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One question I've
been asked a lot is
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when to use autofocus and
when to use manual focus.
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Be honest, there's no right or
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wrong or definitive
answer to this question.
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Personally, I prefer
to use manual as
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often as possible because
it gives me full control.
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However, there are times in
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certain scenarios
where autofocus
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has proven to be
the better option.
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Let's take a look at
some of these examples.
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When doing close-ups.
I never use autofocus.
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Because as this example shows,
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the autofocus acts as
though it's confused.
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That's because when
filming close-ups,
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our depth of field is smaller.
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The slightest change in
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distance between the
camera and the subject,
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or between two different
subjects makes a big difference.
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And our camera can't decide what
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should be in focus and
what should not be.
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But if we switch
to manual focus,
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our camera no longer has to
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guess what should be in focus,
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and instead, we'll focus on
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whatever we decide
should be in focus.
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In this example, we can maintain
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focus on just the neck
of the guitar and
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not worry about the
focus changing to
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the hand as the hand moves
up and down the guitar.
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As we pan left, we do lose
focus for a split second.
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But because we
have full control,
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it's easy enough to adjust and
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we're able to do so
in a very smooth way.
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Maintaining a nice
clean close-up.
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When I'm following a subject,
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also known as a tracking shot.
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I usually have the cameras
setup to autofocus.
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And that's because the distance
between the subject and
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the camera is going to
be constantly shifting.
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If I were to choose
manual focus,
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then I would have to split
my attention between focus,
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framing and where I'm walking,
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which can be a lot
to coordinate,
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especially when there's little
or no time to rehearse.
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For example, weddings
and concerts.
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If we keep a consistent distance
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between the camera
and the subject,
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the camera's autofocus
is great at making
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the small adjustments that
are needed to maintain focus.
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And if we're filming
with a wider lens,
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then it's even easier for
the autofocus because
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a wider lens gives us a
larger depth of field.
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In this shot, it's
easy to see how
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the focus constantly
shifts between
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the foreground and
the background
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as the wrestlers move in
and out of the frame.
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In this particular situation,
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I don't mind the focus
shifting because
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the shifts are smooth and
focusing on different subjects.
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However, if we want the focus
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to remain on one
pair of wrestlers,
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maybe because they're
the main characters.
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Then we need to switch
to manual focus.
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In this shot, we've
set our focus
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to the wrestlers
in the background.
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So even when other wrestlers
crossed the foreground,
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they remain out-of-focus, which
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also has a very pleasing look.
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Shot like this can work in
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both autofocus and manual focus.
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It just depends on the
look that we want,
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the story elements involved.
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I hope those examples provide
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clarity to some advantages and
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disadvantages to both manual and
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autofocus and what works
and what doesn't work.
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