:44:31,100
AIM FOR THE MOON."
2580
01:44:31,100 --> 01:44:42,109
TAYLOR SWIFT, "FOLKLORE.
2581
01:44:31,100 --> 01:44:42,109
THE WEEKND, "AFTER HOURS."
2582
01:44:42,109 --> 01:44:50,210
>> AND THE BILLBOARD MUSIC AWARD
2583
01:44:42,109 --> 01:44:50,210
GOES TO --
2584
01:44:50,210 --> 01:44:56,250
"SHOOT FOR THE STARS, AIM FOR
2585
01:44:50,210 --> 01:44:56,250
THE MOON."
2586
01:44:56,250 --> 01:44:59,170
ACCEPTING THE AWARD ON BEHALF OF
2587
01:44:56,250 --> 01:44:59,170
POP SMOKE IS HIS MOTHER AUDREY
2588
01:44:59,170 --> 01:45:14,199
JACKSON.
2589
01:44:59,170 --> 01:45:14,199
[ CHEERS AND APPLAUSE
2590
01:45:14,199 --> 01:45:22,180
>> GOOD EVENING.
2591
01:45:14,199 --> 01:45:22,180
TO MY AMERICAN FAMILY, GOOD
2592
01:45:22,180 --> 01:45:28,239
NIGHT TO MY CARIBBEANS
2593
01:45:22,180 --> 01:45:28,239
I BRING YOU GREETINGS FROM THE
2594
01:45:28,239 --> 01:45:32,130
LAND OF CANARSIE ALSO KNOWN AS
2595
01:45:28,239 --> 01:45:32,130
THE FOSSIE
2596
01:45:32,130 --> 01:45:37,119
[ APPLAUSE ]
2597
01:45:32,130 --> 01:45:37,119
I THANK YOU TO THE FANS FOR
2598
01:45:37,119 --> 01:45:41,239
HONORING THE LIFE AND SPIRIT OF
2599
01:45:37,119 --> 01:45:41,239
MY SON, SO MUCH THAT HE
2600
01:45:41,239 --> 01:45:45,079
CONTINUES TO MANIFEST AS IF HE
2601
01:45:41,239 --> 01:45:45,079
WERE STILL HERE IN FLESH
2602
01:45:45,079 --> 01:45:52,109
[ APPLAUSE ]
2603
01:45:45,079 --> 01:45:52,109
HE CREATED MUSIC FOR THE KID WHO
2604
01:45:52,109 --> 01:45:55,199
HAS TO SLEEP FOUR IN A ROOM, THE
2605
01:45:52,109 --> 01:45:55,199
KID WHO HAS TO FIGURE OUT HOW TO
2606
01:45:55,199 --> 01:46:01,119
GET TO SCHOOL EACH DAY SO HE CAN
2607
01:45:55,199 --> 01:46:01,119
GRADUATE AND MAKE HIS MOM PROUD.
2608
01:46:01,119 --> 01:46:05,180
HE DID THIS SO THAT 14-YEAR-OLDS
2609
01:46:01,119 --> 01:46:05,180
WOULD NOT HAVE TO KILL TO PROVE
2610
01:46:05,180 --> 01:46:14,119
THEY ARE SOMEBODY.
2611
01:46:05,180 --> 01:46:14,119
[ CHEERS AND APPLAUSE
2612
01:46:14,119 --> 01:46:18,050
THAT IS THE IRONY IN THIS.
2613
01:46:14,119 --> 01:46:18,050
SO THANK YOU TO THE BILLBOARD
2614
01:46:18,050 --> 01:46:24,180
AWARDS LEADERSHIP FOR HONORING
2615
01:46:18,050 --> 01:46:24,180
MY YOUNG WARRIOR
2616
01:46:24,180 --> 01:46:27,079
BASHIR BARACK JACKSON, WE CALL
2617
01:46:24,180 --> 01:46:27,079
YOUR NAME.
2618
01:46:27,079 --> 01:46:37,090
[ CHEERS AND APPLAUSE
2619
01:46:27,079 --> 01:46:37,090
>> Announcer: PLEASE WELCOME
2620
01:46:37,090 --> 01:46:40,149
PRIYANKA CHOPRA JONAS.
2621
01:46:43,109 --> 01:46:45,010
>> DURAN DURAN MADE ITS
2622
01:46:43,109 --> 01:46:45,010
BILLBOARD
2623
01:46:45,010 --> 01:46:50,180
CHART DEBUT IN 1981,
2624
01:46:45,010 --> 01:46:50,180
REVOLUTIONIZING MUSIC VIDEOS AND
2625
01:46:50,180 --> 01:46:55,000
MUSIC ITSELF, BENDING GENRES
2626
01:46:50,180 --> 01:46:55,000
INTO A DYNAMIC NEW SOUND
2627
01:46:55,000 --> 01:46:58,090
SINCE THEN, THEY HAVE EARNED AN
2628
01:46:55,000 --> 01:46:58,090
IMPRESSIVE 21 HITS ON THE
2629
01:46:58,090 --> 01:47:02,050
BILLBOARD HOT 100.
2630
01:46:58,090 --> 01:47:02,050
TONIGHT WE CELEBRATE THEIR
2631
01:47:02,050 --> 01:47:06,010
ICONIC CAREER, AND THE
2632
01:47:02,050 --> 01:47:06,010
ANNOUNCEMENT OF THEIR
2633
01:47:06,010 --> 01:47:09,100
FORTHCOMING ALBUM "FUTURE PAST,"
2634
01:47:06,010 --> 01:47:09,100
OUT ON OCTOBER 22ND.
2635
01:47:09,100 --> 01:47:13,060
NOW, LET'S HEAD OVER TO LONDON
2636
01:47:09,100 --> 01:47:13,060
TO THE HISTORIC
2637
01:47:13,060 --> 01:47:16,159
HAMMERSMITH APOLLO WHERE
2638
01:47:13,060 --> 01:47:16,159
DURAN DURAN RECORDED LIVE AT
2639
01:47:16,159 --> 01:47:19,250
THE HAMMERSMITH IN 1982.
2640
01:47:16,159 --> 01:47:19,250
WITH A SPECIAL
2641
01:47:19,250 --> 01:47:23,220
BILLBOARD MUSIC AWARDS
2642
01:47:19,250 --> 01:47:23,220
PERFORMANCE OF "HUNGRY LIKE THE
2643
01:47:23,220 --> 01:47:27,010
WOLF," "NOTORIOUS," AND THEIR
2644
01:47:23,220 --> 01:47:27,010
NEW SINGLE INVISIBLE," HERE IS
2645
01:47:27,010 --> 01:47:29,199
DURAN DURAN.
2646
01:47:34,229 --> 01:47:37,149
♪♪
2647
01:47:34,229 --> 01:47:37,149
♪♪
2648
01:47:37,149 --> 01:47:46,060
♪♪
2649
01:47:37,149 --> 01:47:46,060
♪♪
2650
01:47:46,060 --> 01:47:58,090
♪ NOTORIOUS ♪
2651
01:47:46,060 --> 01:47:58,090
♪ I CAN'T BREATHE ♪
2652
01:47:58,090 --> 01:48:02,270
♪ ♪
2653
01:47:58,090 --> 01:48:02,270
♪ I'LL DO FINE WITHOUT IT ♪
2654
01:48:02,270 --> 01:48:07,149
♪ HERE'S ONE YOU DON'T
2655
01:48:02,270 --> 01:48:07,149
COMPROMISE ♪
2656
01:48:07,149 --> 01:48:14,130
♪ NIGHT COME HARD IN THE SKIES ♪
2657
01:48:07,149 --> 01:48:14,130
♪
2658
01:48:14,130 --> 01:48:22,279
♪♪
2659
01:48:14,130 --> 01:48:22,279
♪♪
2660
01:48:22,279 --> 01:48:41,079
♪♪
2661
01:48:22,279 --> 01:48:41,079
♪♪
2662
01:48:41,079 --> 01:49:01,149
♪♪
2663
01:48:41,079 --> 01:49:01,149
♪♪
2664
01:49:01,149 --> 01:49:31,289
♪♪
2665
01:49:01,149 --> 01:49:31,289
♪♪
2666
01:49:31,289 --> 01:49:38,159
♪ NO-NO-NOTORIOUS ♪
2667
01:49:31,289 --> 01:49:38,159
♪ NOTORIOUS ♪
2668
01:49:38,159 --> 01:49:46,189
♪ NO-NO-KNOWNOTORIOUS ♪
2669
01:49:38,159 --> 01:49:46,189
♪
2670
01:49:46,189 --> 01:50:06,270
♪♪
2671
01:49:46,189 --> 01:50:06,270
♪♪
2672
01:50:06,270 --> 01:50:15,020
♪ WALKING BY THE WALL ♪
2673
01:50:06,270 --> 01:50:15,020
♪ THE SHADOWS DO NOT FALL ♪
2674
01:50:15,020 --> 01:50:28,210
♪ YOU SILENTLY IGNORE ♪
2675
01:50:15,020 --> 01:50:28,210
♪ DISCOURAGED BY THE NOISE ♪
2676
01:50:28,210 --> 01:50:34,239
♪ LIVING WITHOUT ♪
2677
01:50:28,210 --> 01:50:34,239
♪ IT'S A LIFE WITHOUT A VOICE ♪
2678
01:50:34,239 --> 01:50:40,079
♪ WHEN YOU CAN'T EVEN SAY MY
2679
01:50:34,239 --> 01:50:40,079
NAME ♪
2680
01:50:40,079 --> 01:50:47,140
♪ 'CAUSE THE MEMORY'S GONE ♪
2681
01:50:40,079 --> 01:50:47,140
♪ NOW YOU'RE FEELING NUMB ♪
2682
01:50:47,140 --> 01:50:52,229
♪ I KNOW MY NAME ♪
2683
01:50:47,140 --> 01:50:52,229
♪ I CAN'T PLAY THIS GAME, SO I
2684
01:50:52,229 --> 01:50:55,239
ASK AGAIN ♪
2685
01:50:52,229 --> 01:50:55,239
♪ WILL YOU SAY MY NAME ♪
2686
01:50:55,239 --> 01:51:01,210
♪ 'CAUSE THE MEMORY'S GONE ♪
2687
01:50:55,239 --> 01:51:01,210
♪ ARE YOU FEELING NUMB ♪
2688
01:51:01,210 --> 01:51:09,170
♪ OR HAVE I BECOME INVISIBLE ♪
2689
01:51:01,210 --> 01:51:09,170
♪
2690
01:51:09,170 --> 01:51:20,029
♪♪
2691
01:51:09,170 --> 01:51:20,029
♪♪
2692
01:51:20,029 --> 01:51:32,149
♪♪
2693
01:51:20,029 --> 01:51:32,149
♪
2694
01:51:32,149 --> 01:51:46,229
♪
2695
01:51:32,149 --> 01:51:46,229
♪♪
2696
01:51:46,229 --> 01:51:56,159
♪♪
2697
01:51:46,229 --> 01:51:56,159
[ CHEERS AND APPLAUSE
2698
01:51:56,159 --> 01:52:03,020
♪♪
2699
01:51:56,159 --> 01:52:03,020
♪♪
2700
01:52:03,020 --> 01:52:17,260
♪♪
2701
01:52:03,020 --> 01:52:17,260
♪♪
2702
01:52:17,260 --> 01:52:46,039
♪♪
2703
01:52:17,260 --> 01:52:46,039
♪♪
2704
01:52:46,039 --> 01:53:08,119
♪♪
2705
01:52:46,039 --> 01:53:08,119
♪♪
2706
01:53:08,119 --> 01:53:24,210
♪♪
2707
01:53:08,119 --> 01:53:24,210
♪♪
2708
01:53:24,210 --> 01:53:35,090
♪♪
2709
01:53:24,210 --> 01:53:35,090
♪♪
2710
01:53:35,090 --> 01:53:42,119
♪♪
2711
01:53:35,090 --> 01:53:42,119
♪♪
2712
01:53:42,119 --> 01:53:46,000
♪♪
2713
01:53:42,119 --> 01:53:46,000
♪♪
2714
01:53:46,000 --> 01:53:49,210
♪♪
2715
01:53:46,000 --> 01:53:49,210
♪♪
2716
01:53:49,210 --> 01:53:53,210
♪♪
2717
01:53:49,210 --> 01:53:53,210
♪♪
2718
01:53:53,210 --> 01:53:57,119
♪♪
2719
01:53:53,210 --> 01:53:57,119
♪♪
2720
01:53:57,119 --> 01:54:01,050
♪♪
2721
01:53:57,119 --> 01:54:01,050
♪♪
2722
01:54:01,050 --> 01:54:09,270
♪♪
2723
01:54:01,050 --> 01:54:09,270
♪♪
2724
01:54:09,270 --> 01:54:15,140
[ CHEERS AND APPLAUSE
2725
01:54:09,270 --> 01:54:15,140
>> Announcer: WHO WILL WIN THE
2726
01:54:15,140 --> 01:54:17,189
AWARD FOR TOP ARTIST
2727
01:54:15,140 --> 01:54:17,189
WILL IT BE DRAKE, JUICE WRLD,
2728
01:54:17,189 --> 01:54:19,250
POP SMOKE, TAYLOR SWIFT OR
2729
01:54:17,189 --> 01:54:19,250
THE WEEKND?
2730
01:54:19,250 --> 01:54:22,180
FIND OUT WHEN WE COME BACK
2731
01:54:19,250 --> 01:54:22,180
PLUS, KEEP WATCHING FOR A
2732
01:54:22,180 --> 01:54:31,250
SPECIAL PERFORMANCE BY
2733
01:54:22,180 --> 01:54:31,250
JONAS BROTHERS
2734
01:54:31,250 --> 01:54:35,260
[ CHEERS AND APPLAUSE
2735
01:54:31,250 --> 01:54:35,260
>>> WELCOME BACK
2736
01:54:35,260 --> 01:54:38,020
FROM THE UPCOMING SERIES
2737
01:54:35,260 --> 01:54:38,020
"CENTRAL PARK" ON APPLE TV, HERE
2738
01:54:38,020 --> 01:54:41,109
IS AN EMMY NOMINEE, A MULTIPLE
2739
01:54:38,020 --> 01:54:41,109
OSCAR NOMINEE AND TONY AWARD
2740
01:54:41,109 --> 01:54:44,010
WINNING ACTOR, LESLIE ODOM JR.
2741
01:54:47,130 --> 01:54:49,189
>> EVERY AWARD SHOW IS
2742
01:54:47,130 --> 01:54:49,189
DIFFERENT,
2743
01:54:49,189 --> 01:54:52,279
BUT THE ONE THING ALMOST ALL OF
2744
01:54:49,189 --> 01:54:52,279
THEM HAVE IN COMMON IS THAT THE
2745
01:54:52,279 --> 01:54:56,079
FINAL PRESENTATION OF THE NIGHT
2746
01:54:52,279 --> 01:54:56,079
IS FOR THE BIGGEST, AND THE MOST
2747
01:54:56,079 --> 01:54:59,010
PRESTIGIOUS AWARD.
2748
01:54:56,079 --> 01:54:59,010
FOR THE BILLBOARD MUSIC AWARDS,
2749
01:54:59,010 --> 01:55:04,159
THAT'S FOR TOP ARTIST.
2750
01:54:59,010 --> 01:55:04,159
TWO OF THESE FINALISTS HAVE WON
2751
01:55:04,159 --> 01:55:07,100
THIS IN PAST YEARS -- FOR THE
2752
01:55:04,159 --> 01:55:07,100
OTHERS, IT WOULD BE THE FIRST
2753
01:55:07,100 --> 01:55:12,119
TIME THEY ARE RECOGNIZED FOR
2754
01:55:07,100 --> 01:55:12,119
TREMENDOUS ACCOMPLISHMENT.
2755
01:55:12,119 --> 01:55:14,020
EITHER WAY, IT IS AN HONOR THAT
2756
01:55:12,119 --> 01:55:14,020
MEANS SO MUCH IN THE MUSIC
2757
01:55:14,020 --> 01:55:16,079
WORLD.
2758
01:55:14,020 --> 01:55:16,079
HERE ARE THIS YEAR'S FINALISTS
2759
01:55:16,079 --> 01:55:17,239
FOR TOP ARTIST
2760
01:55:19,010 --> 01:55:28,250
>> Announcer: DRAKE.
2761
01:55:19,010 --> 01:55:28,250
♪♪
2762
01:55:28,250 --> 01:55:39,050
JUICE WRLD
2763
01:55:28,250 --> 01:55:39,050
♪♪
2764
01:55:39,050 --> 01:55:50,069
POP SMOKE.
2765
01:55:39,050 --> 01:55:50,069
♪♪
2766
01:55:50,069 --> 01:56:02,109
♪♪
2767
01:55:50,069 --> 01:56:02,109
TAYLOR SWIFT
2768
01:56:02,109 --> 01:56:15,060
♪♪
2769
01:56:02,109 --> 01:56:15,060
THE WEEKND
2770
01:56:15,060 --> 01:56:22,149
>> AND THE BILLBOARD MUSIC AWARD
2771
01:56:15,060 --> 01:56:22,149
GOES TO --
2772
01:56:22,149 --> 01:56:25,199
THE WEEKND
2773
01:56:22,149 --> 01:56:25,199
♪♪
2774
01:56:25,199 --> 01:56:42,199
[ CHEERS AND APPLAUSE
2775
01:56:25,199 --> 01:56:42,199
>> WHAT A NIGHT IT'S BEEN.
2776
01:56:42,199 --> 01:56:46,210
I'M GOING TO TAKE IT THIS TIME
2777
01:56:42,199 --> 01:56:46,210
SORRY ABOUT THAT
2778
01:56:46,210 --> 01:56:51,100
I WANT TO TAKE THIS OPPORTUNITY
2779
01:56:46,210 --> 01:56:51,100
TO THANK MY PARENTS.
2780
01:56:51,100 --> 01:57:00,050
I LOVE YOU GUYS SO MUCH.
2781
01:56:51,100 --> 01:57:00,050
I AM THE MAN I AM TODAY BECAUSE
2782
01:57:00,050 --> 01:57:03,029
OF YOU, SO THANK YOU, AND THANK
2783
01:57:00,050 --> 01:57:03,029
YOU TO MY FANS, OF COURSE.
2784
01:57:03,029 --> 01:57:10,239
[ CHEERS AND APPLAUSE
2785
01:57:03,029 --> 01:57:10,239
I DO NOT TAKE THIS FOR GRANTED
2786
01:57:10,239 --> 01:57:16,140
THANK YOU.
2787
01:57:10,239 --> 01:57:16,140
[ CHEERS AND APPLAUSE
2788
01:57:16,140 --> 01:57:22,000
>> Announcer: AND NOW PLEASE
2789
01:57:16,140 --> 01:57:22,000
WELCOME COUNTRY SUPERSTAR KELSEA
2790
01:57:22,000 --> 01:57:28,130
BALLERINI.
2791
01:57:22,000 --> 01:57:28,130
>> WHAT AN INCREDIBLE NIGHT, YOU
2792
01:57:28,130 --> 01:57:29,079
GUYS
2793
01:57:28,130 --> 01:57:29,079
CONGRATULATIONS TO THE WEEKND
2794
01:57:29,079 --> 01:57:32,060
AND ALL THE NOMINEES TONIGHT
2795
01:57:29,079 --> 01:57:32,060
NOW, ARE YOU READY FOR ONE MORE
2796
01:57:32,060 --> 01:57:35,130
PERFORMANCE TO CLOSE OUT THE
2797
01:57:32,060 --> 01:57:35,130
SHOW
2798
01:57:35,130 --> 01:57:38,010
[ CHEERS AND APPLAUSE
2799
01:57:35,130 --> 01:57:38,010
I KNOW I AM BECAUSE I'M A HUGE
2800
01:57:38,010 --> 01:57:40,090
FAN.
2801
01:57:38,010 --> 01:57:40,090
I'M ALSO PUMPED TO SEE THESE
2802
01:57:40,090 --> 01:57:43,239
BROTHERS ON THE STAGE.
2803
01:57:40,090 --> 01:57:43,239
KIND OF A PREVIEW FOR ME BECAUSE
2804
01:57:43,239 --> 01:57:49,020
I'M GOING ON TOUR WITH THIS THIS
2805
01:57:43,239 --> 01:57:49,020
SUMMER
2806
01:57:49,020 --> 01:57:54,180
FOR MARSHMELLO, KEVIN AND NICK,
2807
01:57:49,020 --> 01:57:54,180
GIVE IT UP FOR THE JONAS
2808
01:57:54,180 --> 01:58:04,050
BROTHERS
2809
01:57:54,180 --> 01:58:04,050
[ CHEERS AND APPLAUSE
2810
01:58:04,050 --> 01:58:06,100
♪ I SEE YOU CALLIN'
2811
01:58:04,050 --> 01:58:06,100
I DIDN'T WANNA
2812
01:58:06,100 --> 01:58:08,170
LEAVE YOU LIKE THA
2813
01:58:06,100 --> 01:58:08,170
IT'S FIVE IN THE MORNING ♪
2814
01:58:08,170 --> 01:58:14,189
♪ YEAH YEAH
2815
01:58:08,170 --> 01:58:14,189
A HUNDRED ON THE DAS
2816
01:58:14,189 --> 01:58:20,039
CAUSE MY WHEELS ARE ROLLIN
2817
01:58:14,189 --> 01:58:20,039
AND TAKIN' MY FOOT ♪
2818
01:58:20,039 --> 01:58:24,000
♪ OFF THE GAS
2819
01:58:20,039 --> 01:58:24,000
AND IT ONLY TOOK
2820
01:58:24,000 --> 01:58:27,109
THE ONE NIGH
2821
01:58:24,000 --> 01:58:27,109
TO SEE THE END OF THE LINE ♪
2822
01:58:27,109 --> 01:58:31,069
♪ STARIN' DEEP IN YOUR EYES
2823
01:58:27,109 --> 01:58:31,069
EYES
2824
01:58:31,069 --> 01:58:35,189
DANCIN' ON THE EDG
2825
01:58:31,069 --> 01:58:35,189
BOUT TO TAKE IT TOO FAR ♪
2826
01:58:35,189 --> 01:58:39,149
♪ IT'S MESSIN' WITH MY HEAD
2827
01:58:35,189 --> 01:58:39,149
I WON'T MESS WITH YOUR HEART
2828
01:58:39,149 --> 01:58:42,250
IF YOU WAKE UP IN YOUR BED
2829
01:58:39,149 --> 01:58:42,250
ALONE IN THE DARK ♪
2830
01:58:42,250 --> 01:58:45,170
♪ I'M SORRY
2831
01:58:42,250 --> 01:58:45,170
GOTTA LEAVE BEFORE
2832
01:58:45,170 --> 01:58:53,090
YOU LOVE M
2833
01:58:45,170 --> 01:58:53,090
LEAVE BEFORE YOU LOVE ME ♪
2834
01:58:53,090 --> 01:59:00,140
♪ LEAVE BEFORE YOU LOVE M
2835
01:58:53,090 --> 01:59:00,140
LEAVE BEFORE YOU LOVE ME
2836
01:59:00,140 --> 01:59:06,010
LEAVE BEFORE YOU LOVE ME
2837
01:59:00,140 --> 01:59:06,010
IT'S SO GOOD TO KNOW IT ♪
2838
01:59:06,010 --> 01:59:11,000
♪ IF WE'RE TO LEAVE
2839
01:59:06,010 --> 01:59:11,000
THE PARTY BEHIND
2840
01:59:11,000 --> 01:59:15,119
DON'T CARE IF THEY NOTIC
2841
01:59:11,000 --> 01:59:15,119
YEAH YEAH NO ♪
2842
01:59:15,119 --> 01:59:22,010
♪ I'LL JUST CATCH YOUR EY
2843
01:59:15,119 --> 01:59:22,010
I'D RATHER BE LONELY YEA
2844
01:59:22,010 --> 01:59:27,000
THAN WRAPPED AROUN
2845
01:59:22,010 --> 01:59:27,000
YOUR BODY TOO TIGHT ♪
2846
01:59:27,000 --> 01:59:29,060
♪ YEAH I'M THE TYPE
2847
01:59:27,000 --> 01:59:29,060
TO GET NAKED
2848
01:59:29,060 --> 01:59:31,289
WON'T GIVE MY HEAR
2849
01:59:29,060 --> 01:59:31,289
A FULL BREAK IN ♪
2850
01:59:31,289 --> 01:59:33,189
♪ CAUSE I'M TOO GONE TO BE
2851
01:59:31,289 --> 01:59:33,189
STAYIN
2852
01:59:33,189 --> 01:59:36,289
STAYIN
2853
01:59:33,189 --> 01:59:36,289
DANCIN' ON THE EDG
2854
01:59:36,289 --> 01:59:41,109
BOUT TO TAKE IT TOO FAR ♪
2855
01:59:36,289 --> 01:59:41,109
♪ IT'S MESSIN' WITH MY HEAD
2856
01:59:41,109 --> 01:59:45,069
I WON'T MESS WITH YOUR HEART
2857
01:59:41,109 --> 01:59:45,069
IF YOU WAKE UP IN YOUR BED
2858
01:59:45,069 --> 01:59:48,159
ALONE IN THE DARK ♪
2859
01:59:45,069 --> 01:59:48,159
♪ I'M SORRY
2860
01:59:48,159 --> 01:59:53,149
GOTTA LEAVE BEFORE
2861
01:59:48,159 --> 01:59:53,149
YOU LOVE M
2862
01:59:53,149 --> 01:59:57,279
LEAVE BEFORE YOU LOVE ME ♪
2863
01:59:53,149 --> 01:59:57,279
♪ LEAVE BEFORE YOU LOVE M
2864
01:59:57,279 --> 02:00:03,130
LEAVE BEFORE YOU LOVE ME
2865
01:59:57,279 --> 02:00:03,130
LEAVE BEFORE YOU LOVE ME ♪
2866
02:00:03,130 --> 02:00:13,270
♪♪
2867
02:00:03,130 --> 02:00:13,270
>> MAKE SOME NOISE FOR
2868
02:00:13,270 --> 02:00:18,060
MARSHMELLO
2869
02:00:13,270 --> 02:00:18,060
[ CHEERS AND APPLAUSE
2870
02:00:18,060 --> 02:00:21,210
♪♪
2871
02:00:18,060 --> 02:00:21,210
♪♪
2872
02:00:21,210 --> 02:00:26,189
♪♪
2873
02:00:21,210 --> 02:00:26,189
♪ I'M A SUCKER FOR YOU YEAH
2874
02:00:26,189 --> 02:00:29,119
YOU SAY THE WORD
2875
02:00:26,189 --> 02:00:29,119
AND I'LL GO ANYWHERE BLINDLY
2876
02:00:29,119 --> 02:00:32,210
I'M A SUCKER FOR YOU ♪
2877
02:00:29,119 --> 02:00:32,210
♪ YEA
2878
02:00:32,210 --> 02:00:36,010
ANY ROAD YOU TAK
2879
02:00:32,210 --> 02:00:36,010
YOU KNOW THAT YOU'LL FIND ME
2880
02:00:36,010 --> 02:00:38,229
I'M A SUCKER FOR ALL ♪
2881
02:00:36,010 --> 02:00:38,229
♪ THE SUBLIMINAL THINGS
2882
02:00:38,229 --> 02:00:41,010
NO ONE KNOWS ABOUT YOU
2883
02:00:38,229 --> 02:00:41,010
ABOUT YO
2884
02:00:41,010 --> 02:00:44,270
ABOUT YOU ABOUT YOU ♪
2885
02:00:41,010 --> 02:00:44,270
♪ AND YOU'RE MAKIN'
2886
02:00:44,270 --> 02:00:48,069
THE TYPICAL ME
2887
02:00:44,270 --> 02:00:48,069
BREAK MY TYPICAL RULES
2888
02:00:48,069 --> 02:00:53,060
IT'S TRUE ♪
2889
02:00:48,069 --> 02:00:53,060
♪ I'M A SUCKER FOR YOU ♪
2890
02:00:53,060 --> 02:00:59,130
[ CHEERS AND APPLAUSE
2891
02:00:53,060 --> 02:00:59,130
>> BILL BOARD MUSIC AWARDS
2892
02:00:59,130 --> 02:01:01,170
LET'S TURN THIS UP A NOTCH
2893
02:00:59,130 --> 02:01:01,170
COME ON!
2894
02:01:01,170 --> 02:01:05,180
♪♪
2895
02:01:01,170 --> 02:01:05,180
♪♪
2896
02:01:05,180 --> 02:01:09,140
♪♪
2897
02:01:05,180 --> 02:01:09,140
♪ WE GON' DANCE
2898
02:01:09,140 --> 02:01:12,060
IN MY LIVING ROO
2899
02:01:09,140 --> 02:01:12,060
SLAVE TO THE WAY YOU MOV
2900
02:01:12,060 --> 02:01:15,000
HURTS WHEN I'M LEAVING YOU ♪
2901
02:01:12,060 --> 02:01:15,000
♪ JUST DANCE IN
2902
02:01:15,000 --> 02:01:16,199
THE LIVING ROO
2903
02:01:15,000 --> 02:01:16,199
LOVE WITH AN ATTITUD
2904
02:01:16,199 --> 02:01:20,149
DRUNK ♪
2905
02:01:16,199 --> 02:01:20,149
♪ IT'S ONLY HUMAN
2906
02:01:20,149 --> 02:01:24,109
YOU KNOW THAT IT'S REA
2907
02:01:20,149 --> 02:01:24,109
KNOW THAT IT'S REA
2908
02:01:24,109 --> 02:01:26,170
SO WHY WOULD YOU FIGHT ♪
2909
02:01:24,109 --> 02:01:26,170
♪ OR TRY TO DEN
2910
02:01:26,170 --> 02:01:31,000
THE WAY THAT YOU FEE
2911
02:01:26,170 --> 02:01:31,000
OH BABE ♪
2912
02:01:31,000 --> 02:01:33,060
♪ YOU CAN'T FOOL ME
2913
02:01:31,000 --> 02:01:33,060
YOUR BODY'S GO
2914
02:01:33,060 --> 02:01:35,289
OTHER PLANS SO
2915
02:01:33,060 --> 02:01:35,289
STOP PRETENDING YOU'RE SHY ♪
2916
02:01:35,289 --> 02:01:38,220
♪ JUST COME ON AN
2917
02:01:35,289 --> 02:01:38,220
DANCE DANCE DANC
2918
02:01:38,220 --> 02:01:42,220
DANCE OH
2919
02:01:38,220 --> 02:01:42,220
♪♪
2920
02:01:42,220 --> 02:01:46,029
♪♪
2921
02:01:42,220 --> 02:01:46,029
ONLY HUMAN MAN MAN ♪
2922
02:01:46,029 --> 02:01:55,199
♪ ONLY HUMAN ♪
2923
02:01:46,029 --> 02:01:55,199
[ CHEERS AND APPLAUSE
2924
02:01:55,199 --> 02:01:57,260
♪♪
2925
02:01:55,199 --> 02:01:57,260
♪ WE SHOULD PRAY FO
2926
02:01:57,260 --> 02:01:59,159
A MOMENT JUST LIKE THI
2927
02:01:57,260 --> 02:01:59,159
THERE'S A FIRE IN YOUR EYE
2928
02:01:59,159 --> 02:02:01,060
I CAN'T RESIST ♪
2929
02:01:59,159 --> 02:02:01,060
♪ BABY WE'RE GONN
2930
02:02:01,060 --> 02:02:03,119
WANNA REMEMBER THI
2931
02:02:01,060 --> 02:02:03,119
BABY WE'RE GONNA
2932
02:02:03,119 --> 02:02:05,189
WANNA REMEMBER THIS ♪
2933
02:02:03,119 --> 02:02:05,189
♪ I CAN TASTE THE FOREVER
2934
02:02:05,189 --> 02:02:07,250
ON YOUR LIPS
2935
02:02:05,189 --> 02:02:07,250
THERE'S A LIFETIME LIVIN
2936
02:02:07,250 --> 02:02:10,010
INSIDE THAT KISS ♪
2937
02:02:07,250 --> 02:02:10,010
♪ BABY WE'RE GONN
2938
02:02:10,010 --> 02:02:12,069
WANNA REMEMBER THI
2939
02:02:10,010 --> 02:02:12,069
BABY WE'RE GONNA
2940
02:02:12,069 --> 02:02:17,119
WANNA REMEMBER THIS ♪
2941
02:02:12,069 --> 02:02:17,119
♪♪
2942
02:02:17,119 --> 02:02:18,220
[ CHEERS AND APPLAUSE
2943
02:02:17,119 --> 02:02:18,220
>> THANK YOU ALL FOR A GREAT
2944
02:02:18,220 --> 02:02:20,279
NIGHT.
2945
02:02:18,220 --> 02:02:20,279
IT'S BEEN AN HONOR HOSTING THIS
2946
02:02:20,279 --> 02:02:21,229
SHOW
2947
02:02:20,279 --> 02:02:21,229
WE'LL SEE YOU ON TOUR THIS
2948
02:02:21,229 --> 02:02:23,130
SUMMER
2949
02:02:21,229 --> 02:02:23,130
♪♪
2950
02:02:23,130 --> 02:02:27,119
♪♪
2951
02:02:23,130 --> 02:02:27,119
♪ SO WHAT A MAN GOTTA D
2952
02:02:27,119 --> 02:02:30,039
WHAT A MAN GOTTA D
2953
02:02:27,119 --> 02:02:30,039
TO BE TOTALLY LOCKED U
2954
02:02:30,039 --> 02:02:33,140
BY YOU ♪
2955
02:02:30,039 --> 02:02:33,140
♪ WHAT A MAN GOTTA SA
2956
02:02:33,140 --> 02:02:37,100
WHAT A MAN GOTTA PRA
2957
02:02:33,140 --> 02:02:37,100
TO BE YOUR LAST "GOODNIGHT
2958
02:02:37,100 --> 02:02:41,220
AND YOUR FIRST "GOOD DAY" ♪
2959
02:02:37,100 --> 02:02:41,220
♪ SO WHAT A MAN GOTTA D
2960
02:02:41,220 --> 02:02:45,010
WHAT A MAN GOTTA D
2961
02:02:41,220 --> 02:02:45,010
WHAT A MAN GOTTA D
2962
02:02:45,010 --> 02:02:46,199
OH ♪
2963
02:02:45,010 --> 02:02:46,199
♪ TO BE TOTALLY
2964
02:02:46,199 --> 02:02:50,000
LOCKED UP BY YOU
2965
02:02:46,199 --> 02:02:50,000
TOTALLY LOCKED UP BY YOU
2966
02:02:50,000 --> 02:02:57,060
WHAT A MAN GOTTA DO ♪
2967
02:02:50,000 --> 02:02:57,060
♪ HEY BAB
2968
02:02:57,060 --> 02:02:58,260
WHAT A MAN GOTTA PROVE
2969
02:02:57,060 --> 02:02:58,260
WHAT A MAN GOTTA PROVE
2970
02:02:58,260 --> 02:03:01,020
TO BE TOTALLY ♪
2971
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♪ LOCKED UP BY YO
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02:03:01,020 --> 02:03:02,220
TOTALLY LOCKED U
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02:03:01,020 --> 02:03:02,220
BY YOU ♪
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♪♪
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[ CHEERS AND APPLAUSE
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♪♪
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♪♪
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♪♪
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♪♪
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♪♪
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>> Announcer:
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BILLBOARD MUSIC AWARDS FINALISTS
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02:04:10,149 --> 02:04:12,210
AND WINNERS ARE BASED ON KEY FAN
2984
02:04:12,210 --> 02:04:14,109
INTERACTIONS WITH MUSIC,
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02:04:12,210 --> 02:04:14,109
INCLUDING AUDIO AND VIDEO
2986
02:04:14,109 --> 02:04:16,010
STREAMING, ALBUM AND SONG SALES,
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02:04:14,109 --> 02:04:16,010
RADIO AIRPLAY, AND SOCIAL
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02:04:16,010 --> 02:04:18,069
ENGAGEMENT
2989
02:04:16,010 --> 02:04:18,069
THESE MEASUREMENTS ARE TRACKED
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02:04:18,069 --> 02:04:20,130
BY BILLBOARD, MRC DATA AND
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02:04:18,069 --> 02:04:20,130
NEXT BIG SOUND
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02:04:20,130 --> 02:04:24,260
THE AWARDS ARE BASED ON THE
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02:04:20,130 --> 02:04:24,260
BILLBOARD CHARTS DATED MARCH 21,
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02:04:24,260 --> 02:04:29,079
2020 THROUGH APRIL 3, 2021
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02:04:24,260 --> 02:04:29,079
FAN VOTING FOR TOP SOCIAL ARTIST
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02:04:29,079 --> 02:04:32,170
AND TOP COLLABORATION AWARDS ARE
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02:04:29,079 --> 02:04:32,170
ADMINISTERED, MONITORED, AND
2998
02:04:32,170 --> 02:04:35,279
VERIFIED BY TELESCOPE INC. -- AN
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02:04:32,170 --> 02:04:35,279
INDEPENDENT VOTE MANAGEMENT
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02:04:35,279 --> 02:04:38,039
COMPANY AND THE RESULTS REMAIN
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02:04:35,279 --> 02:04:38,039
CONFIDENTIAL UNTIL THE TIME OF
3002
02:04:38,039 --> 02:04:40,260
PRESENTATION
3003
02:04:38,039 --> 02:04:40,260
IN THE EVENT OF TECHNICAL
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02:04:40,260 --> 02:04:43,189
INTERFERENCE OR DIFFICULTIES,
3005
02:04:40,260 --> 02:04:43,189
THE PRODUCERS AND NBC RESERVE
3006
02:04:43,189 --> 02:04:46,119
THE RIGHT TO REVIEW THE VOTED
3007
02:04:43,189 --> 02:04:46,119
AWARDS FOR ACCURACY AND TO TAKE
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02:04:46,119 --> 02:04:52,109
ANY APPROPRIATE ACTION
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02:04:46,119 --> 02:04:52,109
"THE VOICE" LIVE FINALE BEGINS
171543
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