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1
00:00:39,039 --> 00:00:40,507
Officer:
DOA WENT OUT A WINDOW.
2
00:00:40,541 --> 00:00:43,343
WE GO TO ROUST A BUM
AND FIND THE DOA.
3
00:00:43,376 --> 00:00:45,712
DOA COULDN’T HAVE MISSED
HIM BY 6 INCHES.
4
00:00:45,746 --> 00:00:47,681
HE SLEEPS THROUGH IT,
THE BUM.
5
00:00:47,714 --> 00:00:49,850
THAT WAS HIS
DWELLING PLACE,
RIGHT BESIDE THE CAR.
6
00:00:49,883 --> 00:00:51,685
BLOOD WAS DRIPPING
ON HIM ALL NIGHT.
7
00:00:51,718 --> 00:00:54,555
PROBABLY FIGURED
A THUNDERCLAP FOLLOWED
BY A WARM RAIN.
8
00:00:59,059 --> 00:01:02,428
Officer:
THERE’S NO I. D.
ON THE CROAKER.
9
00:01:02,462 --> 00:01:03,830
THAT COULD BE
THE LAUNCHPAD.
10
00:01:08,569 --> 00:01:10,704
AW, FOR GOD’S SAKE.
11
00:01:10,737 --> 00:01:12,906
LOOK AT THIS.
12
00:01:12,939 --> 00:01:15,776
LOOK AT WHO
THIS IS DEAD.
13
00:01:15,809 --> 00:01:17,410
ROBERTS.
14
00:01:25,919 --> 00:01:27,654
WHAT HAPPENED HERE, HUH?
15
00:01:27,688 --> 00:01:29,823
I’M TALKING TO YOU!
WHAT HAPPENED TO THIS GUY?
16
00:01:29,856 --> 00:01:30,957
I WASN’T AWARE.
17
00:01:30,991 --> 00:01:32,092
WASN’T AWARE?
18
00:01:32,125 --> 00:01:33,827
GUY LANDED 6 INCHES
FROM YOUR HEAD!
19
00:01:33,860 --> 00:01:35,061
IS THIS BUILDING OPEN?
20
00:01:35,095 --> 00:01:36,496
WE GOT THE SUPER
COMING OUT.
21
00:01:36,530 --> 00:01:37,463
COME ON.
22
00:01:39,265 --> 00:01:40,233
NO NOTE.
23
00:01:40,266 --> 00:01:41,568
STAY DOWNSTAIRS.
24
00:01:41,602 --> 00:01:44,004
TELL THE SUPER
WE’RE SORRY FOR
KICKING HIS DOOR IN.
25
00:01:44,037 --> 00:01:45,105
YEAH, ALL RIGHT.
26
00:03:25,772 --> 00:03:27,207
HERE’S HIS GUN.
27
00:03:29,810 --> 00:03:32,212
WASN’T FIRED.
28
00:03:32,245 --> 00:03:35,215
ELIMINATES THE
POSSIBILITY ROBERTS SHOT
HIMSELF IN THE HEAD,
29
00:03:35,248 --> 00:03:36,717
PUT HIS GUN BACK
IN THE DESK,
30
00:03:36,750 --> 00:03:38,051
THEN THREW HIMSELF
OUT THE WINDOW.
31
00:03:39,553 --> 00:03:43,456
WH‐‐HYPOTHESIZING
THIS IS A MURDER, ANDY,
INSTEAD OF A SUICIDE,
32
00:03:43,489 --> 00:03:47,127
THE GUN MAY HAVE BEEN
PLACED BACK IN THE DRAWER
BY THE PERPETRATOR
33
00:03:47,160 --> 00:03:50,230
AFTER ROBERTS
UNSUCCESSFULLY SHOT AT HIM
TRYING TO DEFEND HIMSELF.
34
00:03:56,102 --> 00:03:58,772
WHY IT ISN’T OUT
OF THE QUESTION
35
00:03:58,805 --> 00:04:01,975
JAMES SEEING IF THE GUN
HAD BEEN FIRED.
36
00:04:02,008 --> 00:04:07,147
THE PERPETRATOR WANTS TO MAKE
HIM CROAKING ROBERTS LOOK LIKE
ROBERTS COMMITTED SUICIDE,
37
00:04:07,180 --> 00:04:10,416
BUT HE DON’T PUT ONE
IN ROBERTS’ HEAD
WITH ROBERTS’ GUN.
38
00:04:10,450 --> 00:04:13,153
HE DON’T WANT TO GIVE US
AN EVEN CHANCE
BUYING THE SUICIDE ANGLE
39
00:04:13,186 --> 00:04:17,658
BY US FINDING ROBERTS
WITH THE GUN IN HIS HAND
DEAD AT HIS DESK.
40
00:04:17,691 --> 00:04:20,627
HEY. BOTTOM LINE,
THE GUN HASN’T BEEN FIRED.
41
00:04:20,661 --> 00:04:23,396
THIS IS MURDER, BUT THE GUN
WASN’T INVOLVED.
42
00:04:23,429 --> 00:04:26,600
TH‐THERE’S A LOGIC
TO WHAT YOU’RE SAYING.
43
00:04:34,040 --> 00:04:36,309
EXPIRATION NOTICE ON
SOLDIER OF FORTUNE.
44
00:04:38,211 --> 00:04:41,848
LET’S BOX THIS STUFF.
WE CAN GO THROUGH IT
IN THE HOUSE.
45
00:04:41,882 --> 00:04:45,686
AND SHUT THAT DOOR
ON THAT PISS SMELL
COMING FROM THE HALLWAY.
46
00:04:45,719 --> 00:04:49,222
YEAH. THE BUILDING’S
DEFINITELY SEEN BETTER DAYS.
47
00:05:15,716 --> 00:05:18,619
THIS WAS NO SUICIDE.
A COP EATS HIS GUN.
48
00:05:18,652 --> 00:05:19,986
DID ROBERTS HAVE ONE?
49
00:05:20,020 --> 00:05:22,222
UPPER LEFT DESK DRAWER.
50
00:05:22,255 --> 00:05:24,124
YOU SHARED OUR IMPRESSION?
51
00:05:24,157 --> 00:05:25,458
HE WAS CROAKED.
52
00:05:25,491 --> 00:05:26,993
ANY SIGN OF STRUGGLE
IN THE OFFICE?
53
00:05:27,027 --> 00:05:29,229
THAT DON’T MEAN DICK.
YOU KNOW, THEY’LL FIND DOPE
IN HIM.
54
00:05:29,262 --> 00:05:30,797
SOMEBODY DOPED HIM
AND THREW HIM OUT.
55
00:05:30,831 --> 00:05:31,798
NO NEEDLE MARKS.
56
00:05:31,832 --> 00:05:32,966
THAT DON’T MEAN ANYTHING.
57
00:05:32,999 --> 00:05:34,300
LET ME FINISH.
58
00:05:34,334 --> 00:05:37,871
I WAS GONNA SAY
THAT DON’T NECESSARILY
MEAN ANYTHING.
59
00:05:37,904 --> 00:05:41,474
FORGET MIKE ROBERTS JUMPING
OUT A WINDOW, OK, BOSS?
60
00:05:41,508 --> 00:05:44,044
YEAH. I DON’T FEATURE
MIKE CHOOSING TO WATCH
THE GROUND APPROACH.
61
00:05:44,077 --> 00:05:47,013
HE WAS THROWN,
AND PROBABLY DRUGGED,
SO HE COULDN’T RESIST.
62
00:05:49,382 --> 00:05:52,152
DO YOU WANT US TO VOUCHER
THE BOXES BEFORE WE START
GOING THROUGH THEM?
63
00:05:52,185 --> 00:05:54,020
WE HAVE A NEXT OF KIN?
64
00:05:55,055 --> 00:05:56,657
GO THROUGH THE BOXES...
65
00:05:56,690 --> 00:05:59,325
AND LET’S TOSS
MIKE’S APARTMENT.
66
00:05:59,359 --> 00:06:00,827
CANVASS THE BARS
AROUND HIS OFFICE,
67
00:06:00,861 --> 00:06:02,362
SEE IF WE CAN PLACE
HIM LAST NIGHT?
68
00:06:02,395 --> 00:06:05,265
THIS WAS NO BAR PICKUP THREW
ROBERTS OUT HIS WINDOW.
69
00:06:05,298 --> 00:06:07,768
MAYBE IT WAS A BAR WHERE
THE PERSON THAT THREW HIM
OUT THE WINDOW
70
00:06:07,801 --> 00:06:09,269
WENT LOOKING FOR HIM.
71
00:06:09,302 --> 00:06:10,871
YEAH. THAT
COULD BE POSSIBLE.
72
00:06:20,747 --> 00:06:23,717
HE WAS PUSHING
TO TELL ME SOMETHING.
73
00:06:23,750 --> 00:06:26,019
LIKE HE KNEW
HE WAS GONNA GET WHACKED?
74
00:06:26,052 --> 00:06:31,457
ROBERTS GOT THROWN OFF
THIS JOB FALLING IN LOVE
WITH SOME JUNKIE C.I.
75
00:06:31,491 --> 00:06:36,296
HE GAVE THAT GIRL DRUGS
HE STOLE OUT
OF THE PROPERTY ROOM.
76
00:06:36,329 --> 00:06:38,632
ROBERTS WASN’T AFRAID
OF PUTTING HIS HANDS
IN DIRTY WATER,
77
00:06:38,665 --> 00:06:41,935
BUT SOMETHING
HE WAS DOING NOW
HE KNEW WAS BAD.
78
00:06:41,968 --> 00:06:44,871
WORSE THAN KEEPING
A HELPLESS GIRL HIGH.
79
00:06:44,905 --> 00:06:46,306
LET’S FIGURE
WHAT HAPPENED,
80
00:06:46,339 --> 00:06:48,775
THEN WE CAN REBUKE HIM
AT HIS GRAVE.
81
00:06:51,344 --> 00:06:52,478
WHAT?
82
00:06:53,780 --> 00:06:54,915
I HAVE TO TALK TO YOU.
83
00:07:24,711 --> 00:07:27,848
MALCOLM CULLINAN...
WHO WAS RESPONSIBLE
FOR DOLORES’ DEATH.
84
00:07:27,881 --> 00:07:29,282
WHAT ABOUT HIM?
85
00:07:29,315 --> 00:07:31,451
FORMER DETECTIVE ROBERTS
WAS INVOLVED WITH HIM.
86
00:07:32,719 --> 00:07:34,287
THE OTHER NIGHT
WHEN HE WAS LEAVING,
87
00:07:34,320 --> 00:07:35,421
HE STOPPED ME
ON THE STAIRS,
88
00:07:35,455 --> 00:07:37,123
AND HE CALLED ME
THE NAME ROCKY MARCIANO,
89
00:07:37,157 --> 00:07:38,424
WHO WAS A CHAMPIONSHIP
PRIZEFIGHTER...
90
00:07:38,458 --> 00:07:40,460
MARCIANO WAS.
OF THE FIFTIES.
91
00:07:40,493 --> 00:07:43,630
AND AS THE CONVERSATION
WENT ON, I REALIZED
HIS CALLING ME THAT
92
00:07:43,664 --> 00:07:45,265
WAS AN INDIRECT
REFERENCE
93
00:07:45,298 --> 00:07:47,568
TO MY HAVING PUNCHED
MALCOLM CULLINAN.
94
00:07:50,403 --> 00:07:53,139
THE CONVERSATION
WENT ON HOW?
95
00:07:53,173 --> 00:07:54,941
HE SAID I HAD NOTHING
TO FEAR FROM HIM,
96
00:07:54,975 --> 00:07:57,811
BUT NOT TO THINK
THAT MEANT I DIDN’T
HAVE ANYTHING TO FEAR.
97
00:07:57,844 --> 00:08:00,781
DID YOU MAKE THAT
ROBERTS DELIVERING
A THREAT FROM CULLINAN?
98
00:08:00,814 --> 00:08:02,448
NO. I FELT LIKE
HE WANTED TO HELP ME.
99
00:08:02,482 --> 00:08:05,952
HE USED THE EXPRESSION
"HEADS‐UP." HE WAS TRYING TO
GIVE ME A "HEADS‐UP."
100
00:08:05,986 --> 00:08:07,453
TELLING YOU
TO BE CAREFUL.
101
00:08:07,487 --> 00:08:10,223
HE SAID IF THEIR VANITY
WAS INJURED,
102
00:08:10,256 --> 00:08:12,559
RICH PEOPLE COULD AFFORD
TO INDULGE THEIR WHIMS.
103
00:08:12,593 --> 00:08:15,061
WHICH YOU TOOK CULLINAN
HAD IT IN FOR YOU.
104
00:08:15,095 --> 00:08:17,898
I DIDN’T KNOW WHAT TO DO.
105
00:08:17,931 --> 00:08:21,201
I WAS JUST PARALYZED
WITH FEAR.
106
00:08:21,234 --> 00:08:22,903
THAT’S NORMAL.
107
00:08:22,936 --> 00:08:26,406
THAT’S A NORMAL WAY
TO FEEL.
108
00:08:26,439 --> 00:08:29,209
YOU’VE NEVER GIVEN ME
ANY REASON
NOT TO TRUST YOU.
109
00:08:29,242 --> 00:08:31,645
BUT I COULDN’T ADMIT
I WAS AFRAID.
110
00:08:31,678 --> 00:08:33,914
IF I’D BEEN
BRAVE ENOUGH TO
ADMIT IT TO ONE OF YOU
111
00:08:33,947 --> 00:08:36,382
AND MALCOLM CULLINAN
WAS SOMEHOW
INVOLVED IN THIS...
112
00:08:38,451 --> 00:08:40,887
MAYBE FORMER
DETECTIVE ROBERTS
WOULD STILL BE ALIVE.
113
00:08:54,968 --> 00:08:57,270
IF I HAD HALF A BRAIN
TO LISTEN.
114
00:08:57,303 --> 00:08:59,272
WHAT DID JOHN HAVE?
115
00:08:59,305 --> 00:09:00,807
WHAT I SHOULD’VE KNOWN.
116
00:09:03,209 --> 00:09:04,511
CULLINAN...
117
00:09:04,545 --> 00:09:07,548
THAT DOLORES O. D.’d
TRICKING FOR
IN ATLANTIC CITY?
118
00:09:07,581 --> 00:09:10,450
HIRES ROBERTS
TO HARM GAY JOHN
119
00:09:10,483 --> 00:09:13,453
AFTER GAY JOHN
CLEANS HIS CLOCK
IN THE POKEY ROOM.
120
00:09:13,486 --> 00:09:15,188
WHERE DID WE GET IT?
121
00:09:15,221 --> 00:09:16,957
GAY JOHN JUST TELLS ME
ROBERTS,
122
00:09:16,990 --> 00:09:19,560
LEAVING THE OTHER DAY
AFTER STEPPING
ON HIS JOINT
123
00:09:19,593 --> 00:09:21,562
OVER THAT TRUCK‐DELIVERY
HEIST?
124
00:09:23,630 --> 00:09:27,133
ROBERTS GOES
OUT OF HIS WAY
TO FIND GAY JOHN,
125
00:09:27,167 --> 00:09:29,035
GIVING HIM A SPECIFIC
HEADS‐UP‐‐
126
00:09:29,069 --> 00:09:32,305
HE’S IN NO DANGER
FROM ROBERTS, BUT HE
BETTER WATCH HIS BACK.
127
00:09:32,338 --> 00:09:34,975
ROBERTS ACKNOWLEDGED HE
WAS WORKING FOR CULLINAN?
128
00:09:35,008 --> 00:09:37,644
HE CALLS HIM
"MARCIANO," GAY JOHN,
129
00:09:37,678 --> 00:09:40,647
SPECIFICALLY REFERRING
THAT JOHN CLEANED
CULLINAN’S CLOCK
130
00:09:40,681 --> 00:09:42,983
AND THAT RICH PEOPLE
CAN CARRY A GRIEVANCE.
131
00:09:43,016 --> 00:09:46,720
WHICH HE TOLD ME,
CHAPTER AND VERSE,
ROBERTS‐‐
132
00:09:46,753 --> 00:09:51,758
"MY SHIP FINALLY CAME IN.
I CAN’T TAKE ADVANTAGE.
IT MAKES ME TOO SICK."
133
00:09:58,031 --> 00:10:00,500
CULLINAN OFFERS ROBERTS
A CONTRACT
134
00:10:00,534 --> 00:10:03,403
BEATING GAY JOHN’S
BALLS OFF OR WORSE,
135
00:10:03,436 --> 00:10:06,472
BUT IT’S TOO SICKENING
FOR ROBERTS EVEN THOUGH
THE MONEY’S GOOD.
136
00:10:07,541 --> 00:10:09,743
CULLINAN KILLS ROBERTS
’CAUSE ROBERTS
137
00:10:09,776 --> 00:10:11,745
TURNS DOWN
A CONTRACT BEATING
JOHN’S BALLS OFF?
138
00:10:11,778 --> 00:10:15,015
OH, EXCUSE PISS OUT OF ME
FOR NOT CROSSING EVERY
MOTIVATIONAL "T"
139
00:10:15,048 --> 00:10:17,751
5 MINUTES
WITHIN THE INFORMATION
COMING TO MY ATTENTION.
140
00:10:17,784 --> 00:10:21,021
NO. EXCUSE ME, ANDY,
SUGGESTING WE CAN’T YET
TROT TO THE D. A.’s OFFICE.
141
00:10:21,054 --> 00:10:23,089
DID YOU HEAR ME SAY
THIS CULLINAN KILLED ROBERTS?
142
00:10:23,123 --> 00:10:24,424
NO, I DID NOT.
143
00:10:24,457 --> 00:10:26,259
THAT’S AN AREA TO LOOK AT.
144
00:10:26,292 --> 00:10:27,360
ABSOLUTELY.
145
00:10:27,393 --> 00:10:28,862
THAT’S MY SOLE
PRELIMINARY POINT.
146
00:10:28,895 --> 00:10:30,330
NO QUESTION.
147
00:10:30,363 --> 00:10:32,198
ANYONE THAT ROBERTS
DEALT WITH
HIS ENTIRE ADULT LIFE
148
00:10:32,232 --> 00:10:34,034
IS A POSSIBLE
FOR WANTING HIM DEAD.
149
00:10:34,067 --> 00:10:35,702
I’M JUST TRYING
TO NARROW THE FIELD.
150
00:10:37,370 --> 00:10:42,609
GREG, IT LOOKED
LIKE YOU HAD SOMETHING
WHEN YOU CAME IN.
151
00:10:42,643 --> 00:10:44,044
YES, I DID.
152
00:10:44,077 --> 00:10:46,780
ACTUALLY, JAMES AND I
BOTH DID.
153
00:10:46,813 --> 00:10:48,181
THIS ONE’S GREG’S FIND.
154
00:10:48,214 --> 00:10:51,552
A WHOLE BUNCH OF
UNDIGESTED BARBITURATES
IN MIKE’S STOMACH.
155
00:10:51,585 --> 00:10:53,053
THAT’S HOW HE
GOES OUT THE WINDOW.
156
00:10:53,086 --> 00:10:55,355
SOMEBODY LOADS HIM UP
ON BARBITURATES,
157
00:10:55,388 --> 00:10:58,859
AND HE CAN’T HOLD ’EM OFF
SUBSEQUENTLY WHEN THEY
LOOK TO TOSS HIM OUT.
158
00:10:58,892 --> 00:11:00,393
NOW, MEDAVOY.
159
00:11:03,163 --> 00:11:06,567
UH, FAR AS WHAT JAMES
AND I CAME UP WITH,
160
00:11:06,600 --> 00:11:09,135
MIKE HAD THIS
JOURNAL‐TYPE NOTEBOOK
161
00:11:09,169 --> 00:11:10,470
WRITTEN UNDER
A PEN NAME.
162
00:11:10,504 --> 00:11:12,739
THE CASES
OF MIKE ROBERTINI.
163
00:11:12,773 --> 00:11:14,140
THAT’S WHAT IT’S CALLED?
164
00:11:14,174 --> 00:11:17,077
YEAH. I GUESS HE
WANTS IT TO BE LIKE
SOME KIND OF NOVEL.
165
00:11:17,110 --> 00:11:19,312
NOT A VERY CLEVER
PSEUDONYM.
166
00:11:19,345 --> 00:11:21,815
WHAT’S THAT?
SUPPOSED TO BE,
LIKE, HIS MEMOIRS?
167
00:11:21,848 --> 00:11:23,149
SHEEH.
168
00:11:23,183 --> 00:11:25,151
LEAST HE DIDN’T CALL IT
169
00:11:25,185 --> 00:11:27,087
THE CLEARED CASES
OF MIKE ROBERTINI.
170
00:11:27,120 --> 00:11:28,855
YEAH. WE KNOW HE’S
NOT LYING SO FAR.
171
00:11:28,889 --> 00:11:31,357
YOU OUGHT TO GO THROUGH THAT
AND THE OTHER BOXES.
172
00:11:34,194 --> 00:11:37,598
YEAH. WE’LL SEE IF HE
TALKED ABOUT ANY CASES.
173
00:11:37,631 --> 00:11:38,699
I’LL GIVE IT
A QUICK READ, TOO.
174
00:11:44,705 --> 00:11:50,544
WHEW, MIKE ROBERTINI!
WHAT A GENIUS TITLE
THAT ONE IS.
175
00:12:05,559 --> 00:12:07,093
Medavoy: IN THE LAST
PART OF THE NOTEBOOK
176
00:12:07,127 --> 00:12:08,629
HE CHANGES THE NAMES,
177
00:12:08,662 --> 00:12:09,930
BUT‐‐BUT IT’S NO DOUBT
178
00:12:09,963 --> 00:12:11,231
WHO MIKE’S TALKING ABOUT.
179
00:12:11,264 --> 00:12:12,933
HE CALLS THE GUY CALLAHAN,
180
00:12:12,966 --> 00:12:14,868
BUT HE’S TALKING
ABOUT CULLINAN.
181
00:12:14,901 --> 00:12:17,270
HERE, LISTEN TO HOW
HE DESCRIBES HIM.
182
00:12:17,303 --> 00:12:20,473
"A VERY POWERFUL,
IMPORTANT
INDUSTRIAL‐TYPE
183
00:12:20,507 --> 00:12:22,576
"AND BIG‐SHOT
CHARITY CONTRIBUTOR
184
00:12:22,609 --> 00:12:24,545
WITH SOME
REAL SICK TWISTS."
185
00:12:24,578 --> 00:12:26,880
YEAH, THAT‐‐THAT’S
CULLINAN TO A "T,"
186
00:12:26,913 --> 00:12:28,882
AND THEN THERE’S
A LOT OF SNIPPETS,
187
00:12:28,915 --> 00:12:31,818
LIKE MIKE’S WRITING
NOTES TO HIMSELF,
188
00:12:31,852 --> 00:12:33,486
CHEERING HIMSELF ON.
189
00:12:33,520 --> 00:12:35,288
"JOSEPH WAMBAUGH
HAD HIS DOUBTS,
I’M SURE,
190
00:12:35,321 --> 00:12:37,558
MICKEY SPILLANE."
191
00:12:37,591 --> 00:12:39,092
SEE, JOSEPH WAMBAUGH
192
00:12:39,125 --> 00:12:41,061
WAS A COP BECAME
A NOVEL WRITER.
193
00:12:41,094 --> 00:12:42,996
MICKEY SPILLANE WROTE
MIKE HAMMER.
194
00:12:43,029 --> 00:12:45,065
Martinez: IS THERE
ANYTHING IN THERE
ABOUT US?
195
00:12:45,098 --> 00:12:46,466
ONE SEQUENCE
RIGHT AT THE END.
196
00:12:46,499 --> 00:12:47,467
READ THAT.
197
00:12:47,500 --> 00:12:48,802
Medavoy:
NO‐‐WELL‐‐WELL,
198
00:12:48,835 --> 00:12:51,471
LET ME GIVE YOU
THE CONTEXT FIRST.
199
00:12:51,505 --> 00:12:53,907
"ROBERTINI DID
A FEW THINGS
FOR CALLAHAN,
200
00:12:53,940 --> 00:12:56,176
"AND WHAT YOU MIGHT
EVEN CALL DIRTY WORK...
201
00:12:56,209 --> 00:12:58,612
Roberts’ voice blends in:
IF YOU DIDN’T KNOW WHAT
THE REAL WORLD WAS LIKE..."
202
00:12:58,645 --> 00:13:00,981
Roberts, narrating:
BUT THEN CALLAHAN
ASKED ROBERTS
203
00:13:01,014 --> 00:13:03,617
TO DO SOMETHING
VERY MUCH WORSE.
204
00:13:03,650 --> 00:13:06,086
YOU GOT SOME BALLS,
COME TO MY OFFICE
205
00:13:06,119 --> 00:13:07,921
AND MAKE THAT TYPE
REQUEST.
206
00:13:07,954 --> 00:13:10,423
WELL, I KNOW SOMEONE
LIKE YOU DON’T HEAR IT
VERY OFTEN,
207
00:13:10,456 --> 00:13:12,993
BUT MY ANSWER
IS A SUCCINCT NO.
208
00:13:13,026 --> 00:13:14,595
ALL RIGHT, MR. CALLAHAN?
209
00:13:14,628 --> 00:13:16,162
WE UNDERSTOOD?
210
00:13:16,196 --> 00:13:18,331
I DON’T PROVIDE YOU
NO DRUGS.
211
00:13:18,364 --> 00:13:20,100
I HAVE INFORMATION
THAT WILL FORCE YOU
212
00:13:20,133 --> 00:13:21,467
INTO DOING THIS,
MIKE.
213
00:13:21,502 --> 00:13:23,704
BLACKMAIL,
IN OTHER WORDS.
214
00:13:23,737 --> 00:13:25,271
YOU’RE LOWER
THAN WHALE CRAP
215
00:13:25,305 --> 00:13:27,841
AT THE BOTTOM
OF THE OCEAN FLOOR.
216
00:13:27,874 --> 00:13:29,643
I KNOW YOUR HISTORY
OF PROVIDING DRUGS
217
00:13:29,676 --> 00:13:31,344
TO A GIRLFRIEND
YOU WERE BANGING
218
00:13:31,377 --> 00:13:33,313
WHILE YOU WERE
ON THE FORCE.
219
00:13:33,346 --> 00:13:34,781
WE CALL IT THE JOB,
MR. CALLAHAN,
220
00:13:34,815 --> 00:13:36,983
AND I HAD
A DISTINGUISHED CAREER.
221
00:13:37,017 --> 00:13:38,384
NOT WHEN YOU WERE
PROVIDING DRUGS
222
00:13:38,418 --> 00:13:39,820
TO THAT GIRLFRIEND
YOU WERE BANGING.
223
00:13:39,853 --> 00:13:41,888
SHE WAS A JUNKIE
INFORMANT.
224
00:13:43,524 --> 00:13:45,626
WE WERE IN LOVE.
225
00:13:45,659 --> 00:13:47,027
I BELIEVE THAT GIRL
TOOK HER OWN LIFE
226
00:13:47,060 --> 00:13:49,630
IN REMORSE OVER YOU,
DIDN’T SHE, MIKE?
227
00:13:49,663 --> 00:13:53,199
AND YOU WERE DISMISSED
OFF THE JOB, DISGRACED.
228
00:13:53,233 --> 00:13:54,467
I RESIGNED,
AND I WANT TO KNOW
229
00:13:54,500 --> 00:13:55,669
HOW YOU’RE PRIVY
TO THIS.
230
00:13:55,702 --> 00:13:58,371
I HAD AN INTEREST
IN THAT GIRL MYSELF, MIKE,
231
00:13:58,404 --> 00:14:00,473
OR DID YOU THINK
THE TWO OF YOU
WERE STEADIES?
232
00:14:00,507 --> 00:14:02,843
AND YET 4 YEARS LATER,
YOU GO TO HIRE ME
233
00:14:02,876 --> 00:14:05,211
TO DO SECURITY WORK
FOR YOUR BUSINESS FIRM?
234
00:14:05,245 --> 00:14:07,147
DO YOU THINK MAYBE
THAT WAS TO SET YOU UP
235
00:14:07,180 --> 00:14:09,650
FOR THIS OTHER THING
I WAS INTERESTED IN?
236
00:14:09,683 --> 00:14:11,718
YOU WANT ME
TO PROCURE DRUGS
FOR YOU
237
00:14:11,752 --> 00:14:13,887
TO GIVE TO HOOKERS
SO YOU CAN GET
YOURSELF OFF
238
00:14:13,920 --> 00:14:16,056
IN THAT DEGENERATE
SPECIALIZED NEED
THAT YOU HAVE?
239
00:14:16,089 --> 00:14:18,424
IS THAT WHAT THIS
IS ALL ABOUT,
MR. CALLAHAN?
240
00:14:18,458 --> 00:14:21,595
THE POINT IS,
IF I PUT OUT
WHAT I KNOW ABOUT YOU,
241
00:14:21,628 --> 00:14:23,730
YOU’LL LOSE
EVERY ACCOUNT YOU HAVE.
242
00:14:23,764 --> 00:14:26,032
YOU’RE TOTALLY
BLACKMAILED.
243
00:14:26,066 --> 00:14:30,036
YOU CONNIVING,
OVER‐RICH PRICK.
244
00:14:30,070 --> 00:14:32,405
WELCOME
TO THE REAL WORLD.
245
00:14:38,444 --> 00:14:40,847
I WANT THAT FAIRY
TAKEN CARE OF.
246
00:14:40,881 --> 00:14:42,348
THE HELL YOU SAY.
247
00:14:42,382 --> 00:14:44,918
I’VE GOT BLACKMAIL CONTROL
OVER YOU, SCUMBAG.
248
00:14:44,951 --> 00:14:46,419
HEY, YOU CALL ME
THAT AGAIN,
249
00:14:46,452 --> 00:14:47,788
AND I’LL GIVE YOU
A HETEROSEXUAL
BEATING
250
00:14:47,821 --> 00:14:49,723
TO COMPARE
TO THE SORE JAW
THAT HE GAVE YOU.
251
00:14:49,756 --> 00:14:52,793
SUPPOSE I OFFERED YOU
25 GRAND?
252
00:14:52,826 --> 00:14:54,628
OH, AND THAT’S
SUPPOSED
TO INTEREST ME?
253
00:14:54,661 --> 00:14:56,029
I WANT HIM PUSHED
OUT A WINDOW.
254
00:14:56,062 --> 00:14:58,098
I WANT TO SEE
IF FAIRIES FLY.
255
00:14:58,131 --> 00:15:00,601
AND THAT‐‐THAT’S SUPPOSED
TO INTEREST ME?
256
00:15:00,634 --> 00:15:03,436
25,000 CASH?
257
00:15:03,469 --> 00:15:05,371
WHEW. YOU GOT
SOME BALLS,
258
00:15:05,405 --> 00:15:09,109
COMING IN MY OFFICE,
MAKING THAT TYPE
REQUEST.
259
00:15:10,476 --> 00:15:12,546
AHH. WE SURE MISS
YOU, MIKE.
260
00:15:12,579 --> 00:15:13,880
[LAUGHS]
261
00:15:13,914 --> 00:15:15,148
I’M ENVIOUS.
262
00:15:15,181 --> 00:15:17,984
AH, WELL, I MEAN,
YOUR DAY WILL COME,
HUH?
263
00:15:19,285 --> 00:15:22,723
YEAH, AS SOON AS HIS PEOPLE
CAN AFFORD PRIVATE EYES.
264
00:15:22,756 --> 00:15:24,825
[LAUGHTER]
265
00:15:24,858 --> 00:15:26,960
HEY, HE SAID IT,
JIMENEZ, I DIDN’T.
266
00:15:30,330 --> 00:15:32,599
DID YOU WANT TO TALK
TO ME PRIVATELY?
267
00:15:33,767 --> 00:15:35,401
YES.
268
00:15:35,435 --> 00:15:38,204
OH, UH,
NO PROBLEM, MIKE.
269
00:15:41,041 --> 00:15:42,776
YOU’RE A GOOD EGG,
MEDANSKY.
270
00:15:43,944 --> 00:15:45,612
YOU, TOO, JIMENEZ.
271
00:15:45,646 --> 00:15:47,080
WHEN I GET OUTSIDE,
272
00:15:47,113 --> 00:15:48,582
I’M GOING TO TRADE
THIS IN FOR A SOMBRERO.
273
00:15:48,615 --> 00:15:49,950
[LAUGHTER]
274
00:15:49,983 --> 00:15:51,652
HEY, YOU SAID THAT,
I DIDN’T.
275
00:15:53,987 --> 00:15:55,756
[SIGHS]
WHAT DO YOU WANT?
276
00:15:55,789 --> 00:15:57,924
YOU KNOW I HATE
SMALL TALK.
277
00:15:57,958 --> 00:16:00,493
YEAH.
278
00:16:00,527 --> 00:16:02,796
THIS GUY
I WORK FOR, UH,
279
00:16:02,829 --> 00:16:05,599
OUT‐AND‐OUT PROPOSED
I DO MURDER, ANDY,
280
00:16:05,632 --> 00:16:08,134
BELIEVE THAT OR NOT.
281
00:16:08,168 --> 00:16:10,771
THINKING HE CAN FORCE YOU
OUT OF YOUR VALUES,
282
00:16:10,804 --> 00:16:13,674
HE MUST HAVE
BLACKMAIL INFORMATION.
283
00:16:13,707 --> 00:16:14,975
YEAH, WELL, HE’S
ALREADY FORCED ME
284
00:16:15,008 --> 00:16:16,643
TO GET HIM UNCUT
SMACK, ANDY,
285
00:16:16,677 --> 00:16:19,012
AND HE’S GOT A THING
FOR JUNKIE WHORES.
286
00:16:19,045 --> 00:16:22,448
AN EX‐P. A. A.‐
TURNED‐JUNKIE‐WHORE
FROM OUR HOUSE
287
00:16:22,482 --> 00:16:25,886
DIED UNDER JUST THOSE
CIRCUMSTANCES.
288
00:16:25,919 --> 00:16:29,489
YEAH. N‐NOW HE WANTS
ME TO KILL HER
REPLACEMENT, SEE?
289
00:16:29,523 --> 00:16:30,624
WHAT, IS HE
TRYING TO TURN THAT
290
00:16:30,657 --> 00:16:33,660
P.A.A.’s JOB
INTO A DEATH POSITION?
291
00:16:33,694 --> 00:16:36,329
NO, NO.
292
00:16:36,362 --> 00:16:38,298
MEL CALLAHAN, ANDY.
293
00:16:38,331 --> 00:16:40,801
THAT’S OUR
MYSTERY MAN,
294
00:16:40,834 --> 00:16:43,870
AND I’M CONFIDING IT
TO YOU.
295
00:16:43,904 --> 00:16:47,641
YOU GOT A BUM SHAKE
YOUR WHOLE PROFESSIONAL
CAREER.
296
00:16:47,674 --> 00:16:48,709
THAT’S WATER
UNDER THE BRIDGE.
297
00:16:48,742 --> 00:16:49,843
I DON’T CRY
ABOUT THAT.
298
00:16:51,377 --> 00:16:53,547
ANDY,
299
00:16:53,580 --> 00:16:55,882
CAN YOU PROTECT ME
IF NECESSARY?
300
00:17:23,143 --> 00:17:24,945
MIKE ROBERTINI.
301
00:17:29,550 --> 00:17:30,951
DOES ANYONE
WANT A SODA?
302
00:17:34,788 --> 00:17:36,857
[CLEARS THROAT]
IT WASN’T THE HOOKERS
GETTING HIGH
303
00:17:36,890 --> 00:17:39,192
CULLINAN
WANTED TO SEE.
304
00:17:39,225 --> 00:17:40,527
Martinez: WANTED THEM
TO OVERDOSE.
305
00:17:40,561 --> 00:17:42,596
HE GOT OFF
ON WATCHING THEM DIE.
306
00:17:42,629 --> 00:17:44,965
IF ROBERTS ISN’T
GONNA SCORE DOPE
FOR CULLINAN ANYMORE,
307
00:17:44,998 --> 00:17:47,300
CULLINAN’S GOTTA FEEL
ROBERTS IS A RISK.
308
00:17:47,333 --> 00:17:49,069
ROBERTS COULD
TURN AROUND
AND BLACKMAIL HIM.
309
00:17:49,102 --> 00:17:50,704
YEAH, WELL, T‐THERE’S
YOUR MOTIVE FOR, UH,
310
00:17:50,737 --> 00:17:52,405
CULLINAN
MURDERING MIKE.
311
00:17:52,438 --> 00:17:54,474
WHAT CULLINAN
SHOULD’VE BEEN AFRAID OF
312
00:17:54,508 --> 00:17:56,376
WASN’T ROBERTS
BLACKMAILING HIM,
313
00:17:56,409 --> 00:17:57,711
IT’S ROBERTS
TURNING HIM IN,
314
00:17:57,744 --> 00:18:00,781
’CAUSE THAT’S WHAT MIKE
WAS ABOUT TO DO.
315
00:18:00,814 --> 00:18:02,649
[SIGHS]
316
00:18:02,683 --> 00:18:04,384
STANDS IN THAT BATHROOM,
317
00:18:04,417 --> 00:18:07,120
BEGS ME TO MAKE HIM
GIVE IT UP.
318
00:18:07,153 --> 00:18:09,623
[DISGUSTED SIGH]
319
00:18:09,656 --> 00:18:11,592
"ONE THING I COULD
NEVER DO, ANDY,
320
00:18:11,625 --> 00:18:14,460
"EVADE YOU KNOWING
I WAS WRONG.
321
00:18:14,494 --> 00:18:17,598
YOU COULD ALWAYS FIND
MY BAD SECRET."
322
00:18:21,935 --> 00:18:24,237
PRICK’S GOT
NO EXPOSURE,
THIS CULLINAN.
323
00:18:24,270 --> 00:18:26,607
THE HOOKERS’
SHOOTING UP
IS ON THEM,
324
00:18:26,640 --> 00:18:27,608
AND ROBERTS
IS A MOPE
325
00:18:27,641 --> 00:18:28,942
THAT IF HE DIDN’T
COMMIT SUICIDE,
326
00:18:28,975 --> 00:18:30,410
HIS WHOLE CLIENT
LIST WAS ELIGIBLE
327
00:18:30,443 --> 00:18:32,278
FOR LAUNCHING HIM
OUT THAT WINDOW.
328
00:18:33,514 --> 00:18:36,016
A WARPO LIKE THAT
DOESN’T STOP.
329
00:18:37,017 --> 00:18:38,151
CULLINAN.
330
00:18:38,184 --> 00:18:39,520
HE’LL BE AFRAID
A LITTLE WHILE,
331
00:18:39,553 --> 00:18:41,187
THEN IT’LL START
BUILDING UP
IN HIM AGAIN,
332
00:18:41,221 --> 00:18:43,289
WANTING WHAT HE NEEDS
TO GET OFF.
333
00:18:45,458 --> 00:18:47,628
LET’S GIVE HIM
WHAT HE WANTS.
334
00:19:07,648 --> 00:19:09,115
HI.
335
00:19:09,149 --> 00:19:10,183
HI.
336
00:19:10,216 --> 00:19:11,484
COME ON.
337
00:19:20,393 --> 00:19:22,529
SHE LOOKS LIKE
ROBERTS DESCRIBED
HER, THE MADAM.
338
00:19:22,563 --> 00:19:24,464
YEAH, WELL,
HE DESCRIBED HER
GOOD ENOUGH
339
00:19:24,497 --> 00:19:26,900
THAT DIANE KNEW
WHO HE WAS TALKING ABOUT.
340
00:19:28,334 --> 00:19:29,636
WHEN DIANE
WAS WORKING VICE,
341
00:19:29,670 --> 00:19:30,837
EVERY MALE
IN MANHATTAN
342
00:19:30,871 --> 00:19:33,039
MUST’VE BEEN
EVEN‐MONEY
TO GET LOCKED UP.
343
00:19:33,073 --> 00:19:35,942
THAT ONE AIN’T
GONNA BE NO SLOUCH.
344
00:19:39,245 --> 00:19:42,683
I GUESS ALL
THE COFFEE SHOPS
WERE CLOSED.
345
00:19:42,716 --> 00:19:45,986
SOME TRICK USES YOUR SERVICE
RUNS INTO YOU HERE, LEA,
346
00:19:46,019 --> 00:19:48,021
HE’S PROBABLY
GOT OTHER PROBLEMS
TO WORRY ABOUT.
347
00:19:49,355 --> 00:19:52,392
YOU PUT DOLORES MAYO
WITH MALCOLM CULLINAN.
348
00:19:52,425 --> 00:19:54,761
I PUT DOLORES MAYO
WITH MALCOLM
CULLINAN.
349
00:19:54,795 --> 00:19:56,162
I DID NOT
PUT A NEEDLE
350
00:19:56,196 --> 00:19:57,864
IN DOLORES MAYO’S
ARM,
351
00:19:57,898 --> 00:19:59,833
WHETHER HE ASKED HER
TO OR NOT.
352
00:19:59,866 --> 00:20:01,668
WE WANT YOU TO PUT
SOMEONE ELSE WITH HIM.
353
00:20:01,702 --> 00:20:03,870
CULLINAN’S NOT
IN TOUCH WITH ME
ANYMORE.
354
00:20:03,904 --> 00:20:04,771
BECAUSE?
355
00:20:04,805 --> 00:20:06,507
BECAUSE I ASKED HIM
NOT TO BE.
356
00:20:06,540 --> 00:20:08,575
WELL, NOW YOU’RE GONNA
CHANGE YOUR MIND.
357
00:20:08,609 --> 00:20:11,011
I HAD NO CONNECTION
WITH THAT GIRL’S
HABITS,
358
00:20:11,044 --> 00:20:12,579
DOLORES MAYO.
359
00:20:12,613 --> 00:20:13,714
NO ONE’S SAYING
YOU DID.
360
00:20:13,747 --> 00:20:15,616
I’M SAYING
I DIDN’T.
361
00:20:15,649 --> 00:20:18,451
WE WANT TO RUN A GIRL
THROUGH YOUR SERVICE
362
00:20:18,484 --> 00:20:19,853
TO GET TO CULLINAN.
363
00:20:19,886 --> 00:20:21,855
I WOULDN’T MIND
SEEING THAT PRICK
JACKED UP,
364
00:20:21,888 --> 00:20:23,524
BUT IT’S NOT
A BIG BUSINESS
ENDORSEMENT,
365
00:20:23,557 --> 00:20:25,692
MY SERVICE FRONTING
FOR THE COPS.
366
00:20:25,726 --> 00:20:28,028
IT’S NOT LIKE
WE’LL ASK YOU TO TESTIFY.
367
00:20:28,061 --> 00:20:28,962
AND IF THEY GO
FOR ENTRAPMENT,
368
00:20:28,995 --> 00:20:31,097
IT’S NOT LIKE
HIS LAWYER WON’T.
369
00:20:31,131 --> 00:20:32,933
YOU NEED TO USE
YOUR IMAGINATION
ON THIS ONE, LEA,
370
00:20:32,966 --> 00:20:34,868
’CAUSE IT’S GOING
TO HAPPEN
371
00:20:34,901 --> 00:20:36,202
OR YOU’RE NOT
GONNA HAVE
ANY BUSINESS
372
00:20:36,236 --> 00:20:37,904
LEFT TO ENDORSE.
373
00:20:39,405 --> 00:20:41,274
[SIGHS]
374
00:20:49,750 --> 00:20:51,317
THINK SHE’S GONNA
COOPERATE?
375
00:20:51,351 --> 00:20:53,453
THEY TEND TO BE
PRACTICAL.
376
00:20:54,521 --> 00:20:56,790
WHERE DO YOU WANT ME
TO CALL FROM?
377
00:21:14,440 --> 00:21:15,842
Sipowicz:
THINKS THIS IS
THE PUBLIC LIBRARY,
378
00:21:15,876 --> 00:21:18,579
MEDAVOY.
379
00:21:18,612 --> 00:21:21,982
SO ARE YOUR INTERESTS
STILL PRETTY MUCH
THE SAME?
380
00:21:22,015 --> 00:21:24,017
WELL, I GAVE UP TRYING
TO CHANGE PEOPLE’S MINDS
381
00:21:24,050 --> 00:21:25,485
FOR LENT
A FEW YEARS AGO,
382
00:21:25,519 --> 00:21:27,420
AND I’M TOO OLD
TO CHANGE MINE,
383
00:21:27,453 --> 00:21:30,691
SO I GUESS WE STILL
CAN’T DO BUSINESS.
384
00:21:30,724 --> 00:21:33,426
’CAUSE I JUST RAN ACROSS
A GIRL WHO MEETS
YOUR NEEDS.
385
00:21:33,459 --> 00:21:37,097
HA. ACTUALLY, I JUST
FIRED HER FOR IT.
386
00:21:37,130 --> 00:21:41,267
GOOD‐LOOKING BLONDE,
5’7", BUSTY.
387
00:21:41,301 --> 00:21:43,036
SAID SHE JUST
STARTED SHOOTING.
388
00:21:43,069 --> 00:21:45,639
FIGURE 3 MONTHS
FOR LYING.
389
00:21:47,641 --> 00:21:49,375
WELL, I’M GONNA GIVE YOU
HER NUMBER, MAL,
390
00:21:49,409 --> 00:21:51,198
BUT I DON’T WANT YOU
USING MY NAME.
391
00:21:51,198 --> 00:21:52,599
SHE’LL THINK
I TOOK A FEE,
392
00:21:52,633 --> 00:21:55,469
AND THEN SHE’LL BE BACK
TRYING TO WORK FOR ME.
393
00:21:57,138 --> 00:22:00,641
YEAH. ONE FOR OLD TIMES,
AND NO HARD FEELINGS.
394
00:22:00,674 --> 00:22:02,143
HER NAME’S DARCY,
395
00:22:02,176 --> 00:22:04,778
AND YOU PROBABLY
WANT TO CALL HER
SOONER THAN LATER,
396
00:22:04,811 --> 00:22:06,747
’CAUSE SHE WAS TALKING
ABOUT LEAVING TOWN.
397
00:22:06,780 --> 00:22:08,382
YOU GOT A PENCIL?
398
00:22:23,497 --> 00:22:25,799
[SIGHS]
399
00:22:25,832 --> 00:22:28,034
[TELEPHONE RINGS]
400
00:22:30,537 --> 00:22:32,339
[RING]
401
00:22:32,373 --> 00:22:34,908
[THROATY VOICE]
HELLO.
402
00:22:49,823 --> 00:22:52,226
Cullinan on videotape:
YOU WANT ME TO PAY
FOR YOUR HIGH...
403
00:22:56,029 --> 00:22:59,466
AND SUPPORT
YOUR HIGH,
404
00:22:59,500 --> 00:23:01,168
BUT YOU DON’T MUCH CARE
ABOUT ME AT ALL.
405
00:23:01,202 --> 00:23:03,470
WHERE HIS VOICE
GOES TIGHT LIKE THAT.
406
00:23:03,504 --> 00:23:04,871
WE’LL BE
ON OUR WAY IN.
407
00:23:04,905 --> 00:23:07,241
NO OLD TRACKS,
’CAUSE YOU JUST
STARTED MAINLINING.
408
00:23:07,274 --> 00:23:08,809
BEFORE, YOU WERE
SMOKING IT.
409
00:23:08,842 --> 00:23:10,977
THAT’S WHY SHE STILL
LOOKS GOOD.
410
00:23:11,011 --> 00:23:13,747
THE HOME RUN’S
IF HE CONNECTS
HIMSELF TO ROBERTS.
411
00:23:13,780 --> 00:23:15,749
GET CULLINAN TALKING
ABOUT HIS SOURCE
FOR THE DRUGS.
412
00:23:15,782 --> 00:23:17,551
THAT WOULD BE
A CREDIBLE SUBJECT
OF INTEREST,
413
00:23:17,584 --> 00:23:19,085
YOU BEING
A JUNKIE WHORE.
414
00:23:23,857 --> 00:23:25,392
WHETHER YOU GET HIM
TO ROBERTS OR NOT,
415
00:23:25,426 --> 00:23:26,727
YOU HAVE
TO ESTABLISH
THE DRUGS
416
00:23:26,760 --> 00:23:28,162
ARE CULLINAN’S.
417
00:23:28,195 --> 00:23:30,030
WHATEVER SEX‐TRIP
HE WANTS THE TWO
OF YOU TO GET ON
418
00:23:30,063 --> 00:23:31,064
MAY INVOLVE HIM
FAKING
419
00:23:31,097 --> 00:23:32,733
FINDING THE DRUGS
IN THE APARTMENT.
420
00:23:32,766 --> 00:23:33,900
THAT THEY BELONG
TO HIS FRIEND.
421
00:23:33,934 --> 00:23:36,102
YOU CAN’T LET HIM
STAY WITH THAT.
422
00:23:36,137 --> 00:23:37,838
AS FAR AS HOW MUCH
YOU SHOW HIM
423
00:23:37,871 --> 00:23:39,173
AND WHAT YOU
LET HIM DO,
424
00:23:39,206 --> 00:23:40,907
REMEMBER,
YOU’RE ON CAMERA,
425
00:23:40,941 --> 00:23:42,209
YOU WON’T BE ABLE
TO LIE.
426
00:23:48,882 --> 00:23:50,284
HOLD ON, DANNY.
427
00:23:50,317 --> 00:23:51,785
SURE.
428
00:23:57,391 --> 00:23:59,393
I NEED TO TALK
TO HER ABOUT
THE LIPSTICK CAMERA.
429
00:23:59,426 --> 00:24:00,894
YEAH. SHE’LL BE BACK
IN A MINUTE.
430
00:24:00,927 --> 00:24:02,028
COME ON, LEO.
431
00:24:02,062 --> 00:24:03,029
COME ON, WHAT?
I’M SUPPOSED
TO PRETEND
432
00:24:03,063 --> 00:24:04,064
THAT I LIKE THIS?
433
00:24:04,097 --> 00:24:05,399
NO. I’LL SETTLE
FOR NOT GETTING
434
00:24:05,432 --> 00:24:07,134
TREATED LIKE GARBAGE
’CAUSE I’M DOING MY JOB.
435
00:24:07,168 --> 00:24:08,969
YOU THINK CULLINAN’S
GONNA LET YOU OFF
EASY?
436
00:24:09,002 --> 00:24:11,104
THIS ISN’T SOME
WALLFLOWER LOSING
HIS CHERRY, JILL.
437
00:24:11,138 --> 00:24:12,806
YEAH. NEITHER AM I.
438
00:24:12,839 --> 00:24:13,740
OH, THAT’S GOOD.
439
00:24:13,774 --> 00:24:14,908
OH, COME ON, LEO.
440
00:24:14,941 --> 00:24:17,043
ALL I MEANT IS I KNOW
HOW TO HANDLE MYSELF.
441
00:24:17,077 --> 00:24:18,445
SOMEHOW, I DON’T
THINK THAT’S
THE ONLY THING
442
00:24:18,479 --> 00:24:19,813
YOU’RE GONNA BE
HANDLING TONIGHT.
443
00:24:27,754 --> 00:24:29,990
YOU KNOW WHAT
I KEEP THINKING?
444
00:24:30,023 --> 00:24:32,559
MIKE ROBERTS
ON OPRAH.
445
00:24:32,593 --> 00:24:33,560
IN WHAT CONTEXT?
446
00:24:33,594 --> 00:24:35,162
AUTHORING SOME
DETECTIVE NOVEL.
447
00:24:35,196 --> 00:24:38,132
UH, PROMOTING IT
ON ROSIE O’DONNELL
OR THE LIKE.
448
00:24:38,165 --> 00:24:40,234
YEAH. ROSIE O’DONNELL.
OPRAH.
449
00:24:40,267 --> 00:24:42,403
YEAH. YEAH.
HE’D LOVE THAT.
450
00:24:42,436 --> 00:24:43,904
[IMITATING ROBERTS]
YEAH.
451
00:24:43,937 --> 00:24:45,272
I HAD SO MANY
INTERESTING CASES,
OPRAH.
452
00:24:45,306 --> 00:24:49,075
AFTER MY, UH, DISTINGUISHED
SERVICE ON THE JOB,
453
00:24:49,109 --> 00:24:52,746
I VERY MUCH WANTED
TO WRITE UP THE CASES
454
00:24:52,779 --> 00:24:55,482
I WAS PROUD OF,
OR THE LIKE.
455
00:24:55,516 --> 00:25:00,587
THAT I WAS ACTUALLY
QUITE PROUD OF MY WORK.
456
00:25:00,621 --> 00:25:02,356
[BOTH CHUCKLING]
457
00:25:02,389 --> 00:25:06,260
YOU KNOW, UH,
100% CANDID, JAMES,
458
00:25:06,293 --> 00:25:08,862
I’VE FLIRTED MYSELF
459
00:25:08,895 --> 00:25:12,266
WITH WRITING SOME
OF OUR CASES UP.
460
00:25:12,299 --> 00:25:13,800
WE HAD SOME PIPS.
461
00:25:13,834 --> 00:25:15,436
YEAH. WELL, WE’VE HAD
SOME PIPS, HAVEN’T WE?
462
00:25:15,469 --> 00:25:18,038
EVERY CONCEIVABLE WACKO,
FOR ONE THING.
463
00:25:18,071 --> 00:25:21,975
YEAH. THAT COULD BE
A VOLUME IN ITSELF,
COULDN’T IT?
464
00:25:22,008 --> 00:25:25,045
THE HEAD CASES
OF THE NYPD.
465
00:25:25,078 --> 00:25:26,713
TALKING ABOUT
COLLEAGUES OR SKELLS?
466
00:25:26,747 --> 00:25:27,981
OH, YOU’RE RIGHT THERE.
467
00:25:28,014 --> 00:25:30,050
THAT COULD BE
A WHOLE SECOND VOLUME.
468
00:25:30,083 --> 00:25:32,519
OR YOU COULD HAVE
A WHOLE SECOND VOLUME
469
00:25:32,553 --> 00:25:35,289
SOLELY DEVOTED
TO ANDY BEING NUTS.
470
00:25:35,322 --> 00:25:39,793
SPLIT...THAT VOLUME
COULD BE, JAMES.
471
00:25:39,826 --> 00:25:43,330
CRAZY IN THE OFFICE,
NUTS IN THE FIELD:
472
00:25:43,364 --> 00:25:45,266
THE BEHAVIOR
OF ANDY SIPOWICZ.
473
00:25:53,940 --> 00:25:56,843
MIKE ROBERTS HAD BALLS.
474
00:26:14,027 --> 00:26:15,596
THEY’RE IN THE LOFT.
475
00:26:15,629 --> 00:26:17,664
Diane:
WE’LL KEEP YOU ADVISED.
476
00:26:17,698 --> 00:26:19,333
MMM!
477
00:26:19,366 --> 00:26:21,435
GUY’S AN ARCHITECT.
478
00:26:21,468 --> 00:26:24,004
NEVER REALLY BEEN ABLE
TO GET HIS CAREER GOING.
479
00:26:24,037 --> 00:26:27,441
LOOKS LIKE HE’S DOIN’
ALL RIGHT TO ME.
480
00:26:27,474 --> 00:26:29,843
YEAH. I GUESS
IT’S ALL RELATIVE.
481
00:26:29,876 --> 00:26:31,345
ANYWAYS, IT’S, UH,
482
00:26:31,378 --> 00:26:34,348
IT’S NICE HE LETS YOU
USE HIS PLACE.
483
00:26:34,381 --> 00:26:36,550
YEAH. I THINK IF YOU
WERE TO TOTE UP
484
00:26:36,583 --> 00:26:39,353
THE FAVORS HE’S DONE ME
AND I’VE DONE HIM,
485
00:26:39,386 --> 00:26:42,256
I MIGHT BE
A LITTLE BIT AHEAD.
486
00:26:43,890 --> 00:26:45,392
ANYWAYS...
487
00:26:57,771 --> 00:26:59,473
ANYWAYS.
488
00:26:59,506 --> 00:27:02,209
WE AGREED ON 2,500.
489
00:27:02,243 --> 00:27:04,278
THAT’S 5,000.
490
00:27:04,311 --> 00:27:07,414
YOU’LL FIND I’M FULL OF
THOSE KIND OF SURPRISES.
491
00:27:14,288 --> 00:27:16,423
THIS GUY MUST HAVE
A ONE‐INCH DICK.
492
00:27:26,600 --> 00:27:28,669
Jill: YOU’LL FIND
I LOVE BEING SURPRISED.
493
00:27:31,104 --> 00:27:32,206
YOU’RE A JUNKIE.
494
00:27:35,942 --> 00:27:37,278
WHERE’D THAT COME FROM?
495
00:27:37,311 --> 00:27:40,013
EVERYTHING ABOUT YOU.
496
00:27:40,046 --> 00:27:43,684
THE EXTRA MAKEUP
COVERING YOUR TRACKS.
497
00:27:43,717 --> 00:27:44,885
HMM?
498
00:27:47,621 --> 00:27:49,156
ME MAKING UP THAT GUY
499
00:27:49,190 --> 00:27:50,491
WHO GAVE ME
YOUR PHONE NUMBER,
500
00:27:50,524 --> 00:27:51,725
AND YOU SAYING
YOU REMEMBER HIM.
501
00:27:53,327 --> 00:27:55,262
YOU BEING AS GORGEOUS
AS YOU ARE
502
00:27:55,296 --> 00:27:57,097
AND AFRAID IN YOUR EYES,
503
00:27:57,131 --> 00:27:59,099
LIKE A 50‐DOLLAR WHORE.
504
00:27:59,133 --> 00:28:00,467
IT’S ALL JUNK.
505
00:28:00,501 --> 00:28:03,437
YOU FEELING WHAT
IT’S DOING TO YOU
506
00:28:03,470 --> 00:28:06,307
AND WORRYING, "IS IT
STARTING TO SHOW YET?"
507
00:28:09,243 --> 00:28:11,645
I’M NOT ENJOYING THIS.
508
00:28:11,678 --> 00:28:14,315
I DON’T THINK
YOU ENJOYING THIS
509
00:28:14,348 --> 00:28:17,484
IS EXACTLY THE POINT
OF THE EXERCISE.
510
00:28:22,256 --> 00:28:24,158
I WANNA WATCH YOU
GET OFF.
511
00:28:24,191 --> 00:28:27,394
THAT’S WHERE
THE CONVERSATION
COULD’VE STARTED.
512
00:28:35,436 --> 00:28:36,737
MOVE OVER HERE.
513
00:28:39,873 --> 00:28:41,408
YOU IN POSITION, ANDY?
514
00:28:41,442 --> 00:28:42,709
[HUSHED]
WE’RE GOOD.
515
00:28:54,755 --> 00:28:55,822
USE THIS.
516
00:28:55,856 --> 00:28:58,058
I GOT MY OWN.
517
00:28:58,091 --> 00:28:59,360
THIS IS BETTER.
518
00:28:59,393 --> 00:29:00,527
BETTER COULD BE
A PROBLEM.
519
00:29:00,561 --> 00:29:03,029
WHY DON’T I
JUST USE MINE?
520
00:29:03,063 --> 00:29:05,232
Cullinan: NO.
521
00:29:05,266 --> 00:29:06,400
LOOK...
522
00:29:08,302 --> 00:29:09,770
IF I USE YOURS,
523
00:29:09,803 --> 00:29:11,205
I WANT YOU TO TAKE
A LITTLE, TOO.
524
00:29:11,238 --> 00:29:13,707
NO. I DON’T USE DOPE.
525
00:29:17,378 --> 00:29:19,713
NOT SAYING YOU’D
WANT TO HURT ME
OR ANYTHING...
526
00:29:23,150 --> 00:29:24,751
I’M GETTIN’
KINDA IRRITATED.
527
00:29:26,153 --> 00:29:29,055
LOOK, MY STUFF
IS GOOD STUFF.
528
00:29:29,089 --> 00:29:31,057
I PROMISE YOU’LL
SEE ME GET OFF.
529
00:29:37,998 --> 00:29:38,965
HEY, DARCY...
530
00:29:38,999 --> 00:29:40,401
Fancy: 10 SECONDS.
531
00:29:40,434 --> 00:29:41,368
YOU’RE GONNA
USE MY STUFF,
532
00:29:41,402 --> 00:29:42,369
YOU’RE GONNA USE IT NOW,
533
00:29:42,403 --> 00:29:44,471
OR YOU’RE NOT GONNA
GET THE 5 GRAND,
534
00:29:44,505 --> 00:29:45,906
AND YOU ARE
GONNA GET HURT.
535
00:29:47,341 --> 00:29:48,809
ANDY, TAKE IT DOWN.
536
00:29:55,682 --> 00:29:57,083
GET ON THE FLOOR!
537
00:29:57,117 --> 00:29:58,285
WHAT IS THIS?
538
00:29:58,319 --> 00:29:59,486
WHAT DOES IT LOOK LIKE?
539
00:29:59,520 --> 00:30:00,787
Andy: YOU’RE A COLLAR.
GET ON THE FLOOR.
540
00:30:00,821 --> 00:30:01,822
PUT YOUR HANDS
BEHIND YOUR BACK,
541
00:30:01,855 --> 00:30:02,923
OR I’LL FRACTURE
YOUR SKULL.
542
00:30:02,956 --> 00:30:04,825
I GOT THE DOPE.
543
00:30:04,858 --> 00:30:06,593
Cullinan: MY ATTORNEY
IS JAMES SINCLAIR.
544
00:30:06,627 --> 00:30:07,628
I WANT TO SPEAK
TO MY ATTORNEY.
545
00:30:07,661 --> 00:30:08,729
YEAH, HE DID SUCH
A GOOD JOB
546
00:30:08,762 --> 00:30:11,765
WHEN YOU KILLED
DOLORES MAYO.
547
00:30:11,798 --> 00:30:13,567
WHAT IS THIS,
548
00:30:13,600 --> 00:30:15,169
SOME ELABORATE KIND
OF PAYBACK?
549
00:30:15,202 --> 00:30:17,504
SOME POLICE
VENDETTA?
550
00:30:17,538 --> 00:30:19,072
YEAH. YOU’RE
THE VICTIM HERE.
551
00:30:19,105 --> 00:30:20,574
THIS IS US TAKING
ADVANTAGE OF YOU.
552
00:30:20,607 --> 00:30:22,909
GUY WHO OWNS THE PLACE
IS AT THE CINEPLEX
ON 19th STREET.
553
00:30:22,943 --> 00:30:23,944
LEAVES A MESSAGE
FOR CULLINAN,
554
00:30:23,977 --> 00:30:25,111
"IF YOU WANT TO
JOIN ME. HA HA."
555
00:30:25,146 --> 00:30:26,580
BE NICE TO HAVE
A CONVERSATION
WITH HIM
556
00:30:26,613 --> 00:30:28,415
BEFORE HE
GETS A LAWYER.
557
00:30:28,449 --> 00:30:29,850
Danny: THIS PICTURE
MUST BE HIM.
558
00:30:29,883 --> 00:30:31,252
Fancy: DOES IT SAY
WHAT MOVIE?
559
00:30:31,285 --> 00:30:33,687
YEAH. LIFE IS BEAUTIFUL
HE’S SEEING.
560
00:30:33,720 --> 00:30:34,855
ANDY.
561
00:30:37,791 --> 00:30:39,993
I’LL DRIVE HIM BACK SLOW.
562
00:30:41,695 --> 00:30:44,398
SO I GUESS EVERYTHING
IS RELATIVE, HUH, MAL?
563
00:30:59,580 --> 00:31:00,547
UH‐HUH.
564
00:31:11,892 --> 00:31:13,560
WOULD YOU PLEASE
TAKE YOUR HANDS
565
00:31:13,594 --> 00:31:14,995
OUT OF MY POCKETS NOW?
566
00:31:15,028 --> 00:31:16,663
WOULD YOU RATHER
WE BROUGHT YOU IN
IN BRACELETS?
567
00:31:20,734 --> 00:31:22,136
WHERE WOULD YOU
LIKE ME TO SIT?
568
00:31:22,169 --> 00:31:25,372
WELL, HOW ABOUT
RIGHT HERE?
569
00:31:28,375 --> 00:31:30,010
SO, UH, WHAT’S
YOUR NAME?
570
00:31:30,043 --> 00:31:31,212
TRENT?
571
00:31:31,245 --> 00:31:33,547
TRENT KNOX.
572
00:31:33,580 --> 00:31:36,717
WHAT KIND OF NAME
IS TRENT?
573
00:31:36,750 --> 00:31:38,852
IT’S BEEN IN
MY FAMILY A WHILE.
574
00:31:38,885 --> 00:31:42,055
SO, ONE OF YOUR
ANCESTORS LOST A BET?
575
00:31:42,088 --> 00:31:46,193
I HAVE NEVER HAD
ANY KIND OF PROBLEMS
576
00:31:46,227 --> 00:31:47,361
WITH THE LAW,
577
00:31:47,394 --> 00:31:50,831
AND I DEEPLY RESENT
BEING YANKED IN HERE
578
00:31:50,864 --> 00:31:52,566
COMING OUT OF A FILM.
579
00:31:52,599 --> 00:31:54,100
[MIMICKING]
THEN YOU SHOULDN’T
580
00:31:54,135 --> 00:31:55,869
HAVE WRITTEN THE MOVIE
YOU WENT TO
581
00:31:55,902 --> 00:31:57,204
ON A POST‐IT NOTE
582
00:31:57,238 --> 00:31:59,940
SO THAT WHEN WE COLLARED
YOUR ASSHOLE BUDDY
583
00:31:59,973 --> 00:32:01,175
IN YOUR APARTMENT,
584
00:32:01,208 --> 00:32:03,510
WE’D KNOW WHERE
TO GRAB YOU UP.
585
00:32:03,544 --> 00:32:05,346
HUH?
586
00:32:05,379 --> 00:32:07,348
I THINK WHAT I’LL DO
IS ASK FOR A LAWYER.
587
00:32:07,381 --> 00:32:09,350
NO. I’LL DEMAND A LAWYER.
588
00:32:09,383 --> 00:32:11,418
YEAH. LET’S GET YOU
A LAWYER, TRENT.
589
00:32:11,452 --> 00:32:13,354
SO INSTEAD OF YOU
GIVIN’ US, LIKE,
590
00:32:13,387 --> 00:32:15,889
3 SENTENCES
OF SIMPLE EXPLANATION
591
00:32:15,922 --> 00:32:17,958
THAT COULD GET YOU OUT
HAVIN’ CAPPUCCINO,
592
00:32:17,991 --> 00:32:19,393
YOU CAN BE CHARGED
593
00:32:19,426 --> 00:32:21,128
ACCESSORY
TO ATTEMPTED MURDER.
594
00:32:21,162 --> 00:32:23,930
YOU EVER TRY TO TAKE A CRAP
WITH NO TOILET SEAT
595
00:32:23,964 --> 00:32:25,399
AND 5 GUYS
WATCHING YOU, TRENT?
596
00:32:25,432 --> 00:32:27,601
AND KNOWING THERE’S
NO TOILET PAPER
FOR AFTER.
597
00:32:27,634 --> 00:32:29,035
I DON’T KNOW
598
00:32:29,069 --> 00:32:30,437
WHAT MAL CULLINAN
WAS DOING IN MY APARTMENT.
599
00:32:30,471 --> 00:32:31,972
I WASN’T THERE.
600
00:32:32,005 --> 00:32:34,074
WHAT’D HE DO, PUT
A GUN TO YOUR HEAD
601
00:32:34,107 --> 00:32:36,243
AND FORCE YOU OUT
INTO THE STREET?
602
00:32:36,277 --> 00:32:38,812
MAL CULLINAN...
603
00:32:38,845 --> 00:32:42,082
TOLD ME IN A GENERAL WAY...
604
00:32:42,115 --> 00:32:43,784
NO. LET ME REPHRASE THAT.
605
00:32:43,817 --> 00:32:44,951
PLEASE.
606
00:32:44,985 --> 00:32:47,588
HE DIDN’T TELL
ME ANYTHING...
607
00:32:47,621 --> 00:32:49,590
ABOUT TONIGHT
SPECIFICALLY.
608
00:32:49,623 --> 00:32:52,226
WE HAD A GENERAL
UNDERSTANDING
609
00:32:52,259 --> 00:32:56,763
THAT HE WOULD SOMETIMES
USE MY APARTMENT...
610
00:32:56,797 --> 00:32:58,632
AND I GAVE HIM
AN EXTRA KEY.
611
00:32:58,665 --> 00:33:00,134
THIS IS TRENT
PREPARING
612
00:33:00,167 --> 00:33:01,602
FOR HIS COURTROOM
TESTIMONY,
613
00:33:01,635 --> 00:33:02,803
SKATING DELICATELY
614
00:33:02,836 --> 00:33:04,305
AMONGST
THE BIG ICEBERGS
615
00:33:04,338 --> 00:33:06,607
OF POSSIBLE
SELF‐INCRIMINATION,
616
00:33:06,640 --> 00:33:08,909
INSTEAD OF
ONCE IN HIS LIFE
617
00:33:08,942 --> 00:33:11,245
TRYING NOT TO
OUTSMART THE WORLD
618
00:33:11,278 --> 00:33:13,614
AND JUST STICK
TO SIMPLE FACTS.
619
00:33:13,647 --> 00:33:14,781
[VOICE BREAKING]
WELL, HAS IT EVER
OCCURRED TO YOU
620
00:33:14,815 --> 00:33:16,750
THAT I MIGHT BE JUST
A LITTLE BIT NERVOUS?
621
00:33:16,783 --> 00:33:19,119
IS HE GONNA CRY?
622
00:33:19,153 --> 00:33:20,521
TRENT, JUST GIVE US
623
00:33:20,554 --> 00:33:22,123
A COUPLE
STRAIGHTFORWARD ANSWERS.
624
00:33:22,156 --> 00:33:24,458
NO ONE WANTS TO MAKE YOU
NERVOUS OR UPSET
OR ANYTHING ELSE.
625
00:33:24,491 --> 00:33:25,859
HE DOES.
626
00:33:25,892 --> 00:33:27,694
WELL, HE MAKES ME
NERVOUS.
627
00:33:27,728 --> 00:33:29,296
THAT’S NOTHING
TO BE ASHAMED OF.
628
00:33:29,330 --> 00:33:30,831
YOU WANT ME TO LEAVE
THE ROOM? HMM?
629
00:33:30,864 --> 00:33:32,466
YOU WANT ME TO STAND
IN A CORNER?
630
00:33:32,499 --> 00:33:35,636
WELL, PERHAPS IF YOU
WOULD JUST STOP TRYING
TO INTIMIDATE ME
631
00:33:35,669 --> 00:33:37,271
FOR 30 SECONDS...
632
00:33:37,304 --> 00:33:39,306
THAT MIGHT BE A START.
633
00:33:39,340 --> 00:33:42,476
HEY. LET ME
GO GET A COKE
634
00:33:42,509 --> 00:33:45,879
AND PONDER
MY POOR UPBRINGING.
635
00:33:45,912 --> 00:33:48,815
NORMAN BATES THAT
YOU WERE ASKING ME
ABOUT BEFORE‐‐
636
00:33:48,849 --> 00:33:51,885
THAT’S WHO NORMAN BATES
RESEMBLES.
637
00:33:56,557 --> 00:33:58,225
WHO’S NORMAN BATES?
638
00:34:01,195 --> 00:34:04,398
WHAT A COMPLETE ASSHOLE!
639
00:34:04,431 --> 00:34:06,567
WHAT WAS GOING ON
IN THAT APARTMENT?
640
00:34:06,600 --> 00:34:09,136
OBVIOUSLY, THAT’S NOTHING
YOU’D WANT TO BE A PART OF.
641
00:34:09,170 --> 00:34:11,172
OH, BOY, YOU COULD
SAY THAT AGAIN.
642
00:34:11,205 --> 00:34:12,673
MY GOD.
643
00:34:12,706 --> 00:34:14,074
SO THAT HEROIN
WASN’T YOURS?
644
00:34:14,107 --> 00:34:15,709
HELL, NO.
645
00:34:15,742 --> 00:34:19,813
HE WOULD ALWAYS
BRING THAT WITH HIM.
646
00:34:19,846 --> 00:34:23,350
I HAD NOTHING TO DO
WITH ANY OF THIS‐‐
647
00:34:23,384 --> 00:34:26,253
GIRLS...AND DRUGS.
648
00:34:26,287 --> 00:34:27,521
THE GIRLS?
649
00:34:29,456 --> 00:34:31,792
THIS WAS ALL
MAL CULLINAN’S SHOW.
650
00:34:32,959 --> 00:34:34,261
SEE, THERE, TRENT,
651
00:34:34,295 --> 00:34:37,164
YOU DO INDICATE
A CERTAIN AMOUNT
OF FELONY KNOWLEDGE
652
00:34:37,198 --> 00:34:39,400
WHAT’S GOING ON
BEHIND CLOSED DOORS.
653
00:34:46,207 --> 00:34:48,875
YOU WERE JUST TRYING
TO TRAP ME, TOO.
654
00:34:48,909 --> 00:34:52,179
NO. WHAT I’M TRYING
TO DO, TRENT,
655
00:34:52,213 --> 00:34:54,681
IS INDICATE HOW DEEP
YOU’RE STUCK IN MUD.
656
00:34:54,715 --> 00:34:56,217
I WANT TO BRING YOU
TO A CLEAR UNDERSTANDING
657
00:34:56,250 --> 00:34:58,385
THE IMPORTANCE OF YOU
COMING NOW
658
00:34:58,419 --> 00:35:00,221
WITH ALL YOU GOT
659
00:35:00,254 --> 00:35:01,922
ON YOUR TWISTED
PRICK FRIEND
MAL CULLINAN
660
00:35:01,955 --> 00:35:03,724
IF YOU WANT TO AVOID
TAKING YOUR PLACE
661
00:35:03,757 --> 00:35:05,091
IN A PART OF THE WORLD
662
00:35:05,126 --> 00:35:07,928
YOU WOULD NOT KNOW
HOW TO DESCRIBE
ON A POST‐IT NOTE.
663
00:35:11,598 --> 00:35:13,267
ARE WE READY?
664
00:35:15,902 --> 00:35:17,938
YEAH. WE’RE READY.
665
00:35:21,642 --> 00:35:26,213
LOOK, LET’S ALLOW EVENTS
TO UNFOLD SOMEWHAT,
666
00:35:26,247 --> 00:35:28,715
SO PERHAPS WE’LL BE
SPARED CONTEMPLATING
667
00:35:28,749 --> 00:35:30,784
SUCH A VAST ARRAY
OF CONTINGENCIES.
668
00:35:35,989 --> 00:35:39,059
THERE’S A REASON WHY
JUNIOR PARTNERS
ARE JUNIOR.
669
00:35:39,092 --> 00:35:41,962
I SUPPOSE IF YOU HAD
A BITTER TURN OF MIND,
670
00:35:41,995 --> 00:35:43,464
YOU MIGHT BE THINKING
AT THE MOMENT
671
00:35:43,497 --> 00:35:46,233
ABOUT CHICKENS
COMING HOME TO ROOST.
672
00:35:46,267 --> 00:35:48,068
I’M THINKING
ABOUT PROSTITUTES.
673
00:35:48,101 --> 00:35:50,804
YOUR DECEASED FRIEND
MISS MAYO.
674
00:35:50,837 --> 00:35:52,539
NO. THE ONE STANDING
IN FRONT OF ME.
675
00:35:53,774 --> 00:35:55,576
DETECTIVE SIPOWICZ.
676
00:35:55,609 --> 00:35:57,077
I CAN’T IMAGINE
677
00:35:57,110 --> 00:35:58,912
YOU WEREN’T INVOLVED
IN THIS ESCAPADE.
678
00:35:58,945 --> 00:36:01,282
I TOOK
A PASSING INTEREST.
679
00:36:01,315 --> 00:36:04,451
JIMMY, THIS IS UTTER
AND TOTAL ENTRAPMENT.
680
00:36:04,485 --> 00:36:06,320
DO NOT SPEAK AGAIN
UNTIL I TELL YOU TO.
681
00:36:06,353 --> 00:36:08,955
I WANT TO SPEAK
TO MY CLIENT IN PRIVATE.
682
00:36:08,989 --> 00:36:10,824
I HAD NO INTENTION
OF HARMING HER,
683
00:36:10,857 --> 00:36:13,160
AND THESE PEOPLE
HAD A BOGUS FLAT
ON THE WAY IN.
684
00:36:13,194 --> 00:36:14,628
SHUT UP OR GET
ANOTHER LAWYER.
685
00:36:14,661 --> 00:36:16,830
I WANT HIS CUFFS OFF.
I WANT TO SPEAK TO HIM
IN PRIVATE.
686
00:36:16,863 --> 00:36:18,165
YOU WANT THAT DONE HERE?
687
00:36:18,199 --> 00:36:19,500
RIGHT HERE
WOULD BE FINE.
688
00:36:19,533 --> 00:36:22,035
TAKE OFF HIS CUFFS.
689
00:36:22,068 --> 00:36:23,670
THEY WON’T WANT TO BE
USING THE POKEY ROOM.
690
00:36:23,704 --> 00:36:25,639
INTERVIEW 3.
691
00:36:25,672 --> 00:36:27,508
I BELIEVE THAT’S
DOWN THE HALL.
692
00:36:27,541 --> 00:36:29,676
HMM. YOU DO
LOOK LOVELY.
693
00:36:29,710 --> 00:36:30,844
THANKS A LOT.
694
00:36:32,213 --> 00:36:33,980
YEAH, IF SHE WAS DRAWN
TO PLAGUE CARRIERS,
695
00:36:34,014 --> 00:36:35,482
THE FEELING
MIGHT BE MUTUAL.
696
00:36:35,516 --> 00:36:37,050
IT’S AMAZING
HOW MANY ARE.
697
00:36:37,083 --> 00:36:40,020
LEO, I’M GONNA
BE A FEW MOMENTS
WITH MR. CULLINAN.
698
00:36:40,053 --> 00:36:42,323
THEN YOU AND I
CAN HAVE A MOMENT
IN THE COFFEE ROOM.
699
00:36:43,557 --> 00:36:44,925
BOYS.
700
00:36:51,598 --> 00:36:53,200
YOU WANT ME
TO WEAR THIS HOME?
701
00:36:53,234 --> 00:36:55,736
I DON’T CARE
WHAT YOU DO.
702
00:37:04,745 --> 00:37:06,813
TRENT COPS TO MAYBE
HE ACTUALLY SAW
703
00:37:06,847 --> 00:37:09,015
UP TO 5 GIRLS
IN PASSING
704
00:37:09,049 --> 00:37:11,852
THAT MAL BROUGHT
TO HIS APARTMENT.
705
00:37:11,885 --> 00:37:13,086
DOLORES CROAKED
3 MONTHS AGO.
706
00:37:13,119 --> 00:37:14,555
TRENT SAYS,
LIKE, 3 MONTHS AGO,
707
00:37:14,588 --> 00:37:16,056
MAL GOT DIFFERENT.
708
00:37:16,089 --> 00:37:18,359
MAL CROSSED A LINE‐‐
TRENT DIDN’T WANT
TO KNOW WHAT‐‐
709
00:37:18,392 --> 00:37:20,227
STARTED DOIN’ GIRLS
IN OTHER PLACES.
710
00:37:20,261 --> 00:37:22,596
EVEN WITH HIS
TRUSTY CAMERA
SET UP AT TRENT’S?
711
00:37:22,629 --> 00:37:24,398
WHEN HE TOOK DOLORES
TO ATLANTIC CITY, ANDY,
712
00:37:24,431 --> 00:37:26,333
HE KNEW WHAT
HE WAS GONNA DO.
713
00:37:26,367 --> 00:37:27,901
HE WANTED DOLORES DEAD.
714
00:37:27,934 --> 00:37:30,604
FIRST TIME,
HE’S A CAUTIOUS PERV.
715
00:37:30,637 --> 00:37:32,273
HE’LL TAKE IT
OUT OF THE JURISDICTION.
716
00:37:32,306 --> 00:37:34,875
KNOWS HE’S NEVER
DOING IT AGAIN.
717
00:37:34,908 --> 00:37:36,210
COMES AFTER
WITH HIS LAWYER
718
00:37:36,243 --> 00:37:37,511
WITH THE STORY
HOW IT HAPPENED
719
00:37:37,544 --> 00:37:38,745
GETTIN’ HIS HANDS CLEAN
AND HIS MIND RIGHT.
720
00:37:38,779 --> 00:37:41,081
NEXT HARD‐ON, HE NEEDS
TO PUSH IT A LITTLE FARTHER.
721
00:37:41,114 --> 00:37:42,916
LET ME TRY IT
ON MY HOME FIELD.
722
00:37:42,949 --> 00:37:45,752
YEAH, ASSUMING HE DIDN’T
CROAK ANYBODY IN BETWEEN.
723
00:37:56,630 --> 00:37:58,699
SO, DO YOU THINK CULLINAN
TELLS SINCLAIR THE TRUTH?
724
00:37:58,732 --> 00:38:01,101
I THINK HE LIES...
725
00:38:01,135 --> 00:38:04,605
IN RESPONSE TO SINCLAIR
SAYING, "LIE TO ME."
726
00:38:10,977 --> 00:38:13,880
BOBBY’D GET
REALLY CRAZY, TOO.
727
00:38:13,914 --> 00:38:16,250
I WANTED IT TO WORK
WITH LEO.
728
00:38:16,283 --> 00:38:19,486
THE BOYS REALLY
LOOKED UP TO HIM.
729
00:38:19,520 --> 00:38:20,954
YOU’RE DONE?
730
00:38:20,987 --> 00:38:22,556
THEY LOOK UP TO
MARK McGWIRE EVEN MORE,
731
00:38:22,589 --> 00:38:25,091
AND I WOULDN’T TAKE
THAT CRAP OFF HIM, EITHER.
732
00:38:33,334 --> 00:38:35,269
SO, YOU’LL TAKE HIM
TO THE TOMBS?
733
00:38:35,302 --> 00:38:36,737
YEAH. WE GOT HIM.
734
00:38:36,770 --> 00:38:39,473
ANDY AND SORENSON WILL
TAKE HIM OVER, GUYS.
735
00:38:39,506 --> 00:38:41,275
BE A SHAME
IF MR. CULLINAN
736
00:38:41,308 --> 00:38:42,943
COULDN’T GET ARRAIGNED
TILL TOMORROW NIGHT.
737
00:38:42,976 --> 00:38:45,946
WE’LL SEE WHAT KIND OF
BACKBONE OUR D. A. HAS.
738
00:38:45,979 --> 00:38:47,981
ANYWAYS, GOOD JOB.
739
00:38:48,014 --> 00:38:50,050
YEAH. THANKS, BOSS.
740
00:38:54,721 --> 00:38:55,989
FROSTY LAGER?
741
00:38:56,022 --> 00:38:58,325
NAH.
742
00:38:58,359 --> 00:39:00,527
I’M GONNA STICK AROUND
A WHILE, JAMES.
743
00:39:06,133 --> 00:39:08,669
WANT TO WATCH
THE MIGHTY BROUGHT LOW?
744
00:39:08,702 --> 00:39:11,872
NAH. I’M GONNA KEEP
EXCAVATING THESE NOTEBOOKS.
745
00:39:11,905 --> 00:39:13,374
YOU’RE GONNA
KEEP DIGGING
746
00:39:13,407 --> 00:39:15,476
TILL YOU FIND ROBERTS’
ORIGINAL OUTFIT?
747
00:39:15,509 --> 00:39:17,144
AH, YOU MIGHT AS WELL
BE THOROUGH.
748
00:39:18,212 --> 00:39:19,946
THE THOUGHT
OF MR. CULLINAN
749
00:39:19,980 --> 00:39:21,615
PENNED WITH THEM
LOWER SOCIAL TYPES...
750
00:39:21,648 --> 00:39:23,016
GET YOUR JOLLIES NOW
751
00:39:23,049 --> 00:39:26,653
BEFORE THAT BEADY‐EYED
CONEHEAD STARTS DOING
HIS LEGAL TRICKS.
752
00:40:04,558 --> 00:40:06,059
Roberts, narrating:
HERE I GO,
753
00:40:06,092 --> 00:40:08,295
TRYING TO BREAK
MY CHERRY.
754
00:40:21,442 --> 00:40:23,644
WELL, LOOK WHO
JUST WALKED IN.
755
00:40:28,582 --> 00:40:30,584
HIYA, MIKE.
756
00:40:30,617 --> 00:40:32,419
WHAT ARE YOU, DONNA,
757
00:40:32,453 --> 00:40:35,256
MOONLIGHTING
AS A BILL COLLECTOR
758
00:40:35,289 --> 00:40:38,225
BESIDES BEING A P.A.A.
IN THE DETECTIVE SQUAD
759
00:40:38,259 --> 00:40:41,195
OF THE POLICE STATION HOUSE
WHERE I FORMERLY WORKED?
760
00:40:41,228 --> 00:40:43,530
I DON’T GOT
A SECOND JOB,
761
00:40:43,564 --> 00:40:45,932
NOR EVEN A FIRST ONE
JUST NOW.
762
00:40:47,768 --> 00:40:49,803
HOW’D THAT HAPPEN?
763
00:40:50,971 --> 00:40:52,439
I DON’T KNOW.
764
00:40:52,473 --> 00:40:54,208
YOU TELL ME.
765
00:40:54,241 --> 00:40:56,643
WHAT ARE YOU TALKING
ABOUT, ANYWAY?
766
00:41:07,754 --> 00:41:10,924
I GUESS I GOT SOMEWHAT
OF A CRUSH ON YOU,
767
00:41:10,957 --> 00:41:15,462
AND I QUIT MY JOB
HOPING YOU’D HIRE ME.
768
00:41:15,496 --> 00:41:16,897
WELL, I’M FLATTERED,
769
00:41:16,930 --> 00:41:20,000
BUT IT’S A LITTLE SLOW
WITH MY SHINGLE JUST UP.
770
00:41:22,336 --> 00:41:25,906
YOU WERE ALWAYS
VERY TRUTHFUL, MIKE.
771
00:41:25,939 --> 00:41:27,974
YOU KNOW, A LOT
OF TIMES, YOU...
772
00:41:28,008 --> 00:41:31,512
HAVEN’T GOT EVEN A VAGUE
IDEA WHAT YOU’RE DOIN’.
773
00:41:31,545 --> 00:41:32,579
HMM.
774
00:41:32,613 --> 00:41:35,649
THIS IS THE FIRST THING
I’VE ATTEMPTED.
775
00:41:35,682 --> 00:41:40,787
I WAS SITTIN’ HERE...
HOPING A CASE BEGINS.
776
00:41:52,032 --> 00:41:54,000
MAYBE I’LL BE
YOUR LUCKY CHARM,
777
00:41:54,034 --> 00:41:55,802
’CAUSE I BELIEVE IN YOU.
778
00:41:55,836 --> 00:41:58,672
YOU GOT SHORTCOMINGS,
779
00:41:58,705 --> 00:42:01,041
BUT I’VE ALWAYS KNOWN
780
00:42:01,074 --> 00:42:02,709
YOU’RE TRYING TO BE
A GOOD PERSON.
781
00:42:04,711 --> 00:42:07,047
I HOPE TO BE
AN ENCOURAGEMENT TO YOU
782
00:42:07,080 --> 00:42:09,650
JUST SITTIN’ AT MY DESK.
783
00:42:09,683 --> 00:42:13,187
I GUESS EVERYONE
NEEDS SOMEONE
TO BELIEVE IN THEM
784
00:42:13,220 --> 00:42:15,156
AT THE BEGINNING
OF THINGS.
785
00:42:19,893 --> 00:42:21,362
I’LL BELIEVE IN YOU,
786
00:42:21,395 --> 00:42:25,199
EVEN WHEN YOU DON’T
BELIEVE IN YOURSELF.
787
00:42:25,232 --> 00:42:28,402
YOU DEFINITELY ADD
TO THE FURNISHINGS.
788
00:42:36,109 --> 00:42:38,345
Roberts, margin notes:
USE HER TO ENCOURAGE
THE DETECTIVE.
789
00:42:38,379 --> 00:42:41,215
SHE CAN HELP HIM OUT,
GIVE HIM ADVICE.
790
00:42:41,248 --> 00:42:43,049
YOU KNOW, KEEP HIM GOING.
791
00:42:43,083 --> 00:42:46,553
SHE’LL ALWAYS
CHEER HIM UP.
792
00:42:46,587 --> 00:42:48,589
EVERYONE LIKES
A BEAUTIFUL BROAD.
793
00:42:50,391 --> 00:42:52,559
MAYBE I CAN DO THIS.
58711
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