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These are the user uploaded subtitles that are being translated: 1 00:00:02,35 --> 00:00:02,669 We are in 2 00:00:05,305 --> 00:00:05,705 to Photoshop. 3 00:00:06,272 --> 00:00:07,674 I'm going to show you, 4 00:00:09,142 --> 00:00:10,276 kind of just a few things. 5 00:00:10,410 --> 00:00:12,278 Obviously, we're going to go through the whole entire process. 6 00:00:12,679 --> 00:00:16,182 I don't need to show you how to use the healing tool, but I do want to show you 7 00:00:16,249 --> 00:00:17,917 basically what I would do 8 00:00:18,351 --> 00:00:19,786 to finesse this image. 9 00:00:20,186 --> 00:00:22,889 And so I'm looking to remove some distractions. 10 00:00:23,156 --> 00:00:24,324 So for example, 11 00:00:28,495 --> 00:00:29,62 let's do this. 12 00:00:29,62 --> 00:00:29,562 There we go. 13 00:00:29,629 --> 00:00:29,929 So for example, 14 00:00:31,464 --> 00:00:34,834 I've got this flare thing over here that I've got to get rid of. 15 00:00:34,834 --> 00:00:35,669 Things like that. 16 00:00:36,970 --> 00:00:40,840 This exit sign I want to get rid of back over there, because it's green. 17 00:00:41,74 --> 00:00:41,875 And unsightly, 18 00:00:42,909 --> 00:00:44,210 there's also. 19 00:00:45,612 --> 00:00:47,647 This was the railing that we had to take out. 20 00:00:47,714 --> 00:00:48,982 It's up against the side over here. 21 00:00:49,49 --> 00:00:49,949 I'm going to take that out. 22 00:00:50,517 --> 00:00:53,453 I've got this red bucket, which I think is a bit distracting. 23 00:00:54,754 --> 00:00:55,855 This flare over here. 24 00:00:56,589 --> 00:00:58,992 I think these lights up here are also a little bit distracting. 25 00:00:59,392 --> 00:01:01,928 So i'll probably take those out, or at least minimize them, 26 00:01:02,662 --> 00:01:03,830 as far as 27 00:01:04,497 --> 00:01:05,432 the subject. 28 00:01:06,332 --> 00:01:09,936 I'm going to remove this light and replace it with another one, because I 29 00:01:09,936 --> 00:01:11,4 don't like the different embellishments. 30 00:01:11,471 --> 00:01:13,606 I want something that's a little bit more consistent. 31 00:01:14,40 --> 00:01:15,208 I'm going to repair 32 00:01:15,608 --> 00:01:16,910 this flare right here. 33 00:01:17,77 --> 00:01:18,411 So you don't see it as much. 34 00:01:18,978 --> 00:01:23,350 And then I'm going to fix the edge of the hair a little bit 35 00:01:24,184 --> 00:01:24,684 from there. 36 00:01:24,751 --> 00:01:27,987 I mean, obviously you treat it like a regular old beauty retouch, 37 00:01:29,856 --> 00:01:33,960 but there's not really a whole lot of stuff that I would necessarily have to 38 00:01:33,960 --> 00:01:34,127 do. 39 00:01:34,828 --> 00:01:35,295 I get to 40 00:01:36,596 --> 00:01:37,597 get away with 41 00:01:38,31 --> 00:01:39,32 clone stamping it 42 00:01:41,67 --> 00:01:42,402 let's go too current 43 00:01:42,969 --> 00:01:44,4 and below 44 00:01:45,638 --> 00:01:45,805 this. 45 00:01:46,439 --> 00:01:48,41 Sometimes this kind of stuff is really effective 46 00:01:49,142 --> 00:01:49,609 with 47 00:01:51,544 --> 00:01:52,512 using frequency separation. 48 00:01:53,880 --> 00:01:57,450 Sometimes, like the removal of these things can definitely be easier 49 00:01:57,784 --> 00:01:58,685 with frequency separation. 50 00:01:59,152 --> 00:02:02,389 But sometimes we can just get away with stuff like that, 51 00:02:03,156 --> 00:02:03,990 nice and easy. 52 00:02:06,993 --> 00:02:08,962 This is also pretty 53 00:02:09,596 --> 00:02:11,31 consistently 54 00:02:11,931 --> 00:02:12,432 dark areas. 55 00:02:12,665 --> 00:02:13,800 There's not really a whole lot of detail. 56 00:02:15,468 --> 00:02:17,137 the way in which I clean that stuff up 57 00:02:18,271 --> 00:02:20,373 isn't hugely problematic. 58 00:02:20,840 --> 00:02:24,144 Maybe i'll kind of remove this stuff as well 59 00:02:24,577 --> 00:02:26,79 with a little bit of a healing, 60 00:02:28,982 --> 00:02:30,116 ok, something like that. 61 00:02:30,250 --> 00:02:31,351 That looks pretty good. 62 00:02:36,256 --> 00:02:36,790 That's just 63 00:02:37,457 --> 00:02:37,957 at a curiosity. 64 00:02:38,591 --> 00:02:40,326 See if this fixes that. 65 00:02:40,994 --> 00:02:42,95 Yeah, that works. 66 00:02:42,195 --> 00:02:43,363 Well, I'm ok with that. 67 00:02:45,131 --> 00:02:45,598 Ok. 68 00:02:48,101 --> 00:02:50,570 And over here it's a little bit trickier, 69 00:02:51,838 --> 00:02:52,105 because 70 00:02:53,940 --> 00:02:55,208 at the base of the poles, 71 00:02:55,942 --> 00:02:58,678 I mean, fortunately, everything's kind of out of focus, so you don't really 72 00:02:58,745 --> 00:02:59,346 see it as much. 73 00:02:59,946 --> 00:03:01,114 But what I'm going to do 74 00:03:01,848 --> 00:03:03,49 is clone stamp 75 00:03:03,783 --> 00:03:07,687 this edge down, and I'm just basically going to reconstruct the wall a little bit. 76 00:03:08,355 --> 00:03:10,557 So we're just going to do this here, 77 00:03:13,293 --> 00:03:14,561 something that looks like that, 78 00:03:17,797 --> 00:03:22,68 and we'll bring this down, just line it up, use that smart preview, 79 00:03:24,971 --> 00:03:25,438 and 80 00:03:26,39 --> 00:03:27,674 kind of clean it up a little bit 81 00:03:28,174 --> 00:03:28,408 with that. 82 00:03:31,878 --> 00:03:33,113 kind of rebuild that edge. 83 00:03:34,914 --> 00:03:35,849 It looks fine, 84 00:03:36,983 --> 00:03:40,120 and maybe we'll darken it a little bit, because it would have been a little 85 00:03:40,186 --> 00:03:40,353 darker. 86 00:03:40,653 --> 00:03:42,722 We'll just give it a little burn. 87 00:03:44,624 --> 00:03:45,125 Yeah, 88 00:03:46,593 --> 00:03:47,193 not too bad. 89 00:03:49,462 --> 00:03:51,498 Ok, that gets rid of 90 00:03:52,32 --> 00:03:52,665 my weird little 91 00:03:53,700 --> 00:03:54,434 fence in the back. 92 00:03:54,901 --> 00:03:55,368 Ok, 93 00:03:56,269 --> 00:03:58,71 as far as over here, 94 00:03:59,305 --> 00:04:00,306 I'm going to come through. 95 00:04:01,241 --> 00:04:03,309 I'm going to just basically cut this out. 96 00:04:03,309 --> 00:04:05,912 I'm going to create an edge, and I'm going to use the clone stamp again. 97 00:04:06,179 --> 00:04:06,880 So I'm just going to 98 00:04:07,480 --> 00:04:09,749 trim a little bit of this dress 99 00:04:11,851 --> 00:04:12,485 off, 100 00:04:13,453 --> 00:04:15,55 give myself the gap here. 101 00:04:16,656 --> 00:04:18,558 Ok, grab my clone stamp, 102 00:04:18,892 --> 00:04:19,526 take this, 103 00:04:20,427 --> 00:04:21,428 bring it right over. 104 00:04:29,869 --> 00:04:30,870 Maybe you have to 105 00:04:31,71 --> 00:04:32,639 rebuild it a little bit better. 106 00:04:35,608 --> 00:04:36,309 Looks like that, 107 00:04:44,651 --> 00:04:45,552 something kind of like that. 108 00:04:45,719 --> 00:04:46,86 Ok, 109 00:04:46,986 --> 00:04:50,590 and that gives me a little bit of a hard edge. 110 00:04:50,824 --> 00:04:51,391 So I just grab 111 00:04:52,492 --> 00:04:54,227 my blur tool, 112 00:04:57,931 --> 00:05:00,166 blurtool, and I just run it right over that edge. 113 00:05:02,502 --> 00:05:06,239 And that kind of gives me that a little bit, which I think, is fine. 114 00:05:06,906 --> 00:05:07,507 It's fine. 115 00:05:07,941 --> 00:05:08,108 Ok. 116 00:05:08,408 --> 00:05:10,76 So I'm going to do a little bit more clean up 117 00:05:11,711 --> 00:05:13,613 around the edge of the hair. 118 00:05:16,416 --> 00:05:20,153 And I'm going to do the same thing that I did on the dress below with this. 119 00:05:20,653 --> 00:05:22,889 So, again, trim a little bit out of it. 120 00:05:30,497 --> 00:05:31,664 Create your constraints 121 00:05:32,799 --> 00:05:33,433 stamp. 122 00:05:34,100 --> 00:05:35,669 Take it, move it in 123 00:05:36,503 --> 00:05:37,904 a little bit, 124 00:05:39,472 --> 00:05:40,473 and voila it's gone. 125 00:05:43,777 --> 00:05:44,644 Blur the edge. 126 00:05:45,211 --> 00:05:47,213 You can also do this with a pen tool. 127 00:05:48,281 --> 00:05:50,750 Probably a whole lot more exacting with the pen tool. 128 00:05:50,917 --> 00:05:54,587 I love the pen tool, but sometimes I can, I'm totally fine. 129 00:05:54,821 --> 00:05:56,156 Just quick little 130 00:05:56,656 --> 00:05:57,791 selection, blur it. 131 00:05:57,857 --> 00:05:58,391 Good to go. 132 00:06:00,493 --> 00:06:02,95 Now, up here, it gets a little bit trickier. 133 00:06:02,495 --> 00:06:05,799 So, like, this would definitely be a better instance to use the pen tool. 134 00:06:06,199 --> 00:06:07,200 But just to 135 00:06:07,801 --> 00:06:09,436 keep things relatively consistent, 136 00:06:12,505 --> 00:06:14,708 I'm going to cut a little bit off the neck. 137 00:06:19,546 --> 00:06:23,350 And so I just think that that hair over there is a little bit distracting. 138 00:06:24,417 --> 00:06:28,321 So I'm going to give her a cleaner edge to the jaw, 139 00:06:39,532 --> 00:06:41,601 you know, something kind of like that. 140 00:06:45,271 --> 00:06:45,905 Ok? 141 00:06:47,374 --> 00:06:49,275 And when you look at it from a distance, 142 00:06:50,110 --> 00:06:51,344 I messed up down below 143 00:06:54,914 --> 00:06:57,484 let's, erase this a little bit, and we go, ok. 144 00:06:57,617 --> 00:06:58,885 So when you see it from a distance, 145 00:07:01,321 --> 00:07:02,889 definitely looks a lot better 146 00:07:04,491 --> 00:07:05,759 in terms of the jaw. 147 00:07:06,259 --> 00:07:10,230 It gives her that nice clean shape and line, very easy to pull off 148 00:07:11,398 --> 00:07:11,698 up here. 149 00:07:11,865 --> 00:07:13,266 This is a similar thing. 150 00:07:13,533 --> 00:07:16,169 We just do a little bit of stamping right around the edge. 151 00:07:18,905 --> 00:07:20,840 They're also, like, it's a really great frequency separation. 152 00:07:21,241 --> 00:07:23,710 Methods to do a very similar thing here. 153 00:07:24,411 --> 00:07:25,111 And 154 00:07:28,581 --> 00:07:33,219 that probably be what I would use if I really wanted to make sure that this 155 00:07:33,319 --> 00:07:37,323 was correct and to the best of my ability, but for the sake of speed, 156 00:07:37,557 --> 00:07:42,896 which is kind of what I'm showing you today, that it can be pretty easy and straightforward. 157 00:07:43,229 --> 00:07:45,632 This is pretty effective as well. 158 00:07:45,632 --> 00:07:47,834 I'm just removing a lot of these flyaways. 159 00:07:48,201 --> 00:07:51,638 Remember, the background is pretty out of focus, so you're not seeing 160 00:07:52,839 --> 00:07:56,509 a whole lot of loss of information here to anything that you're probably going 161 00:07:56,509 --> 00:07:57,277 to be missing. 162 00:08:03,550 --> 00:08:06,720 Especially when you start seeing this, 163 00:08:08,21 --> 00:08:09,122 you know, full size, 164 00:08:10,423 --> 00:08:12,325 it just, it completely goes away. 165 00:08:12,959 --> 00:08:13,426 Oops. 166 00:08:18,598 --> 00:08:21,1 Just, you want to follow the lines of the space and 167 00:08:22,168 --> 00:08:25,271 try to keep that as clean and realistic as possible. 168 00:08:26,39 --> 00:08:29,242 Now, what i'll usually do here, because you can see that the edge of this looks 169 00:08:29,609 --> 00:08:34,247 not great, I will like, grab, like, a mask or an eraser tool, 170 00:08:35,315 --> 00:08:36,316 and kind of just, 171 00:08:37,317 --> 00:08:39,219 this is my quick way to blend hair back in. 172 00:08:39,319 --> 00:08:40,320 I just kind of draw it 173 00:08:41,788 --> 00:08:43,690 let's turn that opacity down. 174 00:08:44,491 --> 00:08:46,226 And I just kind of do this over the edge, 175 00:08:51,698 --> 00:08:52,632 and it kind of 176 00:08:52,832 --> 00:08:54,67 gives me a little bit of 177 00:08:54,668 --> 00:08:56,169 that hair edge back, 178 00:08:56,970 --> 00:08:57,904 organically. 179 00:08:58,738 --> 00:08:59,506 So there's the 180 00:09:00,573 --> 00:09:02,876 fake edge, and there's the one that looks a lot better. 181 00:09:03,376 --> 00:09:08,415 So I'm just basically I'm drawing hair, but it's not going to where I'm kind of 182 00:09:08,415 --> 00:09:09,449 drawing the strands, 183 00:09:09,549 --> 00:09:12,652 but it's not going to bring everything back, so it's going to kind of 184 00:09:13,53 --> 00:09:15,355 trim it in, but it's still going to be grounded 185 00:09:15,855 --> 00:09:17,757 a little bit more in reality. 186 00:09:18,758 --> 00:09:21,594 So this is kind of my way that I fake bringing back 187 00:09:22,495 --> 00:09:22,662 hair. 188 00:09:22,896 --> 00:09:27,67 When I trim it up pretty heavily, I just kind of draw it a little bit right 189 00:09:27,133 --> 00:09:27,801 along the edge. 190 00:09:27,867 --> 00:09:29,135 It takes me a couple minutes, 191 00:09:29,703 --> 00:09:31,504 but man, it looks way better. 192 00:09:32,505 --> 00:09:33,440 Like, take a look at this, 193 00:09:36,309 --> 00:09:36,810 right? 194 00:09:40,113 --> 00:09:42,982 And she still has that really beautiful glow all the way around, like, you 195 00:09:42,982 --> 00:09:45,919 still get the idea, it's just a much cleaner version of it. 196 00:09:47,153 --> 00:09:49,389 And that takes me, you know, all of a couple minutes. 197 00:09:49,556 --> 00:09:49,956 The thing about 198 00:09:51,57 --> 00:09:52,158 lighting with 199 00:09:52,826 --> 00:09:54,994 that rimlight is, especially when you're doing here, 200 00:09:56,29 --> 00:09:59,799 like, it highlights everything, so strong backlights will definitely 201 00:10:00,200 --> 00:10:01,601 create that effect, 202 00:10:03,236 --> 00:10:03,670 all right? 203 00:10:04,37 --> 00:10:06,72 So, I mean, you can see that this looks 204 00:10:08,508 --> 00:10:09,709 pretty good right now. 205 00:10:10,176 --> 00:10:13,113 If you want to get into turning this into a beauty retouch, 206 00:10:14,114 --> 00:10:15,215 that's a whole other thing. 207 00:10:15,782 --> 00:10:18,818 And I'm not going to get into let's make this a beauty retouch. 208 00:10:19,552 --> 00:10:22,589 But what I am going to show you is how I would 209 00:10:23,690 --> 00:10:24,657 liquify this a little bit. 210 00:10:24,657 --> 00:10:26,92 And I'm going to do a quick little 211 00:10:27,460 --> 00:10:28,628 color adjustment on it. 212 00:10:29,129 --> 00:10:31,664 So I'm going to liquify it first. 213 00:10:32,98 --> 00:10:36,169 And the way liquifi needs to work is we have to put it on a brand new layer. 214 00:10:36,803 --> 00:10:37,604 So 215 00:10:38,171 --> 00:10:41,141 I'm going to command option shift e 216 00:10:42,509 --> 00:10:47,547 on a Mac it's control, option shift e on a pc that's merge, visible on a new 217 00:10:47,547 --> 00:10:47,714 layer. 218 00:10:48,14 --> 00:10:51,317 And so what it did is, you can see that it combines both of these layers into a 219 00:10:51,317 --> 00:10:51,951 brand new layer. 220 00:10:52,352 --> 00:10:54,254 So that now when I go to liquify, 221 00:10:55,689 --> 00:10:56,489 it's 222 00:10:57,290 --> 00:10:57,957 all on one. 223 00:10:58,358 --> 00:10:58,525 Ok? 224 00:10:59,225 --> 00:11:03,463 Now, this is pretty pretty processor intensive, so if you want to just make 225 00:11:03,530 --> 00:11:07,567 that selection and come in to liquify, you can only liquify part of the image 226 00:11:07,934 --> 00:11:10,570 at once, which can be pretty helpful. 227 00:11:10,970 --> 00:11:13,606 So I'm just going to kind of shift this around a little bit, 228 00:11:14,174 --> 00:11:16,509 kind of show you what you can do to 229 00:11:18,111 --> 00:11:18,912 the shape of the dress. 230 00:11:19,79 --> 00:11:23,750 I'm really just working to make the lines a little bit more, 231 00:11:26,119 --> 00:11:28,154 a little bit more elegant, a little bit more natural. 232 00:11:28,822 --> 00:11:30,557 So I'm going to come into the face a little bit, 233 00:11:30,757 --> 00:11:31,791 and I'm also going to 234 00:11:33,226 --> 00:11:36,663 tweak the edge of the hair, which I had just cleaned up. 235 00:11:36,896 --> 00:11:39,466 This is going to allow me to make it even better. 236 00:11:39,699 --> 00:11:43,470 So if you want to come in and shrink that down a little bit, make that edge 237 00:11:44,504 --> 00:11:45,972 a little bit 238 00:11:48,675 --> 00:11:49,476 smaller and tighter. 239 00:11:49,776 --> 00:11:50,276 You can do that. 240 00:11:50,343 --> 00:11:51,344 Another cool thing is 241 00:11:51,611 --> 00:11:53,613 you can grab the 242 00:11:54,514 --> 00:11:58,118 pucker tool and you can run it right along the edge, and it's going to make 243 00:11:58,251 --> 00:11:59,185 messy hairs 244 00:12:00,253 --> 00:12:01,121 a little bit neater. 245 00:12:01,855 --> 00:12:03,356 So that's a cool one too. 246 00:12:03,623 --> 00:12:04,791 That's the pucker tool. 247 00:12:05,625 --> 00:12:06,393 That's pretty cool. 248 00:12:07,60 --> 00:12:10,864 I'm going to, I'm going to just reshape this a little bit, give myself some 249 00:12:11,297 --> 00:12:12,165 kind of really nice, 250 00:12:12,832 --> 00:12:14,67 flufy lines 251 00:12:14,334 --> 00:12:15,368 with the hair, 252 00:12:17,937 --> 00:12:19,472 and we go, that looks pretty good. 253 00:12:19,873 --> 00:12:21,274 Something that maybe looks like that. 254 00:12:23,777 --> 00:12:24,644 Yeah, this fun. 255 00:12:29,849 --> 00:12:32,786 And so it shouldn't look hugely different, 256 00:12:36,756 --> 00:12:39,359 but it definitely is like a tighter, cleaner version of it. 257 00:12:41,861 --> 00:12:45,865 I used this a lot to fix hair and wardrobe, probably more so than almost 258 00:12:46,199 --> 00:12:46,833 anything else. 259 00:12:46,900 --> 00:12:49,302 Wardrobe is one of the biggest things that I use the qualified for. 260 00:12:49,302 --> 00:12:51,204 It makes close fit much, much better. 261 00:12:51,538 --> 00:12:53,273 And so, you know, what I did down here was, 262 00:12:53,773 --> 00:12:55,208 I just reshaped it a little bit, 263 00:12:57,544 --> 00:12:57,911 kind of 264 00:12:58,745 --> 00:13:01,281 tried to fix the distortion on that pelican case 265 00:13:02,182 --> 00:13:03,516 that was poken out on the left hand side 19537

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