All language subtitles for The.Kids.Are.Alright..1979..DVDRip.x264.AC3-LiFT

af Afrikaans
ak Akan
sq Albanian
am Amharic
ar Arabic
hy Armenian
az Azerbaijani
eu Basque
be Belarusian
bem Bemba
bn Bengali
bh Bihari
bs Bosnian
br Breton
bg Bulgarian
km Cambodian
ca Catalan
chr Cherokee
ny Chichewa
zh-CN Chinese (Simplified)
zh-TW Chinese (Traditional)
co Corsican
hr Croatian Download
cs Czech
da Danish
nl Dutch
en English
eo Esperanto
et Estonian
ee Ewe
fo Faroese
tl Filipino
fi Finnish
fr French
fy Frisian
gaa Ga
gl Galician
ka Georgian
de German
gn Guarani
gu Gujarati
ht Haitian Creole
ha Hausa
haw Hawaiian
iw Hebrew
hi Hindi
hu Hungarian
is Icelandic
ig Igbo
id Indonesian
ia Interlingua
ga Irish
it Italian
ja Japanese
jw Javanese
kn Kannada
kk Kazakh
rw Kinyarwanda
rn Kirundi
kg Kongo
ko Korean
kri Krio (Sierra Leone)
ku Kurdish
ckb Kurdish (Soranî)
ky Kyrgyz
lo Laothian
la Latin
lv Latvian
ln Lingala
lt Lithuanian
loz Lozi
lg Luganda
ach Luo
mk Macedonian
mg Malagasy
ms Malay
ml Malayalam
mt Maltese
mi Maori
mr Marathi
mfe Mauritian Creole
mo Moldavian
mn Mongolian
sr-ME Montenegrin
ne Nepali
pcm Nigerian Pidgin
nso Northern Sotho
no Norwegian
nn Norwegian (Nynorsk)
oc Occitan
or Oriya
om Oromo
ps Pashto
fa Persian
pl Polish
pt-BR Portuguese (Brazil)
pt-PT Portuguese (Portugal)
pa Punjabi
qu Quechua
ro Romanian
rm Romansh
nyn Runyakitara
ru Russian
gd Scots Gaelic
sr Serbian
sh Serbo-Croatian
st Sesotho
tn Setswana
crs Seychellois Creole
sn Shona
sd Sindhi
si Sinhalese
sk Slovak
sl Slovenian
so Somali
es Spanish Download
es-419 Spanish (Latin American)
su Sundanese
sw Swahili
sv Swedish
tg Tajik
ta Tamil
tt Tatar
te Telugu Download
th Thai
ti Tigrinya
to Tonga
lua Tshiluba
tum Tumbuka
tr Turkish
tk Turkmen
tw Twi
ug Uighur
uk Ukrainian
ur Urdu
uz Uzbek
vi Vietnamese
cy Welsh
wo Wolof
xh Xhosa
yi Yiddish
yo Yoruba
zu Zulu
Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:26,516 --> 00:00:29,102 - Over here? - Yeah, there. 2 00:00:29,102 --> 00:00:30,479 - Where do you want it? - Right there. 3 00:00:30,771 --> 00:00:32,397 We want to make sure... 4 00:00:32,397 --> 00:00:34,399 They look after us on this show. 5 00:00:34,399 --> 00:00:36,151 You know, you guys are really too much, 6 00:00:36,151 --> 00:00:39,446 and I want to introduce you to the guys individually in the Who 7 00:00:39,780 --> 00:00:41,531 because you never get to know their names. 8 00:00:41,531 --> 00:00:43,450 You know them as The Who. Everybody says "Who?" 9 00:00:43,450 --> 00:00:45,494 And you say, you know. So what's your name? 10 00:00:45,786 --> 00:00:47,454 Pete. Pete Townshend. 11 00:00:47,454 --> 00:00:49,164 - And where are you from, Pete? - London. 12 00:00:49,164 --> 00:00:50,415 - From London? - Yeah. 13 00:00:50,415 --> 00:00:52,501 - London where? - London, England. 14 00:00:52,501 --> 00:00:54,544 Where did you learn to play? 15 00:00:54,544 --> 00:00:57,547 You know, that's a wild style of play. 16 00:00:57,547 --> 00:00:59,382 Where did you learn to play the guitar like that? 17 00:00:59,382 --> 00:01:01,510 That was bowling. 18 00:01:01,510 --> 00:01:04,471 Bowling. Yeah, I could tell. 19 00:01:04,471 --> 00:01:06,097 Now we move right along... 20 00:01:08,350 --> 00:01:10,519 right over here. 21 00:01:10,811 --> 00:01:12,312 - And you're... - John. 22 00:01:12,312 --> 00:01:14,564 You're John? And you're from? 23 00:01:14,564 --> 00:01:16,942 - London, too. - From London, too? 24 00:01:16,942 --> 00:01:20,111 And you must be Roger. 25 00:01:20,111 --> 00:01:21,321 I must be. 26 00:01:21,321 --> 00:01:23,323 - Are you? - Yeah. 27 00:01:23,323 --> 00:01:24,491 - You're Roger? - I'm Roger. 28 00:01:24,491 --> 00:01:26,284 - And where you from? - Oz. 29 00:01:27,994 --> 00:01:30,080 Here's Roger from Oz. 30 00:01:31,331 --> 00:01:34,334 And over here, the guy that plays the sloppy drums. 31 00:01:34,334 --> 00:01:36,169 Follow the yellow brick road. 32 00:01:36,169 --> 00:01:37,879 - What's your name? - Keith. 33 00:01:37,879 --> 00:01:39,297 - Keith? - My friends call me Keith. 34 00:01:39,297 --> 00:01:41,508 - You can call me John. - Okay, John. 35 00:01:41,508 --> 00:01:45,178 I'd just as soon call you Roger. 36 00:01:45,178 --> 00:01:49,057 Roger from Oz, what's the next song you're going to play? 37 00:01:49,057 --> 00:01:50,976 "My Generation." 38 00:01:50,976 --> 00:01:52,435 - Your generation? - Yeah. 39 00:01:52,435 --> 00:01:54,020 I can really identify with that 40 00:01:54,020 --> 00:01:55,981 because I can really identify with these guys. 41 00:01:55,981 --> 00:01:57,315 I dig them. And this is... 42 00:02:00,527 --> 00:02:03,071 You got sloppy stage hands around here. 43 00:02:05,031 --> 00:02:07,534 Okay, that's enough! 44 00:02:07,868 --> 00:02:09,578 They're going to sing "My Generation." 45 00:02:09,578 --> 00:02:11,037 This song really goes-- 46 00:02:11,037 --> 00:02:12,539 And you're going to be surprised what happens 47 00:02:12,873 --> 00:02:15,166 because this is excitement. And hit it. 48 00:02:15,166 --> 00:02:16,209 "My Generation." 49 00:04:50,530 --> 00:04:53,283 "THE WHO" 50 00:05:16,264 --> 00:05:22,395 "THE KIDS ARE ALRIGHT" 51 00:05:30,403 --> 00:05:35,575 "A FILM BY JEFF STEIN" 52 00:05:35,575 --> 00:05:37,577 ' Hey, Dick! ' Yes? 53 00:05:37,577 --> 00:05:40,455 I'd like to borrow your bass for a minute. 54 00:05:40,455 --> 00:05:42,707 And now here is your Shindig host... 55 00:05:42,707 --> 00:05:44,417 Jimmy O'Neil. 56 00:05:44,417 --> 00:05:47,253 Thank you very much, ladies and gentlemen. 57 00:05:47,253 --> 00:05:48,421 How are you all, Shindiggers? 58 00:05:48,421 --> 00:05:51,841 Tonight is our very last Shindig, and were going out with a bang. 59 00:05:51,841 --> 00:05:53,760 We got a bang-up cast for you, 60 00:05:53,760 --> 00:05:56,137 starring Billy Jay Kramer and the Dakotas, 61 00:05:56,137 --> 00:05:57,263 The Who, 62 00:05:57,263 --> 00:05:59,224 Dave Berry, Ian Watkins, Sandy Shaw, 63 00:05:59,224 --> 00:06:01,351 The Kinks, The Barren Knights, Twinkle, 64 00:06:01,351 --> 00:06:03,186 and of course our own Blossoms and Wellingtons. 65 00:06:03,186 --> 00:06:05,188 What do you say we get ready to live it up? 66 00:06:05,188 --> 00:06:06,815 Because here we go with our kick-off tune tonight, 67 00:06:06,815 --> 00:06:08,399 called "I Can't Explain." 68 00:06:08,399 --> 00:06:10,652 Here to sing it are The Who. 69 00:08:22,867 --> 00:08:25,536 Terribly sorry, Russell. 70 00:08:26,579 --> 00:08:28,456 Does this stuff belong to you? 71 00:08:28,456 --> 00:08:29,624 Have a seat, old love. 72 00:08:29,624 --> 00:08:30,917 You sit down, then. 73 00:08:30,917 --> 00:08:33,419 Drake, this is all over the upholstery. 74 00:08:33,419 --> 00:08:37,340 Who does that machinery belong to? Does it belong to you or to us? 75 00:08:37,340 --> 00:08:40,385 - I mean, who has to pay for it? - It's mortgaged. 76 00:08:40,385 --> 00:08:41,636 It's all right. 77 00:08:41,636 --> 00:08:43,972 - It looks all right. - Doesn't matter to them. 78 00:08:44,264 --> 00:08:45,974 A lot of people like what were doing. 79 00:08:45,974 --> 00:08:47,976 We've got 83... 80 00:08:47,976 --> 00:08:50,770 - Stop interrupting! - ...deposed Pakistanis to visit. 81 00:08:50,770 --> 00:08:52,563 Do go on. 82 00:08:52,563 --> 00:08:55,316 It's no good. I've lost my nerve now. 83 00:08:55,316 --> 00:08:57,777 All right, let me take over now. 84 00:08:57,777 --> 00:08:59,946 Now, you have been together now as a group 85 00:08:59,946 --> 00:09:01,489 for how many years? 10 years? 86 00:09:01,489 --> 00:09:02,573 Yeah I'm leaving 87 00:09:02,573 --> 00:09:04,325 Wait a minute, hold on, hold on. 88 00:09:04,325 --> 00:09:06,536 Was it that long? Christ Almighty. 89 00:09:06,536 --> 00:09:08,746 It's known as Decay of The Who. 90 00:09:08,746 --> 00:09:10,748 - What's it, then? - The Decline of The Who 91 00:09:10,748 --> 00:09:12,417 The Decade of The Who. 92 00:09:12,417 --> 00:09:13,501 Oh, the decade. 93 00:09:13,501 --> 00:09:14,585 Who decayed? 94 00:14:32,737 --> 00:14:34,905 Everybody, you will be all right. 95 00:14:34,905 --> 00:14:36,073 Sure, sure. 96 00:14:36,073 --> 00:14:38,951 Everybody, focus. You'll be all right. 97 00:14:38,951 --> 00:14:40,119 Yeah, yeah, we know. 98 00:14:40,119 --> 00:14:43,706 You'll be all... yeah, you'll be all right. 99 00:15:52,858 --> 00:15:55,152 Everybody, clap your hands! 100 00:16:13,879 --> 00:16:15,339 I can't hear you! 101 00:16:21,220 --> 00:16:23,139 It has to be loud! 102 00:16:23,139 --> 00:16:24,098 Come on! 103 00:16:25,182 --> 00:16:27,351 A little louder! 104 00:16:27,351 --> 00:16:28,853 Shout! 105 00:16:30,062 --> 00:16:31,147 That's good. 106 00:16:35,943 --> 00:16:37,903 Let's bring our souls together. 107 00:16:37,903 --> 00:16:39,321 You've been together for 10 years. 108 00:16:39,321 --> 00:16:41,699 A decade. You haven't yet decayed. 109 00:16:42,742 --> 00:16:44,118 Apart from the Rolling Stones, 110 00:16:44,118 --> 00:16:46,954 You are the longest surviving together group, are you not? 111 00:16:46,954 --> 00:16:48,831 Well, not together. 112 00:16:50,332 --> 00:16:54,962 What strains that you have suffered together, if at all? 113 00:16:58,257 --> 00:17:00,050 Seems it's just beginning. 114 00:17:03,429 --> 00:17:05,931 It's such a long story. Should I start... 115 00:17:05,931 --> 00:17:07,099 Start at the beginning. 116 00:17:07,099 --> 00:17:10,895 We started off as... 117 00:17:10,895 --> 00:17:14,273 I must admit that the fantastic thing about The Who 118 00:17:14,273 --> 00:17:17,818 is that we are all incredibly nasty. 119 00:17:17,818 --> 00:17:19,445 You are or were? 120 00:17:19,445 --> 00:17:21,530 Were. I mean, we still were. 121 00:17:21,530 --> 00:17:23,449 His feet are nasty as well. 122 00:17:23,449 --> 00:17:25,534 Christ. 123 00:17:25,534 --> 00:17:27,286 Don't mind me. 124 00:17:27,286 --> 00:17:29,830 We were nasty... 125 00:17:29,830 --> 00:17:30,998 God. 126 00:17:30,998 --> 00:17:32,458 Carry on, Russell. 127 00:17:32,458 --> 00:17:34,126 I don't want it. 128 00:17:34,126 --> 00:17:37,838 You just carry on, Russell. Go on. 129 00:17:39,799 --> 00:17:41,967 Be sure it's going to be worth seeing. 130 00:21:28,068 --> 00:21:29,611 There's a thing here, 131 00:21:29,611 --> 00:21:32,364 an account of one week exactly ten years ago, 132 00:21:32,364 --> 00:21:36,535 when you had played in that week in the Social Club In Goldhawk Road 133 00:21:36,535 --> 00:21:38,662 and the California Ballroom In Dunstable 134 00:21:38,662 --> 00:21:41,206 And the Railway Arms Neasden. 135 00:21:41,206 --> 00:21:45,627 And what you had made that week was £370. 136 00:21:45,627 --> 00:21:51,175 And what you had spent was £1946.17.6, 137 00:21:51,175 --> 00:21:53,552 and including £785 138 00:21:53,552 --> 00:21:57,306 on replacement of guitars, drum kits, and microphones. 139 00:21:58,557 --> 00:22:01,101 Who covered that gap in money, 140 00:22:01,101 --> 00:22:03,312 that £400 gap 141 00:22:03,312 --> 00:22:07,524 which left £1,300 to find every week? 142 00:22:07,524 --> 00:22:09,359 It's hard to say. 143 00:22:10,611 --> 00:22:13,572 I used to rush into Marshall's Music Shop 144 00:22:13,572 --> 00:22:16,617 and steal guitars off the wall. 145 00:22:16,617 --> 00:22:19,787 I'd say, "Just taking a guitar. Pay you Tuesday," and rush out. 146 00:22:19,787 --> 00:22:21,663 "ENTERTAINMENT-- THE WHO-- RICHEST VANDALS IN THE WORLD!" 147 00:22:21,663 --> 00:22:23,749 Kit Lampert, our manager... It frustrates me. 148 00:22:23,749 --> 00:22:26,126 "Photographer from the Daily Mail in the audience. 149 00:22:26,126 --> 00:22:27,419 Smash your guitar." 150 00:22:27,419 --> 00:22:29,755 So I smashed the guitar around the stage. 151 00:22:29,755 --> 00:22:31,131 He'd come back 152 00:22:31,131 --> 00:22:34,134 "Pete, Pete. Sorry. He missed it. 153 00:22:34,134 --> 00:22:36,428 Smash another one. I'll give you the money." 154 00:22:36,428 --> 00:22:37,596 And as soon as I started... 155 00:22:37,596 --> 00:22:38,847 "A BEAST INVADES THE HIGH SCHOOL HOP" 156 00:22:38,847 --> 00:22:40,349 smashing something up, Keith, who is a great joiner-inner, 157 00:22:40,349 --> 00:22:42,559 used to smash up his drum kit. 158 00:23:07,376 --> 00:23:10,712 Well, I suppose all his friends have been on here 159 00:23:10,712 --> 00:23:12,673 because, you know, I'm only one of several. 160 00:23:12,673 --> 00:23:15,259 I've told you about all the mad things he's done in life, 161 00:23:15,259 --> 00:23:18,303 such as, you know, breaking up rooms, 162 00:23:18,303 --> 00:23:21,390 driving his car into swimming pools, 163 00:23:21,390 --> 00:23:23,475 driving his car into foyers. 164 00:23:23,475 --> 00:23:25,644 Well, I'm not going to tell you about any of that. 165 00:23:25,644 --> 00:23:27,813 You know, I'm just here to tell you 166 00:23:27,813 --> 00:23:30,315 about the Keith I know and love, you know? 167 00:23:34,361 --> 00:23:38,824 Keith, what's your opinion of your public image? 168 00:23:38,824 --> 00:23:43,120 I think it sort of varies with every record I put out. 169 00:23:44,329 --> 00:23:46,206 I think sometimes... 170 00:23:46,206 --> 00:23:49,710 Could you get on with it? Will you keep it together? 171 00:23:49,710 --> 00:23:53,755 No, I think I'm very reliant on my management 172 00:23:53,755 --> 00:23:56,383 and my public relations people. 173 00:23:56,383 --> 00:24:01,305 This country is in a weird, feeble, grotesque state, 174 00:24:01,305 --> 00:24:03,682 and it's about time it got out of it, 175 00:24:03,682 --> 00:24:08,520 And the on... the reason it could get out of it is rock music. 176 00:24:08,520 --> 00:24:11,857 And I think The Towns... and The Who, Roger Daltrey, 177 00:24:11,857 --> 00:24:13,859 Entwistle, Moon, 178 00:24:13,859 --> 00:24:18,530 could rise this country out of its decadent, ambient state 179 00:24:18,530 --> 00:24:21,867 more than Wilson and those crappy people 180 00:24:21,867 --> 00:24:23,410 could ever hope to achieve! 181 00:25:56,295 --> 00:25:59,715 What about the little singer? What's your opinion of him? 182 00:25:59,715 --> 00:26:03,427 Well, I think he does a damn good job out there. 183 00:26:03,427 --> 00:26:05,846 Personally, I mean, I wouldn't go out there 184 00:26:05,846 --> 00:26:08,974 up front with nothing to protect me but a small microphone, 185 00:26:08,974 --> 00:26:11,768 but he manages to revolve it so fast 186 00:26:11,768 --> 00:26:13,645 that when people do throw things, 187 00:26:13,645 --> 00:26:17,774 he gets sort of desiccated eggs and sliced tomato. 188 00:26:17,774 --> 00:26:20,485 I turn my cymbals up this way 189 00:26:20,485 --> 00:26:23,989 So that at the end of the night I have a salad mixed. 190 00:26:23,989 --> 00:26:26,658 I just sprinkle some salt 191 00:26:26,658 --> 00:26:28,660 and some Italian seasoning on it,' 192 00:26:28,660 --> 00:26:30,829 and that sort of ends up my evening here. 193 00:28:56,641 --> 00:28:58,810 There are some elements in the story line... 194 00:28:58,810 --> 00:29:01,938 the image in the mirror, 195 00:29:01,938 --> 00:29:05,192 the pinball, 196 00:29:05,484 --> 00:29:09,154 and the sensibility in general. 197 00:29:09,154 --> 00:29:11,781 See me, feel me, touch me, heal me. 198 00:29:11,781 --> 00:29:15,535 Which reflect in a certain sense 199 00:29:15,535 --> 00:29:20,665 the phenomenon of youth subculture. 200 00:29:20,665 --> 00:29:22,959 There is narcissism. 201 00:29:22,959 --> 00:29:26,087 There is a kind of new sensibility 202 00:29:26,087 --> 00:29:30,634 as a strong tendency for playing up things 203 00:29:30,634 --> 00:29:38,099 and no more putting it into aggressive forms of counter-action. 204 00:29:42,270 --> 00:29:44,105 - It's. .. - Yeah. 205 00:34:42,946 --> 00:34:44,322 Thank you 206 00:34:44,322 --> 00:34:46,366 Good. 207 00:34:46,366 --> 00:34:47,909 Thank you. 208 00:34:57,168 --> 00:34:59,462 Because that was the end of the '60s. 209 00:34:59,462 --> 00:35:01,464 That seemed to sum up an awful lot about rock. 210 00:35:01,464 --> 00:35:05,593 It was the time when you were a great star of Woodstock. 211 00:35:05,593 --> 00:35:10,098 Woodstock itself was one of the biggest pop events in world terms 212 00:35:10,098 --> 00:35:13,893 because of the film that masses and millions of people have seen. 213 00:35:13,893 --> 00:35:17,355 And it was a marvelous thing in its way. 214 00:35:17,355 --> 00:35:20,149 But just as a matter of interest, what do you think it changed? 215 00:35:20,149 --> 00:35:21,401 What was different after it? 216 00:35:21,401 --> 00:35:23,403 What did that generation, all those people, 217 00:35:23,403 --> 00:35:26,197 given the same high by the same thing, 218 00:35:26,197 --> 00:35:27,365 yourself in turn... 219 00:35:27,365 --> 00:35:29,576 what did it change? I'm just interested to know. 220 00:35:29,868 --> 00:35:31,828 Well, it changed me. I hated it. 221 00:36:49,447 --> 00:36:51,324 Ladies and gentlemen... 222 00:36:54,953 --> 00:36:56,245 The Who. 223 00:37:18,393 --> 00:37:20,645 You have to resign yourself to the fact 224 00:37:20,645 --> 00:37:25,274 that a large part of the audience ls sort of thick, you know, 225 00:37:25,274 --> 00:37:28,528 and don't appreciate quality, 226 00:37:28,528 --> 00:37:31,030 however much you try and put it over. 227 00:37:31,030 --> 00:37:36,244 The fact is that our group isn't... hasn't got any quality. 228 00:37:36,244 --> 00:37:38,329 It's just musical sensationalism. 229 00:37:38,329 --> 00:37:41,666 You do something big on the stage, 230 00:37:41,666 --> 00:37:44,419 and a thousand geezers sort of go "Ahh." 231 00:37:44,419 --> 00:37:49,340 It's just basic Shepherd's Bush enjoyment. 232 00:39:29,857 --> 00:39:31,818 Our sound appeals to mods 233 00:39:31,818 --> 00:39:35,822 in the case for aggression. 234 00:39:36,114 --> 00:39:40,493 For example, for a brief period, I stopped smashing guitars. 235 00:39:40,493 --> 00:39:41,619 Kids started shouting out 236 00:39:41,619 --> 00:39:44,789 "Smash your guitar, Pete. Smash your guitar" 237 00:39:44,789 --> 00:39:47,458 and getting quite annoyed that I wasn't 238 00:39:47,458 --> 00:39:51,295 because to a large percentage of geezers that come to see the group, 239 00:39:51,295 --> 00:39:53,881 they paid their money to see me re-amplify with the guitar 240 00:39:53,881 --> 00:39:55,800 or see a guitar break, you know? 241 00:39:55,800 --> 00:39:57,844 A lot of girls come to see the group 242 00:39:58,136 --> 00:40:00,638 because of various things which people in the group wear 243 00:40:00,638 --> 00:40:03,808 such as John's jacket of medals 244 00:40:03,808 --> 00:40:05,852 and my jacket made out of flags 245 00:40:06,144 --> 00:40:09,397 and Keith who wears sort of fab gear, 246 00:40:09,397 --> 00:40:10,815 pop art T-shirts 247 00:40:11,149 --> 00:40:13,818 made out of targets and hearts and things like this 248 00:40:13,818 --> 00:40:16,320 Because the group is a fairly simple form of pop art, 249 00:40:16,320 --> 00:40:19,407 we get a lot of audience this way. 250 00:40:19,407 --> 00:40:21,868 Off stage, the group get on terribly badly. 251 00:40:22,160 --> 00:40:25,913 There's a lot of just spite and things which flash around. 252 00:40:25,913 --> 00:40:28,332 The singer is a Shepherd's Bush geezer 253 00:40:28,332 --> 00:40:29,792 who wants everything to be a big laugh, 254 00:40:29,792 --> 00:40:32,503 and when it isn't, he thinks something is going wrong, 255 00:40:32,503 --> 00:40:33,921 Terribly wrong 256 00:40:33,921 --> 00:40:36,924 The drummer is a sort of completely different person 257 00:40:36,924 --> 00:40:39,343 to anyone else other than me. 258 00:40:39,343 --> 00:40:40,887 The bass player just doesn't seem to be 259 00:40:40,887 --> 00:40:42,430 interested in anything, you know, 260 00:40:42,430 --> 00:40:44,515 which makes it all very difficult. 261 00:40:44,515 --> 00:40:45,850 You've been together 10 years. 262 00:40:46,184 --> 00:40:47,476 You must have been subject 263 00:40:47,476 --> 00:40:49,395 to a great deal of strain and inner tension. 264 00:40:49,395 --> 00:40:51,397 I now cannot ask that... 265 00:40:51,397 --> 00:40:53,858 - Actually... - We do try to ignore each other. 266 00:40:53,858 --> 00:40:55,902 We've always been very close, you and I. 267 00:40:55,902 --> 00:40:57,528 No. 268 00:40:57,528 --> 00:41:00,531 Most of the thing is that I loathe Pete Townshend. 269 00:41:00,531 --> 00:41:02,825 - Keith and I... - The group has had no history, 270 00:41:02,825 --> 00:41:04,952 and I've hated him ever since we began. 271 00:41:04,952 --> 00:41:06,913 Since I've been doing the bulk of the.. 272 00:41:06,913 --> 00:41:09,665 The thing is that he does no writing. I do most of it. 273 00:41:09,665 --> 00:41:11,542 I end up doing most of the lyric work. 274 00:41:11,542 --> 00:41:12,919 He keeps taking the tapes. 275 00:41:13,211 --> 00:41:14,670 He thinks he does the lyrics. 276 00:42:46,304 --> 00:42:48,514 What about musical quality, though? 277 00:42:48,514 --> 00:42:50,933 You said that you don't think your group have got any. 278 00:42:50,933 --> 00:42:52,601 Why don't you try and give it some? 279 00:42:52,601 --> 00:42:56,564 If you don't... If you steer clear of quality, 280 00:42:56,564 --> 00:42:58,024 you're all right, you know. 281 00:42:58,316 --> 00:42:59,984 No, really. This is the truth, you know. 282 00:43:00,318 --> 00:43:02,611 But wouldn't you say The Beatles and people like that 283 00:43:02,611 --> 00:43:04,280 have a certain musical quality? 284 00:43:05,656 --> 00:43:07,658 You know, that's a tough question. 285 00:43:07,658 --> 00:43:10,036 I... actually this afternoon, 286 00:43:10,328 --> 00:43:13,789 we, John and I were listening to a stereo of The Beatles 287 00:43:13,789 --> 00:43:16,083 in which the voices come out of one side 288 00:43:16,083 --> 00:43:18,044 And the backing track comes out of the other. 289 00:43:18,044 --> 00:43:20,379 And when you actually hear the backing track to The Beatles 290 00:43:20,379 --> 00:43:22,548 without their voices, They're flipping nails. 291 00:46:39,078 --> 00:46:42,206 The first major American tour was by bus. 292 00:46:42,540 --> 00:46:45,125 We traveled from coast to coast, 293 00:46:45,125 --> 00:46:48,879 and from Miami we'd go up to Canada. 294 00:46:48,879 --> 00:46:50,256 It was pretty awful. 295 00:46:51,590 --> 00:46:54,218 We used New York as a springboard. 296 00:46:54,218 --> 00:46:57,137 We used to play for Murray the K. 297 00:46:57,137 --> 00:46:59,265 We used to do five shows a day there, 298 00:46:59,557 --> 00:47:03,227 and we had three minutes to do our show. 299 00:47:03,227 --> 00:47:06,939 First you'd have one and a half minutes of kind of explaining 300 00:47:06,939 --> 00:47:09,233 and one and a half minutes Of "My Generation," 301 00:47:09,233 --> 00:47:12,278 smash your guitar, and run off, you know. 302 00:47:12,570 --> 00:47:15,823 Five times a day, seven days a week. 303 00:47:15,823 --> 00:47:18,826 In those days, your performances used to end up 304 00:47:18,826 --> 00:47:20,744 with you smashing all your equipment. 305 00:47:20,744 --> 00:47:22,955 There were stories about you smashing hotel rooms on every tour. 306 00:47:22,955 --> 00:47:26,250 All lies. Not a word of truth. 307 00:47:26,250 --> 00:47:29,753 Well, according to people at the time, it certainly was true. 308 00:47:29,753 --> 00:47:34,049 Why was there all that violence surrounding you? 309 00:47:35,801 --> 00:47:37,928 Well, this was only last week, wasn't it? 310 00:47:37,928 --> 00:47:42,766 What made us first want to go to America and conquer it 311 00:47:42,766 --> 00:47:44,268 was being English. 312 00:47:44,602 --> 00:47:49,273 Not because we cared monkeys about the American Dream 313 00:47:49,607 --> 00:47:51,942 or about the American drug situation 314 00:47:51,942 --> 00:47:53,777 or about the dollars or anything. 315 00:47:53,777 --> 00:47:56,030 It's because we were English kids, right? 316 00:47:56,030 --> 00:47:58,324 And we wanted to go to America and beat it. 317 00:47:58,616 --> 00:48:02,828 Pop music is crucial to today's art, 318 00:48:02,828 --> 00:48:05,289 and it's crucial that it should remain art, 319 00:48:05,289 --> 00:48:08,876 And it is crucial that is should progress as art. 320 00:50:17,212 --> 00:50:18,922 I saw you. 321 00:50:18,922 --> 00:50:21,925 Girls came to see you mainly to look at the clothes you wear. 322 00:50:21,925 --> 00:50:24,845 Don't you think that most of them come for a certain sexual thrill 323 00:50:24,845 --> 00:50:26,221 they get out of your performance? 324 00:50:26,221 --> 00:50:29,433 Our group is probably one of the most unglamorous on the stage today. 325 00:50:29,433 --> 00:50:30,851 I mean... 326 00:50:30,851 --> 00:50:35,355 No, really, I mean, this is one of our big problems, you know, 327 00:50:35,355 --> 00:50:36,940 and probably still is, you know, 328 00:50:36,940 --> 00:50:38,817 is that the group didn't have enough glamour. 329 00:50:38,817 --> 00:50:42,946 It was all these clothes and smashing things up 330 00:50:42,946 --> 00:50:44,948 it was all mechanical things. 331 00:50:44,948 --> 00:50:46,950 It was bricks and stones and things 332 00:50:46,950 --> 00:50:49,995 and not enough of, sort of, normal group things, you know. 333 00:50:49,995 --> 00:50:56,210 We made our second album, which he produced, 334 00:50:56,210 --> 00:50:57,920 and it was during that album, 335 00:50:57,920 --> 00:50:59,963 which, as I said, Kit Lampert produced, 336 00:50:59,963 --> 00:51:03,425 that we really realized what making albums was all about. 337 00:51:03,425 --> 00:51:06,178 You know, we had great fun, and it was very creative. 338 00:51:06,178 --> 00:51:09,056 And Kit was learning about record production 339 00:51:09,056 --> 00:51:15,020 and doing crazy things like recording the group 340 00:51:15,020 --> 00:51:17,272 from a microphone down the corridor 341 00:51:17,272 --> 00:51:19,566 and all these things which are very commonplace nowadays. 342 00:51:19,566 --> 00:51:23,904 Using incredible amounts of compression 343 00:51:23,904 --> 00:51:26,907 and squeezing the sound up, 344 00:51:26,907 --> 00:51:28,992 squeezing cymbal sounds up 345 00:51:28,992 --> 00:51:30,577 to make them sound like steam engines 346 00:51:30,577 --> 00:51:34,039 and various, sort of, twiddling knobs 347 00:51:34,039 --> 00:51:35,874 as the recording was going. 348 00:51:35,874 --> 00:51:38,502 The engineers throwing their hands in the air. 349 00:51:38,836 --> 00:51:42,130 "It... coated knobs, mate. You can't do that." 350 00:51:45,008 --> 00:51:47,553 And all this was going on in the studio, 351 00:51:47,553 --> 00:51:51,014 but unfortunately we had ten minutes on the album to fill 352 00:51:51,014 --> 00:51:52,516 when we'd finished, 353 00:51:52,516 --> 00:51:54,893 and so Kit turned around to me 354 00:51:54,893 --> 00:51:59,022 and said "I think you should write something linear, 355 00:51:59,022 --> 00:52:00,607 something with continuity, 356 00:52:00,607 --> 00:52:03,610 perhaps a ten-minute song." 357 00:52:03,610 --> 00:52:06,530 So I said, "You can't write a ten minute song." 358 00:52:06,864 --> 00:52:10,325 I mean, rock songs are two minutes 50, by tradition. 359 00:52:10,325 --> 00:52:12,035 It's one of the traditions, you know. 360 00:52:12,035 --> 00:52:16,248 They only allowed you one modulation. 361 00:52:16,248 --> 00:52:19,334 Four chords or five, you know. 362 00:52:19,334 --> 00:52:22,045 Five chords, you might be up before the committee. 363 00:52:22,045 --> 00:52:24,381 Ten minutes is ridiculous. 364 00:52:24,381 --> 00:52:27,968 So he said "Well, listen, if you can't write a ten-minute song, 365 00:52:27,968 --> 00:52:31,555 write a ten-minute story 366 00:52:31,555 --> 00:52:34,224 made up of two-minutes-50 songs," 367 00:52:34,224 --> 00:52:35,392 which I did. 368 00:52:35,392 --> 00:52:38,437 And that was the Mini Opera, it was called. 369 00:52:38,437 --> 00:52:42,232 And now, ladies and gentlemen, dig The Who. 370 00:52:42,232 --> 00:52:44,026 2, 3. 371 00:55:33,236 --> 00:55:36,490 Here comes Ivor the dirty old city engine driver 372 00:55:36,490 --> 00:55:38,492 to make you feel all right. 373 01:00:22,400 --> 01:00:24,402 What we have to do is we have to-- 374 01:00:24,402 --> 01:00:27,405 we have to decide whether or not we are going to remain 375 01:00:27,405 --> 01:00:29,657 this circus act, right? 376 01:00:29,657 --> 01:00:31,534 Or whether we're going to, in other words, 377 01:00:31,534 --> 01:00:35,080 doing what everybody knows we can do and what we know we can do. 378 01:00:35,372 --> 01:00:39,125 Right? Until the band eventually turns into a cabaret act, 379 01:00:39,125 --> 01:00:42,754 - which is inevitable. - No. That's ridiculous to say that. 380 01:00:43,797 --> 01:00:45,048 I mean... 381 01:00:45,048 --> 01:00:46,674 Well, let's just... 382 01:00:46,674 --> 01:00:48,802 Okay, Keith, let's go. 383 01:00:48,802 --> 01:00:50,011 Bragging and drums. 384 01:00:56,601 --> 01:00:58,853 I've heard a lot about you and the rest of the group 385 01:00:58,853 --> 01:01:00,105 taking drugs, Pete. 386 01:01:00,105 --> 01:01:02,107 Does this mean you're usually blocked up 387 01:01:02,399 --> 01:01:03,608 when you're actually on stage? 388 01:01:03,608 --> 01:01:06,986 No, but it means we're blocked up all the time, you know. 389 01:01:08,446 --> 01:01:11,908 Well, kid, we've heard you drink a lot, but that's beside the point. 390 01:01:11,908 --> 01:01:14,035 If you could tell us, you know, 391 01:01:14,035 --> 01:01:18,039 how did you happen to join The Who 392 01:01:18,039 --> 01:01:21,626 and if in fact that's what they were called when you joined. 393 01:01:21,626 --> 01:01:25,922 Well, I've just been sitting in for the past 15 years. 394 01:01:25,922 --> 01:01:28,758 You know, they never actually told me that I was part of the band. 395 01:01:28,758 --> 01:01:30,093 I knew it by instinct. 396 01:01:30,427 --> 01:01:33,471 Keith Moon rolled up one day all ginger all over-- 397 01:01:33,471 --> 01:01:36,558 ginger shoes, ginger corduroy trousers, ginger jacket, 398 01:01:36,558 --> 01:01:38,101 and his hair dyed ginger, 399 01:01:38,101 --> 01:01:40,937 holding a glass of brown ale. 400 01:01:40,937 --> 01:01:44,023 So this complete ginger sort of vision 401 01:01:44,023 --> 01:01:46,109 came up and said, "I can play better than him." 402 01:01:46,443 --> 01:01:49,904 And this horrible impudent with his hair down like this. 403 01:01:49,904 --> 01:01:54,200 And... got up on the drummer's drum kit 404 01:01:54,200 --> 01:01:56,870 and practically smashed it to pieces. 405 01:01:56,870 --> 01:01:58,580 And we thought this is the man for us. 406 01:03:13,613 --> 01:03:18,117 Hi. I'm Ralph Baines speaking to you for the Hewitt House Hotels, 407 01:03:18,117 --> 01:03:20,912 the rock stars' home away from home. 408 01:03:24,165 --> 01:03:27,669 Don't be alarmed I think I know what's going on. 409 01:04:43,328 --> 01:04:46,289 Let's get some information across before the fun breaks loose again. 410 01:04:46,623 --> 01:04:49,000 What were you before you kicked off with as a group 411 01:04:49,000 --> 01:04:51,586 He was almost as interesting as... 412 01:04:53,921 --> 01:04:56,007 Inland revenue income tax. 413 01:04:56,007 --> 01:04:57,842 I thought you said land rover. 414 01:04:57,842 --> 01:04:59,344 I guess it's some time in the back. 415 01:04:59,344 --> 01:05:01,804 Inland revenue. 416 01:05:01,804 --> 01:05:03,264 So what what did you do? 417 01:05:03,264 --> 01:05:05,725 Me? 418 01:05:05,725 --> 01:05:07,268 All sort of things. 419 01:05:07,268 --> 01:05:08,311 Like what? 420 01:05:08,645 --> 01:05:10,146 Be more specific. He wants... 421 01:05:10,146 --> 01:05:13,733 I want one thing that you did before you joined as a group. 422 01:05:13,733 --> 01:05:16,152 I mean, were you digging a garden or what? 423 01:05:16,152 --> 01:05:17,862 He was born in a bunk. 424 01:05:17,862 --> 01:05:19,364 I was a sheet metal worker 425 01:05:19,656 --> 01:05:21,240 Sheet metal worker'? 426 01:05:21,240 --> 01:05:23,868 Yeah, I was a rust repairer. 427 01:05:27,330 --> 01:05:31,042 I was a rust repairer and full-time survivor. 428 01:05:31,042 --> 01:05:33,961 I survived all the major earthquakes. 429 01:05:35,088 --> 01:05:38,841 And the Titanic and several air crashes. 430 01:05:38,841 --> 01:05:40,385 I think you'll have to give me a few lessons in survival 431 01:05:40,677 --> 01:05:44,347 because if I'm gonna stay and survive this interview, I'll need a few lessons. 432 01:05:44,347 --> 01:05:47,058 Well, there is more brandy-- I mean lemonade. 433 01:05:47,058 --> 01:05:48,267 That's right. 434 01:05:48,267 --> 01:05:50,019 And you were doing what? 435 01:05:50,019 --> 01:05:51,979 Oh, we didn't work. 436 01:05:51,979 --> 01:05:54,190 Arty-farty he was. 437 01:05:54,190 --> 01:05:55,900 You leave me out of this. 438 01:05:55,900 --> 01:06:00,113 We were talking about me. Hey, get out! Oh, no! 439 01:06:00,113 --> 01:06:01,781 Oh, no, Keith. 440 01:06:03,074 --> 01:06:04,325 It's a ripper. 441 01:06:05,993 --> 01:06:09,330 That's what he was doing, developing his muscles. 442 01:06:09,330 --> 01:06:12,834 Keith, leave me alone. 443 01:06:12,834 --> 01:06:15,878 - Well, they have to ask you this. - I know. 444 01:06:15,878 --> 01:06:17,880 You know, what do you think about Pete? 445 01:06:17,880 --> 01:06:22,135 I love the man. He's one of my dearest friends. 446 01:06:22,135 --> 01:06:25,138 But I couldn't say that about Ringo. 447 01:06:25,138 --> 01:06:26,973 If Pete said "What do you think about Ringo?" 448 01:06:26,973 --> 01:06:29,934 "You know, we have our moments, and when we get together, 449 01:06:29,934 --> 01:06:32,437 there are certain times that you just... 450 01:06:32,729 --> 01:06:35,898 Something happens, and I really don't know what it is." 451 01:06:35,898 --> 01:06:38,151 - But there's that magic there. - It's probably we're drunk 452 01:06:38,151 --> 01:06:39,444 It could be that. 453 01:06:39,444 --> 01:06:41,946 Oh, not drunk, teeny-boppers. 454 01:06:41,946 --> 01:06:44,240 No, absolutely not, you Don Henry fans. 455 01:06:44,240 --> 01:06:45,992 Keith and Henry had a lot of medicine 456 01:06:45,992 --> 01:06:48,369 - Absolutely. - You know, just a lot of medicine 457 01:06:48,369 --> 01:06:49,787 We're getting on. 458 01:06:49,787 --> 01:06:52,039 We're getting on now, and we need our medicine, so... 459 01:06:52,039 --> 01:06:54,083 Let's see the age of this suit. 460 01:06:54,083 --> 01:06:56,461 When I'm on the stage... Let me try and explain. 461 01:06:56,461 --> 01:06:59,213 When I'm on the stage, I'm not in control of myself at all. 462 01:06:59,213 --> 01:07:00,965 I don't even know who I am 463 01:07:00,965 --> 01:07:02,925 You know, I'm not this rational person 464 01:07:02,925 --> 01:07:04,510 that can sit here now and talk to you. 465 01:07:04,510 --> 01:07:06,471 If you walked on the stage with a microphone 466 01:07:06,763 --> 01:07:08,264 in the middle of a concert, 467 01:07:08,264 --> 01:07:10,433 I'd probably come close to killing you. 468 01:07:10,767 --> 01:07:13,519 I have come close to killing people who have walked on stage. 469 01:07:13,519 --> 01:07:15,938 Abbie Hoffman walked on the stage at Woodstock, 470 01:07:15,938 --> 01:07:17,940 and I nearly killed him with my guitar. 471 01:07:17,940 --> 01:07:20,443 A cameraman walked on the stage. 472 01:07:20,443 --> 01:07:23,112 A policeman came on when the bloody building 473 01:07:23,112 --> 01:07:25,948 at the Fillmore In New York was burning down, 474 01:07:25,948 --> 01:07:28,951 and I kicked him in the balls and sent him off 475 01:07:28,951 --> 01:07:33,122 because I...you know, I'm just not there, really. 476 01:07:33,122 --> 01:07:36,834 It's not like being possessed. It's just I do my job, 477 01:07:36,834 --> 01:07:40,755 and I know I have to get into a certain state of mind to do it. 478 01:11:50,504 --> 01:11:53,549 We'd realized the end of our tether. 479 01:11:53,549 --> 01:11:58,637 We'd reached it. We'd come upon the point when the... 480 01:12:04,101 --> 01:12:07,646 nose bleeds and all that were no good. 481 01:12:07,646 --> 01:12:12,777 We can't go on doing that. It's no good. 482 01:12:12,777 --> 01:12:16,447 It's beyond the beyond. 483 01:12:16,447 --> 01:12:19,158 Bob. Barbara. 484 01:12:19,158 --> 01:12:20,201 Barbara Ann? 485 01:12:22,411 --> 01:12:23,496 Well, that's... 486 01:14:55,773 --> 01:14:58,859 We did that bit, though. Does it come in twice? 487 01:15:02,404 --> 01:15:03,530 Look what happened? 488 01:15:04,740 --> 01:15:07,368 I mean, one main ambition now was to get back on the road 489 01:15:07,368 --> 01:15:08,911 with the horrible Who, 490 01:15:08,911 --> 01:15:11,288 the worst rock and roll group in the world. 491 01:15:11,288 --> 01:15:12,623 - The worst? - Yes. 492 01:15:12,623 --> 01:15:15,918 You couldn't pick four more horrible geezers 493 01:15:15,918 --> 01:15:19,588 that make more, like, the worst noise that you've ever heard in your life. 494 01:20:33,026 --> 01:20:34,903 You want one of the reasons 495 01:20:34,903 --> 01:20:39,157 for having music and things fantastically loud 496 01:20:39,157 --> 01:20:44,121 is because you get so many people that turn deaf ears to what you do. 497 01:20:44,121 --> 01:20:47,916 You know what I mean? They just won't listen to what you do, 498 01:20:47,916 --> 01:20:50,877 and it doesn't matter how good or bad it is. 499 01:20:50,877 --> 01:20:54,298 In fact, The bigger it is, normally, 500 01:20:54,298 --> 01:20:56,925 the more they'll close their ears to it. 501 01:20:56,925 --> 01:21:00,262 And so the louder you got to work, you know. 502 01:21:00,262 --> 01:21:02,264 Volume is fantastic thing. 503 01:21:02,264 --> 01:21:06,727 Power and volume and power and volume. 504 01:21:08,645 --> 01:21:10,772 When I went to get my ears tested, 505 01:21:10,772 --> 01:21:12,107 I thought I was really encouraged, 506 01:21:12,107 --> 01:21:16,028 apart from the fact you said I have terrible ears. 507 01:21:16,028 --> 01:21:21,074 He said Bill said, "What advice would you give him? 508 01:21:21,074 --> 01:21:26,663 Would you tell him to stop playing entirely and leave the group?" 509 01:21:26,663 --> 01:21:29,124 Throw his career out the window. 510 01:21:29,124 --> 01:21:31,960 Become a pauper, starve. 511 01:21:31,960 --> 01:21:33,337 Would you tell him that? 512 01:21:33,629 --> 01:21:38,175 "Well, actually, no, but I would advise him to learn to lip read." 513 01:21:40,844 --> 01:21:42,679 It's true. That's what he said. 514 01:21:42,679 --> 01:21:44,389 Get off. 515 01:21:44,389 --> 01:21:48,810 Have all of you made enough money to stop work this afternoon, tonight? 516 01:21:48,810 --> 01:21:50,979 Well, I'm certain you'd like that. 517 01:21:50,979 --> 01:21:52,314 Yes, I have. 518 01:21:52,314 --> 01:21:54,066 You have? Why don't you stop, then? 519 01:21:54,066 --> 01:21:56,902 He's got to support me and the rest of the boys. 520 01:21:58,820 --> 01:22:00,822 You mean you've made more money than they have? 521 01:22:00,822 --> 01:22:02,741 Well, I write all the songs. 522 01:22:02,741 --> 01:22:04,826 No, I write the songs. 523 01:22:04,826 --> 01:22:07,287 So if you write songs, you get a bit on the side. 524 01:22:09,164 --> 01:22:15,712 You see, the thing is, as songwriter, I do have something, you know... 525 01:22:15,712 --> 01:22:18,048 - Going for you. - Going for me. 526 01:22:20,676 --> 01:22:22,260 We go for him. 527 01:22:22,260 --> 01:22:24,096 Scab. 528 01:22:26,932 --> 01:22:29,017 Carry on, Russell. 529 01:22:29,017 --> 01:22:32,354 I'm transfixed by John. I don't know why I'm here. 530 01:22:32,354 --> 01:22:36,024 In "My Generation," you wrote "I hope I die before I get old." 531 01:22:36,024 --> 01:22:38,026 - Do you in fact mean this? - Yes 532 01:22:39,861 --> 01:22:43,031 Guitar up here, including big-mouthed little kid 533 01:22:43,031 --> 01:22:45,158 who wants to come and fucking take it off me. 534 01:22:48,995 --> 01:22:52,165 Rock and roll has got no future. It don't matter. 535 01:22:52,165 --> 01:22:55,419 We became rich a lot later than I expected. 536 01:22:57,212 --> 01:23:01,216 Now I'm too old to enjoy my money. 537 01:23:01,216 --> 01:23:05,303 Excuse me. You know, we just shot a lot of film for the interview, 538 01:23:05,303 --> 01:23:08,181 and talking about all that. 539 01:23:08,181 --> 01:23:11,768 I was wondering now if you can really tell us the truth and stuff. 540 01:23:11,768 --> 01:23:14,229 Oh, no. 541 01:23:14,229 --> 01:23:17,899 It's... I mean, the truth as you want to hear it? 542 01:23:17,899 --> 01:23:20,360 I can't do that. 543 01:23:20,360 --> 01:23:22,320 You couldn't afford me. 544 01:23:22,320 --> 01:23:25,240 But you're a very different person now 545 01:23:25,240 --> 01:23:27,784 to the desperate young man of the early '60s, aren't you? 546 01:23:27,784 --> 01:23:29,953 Yeah, I'm a desperate old fart now. 547 01:23:29,953 --> 01:23:31,163 Not boring, though. 548 01:28:47,270 --> 01:28:50,106 So there. 549 01:28:50,106 --> 01:28:52,317 I've been saving that. 550 01:28:52,317 --> 01:28:54,360 You've all been behaving this crazy way well all the time. 551 01:28:54,360 --> 01:28:55,779 You're all married, aren't you? 552 01:28:57,072 --> 01:28:59,115 No. 553 01:28:59,115 --> 01:29:00,700 I wouldn't marry this lot. 554 01:29:05,205 --> 01:29:06,831 That's a great sleeve, that is. 555 01:29:06,831 --> 01:29:09,501 - If you touch my bleeding sleeve... - See? 556 01:29:09,501 --> 01:29:12,212 He's getting stroppy now. 557 01:29:12,212 --> 01:29:14,839 You leave his sleeves alone. 558 01:29:14,839 --> 01:29:16,257 Personal, them. 559 01:29:16,257 --> 01:29:18,384 Can't touch the interviewer, can we? 560 01:29:19,552 --> 01:29:21,137 No, he's in command, isn't he? 561 01:29:21,137 --> 01:29:23,765 He can make everybody else look a right twit, 562 01:29:23,765 --> 01:29:25,517 as long as you don't have a go at him. 563 01:29:25,517 --> 01:29:27,227 How long have you been happily married, then? 564 01:29:32,273 --> 01:29:34,776 You really do have a lovely life line. 565 01:29:35,110 --> 01:29:36,486 Have I a long life line? 566 01:29:36,486 --> 01:29:38,780 - Here about the warts. - No, not too long. 567 01:29:38,780 --> 01:29:40,281 I should say about half a fortnight. 568 01:29:40,281 --> 01:29:45,286 Ladies and gentlemen, before my life line, according to him is two minutes long, 569 01:29:45,286 --> 01:29:47,163 which means we've got to the end of the program. 570 01:29:47,163 --> 01:29:50,208 We will be back, God willing, same time, same place, next week. 571 01:29:50,208 --> 01:29:51,626 - See you then. Good night. - He's so smooth. 572 01:29:51,626 --> 01:29:54,212 "RUSSELL HARTY PLUS" 573 01:29:54,212 --> 01:29:57,382 This is where it all ends. 574 01:33:46,361 --> 01:33:48,654 I can't think of anything to say. 575 01:33:50,698 --> 01:33:52,950 Rock and roll's never ever stood 576 01:33:52,950 --> 01:33:56,579 dissecting and inspecting it at close range. 577 01:33:56,579 --> 01:33:58,873 It just doesn't stand up. 578 01:33:58,873 --> 01:34:00,625 So shut up. 579 01:34:02,126 --> 01:34:05,421 There is a place for us. 580 01:34:05,421 --> 01:34:12,136 I am accused of letting the side down, as it were, 581 01:34:12,136 --> 01:34:14,889 often by our fans, you know. 582 01:34:14,889 --> 01:34:16,099 Like, for example, 583 01:34:16,099 --> 01:34:19,727 you can't stop doing this. 584 01:34:19,727 --> 01:34:21,104 You can't stop doing what you're doing 585 01:34:21,396 --> 01:34:24,690 because you'd let down all these people. 586 01:34:24,690 --> 01:34:27,527 It's not people just saying "Listen, you'll disappoint your fans 587 01:34:27,527 --> 01:34:29,654 if you don't go on. The show must go on. 588 01:34:29,654 --> 01:34:33,157 You must go on, otherwise all those people will be so upset." 589 01:34:33,157 --> 01:34:35,451 It's "You've got to go on, man. 590 01:34:35,451 --> 01:34:38,496 Otherwise, all those kids, they'll be finished. 591 01:34:38,496 --> 01:34:40,581 They'll have nothing to live for. 592 01:34:40,581 --> 01:34:41,666 That's rock and roll. 593 01:44:05,145 --> 01:44:07,439 Thank you, Thank you. 45593

Can't find what you're looking for?
Get subtitles in any language from opensubtitles.com, and translate them here.