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1
00:00:26,516 --> 00:00:29,102
- Over here?
- Yeah, there.
2
00:00:29,102 --> 00:00:30,479
- Where do you want it?
- Right there.
3
00:00:30,771 --> 00:00:32,397
We want to make sure...
4
00:00:32,397 --> 00:00:34,399
They look after us on this show.
5
00:00:34,399 --> 00:00:36,151
You know,
you guys are really too much,
6
00:00:36,151 --> 00:00:39,446
and I want to introduce you to the guys
individually in the Who
7
00:00:39,780 --> 00:00:41,531
because you never
get to know their names.
8
00:00:41,531 --> 00:00:43,450
You know them as The Who.
Everybody says "Who?"
9
00:00:43,450 --> 00:00:45,494
And you say, you know.
So what's your name?
10
00:00:45,786 --> 00:00:47,454
Pete. Pete Townshend.
11
00:00:47,454 --> 00:00:49,164
- And where are you from, Pete?
- London.
12
00:00:49,164 --> 00:00:50,415
- From London?
- Yeah.
13
00:00:50,415 --> 00:00:52,501
- London where?
- London, England.
14
00:00:52,501 --> 00:00:54,544
Where did you learn to play?
15
00:00:54,544 --> 00:00:57,547
You know, that's a wild style of play.
16
00:00:57,547 --> 00:00:59,382
Where did you learn to play
the guitar like that?
17
00:00:59,382 --> 00:01:01,510
That was bowling.
18
00:01:01,510 --> 00:01:04,471
Bowling. Yeah, I could tell.
19
00:01:04,471 --> 00:01:06,097
Now we move right along...
20
00:01:08,350 --> 00:01:10,519
right over here.
21
00:01:10,811 --> 00:01:12,312
- And you're...
- John.
22
00:01:12,312 --> 00:01:14,564
You're John? And you're from?
23
00:01:14,564 --> 00:01:16,942
- London, too.
- From London, too?
24
00:01:16,942 --> 00:01:20,111
And you must be Roger.
25
00:01:20,111 --> 00:01:21,321
I must be.
26
00:01:21,321 --> 00:01:23,323
- Are you?
- Yeah.
27
00:01:23,323 --> 00:01:24,491
- You're Roger?
- I'm Roger.
28
00:01:24,491 --> 00:01:26,284
- And where you from?
- Oz.
29
00:01:27,994 --> 00:01:30,080
Here's Roger from Oz.
30
00:01:31,331 --> 00:01:34,334
And over here, the guy that plays
the sloppy drums.
31
00:01:34,334 --> 00:01:36,169
Follow the yellow brick road.
32
00:01:36,169 --> 00:01:37,879
- What's your name?
- Keith.
33
00:01:37,879 --> 00:01:39,297
- Keith?
- My friends call me Keith.
34
00:01:39,297 --> 00:01:41,508
- You can call me John.
- Okay, John.
35
00:01:41,508 --> 00:01:45,178
I'd just as soon call you Roger.
36
00:01:45,178 --> 00:01:49,057
Roger from Oz, what's the next song
you're going to play?
37
00:01:49,057 --> 00:01:50,976
"My Generation."
38
00:01:50,976 --> 00:01:52,435
- Your generation?
- Yeah.
39
00:01:52,435 --> 00:01:54,020
I can really identify with that
40
00:01:54,020 --> 00:01:55,981
because I can really
identify with these guys.
41
00:01:55,981 --> 00:01:57,315
I dig them. And this is...
42
00:02:00,527 --> 00:02:03,071
You got sloppy stage hands
around here.
43
00:02:05,031 --> 00:02:07,534
Okay, that's enough!
44
00:02:07,868 --> 00:02:09,578
They're going to sing "My Generation."
45
00:02:09,578 --> 00:02:11,037
This song really goes--
46
00:02:11,037 --> 00:02:12,539
And you're going to be surprised
what happens
47
00:02:12,873 --> 00:02:15,166
because this is excitement.
And hit it.
48
00:02:15,166 --> 00:02:16,209
"My Generation."
49
00:04:50,530 --> 00:04:53,283
"THE WHO"
50
00:05:16,264 --> 00:05:22,395
"THE KIDS ARE ALRIGHT"
51
00:05:30,403 --> 00:05:35,575
"A FILM BY JEFF STEIN"
52
00:05:35,575 --> 00:05:37,577
' Hey, Dick!
' Yes?
53
00:05:37,577 --> 00:05:40,455
I'd like to borrow your bass
for a minute.
54
00:05:40,455 --> 00:05:42,707
And now here is
your Shindig host...
55
00:05:42,707 --> 00:05:44,417
Jimmy O'Neil.
56
00:05:44,417 --> 00:05:47,253
Thank you very much,
ladies and gentlemen.
57
00:05:47,253 --> 00:05:48,421
How are you all, Shindiggers?
58
00:05:48,421 --> 00:05:51,841
Tonight is our very last Shindig,
and were going out with a bang.
59
00:05:51,841 --> 00:05:53,760
We got a bang-up cast for you,
60
00:05:53,760 --> 00:05:56,137
starring Billy Jay Kramer
and the Dakotas,
61
00:05:56,137 --> 00:05:57,263
The Who,
62
00:05:57,263 --> 00:05:59,224
Dave Berry, Ian Watkins,
Sandy Shaw,
63
00:05:59,224 --> 00:06:01,351
The Kinks, The Barren Knights, Twinkle,
64
00:06:01,351 --> 00:06:03,186
and of course our own
Blossoms and Wellingtons.
65
00:06:03,186 --> 00:06:05,188
What do you say
we get ready to live it up?
66
00:06:05,188 --> 00:06:06,815
Because here we go
with our kick-off tune tonight,
67
00:06:06,815 --> 00:06:08,399
called "I Can't Explain."
68
00:06:08,399 --> 00:06:10,652
Here to sing it are The Who.
69
00:08:22,867 --> 00:08:25,536
Terribly sorry, Russell.
70
00:08:26,579 --> 00:08:28,456
Does this stuff belong to you?
71
00:08:28,456 --> 00:08:29,624
Have a seat, old love.
72
00:08:29,624 --> 00:08:30,917
You sit down, then.
73
00:08:30,917 --> 00:08:33,419
Drake, this is all over the upholstery.
74
00:08:33,419 --> 00:08:37,340
Who does that machinery belong to?
Does it belong to you or to us?
75
00:08:37,340 --> 00:08:40,385
- I mean, who has to pay for it?
- It's mortgaged.
76
00:08:40,385 --> 00:08:41,636
It's all right.
77
00:08:41,636 --> 00:08:43,972
- It looks all right.
- Doesn't matter to them.
78
00:08:44,264 --> 00:08:45,974
A lot of people like what were doing.
79
00:08:45,974 --> 00:08:47,976
We've got 83...
80
00:08:47,976 --> 00:08:50,770
- Stop interrupting!
- ...deposed Pakistanis to visit.
81
00:08:50,770 --> 00:08:52,563
Do go on.
82
00:08:52,563 --> 00:08:55,316
It's no good. I've lost my nerve now.
83
00:08:55,316 --> 00:08:57,777
All right, let me take over now.
84
00:08:57,777 --> 00:08:59,946
Now, you have been together
now as a group
85
00:08:59,946 --> 00:09:01,489
for how many years? 10 years?
86
00:09:01,489 --> 00:09:02,573
Yeah I'm leaving
87
00:09:02,573 --> 00:09:04,325
Wait a minute, hold on, hold on.
88
00:09:04,325 --> 00:09:06,536
Was it that long? Christ Almighty.
89
00:09:06,536 --> 00:09:08,746
It's known as Decay of The Who.
90
00:09:08,746 --> 00:09:10,748
- What's it, then?
- The Decline of The Who
91
00:09:10,748 --> 00:09:12,417
The Decade of The Who.
92
00:09:12,417 --> 00:09:13,501
Oh, the decade.
93
00:09:13,501 --> 00:09:14,585
Who decayed?
94
00:14:32,737 --> 00:14:34,905
Everybody, you will be all right.
95
00:14:34,905 --> 00:14:36,073
Sure, sure.
96
00:14:36,073 --> 00:14:38,951
Everybody, focus. You'll be all right.
97
00:14:38,951 --> 00:14:40,119
Yeah, yeah, we know.
98
00:14:40,119 --> 00:14:43,706
You'll be all...
yeah, you'll be all right.
99
00:15:52,858 --> 00:15:55,152
Everybody, clap your hands!
100
00:16:13,879 --> 00:16:15,339
I can't hear you!
101
00:16:21,220 --> 00:16:23,139
It has to be loud!
102
00:16:23,139 --> 00:16:24,098
Come on!
103
00:16:25,182 --> 00:16:27,351
A little louder!
104
00:16:27,351 --> 00:16:28,853
Shout!
105
00:16:30,062 --> 00:16:31,147
That's good.
106
00:16:35,943 --> 00:16:37,903
Let's bring our souls together.
107
00:16:37,903 --> 00:16:39,321
You've been together for 10 years.
108
00:16:39,321 --> 00:16:41,699
A decade. You haven't yet decayed.
109
00:16:42,742 --> 00:16:44,118
Apart from the Rolling Stones,
110
00:16:44,118 --> 00:16:46,954
You are the longest surviving
together group, are you not?
111
00:16:46,954 --> 00:16:48,831
Well, not together.
112
00:16:50,332 --> 00:16:54,962
What strains that you have suffered
together, if at all?
113
00:16:58,257 --> 00:17:00,050
Seems it's just beginning.
114
00:17:03,429 --> 00:17:05,931
It's such a long story.
Should I start...
115
00:17:05,931 --> 00:17:07,099
Start at the beginning.
116
00:17:07,099 --> 00:17:10,895
We started off as...
117
00:17:10,895 --> 00:17:14,273
I must admit that the fantastic
thing about The Who
118
00:17:14,273 --> 00:17:17,818
is that we are all incredibly nasty.
119
00:17:17,818 --> 00:17:19,445
You are or were?
120
00:17:19,445 --> 00:17:21,530
Were. I mean, we still were.
121
00:17:21,530 --> 00:17:23,449
His feet are nasty as well.
122
00:17:23,449 --> 00:17:25,534
Christ.
123
00:17:25,534 --> 00:17:27,286
Don't mind me.
124
00:17:27,286 --> 00:17:29,830
We were nasty...
125
00:17:29,830 --> 00:17:30,998
God.
126
00:17:30,998 --> 00:17:32,458
Carry on, Russell.
127
00:17:32,458 --> 00:17:34,126
I don't want it.
128
00:17:34,126 --> 00:17:37,838
You just carry on, Russell. Go on.
129
00:17:39,799 --> 00:17:41,967
Be sure it's going to be worth seeing.
130
00:21:28,068 --> 00:21:29,611
There's a thing here,
131
00:21:29,611 --> 00:21:32,364
an account of one week
exactly ten years ago,
132
00:21:32,364 --> 00:21:36,535
when you had played in that week
in the Social Club In Goldhawk Road
133
00:21:36,535 --> 00:21:38,662
and the California Ballroom
In Dunstable
134
00:21:38,662 --> 00:21:41,206
And the Railway Arms Neasden.
135
00:21:41,206 --> 00:21:45,627
And what you had made
that week was £370.
136
00:21:45,627 --> 00:21:51,175
And what you had spent was £1946.17.6,
137
00:21:51,175 --> 00:21:53,552
and including £785
138
00:21:53,552 --> 00:21:57,306
on replacement of guitars,
drum kits, and microphones.
139
00:21:58,557 --> 00:22:01,101
Who covered that gap in money,
140
00:22:01,101 --> 00:22:03,312
that £400 gap
141
00:22:03,312 --> 00:22:07,524
which left £1,300 to find every week?
142
00:22:07,524 --> 00:22:09,359
It's hard to say.
143
00:22:10,611 --> 00:22:13,572
I used to rush
into Marshall's Music Shop
144
00:22:13,572 --> 00:22:16,617
and steal guitars off the wall.
145
00:22:16,617 --> 00:22:19,787
I'd say, "Just taking a guitar.
Pay you Tuesday," and rush out.
146
00:22:19,787 --> 00:22:21,663
"ENTERTAINMENT-- THE WHO--
RICHEST VANDALS IN THE WORLD!"
147
00:22:21,663 --> 00:22:23,749
Kit Lampert, our manager...
It frustrates me.
148
00:22:23,749 --> 00:22:26,126
"Photographer from the Daily Mail
in the audience.
149
00:22:26,126 --> 00:22:27,419
Smash your guitar."
150
00:22:27,419 --> 00:22:29,755
So I smashed the guitar
around the stage.
151
00:22:29,755 --> 00:22:31,131
He'd come back
152
00:22:31,131 --> 00:22:34,134
"Pete, Pete. Sorry. He missed it.
153
00:22:34,134 --> 00:22:36,428
Smash another one.
I'll give you the money."
154
00:22:36,428 --> 00:22:37,596
And as soon as I started...
155
00:22:37,596 --> 00:22:38,847
"A BEAST INVADES
THE HIGH SCHOOL HOP"
156
00:22:38,847 --> 00:22:40,349
smashing something up,
Keith, who is a great joiner-inner,
157
00:22:40,349 --> 00:22:42,559
used to smash up his drum kit.
158
00:23:07,376 --> 00:23:10,712
Well, I suppose all his friends
have been on here
159
00:23:10,712 --> 00:23:12,673
because, you know,
I'm only one of several.
160
00:23:12,673 --> 00:23:15,259
I've told you about all
the mad things he's done in life,
161
00:23:15,259 --> 00:23:18,303
such as, you know, breaking up rooms,
162
00:23:18,303 --> 00:23:21,390
driving his car into swimming pools,
163
00:23:21,390 --> 00:23:23,475
driving his car into foyers.
164
00:23:23,475 --> 00:23:25,644
Well, I'm not going to tell you
about any of that.
165
00:23:25,644 --> 00:23:27,813
You know, I'm just here to tell you
166
00:23:27,813 --> 00:23:30,315
about the Keith I know and love,
you know?
167
00:23:34,361 --> 00:23:38,824
Keith, what's your opinion
of your public image?
168
00:23:38,824 --> 00:23:43,120
I think it sort of varies
with every record I put out.
169
00:23:44,329 --> 00:23:46,206
I think sometimes...
170
00:23:46,206 --> 00:23:49,710
Could you get on with it?
Will you keep it together?
171
00:23:49,710 --> 00:23:53,755
No, I think I'm very reliant
on my management
172
00:23:53,755 --> 00:23:56,383
and my public relations people.
173
00:23:56,383 --> 00:24:01,305
This country is in a weird, feeble,
grotesque state,
174
00:24:01,305 --> 00:24:03,682
and it's about time it got out of it,
175
00:24:03,682 --> 00:24:08,520
And the on... the reason
it could get out of it is rock music.
176
00:24:08,520 --> 00:24:11,857
And I think The Towns...
and The Who, Roger Daltrey,
177
00:24:11,857 --> 00:24:13,859
Entwistle, Moon,
178
00:24:13,859 --> 00:24:18,530
could rise this country
out of its decadent, ambient state
179
00:24:18,530 --> 00:24:21,867
more than Wilson
and those crappy people
180
00:24:21,867 --> 00:24:23,410
could ever hope to achieve!
181
00:25:56,295 --> 00:25:59,715
What about the little singer?
What's your opinion of him?
182
00:25:59,715 --> 00:26:03,427
Well, I think
he does a damn good job out there.
183
00:26:03,427 --> 00:26:05,846
Personally, I mean,
I wouldn't go out there
184
00:26:05,846 --> 00:26:08,974
up front with nothing to protect me
but a small microphone,
185
00:26:08,974 --> 00:26:11,768
but he manages to revolve it so fast
186
00:26:11,768 --> 00:26:13,645
that when people do throw things,
187
00:26:13,645 --> 00:26:17,774
he gets sort of desiccated eggs
and sliced tomato.
188
00:26:17,774 --> 00:26:20,485
I turn my cymbals up this way
189
00:26:20,485 --> 00:26:23,989
So that at the end of the night
I have a salad mixed.
190
00:26:23,989 --> 00:26:26,658
I just sprinkle some salt
191
00:26:26,658 --> 00:26:28,660
and some Italian seasoning on it,'
192
00:26:28,660 --> 00:26:30,829
and that sort of ends up
my evening here.
193
00:28:56,641 --> 00:28:58,810
There are some elements
in the story line...
194
00:28:58,810 --> 00:29:01,938
the image in the mirror,
195
00:29:01,938 --> 00:29:05,192
the pinball,
196
00:29:05,484 --> 00:29:09,154
and the sensibility in general.
197
00:29:09,154 --> 00:29:11,781
See me, feel me,
touch me, heal me.
198
00:29:11,781 --> 00:29:15,535
Which reflect in a certain sense
199
00:29:15,535 --> 00:29:20,665
the phenomenon of youth subculture.
200
00:29:20,665 --> 00:29:22,959
There is narcissism.
201
00:29:22,959 --> 00:29:26,087
There is a kind of new sensibility
202
00:29:26,087 --> 00:29:30,634
as a strong tendency
for playing up things
203
00:29:30,634 --> 00:29:38,099
and no more putting it into
aggressive forms of counter-action.
204
00:29:42,270 --> 00:29:44,105
- It's. ..
- Yeah.
205
00:34:42,946 --> 00:34:44,322
Thank you
206
00:34:44,322 --> 00:34:46,366
Good.
207
00:34:46,366 --> 00:34:47,909
Thank you.
208
00:34:57,168 --> 00:34:59,462
Because that was the end of the '60s.
209
00:34:59,462 --> 00:35:01,464
That seemed to sum up
an awful lot about rock.
210
00:35:01,464 --> 00:35:05,593
It was the time when you were
a great star of Woodstock.
211
00:35:05,593 --> 00:35:10,098
Woodstock itself was one of the
biggest pop events in world terms
212
00:35:10,098 --> 00:35:13,893
because of the film that masses
and millions of people have seen.
213
00:35:13,893 --> 00:35:17,355
And it was a marvelous thing
in its way.
214
00:35:17,355 --> 00:35:20,149
But just as a matter of interest,
what do you think it changed?
215
00:35:20,149 --> 00:35:21,401
What was different after it?
216
00:35:21,401 --> 00:35:23,403
What did that generation,
all those people,
217
00:35:23,403 --> 00:35:26,197
given the same high by the same thing,
218
00:35:26,197 --> 00:35:27,365
yourself in turn...
219
00:35:27,365 --> 00:35:29,576
what did it change?
I'm just interested to know.
220
00:35:29,868 --> 00:35:31,828
Well, it changed me. I hated it.
221
00:36:49,447 --> 00:36:51,324
Ladies and gentlemen...
222
00:36:54,953 --> 00:36:56,245
The Who.
223
00:37:18,393 --> 00:37:20,645
You have to resign yourself to the fact
224
00:37:20,645 --> 00:37:25,274
that a large part of the audience
ls sort of thick, you know,
225
00:37:25,274 --> 00:37:28,528
and don't appreciate quality,
226
00:37:28,528 --> 00:37:31,030
however much
you try and put it over.
227
00:37:31,030 --> 00:37:36,244
The fact is that our group isn't...
hasn't got any quality.
228
00:37:36,244 --> 00:37:38,329
It's just musical sensationalism.
229
00:37:38,329 --> 00:37:41,666
You do something big on the stage,
230
00:37:41,666 --> 00:37:44,419
and a thousand geezers
sort of go "Ahh."
231
00:37:44,419 --> 00:37:49,340
It's just basic Shepherd's Bush
enjoyment.
232
00:39:29,857 --> 00:39:31,818
Our sound appeals to mods
233
00:39:31,818 --> 00:39:35,822
in the case for aggression.
234
00:39:36,114 --> 00:39:40,493
For example, for a brief period,
I stopped smashing guitars.
235
00:39:40,493 --> 00:39:41,619
Kids started shouting out
236
00:39:41,619 --> 00:39:44,789
"Smash your guitar, Pete.
Smash your guitar"
237
00:39:44,789 --> 00:39:47,458
and getting quite annoyed
that I wasn't
238
00:39:47,458 --> 00:39:51,295
because to a large percentage
of geezers that come to see the group,
239
00:39:51,295 --> 00:39:53,881
they paid their money to see me
re-amplify with the guitar
240
00:39:53,881 --> 00:39:55,800
or see a guitar break, you know?
241
00:39:55,800 --> 00:39:57,844
A lot of girls come to see the group
242
00:39:58,136 --> 00:40:00,638
because of various things
which people in the group wear
243
00:40:00,638 --> 00:40:03,808
such as John's jacket of medals
244
00:40:03,808 --> 00:40:05,852
and my jacket made out of flags
245
00:40:06,144 --> 00:40:09,397
and Keith who wears sort of fab gear,
246
00:40:09,397 --> 00:40:10,815
pop art T-shirts
247
00:40:11,149 --> 00:40:13,818
made out of targets and hearts
and things like this
248
00:40:13,818 --> 00:40:16,320
Because the group is a fairly
simple form of pop art,
249
00:40:16,320 --> 00:40:19,407
we get a lot of audience this way.
250
00:40:19,407 --> 00:40:21,868
Off stage, the group get on
terribly badly.
251
00:40:22,160 --> 00:40:25,913
There's a lot of just spite
and things which flash around.
252
00:40:25,913 --> 00:40:28,332
The singer is
a Shepherd's Bush geezer
253
00:40:28,332 --> 00:40:29,792
who wants everything
to be a big laugh,
254
00:40:29,792 --> 00:40:32,503
and when it isn't,
he thinks something is going wrong,
255
00:40:32,503 --> 00:40:33,921
Terribly wrong
256
00:40:33,921 --> 00:40:36,924
The drummer is a sort of
completely different person
257
00:40:36,924 --> 00:40:39,343
to anyone else other than me.
258
00:40:39,343 --> 00:40:40,887
The bass player
just doesn't seem to be
259
00:40:40,887 --> 00:40:42,430
interested in anything, you know,
260
00:40:42,430 --> 00:40:44,515
which makes it all very difficult.
261
00:40:44,515 --> 00:40:45,850
You've been together 10 years.
262
00:40:46,184 --> 00:40:47,476
You must have been subject
263
00:40:47,476 --> 00:40:49,395
to a great deal of strain
and inner tension.
264
00:40:49,395 --> 00:40:51,397
I now cannot ask that...
265
00:40:51,397 --> 00:40:53,858
- Actually...
- We do try to ignore each other.
266
00:40:53,858 --> 00:40:55,902
We've always been very close,
you and I.
267
00:40:55,902 --> 00:40:57,528
No.
268
00:40:57,528 --> 00:41:00,531
Most of the thing
is that I loathe Pete Townshend.
269
00:41:00,531 --> 00:41:02,825
- Keith and I...
- The group has had no history,
270
00:41:02,825 --> 00:41:04,952
and I've hated him
ever since we began.
271
00:41:04,952 --> 00:41:06,913
Since I've been doing the bulk of the..
272
00:41:06,913 --> 00:41:09,665
The thing is that he does no writing.
I do most of it.
273
00:41:09,665 --> 00:41:11,542
I end up doing most of the lyric work.
274
00:41:11,542 --> 00:41:12,919
He keeps taking the tapes.
275
00:41:13,211 --> 00:41:14,670
He thinks he does the lyrics.
276
00:42:46,304 --> 00:42:48,514
What about musical quality, though?
277
00:42:48,514 --> 00:42:50,933
You said that you don't think
your group have got any.
278
00:42:50,933 --> 00:42:52,601
Why don't you try and give it some?
279
00:42:52,601 --> 00:42:56,564
If you don't...
If you steer clear of quality,
280
00:42:56,564 --> 00:42:58,024
you're all right, you know.
281
00:42:58,316 --> 00:42:59,984
No, really.
This is the truth, you know.
282
00:43:00,318 --> 00:43:02,611
But wouldn't you say
The Beatles and people like that
283
00:43:02,611 --> 00:43:04,280
have a certain musical quality?
284
00:43:05,656 --> 00:43:07,658
You know, that's a tough question.
285
00:43:07,658 --> 00:43:10,036
I... actually this afternoon,
286
00:43:10,328 --> 00:43:13,789
we, John and I were listening
to a stereo of The Beatles
287
00:43:13,789 --> 00:43:16,083
in which the voices
come out of one side
288
00:43:16,083 --> 00:43:18,044
And the backing track
comes out of the other.
289
00:43:18,044 --> 00:43:20,379
And when you actually hear
the backing track to The Beatles
290
00:43:20,379 --> 00:43:22,548
without their voices,
They're flipping nails.
291
00:46:39,078 --> 00:46:42,206
The first major American tour
was by bus.
292
00:46:42,540 --> 00:46:45,125
We traveled from coast to coast,
293
00:46:45,125 --> 00:46:48,879
and from Miami we'd go up to Canada.
294
00:46:48,879 --> 00:46:50,256
It was pretty awful.
295
00:46:51,590 --> 00:46:54,218
We used New York as a springboard.
296
00:46:54,218 --> 00:46:57,137
We used to play for Murray the K.
297
00:46:57,137 --> 00:46:59,265
We used to do five shows a day there,
298
00:46:59,557 --> 00:47:03,227
and we had three minutes
to do our show.
299
00:47:03,227 --> 00:47:06,939
First you'd have one and a half minutes
of kind of explaining
300
00:47:06,939 --> 00:47:09,233
and one and a half minutes
Of "My Generation,"
301
00:47:09,233 --> 00:47:12,278
smash your guitar, and run off,
you know.
302
00:47:12,570 --> 00:47:15,823
Five times a day, seven days a week.
303
00:47:15,823 --> 00:47:18,826
In those days,
your performances used to end up
304
00:47:18,826 --> 00:47:20,744
with you smashing all your equipment.
305
00:47:20,744 --> 00:47:22,955
There were stories about you
smashing hotel rooms on every tour.
306
00:47:22,955 --> 00:47:26,250
All lies. Not a word of truth.
307
00:47:26,250 --> 00:47:29,753
Well, according to people at the time,
it certainly was true.
308
00:47:29,753 --> 00:47:34,049
Why was there all that violence
surrounding you?
309
00:47:35,801 --> 00:47:37,928
Well, this was only last week, wasn't it?
310
00:47:37,928 --> 00:47:42,766
What made us first want to go
to America and conquer it
311
00:47:42,766 --> 00:47:44,268
was being English.
312
00:47:44,602 --> 00:47:49,273
Not because we cared monkeys
about the American Dream
313
00:47:49,607 --> 00:47:51,942
or about the American drug situation
314
00:47:51,942 --> 00:47:53,777
or about the dollars or anything.
315
00:47:53,777 --> 00:47:56,030
It's because we were
English kids, right?
316
00:47:56,030 --> 00:47:58,324
And we wanted to go to America
and beat it.
317
00:47:58,616 --> 00:48:02,828
Pop music is crucial to today's art,
318
00:48:02,828 --> 00:48:05,289
and it's crucial that it should remain art,
319
00:48:05,289 --> 00:48:08,876
And it is crucial
that is should progress as art.
320
00:50:17,212 --> 00:50:18,922
I saw you.
321
00:50:18,922 --> 00:50:21,925
Girls came to see you mainly
to look at the clothes you wear.
322
00:50:21,925 --> 00:50:24,845
Don't you think that most of them
come for a certain sexual thrill
323
00:50:24,845 --> 00:50:26,221
they get out of your performance?
324
00:50:26,221 --> 00:50:29,433
Our group is probably one of the most
unglamorous on the stage today.
325
00:50:29,433 --> 00:50:30,851
I mean...
326
00:50:30,851 --> 00:50:35,355
No, really, I mean, this is one of our
big problems, you know,
327
00:50:35,355 --> 00:50:36,940
and probably still is, you know,
328
00:50:36,940 --> 00:50:38,817
is that the group
didn't have enough glamour.
329
00:50:38,817 --> 00:50:42,946
It was all these clothes
and smashing things up
330
00:50:42,946 --> 00:50:44,948
it was all mechanical things.
331
00:50:44,948 --> 00:50:46,950
It was bricks and stones and things
332
00:50:46,950 --> 00:50:49,995
and not enough of, sort of,
normal group things, you know.
333
00:50:49,995 --> 00:50:56,210
We made our second album,
which he produced,
334
00:50:56,210 --> 00:50:57,920
and it was during that album,
335
00:50:57,920 --> 00:50:59,963
which, as I said, Kit Lampert produced,
336
00:50:59,963 --> 00:51:03,425
that we really realized
what making albums was all about.
337
00:51:03,425 --> 00:51:06,178
You know, we had great fun,
and it was very creative.
338
00:51:06,178 --> 00:51:09,056
And Kit was learning
about record production
339
00:51:09,056 --> 00:51:15,020
and doing crazy things
like recording the group
340
00:51:15,020 --> 00:51:17,272
from a microphone down the corridor
341
00:51:17,272 --> 00:51:19,566
and all these things which are
very commonplace nowadays.
342
00:51:19,566 --> 00:51:23,904
Using incredible amounts
of compression
343
00:51:23,904 --> 00:51:26,907
and squeezing the sound up,
344
00:51:26,907 --> 00:51:28,992
squeezing cymbal sounds up
345
00:51:28,992 --> 00:51:30,577
to make them sound
like steam engines
346
00:51:30,577 --> 00:51:34,039
and various, sort of,
twiddling knobs
347
00:51:34,039 --> 00:51:35,874
as the recording was going.
348
00:51:35,874 --> 00:51:38,502
The engineers
throwing their hands in the air.
349
00:51:38,836 --> 00:51:42,130
"It... coated knobs, mate.
You can't do that."
350
00:51:45,008 --> 00:51:47,553
And all this was going on
in the studio,
351
00:51:47,553 --> 00:51:51,014
but unfortunately we had
ten minutes on the album to fill
352
00:51:51,014 --> 00:51:52,516
when we'd finished,
353
00:51:52,516 --> 00:51:54,893
and so Kit turned around to me
354
00:51:54,893 --> 00:51:59,022
and said "I think you should
write something linear,
355
00:51:59,022 --> 00:52:00,607
something with continuity,
356
00:52:00,607 --> 00:52:03,610
perhaps a ten-minute song."
357
00:52:03,610 --> 00:52:06,530
So I said, "You can't
write a ten minute song."
358
00:52:06,864 --> 00:52:10,325
I mean, rock songs
are two minutes 50, by tradition.
359
00:52:10,325 --> 00:52:12,035
It's one of the traditions, you know.
360
00:52:12,035 --> 00:52:16,248
They only allowed you one modulation.
361
00:52:16,248 --> 00:52:19,334
Four chords or five, you know.
362
00:52:19,334 --> 00:52:22,045
Five chords, you might be
up before the committee.
363
00:52:22,045 --> 00:52:24,381
Ten minutes is ridiculous.
364
00:52:24,381 --> 00:52:27,968
So he said "Well, listen, if you can't
write a ten-minute song,
365
00:52:27,968 --> 00:52:31,555
write a ten-minute story
366
00:52:31,555 --> 00:52:34,224
made up of two-minutes-50 songs,"
367
00:52:34,224 --> 00:52:35,392
which I did.
368
00:52:35,392 --> 00:52:38,437
And that was the Mini Opera,
it was called.
369
00:52:38,437 --> 00:52:42,232
And now, ladies and gentlemen,
dig The Who.
370
00:52:42,232 --> 00:52:44,026
2, 3.
371
00:55:33,236 --> 00:55:36,490
Here comes Ivor
the dirty old city engine driver
372
00:55:36,490 --> 00:55:38,492
to make you feel all right.
373
01:00:22,400 --> 01:00:24,402
What we have to do is we have to--
374
01:00:24,402 --> 01:00:27,405
we have to decide whether or not
we are going to remain
375
01:00:27,405 --> 01:00:29,657
this circus act, right?
376
01:00:29,657 --> 01:00:31,534
Or whether we're going to,
in other words,
377
01:00:31,534 --> 01:00:35,080
doing what everybody knows we can do
and what we know we can do.
378
01:00:35,372 --> 01:00:39,125
Right? Until the band eventually
turns into a cabaret act,
379
01:00:39,125 --> 01:00:42,754
- which is inevitable.
- No. That's ridiculous to say that.
380
01:00:43,797 --> 01:00:45,048
I mean...
381
01:00:45,048 --> 01:00:46,674
Well, let's just...
382
01:00:46,674 --> 01:00:48,802
Okay, Keith, let's go.
383
01:00:48,802 --> 01:00:50,011
Bragging and drums.
384
01:00:56,601 --> 01:00:58,853
I've heard a lot about you
and the rest of the group
385
01:00:58,853 --> 01:01:00,105
taking drugs, Pete.
386
01:01:00,105 --> 01:01:02,107
Does this mean
you're usually blocked up
387
01:01:02,399 --> 01:01:03,608
when you're actually on stage?
388
01:01:03,608 --> 01:01:06,986
No, but it means we're blocked up
all the time, you know.
389
01:01:08,446 --> 01:01:11,908
Well, kid, we've heard you drink a lot,
but that's beside the point.
390
01:01:11,908 --> 01:01:14,035
If you could tell us, you know,
391
01:01:14,035 --> 01:01:18,039
how did you happen to join The Who
392
01:01:18,039 --> 01:01:21,626
and if in fact that's what they
were called when you joined.
393
01:01:21,626 --> 01:01:25,922
Well, I've just been sitting in
for the past 15 years.
394
01:01:25,922 --> 01:01:28,758
You know, they never actually told me
that I was part of the band.
395
01:01:28,758 --> 01:01:30,093
I knew it by instinct.
396
01:01:30,427 --> 01:01:33,471
Keith Moon rolled up one day
all ginger all over--
397
01:01:33,471 --> 01:01:36,558
ginger shoes,
ginger corduroy trousers, ginger jacket,
398
01:01:36,558 --> 01:01:38,101
and his hair dyed ginger,
399
01:01:38,101 --> 01:01:40,937
holding a glass of brown ale.
400
01:01:40,937 --> 01:01:44,023
So this complete ginger sort of vision
401
01:01:44,023 --> 01:01:46,109
came up and said,
"I can play better than him."
402
01:01:46,443 --> 01:01:49,904
And this horrible impudent
with his hair down like this.
403
01:01:49,904 --> 01:01:54,200
And... got up on the drummer's
drum kit
404
01:01:54,200 --> 01:01:56,870
and practically smashed it to pieces.
405
01:01:56,870 --> 01:01:58,580
And we thought
this is the man for us.
406
01:03:13,613 --> 01:03:18,117
Hi. I'm Ralph Baines speaking to you
for the Hewitt House Hotels,
407
01:03:18,117 --> 01:03:20,912
the rock stars' home away from home.
408
01:03:24,165 --> 01:03:27,669
Don't be alarmed
I think I know what's going on.
409
01:04:43,328 --> 01:04:46,289
Let's get some information across
before the fun breaks loose again.
410
01:04:46,623 --> 01:04:49,000
What were you before you kicked
off with as a group
411
01:04:49,000 --> 01:04:51,586
He was almost as interesting as...
412
01:04:53,921 --> 01:04:56,007
Inland revenue income tax.
413
01:04:56,007 --> 01:04:57,842
I thought you said land rover.
414
01:04:57,842 --> 01:04:59,344
I guess it's some time in the back.
415
01:04:59,344 --> 01:05:01,804
Inland revenue.
416
01:05:01,804 --> 01:05:03,264
So what what did you do?
417
01:05:03,264 --> 01:05:05,725
Me?
418
01:05:05,725 --> 01:05:07,268
All sort of things.
419
01:05:07,268 --> 01:05:08,311
Like what?
420
01:05:08,645 --> 01:05:10,146
Be more specific. He wants...
421
01:05:10,146 --> 01:05:13,733
I want one thing that you did
before you joined as a group.
422
01:05:13,733 --> 01:05:16,152
I mean, were you
digging a garden or what?
423
01:05:16,152 --> 01:05:17,862
He was born in a bunk.
424
01:05:17,862 --> 01:05:19,364
I was a sheet metal worker
425
01:05:19,656 --> 01:05:21,240
Sheet metal worker'?
426
01:05:21,240 --> 01:05:23,868
Yeah, I was a rust repairer.
427
01:05:27,330 --> 01:05:31,042
I was a rust repairer
and full-time survivor.
428
01:05:31,042 --> 01:05:33,961
I survived all the major earthquakes.
429
01:05:35,088 --> 01:05:38,841
And the Titanic
and several air crashes.
430
01:05:38,841 --> 01:05:40,385
I think you'll have to give me
a few lessons in survival
431
01:05:40,677 --> 01:05:44,347
because if I'm gonna stay and survive
this interview, I'll need a few lessons.
432
01:05:44,347 --> 01:05:47,058
Well, there is more brandy--
I mean lemonade.
433
01:05:47,058 --> 01:05:48,267
That's right.
434
01:05:48,267 --> 01:05:50,019
And you were doing what?
435
01:05:50,019 --> 01:05:51,979
Oh, we didn't work.
436
01:05:51,979 --> 01:05:54,190
Arty-farty he was.
437
01:05:54,190 --> 01:05:55,900
You leave me out of this.
438
01:05:55,900 --> 01:06:00,113
We were talking about me.
Hey, get out! Oh, no!
439
01:06:00,113 --> 01:06:01,781
Oh, no, Keith.
440
01:06:03,074 --> 01:06:04,325
It's a ripper.
441
01:06:05,993 --> 01:06:09,330
That's what he was doing,
developing his muscles.
442
01:06:09,330 --> 01:06:12,834
Keith, leave me alone.
443
01:06:12,834 --> 01:06:15,878
- Well, they have to ask you this.
- I know.
444
01:06:15,878 --> 01:06:17,880
You know, what do you think
about Pete?
445
01:06:17,880 --> 01:06:22,135
I love the man.
He's one of my dearest friends.
446
01:06:22,135 --> 01:06:25,138
But I couldn't say that about Ringo.
447
01:06:25,138 --> 01:06:26,973
If Pete said "What do you think
about Ringo?"
448
01:06:26,973 --> 01:06:29,934
"You know, we have our moments,
and when we get together,
449
01:06:29,934 --> 01:06:32,437
there are certain times that you just...
450
01:06:32,729 --> 01:06:35,898
Something happens,
and I really don't know what it is."
451
01:06:35,898 --> 01:06:38,151
- But there's that magic there.
- It's probably we're drunk
452
01:06:38,151 --> 01:06:39,444
It could be that.
453
01:06:39,444 --> 01:06:41,946
Oh, not drunk, teeny-boppers.
454
01:06:41,946 --> 01:06:44,240
No, absolutely not, you Don Henry fans.
455
01:06:44,240 --> 01:06:45,992
Keith and Henry had a lot of medicine
456
01:06:45,992 --> 01:06:48,369
- Absolutely.
- You know, just a lot of medicine
457
01:06:48,369 --> 01:06:49,787
We're getting on.
458
01:06:49,787 --> 01:06:52,039
We're getting on now,
and we need our medicine, so...
459
01:06:52,039 --> 01:06:54,083
Let's see the age of this suit.
460
01:06:54,083 --> 01:06:56,461
When I'm on the stage...
Let me try and explain.
461
01:06:56,461 --> 01:06:59,213
When I'm on the stage,
I'm not in control of myself at all.
462
01:06:59,213 --> 01:07:00,965
I don't even know who I am
463
01:07:00,965 --> 01:07:02,925
You know,
I'm not this rational person
464
01:07:02,925 --> 01:07:04,510
that can sit here now and talk to you.
465
01:07:04,510 --> 01:07:06,471
If you walked on the stage
with a microphone
466
01:07:06,763 --> 01:07:08,264
in the middle of a concert,
467
01:07:08,264 --> 01:07:10,433
I'd probably come close to killing you.
468
01:07:10,767 --> 01:07:13,519
I have come close to killing people
who have walked on stage.
469
01:07:13,519 --> 01:07:15,938
Abbie Hoffman
walked on the stage at Woodstock,
470
01:07:15,938 --> 01:07:17,940
and I nearly killed him with my guitar.
471
01:07:17,940 --> 01:07:20,443
A cameraman walked on the stage.
472
01:07:20,443 --> 01:07:23,112
A policeman came on
when the bloody building
473
01:07:23,112 --> 01:07:25,948
at the Fillmore In New York
was burning down,
474
01:07:25,948 --> 01:07:28,951
and I kicked him in the balls
and sent him off
475
01:07:28,951 --> 01:07:33,122
because I...you know,
I'm just not there, really.
476
01:07:33,122 --> 01:07:36,834
It's not like being possessed.
It's just I do my job,
477
01:07:36,834 --> 01:07:40,755
and I know I have to get
into a certain state of mind to do it.
478
01:11:50,504 --> 01:11:53,549
We'd realized the end of our tether.
479
01:11:53,549 --> 01:11:58,637
We'd reached it. We'd come upon
the point when the...
480
01:12:04,101 --> 01:12:07,646
nose bleeds and all that
were no good.
481
01:12:07,646 --> 01:12:12,777
We can't go on doing that.
It's no good.
482
01:12:12,777 --> 01:12:16,447
It's beyond the beyond.
483
01:12:16,447 --> 01:12:19,158
Bob. Barbara.
484
01:12:19,158 --> 01:12:20,201
Barbara Ann?
485
01:12:22,411 --> 01:12:23,496
Well, that's...
486
01:14:55,773 --> 01:14:58,859
We did that bit, though.
Does it come in twice?
487
01:15:02,404 --> 01:15:03,530
Look what happened?
488
01:15:04,740 --> 01:15:07,368
I mean, one main ambition now
was to get back on the road
489
01:15:07,368 --> 01:15:08,911
with the horrible Who,
490
01:15:08,911 --> 01:15:11,288
the worst rock and roll group
in the world.
491
01:15:11,288 --> 01:15:12,623
- The worst?
- Yes.
492
01:15:12,623 --> 01:15:15,918
You couldn't pick
four more horrible geezers
493
01:15:15,918 --> 01:15:19,588
that make more, like, the worst noise
that you've ever heard in your life.
494
01:20:33,026 --> 01:20:34,903
You want one of the reasons
495
01:20:34,903 --> 01:20:39,157
for having music and things
fantastically loud
496
01:20:39,157 --> 01:20:44,121
is because you get so many people
that turn deaf ears to what you do.
497
01:20:44,121 --> 01:20:47,916
You know what I mean?
They just won't listen to what you do,
498
01:20:47,916 --> 01:20:50,877
and it doesn't matter
how good or bad it is.
499
01:20:50,877 --> 01:20:54,298
In fact, The bigger it is, normally,
500
01:20:54,298 --> 01:20:56,925
the more they'll close their ears to it.
501
01:20:56,925 --> 01:21:00,262
And so the louder you got to work,
you know.
502
01:21:00,262 --> 01:21:02,264
Volume is fantastic thing.
503
01:21:02,264 --> 01:21:06,727
Power and volume and power and volume.
504
01:21:08,645 --> 01:21:10,772
When I went to get my ears tested,
505
01:21:10,772 --> 01:21:12,107
I thought I was really encouraged,
506
01:21:12,107 --> 01:21:16,028
apart from the fact
you said I have terrible ears.
507
01:21:16,028 --> 01:21:21,074
He said Bill said,
"What advice would you give him?
508
01:21:21,074 --> 01:21:26,663
Would you tell him to stop playing
entirely and leave the group?"
509
01:21:26,663 --> 01:21:29,124
Throw his career out the window.
510
01:21:29,124 --> 01:21:31,960
Become a pauper, starve.
511
01:21:31,960 --> 01:21:33,337
Would you tell him that?
512
01:21:33,629 --> 01:21:38,175
"Well, actually, no, but I would
advise him to learn to lip read."
513
01:21:40,844 --> 01:21:42,679
It's true. That's what he said.
514
01:21:42,679 --> 01:21:44,389
Get off.
515
01:21:44,389 --> 01:21:48,810
Have all of you made enough money
to stop work this afternoon, tonight?
516
01:21:48,810 --> 01:21:50,979
Well, I'm certain you'd like that.
517
01:21:50,979 --> 01:21:52,314
Yes, I have.
518
01:21:52,314 --> 01:21:54,066
You have? Why don't you stop, then?
519
01:21:54,066 --> 01:21:56,902
He's got to support me
and the rest of the boys.
520
01:21:58,820 --> 01:22:00,822
You mean you've made more money
than they have?
521
01:22:00,822 --> 01:22:02,741
Well, I write all the songs.
522
01:22:02,741 --> 01:22:04,826
No, I write the songs.
523
01:22:04,826 --> 01:22:07,287
So if you write songs,
you get a bit on the side.
524
01:22:09,164 --> 01:22:15,712
You see, the thing is, as songwriter,
I do have something, you know...
525
01:22:15,712 --> 01:22:18,048
- Going for you.
- Going for me.
526
01:22:20,676 --> 01:22:22,260
We go for him.
527
01:22:22,260 --> 01:22:24,096
Scab.
528
01:22:26,932 --> 01:22:29,017
Carry on, Russell.
529
01:22:29,017 --> 01:22:32,354
I'm transfixed by John.
I don't know why I'm here.
530
01:22:32,354 --> 01:22:36,024
In "My Generation," you wrote
"I hope I die before I get old."
531
01:22:36,024 --> 01:22:38,026
- Do you in fact mean this?
- Yes
532
01:22:39,861 --> 01:22:43,031
Guitar up here,
including big-mouthed little kid
533
01:22:43,031 --> 01:22:45,158
who wants to come
and fucking take it off me.
534
01:22:48,995 --> 01:22:52,165
Rock and roll has got no future.
It don't matter.
535
01:22:52,165 --> 01:22:55,419
We became rich
a lot later than I expected.
536
01:22:57,212 --> 01:23:01,216
Now I'm too old to enjoy my money.
537
01:23:01,216 --> 01:23:05,303
Excuse me. You know, we just shot
a lot of film for the interview,
538
01:23:05,303 --> 01:23:08,181
and talking about all that.
539
01:23:08,181 --> 01:23:11,768
I was wondering now if you can
really tell us the truth and stuff.
540
01:23:11,768 --> 01:23:14,229
Oh, no.
541
01:23:14,229 --> 01:23:17,899
It's... I mean, the truth
as you want to hear it?
542
01:23:17,899 --> 01:23:20,360
I can't do that.
543
01:23:20,360 --> 01:23:22,320
You couldn't afford me.
544
01:23:22,320 --> 01:23:25,240
But you're a very different person now
545
01:23:25,240 --> 01:23:27,784
to the desperate young man
of the early '60s, aren't you?
546
01:23:27,784 --> 01:23:29,953
Yeah, I'm a desperate old fart now.
547
01:23:29,953 --> 01:23:31,163
Not boring, though.
548
01:28:47,270 --> 01:28:50,106
So there.
549
01:28:50,106 --> 01:28:52,317
I've been saving that.
550
01:28:52,317 --> 01:28:54,360
You've all been behaving
this crazy way well all the time.
551
01:28:54,360 --> 01:28:55,779
You're all married, aren't you?
552
01:28:57,072 --> 01:28:59,115
No.
553
01:28:59,115 --> 01:29:00,700
I wouldn't marry this lot.
554
01:29:05,205 --> 01:29:06,831
That's a great sleeve, that is.
555
01:29:06,831 --> 01:29:09,501
- If you touch my bleeding sleeve...
- See?
556
01:29:09,501 --> 01:29:12,212
He's getting stroppy now.
557
01:29:12,212 --> 01:29:14,839
You leave his sleeves alone.
558
01:29:14,839 --> 01:29:16,257
Personal, them.
559
01:29:16,257 --> 01:29:18,384
Can't touch the interviewer, can we?
560
01:29:19,552 --> 01:29:21,137
No, he's in command, isn't he?
561
01:29:21,137 --> 01:29:23,765
He can make everybody else
look a right twit,
562
01:29:23,765 --> 01:29:25,517
as long as you don't
have a go at him.
563
01:29:25,517 --> 01:29:27,227
How long have you been
happily married, then?
564
01:29:32,273 --> 01:29:34,776
You really do have a lovely life line.
565
01:29:35,110 --> 01:29:36,486
Have I a long life line?
566
01:29:36,486 --> 01:29:38,780
- Here about the warts.
- No, not too long.
567
01:29:38,780 --> 01:29:40,281
I should say about half a fortnight.
568
01:29:40,281 --> 01:29:45,286
Ladies and gentlemen, before my life line,
according to him is two minutes long,
569
01:29:45,286 --> 01:29:47,163
which means we've got
to the end of the program.
570
01:29:47,163 --> 01:29:50,208
We will be back, God willing,
same time, same place, next week.
571
01:29:50,208 --> 01:29:51,626
- See you then. Good night.
- He's so smooth.
572
01:29:51,626 --> 01:29:54,212
"RUSSELL HARTY PLUS"
573
01:29:54,212 --> 01:29:57,382
This is where it all ends.
574
01:33:46,361 --> 01:33:48,654
I can't think of anything to say.
575
01:33:50,698 --> 01:33:52,950
Rock and roll's never ever stood
576
01:33:52,950 --> 01:33:56,579
dissecting and inspecting it
at close range.
577
01:33:56,579 --> 01:33:58,873
It just doesn't stand up.
578
01:33:58,873 --> 01:34:00,625
So shut up.
579
01:34:02,126 --> 01:34:05,421
There is a place for us.
580
01:34:05,421 --> 01:34:12,136
I am accused of letting
the side down, as it were,
581
01:34:12,136 --> 01:34:14,889
often by our fans, you know.
582
01:34:14,889 --> 01:34:16,099
Like, for example,
583
01:34:16,099 --> 01:34:19,727
you can't stop doing this.
584
01:34:19,727 --> 01:34:21,104
You can't stop doing
what you're doing
585
01:34:21,396 --> 01:34:24,690
because you'd let down
all these people.
586
01:34:24,690 --> 01:34:27,527
It's not people just saying
"Listen, you'll disappoint your fans
587
01:34:27,527 --> 01:34:29,654
if you don't go on. The show must go on.
588
01:34:29,654 --> 01:34:33,157
You must go on, otherwise
all those people will be so upset."
589
01:34:33,157 --> 01:34:35,451
It's "You've got to go on, man.
590
01:34:35,451 --> 01:34:38,496
Otherwise, all those kids,
they'll be finished.
591
01:34:38,496 --> 01:34:40,581
They'll have nothing to live for.
592
01:34:40,581 --> 01:34:41,666
That's rock and roll.
593
01:44:05,145 --> 01:44:07,439
Thank you, Thank you.
45593
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