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We start our course with the first stage, which is developing raw files,
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the files captured by the camera that contain
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all the information captured while taking the photo.
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This includes information about shadows,
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highlights, colors, details and more.
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For this purpose, we use one of several available software
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specifically designed for developing raw files.
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My choice is definitely capture one.
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It also seems to be kind of
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industry standard at the moment,
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mainly because the photos are already well saturated
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with beautifully rendered colors and a nice contrast.
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Whereas in programs like
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Lightroom or Camera Raw from Photoshop, the photos are slightly faded
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and more subdued from the beginning.
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Hence this choice.
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But the developing tools in all these programs will be very similar.
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So all the information I provide here
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can be applied to other programs you have on your computer.
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The goal of this stage is essentially to extract all the necessary details
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and specifics that will be needed for working on this photo in Photoshop.
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We will address overly dark shadows
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such as in the area of the hair,
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where some details
have been lost in the shadow.
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Sometimes the photo is overexposed
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with overly strong highlights, so we can also recover those highlights.
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At this initial stage,
I don't really perform
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complicated edits or selective changes here.
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Instead,
I set the global settings of the photo
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to establish a good foundation for further work in Photoshop.
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I aim to direct the photo towards
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neutral states in terms of colors and temperature
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to have all the necessary details for further editing.
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I will
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also show you the main panels I use for developing photos.
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At this stage there won't be many.
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It will be just the exposure panel
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where we adjust brightness, contrast, saturation.
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These are all global settings.
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We work with the temperature of the photo,
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which is the white balance, determining
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whether the photo leans towards cool or warm tones.
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In the HDR panel, which deals with high dynamic range.
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We work on recovering highlights if needed, brightening
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shadows
and extracting information from them.
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Sometimes there may be a need to work on colors at this stage,
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but I think we won't be doing that for this particular photo.
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There are some redness on the skin, as you can see,
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but we can easily address that in Photoshop where it's more convenient
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to select specific elements of the photo and edit them.
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It is
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possible at this stage, but I believe it's not necessary.
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We are primarily establishing a base and selective edits will be done in Photoshop.
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