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[upbeat music]
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Downloaded from
YTS.MX
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Official YIFY movies site:
YTS.MX
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[Linda] It's not technically
a Dolly Parton album,
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00:00:16,282 --> 00:00:18,351
it's a Dolly Parton
soundtrack.
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00:00:19,052 --> 00:00:20,787
[Dolly] It's amazing
how this music
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00:00:20,920 --> 00:00:22,822
has taken on
a life of its own.
8
00:00:22,956 --> 00:00:24,557
To get to work
with strong,
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00:00:24,691 --> 00:00:26,493
talented women,
you appreciate it.
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00:00:26,626 --> 00:00:27,660
[Linda]
I know you're nervous.
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Of course I'm nervous.
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00:00:30,030 --> 00:00:32,632
[music continues]
13
00:00:34,234 --> 00:00:36,169
Dolly Parton is
calling for me?
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00:00:37,404 --> 00:00:39,139
This is really like
a dream come true for me.
15
00:00:39,372 --> 00:00:40,373
Sorry. Oh, my gosh.
16
00:00:40,507 --> 00:00:41,908
-Well, good God.
-Sorry.
17
00:00:42,042 --> 00:00:43,443
-Come here. [laughs]
-I just...
18
00:00:43,576 --> 00:00:44,811
Don't tell anyone about this.
19
00:00:44,944 --> 00:00:47,047
[Linda] We are bringing
both of our worlds
20
00:00:47,180 --> 00:00:48,481
into this project.
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00:00:48,615 --> 00:00:51,885
There's that friction of
her style versus my style.
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Instead of battling,
we're coming together.
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00:00:56,189 --> 00:00:57,590
[Dolly]
Got the new 'ole Dolly.
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00:01:02,162 --> 00:01:04,230
It's a funny story
about Dumplin'.
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00:01:04,497 --> 00:01:05,665
I got a call
26
00:01:05,799 --> 00:01:08,201
saying that Jennifer Aniston
had taken the book
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00:01:08,334 --> 00:01:09,736
and was gonna make it
into a movie.
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00:01:09,869 --> 00:01:12,505
I said I would love to
do the music.
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00:01:12,705 --> 00:01:14,674
I'm very honored and proud that,
30
00:01:14,808 --> 00:01:16,409
you know, that I've
touched somebody enough
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00:01:16,543 --> 00:01:17,577
to wanna write a book.
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00:01:18,044 --> 00:01:20,113
I've been writing
some new pieces,
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00:01:20,246 --> 00:01:22,082
singing some songs with
some different artists,
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00:01:22,215 --> 00:01:23,283
for the soundtrack
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00:01:23,616 --> 00:01:25,452
and writing with Linda Perry,
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00:01:25,585 --> 00:01:27,587
who's producing the soundtrack
for the movie.
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00:01:27,720 --> 00:01:32,826
Very surreal, like when you
have Dolly Parton singing...
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♪ Catch you in it ♪
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00:01:34,427 --> 00:01:35,562
...right in front of you.
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00:01:35,695 --> 00:01:37,964
I'm watching Dolly Parton
right now, record vocals.
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00:01:38,164 --> 00:01:42,735
It's funny because we
couldn't be any more opposite.
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00:01:42,869 --> 00:01:44,204
Twig tea, you can try it.
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00:01:44,370 --> 00:01:45,839
-What?
-It's twiggy,
44
00:01:45,972 --> 00:01:46,906
-it's twig tea.
-It's twiggy?
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00:01:47,040 --> 00:01:48,041
It's twig tea.
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00:01:48,174 --> 00:01:49,309
-Oh! I don't like twigs.
-No.
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00:01:49,442 --> 00:01:51,010
-No, she doesn't want a twig.
-Is this like
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00:01:51,144 --> 00:01:52,445
-a health food thing?
-Yeah.
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00:01:52,579 --> 00:01:54,013
-[Dolly laughing]
-She doesn't want no health--
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00:01:54,147 --> 00:01:55,415
-[Linda laughing]
-I don't want nothing healthy,
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00:01:55,548 --> 00:01:56,783
I'll die.
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00:01:56,916 --> 00:01:59,385
Just put a scoop of lard
in there and that'll be good.
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00:01:59,519 --> 00:02:01,888
Yeah, put some bacon grease
in it and honey in mine.
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00:02:02,021 --> 00:02:04,624
It doesn't make any sense if
you don't have the confidence
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00:02:04,757 --> 00:02:05,925
to work with
somebody like Dolly.
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00:02:06,092 --> 00:02:07,560
And we wouldn't get
anything done,
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00:02:07,694 --> 00:02:10,363
I would be too intimidated
to, you know, boss her around
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00:02:10,497 --> 00:02:12,332
or, not that I was
bossing her around.
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She's bossing me around.
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I can take you out.
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00:02:15,201 --> 00:02:17,403
-And it'll be--
-[Dolly] I can take you out too.
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00:02:17,537 --> 00:02:19,772
[all laughing]
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00:02:20,006 --> 00:02:21,741
So I want you to go
in there and be Dolly.
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00:02:21,875 --> 00:02:24,277
I believe I can handle Dolly.
[laughs]
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00:02:24,410 --> 00:02:26,813
Well, you holler--and I know
you're the producer,
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00:02:26,946 --> 00:02:27,981
so don't--
if you need me
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00:02:28,114 --> 00:02:29,549
-to do it different.
-Yeah, no.
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00:02:29,682 --> 00:02:31,117
I mean, I know
I would do it my way
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00:02:31,251 --> 00:02:32,519
but I'm not producing
this song.
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00:02:32,652 --> 00:02:34,053
-Well, I want you
to do it your way.
-[Dolly] I know.
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00:02:34,187 --> 00:02:35,788
Well, if you want me
to do it different, tell me.
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00:02:35,922 --> 00:02:37,524
-I will, don't worry.
-And then I'll knock
your head off
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00:02:37,657 --> 00:02:39,259
-and say I'm not doing
it your way.
-I'm an Aries.
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00:02:39,392 --> 00:02:40,627
-I'm aggressive.
-[laughs] Okay.
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00:02:40,760 --> 00:02:42,395
Here, she's always saying
that I'm right all the time.
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00:02:42,529 --> 00:02:43,863
You not gonna be right
all the time.
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00:02:43,997 --> 00:02:45,565
She's gonna be saying
she's right all the time.
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00:02:45,698 --> 00:02:48,635
-[laughing]
-I'm gonna say,
I'm right sometimes.
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00:02:48,968 --> 00:02:50,870
-Are you good with no
harmony on this one?
-I'm good with this.
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00:02:51,004 --> 00:02:53,072
Yeah. If she's doing the low,
that's probably all
we need on this.
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00:02:53,206 --> 00:02:54,174
We're good.
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00:02:54,307 --> 00:02:55,441
-[Dolly] Okay.
-Yeah, great.
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00:02:55,575 --> 00:02:57,110
All right. Just like you said
to start with.
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00:02:57,243 --> 00:02:59,579
You got it.
So the whole take again, please.
85
00:02:59,712 --> 00:03:01,581
Yeah, another track,
do you have any thoughts?
86
00:03:01,714 --> 00:03:02,982
No, you're doing great.
87
00:03:03,116 --> 00:03:06,686
I love all, I mean,
what am I gonna tell you?
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00:03:06,819 --> 00:03:08,655
Well, you're gonna tell me
what you need to tell me.
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00:03:08,788 --> 00:03:11,891
I'm telling you, you're
great and just do it again,
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00:03:12,258 --> 00:03:13,960
exactly the way you want to.
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00:03:14,427 --> 00:03:15,795
I like that there's someone
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00:03:15,929 --> 00:03:17,564
that finally you've met
your match, Linda.
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00:03:17,697 --> 00:03:18,698
We have.
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00:03:18,831 --> 00:03:19,933
[all laughing]
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00:03:20,066 --> 00:03:21,301
[Dolly]
We're just very strong women,
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00:03:21,434 --> 00:03:24,003
we've got our own minds but
we're so musically alike,
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00:03:24,137 --> 00:03:25,939
we both love real music.
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00:03:26,072 --> 00:03:28,675
♪ My love of yesterday is gone ♪
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00:03:28,808 --> 00:03:31,711
♪ But he promised no tomorrow ♪
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00:03:31,844 --> 00:03:35,248
♪ But they're
feeling no sorrow ♪
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00:03:35,582 --> 00:03:37,584
♪ Two doors down ♪
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00:03:37,951 --> 00:03:39,319
[Linda] Really, really great.
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00:03:39,452 --> 00:03:41,387
[Dolly] Linda did all these
different bonus tracks
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00:03:41,521 --> 00:03:44,190
with all these girls
and I was afraid that
she's gonna make them too pop
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00:03:44,324 --> 00:03:46,993
and they wouldn't fit in
the theme, the styles,
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00:03:47,126 --> 00:03:48,828
the spirit that I had
written them in.
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00:03:48,962 --> 00:03:51,931
But she managed in
some genius way,
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00:03:52,065 --> 00:03:55,702
to take that and she just
interwove into such a way,
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00:03:55,835 --> 00:03:59,239
it's like a whole new sound,
but it fits so well.
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00:03:59,372 --> 00:04:00,707
[Linda]
Can you hear yourself okay?
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00:04:00,840 --> 00:04:02,408
Got enough reverb on this track?
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00:04:02,542 --> 00:04:04,210
-Can you hear me?
-I can hear you.
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00:04:04,344 --> 00:04:05,378
-[Dolly] Okay.
-All right.
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00:04:05,511 --> 00:04:07,614
[upbeat music]
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00:04:08,248 --> 00:04:10,650
♪ What is this spell
that's on me ♪
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00:04:11,117 --> 00:04:13,519
♪ That makes me think
you own me ♪
117
00:04:13,753 --> 00:04:17,090
♪ I just got screwed up
and I'm gonna change ♪
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00:04:17,290 --> 00:04:18,725
♪ Go back and fix it ♪
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00:04:18,858 --> 00:04:20,026
[Linda]
That was really good though.
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00:04:20,526 --> 00:04:22,762
-Here we go.
-[Dolly] ♪ Holdin' on to you ♪
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Have fun.
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00:04:23,963 --> 00:04:26,566
♪ Hold, holdin' on to you ♪
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00:04:26,699 --> 00:04:30,536
♪ I'm so tired of
holdin' on to you ♪
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00:04:30,670 --> 00:04:33,339
It's an amazing feeling,
as a songwriter,
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00:04:33,473 --> 00:04:36,476
to hear other people
do your songs.
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00:04:36,609 --> 00:04:40,613
♪ Filling up my senses ♪
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00:04:40,747 --> 00:04:42,382
I love how she did that.
128
00:04:42,615 --> 00:04:45,218
Names have been thrown
to us and we're just like,
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00:04:45,351 --> 00:04:46,552
no, that doesn't feel right.
130
00:04:46,686 --> 00:04:48,621
[Dolly] They have to have
a certain soul,
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00:04:48,755 --> 00:04:50,490
they have to have
a certain quality.
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00:04:50,657 --> 00:04:52,659
[Linda] All these artists
have naturally,
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00:04:52,792 --> 00:04:54,494
organically shown up.
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00:04:54,694 --> 00:04:56,396
[Dolly laughing]
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00:04:56,729 --> 00:04:58,498
-Hi there!
-Hi.
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00:04:58,631 --> 00:05:00,500
-[Dolly] How are you?
-Good, how are you?
137
00:05:00,633 --> 00:05:02,635
I'm excited, I'm so excited.
138
00:05:02,769 --> 00:05:04,370
How did it go? You already
laid down your vocals, right?
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00:05:04,504 --> 00:05:07,874
Yeah, I did--I did my part and
we've comped a little vocal
140
00:05:08,007 --> 00:05:09,876
and so we're just gonna
let you get in there
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00:05:10,009 --> 00:05:10,943
and do what you do.
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00:05:11,077 --> 00:05:12,345
Amazing, no pressure. Just--
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00:05:12,478 --> 00:05:14,447
Yeah, I'll just go after you.
It's fine.
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00:05:14,580 --> 00:05:17,116
Well I'll--I'll go out,
you don't want me staying?
145
00:05:17,250 --> 00:05:18,418
So my plan is,
146
00:05:18,551 --> 00:05:21,220
is that basically Dolly's
in there, doing Dolly
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00:05:21,354 --> 00:05:22,989
and let's just see what you do.
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00:05:23,122 --> 00:05:24,624
She wants you
to take a verse and
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00:05:24,757 --> 00:05:25,825
-I know you have great ideas.
-Cool.
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00:05:25,958 --> 00:05:28,695
Like, she's so pure
and--and--and real.
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00:05:28,828 --> 00:05:30,396
She's, you know, she's
your kind of people
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00:05:30,530 --> 00:05:32,899
and I know this is gonna
be a wonderful fit.
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00:05:33,032 --> 00:05:35,068
So when this came up, I was
like, we got to get Elle King.
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00:05:35,201 --> 00:05:37,770
This is like one of
the coolest things
I've ever been a part of.
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00:05:37,904 --> 00:05:39,072
So thank you.
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00:05:39,205 --> 00:05:41,007
-Well, what the hell? Go sing.
-[Linda laughs]
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00:05:41,140 --> 00:05:43,142
[Dolly] There are a lot
of people that sing good,
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00:05:43,276 --> 00:05:45,311
but then there are some
people who just have a sound,
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00:05:45,445 --> 00:05:47,046
you know it the instant
you hear it
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00:05:47,180 --> 00:05:49,582
and she's got so much
heart and so much soul
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00:05:49,882 --> 00:05:52,051
and she's just unique
in every way.
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00:05:52,452 --> 00:05:54,987
♪ Holdin', holdin' on to you ♪
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00:05:55,221 --> 00:05:56,923
[interviewer] For one of you
in particular,
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00:05:57,056 --> 00:05:59,892
this is potentially
a dream realized.
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00:06:00,026 --> 00:06:01,794
Yeah, it's her--it's a dream
come true for her.
166
00:06:02,128 --> 00:06:03,196
-[laughing]
-I'm just kidding,
I'm just kidding.
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00:06:03,329 --> 00:06:04,297
It is true.
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00:06:04,430 --> 00:06:05,631
Can I drink that?
Whose is that?
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00:06:06,032 --> 00:06:07,567
That's my water but
you can have it.
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00:06:07,734 --> 00:06:08,768
I can drink it?
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00:06:09,068 --> 00:06:10,703
[Dolly] Yeah.
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00:06:10,837 --> 00:06:12,138
I feel like if there's
one person I'd drink after
it's Dolly Parton.
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00:06:12,338 --> 00:06:14,073
[all laughing]
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00:06:14,207 --> 00:06:17,009
You're like, honestly,
you're my hero.
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00:06:17,143 --> 00:06:20,713
I mean, I don't wanna like
seem soft or anything,
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00:06:20,847 --> 00:06:24,150
but just the way that you
carry yourself
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00:06:24,283 --> 00:06:25,785
and the way that you...
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00:06:25,918 --> 00:06:27,720
-I'm so sorry.
-Aww.
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00:06:27,854 --> 00:06:30,089
The way that you are to
people and the way--
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00:06:30,223 --> 00:06:31,290
Sorry. Oh, my gosh!.
181
00:06:31,424 --> 00:06:32,859
-Well, good God.
-Sorry.
182
00:06:32,992 --> 00:06:34,660
-Come here. [laughs]
-I just...
183
00:06:34,794 --> 00:06:36,095
This is tight.
It's a tight jacket.
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00:06:36,229 --> 00:06:37,430
It's a tight jacket.
185
00:06:38,164 --> 00:06:40,633
-Don't tell anyone about this.
-[laughs]
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00:06:40,900 --> 00:06:42,535
This is really like
a dream come true for me.
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00:06:42,668 --> 00:06:46,139
♪ Holdin', holdin' on to you ♪
188
00:06:46,539 --> 00:06:49,776
-♪ I'll just keep holdin' ♪
-And we can swap those
back and forth.
189
00:06:49,909 --> 00:06:52,145
I think so. So you should be
in there with her.
190
00:06:52,311 --> 00:06:55,381
-♪ I'll just keep
holdin', holdin' on ♪
-[Linda] This song needs it.
191
00:06:55,515 --> 00:06:56,883
[Dolly] So we can just,
you know,
192
00:06:57,016 --> 00:06:58,484
-if we're doing it together--
-It'll be more natural this way.
193
00:06:58,618 --> 00:07:00,253
-You all right with that?
-You take some and
I'll take some.
194
00:07:00,386 --> 00:07:01,387
That's so cool.
195
00:07:01,521 --> 00:07:02,655
-[Dolly] You sound great.
-[Elle] Do I?
196
00:07:02,789 --> 00:07:04,323
It's always more fun
to like do it together.
197
00:07:04,457 --> 00:07:05,925
-Well yeah, it's like
old times too.
-Yeah.
198
00:07:06,058 --> 00:07:08,428
I hadn't been singing that
song for all these years--
199
00:07:08,561 --> 00:07:09,896
It's so good.
200
00:07:10,029 --> 00:07:11,431
-It's so fun.
-But anyway,
when they brought it out,
201
00:07:11,564 --> 00:07:13,766
I thought, wow,
this is so, so neat
202
00:07:13,900 --> 00:07:15,701
and of course, Linda Perry,
203
00:07:15,835 --> 00:07:18,304
she did a real neat take
on it, an arrangement.
204
00:07:18,438 --> 00:07:22,074
I think you can go unison
and just take adlib,
205
00:07:22,208 --> 00:07:23,476
like take things over.
206
00:07:23,609 --> 00:07:24,710
You guys can trade.
207
00:07:24,844 --> 00:07:25,912
[Dolly]
But she--it was very similar.
208
00:07:26,179 --> 00:07:28,681
Like my record,
she didn't stray too far away,
209
00:07:28,948 --> 00:07:30,349
but it had this little feel
210
00:07:30,483 --> 00:07:33,085
and then you really added a
great element to it, I thought.
211
00:07:33,252 --> 00:07:34,320
This is good 'cause now
212
00:07:34,454 --> 00:07:35,621
we can just look
deep into each other's eyes.
213
00:07:35,755 --> 00:07:36,956
It's perfect.
214
00:07:37,089 --> 00:07:38,124
Oh! This is so cool.
215
00:07:38,891 --> 00:07:43,062
[Dolly] She not only
is a unique individual
with her look,
216
00:07:43,196 --> 00:07:45,231
but her voice is so great.
217
00:07:45,364 --> 00:07:48,601
♪ Like a fool
I'm holding on to you ♪
218
00:07:48,734 --> 00:07:50,169
♪ I'm holding on ♪
219
00:07:50,303 --> 00:07:53,139
♪ You don't want me,
you don't want me ♪
220
00:07:53,272 --> 00:07:55,942
♪ You just hurt and
disappoint me ♪
221
00:07:56,476 --> 00:08:01,614
♪ Like a fool,
I'm holding on to you ♪
222
00:08:01,747 --> 00:08:04,684
[Dolly] And our voices are--
really just perfectly match,
223
00:08:04,817 --> 00:08:06,652
'cause my voice is
really different,
224
00:08:06,786 --> 00:08:07,720
her voice is different.
225
00:08:07,854 --> 00:08:08,888
We're both true stylists.
226
00:08:09,021 --> 00:08:11,390
♪ Holdin', holdin' on ♪
227
00:08:11,524 --> 00:08:13,159
[Dolly] We were going to the
same notes at the same time
228
00:08:13,292 --> 00:08:15,728
without even hearing
what the other one was
gonna do on the song.
229
00:08:15,862 --> 00:08:17,363
That was cool,
how we both did it.
230
00:08:17,497 --> 00:08:18,664
-Yeah.
-I like that.
231
00:08:18,798 --> 00:08:19,866
How often do you write?
232
00:08:20,266 --> 00:08:21,934
I write a song
every day I'd say,
233
00:08:22,068 --> 00:08:23,503
but like, a good one,
234
00:08:23,636 --> 00:08:26,005
I don't know,
maybe once every 20 years.
235
00:08:26,172 --> 00:08:27,273
Ah, that's what I say.
236
00:08:27,406 --> 00:08:28,741
I've written 5,000 songs and
237
00:08:28,875 --> 00:08:30,843
I've got five good ones and
that's about the truth.
238
00:08:30,977 --> 00:08:32,445
Thanks for singing with me.
239
00:08:32,578 --> 00:08:34,647
-Yeah, it was good.
-Thank you.
240
00:08:35,548 --> 00:08:37,049
I hope you can make me a star.
241
00:08:37,216 --> 00:08:39,519
Oh yeah, I'm gonna make you
a star. You stick with me kid,
242
00:08:39,652 --> 00:08:41,454
-[laughs]
-I'm gonna make you shine.
243
00:08:41,654 --> 00:08:43,322
[shouts] My hair
almost flew off.
244
00:08:43,456 --> 00:08:45,024
We both shouted-- [laughs]
245
00:08:45,157 --> 00:08:49,729
♪ I wonder why we can't
just love and be free ♪
246
00:08:49,862 --> 00:08:53,799
♪ Let everyone be all that
they wanna be ♪
247
00:08:56,035 --> 00:08:59,005
[upbeat music]
248
00:09:01,541 --> 00:09:02,542
I'm using Mavis Staples,
249
00:09:02,675 --> 00:09:05,878
who I have loved
since I was a kid.
250
00:09:06,012 --> 00:09:07,647
You look so pretty.
You always look pretty.
251
00:09:07,780 --> 00:09:09,649
-Well, thank you,
I dressed up for you.
-Oh! Girl, please.
252
00:09:09,782 --> 00:09:11,784
-Did I do good?
-[Mavis laughing]
253
00:09:11,918 --> 00:09:14,287
And I asked Linda, I said,
would you be okay,
254
00:09:14,420 --> 00:09:16,722
if I asked for Mavis to
be on one of these things?
255
00:09:16,856 --> 00:09:18,457
It's an honor to meet you.
256
00:09:18,791 --> 00:09:20,560
-Thank you.
-I mean, you're...
257
00:09:20,927 --> 00:09:22,094
-Thank you.
-I mean,
258
00:09:22,228 --> 00:09:24,730
you're Mavis Staples. [laughs]
259
00:09:25,231 --> 00:09:27,633
She said, "Yeah,
Mavis has got that heart,
260
00:09:27,767 --> 00:09:29,101
she's got that gut, that soul."
261
00:09:29,302 --> 00:09:30,303
And so I reached out to her
262
00:09:30,436 --> 00:09:32,238
and she was excited
about doing it.
263
00:09:32,371 --> 00:09:35,308
I love that you and me
after all these years,
are still at it.
264
00:09:35,441 --> 00:09:36,842
All these years, Dolly, yeah.
We're still here.
265
00:09:36,976 --> 00:09:38,911
-We are.
-Can't stop it. We're still--
266
00:09:39,045 --> 00:09:41,314
-We're a force to be
reckoned with.
-Indeed we are.
267
00:09:41,447 --> 00:09:43,182
And I love you,
I love your singing.
268
00:09:43,316 --> 00:09:45,718
-I'm so excited that
you're gonna be.
-Thank you.
269
00:09:45,851 --> 00:09:48,154
I just want us to be
down in history together.
270
00:09:48,287 --> 00:09:49,322
We're going down.
271
00:09:49,455 --> 00:09:50,723
-They can't leave us out.
-No.
272
00:09:50,856 --> 00:09:52,058
-Especially you.
-Well, especially you.
273
00:09:52,191 --> 00:09:53,492
[laughing]
274
00:09:53,626 --> 00:09:55,428
-Are you ready, Miss Mavis?
-♪ Yes, I'm ready ♪
275
00:09:55,561 --> 00:09:57,330
-I'm so happy.
-♪ I'm so ready ♪ [laughs]
276
00:09:57,463 --> 00:09:58,698
You are ready.
277
00:09:58,831 --> 00:10:01,567
I'm so excited about just
being here with this woman.
278
00:10:01,701 --> 00:10:04,070
I have loved her since
the day she came out,
279
00:10:04,203 --> 00:10:05,338
her whole family.
280
00:10:05,471 --> 00:10:07,506
And that was when I first
heard The Staple Singers,
281
00:10:07,640 --> 00:10:08,841
I thought, Oh my Lord!
282
00:10:08,975 --> 00:10:10,743
That's the greatest sound
I've ever heard.
283
00:10:10,977 --> 00:10:12,078
And I fell in love with her.
284
00:10:12,311 --> 00:10:13,679
I'm only five-one.
285
00:10:13,813 --> 00:10:14,914
-Are you?
-Yeah.
286
00:10:15,081 --> 00:10:17,083
-Well, I'm taller than you.
-Are you? Well.
287
00:10:17,216 --> 00:10:19,619
Well, I'm five even.
You could be five even too.
288
00:10:19,752 --> 00:10:21,420
But if I hadn't got so
bunched up at the top,
289
00:10:21,554 --> 00:10:22,622
-I'd have been six-two.
-Hey!
290
00:10:22,755 --> 00:10:25,324
[all laughing]
291
00:10:26,559 --> 00:10:29,261
I'll give you a spanking
[laughs]
292
00:10:29,895 --> 00:10:32,665
I sent word to see if she
would be willing to sing,
293
00:10:32,932 --> 00:10:34,834
'cause I wrote this song
with her in mind.
294
00:10:34,967 --> 00:10:38,904
♪ I wonder why we can't
love and be free ♪
295
00:10:39,171 --> 00:10:43,376
♪ Let everyone be all that
they wanna be ♪
296
00:10:43,509 --> 00:10:45,344
It was like, I heard her.
297
00:10:45,478 --> 00:10:47,413
And so I thought,
well I'm getting her.
298
00:10:47,546 --> 00:10:49,382
-♪ My brothers, my sisters ♪
-♪ Whoa ♪
299
00:10:49,515 --> 00:10:51,417
♪ Come home by my side ♪
300
00:10:51,884 --> 00:10:53,886
♪ Oh, I will if you will ♪
301
00:10:54,020 --> 00:10:55,187
♪ And why don't we try ♪
302
00:10:55,321 --> 00:10:56,989
[Mavis] I'm so glad
you called me.
303
00:10:57,123 --> 00:10:58,257
You should have seen me.
304
00:10:58,391 --> 00:11:00,526
If I could have turned a flip,
I would have.
305
00:11:00,693 --> 00:11:03,796
-[laughs]
-I said, Dolly Parton is
calling for me?
306
00:11:03,929 --> 00:11:05,164
I'm just grateful.
307
00:11:05,297 --> 00:11:06,632
[Dolly] When we heard our
voices together though,
308
00:11:06,766 --> 00:11:08,934
to me, it just ran
through me like lightning.
309
00:11:09,068 --> 00:11:10,970
-[Mavis] Yeah.
-It was really like a drug.
310
00:11:11,103 --> 00:11:12,138
It was like, wow!
311
00:11:12,271 --> 00:11:13,439
I felt like-- [exclaims]
312
00:11:13,572 --> 00:11:15,741
You know, my--my hair
almost flew off.
313
00:11:15,875 --> 00:11:17,576
We both shouted-- [laughs]
314
00:11:17,710 --> 00:11:18,744
We almost lost our hair.
315
00:11:18,878 --> 00:11:21,013
We almost lost our hair.
I tell you.
316
00:11:22,148 --> 00:11:26,485
♪ I wonder why we can't
just love and be free ♪
317
00:11:26,619 --> 00:11:30,923
♪ Let everyone be all that
they wanna be ♪
318
00:11:31,057 --> 00:11:33,225
♪ Judge not lest we be judged ♪
319
00:11:33,359 --> 00:11:34,960
♪ Let heaven decide ♪
320
00:11:35,561 --> 00:11:37,830
-♪ Still we don't do it ♪
-♪ Oh ♪
321
00:11:37,963 --> 00:11:39,498
♪ And I wonder why ♪
322
00:11:39,632 --> 00:11:41,767
[Mavis] I heard myself trying
to sing like Dolly.
323
00:11:41,901 --> 00:11:42,935
Her voice is so...
324
00:11:43,069 --> 00:11:44,370
She's like an angel.
325
00:11:44,503 --> 00:11:45,671
Just heavenly.
326
00:11:45,805 --> 00:11:47,039
For me to sing with her,
327
00:11:47,173 --> 00:11:48,874
when I heard her voice
in my head,
328
00:11:49,008 --> 00:11:50,109
I said, Oh Lordy!
329
00:11:50,242 --> 00:11:52,244
Let me get--
let me do this though.
330
00:11:52,478 --> 00:11:54,947
I--I'm getting all jittery now.
331
00:11:55,081 --> 00:11:56,549
But she's perfect.
332
00:11:56,849 --> 00:11:58,784
♪ I see you my brother ♪
333
00:11:58,918 --> 00:12:00,619
♪ And I love you that way ♪
334
00:12:01,020 --> 00:12:02,455
[Dolly] My voice is so high,
335
00:12:02,588 --> 00:12:04,490
you know, high pitched
and high textured,
336
00:12:04,690 --> 00:12:08,127
but hers is that low gravely,
growly, I don't know.
337
00:12:08,327 --> 00:12:10,896
-There's so much soul in it.
-[Mavis] That's why we jam.
338
00:12:11,030 --> 00:12:12,598
[Dolly] That would be
so perfect.
339
00:12:12,732 --> 00:12:14,233
-[Mavis] Yes.
-[Dolly] With our voices
being so different
340
00:12:14,366 --> 00:12:15,601
but so soulful.
341
00:12:15,735 --> 00:12:18,537
♪ Why we are blinded
from seeing that far ♪
342
00:12:18,671 --> 00:12:20,239
I sing my heart out
like she does.
343
00:12:20,372 --> 00:12:22,608
I feel it from everywhere
in me when I sing
344
00:12:22,742 --> 00:12:23,776
and so does she.
345
00:12:23,909 --> 00:12:25,111
Sing, Dolly!
346
00:12:25,244 --> 00:12:28,848
♪ I wonder why we can't
love and be free ♪
347
00:12:29,148 --> 00:12:33,052
♪ Let everyone be all that
they wanna be ♪
348
00:12:33,385 --> 00:12:34,587
[Mavis] It's a beautiful song.
349
00:12:34,720 --> 00:12:35,621
-[Dolly] Why, thank you.
-[Mavis] Beautiful song.
350
00:12:35,755 --> 00:12:37,556
And the message in the song
351
00:12:37,690 --> 00:12:40,359
is just what I've been
singing for years.
352
00:12:40,593 --> 00:12:43,229
And so it's just right
on time for me
353
00:12:43,362 --> 00:12:44,663
and right on time for today.
354
00:12:44,897 --> 00:12:46,031
-Oh, we need it today.
-We need it.
355
00:12:46,165 --> 00:12:47,767
-I was thinking that too
when I was writing it.
356
00:12:47,900 --> 00:12:48,868
Yes, indeed.
357
00:12:49,001 --> 00:12:50,369
'Cause it's about
acceptance and love
358
00:12:50,503 --> 00:12:52,138
with brothers and sisters
and all of us, you know,
359
00:12:52,271 --> 00:12:53,706
just loving one another.
360
00:12:53,839 --> 00:12:55,741
-That's great Dolly.
-I tailor made it to get you.
361
00:12:55,875 --> 00:12:57,076
[laughs]
362
00:12:57,209 --> 00:13:00,746
♪ Still we don't do it
and I wonder why ♪
363
00:13:01,180 --> 00:13:04,016
One line in that song was
a tongue twister for me.
364
00:13:04,216 --> 00:13:05,985
[Dolly and Mavis]
♪ Let's light the fire ♪
365
00:13:06,118 --> 00:13:07,853
[Dolly]
♪ With love won't they light ♪
366
00:13:07,987 --> 00:13:09,255
[Mavis] Love won't they light.
367
00:13:09,388 --> 00:13:10,823
-[Dolly blabbering]
-[Mavis] I couldn't get that.
368
00:13:10,956 --> 00:13:12,124
You got it, you got it good.
369
00:13:12,258 --> 00:13:14,293
And I said-- [blabbering]
370
00:13:14,426 --> 00:13:15,995
♪ Let's light the fire ♪
371
00:13:16,128 --> 00:13:17,897
♪ Spread love won't they light ♪
372
00:13:18,030 --> 00:13:19,565
-I got it.
-You got it.
373
00:13:19,698 --> 00:13:21,267
What they're really gonna
say when they hear it,
374
00:13:21,400 --> 00:13:22,535
they're gonna say,
375
00:13:22,668 --> 00:13:26,438
"What a clever idea to
have Mavis on this song."
376
00:13:26,572 --> 00:13:28,440
I'm serious. They'll think, wow!
377
00:13:28,574 --> 00:13:30,576
They're gonna think,
wow, what a great idea.
378
00:13:30,709 --> 00:13:31,944
And they're gonna say,
379
00:13:32,077 --> 00:13:34,079
"How in the world is Mavis
keeping up with Dolly?"
380
00:13:34,213 --> 00:13:35,214
-[laughs]
-You know?
381
00:13:35,347 --> 00:13:36,849
We're doing all right
for two old bags.
382
00:13:36,982 --> 00:13:38,083
Two old girls?
383
00:13:38,217 --> 00:13:39,885
Yeah. Two old bags, right.
384
00:13:40,019 --> 00:13:44,390
♪ But still we don't do
it and I wonder why ♪
385
00:13:44,623 --> 00:13:47,159
[all laughing]
386
00:13:47,593 --> 00:13:48,627
We got it.
387
00:13:48,761 --> 00:13:50,896
-We got it!
-[crew applauding]
388
00:13:51,130 --> 00:13:53,833
-[Linda] Say hi to Dolly
and Mavis.
-[Dolly] Well hello. Hey!
389
00:13:53,966 --> 00:13:55,367
-[Mavis] Hey, Macy!
-[Linda] Macy Gray.
390
00:13:55,501 --> 00:13:57,670
[Dolly] Great to see you!
We're finishing up
our little piece
391
00:13:57,803 --> 00:13:59,071
and then we're gonna
get after you.
392
00:13:59,205 --> 00:14:01,407
-I know, I'm listening.
-[Dolly and Linda laughing]
393
00:14:01,540 --> 00:14:03,475
-You're making me all nervous.
-[Linda laughing]
394
00:14:03,609 --> 00:14:05,277
I don't know how I'm
gonna follow that.
395
00:14:05,945 --> 00:14:08,247
[Dolly] I just love the fact
that Linda and I,
396
00:14:08,614 --> 00:14:10,516
both are getting the people
in that we want.
397
00:14:10,649 --> 00:14:13,953
[Lind] To have Mavis and Macy
and all of a sudden poof!
398
00:14:14,320 --> 00:14:16,088
You know, it just
turns into magic.
399
00:14:16,222 --> 00:14:17,489
Lightning in a bottle.
400
00:14:17,623 --> 00:14:18,891
[Macy] I kinda--
kinda couldn't breathe
401
00:14:19,024 --> 00:14:21,393
'cause I was--I was trying to
be, you know, cooler.
402
00:14:21,694 --> 00:14:23,229
I said, "Hey Dolly,
how you doing?"
403
00:14:23,362 --> 00:14:24,463
But as soon as
she walked away,
404
00:14:24,597 --> 00:14:26,065
I don't know what I
was gonna do.
405
00:14:26,198 --> 00:14:27,266
I almost started running.
406
00:14:27,399 --> 00:14:28,567
Proud to have you here.
407
00:14:28,701 --> 00:14:30,069
When Linda said,
"what about Macy?"
408
00:14:30,202 --> 00:14:31,971
And I said, "Are you serious?
You think she would do it?"
409
00:14:32,104 --> 00:14:33,539
And she said, "Yeah,
I think she would."
410
00:14:33,739 --> 00:14:35,474
So I thought that would
be the coolest thing.
411
00:14:35,608 --> 00:14:37,543
So just to have that heart,
that soul,
412
00:14:37,676 --> 00:14:39,578
that unique, special sound.
413
00:14:39,712 --> 00:14:42,181
And just with somebody
that I also admire.
414
00:14:42,414 --> 00:14:44,350
It was really a nice thing.
415
00:14:44,650 --> 00:14:46,552
Who ever knows how
you're gonna wind up
416
00:14:46,685 --> 00:14:47,853
and how you're gonna
sound together.
417
00:14:47,987 --> 00:14:49,989
But that's how great
duets are born.
418
00:14:50,122 --> 00:14:52,558
We did "Two Doors Down,"
my old song
419
00:14:52,691 --> 00:14:54,994
and it's just a full
on party kind of sound
420
00:14:55,127 --> 00:14:57,363
but she brought such
great things to it.
421
00:14:57,496 --> 00:14:59,265
And just all the adlibs and--
422
00:14:59,398 --> 00:15:00,633
[Macy]
Oh, I love--I love the song.
423
00:15:00,766 --> 00:15:03,135
It's a fun song about
people partying, drinking
424
00:15:03,269 --> 00:15:04,937
and having a good time
and you're there,
425
00:15:05,271 --> 00:15:06,939
-with your broken heart.
-All alone.
426
00:15:07,072 --> 00:15:08,941
And then all of a sudden
you decide to join the party
and before you know it--
427
00:15:09,074 --> 00:15:10,776
-Yeah.
-...you're partying with
them right in your house.
428
00:15:10,910 --> 00:15:12,244
[all laughing]
429
00:15:12,378 --> 00:15:13,545
Heartbreak over.
430
00:15:13,679 --> 00:15:15,981
♪ Yeah, two doors down ♪
431
00:15:16,115 --> 00:15:17,249
♪ They're lovin',
and drinkin' and ♪
432
00:15:17,383 --> 00:15:19,551
♪ Having a party ♪
433
00:15:19,818 --> 00:15:23,322
♪ Two doors down, they're
not aware that I'm around ♪
434
00:15:24,089 --> 00:15:27,326
"Islands In the Stream,"
that's one of my favorite
songs in the world.
435
00:15:27,593 --> 00:15:29,628
I don't remember the first
song I heard of yours,
436
00:15:29,762 --> 00:15:31,897
I just remember the things
that, visually,
437
00:15:32,031 --> 00:15:33,332
that I never forgot.
438
00:15:33,465 --> 00:15:35,901
Well, I'm hard to forget,
I look like a cartoon, don't I?
439
00:15:36,035 --> 00:15:37,503
[laughs] Still do.
440
00:15:37,636 --> 00:15:39,138
[Macy] I just think it's the
life of an artist, you know,
441
00:15:39,271 --> 00:15:41,707
you get to do magical things,
you know, and that stuff.
442
00:15:42,041 --> 00:15:43,709
With all the sacrifices
you make
443
00:15:43,842 --> 00:15:45,177
and all the things you
have to do without.
444
00:15:45,311 --> 00:15:46,845
So I think that's the payoff.
445
00:15:46,979 --> 00:15:48,681
You get days like this,
you know what I mean?
446
00:15:48,814 --> 00:15:51,317
I think you kind of
set the example for--
447
00:15:51,450 --> 00:15:52,651
for how far you can go,
you know?
448
00:15:52,785 --> 00:15:54,086
Because you did country
449
00:15:54,219 --> 00:15:55,587
and there's a lot of
people who are your fans,
450
00:15:55,721 --> 00:15:56,956
who are not country fans.
451
00:15:57,089 --> 00:15:59,091
Kinda set
the whole icon thing.
452
00:15:59,224 --> 00:16:01,126
You kind of showed everybody,
especially women,
453
00:16:01,260 --> 00:16:02,528
what's--what's possible.
454
00:16:03,062 --> 00:16:04,863
-[man] Have you met Linda yet?
-Uh-uh.
455
00:16:05,130 --> 00:16:07,566
She's a tiny little ol' thing
with a great big talent.
456
00:16:07,700 --> 00:16:08,934
-[Linda] Hey!
-[Dolly] And a funny little hat.
457
00:16:09,068 --> 00:16:10,402
Hello! How are you?
458
00:16:10,869 --> 00:16:12,171
-Nice to see you.
-[Linda] Nice to see you.
459
00:16:12,304 --> 00:16:14,006
-I like your little hat.
-Thank you.
460
00:16:14,139 --> 00:16:15,774
-[Dolly] Ain't she a cutie?
-She is.
461
00:16:15,908 --> 00:16:17,910
[Dolly] Wait 'til you hear
these tracks. She's done
some amazing things.
462
00:16:18,043 --> 00:16:19,645
-You heard it?
-It sounds great,
I love it.
463
00:16:19,778 --> 00:16:23,048
♪ Just because I'm blonde,
don't think I'm dumb ♪
464
00:16:23,182 --> 00:16:27,619
♪ Cause this dumb blonde
ain't nobody's fool ♪
465
00:16:28,053 --> 00:16:29,021
-And we're done.
-Great.
466
00:16:29,154 --> 00:16:30,189
[laughs] Let's go talk about it.
467
00:16:30,322 --> 00:16:31,790
-Okay.
-Talk about how good we are.
468
00:16:31,924 --> 00:16:33,025
Okay [laughs].
469
00:16:35,427 --> 00:16:38,697
[gentle music]
470
00:16:39,164 --> 00:16:41,266
[woman] ♪ Here you come again ♪
471
00:16:41,400 --> 00:16:42,768
-That's so neat.
-That's good, right?
472
00:16:42,901 --> 00:16:44,970
But it's really
a fresh take on it
473
00:16:45,104 --> 00:16:47,406
but she actually
makes it sadder, you know?
474
00:16:47,539 --> 00:16:50,075
Like the song says,
so it so fits every couple.
475
00:16:50,909 --> 00:16:53,779
♪ Here you come again ♪
476
00:16:56,048 --> 00:17:01,520
♪ Looking better than
a body has a right to ♪
477
00:17:02,087 --> 00:17:04,656
♪ Shaking me up so ♪
478
00:17:04,790 --> 00:17:07,593
♪ That all I really know ♪
479
00:17:07,726 --> 00:17:10,629
♪ Is here you come again ♪
480
00:17:12,197 --> 00:17:15,634
♪ And here I go ♪
481
00:17:16,135 --> 00:17:17,636
Keep that.
482
00:17:17,770 --> 00:17:19,204
-[Dolly] Is that the right
note at the start?
-Yeah, just go...
483
00:17:19,838 --> 00:17:21,940
[Linda and Dolly]
♪ You're messing with my mind ♪
484
00:17:22,074 --> 00:17:23,876
-[Dolly] ♪ Mind ♪ [vocalizes]
-Yeah.
485
00:17:24,009 --> 00:17:25,677
♪ You're messing with my mind ♪
486
00:17:25,811 --> 00:17:28,313
♪ You're messing with
my mind, mind ♪
487
00:17:28,447 --> 00:17:29,748
[Linda] Well, I'm only telling
you to do this
488
00:17:29,882 --> 00:17:30,949
'cause you did it before.
489
00:17:31,083 --> 00:17:32,651
So I really liked it.
490
00:17:32,785 --> 00:17:34,486
♪ You're messing with my mind ♪
491
00:17:34,853 --> 00:17:35,854
Yeah, if I could.
492
00:17:35,988 --> 00:17:37,556
I always do it
different though.
493
00:17:37,689 --> 00:17:40,692
♪ You're messing up my mind ♪
494
00:17:40,826 --> 00:17:44,263
♪ Filling up my senses ♪
495
00:17:45,631 --> 00:17:49,268
♪ 'Cause here you come again ♪
496
00:17:50,202 --> 00:17:51,336
[man] Wow!
497
00:17:51,904 --> 00:17:54,073
[crew applauding]
498
00:17:54,306 --> 00:17:55,574
[Linda] Amazing.
499
00:17:55,707 --> 00:17:57,676
Linda and I are offering
beautiful things to each other,
500
00:17:57,810 --> 00:18:00,679
on a musical level,
that's really inspiring
to both of us.
501
00:18:00,979 --> 00:18:02,314
So tell me what you
need me to do.
502
00:18:02,448 --> 00:18:04,083
Okay, so today we're
gonna do "Dumb Blonde,"
503
00:18:04,216 --> 00:18:06,118
and that's the one you're
singing with Miranda.
504
00:18:06,351 --> 00:18:08,520
So, I did the harmony one,
505
00:18:08,654 --> 00:18:11,223
where it will be what
Miranda will be doing.
506
00:18:11,356 --> 00:18:12,958
Do you wanna try singing to that
507
00:18:13,092 --> 00:18:15,327
just to see--play around
with that vibe?
508
00:18:15,461 --> 00:18:16,662
To sing a little harmony?
509
00:18:16,929 --> 00:18:19,331
Aw, hit it, boys.
510
00:18:19,731 --> 00:18:21,233
-[upbeat country music]
-[laughs]
511
00:18:21,834 --> 00:18:23,335
Hit it good.
512
00:18:23,836 --> 00:18:27,139
♪ Don't try to cry ♪
513
00:18:27,372 --> 00:18:32,344
♪ Your way out of this,
don't try to lie ♪
514
00:18:33,479 --> 00:18:35,948
♪ Or I'll catch you in it ♪
515
00:18:36,081 --> 00:18:38,050
♪ Don't try to make me ♪
516
00:18:38,183 --> 00:18:39,618
Did you forget I was little?
517
00:18:39,751 --> 00:18:41,019
-[Linda laughs]
-[Dolly] What's great
about her,
518
00:18:41,153 --> 00:18:44,089
she doesn't try to change
me into anything.
519
00:18:44,223 --> 00:18:46,158
We'll do one more without that
520
00:18:46,291 --> 00:18:47,926
and then we'll go on
to the harmony.
521
00:18:48,060 --> 00:18:50,295
[Dolly] I welcomed her input,
522
00:18:50,429 --> 00:18:52,464
it kind of put me
in a new place.
523
00:18:52,598 --> 00:18:56,135
And she welcomed mine 'cause
it put her in another place.
524
00:18:56,335 --> 00:18:57,469
So I don't want you
to sing that,
525
00:18:57,603 --> 00:18:58,971
I just want you to sing with it.
526
00:18:59,104 --> 00:19:00,472
-So take her vocal out.
-Oh!
527
00:19:00,606 --> 00:19:02,274
-Oh, that--the phrasing.
-Yes.
528
00:19:02,407 --> 00:19:03,675
It's a different melody.
529
00:19:03,809 --> 00:19:06,478
Well, no, it'll be just
exactly just underneath you.
530
00:19:06,612 --> 00:19:08,514
-So you'll be able to sing--
-Let me go in there with you.
531
00:19:08,647 --> 00:19:10,082
-Yeah.
-Let me hear it till
I get it right.
532
00:19:10,215 --> 00:19:13,185
We are bringing both of
our worlds into this project.
533
00:19:13,318 --> 00:19:15,387
♪ Don't try to cry ♪
534
00:19:15,521 --> 00:19:17,022
Oh, you need me to
sing another part?
535
00:19:17,156 --> 00:19:18,790
♪ Your way out of this ♪
536
00:19:18,924 --> 00:19:20,559
[Linda] No, you're just
being exactly you
537
00:19:20,692 --> 00:19:22,794
but maybe if this is in,
538
00:19:22,928 --> 00:19:25,097
you'll work around it.
539
00:19:25,230 --> 00:19:29,134
There's that friction of
her style versus my style.
540
00:19:29,334 --> 00:19:32,204
♪ Feel sorry for you ♪
541
00:19:32,337 --> 00:19:33,372
-Yeah.
-Oh! Sure.
542
00:19:33,705 --> 00:19:36,141
♪ Just because I'm blonde
don't think I'm dumb ♪
543
00:19:36,275 --> 00:19:38,677
Instead of battling,
we're coming together.
544
00:19:38,810 --> 00:19:39,845
Okay, I see what
you're saying.
545
00:19:39,978 --> 00:19:41,113
[Linda]
So yeah, it's just being aware
546
00:19:41,246 --> 00:19:42,381
that that's what her
part will be.
547
00:19:42,514 --> 00:19:43,815
Well, yeah, 'cause
I didn't hear that at all,
548
00:19:43,949 --> 00:19:46,051
-I wasn't trying to
phrase with that at all.
-Yeah.
549
00:19:46,451 --> 00:19:48,020
Is she singing all
the way through?
550
00:19:48,253 --> 00:19:50,989
All the way through
then she cuts out, I think,
on the second verse
551
00:19:51,123 --> 00:19:52,424
and then comes back in.
552
00:19:52,558 --> 00:19:55,761
But I could sing a harmony
part with her, on a higher part,
553
00:19:55,894 --> 00:19:58,030
if you wanted her to
maybe do the second verse?
554
00:19:58,163 --> 00:20:00,832
Yeah, but no matter what,
she would be under.
555
00:20:00,966 --> 00:20:02,501
-[Dolly] Okay.
-You know what I mean?
556
00:20:02,634 --> 00:20:04,002
-Yeah, okay, I see what
you're saying.
-I think to have you,
557
00:20:04,136 --> 00:20:05,571
-it would be great.
-[Dolly] All right, we got it.
558
00:20:05,704 --> 00:20:06,738
[Linda] All right, here we go.
559
00:20:06,872 --> 00:20:09,541
♪ Oh, but somehow
I live through it ♪
560
00:20:09,675 --> 00:20:15,280
♪ And you know if there's one
thing blonde has learned ♪
561
00:20:15,480 --> 00:20:18,150
♪ Blondes have more fun ♪
562
00:20:18,550 --> 00:20:21,019
[vocalizing]
563
00:20:21,486 --> 00:20:25,290
-♪ For my old spool ♪
-Punch in right there.
564
00:20:25,424 --> 00:20:27,626
Well now, she'll phrase
with me but that's basically--
565
00:20:27,759 --> 00:20:29,261
Yes, she's gonna
phrase with you,
566
00:20:29,394 --> 00:20:30,696
but I just wanted you
to understand
567
00:20:30,829 --> 00:20:33,398
and be aware of that's
gonna be a harmony.
568
00:20:33,532 --> 00:20:36,935
-Mm-hm.
-Because she probably
learned that harmony.
569
00:20:37,069 --> 00:20:39,438
-Yes.
-It'll work on
no matter what you do.
570
00:20:39,571 --> 00:20:40,973
I'm just letting you
be aware of it.
571
00:20:41,106 --> 00:20:42,441
No, that helps.
572
00:20:42,574 --> 00:20:44,876
♪ Just because I'm blonde,
don't think I'm dumb ♪
573
00:20:45,010 --> 00:20:50,649
♪ 'Cause this dumb blonde
ain't nobody's fool ♪
574
00:20:51,984 --> 00:20:53,118
No she ain't.
575
00:20:53,252 --> 00:20:54,753
[Linda laughing]
576
00:20:56,321 --> 00:20:57,589
[Dolly laughing]
577
00:20:58,590 --> 00:20:59,725
So amazing.
578
00:20:59,858 --> 00:21:00,993
Miranda's here.
579
00:21:01,159 --> 00:21:02,628
-Oh great!
-And we're on time though.
580
00:21:02,928 --> 00:21:03,929
[Miranda] Hello.
581
00:21:04,062 --> 00:21:04,997
How are you?
582
00:21:05,130 --> 00:21:06,064
-Oh!
-Nice to meet you.
583
00:21:06,198 --> 00:21:07,933
I feel like I have known
you all my life.
584
00:21:08,066 --> 00:21:09,001
I do too.
585
00:21:09,134 --> 00:21:10,602
They said, you're
gonna meet Miranda
586
00:21:10,736 --> 00:21:12,904
for the first time today,
and I said, I am?
587
00:21:13,038 --> 00:21:14,339
I was in the elevator
with you one time,
588
00:21:14,473 --> 00:21:15,707
but I got too scared to say hi.
589
00:21:15,841 --> 00:21:18,043
I mean, I really feel
like I knew you
590
00:21:18,176 --> 00:21:19,311
and I said,
"Oh! That can't be so."
591
00:21:19,444 --> 00:21:21,113
They said,
"You've never met Miranda."
592
00:21:21,246 --> 00:21:23,015
I said, "Well, I've seen her,
I know her,
593
00:21:23,148 --> 00:21:24,483
I feel like I know her."
594
00:21:24,616 --> 00:21:26,184
And so, it's not different.
595
00:21:26,318 --> 00:21:27,653
You feel just like
I knew you would.
596
00:21:27,786 --> 00:21:29,388
-Good, you do too.
-Oh! Good.
597
00:21:29,588 --> 00:21:31,323
I feel a kindred
spirit with you but,
598
00:21:31,456 --> 00:21:32,524
I was nervous though,
599
00:21:32,658 --> 00:21:33,825
'cause today is
the first time like,
600
00:21:33,959 --> 00:21:35,394
-actual face to face time.
-[Dolly laughs]
601
00:21:35,527 --> 00:21:36,795
-[Miranda] So that's good.
-[Dolly] It was good though.
602
00:21:36,928 --> 00:21:38,363
Didn't you feel that too?
603
00:21:38,497 --> 00:21:40,532
Like when we first met, it
was like just three seconds
604
00:21:40,666 --> 00:21:43,235
and it's like I thought
it would be and it is.
605
00:21:43,368 --> 00:21:45,170
Like I felt like I knew you,
so good.
606
00:21:45,304 --> 00:21:49,608
I was so excited
to have Miranda sing
"Dumb Blonde" with me.
607
00:21:49,741 --> 00:21:52,144
Here we are, two blondes,
anything but dumb.
608
00:21:52,577 --> 00:21:54,680
We might be a little silly
but we're not dumb.
609
00:21:55,514 --> 00:21:57,249
I just want you to
just feel comfortable.
610
00:21:57,382 --> 00:21:58,750
I know you're nervous,
I can already see.
611
00:21:58,884 --> 00:22:00,619
[laughs] Of course I'm nervous.
612
00:22:00,752 --> 00:22:04,022
The most important part is
just emotionally being attached
613
00:22:04,156 --> 00:22:05,157
because--
614
00:22:05,290 --> 00:22:06,591
-I already am.
-Yeah, I know you are.
615
00:22:06,725 --> 00:22:07,759
Anyways, because it's her.
616
00:22:07,893 --> 00:22:09,328
But it's like, just be you,
617
00:22:09,461 --> 00:22:11,563
you're amazing,
you know and, um--
618
00:22:11,697 --> 00:22:12,964
I second that.
619
00:22:13,098 --> 00:22:14,333
-Yeah, I think you're--
-I just need to record this
620
00:22:14,466 --> 00:22:16,568
and carry it around
with me. [laughs]
621
00:22:16,702 --> 00:22:18,904
And every time I feel nervous,
just replay it.
622
00:22:19,037 --> 00:22:20,539
I just need the audio
every morning. [laughs]
623
00:22:20,672 --> 00:22:22,507
Well, what's great about
you is that you're sassy.
624
00:22:22,641 --> 00:22:23,842
Like you have an edge, you know,
625
00:22:23,975 --> 00:22:25,043
so just bring that.
626
00:22:25,177 --> 00:22:26,478
This is why the song is
perfect for you.
627
00:22:26,611 --> 00:22:28,547
And I think with
that lower part, you know,
628
00:22:28,680 --> 00:22:30,315
because I love your
lower register.
629
00:22:30,449 --> 00:22:34,119
You know, a lot of girls
can't go low and be edgy.
630
00:22:34,252 --> 00:22:35,721
It just sits in this area.
631
00:22:35,854 --> 00:22:38,090
So just go do Miranda,
632
00:22:38,223 --> 00:22:39,624
and don't worry about
633
00:22:39,758 --> 00:22:41,326
that it's Dolly Parton
you're singing with
634
00:22:41,460 --> 00:22:42,661
and that this is happening.
635
00:22:42,794 --> 00:22:44,629
-She knows me now.
-Yeah. So, you know.
636
00:22:44,763 --> 00:22:46,031
She ain't nervous
about that part.
637
00:22:46,164 --> 00:22:47,799
Yeah. Let's do this.
638
00:22:47,933 --> 00:22:49,101
Let's do it.
639
00:22:49,234 --> 00:22:51,436
I don't think you need
to be told how to sing.
640
00:22:51,603 --> 00:22:54,206
I--well, if you--I will take it
from you if you want to tell me.
641
00:22:54,339 --> 00:22:55,907
Well, not only did I
get to meet Dolly
642
00:22:56,041 --> 00:22:56,975
for the first time today,
643
00:22:57,109 --> 00:22:58,777
but like singing one
of her songs
644
00:22:58,910 --> 00:23:01,546
that's kind of a staple
for her, with her
645
00:23:01,680 --> 00:23:03,315
and recording with her
and Linda Perry.
646
00:23:04,282 --> 00:23:06,284
I feel humbled to be asked
647
00:23:06,418 --> 00:23:09,020
but I feel really proud
to be with these two gals
648
00:23:09,154 --> 00:23:10,722
and all the women on
the soundtrack,
649
00:23:10,856 --> 00:23:12,758
it's gonna be a powerful
group of women
650
00:23:12,891 --> 00:23:15,227
and it's so cool to like not
only get to just meet you,
651
00:23:15,360 --> 00:23:16,895
but actually sing with
you the same day.
652
00:23:17,028 --> 00:23:19,131
♪ Or I'll catch you in it ♪
653
00:23:19,264 --> 00:23:21,800
♪ Don't try to make me ♪
654
00:23:22,868 --> 00:23:26,071
♪ Feel sorry for you ♪
655
00:23:27,272 --> 00:23:30,308
♪ Just because I'm blonde,
don't think I'm dumb ♪
656
00:23:30,442 --> 00:23:35,347
♪ Cause this dumb blonde
ain't nobody's fool ♪
657
00:23:35,480 --> 00:23:37,449
Hearing my voice with Dolly
is kind of surreal right now.
658
00:23:37,582 --> 00:23:38,884
I don't think I've processed it.
659
00:23:39,017 --> 00:23:41,920
[Dolly] Miranda reminds me
so much of me,
660
00:23:42,053 --> 00:23:43,755
when I first came to town.
661
00:23:43,889 --> 00:23:46,691
There's a part of her
that has a rawness,
662
00:23:46,825 --> 00:23:50,662
You know, a soulful kind of
feeling about her, unpolished.
663
00:23:50,796 --> 00:23:52,931
I was really nervous.
I was wanting to nail it
664
00:23:53,064 --> 00:23:54,833
'cause you've been doing
this song for a long time.
665
00:23:54,966 --> 00:23:56,568
-Yes, I have. [laughs]
-You know, and I--and I--
666
00:23:56,701 --> 00:23:57,869
[Dolly] 50-something years.
667
00:23:58,003 --> 00:23:59,070
[Miranda] Well,
I'm just learning it,
668
00:23:59,204 --> 00:24:00,605
so I wanted to make sure
that I was like,
669
00:24:00,739 --> 00:24:02,808
singing with you but still
having my own personality.
670
00:24:02,941 --> 00:24:04,776
Well, you did a great job.
I was real proud.
671
00:24:04,910 --> 00:24:05,844
It's a great song.
672
00:24:05,977 --> 00:24:07,245
It's perfect for us,
I think.
673
00:24:07,446 --> 00:24:10,382
♪ Just because I'm blonde,
don't think I'm dumb ♪
674
00:24:10,515 --> 00:24:12,818
[Miranda] It's really
a highlight of my life,
675
00:24:12,951 --> 00:24:14,052
not only my life, my career.
676
00:24:14,186 --> 00:24:17,088
Today is one of those like,
bucket list days.
677
00:24:17,255 --> 00:24:18,857
[Dolly] And I'm honored to
have met you and just--
678
00:24:18,990 --> 00:24:20,492
[Miranda]
Well, I'm honored so much.
679
00:24:20,625 --> 00:24:23,094
I mean, you know,
you've influenced all females,
680
00:24:23,228 --> 00:24:24,596
in any industry really,
681
00:24:24,729 --> 00:24:27,766
but especially for like a little
East Texas country singer,
682
00:24:27,899 --> 00:24:29,734
like you've just set
the bar so high
683
00:24:29,868 --> 00:24:31,269
and something to strive to
684
00:24:31,403 --> 00:24:33,505
and like to follow in
your footsteps
685
00:24:33,638 --> 00:24:34,806
is an honor for all of us
686
00:24:34,940 --> 00:24:36,675
and I'm just thrilled
to get to sing with you
687
00:24:36,808 --> 00:24:40,245
and record with you and like,
you know, watch your process
688
00:24:40,378 --> 00:24:41,646
because we can learn
a lot from you.
689
00:24:41,780 --> 00:24:42,881
Well, thank you.
690
00:24:43,014 --> 00:24:45,016
I wouldn't advise you to
try and walk in my shoes.
691
00:24:45,617 --> 00:24:46,952
They don't look
that comfortable.
692
00:24:47,085 --> 00:24:51,056
♪ Walk a mile in my shoes
and you'll never walk again ♪
693
00:24:51,189 --> 00:24:52,457
[all laughing]
694
00:24:52,657 --> 00:24:53,992
You will not find this
on another mandolin
695
00:24:54,125 --> 00:24:55,427
because that's boob sweat.
696
00:24:55,560 --> 00:24:57,128
[all laughing]
697
00:24:57,462 --> 00:24:58,864
[Rhonda] Except for on Dolly's,
huh? I guess. [laughs]
698
00:24:59,097 --> 00:25:02,133
And then we have our
Rhonda pick right here.
699
00:25:02,300 --> 00:25:05,904
Mandolin, more track,
verb, and that's the master.
700
00:25:06,037 --> 00:25:07,405
But you know.
701
00:25:07,539 --> 00:25:09,508
It's not your first time
at the rodeo, is it?
702
00:25:09,641 --> 00:25:10,809
No, no it's not.
703
00:25:11,009 --> 00:25:12,744
♪ Nothing's gonna
ever change it ♪
704
00:25:12,878 --> 00:25:15,981
♪ Much ♪
705
00:25:16,348 --> 00:25:18,884
♪ If we don't ♪
706
00:25:21,052 --> 00:25:24,389
[bright music]
707
00:25:27,759 --> 00:25:30,862
The writing process was
extremely easy
708
00:25:30,996 --> 00:25:34,132
because I think we both just
come from not sitting down
709
00:25:34,266 --> 00:25:35,534
and thinking about writing,
710
00:25:35,667 --> 00:25:38,537
we just are sitting and
feeling our way through it.
711
00:25:38,670 --> 00:25:40,438
When I go record it, it's just
gonna be really good for--
712
00:25:40,572 --> 00:25:42,507
How's this for a first line?
713
00:25:44,442 --> 00:25:46,077
I was wanting to paint
the picture of the movie.
714
00:25:46,211 --> 00:25:48,179
[music continues]
715
00:25:51,616 --> 00:25:54,019
[Linda] I think with Dolly,
you get story.
716
00:25:54,252 --> 00:25:57,022
It's a very old school
way of writing.
717
00:25:59,457 --> 00:26:02,027
But it's very refreshing right
now because it's very needed.
718
00:26:02,160 --> 00:26:03,094
Yeah, I love that.
719
00:26:03,228 --> 00:26:04,262
For "Girl In the Movies"
720
00:26:04,462 --> 00:26:06,164
This is great too. Yup.
721
00:26:06,464 --> 00:26:09,668
♪ Popcorn, Cokes and
Raisinets ♪
722
00:26:09,801 --> 00:26:11,903
"Girl In the Movies" is one
of my very favorite things
723
00:26:12,037 --> 00:26:13,071
that we've done.
724
00:26:13,204 --> 00:26:17,609
♪ Popcorn, soda,
box of Raisinets ♪
725
00:26:17,742 --> 00:26:19,878
The song itself talks
about a girl
726
00:26:20,078 --> 00:26:22,747
that spends her life
looking at other people,
727
00:26:22,881 --> 00:26:24,282
living her life through
other people.
728
00:26:25,116 --> 00:26:30,322
♪ Up on the silver screen,
I picture me ♪
729
00:26:30,622 --> 00:26:33,058
And she decides that I'm gonna
be the girl in the movie.
730
00:26:33,191 --> 00:26:36,928
I'm gonna be the one that can
pick the roles that I choose.
731
00:26:37,062 --> 00:26:41,199
♪ I wanna be the girl
in the movies ♪
732
00:26:41,733 --> 00:26:44,970
♪ The one with the stars
in her eyes ♪
733
00:26:45,103 --> 00:26:48,039
I'm a very sensitive person,
I hurt deep,
734
00:26:48,173 --> 00:26:49,474
but I have to hurt deep
735
00:26:49,608 --> 00:26:52,410
and I have to feel all those
feelings in order to write
736
00:26:52,544 --> 00:26:55,547
and I cannot harden my heart
against things.
737
00:26:55,680 --> 00:26:58,416
I've been through it all,
seen it all, been it all,
738
00:26:58,550 --> 00:27:01,386
felt it and been able to
write about it.
739
00:27:01,519 --> 00:27:04,990
I've always been
inspired by powerful women
740
00:27:05,123 --> 00:27:06,725
that have something to say.
741
00:27:06,858 --> 00:27:09,260
♪ It's time I showed the world ♪
742
00:27:09,394 --> 00:27:11,229
♪ Just what I'm about ♪
743
00:27:11,363 --> 00:27:13,131
♪ I'm stepping up ♪
744
00:27:13,264 --> 00:27:14,933
♪ And I'm stepping out ♪
745
00:27:15,066 --> 00:27:17,802
I want my music to be inspiring.
746
00:27:17,936 --> 00:27:21,339
I want it to be uplifting
and empowering to people.
747
00:27:21,473 --> 00:27:24,209
And especially if I can
uplift women in any way.
748
00:27:24,342 --> 00:27:27,812
The idea that I created
something out of my love for her
749
00:27:27,946 --> 00:27:30,982
and now she's gone and created
something inspired by that,
750
00:27:31,116 --> 00:27:34,686
like, that's just the most full
circle moment as an artist,
751
00:27:34,819 --> 00:27:36,921
-that you can ever experience.
-That's well put.
752
00:27:37,155 --> 00:27:38,690
♪ Gonna stand up ♪
753
00:27:38,890 --> 00:27:40,625
♪ And I'm gonna matter ♪
754
00:27:40,759 --> 00:27:44,663
♪ 'Cause I've had enough of
my dreams being shattered ♪
755
00:27:44,796 --> 00:27:48,533
♪ And I've had enough of
my tears being splattered ♪
756
00:27:48,667 --> 00:27:51,870
♪ I've already been that girl ♪
757
00:27:52,003 --> 00:27:53,438
[Linda] If you listen to
a lot of soundtracks,
758
00:27:53,571 --> 00:27:56,508
the songs have nothing to do
with the movie whatsoever.
759
00:27:56,641 --> 00:28:00,612
This is going to be a very
artful, poetic soundtrack
760
00:28:00,745 --> 00:28:02,781
that has a lot of purpose
and a lot of thought.
761
00:28:02,914 --> 00:28:04,749
♪ I wanna be happy ♪
762
00:28:04,883 --> 00:28:06,851
♪ I wanna be free ♪
763
00:28:06,985 --> 00:28:12,991
♪ Just like the girl
in the movie ♪
764
00:28:15,126 --> 00:28:19,130
This soundtrack is Dolly,
you know, 24-seven.
765
00:28:19,264 --> 00:28:22,033
Being inspired by, you know,
things that you've said
766
00:28:22,167 --> 00:28:24,035
-and songs that you've written.
-That's sweet.
767
00:28:24,569 --> 00:28:27,338
♪ Look around and see
what's going on ♪
768
00:28:27,706 --> 00:28:29,074
♪ What's going on ♪
769
00:28:29,207 --> 00:28:30,942
This particular song,
"If We Don't,"
770
00:28:31,076 --> 00:28:33,278
was really one of the first
songs that we wrote together.
771
00:28:33,411 --> 00:28:34,746
...if there's just
the little words like,
772
00:28:34,879 --> 00:28:36,448
ifs, ands, buts, who, how,
773
00:28:36,648 --> 00:28:37,816
and being in there with
the background.
774
00:28:37,949 --> 00:28:39,284
I understand.
775
00:28:39,417 --> 00:28:40,819
[Dolly] 'Cause I write all
these words, you know,
776
00:28:40,952 --> 00:28:42,253
I cram 'em all in and
Linda says,
777
00:28:42,387 --> 00:28:44,622
"You write so many words."
I say, well, I got a lot to say.
778
00:28:44,756 --> 00:28:47,025
Linda did a great job on
this particular track.
779
00:28:47,158 --> 00:28:50,862
It's the only one
that's really like
a real solid country thing.
780
00:28:50,995 --> 00:28:53,765
She kinda did it in
a Johnny Cash mode.
781
00:28:53,898 --> 00:28:56,801
♪ I'd like to think
there is a better way ♪
782
00:28:57,435 --> 00:29:00,371
♪ A better way,
a brighter day ♪
783
00:29:00,505 --> 00:29:01,673
As soon
as I heard the track,
784
00:29:01,806 --> 00:29:03,041
I thought we gotta
really give some flavor.
785
00:29:03,174 --> 00:29:05,210
Well, she's as good a
musician as she is a singer.
786
00:29:05,343 --> 00:29:07,946
I said, There's nobody more
talented in this town,
787
00:29:08,079 --> 00:29:10,482
than Rhonda Vincent and
Alison Krauss."
788
00:29:10,715 --> 00:29:12,584
And I thought it would be
like girl power,
789
00:29:12,717 --> 00:29:15,653
to not only have these
beautiful girls
that can also sing,
790
00:29:15,887 --> 00:29:17,288
but they can also play.
791
00:29:17,455 --> 00:29:19,224
I was really proud of
both of them.
792
00:29:19,357 --> 00:29:21,726
So I thought, well, I gotta
get my girls on this track.
793
00:29:21,860 --> 00:29:23,661
♪ If we don't ♪
794
00:29:23,795 --> 00:29:26,064
Rhonda played mandolin
and sounds great.
795
00:29:26,197 --> 00:29:28,633
Everything's--so just
basically just have fun,
796
00:29:28,767 --> 00:29:32,771
do whatever you feel like is
instinctively coming to you
797
00:29:32,904 --> 00:29:34,139
and that's about it.
798
00:29:34,272 --> 00:29:36,274
'Cause the song is just
so fun and just kind of...
799
00:29:36,407 --> 00:29:38,143
It's just supposed to
have that feel.
800
00:29:38,276 --> 00:29:40,578
So whatever you want to do,
you just do.
801
00:29:40,712 --> 00:29:41,780
-Okay.
-And then--
802
00:29:41,913 --> 00:29:43,214
You're both are kind of
perfectionists,
803
00:29:43,348 --> 00:29:44,415
you work similar.
804
00:29:44,549 --> 00:29:46,551
I told her like,
she's re--so into the music,
805
00:29:46,684 --> 00:29:49,187
I said Allison's like that,
she's such a perfectionist,
806
00:29:49,320 --> 00:29:50,421
such a pro though.
807
00:29:50,555 --> 00:29:51,489
So good.
808
00:29:51,623 --> 00:29:53,458
So just play and I know Allison,
809
00:29:53,591 --> 00:29:54,793
if it ain't right,
she won't do it.
810
00:29:54,926 --> 00:29:56,127
-[Linda] Yeah. [laughs]
811
00:29:56,261 --> 00:29:57,462
I'll have another take,
I'll have another take.
812
00:29:57,595 --> 00:29:58,563
Another, another, another,
another, another take.
813
00:29:58,696 --> 00:30:00,932
I'm like, I'll go out
and do one take,
814
00:30:01,499 --> 00:30:02,634
but she gets it right.
815
00:30:02,767 --> 00:30:03,935
That's because it's
perfect the first time.
816
00:30:04,068 --> 00:30:07,472
It's the highlight of
your musical experience
817
00:30:07,605 --> 00:30:11,342
to get to be next to
this greatness,
818
00:30:11,476 --> 00:30:14,212
and for so many of us
just to hear it
819
00:30:14,746 --> 00:30:18,316
and then to even get
just a little step closer
to hear it,
820
00:30:18,449 --> 00:30:22,253
you know, through
the headphones or to
even participate or be asked.
821
00:30:23,021 --> 00:30:25,456
I can't compare it to
anything else I've got to do.
822
00:30:25,590 --> 00:30:27,125
Don't you think you're
spreading it out a little thick?
823
00:30:27,258 --> 00:30:29,227
-Nope.
-No. [Dolly laughing]
824
00:30:29,360 --> 00:30:30,862
Actually, I thought it
was a little less thick
825
00:30:30,995 --> 00:30:32,564
than what I had to offer.
826
00:30:32,697 --> 00:30:33,998
Actually I held back.
827
00:30:34,132 --> 00:30:36,100
I can't even judge that
kind of profession, I'm like.
828
00:30:36,234 --> 00:30:37,569
Oh, Lord, help us.
829
00:30:37,735 --> 00:30:39,470
I used to sing a lot
with my sisters.
830
00:30:39,704 --> 00:30:42,006
And of course she sings
with her family as well
831
00:30:42,140 --> 00:30:43,508
and being country people
832
00:30:43,641 --> 00:30:45,844
and really feeling that
music down really in the gut,
833
00:30:45,977 --> 00:30:47,178
not just something you learn,
834
00:30:47,312 --> 00:30:49,113
you've lived that music,
you love that music.
835
00:30:49,314 --> 00:30:51,249
There's something that
comes from your soul.
836
00:30:51,382 --> 00:30:52,684
You go to little places.
837
00:30:52,884 --> 00:30:55,286
♪ Trying to make a
difference in this world ♪
838
00:30:55,420 --> 00:30:56,888
♪ Before we're through ♪
839
00:30:57,021 --> 00:30:58,790
♪ Who will do it,
who will do it ♪
840
00:30:58,923 --> 00:31:00,692
♪ Who will do it, who ♪
841
00:31:00,825 --> 00:31:02,427
♪ If we don't ♪
842
00:31:02,560 --> 00:31:04,028
When we're singing
together I get so excited.
843
00:31:04,162 --> 00:31:05,396
Amazing.
844
00:31:05,530 --> 00:31:08,166
On this take,
can you do some now
845
00:31:08,299 --> 00:31:09,801
where you're on the off?
846
00:31:09,934 --> 00:31:12,570
So it's like, [vocalizes]
just your licks.
847
00:31:12,704 --> 00:31:13,671
You know what I mean?
848
00:31:13,805 --> 00:31:16,674
[Linda humming]
849
00:31:17,609 --> 00:31:18,710
Basically when
she's not singing?
850
00:31:18,843 --> 00:31:21,379
Yeah. So in between. Yeah.
851
00:31:21,546 --> 00:31:24,082
Then, I'm hearing with
what you're doing,
852
00:31:24,249 --> 00:31:26,618
then I hear that Allison
could probably do--
853
00:31:26,751 --> 00:31:28,620
-[imitating violin]
-Oh, yeah.
854
00:31:29,287 --> 00:31:30,889
I like it.
855
00:31:33,191 --> 00:31:34,492
Okay.
856
00:31:34,626 --> 00:31:36,628
When you listen to someone
else, especially like Dolly,
857
00:31:36,761 --> 00:31:39,797
when you listen to that voice
and just the rolls or what--
858
00:31:39,964 --> 00:31:41,566
Everybody calls them
something different.
859
00:31:41,699 --> 00:31:44,068
I've heard trails,
I've heard rolls,
860
00:31:44,202 --> 00:31:46,738
how we do the little
things we do with notes,
861
00:31:46,871 --> 00:31:48,840
we just automatically do
that naturally.
862
00:31:48,973 --> 00:31:51,075
And then when they blend
together, it's real good.
863
00:31:51,209 --> 00:31:56,481
♪ Nothing's gonna ever
change it much ♪
864
00:31:56,915 --> 00:31:58,516
♪ If we don't ♪
865
00:31:58,983 --> 00:32:00,318
[Dolly] I said,
"Bring your mandolin,
866
00:32:00,451 --> 00:32:02,220
I want you to impress them
with what you can do."
867
00:32:02,353 --> 00:32:05,690
She got in there and she was
knocking their socks off.
868
00:32:05,990 --> 00:32:09,227
Even I was like taken aback,
as they say.
869
00:32:09,427 --> 00:32:10,962
She was just killing it
in there
870
00:32:11,095 --> 00:32:12,797
and I was so proud,
I was like, that's my girl!
871
00:32:12,931 --> 00:32:15,066
[Allison] Rhonda, the first
time I heard her,
872
00:32:15,199 --> 00:32:16,601
she played everything
873
00:32:16,734 --> 00:32:18,636
and I remember sitting
there with my mouth open,
874
00:32:18,770 --> 00:32:21,039
watching her play and
hear Dolly say,
875
00:32:21,272 --> 00:32:23,708
that we were all in
the same phrase
876
00:32:23,841 --> 00:32:25,043
is kind of a big deal for me.
877
00:32:25,176 --> 00:32:29,580
♪ If I don't ♪
878
00:32:30,081 --> 00:32:32,917
[all laughing]
879
00:32:33,051 --> 00:32:34,319
Good one!
880
00:32:34,719 --> 00:32:36,454
Nearly--nearly perfect.
881
00:32:37,088 --> 00:32:39,657
She came to me saying that
I had this idea
882
00:32:39,791 --> 00:32:41,392
of how to do "Jolene"
and I thought,
883
00:32:41,526 --> 00:32:42,493
oh yeah, okay, here it comes.
884
00:32:42,627 --> 00:32:45,096
Let's do the whole part.
[hums]
885
00:32:45,229 --> 00:32:47,565
I thought, well I can't
sing "Jolene" again.
886
00:32:47,699 --> 00:32:48,967
Just hold the note
for a second
887
00:32:49,100 --> 00:32:50,368
and I'll show you what
I'm talking about.
888
00:32:50,501 --> 00:32:52,236
[Linda]
Strings can ruin things.
889
00:32:52,437 --> 00:32:54,872
[gentle music]
890
00:32:55,006 --> 00:32:56,841
[Dolly] It just made it
completely different,
891
00:32:56,975 --> 00:32:58,476
like it's another
song altogether.
892
00:32:58,609 --> 00:33:02,747
It's gonna be simplistic
pretty, enhancing, for drama.
893
00:33:02,981 --> 00:33:09,420
♪ Jolene, Jolene,
Jolene, Jolene ♪
894
00:33:11,422 --> 00:33:13,658
[bright music]
895
00:33:19,030 --> 00:33:21,232
It really seems like
a very blessed project.
896
00:33:21,366 --> 00:33:23,534
You know how some things
just seem to happen?
897
00:33:23,668 --> 00:33:25,069
Like they're meant to be?
898
00:33:25,203 --> 00:33:26,237
Like they're supposed to be?
899
00:33:26,571 --> 00:33:27,972
'Cause then when that
usually happens,
900
00:33:28,106 --> 00:33:31,042
all the elements that usually
cause you all kind of trouble,
901
00:33:31,175 --> 00:33:32,643
everything just
falls into place.
902
00:33:32,777 --> 00:33:34,879
[Linda] The energy of both of
us together is just...
903
00:33:35,013 --> 00:33:36,948
I think we're creating
a different sound
904
00:33:37,081 --> 00:33:38,649
and that's the best place
you want to be.
905
00:33:38,783 --> 00:33:40,451
-And I believe we're doing
something different.
-Yeah.
906
00:33:40,651 --> 00:33:42,954
Let's see how your voice just
almost sounds like a harmony
907
00:33:43,087 --> 00:33:44,255
because your tone is different.
908
00:33:44,389 --> 00:33:45,590
[Dolly]
Well, she came to me saying,
909
00:33:45,723 --> 00:33:47,325
"I don't know if you'll
like this idea,
910
00:33:47,458 --> 00:33:49,293
I don't know if you'll feel
like you're betraying yourself
911
00:33:49,427 --> 00:33:50,528
or whatever
912
00:33:50,661 --> 00:33:52,330
but I had this idea of
how to do 'Jolene.'"
913
00:33:52,463 --> 00:33:53,998
And I thought, oh yeah,
okay, here it comes.
914
00:33:54,132 --> 00:33:55,266
All right, here we go.
915
00:33:55,400 --> 00:33:56,968
[Dolly] You know,
I can't re-record that
916
00:33:57,101 --> 00:33:59,670
because it's like,
such an iconic song now.
917
00:33:59,804 --> 00:34:01,506
I call my string guy
and I'm like,
918
00:34:01,639 --> 00:34:06,044
"I need you to do an
arrangement, like Eleanor Rigby,
919
00:34:06,177 --> 00:34:07,478
but to 'Jolene.'"
920
00:34:07,612 --> 00:34:08,980
Yeah, there's something--
921
00:34:09,113 --> 00:34:10,448
-Let's--yeah, it's like
a half-step--
-...tricky.
922
00:34:10,581 --> 00:34:12,650
-Yeah, we can get rid of that.
-I would get rid of that.
923
00:34:12,784 --> 00:34:15,686
That is really a great idea.
924
00:34:15,820 --> 00:34:19,057
Dolly is gonna sing to a string
arrangement of "Jolene,"
925
00:34:19,190 --> 00:34:21,092
which is, I can't
wait to hear.
926
00:34:21,325 --> 00:34:23,694
[Dolly] She's really
slowed it down doing it
like with strings.
927
00:34:23,828 --> 00:34:25,530
It just made it
completely different.
928
00:34:25,663 --> 00:34:27,598
Like it's another song
altogether.
929
00:34:27,732 --> 00:34:28,766
I think it'll work.
930
00:34:28,900 --> 00:34:30,068
You guys ready?
931
00:34:30,201 --> 00:34:32,970
-[man] Yes, ma'am.
-Okay, so we're at the top.
932
00:34:33,104 --> 00:34:35,073
This woman, like she's
prepared to stay here
933
00:34:35,206 --> 00:34:36,741
till three AM with us,
you know,
934
00:34:36,874 --> 00:34:38,810
and go the whole mile
935
00:34:38,943 --> 00:34:40,378
and I told her it's gonna
be a long night
936
00:34:40,511 --> 00:34:41,546
and she was like, "I'm here."
937
00:34:42,413 --> 00:34:43,414
You want to go inspire them?
938
00:34:43,548 --> 00:34:44,782
-Yeah, I wanna go say hi.
-Come on.
939
00:34:46,317 --> 00:34:48,386
-[Linda] I got somebody that
wants to say hi.
-[Dolly] Hello!
940
00:34:48,586 --> 00:34:51,689
♪ I wanna be the girl
in the movie ♪
941
00:34:51,823 --> 00:34:52,757
[all laughing]
942
00:34:52,890 --> 00:34:54,192
That's fantastic, isn't it?
943
00:34:54,325 --> 00:34:55,460
I kept looking for everybody.
944
00:34:55,593 --> 00:34:58,563
I only saw you through
the monitor in there.
945
00:34:58,996 --> 00:35:00,565
Well anyway,
you're sounding wonderful.
946
00:35:00,698 --> 00:35:01,766
[man] Thank you so much.
947
00:35:01,899 --> 00:35:03,034
I'm happy to have you
on my record.
948
00:35:03,167 --> 00:35:04,869
She's--she's a hard one to
work with though.
949
00:35:05,002 --> 00:35:06,137
This one, right here.
950
00:35:06,270 --> 00:35:08,206
-[all laughing]
-Making it all come to life.
951
00:35:08,339 --> 00:35:09,640
She's done some wonderful work
952
00:35:09,774 --> 00:35:11,476
and I'm just proud to be...
953
00:35:12,210 --> 00:35:14,579
As any pro would say
"just so proud to be here."
954
00:35:14,712 --> 00:35:15,680
[all laughing]
955
00:35:15,813 --> 00:35:18,149
Strings can ruin things to me.
956
00:35:18,282 --> 00:35:19,684
Just hold the note for a second
957
00:35:19,817 --> 00:35:20,952
and I'll show you what
I'm talking about.
958
00:35:21,085 --> 00:35:22,186
So just everybody,
just hold the note.
959
00:35:22,320 --> 00:35:24,322
Two, three, four.
960
00:35:24,555 --> 00:35:28,259
[gentle music]
961
00:35:28,392 --> 00:35:30,561
[Linda]
Or they can really help lift
962
00:35:30,695 --> 00:35:32,897
and all this is gonna
be very subtle.
963
00:35:33,030 --> 00:35:37,702
It's gonna be simplistic,
pretty, enhancing, for drama,
964
00:35:37,835 --> 00:35:38,836
that's it.
965
00:35:38,970 --> 00:35:40,671
[gentle music]
966
00:35:41,906 --> 00:35:48,312
♪ Jolene, Jolene,
Jolene, Jolene ♪
967
00:35:48,679 --> 00:35:53,951
♪ I'm begging of you,
please don't take my man ♪
968
00:35:57,021 --> 00:36:03,461
♪ Jolene, Jolene,
Jolene, Jolene ♪
969
00:36:04,095 --> 00:36:08,299
♪ Please don't take him
just because you can ♪
970
00:36:08,799 --> 00:36:10,535
[Linda] I look at Dolly
all the time and I'm like...
971
00:36:10,668 --> 00:36:11,903
[mouthing words]
972
00:36:12,036 --> 00:36:14,372
That's like, I'm working
with Dolly Parton
973
00:36:14,505 --> 00:36:16,240
but I don't show her
that part of me
974
00:36:16,374 --> 00:36:17,608
because I just
want her to know
975
00:36:17,742 --> 00:36:20,845
that I'm cool, calm, collected
and you know I got this.
976
00:36:20,978 --> 00:36:23,514
♪ When he talks about you
in his sleep ♪
977
00:36:23,781 --> 00:36:27,685
♪ There's nothing I can
do to keep from crying ♪
978
00:36:27,818 --> 00:36:30,354
♪ When he calls
your name, Jolene ♪
979
00:36:30,488 --> 00:36:32,023
[Linda]
Something big is happening.
980
00:36:32,156 --> 00:36:34,225
It literally takes my
breath away.
981
00:36:34,358 --> 00:36:35,960
Like I could cry right now.
982
00:36:36,227 --> 00:36:38,329
[clears throat]
It's happening to me now.
983
00:36:38,563 --> 00:36:41,232
♪ Oh, but I can
easily understand ♪
984
00:36:41,532 --> 00:36:44,068
♪ How you could easily
take my man ♪
985
00:36:44,202 --> 00:36:49,473
♪ But you don't know what
he means to me, Jolene ♪
986
00:36:52,443 --> 00:36:58,649
♪ Jolene, Jolene,
Jolene, Jolene ♪
987
00:36:58,783 --> 00:37:03,354
♪ Oh I'm begging of you,
please don't take my man ♪
988
00:37:07,625 --> 00:37:14,398
♪ Jolene, Jolene,
Jolene, Jolene ♪
989
00:37:14,532 --> 00:37:19,070
♪ Please don't take him
just because you can ♪
990
00:37:19,637 --> 00:37:22,240
She's very careful
about making sure
991
00:37:22,373 --> 00:37:24,976
that it's not a departure
from who I am
992
00:37:25,109 --> 00:37:28,346
to just take it a step up,
you know, modernize it
993
00:37:28,479 --> 00:37:30,314
but it still feels like me.
994
00:37:31,749 --> 00:37:38,089
♪ Jolene, Jolene,
Jolene, Jolene ♪
995
00:37:38,222 --> 00:37:43,961
♪ Oh I'm begging of you,
please don't take my man ♪
996
00:37:46,931 --> 00:37:53,938
♪ Jolene, Jolene,
Jolene, Jolene ♪
997
00:37:54,138 --> 00:37:58,609
♪ Please don't take him
just because you can ♪
998
00:38:02,146 --> 00:38:03,881
♪ Jolene ♪
999
00:38:05,016 --> 00:38:08,919
♪ Jolene ♪
1000
00:38:13,791 --> 00:38:14,825
Put a button on it.
1001
00:38:14,959 --> 00:38:17,128
We really do have
a wonderful connection.
1002
00:38:17,261 --> 00:38:19,030
I know my music,
she knows her music,
1003
00:38:19,163 --> 00:38:21,699
but the fact that we,
luckily, teamed up
1004
00:38:21,832 --> 00:38:23,334
and just seems to be working.
1005
00:38:23,467 --> 00:38:25,102
To meet somebody,
especially another girl,
1006
00:38:25,236 --> 00:38:26,537
I've worked with
a lot of men too
1007
00:38:26,671 --> 00:38:29,273
but I've never worked with
women in this capacity.
1008
00:38:29,407 --> 00:38:30,775
I think it was just
meant to be.
1009
00:38:30,908 --> 00:38:32,977
[Linda] Yep, and then all
the artists that joined in,
1010
00:38:33,110 --> 00:38:34,545
it's pretty great too
1011
00:38:34,679 --> 00:38:37,281
because they have their own
incredible, unique voices.
1012
00:38:37,415 --> 00:38:39,183
So it's like you're
getting little pieces
1013
00:38:39,317 --> 00:38:42,787
of love everywhere, because
everybody who joined in,
1014
00:38:42,920 --> 00:38:45,956
really, from the heart,
wanted to be a part of this.
1015
00:38:46,357 --> 00:38:49,193
[Dolly] Well, it's a great
honor for people to love me,
1016
00:38:49,327 --> 00:38:50,261
as a person,
1017
00:38:50,394 --> 00:38:52,563
to appreciate me as a singer
1018
00:38:52,697 --> 00:38:54,231
and to appreciate me
as a writer.
1019
00:38:54,365 --> 00:38:55,499
'Cause I've tried to
figure it out.
1020
00:38:55,633 --> 00:38:57,501
Just think how I got so lucky.
1021
00:38:57,635 --> 00:38:59,403
It makes me feel meaningful.
1022
00:38:59,537 --> 00:39:01,906
It makes me feel like
my life's not been in vain.
1023
00:39:02,206 --> 00:39:03,474
I have to believe it
1024
00:39:03,607 --> 00:39:05,543
and I think
that people can feel that.
1025
00:39:10,648 --> 00:39:12,183
I knew that was my phone
when I heard it,
1026
00:39:12,316 --> 00:39:13,384
but I wasn't gonna admit it.
1027
00:39:13,517 --> 00:39:14,885
[crew members laughing]
1028
00:39:15,019 --> 00:39:17,488
Unless I got busted,
like I just did.
1029
00:39:18,255 --> 00:39:20,157
And I was like
what the [beep]? You know.
1030
00:39:20,291 --> 00:39:21,692
-Then I said, okay.
-Beep.
1031
00:39:21,826 --> 00:39:22,793
I said, I'll--
1032
00:39:22,927 --> 00:39:24,528
-Dollywood.
-[laughs]
1033
00:39:24,662 --> 00:39:25,596
You'll have to come some time.
1034
00:39:25,730 --> 00:39:26,664
I'll get you in free.
1035
00:39:26,797 --> 00:39:28,232
Like two [beep] in the night.
1036
00:39:28,366 --> 00:39:30,201
This is like amazing,
so I've blacked out.
1037
00:39:30,334 --> 00:39:31,635
I don't know what
we've done already.
1038
00:39:31,802 --> 00:39:32,937
Hey, you produce, we'll sing.
1039
00:39:33,070 --> 00:39:34,405
[Linda laughing]
1040
00:39:34,538 --> 00:39:36,307
-Okie dokie.
-And that's the end of
our interview.
1041
00:39:36,440 --> 00:39:38,576
-And that--that--
-Whether you like it or not,
we're done.
1042
00:39:38,709 --> 00:39:39,744
[Mavis laughing]
1043
00:39:39,877 --> 00:39:40,911
Cut.
1044
00:39:42,046 --> 00:39:43,748
[gentle music]
1045
00:39:44,115 --> 00:39:50,921
♪ Jolene, Jolene,
Jolene, Jolene ♪
1046
00:39:51,055 --> 00:39:55,726
♪ Please don't take him
just because you can ♪
1047
00:39:59,196 --> 00:40:00,998
♪ Jolene ♪
1048
00:40:02,066 --> 00:40:06,070
♪ Jolene ♪
1049
00:40:10,908 --> 00:40:11,942
Put a button on it.
75864
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