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We are in
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to Photoshop.
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I'm going to show you,
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00:00:09,142 --> 00:00:10,276
kind of just a few things.
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Obviously, we're going to go through
the whole entire process.
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I don't need to show you how to use the
healing tool, but I do want to show you
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basically what I would do
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to finesse this image.
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And so I'm looking to remove some
distractions.
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So for example,
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let's do this.
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There we go.
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00:00:29,629 --> 00:00:29,929
So for example,
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I've got this flare thing over here
that I've got to get rid of.
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00:00:34,834 --> 00:00:35,669
Things like that.
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This exit sign I want to get rid of
back over there, because it's green.
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And unsightly,
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there's also.
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This was the railing that we had to
take out.
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It's up against the side over here.
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I'm going to take that out.
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I've got this red bucket, which I think
is a bit distracting.
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This flare over here.
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I think these lights up here are also a
little bit distracting.
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So i'll probably take those out, or at
least minimize them,
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as far as
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the subject.
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I'm going to remove this light and
replace it with another one, because I
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00:01:09,936 --> 00:01:11,4
don't like the different
embellishments.
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I want something that's a little bit
more consistent.
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I'm going to repair
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this flare right here.
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So you don't see it as much.
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And then I'm going to fix the edge of
the hair a little bit
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from there.
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I mean, obviously you treat it like a
regular old beauty retouch,
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but there's not really a whole lot of
stuff that I would necessarily have to
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do.
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I get to
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get away with
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clone stamping it
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let's go too current
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and below
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this.
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Sometimes this kind of stuff is really
effective
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with
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using frequency separation.
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Sometimes, like the removal of these
things can definitely be easier
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with frequency separation.
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But sometimes we can just get away with
stuff like that,
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nice and easy.
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This is also pretty
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consistently
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dark areas.
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There's not really a whole lot of
detail.
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the way in which I clean that stuff up
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isn't hugely problematic.
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Maybe i'll kind of remove this stuff as
well
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with a little bit of a healing,
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ok, something like that.
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That looks pretty good.
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That's just
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at a curiosity.
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See if this fixes that.
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Yeah, that works.
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Well, I'm ok with that.
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Ok.
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And over here it's a little bit
trickier,
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because
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at the base of the poles,
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I mean, fortunately, everything's kind
of out of focus, so you don't really
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see it as much.
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00:02:59,946 --> 00:03:01,114
But what I'm going to do
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is clone stamp
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this edge down, and I'm just basically
going to reconstruct the wall a little bit.
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So we're just going to do this here,
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something that looks like that,
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and we'll bring this down, just line it
up, use that smart preview,
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and
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kind of clean it up a little bit
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with that.
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kind of rebuild that edge.
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It looks fine,
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and maybe we'll darken it a little bit,
because it would have been a little
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darker.
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We'll just give it a little burn.
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Yeah,
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not too bad.
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Ok, that gets rid of
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my weird little
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00:03:53,700 --> 00:03:54,434
fence in the back.
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Ok,
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as far as over here,
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I'm going to come through.
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I'm going to just basically cut this
out.
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I'm going to create an edge, and I'm
going to use the clone stamp again.
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So I'm just going to
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trim a little bit of this dress
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off,
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give myself the gap here.
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Ok, grab my clone stamp,
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take this,
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bring it right over.
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Maybe you have to
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rebuild it a little bit better.
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Looks like that,
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something kind of like that.
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Ok,
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00:04:46,986 --> 00:04:50,590
and that gives me a little bit of a
hard edge.
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00:04:50,824 --> 00:04:51,391
So I just grab
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00:04:52,492 --> 00:04:54,227
my blur tool,
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00:04:57,931 --> 00:05:00,166
blurtool, and I just run it right over
that edge.
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00:05:02,502 --> 00:05:06,239
And that kind of gives me that a little
bit, which I think, is fine.
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It's fine.
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00:05:07,941 --> 00:05:08,108
Ok.
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So I'm going to do a little bit more
clean up
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around the edge of the hair.
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And I'm going to do the same thing that
I did on the dress below with this.
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So, again, trim a little bit out of it.
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Create your constraints
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stamp.
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Take it, move it in
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a little bit,
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and voila it's gone.
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Blur the edge.
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00:05:45,211 --> 00:05:47,213
You can also do this with a pen tool.
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Probably a whole lot more exacting with
the pen tool.
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00:05:50,917 --> 00:05:54,587
I love the pen tool, but sometimes I
can, I'm totally fine.
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00:05:54,821 --> 00:05:56,156
Just quick little
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selection, blur it.
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Good to go.
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Now, up here, it gets a little bit
trickier.
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00:06:02,495 --> 00:06:05,799
So, like, this would definitely be a
better instance to use the pen tool.
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00:06:06,199 --> 00:06:07,200
But just to
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keep things relatively consistent,
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I'm going to cut a little bit off the
neck.
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And so I just think that that hair over
there is a little bit distracting.
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So I'm going to give her a cleaner edge
to the jaw,
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00:06:39,532 --> 00:06:41,601
you know, something kind of like that.
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Ok?
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00:06:47,374 --> 00:06:49,275
And when you look at it from a distance,
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I messed up down below
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let's, erase this a little bit, and we
go, ok.
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00:06:57,617 --> 00:06:58,885
So when you see it from a distance,
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00:07:01,321 --> 00:07:02,889
definitely looks a lot better
146
00:07:04,491 --> 00:07:05,759
in terms of the jaw.
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00:07:06,259 --> 00:07:10,230
It gives her that nice clean shape and
line, very easy to pull off
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00:07:11,398 --> 00:07:11,698
up here.
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00:07:11,865 --> 00:07:13,266
This is a similar thing.
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00:07:13,533 --> 00:07:16,169
We just do a little bit of stamping
right around the edge.
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00:07:18,905 --> 00:07:20,840
They're also, like, it's a really great
frequency separation.
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00:07:21,241 --> 00:07:23,710
Methods to do a very similar thing
here.
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00:07:24,411 --> 00:07:25,111
And
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that probably be what I would use if I
really wanted to make sure that this
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was correct and to the best of my
ability, but for the sake of speed,
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00:07:37,557 --> 00:07:42,896
which is kind of what I'm showing you
today, that it can be pretty easy and straightforward.
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This is pretty effective as well.
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00:07:45,632 --> 00:07:47,834
I'm just removing a lot of these
flyaways.
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00:07:48,201 --> 00:07:51,638
Remember, the background is pretty out
of focus, so you're not seeing
160
00:07:52,839 --> 00:07:56,509
a whole lot of loss of information here
to anything that you're probably going
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00:07:56,509 --> 00:07:57,277
to be missing.
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00:08:03,550 --> 00:08:06,720
Especially when you start seeing this,
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00:08:08,21 --> 00:08:09,122
you know, full size,
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00:08:10,423 --> 00:08:12,325
it just, it completely goes away.
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Oops.
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Just, you want to follow the lines of
the space and
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try to keep that as clean and realistic
as possible.
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Now, what i'll usually do here, because
you can see that the edge of this looks
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not great, I will like, grab, like, a
mask or an eraser tool,
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and kind of just,
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this is my quick way to blend hair back
in.
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I just kind of draw it
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let's turn that opacity down.
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And I just kind of do this over the
edge,
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and it kind of
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gives me a little bit of
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that hair edge back,
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organically.
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So there's the
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fake edge, and there's the one that
looks a lot better.
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00:09:03,376 --> 00:09:08,415
So I'm just basically I'm drawing hair,
but it's not going to where I'm kind of
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drawing the strands,
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00:09:09,549 --> 00:09:12,652
but it's not going to bring everything
back, so it's going to kind of
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00:09:13,53 --> 00:09:15,355
trim it in, but it's still going to be
grounded
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a little bit more in reality.
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So this is kind of my way that I fake
bringing back
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hair.
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When I trim it up pretty heavily, I
just kind of draw it a little bit right
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along the edge.
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It takes me a couple minutes,
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but man, it looks way better.
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Like, take a look at this,
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right?
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And she still has that really beautiful
glow all the way around, like, you
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still get the idea, it's just a much
cleaner version of it.
196
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And that takes me, you know, all of a
couple minutes.
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The thing about
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lighting with
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00:09:52,826 --> 00:09:54,994
that rimlight is, especially when
you're doing here,
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00:09:56,29 --> 00:09:59,799
like, it highlights everything, so
strong backlights will definitely
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create that effect,
202
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all right?
203
00:10:04,37 --> 00:10:06,72
So, I mean, you can see that this looks
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pretty good right now.
205
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If you want to get into turning this
into a beauty retouch,
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00:10:14,114 --> 00:10:15,215
that's a whole other thing.
207
00:10:15,782 --> 00:10:18,818
And I'm not going to get into let's
make this a beauty retouch.
208
00:10:19,552 --> 00:10:22,589
But what I am going to show you is how
I would
209
00:10:23,690 --> 00:10:24,657
liquify this a little bit.
210
00:10:24,657 --> 00:10:26,92
And I'm going to do a quick little
211
00:10:27,460 --> 00:10:28,628
color adjustment on it.
212
00:10:29,129 --> 00:10:31,664
So I'm going to liquify it first.
213
00:10:32,98 --> 00:10:36,169
And the way liquifi needs to work is we
have to put it on a brand new layer.
214
00:10:36,803 --> 00:10:37,604
So
215
00:10:38,171 --> 00:10:41,141
I'm going to command option shift e
216
00:10:42,509 --> 00:10:47,547
on a Mac it's control, option shift e
on a pc that's merge, visible on a new
217
00:10:47,547 --> 00:10:47,714
layer.
218
00:10:48,14 --> 00:10:51,317
And so what it did is, you can see that
it combines both of these layers into a
219
00:10:51,317 --> 00:10:51,951
brand new layer.
220
00:10:52,352 --> 00:10:54,254
So that now when I go to liquify,
221
00:10:55,689 --> 00:10:56,489
it's
222
00:10:57,290 --> 00:10:57,957
all on one.
223
00:10:58,358 --> 00:10:58,525
Ok?
224
00:10:59,225 --> 00:11:03,463
Now, this is pretty pretty processor
intensive, so if you want to just make
225
00:11:03,530 --> 00:11:07,567
that selection and come in to liquify,
you can only liquify part of the image
226
00:11:07,934 --> 00:11:10,570
at once, which can be pretty helpful.
227
00:11:10,970 --> 00:11:13,606
So I'm just going to kind of shift this
around a little bit,
228
00:11:14,174 --> 00:11:16,509
kind of show you what you can do to
229
00:11:18,111 --> 00:11:18,912
the shape of the dress.
230
00:11:19,79 --> 00:11:23,750
I'm really just working to make the
lines a little bit more,
231
00:11:26,119 --> 00:11:28,154
a little bit more elegant, a little bit
more natural.
232
00:11:28,822 --> 00:11:30,557
So I'm going to come into the face a
little bit,
233
00:11:30,757 --> 00:11:31,791
and I'm also going to
234
00:11:33,226 --> 00:11:36,663
tweak the edge of the hair, which I had
just cleaned up.
235
00:11:36,896 --> 00:11:39,466
This is going to allow me to make it
even better.
236
00:11:39,699 --> 00:11:43,470
So if you want to come in and shrink
that down a little bit, make that edge
237
00:11:44,504 --> 00:11:45,972
a little bit
238
00:11:48,675 --> 00:11:49,476
smaller and tighter.
239
00:11:49,776 --> 00:11:50,276
You can do that.
240
00:11:50,343 --> 00:11:51,344
Another cool thing is
241
00:11:51,611 --> 00:11:53,613
you can grab the
242
00:11:54,514 --> 00:11:58,118
pucker tool and you can run it right
along the edge, and it's going to make
243
00:11:58,251 --> 00:11:59,185
messy hairs
244
00:12:00,253 --> 00:12:01,121
a little bit neater.
245
00:12:01,855 --> 00:12:03,356
So that's a cool one too.
246
00:12:03,623 --> 00:12:04,791
That's the pucker tool.
247
00:12:05,625 --> 00:12:06,393
That's pretty cool.
248
00:12:07,60 --> 00:12:10,864
I'm going to, I'm going to just reshape
this a little bit, give myself some
249
00:12:11,297 --> 00:12:12,165
kind of really nice,
250
00:12:12,832 --> 00:12:14,67
flufy lines
251
00:12:14,334 --> 00:12:15,368
with the hair,
252
00:12:17,937 --> 00:12:19,472
and we go, that looks pretty good.
253
00:12:19,873 --> 00:12:21,274
Something that maybe looks like that.
254
00:12:23,777 --> 00:12:24,644
Yeah, this fun.
255
00:12:29,849 --> 00:12:32,786
And so it shouldn't look hugely
different,
256
00:12:36,756 --> 00:12:39,359
but it definitely is like a tighter,
cleaner version of it.
257
00:12:41,861 --> 00:12:45,865
I used this a lot to fix hair and
wardrobe, probably more so than almost
258
00:12:46,199 --> 00:12:46,833
anything else.
259
00:12:46,900 --> 00:12:49,302
Wardrobe is one of the biggest things
that I use the qualified for.
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00:12:49,302 --> 00:12:51,204
It makes close fit much, much better.
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00:12:51,538 --> 00:12:53,273
And so, you know, what I did down here
was,
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00:12:53,773 --> 00:12:55,208
I just reshaped it a little bit,
263
00:12:57,544 --> 00:12:57,911
kind of
264
00:12:58,745 --> 00:13:01,281
tried to fix the distortion on that
pelican case
265
00:13:02,182 --> 00:13:03,516
that was poken out on the left hand side
19537
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