All language subtitles for 18-Creating our shrubs Part1

Okay.

So what we're going to focus on now is we are going to make a few

different types of bushes or shrubs.

So for this, we are going to go back into speedtree and we want to

just go ahead and create a new file and just create a blank scene over

here now.

So far stops, I'm gonna go ahead and do the same thing as that we've

done before.

I will make one that is very dense and one that is like less than so

that we can have like a Fade Out effect.

And also, just in general that it does not look too strong.

Um, so you can see for example, over here these they are really not

dance.

They are just like some small little bits and everything.

Now we will make them a little bit more than this.

But yeah, so I just kind of like want to get like a nice balance

between the two and I also want to go ahead and also be able to use

these for a forest scene.

So let's have a look.

We have over here.

Two textures.

this one, and

This one.

Okay.

Do we need both of them?

I wonder.

I wonder if we need both of them.

I'm gonna go ahead and I'm just going to see.

So, let's go into our materials new and out to materials and we will

just call this.

Swap on the score, 01.

And this one?

Shoppings go 0-2.

Okay, Whispers.

Okay.

I'm going to get started by just adding the first one in here.

Normal.

Bestie, yeah, that should be fine.

Make sure to make it two sided.

Okay, so that is that one.

I'm just I sometimes like just go press edit so that I can like look

at them up close.

So we probably can already get away with just one.

But let's just see how it looks if we like our two of them.

So here's number two, so we can just go ahead and add those also.

One.

Two and three and then if we just quickly press edit so that I can

look up put that was the case that was the case.

So we had two different ones and I was going to decide which one I was

going to use or to maybe use both of them to be honest.

I actually like this one more.

So I think I will actually start with focusing on this one.

So same basic concepts.

We have this piece over here.

We're just going to go ahead and we are going to see one, two, three,

four, five.

To five or six versions.

So art 1 2 3 4 5 now let's do one more like this.

And for this one's they should be quite easy.

So let me just press edit on the first one.

Let's say that this this one over here and you just want to kind like

fit this in here, but you do want to give it like a few more segments

like this so that they fit a little bit nicer and that they are not

just like a plane.

So something like this and then just add like a little bit of

tessellation.

I'm going to go for something like this.

So we are actually going to have a lot of those so we definitely need

a lot these for this.

So I'm going to make the first version really high poly.

And then the later versions, we are just going to go at a nuke out, a

lot of geometry, using LEDs.

yeah, basically, for now, the focus will just be

On nicely.

Fitting this in.

Awesome, actual geometry.

It's a little bit too much.

Here we go.

Just so that we can do some bending and lifting because yeah, in order

to refill this up, we need to place a lot of these.

So we have that one, this one, this quite interesting.

So we can always just change the angle quite drastically like that.

And let's see.

I'm going to make this one fit here.

This one over here and this one.

Let's do this.

That should be fine.

Move this out a little bit more.

There we go, little bit of geometry.

And after this we are pretty much going to make it the same as it is

in real life at in the beginning and then we will like optimize the

bit.

So we got this one.

I'm going to do this one, which although this one is really dense.

I think I'm not going to do that one just because if I do this it will

stand out too much.

I feel like.

So let's just go ahead and instead go for something like

This.

Here we go.

That's late.

And now we are just going to use some smaller ones.

Also, just make it look extra nice.

So let's grab like this one over here.

And then there's also grab like this one.

Looks like that might be the point is already in the right direction.

So that's nice.

Here we go.

And finally, this one.

Here we go.

Okay.

So those are now all done.

So that should be fine for now.

Okay, making this it's almost exactly the same as a tree.

You would you could say so, but instead of the trunk, we are going to

have like a bunch of drunks and then branches to debt.

And then we place our leaves on this.

And those branches.

We will later on just simply turn into actual geometry.

Now for the punch is there is one thing that I, that is a little bit

tricky.

Let's have a think about that.

So, what I'm thinking about is, I'm worried that the barn

Will be too high Poli, even when we turn them into planes.

However, what you can do is you can if you want often.

Let me just quickly, go to textures.com.

There are often also textures over here and they are literally called

branch and you should be able to find them in here and they are like,

empty branches, but I'm not sure if I can find them in you.

They look like this but then they are empty.

And you can often use those here like this one, like today, I empty.

And basically, what you can do with that is you can use this like a

placeholder, but it will not look as good.

So this is great for like, four trees, if you want to make very

optimized trees, but I think, in this case, we will just see how it

looks in Geometry first.

So, we get started by adding a trunk like this.

And we are just again, going to really make them a lot smaller.

So let's first of all set the radius like quite a bit dinner.

And then it's going to spine and that set the length to the be like

tree or something like that or maybe like for to make it like a little

bit bigger over here.

Okay, so we got that.

Let's go back into our radius.

And stone is down.

And I'm also going to not make it as like toned down over here.

So, we got this.

So now we need to mess this up.

Big time.

Like we cannot have these ones to look straight because we want to

have the bush to be like quite irregular and it just bit all over the

place.

So if we go in,

And probably in our spline ready to go here.

In a noise.

Oh, I think we need to actually a few more segments in this.

We are going, we can later.

Also, once again replace this with just planes.

If we want to, let's go to segments and let's give the length over

here.

A few more segments, you can see that it happening over here.

So I'm just giving the length, a few more segments.

And then if I go in here, I just want to kind like mess around with a

bunch of stuff.

So we also have like a pair of this girl.

Let's see if here.

Oh, that's actually works quite well.

If we do like a random

Parents girl like this, and then we would just want to go down.

So we have our early noise.

Which I'm going to set my test shot quite low so that the early noise

sky like a ever and we have also a late noise over here.

And then we can all set like the double.

So basically it looks really stupid right now, but trust me it will

work later on.

The only thing I'm going to do is I'm probably going to go in my

generate and I'm going to set the size a little bit smaller over here.

And now this is where it comes in.

So when we set a bunch of numbers like this, we then push them out a

little bit over here.

Which we can do is actually no we want to keep them quite close, but

we are going to do like an angling.

So let's see if we go to, let's go to all because I cannot find it.

Because I forgot again where it was so we want to have our angle so we

have on length.

Yes radio.

But these are segments Here length.

Yes, orientation.

I want to see if I can make my orientation, stick out, quite a bit

like this.

And if you want, you can also do like a little bit of rolling now, so

we are sticking this out a little bit more.

Then, what I want to do is I want to go ahead and shoot also have my

radiation here.

I'm going to make my radius quite a bit smaller like this.

And then if we go to generate, I'm going to probably push my last a

little bit closer to, like 0.01 probably.

So, we got like something that looks really silly like this, but the

goal is to add more bunches to this, that we have a support for our

leaves.

So, if we now right-click our geometry to

Just and we go ahead and we grabbed.

I think we can just do normal leaves.

Yeah, the scattered leaves.

They basically have like a already has some settings.

So that might be nice.

So scattered least you have a bunch of settings already applied.

But oh, what am I doing?

I don't mean leaves.

I mean bunches.

So we want to go like for brunch like Twigs, Maybe.

Yeah, I don't know.

Let's just do it manually.

So these are like, almost like presets, so, but we could also just go

in here and here we have some punches.

So we got these punches over here.

I'm going to get started by setting the number up quite a bit.

I want to definitely go ahead and set the first to go down to 0 and

then the last yeah, the last can probably be like one because we want

to have this bush to guard like cover everywhere.

We don't want to have a lot of parties sticking out.

Next, you probably guessed it.

We just need to go out only to lower down the length, quite a bit over

here so that we get like something like this.

And honestly at this point we guide like need to alter leave so that

we can actually see if it is working the way that we want to or if we

need to make any specific changes because I still don't have

completely in my mind yet how I want it to look.

So I just want something that feels space.

That's what I know.

So I'm going to go ahead and I can go in here and now we can try it

out.

We can try to go.

At least because I never really use this but it is quite nice.

So we're going to go scattered and there you can see that it basically

just scattered around our leaves.

The numbers might be a little bit intense.

So let's go ahead and turn it down and let's just apply our material.

So here you can see that it looks

not very nice, but we will work on that right now because right now it

is just like a massive clump of foliage, which I do not really like so

but having this, what we can do is first of all, let's go to our skin

and how many 1 2 3 4 5 6 1 2 3 4 5 6 we can go in here and just set

all of our

meshes.

One, two.

Tree.

Four.

Five.

And six over here, so we sent a message.

That's fine.

Now.

What I'm going to do is I want to make them definitely like a lot

smaller.

So let's play how to the size a little bit.

So have a look and see how it works.

So I also want to have everything more contents.

So I think what I'm going to do is I'm going to go play around with

the length.

Or like Alice of let's first of all, let's go ahead and do this and

change the scale to something you want.

I think I'm going to go for 0.8.

Then in the orientation.

I'm going to go ahead and let's see.

Do I want to fold know and don't mind the folding a line.

I do think I quite like

Yeah, here they are single leave.

So we of course we cannot really do single leaves like this.

Because we have multiple leaves and maybe that's the problem.

Maybe I should not go for multiple leaves that can very well be true,

but that it would become very expensive in terms of geometry if we go

for single ones, so they are kind like sticking out words a little

bit.

So we do want to set the a line to always stick out words bit.

Next.

What you can do is we can add some folding, some curling.

Yeah, I think I want to cool them down.

Always like a little bit, you can do like a little bit of twisting.

And now what I'm going to do is I'm going to just condensed this way

down.

So because right now it just looks silly with our branches like this.

Let's get started by going into your trunk.

Let's set the a line over trunk a little bit.

Less.

Most likely.

Which we can find in spine, start angle.

There we go.

So we are setting this quite a bit less over here.

Next.

I'm going to go ahead and I'm probably going to set my

Noise down a little bit.

So here, we have like a early noise.

And see a late noise over here.

Let's set the late noise down a little bit.

Okay, so we got that stuff done.

Next stop is going to be to go into our branches.

And in here.

I just want to play out a little bit more with my length.

To keep it a little bit more contents over here.

And I'm going to actually set my length lower.

At the very tips.

Probably another thing that I'm going to do is I'm going to go in to

generate and I'm going to set my last down probably little bit.

So I want to kind like I have this a little bit more content so that

we have a bush like this and

Yeah, the first we cannot really go below, sea Rose, that's fine.

So I'm having this more condensed.

And, of course, I do have my party over here, which I do not like

that.

They are sticking out, but what we might be able to do is if we go to

our tongue, you can often go up here to break.

Where are you?

C-spine.

I think it is in spine.

6X Boone noise, Jung, Blake, there we go, and we get set like the

chance to 100%.

And then we get in here.

See.

So we can basically minimize and break a bunch of these punches off

like this.

And then you can also just play how to just see it until you get

something favorable.

Like over here, so we are basically reducing the amount of punch that

we have.

And because we said the chance to one, they will like most definitely

break, except for maybe like one of them.

Like you see over here, but that should not be too big of deal because

you can always if you want click on notes.

Hello, why doesn't it allow me to select?

Come on, for some reason.

It does not allow me to select.

It doesn't matter.

I will fix that later on.

So we now have this bush over here.

So this is like quite a dense one.

Let's go ahead and go into our lives.

And first of all, tone down, the number of least that we have so that

we can kind of see what we are doing.

So right now, we are really, we are going a little bit too high and

it's not going out enough.

So if I go ahead and just assign my leaves again, and I think

Two or maybe a maybe three, maybe three, then, let's go into a trunk.

Go to generate, and let's set our last.

He'll stick it out a little bit more like that.

And then let's go into our spine and it's tone down our length a

little bit because I want to have this like to be like more of like a

smaller Bush over here.

Okay, so that is looking.

Already like a little bit better.

So but then again, we still have like a lot of leaves in the center,

which I'm not the biggest fan of you can see over here and also like

the scale.

I am not a will like a big fan of the scale.

So let's go into our skin.

See if we can tone down the scale a little bit more.

Stoned on the scale, even if it means that we like me to add some more

leaves.

So I'm gonna tone on my scale.

Like this.

And sometimes also look at it from the side so that you can go and

like see what you're doing.

okay, so now I'm going to go into my orientation over here, and I just

want to

They aren't a little bit more it like my a line tool.

A folding, maybe you'd like a little bit of, like, vertex folding down

here, and maybe also, unlike the y-axis.

Let's give it like a bit of like, some Randomness like this.

And it also reminds me that they could also go to the size scalar and

like at the very top bits.

And the bottom B, I can probably make the size a little bit smaller

here, top and bottom B.

Or sorry, I mean at the tips.

So I'm doing this wrong.

Actually, this one.

I don't want to like at the tips.

I want to make everything like a little bit smaller.

And play how to that's a bit more next.

Let's go and play around with a number a little bit more until we get

something that looks a bit better.

Okay, so we now got like the numbers right now.

We need to again go back into the trunk and see if we can maybe like

pushes in a little bit more.

Over here and what I'm also going to do just to kind like height.

Everything is I'm going to add a new bark material.

So let's rename this and call this bark.

And then we can just add the bark that you already have for now.

So Ms.

Bark, just drag this one in.

Over here.

And told you something, your tongue replace punch material.

So there we go.

Okay, so we have this stuff now an easy one that I can see is that the

radius is too much so I can go to my skin.

And this one does take like it simply takes a little while to get this

white.

So the radius is looking good now, so I'm happy with that.

I am gonna go ahead and I'm going to set my C.

So if this is a bush like over here right now, I don't really like the

look of it yet.

Let's go ahead and let's go.

Into my lengths, let's first of all give it like some random nurse in

our length over here.

And also definitely like at the outer sides.

Try to make it a little bit smaller.

There we go.

So we got something animals in our length.

Next, we had like our NASA orientation, but we had like a curling over

here.

This one was fine.

I think it was the right one.

That is like really intense.

So I want to probably like play.

How to that a little bit.

And I really do not like what we have over here with like a length.

So, I think, instead, what I'm going to do is I'm going to tone my

length down quite a bit over here in our actual trunk, and then go to

the bunches and then reset, the last two ones that it is sitting at

the top and tone down the length a little bit more.

So this is just a bunch of balancing.

It just takes a while because it is Speed 3, has a lot of settings.

It takes a little while to get everything exactly the way that you

want to.

And sometimes it's also good to actually preview this inside or

speedtree.

So for now, what we can do is we can go ahead and go in here and let's

set our CR start angle.

I'm yeah, I don't really mind my starting.

I think we now have too many leaves again.

yeah, it's just something like

This.

Okay.

So that's looking fine.

Honestly, I kind of like me to see what it looks like inside of an

real at this point because it might look really bad here.

I think I still want to get my leaves to like three.

It might look really bad or not really bad, but it might look off

here.

But that this might not be the case inside of in real.

Also one thing that you can actually do.

If you ever want to, if you can always, if you are not completely

happy with it, just simply over here, press generation and just to

randomize it to see if you can get like a

Bush that you like, so if I go ahead and do this,

Here, this one, for example, a quite like this one.

So that's also like an easy way to just work with this.

So let's say that we now have this.

Let's go ahead.

And first of all, do a save us because we spent a surprising amount of

time on this already and swap on the score.

01, just going to call it like that.

And what I'm going to do is I'm just quickly going to export this and

then we are just going to basically try it out.

We'll see how it looks.

If it's wood looks really bad then of course, we will just in the next

chapter.

We will revise this.

Else we will continue in the next chapter to add variations.

It's all just depends.

Let's go ahead and quickly out all of this to our Leaf flower cluster.

And now let's go to the process of importing our

Swap, 01 over here.

All Jo rotated.

It's going to outliner, copy name.

Ungroup.

Place name added to a layer.

Give the lady her name.

And now, she hides hides.

Probably want to get it.

Roughly the same height as that one.

So if we just quickly turn that on, I can see that.

My height needs to be around, like, five again, maybe even six.

Let's do six.

There we go.

So six and now we can just go ahead and Export this, and I know that

we still have a branches and everything.

Don't worry about that.

We will optimize this later on.

But for now, I just first of all, want to actually see what I'm doing,

and it will look very different inside of in real probably.

So let's go ahead and go in here and let's say that.

We have it like sitting again with the cars and everything.

So first of all, Texas,

I'm going to call this one swap on the score.

0-2.

Because that's the one that I called it before.

Imports.

Quickly, grab like you're right.

I think we want to have probably IV for this.

So let's duplicate our IV, swap on score 02.

Dragon do usual.

Set the color back to White.

Safe.

Assets.

And imports.

Over here.

There we go.

Let's import all its open it up.

And then in our materials, we want to have our shop 02 and we want to

have our simple IV bark or no IV bag probably is not the right one.

Yeah, we probably need like a norm.

But for now, let's just throw on the IV bag.

We can change that later on.

I just want to quickly.

See, so here we go.

If we place it here C so that aware.

It does look quite a bit different that if you would place it in like

the corner, for example like this.

Now, first thing I see is yes.

So it is really dense in my Jonesy.

You can often go in here and there is a setting that sometimes fixes

it and is this setting you can find it in I believe General.

Ings generate max distance field for this mesh.

Is that the one?

Generate most recent field know I thought.

I thought this was like a different one.

Like we can turn his own, but I can't remember.

Maybe it wasn't like our import settings.

There is like a setting over here or maybe it was generated.

It has to do with like fixing your the density of your mesh distance

Fields over here.

but,

I guess maybe in like build settings.

Oh, yeah, here, build settings two-sided, feel distant field,

generation.

That was 14 play.

If we apply that, that should also give us like a better result.

And now if we simply go ahead and go into our shop.

We can get started by setting these subsurface do like one, and I'm

just going to put G and I want to increase, definitely like the color.

So let's set or let's grab this color set the brightness to like two,

or maybe even three.

And then go back in here set the desaturation to like point for like

this.

Okay.

So in the next chapter, we do need to do quite a bit of balancing but

you can see that it does work.

A few things that I want to do is I want to avoid this ugly look where

it feels like they are not properly assigned to our branches and

everything.

That's something I want to fix the density of a branches right now.

I cannot look to it at all, which I do want to keep in some areas, but

like form a

Since in general.

It does work pretty decently.

So let's go ahead and go over this in the next chapter.