All language subtitles for The.Front.1976.Indicator.1080p.BluRay.x265.HEVC.FLAC-SARTRE.ENG

Fairy tales can come true

It can happen to you

if you're young at heart

For it's hard you will find

To be narrow of mind

if you're young at heart

You can go to extremes

With impossible schemes

You can laugh

When your dreams
fall apart at the seams

And life gets more exciting
with each passing day

And love is either
in your heart

Or on its way

Don't you know

That it's worth
every treasure on earth

To be young at heart?

For as rich as you are

It's much better by far

To be young at heart

And if you should survive
to a hundred and five

Look at all you'll derive
out of being alive

And here is the best part

You have a head start

if you are among
the very young at heart

And if you should survive

To a hundred and five

Look at all you'll derive
out of being alive

And here is the best part

You have a head start

if you are among
the very young at heart

Hiya, Howard.

Ali! Jeez

How are ya?
What are you doing here?

Why didn't you tell me you were coming?
I just thought I'd drop in on you.

God, that's so funny
because, you know,

I was just thinking about
you the other day.

I saw your show on TV.

Oh, yeah?
Yeah.

What I had to do to get these
clowns to turn off the ball game.

This is Alfred Miller.
He's my friend.

He's a big TV writer.

This is Margo,
the big waitress.

How are you?
Pleased to meet you.

Listen, er, I thought maybe before
the dinner rush, we could take a walk,

play a little chess or something.

Sure.

Marg?

Can you take over
the, er, register?

Sure, Howard.

I mean, unless
you're too busy.

For you? Are you kidding?

Great to see ya.
Yeah, you too.

Hey, Howard.
Yeah?

What's the price on
the Kid Gavilan-Basilio fight?

It's eight-to-five, Gavilan.

I'll take Basilio,
five times.

Okay, you got it.

You never change.

It's your move.

Howard, I can't work anymore.

Yeah?
What, like writer's block?

No.

What?
You're not sick, are you?

I'm blacklisted.

Yeah, right.
But you feel okay?

I feel terrible.

But you're healthy?
I mean, besides your ulcer?

Howard, they won't
buy my scripts.

I'm on a blacklist. Do you
know what that means?

It's a list of names.

The studios have them,
the networks, the ad agencies.

You're on the list, you're marked.
You don't work.

What difference does it make
if I'm healthy?

Well, you know,
it makes a difference.

So, what are you
blacklisted for?

I'm a Communist sympathiser.

Well, you always were.

Well, it's not so popular
anymore.

Hey, how many times
have I told you?

Take care of number one.

So, all right, who can you sue?

Nobody.

Nobody admits there's a blacklist.

I mean, they just say, er,
Your script's not good enough.

You're not right for the assignment.
You know, that kind of thing.

I know some people.

They're not exactly people,

but for $50
they'll break a few legs,

and you're not
bothered anymore.

That's not what I need.
What, do you need money?

I'm locked into a stock boom for now

which is low right now,
but it's going through the roof.

I need another name.

Yeah, I can see that.

Erm Rappaport.

Alf Alfred Rappa
Arnold Rappaport!

Pseudonyms don't work.
They know we're all changing our names.

I need a real person, Howard.

Oh Of course.

Someone, er, they can believe
and I can trust.

Naturally.

Now, listen, I wouldn't
ask you to do this

Who would you ask?
I'd be insulted.

Well, nobody'd know about it,
just you and me.

When do we start?

Well, just wait a minute.

You'd better find out
what you're getting into.

You want to put my name
on your scripts.

It's not that simple.

I write the scripts.
I send them in under your name.

They buy the scripts, right?
It's perfect.

Then they're gonna
wanna meet the writer.

So?

So, you're gonna have to go in there,
really be the writer.

So I'll be the writer.
What's the big deal?

I can do it,
and I wanna do it.

I'm your friend.
You're in trouble.

What's a friend for?

Well, these days,
you can get in trouble being friends.

Life is risk.

I'm gonna
pay you for this, Howard.

What do you mean, pay?

What is that,
a friend takes money?

10% from each script,
and no arguments.

You can use the money.
You're always in hock, and, er

I'd be paying that much
to an agent, anyway.

Ten percent?
Off the top.

Well, how much
do you get for a script?

Erm, $750, $1 000.
It depends on the show.

Go home and write.
Your troubles are over.

What are you pulling here?

Huh? You owe me for
three winners already.

What am I,
some kind of charity?

Don't get excited.
Your money's coming.

You book bets, you lose,
you pay off.

What? You don't trust me?
You know what I

Hey, don't get me mad on you,
you hear, Howard?

We've been doing business
a long time.

So don't get me mad on you.

I don't understand you.

What do you do
with your salary?

Flush it down the toilet?

No, I had a tip on a stock.
It looked good, so I plunged.

Who do you come to stocks?
Why don't you ask me?

I'm familiar with the market.

Ask me before you flush
your salary down the toilet.

All right, next time,
I'll ask you.

Howard, Howard,
what's it going to be with you?

Mama and Papa would
turn in their graves.

I haven't found myself yet,
you know.

But it's all going to change,
Myer.

You were always
the smart one.

Did I get the lessons?

You could've gone to college.
Instead, you're a bum.

How much this time?

Er $600.

You said on the phone four.

Yeah, I know.
Four.

Four gets me even,
then I'm blank.

I'm keeping strict accounts.

You said four,
you get four.

Enough is enough.

I'm at the end
of my rope, Howard.

I got a business.

You know what it costs now
to feed one lousy mink?

You know what
a cutter gets today?

Thanks for

At least if you were realising
your potential,

I'd say,
Fine, that's an investment.

I'm working on it, Myer.

At that cockamamie job
you got?

You call that a job?
With a head like yours?

I think you're gonna
be surprised.

I'm serious.

The well is running dry.

Sink or swim.

$500.

The winner, number 3, Mr. Turf,
ridden by William Boland.

3-60 and 2-90.

The place horse,
number 6, Step Child.

The show horse, number 10,
Easy Whirl.

Belmont Park
are a service of WTRM.

Each race

Er, Loews Sheraton.

Well, who wants him?

Who? Florence Barrett?

What do you look like?

Oh, yeah.

Yeah. This is
That's right.

This is Howard Prince,
the writer.

No kidding. Did ya?

Yeah? You liked it?

Sure. No, I can meet
When? Afternoons are fine.

'Cos, I Y'know, I use
the evenings to write

because there's less noise.

Okay, great.

Tuesday's perfect.

Right.

Ciao.

Yes, Old Gold,

the cigarette
with nearly 200 years

of tobacco know-how
behind it.

Er, Florence Barrett?

The one with the hair.

I won't tell him, Phil.

You're the producer.
Do your own dirty work.

All Hecky has to do
is go talk to the man.

Why should he?
Who is this creep anyway?

Just because he worked
for the FBI?

Where does he come off
clearing anyone?

Where does anyone come off?
It's for Hecky's own good.

What's good about it?
I'm against the whole rotten

Who's for it?!
I'm against it, too.

Then do something.
I don't run the network.

Can I help you?

I'm Howard Prince.

Who?

You're Howard Prince?

Hello. I'm Florence Barrett.
I'm so glad you could come.

Phil, this is Howard Prince,
the writer.

Phil Sussman, our producer.

How do you do?

Sorry, I didn't connect
the name. Howard Prince.

That's a hell
of a script you wrote.

Where've you been hiding?

We looked you up.
No credits, no nothing.

Out of the blue,
just like that.

Well, I just took up writing
a short while ago.

Well, that's one hell
of a script.

You got more?
Are you kidding?

Howard Prince,

I'd like you to meet Steve Parks,
who plays the lead in the show.

It's a marvellous script.
Thank you very much.

And Hecky Brown
Who plays with himself.

who plays the narrator.

Howie!
Howie Prince!

They let you out, finally.

Darling, darling

Darling, I've waited for you.
I was faithful to you.

It's been so long.
You know each other?

Never saw this man before
in my life.

Seriously, Mr. Prince,
a first-class script.

Oh, thank you.
Thank you very much.

We don't have too much time,

That's why I asked you
to come right away.

We wanted to
meet you, of course

Your script's a little long, Howard.
Four-and-a-half minutes.

I'd like to suggest cutting
the kitchen scene in the first act.

I don't know how you feel about that.
I think it's a mistake.

To me, the awkward scene

is the one in the police station.
Don't you think?

Yeah, maybe.

Maybe not, you know.

It depends on your
definition of awkward.

Well, the police station
at least has some violence.

I'm not saying eliminate it.
I just think it can be trimmed.

What do you think,
Mr. Prince?

What?

Yeah.

Yeah, what?

Y'know, I think that, erm
I think that which

There's a lot of facets here,
you know, and I

It's, er I don't want to just answer
right off the top of my head, y'know,

'cause I don't think that would
be fair to you or fair to the show.

Howard, I know it's not
fun to cut your script,

but television is television.

You decide and you cut.

I'm not the kind of producer
who disembowels a writer's script.

I believe in the written word.

Absolutely.

I need it tomorrow morning.

But you be happy with it.

I really liked your script a lot.

Oh, yeah?
Thank you very much.

Most of the stuff I read

I mean, yours had substance.

It was about people.

Well, I feel if you're going to write
about human beings, that, er

you may as well make 'em people.

Freedom Information Service.

Who's calling?

One moment, please.

Mr. Hampton from the network.

Hennessy.

Yes, Tom.

Yes, of course.

Er, first name: Howard.

You got an address on him?

Er, Social Security number?

I'll check him right out.

No, it's no trouble at all, Tom.
That's what you're paying me for.

Yes, as a matter of fact,
he's right here right now.

I'm sure we'll work
something out.

I'll get back to you as soon
as I know anything about Prince.

You too, Tom.

Carry on.

Sorry, Mr. Brown.

Hecky.
Everybody calls me Hecky.

I'm a household name.

I can't guarantee
you anything, you understand,

but if you tell me the truth,
I might be able to help.

I'll tell you the truth.
I'll do anything.

The question is, Mr. Brown,
what have you done?

Nothing. I'm an actor.

Nothing?

Six years ago, I marched
in the May Day parade.

I bought a subscription
for the Daily Worker,

but I never read it,
not one word.

Right from the mailbox
to the garbage can.

I was only trying
to get laid.

This girl, this communist girl,
she had a big ass

I am not interested in
your sex life, Mr. Brown.

Hecky.

I was just telling you
that girl was the reason.

Was she also the reason you signed
a petition for Loyalist Spain?

Did I do that?

And Russian war relief?

We were on the same side,
weren't we?

That girl with the big ass,
she was the reason.

Honestly.

Would you say, then,
that you were duped?

Tell me what it means
and I'll say it.

You want it in writing?
Tell me what to write.

It has to come
from you, Mr. Brown.

Hecky.

From your heart.
It has no value otherwise.

It'll come. Don't worry.

I'm an actor.
What do I know about politics?

My whole life has been acting.

People from all over the country

write me letters.

Write me a letter, Mr. Brown,

in your own words.

How you were duped.
How you feel about it now.

I'm against it 100%.

Whoever else you remember
was in that parade.

Who asked you to sign
those petitions.

It was such a long time ago.

Try to remember.

Sincerity is the key,
Mr. Brown.

Anyone can make a mistake.

The man who repents
sincerely

I repent sincerely.

Write me the letter,
Mr. Brown.

I'll see what I can do.

And I didn't even get laid.

Stand by, everybody.
We have 30 seconds to air.

May I see opening shots, please?

Camera one.

Fine. Two's good.

Three, frame up, please.

Tilt up.
That's it.

Looks good.
Watch it, boom.

All right, stand by
to dim the lights.

And, er

Okay, dim 'em down.

Looks nice.

Ten

nine

eight

seven

six

five four

three two one.

And fade up on three.

This is my station,
Grand Central,

where a million stories
start and finish.

And Hecky the Hackie
knows them all.

Tonight, have I got
a story for you

Remember last week
you laughed a lot?

Well, tonight,
you may cry a little.

See for yourself
on Grand Central.

Me?

I'll go make up with my cab.

See ya later.

A-do-do, de-de dee

Joey.

Joey?

Pa, it's only $4000.

Why, it's almost nothing.

I can pay you back
in a couple of years.

Looks nice.

And ready to go in.

Go right in.
Tight close-up.

Stand by to go to black.

30 seconds to credit.

Studio 12.

Yes.

Thank you. I thought so, too.
It was terrific.

Thank you.
Who was it?

Studio 12.

God.

Hello.

Well, thank you.

Yes, thank you very much.

Erm, yes,
I'll tell everybody.

Well, I think
we got a winner.

Studio 12.

Attaboy!

Bravo!

Bravo! Bravo! Bravo!

Bravo!

I usually don't
drink wine at lunch.

It makes me sleepy.

Yeah? So why don't you
just take a nap after?

I have to work.

Well, then, you know, I think
we should go out on a Sunday night.

I think it'd be better.

But you don't like Sunday,
so what about Saturday?

What about Friday?
Regular night?

Howard, I really ought to tell you.
I'm involved.

I don't understand.
What is that, are you married?

No, but involved.

So what?

I mean, you telling me that you're
one of those one-guy-at-a-time people?

Yeah? Okay.

So here's what I say to you:
We go out, don't bring him along.

Right?

Okay, so what does he do?
What, is he a writer?

What, a musician?
What?

Stockbroker.

A stockbroker?

Well, that's interesting.

You know

He's very nice.

Yeah, I was not knocking it,
you know,

'cause you do what you can do,
you know.

And, er

I gotta ask you,
did you see my new script?

Marvellous.
Yeah?

It's even better
than the last one.

Well, you should
see the next one.

It's very exciting for me
to watch a new talent..

Emerging.

May I ask you
a personal question?

Sure, feel free.

Why did you
start writing so late?

Well, 'cause, er
in order to write

Excuse me.

You gotta get experience.

And, erm, you gotta live,
and life is experience.

So I had to, you know,
get that experience.

Well, here in the city?
You do come from here, don't you?

Yeah, but I bummed around a lot,
you know.

I was a boxer, and a seaman,
and all that stuff you gotta be to write.

What, you don't believe me?
Should I?

No, but I did bum around a lot.

What about you?

Not a lot.

No, I didn't mean it that way,
you know.

Where are you from?

Connecticut.

That's That's very ritzy.

It's very proper, anyway.

I was very well bred.

In the kind of family where the
biggest sin was to raise your voice.

Oh, yeah? In my family
the biggest sin was to buy retail.

You guys laugh a lot?

Who?

You and the stockbroker.

Yes.

Thank you.

The character of the girl
in your script

You write about women so well,
with such understanding.

Hey, er

This is all á la carte.

So, what about tomorrow night?

I'd have to tell him.

I don't know if I'm ready for that.
Come on.

So you go out with me once,
and then you'll know better.

What? What are you
laughing at?

You're so unexpected.

Well, I didn't
expect you, either.

You call yourself a writer?

Modern American writing started
with Huckleberry Finn, dummy.

It did?

Hemingway said that.

How about Hemingway?
You're low on the moderns.

Faulkner, Sherwood Anderson,
Fitzgerald.

All right, gimme er

Gimme two Hemingways
and a Faulkner.

Faulkner.
Hemingway, Heming

There we are.

The Russians

Brothers Karamazov.

No more Dostoyevsky?

What else you got?

Diary of a Writer.

Oh, yeah?
I can use that.

Remember, Howard,
you gotta pay for these.

No credit.
Don't worry.

Listen, Danny,
I got hit very hard last week.

Long shots come in
like relatives.

Well Well, soon.

Soon is soon.
Tomorrow, the day after.

Wha Danny,
what are you mad about?

It's a It's a promise.
Trust me.

Oh, come on, Myer.
Jesus, I'm still an unknown.

What am I talking about?
Five thousand, probably.

You're making as much
as I am.

That's how much you know.
Where's taxes and agents?

I got to buy books and paper.

Money goes through you
like Epsom salts.

You're a sick individual.

I'll pay you back.
I just sold another script.

Don't play me for a sucker,
Howard.

A man earns
and he still borrows?

First you pay back
what you owe.

My dad's in the study.

You wanna drink?
Me? No, thanks.

You look tired.

Oh yeah,
this was a tough one.

Shit, they're all tough.

But it turned out good,
I think.

Yeah? You really
work hard, don't you?

It's a terrible thing,
that blacklist, you know.

You having to work like this.

I always worked like this.

To work.

I was thinking,

there must be a lot of writers
who are blacklisted.

So, how do they get along?

Why?

I don't know.
You know, it must be hard.

Yeah, it's hard.

You know, it's funny.
I got them so snowed.

I mean, two writers
wouldn't be any harder than one.

Oh, yeah? You think not?

What do you have to know?
It's a cinch.

Why not three?

Yeah. Even three.

10% each.

Well, I don't know.
I could do three for 25.

Well, I wouldn't want you
to feel cheated.

All right, make it 10% each.

Oh. What's the matter?
You don't think that's fair?

Oh, no, I think it's a bargain.

Hey, I got the time.

You know writers who need help.
I'm willing to help.

Oh, cut the crap, Howard.

Why? I'm running around
every place.

I gotta take taxis, you know.

I gotta keep up appearances.
You want the money!

Come on, I'm offering a deal.

What are you,
some kind of romantic?

That's the trouble with leftos,
you got a thing about money.

You want the deal
or you don't want it?

I want it, Howard,
but I know you.

You're going to take off
and fly right up your own ass.

I'm willing to help.
Take advantage.

All I can say, Howard,
is thanks.

Yeah, it's no trouble.

I'm a Communist, Howard.

I want you to know that
right off the bat.

The Committee asked me,
I took the Fifth.

It's none of their business,
but I'm telling you.

It's none of my business.

Well, I think you should know
who you're fronting for.

I don't have to know.

They're trying to sell
the Cold War, Howard.

They're using the blacklist
against anyone who won't buy.

Herb, he doesn't
need a lecture.

I'll send you some pamphlets.

I'll break your arm.
Leave him alone.

He knows who
he's mixed up with.

Who's mixed up?

What Herb means is we're not blacklisted
because we're kind to dumb animals.

Or because somebody lied
about us or made a mistake.

I know, you're out of work.

That's all I have to know.

What about taxes?
That's going to be a problem.

You need a deductible,
take my advice: natural gas.

Yeah? I heard cattle.

Cattle is also good.

Er, fillet of sole.

Vegetable cutlet.

Mushroom omelette.

Protose steak.

Eat in good health.

All right, the network pays him,
he pays us, less the 10%, right?

Then we just pay
all the taxes that we owe.

Nothing illegal.
No tricks.

Everybody declares
exactly what he earned.

What's he paying us for?
He's got to put something down.

We're his collaborators.

Anyone reads the returns
connects him with us.

Can't we protect him better?

The IRS isn't going to care
as long as the right tax is paid.

The FBI will, and they've
been looking at tax returns.

Only in political cases.
He's not political.

You guys kill me.

They're beating
your brains out,

and you're worried
about taxes?

We're worried about you.

Don't worry about me, okay?

Just write the script.
I'll take care of my end.

Five pounds, sweetheart.
Have a nice day.

Three hundred?

Howard, have an orange.

Thanks, Uncle Howard.

Thank you, Uncle Howard.

Thank you, Howard.

But I'm Harry Stone,
the actor.

It's the other Harry Stone, the director.
He's the one you want.

I'm blacklisted because
they think I'm him.

I understand.

I'm innocent. I never joined anything.
A terrible mistake has been made.

I sympathize. Unfortunately,
I can only help people

who are willing to make a clean breast
of what they've done.

But I haven't done anything.
That's why I can't help you.

Mr. Hampton from the network.

Thank you.

Yes, Tom?

Yes, I've got a report
on Howard Prince.

No, no proof he's a member
of the Party.

Of course,
no proof that he isn't.

I suggest I keep investigating.

Well, no, I don't have to.

I can send you a bill right now
and forget about it.

You're the one has to answer
to the American people.

Exactly.

That's all I'm saying.

You can't be too careful
these days.

No, I don't suppose anyone
can object if you keep using him.

Nothing to object to

so far.

Thank you.

You can use him.

Thank God.

He's the best writer
I've got.

Hell, he's
the only writer I've got.

I don't know how he does it.

What about Hecky Brown?

He wrote the letter.

It wasn't good enough.

It's not my decision, Phil.

They tell me, I tell you.

What do I tell Hecky?

You've decided
he's not right for the part.

You've changed the character.

You've fired actors before.

Tell him what you told them.

He'll know it's not true.

Can he prove it?

I should get back
to the office.

No, why? What's the rush?
You're having a script conference.

That takes time.

Then we ought to talk
about the script.

Oh, later. Come on.

Hey, what
what's the matter?

You're the only writer I know

who never wants
to talk about his work.

I'm superstitious.

No, you're not.
Yeah, I am.

The way I see it, you're
either a writer or a talker.

You're genuinely modest.

I admire that.

What

What

Do you like sports?

I'm embarrassing you.
No. Do you I'm serious.

What do you think of sports?

I like swimming.
No, swimming's not a sport.

Swimming's what you do
so you shouldn't drown, you know.

Sport is what you play with a ball.

I used to play basketball,
in school.

You played basketball?
Mm-hmm.

Yeah? You'd be interested maybe
in playing one-on-one sometime?

Or, you know, if you ever
want to lay a bet, I'm

Jesus, forget that.

Hey

Y'know, I'm

Y'know I'm
I'm not just a writer.

I mean, I
I want you to, er

I want you to know

I know.

You know?

How I feel about you.

That's what you know?

I don't have
to know anything more.

It's first-class.

You know, I've never
seen an account like yours.

Up and down. Up and down.

One week a big deposit,
the next week

If you don't mind my asking,
what does a man like you do?

Erm

Futures.

Mr. Delaney?

Federal Bureau
of Investigation.

We'd like to talk to you.

I've got nothing
to say to you.

We thought you might
be ready to cooperate.

Nobody has to know.

See you again, Mr. Delaney.

Keep walking.

You're here!

He's here!

We've been trying all over.

Thank God.

What's the matter?
I said I'd bring it today.

Forget that one.

What do you mean, forget it?
I said, forget it.

You've gotta rewrite the old one.
What old one?

The one with the flashbacks
to the concentration camp.

You said that was great.
It's beautiful.

Well, Florence said she cried.
An award-winning show.

The scenes in the gas chamber, I cried.
So then what, then?

Sponsor won't approve it.

You found him.

First they said yes, now they say no.
Right in the middle of dress rehearsal.

You wanna know why?
You won't believe this.

They're a gas company. They decided
the show makes gas look bad.

I think we'll make it a firing squad.
Afterall, they killed Jews that way, too.

Will you leave it to Howard?
He's the writer.

What is the excitement?
They want changes, you know,

make it a firing squad.
It's a good idea.

You gotta write new scenes.
I'll go home and write 'em.

No, you don't have time to go home.
I'll take a cab.

You don't realise, Howard.
Time is of the essence.

Look at us.

We're stuck here!

They're waiting upstairs
for the rewrite.

The network, the sponsor.

They don't approve,
there is no show!

They can't wait till tonight?

They want it now.

I'm supposed to keep you here
till it's done.

No, no. I can't write
except in my room.

Look, we got a good office for ya.
I guarantee you will not be disturbed.

No, no, no.
I don't get inspired.

It doesn't have to be
inspired, only changed.

There really isn't
that much writing, Howard.

We have to be very careful
not to lose the emotion.

Don't bother him with details.
He's got a lot of work to do.

Come on in.

Now, clear your mind
and write.

Quiet, children. Quiet.

Boys and girls,

we have a very special visitor
to our assembly today.

Not long ago, he sat in the same
seats you're sitting in now.

But, because he worked hard,

and studied hard,

he is now
a famous television writer.

Hecky, erm

I don't know how
to say this, erm,

but I'm worried.

I'm not the only one.
Upstairs, too.

Worried about what?

Here, Sussman, take a pickle.

No, no.

The show is a smash.

Yeah, well so far.

So far, so good.

I gotta look ahead, Hecky.

Your quality, I don't know,

the character's not working.

I made up the character.
You loved it.

First impression was tremendous.
Don't get me wrong.

You think so, too?

It's not her decision.

What decision?

I think you're wonderful,
Hecky, so does everyone else.

No one denies your talent.
It's erm

Your personality
is too dominant, erm

You belong out front,
like Berle, in one.

In a dramatic series, you're
throwing the whole show off balance.

Who says?

A talent like yours needs room.

You know what you need, Hecky?
You need a show of your own.

Where you can dominate.

As a matter of fact,
I got a few ideas.

We'll make some time, get together,
and kick 'em around.

Is it the letter?

Absolutely not!

I wrote what that snake
asked me to write!

Wouldn't I tell you?

The problem is artistic.

Female of the species.

I think you have to safely say that

Grand Central is one
of the few television shows

where the writer
is really the star.

Yeah, but then, you know,
there's a lot of other people, too.

You know, I mean
wonderful people.

I certainly understand

the importance of actors

and then, of course,
directors.

Did you write in high school?

Did I write in high school?

Yeah, you had to.

It was Brooklyn, correct?
It was formerly Brooklyn.

Oh, Hecky!

You know,
I went around and, er

But the
television form is so different.

Oh, you know it.

And you're so terrific at it.

Well, you know,
I didn't say it.

I wrote what you asked.
I was duped.

I didn't know what I was doing.
I'll never do it again.

What more can I say?
That's up to you.

I have to work.
I can't get work, Mr. Hennessy.

The doors are closed in my face.

My own agent, 30 years,

he won't even
answer my telephone calls.

I appreciate your situation.

I do, Mr. Brown.

I've helped people
in your situation.

Then help me, please.

Tell me.

I'll turn myself inside out.

I'll do everything
you tell me to do.

You make that difficult
to believe.

What else can I do?

I'll do it, believe me.

You don't know
what I'm going through.

I'd like to believe you, but I have the
feeling you're not being entirely frank.

Give me a for instance.

You'll see. I promise.

You marched in a May Day parade.

Only because of that girl
with the big ass.

Whose name you say
you can't remember.

Oh, what was her name?
Tessie? Bessie?

I wasn't interested in her name.
I was interested in her body.

Other people marched in that parade.

Other actors, directors.

You don't remember their names
either?

I'm terrible with names.

They remember you.

I'm a well-known personality.

You talked with these people?

Some of them. Some were
kind enough to write letters.

Then you know who they are.

So it's not so important
that I remember.

You know already.

Your sincerity is important.

Your desire to cooperate fully.

I told you what I did!

I apologised!

I come to you on my
hands and knees, Mr. Hennessy.

Please. All I want to do is work.
That's all I care about.

I have a wife.

Two growing boys.

Children. Look.

Here. Here.

Plus a wife from before.

If the alimony doesn't come

I sold my car last week
for peanuts.

A brand-new model.

All the money I made,
I ask myself,

where did it go so fast?

I can't pay the rent,
Mr. Hennessy.

Nothing can go out
if it doesn't come in.

Do you know Howard Prince?

I was on the show.

A big talent. Big.

Do you know him personally?

Only from the show.

Once in a while,
a bite to eat after with him.

Do you think you could
get to know him better?

I'm not good at that
sort of thing, honestly.

Actors, inside,

you'd be surprised,
are very shy.

He knows you already.

You're very likable.

I'm sure he feels sympathy
for you.

What could I find out?

Who his friends are.

What he does in his spare time.

Where he stands on the
issues of the day.

Can't you ask him that yourself?

If he were a part
of the Communist conspiracy,

could we believe
what he said?

And if he isn't?

We'd like you
to help us find out.

You want me to spy
on Howard Prince?

We are in a war, Mr. Brown,

against a ruthless
and tricky enemy

who will stop at nothing
to destroy our way of life.

To be a spy on the side
of freedom is an honour.

And if I spy on Howard Prince,
I can work?

I don't do the hiring,
Mr. Brown.

I only advise about Americanism.

But in my opinion,

as the sign of a true patriot,

it would certainly help.

I quit.

Quit, quit, finished.
Resigned. Quit!

Let Sussman
do his own dirty work.

I won't be part of it.
No more, not anymore.

Finished watching people
destroyed, crucified like Hecky.

I'm going to fight it.

I I don't understand.

What are you talking about?

Howard, this is beautiful.

You quit your job?

I feel so relieved.
You have no idea.

I've been such a hypocrite to take
their money and keep my mouth shut.

Wait a minute, I still missed that.
You quit your job?

They count on our silence,
you know.

People keeping quiet,
afraid to speak up.

Do you know what I'm gonna do?

Publish a newspaper.
Well, anyway, a pamphlet.

Facts About Blacklists.
Do you like the title?

I've been on the phone
all morning.

People are dying to talk,
as long as I don't use their names.

Oh, Howard,
we'll shake 'em up.

I'll do the legwork
and you'll do the writing.

Hey, not so fast. Jesus.

Florence, you're
making a big mistake.

I believe in personal
responsibility, Howard.

If you believe, act.

But, I don't understand
You're throwing away a whole career!

You You You could
You're a terrific script editor.

You could be a producer.

You'd be the first woman
producer of a dramatic series.

If I keep my mouth shut.

So?

That's not such a
terrible idea sometimes.

But that's what
they're counting on.

Florence, do me a favour.
Please, sit down. Sit down.

Relax, will you?
You're going off the deep end.

Jesus, let me give you
some champagne.

I'm serious, Howard.

What do you mean
you're serious?

You come bursting in here,

you're ready
to start a revolution.

For God's sakes, Florence,
what are you trying to do?

I want us to fight them,
not get bought off.

I'm not mad at anybody.

We live in the world, Howard.

No, you live in the world.
I live right here.

Hey, come on, what are
you trying to do to me?

You know how long
it took me to get here?

I like it here.
I like what I'm doing.

For the first time in my life,
I got everything that I want.

I'm not trying
to take it away from you.

No, but that's
That's what's gonna happen.

Howard, I'm only talking
about a simple commitment.

I didn't ask you to marry me.

Oh, Jesus.

You know, we got such
a terrific relationship going.

So why do you want
to spoil it?

A relationship isn't only sex, you know.
There are more important aspects.

I know there are.

Like what?

Human rights.

What about my rights?
I'm human.

What happened to my rights
all of a sudden?

I live here. It's clean

Come on, what are you
putting me on the spot for?

You really want success,
don't you?

So, what should I want,
a disease?

Yes, I want success.
What's wrong with that?

More than anything else?

Florence, you're looking
to get me killed here.

I I'm a writer.

I'm not looking for
any kind of trouble.

I don't wanna make waves.

A writer looks for trouble.

No. Wrong.
A lunatic looks for trouble.

Florence, you're behaving crazy.
You're out of your mind.

You've already said that.

There's really no need in
your repeating yourself.

I want you to go in
to Sussman tomorrow,

and tell him that
you made a mistake.

I should tell him?!

Exactly. You should go in
and tell him that you're sorry.

And I think you should get
But I'm not sorry!

Florence, I don't think you know
exactly what's good for you.

But I do know when
I've made a mistake.

And I made this
kind of a mistake before.

Confusing the artist
with the man.

I just want you to know
I still admire the artist.

You're going?

Yes.

I have a this club date
in the mountains.

I thought maybe
you could drive me up.

Oh, sure, you couldn't have
called me at a better time.

You know, when you work
as hard as I do,

you gotta make time
to relax, y'know.

Otherwise it's all work
and no play.

I guess you have
a lot of friends.

Me? The usual.

Y'know, I like to pick up a phone,
get out, have a little fun.

But the important thing is that
you've gotta get right back to basics.

What do you like to do
in your spare time?

The usual.

The usual?

I used to love the usual.

But my ship has sailed.

Watch your step
around this place.

The broads up here,
take a look at them,

and you say to yourself,

Where's this been
all my life?

They come at you
from all directions.

It's like shooting fish
in a barrel.

Later on, you find out
you're the fish.

Yeah, well, don't
worry about me.

Don't make any promises.

These broads come up
here with their lawyers.

Yeah? You play
these places much?

Until I got in TV.

Do you know what I used
to get for one night?

What?
Three grand.

Oh, that should come in handy now.

Do you know what
I'm getting tonight?

What?
500.

Five?
That doesn't seem fair.

And where is it written
it should be fair?

Come on, Howie, you must have
some friends in the same position.

Hecky!

It's a pleasure.

How long?
A year? Two years?

It's a pleasure
having you back.

Likewise. I'd like you
to meet my friend,

Howard Prince,
the great and famous writer.

Pleasure, Howard.
Any friend of Hecky's.

Come on, we'll go inside,
have a little drink.

You know I never drink
before a show.

We'll have a little talk.
How's everything?

Oh, Hecky Brown!

Oh wow!
Nice to meet you!

Hecky!

Would you please
park my car for me?

Thank you.

You staying long?

Just the weekend.
You, too?

What do you do?

I'm a A writer.

A writer.

You'll have a drink, Howard?

Sure.

Here we go.

To a giant
of the entertainment world.

Business looks good, Sam.

Full up.
Loss leaders.

We give discounts so the
rooms won't stay empty.

To tell you the truth, we're
not even holding our own.

The upkeep, which comes
to what I want to mention.

The $500?

I already accepted, Sam.

I don't need your song
and dance.

$250.

You promised five.

I was hoping five.

I figured I'd steal
a little fom the band,

from the dance team.

Make it up that way.

But you know the unions,
they could shut me down.

You knew this
when you said five.

I was still hoping.

Last year I played
this joint for how much?

All right, today
is not like last year,

but I'm still Hecky Brown.

Don't you forget that.

You can't get Hecky Brown
for 250.

Maybe 300

Out of my own pocket.

I piss on your 300!

Who else is offering that much?

Don't be foolish.
Face facts.

There's a cloud
over your head.

If it was up to me, personally,
I'd pay you the moon.

But business is business.

Now, you drove
all the way up here.

You want to go home empty?

Take the 250.

You said 300.

I'll see what I can do.

I need to be funny

Like some need cocaine

In a club

In a show

And the john in the train

When I enter

I entertain

Doing anything for a laugh

A laugh, a laugh

Anything for a

laugh, laugh

You were great.
You were really great.

Let's stop this pretense.

Room 904.

Isn't he fantastic?

I could watch him every night.
He's so hilarious.

You a guest here?

What do you do?

I'm a dentist.

Professionally?

I'm Sandy.

Herman.
Herman Miller.

You have your own practice?

Yes, I do, but I got to get another
guy in with me, you know,

because it's getting too big.

Are you, by any chance,
attached?

Only to my work.

Hecky, Hecky, what can I say?

I'm a well-known
gynaecologist

Words fail me.
One of the great performances.

You can tell your children,
your grandchildren,

you saw one of the
all-time greats, without peer.

Beautiful.

250.
I did what I could.

But you said 300.

Maybe next month.

Out of your own pocket.

By popular demand.

What comes outta your pocket?

Tell me.
Hecky, will you stop?

Hecky, stop.

Tell me what's inside here.

Hecky, don't tickle me.

Hecky, will you stop
being so

Appreciation? Sympathy?
Hecky, Hecky

What comes out of your pockets?

You know what comes out
of your pockets?

Hecky
Blood!!

Blood comes out of your pocket!
Get him outta here!

Get this crazy

You tricked me. I want to kiss you.

You son-of-a

Get him out!

Get him out of here!
Out! Out!

Get him out! Get him out!

I wanna dance on your

Get him outta here!
You fat pig!

You'll never work again!

I'm Hecky Brown!
I'm Hecky Brown

You'll crawl in the gutter,
you red bastard!

You commie son-of-a-bitch!

Come on.
Gimme Gimme that.

Hey. Here's what
I want you to do:

I want you to sleep
on the sofa tonight,

because you'll find it's
extremely comfortable.

It's brand-new.

You're gonna to like this.

See?
Just stay here

I'll, er, open the window

Let me make you
some coffee, okay?

It's all Brownstein's fault.

I wouldn't be in this trouble
if it wasn't for Brownstein.

Yeah, who?

Brownstein.

Hershel Brownstein.

Who's Hershel Brownstein?

You can't make a deal
with him.

That's the trouble.

He won't listen to reason.

Is that your real name?
Hershel Brownstein?

Brownstein!

Lay off!

You hear me?!

Lay off or I'll kill you!

Hey, Jesus, you know,

people change their names.

It's no crime.

What do you know?

Who the hell are you?
A newcomer.

Why don't you sit down?

Why don't you shut up?
You think you're so special?

Talent is no protection.

You do as they say or else.

I'm going to make you
some coffee.

This is a very nice
apartment. Very nice.

Thank you.

You have nice things.

Bookcases, hi-fi.

And nice furniture.

You like this apartment, I bet.

You worked hard for it.
You deserve it.

You'd like to keep
this apartment, right?

You know what we should do?
We should call your wife.

Because you should tell her,
at least, where you are tonight.

Where'd you go last week?

Nowhere.

Nowhere is somewhere.

From the heart, please.

No credit unless
it's from the heart.

Here and there, you know.
Like, around and about.

What do you want me to say?

Where'd you go last year?

Year before, who'd you see?

Where did you march?
What did you sign?

Nothing.

That girl you go with,
on the show, what's her name?

Florence.

A troublemaker.
I heard her talking.

Subversive. She's a red.
No.

You like that girl?
Yes, I like her.

What's her name?
I told you.

Her full name!

Florence Barrett.
You know she's a red?!

Stop it, Hecky.
I don't like this game.

Actually, I think you could say
that modern American fiction

began with Huckleberry Finn.

But what about Melville?

Especially today,

the sense of evil.

Oh, yeah. How could you
leave out Melville?

You must be so excited,

the show going from
a half-hour to an hour.

I was expecting it.
With those ratings?

After all, they're
no fools up there.

Do you think you can get
the same quality in an hour?

Well, it is a problem,
no doubt about it.

It's like going from
a short story to a novel.

But one thing I've learned
in this business,

if you've got the talent,
you got the quality.

Ah.

Phil. Howard.

I want you to meet
Hubert Jackson.

Jackson Supermarkets.
You know, out on the island.

Congratulations, gentlemen.
Thank you.

Hubert's a great fan
of your show.

Never miss it.
Thanks again.

But he's a little concerned about some
of the actors that you've been using.

We go for the best,
Mr. Jackson.

Well, in my opinion, some of them
are pretty pink, Mr. Sussman.

That's just the makeup.

I told Hubert that we are
as concerned as he is.

Not that they are,
of course. The actors.

We take every precaution.

The slightest hint.

Well, I know my customers.

If they think a company is sponsoring
reds, they just don't buy their product.

How do they know?

I tell them.

Put a sign right up
over the product.

Yes, I thought you might
send Hubert

a list of the actors
you plan to use.

Let him look them over,
give you any ideas he has.

Absolutely.

You'll get full
cooperation from us, Hubert.

Nothing to worry about.

Thanks, boys.

How many stores that guy got?

Three, maybe four.

He's got three stores,

he tells a whole network
who to hire?

Who wants trouble?

Nice to see you again,
Mr. Prince.

Here's your cheque, Herb.
Thanks.

Here you go, Bill.

And yours didn't come yet, Ali.
What?

Because you were late with the script,
remember? You gotta watch that.

Oh, by the way,
here's your script back.

It needs a rewrite,
I'm afraid.

What didn't Sussman like?

Well, I didn't
show it to him.

What do you mean,
you didn't show it to him?

It wasn't ready.

Come on, Ali, you know.

I can't hand in anything,
you know.

My name's going on that script.
I got a reputation.

Howard.

I'll try to write up to
your standards, Howard.

You know, it's possible
that maybe going to an hour

is a little too much
pressure for you guys.

Because I've been
noticing the stuff lately, and it's

It's thin, fellas.
You know what I mean?

The key word, I think,
is substance.

I've been reading the, erm
watch ya call 'em?

The Eugene O'Neill plays.

And I would like, if possible,
something more along those lines.

But more laughs?

Exactly!
You know, but gutsy.

Incidentally, I think I think
I made a deal for a new series.

Well, we've got our hands
full here, Howard.

So you put on
a couple more writers.

I mean, I need a pilot script.

How about Eugene O'Neill?

He's dead, Herb.

What's the subject?

It's a woman reporter,
which I think is a great idea.

You know, and I got the
perfect actress to play the part.

Her and
a Howard Prince script.

We'll look around
for somebody.

Right, but good, Bill. Good, y'know
because blacklisted is not enough.

Scrambled eggs, loose.

White fish.

Let's see
Eggplant steak.

Eat in good health.

I'm gonna kill ya. I'm gonna kill him.
You little rat!

Hey, Al,
take it easy, please.

Look, this is ridiculous,

because I've been calling you now
for three weeks,

and you don't answer me or nothin'.

You know, what's the big deal?
We had a little argument.

We don't think alike, Howard.

We don't believe
in the same things.

Jesus. You think I like the blacklist?
I hate the blacklist.

But But

Did I send money
for your pamphlet?

Giving money is easy.

Oh, yeah?
What's easy for you

is not always easy
for everybody else.

You know, you see trouble,

and right away
you run to get a gun.

Or a pamphlet, you know.

I'm just looking all the time
not to get killed, that's all.

So is that
such a big difference?

We have to break up
over that?

Yeah, maybe we do.

So, what you saying?

You want to stay broken up?

Howard

You think I want to make you
lose everything.

You think I'm intolerant
and demanding,

and maybe I am,
but that's me.

Well, then
Then I need more time,

because I've never
met anybody like you, y'know?

Hey, I tried
to get us tickets

to the Paul Robeson
concert, you know,

but it happened to come out on the
same night as the basketball game, so

We'll go to a
basketball game, right?

I have tickets
for the concert.

All right, so here's what:

I'll give up the tickets
to the basketball game,

you give up the tickets to the
concert, and we'll go to dinner.

Right?

Florence, I miss you.

I miss you, too.

Well
So we'll have a date.

A subpoena?

For me?

To appear before the
House Un-American Committee.

Well, what do you mean?
When?

I.. I How do you know?

They found out upstairs.

It hasn't been issued yet,
but any minute now.

But I'm not a Communist.

So you go and tell 'em that.

I tell you. Isn't that enough?

Howard, you've gotta go.

I don't like it
any more than you do,

but if you don't do it,
you don't work.

Why don't they all just go away
and let us do the show?

Who needs this?!

You know, Phil

I didn't believe Florence
when she told me that about you.

That crazy broad.

You know, because I know it was
very tough for you to fire Hecky.

I had a migraine for a week.

Phil, it just takes one guy
to say no to them. Just one.

What can I do, Howie?

You can be that guy.

No, I'm serious!

If just one person says no,
you know.

And specially a guy like you,
you're respected, you got a big name.

Tell 'em no.

Who the hell are they?!

Come on, Phil, take a stand.

The real you.

Get me Hampton.

Hello, Tom? Phil.

There is no reason Howard Prince
has to go to that Committee.

That's right.

It's our network. Who the hell are they,
telling us what to do? Giving us orders?

No, no, no.
You listen to me.

He doesn't have to go.

What are we, sheep?
We make a stand, Tom.

We tell them
to lay off his back.

We tell them
to stop threatening.

Piss off,
or they're in trouble.

We fight, Tom!

We show them there are
some people they can't scare.

We tell them, flat out,
Howard Prince doesn't go.

Right.

Mm-hmm.

Right.

Okay.

You gotta go.

Howard, you've got
nothing to worry about.

Nothing to worry about
at all.

You see, we've dealt
with the Committee before,

and they're, well, they're
really very understanding.

They understand our problems
and we understand theirs.

Yeah? And what
about my problems?

Well, you're cooperating.
That's all they care about.

Now, this friend of yours,

Alfred Miller?

We went to school together.

And you had no idea
that he was a Communist?

He was only 12.

And you have no idea now?

We never talk about politics.
Good.

Let's see, now. The two men,
Delaney and Phelps?

They're friends of Ali's.

All right. And the girl,
Florence Barrett?

That's just sex.

Is that why you gave money
to her pro-Communist publication?

You know, we were going out,
and she wanted to start a magazine,

so how was I supposed
to know what kind?

That's hardly credible,
Mr. Prince.

Er, Mr. Hennessy,

you and your staff
have done a splendid job.

The network
appreciates your efforts,

but Mr. Prince is being
entirely cooperative.

I think that I can handle
the legal end.

Thank you very much for coming.

Good luck, Mr. Prince.

Howard

Don't mind him.
He's only doing his job.

Yeah, I still don't see
why we can't fix it.

You know, I mean,
like pay somebody off,

'Cause how much could it cost,
you know?

They're just Congressmen.

That won't be necessary.

You see, they've agreed
to an executive session.

No reporters, no publicity.

As a matter of fact

you won't even have
to go to Washington.

They'll send
a subcommittee here.

Now, what we'll do is write you
a strong anti-Communist statement

to go along
with your testimony.

You will be out of there
in no time at all.

Take my word for it.

Howard

Howard, all they want
is a friendly witness.

Okay.
So I'll be a friendly witness.

Hi, Howard.

Is he here?

Hey, very nice.

You gotta lay off
health foods.

Jesus. When are they going
to operate,

get rid of that
ulcer, already?

Then how am I going
to know when I'm mad?

Nobody knows how
to relax anymore, right?

You got to kind of roll
with the punches.

What about the subpoena?

Nothin'. Don't worry
about a thing.

Did they write
a statement for you?

Yeah. I'd let you read it,
only you'd start bleeding again.

Don't worry about it, really.

You just, you know,
take care of yourself.

Worry about who's gonna write the
scripts while you're in here.

We've got a very good writer.
You won't be ashamed.

Yeah, blacklisted?

Impeccably. Named by
his own brother-in-law.

Visiting hours are over.

Nurse,

I'm Dr. Prince. This is
a consultation, y'know.

These are my associates.

Uh-huh.

Howard, why do you think
they want you to testify?

I'm a feather in their cap.
I'm a big writer.

Howard Prince.

Why do you think
they want you to name names?

They've already got our names.
Why do they need you to tell them again?

So it makes them look good.
So what?

Howard, they don't care
about names.

They care about getting
people to give names.

They wanna show there's
nothing they can't get people to do.

Fellas, if I don't cooperate,
you don't work.

Nobody works.
Is that what you want?

Maybe we're laying
too much on him.

Why should he take the rap?

'Cause I want him to know
what he's doing.

I'm helping.

You're helping them.

No, I'm using them. I'm

I'm smarter than they are.

Howard, the time
for this bullshit is over.

Who does it hurt if I'm friendly?
Where is the personal crime?

I tell them that you're
my friend from public school.

They They already
got your name.

You said that yourself.

He's right.

They can't do
anything more to us.

Why can't he just cooperate?

Tell them the truth?

He won't have to.
The network's made a deal.

He says the Committee's
great, they leave him alone.

Yes! And everybody
gets what he wants.

That's what this is about,
right?

Stop worrying.

You know, they want publicity.

They want Howard Prince.

As an example, to scare people,
to shut 'em up.

I think he should take the Fifth.
They'll blacklist him, he takes the Fifth.

What's the Fifth?
The Fifth Amendment.

Your right
not to incriminate yourself.

Why do I have to take anything?
It's all fixed.

They might ask you some questions
you don't wanna answer.

But if you already answered one,
like Did you know Alfred?,

you don't have that right
anymore.

Then, if you don't answer,
they can cite you for contempt.

Yeah, but I'm gonna answer.

Schmuck.

Maybe he should.
What the hell can he tell them?

I don't trust the Committee
or the network.

Take the Fifth.

I don't want to take the Fifth.

You can't cooperate!

Don't be a loser all your life.

You quit looking for an out!

Look, do not aggravate yourself.

You want that milk now?

Oh, Howard.

You did a big favour for all of us.
I don't have to tell you that.

Who's asking?
You saved our ass.

Don't you think I know that?
You did what a friend does.

Exactly. Now, if I cooperate,
your ass is saved again.

But you can't be on their side.

So, all right, fine. What do I do?
Tell the committee to shove it, right?

So then, you don't work,
nobody works.

You let me worry about that.

Yeah, and what about me?
What What do I do?

Go back to the cash register?

I can't believe this guy.
You're laying here,

you can't use your name,
you're bleeding.

And you're telling me
what to do?

Al, can we ask him to do
what he doesn't believe in?

Protect yourself.
Take the Fifth.

You know, you're always looking for
a middle you can dance around in.

Well, I'm telling you,
this time there isn't any middle.

And you can't lay
any of it off on us.

Whatever you do,
you're doing for yourself.

Open up in the name of the law!

Get out your guns, men.

Nobody move.
This is a raid.

Everybody, everybody out.

We understand you have a girl
in your room. If not, why not?

Do you have
a little tootsie for me?

Have we met before?

You know you scared me?

I was in the neighbourhood and
suddenly everything went black.

Am I disturbing you?

Are you kidding?

If you really wanna know,

I came to apologise
for that terrible night.

I wasn't myself.

You you had every right.

Two rights
don't make a wrong.

I gave you a hard time
and I'm sorry.

Don't be silly.
Have a drink.

Before the sun
is over the yardarm? Never.

A wee touch of scotch.

How's it going?

Not bad. Club dates.

Out of town, but not bad.

Scranton, Allentown, Altoona.

You didn't know
I was a big hit in Pennsylvania.

But my wife found a job,
the kids eat,

we all have our health.

To a prince of a Prince.

You know, I never learned
how to sip a drink.

When I was very little,

every evening before supper,

my father would pour
a shot glass full of whiskey,

mumble a prayer

And down it went.

I thought that was the way
you drank.

How are things going with you?

Fine.

I hear terrific.

It's nice when nice happens
to somebody nice.

It doesn't happen too often.

Are you sure
I'm not being a nuisance?

Of course not.

Did you know Johnny Parker,
the actor?

Mm-mm. No.

Blacklisted.

He couldn't get arrested.

Wife, three kids,
you can imagine.

He drove a cab for a while.
Finally gave that up.

He came from someplace out west.

Oklahoma, Texas,
some place like that.

He owned a little farm
that his father left him.

Miserable.
He showed me the pictures.

You'd go crazy
in a place like that.

But he could grow his own food,
so he went back.

We had a party for him.

Everybody cried.

Six months later,

right in the middle
of that miserable property,

they struck oil!

You're kidding.

Honest to God! Oil!

He's a millionaire.

So you see

Every little cloud
has got a silver lining

C'mon, let me
make you another drink.

No, no, no, not really.

I came, I apologised.

It's time to go.

Well, you know, what we should do
is we should have dinner sometime.

I'd like that very much.

Yeah? Well, wh
what about tonight?

Tonight? No, no, I'm busy.

Busy? So, all right.
So, what I should I'll call you.

Don't call us, we'll call you.

If I had a buck

for every time
they said that to me

when I first started

Of course,
I don't have to tell you

later on, the shoe
was on the other foot.

Well, I really will call.

I know you will.
I was making a joke.

You don't mind
I came without phoning?

Come on, are you kidding?

Well, some people mind.

You're a good man.

You know
what I think I'll do?

I'll call you tomorrow.

Take care of yourself.

The water is full of sharks.

Thank you, sir.

Oh, where have you been?

I was so worried about you.

I called and there's
no answer.

You know, I was just
walking around.

Are you all right?

You know, I've been thinking
about a lot of stuff.

Well, I saved you your dinner.

I kept it warm for you.

Do you want a drink?

Yeah, but just a drink.

I saw you at the funeral today.

You did?

I didn't see you.

Well, I couldn't handle it.

I couldn't handle it either.

You're lucky you're a writer

and not an actor.

At least with a writer,

if he gets blacklisted,
he can always still write.

An actor?

What's he gonna do
if he can't show his face?

Florence

How would you feel if I

If I was not a writer?

Howard, I know you.

Whatever else you might
have to do to survive,

you'll find time to write.

But suppose
I said that, er

that I was not a writer.

I know you as a writer.

I love you.

Well

I'm not a writer.

Don't be a defeatist.

Other guys wrote
those scripts, not me.

I put my name on 'em.

They were blacklisted.
I was helping them out.

It's my name
and their scripts.

That's a very bizarre statement.

I'm not a writer, Florence.

I'm a front.

I front for blacklisted writers.

You're not a writer?

No. I I
I couldn't write a grocery list.

You never wrote
any of those scripts?

Nothing. Not one.

I'm I
I'm practically illiterate.

You never wrote anything?

Hey Jesus.
Don't get shell-shocked.

I'm not confessing
to a murder.

Look at you.
Look, you're all white.

Let me get you a drink.
I don't want a drink.

You know, you should put your head
between your legs, I think.

You let me think
that you were

Well, why not?

What did you want me to do?

For God's sakes,
I was like a spy.

Did you want to?

Did I want to?
Of course I wanted to.

You think I liked lying to you?

Come on, Florence, you know
that lying is not in my nature.

I don't believe
this is happening.

Hey. I have to testify.

Will you try and keep
your mind on that.

But it's like you're
a complete stranger.

So we got off
on the wrong foot.

The wrong foot?!

I was sworn to secrecy!

For God's sakes,
we're both on the same side.

Didn't you trust me?
I wasn't allowed.

Well, did you think
I'd lose interest in you?

You were in love
with a writer.

Interested in you?
I don't even know you.

You know, I shouldn't
have said anything

because now you're
totally hysterical.

Nobody is hysterical.

When were you going to mention it?
When we were 90?

I mentioned it tonight.
Because you're in trouble.

Yes, I'm in trouble,
for a very good reason.

Who was I spying for, Hitler?

I was helping blacklisted writers.
Think about that for a minute.

You lied to me.

What are you really,
a druggist?

You wanna know what I was?

I ran a cash register.

You were a cashier?

Oh, do you That's exactly
what I mean. See?

Unless it's a writer
or an artist, you know.

Catch you in bed with a cashier?

That's not fair.

You wouldn't have
looked twice at me.

It is not what someone does,
it is who he is.

And you don't even know
who I am.

Did you ever give me the chance?

I'm giving you right now.

All right.

Who are you?

What?

I still don't know who you are.

I only know who you're not.

Who is Howard Prince?

Hey, Florence,
I gotta tell you, y'know

it's not easy
being in love with you.

You know why?

Because what you're
looking for all the time

is, like, a knight
on a horse or something,

which is not Howard Prince.

You know who Howard Prince is?
I'll tell you.

Howard Prince is his own man.

What does that mean?

Well, I think
you're going to find out

when I come back from
the Committee tomorrow.

What am I gonna find?
You said it was all fixed.

Well, I've been thinking
about it, you know.

Everybody's telling
me what to do.

But, y'know,
I don't see why I have to.

What are you going to do?
Well, I'll work something out.

Are you going to tell them
that you're not a writer?

I'm gonna tell 'em
exactly what I wanna tell 'em.

Howard, that committee's dangerous.
They're out for blood.

You can't fool around.
Take my word for it.

All those people, Ali and Sussman
and everything, they they're wrong.

Because, I'm tellin' ya,
I can beat that committee.

And I can beat 'em
my own way.

How?

Hey, what's the difference?
I'm telling you,

I'm not going to wind up
back at that cash register.

Take my word for it.

And I'm not going to do anything
that makes you ashamed of me.

Trust me.
Can you trust me?

And we would like
to thank this Committee

for allowing Mr. Prince
to appear

and voice his approval
of the great work

that you're doing
for our country.

Communist subversion
is a real and present danger,

and you can rest assured that
it will never be tolerated

on the network that
both Mr. Prince and I

have the honour to represent.

Thank you.

Thank you very much.

Thank you, sir.

This Committee is here

to help keep America
just as pure

as we possibly can make it.

Well, I can't think
of anything more important.

And.. well, I would like
to commend this Committee

on the job that they're doing.

Thank you.
Thank you.

Counsel.

Just a few questions, Mr. Prince,
we know you're a busy man.

Mr. Prince, do you happen
to know an Alfred Miller?

Who?

Alfred Miller.

Why?

If you'd just
tell the Committee.

So I can't know why?

Mr. Prince,
you don't have to worry.

Anyone that comes here
and tells the truth

has got nothing to worry about.

Er

Which Alfred Miller?

Do you know Alfred Miller,
the writer?

Erm when you say know,
I mean what er

You know, can you ever
really know a person?

You know, I grew up with an
Alfred Miller, but do I know him?

You say, do I know him?
Can you know er

In a biblical sense, know him?

Am I right?

Would that be
the same Alfred Miller

you met with several times
in Hammer's Dairy Restaurant?

Well, who says I did?

Is it or is it not true?

No, I asked you first.
Is it true?

I don't understand. Is anybody
accusing me of anything?

If you would
answer the question

Which question?

You asked one question,

and I answered that question,
and then

Do you know Alfred Miller?

You already
asked that question.

Howard, what are you doing?

What do you mean?
I'm handling it. Don't worry.

You're under oath. If you don't answer,
they can hold you in contempt.

Well, I am answering.
I'm just not replying, that's all.

Well, don't split hairs.

No, but they can only get me
if I don't answer.

But, if I answer
without replying, I got 'em.

But you're getting them mad.

So what? What can
they do, throw me out?

Do you know Alfred Miller?

Hey, are you guys aware of
the fact that, every week,

busloads of Communists
are coming in over the border?

I mean, is anybody
doing anything about that?

We are not concerned at this time
with anything other

than the Communist conspiracy
in the entertainment world.

But, how come?

Why aren't we doing something about it?
Why isn't everybody armed?

Everybody should learn
how to use a gun, I think.

I think it's a big mistake that anyone
who goes to military school is only

You send 'em there
when they're bad.

Mr. Prince, this Committee
is just as concerned

about the threat of Communism
as you are.

Since your memory is unclear
about Alfred Miller,

do you know any of these
other people?

William Phelps.

Herbert Delaney.

Florence Barrett.

Hershel Brownstein,

also known as Hecky Brown.

He He's dead.
Did you know him?

Mr. Prince

Now, you came here to
cooperate today, did you not?

Will you excuse us a moment,
Mr. Prince?

Counsel

I thought we had an arrangement.

With the network, but I think
he's doing this by himself.

Why don't we hit him
with contempt?

He's not giving us any
ground for contempt!

We can't let him get away with this.
He hasn't even taken an amendment.

Now, there's got to be something
you can just nail him on.

Okay.

Mr. Prince,

let me ask you
another question.

Do you know
a Patrick Callahan?

Who?

Bartender
at the Friendly Tavern,

where, I believe, you once
worked as a night cashier.

I did?

Do you know Daniel LaGattuta?

Doesn't he sell fruit?

You placed bets for Mr. Callahan
and Mr. LaGattuta,

did you not?

In

In a

In a strictly friendly way.

I remind you that placing bets
is a crime.

Howard, is this true?
You were a bookmaker?

Not professionally.

Oh, my God.

Er, Mr. Chairman,

may I have a word
with you, please?

They're willing
to make a deal.

Give 'em names, right?

Look, they're being
very reasonable.

You don't have to give them
more than one.

Yeah, which one?

Well, it's up to you.

Look, they've got you over a barrel.
You can go to jail.

What's one name?

If it bothers you,
give them Hecky Brown.

Hecky?

He's dead anyway.
What difference does it make?

A token's all they want.

Something to show your cooperation,
that's all.

Is the witness ready to proceed?
Er, yes, ready, Mr. Chairman.

Mr. Prince,

I ask you, for the record,

did you know
Hershel Brownstein?

Howard, you'll go to jail.

Also known as Hecky Brown.

Be practical.

Did you know this man
as either Brown or Brownstein?

Either name will do, Mr. Prince.

Tell them.

Brown or Brownstein?

Just the name.
Are you refusing to answer?

Will you talk?

Fellas

I don't recognise
the right of this Committee

to ask me these kind
of questions.

And, furthermore,

you can all go fuck yourselves.

Fairy tales can come true

It can happen to you

if you're young at heart

For it's hard, you will find

To be narrow of mind

if you're young at heart

You can go to extremes
with impossible schemes

You can laugh when your dreams
fall apart at the seams

And life gets more exciting
with each passing day

And love is either
in your heart

Or on its way

Don't you know that it's worth
every treasure on earth

To be young at heart?

For as rich as you are

It's much better by far

To be young at heart

And if you should survive
to a hundred and five

Look at all you'll derive
out of being alive

And here is the best part

You have a head start

if you are among
the very young at heart

And if you should survive
to a hundred and five

Look at all you'll derive
out of being alive

And here is the best part

You have a head start

if you are among
the very young

at heart

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