All language subtitles for 06 - Manual or Auto That is the Question

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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:03,560 --> 00:00:07,380 One question I've been asked a lot is 2 00:00:07,380 --> 00:00:11,090 when to use autofocus and when to use manual focus. 3 00:00:11,085 --> 00:00:13,565 Be honest, there's no right or 4 00:00:13,560 --> 00:00:16,500 wrong or definitive answer to this question. 5 00:00:16,500 --> 00:00:20,390 Personally, I prefer to use manual as 6 00:00:20,385 --> 00:00:24,425 often as possible because it gives me full control. 7 00:00:24,420 --> 00:00:26,790 However, there are times in 8 00:00:26,790 --> 00:00:29,330 certain scenarios where autofocus 9 00:00:29,325 --> 00:00:31,625 has proven to be the better option. 10 00:00:31,620 --> 00:00:34,460 Let's take a look at some of these examples. 11 00:00:34,455 --> 00:00:37,565 When doing close-ups. I never use autofocus. 12 00:00:37,560 --> 00:00:39,480 Because as this example shows, 13 00:00:39,475 --> 00:00:42,575 the autofocus acts as though it's confused. 14 00:00:42,575 --> 00:00:44,595 That's because when filming close-ups, 15 00:00:44,599 --> 00:00:46,549 our depth of field is smaller. 16 00:00:46,550 --> 00:00:47,990 The slightest change in 17 00:00:47,990 --> 00:00:50,890 distance between the camera and the subject, 18 00:00:50,885 --> 00:00:55,015 or between two different subjects makes a big difference. 19 00:00:55,010 --> 00:00:57,140 And our camera can't decide what 20 00:00:57,140 --> 00:00:59,860 should be in focus and what should not be. 21 00:00:59,855 --> 00:01:03,005 But if we switch to manual focus, 22 00:01:03,005 --> 00:01:04,945 our camera no longer has to 23 00:01:04,940 --> 00:01:07,180 guess what should be in focus, 24 00:01:07,175 --> 00:01:09,205 and instead, we'll focus on 25 00:01:09,200 --> 00:01:11,870 whatever we decide should be in focus. 26 00:01:11,870 --> 00:01:14,000 In this example, we can maintain 27 00:01:14,000 --> 00:01:16,820 focus on just the neck of the guitar and 28 00:01:16,820 --> 00:01:18,770 not worry about the focus changing to 29 00:01:18,770 --> 00:01:21,880 the hand as the hand moves up and down the guitar. 30 00:01:21,875 --> 00:01:25,925 As we pan left, we do lose focus for a split second. 31 00:01:25,925 --> 00:01:27,925 But because we have full control, 32 00:01:27,920 --> 00:01:30,080 it's easy enough to adjust and 33 00:01:30,080 --> 00:01:32,510 we're able to do so in a very smooth way. 34 00:01:32,510 --> 00:01:35,290 Maintaining a nice clean close-up. 35 00:01:35,285 --> 00:01:37,435 When I'm following a subject, 36 00:01:37,430 --> 00:01:39,500 also known as a tracking shot. 37 00:01:39,500 --> 00:01:42,820 I usually have the cameras setup to autofocus. 38 00:01:42,815 --> 00:01:45,565 And that's because the distance between the subject and 39 00:01:45,560 --> 00:01:48,800 the camera is going to be constantly shifting. 40 00:01:48,800 --> 00:01:51,140 If I were to choose manual focus, 41 00:01:51,140 --> 00:01:54,910 then I would have to split my attention between focus, 42 00:01:54,905 --> 00:01:57,355 framing and where I'm walking, 43 00:01:57,350 --> 00:01:59,650 which can be a lot to coordinate, 44 00:01:59,645 --> 00:02:03,065 especially when there's little or no time to rehearse. 45 00:02:03,065 --> 00:02:06,485 For example, weddings and concerts. 46 00:02:06,485 --> 00:02:09,295 If we keep a consistent distance 47 00:02:09,290 --> 00:02:11,240 between the camera and the subject, 48 00:02:11,240 --> 00:02:13,880 the camera's autofocus is great at making 49 00:02:13,880 --> 00:02:17,600 the small adjustments that are needed to maintain focus. 50 00:02:17,600 --> 00:02:20,110 And if we're filming with a wider lens, 51 00:02:20,105 --> 00:02:23,245 then it's even easier for the autofocus because 52 00:02:23,240 --> 00:02:26,750 a wider lens gives us a larger depth of field. 53 00:02:26,750 --> 00:02:29,360 In this shot, it's easy to see how 54 00:02:29,360 --> 00:02:31,850 the focus constantly shifts between 55 00:02:31,850 --> 00:02:33,900 the foreground and the background 56 00:02:33,904 --> 00:02:37,534 as the wrestlers move in and out of the frame. 57 00:02:37,600 --> 00:02:40,520 In this particular situation, 58 00:02:40,520 --> 00:02:43,700 I don't mind the focus shifting because 59 00:02:43,700 --> 00:02:47,720 the shifts are smooth and focusing on different subjects. 60 00:02:47,720 --> 00:02:50,480 However, if we want the focus 61 00:02:50,480 --> 00:02:52,850 to remain on one pair of wrestlers, 62 00:02:52,850 --> 00:02:55,270 maybe because they're the main characters. 63 00:02:55,265 --> 00:02:58,505 Then we need to switch to manual focus. 64 00:02:58,505 --> 00:03:00,355 In this shot, we've set our focus 65 00:03:00,350 --> 00:03:02,090 to the wrestlers in the background. 66 00:03:02,090 --> 00:03:05,060 So even when other wrestlers crossed the foreground, 67 00:03:05,060 --> 00:03:07,130 they remain out-of-focus, which 68 00:03:07,130 --> 00:03:09,490 also has a very pleasing look. 69 00:03:09,485 --> 00:03:11,275 Shot like this can work in 70 00:03:11,270 --> 00:03:13,880 both autofocus and manual focus. 71 00:03:13,880 --> 00:03:16,780 It just depends on the look that we want, 72 00:03:16,775 --> 00:03:19,135 the story elements involved. 73 00:03:19,130 --> 00:03:21,020 I hope those examples provide 74 00:03:21,020 --> 00:03:23,330 clarity to some advantages and 75 00:03:23,330 --> 00:03:25,670 disadvantages to both manual and 76 00:03:25,670 --> 00:03:30,210 autofocus and what works and what doesn't work. 5583

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