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1
00:00:00,000 --> 00:00:05,156
[SILENCE]
2
00:00:05,156 --> 00:00:11,349
[HEAVY BREATHING]
3
00:00:11,349 --> 00:00:42,406
?
4
00:00:42,406 --> 00:00:48,255
[DOOR OPEN]
5
00:00:48,255 --> 00:00:49,868
[SLIP OF THE TONGUE]
6
00:00:49,868 --> 00:00:51,030
[M¨¢RCIO] MOTHER?
7
00:00:54,399 --> 00:00:56,682
[STEPS]
8
00:00:59,324 --> 00:01:02,216
[DOOR OPEN]
9
00:01:02,216 --> 00:01:03,757
[STEPS]
10
00:01:03,757 --> 00:01:05,939
[DOOR OPEN]
11
00:01:05,939 --> 00:01:09,158
[STEPS]
12
00:01:09,158 --> 00:01:11,336
[DOOR CLOSE]
13
00:01:11,336 --> 00:01:12,359
[WOMAN] [MUFFLED
VOICE] STOP CRYING.
14
00:01:12,359 --> 00:01:13,550
[CRY]
15
00:01:13,550 --> 00:01:16,278
[WOMAN] I CAN'T DO ANYTHING!
I CAN'T DO ANYTHING.
16
00:01:16,278 --> 00:01:18,709
[TELEVISION IN THE BACKGROUND]
17
00:01:18,709 --> 00:01:21,111
[PRESENTATOR] 11:58
AM, GOOD MORNING...
18
00:01:21,111 --> 00:01:23,291
[DOG'S BARK]
19
00:01:23,291 --> 00:01:43,257
?
20
00:01:43,257 --> 00:01:45,735
[CIBELE] YOU WAIT
FOR ME HERE, WAIT HERE.
21
00:01:45,735 --> 00:01:51,833
?
22
00:01:51,833 --> 00:01:58,668
[BELL]
23
00:01:58,668 --> 00:02:00,345
[S¨¦RGIO] WHO is it?
24
00:02:00,345 --> 00:02:03,617
[CIBELE] CIBELE,
YOUR NEIGHBOR IN 301.
25
00:02:03,617 --> 00:02:11,469
?
26
00:02:15,920 --> 00:02:17,514
[CIBELE] ¨¦ ALL I HAVE.
27
00:02:17,514 --> 00:02:25,176
[OBJECT HANDLING]
28
00:02:25,176 --> 00:02:31,618
[S¨¦RGIO] [SIGHS] DO YOU KNOW HOW
TO USE IT? NEVER HANDLED A GUN? HMM.
29
00:02:31,618 --> 00:02:35,995
[GUN HANDLING]
30
00:02:35,995 --> 00:02:39,274
[S¨¦RGIO] THE BULLET GOES
HERE. JUST PAY ATTENTION.
31
00:02:39,274 --> 00:02:42,605
NO... IT'S NOT
DIFFICULT. YOU TRY.
32
00:02:45,586 --> 00:02:46,775
HERE.
33
00:02:46,775 --> 00:02:49,215
[GUN HANDLING]
34
00:02:49,215 --> 00:02:52,656
[S¨¦RGIO] HERE, PRESS. TAKE YOUR
FINGER OFF THE TRIGGER, PRESS HERE, ¨®.
35
00:02:52,656 --> 00:02:53,807
DOWN, HERE.
36
00:02:53,807 --> 00:02:57,289
[GUN HANDLING]
37
00:02:57,289 --> 00:02:59,153
[S¨¦RGIO] PRESS HERE.
[CIBELE] NO, I... AH...
38
00:02:59,153 --> 00:03:00,564
[S¨¦RGIO] THERE'S A
CHILD AT HOME, RIGHT?
39
00:03:00,564 --> 00:03:01,846
[CIBELE] I HAVE.
40
00:03:01,846 --> 00:03:04,581
[S¨¦RGIO] THEN YOU
BETTER KEEP IT DOWNLOADED,
41
00:03:04,581 --> 00:03:10,607
HIDDEN AND PUT AMMUNITION
VERY CLOSE TO YOU, ALWAYS.
42
00:03:10,607 --> 00:03:18,936
?TENSION MUSIC?
43
00:03:18,936 --> 00:03:20,764
[CIBELE] THANK YOU, LORD.
44
00:03:20,764 --> 00:03:26,141
?TENSION MUSIC?
45
00:03:26,141 --> 00:03:27,507
[CIBELE] I WILL NOT TELL ANYONE.
46
00:03:27,507 --> 00:03:44,362
?TENSION MUSIC?
47
00:03:44,362 --> 00:03:47,778
[DOOR CLOSE]
48
00:03:51,847 --> 00:04:02,226
[ELEVATOR AMBIANCE]
49
00:04:02,226 --> 00:04:03,711
[M¨¢RCIO] IS IT COMING, MOTHER?
50
00:04:03,711 --> 00:04:06,687
[CIBELE] T¨¢, THIRD FLOOR, NEAR.
51
00:04:06,687 --> 00:04:07,812
[AMANCIO] [ECHOED VOICE]
ARE YOU ANXIOUS, MY SON?
52
00:04:07,812 --> 00:04:09,432
[M¨¢RCIO] YES.
[AMANCIO] IT'S COMING.
53
00:04:09,432 --> 00:04:12,075
[CIBELE] I'M COMING... AND
IT'S GOING TO OPEN THE DOOR IN...
54
00:04:12,075 --> 00:04:17,365
[AMANCIO] ZERO... ONE. I
WON! I DECIDE THEN WHO WILL...
55
00:04:17,365 --> 00:04:19,101
WHO WILL OPEN ¨¦ YOU, MARCINHO.
56
00:04:19,101 --> 00:04:22,937
[CIBELE] MARCINHO'S
NEW HOUSE, HUM.
57
00:04:22,937 --> 00:04:28,225
[M¨¢RCIO] FATHER! [LAUGHTER] GO!
58
00:04:28,225 --> 00:04:31,511
[AMANCIO] GO, MARCINHO!
59
00:04:31,511 --> 00:04:34,537
[M¨¢RCIO] ¨¦... WHAT NUMBER ¨¦?
60
00:04:34,537 --> 00:04:36,169
[AMANCIO] 300 E?
61
00:04:36,169 --> 00:04:37,226
[M¨¢RCIO] ONE!
62
00:04:37,226 --> 00:04:39,215
[AMANCIO] [EXTENDED] AH!
63
00:04:39,215 --> 00:04:44,274
?
64
00:04:44,274 --> 00:04:46,082
?NOW I WAS THE HER¨®I?
65
00:04:46,082 --> 00:04:47,318
?AND MY HORSE?
66
00:04:47,318 --> 00:04:50,386
?S¨® SPEAK ENGLISH?
67
00:04:50,386 --> 00:04:52,237
?THE COWBOY BRIDE?
68
00:04:52,237 --> 00:04:54,881
?WAS YOU BESIDES THE OTHER THREE?
69
00:04:54,881 --> 00:04:57,242
?
70
00:04:57,242 --> 00:04:59,347
[CIBELE] I DON'T BELIEVE IT.
71
00:04:59,347 --> 00:05:02,900
[AMANCIO] CAN BELIEVE IT. TEN
MORE YEARS AND THE PEOPLE QUIT.
72
00:05:02,900 --> 00:05:04,535
?WAS I GUARDING MY BODOQUE?
73
00:05:04,535 --> 00:05:06,705
?AND REHEARSED A ROCK?
74
00:05:06,705 --> 00:05:09,027
[M¨¢RCIO] MOM, NOW
CAN I GO DOWN TO PLAY?
75
00:05:09,027 --> 00:05:11,194
?NOW I WAS THE KING?
76
00:05:11,194 --> 00:05:13,825
?HE WAS THE BEDEL AND HE WAS ALSO A JUDGE?
77
00:05:13,825 --> 00:05:17,691
[CIBELE] YOU CAN, MY SON. HERE
YOU CAN GO IN THE SWIMMING POOL,
78
00:05:17,691 --> 00:05:23,131
ON THE COURT, RIDE A BICYCLE.
79
00:05:23,131 --> 00:05:26,649
HERE YOU CAN DO ANYTHING, SON.
80
00:05:26,649 --> 00:05:29,701
?AND IT WAS TOO BEAUTIFUL TO ADMIRE?
81
00:05:29,701 --> 00:05:33,772
?WHAT WALKED NAKED THROUGHOUT MY COUNTRY?
82
00:05:33,772 --> 00:05:35,457
?COME, GIVE ME YOUR HAND?
83
00:05:35,457 --> 00:05:36,756
?THE PEOPLE NOW?
84
00:05:36,756 --> 00:05:40,356
?WAS NO LONGER AFRAID?
85
00:05:40,356 --> 00:05:42,292
?IN THE TIME OF EVIL?
86
00:05:42,292 --> 00:05:43,361
?I THINK PEOPLE?
87
00:05:43,361 --> 00:05:46,730
?I HAD NOT BEEN BORN?
88
00:05:46,730 --> 00:06:06,472
?TENSION MUSIC?
89
00:06:06,472 --> 00:06:09,877
[ROG¨¦RIO] [VOICE ECHOED]
WHO DO YOU THINK YOU ARE TO DO
90
00:06:09,877 --> 00:06:14,384
THIS WITH HIM? HUH?
T? TALKING TO YOU!
91
00:06:14,384 --> 00:06:17,758
[M¨¢RCIO] I DID NOTHING! THIS
HAPPENS, IT'S FOOTBALL, GET IT?
92
00:06:17,758 --> 00:06:19,404
[SOUZA] YOU DID IT ON PURPOSE!
93
00:06:19,404 --> 00:06:23,053
[ROG¨¦RIO] [SCREAMING] WHO
DO YOU THINK YOU ARE TO DO THIS
94
00:06:23,053 --> 00:06:25,444
WITH HIM? [SOUZA] GOES ON HIM.
95
00:06:25,444 --> 00:06:27,103
[M¨¢RCIO] STOP!
96
00:06:27,103 --> 00:06:28,618
[COUP IMPACT]
97
00:06:28,618 --> 00:06:30,049
[SPOKEN]
98
00:06:30,049 --> 00:06:45,594
?TENSION MUSIC?
99
00:06:45,594 --> 00:06:47,914
[MAN] STOP IT, MAN, STOP IT!
100
00:06:47,914 --> 00:06:49,898
[SPOKEN]
101
00:06:49,898 --> 00:06:54,943
[SOUZA] PUT THE FOOT!
Are you CRAZY? RUN, RUN, RUN, RUN!
102
00:06:54,943 --> 00:06:56,331
[SPOKEN]
103
00:06:56,331 --> 00:07:00,986
[JUCA] [DISTANT VOICE] AUNT!
AUNT! AUNT CIBELE!
104
00:07:03,347 --> 00:07:06,048
AUNT CIBELE!
105
00:07:06,048 --> 00:07:07,207
[CIBELE] WHAT WAS IT?
106
00:07:07,207 --> 00:07:10,527
[JUCA] SO HITTING MARCINHO,
L ¨ ¢ ON THE COURT.
107
00:07:10,527 --> 00:07:48,713
?TENSION MUSIC?
108
00:07:48,713 --> 00:07:50,773
[M¨¢RCIO] OH!
109
00:07:50,773 --> 00:07:54,205
[ROG¨¦RIO] [SCREAM]
110
00:07:54,205 --> 00:07:56,671
[CIBELE] STOP!
111
00:07:56,671 --> 00:07:59,536
[M¨¢RCIO] [GEMIDO]
112
00:07:59,536 --> 00:08:06,319
[CIBELE] OH, NO, OH, NO.
SON. ? MY SON. SON, LOOK
113
00:08:06,319 --> 00:08:09,256
FOR ME. TALK TO ME, SON.
LOOK WHAT YOU DID!
114
00:08:09,256 --> 00:08:10,398
[ROG¨¦RIO] HE WAS THE ONE WHO STARTED IT!
115
00:08:10,398 --> 00:08:11,524
[CIBELE] WHAT ARE
YOU LOOKING AT?
116
00:08:11,524 --> 00:08:13,285
FOR THE LOVE OF GOD,
CALL AN AMBULANCE!
117
00:08:13,285 --> 00:08:14,291
[MILA] WHAT DID
YOU DO, ROG¨¦RIO?
118
00:08:14,291 --> 00:08:15,338
[SOUZA] HE WAS DEFENDING ME.
119
00:08:15,338 --> 00:08:16,393
[MILA] I DON'T
HAVE TALKING TO YOU!
120
00:08:16,393 --> 00:08:19,354
?TENSION MUSIC?
121
00:08:19,354 --> 00:08:21,805
[CIBELE] SON. SPEAK
TO ME, MY SON, SPEAK.
122
00:08:21,805 --> 00:08:23,125
[MILA] I'LL TAKE
YOU TO THE HOSPITAL.
123
00:08:23,125 --> 00:08:25,226
[CIBELE] THEY DON'T GO TO THE
HOSPITAL, THEY GO TO THE POLICE.
124
00:08:25,226 --> 00:08:27,258
[MILA] FOR THE LOVE
OF GOD, I AM A MOTHER,
125
00:08:27,258 --> 00:08:28,322
FORGIVE MY SON, PLEASE.
126
00:08:28,322 --> 00:08:30,111
[CIBELE] GET THAT
MONSTER OUT OF HERE!
127
00:08:30,111 --> 00:08:31,812
[MILA] I'LL CALL YOUR FATHER.
¨¦ HIM, ¨¦ WITH HIM
128
00:08:31,812 --> 00:08:32,860
WHAT YOU WILL TALK ABOUT.
[L¨²CIA] WHAT IS THAT?
129
00:08:32,860 --> 00:08:34,264
[MILA] WALK!
130
00:08:34,264 --> 00:08:36,947
[L¨²CIA] WHAT IS THIS?
WHAT'S GOING ON HERE?
131
00:08:36,947 --> 00:08:43,294
HUH? I WILL CLAIM THIS COURT!
132
00:08:43,294 --> 00:08:44,446
?TENSION MUSIC?
133
00:08:44,446 --> 00:08:45,692
[L¨²CIA] MAY CLOSE.
134
00:08:45,692 --> 00:08:49,506
[CIBELE] [SCREAMING] HELP!
135
00:08:49,506 --> 00:08:52,549
[EXTENDED] HELP!
136
00:08:52,549 --> 00:08:59,528
[CRY]
137
00:08:59,528 --> 00:09:03,683
?TENSION MUSIC?
138
00:09:03,683 --> 00:09:06,122
[MILA] POLICE, ROG¨¦RIO?
139
00:09:06,122 --> 00:09:09,230
POLICE STATION. DID YOU HEAR WHAT
SHE SAID? IS THAT WHAT YOU WANT?
140
00:09:09,230 --> 00:09:11,673
[ROG¨¦RIO] HE WAS THE ONE WHO STARTED IT!
HE GOT A BALL IN THE FACE
141
00:09:11,673 --> 00:09:12,981
SOUZA.
[MILA] AND THIS ¨¦ REASON FOR YOU
142
00:09:12,981 --> 00:09:14,061
HIT THE BOY LIKE THAT?
143
00:09:14,061 --> 00:09:15,188
[ROG¨¦RIO] HE DID IT ON PURPOSE!
144
00:09:15,188 --> 00:09:17,400
[MILA] DOWN YOUR BALL!
145
00:09:17,400 --> 00:09:22,054
DOWN YOUR BALL, ROG¨¦RIO! AND
PRAY, PRAY THAT NOTHING HAPPENED
146
00:09:22,054 --> 00:09:28,166
SERIOUSLY WITH THAT BOY.
147
00:09:28,166 --> 00:09:31,546
[OBJECT HANDLING]
148
00:09:31,546 --> 00:09:47,996
[SHOTS]
149
00:09:47,996 --> 00:09:52,057
[WANDO] LOVE, I DIDN'T
TELL YOU I DON'T CALL
150
00:09:52,057 --> 00:09:56,158
FOR ME HERE, WHEN I'M
AT WORK? TURN THE KEY,
151
00:09:56,158 --> 00:10:00,566
TAKE A LOOK. YOU CAN SEE, THE
ENGINE DOESN'T WRINKLE. STAY ¨¤ WILL,
152
00:10:00,566 --> 00:10:05,109
TURN ON EVERYTHING, SEE THE PANEL.
HEY. POLICE STATION?
153
00:10:05,109 --> 00:10:07,083
[MAN] WANDO, GIVE ME
AN INFORMATION HERE.
154
00:10:07,083 --> 00:10:10,326
[WANDO] NO... BUT MILA, WHICH
STATION? DON'T PIRA, MILA.
155
00:10:10,326 --> 00:10:11,370
[MAN] WANDO!
156
00:10:11,370 --> 00:10:13,779
[WANDO] BUT... MILA, NO ONE
WILL GIVE A PART BECAUSE OF A
157
00:10:13,779 --> 00:10:18,405
THINGS LIKE THAT, NOBODY. FOR
A BULLSHIT LIKE THAT. I? COMMON
158
00:10:18,405 --> 00:10:21,647
CUSTOMER NOW, I CAN'T GIVE
YOU ATTENTION. LET'S CLOSE?
159
00:10:23,028 --> 00:10:26,509
I DELIVER WITH IPVA, I
DELIVER WITH... PLACED, CARPET,
160
00:10:26,509 --> 00:10:29,764
ALL, NEXT WEEK. AND
IN THIS COLOR, FOR YOU.
161
00:10:29,764 --> 00:10:31,619
[MAN] AH, I'M GOING TO
CALCULATE A ¨ª, FROM...
162
00:10:31,619 --> 00:10:32,845
ANYTHING I'LL COME BACK, OK?
163
00:10:32,845 --> 00:10:35,527
[WANDO] WILL CALCULATE AND COME BACK?
C¨º DON'T YOU PREFER TO TAKE IT?
164
00:10:35,527 --> 00:10:37,571
PROMOTION IS GOING TO END, HEIN?
[MAN] NO, THANKS, THANKS.
165
00:10:37,571 --> 00:10:40,739
[WANDO] OK. GOT MY CARD?
166
00:10:40,739 --> 00:10:42,650
[CONCESSIONAIRE AMBIENCE]
167
00:10:42,650 --> 00:10:45,144
[WANDO] SEE YOU, MILA? I
LOST A SALES HERE, A CUSTOMER,
168
00:10:45,144 --> 00:10:47,410
BECAUSE OF A FANIQUITO OF YOURS.
THAT WAY DON'T GIVE,
169
00:10:47,410 --> 00:10:49,755
I ALREADY TOLD YOU
NOT TO CALL HIM AT ALL.
170
00:10:49,755 --> 00:10:50,902
[RICARDO] HAVE A MINUTE?
171
00:10:50,902 --> 00:10:53,352
[WANDO] MY BOSS IS
CALLING ME, I'M GOING UP.
172
00:10:53,352 --> 00:10:54,826
[STEPS]
173
00:10:54,826 --> 00:10:57,284
[WANDO] Speak, RICARDO.
[RICARDO] And A¨ª, WANDO?
174
00:10:57,284 --> 00:11:00,038
[STEPS]
175
00:11:00,038 --> 00:11:03,557
[PHONE RING]
176
00:11:03,557 --> 00:11:13,158
[STEPS]
177
00:11:15,037 --> 00:11:16,729
[RICARDO] SITS A¨ª.
178
00:11:22,073 --> 00:11:26,334
[WANDO] [SIGH]
179
00:11:26,334 --> 00:11:30,638
[SILENCE]
180
00:11:30,638 --> 00:11:34,365
[RICARDO] WANDO, I
WANTED TO THANK YOU
181
00:11:34,365 --> 00:11:38,201
FOR ALL THESE YEARS OF
DEDICATION HERE AT THE COMPANY.
182
00:11:40,536 --> 00:11:42,413
BUT UNFORTUNATELY I
WILL HAVE TO TURN YOU OFF.
183
00:11:42,413 --> 00:11:45,921
[WANDO] NO, P?, BUT... NO.
184
00:11:45,921 --> 00:11:49,132
?TENSION MUSIC?
185
00:11:49,132 --> 00:11:50,751
[RICARDO] YOU ARE DISMISSED.
186
00:11:50,751 --> 00:11:58,300
?TENSION MUSIC?
187
00:11:58,300 --> 00:11:59,553
[CIBELE] ARE YOU SURE, DOCTOR?
188
00:11:59,553 --> 00:12:02,143
[DOCTOR] I HAVE. INCLUSIVE,
HE WILL COME BACK HOME TODAY
189
00:12:02,143 --> 00:12:04,775
AND I ASK YOU TO LOOK AT
HIM, TO KNOW IF HE WILL HAVE
190
00:12:04,775 --> 00:12:06,480
ANY HEADACHES...
[CIBELE] C¨º HEARD...
191
00:12:06,480 --> 00:12:08,022
[DOCTOR] YOU HAVE TO WATCH THIS.
192
00:12:08,022 --> 00:12:10,259
[CIBELE]? MY SON!
193
00:12:10,259 --> 00:12:12,185
[AMANCIO] SON, C¨º Are you OK?
194
00:12:12,185 --> 00:12:15,821
[CIBELE] MY LOVE, AND A ¨ª, IS
EVERYTHING REALLY OK? ALL GOOD?
195
00:12:15,821 --> 00:12:18,377
[AMANCIO] MY GOD IN HEAVEN,
WHAT A SCARED I GOT, MY SON.
196
00:12:18,377 --> 00:12:20,262
[CIBELE] WHAT WORLD IS THIS,
MY GOD? WHAT WORLD IS THIS?
197
00:12:20,262 --> 00:12:26,105
[SIREN]
198
00:12:26,105 --> 00:12:28,522
[CIBELE] COULD YOU EAT RIGHT?
199
00:12:28,522 --> 00:12:30,311
[M¨¢RCIO] YES.
200
00:12:30,311 --> 00:12:31,848
[CIBELE] DON'T DO¨ª, NO, DO¨ª?
201
00:12:31,848 --> 00:12:33,710
[SIREN]
202
00:12:33,710 --> 00:12:34,920
[M¨¢RCIO] IT'S BETTER.
203
00:12:34,920 --> 00:12:37,417
[URBAN ENVIRONMENT]
204
00:12:37,417 --> 00:12:39,549
[CIBELE] PEOPLE HAVE TO PART.
205
00:12:39,549 --> 00:12:41,432
[URBAN ENVIRONMENT]
206
00:12:41,432 --> 00:12:42,670
[AMANCIO] ON WHAT PART?
207
00:12:42,670 --> 00:12:44,526
[CIBELE] BUT HOW "DE QU¨º"?
YOUR SON HAS BEEN MURDERED.
208
00:12:44,526 --> 00:12:48,548
[AMANCIO] CIBELE, I WILL
NOT DENOUNCE A TEENAGER.
209
00:12:48,548 --> 00:12:52,673
[URBAN ENVIRONMENT]
210
00:12:52,673 --> 00:12:54,641
[AMANCIO] DO YOU KNOW THE BOY?
211
00:12:54,641 --> 00:12:57,901
[CIBELE] A VANDAL
FROM BLOCK ONE.
212
00:12:57,901 --> 00:12:59,423
[AMANCIO] ¨¦ A KID'S
FIGHT, THEN IT PASSES.
213
00:12:59,423 --> 00:13:02,238
[CIBELE] HOW DOES IT
"PASS"? SO, IT'S RIGHT FOR YOU
214
00:13:02,238 --> 00:13:03,242
DO NOTHING, IS IT?
215
00:13:03,242 --> 00:13:05,775
[AMANCIO] CIBELE, PLEASE.
[MUXOXO]
216
00:13:05,775 --> 00:13:07,826
?DRAMATIC MUSIC?
217
00:13:07,826 --> 00:13:09,364
[AMANCIO] FOR THE LOVE OF GOD.
218
00:13:09,364 --> 00:13:29,565
?DRAMATIC MUSIC?
219
00:13:29,565 --> 00:13:33,314
[SHOTS]
220
00:13:33,314 --> 00:13:37,629
?DRAMATIC MUSIC?
221
00:13:37,629 --> 00:13:44,489
[TELEVISION IN THE BACKGROUND]
222
00:13:44,489 --> 00:13:46,073
?DRAMATIC MUSIC?
223
00:13:46,073 --> 00:13:48,748
[MILA] [SIGHS]
224
00:13:48,748 --> 00:13:53,021
?DRAMATIC MUSIC?
225
00:13:53,021 --> 00:13:55,983
[MILA] [SIGHS]
226
00:13:55,983 --> 00:14:04,333
?DRAMATIC MUSIC?
227
00:14:04,333 --> 00:14:06,818
[FABRIC RUSTLING]
228
00:14:06,818 --> 00:14:08,370
[WANDO] [SIGH]
229
00:14:09,730 --> 00:14:11,175
[SNIFFLE]
230
00:14:13,520 --> 00:14:15,333
[SIGH]
231
00:14:15,333 --> 00:14:17,630
[STEPS]
232
00:14:17,630 --> 00:14:18,884
[LIGHT SWITCH]
233
00:14:18,884 --> 00:14:20,916
[WANDO] [SNUNCH]
234
00:14:20,916 --> 00:14:23,439
[STEPS]
235
00:14:23,439 --> 00:14:43,093
[SHOWER ON]
236
00:14:43,093 --> 00:15:15,300
?DRAMATIC MUSIC?
237
00:15:15,300 --> 00:15:17,070
[KNOCKING ON THE DOOR]
238
00:15:17,070 --> 00:15:18,846
[MILA] WANDO?
239
00:15:18,846 --> 00:15:20,258
[WANDO] HI?
240
00:15:20,258 --> 00:15:22,876
[MILA] ROG¨¦RIO HAS
TO APOLOGIZE TO THIS BOY.
241
00:15:22,876 --> 00:15:24,668
BY THE WAY, FOR THIS
BOY AND HIS MOTHER!
242
00:15:24,668 --> 00:15:27,156
[WANDO] APOLOGIZE FOR WHAT?
ROG¨¦RIO IS NOT GOING TO CHANGE, MILA.
243
00:15:28,261 --> 00:15:31,634
[MILA] HUM. IF YOU
DO NOT DO ANYTHING,
244
00:15:31,634 --> 00:15:33,720
REALLY IT WILL
NOT CHANGE AT ALL.
245
00:15:33,720 --> 00:15:35,752
[WANDO] U¨¦, IT'S NOT
ENOUGH FOR ME TO WORK ALL DAY
246
00:15:35,752 --> 00:15:37,425
TO PUT MONEY INSIDE THE HOUSE?
247
00:15:37,425 --> 00:15:39,892
NOW DO YOU HAVE TO
RESOLVE A SON'S FIGHT?
248
00:15:39,892 --> 00:15:41,406
[MILA] DON'T I WORK? ¨¦ THIS?
249
00:15:41,406 --> 00:15:43,340
I STAY HERE, I MAKE
FOOD, I DO THE CLOTHES,
250
00:15:43,340 --> 00:15:44,507
I GO TO SCHOOL TO LISTEN
251
00:15:44,507 --> 00:15:45,508
PROFESSOR... OH!
[WANDO] OK, OK.
252
00:15:45,508 --> 00:15:46,578
BUT, CALM. [MILA] NO, WANDO.
253
00:15:46,578 --> 00:15:48,496
YOU KNOW, T? TIRED.
254
00:15:51,362 --> 00:15:53,558
HE IS THE SON OF US TWO.
255
00:15:53,558 --> 00:15:58,020
[WANDO] [Sigh] MILA,
CAN YOU SPARE ME TODAY?
256
00:15:58,020 --> 00:16:00,893
S¨® TODAY. I'VE HAD A
HARD DAY AS FUCKING GO.
257
00:16:00,893 --> 00:16:05,558
[MILA] [Sigh] MY
DAY WAS AWFUL TOO.
258
00:16:05,558 --> 00:16:08,334
ROG¨¦RIO DOESN'T LISTEN TO
ME ANYMORE, HE DOESN'T OBEY ME.
259
00:16:11,000 --> 00:16:13,610
YOU KNOW, HE NEEDS TO LEARN
THAT IT'S NOT BEATING PEOPLE
260
00:16:13,610 --> 00:16:14,839
THAT HE WILL ACHIEVE THINGS.
261
00:16:14,839 --> 00:16:21,150
[SILENCE]
262
00:16:21,150 --> 00:16:22,734
[MILA] TEACH THIS
BOY HOW TO BE A KIND.
263
00:16:22,734 --> 00:16:27,367
[SILENCE]
264
00:16:27,367 --> 00:16:30,155
[WANDO] OK, MILA, I'M GOING
THERE. IS THAT WHAT YOU WANT?
265
00:16:30,155 --> 00:16:31,496
[MILA] ¨¦, ¨¦ THIS
IS WHAT I WANT...
266
00:16:31,496 --> 00:16:34,281
[WANDO] OK. T? GOING. READY.
267
00:16:34,281 --> 00:16:37,541
BUT PLEASE DON'T FUCK ME AGAIN.
268
00:16:37,541 --> 00:16:39,900
[DOOR OPEN]
269
00:16:39,900 --> 00:16:40,964
[KNOCKING ON THE DOOR]
270
00:16:40,964 --> 00:16:42,954
[WANDO] ROG¨¦RIO. OPEN, SON.
271
00:16:42,954 --> 00:17:05,414
[TELEVISION IN THE BACKGROUND]
272
00:17:05,414 --> 00:17:06,751
[M¨¢RCIO] C¨º DON'T
YOU GO TO THE POLICE?
273
00:17:06,751 --> 00:17:10,598
[TELEVISION IN THE BACKGROUND]
274
00:17:10,598 --> 00:17:11,964
[AMANCIO] LET'S
TRY TO FORGET IT?
275
00:17:11,964 --> 00:17:16,281
[SILENCE]
276
00:17:16,281 --> 00:17:18,012
[M¨¢RCIO] THEY WILL
COME AFTER ME, FATHER.
277
00:17:18,012 --> 00:17:22,911
[SILENCE]
278
00:17:22,911 --> 00:17:25,521
[AMANCIO] NO ONE WILL
COME AFTER YOU. OK?
279
00:17:25,521 --> 00:17:31,481
[SILENCE]
280
00:17:31,481 --> 00:17:32,530
[KISS SLAP]
281
00:17:32,530 --> 00:17:40,046
[SILENCE]
282
00:17:40,046 --> 00:17:41,435
[AMANCIO] C¨º DIDN'T DO IT BY WANTING TO.
283
00:17:41,435 --> 00:17:46,600
[SILENCE]
284
00:17:46,600 --> 00:17:47,604
[AMANCIO] M¨¢RCIO?
285
00:17:49,000 --> 00:17:50,000
LOOK AT ME.
286
00:17:51,708 --> 00:17:52,710
LOOK AT ME.
287
00:17:55,699 --> 00:17:59,822
THE BALL ON SOUZA'S FACE,
IT WAS AN ACCIDENT, ISN'T IT?
288
00:17:59,822 --> 00:18:02,939
[M¨¢RCIO] SOUZA
¨¦ A SCROT, FATHER!
289
00:18:02,939 --> 00:18:05,867
[AMANCIO] [SIGHS]
290
00:18:07,200 --> 00:18:08,200
[TELEVISION IN THE BACKGROUND]
291
00:18:08,200 --> 00:18:09,228
[CIBELE] And A¨ª?
292
00:18:09,228 --> 00:18:12,473
[TELEVISION IN THE BACKGROUND]
293
00:18:12,473 --> 00:18:13,491
[AMANCIO] H??
294
00:18:13,491 --> 00:18:15,845
[CIBELE] HOW IS HE?
295
00:18:15,845 --> 00:18:19,048
[AMANCIO] HUM, NO, OK, OK.
296
00:18:19,048 --> 00:18:22,698
WE TALKED A LITTLE BIT, HE
HAS NO FEVER, NO SICKNESS.
297
00:18:27,287 --> 00:18:29,331
[CIBELE] I'M GOING
TO BE WITH HIM.
298
00:18:29,331 --> 00:18:33,254
[AMANCIO] NO, NO NEED, NO.
YOU CAN FINISH WORK.
299
00:18:33,254 --> 00:18:38,927
[CIBELE] I CAN'T, I
CAN'T, MY HEAD WON'T STOP.
300
00:18:38,927 --> 00:18:41,378
I STILL HAVE FIVE
STATEMENTS TO DELIVER.
301
00:18:44,113 --> 00:18:46,000
[ROG¨¦RIO] BUT HE HACKED
SOUZA IN THE FACE, RIGHT?
302
00:18:46,000 --> 00:18:47,000
[WANDO] AND DA¨ª?
303
00:18:47,000 --> 00:18:48,819
[ROG¨¦RIO] OH, SO WHAT
DID HE DO THAT, BUT, NO HOW
304
00:18:48,819 --> 00:18:51,405
IF HE HAD NOT DONE ANYTHING.
I'M NOT CRAZY ABOUT...
305
00:18:51,405 --> 00:18:52,405
[WANDO] HEY.
306
00:18:52,405 --> 00:18:58,846
[URBAN ENVIRONMENT]
307
00:18:58,846 --> 00:19:00,622
[WANDO] HIS PROBLEM, NOT YOURS.
308
00:19:04,010 --> 00:19:07,521
SON, YOU DON'T HAVE
TO DEFEND ANYONE.
309
00:19:07,521 --> 00:19:09,459
DO YOU WANT TO HELP,
GIVE IT AWAY, SEE IT?
310
00:19:09,459 --> 00:19:14,202
?
311
00:19:14,202 --> 00:19:18,558
[WANDO] WHAT THE SHIT MUST BE
LIVING IN THIS BACK BLOCK, N¨¦?
312
00:19:18,558 --> 00:19:22,100
?
313
00:19:22,100 --> 00:19:24,627
[PHONE RING]
314
00:19:24,627 --> 00:19:25,652
[AMANCIO] AL??
315
00:19:25,652 --> 00:19:28,879
?
316
00:19:28,879 --> 00:19:30,678
[AMANCIO] THERE'S A
"WANDO" UNDER THERE.
317
00:19:30,678 --> 00:19:32,724
[CIBELE] WANDO?
318
00:19:32,724 --> 00:19:34,731
[AMANCIO] HELLO,
¨¦... WANDO FROM WHERE?
319
00:19:34,731 --> 00:19:37,665
?
320
00:19:37,665 --> 00:19:39,000
[AMANCIO] ¨¦ THE FATHER
OF THE BOY FROM BLOCK ONE,
321
00:19:39,000 --> 00:19:40,251
HE WANTS TO GO UP.
322
00:19:40,251 --> 00:19:42,556
[CIBELE] WHY SHOW UP HERE?
323
00:19:42,556 --> 00:19:43,747
[AMANCIO] LET ME SPEAK TO HIM.
324
00:19:43,747 --> 00:19:48,192
?
325
00:19:48,192 --> 00:19:49,335
[COUGH]
326
00:19:49,335 --> 00:19:57,493
?
327
00:19:57,493 --> 00:20:01,014
[BELL]
328
00:20:01,014 --> 00:20:02,267
[DOOR OPEN]
329
00:20:02,267 --> 00:20:05,488
[WANDO] GOOD NIGHT. YOUR NAME?
[AMANCIO] I AM THE AMANCIO.
330
00:20:05,488 --> 00:20:06,868
[WANDO] I AM THE...
[AMANCIO] THE WANDO.
331
00:20:06,868 --> 00:20:09,891
[WANDO] WANDO, THAT,
THAT ¨¦ MY SON ROG¨¦RIO.
332
00:20:09,891 --> 00:20:13,563
[AMANCIO] YOU CAN COME IN, COME IN.
[WANDO] GO, SON, GO L¨¢.
333
00:20:13,563 --> 00:20:14,852
?
334
00:20:14,852 --> 00:20:15,997
[WANDO] SORRY TO
INTRODUCE AT THIS TIME.
335
00:20:15,997 --> 00:20:18,606
[AMANCIO] NO, THAT'S IT.
[WANDO] GIVE LICENSE.
336
00:20:18,606 --> 00:20:20,590
[AMANCIO] STAY AT WILL.
337
00:20:22,353 --> 00:20:37,188
?
338
00:20:37,188 --> 00:20:39,555
[WANDO] THAT NOISE...
[AMANCIO] ¨¦.
339
00:20:39,555 --> 00:20:40,963
?
340
00:20:40,963 --> 00:20:42,876
[AMANCIO] EVERY
FRIDAY ¨¦ LIKE THIS.
341
00:20:42,876 --> 00:20:44,814
THE S¨ªNDICA IS TRYING TO SOLVE.
342
00:20:44,814 --> 00:20:46,794
?
343
00:20:46,794 --> 00:20:48,540
[WANDO] L ¨ ¢ IN OUR
BLOCK WE DON ' T HEAR THIS,
344
00:20:48,540 --> 00:20:50,151
Isn't it, SON?
345
00:20:50,151 --> 00:20:51,899
[AMANCIO] LUCKY FOR YOU.
346
00:20:51,899 --> 00:20:55,978
[WANDO] MAYBE THAT'S WHY...
WHICH IS MORE EXPENSIVE, ISN'T IT?
347
00:20:55,978 --> 00:20:57,764
GOODNIGHT! [CIBELE] GOOD NIGHT.
348
00:20:57,764 --> 00:21:03,504
[CLINKING OF CROCKERS]
349
00:21:03,504 --> 00:21:05,550
[TRAY IMPACT]
350
00:21:05,550 --> 00:21:07,729
[CLINKING OF CROCKERS]
351
00:21:07,729 --> 00:21:09,799
[WANDO] THANK YOU. GOOD, I...
352
00:21:12,079 --> 00:21:15,126
SO I... I CAME HERE WITH MY SON
353
00:21:15,126 --> 00:21:18,263
THAT ROG¨¦RIO WANTS TO
APOLOGIZE, DOESN'T HE, SON?
354
00:21:18,263 --> 00:21:19,320
[ROG¨¦RIO] ¨¦.
355
00:21:19,320 --> 00:21:23,896
[WANDO] ¨¦? [LAUGHTER] SPEAKS
RIGHT, N¨¦, SON? SORRY, P?.
356
00:21:23,896 --> 00:21:28,316
[SILENCE]
357
00:21:28,316 --> 00:21:31,091
[ROG¨¦RIO] SORRY.
[CLEAR] IT WAS BAD A¨ª.
358
00:21:31,091 --> 00:21:34,461
[AMANCIO] OF COURSE. T¨¢ SORRY.
359
00:21:34,461 --> 00:21:39,172
[WANDO] SEE, SON? ¨¦ THIS.
WELL, THAT WAS IT THEN.
360
00:21:42,152 --> 00:21:45,891
[CIBELE] MY SON BROKE
HIS ARM, HAD SIX POINTS.
361
00:21:45,891 --> 00:21:50,465
[WANDO] [LAUGHING] ¨¦, BOY
WAS BORN TO GET POINTS, RIGHT?
362
00:21:50,465 --> 00:21:53,677
I, FOR EXAMPLE, HAVE BROKEN
MY ARM, I'VE BROKEN MY LEG
363
00:21:53,677 --> 00:21:56,737
TWICE, I TOOK A STITCH
HERE, BROKE A RIB.
364
00:21:56,737 --> 00:21:58,418
[AMANCIO] UNDERSTAND.
365
00:21:58,418 --> 00:22:00,143
[WANDO] ¨¦, CHILD'S
THING, LIKE THAT...
366
00:22:00,143 --> 00:22:03,112
[AMANCIO] PEOPLE KNOW
IT CAN BE A CHILD'S THING.
367
00:22:03,112 --> 00:22:05,155
[CIBELE] CHILDREN'S THING?
368
00:22:06,685 --> 00:22:09,899
MY SON FAILED AFTER HE
WAS PUNCHED BY YOUR SON.
369
00:22:09,899 --> 00:22:11,896
DO YOU THINK THIS
IS A CHILD'S THING?
370
00:22:11,896 --> 00:22:14,119
[WANDO] ¨¦, WAY TO SAY IT, N¨¦?
371
00:22:14,119 --> 00:22:18,405
[CIBELE] THIS TO ME IS A
BANDIT THING! BANDIT, GET IT?
372
00:22:18,405 --> 00:22:20,884
THE LORD HAS TO THANK MY
HUSBAND BECAUSE HE DOESN'T
373
00:22:20,884 --> 00:22:22,346
LET ME GIVE A
COMPLAINT TO THE POLICE,
374
00:22:22,346 --> 00:22:23,913
BECAUSE YOUR SON
WAS IN JAIL FOR ME.
375
00:22:23,913 --> 00:22:27,531
[WANDO] LOOK AT THIS, MADAM,
PLEASE, THERE'S NO BANDIT HERE.
376
00:22:27,531 --> 00:22:30,446
WHAT HAS ¨¦ A
FRAGILE BOY, YOUR SON,
377
00:22:30,446 --> 00:22:34,228
ABUSED, WHO ENDED UP HURT
378
00:22:34,228 --> 00:22:37,042
TO LEAVE THE HAND OF BEING A BEAST. [LAUGHING]
IF YOU DON'T KNOW HOW TO PLAY, DON'T YOU?
379
00:22:37,042 --> 00:22:38,367
[ROG¨¦RIO] DON'T GO DOWN TO PLAY.
[WANDO] NO, SON?
380
00:22:38,367 --> 00:22:41,003
[CIBELE] PERA¨ª, THE LORD
LEAVES HIS HOUSE TO COME TO MY HOUSE
381
00:22:41,003 --> 00:22:44,820
OFFEND MY SON, OFFEND
ME, OFFEND MY FAMILY?
382
00:22:44,820 --> 00:22:46,907
IT'S NOT ENOUGH WHAT
YOUR BITCH SON DID?
383
00:22:46,907 --> 00:22:48,362
[WANDO] NO, MY SON IS NOT A BUM.
384
00:22:48,362 --> 00:22:50,198
C¨º WON'T TALK LIKE
THAT, I DON'T ALLOW IT.
385
00:22:50,198 --> 00:22:52,067
[IMPACT ON THE GROUND]
386
00:22:52,067 --> 00:22:53,801
[WANDO] APOLOGIZE TO HIM NOW!
387
00:22:53,801 --> 00:22:54,917
[CIBELE] GET OUT OF MY
HOUSE, GO, GET OUT, GET OUT.
388
00:22:54,917 --> 00:22:56,756
[WANDO] I'M NOT LEAVING,
I'M JUST LEAVING YOUR HOUSE...
389
00:22:56,756 --> 00:22:59,686
I WILL ONLY LEAVE YOUR HOUSE
AFTER YOU APOLOGIZE TO ME
390
00:22:59,686 --> 00:23:02,155
AND FOR MY SON. NO ONE
OFFENDS MY SON LIKE THIS,
391
00:23:02,155 --> 00:23:05,361
IN FRONT OF ME NO ONE OFFENDS!
SORRY TO HIM NOW.
392
00:23:05,361 --> 00:23:06,982
[SPIT]
393
00:23:06,982 --> 00:23:12,021
[CIBELE] TAKE YOUR APOLOGIES.
STREET DOOR, HOUSE SERVICE.
394
00:23:12,021 --> 00:23:14,770
[AMANCIO] CIBELE, WHAT THE
FUCK DID THAT, CIBELE, COME HERE.
395
00:23:14,770 --> 00:23:17,430
[WANDO] I'M VERY CALM
UNTIL SOMEONE MESS WITH ME.
396
00:23:17,430 --> 00:23:18,480
[AMANCIO] WANDO.
397
00:23:18,480 --> 00:23:20,066
[WANDO] I'M GOING TO SAY SOMETHING...
[AMANCIO] CALM.
398
00:23:20,066 --> 00:23:23,392
[WANDO] I T? CALM. ¨¦ YOU
BETTER NOT LEAVE THE CHICKEN
399
00:23:23,392 --> 00:23:25,950
OF YOUR CHILD MOST AUTHENTY,
THROUGH THE CORRIDOR.
400
00:23:25,950 --> 00:23:41,855
?TENSION MUSIC?
401
00:23:41,855 --> 00:23:44,049
[WANDO] C¨º BE CAREFUL
WITH YOUR CHICKEN WHEN HE
402
00:23:44,049 --> 00:23:48,543
GO DOWN AT THE CONDOMINIUM,
BECAUSE NEXT TIME I WILL ASK PRO
403
00:23:48,543 --> 00:23:51,173
ROG¨¦RIO... I WILL NOT
ASK, I WILL TELL HIM TO HIT.
404
00:23:51,173 --> 00:23:52,335
[AMANCIO] PLEASE.
405
00:23:52,335 --> 00:23:54,166
[WANDO] BUT IT
WILL HIT FOR REAL.
406
00:23:54,166 --> 00:23:55,442
[AMANCIO] PLEASE.
407
00:23:55,442 --> 00:23:57,468
[WANDO] GO, GET OUT, SON,
YOU CAN GET AWAY FROM ME,
408
00:23:57,468 --> 00:23:59,787
YOU CAN LET ME OUT, I
DON'T WANT TO COME BACK.
409
00:23:59,787 --> 00:24:01,390
[DOOR CLOSE]
410
00:24:01,390 --> 00:24:05,949
?TENSION MUSIC?
411
00:24:05,949 --> 00:24:09,462
[LOCK HANDLE]
412
00:24:09,462 --> 00:24:12,390
?TENSION MUSIC?
413
00:24:12,390 --> 00:24:14,971
[AMANCIO] WANT A WATER?
She sits HERE.
414
00:24:14,971 --> 00:24:16,260
[DOOR CLOSE]
415
00:24:16,260 --> 00:24:17,313
[CIBELE] WHAT A NIGHTMARE THIS IS.
416
00:24:17,313 --> 00:24:20,701
[AMANCIO] SIT HERE, SIT HERE.
417
00:24:20,701 --> 00:24:21,888
GET A ¨¢ WATER.
418
00:24:21,888 --> 00:24:34,564
?TENSION MUSIC?
419
00:24:34,564 --> 00:24:35,851
[CIBELE] I DON'T WANT WATER,
NO, I DON'T WANT ANYTHING,
420
00:24:35,851 --> 00:24:37,313
I DON'T WANT NOTHING,
I DON'T WANT NOTHING
421
00:24:37,313 --> 00:24:42,448
[¨¢ RUNNING WATER FROM THE TAP]
422
00:24:42,448 --> 00:24:49,165
?
423
00:24:53,108 --> 00:24:55,309
[MILA] SHE SPIT IN YOUR FACE?
424
00:24:58,090 --> 00:25:04,017
[WANDO] SPIT IN MY
FACE, IN FRONT OF MY SON.
425
00:25:04,017 --> 00:25:05,447
[MILA] BUT HE DIDN'T APOLOGIZE?
426
00:25:05,447 --> 00:25:10,464
[WANDO] ASKED AND GAVE IT.
SATISFIED, MILA?
427
00:25:10,464 --> 00:25:12,628
[STEPS]
428
00:25:17,092 --> 00:25:18,688
[MILA] T¨¢, SHE SPIT OUT OF NOTHING?
429
00:25:18,688 --> 00:25:21,589
[WANDO] CAN I SLEEP MILA?
PLEASE LET ME SLEEP.
430
00:25:21,589 --> 00:25:25,800
TOMORROW? ¨¦ CHAMPIONSHIP
DAY OF ROG¨¦RIO DE JUD?. [SIGH]
431
00:25:25,800 --> 00:25:28,260
I HAVE TO WAKE UP EARLY.
432
00:25:28,260 --> 00:25:29,507
[MILA] WANDO, I WANT
TO KNOW WHAT HAPPENED.
433
00:25:29,507 --> 00:25:31,880
[WANDO] I GOT FIRED, MILA.
434
00:25:31,880 --> 00:25:33,077
[MILA] WHAT?
435
00:25:36,641 --> 00:25:38,553
[WANDO] THAT'S WHAT
HAPPENED, FIRED.
436
00:25:38,553 --> 00:25:39,669
[MILA] WHAT DO YOU KNOW? TODAY?
437
00:25:42,296 --> 00:25:44,864
[WANDO] ¨¦, TODAY.
438
00:25:44,864 --> 00:25:46,227
[MILA] WHY DIDN'T
YOU TALK TO ME BEFORE?
439
00:25:46,227 --> 00:25:47,450
[WANDO] IF YOU LET ME.
440
00:25:52,176 --> 00:25:55,164
[MILA] OH MY GOD. MY GOD WANDO.
441
00:25:55,164 --> 00:25:56,934
[WANDO] WE HAVE A GOOD CAR.
442
00:25:56,934 --> 00:25:59,458
[MILA] BUT WHAT THE...
C¨º GO SELL THE CAR?
443
00:25:59,458 --> 00:26:00,654
[WANDO] NO BUT I CAN...
444
00:26:02,373 --> 00:26:05,235
APPLICATION DRIVER
WORKING. [LAUGHTER]
445
00:26:05,235 --> 00:26:08,400
¨¦ WHAT EVERYONE IS DOING, MILA.
446
00:26:08,400 --> 00:26:10,001
[MILA] I CAN GO
BACK TO HAIR CUTTING,
447
00:26:10,001 --> 00:26:11,161
FIND A SALON...
448
00:26:11,161 --> 00:26:14,825
[WANDO] AND ROG¨¦RIO IS GOING
TO STAY HERE AT HOME ALONE?
449
00:26:14,825 --> 00:26:16,050
[MILA] WANDO, I
T? TRYING TO HELP.
450
00:26:16,050 --> 00:26:18,321
[WANDO] WELL, YOU WANT TO
HELP, SO DON'T MAKE A PROBLEM...
451
00:26:18,321 --> 00:26:20,614
[MILA] PROBLEM?
AREN'T PEOPLE A FAMILY?
452
00:26:20,614 --> 00:26:23,833
OUR! T¨¢ GOOD.
453
00:26:23,833 --> 00:26:26,696
THE BLAME OF SPITTING,
SO, IS MINE NOW.
454
00:26:26,696 --> 00:26:32,481
[ELECTRIC BRUSH]
455
00:26:32,481 --> 00:26:35,408
[¨¢ RUNNING WATER FROM THE TAP]
456
00:26:35,408 --> 00:26:36,408
[SPIT]
457
00:26:41,200 --> 00:26:43,714
[AMANCIO] STOP
TAKING THESE QUIETS.
458
00:26:43,714 --> 00:26:44,986
[CIBELE] LEAVE ME, GO.
459
00:26:47,250 --> 00:26:49,564
[STEPS]
460
00:26:49,564 --> 00:26:50,732
[AMANCIO] COME C¨¢.
461
00:26:53,986 --> 00:26:56,398
[KISS SLAP]
462
00:26:56,398 --> 00:26:59,032
[AMANCIO] C¨º DON'T YOU WANT TO
TAKE A BATH, TAKE OFF THAT CLOTHES?
463
00:26:59,032 --> 00:27:00,652
[CIBELE] NO, NO, NO, NO...
[AMANCIO] BREATHE A LITTLE BREATH?
464
00:27:00,652 --> 00:27:02,756
[CIBELE] NO, NO, JUST LET
ME STAY HERE A LITTLE BIT,
465
00:27:02,756 --> 00:27:04,524
PLEASE LEAVE ME HERE
FOR A LITTLE BIT.
466
00:27:04,524 --> 00:27:29,370
?
467
00:27:29,370 --> 00:27:34,415
[URBAN ENVIRONMENT]
468
00:27:34,415 --> 00:27:37,971
?
469
00:27:37,971 --> 00:27:40,412
[SOUZA] THIS KID IS ALL
WRONG, MAN, HE IS ALL WRONG.
470
00:27:40,412 --> 00:27:42,439
NO, AND HE THINKS
HE WILL ARRIVE FILLED
471
00:27:42,439 --> 00:27:43,959
ON THE PEOPLE,
FULL OF STRESS ON ME
472
00:27:43,959 --> 00:27:45,672
AND ROG¨¦RIO, WILL
ARRIVE IN THE COURT,
473
00:27:45,672 --> 00:27:48,047
I CALL A FOUL ON HIM PART
UP. THIS KID IS CRAZY,
474
00:27:48,047 --> 00:27:49,215
MAN, HE IS CRAZY.
475
00:27:49,215 --> 00:27:50,959
I THINK ROG¨¦RIO
HIT HIM SO MUCH...
476
00:27:50,959 --> 00:27:54,031
IH, ALA WHO'S COMING OVER THERE.
DAMN, VERY SUCKY,
477
00:27:54,031 --> 00:27:56,910
YOU MUST HAVE A LOT OF COURAGE.
[LAUGHTER]
478
00:27:56,910 --> 00:28:00,500
[WOMAN] IS HE COMING
WITH FATHER YET? Ah.
479
00:28:00,500 --> 00:28:01,669
[SOUZA] WITH MEDIINHO, right?
480
00:28:01,669 --> 00:28:02,701
?
481
00:28:02,701 --> 00:28:03,750
[AMANCIO] WHAT WAS IT, SON?
482
00:28:03,750 --> 00:28:06,119
?
483
00:28:06,119 --> 00:28:07,263
[AMANCIO] M¨¢RCIO?
484
00:28:07,263 --> 00:28:08,950
[M¨¢RCIO] I DON'T WANT TO GO
TO THE SWIMMING POOL, NO, FATHER.
485
00:28:08,950 --> 00:28:11,983
?
486
00:28:16,400 --> 00:28:17,997
[AMANCIO] MARCINHO, MARCINHO.
487
00:28:17,997 --> 00:28:25,800
?
488
00:28:25,800 --> 00:28:28,155
[WANDO] BOA SON, VAMO
L¨¢, THE TIME HAS COME!
489
00:28:28,155 --> 00:28:32,864
NOW ¨¦ THE TIME, GO L¨¢,
GO L¨¢, ENERGY! ROG¨¦RIO!
490
00:28:32,864 --> 00:28:35,522
?
491
00:28:35,522 --> 00:28:44,898
[GYM AMBIENCE]
492
00:28:44,898 --> 00:28:46,980
[WANDO] BORA, ROG¨¦RIO.
[JUDGE] "HAJIME".
493
00:28:46,980 --> 00:28:48,443
[OVA??O]
494
00:28:48,443 --> 00:28:50,888
[WANDO] ¨®, THE FOOTPRINT
AI, THE FOOTPRINT AI, ROG¨¦RIO.
495
00:28:50,888 --> 00:28:52,502
VAMO L¨¢, GO L¨¢, SLOWLY.
496
00:28:52,502 --> 00:28:55,428
THIS, THIS PART UP.
THIS, THIS, SON!
497
00:28:55,428 --> 00:28:57,390
VAMO L¨¢, VAMO L¨¢"
KNOCK HIM OUT NOW.
498
00:28:57,390 --> 00:28:58,891
BEWARE, L¨¢ BY HIS LEFT.
499
00:29:01,377 --> 00:29:03,381
[JUDGE] "IPPON. SOREMADE"
500
00:29:03,381 --> 00:29:06,400
[OVA??O]
501
00:29:06,400 --> 00:29:11,205
[WANDO] I LOVE YOU, SON!
[EXTENDED] AH!
502
00:29:11,205 --> 00:29:14,025
ESCULACHO.
503
00:29:14,025 --> 00:29:16,582
[CIBELE] U¨¦, DID YOU COME BACK?
504
00:29:16,582 --> 00:29:18,481
[M¨¢RCIO] ¨¦.
505
00:29:18,481 --> 00:29:20,054
[CIBELE] WHAT WAS THERE?
[AMANCIO] MARCINHO FOUND IT
506
00:29:20,054 --> 00:29:22,244
ONE OF THE BOYS IN THE FIGHT FOR L¨¢.
507
00:29:22,244 --> 00:29:24,056
[WHISPERING] I
THINK HE'S SCARED.
508
00:29:24,056 --> 00:29:26,000
[CIBELE] [WHISPERING]
OF COURSE HE'S SCARED.
509
00:29:26,000 --> 00:29:27,260
AND YOU DIDN'T DO ANYTHING?
510
00:29:27,260 --> 00:29:29,365
[AMANCIO] [WHISPERING]
WHAT DID YOU WANT ME TO DO?
511
00:29:29,365 --> 00:29:30,713
HUH?
[CIBELE] MY SON WILL NOT STAY
512
00:29:30,713 --> 00:29:32,764
LOCKED IN THIS APARTMENT,
YOU'RE NOT GOING.
513
00:29:32,764 --> 00:29:33,993
[CLINKING OF KEYS]
514
00:29:33,993 --> 00:29:35,000
[AMANCIO] CIBELE.
515
00:29:36,100 --> 00:29:37,553
[IMPACT ON WATER]
516
00:29:37,553 --> 00:29:43,136
[SPOKEN]
517
00:29:43,136 --> 00:29:44,317
[CIBELE] HERE BOY.
518
00:29:44,317 --> 00:29:47,281
MY SON WILL PLAY WHERE HE WANT,
519
00:29:47,281 --> 00:29:48,883
ARE YOU HEARING ME?
520
00:29:48,883 --> 00:29:51,133
HE WILL FALL INTO THE SWIMMING
POOL, HE WILL RIDE A BICYCLE,
521
00:29:51,133 --> 00:29:53,253
HE WILL PLAY BALL, HE
WILL DO WHAT HE WANTS
522
00:29:53,253 --> 00:29:54,697
IN THIS CONDOMINIUM!
[SOUZA] WHAT IS THAT, AUNT?
523
00:29:54,697 --> 00:29:56,331
[CIBELE] [SCREAMING]
I'M NOT YOUR AUNT!
524
00:29:56,331 --> 00:29:58,906
[SOUZA] C¨º T¨¢ MALUCA?
[CIBELE] THE MALUCA YOU WILL SEE,
525
00:29:58,906 --> 00:30:00,645
IF ANYTHING HAPPENS TO MARCINHO.
526
00:30:00,645 --> 00:30:01,907
[SOUZA] OK! T¨¢
GOOD, T ¨¢ GOOD, MALUCA.
527
00:30:01,907 --> 00:30:03,510
[CIBELE] YOU WILL SEE
WHAT WILL HAPPEN TO YOU!
528
00:30:03,510 --> 00:30:04,827
[LAUGHTER]
529
00:30:04,827 --> 00:30:05,996
[SOUZA] CRAZY.
530
00:30:05,996 --> 00:30:07,261
[LAUGHTER]
531
00:30:07,261 --> 00:30:08,380
[SOUZA] CRAZY!
532
00:30:08,380 --> 00:30:09,438
[LAUGHTER]
533
00:30:09,438 --> 00:30:11,000
[SOUZA] A ¨ª, KID, SHE ¨¦ CRAZY!
534
00:30:11,000 --> 00:30:17,197
[URBAN ENVIRONMENT]
535
00:30:17,197 --> 00:30:28,446
[HEAVY BREATHING]
536
00:30:28,446 --> 00:30:36,644
?
537
00:30:36,644 --> 00:30:38,288
?LOOK?
538
00:30:38,288 --> 00:30:42,563
?
539
00:30:42,563 --> 00:30:44,847
?NOT THAT?
540
00:30:44,847 --> 00:30:51,702
?
541
00:30:51,702 --> 00:30:54,537
?THOUGH I DON'T KNOW?
542
00:30:54,537 --> 00:30:57,183
?
543
00:30:57,183 --> 00:30:59,797
?SAY NO MORE?
544
00:30:59,797 --> 00:31:07,304
?
545
00:31:07,304 --> 00:31:10,504
?NOTHING MORE BUT THE THINGS?
546
00:31:10,504 --> 00:31:13,863
?
547
00:31:13,863 --> 00:31:17,077
?WHAT HAVE ALWAYS BEEN SILENT?
548
00:31:17,077 --> 00:31:20,557
?
549
00:31:20,557 --> 00:31:22,906
?LOOK?
550
00:31:22,906 --> 00:31:27,068
[WANDO] WHY SLAM THE
DOOR LIKE THAT? PLEASE NO?
551
00:31:27,068 --> 00:31:31,116
THIS HERE ¨¦ A JEWEL FOR ME.
¨®, HERE, ¨®! I'LL SHOW YOU
552
00:31:31,116 --> 00:31:34,030
AGAIN. ¨®! ¨®!
553
00:31:34,030 --> 00:31:35,146
[DOOR CLOSE]
554
00:31:35,146 --> 00:31:36,370
[WANDO] "PUF"!
555
00:31:36,370 --> 00:31:37,697
?
556
00:31:37,697 --> 00:31:40,783
?¨¦ EASY TO UNDERSTAND?
557
00:31:40,783 --> 00:31:43,597
?SHE JUST CAME TO TELL ME?
558
00:31:43,597 --> 00:31:46,851
?
559
00:31:46,851 --> 00:31:48,148
?GOODBYE?
560
00:31:48,148 --> 00:31:51,289
?
561
00:31:51,289 --> 00:31:53,662
?BUT WHAT DID I REALLY WANT?
562
00:31:53,662 --> 00:31:57,188
?WAS IT NOT TO HAVE MORE TIME?
563
00:31:57,188 --> 00:31:58,656
?
564
00:31:58,656 --> 00:31:59,789
[ROG¨¦RIO] HERE, ¨®, FATHER.
565
00:31:59,789 --> 00:32:01,538
[WANDO] LET ME KISS
THAT TROPHY A¨ª.
566
00:32:01,538 --> 00:32:03,559
[ROG¨¦RIO] [LAUGHTER]
567
00:32:03,559 --> 00:32:04,664
[WANDO] AND NOW IN MY.
568
00:32:04,664 --> 00:32:06,191
?EVEN SO?
569
00:32:06,191 --> 00:32:07,776
[WANDO] I LOVE YOU.
[ROG¨¦RIO] I LOVE YOU TOO.
570
00:32:07,776 --> 00:32:10,275
[WANDO] LET ME SEE THE
WEIGHT OF THIS. Oops!
571
00:32:10,275 --> 00:32:14,489
?THAT PEOPLE COULD TRAVEL?
572
00:32:14,489 --> 00:32:17,119
?
573
00:32:17,119 --> 00:32:19,414
?AND MAKE AN ¨¢LBUM?
574
00:32:19,414 --> 00:32:22,563
?OF PHOTOGRAPHS?
575
00:32:22,563 --> 00:32:23,809
?
576
00:32:23,809 --> 00:32:27,061
[ELECTRIC KNIFE]
577
00:32:27,061 --> 00:32:28,373
[DOOR OPEN]
578
00:32:28,373 --> 00:32:32,573
[WANDO] [LAUGHTER] ¨¦, WHH,
HE LOOKED LIKE A PUFFER! LOVE!
579
00:32:34,283 --> 00:32:36,722
WE ARRIVED! [MILA] DID YOU WIN?
580
00:32:36,722 --> 00:32:43,241
[WANDO] CHAMPION HAS ARRIVED!
[LAUGHTER] PUT FIVE ON THE CANVAS!
581
00:32:43,241 --> 00:32:46,751
[MILA] WOW! COME C¨¢, SON!
LET ME GIVE YOU A HUG.
582
00:32:46,751 --> 00:32:48,297
[ROG¨¦RIO] NO, THANKS, MOM.
T¨¢ GOOD, T¨¢ GOOD.
583
00:32:48,297 --> 00:32:50,030
T¨¢ GOOD, T¨¢ GOOD.
584
00:32:50,030 --> 00:32:52,081
[WANDO] CONGRATULATIONS.
[ROG¨¦RIO] THANKS!
585
00:32:52,081 --> 00:32:54,094
?TENSION MUSIC?
586
00:32:54,094 --> 00:32:57,510
[MILA] WOW, C¨º VIU?
C¨º SEE HOW HE'S TREAT ME?
587
00:32:57,510 --> 00:33:13,516
?TENSION MUSIC?
588
00:33:13,516 --> 00:33:15,234
[MILA] Oh, I get
upset, you know?
589
00:33:15,234 --> 00:33:18,236
[WANDO] LOOK, WHAT THE FUCK,
KITTEN? COME C¨¢, COME?
590
00:33:18,236 --> 00:33:20,840
[MILA] AH, SEE, I EVEN
MADE THE DISH HE LIKES TODAY.
591
00:33:20,840 --> 00:33:23,923
[WANDO] I WAKE UP WITH
A WISH FOR YOU TODAY.
592
00:33:23,923 --> 00:33:26,367
[MILA] OH, WANDO, PERA¨ª!
T? FINISHING DINNER!
593
00:33:26,367 --> 00:33:28,752
[WANDO] COME HERE, HOW LONG
DOESN'T WE HAVE SEX, HEIN?
594
00:33:28,752 --> 00:33:30,662
[MILA] T? CONCERNED
ABOUT YOUR JOB.
595
00:33:30,662 --> 00:33:32,943
[WANDO] BUT I T? ¨¦, ¨®. ¨®!
596
00:33:32,943 --> 00:33:38,909
?TENSION MUSIC?
597
00:33:38,909 --> 00:33:53,445
[FRICTION BETWEEN METALS]
598
00:33:53,445 --> 00:33:56,860
[DEEP SIGHS]
599
00:33:56,860 --> 00:33:58,385
[MILA] OH, REALLY.
600
00:34:00,157 --> 00:34:01,591
[MILA] [WISPERING] PEAR, WANDO.
601
00:34:01,591 --> 00:34:04,584
[HEAVY BREATHING]
602
00:34:04,584 --> 00:34:06,295
[KISS SLAP]
603
00:34:06,295 --> 00:34:14,415
[HEAVY BREATHING]
604
00:34:14,415 --> 00:35:05,835
?
605
00:35:05,835 --> 00:35:12,314
[CRICKET CRACKING]
606
00:35:12,314 --> 00:35:15,954
[FRICTION BETWEEN METALS]
607
00:35:15,954 --> 00:35:18,588
[MILA] [SIGHS]
608
00:35:24,262 --> 00:35:25,993
[INTERCOM RING]
609
00:35:25,993 --> 00:35:27,269
[WANDO] HI, WHO IS IT?
610
00:35:29,378 --> 00:35:31,516
TALK, ELVIS.
611
00:35:31,516 --> 00:35:34,953
[CRICKET CRACKING]
612
00:35:34,953 --> 00:35:45,663
[HAND FRICTION WITH THE BODYWORK]
613
00:35:45,663 --> 00:35:50,334
?TENSION MUSIC?
614
00:35:50,334 --> 00:35:53,477
[MAN] I DIDN'T SEE ANYTHING BECAUSE
I WAS PUTTING POISON ON THE PLANT.
615
00:35:53,477 --> 00:35:55,978
[MILA] WHAT ABOUT
THE SECURITY CAMERAS?
616
00:35:55,978 --> 00:35:57,752
[MAN] I'VE TALKED TO DONA
L¨²CIA, SHE IS GOING DOWN
617
00:35:57,752 --> 00:35:59,065
TO RELEASE THE CAMERA.
618
00:35:59,065 --> 00:36:03,489
?TENSION MUSIC?
619
00:36:03,489 --> 00:36:04,656
[MILA] WANDO.
620
00:36:04,656 --> 00:36:06,860
?TENSION MUSIC?
621
00:36:06,860 --> 00:36:11,956
[MILA] WANDO. WHERE C¨º
GO? SO AS TO. FOR GOD'S SAKE,
622
00:36:11,956 --> 00:36:13,931
SO AS TO. YOU'RE
GOING TO DO NUTS.
623
00:36:13,931 --> 00:36:15,822
[WANDO] LEAVE ME.
624
00:36:15,822 --> 00:36:19,968
[TELEVISION IN THE BACKGROUND]
625
00:36:19,968 --> 00:36:22,668
[WANDO] [DISTANT VOICE]
HEY CRAZY! APPEAR A¨ª!
626
00:36:22,668 --> 00:36:24,718
[MILA] WHAT THE HELL ARE
YOU GOING TO DO WITH IT?
627
00:36:24,718 --> 00:36:29,480
[WANDO] [DISTANT
VOICE] HEY! GO, GO DOWN!
628
00:36:29,480 --> 00:36:31,227
OPEN A¨º!
629
00:36:31,227 --> 00:36:32,353
[AMANCIO] WHAT IS THAT?
630
00:36:32,353 --> 00:36:33,500
[WANDO] [DISTANT VOICE] COME HERE!
631
00:36:33,500 --> 00:36:34,774
[M¨¢RCIO] ¨¦ HERE?
632
00:36:34,774 --> 00:36:38,742
[WANDO] [DISTANT VOICE]
LET GO MILA PLEASE!
633
00:36:38,742 --> 00:36:41,971
OPEN IT SO I CAN GO UP
AND LOOK AT YOUR FACE,
634
00:36:41,971 --> 00:36:47,339
YOU DISGRACEFUL! GO!
635
00:36:47,339 --> 00:36:53,725
?DRAMATIC MUSIC?
636
00:36:53,725 --> 00:36:55,251
[WANDO] [DISTANT
VOICE] APPEAR HERE!
637
00:36:55,251 --> 00:37:06,454
?DRAMATIC MUSIC?
638
00:37:06,454 --> 00:37:10,500
[WANDO] LEAVE ME, MILA! LEAVE
ME, I'M LOOKING AT NOTHING!
639
00:37:10,500 --> 00:37:15,192
And A¨ª? OPEN THERE FOR ME TO
GO UP THERE, TO LOOK INTO YOUR FACE,
640
00:37:15,192 --> 00:37:16,242
DISGRACEFUL!
641
00:37:16,242 --> 00:37:18,786
?DRAMATIC MUSIC?
642
00:37:18,786 --> 00:37:20,003
[WANDO] HERE ¨®.
[AMANCIO] QUE QUE T¨¢
643
00:37:20,003 --> 00:37:21,091
HAPPENING, WANDO? GOODNIGHT.
644
00:37:21,091 --> 00:37:23,977
[WANDO] AH, DON'T YOU KNOW
WHAT'S GOING ON? ¨¦ THAT SAME,
645
00:37:23,977 --> 00:37:25,238
DON'T KNOW WHAT'S GOING ON?
646
00:37:25,238 --> 00:37:26,636
[AMANCIO] NO, NO, I
DON'T KNOW, NO, MAN.
647
00:37:26,636 --> 00:37:27,825
[WANDO] THEN ASK
HER TO SHOW UP A¨ª.
648
00:37:27,825 --> 00:37:28,882
[MILA] EVERYONE IS WATCHING.
649
00:37:28,882 --> 00:37:30,758
[WANDO] TELL HER TO APPEAR!
[MILA] STOP IT!
650
00:37:30,758 --> 00:37:33,576
[WANDO] TELL HER SHOW UP
THERE, OPEN THIS THERE I WANT IT
651
00:37:33,576 --> 00:37:35,700
LOOK AT YOUR WIFE'S BITCH FACE.
652
00:37:35,700 --> 00:37:37,725
[MILA] DON'T TALK LIKE THAT.
[WANDO] OR GO DOWN IF YOU HAVE THE COURAGE.
653
00:37:37,725 --> 00:37:41,472
[MILA] STOP IT! FOR
THAT, LET'S GO HOME.
654
00:37:41,472 --> 00:37:43,906
CONTROL YOURSELF, CONTROL
YOURSELF, WANDO, STOP!
655
00:37:43,906 --> 00:37:48,629
[SCREAMING] STOP!
T¨¢ EVERYBODY... WANDO.
656
00:37:48,629 --> 00:37:49,653
[BEATS ON THE GLASS]
657
00:37:49,653 --> 00:37:51,900
[MILA] WHAT ARE YOU GOING TO
DO? C¨º CANNOT GO UP IN THE HOUSE
658
00:37:51,900 --> 00:37:54,163
NOT FROM PEOPLE! WANDO, TO.
659
00:37:54,163 --> 00:37:55,462
[INTERCOM RING]
660
00:37:55,462 --> 00:37:58,614
?
661
00:37:58,614 --> 00:38:00,978
[INTERCOM RING]
662
00:38:02,258 --> 00:38:04,166
[INTERCOM RING]
663
00:38:04,166 --> 00:38:05,963
[CIBELE] DOES NOT ANSWER.
664
00:38:05,963 --> 00:38:08,011
[INTERCOM RING]
665
00:38:08,011 --> 00:38:09,618
?DRAMATIC MUSIC?
666
00:38:09,618 --> 00:38:11,038
[AMANCIO] WHAT DID
C¨º DO, CIBELE?
667
00:38:11,038 --> 00:38:16,094
?DRAMATIC MUSIC?
668
00:38:16,094 --> 00:38:17,304
[MAN] ? YOUR WANDO.
669
00:38:17,304 --> 00:38:19,299
?DRAMATIC MUSIC?
670
00:38:19,299 --> 00:38:20,356
[L¨²CIA] TALK TO HIM.
671
00:38:20,356 --> 00:38:22,486
[ERNESTO] YOUR WANDO, ¨® DONA
L¨²CIA HERE, ¨®, TO RELEASE
672
00:38:22,486 --> 00:38:24,776
THE CAMERAS TO SEE THE
IMAGES TO SEE WHO IT WAS.
673
00:38:24,776 --> 00:38:27,455
[WANDO] GO, DOWN, I
KNOW WHO IT WAS, OK?
674
00:38:27,455 --> 00:38:29,262
[L¨²CIA] LOOK, NERVOUS...
NERVOUS LIKE THIS THE LORD
675
00:38:29,262 --> 00:38:30,381
IT WILL NOT SOLVE ANYTHING.
676
00:38:30,381 --> 00:38:33,353
[WANDO] [LAUGHTER] WILL THE
CONDOMINIUM PAY FOR MY CAR REPAIR?
677
00:38:33,353 --> 00:38:35,619
MAKE ME LAUGH WHO IS
GOING TO FIX MY CAR?
678
00:38:35,619 --> 00:38:37,861
[L¨²CIA] MUST SEE, MUST SEE,
MUST SEE, IT'S NOT LIKE THAT.
679
00:38:37,861 --> 00:38:39,009
[WANDO] GO.
680
00:38:39,009 --> 00:38:40,459
[MILA] WANDO, SHE'S
TRYING TO HELP YOU.
681
00:38:40,459 --> 00:38:42,605
[WANDO] SHUT UP MILA
FOR GOD'S SAKE SHUT UP
682
00:38:42,605 --> 00:38:46,231
WHAT I T? TRYING TO
SOLVE A PROBLEM HERE. GO!
683
00:38:46,231 --> 00:38:48,692
C¨º CAN YOU OPEN FOR ME
FROM THE HEART HERE THE DOOR?
684
00:38:48,692 --> 00:38:50,535
[LUCIA] DON'T OPEN,
CARLOS, DON'T OPEN.
685
00:38:50,535 --> 00:38:51,841
[WANDO] OPEN THIS DOOR.
686
00:38:51,841 --> 00:38:53,071
[LUCIA] DON'T OPEN, CARLOS.
[WANDO] OPEN THIS,
687
00:38:53,071 --> 00:38:55,988
OTHERWISE I WILL BREAK THIS DOOR
DOWN. I WILL BREAK THIS DOOR DOWN!
688
00:38:55,988 --> 00:38:57,965
[L¨²CIA] IF YOU BREAK THIS
DOOR DOWN I WILL CALL THE POLICE.
689
00:38:57,965 --> 00:38:59,245
[WANDO] THEN GO THERE
AND CALL THE POLICE!
690
00:38:59,245 --> 00:39:01,702
GO THERE, CALL THE POLICE, TAKE
ADVANTAGE TO TAKE THIS CRAZY ONE!
691
00:39:01,702 --> 00:39:03,452
GO THERE, CALL THE POLICE.
692
00:39:03,452 --> 00:39:05,197
[MILA] DON'T CALL THE
POLICE, DONA L¨²CIA!
693
00:39:05,197 --> 00:39:06,414
[WANDO] I WILL BREAK!
694
00:39:06,414 --> 00:39:08,933
[SHATTERING GLASS]
695
00:39:08,933 --> 00:39:14,505
[SILENCE]
696
00:39:14,505 --> 00:39:33,700
?TENSION MUSIC?
697
00:39:33,700 --> 00:39:35,137
[CIBELE] CALLS THE POLICE.
698
00:39:35,137 --> 00:40:02,929
?TENSION MUSIC?
699
00:40:02,929 --> 00:40:03,938
[KNOCKING ON THE DOOR]
700
00:40:03,938 --> 00:40:09,255
?TENSION MUSIC?
701
00:40:09,255 --> 00:40:10,515
[S¨¦RGIO] OP.
[L¨²CIA] GOOD NIGHT.
702
00:40:10,515 --> 00:40:12,257
[S¨¦RGIO] GOOD NIGHT.
[L¨²CIA] ¨¦ S¨¦RGIO, N¨¦?
703
00:40:12,257 --> 00:40:14,000
[S¨¦RGIO] THAT.
[L¨²CIA] WITH LICENSE.
704
00:40:14,000 --> 00:40:17,038
I AM SENDICA HERE
FROM BARRA DIAMOND.
705
00:40:17,038 --> 00:40:21,800
L¨²CIA, VERY PLEASURE. ¨¦
WHAT ¨¢... [STATUTORING] PEOPLE
706
00:40:21,800 --> 00:40:24,245
THERE'S A LITTLE PROBLEM,
THEY SCRATCHED WANDO'S CAR,
707
00:40:24,245 --> 00:40:26,800
DO YOU KNOW WANDO? BLOCK
ONE, WANDO, BLOCK ONE.
708
00:40:26,800 --> 00:40:28,200
[S¨¦RGIO] I DON'T KNOW, NO.
[LUCIA] SO HE IS...
709
00:40:28,200 --> 00:40:30,272
HE IS BREAKING THE
WHOLE ORDINANCE.
710
00:40:30,272 --> 00:40:31,815
[S¨¦RGIO] HAVE YOU CALLED THE POLICE?
[L¨²CIA] J¨¢, J¨¢ WE CALL
711
00:40:31,815 --> 00:40:33,500
THE POLICE, WE CALL THE POLICE.
712
00:40:33,500 --> 00:40:34,567
[S¨¦RGIO] YOU HAVE TO BE QUIET
713
00:40:34,567 --> 00:40:35,600
THAT THEY WILL SOLVE.
714
00:40:35,600 --> 00:40:37,300
[L?CIA] IT WILL NOT GIVE
YOU TIME, NO... THE LORD...
715
00:40:37,300 --> 00:40:38,960
IS NOT THE LORD A POLICEMAN?
716
00:40:38,960 --> 00:40:40,000
[S¨¦RGIO] EX-POLICE.
717
00:40:40,000 --> 00:40:41,687
[L¨²CIA] SO, WHAT HAS BEEN
DOESN'T STOP BEING, FOR LOVE
718
00:40:41,687 --> 00:40:45,167
GOD'S. I NEED YOUR
HELP. HE WILL KILL...
719
00:40:45,167 --> 00:40:47,447
IS GOING TO KILL SOMEONE, THIS MAN.
720
00:40:47,447 --> 00:40:52,400
[STEPS]
721
00:40:52,400 --> 00:40:53,423
[DOOR OPEN]
722
00:40:53,423 --> 00:40:59,660
?
723
00:40:59,660 --> 00:41:01,700
[IMPACT OF METAL ON WOOD]
724
00:41:01,700 --> 00:41:03,900
[WANDO] OPEN! OR YOU GET OUT...
725
00:41:03,900 --> 00:41:06,800
[CIBELE] PASSES TO C¨¢.
NOTHING WILL HAPPEN TO YOU,
726
00:41:06,800 --> 00:41:07,800
REST ASSURED.
TRUST YOUR MOTHER!
727
00:41:07,800 --> 00:41:08,800
[M¨¢RCIO] DON'T
LET HIM IN, FATHER!
728
00:41:08,800 --> 00:41:09,813
[AMANCIO] PEAR, PEAR.
[CIBELE] DO SOMETHING
729
00:41:09,813 --> 00:41:11,752
THING, AMANCIO.
[M¨¢RCIO] [SCREAMING] GO AWAY!
730
00:41:11,752 --> 00:41:16,265
[AMANCIO] WANDO, CALM, WANDO.
CALM. HEY, LET'S TALK.
731
00:41:16,265 --> 00:41:18,355
ARE YOU SURE YOU DIDN'T
DO ANYTHING, CIBELE?
732
00:41:18,355 --> 00:41:19,400
[KNOCKING ON THE DOOR]
733
00:41:19,400 --> 00:41:22,200
[WANDO] OPEN! OPEN!
734
00:41:22,200 --> 00:41:24,000
[AMANCIO] WANDO,
LISTEN TO ME, MAN,
735
00:41:24,000 --> 00:41:25,200
FOR THE LOVE OF GOD, LISTEN TO ME.
736
00:41:25,200 --> 00:41:26,960
[CIBELE] DON'T LET HIM
IN, DON'T LET HIM IN!
737
00:41:26,960 --> 00:41:28,012
[AMANCIO] CALM!
[WANDO] [PAUSEDLY] I WILL
738
00:41:28,012 --> 00:41:31,585
BREAK DOWN THIS DOOR!
739
00:41:31,585 --> 00:41:36,820
[AMANCIO] WANDO, CALM!
CALM! LET'S TALK!
740
00:41:36,820 --> 00:41:39,700
[MILA] WANDO! [SCREAMING] WANDO!
[AMANCIO] LET'S TALK!
741
00:41:39,700 --> 00:41:41,389
[WANDO] OPEN THIS DOOR!
742
00:41:41,389 --> 00:41:45,332
[IMPACTS ON THE DOOR]
743
00:41:45,332 --> 00:41:46,570
[MILA] [SCREAMING] WANDO!
744
00:41:46,570 --> 00:41:49,000
[AMANCIO] WANDO, LOOK AT ME!
LOOK AT ME, WANDO!
745
00:41:49,000 --> 00:41:50,400
[MILA] [SCREAMING] DID I?
ASKING!
746
00:41:50,400 --> 00:41:51,900
[S¨¦RGIO] GET OUT THE
DOOR! OPEN THE DOOR!
747
00:41:51,900 --> 00:41:52,900
[IMPACT ON THE DOOR]
748
00:41:52,900 --> 00:41:54,900
[AMANCIO] CALM,
WANDO, FOR GOD'S SAKE!
749
00:41:54,900 --> 00:41:58,757
[S¨¦RGIO] STOPPED! STOPPED! STOPPED!
STOPPED! STOPPED! STOPPED! STOPPED!
750
00:41:58,757 --> 00:42:03,500
STOPPED! STOPPED! STOPPED!
STOPPED! DROP THE IRON...
751
00:42:03,500 --> 00:42:08,200
[MILO] HE WILL SHOOT WANDO
PLEASE. FOR GOD'S SAKE,
752
00:42:08,200 --> 00:42:10,900
HE WILL SHOOT,
WANDO. PLEASE WANDO!
753
00:42:10,900 --> 00:42:12,968
[S¨¦RGIO] WIDE.
[MILO] HE'S GOING TO...
754
00:42:12,968 --> 00:42:14,400
[S¨¦RGIO] DROP THE IRON!
755
00:42:14,400 --> 00:42:15,400
[METAL IMPACT ON THE FLOOR]
756
00:42:15,400 --> 00:42:16,935
[S¨¦RGIO] HAND
ON HEAD AND BELOW.
757
00:42:16,935 --> 00:42:19,120
[CRY]
758
00:42:19,120 --> 00:42:23,000
?
759
00:42:23,000 --> 00:42:25,832
[S¨¦RGIO] DOWN, DOWN,
DOWN, DOWN, DOWN, DOWN.
760
00:42:25,832 --> 00:42:27,875
HAND ON HEAD, THAT.
761
00:42:27,875 --> 00:42:30,513
?
762
00:42:30,513 --> 00:42:32,856
[CIBELE] [SIGHS]
763
00:42:32,856 --> 00:42:34,654
[CRY]
764
00:42:37,554 --> 00:42:44,377
[STEPS]
765
00:42:44,377 --> 00:42:53,490
[URBAN ENVIRONMENT]
766
00:42:53,490 --> 00:43:07,200
?TENSION MUSIC?
767
00:43:07,200 --> 00:43:08,426
[SIREN]
768
00:43:08,426 --> 00:43:37,000
?TENSION MUSIC?
769
00:43:37,000 --> 00:43:41,200
[ROG¨¦RIO] MOM! ME!
[MILA] ROG¨¦RIO! ROG¨¦RIO.
770
00:43:41,200 --> 00:43:43,058
[ROG¨¦RIO] WHAT HAPPENED?
WHAT HAPPENED? I'M TAKING
771
00:43:43,058 --> 00:43:44,400
MY FATHER, WHO IS REALLY
GOING TO LET THIS HAPPEN?
772
00:43:44,400 --> 00:43:45,700
[MILA] ROG¨¦RIO,
MY FIVE... COME HERE.
773
00:43:45,700 --> 00:43:47,369
[ROG¨¦RIO] [SCREAMING] LET ME GO!
[MILA] ROG¨¦RIO, COME HERE!
774
00:43:47,369 --> 00:43:50,431
[SIREN]
775
00:43:50,431 --> 00:43:52,283
[MILO] ROG¨¦RIO!
776
00:43:52,283 --> 00:43:54,963
[ROG¨¦RIO] NO, NO!
777
00:43:54,963 --> 00:43:56,877
[MILA] ROG¨¦RIO!
778
00:43:56,877 --> 00:44:01,000
?
779
00:44:01,000 --> 00:44:02,332
[MILA] ROG¨¦RIO
780
00:44:05,600 --> 00:44:09,228
[Sniffle] COME HERE, MY SON.
781
00:44:09,228 --> 00:44:16,900
?DRAMATIC MUSIC?
782
00:44:16,900 --> 00:44:18,527
[MILA] WE WILL GET
YOUR FATHER OUT OF L¨¢.
783
00:44:18,527 --> 00:44:21,077
?
784
00:44:21,077 --> 00:44:23,000
[MILA] WE WILL GET
YOUR FATHER OUT OF L¨¢.
785
00:44:23,000 --> 00:44:24,129
ROG¨¦RIO!
786
00:44:24,129 --> 00:44:26,400
?
787
00:44:26,400 --> 00:44:29,700
[MILA] WHERE C¨º GOING? ROG¨¦RIO!
788
00:44:29,700 --> 00:44:31,500
[ROG¨¦RIO] [SCREAMING]
I WILL KILL YOU!
789
00:44:31,500 --> 00:44:33,963
[MILA] ROG¨¦RIO, COME HERE, STOP!
VEM C¨¢.
790
00:44:33,963 --> 00:44:43,500
?
791
00:44:43,500 --> 00:44:48,700
[MILA] STOP, IT'S NOT GOING TO
KILL ANYONE, ENOUGH! C¨º WILL STAY
792
00:44:48,700 --> 00:44:52,869
HERE, COME, ARE YOU LISTENING?
C¨º IS NOT GOING TO KILL ANYONE.
793
00:44:52,869 --> 00:44:56,500
[CRY]
794
00:44:56,500 --> 00:45:02,407
[M¨¢RCIO] [CRYING] HE WILL
KILL ME, HE WILL KILL ME!
795
00:45:02,407 --> 00:45:09,627
[HEAVY BREATHING]
796
00:45:09,627 --> 00:45:20,124
?
797
00:45:20,124 --> 00:45:22,033
[S¨¦RGIO] CALM, CALM.
798
00:45:23,900 --> 00:45:25,967
[CIBELE] HE'S GONNA
GET IN JAIL, WON'T HE?
799
00:45:25,967 --> 00:45:30,768
[S¨¦RGIO] LOOK, IN THE COUNTRY
WE LIVE IN, YOU CAN'T KNOW.
800
00:45:33,780 --> 00:45:35,724
[CIBELE] WHAT AM I
GOING TO DO, MY GOD?
801
00:45:38,155 --> 00:45:40,754
[S¨¦RGIO] IF I WERE YOU,
I WOULD PROTECT MYSELF.
802
00:45:40,754 --> 00:45:50,248
[CRICKET CRACKING]
803
00:45:50,248 --> 00:45:52,847
[CIBELE] HE ASKED IF WE'RE
GOING TO MOVE FROM HERE.
804
00:45:56,280 --> 00:45:57,348
[AMANCIO] MOVE IN?
[CIBELE] I THINK
805
00:45:57,348 --> 00:45:58,682
WHICH WILL BE THE WAY.
806
00:46:03,921 --> 00:46:06,609
[AMANCIO] [Sigh]
WITH THIS CRISIS?
807
00:46:06,609 --> 00:46:10,013
C¨º HAVE YOU SEEN HOW MANY APARTMENTS
THERE ARE FOR SALE IN THIS BLOCK ONLY?
808
00:46:10,013 --> 00:46:12,710
[CIBELE] HOW ARE WE GOING TO
CONTINUE HERE WITH THIS CRAZY
809
00:46:12,710 --> 00:46:15,890
LOOSE, MY GOD? HIS SON TOO.
810
00:46:17,522 --> 00:46:19,389
[AMANCIO] YOU COULD HAVE
THOUGHT ABOUT THIS BEFORE
811
00:46:19,389 --> 00:46:20,640
TO SCRATCH HIS CAR.
812
00:46:20,640 --> 00:46:24,348
?
813
00:46:24,348 --> 00:46:27,078
[AMANCIO] LET'S SLEEP,
BREATHE A LITTLE,
814
00:46:27,078 --> 00:46:28,423
TOMORROW? WE TALK.
815
00:46:28,423 --> 00:46:31,404
?
816
00:46:31,404 --> 00:46:32,575
[AMANCIO] IT'S GOING TO BE OK.
817
00:46:32,575 --> 00:46:42,751
?
818
00:46:42,751 --> 00:46:44,527
[CIBELE] [WHISPERING]
MY SON IS HURT,
819
00:46:44,527 --> 00:46:46,823
THEY HURT MY SON.
820
00:46:46,823 --> 00:47:00,218
?
821
00:47:00,218 --> 00:47:09,704
[BROOM ATTRACTION WITH THE FLOOR]
822
00:47:09,704 --> 00:47:12,388
[ELVIS] HELLO MISS
CIBELE, GOOD MORNING.
823
00:47:12,388 --> 00:47:14,075
[CIBELE] GOOD MORNING, ELVIS.
824
00:47:14,075 --> 00:47:17,677
[BROOM ATTRACTION WITH THE FLOOR]
825
00:47:17,677 --> 00:47:28,137
[STEPS]
826
00:47:28,137 --> 00:47:31,043
[CAR IGNITION]
827
00:47:31,043 --> 00:47:33,500
[CAR ENGINE]
828
00:47:33,500 --> 00:47:34,713
[M¨¢RCIO] MOM, LETS GO.
829
00:47:34,713 --> 00:47:39,000
[CAR ENGINE]
830
00:47:39,000 --> 00:47:42,223
[CIBELE] I HAVE TO
GO SOMEWHERE, COME ON.
831
00:47:42,223 --> 00:47:43,910
[M¨¢RCIO] I WILL BE LATE.
832
00:47:43,910 --> 00:47:49,620
?TENSION MUSIC?
833
00:47:49,620 --> 00:47:50,893
[CIBELE] COME, SON, COME.
834
00:47:50,893 --> 00:47:55,000
?TENSION MUSIC?
835
00:47:55,000 --> 00:47:57,874
?
836
00:47:57,874 --> 00:48:00,390
[S¨¦RGIO] IF I WERE YOU, I WOULD
PROT... I HAVE ALREADY CALLED THE POLICE,
837
00:48:00,390 --> 00:48:02,016
HAVE YOU CALLED THE POLICE?
EX-POLICE.
838
00:48:02,016 --> 00:48:04,525
?
839
00:48:04,525 --> 00:48:08,446
[S¨¦RGIO] WOULD PROTECT
ME... IN THE COUNTRY WE LIVE IN,
840
00:48:08,446 --> 00:48:10,238
I DON'T GIVE YOU A
KNOW... IT WOULD PROTECT ME.
841
00:48:10,238 --> 00:48:11,785
[BELL]
842
00:48:11,785 --> 00:48:13,616
[S¨¦RGIO] WHO is it?
843
00:48:13,616 --> 00:48:17,106
[CIBELE] CIBELE. YOUR
NEIGHBOR, FROM 301.
844
00:48:17,106 --> 00:48:22,604
?
845
00:48:22,604 --> 00:48:27,300
[BUBBLE OF LIQUID]
846
00:48:27,300 --> 00:48:29,347
[DOOR OPEN]
847
00:48:29,347 --> 00:48:32,350
[BUBBLE OF LIQUID]
848
00:48:32,350 --> 00:48:33,778
[S¨¦RGIO] WANT A WATER?
849
00:48:33,778 --> 00:48:35,681
[CIBELE] NO, THANK YOU.
850
00:48:35,681 --> 00:48:38,692
[S¨¦RGIO] [SIGHS]
851
00:48:38,692 --> 00:48:40,373
[CIBELE] ¨¦ ALL I HAVE.
852
00:48:40,373 --> 00:48:41,592
[S¨¦RGIO] OP.
853
00:48:41,592 --> 00:48:45,621
[BUBBLE OF LIQUID]
854
00:48:45,621 --> 00:48:46,817
[IMPACT ON THE TABLE]
855
00:48:48,956 --> 00:48:51,008
[S¨¦RGIO] READY, DO YOU KNOW HOW TO USE IT?
856
00:48:52,649 --> 00:48:54,116
NEVER HANDLED A GUN?
857
00:48:55,661 --> 00:49:00,108
I'LL SHOW YOU. PAY ATTENTION
THAT IT IS NOT DIFFICULT. H?.
858
00:49:00,108 --> 00:49:05,140
[GUN COCK]
859
00:49:05,140 --> 00:49:06,753
[S¨¦RGIO] YOUR TURN.
860
00:49:06,753 --> 00:49:10,427
CAN GO. IT'S DOWNLOADED,
YOU CAN GO. HERE, ¨®.
861
00:49:10,427 --> 00:49:13,574
?TENSION MUSIC?
862
00:49:13,574 --> 00:49:15,280
[S¨¦RGIO] WITH THIS
FINGER HERE YOU OPEN...
863
00:49:15,280 --> 00:49:18,662
HERE, CLICK HERE. HOLD IT WITH...
[LAUGHING] HOLD IT TIGHT HERE.
864
00:49:18,662 --> 00:49:22,399
HERE, THIS. CLOSE WITH THIS
OTHER ONE HERE, THIS ONE HERE,
865
00:49:22,399 --> 00:49:25,108
¨®. READY, SEE?
866
00:49:25,108 --> 00:49:28,354
[GUN COCK]
867
00:49:28,354 --> 00:49:31,760
[S¨¦RGIO] PRESS HERE. C¨º YOU
HAVE CHILDREN AT HOME, DON'T YOU?
868
00:49:31,760 --> 00:49:33,392
[CIBELE] I HAVE.
869
00:49:33,392 --> 00:49:36,255
[S¨¦RGIO] THEN GUARD
UNLOADED, HIDDEN,
870
00:49:36,255 --> 00:49:39,325
AND THE AMMUNITION
IS ALWAYS CLOSE TO YOU.
871
00:49:39,325 --> 00:49:41,029
[DOOR OPEN]
872
00:49:41,029 --> 00:49:43,156
?TENSION MUSIC?
873
00:49:43,156 --> 00:49:44,181
[CIBELE] LETS GO?
874
00:49:44,181 --> 00:49:45,867
[DOOR CLOSE]
875
00:49:45,867 --> 00:51:39,897
?TENSION MUSIC?
61844
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