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These are the user uploaded subtitles that are being translated: 1 00:00:00,667 --> 00:00:04,870 ♪♪ 2 00:00:04,905 --> 00:00:09,541 GIAMATTI: If you had never seen a butterfly, 3 00:00:09,577 --> 00:00:12,311 you might not believe they were real. 4 00:00:15,950 --> 00:00:20,552 They are so colorful, they can't help but be noticed, 5 00:00:20,588 --> 00:00:24,490 and so fragile that being noticed should spell their doom. 6 00:00:26,627 --> 00:00:28,961 Yet butterflies are truly among nature's 7 00:00:28,996 --> 00:00:32,097 most surprising survivors... 8 00:00:32,133 --> 00:00:36,402 taking on unique powers of flight. 9 00:00:36,437 --> 00:00:38,704 From a dark and dangerous past... 10 00:00:38,739 --> 00:00:42,541 butterflies have triumphed in almost every place the planet. 11 00:00:44,979 --> 00:00:51,350 They are masters of deception and seduction, 12 00:00:51,385 --> 00:00:54,753 and they're indispensable to much of life on Earth. 13 00:00:59,260 --> 00:01:01,026 This is the story of how butterflies 14 00:01:01,062 --> 00:01:05,064 have become one of the great wonders of the world. 15 00:01:09,937 --> 00:01:19,578 ♪♪ 16 00:01:19,613 --> 00:01:29,221 ♪♪ 17 00:01:31,191 --> 00:01:37,062 ♪♪ 18 00:01:37,098 --> 00:01:38,664 GIAMATTI: We don't really know 19 00:01:38,699 --> 00:01:41,967 where the name "butterfly" came from. 20 00:01:42,002 --> 00:01:45,504 The origin of the word is lost to time... 21 00:01:49,009 --> 00:01:50,943 And in many respects, 22 00:01:50,978 --> 00:01:54,213 butterflies themselves are a mystery. 23 00:01:57,284 --> 00:02:01,053 But we do know they are remarkable. 24 00:02:03,958 --> 00:02:08,527 There are butterfly stories from every culture. 25 00:02:08,562 --> 00:02:11,697 One Chinese legend turned two tragic lovers 26 00:02:11,732 --> 00:02:15,834 into butterflies some 1,600 years ago. 27 00:02:18,639 --> 00:02:22,407 And that's what they've come to symbolize most -- 28 00:02:22,443 --> 00:02:24,943 transformation... 29 00:02:24,979 --> 00:02:27,112 metamorphosis... 30 00:02:27,148 --> 00:02:30,382 the ability to abandon an earthbound body... 31 00:02:30,417 --> 00:02:33,952 and take to the air on gossamer wings. 32 00:02:38,592 --> 00:02:41,860 Squint into a midsummer meadow in bloom. 33 00:02:41,896 --> 00:02:45,063 It's as though the flowers can fly. 34 00:02:45,099 --> 00:02:52,571 ♪♪ 35 00:02:52,606 --> 00:03:00,078 ♪♪ 36 00:03:00,114 --> 00:03:03,382 But what if we followed not our imaginations, 37 00:03:03,417 --> 00:03:08,353 but real butterflies into the worlds they actually live in? 38 00:03:08,389 --> 00:03:11,924 What would we see then? 39 00:03:11,959 --> 00:03:15,694 How did these incandescent creatures come to be? 40 00:03:15,729 --> 00:03:20,999 ♪♪ 41 00:03:27,541 --> 00:03:30,442 In the wilds of Mozambique, Africa, 42 00:03:30,477 --> 00:03:32,411 a team of scientists are tracking down 43 00:03:32,446 --> 00:03:35,247 the story of how butterflies began. 44 00:03:38,852 --> 00:03:41,853 They've come to Gorongosa National Park, 45 00:03:41,889 --> 00:03:45,357 one of the world's great centers of biodiversity. 46 00:03:45,392 --> 00:03:53,432 ♪♪ 47 00:03:53,467 --> 00:03:57,169 Armed with the tried and true tools of the collection trade, 48 00:03:57,204 --> 00:03:58,737 the team tries to get a sense 49 00:03:58,772 --> 00:04:01,340 of all the butterflies that live here. 50 00:04:04,645 --> 00:04:10,682 ♪♪ 51 00:04:10,718 --> 00:04:13,652 MAN: Oh! 52 00:04:13,687 --> 00:04:15,887 Ho ho ho. 53 00:04:15,923 --> 00:04:24,630 ♪♪ 54 00:04:24,665 --> 00:04:26,365 GIAMATTI: Akito Kawahara 55 00:04:26,400 --> 00:04:29,001 of the Florida Museum of Natural History 56 00:04:29,036 --> 00:04:33,338 studies the evolution and diversity of invertebrates. 57 00:04:33,374 --> 00:04:36,808 Especially of moths and butterflies, 58 00:04:36,844 --> 00:04:40,879 a vast group called the Lepidoptera. 59 00:04:40,914 --> 00:04:43,715 KAWAHARA: In Mozambique, we see all kinds of new species 60 00:04:43,751 --> 00:04:46,518 all the time and we're also sampling butterflies 61 00:04:46,553 --> 00:04:48,253 to try to get an idea of 62 00:04:48,289 --> 00:04:53,225 when butterflies evolved and came about. 63 00:04:53,260 --> 00:04:55,527 We still don't know much about them at all. 64 00:04:55,562 --> 00:05:01,066 ♪♪ 65 00:05:01,101 --> 00:05:03,302 GIAMATTI: It's thought that the Lepidoptera arose 66 00:05:03,337 --> 00:05:08,473 as flowering plants began to flourish across the planet. 67 00:05:08,509 --> 00:05:11,276 But there are so few traces of these delicate creatures 68 00:05:11,312 --> 00:05:13,645 in the fossil record, 69 00:05:13,681 --> 00:05:16,248 Akito can only discover their origins 70 00:05:16,283 --> 00:05:18,750 by looking at the ones alive today. 71 00:05:21,488 --> 00:05:25,624 Yet, he can still step deep into the past... 72 00:05:25,659 --> 00:05:30,095 in the primal darkness of the African night. 73 00:05:30,130 --> 00:05:37,235 ♪♪ 74 00:05:37,271 --> 00:05:44,376 ♪♪ 75 00:05:44,411 --> 00:05:47,913 The very air is thick with life. 76 00:05:51,752 --> 00:05:55,721 These are creatures from an ancient world. 77 00:05:55,756 --> 00:06:01,193 ♪♪ 78 00:06:01,228 --> 00:06:06,698 ♪♪ 79 00:06:06,734 --> 00:06:09,568 Akito and his team are attempting to reach back 80 00:06:09,603 --> 00:06:13,538 into the story of the butterfly's older cousins -- 81 00:06:13,574 --> 00:06:15,307 moths. 82 00:06:15,342 --> 00:06:17,309 MAN: [ Chuckling ] A mantis. There's a mantis. 83 00:06:17,344 --> 00:06:18,977 KAWAHARA: There's a mantis on the lens here. 84 00:06:19,012 --> 00:06:20,645 MAN: I know. 85 00:06:20,681 --> 00:06:25,751 KAWAHARA: 160,000 species of moths described so far 86 00:06:25,786 --> 00:06:29,221 and probably 500,000, maybe a million species in the world. 87 00:06:29,256 --> 00:06:32,357 We are just, just beginning to understand what's happening. 88 00:06:32,393 --> 00:06:35,260 This is a moth we want. We want to cup that. 89 00:06:35,295 --> 00:06:38,397 This is a white pyralid. This is a white crambid. 90 00:06:38,432 --> 00:06:40,766 GIAMATTI: From the astonishing gathering of insects 91 00:06:40,801 --> 00:06:42,701 drawn to the lights, 92 00:06:42,736 --> 00:06:45,871 he handpicks the characters he's interested in. 93 00:06:45,906 --> 00:06:48,206 KAWAHARA: This is a noctuid... 94 00:06:48,242 --> 00:06:51,710 about 150 maybe, 200? 95 00:06:51,745 --> 00:06:55,180 GIAMATTI: Moths are primarily creatures of the night. 96 00:06:55,215 --> 00:06:58,517 The key to their connection with brightly colored butterflies 97 00:06:58,552 --> 00:07:00,018 may lie in the predators 98 00:07:00,053 --> 00:07:03,121 that are also drawn to this midnight swarm. 99 00:07:07,227 --> 00:07:08,860 Bats. 100 00:07:11,565 --> 00:07:12,898 BARBER: They're hunting up high. 101 00:07:12,933 --> 00:07:14,132 WOMAN: Yeah. 102 00:07:14,168 --> 00:07:16,001 GIAMATTI: The bats have brought Jesse Barber 103 00:07:16,036 --> 00:07:18,637 of Boise State University here tonight. 104 00:07:18,672 --> 00:07:21,640 He's an expert on the ecology of sound. 105 00:07:21,675 --> 00:07:25,177 Together, Jesse and Akito are investigating how a predator 106 00:07:25,212 --> 00:07:28,180 and its prey shape each other. 107 00:07:28,215 --> 00:07:30,682 BARBER: We're trying to figure out how bats 108 00:07:30,717 --> 00:07:34,419 are driving moth evolution. 109 00:07:34,455 --> 00:07:36,988 There's a bat. Is it in view? 110 00:07:37,024 --> 00:07:39,090 WOMAN: Yep, Yep, right through the space. 111 00:07:39,126 --> 00:07:40,292 BARBER: Nice! 112 00:07:40,327 --> 00:07:42,527 GIAMATTI: As fast, insect hunting bats 113 00:07:42,563 --> 00:07:44,062 course through the air, 114 00:07:44,097 --> 00:07:47,299 Jesse and his team record what we cannot hear -- 115 00:07:47,334 --> 00:07:49,434 the sounds of bat sonar. 116 00:07:49,470 --> 00:07:53,004 [ Bats squeaking ] 117 00:07:53,040 --> 00:07:56,842 The recordings are slowed down to a frequency within our range. 118 00:07:56,877 --> 00:07:59,845 [ Bat squeaking ] 119 00:08:02,416 --> 00:08:04,483 Flying with mouths open, 120 00:08:04,518 --> 00:08:06,985 the bats generate high-speed sound signals 121 00:08:07,020 --> 00:08:08,620 from their larynx, 122 00:08:08,655 --> 00:08:11,423 "seeing" with sound waves and echoes. 123 00:08:16,230 --> 00:08:18,530 Pinpointing the moths' locations, 124 00:08:18,565 --> 00:08:21,600 the bats scoop them up in a catcher's mitt-like membrane 125 00:08:21,635 --> 00:08:23,502 that stretches between their feet. 126 00:08:23,537 --> 00:08:31,576 ♪♪ 127 00:08:31,612 --> 00:08:33,712 Then Jesse's ultrasonic microphones 128 00:08:33,747 --> 00:08:37,516 pick up something more surprising -- 129 00:08:37,551 --> 00:08:40,085 moths sending out their own signals 130 00:08:40,120 --> 00:08:43,788 pitched at the same frequencies as the bats' sonar. 131 00:08:43,824 --> 00:08:48,493 ♪♪ 132 00:08:48,529 --> 00:08:52,497 BARBER: To try and understand which moths are making 133 00:08:52,533 --> 00:08:53,732 ultrasound back at bats, 134 00:08:53,767 --> 00:08:56,868 we bring them into a lab setting in the field 135 00:08:56,904 --> 00:08:59,170 and play echolocation calls back at them 136 00:08:59,206 --> 00:09:00,972 and try and understand who makes sound. 137 00:09:01,008 --> 00:09:04,876 [ Squeaking ] 138 00:09:04,912 --> 00:09:06,678 We then have to figure out why, 139 00:09:06,713 --> 00:09:08,146 and we know form lab work 140 00:09:08,181 --> 00:09:10,582 back at our universities in the States 141 00:09:10,617 --> 00:09:12,751 that part of the reason they make sound 142 00:09:12,786 --> 00:09:15,220 is to jam sonar. 143 00:09:15,255 --> 00:09:16,454 Rolling. 144 00:09:16,490 --> 00:09:19,124 GIAMATTI: Jesse and Akito are attempting to unravel 145 00:09:19,159 --> 00:09:21,960 millions of years of a sonic arms race 146 00:09:21,995 --> 00:09:25,330 we've never been able to hear. 147 00:09:25,365 --> 00:09:31,503 Bats hunting with sonar, moths fighting back by jamming it. 148 00:09:31,538 --> 00:09:33,538 BARBER: These moths are actually screaming 149 00:09:33,574 --> 00:09:35,974 at incredibly high intensities back at bats. 150 00:09:36,009 --> 00:09:37,409 [ Squeaking ] 151 00:09:37,444 --> 00:09:38,877 Oh, my gosh! 152 00:09:38,912 --> 00:09:40,779 Wow! Turning the gain down. 153 00:09:40,814 --> 00:09:42,714 Lots of sound! 154 00:09:42,749 --> 00:09:45,917 GIAMATTI: While there are still so many mysteries to solve, 155 00:09:45,953 --> 00:09:47,886 Akito and his team of collaborators 156 00:09:47,921 --> 00:09:51,957 have made an extraordinary breakthrough. 157 00:09:51,992 --> 00:09:56,361 Using DNA sequencing, he is tracing the genetic origin 158 00:09:56,396 --> 00:09:59,531 of all the butterflies we've identified. 159 00:09:59,566 --> 00:10:03,902 Remarkably, they all share a single ancestor -- 160 00:10:03,937 --> 00:10:06,237 a tiny brown moth that fled the night 161 00:10:06,273 --> 00:10:10,041 some 50 million years ago, 162 00:10:10,077 --> 00:10:13,678 driven, perhaps, by the rise of bats 163 00:10:13,714 --> 00:10:16,548 relentlessly hunting the dark skies. 164 00:10:20,554 --> 00:10:26,758 In a world full of light, moths burst into color. 165 00:10:26,793 --> 00:10:30,528 We call these daytime fliers butterflies, 166 00:10:30,564 --> 00:10:35,100 but they are really some 20,000 species of colorful moths 167 00:10:35,135 --> 00:10:38,737 that have spread across every continent except Antarctica. 168 00:10:38,772 --> 00:10:45,777 ♪♪ 169 00:10:45,812 --> 00:10:52,784 ♪♪ 170 00:10:52,819 --> 00:10:59,824 ♪♪ 171 00:10:59,860 --> 00:11:03,528 The most cosmopolitan of all is the painted lady. 172 00:11:03,563 --> 00:11:09,234 ♪♪ 173 00:11:09,269 --> 00:11:16,041 She can be found throughout Europe, from India to Asia, 174 00:11:16,076 --> 00:11:21,112 from North into South America, and all across Africa. 175 00:11:21,148 --> 00:11:26,918 ♪♪ 176 00:11:26,953 --> 00:11:29,387 With its bright splashes of orange, 177 00:11:29,423 --> 00:11:33,525 her body is both beautiful and alien... 178 00:11:35,662 --> 00:11:38,897 and it's equipped with keen butterfly senses. 179 00:11:42,569 --> 00:11:46,538 The tips of her legs can "taste" the leaf she stands on. 180 00:11:46,573 --> 00:11:52,310 ♪♪ 181 00:11:52,345 --> 00:11:56,314 Her eyes have more than 30,000 lenses. 182 00:12:00,353 --> 00:12:01,853 Instead of a nose, 183 00:12:01,888 --> 00:12:05,290 she has antennae that catch the faintest scent. 184 00:12:08,228 --> 00:12:11,463 And she hears with membranes in her wings. 185 00:12:14,367 --> 00:12:17,902 Our painted lady isn't just resting with wings folded, 186 00:12:17,938 --> 00:12:19,971 she's listening for danger. 187 00:12:24,244 --> 00:12:26,878 But one of her most remarkable features is what 188 00:12:26,913 --> 00:12:32,784 we think of as a tongue -- a proboscis. 189 00:12:32,819 --> 00:12:34,552 It's made of two long strands 190 00:12:34,588 --> 00:12:36,788 that zip together to form a tube. 191 00:12:40,260 --> 00:12:44,262 She usually carries it coiled, just below her head. 192 00:12:44,297 --> 00:12:48,166 ♪♪ 193 00:12:48,201 --> 00:12:52,937 [ Birds chirping ] 194 00:12:52,973 --> 00:12:56,274 ♪♪ 195 00:12:56,309 --> 00:12:58,643 To eat is to drink, 196 00:12:58,678 --> 00:13:02,180 so a butterfly simply uncoils her proboscis, 197 00:13:02,215 --> 00:13:05,383 and with the aid of a micro-pump inside her head, 198 00:13:05,418 --> 00:13:08,720 pumps liquid nourishment up into her body. 199 00:13:08,755 --> 00:13:13,691 ♪♪ 200 00:13:13,727 --> 00:13:16,861 And it's not just nectar they're drinking. 201 00:13:16,897 --> 00:13:19,230 They can imbibe all kinds of beverages 202 00:13:19,266 --> 00:13:21,599 from lots of different surfaces. 203 00:13:24,004 --> 00:13:28,706 Sap from tree bark and mineral-rich waters 204 00:13:28,742 --> 00:13:31,309 from sand banks and tidal edges. 205 00:13:33,914 --> 00:13:35,814 Some even sip the blood, sweat, 206 00:13:35,849 --> 00:13:39,584 and tears of various hapless neighbors. 207 00:13:39,619 --> 00:13:46,024 ♪♪ 208 00:13:49,629 --> 00:13:52,230 Being able to mop up many liquids 209 00:13:52,265 --> 00:13:55,633 has helped butterflies thrive all around the world. 210 00:13:59,706 --> 00:14:02,907 And what's been good for butterflies has been very good 211 00:14:02,943 --> 00:14:05,210 for all the plants they feed on. 212 00:14:05,245 --> 00:14:15,220 ♪♪ 213 00:14:15,255 --> 00:14:18,523 Flowers prepare for butterfly visits. 214 00:14:20,927 --> 00:14:24,162 They make nectar to offer a meal, 215 00:14:24,197 --> 00:14:27,432 but it's actually a form of seduction. 216 00:14:27,467 --> 00:14:32,036 The real takeaway is pollen, the agent of procreation. 217 00:14:36,076 --> 00:14:38,409 Pollen resembles a sticky powder, 218 00:14:38,445 --> 00:14:40,979 and as the butterfly sips from the flower, 219 00:14:41,014 --> 00:14:43,982 its proboscis can't help but pick some up. 220 00:14:46,887 --> 00:14:49,454 But the butterfly doesn't seem to mind... 221 00:14:49,489 --> 00:14:50,722 or even seem to notice 222 00:14:50,757 --> 00:14:53,725 that its proboscis is encrusted with pollen. 223 00:14:58,231 --> 00:15:03,001 It coils it up in the usual way, and it's off to the next flower. 224 00:15:03,036 --> 00:15:09,407 ♪♪ 225 00:15:09,442 --> 00:15:15,847 ♪♪ 226 00:15:15,882 --> 00:15:17,849 The plant is counting on the butterfly 227 00:15:17,884 --> 00:15:21,252 to bring its pollen to flowers of the same kind, 228 00:15:21,288 --> 00:15:25,089 completing a sexual connection the plant needs. 229 00:15:25,125 --> 00:15:30,461 ♪♪ 230 00:15:30,497 --> 00:15:32,730 That's how the birds and the bees -- 231 00:15:32,766 --> 00:15:34,465 and butterflies, too -- 232 00:15:34,501 --> 00:15:38,703 have helped plants reproduce for a very long time. 233 00:15:38,738 --> 00:15:48,346 ♪♪ 234 00:15:48,381 --> 00:15:52,350 But then, there's the intriguing case of the flame azalea tree. 235 00:15:52,385 --> 00:16:01,492 ♪♪ 236 00:16:01,528 --> 00:16:03,394 Flame azaleas are native 237 00:16:03,430 --> 00:16:07,265 to the Appalachian Mountains of Virginia, 238 00:16:07,300 --> 00:16:09,767 and from late spring to midsummer, 239 00:16:09,803 --> 00:16:12,437 it's easy to see how they got their name. 240 00:16:15,475 --> 00:16:19,243 All along the high ridges, bright yellow to blazing orange 241 00:16:19,279 --> 00:16:22,780 blossoms burst out like signal fires, 242 00:16:22,816 --> 00:16:27,285 unmistakable beacons to pollinators far and wide. 243 00:16:31,424 --> 00:16:34,192 But while the flowers are showy and obvious, 244 00:16:34,227 --> 00:16:37,128 just how they are pollinated is not. 245 00:16:37,163 --> 00:16:40,098 [ Birds chirping ] 246 00:16:46,006 --> 00:16:49,540 Mary Jane Epps of Mary Baldwin University 247 00:16:49,576 --> 00:16:51,175 reveals that the mystery lies 248 00:16:51,211 --> 00:16:54,979 in the flowers' unusual architecture. 249 00:16:55,015 --> 00:16:56,781 EPPS: So, one of the really cool things 250 00:16:56,816 --> 00:16:58,549 about flame azalea flowers 251 00:16:58,585 --> 00:17:02,320 is the way the reproductive parts are situated. 252 00:17:02,355 --> 00:17:07,425 So, you have the petals, which are fused into this long tube, 253 00:17:07,460 --> 00:17:11,396 and the nectar is actually born down at the bottom of that tube. 254 00:17:11,431 --> 00:17:15,800 And here, we have the anthers, 255 00:17:15,835 --> 00:17:19,837 which are the pollen-bearing part of the plant. 256 00:17:19,873 --> 00:17:21,939 And sticking even farther out of the flower -- 257 00:17:21,975 --> 00:17:23,441 and you'll notice it's sort of curved 258 00:17:23,476 --> 00:17:25,476 at a slightly different angle often -- 259 00:17:25,512 --> 00:17:27,345 is what's called the stigma, 260 00:17:27,380 --> 00:17:29,714 that's the female reproductive organ. 261 00:17:29,749 --> 00:17:32,116 And so, for pollination to occur, 262 00:17:32,152 --> 00:17:34,919 which, of course, is required for fruit to set 263 00:17:34,954 --> 00:17:37,121 and seeds to form on a plant, 264 00:17:37,157 --> 00:17:41,192 you have to have pollen deposited on this stigma. 265 00:17:41,227 --> 00:17:43,661 [ Buzzing ] 266 00:17:43,696 --> 00:17:45,763 There are lots and lots of different insects 267 00:17:45,799 --> 00:17:50,101 that come to flame azaleas -- various bees, 268 00:17:50,136 --> 00:17:54,038 butterflies, flies, even beetles. 269 00:17:54,074 --> 00:17:56,374 Noticing a lot of these bees would gather lots of pollen 270 00:17:56,409 --> 00:17:59,744 but never make contact with that stigma. 271 00:17:59,779 --> 00:18:02,447 So, we started wondering who actually does 272 00:18:02,482 --> 00:18:04,982 the pollination here. 273 00:18:06,686 --> 00:18:11,956 ♪♪ 274 00:18:11,991 --> 00:18:13,791 GIAMATTI: The flower's design foils 275 00:18:13,827 --> 00:18:16,294 even a large eastern tiger swallowtail 276 00:18:16,329 --> 00:18:18,563 as it comes for a drink of nectar. 277 00:18:22,469 --> 00:18:25,069 EPPS: So here's a swallowtail... 278 00:18:25,105 --> 00:18:29,073 coming right in to this azalea. 279 00:18:29,109 --> 00:18:30,641 GIAMATTI: Then Mary Jane discovered 280 00:18:30,677 --> 00:18:34,612 the telltale fingerprints a butterfly leaves behind. 281 00:18:34,647 --> 00:18:39,517 EPPS: Wow. All of these have butterfly wing scales on them. 282 00:18:39,552 --> 00:18:41,586 GIAMATTI: As the butterfly drinks, 283 00:18:41,621 --> 00:18:45,623 its wings constantly brush against the anthers. 284 00:18:49,028 --> 00:18:52,530 The faintest touch pulls out a chain of pollen, 285 00:18:52,565 --> 00:18:54,499 like a party streamer... 286 00:18:56,970 --> 00:18:58,402 and with another wingbeat, 287 00:18:58,438 --> 00:19:02,406 deposits some on the sticky stigma. 288 00:19:02,442 --> 00:19:04,609 Pollination has begun! 289 00:19:08,414 --> 00:19:11,149 This discovery was a true surprise. 290 00:19:11,184 --> 00:19:15,353 It's just the third case of wing pollination ever recorded. 291 00:19:18,358 --> 00:19:22,226 But as the swallowtails flutter from tree to tree, 292 00:19:22,262 --> 00:19:25,329 it appears their wings have become an essential partner 293 00:19:25,365 --> 00:19:28,833 in the sex life of the flame azaleas. 294 00:19:28,868 --> 00:19:36,073 ♪♪ 295 00:19:36,109 --> 00:19:43,347 ♪♪ 296 00:19:58,498 --> 00:20:01,666 ♪♪ 297 00:20:01,701 --> 00:20:04,936 A painted lady has her own offspring to create... 298 00:20:07,473 --> 00:20:11,776 and lays dozens of tiny eggs of a surprising blue. 299 00:20:11,811 --> 00:20:20,518 ♪♪ 300 00:20:20,553 --> 00:20:29,260 ♪♪ 301 00:20:29,295 --> 00:20:33,130 Each egg is attached to a leaf with a special glue 302 00:20:33,166 --> 00:20:36,234 that keeps it in place at any angle. 303 00:20:36,269 --> 00:20:43,074 ♪♪ 304 00:20:43,109 --> 00:20:49,313 They are jewel-like and almost microscopically small. 305 00:20:49,349 --> 00:20:52,617 She clusters them on leaves the babies will be able to eat 306 00:20:52,652 --> 00:20:55,152 when they hatch. 307 00:20:58,858 --> 00:21:01,859 And that's the end of her motherly duties. 308 00:21:01,894 --> 00:21:10,401 ♪♪ 309 00:21:16,442 --> 00:21:18,809 But in just five days, 310 00:21:18,845 --> 00:21:21,912 a little caterpillar begins to break out of its shell. 311 00:21:21,948 --> 00:21:30,488 ♪♪ 312 00:21:30,523 --> 00:21:39,096 ♪♪ 313 00:21:39,132 --> 00:21:43,167 The eggs were only the size of a pinhead. 314 00:21:43,202 --> 00:21:47,171 The baby caterpillars are smaller than a grain of rice. 315 00:21:47,206 --> 00:21:53,511 ♪♪ 316 00:21:53,546 --> 00:21:56,180 Even the plant hairs sprouting from the leaf 317 00:21:56,215 --> 00:21:58,549 are giant obstacles for them. 318 00:21:58,584 --> 00:22:06,490 ♪♪ 319 00:22:06,526 --> 00:22:08,859 Almost nothing about this little caterpillar 320 00:22:08,895 --> 00:22:12,730 resembles its parents. 321 00:22:12,765 --> 00:22:16,801 With 8 pairs of legs, a black spiky suit, 322 00:22:16,836 --> 00:22:18,936 and no wings at all, 323 00:22:18,971 --> 00:22:21,272 it's an entirely different animal. 324 00:22:21,307 --> 00:22:27,178 ♪♪ 325 00:22:27,213 --> 00:22:31,082 And its whole world is confined to its host plant. 326 00:22:35,221 --> 00:22:39,123 And so it eats. 327 00:22:39,158 --> 00:22:42,993 The more it eats, the faster it grows, 328 00:22:43,029 --> 00:22:47,398 and thus begins a life of one transformation after another. 329 00:22:51,938 --> 00:22:55,339 Little painted ladies will transition through 5 stages 330 00:22:55,375 --> 00:22:57,208 called instars, 331 00:22:57,243 --> 00:22:59,810 building a new body each time. 332 00:23:04,584 --> 00:23:07,451 Every stage is a mini metamorphosis 333 00:23:07,487 --> 00:23:08,686 as hormones trigger 334 00:23:08,721 --> 00:23:11,789 ongoing changes in the caterpillar's body. 335 00:23:15,395 --> 00:23:19,330 But unable to fly away, they're an easy target. 336 00:23:19,365 --> 00:23:25,336 ♪♪ 337 00:23:25,371 --> 00:23:29,039 A young blue jay, no longer being fed by its parents, 338 00:23:29,075 --> 00:23:30,775 can make a good start on its own 339 00:23:30,810 --> 00:23:33,043 with helpless little caterpillars. 340 00:23:33,079 --> 00:23:41,218 ♪♪ 341 00:23:41,254 --> 00:23:49,427 ♪♪ 342 00:23:49,462 --> 00:23:57,601 ♪♪ 343 00:23:57,637 --> 00:24:00,871 But some caterpillars are able to fight back. 344 00:24:03,976 --> 00:24:05,843 A monarch is already set 345 00:24:05,878 --> 00:24:10,347 on an elaborate course of self-defense. 346 00:24:10,383 --> 00:24:13,884 The milkweed it feeds on is full of noxious chemicals, 347 00:24:13,920 --> 00:24:18,122 and the caterpillar will store them up and become noxious, too. 348 00:24:20,626 --> 00:24:22,793 Some caterpillars are so toxic, 349 00:24:22,829 --> 00:24:25,429 they can make their predators really sick. 350 00:24:27,500 --> 00:24:30,034 These plump, juicy-looking characters are busy 351 00:24:30,069 --> 00:24:32,303 weaponizing black cherry leaves 352 00:24:32,338 --> 00:24:35,272 into a version of hydrogen cyanide. 353 00:24:35,308 --> 00:24:45,282 ♪♪ 354 00:24:45,318 --> 00:24:47,852 All across the butterfly kingdom, 355 00:24:47,887 --> 00:24:50,921 20,000 species known so far, 356 00:24:50,957 --> 00:24:54,525 20,00 different caterpillars parade. 357 00:24:54,560 --> 00:25:00,397 ♪♪ 358 00:25:00,433 --> 00:25:06,270 ♪♪ 359 00:25:06,305 --> 00:25:10,541 Some glow a leafy green... 360 00:25:10,576 --> 00:25:14,345 others wear elaborate disguises... 361 00:25:14,380 --> 00:25:16,480 or simply taste terrible. 362 00:25:16,516 --> 00:25:23,020 ♪♪ 363 00:25:23,055 --> 00:25:25,523 This one tries looking like a snake! 364 00:25:25,558 --> 00:25:33,297 ♪♪ 365 00:25:33,332 --> 00:25:36,834 Sometimes, it's hard to see what look they're going for. 366 00:25:36,869 --> 00:25:42,673 ♪♪ 367 00:25:42,708 --> 00:25:46,143 Others just look disgusting... 368 00:25:46,178 --> 00:25:49,380 like bird droppings... 369 00:25:49,415 --> 00:25:53,350 or even an unappetizing fur ball. 370 00:25:53,386 --> 00:25:59,390 ♪♪ 371 00:25:59,425 --> 00:26:05,396 ♪♪ 372 00:26:05,431 --> 00:26:10,200 It's all to give them a chance to eat and not be eaten. 373 00:26:13,139 --> 00:26:16,006 It's a problem they face all their lives. 374 00:26:16,042 --> 00:26:19,610 So if they carry their noxious chemicals into adulthood, 375 00:26:19,645 --> 00:26:22,212 they want their predators to know it. 376 00:26:22,248 --> 00:26:28,452 ♪♪ 377 00:26:28,487 --> 00:26:30,721 That foul-tasting monarch caterpillar 378 00:26:30,756 --> 00:26:35,025 passes its milkweed toxins on to its butterfly form. 379 00:26:35,061 --> 00:26:37,661 Predators learn quickly not to eat it. 380 00:26:40,933 --> 00:26:43,567 And so its cousin, the queen butterfly, 381 00:26:43,603 --> 00:26:47,771 has converged on the same look. 382 00:26:47,807 --> 00:26:53,277 It, too, feeds on milkweed and tastes just as bad. 383 00:26:53,312 --> 00:26:55,145 By looking so similar, 384 00:26:55,181 --> 00:26:57,147 it doubles down on the warning signal 385 00:26:57,183 --> 00:26:59,850 the monarch sends to predators. 386 00:27:04,690 --> 00:27:09,393 But some butterflies get away with a bold-faced lie. 387 00:27:13,165 --> 00:27:15,966 This highly toxic pipe-vine swallowtail 388 00:27:16,002 --> 00:27:19,403 is loaded with plant acids. 389 00:27:19,438 --> 00:27:20,938 Its beautiful markings 390 00:27:20,973 --> 00:27:24,708 are copied by the black swallowtail... 391 00:27:24,744 --> 00:27:28,712 and a dark version of the eastern tiger swallowtail. 392 00:27:30,783 --> 00:27:33,450 It's very hard to tell them all apart, 393 00:27:33,486 --> 00:27:36,387 and that's precisely the point. 394 00:27:38,457 --> 00:27:41,091 Two of them are perfectly good to eat... 395 00:27:43,329 --> 00:27:45,629 but they're hoping to scare predators away 396 00:27:45,665 --> 00:27:49,566 simply by looking like their poisonous cousin, the pipe-vine. 397 00:27:53,272 --> 00:27:56,273 But whether your colors are true or false, 398 00:27:56,308 --> 00:28:01,311 you can't fool all of the predators all of the time. 399 00:28:01,347 --> 00:28:03,447 Butterflies are such an important prey 400 00:28:03,482 --> 00:28:05,349 for so many creatures, 401 00:28:05,384 --> 00:28:10,220 they live in constant danger in every field and forest. 402 00:28:10,256 --> 00:28:16,927 ♪♪ 403 00:28:22,535 --> 00:28:25,002 When you're surrounded by enemies, 404 00:28:25,037 --> 00:28:27,538 it good to have an ally. 405 00:28:29,542 --> 00:28:31,341 From deep in the Peruvian Amazon, 406 00:28:31,377 --> 00:28:34,611 a report has surfaced of some strange behavior 407 00:28:34,647 --> 00:28:36,447 between a butterfly 408 00:28:36,482 --> 00:28:38,682 and one of the most formidable creatures 409 00:28:38,718 --> 00:28:40,818 in all the rainforest. 410 00:28:43,756 --> 00:28:48,258 They're organized, disciplined, 411 00:28:48,294 --> 00:28:51,662 relentless, adaptable. 412 00:28:56,068 --> 00:29:00,304 The collective power of ants is enough to intimidate anybody. 413 00:29:03,809 --> 00:29:05,509 But Aaron Pomerantz, 414 00:29:05,544 --> 00:29:09,346 a PhD student at the University of California, 415 00:29:09,381 --> 00:29:10,948 has come to Peru to follow up 416 00:29:10,983 --> 00:29:13,784 on a startling account of a butterfly 417 00:29:13,819 --> 00:29:15,953 braving such an army. 418 00:29:15,988 --> 00:29:17,788 POMERANTZ: So a collaborator of mine, 419 00:29:17,823 --> 00:29:19,289 his name is Phil Torres, 420 00:29:19,325 --> 00:29:20,924 he noticed that there were these butterflies 421 00:29:20,960 --> 00:29:23,827 that were sort of hanging out with ants on bamboo stalks, 422 00:29:23,863 --> 00:29:26,029 which was kind of odd because 423 00:29:26,065 --> 00:29:28,398 ants usually treat butterflies as they would anything else. 424 00:29:28,434 --> 00:29:29,700 They'll attack them. 425 00:29:29,735 --> 00:29:32,836 They'll, you know, use them as a food source. 426 00:29:32,872 --> 00:29:36,507 GIAMATTI: The bamboo itself is an important part of the story. 427 00:29:36,542 --> 00:29:38,008 POMERANTZ: From what I've been reading, 428 00:29:38,043 --> 00:29:39,409 not a lot of things eat bamboo. 429 00:29:39,445 --> 00:29:43,981 It's really tough, you know, old, woody cellulose. 430 00:29:44,016 --> 00:29:45,649 GIAMATTI: But Aaron began searching for 431 00:29:45,684 --> 00:29:47,751 just the right young stalks 432 00:29:47,787 --> 00:29:51,121 and made a fascinating discovery. 433 00:29:51,157 --> 00:29:55,325 Tiny ants swarm all over the ends of the stalks, 434 00:29:55,361 --> 00:29:59,329 drinking a sugary nectar seeping from the tips of the shoots. 435 00:29:59,365 --> 00:30:06,003 ♪♪ 436 00:30:06,038 --> 00:30:08,872 POMERANTZ: At the base of the bamboo there are these leaves. 437 00:30:08,908 --> 00:30:10,307 So, as I pulled one back... 438 00:30:10,342 --> 00:30:13,177 Oh, we got caterpillars! 439 00:30:13,212 --> 00:30:16,513 ...there were ants hovering over them, 440 00:30:16,549 --> 00:30:19,049 and I thought, oh, man, this might be the first time anyone 441 00:30:19,084 --> 00:30:21,652 has ever seen the larval stage for this butterfly. 442 00:30:25,357 --> 00:30:30,093 GIAMATTI: Aaron had uncovered a story that was new to science. 443 00:30:30,129 --> 00:30:33,096 He had discovered the unusual life cycle of a butterfly 444 00:30:33,132 --> 00:30:37,067 called Adelotypa annulifera. 445 00:30:37,102 --> 00:30:41,905 Its tiny caterpillars are doted on by ferocious ants. 446 00:30:41,941 --> 00:30:49,346 ♪♪ 447 00:30:49,381 --> 00:30:50,948 POMERANTZ: Oh, very cool. 448 00:30:50,983 --> 00:30:53,984 GIAMATTI: Then, Aaron noticed that the caterpillars, too, 449 00:30:54,019 --> 00:30:56,086 were drinking the bamboo sap, 450 00:30:56,121 --> 00:31:00,157 all the while under the protection of the ants. 451 00:31:00,192 --> 00:31:01,859 POMERANTZ: if we actually tried to get in there 452 00:31:01,894 --> 00:31:03,160 and handle the caterpillar, 453 00:31:03,195 --> 00:31:05,195 the ants would attack us. 454 00:31:05,231 --> 00:31:07,297 You know, whether you're a parasitoid wasp, 455 00:31:07,333 --> 00:31:08,799 or a bird, or a human, 456 00:31:08,834 --> 00:31:11,501 these ants are going to protect them until their last breath. 457 00:31:11,537 --> 00:31:17,774 ♪♪ 458 00:31:17,810 --> 00:31:21,011 GIAMATTI: The caterpillars earn this security service 459 00:31:21,046 --> 00:31:24,948 by producing a sweet nectar of their own from the bamboo sap. 460 00:31:28,654 --> 00:31:33,423 It's highly nutritious and rich in energy, 461 00:31:33,459 --> 00:31:35,259 and the ants mob the caterpillars 462 00:31:35,294 --> 00:31:38,328 to gain access to this special brew. 463 00:31:38,364 --> 00:31:44,401 ♪♪ 464 00:31:44,436 --> 00:31:46,603 But what of the butterflies? 465 00:31:46,639 --> 00:31:48,472 How does this story end? 466 00:31:50,943 --> 00:31:52,876 Aaron sets up a time-lapse camera 467 00:31:52,912 --> 00:31:55,345 focused on the tip of a bamboo shoot. 468 00:31:55,381 --> 00:31:56,980 POMERANTZ: The butterflies are very rare. 469 00:31:57,016 --> 00:31:59,249 They're very skittish, so it could be that our presence 470 00:31:59,285 --> 00:32:00,951 is preventing them from coming by, 471 00:32:00,986 --> 00:32:03,854 but we're going to let this sit and take an image 472 00:32:03,889 --> 00:32:05,789 every set half hour or so. 473 00:32:05,824 --> 00:32:08,859 And, if we're lucky, maybe the butterfly will come by. 474 00:32:08,894 --> 00:32:17,601 ♪♪ 475 00:32:17,636 --> 00:32:26,376 ♪♪ 476 00:32:26,412 --> 00:32:29,680 Ah, there we go! 477 00:32:29,715 --> 00:32:32,950 GIAMATTI: Left undisturbed for hours in the rainforest, 478 00:32:32,985 --> 00:32:34,551 the camera has captured a glimpse 479 00:32:34,586 --> 00:32:37,754 of these most remarkable butterflies. 480 00:32:40,926 --> 00:32:44,695 They, too, come to bamboo to sip the nectar in a rare instance 481 00:32:44,730 --> 00:32:45,963 of butterflies 482 00:32:45,998 --> 00:32:50,901 and their caterpillars relying on the same food. 483 00:32:50,936 --> 00:32:54,438 The nectar appears to fuel their entire lives. 484 00:32:57,443 --> 00:33:01,645 And amazingly, the ants allow it. 485 00:33:01,680 --> 00:33:04,214 It's the only example we know of where ants 486 00:33:04,249 --> 00:33:06,984 and butterflies feed together. 487 00:33:09,421 --> 00:33:13,890 And look closely at the butterfly's wings. 488 00:33:13,926 --> 00:33:18,195 Red spots grouped in threes may be mimicking the ants 489 00:33:18,230 --> 00:33:20,764 and doubling the butterfly's defenses. 490 00:33:23,068 --> 00:33:27,070 Instead of a butterfly, a bird might look down and see nasty, 491 00:33:27,106 --> 00:33:29,039 stinging insects, 492 00:33:29,074 --> 00:33:31,341 while the ants, looking up, 493 00:33:31,377 --> 00:33:34,678 see a reassuring version of themselves. 494 00:33:47,326 --> 00:33:50,627 With or without bodyguards, a caterpillar's job 495 00:33:50,662 --> 00:33:52,329 is to store up enough energy 496 00:33:52,364 --> 00:33:55,999 to undergo one of the greatest rites of passage 497 00:33:56,035 --> 00:33:57,901 in all of nature. 498 00:33:57,936 --> 00:34:05,008 ♪♪ 499 00:34:05,044 --> 00:34:08,045 A painted lady has reached her last instar 500 00:34:08,080 --> 00:34:12,015 and finally stops eating. 501 00:34:12,051 --> 00:34:17,087 She spins a bit of silk, attaches herself to a stem, 502 00:34:17,122 --> 00:34:19,356 and hangs head down. 503 00:34:21,427 --> 00:34:24,261 Underneath her final caterpillar skin, 504 00:34:24,296 --> 00:34:27,731 she is once more creating a new body, 505 00:34:27,766 --> 00:34:30,500 but this time, it's stunningly different 506 00:34:30,536 --> 00:34:33,303 than the 5 bodies she has made before. 507 00:34:33,338 --> 00:34:40,577 ♪♪ 508 00:34:40,612 --> 00:34:47,884 ♪♪ 509 00:34:47,920 --> 00:34:50,587 When she finally wriggles free... 510 00:34:50,622 --> 00:34:54,458 she is no longer a caterpillar at all. 511 00:34:54,493 --> 00:34:58,261 She has become a chrysalis, a butterfly pupa. 512 00:35:00,699 --> 00:35:03,600 Her new shape is already a blueprint for the creature 513 00:35:03,635 --> 00:35:06,403 she will ultimately be. 514 00:35:06,438 --> 00:35:10,907 But now she's in the midst of a transformation so radical, 515 00:35:10,943 --> 00:35:14,778 science is still attempting to decipher how she does it. 516 00:35:19,051 --> 00:35:23,887 Her outer skin dries and hardens. 517 00:35:23,922 --> 00:35:25,622 For most of the next two weeks, 518 00:35:25,657 --> 00:35:30,494 the dull casing of skin looks dormant. 519 00:35:30,529 --> 00:35:34,631 But inside, special cells send out instructions 520 00:35:34,666 --> 00:35:38,668 that complete a miraculous metamorphosis. 521 00:35:38,704 --> 00:35:47,511 ♪♪ 522 00:35:47,546 --> 00:35:56,386 ♪♪ 523 00:35:56,421 --> 00:36:05,228 ♪♪ 524 00:36:05,264 --> 00:36:07,464 Then... 525 00:36:07,499 --> 00:36:09,166 suddenly... 526 00:36:11,436 --> 00:36:15,539 she splits that skin open and is born again 527 00:36:15,574 --> 00:36:18,408 as a fully formed butterfly! 528 00:36:18,443 --> 00:36:27,951 ♪♪ 529 00:36:27,986 --> 00:36:31,121 She seems surprised by her unfamiliar body. 530 00:36:35,160 --> 00:36:38,895 How strange her new extended legs must feel. 531 00:36:38,931 --> 00:36:44,501 ♪♪ 532 00:36:44,536 --> 00:36:48,004 Her head now has large, complex eyes. 533 00:36:50,742 --> 00:36:54,878 Her jaws have been replaced with a long proboscis. 534 00:36:54,913 --> 00:36:58,381 Its two unruly strands must be zipped together, 535 00:36:58,417 --> 00:37:01,351 and she struggles to get them under control. 536 00:37:01,386 --> 00:37:07,991 ♪♪ 537 00:37:08,026 --> 00:37:12,562 And now she has the ultimate in new parts -- wings! 538 00:37:14,933 --> 00:37:17,033 Slowly, they unfurl. 539 00:37:17,069 --> 00:37:25,308 ♪♪ 540 00:37:25,344 --> 00:37:33,550 ♪♪ 541 00:37:33,585 --> 00:37:41,825 ♪♪ 542 00:37:41,860 --> 00:37:45,161 Finally, she takes flight, 543 00:37:45,197 --> 00:37:47,264 joining a new cohort of butterflies 544 00:37:47,299 --> 00:37:50,900 trying out their wings for the very first time. 545 00:37:50,936 --> 00:37:58,508 ♪♪ 546 00:37:58,543 --> 00:38:01,378 And the way they fly is unique. 547 00:38:01,413 --> 00:38:06,383 ♪♪ 548 00:38:06,418 --> 00:38:09,552 Butterflies have such large wings for their size, 549 00:38:09,588 --> 00:38:13,323 they contract their entire bodies to move them. 550 00:38:13,358 --> 00:38:19,696 ♪♪ 551 00:38:19,731 --> 00:38:22,766 They lurch and flop around, 552 00:38:22,801 --> 00:38:27,270 big wings laboring through the air. 553 00:38:30,342 --> 00:38:34,844 Their flight may look awkward, but none of it is a mistake. 554 00:38:37,249 --> 00:38:41,251 They are so maneuverable, and their flight plan so erratic, 555 00:38:41,286 --> 00:38:44,554 they're very hard for predators to catch in the air. 556 00:38:48,660 --> 00:38:51,795 Their large wings act like an enormous rudder, 557 00:38:51,830 --> 00:38:56,166 enabling a change in direction with almost every flap. 558 00:38:56,201 --> 00:39:02,172 ♪♪ 559 00:39:02,207 --> 00:39:05,308 They hover by stroking back through the swirling wake 560 00:39:05,344 --> 00:39:07,243 they just created. 561 00:39:07,279 --> 00:39:14,384 ♪♪ 562 00:39:14,419 --> 00:39:17,554 They often clap their wings behind their backs, 563 00:39:17,589 --> 00:39:21,491 squeezing out a jet of air to push themselves forward. 564 00:39:21,526 --> 00:39:28,298 ♪♪ 565 00:39:28,333 --> 00:39:33,536 Despite what it looks like, they fly with complete control. 566 00:39:33,572 --> 00:39:39,175 ♪♪ 567 00:39:39,211 --> 00:39:44,848 ♪♪ 568 00:39:44,883 --> 00:39:48,985 Now they can feed on nectar. 569 00:39:49,020 --> 00:39:51,654 But a butterfly doesn't go through metamorphosis 570 00:39:51,690 --> 00:39:53,790 just for a new kind of food. 571 00:39:58,630 --> 00:40:01,364 If caterpillars were made for eating, 572 00:40:01,400 --> 00:40:04,100 butterflies are made for mating. 573 00:40:08,573 --> 00:40:12,709 Caterpillars are just juveniles, unable to breed, 574 00:40:12,744 --> 00:40:15,245 their lives limited to a leaf or two. 575 00:40:18,784 --> 00:40:21,384 Now they are adults, 576 00:40:21,420 --> 00:40:25,722 and wings open up a world of possibilities. 577 00:40:30,028 --> 00:40:33,229 They compete... 578 00:40:33,265 --> 00:40:36,299 and flirt... 579 00:40:36,334 --> 00:40:38,802 dancing in the air... 580 00:40:38,837 --> 00:40:42,572 circling skyward in a butterfly ballet. 581 00:40:42,607 --> 00:40:51,314 ♪♪ 582 00:40:51,349 --> 00:41:00,056 ♪♪ 583 00:41:00,091 --> 00:41:03,426 When they do mate, they join at the abdomen, 584 00:41:03,462 --> 00:41:05,228 facing away from each other. 585 00:41:05,263 --> 00:41:10,800 ♪♪ 586 00:41:10,836 --> 00:41:16,372 ♪♪ 587 00:41:16,408 --> 00:41:18,908 How long they stay together varies widely 588 00:41:18,944 --> 00:41:20,910 from couple to couple. 589 00:41:24,749 --> 00:41:29,285 Incredibly, some partners stay joined for hours. 590 00:41:29,321 --> 00:41:37,894 ♪♪ 591 00:41:37,929 --> 00:41:40,029 But not long after they part, 592 00:41:40,065 --> 00:41:42,432 the female must find the right host plant 593 00:41:42,467 --> 00:41:44,267 on which to lay her eggs. 594 00:41:48,773 --> 00:41:50,807 Painted ladies are able to choose 595 00:41:50,842 --> 00:41:52,475 among a hundred different plants 596 00:41:52,511 --> 00:41:54,677 their caterpillars will eat. 597 00:41:54,713 --> 00:41:59,883 Adults can survive on nectar from thorny acacia trees. 598 00:42:04,389 --> 00:42:10,326 And that brings their story here to the edge 599 00:42:10,362 --> 00:42:13,863 of the great Sahara Desert in North Africa. 600 00:42:13,899 --> 00:42:18,935 ♪♪ 601 00:42:18,970 --> 00:42:24,073 This harsh, remote landscape in the Anti-Atlas region of Morocco 602 00:42:24,109 --> 00:42:27,677 is more of a moonscape than a butterfly garden, 603 00:42:27,712 --> 00:42:29,946 but it's the starting point of a butterfly tale 604 00:42:29,981 --> 00:42:34,217 so astonishing, it's hard to believe. 605 00:42:34,252 --> 00:42:38,755 STEFANESCU: [ Speaking foreign language ] 606 00:42:38,790 --> 00:42:42,859 Hey, hey, yes! 607 00:42:42,894 --> 00:42:45,795 This is a...well, a very, very old painted lady. 608 00:42:45,830 --> 00:42:49,933 When you see one butterfly like this, 609 00:42:49,968 --> 00:42:54,203 you have to think what happened during his life or her life. 610 00:42:54,239 --> 00:42:59,609 Because you see all these wings that are so broken? 611 00:42:59,644 --> 00:43:04,547 So it's really a mystery what happened to this butterfly. 612 00:43:06,384 --> 00:43:08,117 GIAMATTI: Constanti Stefanescu 613 00:43:08,153 --> 00:43:11,120 of the Natural History Museum of Granollers 614 00:43:11,156 --> 00:43:14,457 has come from Spain to unravel the painted ladies' 615 00:43:14,492 --> 00:43:16,426 remarkable story. 616 00:43:20,131 --> 00:43:23,800 Intriguingly, the first to appear here in the fall 617 00:43:23,835 --> 00:43:26,402 are already at the end of their lives. 618 00:43:28,974 --> 00:43:32,075 They have to be coming from someplace else. 619 00:43:36,214 --> 00:43:39,882 So Constanti analyzed stable isotopes of hydrogen 620 00:43:39,918 --> 00:43:41,184 in their wings 621 00:43:41,219 --> 00:43:45,622 to identify the region where the butterflies were born. 622 00:43:45,657 --> 00:43:48,358 The results were a revelation. 623 00:43:52,097 --> 00:43:55,298 These worn and torn painted ladies, he discovered, 624 00:43:55,333 --> 00:43:59,202 had undertaken an impossible journey, 625 00:43:59,237 --> 00:44:03,840 some arriving in Morocco from as far away as the Arctic Circle. 626 00:44:08,647 --> 00:44:12,482 Their amazing feat of flying and endurance begins 627 00:44:12,517 --> 00:44:15,218 as the cool, wet winter in the desert 628 00:44:15,253 --> 00:44:17,854 turns to a hot, dry spring. 629 00:44:20,091 --> 00:44:23,393 Host plants and nectar sources begin to wither. 630 00:44:23,428 --> 00:44:26,129 Painted ladies suddenly depart, 631 00:44:26,164 --> 00:44:29,332 turning north with an urgent purpose, 632 00:44:29,367 --> 00:44:32,201 looking for fresh food for themselves 633 00:44:32,237 --> 00:44:34,737 and their caterpillars. 634 00:44:39,044 --> 00:44:41,177 After crossing the Atlas Mountains, 635 00:44:41,212 --> 00:44:44,714 it's a short hop from Morocco to Spain. 636 00:44:44,749 --> 00:44:47,083 But painted ladies even farther south 637 00:44:47,118 --> 00:44:51,054 departed months ago from the tropical edge of the Sahara, 638 00:44:51,089 --> 00:44:55,491 riding warm African winds all the way across the desert 639 00:44:55,527 --> 00:44:57,560 and the Mediterranean Sea. 640 00:45:00,465 --> 00:45:06,102 They arrive in Rome, Marseille, 641 00:45:06,137 --> 00:45:09,939 and Barcelona, 642 00:45:09,974 --> 00:45:12,709 and seek out some much needed nectar. 643 00:45:14,946 --> 00:45:18,047 Then they mate and lay eggs. 644 00:45:18,083 --> 00:45:22,719 In six to eight weeks, a new generation picks up the baton 645 00:45:22,754 --> 00:45:24,554 and continues north. 646 00:45:26,725 --> 00:45:31,794 They cross the Alps, fly up the Rhine, 647 00:45:31,830 --> 00:45:34,397 spreading all throughout Europe, 648 00:45:34,432 --> 00:45:39,669 stopping to create new generations all along the way. 649 00:45:39,704 --> 00:45:41,137 By the end of summer, 650 00:45:41,172 --> 00:45:44,907 they finally reach high into Scandinavia... 651 00:45:44,943 --> 00:45:48,044 and then suddenly disappear! 652 00:45:50,582 --> 00:45:54,450 What happens next has been one of the long-standing mysteries 653 00:45:54,486 --> 00:45:56,619 in natural history. 654 00:45:56,654 --> 00:45:59,455 No one had ever witnessed the return flight south 655 00:45:59,491 --> 00:46:01,591 of the painted ladies. 656 00:46:01,626 --> 00:46:05,094 They simply flew to the north and vanished. 657 00:46:07,599 --> 00:46:11,667 It was long thought they all died in the autumn. 658 00:46:11,703 --> 00:46:13,836 But Constanti Stefanescu knew 659 00:46:13,872 --> 00:46:18,040 that somehow they were returning to Africa. 660 00:46:18,076 --> 00:46:23,713 So he turned to Jason Chapman of Rothamsted Research in the UK. 661 00:46:23,748 --> 00:46:27,617 Jason studies the emerging field of aeroecology -- 662 00:46:27,652 --> 00:46:31,320 how animals travel up in the atmosphere. 663 00:46:31,356 --> 00:46:35,892 ♪♪ 664 00:46:35,927 --> 00:46:37,960 This green drum-like apparatus 665 00:46:37,996 --> 00:46:41,631 is Jason's Vertical Looking Radar. 666 00:46:41,666 --> 00:46:43,966 It sends pulses of electromagnetic waves 667 00:46:44,002 --> 00:46:48,404 straight up, 4,000 feet into the sky. 668 00:46:48,439 --> 00:46:53,209 ♪♪ 669 00:46:53,244 --> 00:46:57,513 Any insect, bird, or bat that flies through its beam 670 00:46:57,549 --> 00:47:00,616 will bounce a signal back to the dish. 671 00:47:00,652 --> 00:47:03,219 CHAPMAN: Okay. 672 00:47:03,254 --> 00:47:05,822 GIAMATTI: But to interpret what the radar sees 673 00:47:05,857 --> 00:47:07,223 and physically confirm 674 00:47:07,258 --> 00:47:10,259 which animals are up in the atmosphere, 675 00:47:10,295 --> 00:47:14,163 Jason and his team send aloft a series of aerial nets 676 00:47:14,199 --> 00:47:17,500 attached to high-flying balloons. 677 00:47:17,535 --> 00:47:18,801 CHAPMAN: Well, the really exciting thing about 678 00:47:18,837 --> 00:47:20,303 the new field of aeroecology 679 00:47:20,338 --> 00:47:23,139 is that we now have the tools that can allow us to figure out 680 00:47:23,174 --> 00:47:25,608 how insects are using wind currents 681 00:47:25,643 --> 00:47:27,376 or being affected by wind currents 682 00:47:27,412 --> 00:47:29,178 to carry out their migrations. 683 00:47:29,214 --> 00:47:31,314 Are we up? 684 00:47:31,349 --> 00:47:37,486 ♪♪ 685 00:47:37,522 --> 00:47:43,659 ♪♪ 686 00:47:43,695 --> 00:47:46,596 GIAMATTI: The sampling goes on day and night, 687 00:47:46,631 --> 00:47:48,531 and as the nets go up, 688 00:47:48,566 --> 00:47:53,236 they recede into a sky so vast, it seems an impossible task 689 00:47:53,271 --> 00:47:56,339 to measure and understand what's going on up there. 690 00:47:58,743 --> 00:48:01,611 But Jason and his radar and nets 691 00:48:01,646 --> 00:48:05,248 have revealed an unimagined global highway 692 00:48:05,283 --> 00:48:09,485 and solved the mystery of the vanishing butterflies. 693 00:48:11,789 --> 00:48:15,558 At any given hour, thousands of feet above our heads, 694 00:48:15,593 --> 00:48:19,862 there are literally trillions of insects riding the winds. 695 00:48:23,301 --> 00:48:27,203 Among them are millions of painted ladies. 696 00:48:30,441 --> 00:48:33,009 As autumn arrives high in Northern Europe, 697 00:48:33,044 --> 00:48:35,711 and their resources are running out, 698 00:48:35,747 --> 00:48:39,148 painted ladies do disappear. 699 00:48:39,183 --> 00:48:41,450 They launch themselves into prevailing winds 700 00:48:41,486 --> 00:48:45,788 1,500 feet above the ground. 701 00:48:45,823 --> 00:48:48,991 Guided by internal compasses set on the sun, 702 00:48:49,027 --> 00:48:53,529 they begin to stream south, flying at 30 miles per hour 703 00:48:53,564 --> 00:48:56,299 and up to 300 miles a day. 704 00:48:58,403 --> 00:49:01,437 Though these butterflies have never been there before, 705 00:49:01,472 --> 00:49:05,875 they are returning to the land of their ancestors. 706 00:49:05,910 --> 00:49:07,777 If conditions are good, 707 00:49:07,812 --> 00:49:13,482 this one generation will reach Africa in a week. 708 00:49:13,518 --> 00:49:15,918 Millions will continue flying south, 709 00:49:15,954 --> 00:49:19,855 across the Sahara to the tropics. 710 00:49:19,891 --> 00:49:24,026 From Africa to Scandinavia and back, painted ladies 711 00:49:24,062 --> 00:49:27,363 will have travelled some 9,000 miles, 712 00:49:27,398 --> 00:49:33,202 3,000 miles farther than their famous cousins, the monarchs. 713 00:49:33,237 --> 00:49:36,739 They are champions of distance and altitude, 714 00:49:36,774 --> 00:49:41,944 completing the longest migration of any insect ever discovered. 715 00:49:41,980 --> 00:49:49,418 ♪♪ 716 00:49:49,454 --> 00:49:51,921 Many are bound for Morocco, 717 00:49:51,956 --> 00:49:55,124 where Constanti Stefanescu and his team 718 00:49:55,159 --> 00:49:56,892 have been waiting for them. 719 00:49:59,297 --> 00:50:02,431 He can only imagine what they've been through 720 00:50:02,467 --> 00:50:05,301 and how such a small, fragile creature 721 00:50:05,336 --> 00:50:08,404 has accomplished such an enormous feat. 722 00:50:08,439 --> 00:50:16,078 ♪♪ 723 00:50:16,114 --> 00:50:18,347 STEFANESCU: This is a very old painted lady 724 00:50:18,383 --> 00:50:22,284 that has been attacked by a bird, probably. 725 00:50:22,320 --> 00:50:25,087 But she's still visiting the flowers 726 00:50:25,123 --> 00:50:27,723 and trying to obtain food. 727 00:50:30,795 --> 00:50:32,528 Hmm. 728 00:50:38,002 --> 00:50:39,435 That's a male, 729 00:50:39,470 --> 00:50:43,005 a migrant that has come probably from Europe. 730 00:50:43,041 --> 00:50:48,010 In a one hour or so, he will start to defend territories 731 00:50:48,046 --> 00:50:50,579 and try to obtain a mate. 732 00:50:50,615 --> 00:50:57,219 ♪♪ 733 00:50:57,255 --> 00:50:59,555 GIAMATTI: And so, as one butterfly's story 734 00:50:59,590 --> 00:51:01,157 comes to an end, 735 00:51:01,192 --> 00:51:03,559 another's is just beginning. 736 00:51:05,296 --> 00:51:09,398 Painted ladies pass their torch on in a never-ending journey... 737 00:51:12,637 --> 00:51:14,870 from butterfly... 738 00:51:14,906 --> 00:51:17,640 to egg... 739 00:51:17,675 --> 00:51:20,943 to caterpillar... 740 00:51:20,978 --> 00:51:23,079 to chrysalis... 741 00:51:25,349 --> 00:51:28,818 to butterfly... 742 00:51:28,853 --> 00:51:32,254 in a ceaseless cycle of transformation. 743 00:51:32,290 --> 00:51:37,493 ♪♪ 744 00:51:37,528 --> 00:51:42,231 They are both ephemeral and eternal. 745 00:51:42,266 --> 00:51:43,899 And perhaps that's what we see 746 00:51:43,935 --> 00:51:46,302 when we look at real butterflies... 747 00:51:50,374 --> 00:51:53,976 delicate but enduring heroes 748 00:51:54,011 --> 00:51:56,712 in the long game of life. 749 00:51:56,747 --> 00:52:02,151 ♪♪ 750 00:52:02,186 --> 00:52:07,590 ♪♪ 751 00:52:16,367 --> 00:52:24,440 ♪♪ 752 00:52:24,475 --> 00:52:32,515 ♪♪ 753 00:52:32,550 --> 00:52:40,589 ♪♪ 754 00:52:40,625 --> 00:52:44,193 To learn more about what you've seen on this "Nature" program, 755 00:52:44,228 --> 00:52:46,262 visit pbs.org. 756 00:52:46,297 --> 00:52:55,671 ♪♪ 64211

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