Afrikaans
Akan
Albanian
Amharic
Arabic
Armenian
Azerbaijani
Basque
Belarusian
Bemba
Bengali
Bihari
Bosnian
Breton
Bulgarian
Cambodian
Catalan
Cebuano
Cherokee
Chichewa
Chinese (Simplified)
Chinese (Traditional)
Corsican
Croatian
Czech
Danish
Dutch
English
Esperanto
Estonian
Ewe
Faroese
Filipino
Finnish
Frisian
Ga
Galician
Georgian
German
Greek
Guarani
Gujarati
Haitian Creole
Hausa
Hawaiian
Hebrew
Hindi
Hmong
Hungarian
Icelandic
Igbo
Indonesian
Interlingua
Irish
Italian
Japanese
Javanese
Kannada
Kazakh
Kinyarwanda
Kirundi
Kongo
Korean
Krio (Sierra Leone)
Kurdish
Kurdish (Soranî)
Kyrgyz
Laothian
Latin
Latvian
Lingala
Lithuanian
Lozi
Luganda
Luo
Luxembourgish
Macedonian
Malagasy
Malay
Malayalam
Maltese
Maori
Marathi
Mauritian Creole
Moldavian
Mongolian
Myanmar (Burmese)
Montenegrin
Nepali
Nigerian Pidgin
Northern Sotho
Norwegian
Norwegian (Nynorsk)
Occitan
Oriya
Oromo
Pashto
Persian
Polish
Portuguese (Brazil)
Portuguese (Portugal)
Punjabi
Quechua
Romanian
Romansh
Runyakitara
Russian
Samoan
Scots Gaelic
Serbian
Serbo-Croatian
Sesotho
Setswana
Seychellois Creole
Shona
Sindhi
Sinhalese
Slovak
Slovenian
Somali
Spanish
Spanish (Latin American)
Sundanese
Swahili
Swedish
Tajik
Tamil
Tatar
Telugu
Thai
Tigrinya
Tonga
Tshiluba
Tumbuka
Turkish
Turkmen
Twi
Uighur
Ukrainian
Urdu
Uzbek
Vietnamese
Welsh
Wolof
Xhosa
Yiddish
Yoruba
Zulu
The stage setup that we did for this
tour has been the best since I've been
back in Korn it puts us in this world at
Korn fans haven't seen before
it is something you have to see in its
experience that you'll take away going
you know that was an amazing show
every night the crowds just in awe and
they're wild I know that they feel the
heartbeat of corn they feel it from us
we fill it for them seeing 15,000 fans
out there every night at this stage of
our career I can't even express the
gratitude I see just all the way from
these seats all the way up to the lawn
just packed with people because it goes
up people never in and I'm just looking
out there and I still can't believe it's
still happening
a lot a lot of fans are showing up it is
a dream come true I feel like I woke up
and I won a lottery or something it's
like this is too good to be true I'm
singing people bringing their kids the
guys holding up the kids to catch the
pic you know I love that
next on this tour is something we've
never done before it's just really
interactive like stuff that moves
they're these giant plexiglass what they
look like mirrors but they can become an
LED screen they become video screens
anything you want them to be this is so
insane next-level technology it took
months of developing with our lighting
guide Church and also our front of house
guy Marco it started actually with a
little drawing I notebook we want people
to walk into the experience at a corn
show and feel like they're submerged in
the artwork of the album I wanted to
feel new and different there's four pods
over the top of this with video screens
and all kinds of lights and there's big
cubes behind us that move in and out and
everything's moving and morphing at the
same time so it gives you this really
cool effect three people on lighting
four people on video and we have 32
hands to build all this in six hours to
get it running tested and get ready for
a show this is a very very strong local
support band on stage with their amazing
performance into every night
when we performed this song you'll never
find me it's like a breath of fresh air
because it represents a new era or of
the band
the lyrics just get me man he was such
in grief
it's crazy
there's that little breakdown before the
chorus where he's whispery when I first
heard that look at all the hair on my
arms stood up
we got what's called a watch we're all
sobbings and coined that phrase watch
when he said I'm lost you'll never find
me it reminded me of all my life Who am
I on that song [ __ ]
I felt that same thing right
it's nuts but it's very emotional I
always break down at the end sometimes I
can't deal I gotta just take a minute
because [ __ ] still hurts it really does
I just went do a lot
we're starting to embrace the 25 years
we've been around and there's kind of
like a sense of accomplishment when we
play that song
my whole careers but help me being real
and sometimes I hate play that [ __ ]
song other times it's just I need to
this tour definitely one of my favorites
that we've ever done 2019
Allison chains and corn touring with
Allison chains has definitely been on
our bucket list isn't a home run tour
when that curtain drops and you feel
15,000 people screaming at the same time
knowing that they want to get off just
as bad as you want to get off it just
likes nothing like it you feel this
power it's not nerves anymore it's more
of a journalist
we can just already
it was like fans like Alice in Chains
Nine Inch Nails supper - uh rage against
machine they influenced us so much y'all
would rock out - and listen to as corner
was developing becoming corn that album
dirt changed the way corn writes music
it's just this ominous kind of droning
almost guitar playing they perfected
that I love their records it's like just
really really dark stuff musically and
vocally those harmonies were out of this
world
I think somebody wants to jam with us oh
yeah Bucky Wow it's Bucky from corn
Jerry Cantrell's guitar playing is
something that is unlike anyone else the
way that he holds out notes the way that
he blends the chromatic scale into the
melodic vocals it's legendary
we're out here doing amphitheaters every
day you know anywhere from twelve
fifteen thousand people the outdoor
amphitheater compared to an arena it's
more of a giant backyard barbecue with
15,000 of your friends I think people
connect with my voice and the music of
the band I think that we represent
something that whatever they're going
through going up already stuff going on
their lives now we're that band that
they turn on and they felt some kind of
a leaf listening to you so it's a big
powerful powerful thing
it's our audience the bottom
sorry this whole summer has been like a
party I also change doing their thing
under oath is about hanging out with us
we had the horror open up for half of
the tour the fee Verte 333 open up for
half of the tour and it feels like a
cross-generational cross-genre
mishmash of what you would have seen us
do in 1998 with different bands because
we always love to pull bands that we
love
retreat
backstage this is more like a hangout
you know it's more like everyone's
hanging out in the hallway we click with
everybody on the tour and you know
what's crazy this summer has not been as
hot we got a good year with weather
the whole concept of the thing around
the album was me dealing with my loss
the loss is coming at me the loss it's
coming at me the loss mr. Booth at bay
me and the rest of the guys in corn are
so proud of our brother for turning this
horrific event that he went through last
year around and making beautiful art out
of it
it's amazing the media that he pulled
off what he did considering the tragic
events that happened a lot of people
would shut down for quite a long time as
a brother I loved him so much and when
someone else that you've been through
with so much hurts like that all you
want to do is save for them that's how
the head and I were able to is to create
the best music possible and let him
express himself on an album and it's
kind of just released itself into these
songs
I felt that I was enveloped in this
darkness this dark entity everywhere I
turned it was there and chasing me I
feel like it's been there in my whole
life I wanted to name it something that
nothing popped in my head as from an old
biddies movie the neverending story
there is the nothing coming to destroy
Neverland with this this land Aryan it
can mean different things to different
people it makes me feel like emptiness
has this kind of like eeriness to it
what is nothing
what is something I don't know it's that
thing that tells you they're not good
enough you'll never be able to do this
it keeps you from climbing those
mountains that are totally achievable if
you silence it it was literally nothing
but it was destroying me from the inside
out and I needed to get these feelings
out and have this purge I guess some
sort making the record when I think of
the album artwork I think of that man
that's hanging with that web of nasty
voices and trapping you and keeping you
from doing what your true dreams are
represented exactly what I was feeling
good being contorted in a very
uncomfortable position being suspended
all the craziness of the coiled up
cables it's likes as a person with OCD
nightmares it's very unsettling you just
want to take cabling and put it together
so it's not gonna call or whatever you
want to do at that time I felt hopeless
and suspended and in pain and frazzled
and that image really captured that
you can feel the heart and soul in this
album in a new fresh special way because
grieving produces something beautiful
when the healing takes place and you get
to share it with people like spreads out
and touches the ones around us and those
around us are our millions of fans does
nothing exist like we speak of nothing
but does that mean it does not exist or
just by talking about it is it in this
world nothing there's nothing in this
world I can stop you from chasing your
dream something can be here nor there
and it to me that the nothing
sorry the album took quite a long time
the making of this record was done in
different stages me and monkey started
Brian and I really wanted to develop
riffs songs live with them so we got
like four songs we worked on put them on
the demo
the very first song we wrote together
that song made it on the record it's
really good one called the darkness is
revealing taking
that was one phase of the creativity and
then we got Nick involved took us all
over the map from Bakersfield to LA to
Nashville we just write write write and
write some more we did it in blocks and
then we were able to sit and live with
the songs
it's difficult when you know somebody
has gone through something to hand them
over music and say this is what we want
you to lay your soul out on it's not an
easy thing what he does so for us to
develop and create those worlds for him
to feel safe in is a big challenge well
going through the studio Nick's studio
at one time we're like what do you want
to hear today what should we go for he
goes think Vulgar Display of power and
we're like yeah those guys are our
[ __ ] heroes you know is this Jonathan
who has his phone there would be no corn
without Pantera so that song ended up
being idiosyncrasy it has a little bit
of the children
that's a similarity but sounds like corn
the word idiosyncrasy is like the
characteristic of a person for me
idiosyncrasy is this crazy dark energy
was going on around me it was like a
character trait
I guess head and I tracked together
guitars at the same time he's facing me
I'm facing him and I don't know of any
other band that does that
reverse break sweets you win I don't see
how we didn't do this way before
special and there's like a special bond
between me and monk it's fun we'd bust
each other's balls we make each other to
play better yeah there's like a unity in
the guitar playing that I know people
feel
if child
this is the first time I've had any a
chance to take my time I lock myself in
the studio and like everyone we need to
[ __ ] alone let me do what I gotta do and
that's been a lot of time working on
melodies writing lyrics and rearranging
stuff I really wanted to do something
special so I set up like four different
amazing two vocal mics doubling and
tripling quadrupling different vocals
doing harmonies and tripling all those
Hartman's so sometimes I'm ibaka rate
I'd have 20 vocal tracks of a kind of
course it's really really intense and
intricate it just took a long time to do
but in the end the payoff it made these
humongous sweet local beds that pulled
influences from I say queen or Electric
Light Orchestra you don't hear that
anymore not Prince when I write lyrics
it's more of a like spiritual experience
it's not me I'm not there something as
else is riding through me I'm feeling
I'm channeling it wait one of my
favorite things in that song is the
bridge where I'm talking about God is
making fun of me because all this
heartache and it seems like he must be
up there laughing his ass off why do I
end up with all this grief in my life it
doesn't give worse than losing someone
that you really love yeah I had the
balls to say where I [ __ ] feel and
the way he performed that bridge it
reminds me of 24 years ago and he was
doing a song called proud you could feel
it from his gut you can feel in his soul
I call it the universe God whatever but
it must have a dark sense of humor
I think that's the only song I really
dealt with the fact that I lost her you
know I have some kind of happiness and
solace knowing that she's not suffering
anymore and she's finally free
whole record is just a grieving process
of all the things I went through one not
necessary textbook Calgary meaning first
it's like denial or an anger and all
this I went through all kinds of
different stuff I went to a really dark
place and I think I brought something
back really dark with me that stayed
with me ever since I lost
most of the time there was all five of
us in the studio throwing around ideas
we did right finally free as a
five-piece and Jonathan came in I think
he was just jamming on my guitar and he
had this funk bass riff or something in
his head
betray
it's one of our favorites on the record
because it's really unique and it's got
the peaks and valleys just like the
classic corn songs we did that song in
LA I had this really cool funky vibe and
the way I'm singing and I'll just came
together it just felt right that's just
where it needed to go and not just the
feeling that I need to let out we have
this special base that has this low end
that is like butter and it just like
when it fills the whole room with the
low end on the back of it right here
carved into says one so it's base number
one it has it hidden away and it brings
it out for the records only it takes it
out and then we record with it and then
boom back it goes hidden away that's the
basis and I really mean you got a lot of
great low end and the Fieldy really
killed it and I guess if I ever lose
that one corner gonna have a different
sound
I look at every album as a snapshot of
where we are musically where we are
personally particular this emotional
rollercoaster you're exhausted in a
mental way when you're done listening to
in a great way brings back when I was
feeling the smells when I did it I just
don't never forget it was cold I was
really getting attacked and spiritual
level but our things at my house and
around me also feels good that I
accomplished and I got through it and
it's done and that's that's the
timestamp in time no it's a time run to
a new chapter in my life
I'm kind of a more positive and get
through life and do my bed and raise my
sounds of us I can start my new life
I've read online people that have lost a
loved one and they listen to the record
and they totally understand them my
brother had mental health issues and he
used drugs three years ago now he
overdosed and died and coroner's helped
me with that their music has saved me
you don't know until you've gone through
it and I think those people have gone
through it really get what I'm talking
about
I had a double wedding my mom and my
wife but it's when it should old lady is
different that and whether your kids
all these things were after all in one
it's something very traumatizing you're
not the same after that
you
intimate album release party
got together in this movie studio and
put together this concert from a handful
of fans they kicked off the record
but pizza man
we wanted to create this kind of
experience to see what you know nothing
was about it stimulated you your eyes
and ears wired man they call it hanging
and get suspended and people contorting
and along with the music and it was just
really special because it was so small
was it's a really cool event
the song cold it's kind of experimental
because it's different for corn there's
a pretty ballsy move that we can put out
a song like that 25 years into our
career it really took people by surprise
when they heard it I had no idea how far
John was gonna take it vocally and that
to me made the whole thing no one can
sound that clean but yet have a ground
bark like he does
we wanted to take chances when it came
to lightening up the mood
the course is like sores compliments
each other a lot it's just a crazy tune
then when you're in the presence of dark
entities it literally gets colder up you
get goosebumps you feel cold and that's
what that was coming from
the grind courses are me speaking I have
a vault tons and tons of songs can you
hear me was one of those songs I
remember John playing me roughs of that
quite some time ago it's a very simple
song it's very short there's not a lot
of parts to it there doesn't have to be
they ain't doing simple stuff but for me
a song something that needs to be very
simple in a stuck in your head Nick
Raskulinecz was like we need to corn
eyes this and bring the heavy guitars in
and really make it our song it's very
challenging every time to add to already
a great song they just nailed it they
did really really good now it's got the
balls and the strength of a corn song
always Tontine
this chorus is a slam-dunk it's got corn
it's got a heavy thing it's got him
pouring out his emotion I wrote it in 14
not even knowing that it would resonate
so hard with me yeah this is a call for
help
that's the craft that I love and I try
to master is getting in your head and
stay in there and difficult but if we've
given that gift it's very [ __ ]
incredible
when we released got the life I have
that same feeling where it's like it's a
little different but also it's gonna
reach many people even probably non Korn
fans
the 19 was a very hard year for me it
was letting go the passion and racing
the future kind of move on with my life
go out and take my band and go conquer
the planet again and I really enjoyed we
did Alice in Chains Ron and it was
overwhelming how many people came out
sometimes we got to walk away and you
gotta leave that stuff and try and focus
on what's ahead of you then what's
behind you going forward 2020 I'm
looking forward to looking through some
great shows were going out into January
and Franken been in the states doing
Japan and we were up for the festival
runs and that's gonna be amazing and
we're and come back to stage to do
another summer run the year is fully
booked I'm really excited to go out and
spread this record with the fans and do
something really special and have fun I
need to play it so it keeps me sane and
keeps me happy and I can't wait to share
with everybody
Can't find what you're looking for?
Get subtitles in any language from opensubtitles.com, and translate them here.