All language subtitles for The.Rolling.Stones-Crossfire.Hurricane.2012.BDRip.(720p)-MediaClub_Subtitles02.ENG

You wanna do a sound check?
Yeah and two.

Yeah. One, two, one, two, one, two.

Okay. I think we're good.

So, before we start,
I just wanna ask you, how's your memory?

It's pretty good in some places and
absolutely completely nonexistent on others.

But then it's written down
usually somewhere.

And in the end I just think,
«Oh, what the hell?»

With me, we cover a lot of ground,

and it'll just be natural, you know.
Whatever happens…

– Have you got a light?
– Yeah, sure.

Well, I don't know whether
it's gonna be mystifying, you think?

because that's what the band was.

I'm amazed by it myself. I mean, it's…
You know what I mean?

It's almost a fairy story, you know?

Take three.

Last week New York City finally got
to see and hear the Rolling Stones.

I went to Madison Square Garden to meet
Mick Jagger, the singer with the group,

a fascinating man.

He's been described variously as

the «supreme sexual object
in modern Western culture

«with a compound of menace and energy,»
a «sadomasochistic freak» and a «pussycat,»

various other things.

and I think a fairly accurate one,

when the Rolling Stones are in town.

and exudes solid energy to 20,000 people.

and I had three listless staff members
waiting for a cab for me.

– Yeah, it's a great crowd for a morning show.
– Yeah.

How did you sleep
after opening night last night?

Say, I don't know
if I was supposed to see this or not,

people offering little pills.

– Vitamins and salt.
– Vitamins and salt pills.

– Yeah.
– That's what they told me they were.

– Yeah, A, E, C, and salt.
– But naturally I… Yeah.

Drink the salt with plenty of water.

– Yeah we can cut.
– Because I've gotta get ready.

Oh, you talk to me like an actor,

you know, I don't understand anything
about all those things,

I just go on and do it,
I don't know about timing or anything.

You give me the impression,
and I've watched you,

No, it's not true.

Water.

Ladies and gentlemen, the Rolling Stones.

All right! Good afternoon!

So let's recap on the Rolling Stones,

how did you all get together
in the first place?

I think they all met in clubs,
in London jazz clubs.

Actually, I answered an advert
for a bass player that was up,

but the rest of them got together individually
in jazz clubs and formed a sort of group.

Brian, how long have you been
with the Rolling Stones,
– And. we шш on now to Brian.
– Oh, hello.

What were you doing before you joined?

Well, just sort of bumming around
waiting for something to happen, really.

but it was unsuccessful
until I met up with Mick and Keith.

Do you think that perhaps the general public

No, I don't know about that.
started getting maybe a little bit tired of
the Beatles and looked for something new?

What could you say to a thing like that?

Well, why did they start happening?

Something sort of… Chemical reaction
seems to have happened somehow.

What would you say happened?

I really don't know.

well the rise to popularity in the world
was very short.

The first night there was about 80 people.

The second night there was about 120,

When you saw those crowds growing
every week,

you knew that you were
striking a bell somewhere, you know,

and that something was happening.

Would you know why England became
the pop centre?

and the right sort of visual image

that the kids over the world
wanted at a particular time.

I think between Mick, Brian and me,
we had a feeling,

the idea to put a band that was
a little less show business

was exactly at the right time.

The show biz angle just was boring to us.

Thank you!

Of course we have to talk
about Andrew Oldham,

who had been working for Brian Epstein
with the Beatles.

He went around London and he heard
we were kicking up a storm in some clubs.

He just looked around and said, «Hey,
there can't be just one band in England».

so if you got heroes,
you've got an anti-hero like in a movie.

Andrew decided that the Rolling Stones
were the bad guys.

It wasn't just an accident.

He thought the Rolling Stones
would suit that image.

It helped to have people that go along with it
or will fit the bill.

It's good to have an actor
who'll play the part.

«We want the Stones! We want Mick!»
«We want the Stones! We want Mick!»

It started, man, on the first tour,

halfway through things start to get crazy.

We didn't play a show after that

that ever was completed,
I think, for two or three years.

We would take bets
on how long a show would last.

You know, «You're on. Ten minutes».

so the cops, and people and the attendants
are dragging them out on stage,

you know what I mean.

I could see the water just running
down between the seats.

All the girls in the audience
were wetting themselves.

Girls wet themselves when they get excited.

There were like these tiny, little girls
that would get in there

and just scream
and you couldn't hear anything.

I just was mouthing it,
hoping it was gonna be okay.

Brian and I,
we'd play Popeye the Sailor Man.

And then wait for the shit to hit the fan.

And then you did a runner.

Getting in and out
was the big deal of the day.

I hated that.

I hated being chased by girls and all that.

I really, it used to really embarrass me.

I wish I could have turned it off
when the show stopped.

and getting into theatres
and away from them

though you really were gonna be cut off
from getting caught in the crowd.

Last night was bad.

What is your worst experience?

Yeah, he's very cool, isn't he,
he's very cool on his bike.

That's why we ran into him.

I guess the Rolling Stones
aren't everyone's cup of tea,

There are whole armies of parents

the Stones don't exactly generate
an aura of sweetness and light.

has won them almost
as many enemies as fans.

The Beatles are loved
by pretty well everybody

from the mums down to the teenagers,

but what's your real appeal to the fans,
do you think?

You do tend to present a sort
of yobo-ish image, you know.

– Yes, moronic…
– What's he talking about?

I mean, why do you present this image?
Is it deliberate or is it a sort of…

There are lots of morons at grammar schools,
you know.

Wish this was all on film, man,
it could be great.

You see, you're thrust into the limelight
in a youth-orientated thing.

It's not about growing up,
it's about not growing up, in a way.

Then you're about bad behaviour,
so then you start behaving badly.

It was the weirdest situation.

If you if you did something wrong,
even better.

And the Beatles got the white hat, you know.

What's left? The black hat.

We never abided by any rules
that were gentlemanly things.

Never did it.

That was part and parcel of why
we just got ostracised by everyone.

«You're a load of girls,»
and «Get your bloody hair cut!»

And all this, you know, «Ha, ha, ha,»
make jokes about us,

you just see them all laughing,
pointing and all that.

It's obvious that you don't get your hair cut,
but do you get it trimmed from time to time?

Last night? Certainly grown a lot since then.

We were just refusing to conform
to what everybody wanted us to be.

And I don't, honestly and sincerely,
don't have a tie, you see.

I used to wear a tie,
but the boys didn't wear ties,

and I thought I'd looked a bit out
if I wore one, so I stopped wearing them.

Brian used to get upset
when they used to say,

«I stood next to 'em and I could see
the fleas jumping off of their hair».

They used to call us «Neanderthals»
and «The ugliest group in the world».

– The four-letter words?
– No, the ones that are repeatable.

We've been called just about everything
from beautiful to revolting.

Brian was a very clever musician.

He played bottleneck guitar,
electric, and nobody did that.

Well, except in America,
but I mean nobody did it in London.

He'd had more experience, I think, in playing,

so he had some level
of musical accomplishment

that really Keith and I really didn't.

Brian and Keith had the worst humour.

Cause they used to call
ordinary working people «Ernies,»

and Brian always used to put his nose down
like this

and put his ears out and talk like that.

You know, like working people.

Oh, they were awful.

I mean, it was them against us
in the most obvious way,

Sort of, I don't know, perverted anarchy.

– I married one.
– You married a Rolling Stone?

and being over those girls in Texas.

No, it was in Florida. No, it was in Georgia!

And what can you expect from Georgia?

Georgia is full of idiots.

That's right, yes.

We're uncouth and obstinate.

Hostile, maybe,
but I don't think vulgar and hostile.

– Hostile when we're approached by…
– So many people don't like the truth, man.

What do you give credit
for your success now? What is it?

– Music.
– Music?

– Music.
– Our records.

Anything that you'd like to say right
now before the camera rolls out?

– Good-bye!
– Good-bye!

How much of your act is acting?

Well, I suppose really all of it is acting,
you know.

But it really there's a difference
between acting and not enjoying it

It's like getting into a part.

As a singer and doing a performance,

you've gotta be very finely attuned
to what's going on in the audience.

Little Richard literally taught me this stuff.

I watched how he would
harangue the crowd almost.

«Everybody stand up! I said stand up!»
You know, and they would.

He was outrageous.
But it kept it all alive, you know,

and you never quite knew
what was going to happen.

In those days, we only played covers.

The first album's all covers.

I remember having to discussion,

«Well, what are we gonna do now,
we can't make a second album of covers».

We already knew we'd come to the wall there.

Andrew Oldham said,

«If you want to keep going, you've gotta…
You need new material.»

Well, this is something
I couldn't have conceived.

I was songwriter, it's like, hey,
the blacksmith does the ironwork,

and the horse wears 'em,
you know what I mean?

Suddenly, you know, just playing guitar
and playing blues,

suddenly wasn't enough, you know.

Now I wanted to invent things for me to play.

I know, sometimes we can duplicate.

– Sitting on a fence.
– Sitting on a fence?

It's very hard to play the proper title.

That's easy, that's good. That's all right.

and couldn't make up his mind
between one girl and the other.

And he couldn't stand sitting on the fence
because it was getting very painful.

Well, we weren't maybe very good at it.

But we were trying.
You know, maybe not everybody can write.

We went on to write a whole load of crap.

And we didn't dare
for months, and months, and months

Oh, God, man, that's a whole other trip,
you know.

The first song I remember writing
with the Rolling Stones was Tell Me,

which is a tiny, minor, mini hit.

You know, it was very gratifying
because we'd only done these cover songs.

and that struck a chord with our audience.

And you're connecting,
you're getting a lot of feedback.

So you're, you're exchanging
with the audience a kind of ideas stream.

What's your opinion of the Rolling Stones?

and they're the best thing to ever happen
in the United States.

They're so ugly that they're appealing.

What would happen
if they took the Rolling Stones

and all these other rock and rollers away.
What would happen to you kids?

I don't know, these parents would
be very happy, I can tell you that much.

How's your popularity in Europe
at this moment?

Very good, I think. Very healthy.

The kids are looking for something else,
or some different moral value,

instead of just the same routine
their parents were born into.

Splash on Ice Blue Aqua Velva.

Creamy lather!

I can't express myself in the right way
when I feel satisfied with the world.

It's very easy if I feel very dissatisfied
with something, I can write about that.

Why then if you think that most of your
records are about dissatisfaction and so on,

why do you think you're so popular?

Because most young people are dissatisfied.

In what way?

With the generation which they think
is running their lives.

What things are you dissatisfied with?

The generation that runs our lives.

When these girls pounce upon Mick,
and seem to want to tear him to pieces,

They want to incorporate his essence.

It's a sort of fetish, fetishism,
which has more in common

with people collecting the relics of saints,

as they did in the ancient past,
there's really no break

with the ancient tradition,
it's just a question of form.

I've seen this with the most marvellous,
dramatic intensity

and these girls, they wept,
they were possessed by the spirit,

I mean complete physical
and mental absorption.

I think that's very true and…

But I think what's more interesting is
that in this country

but, in the rest of the world, this isn't true.

In lots of places, they're nearly all boys.
With the boys, it erupts, you know.

they just beat the police up,
as a show of sort of strength,

and a show of dissatisfaction
with something.

We had riots every night.

It was insane.

I think they just wanted to be part of that
rebellious thing that we were instigating.

They weren't attacking us,
it was always having goes at police.

Now we're entering the area of social unrest
manifesting itself in a crowd situation.

You're just merely the catalyst of the crowd,

it could be anything, a football match,
but you're it on that day.

That's just only half of the show.

The other half of the show
is them participating in a riot.

Well, the Stones seem to have a history
of creating violence wherever they go.

does not like about Mick Jagger,
but perhaps what rankles most is

that he speaks to a vast segment
of the population that they can't.

the two generations eye each other
warily and distrustfully.

It felt like an explosive moment.

People felt this sensation
that something was going on

that had never happened before
that they'd been waiting to happen.

And it was at that same time in London
that all kinds of shit was hitting the fan.

And of course we joined in.

Our sort of success is a first-class ticket,

you know, to a lot of things.

LSD, and cocaine,
heroin and all these things.

What do you think of LSD? Is it nice?

It's very nice, I think. LSD's very nice.

It was like an orgy of drugs, actually.

And those drugs were a great interest
to the press and the general public.

that liked to reveal the faults in society,
and they follow people,

they put private detectives on people
and unfortunately…

There's a set of unfortunate circumstances…

So, we're having this party
at Keith's house in Redlands,

and we went off for this expedition.

We took acid, and then
it took a long while to start. It always does.

And we met someone
who was milking a cow.

I don't like milk very much.

And they said,
«Oh, come on, Mick, try the milk».

When you're on acid,
you know, everything's different.

I still didn't like the milk, I mean, acid,
fresh, cow, you know, everything.

And we walked back down to the car
and went back to Redlands,

and by which time it was evening.

So we're all coming down,
and it's a very smooth come-down.

And bang-bang-bang on the door.

What had been a lovely day on acid,
turned out to be a really unpleasant evening.

The News of the World told the police
there was a big drug party,

and they should go
and break it up and arrest everybody.

A national newspaper
had tipped off the police

that it would be worth their while
to raid Richards' home

for drugs on the Sunday afternoon,

and the raid was carried out
on that Sunday evening.

There was a gasp of pure horror

from the youngsters crowded
into the public gallery.

At the moment, Judge Block
said sternly to Richard

that the offence carried
a maximum sentence of 10 years.

Because they thought
we're gonna be put away

and people were going
to have prison sentences.

It wasn't just a fine
and a rap across the knuckles.

We just kinda thought
that was the end of the band, really.

We never knew who was going
to be in or out of jail,

and whether there was a future and all that.

Did you feel that you were being persecuted
for being a Rolling Stone?

And fun for the press.

Prawn cocktail, roast lamb with mint sauce,
fresh strawberries and cream,

twenty-one and six for Jagger.

and a half bottle of Beaujolais
at 10 bob a head for each.

He's pointing, calling me «reprobate,»

and, you know, «menace to society,»
and all that.

All I said was,
«Sir, I'm not interested in your petty morals».

Which gave me a year in the slammer.

There was a dead silence as the judge added,
«You will go to prison for one year».

And Richard, who earlier had talked in his
evidence of what he called, «petty morals,»

went down to the cells without expression.

Jagger put his hand to his face
as he was given three months.

Mick was taken to Brixton,
and they sent me to Wormwood Scrubs,

which is, like, even worse.

It's like Folsom.

and we're walking around
this courtyard in a circle, you know,

exercise, it's called.

And then I get a tap on the shoulder
from one of the other cons behind me.

And he says, «You're out».

He said, «We heard it on the radio».

Thank Christ for that.

London, it's years since such crowds
gathered to await an appeal verdict.

But this was a Rolling Stones case,
with the fans out in force.

When Mick Jagger
was conditionally discharged

and Keith Richards' sentence quashed,

the pop idols drove off,
the shadow of jail no longer over them.

I think I looked at it at the time as like,
«They can try all they want,

«they won't make it stick
because I've got all these people out there.

because people are doing that for you,
don't forget people are saying,

It cemented our relationships
with our generation, with the public.

And it sort of gave us a badge of honour,
in a way, you know.

To me it just made me, like, say,
«Okay, now you know who I am.

«You've basically given me a licence now».
It was Jesse James time.

I mean the cops turned me into a criminal.

You know that's when
I started carrying a shooter in America.

So, the outlaw was born?

That was when we really put
the black hat on, you know?

I mean before that,
it was just sort of off-grey.

And you're going to do what I can't.

Okay. That's a very easy role to slip into.

There's a slot available,
and it was just built for me.

If you're a method actor,
you always stay in character.

This character has changed.

It's not just one change, he's gone through,

you know, every six months another person.

You can only act what's in you.

«been through the mill
and come out the other side smiling».

because my inspiration for that came
from Baudelaire and The Master of Margarita,

and so I had all these things going on.

It's very much for the time and everything.

I mean, it's got the violence of the time in it.

It's provocative.

and reflect it back again,

and then of course it goes
into a feedback loop.

I mean, in a way,
the Rolling Stones overtake you.

And it's almost like you're sort of levitating.

You don't even want to touch the strings
'cause they're doing it themselves.

And, anyway, they'd be too hot.

He played all these things,
which gave what we did a flavour,

Keith and I took drugs, but Brian took
too many drugs of the wrong kind,

and he wasn't functioning as a musician.

I don't think he was
that interested in contributing

to the Rolling Stones any more.

If he turned up,
we'd find something for him to do.

But, no, by then he was already in,
you know, bye-bye land.

You certainly didn't know
if he was gonna turn up

and then what was he gonna be able
to do in that state,

what job could you give him.

And then one time
when we sat around on the floor,

we played in a circle,
playing No Expectations,

which you can hear on the record.

And that was the last thing
I remember him doing that was Brian,

and it made the record sound wonderful.

My ultimate aim in life
was never to be a pop star.

I enjoy it with reservations.

But I'm not really sort of
satisfied either artistically or personally.

Let's face it.

The future as a Rolling Stone
is very uncertain.

We did need somebody else.

No. Can't remember.

But I remember it wasn't very nice.

It was a very, very difficult decision to make.

spent the beginning of the band with
and, I mean, it was horrible.

and he sort of said, «Yes, it isn't».
And, it was very sad.

And it was, I felt awful afterwards,
I remember that, I felt really terrible.

You know, did something
more than just that.

We were working in the studio
with Jimmy Miller.

And someone came in and said,
«Brian's just died».

Everybody just looks at each other and goes,

«Finally».

It was almost like it was bound to happen,
one way or another.

It was a horrible moment,

He died three weeks later.

Fuck.

About midnight, Jones went for a swim
with his Swedish girlfriend, Anna Wohlin,

and another friend, Mr Frank Thorogood.

After a time, Mr Thorogood
and the girl went back to the house.

When they returned they saw Jones
at the bottom of the pool,

and they pulled him out.

You know, it doesn't hit you straight away,

I mean, I think my first reaction was, «Brian,
after all of the things we've been through,

«it's, you know,
you don't have to croak over it».

Was there a reason
you didn't go to his funeral?

It was gonna be too much of a circus.

They didn't have one.

We're like that in my family, you know?
My dad is now an oak tree.

We put his ashes
in this enormous oak tree growing,

And my mom, she said,
«Don't make no fuss over me, boy».

I promise I'll make no fuss, Mom.

And Hyde Park was the funeral.

And the bit about burying
and the shovels and all of that,

it's not that important to me,
that was his funeral.

The Hyde Park concert was
two days after Brian died.

In front of almost 500,000 people in London.

but it had assumed that feeling.

That morning of the concert,
they all met in my suite.

Mick was in the corner and he was in tears.

I said, «Mick, you've gotta
just toughen up and move on.

«That's all you do, that's all we can do.

«We just move on
and do what we planned to do».

with these seven days in bed,
and they're true to life.

They're totally anti-establishment,

and everybody in the establishment
has always bugged the Stones.

And people are gonna have
that feeling for them.

What do you make of all this?

As a member of the older generation,
do you think it's all out of place here?

Of course, in a way, yes. Of course.

What about your wife?
What do you make of this, madam?

instead of, you know,
the normal view, you know, grass.

And it was like a sort of talk about,
into the deep end.

«Oh, let's try a club or two first».
Naw, Hyde Park, 500,000.

But I think it was a good baptism
of fire for Mick Taylor.

I think, basically, it was their decision
to start touring again.

Because before I joined the group,
they'd been making records.

They hadn't really played before the public
for nearly two years.

So in a sense, when I joined the group,
it was virtually a new group.

I was 20, almost 21.

I got a phone call from Mick saying

the Stones will need
a replacement for Brian, and…

So I became part of the band.

We were playing at stadiums,
that were, you know, full.

You could sort of
glance back over the amplifiers,

and you could see the limousines bouncing,

you know, because the energy in the stadium
was so… It was electric.

Two guitars together, if you get it right,

it can become like an orchestra.

And Mick Taylor's a virtuoso.

Oh, yeah!

Thank you kindly!

– How old were you then?
– Thirteen.

– Do you have tickets?
– Yes.

There's a rumour that Mick Jagger's
supposed to come out in his birthday suit.

Are you expecting that?

I hope he does.

– You won't be shocked?
– Of course not!

At the end of the '69 tour,
we went to Muscle Shoals,

and we cut Wild Horses, Brown Sugar
and You Gotta Move, which are great tracks.

During those recording sessions,
or just before,

somebody must have put it
to somebody in the Stones organisation

that we went to Altamont to do a free concert.

It was never planned
to be part of the 1969 tour.

It was really just a throwaway.

You know, a lot of these free shows
were going on, and we said,

well, you know, «Why don't we do one?»

I read in one of the papers that you will be
giving a free concert in San Francisco.

We are doing a free concert in San Francisco.

– When?
– On December 6th.

It's creating a sort of a microcosmic society,
which sets an example to the rest of America,

as to how one can behave
in large gatherings.

Your mind is not really on that gig,

so we'll just get it together, and when they've
got it together, we'll go there and do it.

Just a quick question, though,
you were at Woodstock,

How does it stack up, do you have the room.

Well, it's going to be San Francisco.

You know, we were doing an arena tour
and jumped off the engine

to free concerts in empty hills.

They hit Mick, somebody hit him!

There are a number of people on and around
this stage who should not be here.

No!

I want to see Mick Jagger, God damn!

The whole thing was out of control.

I mean, all normality and control had gone,
there was no, nothing.

The Hells Angels were
the people doing the security,

so, you know, we thought, «That's the way
they do things in San Francisco,» you know.

It was a very hippie, dippie thing.

Except, these were actual, proper
Hells Angels.

It was a bit like asking the Nazi Party
to sort out the front of the auditorium.

When I got a bad vibe about it,

was when I saw the condition of the Angels.

Now I can tell, these guys are
on acid and ripple wine.

And they're already in the early afternoon,
they're starting to get antsy, you know.

These guys are out there,
just looking for trouble.

And I think, «Uh-oh».

This will get ugly tonight.

And it did.

Oh, babies.

There are so many of you.

Just be cool down up front there
and don't push around.

Just keep still, keep together.

Oh, yeah.

and we didn't know how to control it, stop it,
it was completely out of our control.

It was just a nightmare.

I'm sure it's far more frightening to
people in the audience than it was for us.

Keith! Keith! Keith!
Keith, will you cool it, and I'll try and stop it.

Everybody just cool out!

What we should have done is
just close shop and gone home.

But you couldn't. You got 300,000 people
out there that have come, you know.

People, I mean, who's fighting
and at what for?

If we'd have walked off,
I think there would have been a riot.

Why are we fighting?

So I just did the best I fucking could
under bad circumstances, you know?

If he doesn't stop it, man!

Listen, either those cats cool it, man,
or we don't play.

It was just realising
that you were out of control.

The whole thing was out of control.

If you were in any kind of arena or theatre,
you can just leave, you know, off stage.

There wasn't, you were very aware
that you were sort of surrounded,

so you were very vulnerable,
so that was the feeling.

That's why you shouldn't have
been in this situation.

And then some bastard gets killed.

What happened here anyway?

– He pulled out a gun.
– He did?

Yes. The Hells Angels took
the gun away from him.

One of them has it now, he showed it to me.

And they proceeded to put him down
on the ground and started kicking him.

We tried to keep him alive, and when we got
here, the doctor checked him out,

– and that was it.
– We pronounced him dead at 6:20.

We were pretty beat up after Altamont.

We were always thought
of after that as dangerous.

We weren't really dangerous,

but that's the way they looked at it,
you know.

You had to endure all this
bloodletting and blame-throwing.

We were in this maelstrom daily.

And you were just being dragged
all the way down this river.

It's all a bit of a kaleidoscope.

I was definitely on another planet at the time.

Everybody's got a different way of dealing,

and I didn't for a while, I took to the stuff.

As I say, I never had a problem with drugs,
I just had a problem with cops.

I'd been pushed up against my front door
by them leaping out of the bushes.

They were just harassment, really.
You know there was a definite move on.

It became obvious that, you know,
you had to make a decision.

«Okay, we're moving».

Keith always says that he was chased out
of England by the cops.

The real reason the band left was money.

We discovered in 1971 that we all owed
in the region of 100,000 pounds each.

we decided that the best way of doing
that was to leave the UK.

You know, we got shipped to France.

I think in France I felt a sort of
lifting of the weight

that I didn't realise was on me in England.

We couldn't find a studio
in the south of France,

so eventually we were rummaging,
I said, «I've got an enormous basement».

I'd love to live on the factory, you know?
Saves going to the studio.

It was great, just go downstairs.

That whole period was incredibly intense
because it was a new beginning for the band,

and once we picked up our guitars,
we were in our own world.

and 9:00/10:00 at night
until 7:00 or 8:00 in the morning.

The idea of playing a note
before the sun went down was ludicrous.

I mean, it's like Dracula time.

My kind of structure is
a kind of loose structure,

but when you have
no structure, it's really bad.

Recording in the south of France
was like that

because of all the drugs and everything.

It gave me a space that I probably
wouldn't have found otherwise.

I'd take anything if it helps me stay up
long enough to finish this damn song.

You know, we would almost get
to the point of recording a song,

Keith would have to leave because
he wanted another fix or whatever reason.

Instead of working on a song for two hours,
you worked on it for two fucking weeks.

It just becomes disorganised.

You got some recording engineers
strung out on heroin, you know,

because they all want
to be strung out on heroin

Well, it isn't the thing to do
for a recording engineer, I can assure you.

I thought it was quite amusing a lot of it.

People sort of… They hang around Keith,

and they think they're Keith.
It's like… It's ridiculous.

Like your band always thrives

– when there's…
– Adversity.

I don't know, probably by then,

«We may go down, but we're not
going down your way,» you know.

So it kind of got
where the bulldog comes out.

Before the 1972 tour, there was a letter
from the US State Department

basically saying that if there was
any kind of fallout, we could be in trouble.

They made a lot of threatening noises,
which creates this back-to-the-wall,

Winston Churchill kind of stuff.

That's all very, kind of, galvanising
and breeds a nice team spirit.

If there are a lot of people who are convinced

that, in some way, you and your music
are an evil influence.

That must be a challenge
that you would take seriously

– and want to reply to…
– Oh, yeah, I don't take it seriously any more.

I think we've won, you know.

Were there any rules on that tour?

Rules?

There's no rules on any of them.

Hedonism was very much on the rise.

It was the hedonistic period.

The idea of being restrained and disciplined

was, perhaps, a kind of no-no.

It's got its own film crew,
it's got journalism, it's got its celebrities.

It becomes more than just a tour,
it becomes the grand event.

its rather ill-disciplined,
hedonistic binge around America.

Ladies and gentlemen, the Rolling Stones.

When we got together, something happened.

Something magical happened,
and no one could ever copy that.

Every band followed the drummer.

We don't follow Charlie,
Charlie follows Keith.

So the drums are very slightly behind Keith.

It's only fractions of seconds,
you know, miniscule.

And I tend to play ahead.

and it's dangerous because
it can all fall apart at any minute.

I mean, it was an unstoppable
momentum going on,

and, in a way, you're swept along with it.

I mean, it's not as if you were particularly
in control of it or any of us were.

or second-guessing.

We were just going on instincts
and doing what we wanted.

We were almost like a law unto ourselves.

What is a Rolling Stone?

Someone that's not settled,

like a pirate or a gypsy.

Someone who likes to travel, voyage,
an adventurer.

Another concert.

My mum's out there. I don't want
no indecent gestures, you understand?

None of that wiggly stuff
out there in front of me mum now.

Okay, Mrs Keyes, this is for you!

Hi, there.

– You know who he is?
– I do.

He's one of those hippie long-haired…
One of those hippie radicals.

Really all you wanted to do was
play music, you know.

You're always trying to get it better,
trying to get the band tighter.

knocking out songs for the next album
or the next single.

It was a continual, day-by-day process.

and if you're really working well together,

you feed off each other's ideas
and build upon each other's ideas.

So you've got someone that takes your thing
and takes it to another level.

except it's all done through the ears.

And on that, I would say Mick and I
are probably very much on the same groove.

If I wanted the essence of Jagger
and Richards together,

I suppose it would be Midnight Rambler.

Anybody else could have written
any of our other songs,

but I don't think anybody could have written
Midnight Rambler except Mick and me.

And nobody else would have thought
of making an opera out of the blues.

When you unzip your suit
and put your jeans back on or whatever,

that's all finished with.

I don't wanna be my extrovert character
all the time.

you don't want to talk about
what they want to talk about.

You kind of don't answer their question,
you kind of get rid of It.

– Where are we going, by the way?
– I don't know.

It's a kind of protection against intrusion.

What are you trying to protect?

You're trying to protect your inner self,
I think, is the answer.

The Rolling Stones arrived in Sydney today
to begin their 1973 Australian tour.

You've been thrown into this,
I mean, you started and you're a blues player,

and then suddenly this fame thing comes in.

And everybody has to handle that
in their own way.

Charlie hates it.

Charlie's perfect world would be to be
in the Rolling Stones,

except nobody gives a shit who you are.

Are you still enjoying playing in the group
as much as you used to do

about seven or eight years back?

Yeah, it's the same, really.

For the next future…

Carry on making records, I suppose.

Try to do some things, I don't know.

I think the Rolling Stones are great.

But I kind of don't see me in it somehow.

I never really lived or admired that world,
anyways, so I don't really believe it.

But I'm very much a loner.
I always have been.

That's the most difficult thing of all,

I mean, that's what it takes
your whole life to find out.

What you are. I mean, I don't know.

But you're not this image
that people have of Mick.

There's a lot of things you know that go out
to make up one person's personality,

and so that you can be everything.

How do you keep yourself grounded?

I don't know. I didn't for a while.

Heroin can…

A sort of state
of suspended animation, really.

Keith just got busted all the time.

And he got away with it all the time.
That was the amazing thing.

He ended up with just
small fines and warnings,

and it just went through his life like that.

And you're always worried
because if Keith gets busted,

we just thought
it was the end of the band, really.

He'd drive off the road regularly,
and he should never have been driving.

I was always worried
that there was gonna be a call

when Keith had driven off the road,
and that was the end of Keith.

Am I on the list?

Great, okay. I'll let you know.

Mick Taylor said to me then,
«I'm thinking of leaving».

And then, of course, he deteriorated

because he started to get into drugs
and all that sort of shit.

I always thought he left 'cause he got bored.

I thought he was fed up with playing with us.

And he never told me, really, the reason.

Why, in the world, would you
leave the Rolling Stones?

I don't know, maybe I thought that

I would be able to protect my family
from, not Keith's orbit, but drugs.

Because I slowly became addicted to heroin.

There comes a point where you have to
choose between one or the other or you die.

And I, you know, I've survived.

Mick Taylor leaving was a curveball
because that was a really good band,

and it had this balance
between Keith and Mick Taylor.

In a way, I was surprised,
but it's always a drag.

I spent years putting this line-up together.
Then, just as I'm getting it right…

There's another part of me that seems
that it was somehow inevitable.

I was there at Robert Stigwood's party

sitting between Mick Taylor and Mick Jagger
when Taylor leaned across me,

and he said to Jagger,
«I'm leaving the band».

I said, «I think he is, Mick».

And Mick said, «Will you join?»

And I said, «Yes, of course,
in a New York minute!»

Ronnie was like a real breath
of fresh air, in a way.

His personality was…
I mean, he's such a barrel of laughs.

He fitted like a glove.

Ronnie became the link between
the two strong egos and the two light egos.

And it worked great.

Tune-out room session!

Fitting into their mould was easy for me.

I found the compatibility with playing,
the whole lifestyle, the humour,

the camaraderie, you know,
it was like, «I'm home».

The feeling was
that you're having a good time.

It was more, kind of, fun.

and it wasn't supposed to be taken
too seriously,

and I think it was very much
the Ronnie thing.

It's in the blood, you see, it all comes down
to those two hours on stage.

They're the reward.

He's a great guitar player
and also very sympathetic.

Ronnie was somebody I'd party with as well.

I mean, he was well-versed in every manner.

Nearly one million applications had been
received for their 13 British concerts alone.

Only 80,000 seats are available

for what will be the Stones' first tour
of Britain in three years.

Oh, man, the Rolling Stones are just it,
you know?

What do you mean?

They're the greatest rock and roll
band in the world!

How long have you been here?

Since Friday morning about 8:00 a.m.

We take a walk to the liquor store,
buy a loaf of bread,

some bologna and cheese,
and put it all together, and we eat it, man.

We lived and breathed the songs, Keith and I.

Morning, noon, and night,

and when we slept,
which was very rare, very rare.

And we lived and breathed other influences,
whether it be Mozart or Marley.

and the highs of the dope and the drink,

my feet never really touched the
ground for many years.

You felt almost pretty much immune
to exterior hassles, you know.

It seems perilous now.

At this time, it was like, «Come on,
throw it at us, see what you got».

And you can get used

to that feeling of invulnerableness,
even though it's not true.

It was ridiculous.

Fancy coming into Canada
with all that heroin. It's dotty.

Police found one ounce of heroin,
and one-fifth of an ounce of cocaine…

Lead guitarist Keith Richard
was charged with possession of heroin

for the purpose of trafficking.

If convicted, he faces a maximum sentence
of life for trafficking.

It got a bit close, I thought, letting the guy
into prison or being locked up.

Perhaps Keith played that role
really too well, you know?

It was the realisation in Canada that I was
actually jeopardising the band.

That's why I stopped, that's it.

It was an end of chapter there
and turn the page.

and continue as a musician.

was an example for others,

so he was put on probation for a year and
ordered to continue psychiatric treatment.

As part of his probation,
he would have to give a concert

at the Canadian National Institute
for the Blind.

Usually, it's the guy in the black hat
that gets killed at the end, you know.

Not this time, brother, not this time.

In a way, the Stones saved me

because one thing that was more important
than smack was the band, you know.

I mean, we did things quicker.
I think we were a bit more focused.

There's more effort and more energy.

It was a renewal.

and we were brothers-in-arms.

After all, we always said, whether
we liked it or not, the band comes first.

Their popularity's never been greater.

And with a following like this,
the Stones don't even have to advertise.

You love the Rolling Stones
more than you love God!

The Rolling Stones have done it again.

100,000 fans watched Mick Jagger prance
and dance as he has for nearly 20 years.

They are starting a tour,
which will take them to 21 cities,

to be seen by 1.5 million adoring fans.

The anti-heroes of the 60s are back
on the road for their biggest tour ever.

We'd gone from unacceptable
to totally acceptable.

Everything had changed.

We became a kind of institution,
and we hadn't even got to be 40 yet.

I don't know how we do it.

We had never been as high as this,
we'd never been as successful.

We've done it.

You just don't fuck with the Stones,
you know, this is a simple rule, it don't pay.

You had this kind of, «Fuck the world,
you could do anything» attitude.

For a moment, that was definitely there.

I mean, you felt you're riding in the wave
and all that.

But you can't be young forever.