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We are in
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to Photoshop.
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I'm going to show you,
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kind of just a few things.
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Obviously, we're going to go through
the whole entire process.
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I don't need to show you how to use the
healing tool, but I do want to show you
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basically what I would do
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to finesse this image.
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And so I'm looking to remove some
distractions.
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So for example,
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let's do this.
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There we go.
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So for example,
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I've got this flare thing over here
that I've got to get rid of.
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Things like that.
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This exit sign I want to get rid of
back over there, because it's green.
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And unsightly,
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there's also.
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This was the railing that we had to
take out.
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It's up against the side over here.
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I'm going to take that out.
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I've got this red bucket, which I think
is a bit distracting.
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This flare over here.
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I think these lights up here are also a
little bit distracting.
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So i'll probably take those out, or at
least minimize them,
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as far as
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the subject.
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I'm going to remove this light and
replace it with another one, because I
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don't like the different
embellishments.
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I want something that's a little bit
more consistent.
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I'm going to repair
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this flare right here.
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So you don't see it as much.
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And then I'm going to fix the edge of
the hair a little bit
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from there.
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I mean, obviously you treat it like a
regular old beauty retouch,
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but there's not really a whole lot of
stuff that I would necessarily have to
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do.
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I get to
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get away with
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clone stamping it
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let's go too current
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and below
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this.
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Sometimes this kind of stuff is really
effective
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with
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using frequency separation.
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Sometimes, like the removal of these
things can definitely be easier
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with frequency separation.
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But sometimes we can just get away with
stuff like that,
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nice and easy.
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This is also pretty
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consistently
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dark areas.
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There's not really a whole lot of
detail.
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the way in which I clean that stuff up
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isn't hugely problematic.
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Maybe i'll kind of remove this stuff as
well
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with a little bit of a healing,
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ok, something like that.
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That looks pretty good.
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That's just
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at a curiosity.
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See if this fixes that.
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Yeah, that works.
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Well, I'm ok with that.
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Ok.
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And over here it's a little bit
trickier,
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because
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at the base of the poles,
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I mean, fortunately, everything's kind
of out of focus, so you don't really
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see it as much.
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But what I'm going to do
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is clone stamp
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this edge down, and I'm just basically
going to reconstruct the wall a little bit.
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So we're just going to do this here,
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something that looks like that,
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and we'll bring this down, just line it
up, use that smart preview,
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and
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kind of clean it up a little bit
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with that.
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kind of rebuild that edge.
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It looks fine,
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and maybe we'll darken it a little bit,
because it would have been a little
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darker.
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We'll just give it a little burn.
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Yeah,
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not too bad.
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Ok, that gets rid of
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my weird little
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fence in the back.
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Ok,
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as far as over here,
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I'm going to come through.
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I'm going to just basically cut this
out.
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I'm going to create an edge, and I'm
going to use the clone stamp again.
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So I'm just going to
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trim a little bit of this dress
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off,
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give myself the gap here.
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Ok, grab my clone stamp,
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take this,
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bring it right over.
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Maybe you have to
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rebuild it a little bit better.
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Looks like that,
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something kind of like that.
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Ok,
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and that gives me a little bit of a
hard edge.
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So I just grab
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my blur tool,
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blurtool, and I just run it right over
that edge.
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And that kind of gives me that a little
bit, which I think, is fine.
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It's fine.
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Ok.
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So I'm going to do a little bit more
clean up
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around the edge of the hair.
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And I'm going to do the same thing that
I did on the dress below with this.
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So, again, trim a little bit out of it.
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Create your constraints
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stamp.
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Take it, move it in
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a little bit,
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and voila it's gone.
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Blur the edge.
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You can also do this with a pen tool.
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Probably a whole lot more exacting with
the pen tool.
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I love the pen tool, but sometimes I
can, I'm totally fine.
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Just quick little
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selection, blur it.
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Good to go.
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Now, up here, it gets a little bit
trickier.
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So, like, this would definitely be a
better instance to use the pen tool.
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But just to
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keep things relatively consistent,
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I'm going to cut a little bit off the
neck.
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And so I just think that that hair over
there is a little bit distracting.
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So I'm going to give her a cleaner edge
to the jaw,
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you know, something kind of like that.
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Ok?
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And when you look at it from a distance,
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I messed up down below
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let's, erase this a little bit, and we
go, ok.
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So when you see it from a distance,
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definitely looks a lot better
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in terms of the jaw.
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It gives her that nice clean shape and
line, very easy to pull off
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up here.
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This is a similar thing.
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We just do a little bit of stamping
right around the edge.
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They're also, like, it's a really great
frequency separation.
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Methods to do a very similar thing
here.
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And
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that probably be what I would use if I
really wanted to make sure that this
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was correct and to the best of my
ability, but for the sake of speed,
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which is kind of what I'm showing you
today, that it can be pretty easy and straightforward.
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This is pretty effective as well.
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I'm just removing a lot of these
flyaways.
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Remember, the background is pretty out
of focus, so you're not seeing
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a whole lot of loss of information here
to anything that you're probably going
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to be missing.
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Especially when you start seeing this,
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you know, full size,
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it just, it completely goes away.
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Oops.
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Just, you want to follow the lines of
the space and
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try to keep that as clean and realistic
as possible.
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Now, what i'll usually do here, because
you can see that the edge of this looks
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not great, I will like, grab, like, a
mask or an eraser tool,
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and kind of just,
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this is my quick way to blend hair back
in.
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I just kind of draw it
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let's turn that opacity down.
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And I just kind of do this over the
edge,
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and it kind of
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gives me a little bit of
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that hair edge back,
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organically.
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So there's the
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fake edge, and there's the one that
looks a lot better.
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So I'm just basically I'm drawing hair,
but it's not going to where I'm kind of
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drawing the strands,
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but it's not going to bring everything
back, so it's going to kind of
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trim it in, but it's still going to be
grounded
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a little bit more in reality.
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So this is kind of my way that I fake
bringing back
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hair.
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When I trim it up pretty heavily, I
just kind of draw it a little bit right
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along the edge.
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It takes me a couple minutes,
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but man, it looks way better.
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Like, take a look at this,
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right?
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And she still has that really beautiful
glow all the way around, like, you
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still get the idea, it's just a much
cleaner version of it.
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And that takes me, you know, all of a
couple minutes.
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The thing about
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lighting with
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that rimlight is, especially when
you're doing here,
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like, it highlights everything, so
strong backlights will definitely
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create that effect,
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all right?
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So, I mean, you can see that this looks
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pretty good right now.
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If you want to get into turning this
into a beauty retouch,
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that's a whole other thing.
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And I'm not going to get into let's
make this a beauty retouch.
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But what I am going to show you is how
I would
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liquify this a little bit.
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And I'm going to do a quick little
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color adjustment on it.
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So I'm going to liquify it first.
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And the way liquifi needs to work is we
have to put it on a brand new layer.
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So
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I'm going to command option shift e
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on a Mac it's control, option shift e
on a pc that's merge, visible on a new
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layer.
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00:10:48,14 --> 00:10:51,317
And so what it did is, you can see that
it combines both of these layers into a
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brand new layer.
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So that now when I go to liquify,
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it's
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all on one.
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Ok?
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Now, this is pretty pretty processor
intensive, so if you want to just make
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that selection and come in to liquify,
you can only liquify part of the image
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at once, which can be pretty helpful.
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So I'm just going to kind of shift this
around a little bit,
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kind of show you what you can do to
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the shape of the dress.
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I'm really just working to make the
lines a little bit more,
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a little bit more elegant, a little bit
more natural.
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So I'm going to come into the face a
little bit,
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and I'm also going to
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tweak the edge of the hair, which I had
just cleaned up.
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This is going to allow me to make it
even better.
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So if you want to come in and shrink
that down a little bit, make that edge
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a little bit
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smaller and tighter.
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You can do that.
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Another cool thing is
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you can grab the
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pucker tool and you can run it right
along the edge, and it's going to make
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messy hairs
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a little bit neater.
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So that's a cool one too.
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That's the pucker tool.
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That's pretty cool.
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I'm going to, I'm going to just reshape
this a little bit, give myself some
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kind of really nice,
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flufy lines
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with the hair,
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and we go, that looks pretty good.
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Something that maybe looks like that.
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Yeah, this fun.
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00:12:29,849 --> 00:12:32,786
And so it shouldn't look hugely
different,
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but it definitely is like a tighter,
cleaner version of it.
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I used this a lot to fix hair and
wardrobe, probably more so than almost
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anything else.
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Wardrobe is one of the biggest things
that I use the qualified for.
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It makes close fit much, much better.
261
00:12:51,538 --> 00:12:53,273
And so, you know, what I did down here
was,
262
00:12:53,773 --> 00:12:55,208
I just reshaped it a little bit,
263
00:12:57,544 --> 00:12:57,911
kind of
264
00:12:58,745 --> 00:13:01,281
tried to fix the distortion on that
pelican case
265
00:13:02,182 --> 00:13:03,516
that was poken out on the left hand side
19537
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