All language subtitles for 23-Placing our Foliage in our scene Part2

Okay.

So let's go ahead and continue.

Now.

What I'm going to do first is I, first of all, I just want to finish

off the water over here and I'm going to go into unlit mode.

Now.

I have an old sea plane here, which means that usually, if I drag this

on, that's too bad.

So we don't have a collision right now because of the water level,

what you can do just to very to make it very easy is to quickly.

Just go to create and grab like a shape, it like a plane over here.

Here we go.

And just use this as like a temporary Collision.

It will just make the placement a lot faster so I can go up here.

Place it very quickly, scale it out like a lot.

Like this.

And now if I go in, I can just very easily to like this in.

So looking at this, that looks really small.

Actually.

I think I'm gonna actually make the size a little bit bigger.

Yeah, because this is simply way too small.

So let's just go ahead and go in here and we are just going to go

down, set the size.

Probably to like I think a seven, let's press the import.

Same for all of these 73 import.

Seven re-import.

And finally,

seven and re-import.

Okay, perfect.

So now this should have increased which it does.

So now we are able to kind like, places a little bit better.

What we can do is we can do like some smaller and larger cluster.

So I'm just going to place a few and then I'm going to basically

double check to make sure that it is that this is the right size and

not that it is still not looking good.

So here we got like something like this.

If I temporarily just

Just allow me to hide the plane over here.

Yeah, so if I just hide the plane and just go to like, my camera

angles, I just want to double-check.

So here I can see it.

Okay.

Yeah, see.

So that is a pretty decent size.

So now that we have these bits, let's turn on our plane again.

Now we can just go ahead and we can mess around with things.

So nearly out ends over here.

And by the way, we once again, have like a selection bug.

There we go.

Now that is fixed on the out and spot.

I want to do is I just can't like want to fade it out and that's

point.

And now over here.

I just want to still out like a bunch of flowers.

Maybe over here we can like

Play on today to rotate this.

And maybe if like a one small cluster over here, that is a little bit

denser.

And maybe like a few more flowers over here.

There we go.

That should do the trick.

And then over here, the same thing so we can just go ahead and just

add a few clusters.

Like this and maybe after months can like spilling out a little bit

because I still want to have like some kind of something in here that

will make it look a bit more interesting.

So maybe I will end up just placing like a little bit more grass, but

it is also good.

If we just start like a few of these random bits and pieces like this.

That's got some just like rotate them a little bit.

So that from a distance?

Yeah, at least we can see like okay coincidentally the car has in

front of it.

So we cannot actually see much going on over here, but we can

definitely place like a few here.

Also, although for these ones.

I probably won't have a lot of flowers because there's almost no

light.

So you would most likely just have like

a few of these setting here.

Like this, and let's see.

So we got these ones.

Now here, there is going to become 0 here.

There will be more light again.

So maybe than a over here.

We can really like make it look like a pants and we are just

Adding more and more of these pieces.

And then also start adding like some flowers in between.

But for the last we are really going to like make this look very dense

in terms of like the amounts of foliage, that is sitting in here.

The maybe like in these areas because it feels like they might have

been disrupted by the concrete.

You never know, or just have like some storytelling like this.

And just in case you can somehow manage to see it, lets out like a few

flowers in between here.

And it's also like some flowers in here and maybe in here.

And then, we are basically going to fade this out.

And I'm going to fade it out probably towards this direction.

So

going to paint stuff in over here.

And I'd like another extra cluster here.

No one here.

So let's see.

So how does this look from a distance?

Okay, so we can kind of like see it fading out over there.

That's fine.

And I've also just thought like a little bit over here.

I think then oh and a little bit over here.

I think then it will look quite nice.

So over here.

Let's add like a flower.

That's out like a few dents patches.

And let's then out like some fading patches over here.

So

It's also have some of these bits.

There we go, and we then fade it out.

And I don't know, maybe we even want to like, try and almost connect

the two bits.

So we got those.

And then over here.

Let's just do a very simple just like some cluster patches.

Maybe like a the occasional flower here and there, and then it just

kind like Fades out into like the end.

Something like oops.

I moved it wrong way.

Here we go.

Something like this.

Seems to be fine.

Seven one more look in the first camera angle.

Okay, so we can see like a bit here if I just call down and just turn

off my plane.

So I can see a little bit here and there.

That's fine.

So we don't need to do much more and then we have this one and here we

can also see like the Clusters over here.

So that's looking pretty good.

Although I don't know what it is.

Maybe it's like the color.

They look a little bit plane from like a distance.

Yeah, I think I think we just want to like mess hall to the color a

little bit more but we will do that at like the very end.

So this is looking pretty good.

We now got like some interest so we have some water over here.

You can see that whenever there's not a lot of light you can see a lot

less plant life and then as soon as there is light, you can see that

the plants is kind like get attracted to that and also over here.

So that's really cool.

I will like this area, this area.

I also like quite a bit over here.

Maybe I want to.

Oh, no, wait, I am continuing this on over here.

So I guess it is just a truck that is kind like hiding things.

I definitely want to like out some more interesting stuff over here.

So now we will go a little bit more into like the manual.

Placement.

So let's get started by just lets place like a little swap over here

and then maybe like fade it out.

Like this, let's see.

Does that kind of stuff?

Look, nice.

We go only mode.

Yeah.

Yeah.

Season that looks quite nice.

So, let's see at what points do we want to have like some really large

shrubs.

So I want to have a few over here.

I want to have a few here at the back.

I want to have a few maybe like here at the back.

And maybe like, yeah, actually, no, I'm going to leave that and rest.

I will probably like place here at the bottom.

So we have a few over here.

Let's go back into unlit mode because it makes it easier to see.

I don't want to have like a few.

Sitting here in like the back, so rotate it.

Like this.

And I want to publish have like a few also sitting over here.

Look, okay.

So we have a few of their of their that's fine.

Maybe also actually have like

Few of them if we can just sing them into the count that is no pain.

You won't really be able to notice.

Yes, we have like a few over here.

So you can I stand here.

So here we can avoid see, like, a little bits of plants popping up.

Also, here are out the top you later on are also going to focus some

more plants and now, we want to just go ahead and add a few more.

Somebody like these directions over here and let's say that we place

like a few here.

Maybe I would like fading out like this.

Okay, so we got like something like that.

And let's also maybe do like one that this like going into like the

corner over here.

Now that I do also like to do is I like to see how far we can push the

ferns with this one to see if we need to use more of like the shrubs

or if we can just rely on the phones to basically apply a bit more.

So first of all, make sure that everything is turned off.

Except for this one scaling 1 to 1.5., I'll see if this is good

enough.

Regarding a bitch of five.

Let's go to our paint.

And probably set the density to like 500.

What's that scaling?

Yeah, that looks like a descaling.

So I'm just going to get started by just over here.

Randomly, like painting in a few of them.

Oh God, that's sexy way.

Too dense.

So let's set the density to like 300.

So that I can pretty much just, I click once and then it will

automatically place.

A few.

So we got some over there.

Let's say that I want also, don't continue this on over here.

And then maybe like I have It Fade Out.

But I still want to like see some of the concrete of course, because

the concrete does look nice.

So I kind of just need to, let's go into unmowed.

Well, that does look quite nice.

It looks very The Last of Us e or like in charted style.

So, okay, over here, so you cannot see it too much of hip.

That's totally fine.

It is just like something in the background.

So well actually here you can see it like a little bit so that's

actually looking really nice.

I like that.

So,

Like one or two just like sitting over here.

Yeah.

This looks really nice in the lighting.

Actually, cool.

Okay, so we have like a few there and now comes like the big one.

Where I like need to see if I can maybe.

Fate this out and just have it like sitting around here.

And then maybe also like see if we can maybe like continue this on

down here.

You can go wrong really quickly with like adding too much foliage,

even though in real life.

It would be totally logical to have like the foliage is kind like

going on here.

It can you can risk it looking like noise inside of 3D so I often just

want to go ahead and go to my main camera and if I have a look at

this, so what I can see is I want to have

Like a little bit of foliage over here.

I want to remove this one and maybe have it like more towards the

side.

Let's go into unknit modes that I can kind of like see what I'm doing.

I don't know if they are too big for this area.

See, I think I'm going to go to size of 1.3 maximum and maybe like 0.8

minimum.

Okay, so we got like that kind of stuff.

So, over here.

You can also see like it's in those areas.

So I'm going to probably, let's try and like reduce the amounts over

here.

Let's increase the amounts towards the back.

And then carefully, maybe like, place the occasional.

Bit here and there.

See, how does that look?

Okay, so that does look quite interesting.

But I feel like it's almost like catching the sun too much in some of

these areas, but I'm not going to change the lighting of this and so I

can play it out a little bit more with my materials.

But if I see this, I feel like that there might be like a bit too much

going on in like this area over here and that we kind like me to go.

like this, and then maybe

I don't know.

Maybe, let's see if I can.

Like art like a few plants over here.

So that it got dust kind, like, I feel like a fade going on.

So we got that stuff.

We got some over here.

I'm going to remove this one over here, and I'm going to maybe like

out.

See where am I going to add this one?

Maybe here.

I'd like the phones.

Yeah, that might actually look a bit quite interesting.

And then maybe also have like a few.

Just sitting over here.

And maybe like one heel at, like the water formed something like that.

It may be like one just sitting in between there.

So we got like a few here.

We got a few over here, maybe like a another one here, would like to

cite.

I don't know if I want to also have like a few, like, in my version.

I'm covering this up with IV, but it might be handy.

If you just kind of like, cover it up with even more foliage, like

that.

Though that might be a little bit Overkill around the front.

So now it is just like mostly really picky stuff to make sure that it

doesn't look exactly where I want.

So, okay, so we got something like this.

Now, the last thing is that over here this area.

I don't really like but if I set this to 200 I might like it more.

I do not.

I'm going to go to my normal grass and I'm going to just hold shift

and I'm going to basically

Try and get rid of that, a little bit, just form a distance.

I'm painting it out that I can clearly see what I'm doing.

Okay, let's now go back in here.

Okay, so I'm painting that one out and then if I go ahead and go back

to my

ferns, I'm going to probably place like a single one like over here.

Yeah, here.

She even like one single one already.

Does a really good job.

So, okay.

So we got this.

That is quite cool.

Let's also go in here and just like place a few across these borders

over here.

Just like field example, little bit.

We don't really need to go further away than this.

So we just have like a few ferns here and there, and if we don't

combine those with few bushes, and then later on also, with some trees

in the background, I think that will look quite nice.

If we go for something like this and then have like a few of like

these larger.

Blends just sitting here.

You may be like, replace this one.

Oh, I just saw what I did.

I have a selection box somewhere here.

See I almost extent need the duplicated that entire thing.

That's not something I want.

So that's why you need to be kind of like a for with this selection.

Is he?

Now the selection is fixed.

So, okay.

So we have this one and this one.

I know the only reason I notice it is because all of a sudden, the

copying took too long and if we die,

To like our side view so we can see like this one.

I'm just going to move it like back a little bit and I'm going to

duplicate it and maybe like have another one that's like a little bit

back here.

This one I'm going to move down.

And maybe, then also pushes out a little bit and don't forget to like

a hotel little bit more here C.

So we got like a little bit of like scabs over here.

And if we combine this with a few trees that will look quite nice over

here.

We have like lots of ferns and everything.

That's also fine and maybe combine it a little bit with like Shop

number two, which is like this really low one.

And what we can do with these ones is we can go ahead and scroll down

and turn off effect of

Girls like this.

And we can move this down over here.

And also maybe like place like another one here.

So it's all just about your storytelling.

So the reason I like to have like some of those in here is because

then it will not just look like I place the same plant over and over

and over again, which I technically did.

But, okay.

So let's say that we now have this view.

This is looking quite good.

Like, it looks very natural.

It looks yeah.

Just looks nice.

So, I'm quite happy with this one.

Last thing that I'm going to do is around here.

If we go into our unlit mode, I feel like the size of these are two

even.

So I think, what I want to do is I want to turn this off.

Turn these ones over here on, select them and set the size like 0.4 by

one.

And then if we go into a paint mode, I just want to basically like who

do season then.

I just want to kind like

gift of a bit more like a size variation.

So that from a distance over here.

Here.

See you can see like that.

There's like a little bit of like size variation on there.

Let's see if there's any other ones where I really feel like that

maybe over here.

Like over here, it's again.

Like I would just want to like her do so few and then like odd bit of

like size variation over here, just to make it feel more organic.

Maybe also over here like in the back here.

Let's sometimes it's fine to just have like all of them like an area

where they go, where they are less dense and also lower so that when

you look at it from your camera here so you can see there's like a

quite a big difference between everything.

So we got that done.

now, I'm just going to go ahead and I'm going to

Maybe I'll show over here, like do a little bit.

Oh, and at this point, it will be very difficult to see but still.

Here, let's do something like this.

Yes, he said that just like some small variations and I quite like

that.

Okay, perfect.

Now at this point, I'm probably going to call this one done over here.

So of course, what you want to do is we do want to go ahead and or I

want to go ahead and like later on.

I'm just do like a little bit of balancing.

But if I have a look at this, what I first want to do is I would just

want to go into my materials, and just whenever I see something that I

feel like need some balancing out, like, for example, here the shrubs

over here, we can go ahead and we can go in here.

We can set the subsurface.

It's like she 0.5 and maybe like set the color a little bit darker

here sees that the Blends in a little bit better.

I don't know, maybe want to set the color to be more of like an orange

color or like a green color.

Now.

I know what I think.

I'm going to keep the color like this.

So that's like quite a nice one.

Next ferns.

I want to go ahead and also go in here and maybe, like, tone down the

color, like a little bit.

Maybe set the subsurface to like 0.3 and maybe set the desaturation to

0.4.

And now let's use 0.35.

Let's say let's set the subsurface maybe to be like see.

Let's make it a little bit more like a reddish subsurface.

I think that if for some reason, I kind of like that look.

If I go see how yeah, she 0.3 is fine and see play around a little bit

more about like my color.

Let's make it like a little bit darker just that it fits in a little

bit better.

Okay, so we got those next.

We have our Cattails and I wanted to go in here and let's just grab

our Cattail base, color over here.

Open that one up and let's just set the

Politeness to like to.

Yeah, it's definitely here.

Only at like 5:00.

I can really see it them.

That's but if I set them to 5, it will mean that up close.

I know, you're up close.

They are still pretty decent.

So this way I can still see them.

So from this camera angle, I can just see them over here and from this

camera angle.

I can see them a little better.

So that's quite nice.

And the last one would be like our water lilies.

Over here.

I'm just going to go ahead and

Let's set our roughness, 20.3 probably and let's set a color down a

little bit.

Okay, that does not do a lot or subsurface.

I'm going to set to 0.2.

Let's see.

Yeah, let's set it to around.

Here are like the center's that over here.

They are not standing out too much.

Once you're going to.

Yeah, I don't really mind about the subsurface so that those are also

not standing out too much.

You can still see them like little bit which is, of course, fine

because that's kind of useful if we can do that.

But now you can see that here are foliage.

We are definitely adding a lot to this.

So this is our version.

This was the original version so you can see how quickly we still and

we also, of course, just made it.

Own which is really nice.

And yeah that this is looking pretty good.

So, what I will be doing now is I will have one more chapter after

this that it will just set up all of our elodie's.

And once we've done that, then we can go ahead and we can continue on

like, the final trees that we can have like around here, but our main

plants and foliage and stuff like that.

They are pretty much done.

So let's go ahead and continue with this in the next.