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- Synced and corrected by chamallow -
- www.addic7ed.com -
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[DOUG] You said you wanted splashy.
3
00:00:07,203 --> 00:00:09,038
- Is this splashy enough?
- Well, it's a beginning.
4
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I'm CFO, Chief Fun Officer.
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And I'm art director,
which is an actual title.
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I have fans now.
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Yeah, and they're incredibly wealthy
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and they live in castles
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and hire me to shoot their playthings.
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[DOUG] We could turn
Minx into so much more
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than just a magazine.
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Merchandising, uh, events,
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international editions,
taking this thing global.
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Something is going on with you.
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Whatever this is, I want
to figure it out with you.
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Please welcome Joyce Prigger.
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- Am I a celebrity?
- Sure, you're a celebrity.
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[JOYCE] Doesn't it seem
like people are longing
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for a way to be more
open about sexuality
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without feeling shame?
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God save the queen of dicks.
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[JOYCE] And, you know, I
don't think it stops there.
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I-I think this feels like
the beginning of something.
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[EUGENE BLACKNELL'S
"GET IN A HURRY" PLAYING]
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♪ ♪
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[EUGENE] ♪ I got to get in a hurry ♪
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[MODEL] Hey.
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[EUGENE] ♪ I gotta buckle down ♪
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♪ ♪
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♪ I can't believe ♪
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- ♪ My baby done put me down ♪
- Thank you.
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[LAUGHTER]
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[DOUG] Sunset Boulevard.
You got 90,000 eyes a day.
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That is a wonderful idea, Doug.
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Truly inspired.
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Really? 'Cause yesterday you said
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that billboards were "a
blight on the public commons."
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Well, you know what, I slept on it,
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and it's a winner. [LAUGHS]
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[CAMERA SHUTTER CLICKS]
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[TINA] Yes, Bambi.
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Um, who are those people
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and why do they keep taking our picture?
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That's Rolling Stone,
and they're here today
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doing a feature on Bottom Dollar.
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You really need to read my memos, Bambi.
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Oh, I don't read memos on principle.
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But fun.
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Yes, it is.
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It's... so much fun.
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[TINA] Big day today,
big shoot, big issue.
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Does anyone know where Richie is?
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Art department's still
waiting on his approval,
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and I don't know why he's not here.
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I'm here. I'm here and I'm ready.
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[CLEARS THROAT] Uh, more.
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Both. Also both.
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00:02:03,694 --> 00:02:05,696
You know my budgets
aren't suggestions, right?
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Just how over are we?
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Twenty percent and counting.
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Eh, that's a rounding error in my book.
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I think we need to
support this man's vision.
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You've earned it.
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Thank you, Connie.
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00:02:17,541 --> 00:02:19,460
And in other news,
the, uh, comment cards
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for my new science magazine, uh, Beyond,
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came out, and they're, uh...
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... they're very positive. [LAUGHS]
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Yeah, so I'll read 'em to you.
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Somebody said, "Original."
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"Mind-blowing."
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"The biggest development in science
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since the Punnett square."
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I wrote that one.
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And how are we looking on the calendars?
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[DOUG] I think we've got
some really sexy options.
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Oh, Joycie, I pulled
off the lady quotes.
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So now it's just thick and
juicy slices of beefcake.
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Yum.
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[EUGENE] ♪ I got to get in a hurry ♪
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♪ ♪
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♪ I got to get in a hurry ♪
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What the hell was that?
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We've got Rolling Stone posted up,
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and all of a sudden you
decide to respect me?
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00:03:06,382 --> 00:03:08,008
Well, I-I don't... I
don't know what you mean.
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[CAMERA SHUTTER CLICKS]
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[DOUG] Come on, Prigger, please.
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What are you doing?
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This is our thing.
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We fight, we bang heads,
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but then we come together
and we make magic.
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It is very Minx-y.
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When did that become an adjective?
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00:03:22,606 --> 00:03:23,983
I just don't understand
why you're trying
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to bore this reporter out of a story.
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Do you have any idea
who Simon Michaels is?
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Y-you-you've brought death to our door.
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00:03:31,073 --> 00:03:33,868
Okay, this guy, he
writes searing exposés.
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00:03:33,993 --> 00:03:35,202
He uncovers malfeasance.
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He topples despots.
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Last I checked, you are not
a third world dictator, Joyce.
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I think we'll be okay.
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[JOYCE] Yeah, well,
still, one never knows
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what's going to bring
'em down, you know?
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Have you read a word about Nixon?
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He's the president of the United States.
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We publish a dick mag.
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Although right now,
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I don't know who's more paranoid.
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In just six months, sales
are through the roof.
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Okay, writers beg to contribute.
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We're on top. I mean,
come on, why risk that?
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Because, Joycie, if we get
on the cover of Rolling Stone,
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it'll launch us to outer fucking space.
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No... you mean launch Beyond.
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Okay? I'm not an idiot.
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I'm not risking Minx
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just so you can give
your pet project a boost.
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So this is about jealousy?
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Oh, my God, no. I'm
very... I'm very happy
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for you and your new celebrity friend...
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[DOUG] My editor, Joyce,
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Carl Sagan.
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Yeah, that kind of
press is a distraction.
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00:04:25,419 --> 00:04:27,671
And what was that hatchet
job you did on my calendar?
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00:04:27,838 --> 00:04:29,298
There it is. So you were pissed.
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Doug, I spent hours curating
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this-this treasure trove
of feminist witticisms.
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00:04:33,135 --> 00:04:34,844
It pulled focus from the schlongs.
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Schlongs without context
are just schlongs, okay?
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It's the quotes that make them Minx-y.
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God damn it.
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There it is, kid! There's the pepper!
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Where was that in the meeting?
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[LAID-BACK ROCK MUSIC PLAYS]
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- [SHELLY] Okay.
- [LENNY] We gotta go.
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Hey, and remember
Grandma's picking you up
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00:04:47,817 --> 00:04:49,527
after school for the
sleepover today, okay?
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00:04:49,693 --> 00:04:51,529
And if she pops that second jug of wine,
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00:04:51,695 --> 00:04:52,947
I want you to call.
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Well, Tommy has a standing order
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00:04:55,324 --> 00:04:56,700
to water down the
Carlo Rossi after 9:00.
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00:04:56,867 --> 00:04:58,452
Oh, and don't worry
about going to the store.
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- I have time today.
- No way.
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00:05:00,538 --> 00:05:02,373
You got enough on your plate as hostess.
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And besides, I want to
make sure that you have
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00:05:03,666 --> 00:05:05,292
plenty of energy for later.
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00:05:05,459 --> 00:05:06,669
Oh, excuse me.
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00:05:06,836 --> 00:05:08,420
[LENNY] Mm-hmm.
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00:05:08,587 --> 00:05:10,297
[SHELLY CHUCKLES]
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- [LENNY] Mm.
- [SHELLY CHUCKLES]
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I have a test first period.
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Okay. All right, get out of here.
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[LENNY] All right.
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00:05:18,013 --> 00:05:20,224
Well, well, good morning, lovebirds.
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[LAUGHS]
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00:05:21,976 --> 00:05:24,520
Hey, Harold and I were
wondering if you had
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a couple spots open at your
table for dinner tonight.
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You guys throw the best parties.
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Right, Harold? [LAUGHS]
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Driving the bus today, Lenny?
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Must be in the doghouse.
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[LENNY] Nope, just, uh,
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enjoy spending time with my children.
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[SHELLY CHUCKLES]
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I'm so sorry... even with the leaf,
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we can only fit eight.
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Maybe next time?
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Okay.
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[ENGINE TURNS OVER]
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You had one line, Harold.
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One.
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[SINGER] ♪ Talk about your yo-yo ♪
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[BAMBI] And this is where Richie sits.
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He used to be in the studio,
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but then Life magazine called him
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"America's Picasso of the Pecker."
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So, I gave him a work
station and two assistants.
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00:06:01,765 --> 00:06:03,267
And over here is Tina.
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00:06:03,434 --> 00:06:05,102
She got to choose her own carpet.
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She went with the short
pile 'cause she's classy.
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00:06:07,313 --> 00:06:08,939
Is that you right there?
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[BAMBI] Yeah.
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That was from before my CFO days.
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[SIMON] You went from nude model
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to Chief Financial Officer?
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Chief Fun Officer.
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00:06:16,697 --> 00:06:18,324
Yours sounds made-up. [LAUGHS]
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Also, I'm still centerfold coordinating,
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which is a real job.
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00:06:21,785 --> 00:06:23,787
But I'm looking for my next gig here.
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Just waiting for the stars to align.
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Speaking of stars,
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who do we have here?
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Astrologer, cosmetologist,
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00:06:31,670 --> 00:06:34,673
and Beyond magazine's editor emeritus,
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Mr. Carl Sagan.
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Hello.
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I'm almost none of those things.
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00:06:39,344 --> 00:06:40,554
Okay, bye, guys.
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Bye, Annie.
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00:06:42,431 --> 00:06:43,933
Do you know where I
could find Joyce Prigger?
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00:06:45,517 --> 00:06:48,395
[INDISTINCT CHATTER]
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You one of those people
who can only write
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00:06:55,486 --> 00:06:56,779
in the midst of chaos?
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00:06:56,904 --> 00:06:57,947
[TYPEWRITER DINGS]
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Here you go.
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00:07:00,449 --> 00:07:01,450
This should have everything you need.
210
00:07:03,994 --> 00:07:05,871
Yeah, I-I think I missed something.
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00:07:05,996 --> 00:07:07,915
Oh, I wrote out my answers in advance.
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00:07:08,082 --> 00:07:09,333
[SIMON] Right, but I
didn't submit any questions.
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00:07:09,500 --> 00:07:10,793
I've done dozens of interviews,
214
00:07:10,960 --> 00:07:13,337
and 95% of the questions
are exactly the same.
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00:07:16,548 --> 00:07:18,384
Um, I'm so sorry. What
was your name again?
216
00:07:18,550 --> 00:07:20,010
Annie Leibovitz.
217
00:07:20,177 --> 00:07:21,679
Right, okay, um, Ms. Leibovitz,
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00:07:21,844 --> 00:07:23,013
could you please not take my picture?
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00:07:23,180 --> 00:07:24,848
It's her job.
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00:07:25,015 --> 00:07:26,015
[JOYCE] Well, I'm trying to do mine.
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00:07:26,141 --> 00:07:28,852
And you have caught
me on a very busy day.
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00:07:29,019 --> 00:07:30,521
- "Where do you get your ideas?"
- [JOYCE] Mm-hmm.
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00:07:30,688 --> 00:07:32,481
"How do you find your models?
224
00:07:32,648 --> 00:07:34,274
What does your boyfriend
think about your job?"
225
00:07:34,441 --> 00:07:36,735
On that last one, I push
back firmly but gently.
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00:07:36,860 --> 00:07:38,862
[SIMON] I would never ask that question.
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00:07:38,988 --> 00:07:40,197
Well, you'd be the first.
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00:07:40,364 --> 00:07:41,782
Then why don't you let me be?
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00:07:41,949 --> 00:07:44,076
Talk to me about your
book. That's a big advance.
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00:07:44,201 --> 00:07:45,243
Wh-what are you spending it on?
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00:07:45,411 --> 00:07:47,121
Uh, T-bills and a new condo.
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00:07:47,287 --> 00:07:49,540
Page three, halfway down.
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00:07:49,707 --> 00:07:50,708
And if you'll excuse me,
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00:07:50,874 --> 00:07:52,042
it looks like I'm needed in a meeting.
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00:07:52,209 --> 00:07:53,377
[JAUNTY MUSIC PLAYS]
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00:07:53,444 --> 00:07:54,502
I'm getting a bounce.
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00:07:54,503 --> 00:07:55,713
That's dead skin.
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00:07:56,714 --> 00:07:57,881
Son of a bitch.
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00:07:58,048 --> 00:07:59,174
Pumice.
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00:07:59,341 --> 00:08:02,219
♪ ♪
241
00:08:02,386 --> 00:08:04,388
Hey, Turtleneck, pumice stone.
242
00:08:07,516 --> 00:08:08,559
Technically not a stone.
243
00:08:08,726 --> 00:08:10,728
It's a mineral slurry.
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00:08:10,894 --> 00:08:12,855
[DOUG] There's my handsome genius.
245
00:08:13,022 --> 00:08:14,023
Hey, you want something to drink?
246
00:08:14,189 --> 00:08:15,232
A Fanta? You wanna get high?
247
00:08:15,399 --> 00:08:16,942
Richie's got some great grass.
248
00:08:17,109 --> 00:08:18,736
Forty-five minute drive to Syracuse,
249
00:08:18,902 --> 00:08:21,030
two connecting flights in coach,
250
00:08:21,196 --> 00:08:22,614
all for an interview that
doesn't seem to be happening.
251
00:08:22,739 --> 00:08:24,491
Oh, it's happening. It is happening.
252
00:08:24,657 --> 00:08:26,325
Believe me, believe me.
When I told this reporter
253
00:08:26,493 --> 00:08:27,744
you were here, he flipped his lid.
254
00:08:27,911 --> 00:08:29,079
Betrayed none of that excitement
255
00:08:29,246 --> 00:08:30,329
- in our brief encounter.
- Oh, he's just nervous.
256
00:08:30,330 --> 00:08:32,248
He is beyond excited.
257
00:08:32,416 --> 00:08:34,334
[LAUGHING] Beyond.
258
00:08:34,460 --> 00:08:36,086
Okay. I would like to get high.
259
00:08:36,253 --> 00:08:37,254
Okay, good.
260
00:08:37,421 --> 00:08:39,298
[COUNTRY BLUES MUSIC PLAYS]
261
00:08:39,465 --> 00:08:41,091
[PA GRUNTING]
262
00:08:41,216 --> 00:08:44,261
♪ ♪
263
00:08:44,428 --> 00:08:46,972
Why are there so many tumbleweeds?
264
00:08:47,139 --> 00:08:48,974
I asked you earlier. You said more.
265
00:08:49,141 --> 00:08:50,434
I meant metaphorically.
266
00:08:50,601 --> 00:08:53,145
This is supposed to
be a lone tumbleweed.
267
00:08:53,312 --> 00:08:55,981
Well, you're not gonna like that.
268
00:08:56,106 --> 00:08:57,107
- [RICHIE] Oh, my God.
- [BAMBI] Babes...
269
00:08:57,274 --> 00:08:59,651
Wait, wait. Can someone kill the fan?
270
00:08:59,818 --> 00:09:01,361
- What?
- [BAMBI] The models are upset.
271
00:09:01,487 --> 00:09:03,489
[RICHIE] Good. The concept
is Dudes in Distress.
272
00:09:03,655 --> 00:09:05,199
No, they're model upset.
273
00:09:06,742 --> 00:09:08,911
The only way I can
transform into character
274
00:09:09,078 --> 00:09:10,871
is to know who tied me up.
275
00:09:11,038 --> 00:09:12,039
What's my moment before?
276
00:09:12,206 --> 00:09:14,666
Plus, my cock's gonna look
smaller if I'm further away.
277
00:09:14,833 --> 00:09:16,335
Even though we all know it's not.
278
00:09:16,502 --> 00:09:18,629
Okay, everyone take five.
279
00:09:18,796 --> 00:09:20,881
And can someone give the
talent some umbrellas, please?
280
00:09:21,006 --> 00:09:22,466
[BAMBI] Robert, Charlie.
281
00:09:24,760 --> 00:09:26,804
[JOYCE] I hear we're having model drama.
282
00:09:26,929 --> 00:09:29,348
Brando over here is
requesting special makeup.
283
00:09:29,515 --> 00:09:32,184
He's convinced his character
would be uncircumcised.
284
00:09:32,309 --> 00:09:34,311
Well, he's not wrong from
a historical perspective.
285
00:09:34,478 --> 00:09:36,480
But, uh, that's not
the problem here, right?
286
00:09:36,605 --> 00:09:37,731
The setup is not working.
287
00:09:37,898 --> 00:09:39,274
I know. Something's missing.
288
00:09:39,441 --> 00:09:41,193
- I just don't know what it is.
- It's not tumbleweeds.
289
00:09:41,318 --> 00:09:42,861
Okay, I thought the "lone" was implied.
290
00:09:43,028 --> 00:09:44,988
Right, yes.
291
00:09:47,282 --> 00:09:48,742
How about this?
292
00:09:48,909 --> 00:09:50,452
You move on to your secondary setups,
293
00:09:50,619 --> 00:09:51,954
and then by the time we're
ready for our centerfold,
294
00:09:52,121 --> 00:09:54,498
I will have a fix.
295
00:09:54,623 --> 00:09:55,623
Okay.
296
00:09:55,666 --> 00:09:57,042
[LAID-BACK ROCK MUSIC PLAYS]
297
00:09:57,167 --> 00:09:59,628
You know, I'm not one
to comment on creative,
298
00:09:59,795 --> 00:10:01,713
but this all seems a bit...
299
00:10:01,880 --> 00:10:02,965
Off. Yes, I know.
300
00:10:03,090 --> 00:10:04,341
- We're handling it.
- Yeah.
301
00:10:04,508 --> 00:10:06,802
I just don't want to lose
sight of our audience.
302
00:10:06,927 --> 00:10:10,180
I mean, Minx is a very
successful women's magazine.
303
00:10:10,347 --> 00:10:12,474
And this, two men together,
304
00:10:12,641 --> 00:10:14,852
I feel like this puts
a target on our back.
305
00:10:15,018 --> 00:10:16,395
A target?
306
00:10:16,562 --> 00:10:18,272
Well, there's a whisper campaign
307
00:10:18,397 --> 00:10:21,441
that a good number of our
readers are homosexuals.
308
00:10:21,608 --> 00:10:23,110
Oh. Right, yeah.
309
00:10:23,277 --> 00:10:25,445
But, I don't know, isn't
it better if our work
310
00:10:25,612 --> 00:10:27,614
is interesting to all
kinds of different people?
311
00:10:27,781 --> 00:10:30,659
I mean, in an ideal world,
but we have advertisers
312
00:10:30,826 --> 00:10:33,871
that are paying
specifically to reach women.
313
00:10:34,037 --> 00:10:36,290
Let's not give them a
reason to question that.
314
00:10:36,456 --> 00:10:37,916
I will take care of it.
315
00:10:38,083 --> 00:10:39,251
I have complete confidence in you.
316
00:10:39,418 --> 00:10:41,253
[JOYCE CHUCKLES]
317
00:10:41,420 --> 00:10:43,213
Doug wanted me to tell
you he solved the problem
318
00:10:43,380 --> 00:10:44,548
with the glow-in-the-dark mugs.
319
00:10:44,715 --> 00:10:46,592
He doesn't need you.
320
00:10:46,758 --> 00:10:47,758
The what?
321
00:10:48,844 --> 00:10:50,888
Why am I just hearing about
glow-in-the-dark mugs now?
322
00:10:51,013 --> 00:10:52,389
And who drinks coffee in the dark?
323
00:10:52,556 --> 00:10:53,765
No one, because it doesn't work.
324
00:10:53,932 --> 00:10:55,082
Consider it dead. Here,
go ahead with your day.
325
00:10:55,225 --> 00:10:56,225
- What?
- No, no, you're having a really
326
00:10:56,226 --> 00:10:57,394
- busy day.
- What are you doing?
327
00:10:57,561 --> 00:10:58,561
- You just go do your thing.
- Is that Carl Sa...
328
00:10:58,562 --> 00:10:59,897
- [DOUG] No, no, no, no.
- Doug!
329
00:11:00,063 --> 00:11:01,440
Simon, can I talk to you for a second?
330
00:11:01,607 --> 00:11:03,400
Come on in. Carl, hit
the lights, please.
331
00:11:03,525 --> 00:11:04,943
- I should probably...
- [DOUG] I agree.
332
00:11:05,068 --> 00:11:06,403
[CARL] Black holes,
333
00:11:06,528 --> 00:11:09,281
infinitely dense,
334
00:11:09,406 --> 00:11:12,326
but exponentially fascinating.
335
00:11:12,492 --> 00:11:14,077
Oh, sweet Jesus.
336
00:11:14,244 --> 00:11:16,246
[JOYCE HUFFS]
337
00:11:16,413 --> 00:11:18,081
- Where's Simon?
- He's in there with Doug.
338
00:11:18,248 --> 00:11:19,750
I just got used as reporter bait.
339
00:11:19,917 --> 00:11:20,918
You need to talk to him.
340
00:11:21,084 --> 00:11:22,377
Oh, God, you too?
341
00:11:22,544 --> 00:11:23,962
I have enough on my
plate without Jann Wenner
342
00:11:24,129 --> 00:11:25,422
calling me complaining.
343
00:11:25,589 --> 00:11:26,673
We agreed to let Rolling Stone do
344
00:11:26,840 --> 00:11:28,425
a feature about Bottom Dollar.
345
00:11:28,550 --> 00:11:30,427
You've got to give them an angle.
346
00:11:30,594 --> 00:11:32,888
The point of view of the
woman at the center of it all.
347
00:11:34,223 --> 00:11:35,933
You're right.
348
00:11:36,099 --> 00:11:38,227
Point of view is everything.
349
00:11:38,393 --> 00:11:39,393
Yeah, right, okay.
350
00:11:39,519 --> 00:11:40,979
Um, I'll talk to Simon,
351
00:11:41,146 --> 00:11:43,815
but in return, I'm
gonna need some horses.
352
00:11:43,982 --> 00:11:45,192
How many horses?
353
00:11:45,359 --> 00:11:46,360
- Four.
- [TINA] One.
354
00:11:46,526 --> 00:11:47,819
- Three?
- One.
355
00:11:47,986 --> 00:11:49,780
Fine, one, but no Clydesdales.
356
00:11:49,947 --> 00:11:51,657
They're too cloppy.
357
00:11:51,823 --> 00:11:52,824
I was gonna give you two.
358
00:11:52,991 --> 00:11:54,076
- Is it too late to...
- Yes.
359
00:11:56,370 --> 00:11:58,288
Hello. [CHUCKLES]
360
00:11:58,455 --> 00:12:00,791
[TWANGY COUNTRY MUSIC PLAYS]
361
00:12:00,958 --> 00:12:03,502
[BAMBI] Richie.
362
00:12:03,669 --> 00:12:05,254
You need to take
better care of yourself.
363
00:12:05,420 --> 00:12:06,420
Here.
364
00:12:06,546 --> 00:12:08,048
OJ and speed.
365
00:12:10,259 --> 00:12:11,468
I had an interesting chat
366
00:12:11,635 --> 00:12:14,012
with one of our cowboys earlier.
367
00:12:14,137 --> 00:12:15,137
Which one?
368
00:12:15,180 --> 00:12:17,307
The one you slept with.
369
00:12:17,432 --> 00:12:18,432
More specific?
370
00:12:18,517 --> 00:12:19,935
Richie.
371
00:12:20,102 --> 00:12:22,187
[LAUGHS] At the same time?
372
00:12:22,312 --> 00:12:23,981
When all the doors
finally open up for you,
373
00:12:24,147 --> 00:12:25,315
it's kind of hard not
to go through them.
374
00:12:25,482 --> 00:12:26,483
Been there.
375
00:12:26,650 --> 00:12:27,693
When Elvis pulled me
376
00:12:27,859 --> 00:12:29,111
out of that audience in seventh grade,
377
00:12:29,236 --> 00:12:31,154
it was the start of a fun few years.
378
00:12:31,280 --> 00:12:33,699
Then I cleaned up my
act, and look at him now.
379
00:12:33,824 --> 00:12:35,575
Slurring his words in a sequined cape
380
00:12:35,742 --> 00:12:37,160
on a sad Vegas stage.
381
00:12:37,327 --> 00:12:38,328
I don't want that for you.
382
00:12:38,495 --> 00:12:40,247
I know.
383
00:12:40,414 --> 00:12:42,040
But we get invited
384
00:12:42,207 --> 00:12:44,626
to all these amazing
events every single night,
385
00:12:44,793 --> 00:12:47,546
and I can't believe I
get to be a part of it.
386
00:12:47,671 --> 00:12:49,006
Linda Ronstadt is having
387
00:12:49,172 --> 00:12:50,882
a private listening party tonight.
388
00:12:51,008 --> 00:12:52,342
How can I skip that?
389
00:12:52,509 --> 00:12:55,012
Linda's having a moment, and so are you.
390
00:12:55,178 --> 00:12:57,389
But Linda is still putting out music,
391
00:12:57,514 --> 00:13:00,183
and you can't get your butt
through one photo shoot.
392
00:13:00,350 --> 00:13:02,561
You know you need to lay
low every once in a while.
393
00:13:02,686 --> 00:13:03,895
Rein it in, buddy.
394
00:13:04,062 --> 00:13:05,314
[HORSE WHINNIES]
395
00:13:08,692 --> 00:13:10,569
I had nothing to do with that.
396
00:13:10,736 --> 00:13:13,405
[POP ROCK MUSIC PLAYING OVER STEREO]
397
00:13:13,572 --> 00:13:16,325
♪ ♪
398
00:13:32,007 --> 00:13:33,007
[RICHIE] That's right.
399
00:13:33,008 --> 00:13:34,050
And when you look at them,
400
00:13:34,051 --> 00:13:35,427
more powerful, please.
401
00:13:35,594 --> 00:13:36,595
More anguish.
402
00:13:36,762 --> 00:13:38,055
[HORSE WHINNIES]
403
00:13:38,221 --> 00:13:41,058
[QUIRKY ROCK MUSIC PLAYS]
404
00:13:41,224 --> 00:13:42,434
♪ ♪
405
00:13:42,600 --> 00:13:44,519
You squared the circle.
406
00:13:44,644 --> 00:13:45,896
Well done.
407
00:13:54,279 --> 00:13:55,906
It was missing a point of view.
408
00:13:56,073 --> 00:13:58,075
Needed a way in for the audience.
409
00:13:59,534 --> 00:14:00,535
She speaks.
410
00:14:00,660 --> 00:14:01,703
Please, don't stop.
411
00:14:01,870 --> 00:14:03,663
Maybe she's there to rescue them.
412
00:14:03,830 --> 00:14:06,416
Maybe she's there to torment them.
413
00:14:06,583 --> 00:14:08,919
All we know is that she has the power.
414
00:14:09,086 --> 00:14:11,129
What'd you have to do to get
a horse here in 30 minutes?
415
00:14:11,296 --> 00:14:13,131
Talk to you.
416
00:14:13,882 --> 00:14:15,217
- [DOOR CLICKS SHUT]
- [SIMON] Uh-huh.
417
00:14:15,384 --> 00:14:16,385
- All right.
- Not what I thought of
418
00:14:16,551 --> 00:14:18,095
when you said supply closet.
419
00:14:18,261 --> 00:14:20,263
Work here long enough, this
becomes Wite-Out and staplers.
420
00:14:20,430 --> 00:14:21,598
- [CHUCKLES]
- You know, you've been doing
421
00:14:21,765 --> 00:14:23,433
an inelegant job of avoiding me.
422
00:14:23,558 --> 00:14:24,768
I wasn't trying to hide it.
423
00:14:24,935 --> 00:14:26,019
I'd think you'd be a
little less squeamish
424
00:14:26,186 --> 00:14:27,437
for all the press you've done.
425
00:14:27,604 --> 00:14:28,980
Those were puff pieces, okay?
426
00:14:29,147 --> 00:14:31,316
We both know that a shrewd journalist,
427
00:14:31,483 --> 00:14:34,152
someone who, I don't know,
say, interviewed Idi Amin,
428
00:14:34,277 --> 00:14:36,738
can take any little detail
about a powerful woman,
429
00:14:36,905 --> 00:14:38,615
and then use it against her.
430
00:14:38,782 --> 00:14:40,951
Okay, you know, I-I raise my voice,
431
00:14:41,118 --> 00:14:42,786
"Abusive Bitch Claws
Her Way to the Top."
432
00:14:42,953 --> 00:14:44,996
I wear my heels too high,
433
00:14:45,163 --> 00:14:46,915
"Conniving Slut Sleeps
Her Way to the Middle."
434
00:14:47,082 --> 00:14:48,166
Look, I get it.
435
00:14:48,333 --> 00:14:49,626
We all want to control the narrative.
436
00:14:49,751 --> 00:14:51,503
But you're leaving me
to fill in the blanks.
437
00:14:51,628 --> 00:14:53,922
Mm-hmm, and what is it
that you think you see?
438
00:14:54,089 --> 00:14:55,465
- Honestly?
- [JOYCE] Mm-hmm.
439
00:14:55,632 --> 00:14:57,092
A woman gripping the wheel so tight
440
00:14:57,259 --> 00:14:58,552
her fingers are about to snap off.
441
00:14:59,928 --> 00:15:01,304
So what,
442
00:15:01,471 --> 00:15:03,640
"Skittish Control Freak
Refuses to Have Fun"?
443
00:15:03,807 --> 00:15:05,809
Nah, Joyce, listen. I-I didn't come here
444
00:15:05,976 --> 00:15:08,061
to write about Bottom Dollar or Minx.
445
00:15:08,186 --> 00:15:09,729
I came here to write about you.
446
00:15:09,896 --> 00:15:11,523
Because I think we're in
the middle of a revolution,
447
00:15:11,690 --> 00:15:12,983
and I thought you were
at the center of it.
448
00:15:13,150 --> 00:15:15,444
But you're just watching
from the sidelines.
449
00:15:15,610 --> 00:15:16,862
Okay, come on. We're journalists.
450
00:15:16,987 --> 00:15:18,321
Observing is our job.
451
00:15:18,488 --> 00:15:19,823
Yeah, and sometimes we can chase a story
452
00:15:19,990 --> 00:15:21,450
only to realize there's nothing there.
453
00:15:24,453 --> 00:15:25,996
Uh, I...
454
00:15:26,163 --> 00:15:27,497
okay.
455
00:15:27,622 --> 00:15:30,000
[ROCK MUSIC PLAYS]
456
00:15:30,167 --> 00:15:31,501
I'm so glad you finally
457
00:15:31,668 --> 00:15:32,878
sat down with our friend, Simon.
458
00:15:33,003 --> 00:15:35,005
I'm sure it went swimmingly.
459
00:15:35,172 --> 00:15:37,007
Yes, very, very well.
460
00:15:37,174 --> 00:15:38,884
Well, I know you were
hesitant to do the interview,
461
00:15:39,009 --> 00:15:41,094
but you did it because you understand
462
00:15:41,261 --> 00:15:43,680
the value of visibility.
463
00:15:43,847 --> 00:15:45,974
I was always more
comfortable in the shadows.
464
00:15:46,141 --> 00:15:47,559
It's safer there.
465
00:15:47,684 --> 00:15:50,187
Well, the world does love
to watch a strong woman fall.
466
00:15:50,353 --> 00:15:53,857
Which is why it's so important
that they watch you succeed.
467
00:15:54,024 --> 00:15:55,150
Mm?
468
00:15:55,275 --> 00:15:57,027
I'm proud of you for taking that risk.
469
00:15:57,194 --> 00:15:58,695
I can't wait to read it.
470
00:15:58,862 --> 00:16:01,698
♪ ♪
471
00:16:06,161 --> 00:16:07,454
[BAMBI] Hey.
472
00:16:07,579 --> 00:16:09,414
I just had an interesting conversation
473
00:16:09,581 --> 00:16:10,874
with one of our Rolling Stone friends.
474
00:16:10,999 --> 00:16:12,417
[SIGHS] Which one?
475
00:16:12,584 --> 00:16:14,753
The one you were rude to.
476
00:16:14,920 --> 00:16:15,920
More specific.
477
00:16:16,004 --> 00:16:17,255
[BAMBI] Joyce.
478
00:16:17,422 --> 00:16:18,422
At the same time?
479
00:16:18,548 --> 00:16:19,591
What?
480
00:16:19,758 --> 00:16:22,177
No, it... I...
481
00:16:22,344 --> 00:16:24,471
look, when the world is
knocking at your door,
482
00:16:24,596 --> 00:16:27,557
it's very hard not to put
up a wall... with spikes.
483
00:16:27,724 --> 00:16:29,893
Okay, listen, I get it.
484
00:16:30,060 --> 00:16:32,312
Okay? You're having a moment.
485
00:16:32,479 --> 00:16:33,730
But there's more to this job
486
00:16:33,855 --> 00:16:35,607
than just putting out a magazine.
487
00:16:35,774 --> 00:16:37,943
You're like the front woman of a band,
488
00:16:38,068 --> 00:16:39,778
if bands had front women.
489
00:16:39,903 --> 00:16:41,029
- [CHUCKLES]
- [BAMBI] You need to take
490
00:16:41,196 --> 00:16:42,280
a night every once in a while
491
00:16:42,405 --> 00:16:44,616
and just have a little fun, okay?
492
00:16:44,783 --> 00:16:45,951
I know you're that person too.
493
00:16:46,117 --> 00:16:48,328
Am I, though? Am I fun?
494
00:16:48,495 --> 00:16:50,580
For a successful person with a big job,
495
00:16:50,747 --> 00:16:52,832
I'd say that you're... pretty fun.
496
00:16:54,876 --> 00:16:57,003
You know, we do get invited
to a lot of cool stuff.
497
00:16:57,169 --> 00:16:59,755
Now's your chance to show Simon
that you're not just spikes.
498
00:16:59,923 --> 00:17:01,841
It was touch and go at the start,
499
00:17:02,008 --> 00:17:04,469
a-and then ol' Carl, he
really turned on the charm.
500
00:17:04,636 --> 00:17:07,472
Tins, by the end, it was like
Simon was almost in tears.
501
00:17:07,597 --> 00:17:09,474
A hostage situation with a happy ending.
502
00:17:09,640 --> 00:17:11,100
[DOUG] Yeah, but that's
not even the best part.
503
00:17:11,268 --> 00:17:13,186
Carl was so happy that
he called his buddies
504
00:17:13,352 --> 00:17:16,188
over at NASA, a-and guess what?
505
00:17:16,356 --> 00:17:17,440
Beyond is going to be
506
00:17:17,607 --> 00:17:20,527
the official magazine of Skylab.
507
00:17:20,694 --> 00:17:23,446
Look at you publishing the
first magazine in space.
508
00:17:23,613 --> 00:17:24,698
I'm gonna go to Houston tomorrow,
509
00:17:24,864 --> 00:17:25,864
and I'm gonna seal the deal,
510
00:17:25,991 --> 00:17:26,992
and I want you to come with me.
511
00:17:27,158 --> 00:17:28,368
I want to turn it into
512
00:17:28,535 --> 00:17:30,495
a Doug and Tina romantic weekend.
513
00:17:30,662 --> 00:17:32,372
Houston in July? Sounds sweaty.
514
00:17:32,497 --> 00:17:33,957
[LAUGHS] Think of this.
515
00:17:34,124 --> 00:17:37,752
The air-conditioned suite. The pool.
516
00:17:37,919 --> 00:17:39,129
And if you play your cards right,
517
00:17:39,296 --> 00:17:42,007
I'll take you on a
day trip to Galveston.
518
00:17:42,173 --> 00:17:43,341
All right, I'll come...
519
00:17:43,508 --> 00:17:45,135
if you finish the Minx calendars.
520
00:17:45,302 --> 00:17:47,887
Bottom Dollar is going
interstellar, Tins.
521
00:17:48,054 --> 00:17:49,389
The calendars can wait.
522
00:17:49,556 --> 00:17:51,349
They're literally the most
time-sensitive product.
523
00:17:51,516 --> 00:17:53,560
You are killing me with these calendars.
524
00:17:53,727 --> 00:17:56,563
I don't care about the merch.
I care about the magazines.
525
00:17:56,730 --> 00:17:58,773
And I know they call me
Mug Renetti behind my back
526
00:17:58,940 --> 00:18:00,650
like I'm some sort of
flea market peddler.
527
00:18:00,817 --> 00:18:02,736
It hurts my feelings.
528
00:18:02,902 --> 00:18:04,988
We all have parts of
our jobs we don't like.
529
00:18:05,155 --> 00:18:06,406
- Yeah.
- [TINA] Like reminding you
530
00:18:06,531 --> 00:18:08,158
to do your work,
531
00:18:08,325 --> 00:18:09,868
which is the job of a secretary,
532
00:18:10,035 --> 00:18:11,286
if you kept one for longer than a week.
533
00:18:11,453 --> 00:18:13,496
I would if one of 'em
was half as good as you,
534
00:18:13,663 --> 00:18:14,998
believe me, but I can't find a good one.
535
00:18:15,165 --> 00:18:16,958
Hey, um, Doug, quick question.
536
00:18:17,083 --> 00:18:18,668
I hope it's not about merchandise.
537
00:18:18,835 --> 00:18:20,503
Um, it's about the
fires in the parking lot.
538
00:18:20,629 --> 00:18:23,214
- What?
- Yeah, loose hay, smokers.
539
00:18:23,381 --> 00:18:25,133
Do you make a Minx ashtray?
540
00:18:27,302 --> 00:18:28,887
Glass or ceramic?
541
00:18:29,054 --> 00:18:31,014
[INDISTINCT CHATTER]
542
00:18:31,139 --> 00:18:33,850
[GLASS CLINKING]
543
00:18:37,896 --> 00:18:39,356
We're all friends here.
544
00:18:39,522 --> 00:18:42,484
Some might say the closest of friends.
545
00:18:42,651 --> 00:18:45,028
So I have to ask,
546
00:18:45,153 --> 00:18:49,449
which one of you had sex
with my husband in our house?
547
00:18:53,578 --> 00:18:54,913
No, I mean last month.
548
00:18:56,623 --> 00:18:58,792
Mm-hmm. Okay.
549
00:18:58,917 --> 00:19:01,169
What did we say about
loose-fitting jewelry, hmm?
550
00:19:01,336 --> 00:19:04,297
Come on, guys, French
clasps and studs only.
551
00:19:04,464 --> 00:19:06,549
We still have a toddler who
will put anything in her mouth.
552
00:19:06,716 --> 00:19:07,759
Sounds like Henrietta.
553
00:19:07,884 --> 00:19:10,887
[LAUGHTER]
554
00:19:11,054 --> 00:19:12,347
[HENRIETTA] Sorry, Shelly.
555
00:19:12,514 --> 00:19:13,890
Oh, I mean Mistress Bella.
556
00:19:14,057 --> 00:19:15,809
I'll forgive it this time.
557
00:19:15,975 --> 00:19:17,143
[CLEARS THROAT]
558
00:19:19,688 --> 00:19:23,566
Tonight, Bella LaRouche
has chosen a theme.
559
00:19:23,692 --> 00:19:25,902
Sadie Hawkins.
560
00:19:26,069 --> 00:19:29,239
Ladies choose their partners.
561
00:19:33,451 --> 00:19:34,869
Eeny...
562
00:19:35,036 --> 00:19:37,372
meeny...
563
00:19:37,539 --> 00:19:39,249
miny...
564
00:19:39,416 --> 00:19:42,085
miny...
565
00:19:42,252 --> 00:19:43,712
mine.
566
00:19:46,256 --> 00:19:48,967
Ugh, stop pouring
that swill immediately.
567
00:19:50,385 --> 00:19:54,264
A gift from Charles de Gaulle to me,
568
00:19:54,431 --> 00:19:56,182
and now from me to you.
569
00:19:56,349 --> 00:19:58,601
I'll save my "Jacques
Daniels" for another day.
570
00:20:01,354 --> 00:20:04,190
You know, I think you liked
me more when I was here less.
571
00:20:04,315 --> 00:20:05,900
I feel that way about everyone.
572
00:20:06,067 --> 00:20:07,485
[CONSTANCE] Mm.
573
00:20:07,652 --> 00:20:10,113
If I overstepped this morning,
574
00:20:10,280 --> 00:20:11,740
I apologize.
575
00:20:11,906 --> 00:20:13,700
On the bright side,
you're the proud owner
576
00:20:13,867 --> 00:20:16,995
of 263 lightly used tumbleweeds.
577
00:20:17,162 --> 00:20:21,207
You know, you're the only one
that Joyce and Doug listen to.
578
00:20:21,374 --> 00:20:24,919
And if powerful people
listen only to you,
579
00:20:25,086 --> 00:20:27,714
that means you're the
one with all the power.
580
00:20:27,839 --> 00:20:29,215
It only works if no one notices.
581
00:20:29,382 --> 00:20:31,134
Hmm. Well, how about you let me in
582
00:20:31,301 --> 00:20:33,803
on a few more secrets?
583
00:20:33,970 --> 00:20:36,139
I've been looking into
Minx's revenue projection
584
00:20:36,306 --> 00:20:38,641
for the next 24 months.
585
00:20:38,808 --> 00:20:40,769
What are your comps?
586
00:20:40,935 --> 00:20:42,145
Nothing.
587
00:20:42,312 --> 00:20:43,396
Nothing?
588
00:20:43,563 --> 00:20:44,898
[TINA] I had to create my own.
589
00:20:46,483 --> 00:20:50,862
These are sales for every BDP title.
590
00:20:51,029 --> 00:20:52,655
Kung Fu Cuties.
591
00:20:52,822 --> 00:20:54,866
Feet! Feet! Feet!
592
00:20:55,033 --> 00:20:56,493
Yank My Doodle.
593
00:20:56,659 --> 00:20:58,328
Oh, vulgar and patriotic.
594
00:20:58,495 --> 00:21:00,330
All high floor, low ceiling.
595
00:21:00,497 --> 00:21:03,875
Dependable, but marginal profit.
596
00:21:04,042 --> 00:21:06,503
Minx is different.
597
00:21:06,669 --> 00:21:09,380
If there's a ceiling, I
don't know where it is.
598
00:21:09,547 --> 00:21:12,467
That's the first time I've
seen you smile all day.
599
00:21:12,634 --> 00:21:15,261
Huge margins have that effect on me.
600
00:21:15,428 --> 00:21:16,930
We're gonna get along just fine.
601
00:21:17,096 --> 00:21:19,057
[BOTH CHUCKLE]
602
00:21:19,224 --> 00:21:21,851
[ROCK MUSIC PLAYS]
603
00:21:21,976 --> 00:21:23,311
♪ ♪
604
00:21:23,478 --> 00:21:25,605
I haven't spent enough
time in the desert.
605
00:21:25,772 --> 00:21:27,857
You are making a compelling case.
606
00:21:28,024 --> 00:21:29,484
You gotta come next time.
607
00:21:29,609 --> 00:21:31,277
There's always room on the bus.
608
00:21:31,444 --> 00:21:34,280
- [MUSICIAN] We're on soon.
- Okay. [LAUGHS]
609
00:21:34,405 --> 00:21:35,406
How do you two know each other?
610
00:21:35,573 --> 00:21:36,991
Oh, come on. How can you live in LA
611
00:21:37,158 --> 00:21:39,160
and not know Jackson Browne?
612
00:21:39,285 --> 00:21:40,370
Sure, sure.
613
00:21:40,537 --> 00:21:42,205
That was Glenn Frey.
614
00:21:42,372 --> 00:21:45,375
Of the Eagles.
615
00:21:45,542 --> 00:21:47,752
Joyce, I'm a reporter for Rolling Stone.
616
00:21:47,919 --> 00:21:49,546
I know every person in this place.
617
00:21:49,712 --> 00:21:50,880
Okay, if you're trying
to prove something,
618
00:21:51,047 --> 00:21:52,590
you picked the wrong place to do it.
619
00:21:52,715 --> 00:21:54,676
Joyce Prigger, as I live and breathe.
620
00:21:54,843 --> 00:21:56,886
Well, hello, Linda Ronstadt.
621
00:21:57,053 --> 00:21:58,888
- Richie sends his regard.
- [LINDA] Mwah.
622
00:21:59,013 --> 00:22:01,599
You and Simon Michaels.
623
00:22:01,724 --> 00:22:03,059
Don't tell this man anything.
624
00:22:03,226 --> 00:22:05,436
[LAUGHS] Don't worry, she hasn't.
625
00:22:05,603 --> 00:22:08,398
We've been having a raging
debate on the pay gap in music.
626
00:22:08,565 --> 00:22:10,233
Sonny and Cher are in a bad place.
627
00:22:10,400 --> 00:22:11,901
We need your help.
628
00:22:12,068 --> 00:22:13,862
- I got you, babe.
- [LINDA] Okay.
629
00:22:14,028 --> 00:22:15,655
[JOYCE] You get it? You get that?
630
00:22:15,822 --> 00:22:17,657
I'm so glad we finally got
you out to one of these things.
631
00:22:17,824 --> 00:22:19,784
Me too, Linda.
632
00:22:19,951 --> 00:22:22,579
And as the black hole
pulls your body apart,
633
00:22:22,745 --> 00:22:27,458
galaxies form and explode
before you over the span
634
00:22:27,584 --> 00:22:31,963
of tens of thousands of years.
635
00:22:32,130 --> 00:22:34,299
[PSYCHEDELIC MUSIC PLAYS]
636
00:22:34,465 --> 00:22:37,343
Well, that is the fifth
time I've heard that today,
637
00:22:37,468 --> 00:22:39,596
and, uh...
638
00:22:39,762 --> 00:22:42,056
I still don't get it. [LAUGHS]
639
00:22:42,223 --> 00:22:44,142
[CONSTANCE] Oh, you're so
much more fun to get high with
640
00:22:44,267 --> 00:22:46,686
than that drip, Arthur Miller.
641
00:22:48,813 --> 00:22:49,813
[TIMER RINGING]
642
00:22:49,939 --> 00:22:51,357
Oh, that's my cue.
643
00:22:51,524 --> 00:22:53,234
Burbank airport awaits.
644
00:22:53,401 --> 00:22:55,778
[DOUG] Well, guess
who's flying first class?
645
00:22:55,945 --> 00:22:58,197
She sprung for it, all three legs.
646
00:22:58,323 --> 00:22:59,323
That's nice.
647
00:22:59,365 --> 00:23:01,117
Fly safe, my dear.
648
00:23:04,454 --> 00:23:06,247
[DOUG] Huh? Huh?
649
00:23:06,414 --> 00:23:08,374
He is a treasure.
650
00:23:08,541 --> 00:23:10,376
He's ours too. We've got him.
651
00:23:10,543 --> 00:23:11,543
- [CHUCKLES]
- [CONSTANCE] Mm-hmm.
652
00:23:11,586 --> 00:23:13,922
If you like that, I got
another magazine idea
653
00:23:14,047 --> 00:23:15,340
that's gonna knock your socks off.
654
00:23:15,506 --> 00:23:18,009
- Okay.
- It's about the working rich.
655
00:23:18,176 --> 00:23:19,761
I wanna call it Jetset.
656
00:23:19,928 --> 00:23:21,679
That's very niche.
657
00:23:21,846 --> 00:23:23,431
No, I say targeted.
658
00:23:23,598 --> 00:23:26,726
I think it's time that we
start streamlining operations,
659
00:23:26,893 --> 00:23:28,519
cut loose some of the underperformers.
660
00:23:28,686 --> 00:23:29,812
Yeah, I agree.
661
00:23:31,481 --> 00:23:34,317
What, uh... which ones are you thinking?
662
00:23:34,484 --> 00:23:35,902
- Kung Fu Cuties.
- Kung Fu Cuties.
663
00:23:36,069 --> 00:23:39,155
And Feet! Feet! Feet!
664
00:23:39,322 --> 00:23:40,573
- Really?
- [CONSTANCE] Yeah.
665
00:23:42,283 --> 00:23:44,369
Well, that one stings,
I'm gonna be honest.
666
00:23:44,494 --> 00:23:46,788
This one's gonna sting the most, then.
667
00:23:46,955 --> 00:23:49,415
I've decided to not
move forward with Beyond.
668
00:23:51,876 --> 00:23:54,462
- [CHUCKLES]
- Yeah.
669
00:23:54,587 --> 00:23:55,587
You're kidding me.
670
00:23:55,672 --> 00:23:56,839
No.
671
00:23:57,006 --> 00:23:59,425
But you just sent Carl first class.
672
00:24:01,719 --> 00:24:04,013
You just sent Carl first class.
673
00:24:04,180 --> 00:24:06,683
The ceiling for science
is just not high,
674
00:24:06,849 --> 00:24:09,686
and it's a misuse of our
most valuable resource.
675
00:24:09,852 --> 00:24:10,895
Which would be what?
676
00:24:11,062 --> 00:24:12,647
You.
677
00:24:12,772 --> 00:24:16,192
Your merchandise has made
more money for this company
678
00:24:16,359 --> 00:24:19,487
in the last six months than
anything in its entire history.
679
00:24:19,654 --> 00:24:21,572
I could just do so much
more, I promise you.
680
00:24:21,739 --> 00:24:24,075
No, but I need you to
come up with more ideas,
681
00:24:24,242 --> 00:24:26,577
your big Renetti ideas,
682
00:24:26,744 --> 00:24:29,372
for Minx.
683
00:24:29,539 --> 00:24:31,040
- All right?
- Yeah, okay.
684
00:24:31,207 --> 00:24:32,875
Carl Sagan is not the only genius
685
00:24:33,042 --> 00:24:35,420
that I got high with tonight.
686
00:24:35,586 --> 00:24:38,089
You know, they're calling you
Mug Renetti around the office.
687
00:24:38,256 --> 00:24:39,757
You're goddamn right, they are.
688
00:24:42,218 --> 00:24:44,387
[BOTH CHUCKLE]
689
00:24:50,893 --> 00:24:53,187
I could never date a civilian.
690
00:24:53,354 --> 00:24:55,106
But I really shouldn't
date musicians either.
691
00:24:55,273 --> 00:24:57,358
So you have to find
someone that's close enough
692
00:24:57,525 --> 00:24:58,525
to what you do that they get it...
693
00:24:58,526 --> 00:25:00,236
- [JOYCE] Mm-hmm.
- [LINDA] But far enough away
694
00:25:00,403 --> 00:25:03,031
that they're cool riding
in the passenger seat.
695
00:25:03,156 --> 00:25:04,741
So I could date a musician.
696
00:25:04,907 --> 00:25:06,367
Only if you want herpes.
697
00:25:06,492 --> 00:25:07,493
- Oh, my God.
- [BOTH GIGGLE]
698
00:25:07,660 --> 00:25:08,660
[PERSON] Linda, you're on, babe.
699
00:25:08,661 --> 00:25:10,246
- That's me.
- Okay.
700
00:25:12,582 --> 00:25:13,750
[SIGHS]
701
00:25:15,418 --> 00:25:18,087
Oh, hi. Me? Um...
702
00:25:18,254 --> 00:25:21,049
[ROCK MUSIC PLAYS]
703
00:25:21,215 --> 00:25:22,633
♪ ♪
704
00:25:22,800 --> 00:25:23,926
Yes. [LAUGHS]
705
00:25:25,219 --> 00:25:27,263
[SNIFFS] Oh, fuck.
706
00:25:27,430 --> 00:25:28,723
[CLEARS THROAT] That's
like night coffee.
707
00:25:28,890 --> 00:25:29,932
[LINDA] All right.
708
00:25:30,058 --> 00:25:31,601
I am gonna play a few songs
709
00:25:31,726 --> 00:25:32,769
off the new album tonight.
710
00:25:32,935 --> 00:25:34,270
But I thought first,
711
00:25:34,437 --> 00:25:36,314
we could warm things
up with a little jam.
712
00:25:36,481 --> 00:25:38,524
So, Graham, get up here.
713
00:25:38,691 --> 00:25:40,943
Uh, JD, where is my baby?
714
00:25:41,110 --> 00:25:43,446
And... oh, Judee Sill,
I know you're mad at me,
715
00:25:43,613 --> 00:25:45,448
but I need you on guitar.
716
00:25:45,615 --> 00:25:47,200
And I need a volunteer for shakers.
717
00:25:47,366 --> 00:25:48,576
Me!
718
00:25:48,743 --> 00:25:50,328
- Get up here, Joyce Prigger.
- Okay.
719
00:25:50,495 --> 00:25:52,121
- [LINDA] Are you guys ready?
- [DRUM BEATING]
720
00:25:52,288 --> 00:25:54,082
First chair French horn. [LAUGHS]
721
00:25:57,126 --> 00:26:00,671
♪ I've been cheated ♪
722
00:26:00,838 --> 00:26:04,092
♪ Been mistreated ♪
723
00:26:04,258 --> 00:26:09,263
♪ When will I be loved? ♪
724
00:26:09,430 --> 00:26:10,640
[SHELLY] Don't finish yet.
725
00:26:10,807 --> 00:26:13,017
Hold it. Hold it.
726
00:26:13,184 --> 00:26:15,645
Wallace. Look at me.
727
00:26:15,770 --> 00:26:17,480
Not in the eyes.
728
00:26:17,647 --> 00:26:20,149
I said look away, you little shit.
729
00:26:20,316 --> 00:26:21,818
[BAMBI] Hey, Doug.
730
00:26:21,984 --> 00:26:23,194
Um, I took some initiative
731
00:26:23,361 --> 00:26:24,737
and finished the Minx calendars for you.
732
00:26:24,904 --> 00:26:26,572
Oh, that's unexpected, Bambs.
733
00:26:26,739 --> 00:26:29,325
It's pretty complicated work
734
00:26:29,450 --> 00:26:31,160
to do all that stuff, but, uh...
735
00:26:34,455 --> 00:26:36,499
- You did this?
- Yeah.
736
00:26:36,666 --> 00:26:38,042
- [DOUG] It's great.
- Thank you.
737
00:26:38,209 --> 00:26:39,544
You kept the pictures big,
738
00:26:39,710 --> 00:26:42,380
and you even got Joyce's
boring quotes in there, Bambs.
739
00:26:42,547 --> 00:26:44,507
Yeah, well, the image is the real draw,
740
00:26:44,632 --> 00:26:46,384
so I put the quotes
in complimentary colors
741
00:26:46,551 --> 00:26:47,885
so they fade into the background.
742
00:26:48,052 --> 00:26:50,054
It's excellent.
743
00:26:50,221 --> 00:26:51,681
I would like you to consider it
744
00:26:51,848 --> 00:26:54,267
my application to be your secretary.
745
00:26:54,433 --> 00:26:57,061
If I'm gonna be Bottom
Dollar CFO for real someday,
746
00:26:57,228 --> 00:26:59,313
I need to apprentice with
the smartest man I know.
747
00:26:59,480 --> 00:27:00,857
And that's you.
748
00:27:01,023 --> 00:27:03,276
And Colonel Tom Parker, but he's busy.
749
00:27:04,902 --> 00:27:05,987
Think about it.
750
00:27:08,197 --> 00:27:09,240
[SIGHS]
751
00:27:10,575 --> 00:27:11,659
[LENNY HUFFS]
752
00:27:11,784 --> 00:27:13,786
I'm really giving it to her in there.
753
00:27:13,911 --> 00:27:16,038
Hey, Wallace is crying...
754
00:27:16,205 --> 00:27:17,790
- in a good way.
- [LAUGHS]
755
00:27:17,957 --> 00:27:21,294
[LINDA] ♪ When I find a new man ♪
756
00:27:21,419 --> 00:27:24,589
♪ That I want for mine ♪
757
00:27:24,714 --> 00:27:28,050
♪ He always breaks my heart in two ♪
758
00:27:28,217 --> 00:27:33,097
♪ It happens every time ♪
759
00:27:33,264 --> 00:27:37,727
♪ Oh, I've been cheated ♪
760
00:27:37,894 --> 00:27:40,855
♪ Been mistreated... ♪
761
00:27:43,024 --> 00:27:44,108
Great party tonight, hon.
762
00:27:44,233 --> 00:27:45,318
[SHELLY] Mm.
763
00:27:45,484 --> 00:27:46,777
Don't stay up too late.
764
00:27:46,903 --> 00:27:49,739
Len, I was, um,
765
00:27:49,906 --> 00:27:52,074
thinking about going back to Minx.
766
00:27:52,241 --> 00:27:54,577
Oh. It's about time.
767
00:27:54,744 --> 00:27:58,581
[LINDA] ♪ Tell me, when will I ♪
768
00:27:58,748 --> 00:28:01,584
♪ Be ♪
769
00:28:01,709 --> 00:28:07,590
♪ Loved? ♪
770
00:28:07,757 --> 00:28:08,799
You know, you looked dangerously close
771
00:28:08,966 --> 00:28:10,218
to having a good time tonight.
772
00:28:10,384 --> 00:28:13,596
[SCOFFS] Yeah, I think
that was the cocaine.
773
00:28:13,763 --> 00:28:14,931
[CHUCKLES]
774
00:28:19,101 --> 00:28:21,729
Hey, I'm sorry for torturing you today.
775
00:28:21,896 --> 00:28:23,481
I've actually been tortured.
776
00:28:23,606 --> 00:28:24,606
Today was fun.
777
00:28:24,690 --> 00:28:26,275
I met Carl Sagan.
778
00:28:26,442 --> 00:28:28,444
[JOYCE LAUGHS]
779
00:28:28,611 --> 00:28:29,946
It's just...
780
00:28:32,531 --> 00:28:34,325
Look, a lot of the people
that you've profiled
781
00:28:34,492 --> 00:28:36,744
have then taken a fall.
782
00:28:36,911 --> 00:28:39,705
You mean the ones with death camps.
783
00:28:39,872 --> 00:28:41,624
Yeah, and others. [SCOFFS]
784
00:28:41,791 --> 00:28:43,668
I see.
785
00:28:47,797 --> 00:28:49,757
I've gotten everything I've ever wanted,
786
00:28:49,924 --> 00:28:53,886
and it's happened so fast, and...
787
00:28:54,053 --> 00:28:56,264
And now you're thinking,
what if you just got lucky?
788
00:28:58,266 --> 00:29:01,978
Like, what if I screw it up?
789
00:29:02,144 --> 00:29:04,563
And then it's just all just gone again.
790
00:29:04,730 --> 00:29:06,857
[SIGHS] What then?
791
00:29:08,484 --> 00:29:09,484
I mean, it's possible.
792
00:29:09,568 --> 00:29:11,362
[JOYCE SCOFFS]
793
00:29:11,529 --> 00:29:13,990
But I have been testing another theory.
794
00:29:14,115 --> 00:29:15,157
Yeah?
795
00:29:15,324 --> 00:29:16,742
Watching you,
796
00:29:16,909 --> 00:29:18,577
reading your magazines,
797
00:29:18,744 --> 00:29:21,247
talking to just about
everyone who knows you...
798
00:29:23,457 --> 00:29:26,294
... have you ever considered that maybe
799
00:29:26,460 --> 00:29:28,504
you are exactly where you belong?
800
00:29:30,464 --> 00:29:32,383
It's okay to like it.
801
00:29:37,013 --> 00:29:40,683
[MICK RONSON'S "ONLY
AFTER DARK" PLAYING]
802
00:29:40,850 --> 00:29:44,353
[MICK] ♪ I feel my spirit fly ♪
803
00:29:46,147 --> 00:29:47,606
♪ Only after dark ♪
804
00:29:49,692 --> 00:29:53,946
[VOCALIZING]
805
00:29:54,113 --> 00:29:57,742
♪ I kiss the world goodbye ♪
806
00:29:59,368 --> 00:30:00,995
♪ Only after dark ♪
807
00:30:02,997 --> 00:30:07,126
[VOCALIZING]
808
00:30:07,293 --> 00:30:10,880
♪ Nights ♪
♪ With the city lights ♪
809
00:30:12,548 --> 00:30:14,300
♪ Only after dark ♪
810
00:30:16,052 --> 00:30:20,431
[VOCALIZING]
811
00:30:20,556 --> 00:30:24,143
♪ Run like the wonder way ♪
812
00:30:25,895 --> 00:30:28,564
♪ Only after dark ♪
813
00:30:28,731 --> 00:30:33,569
[VOCALIZING]
814
00:30:33,694 --> 00:30:38,949
♪ Won't you disappear ♪
815
00:30:39,116 --> 00:30:41,035
♪ Into midnight with me? ♪
816
00:30:41,202 --> 00:30:42,745
♪ Why don't you come? ♪
817
00:30:42,870 --> 00:30:44,246
♪ Why won't you come? ♪
818
00:30:44,413 --> 00:30:46,707
♪ Why won't you fly ♪
♪ Fly, fly? ♪
819
00:30:46,874 --> 00:30:51,712
♪ Sweet elusive fate ♪
820
00:30:51,837 --> 00:30:55,257
♪ Will be our company ♪
821
00:30:55,424 --> 00:30:58,260
♪ ♪
822
00:30:58,261 --> 00:31:03,261
- Synced and corrected by chamallow -
- www.addic7ed.com -
54643
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