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1
00:00:41,582 --> 00:00:44,585
The very next moment of this film...
2
00:00:44,669 --> 00:00:49,507
will change your mind forever...
3
00:00:49,549 --> 00:00:52,426
about art and pornography,
my friends.
4
00:00:59,350 --> 00:01:02,436
You've heard all the rumors.
5
00:01:02,520 --> 00:01:05,731
Now, before you see the truth,
6
00:01:05,773 --> 00:01:08,401
the 11 th Annual Continental...
7
00:01:08,442 --> 00:01:12,071
Erotic Film Critics Festival...
8
00:01:12,154 --> 00:01:16,242
introduces the creator
of Death and the Lady,
9
00:01:16,325 --> 00:01:21,539
first-prize winner Milton Glantz!
10
00:01:47,064 --> 00:01:51,902
Glantz, Glantz, Glantz, Glantz!
11
00:01:56,616 --> 00:02:00,036
How do other erotic filmmakers
feel about your entry into their field?
12
00:02:00,077 --> 00:02:02,330
I think it gives them
something to aim at.
13
00:02:02,413 --> 00:02:04,790
Glantz!
14
00:02:04,874 --> 00:02:08,502
Glantz! You murderer!
You're gonna pay!
15
00:02:08,586 --> 00:02:11,297
Out of the way. Police officers.
It's not just a movie!
16
00:02:11,339 --> 00:02:13,966
It's real! Murderer!
17
00:02:14,050 --> 00:02:18,095
Come on. Let's calm down.
It's not just a movie!
18
00:02:18,179 --> 00:02:21,807
Come on. You killed her,
Glantz! You're gonna pay!
19
00:02:21,891 --> 00:02:26,103
You murderer! Murderer!
20
00:03:28,833 --> 00:03:32,420
Look, he killed her. Milton Glantz
killed that girl in a film. I was there.
21
00:03:32,503 --> 00:03:37,550
We don't hear anybody else ea yin' anything except that
it was a skin flick with a fake murder. A real murder.
22
00:03:37,633 --> 00:03:42,972
At first, sure, yeah.
We faked it all day, over and over.
23
00:03:43,013 --> 00:03:46,851
This guy Glantz was directing,
and he was never satisfied.
24
00:03:46,892 --> 00:03:51,188
Hard-core...
Erotic films don't usually go like that.
25
00:03:51,272 --> 00:03:53,274
They're quick and cheap.
26
00:03:54,692 --> 00:03:57,153
Yeah, you'd know somethin'
about that, I guess.
27
00:03:58,195 --> 00:04:03,784
Says here you've made 36
peep-show reels, seven porn features,
28
00:04:03,868 --> 00:04:06,996
and he's got 14
obscenity-related arrests.
29
00:04:07,037 --> 00:04:11,375
Did six months in Dade County
Correctional Institute...
30
00:04:11,459 --> 00:04:13,461
for the last one.
31
00:04:13,544 --> 00:04:16,297
Then you were released on parole.
32
00:04:17,298 --> 00:04:19,633
July 26 you reported a murder.
33
00:04:19,717 --> 00:04:24,388
Uniforms found signs of moviemaking...
makeup blood... no murder.
34
00:04:24,430 --> 00:04:28,267
You said snuff porn. But even if it was just
regular porn, you're riskin' your parole.
35
00:04:28,350 --> 00:04:31,479
I know. You're lucky that they
didn't lock you up again back in July!
36
00:04:31,562 --> 00:04:33,731
I know!
I thought maybe that...
37
00:04:33,814 --> 00:04:35,858
What?
That we'd help you?
38
00:04:35,941 --> 00:04:39,278
You got nothin'.
You got nothin' here.
39
00:04:39,361 --> 00:04:42,573
You made a public threat. Look,
what do you got against this director?
40
00:04:42,656 --> 00:04:47,620
Nothin'! I didn't even know his name until I saw his
picture in the Herald about this erotic film festival.
41
00:04:47,703 --> 00:04:52,416
That's how [ finally tracked him down. Then you
rehearsed the murder... the fake murder... all day long?
42
00:04:52,458 --> 00:04:54,460
Yeah.
All day long?
43
00:04:54,543 --> 00:04:59,632
Yes! It was me and a lighting guy
in this wolf's head.
44
00:04:59,715 --> 00:05:02,426
Look, Glantz had called a wrap
about 5:00, and everybody took off.
45
00:05:02,510 --> 00:05:06,180
I'm headin' toward the door when here comes
Blondie and another guy in a wolf's head,
46
00:05:06,263 --> 00:05:08,474
and he says
that we're gonna do it again.
47
00:05:08,557 --> 00:05:10,601
You said another guy
in a wolf's head.
48
00:05:10,684 --> 00:05:12,686
Who was it?
49
00:05:12,770 --> 00:05:14,730
I didn't see it off him.
50
00:05:15,773 --> 00:05:18,943
Blondie gets back in bed, and we
run through the snuff just like before.
51
00:05:19,026 --> 00:05:21,987
Except for this time,
the guy in the wolf's head really kills her.
52
00:05:22,071 --> 00:05:25,950
Sorry, pal. Nobody snuffs anybody
with an entire film crew as witnesses.
53
00:05:25,991 --> 00:05:29,161
I told you. He'd wrapped the crew.
It was just the three of us!
54
00:05:29,245 --> 00:05:32,164
- And you couldn't stop it, huh?
- He had a knife.
55
00:05:32,248 --> 00:05:35,501
Maybe Glantz didn't do it,
but it was his film!
56
00:05:35,584 --> 00:05:41,257
It was a setup. This guy Glantz put Knox
up to it so he could sell more tickets.
57
00:05:41,298 --> 00:05:43,926
He doesn't even know who was in the wolf's head.
Wolf's head?
58
00:05:43,968 --> 00:05:46,846
Ooh, did you see the flick?
What was the rating?
59
00:05:46,929 --> 00:05:51,100
On a Deep Throat scale of
violence to women? About an 11.
60
00:05:51,141 --> 00:05:56,313
Other parts of it are a mild turn-on.
Glantz has a nice touch.
61
00:05:56,397 --> 00:05:58,566
Gina.
I saw the film this morning.
62
00:05:58,649 --> 00:06:03,362
Forget about this bogus guy. We've got better things
to do than chase around after guys in raincoats.
63
00:06:03,445 --> 00:06:06,073
If they wanna look at that stuff,
so what?
64
00:06:06,156 --> 00:06:11,745
And what's this? Uhh, that's evidence from
the crack house bust we made last night...
65
00:06:11,829 --> 00:06:13,998
while you and Cinderella
were at the sleaze ball.
66
00:06:14,081 --> 00:06:16,125
Could you log it in, please?
67
00:06:16,166 --> 00:06:20,129
Listen, Glantz has a fat bio in
this Dictionary of American Artists.
68
00:06:20,170 --> 00:06:22,631
He was born in Chicopee,
Massachusetts.
69
00:06:22,715 --> 00:06:24,842
He attended the Rhode Island
School of Design...
70
00:06:24,884 --> 00:06:28,345
and shows at the best galleries
like Sonnabend and Burgess.
71
00:06:28,387 --> 00:06:31,140
So what's a classy guy like that
doin' makin' X-rated films?
72
00:06:31,181 --> 00:06:33,767
"His work bridges fine arts
and popular media,
73
00:06:33,851 --> 00:06:37,187
redeeming images of suffering
with technical precision."
74
00:06:37,229 --> 00:06:39,440
"Technical precision”!
75
00:06:39,523 --> 00:06:42,318
I'd call this stuff "dirty movies."
76
00:06:42,359 --> 00:06:44,361
But then,
what the hell do I know?
77
00:06:44,445 --> 00:06:47,072
Can someone help me out over here?
78
00:06:47,156 --> 00:06:49,658
- Yeah, could you help her out over here?
- Yeah, right.
79
00:06:49,742 --> 00:06:53,162
You know, in his speech last night,
Glantz said that what he's doing now...
80
00:06:53,245 --> 00:06:56,206
is called "erotic performance art."
81
00:06:56,248 --> 00:07:00,961
You know, some of it's not bad. I mean, he's won
enough awards. Yeah. What about that guy Knox?
82
00:07:01,045 --> 00:07:03,756
He's a chump. I still can't
understand what makes him tick.
83
00:07:03,839 --> 00:07:07,176
Physically or mentally? Well,
maybe he likes the rehearsals.
84
00:07:07,217 --> 00:07:09,929
Tulane Knox.
He's in and out of prison.
85
00:07:10,012 --> 00:07:13,515
Day laborer with odd jobs.
He's a regular in the porno loops.
86
00:07:13,599 --> 00:07:18,562
And he also poses for those
stills in the stroke books.
87
00:07:18,646 --> 00:07:21,482
And live sex shows
in San Francisco.
88
00:07:21,565 --> 00:07:24,985
You mean, dead sex shows in
Miami, according to him. Hmm.
89
00:07:25,069 --> 00:07:27,196
Whoa!
What?
90
00:07:27,237 --> 00:07:29,531
- What's in here?
- What?
91
00:07:29,615 --> 00:07:33,535
You found some rat's nest, huh?
Maybe one of 'em stowed away.
92
00:07:33,619 --> 00:07:38,040
Oh, yeah? Well, swell. Here.
Come on. It's your evidence. You look.
93
00:07:38,082 --> 00:07:43,712
For goodness sake. A nice
police officer like you. Hmm!
94
00:07:43,796 --> 00:07:46,924
Aww!
I wonder how that got there.
95
00:07:46,966 --> 00:07:50,219
Hmm? Well.
96
00:07:50,260 --> 00:07:52,846
Ohh! Probably followed
one of those rats, huh?
97
00:07:54,223 --> 00:07:56,225
Didn't you lose a kitty?
98
00:07:56,266 --> 00:08:00,521
- Go on. Get 'im outta here.
- Go feed the little monster.
99
00:08:00,604 --> 00:08:05,442
Now maybe we won't have to listen
to her complain about the lost cat.
100
00:08:05,526 --> 00:08:07,778
What about Death and the Lady?
101
00:08:07,820 --> 00:08:09,947
I say we forget it.
I don't think so.
102
00:08:10,030 --> 00:08:12,825
You know, I don't think
it was a publicity stunt.
103
00:08:12,908 --> 00:08:18,080
If Knox is on parole, why would he squawk
on Glantz a second time without proof?
104
00:08:18,122 --> 00:08:21,125
He'd just wind up bein' sent
right back up to the slammer.
105
00:08:22,543 --> 00:08:25,921
Are we entertaining the idea here
that we got a murder investigation?
106
00:08:27,006 --> 00:08:29,258
We got a two-bit porno actor...
107
00:08:29,299 --> 00:08:33,512
who says a world-famous director
killed a girl then made a film about it.
108
00:08:33,595 --> 00:08:36,849
Now he's chargin' 8.50 for a seat.
Is that right?
109
00:08:36,932 --> 00:08:39,685
That's the ticket.
110
00:08:39,768 --> 00:08:44,148
We got a murder allegation,
and we got it in the press.
111
00:08:45,149 --> 00:08:47,901
I'm putting Knox on the street
and notifying Corrections.
112
00:08:47,985 --> 00:08:51,155
Maybe they wanna pull him in
on his parole.
113
00:08:51,196 --> 00:08:55,159
But don't close the file. I wanna keep it open
until we've got the whole story.
114
00:08:55,200 --> 00:08:57,870
You know somethin' we don't?
115
00:08:59,163 --> 00:09:03,459
No, except that it says
in the news here that, uh,
116
00:09:03,500 --> 00:09:07,880
the mayor has six paintings
by Milton Glantz,
117
00:09:07,963 --> 00:09:11,383
including, uh,
the giant contact lens.
118
00:09:14,011 --> 00:09:16,972
If he calls, I wanna have the
whole goods. What's that doing here?
119
00:09:17,056 --> 00:09:19,558
Evidence.
120
00:09:51,090 --> 00:09:53,884
Hey, you're gonna like it!
121
00:10:02,226 --> 00:10:04,978
Put big wrapping. Wrap.
122
00:10:05,062 --> 00:10:07,231
Wrap. Okay. Look at me.
123
00:10:07,314 --> 00:10:09,358
Look at me. Good. Wrap.
124
00:10:09,441 --> 00:10:12,736
See, part of my art
lies in engaging the illicit.
125
00:10:12,778 --> 00:10:16,782
Probing the truth of all human
experience, even the dark, violent side.
126
00:10:16,865 --> 00:10:20,285
Keep wrapping, John. Chan, wrap his chest.
Well, rumor has it that, uh,
127
00:10:20,369 --> 00:10:25,791
you might've gotten a little overzealous
in your probing of the dark, violent side.
128
00:10:25,874 --> 00:10:27,793
Well...
129
00:10:27,876 --> 00:10:32,297
Well, I try to be realistic,
not real.
130
00:10:32,381 --> 00:10:37,261
Look. Yeah, meanwhile, nobody's seen
the star of your movie around anywhere.
131
00:10:37,344 --> 00:10:40,556
Well, she's, uh, no doubt
around the festival promoting herself.
132
00:10:40,597 --> 00:10:43,433
- You know.
- Who isn't?
133
00:10:43,517 --> 00:10:47,396
Leave these plastic rolls right in here.
Leave the rolls right in here.
134
00:10:47,437 --> 00:10:51,316
I noticed that you didn't even
give her a... a credit in your movie.
135
00:10:51,400 --> 00:10:54,111
Stand back.
Walk away, walk away.
136
00:10:54,153 --> 00:10:56,905
What's her name, anyway?
137
00:11:00,450 --> 00:11:02,578
We called her Blondie.
138
00:11:03,662 --> 00:11:07,207
But... I think her name was...
139
00:11:07,291 --> 00:11:09,251
Lori.
140
00:11:13,672 --> 00:11:15,674
Um, Swann.
141
00:11:17,301 --> 00:11:19,511
Swann, I think.
142
00:11:21,305 --> 00:11:24,057
Um, come back.
Step in, step in.
143
00:11:24,141 --> 00:11:27,227
Two faces, right here. I want a
shot of this. Two faces right next...
144
00:11:27,311 --> 00:11:29,980
That's it.
And then continue wrapping.
145
00:11:31,148 --> 00:11:33,108
Lori Swann, huh?
146
00:11:33,192 --> 00:11:35,194
Yeah.
147
00:11:47,789 --> 00:11:51,251
You know, when you started asking questions,
I assumed you were with the press.
148
00:11:51,335 --> 00:11:54,630
But now, [, uh...
I don't recall your credentials.
149
00:11:54,671 --> 00:11:57,341
Well, now,
there's a good reason for that.
150
00:11:57,382 --> 00:11:59,384
I didn't show 'em to ya.
151
00:12:02,721 --> 00:12:05,182
Oh, how elegant.
152
00:12:05,224 --> 00:12:07,226
Miami Vice.
153
00:12:07,309 --> 00:12:10,229
Uh, Detective Crockett, is it?
Yep.
154
00:12:10,312 --> 00:12:15,734
Are you fascinated with art, or did you take an art
course in college, or, uh, did you go to college?
155
00:12:15,817 --> 00:12:17,819
I mean, why are you here?
156
00:12:17,903 --> 00:12:20,489
Hmm?
Well, I'll tell ya.
157
00:12:20,530 --> 00:12:24,993
Now, personally, I don't give a damn
if you wanna make dirty movies all day...
158
00:12:25,077 --> 00:12:27,788
and you show 'em
to a bunch of mouth breathers.
159
00:12:27,871 --> 00:12:30,040
That's entirely up to you.
160
00:12:30,082 --> 00:12:33,418
But I am gonna find that girl.
161
00:12:33,502 --> 00:12:35,963
Do you know where she lives?
162
00:12:36,046 --> 00:12:39,883
Hmm. Yes, where do
women like that live?
163
00:12:39,925 --> 00:12:41,927
Where did you find her?
164
00:12:42,010 --> 00:12:47,557
A high-class modeling agency that recruits in,
uh, low-class establishments.
165
00:12:47,641 --> 00:12:50,394
Uh, peep shows,
I believe they're called.
166
00:12:52,938 --> 00:12:55,274
Almost finished. Hmm?
167
00:12:56,775 --> 00:12:59,027
Almost finished, huh?
Yeah.
168
00:13:00,570 --> 00:13:03,031
Yes, almost. Yes.
169
00:13:04,533 --> 00:13:06,535
You see, movies...
170
00:13:06,576 --> 00:13:08,578
Are just an illusion.
171
00:13:08,662 --> 00:13:12,916
If people wanna believe they're real, they'll
have a more satisfying artistic encounter.
172
00:13:13,959 --> 00:13:17,004
And if they spend more money...
173
00:13:18,964 --> 00:13:20,924
Yeah.
174
00:13:21,008 --> 00:13:24,261
I mean, if they wanna believe they're real,
what difference does it make?
175
00:13:24,303 --> 00:13:26,346
Oh, it makes a lot of difference...
176
00:13:27,347 --> 00:13:29,558
to the girl.
177
00:13:34,062 --> 00:13:37,649
Do you have a light?
No, gave it up.
178
00:13:37,733 --> 00:13:40,027
Oh, here we go. Here's one.
179
00:13:57,002 --> 00:13:59,880
I want some Polaroids of this.
180
00:14:07,512 --> 00:14:11,725
It was a one-day shoot.
Easy lighting. Paid in cash.
181
00:14:11,808 --> 00:14:14,144
I wish all my gigs were that easy.
182
00:14:15,687 --> 00:14:19,483
So what about the murder scene?
Look, that's what the bonus was for.
183
00:14:19,524 --> 00:14:22,235
Glantz said,
"Anyone asks, say the snuff was real."
184
00:14:22,319 --> 00:14:24,988
He wanted some ink on goin' for realism.
It's bull.
185
00:14:25,030 --> 00:14:30,327
It's something. So, you just, uh,
left the lights on and went for a drink?
186
00:14:30,369 --> 00:14:36,083
Yeah. We got it all, then left the gear there and went
for a pop... me, Glantz, Sam, the cameraman and the girl.
187
00:14:36,166 --> 00:14:38,502
The guy was too loaded.
188
00:14:39,586 --> 00:14:42,631
Death and the Lady.
I was on that shoot.
189
00:14:42,672 --> 00:14:46,510
Did anything unusual happen?
Yeah. We got paid.
190
00:14:46,551 --> 00:14:49,596
Now, did anyone get killed?
Course not.
191
00:14:49,679 --> 00:14:53,517
I shot every foot of it,
14 rolls in all.
192
00:14:53,600 --> 00:14:57,521
Every frame a work of art.
You're pretty proud of it, huh?
193
00:14:57,562 --> 00:14:59,606
Ah, it's a living.
Uh-huh.
194
00:14:59,689 --> 00:15:01,900
Maybe I'll get an award for it.
195
00:15:01,983 --> 00:15:05,821
Now look, just for the record,
um, did you shoot the whole film?
196
00:15:05,862 --> 00:15:09,032
That's not the whole film,
just the snuff part.
197
00:15:09,074 --> 00:15:13,161
Glantz shot some in Nassau. Shot some pickups
in New York. The knife going in, for instance?
198
00:15:13,245 --> 00:15:18,417
Yeah. Well, I knew that wasn't my bit the
moment I saw it. I told him, it's not my style.
199
00:15:18,500 --> 00:15:21,586
He laughed.
He said I caught him.
200
00:15:21,670 --> 00:15:26,216
He respects me, but he
wouldn't tell me where he got it.
201
00:15:26,299 --> 00:15:28,260
Yeah, thanks. Not him.
See you later.
202
00:15:28,343 --> 00:15:30,345
All right. Thanks a lot.
Yeah.
203
00:15:42,107 --> 00:15:44,693
And how fast are you?
204
00:15:44,734 --> 00:15:47,904
Fast as you want me to be.
205
00:15:53,118 --> 00:15:57,247
Remind me again what we're doin'. Investigating
a murder that took place in a movie.
206
00:15:57,330 --> 00:15:59,541
Mm-hmm.
I was afraid of that.
207
00:15:59,583 --> 00:16:03,253
You know, sometimes they say that, uh,
modeling agencies recruit women in here.
208
00:16:03,295 --> 00:16:07,215
Well, beauty is where you find it, pal.
Yeah, I heard that.
209
00:16:14,931 --> 00:16:18,602
Excuse me, I'm looking for
a young lady, name of Lori.
210
00:16:21,521 --> 00:16:25,066
Mmm. Ask her.
211
00:16:26,985 --> 00:16:28,987
Thanks.
212
00:16:31,531 --> 00:16:34,701
About so tall. Her name's Lori.
213
00:16:41,208 --> 00:16:43,210
Hey, you wanna party?
214
00:16:44,711 --> 00:16:49,591
I wanna talk. Baby, you
know I only talk in here.
215
00:17:07,651 --> 00:17:11,238
I'm looking for a girl named Lori.
How about a little tip, baby?
216
00:17:20,622 --> 00:17:23,625
Oh, baby. Only two dollars?
217
00:17:24,960 --> 00:17:27,963
She's a blonde. Her name is Lori.
218
00:17:39,474 --> 00:17:42,018
She's about, uh, 22, 23,
219
00:17:43,645 --> 00:17:45,647
5l 8", 5| 9"'
220
00:17:47,065 --> 00:17:49,067
long blonde hair.
221
00:17:51,027 --> 00:17:52,988
Maybe.
222
00:17:54,948 --> 00:17:57,284
You know where I can find her?
223
00:18:07,377 --> 00:18:09,337
Hi.
224
00:18:25,937 --> 00:18:29,190
We already talked to Glantz and the
electrician, and nobody says it happened.
225
00:18:29,274 --> 00:18:33,445
I was there. I talked to Lori... Blondie... you
know, the girl you said that was dead.
226
00:18:33,528 --> 00:18:37,240
You're wasting our time with this stunt.
We don't like nobody to waste our time!
227
00:18:37,324 --> 00:18:40,785
I saw her!
He ripped her open!
228
00:18:40,869 --> 00:18:45,081
I dream about it,
and I dream about it!
229
00:18:45,123 --> 00:18:47,792
What's the use, huh?
230
00:18:47,876 --> 00:18:49,878
He's a big hoodoo, right?
231
00:18:49,919 --> 00:18:54,674
Well, you cops... You always let
those guys get away with murder!
232
00:19:03,808 --> 00:19:06,269
Nobody says there was a murder.
Except Knox.
233
00:19:06,353 --> 00:19:10,523
It's his word against the word of a
famous artist who kids study at college.
234
00:19:10,607 --> 00:19:13,360
And against everybody else
who worked on the film.
235
00:19:13,443 --> 00:19:16,571
Including the woman
who claimed she was killed.
236
00:19:16,655 --> 00:19:19,115
Well, the D.A. wants an update.
So where are we?
237
00:19:19,199 --> 00:19:21,576
We have nothing.
Find the original negative?
238
00:19:21,660 --> 00:19:24,371
It's at Regal Lab.
We checked it. It's the negative.
239
00:19:24,454 --> 00:19:27,666
- No help.
- So I can tell the D.A. it's all showbiz, right?
240
00:19:27,749 --> 00:19:31,336
Maybe. This guy Glantz sure has a way
of finally getting your attention.
241
00:19:31,378 --> 00:19:34,130
Hold it, hold it. Where's the crime?
242
00:19:34,214 --> 00:19:36,508
You said you talked to the woman,
and she's alive.
243
00:19:36,549 --> 00:19:40,970
Look at her eyes. They're dead.
244
00:19:46,309 --> 00:19:49,604
There are the files
on everyone in the industry...
245
00:19:49,688 --> 00:19:52,357
porno films, magazines...
246
00:19:52,399 --> 00:19:55,026
everyone and everything.
247
00:19:55,110 --> 00:19:57,112
Hey, you see that?
248
00:19:57,153 --> 00:20:00,657
Pornographic graffiti
from the ruins of Pompeii.
249
00:20:00,699 --> 00:20:03,201
And this...
this is Hinda Wassau.
250
00:20:03,284 --> 00:20:06,454
The first stripper to ever caress
her own body in her act, huh?
251
00:20:06,538 --> 00:20:09,416
John Henry Kurtz's pornographic
photographs. Do you know what?
252
00:20:09,499 --> 00:20:14,003
He sold these in the Civil War
to the Union armies.
253
00:20:14,045 --> 00:20:17,173
Listen, I've got a file on a tape
that you would really enjoy.
254
00:20:17,257 --> 00:20:20,385
Lori Swann, two N's.
255
00:20:20,468 --> 00:20:24,431
She's been in the business a while.
Peep show grind artist, part-time.
256
00:20:24,514 --> 00:20:27,183
Yeah, I'll look.
257
00:20:27,267 --> 00:20:29,519
Lori Swann.
258
00:20:31,438 --> 00:20:33,773
Ah. Born Lauren Swann Hunter.
259
00:20:33,857 --> 00:20:36,151
Huh. Quite a career.
260
00:20:36,192 --> 00:20:41,114
It's too bad these people don't make royalties
on their tape rentals, huh?
261
00:20:41,197 --> 00:20:46,327
- Is that Death and the Lady? - Mm-hmm, yeah
Too fussy for my book though. Self-conscious.
262
00:20:47,620 --> 00:20:50,749
Second one she's made,
though, for the artist.
263
00:20:50,790 --> 00:20:53,376
Talkin' about Glantz?
Mmm.
264
00:20:53,460 --> 00:20:55,420
What's the other one?
265
00:20:55,503 --> 00:21:00,216
Twins, last year. Hey, you know,
I've got stills from that here somewhere.
266
00:21:02,427 --> 00:21:04,888
Yeah. Yeah.
267
00:21:15,231 --> 00:21:17,233
Twins is right.
268
00:21:22,614 --> 00:21:24,574
Hit the bricks, sport.
269
00:21:24,657 --> 00:21:26,659
Go on! Beat it.
270
00:21:28,119 --> 00:21:30,455
Seen any good movies lately?
271
00:21:30,497 --> 00:21:32,624
I just saw a classic.
272
00:21:32,707 --> 00:21:35,210
It was called Twins.
Yeah?
273
00:21:35,251 --> 00:21:37,462
Turn you on big time?
274
00:21:39,714 --> 00:21:43,301
Who was the other woman? Hey,
no big deal. We just called her Blaize.
275
00:21:43,384 --> 00:21:46,846
You know where I can find her?
We... We model at art school.
276
00:21:46,930 --> 00:21:51,059
I sometimes pick up some extra.
It's... It's a straight place.
277
00:21:51,142 --> 00:21:53,478
Nude poses, but single only.
No... No doubles.
278
00:21:53,520 --> 00:21:56,397
I'll give you the address.
Thank you.
279
00:22:12,247 --> 00:22:17,126
Excuse me. Can you tell me
where Mr. Lifton is?
280
00:22:17,168 --> 00:22:20,296
Mr. Lifton?
Sir, we'd like to talk to you, please.
281
00:22:21,965 --> 00:22:25,969
Hi. We're tr yin' to locate a model
by the name of Blaize.
282
00:22:26,010 --> 00:22:28,012
Blaize?
Pretty, blonde, medium height.
283
00:22:28,096 --> 00:22:32,100
Ah, well, we get so many street kids
modelin'. Oh, how about these two?
284
00:22:32,183 --> 00:22:36,729
Sure.
That's, uh, Lori Swann on the right.
285
00:22:37,814 --> 00:22:40,149
The other girl is...
286
00:22:41,150 --> 00:22:43,319
Amy Ryder.
287
00:22:43,403 --> 00:22:45,405
Mm-hmm.
That's her name.
288
00:22:45,488 --> 00:22:47,866
I can never remember.
289
00:22:47,907 --> 00:22:51,536
Of course, I haven't seen Amy
in some time... they come, they go.
290
00:22:51,578 --> 00:22:55,123
Amy, um, models here
in exchange for lessons.
291
00:22:55,206 --> 00:23:00,169
Yeah. No talent, but a real serious
worker... when she shows up.
292
00:23:01,588 --> 00:23:04,799
Some of the students
keep things here...
293
00:23:04,883 --> 00:23:08,720
you know, works in progress,
stuff like that.
294
00:23:08,803 --> 00:23:11,097
This is hers.
295
00:23:11,180 --> 00:23:13,892
Amy's sketchbook.
296
00:23:13,975 --> 00:23:16,811
She was proud of some of this.
297
00:23:17,812 --> 00:23:20,273
Must've figured she was comin' back.
298
00:23:21,774 --> 00:23:24,152
I guess I oughta send it on to her.
299
00:23:32,577 --> 00:23:36,706
You're not Amy Ryder. Do I have the right
apartment? Uh, no. I'm Jill, her sister.
300
00:23:36,789 --> 00:23:38,750
Oh.
How can I help you?
301
00:23:38,833 --> 00:23:44,255
I'm Sonny Burnett. I take some classes at the art
school that Amy goes to. I was cleaning out my locker.
302
00:23:44,297 --> 00:23:48,927
I found her sketch pad. I don't know how the hell it
got in there, but I thought maybe she might want it.
303
00:23:48,968 --> 00:23:54,057
She hasn't been around much since she, uh, went to
make that movie. I don't know anything about that.
304
00:23:54,098 --> 00:23:56,851
Do you know where she's been?
Oh, she just went out.
305
00:23:56,935 --> 00:24:01,105
Just now?
I mean, she hasn't been out of town?
306
00:24:01,147 --> 00:24:03,983
No, why would she be?
307
00:24:04,067 --> 00:24:06,736
Jillie ?
Oh, uh, I gotta go.
308
00:24:06,819 --> 00:24:09,405
Sorry.
309
00:24:38,559 --> 00:24:41,312
Ah, Mr. Crockett.
Mr. Tubbs.
310
00:24:41,354 --> 00:24:43,606
Have you located my star?
Lori Swann?
311
00:24:43,690 --> 00:24:47,110
Ah, that's her name.
That's not who we're looking for.
312
00:24:47,151 --> 00:24:49,320
We'd like to have a word with you.
313
00:24:50,863 --> 00:24:52,991
Excuse me.
314
00:24:56,160 --> 00:25:00,873
Who are you looking for? Her look-alike... the
woman who could've been killed in her place.
315
00:25:00,957 --> 00:25:04,168
Oh, this is wild. Who is
Lori Swann's look-alike, hmm?
316
00:25:04,252 --> 00:25:06,295
Come on, Mr. Glantz.
317
00:25:06,337 --> 00:25:09,966
You worked with her before.
The woman in the close-up.
318
00:25:10,008 --> 00:25:14,345
The woman who was killed. Mr. Crockett,
you're fixated on dead people.
319
00:25:14,387 --> 00:25:16,931
Are you a necrophiliac?
Come on.
320
00:25:19,726 --> 00:25:22,812
No. No, not yet,
but I'm workin' on it.
321
00:25:22,895 --> 00:25:25,606
You know, you're a man
motivated by curiosity.
322
00:25:25,690 --> 00:25:27,650
So am.
323
00:25:27,734 --> 00:25:29,736
It's fascinating.
324
00:25:29,819 --> 00:25:32,572
We're the same kind of person.
325
00:25:32,655 --> 00:25:34,657
No, we're not.
326
00:25:37,118 --> 00:25:39,370
I think this is dirty business,
327
00:25:40,371 --> 00:25:42,331
and you think it's art.
328
00:25:45,585 --> 00:25:48,796
Hmm.
Your cameraman, Sam Asch,
329
00:25:48,880 --> 00:25:52,008
said that he wasn't present
when you shot the murder inserts.
330
00:25:52,050 --> 00:25:55,762
No, he wasn't. You'd like to meet
the woman I used for the inserts?
331
00:25:55,845 --> 00:25:58,097
Amy Ryder?
Who?
332
00:25:58,181 --> 00:26:00,683
Amy Ryder.
Lori's double.
333
00:26:00,767 --> 00:26:02,935
Oh, of course, Amy Ryder.
334
00:26:03,019 --> 00:26:08,024
But I thought you meant the double |
used in Death and the Lady... Margot Frank.
335
00:26:13,738 --> 00:26:17,658
Margot is the unacknowledged star
of a number of my films.
336
00:26:19,869 --> 00:26:24,290
In New York we did the pickup scenes... you
know, the close-ups and the special effects.
337
00:26:24,373 --> 00:26:29,879
- When?
- Umm, six weeks after we finished filming here and in the Bahamas.
338
00:26:29,962 --> 00:26:32,507
I can get the exact dates
if you like.
339
00:26:35,468 --> 00:26:38,137
Margot also...
340
00:26:38,221 --> 00:26:40,223
did the dead eyes.
341
00:26:57,698 --> 00:27:00,952
So drop by when I have more time,
342
00:27:01,035 --> 00:27:04,956
and I'll give you a course on
how much more real art is than life.
343
00:27:06,082 --> 00:27:10,211
But now I have this dumb party to attend to,
so if you'll excuse me...
344
00:27:13,714 --> 00:27:15,716
Something wrong?
345
00:27:18,136 --> 00:27:20,263
Tell me.
346
00:27:20,304 --> 00:27:23,933
What was it like playing a woman
that gets raped and then murdered?
347
00:27:24,016 --> 00:27:26,394
It was fun.
348
00:27:26,477 --> 00:27:29,147
I've done...
349
00:27:29,188 --> 00:27:31,190
Lots of things.
350
00:27:43,369 --> 00:27:46,330
My film must've convinced you.
Hmm?
351
00:27:46,372 --> 00:27:51,043
And I didn't even have to go through
the trouble of really killing someone. Aah!
352
00:27:52,545 --> 00:27:55,131
Yeah, it bein' so messy and all.
353
00:28:14,483 --> 00:28:17,069
And now, this week's
"Spotlight On Show Business."
354
00:28:17,153 --> 00:28:21,282
Entertainment reporter Robert Selnik
comes to us with a very different look...
355
00:28:21,365 --> 00:28:24,619
into the often steamy world
of X-rated films.
356
00:28:24,660 --> 00:28:27,163
The press for years created a wall...
357
00:28:27,246 --> 00:28:30,708
separating those people within
the business of pornography...
358
00:28:30,791 --> 00:28:33,336
from the rest of the industry.
359
00:28:33,377 --> 00:28:36,964
At this point it's time to introduce you
to some of the controversy...
360
00:28:37,048 --> 00:28:41,010
surrounding the Continental Erotic Art Awards
that are going on in Miami right now.
361
00:28:41,093 --> 00:28:45,056
One of the people who has brought down
the house, so to speak, is Milton Glantz.
362
00:28:45,139 --> 00:28:47,141
Milton, welcome.
363
00:28:47,225 --> 00:28:49,185
Let me start by asking:
364
00:28:49,268 --> 00:28:53,564
Do you use erotic violence in your movies
to titillate your audience?
365
00:28:53,648 --> 00:28:57,902
I try to bring out the element
of violence and danger.
366
00:28:57,944 --> 00:28:59,946
And...
367
00:29:01,322 --> 00:29:06,911
that exists only when illusion
and reality have a very fine line.
368
00:29:06,994 --> 00:29:12,124
Well, the audience is, after all,
sitting in a theater. They know this isn't real.
369
00:29:12,208 --> 00:29:14,293
Well, I think the audience...
370
00:29:15,586 --> 00:29:17,588
has an appetite...
371
00:29:17,672 --> 00:29:20,091
for violence...
372
00:29:20,174 --> 00:29:22,176
that is primal...
373
00:29:23,386 --> 00:29:26,055
that releases in them...
374
00:29:27,056 --> 00:29:31,060
an awareness in
an unconscious level that, uh...
375
00:29:31,143 --> 00:29:33,104
that is very frightening.
376
00:29:33,187 --> 00:29:37,400
And I am just a facilitator of that.
377
00:29:37,441 --> 00:29:39,443
I am just...
378
00:29:53,749 --> 00:29:55,751
Sonny.
379
00:29:57,128 --> 00:29:59,088
You all right?
380
00:30:00,131 --> 00:30:02,091
Yeah.
381
00:30:04,510 --> 00:30:06,679
You want somethin' particular, Rico?
382
00:30:09,682 --> 00:30:11,684
Just dropped by.
383
00:30:16,564 --> 00:30:19,150
It's a beautiful night.
384
00:30:19,191 --> 00:30:21,569
Moon over Miami.
385
00:30:34,665 --> 00:30:37,918
I was thinking about somethin'
that happened when I was in high school.
386
00:30:39,587 --> 00:30:41,505
Yeah?
387
00:30:41,589 --> 00:30:43,507
What?
388
00:30:49,555 --> 00:30:51,557
There was this girl.
389
00:30:54,018 --> 00:30:56,979
She was no beauty,
but she was nice.
390
00:31:01,400 --> 00:31:05,821
She got drunk one night at a victory party
after one of our games, and...
391
00:31:08,532 --> 00:31:11,369
went off with a bunch
of the guys from the team.
392
00:31:13,287 --> 00:31:15,289
This happened,
393
00:31:15,373 --> 00:31:17,333
that happened.
394
00:31:19,835 --> 00:31:22,380
One of the guys took
a Polaroid picture of her.
395
00:31:25,091 --> 00:31:27,051
The next day he...
396
00:31:28,260 --> 00:31:30,388
put it up in the locker room.
397
00:31:30,471 --> 00:31:33,474
It was pretty raw stuff, you know?
398
00:31:39,438 --> 00:31:41,399
She never knew about it.
399
00:31:43,442 --> 00:31:45,569
Yeah?
But that's not the point.
400
00:31:46,821 --> 00:31:50,366
It didn't matter that she
didn't know about it.
401
00:31:50,449 --> 00:31:55,746
It wasn't any of my business. I didn't have anything
to do with it. But I ... I felt like I sh...
402
00:31:58,624 --> 00:32:01,168
I should've ripped that picture down.
403
00:32:10,302 --> 00:32:12,263
But I never did.
404
00:32:27,153 --> 00:32:31,866
This is the insert that Glantz says
he shot of his model Margot in New York...
405
00:32:31,907 --> 00:32:35,995
six weeks after
he'd filmed Lori here.
406
00:32:36,078 --> 00:32:39,039
I got Regal Lab to print this
up from the original negative.
407
00:32:39,123 --> 00:32:42,001
Look at the edge numbers. The
lab numbers? What about 'em?
408
00:32:42,084 --> 00:32:44,295
These are frames...
409
00:32:44,378 --> 00:32:46,839
of the film with Lori,
410
00:32:46,922 --> 00:32:49,425
before the murder insert.
411
00:32:49,508 --> 00:32:52,595
Now look at these edge numbers.
Hmm.
412
00:32:52,636 --> 00:32:57,933
They're in a slightly different sequence,
but they're close to the others.
413
00:33:01,812 --> 00:33:04,940
- This case really got to you, didn't it?
- Case?
414
00:33:06,192 --> 00:33:08,235
What damn case?
415
00:33:08,319 --> 00:33:11,363
We don't have a damn case.
Right.
416
00:33:11,447 --> 00:33:14,450
The D.A. said we didn't have a case.
417
00:33:14,533 --> 00:33:17,411
Because Lori Swann is alive, right?
Right.
418
00:33:18,662 --> 00:33:22,249
And because
her look-alike Amy Ryder...
419
00:33:22,333 --> 00:33:24,752
was at home with her sister
this afternoon, right?
420
00:33:24,835 --> 00:33:29,173
Yeah. And Glantz says he shot
the murder close-up in New York...
421
00:33:29,256 --> 00:33:31,342
with a Margot someone.
422
00:33:31,425 --> 00:33:33,969
But the numbers
on the murder close-up...
423
00:33:34,053 --> 00:33:37,139
and the numbers
of the scenes with Lori...
424
00:33:37,223 --> 00:33:39,183
are damn near the same.
425
00:33:39,266 --> 00:33:42,478
Similar numbers means Glantz lied.
426
00:33:42,561 --> 00:33:45,648
Three possible doubles
and they're all alive, huh?
427
00:33:45,689 --> 00:33:51,111
Now you and me and Castillo, we got
how many years of experience between us?
428
00:33:51,195 --> 00:33:54,156
Forty, 45.
Somethin' like that.
429
00:33:54,240 --> 00:33:57,660
- Hmm. And we're wrong?
- Right.
430
00:33:57,701 --> 00:34:00,371
- You believe that?
- Hell, no.
431
00:34:02,414 --> 00:34:04,375
Let's go.
432
00:34:04,458 --> 00:34:07,586
Jillie, who is it? Who's calling at this hour?
Go back to bed, Dad.
433
00:34:07,670 --> 00:34:10,839
Who... Who is it, Jillie?
It's me, sir. Sonny Burnett.
434
00:34:10,881 --> 00:34:14,051
I just stopped by to ask Jill
a couple of questions about her sister.
435
00:34:14,134 --> 00:34:17,346
Oh, she don't have a sister.
I only got one daughter.
436
00:34:17,429 --> 00:34:19,473
Just one.
Don't have another.
437
00:34:19,557 --> 00:34:22,017
Okay, Dad. Go to bed.
438
00:34:22,101 --> 00:34:26,438
Dad doesn't approve of Amy's modeling at the
art school. What else doesn't he approve of?
439
00:34:26,522 --> 00:34:31,986
She got mixed up with that guy Glantz, didn't
she? I've never heard of him. It's late.
440
00:34:32,027 --> 00:34:35,614
When I was here before,
you lied when you said that Amy just left.
441
00:34:35,698 --> 00:34:38,158
Why? Where is she?
442
00:34:38,242 --> 00:34:41,537
She moved out a couple of months
ago. To do that movie with Glantz,
443
00:34:41,620 --> 00:34:46,875
Death and the Lady, right? No. No movies. |
haven't seen her since she left. Please go.
444
00:34:49,920 --> 00:34:52,256
I don't want my Dad
to find out.
445
00:34:52,339 --> 00:34:54,341
She said she was,
but that's all I know.
446
00:34:54,425 --> 00:34:57,344
Did she tell you what
she was gonna do in that film?
447
00:34:57,428 --> 00:35:00,347
No, really, that's all I know.
That's all she told me.
448
00:35:02,266 --> 00:35:04,226
Jill...
449
00:35:07,646 --> 00:35:09,607
That's enough.
450
00:35:21,619 --> 00:35:26,749
In the time frame you're looking at, there
were six female Caucasians age 20 to 30...
451
00:35:26,790 --> 00:35:30,669
who turned up as
Jane Doe, deceased, in Florida.
452
00:35:30,753 --> 00:35:33,631
We've got two of 'em in
the Jackson Memorial Morgue.
453
00:35:33,714 --> 00:35:37,468
One of 'em was interesting.
Some kind of a voodoo...
454
00:35:37,551 --> 00:35:39,553
Anybody with knife wounds?
455
00:35:40,721 --> 00:35:43,807
Five. Knives are the weapons
of choice these days, you know.
456
00:35:43,891 --> 00:35:48,854
Yes, I know. Look, why don't you pull the
records? We'll see if we can come up with a match.
457
00:35:48,937 --> 00:35:51,982
Well, they'll have to come
from Tallahassee in the morning.
458
00:35:52,066 --> 00:35:55,110
It must be something special.
459
00:35:55,194 --> 00:35:57,196
What?
The case...
460
00:35:57,279 --> 00:36:01,241
to drag me out of bed.
It's a work of art.
461
00:36:01,325 --> 00:36:05,120
You lied to me about seeing your sister,
and you're lying to me about Glantz.
462
00:36:05,204 --> 00:36:09,500
You weren't telling me the truth.
And I think you're tr yin' to protect him.
463
00:36:09,583 --> 00:36:12,586
No, I've never even met him.
Well, you should.
464
00:36:13,587 --> 00:36:16,215
He killed your sister.
465
00:36:16,298 --> 00:36:18,467
And I think you know that too.
466
00:36:18,550 --> 00:36:21,512
Just talk to us, Jill.
Please leave me alone.
467
00:36:21,553 --> 00:36:24,348
What was it, blackmail?
Did Glantz threaten you?
468
00:36:24,431 --> 00:36:28,519
I wanna go. You know, I can't
get this film outta my head.
469
00:36:28,560 --> 00:36:32,523
I can't get it outta my head, and she's
not even my sister. Have you seen it?
470
00:36:32,606 --> 00:36:36,068
I'll bet you haven't even seen it.
Take a look at this. No, I don't...
471
00:36:36,151 --> 00:36:40,531
Take a look at it. You take a look at that,
and then tell me you wanna protect Glantz.
472
00:36:40,614 --> 00:36:42,616
Go ahead.
Take a look at that.
473
00:36:42,700 --> 00:36:44,660
Hmm?
Please...
474
00:36:44,743 --> 00:36:48,205
- Look at that. Take a look at that. That guy killed her!
- That's not my...
475
00:36:48,288 --> 00:36:51,250
- Look at it. Look at it!
- Tell him! - You look at her!
476
00:36:51,333 --> 00:36:53,544
Not me, you!
477
00:36:53,627 --> 00:36:56,088
I know what she went through...
478
00:36:56,171 --> 00:36:59,174
not the snuff film, before.
479
00:36:59,258 --> 00:37:03,345
She let Glantz do that to her!
She let him!
480
00:37:05,389 --> 00:37:09,435
She was so snowed out, she wasn't there.
481
00:37:17,151 --> 00:37:19,153
She was dying.
482
00:37:21,321 --> 00:37:24,032
She had two, three weeks to live.
483
00:37:26,577 --> 00:37:28,787
She had thoracic cancer.
484
00:37:33,292 --> 00:37:36,211
Glantz paid her a lot...
485
00:37:39,965 --> 00:37:43,719
money she gave to Dad
for his treatments.
486
00:37:50,225 --> 00:37:52,936
She said it was Glantz's money.
487
00:37:53,020 --> 00:37:55,230
It was cash.
488
00:37:56,231 --> 00:37:58,609
There's no record.
489
00:38:18,337 --> 00:38:22,841
Ah, Mr. Crockett, Mr. Tubbs. Doing a little
late-night collecting? I'm afraid the gallery is...
490
00:38:22,925 --> 00:38:24,927
You have the right to remain silent.
491
00:38:24,968 --> 00:38:28,722
Anything you say can and will be used
against you in a court of law.
492
00:38:28,806 --> 00:38:34,311
You have the right to an attorney. If you cannot
afford one, one will be appointed for you.
493
00:38:38,482 --> 00:38:41,276
Yeah, Glantz wasn't even there
when they filmed her death.
494
00:38:41,360 --> 00:38:44,571
He hired a guy who could be
anywhere in the world right now.
495
00:38:44,655 --> 00:38:50,077
I'll get the F.B.I. to run a trace. See if they can
come up with any mechanics that were here during July.
496
00:38:50,160 --> 00:38:55,332
Yeah? Tell 'em we're lookin' for a guy in a wolf's head
who did something a little stronger than euthanasia.
497
00:38:55,415 --> 00:38:57,918
And don't hold your breath
while we're waitin".
498
00:38:58,919 --> 00:39:02,714
The fingerprints from the Jane Doe,
deceased, that the coroner came up with...
499
00:39:02,798 --> 00:39:06,176
They do match Amy Ryder's.
500
00:39:06,260 --> 00:39:10,973
They found her 11 days after the murder in an
alley in Tampa. "Homeless" was the designation.
501
00:39:13,100 --> 00:39:19,022
There were knife wounds where we'd expect, but the medical
examiner cannot identify them as the immediate cause of death.
502
00:39:19,106 --> 00:39:21,650
He says it could have
been the cancer.
503
00:39:21,733 --> 00:39:25,654
Amy Ryder has been missing
since this film was shot.
504
00:39:25,737 --> 00:39:30,325
Glantz lied about when and where
he shot the insert of the murder.
505
00:39:30,409 --> 00:39:33,453
Now, have you ever heard
of a murderer before...
506
00:39:33,537 --> 00:39:38,500
making a film about the act,
and then showing it to thousands of people?
507
00:39:39,751 --> 00:39:43,088
He killed her,
and now he's flauntin' it.
508
00:39:44,172 --> 00:39:47,634
His lawyer could start a jury
thinkin' that maybe he did her a favor.
509
00:39:47,718 --> 00:39:50,345
Work on their compassion.
You know what I mean?
510
00:39:51,555 --> 00:39:54,057
It's still murder.
511
00:39:54,141 --> 00:39:56,143
This is no mercy killing.
512
00:39:56,226 --> 00:39:59,646
It is bloodless,
brutal exploitation.
513
00:39:59,730 --> 00:40:04,276
Even if she wanted it,
she was his victim.
514
00:40:04,359 --> 00:40:07,529
Look, I'm 60% with you, Crockett.
515
00:40:07,613 --> 00:40:11,241
I just... I can't sell what we've got to a jury.
It's all circumstantial.
516
00:40:11,325 --> 00:40:14,369
Come on. Edge numbers?
Body doubles?
517
00:40:14,453 --> 00:40:17,915
You can't even prove that the money
Amy left her father came from Glantz!
518
00:40:22,920 --> 00:40:25,339
Let's spend our time
on somebody we can nail.
519
00:40:28,258 --> 00:40:30,302
What was it that Glantz said?
520
00:40:31,303 --> 00:40:33,305
"This wasn't a murder.
521
00:40:33,388 --> 00:40:36,934
It was erotic performance art.”
522
00:40:38,936 --> 00:40:41,521
This has got to be
a new legal record, Hughes.
523
00:40:41,605 --> 00:40:45,525
Guy walks on murder one in six hours
and 11 minutes by my watch.
524
00:40:45,609 --> 00:40:50,072
I tried to tell you, there's no case. You should've
reviewed the evidence with me before you busted him.
525
00:40:50,113 --> 00:40:55,744
We got an eyewitness to the murder. The sister said she made
the movie. I caught Glantz in a lie. What else do you want?
526
00:40:55,827 --> 00:41:00,499
I got too much. I got three blondes. I got 20
witnesses who put Glantz a mile away. What'll get 'im?
527
00:41:00,582 --> 00:41:02,584
Proof of murder would be nice.
528
00:41:15,013 --> 00:41:19,226
Tell me, Mr. Crockett. When I go back
to work, do you intend to arrest me again?
529
00:41:19,309 --> 00:41:22,354
Perhaps on
a more substantial charge?
530
00:41:23,605 --> 00:41:25,774
My friends, who,
by the way, include...
531
00:41:25,857 --> 00:41:29,778
nearly a dozen major
museums and contributors,
532
00:41:29,861 --> 00:41:31,822
are quite concerned...
533
00:41:31,905 --> 00:41:34,866
about your efforts
to limit my artistic freedom.
534
00:41:36,827 --> 00:41:42,124
You weren't being censored, Milt baby.
You were being arrested for murder.
535
00:41:43,375 --> 00:41:46,670
Yes, assuming someone was murdered
during the filming of my movie,
536
00:41:46,712 --> 00:41:51,299
and assuming that I wasn't miles away
at a bar with witnesses when it happened,
537
00:41:51,341 --> 00:41:56,013
and assuming that you can prove
that I had planned it.
538
00:41:57,222 --> 00:41:59,891
Perhaps it was just the psychotic act...
539
00:41:59,975 --> 00:42:04,271
of a porn star who went crazy
when the cameras were running.
540
00:42:04,354 --> 00:42:07,024
But that's not what happened.
541
00:42:07,107 --> 00:42:09,109
Is it?
542
00:42:11,319 --> 00:42:13,488
Merely hypothetical.
543
00:42:13,572 --> 00:42:17,075
But it might make an interesting
defense if I ever need one.
544
00:42:29,337 --> 00:42:31,339
Another day, Detective.
545
00:44:15,485 --> 00:44:17,821
Detective Crockett.
546
00:44:17,904 --> 00:44:21,616
Have you come...
to wish me bon voyage?
547
00:44:23,785 --> 00:44:27,330
This is nice.
Very nice, Glantz.
548
00:44:31,293 --> 00:44:33,628
Powerful, powerful picture.
549
00:44:40,093 --> 00:44:42,888
And it's...
550
00:44:42,971 --> 00:44:45,098
it's all okay.
551
00:44:45,182 --> 00:44:47,142
Isn't it?
552
00:44:50,353 --> 00:44:52,814
Because you didn't kill her.
553
00:44:52,898 --> 00:44:54,858
Right?
554
00:44:57,235 --> 00:44:59,613
You were...
555
00:44:59,654 --> 00:45:03,658
You were in a bar...
with witnesses when it happened.
556
00:45:03,742 --> 00:45:05,744
Right?
557
00:45:09,206 --> 00:45:11,917
Yeah. Eh!
558
00:45:12,918 --> 00:45:14,920
She would've died anyway.
559
00:45:21,384 --> 00:45:23,345
So you got away with it.
560
00:45:24,554 --> 00:45:27,140
The perfect murder...
561
00:45:30,518 --> 00:45:32,520
all in the name of art.
562
00:45:34,064 --> 00:45:36,024
Right?
563
00:45:40,195 --> 00:45:42,197
Wrong.
564
00:45:48,620 --> 00:45:51,915
You think violence is attractive?
565
00:45:53,208 --> 00:45:57,796
You think violence is chic and artistic?
566
00:46:00,298 --> 00:46:02,884
You think violence is fun?
567
00:46:04,344 --> 00:46:06,638
Do you wanna know what violence is?
568
00:46:12,811 --> 00:46:15,522
This is violence.
569
00:46:15,605 --> 00:46:19,484
Is that attractive?
570
00:46:21,027 --> 00:46:23,029
That excite you, huh?
571
00:46:24,614 --> 00:46:26,741
That titillate you? Did it?
572
00:46:28,118 --> 00:46:30,453
Was that chic? Huh?
573
00:46:30,537 --> 00:46:32,956
Did you like that?
574
00:46:33,039 --> 00:46:35,834
Get over here.
Stop.
48056
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