All language subtitles for The.Six.Million.Dollar.Man.S03E02.The.Return.of.the.Bionic.Woman.2.1080p.BluRay.FLAC2.0.H.264-BTN_track5_[eng]

[Oscar] Last on the
"Six Million Dollar Man..."

Steve Austin had watched
his fiancée, Jaime Sommers,

the world's first
bionic woman die.

But was she really dead?

[beeping]

- I saw Jaime today, alive.
- Steve, you don't under--

Now, don't start this strain
number with me, Oscar!

- I know what I saw!
- Steve, listen to me.

- Five seconds.
- Alright.

It's Jaime. She's alive.

[Oscar] Dr. Michael Marchetti
had performed

a startling operation using

revolutionary cryogenic
techniques

which had literally
brought Jaime back to life.

[defibrillator clicks]

But when Jaime
saw Steve again...

Who are you?

Jaime had suffered
brain damage.

Her memory was gone.

[Rudy] I told you before,
by attempting to stimulate

Jaime's memory we could bring
back the pain

that she felt so intensely.

Well, then it's best that she
doesn't know anything about us.

What we shared.

[Oscar] Steve could
only watch as

Jaime grew closer to Michael.

Then Jaime began to have
flashes of memory,

but with the memory came pain.

What's the matter?

Steve, sometimes I feel like

I'm just on the edge
of remembering,

and then, and then it hurts.

And it's so frustrating,
'cause I...

It's driving me crazy.

[Oscar] So they considered
taking Jaime

back to her hometown.

Just suppose somebody comes up

on the street
and recognizes her.

We'll have to avoid that.
Keep her off the streets.

Keep the whole thing controlled.

[Oscar] Now Steve is taking
Jaime home

but no one knows
what lies ahead.

And now the "Return
of The Bionic Woman, Part Two"

on the
"Six Million Dollar Man."

[Man 1] It looks good
at NASA One.

[Man 2] Roger.

[Man 2] BCS Arm switch is on.

[Man 1] Okay, Victor.

[Man 2] Landing Rocket
Arm switch is on.

Here comes the throttle.
Circuit breakers in.

- [Steve] We have separation.
- [Man 2] Roger.

[Man 3] Inboards and outboards
are on.

I'm coming forward
with the side stick.

- [Man 1] All looks good.
- [Man 2] Uh, Roger.

[Steve] I've got a blow out,
damper three!

- [Man 2] Get your pitch to zero.
- [Steve] Pitch is out!

[Steve] I can't hold altitude!

[Man 2] Correction,
Alpha Hold is off.

Turn selectors... Emergency!

[Steve] Flight Com,
I can't hold it!

She's breaking up!
She's breaking...

[explosion]

[Rudy] Steve Austin. Astronaut.
A man barely alive.

[Oscar] Gentlemen,
we can rebuild him.

We have the technology.

We have the capability to make
the world's first bionic man.

Steve Austin will be that man.

Better than he was before.

Better, stronger,

faster.

[whirring]

[theme music]

[upbeat music]

It's beautiful country, Steve.

Yeah, I've always thought so.

You know this country
pretty well, huh?

Well, I was raised here.

[music continues]

What did that sign say?
It said, Astronaut Steve Austin?

- Yeah.
- You didn't tell me that.

- Did you go into space?
- Well, I went to the moon.

- The moon?
- [laughs]

Wow, what's it like to walk
around on a strange new world?

Oh, never mind. I think I know
exactly how it feels.

[music continues]

- [Jaime] This is your place, huh?
- [Steve] Yep.

[Jaime] Well, it suits you.
It's warm and friendly.

Just like the countryside.

- [Steve] Would you like to see more?
- [Jaime] Oh, yes.

[Steve] Come on,
I'll show you around.

[Jaime] Okay.

[romantic music]

♪ It's been fun
lots of laughs, Jaime ♪

♪ It always is
when friends meet again ♪

♪ But lately it's gone flat
for me, Jaime ♪

♪ I don't like seeing you
now and then ♪

♪ Our friendship is finished ♪

♪ That's true ♪

♪ But there's hope
a way to make it through ♪

♪ Because, sweet Jaime,
I love you ♪

♪ I never wanna say
goodbye to you ♪

♪ Sweet Jaime,
I'll love you forever ♪

♪ I know we'll never part ♪

♪ I love you like
I loved no other ♪

♪ Make room for me
in your heart ♪

[Jaime] Michael? Hi, it's Jaime.

I just wanted to call you
and let you know we got here.

I'm glad to hear it.

How are you feeling?

Good. We're at Steve's
ranch now.

And it's just,
it's really, uh...

[chuckles]

[shattering]

I-- It's really...

- [Michael] Jaime?
- [Jaime] Yeah, I'm here.

You're sure you're not
having any problems?

No, no problems.

No problem except that
you're not here.

When are you coming up?

Oh, good. Well, ma-- maybe
we can have breakfast then, huh?

Oh, that would be lovely.

Um, Michael?

What is it?

Mm, I'll tell you tomorrow.
Maybe.

Bye-bye.

[eerie music]

Could we go for a walk?

Sure.

Don't you want
your orange juice?

Not right now.

[pensive music]

Oh, it's just so peaceful here.

Yep.

Steve, you're my friend.
Tell me something honestly.

I'll try.

What do you think of Michael?

Well, he's a brilliant,
talented,

dedicated scientist.

I know all that, but, um...

What do you think of him
as a person?

I like him.

Me, too.

Do you think he likes me?

[eerie music]

What's the matter?

Nothing, I... I...

You alright?

Yeah. Really.

This must've been
a really nice place to grow up.

Yeah, it was for me.

I used to go fishing
just over that hill there.

- Is there a lake near here?
- Yeah.

Just over that hill there.

Can we go there?

Sure, I guess so.

[music continues]

Did you ever get
the feeling that

you've been somewhere before?

Sure. Lots of times.

Kind of feel that way now.

Guess I'll probably feel
that way off and on

for the rest of my life.

Hey, can we go into town?

Well, there's not much
to see there.

Well, I would like to go anyway.

So plan on it.

Well, maybe.

[music continues]

Gee, aren't these fun?

Kind of makes you feel like
someone's been here before, huh?

Yeah.

Is your name on here?

No, no. I don't think so.

You know what I'd like to do?

What's that?

[whirring]

[music continues]

What every woman wants,
a bionic fingernail.

[chuckles]

[whirring]

[music continues]

[music continues]

[music continues]

[phone dialing]

[phone ringing]

- [Jim] Hello?
- [Steve] Hi, dad.

Steve! Where are you?

Well, I'm here. At the ranch.

Oh, your mother
will be so disappointed.

She's at your Aunt Berdine's
in Bakersfield.

Uh, you be here long?

Well, I don't know.

Can you come over?

Sure. What's wrong?

Well, I need to talk to you,
dad.

There's something you better
know before you get here.

What is it?

It's about Jaime.

[eerie music]

[Jim] It's unreal, Steve.

Like I'm seeing a ghost.

[Steve] Yeah, I know.

[Jim] And she hasn't remembered
anything?

Even since you brought her here?

[Steve] No, and there's
a constant danger

that if she sees too much
or accidentally heard too much

from someone in town,

well, it might seriously
damage her psychologically.

So I've really got to keep her
clear of town.

This must be harder for you
than I can even imagine.

That's why I called you.

I just had to have
somebody to talk to.

It is getting to me, dad.

Taking her to all the places
she and I used to go as kids.

Places we went again
last spring.

Seems so long ago now.

You know, I guess that's what
hurts the most.

Finding her last spring
and then...

realizing what we'd been missing
all those years.

Coming so close to marrying her.

Then losing her that night
at the hospital.

And now?

Now, losing her all over again.

Yeah.

You know, dad, this morning
out, out by the lake, I,

I just wanted to grab her and,

and make her remember me.

Remember us.

You're pretty remarkable.

Do you know that?

You've been so busy worrying
about how Ojai

would affect Jaime that

you haven't taken time
to worry about

how it would affect you.

I guess I'll be alright.

Thanks for helping me
unload a little bit. It helps.

Oh, I wish I could help more.

Now where'd she go?
Come on, let's have a look.

Jaime?

Jaime!

Where'd she go?

[beeping]

[Steve] The back gate's open.
She must be headed for town.

I've gotta stop her.

[bionic music]

[pensive music]

[music continues]

[music continues]

[beeping]

[music continues]

Edward!
Edward.

[beeping]

Didn't that look like
Jaime Sommers?

Edward.

[indistinct chatter]

[pensive music]

[music continues]

[chuckles]

Hey, my game, Armando.

Okay, you buy the beer, huh?

Make it cold.

[music continues]

- Steve? Steve Austin!
- Hi, Mrs. Raymond. How are you?

Oh, how very good
to see you again.

You know the funniest thing?

We just passed a girl back there

who looked just like
Jaime Sommers.

- Oh, you did? Where?
- She was the spitting image.

I said to Edward, didn't that
look like Jaime Sommers?

Mrs. Raymond,
where did you see her?

- Oh, at the park.
- Thank you.

I'll see you later.

Hey!

Hi. You, uh, want to hit
a couple back?

Oh. Come on. Come on.
Here's an easier one.

[chuckles] Wow.

That was great.
Hey. Try another one.

[chuckles] Wow, I get the
feeling I'm being hustled.

Ooh...

Oh...

Hey, I am being hustled.

You're Jaime Sommers.

Yeah, I saw you on TV last year

at Wimbledon,
in the finals last spring.

[eerie music]

Hey, you were
some kind of player.

You living in Ojai now?

No.

I would really like
for my friends to meet you.

- Oh, no.
- It'll just take a minute.

I'll be right back, okay?

[dramatic music]

No!

[Steve] Jaime? Jaime.

Oh, Steve, I... It hurts.

I remembered so much pain.

Come on.

I was a tennis player?

He said... He said that...

Yeah.

I had a flash of memory,

but there was a pain with it.

It was like a hot knife
cutting and...

I wish Michael was here.

We'll call him. Come on.

[door opens]

Hey, get a good night's rest,
I'll pick you up

for breakfast
in the morning, okay?

Michael will be here?

Yeah.

- Goodnight.
- Goodnight.

[dramatic music]

[Man 1 on PA] Phone call
for Colonel Austin.

- [Steve] Colonel Austin.
- [Jim] Steve? You found her okay?

Oh, hi, dad.

Yeah, I, uh... I found her.

Good. I was pretty worried
about her.

And I'm still pretty worried
about you.

Oh, I'll be okay.

Thanks again, you know, dad?

I know, and Steve...

I can't remember ever being
more proud of you, son.

Do-- do you think she'll be
alright now?

Yes, she's, uh,
she's resting quietly.

Good.

[dramatic music]

[eerie music]

[screaming]

No!

Jaime. Jaime, what's the matter?
What happened?

[sobbing] Just more visions
and pain in my head.

Call Dr. Wells or Dr. Marchetti.

No, it's alright.

- Are you sure?
- Yes.

I know what it is.

She'll be alright.

I realize why you
brought me here now.

What do you mean?

I grew up in Ojai, too,
didn't I?

[dramatic music]

Yeah.

And I guess you thought by me
seeing the area again

it would, uh, help restore
my memory

but it's no good, Steve.

Every time I start
to think back,

there's so much pain.

I mean, pain I can't even
tell you about.

Boy, I want to look back.

There's so much there.

And I even feel like there's,

like there's someone that
I left behind.

Like someone that I loved,
but that pain,

it just keeps coming.

Look, I understand.

How can I help you?

Help me go forward.

It just hurts too much
to go back.

At least for now.

I-- I think I have to leave Ojai

and everything
that went with it.

Just leave it behind.

Alright.

And I need more than that,
Steve.

I want Oscar to put me to work.

Use these bionics he gave me.

Jaime, I don't know.

Steve, I've gotta work.

I've gotta get my mind
on some new things.

Look, I know what
you're saying, but--

I know I'll be alright, Steve.

Between my bionics
and your friendship,

and Michael's help,
we can't lose.

Really.

Oh...

[dramatic music]

[eerie music]

[Oscar] She's progressing
at a rapid rate, isn't she?

[Rudy] Looks like it. Beth?

Punch up the other videotapes.

Michael's cryogenic therapy
has worked wonders.

It's also helped us overcome
her bionic rejection problem.

And Michael's presence
has helped a lot, too.

Rudy, what condition is she in?

Well, if I had another month

I'd keep a close eye on her
bionic neural link--

Rudy.

Okay, okay.

It's good. It's very good.

Physically, yes,
but what about mentally?

I have to go along with Jaime's
estimate of her condition.

It's accurate.

Well, then you think it's just
Ojai that upset her so much.

Sure. What else
could it have been?

I also have to go along
with her suggestion

that we find her something
new and challenging.

[Steve] Well, that's what
we'll have to let her do.

I suppose you've got something
in mind already, huh?

Yes. For both of you.
It's urgent, important.

Dangerous?

Hm, well, that'll give her
something new

to think about, right?

[dramatic music]

Steve, I'm feeling
a little guilty?

I told you once I wouldn't
purposely undermine

your relationship with Jaime,
but...

But you're not made of iron,
huh?

No, I guess I'm not.

She's just so...

Hey, look, you're talking to the
guy that fell in love with her

when she was eight years old.

I understand.

Yeah, I'm sure you do.

Besides, I, uh...
I haven't given up yet.

I don't blame you.

And I don't blame you.

Okay, let's get this show
on the road.

- Take care.
- I will.

Come home safely.

Well, I got my big brother here
to make sure I do.

[dramatic music]

[car engine sputtering]

[Oscar] Here is your adversary.

His name is Carlton Harris.

He's very dashing.

He considers himself
quite a lady killer, too.

Harris is an American national
who has a huge oil refinery

on the free Caribbean Island
of Melanique.

Sounds real legitimate.

The only trouble is he's arming
a group of militants

who in return will give him
more oil holdings

as soon as they take power.

Ah, that's very illegitimate.

Melanique government
has asked us to intervene

which we can't, of course,
officially,

because he's on foreign soil.

So we're gonna do a little
unofficial intervening

and, uh, 86 the weapons
and munitions, huh?

[Oscar] Right. Harris' security
is incredibly tight.

Even with your bionics,
it'll take the two of you

to get into the storage area,
plant the charges

and get out of there
in one piece.

Is it bad form at all
at this point

to tell you I'm really scared?

That's okay.

[Steve]
We're over the drop zone.

[eerie music]

[thumping]

[buzzer buzzing]

Oh, Steve, I can't! I can't!

Come on, Jaime.
You can make it.

No.

- I'll be right with you.
- No, I can't!

[screams]

[dramatic music]

[music continues]

[Steve] Steve to pilot, come in,
we've landed safely,

and we're on our way
to the refinery.

Roger, Colonel Austin.
Over and out.

[suspenseful music]

[music continues]

[eerie music]

[beeping]

What's going on down there?

There's Harris himself.

[beeping]

What is it?

[Steve] Looks like some sort of
relay switch.

Can you pick up
what they're saying?

[whirring]

[Harris] And this will complete
our security precautions.

They're talking about
security precautions.

There's a switch
just like this one--

[Jaime] There's a switch
just like this one

in the main control room.

And the only way
to gain entrance

to the vault in munitions is by

turning both switches
simultaneously.

Otherwise, the booby trap
charges set in the door

will blow up
in their faces.

Oh, that's terrific.

How are we gonna
get in there, uh,

to plant the explosives without
getting blown up at the door?

I'll have to get into
the control room somehow

and throw the switch

while you throw that one
down there at the vault.

No.

What're you doing?

Let me handle the inside work.

- No way.
- Steve, it makes sense.

Now the plant security
is incredibly tight.

- Oscar says--
- I don't care what Oscar said.

And he also said that
Harris is a ladies man.

- Lady killer.
- Alright.

I admit the "Killer" part
doesn't thrill me so much

but I do have a better chance
at it than you do.

I-- I can tell him
I'm a reporter or something.

- No, Jaime.
- Steve...

I know I'm right
and so do you.

Now you're cute, but he's not
gonna look twice at your legs.

Hey, now, come on,
cut the kidding.

Not more than five minutes ago,
you had one of those--

Hey, I'm fine.
Really, I'm fine, Steve.

Please let me do this.

I gotta prove something
to myself, too.

I mean that I, that
I can be worth something.

I ca-- I can be useful.

Alright, alright.

Okay. Now, let's see.
lt, it is 1 :40 now.

Give me until 2:20,
and then flip your switch, okay?

- You got it. Good luck.
- Okay.

[dramatic music]

[eerie music]

Jaime.

Jaime!

[dramatic music]

[dramatic music]

Yeah, I'll check that area.
Everything should be alright.

I think that's just...

Yeah, I think so,
it'll be just fine.

Oh, uh...

That's it now, for you.

Ah, Miss Stroud?

Hello, but please call me Jaime,
okay?

Of course. Jaime.

My, what a lyrical name.

And I, of course, am Carlton.

Oh, my security guard
didn't exaggerate at all.

You are very, very lovely.

Thank you.

And I really appreciate you

taking the time
for this interview.

Well, I'm sure the pleasure
will be all mine.

You know, your complex
is so huge.

I would really like to walk
around while we talk.

- Is that alright?
- Of course, please. Come.

Thank you.

[whirring]

[Harris] A very interesting view
from here.

[Jaime] Oh, my.

How did you achieve your success
here on Melanique?

Oh, that's very simple.

Always know who your competition
is or your enemies are

and then, uh, stay one step
ahead of them.

Oh, really?

[dramatic music]

[music continues]

You know, Jaime,
I'm still not sure why

your readers would be
interested in me.

Oh, Carlton, come on.

You're wealthy
and you're powerful

and if I may say so,
you're very attractive.

Thank you.

Uh, perhaps
after our little tour, uh,

you might be interested
in joining me for dinner.

I have a wonderful chef
who would surely be delighted

to surprise you.

Well, actually,
I could be tempted.

Good.

[eerie music]

It must take a small army
to operate this place.

[chuckles] Yes, it does,
but it's mostly automated.

Well then, that means
you have, a, uh,

main control room
or something?

Oh, yes.
Excuse me, I'll show you.

[eerie music]

- Follow me this way, please.
- Okay.

[dramatic music]

[beeping]

[music continues]

[ticking]

Now this is the nerve center
of the entire complex.

There's a lot of controls
in here.

Fantastic.

I don't know how you manage
to know

which switch does what. It's...

[eerie music]

It's incredible.

And, uh, this switch.
What does it do?

Jaime!

Jaime!

[echoing]
Jaime!

Jaime!

Someone's in trouble.

What?

Jaime?

What is it?

[eerie music]

It-- It's Steve.

It must be Steve. Uh...

[groaning]

Steve's in trouble,
and I have to get him.

Jaime?

Let me go!

[groaning]

Plant Security!

[beeping]

[dramatic music]

[clanking]

[creaking]

[music continues]

[eerie music]

- Steve?
- Jaime!

Steve's in trouble and I,
I have to get him.

[dramatic music]

That way. Call the gate.
Have them cut her off!

Right, sir.

[music continues]

- Jaime!
- Steve!

I thought you were in trouble.

- I heard you calling me.
- What?

I heard you calling me
in the rain.

[eerie music]

Oh...

[dramatic music]

[music continues]

There! Shoot!

[gun firing]

[Oscar] She heard you calling her
in the rain?

[Steve] That's right.

In the rain.

She must've been having some,

some memory of...
the night she died.

We put her out in the field
too soon, Michael.

Listen, the next time
that you two go out--

There can't be a next time,
Oscar.

- What?
- Not... not with me.

- Not for a long time.
- Steve...

You're just upset
because the mission aborted.

Oscar, we barely
got away with our lives!

Jaime knows that she messed up.

She told us so.

She was thinking of Ojai.

She shouldn't go through
that experience again.

All it brought up
was painful memories.

We just have to not
go back there again.

Do you understand?

It's not Ojai, Oscar. It's me.

What're you talking about?

Ojai was disturbing
to her subconscious.

Think of what I must be doing to
her every time she looks at me.

I'm not good for Jaime.

Steve, you've got it all wrong.
You're too close to the problem.

Oscar, you're talking
to a test pilot, remember?

You're talking to a man
who's been trained

as an objective observer.

To pull back from any situation

and look at it in the cold light
of day.

I can read my own telemetry,
Oscar.

In Ojai, even before that.

Right here in Rudy's lab.

There were times
when she looked at me.

I could already sense it.
I could...

I could feel that
the sight of me

was gnawing away
at her subconscious.

Then on the mission.

There was no Ojai there,
only Jaime and me and,

the memories and the pain
that I brought her

intensified to such a high level
by the stress situation.

- I am right, aren't I, Michael?
- Steve...

Michael, forget
the personal involvements.

Scientist to test pilot.

I am right, aren't I?

I think you are. Yes.

Well, what do we do?

Send her to Rudy's other complex
in Colorado Springs.

Away from here.
Away from Ojai.

[Oscar] Away from you?

[Steve] Away from me.

For how long?

For as long as it takes.

Alright, pal.

I'll make the arrangements.

[dramatic music]

- Michael?
- Yeah, Steve?

You brought her back to life
and put her in my hands again.

Now I'm putting her into yours.

[no audio]
Okay.

[music continues]

- Ready to go?
- Yes.

Hi. I was looking for you.

Did you hear that
Rudy's sending me

to his complex
in Colorado Springs?

Yeah, I heard that.
He told me.

It's beautiful there.
Very peaceful.

That's what I need.

Michael's going along.

But I have decided that
what I need

is to, uh, get to know myself
before I can be good

for anyone else.

I mean anyone else.

So what about you?
Where are you gonna be?

You know Oscar. He's always
finding something for me to do.

I'm gonna miss you, Steve.

Yeah. I, uh... miss you, too.

I don't know what it is...

sometimes I look at you
and I get a feeling

like there's something more.

Was there?

I'm your friend, Jaime.

Always was. Always will be.

Bye.

Bye.

[dramatic music]

[car engine revving]

[engine revving]

[music continues]

[theme music]