All language subtitles for 24 - Promoting Your Film

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These are the user uploaded subtitles that are being translated: 1 00:00:13,300 --> 00:00:17,166 ultimately a film when it's completed uh 2 00:00:17,866 --> 00:00:19,499 there was a period of time where 3 00:00:19,733 --> 00:00:22,533 I remember the first films opening up 4 00:00:22,533 --> 00:00:23,466 doing some interviews 5 00:00:23,466 --> 00:00:24,599 press interviews 6 00:00:25,166 --> 00:00:26,566 very little television 7 00:00:27,866 --> 00:00:29,366 well the point is this that 8 00:00:30,866 --> 00:00:32,533 you know if you're in narrative cinema 9 00:00:32,533 --> 00:00:34,733 and you're making films 10 00:00:34,733 --> 00:00:36,266 you're an American filmmaker 11 00:00:36,333 --> 00:00:39,099 whether you make them in New York or Chicago and Austin 12 00:00:39,100 --> 00:00:41,133 Texas and everything kind of around the world 13 00:00:41,133 --> 00:00:42,466 they feel their Hollywood films 14 00:00:42,466 --> 00:00:45,466 even if they're of a different style 15 00:00:46,300 --> 00:00:48,766 but particularly back in the early 70s 16 00:00:48,766 --> 00:00:49,766 all the way through the 70s 17 00:00:49,766 --> 00:00:51,833 they were coming out of Hollywood and away 18 00:00:52,700 --> 00:00:54,366 even though some of them were shot in New York 19 00:00:54,366 --> 00:00:55,566 and edited here 20 00:00:55,566 --> 00:00:56,666 they really were 21 00:00:56,766 --> 00:00:59,666 so once they were picked up for distribution 22 00:00:59,666 --> 00:01:00,699 the distribution companies 23 00:01:00,700 --> 00:01:02,033 with the Hollywood companies 24 00:01:02,066 --> 00:01:03,899 at least the films that I made 25 00:01:04,733 --> 00:01:06,199 you know and so 26 00:01:06,200 --> 00:01:08,666 these had to go through the Hollywood studio system 27 00:01:08,666 --> 00:01:10,866 in terms of uh uh 28 00:01:11,533 --> 00:01:13,166 in terms of letting the audience know 29 00:01:13,166 --> 00:01:14,366 the film is out there 30 00:01:15,566 --> 00:01:16,099 you have to 31 00:01:16,100 --> 00:01:16,666 you write a book 32 00:01:16,666 --> 00:01:18,066 you gotta let people know what's there 33 00:01:18,733 --> 00:01:20,366 you know uh 34 00:01:20,366 --> 00:01:21,199 you do a film 35 00:01:21,200 --> 00:01:22,133 you gotta let him know what's there 36 00:01:22,133 --> 00:01:23,499 whether you do it and it's uh 37 00:01:23,900 --> 00:01:26,933 Michael Snow's Wavelength or whether it's uh 38 00:01:26,933 --> 00:01:27,999 you know uh 39 00:01:29,300 --> 00:01:30,466 Godfather 1 40 00:01:30,466 --> 00:01:32,033 you know Godfather 2 I mean 41 00:01:32,400 --> 00:01:33,800 there's an audience 42 00:01:34,200 --> 00:01:35,733 a certain kind of audience too 43 00:01:35,733 --> 00:01:36,966 I don't say that 44 00:01:37,066 --> 00:01:38,866 you know each film 45 00:01:38,866 --> 00:01:41,799 every film is for the widest range you can 46 00:01:41,800 --> 00:01:43,700 once you do that you're 47 00:01:43,766 --> 00:01:46,866 you're creating an effect in the film that is 48 00:01:47,300 --> 00:01:50,500 watering down the picture so uh 49 00:01:51,066 --> 00:01:53,099 if you find that you made a film that 50 00:01:53,166 --> 00:01:54,599 you feel strongly about 51 00:01:54,600 --> 00:01:57,066 you feel you get as truthful as possible in it 52 00:01:57,066 --> 00:01:58,966 there might be an audience out there for it 53 00:01:59,666 --> 00:02:03,033 now you got to go out and present it to an audience 54 00:02:03,133 --> 00:02:04,199 how was that done 55 00:02:04,933 --> 00:02:06,099 in many different ways 56 00:02:06,133 --> 00:02:07,566 usually it's the actors 57 00:02:08,700 --> 00:02:10,966 people want to see certain actors in there 58 00:02:11,666 --> 00:02:13,266 in the case of 59 00:02:13,566 --> 00:02:16,699 certain individual films made in the 60s and early 70s 60 00:02:16,700 --> 00:02:18,366 there was critical reaction 61 00:02:18,533 --> 00:02:20,499 critics there were certain critics around and were very 62 00:02:20,500 --> 00:02:21,966 very powerful at the time 63 00:02:22,733 --> 00:02:24,466 you had to let the audience know that the 64 00:02:24,466 --> 00:02:25,299 pictures out there 65 00:02:25,300 --> 00:02:28,900 so you find that um 66 00:02:29,800 --> 00:02:31,300 particularly at that time 67 00:02:31,600 --> 00:02:35,033 you could have input in the trailers 68 00:02:35,533 --> 00:02:36,633 coming attractions 69 00:02:36,766 --> 00:02:39,299 you certainly can have input in the posters 70 00:02:39,733 --> 00:02:41,733 in the publicity campaign 71 00:02:41,733 --> 00:02:43,233 you got to be part of all of it 72 00:02:48,866 --> 00:02:52,066 I remember when Bonnie and Clyde was made 73 00:02:52,400 --> 00:02:53,866 Warren Batty produced it 74 00:02:54,100 --> 00:02:57,466 and it was killed by The New York Times 75 00:02:58,866 --> 00:03:01,366 the review and what Batty did was 76 00:03:01,866 --> 00:03:03,166 as a producer of the film 77 00:03:03,166 --> 00:03:05,566 he took a print of the picture by hand 78 00:03:06,200 --> 00:03:07,700 you know the hand and 79 00:03:07,700 --> 00:03:08,900 and these cans 80 00:03:08,933 --> 00:03:10,399 and went from town to town 81 00:03:11,300 --> 00:03:13,833 and went on every television show and promoted the film 82 00:03:15,200 --> 00:03:17,966 um the as a side 83 00:03:17,966 --> 00:03:19,599 as a side point 84 00:03:19,666 --> 00:03:22,966 The New York Times reviewed the film positively 85 00:03:23,133 --> 00:03:25,699 um but that was also a watershed moment 86 00:03:25,700 --> 00:03:28,800 because American cinema was changing so much 87 00:03:28,800 --> 00:03:31,066 and bunning Clyde was at the forefront of that art 88 00:03:31,066 --> 00:03:31,599 the pen and 89 00:03:31,600 --> 00:03:33,733 and baby but um 90 00:03:33,733 --> 00:03:35,466 this was the way you believe in the film 91 00:03:35,466 --> 00:03:38,299 you go out and you talk about it as best you can 92 00:03:38,733 --> 00:03:41,566 um there were different kinds of 93 00:03:43,000 --> 00:03:44,300 there are different kinds too 94 00:03:44,300 --> 00:03:45,700 of reasons for doing it 95 00:03:46,400 --> 00:03:47,333 in some cases 96 00:03:47,333 --> 00:03:48,199 it's enjoyable 97 00:03:48,200 --> 00:03:50,200 you had a good time with the people making the film 98 00:03:50,200 --> 00:03:51,600 you go out you enjoy yourself 99 00:03:51,600 --> 00:03:52,466 you celebrate a little 100 00:03:52,466 --> 00:03:54,066 little with the actors 101 00:03:54,066 --> 00:03:55,933 with the people that work on the film 102 00:03:55,933 --> 00:03:57,166 with the studio people 103 00:03:57,333 --> 00:03:58,299 and if it makes it 104 00:03:58,300 --> 00:03:58,933 it makes it 105 00:03:58,933 --> 00:04:00,133 you know um 106 00:04:00,133 --> 00:04:00,866 it doesn't it doesn't 107 00:04:00,866 --> 00:04:01,833 least you've tried 108 00:04:02,400 --> 00:04:03,100 all the times 109 00:04:03,100 --> 00:04:04,766 you've invested so much of your own money 110 00:04:04,766 --> 00:04:05,533 and your life into it 111 00:04:05,533 --> 00:04:07,533 you better go out and 112 00:04:07,533 --> 00:04:09,566 and talk about it um 113 00:04:09,566 --> 00:04:13,299 without over saturating the market um 114 00:04:13,300 --> 00:04:14,366 with yourself 115 00:04:14,366 --> 00:04:15,266 so to speak 116 00:04:15,300 --> 00:04:17,000 um that includes the actor 117 00:04:17,000 --> 00:04:18,466 includes the head director 118 00:04:18,566 --> 00:04:20,499 whatever um 119 00:04:20,700 --> 00:04:21,766 and other times 120 00:04:21,766 --> 00:04:24,566 it's good just to not do anything 121 00:04:24,800 --> 00:04:25,900 just let it play 122 00:04:25,900 --> 00:04:27,233 if it gets support 123 00:04:27,266 --> 00:04:29,633 and gets what they call word of mouth 124 00:04:30,800 --> 00:04:32,033 it's good to let it play 125 00:04:32,966 --> 00:04:35,566 so um the key is though 126 00:04:35,566 --> 00:04:36,699 you have to let people 127 00:04:36,700 --> 00:04:38,000 if you want people to see 128 00:04:38,000 --> 00:04:39,433 you got to let them know it's there 129 00:04:46,366 --> 00:04:48,799 Taxi Driver did very well 130 00:04:50,000 --> 00:04:51,200 at the box office 131 00:04:51,200 --> 00:04:52,700 I hadn't thought it would 132 00:04:53,466 --> 00:04:56,999 I was I was intent 133 00:04:57,000 --> 00:04:59,633 on using a certain kind of poster for the picture 134 00:04:59,900 --> 00:05:03,400 and they allowed us to get the posters made 135 00:05:03,400 --> 00:05:04,366 they're different images 136 00:05:04,366 --> 00:05:07,499 one beautiful one by Gree Pilart is extraordinary 137 00:05:07,866 --> 00:05:11,166 but the one that did the most for the 138 00:05:11,733 --> 00:05:12,266 for the picture 139 00:05:12,266 --> 00:05:15,766 was just a simple still from the movie itself 140 00:05:16,000 --> 00:05:17,400 kind of black and white 141 00:05:17,400 --> 00:05:19,100 but lavender finish to it 142 00:05:19,133 --> 00:05:21,966 and just a shot of genera walking up at the avenue 143 00:05:22,166 --> 00:05:23,466 that sold the picture 144 00:05:23,700 --> 00:05:25,733 if you had asked me to say 145 00:05:25,733 --> 00:05:27,399 what poster or what image is gonna sell the film 146 00:05:27,400 --> 00:05:29,666 I wouldn't have said that but it did 147 00:05:35,566 --> 00:05:36,366 so I find that 148 00:05:36,366 --> 00:05:37,266 you know I have to 149 00:05:37,266 --> 00:05:39,599 I have to be very patient 150 00:05:39,600 --> 00:05:44,000 and be very open to many different ways 151 00:05:44,200 --> 00:05:46,266 of many different ideas 152 00:05:46,600 --> 00:05:49,166 from people who do sell films 153 00:05:49,166 --> 00:05:49,899 so to speak 154 00:05:49,900 --> 00:05:51,366 it's also a very complicated thing 155 00:05:51,366 --> 00:05:54,033 because in certain cases some films 156 00:05:55,466 --> 00:05:58,399 was subject to a lot of contention during the shooting 157 00:05:58,400 --> 00:05:59,266 during the editing 158 00:05:59,266 --> 00:06:00,766 the studio fighting as I say 159 00:06:00,766 --> 00:06:02,599 years ago people could still do it 160 00:06:02,600 --> 00:06:04,000 actress take away a film 161 00:06:05,766 --> 00:06:06,866 studio takes it away 162 00:06:06,866 --> 00:06:07,999 the financiers take it away 163 00:06:08,000 --> 00:06:09,400 so there's a lot of contention 164 00:06:09,400 --> 00:06:10,700 very often nobody can agree 165 00:06:10,700 --> 00:06:11,700 and so when the film opens 166 00:06:11,700 --> 00:06:13,366 they throw it away basically 167 00:06:14,066 --> 00:06:15,266 and you could go out 168 00:06:15,400 --> 00:06:18,933 you could take it and you could sell it now 169 00:06:18,933 --> 00:06:20,599 go out meaning go from town to town 170 00:06:20,600 --> 00:06:22,033 well today you have the internet 171 00:06:22,800 --> 00:06:24,766 I'm behind on that 172 00:06:24,766 --> 00:06:25,833 so I can't really 173 00:06:26,200 --> 00:06:27,800 it just seems the information is out there 174 00:06:27,800 --> 00:06:29,333 but all the information is out there 175 00:06:29,333 --> 00:06:30,199 so how do you find it 11887

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