All language subtitles for 09. Lighting stands and supports.mp4
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To control our light.
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We obviously need to get it in the
right position.
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And we do that through the use of
lighting stands and supports.
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So what I'd like to do is run through
the most common lighting stands and
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supports that you're likely to encounter
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and give you more information about how
they work.
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Let's start off with the smallest and
lowest lighting supports.
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First,
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this is a floorstand.
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Now floorstand is very simple, just
folds up like so,
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and opens up sits on the floor and
allows your light to be mounted onto
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the spigot at a very low position, so
you can guide the light upwards or in a
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background, etc.
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Now while we're talking about spigots,
the spigot
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is the common attachment
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that is used for most lighting stands.
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The spigot comes with a 38th and a
quarter inch
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screw thread on either end, and they're
designed to lock into
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the fixing on the lighting stand.
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You sometimes find the spigots in a
brass material as well.
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The next step up from
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the lowest floorstand would be the low
stand.
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And I've got two types of low stand
here,
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one which is quite interesting, which
allows for this connector.
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So it's actually a floor stand with an
extension pole.
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So it turns your floorstand
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into a low stand by attaching like so,
and then all needs to be tyned and then
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allowing the floor stand, sorry, the
low stand pole to be extended
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to create slightly different heights.
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This one, which is a complete unit,
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is a low stand that folds away with
tripod style legs,
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opens up
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and has
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a reasonable
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amount of extension.
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So you can actually get the light up to
a decent height above the floor.
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So those are low stands.
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While we're here, let's look at a
specialty type of grip.
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Now this is actually a sucker pump to
attach to a gloss
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glass surface.
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So you can attach your light
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again via the spigot, which will drop
into the connector
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and allow you to put your light onto
here.
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And then you can put your light onto a
car wind screen, a glass window, or a
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glossy surface by using the pump net
mechanism and the angle
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connector to angle the lamp head,
however you want.
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Let's move up now to the more basic,
standard lighting stands.
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So here we have a standard lighting
stand,
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folds up like, so they're quite
economical,
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fairly compact, as you can see.
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And the height that we can get this one
to
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is
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top extension
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here.
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Middle extension
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here,
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final extension
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here.
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So you can see this becomes quite tall,
but it's not actually the tallest.
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And also, this sizestand is a little
bit unstable to be putting a heavy
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light right at the very top.
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So if you plan on getting lights very
high, then you might want to go to a
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slightly wider or stronger stand that
gives you better support.
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00:03:43,456 --> 00:03:47,460
Or your next best thing for getting
lights high is to then move onto
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something like a giraffe boom, which
we'll look at now.
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So the giraffe boom is actually
essentially one of these.
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And this is just a large lighting stand
on wheels.
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Let's take a look at this.
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First of all, if we undo this
mechanism, and this one here, we can
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actually fold the legs up
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on this stand,
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very compact.
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So these are actually still quite
portable.
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And I take these out on location.
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I can fit them in my car, no problem at
all.
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So we'll just get that back into
position.
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We'll lock that, and we'll lock that.
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One other thing to note here is that
you can undo the leg, one of the legs
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00:04:26,900 --> 00:04:30,437
on these so that you can angle these,
if necessary, in case you need to get
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these supporting at a slightly
different angle or different position,
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just for your reference.
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This one is the 8
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b u.
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And it has an extension here.
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So we can take this up quite high, and
it's a lot more stable than a flimsy
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lighting stand.
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If you're getting stuff up very high,
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the other bonus, as if we're working in
a studio, the wheels allow you to move
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your heavy lights around far, far more
easily than having to lift and carry
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the lights.
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00:05:00,500 --> 00:05:04,838
Now we mentioned that this is part of a
giraffe boot.
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And it exactly is that.
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00:05:06,973 --> 00:05:12,412
If we look at the giraffe boom you'll
see from this point here, this stand is
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00:05:12,412 --> 00:05:14,47
exactly the same as that one.
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The giraffe boom part is made up from
this piece here and onwards.
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00:05:19,552 --> 00:05:24,90
And its purpose, as you can see here,
is to get lights up high and out of the
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00:05:24,90 --> 00:05:24,257
way.
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00:05:24,824 --> 00:05:28,361
And if I undo the handle, you can see,
I can raise the lights up very high,
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00:05:28,828 --> 00:05:33,66
very smoothly and very easily because
of the counterbalance weight on the
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00:05:33,66 --> 00:05:33,767
other end.
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00:05:34,34 --> 00:05:38,271
That counterbalance weight can be slid
along into different positions to
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00:05:38,338 --> 00:05:43,43
balance for whatever modifier or weight
of light that you have on the end.
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So in this instance, I've just got a hmi
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on the end there.
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And that balance is set up correctly.
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So how does this mechanism work?
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Let's have a look at this over here.
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00:05:55,388 --> 00:05:56,790
So the giraffe boom
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consists of a series of poles,
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which
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00:06:01,628 --> 00:06:03,29
section together.
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00:06:03,863 --> 00:06:04,964
And then with a
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Allen key, you can adjust the
connectors.
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This one's done up a little bit too
tight.
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You loosen that one off.
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And then that would allow this pole to
secure onto that pole.
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00:06:14,674 --> 00:06:17,544
You could then secure another pole on
the end of this, and you can keep extending
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00:06:18,678 --> 00:06:22,415
or shortening these giraffe booms as
necessary.
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Additionally,
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you have this piece,
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and this is the important piece.
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This is the piece that slides onto the
pole.
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And this is the piece that then fits
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into that lighting stand, allowing you
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to adjust the angle of the giraffe boom,
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as I demonstrated with this one.
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00:06:43,236 --> 00:06:46,706
And then this particular attachment
allows you to
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00:06:47,307 --> 00:06:51,644
slide the main pole in and out at
whatever distance you require.
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00:06:51,878 --> 00:06:56,750
So whatever extension you require for
the giraffe boom can be controlled with
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00:06:56,916 --> 00:06:57,83
that.
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One
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here's the counterbalance weight, which
you can see just secures onto the
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00:07:03,223 --> 00:07:05,592
giraffe boom very, very simply
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00:07:06,26 --> 00:07:06,192
like.
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So once that's tightened like that
there's no way for it to fall on.
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00:07:13,133 --> 00:07:14,67
If you need
137
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even Greater height than that.
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00:07:17,70 --> 00:07:18,905
You have to move onto a large
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00:07:19,939 --> 00:07:22,876
wind up stand like this manfroto.
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This is the o 87
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n w.
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And you can see here we've got a couple
of screw connectors.
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I can take this one right down,
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and I can take this right up.
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Let's see how high this one goes.
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And as you'll see, this one goes very,
very high.
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00:07:39,225 --> 00:07:40,260
So when I'm using lighting,
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like a fluter,
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00:07:43,229 --> 00:07:46,833
a big frenel, or maybe the Powers, and
I want them very, very high,
150
00:07:47,867 --> 00:07:49,302
far away to simulate sunlight.
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Then a stand like this gives me the
ability to get the lighting right up
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high, in position, or at any height
between.
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00:07:58,578 --> 00:08:03,483
Now, obviously, a very heavy large
lighting support system like this, they
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00:08:03,550 --> 00:08:05,752
do get a little bit more expensive.
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00:08:06,353 --> 00:08:11,958
And for security reasons as well, they
have wheels that lock so that the light
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stays in position.
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Now, further to that,
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I sometimes also
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make my own custom modifiers
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or attachments.
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And you can see with this aluminium
pole, I had my local metal workshop
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create this
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so that this can fit
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into the standard size connector here,
like so.
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And now I've got a connector to put a
light in here,
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or a light in this end.
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So in this particular case, on this
lighting stand, I can have two lights
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up very high
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up in the studio
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ceiling space.
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Finally, the last type of stand that
I'd like to talk about
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are the c stands.
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Now, c stands come in the low type,
like this one, or in the standard
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height, like this one.
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I'm going to bring one of those c
stands over
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and we'll take a look at these.
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So I have two c stands,
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as I said, the short and the standard.
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Now cstans are slightly different to
lighting stands.
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I'm just going to remove this piece.
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I'm going to come back to that in a
second,
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and I'm going to remove the same grip
and arm off of that one.
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So we can just concentrate on the
stands at the moment.
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Now, c stands work differently.
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They don't have the same
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tripod fold up legs.
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They have legs that collapse
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together.
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They're a little bit tricky sometimes
these,
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but they bend around and collapse
together like so to form a flat surface.
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C stands
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are very, very strong,
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much stronger than a standard lighting
stand.
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They can take a heavier load,
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and I find they're far more stable.
196
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They also have an adjustable leg.
197
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So if you're working on uneven ground,
not all of them do, but this one does.
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If you're working on uneven ground.
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Then you can raise up the leg to be sat
at a different height, a different position.
200
00:10:26,826 --> 00:10:28,962
The sea stand extensions,
201
00:10:30,597 --> 00:10:31,998
again, go quite high.
202
00:10:33,867 --> 00:10:37,103
And because they're a lot more rigid
and a lot more solid,
203
00:10:38,838 --> 00:10:42,75
you can get them a lot higher, a lot
more safely.
204
00:10:42,342 --> 00:10:44,477
So, again, they're better for supporting
205
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heavier lights
206
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or larger
207
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modifiers.
208
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But I still would recommend putting a
sandbag
209
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over the leg of the c stand as
necessary.
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00:10:59,859 --> 00:11:03,363
Now, one of the most important uses for
c stands
211
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are using them in conjunction with a
grip
212
00:11:07,701 --> 00:11:08,735
and a grip arm.
213
00:11:09,69 --> 00:11:10,603
Let's take a closer look at that.
214
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So this is a grip.
215
00:11:12,172 --> 00:11:14,874
Let me just take this grip arm out.
216
00:11:15,375 --> 00:11:16,42
Here is the grip.
217
00:11:16,176 --> 00:11:17,610
The grip attaches
218
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to the cstan like so.
219
00:11:21,81 --> 00:11:22,415
And then the grip arm
220
00:11:23,49 --> 00:11:23,683
has
221
00:11:24,184 --> 00:11:25,318
the ability to go through
222
00:11:26,519 --> 00:11:27,854
the holes
223
00:11:28,488 --> 00:11:29,122
on the grip,
224
00:11:29,456 --> 00:11:30,357
like I've just done.
225
00:11:30,423 --> 00:11:35,195
There there's different size holes for
different size rods if you need them.
226
00:11:35,795 --> 00:11:37,430
And then when you tighten the grip,
227
00:11:39,299 --> 00:11:39,999
that locks
228
00:11:40,600 --> 00:11:45,772
that arm in that position to form a
very rigid, strong structure.
229
00:11:47,73 --> 00:11:48,975
Now, the interesting thing about this
230
00:11:49,542 --> 00:11:53,546
is this is actually very useful for
lighting, because you can turn the grip
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arm into a lighting stand.
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If you look at the connection, here you
can see, it's the same as a spigot.
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And it will also allow you to attach a
lamp head.
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00:12:05,225 --> 00:12:07,861
And in doing so, it means you've got a
great deal of versatility
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with where you can position your lamp
head.
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So you can extend the arm downwards,
which means you can get a lamp head
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right down low.
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00:12:16,336 --> 00:12:20,740
Or you can turn this into a mini boom
by getting the lamp head over and in
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00:12:20,740 --> 00:12:21,74
different positions.
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00:12:22,175 --> 00:12:26,79
Now, depending on the weight of your
lamp head and how
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00:12:26,413 --> 00:12:31,217
heavy it is, how compact, etc, you may
need to be careful with the balancing
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00:12:31,851 --> 00:12:32,252
of your
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00:12:33,386 --> 00:12:33,953
boom arm.
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00:12:34,20 --> 00:12:36,990
As you can see, in this case, the c
stand can adequately
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00:12:38,191 --> 00:12:39,693
support that light.
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00:12:40,26 --> 00:12:44,30
If you look at the leg system on a c
stand, you can see that one of the legs
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is longer than the other legs.
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So it's always a good idea to be facing
the leg and the arm in the same
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00:12:50,837 --> 00:12:53,239
direction to give the maximum amount of
support.
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00:12:53,873 --> 00:12:57,744
Now, one word of caution with arms and
grips
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is some grips that you purchase
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00:13:02,115 --> 00:13:03,616
do not have the connector
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00:13:04,651 --> 00:13:06,186
for attaching a light.
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00:13:06,353 --> 00:13:08,788
They are just sometimes a plane
connector.
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00:13:09,222 --> 00:13:13,159
Now the purpose of this particular one
is not to attach a light.
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00:13:13,560 --> 00:13:19,65
This one is for use where you want to
support an object, or possibly even
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00:13:19,299 --> 00:13:20,633
support a background.
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00:13:20,834 --> 00:13:22,736
So I could attach this grip
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00:13:23,236 --> 00:13:24,170
onto this head
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00:13:25,305 --> 00:13:27,40
and create a solid
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00:13:27,374 --> 00:13:28,174
rigid
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00:13:28,408 --> 00:13:29,75
position here.
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00:13:29,476 --> 00:13:33,546
And then I can have another one on
another head and put a tube of paper,
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00:13:33,947 --> 00:13:35,782
background paper between it.
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00:13:36,16 --> 00:13:38,84
So if you want to use a grip
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00:13:38,918 --> 00:13:43,189
arm solution for supporting lights,
just check that it has got the
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00:13:43,289 --> 00:13:45,759
spigot style connector on the end.
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00:13:46,426 --> 00:13:47,994
Now, in addition to
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00:13:48,161 --> 00:13:48,795
grips
270
00:13:49,929 --> 00:13:53,600
and arms on c stands, you can also
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00:13:55,235 --> 00:13:56,636
adjust a c stand
272
00:13:57,370 --> 00:13:59,372
to hold a small boom.
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00:14:00,507 --> 00:14:01,775
So in this case,
274
00:14:02,509 --> 00:14:04,644
there is an attachment here
275
00:14:05,378 --> 00:14:06,413
which allows
276
00:14:07,80 --> 00:14:11,785
me to put a similar style to the
giraffe boom, but actually attach it onto
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00:14:12,819 --> 00:14:12,952
the
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00:14:13,153 --> 00:14:13,453
c stand,
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00:14:14,354 --> 00:14:15,188
like so.
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00:14:16,256 --> 00:14:18,91
And now I can turn this
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00:14:18,358 --> 00:14:19,192
c stand
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00:14:19,526 --> 00:14:19,793
into
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00:14:20,994 --> 00:14:22,95
a small
284
00:14:22,395 --> 00:14:23,196
boom
285
00:14:23,830 --> 00:14:25,31
extension
286
00:14:25,465 --> 00:14:27,367
for studio lighting.
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00:14:28,34 --> 00:14:31,71
In this case, this doesn't have a
counterbalance weight.
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00:14:31,237 --> 00:14:34,341
And although I could use one of the
counterbalance weights off of the
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00:14:34,341 --> 00:14:37,143
giraffe booms, you can actually just
attach a
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00:14:38,411 --> 00:14:42,882
sandbag on the end, because there is a
hook on the end for doing so.
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00:14:43,383 --> 00:14:46,753
So that about covers, all you need to
know on lighting supports
292
00:14:47,787 --> 00:14:48,988
and lighting stands.
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00:14:49,689 --> 00:14:52,492
Next we're going to look at grips,
clamps
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00:14:52,659 --> 00:14:55,829
and accessories that we use in
conjunction with these
23059
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