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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:04,097 --> 00:00:07,100 CAPTIONING MADE POSSIBLE BY WARNER BROS. 2 00:01:27,931 --> 00:01:29,432 [BELL RINGING] 3 00:01:37,441 --> 00:01:38,942 [WHISTLE BLOWING] 4 00:02:14,478 --> 00:02:15,979 NICKY! NICKY! 5 00:02:18,982 --> 00:02:20,483 WHAT ARE YOU DOING? 6 00:02:20,484 --> 00:02:21,485 JUST PRACTICING, DEAR. 7 00:02:21,485 --> 00:02:22,986 DO YOU HAVE A LITTLE SLICE OF THROAT? 8 00:02:22,986 --> 00:02:24,487 YOU'D BETTER HURRY. 9 00:02:24,488 --> 00:02:26,490 WE'RE GETTING INTO SAN FRANCISCO IN 5 MINUTES. 10 00:02:29,493 --> 00:02:33,997 ASTA! MY BEST SUNDAY-GO-TO-MEETING HAT! 11 00:02:35,499 --> 00:02:37,000 DEAR, DEAR. 12 00:02:37,000 --> 00:02:39,002 DARLING, DON'T YOU WANT TO PACK THIS? 13 00:02:39,002 --> 00:02:41,004 Nora: HOW THEY CAN EXPECT A WOMAN 14 00:02:41,004 --> 00:02:43,006 TO STILL HAVE ANY MYSTERY LEFT FOR A MAN 15 00:02:43,006 --> 00:02:45,008 AFTER LIVING IN A PLACE LIKE THIS FOR 3 DAYS, I DON'T KNOW. 16 00:02:45,008 --> 00:02:46,509 DARLING, YOU DON'T NEED MYSTERY. 17 00:02:46,510 --> 00:02:47,511 YOU'VE GOT SOMETHING MUCH BETTER, 18 00:02:47,511 --> 00:02:48,512 SOMETHING MORE ALLURING. 19 00:02:48,512 --> 00:02:49,513 WHAT? ME. 20 00:02:49,513 --> 00:02:50,514 YOU! 21 00:02:50,514 --> 00:02:52,015 HA HA! 22 00:02:54,518 --> 00:02:56,520 IT'S ALL RIGHT. WE'RE MARRIED. 23 00:02:56,520 --> 00:02:58,522 DARLING, YOU'VE GOT TO PACK. 24 00:02:58,522 --> 00:03:01,024 THAT'S RIGHT. RIGHT, I MUST PACK, RIGHT. 25 00:03:07,030 --> 00:03:08,531 ARE YOU PACKING, DEAR? 26 00:03:08,532 --> 00:03:10,033 MM-HMM. 27 00:03:10,033 --> 00:03:11,034 YES, DARLING, 28 00:03:11,034 --> 00:03:13,536 I'M JUST PUTTING AWAY THIS LIQUOR. 29 00:03:17,040 --> 00:03:18,041 OOH! 30 00:03:18,041 --> 00:03:21,044 IF YOU BREAK THAT, THEY COULD SUE YOU. 31 00:03:21,044 --> 00:03:22,545 OH, BABY, YOU KNOW, 32 00:03:22,546 --> 00:03:24,047 I'M GOING TO MISS THIS LITTLE ROOM OF OURS. 33 00:03:24,047 --> 00:03:26,549 IT'S LEFT SOME LASTING IMPRESSIONS ON ME. 34 00:03:26,550 --> 00:03:29,052 DEAR, WILL YOU PACK THIS? 35 00:03:29,052 --> 00:03:30,553 YES. 36 00:03:30,554 --> 00:03:31,555 DELIGHTED, DELIGHTED. 37 00:03:31,555 --> 00:03:35,559 YOU KNOW, I SORT OF HATE TO LEAVE THIS. 38 00:03:35,559 --> 00:03:38,562 OH, DON'T LEAVE ANYTHING. 39 00:03:38,562 --> 00:03:41,064 WELL, ARE YOU, UH... 40 00:03:41,064 --> 00:03:43,066 YOU GOING TO WEAR THIS DRESS, DEAR? 41 00:03:43,066 --> 00:03:45,568 NO. YOU CAN PUT THAT IN. 42 00:03:45,569 --> 00:03:46,570 OH, THAT'S FINE. 43 00:03:46,570 --> 00:03:48,071 THAT'S FINE. 44 00:03:48,071 --> 00:03:49,572 [WHISTLE BLOWS] 45 00:03:52,075 --> 00:03:53,576 [BELL RINGING] 46 00:03:59,082 --> 00:04:00,583 NICK CHARLES IN THIS CAR? 47 00:04:00,584 --> 00:04:03,587 TWO CARS BACK. TWO CARS BACK. 48 00:04:05,589 --> 00:04:06,590 HELLO, NICK! 49 00:04:06,590 --> 00:04:09,092 WELL, HOW ARE YOU? 50 00:04:09,092 --> 00:04:10,093 [ALL TALKING] 51 00:04:10,093 --> 00:04:11,594 ARE YOU GOING TO PLAY DETECTIVE AGAIN? 52 00:04:11,595 --> 00:04:13,096 THAT'S WHAT WE WANT TO KNOW. 53 00:04:13,096 --> 00:04:15,098 I'M THROUGH DETECTING FOR THE REST OF MY NATURAL LIFE. 54 00:04:15,098 --> 00:04:16,099 ARE YOU GOING TO KEEP ON 55 00:04:16,099 --> 00:04:17,600 WITH YOUR DETECTIVE WORK, NICK? 56 00:04:17,601 --> 00:04:19,603 I'VE RETIRED. I'M JUST GOING TO TAKE CARE 57 00:04:19,603 --> 00:04:21,605 OF MY WIFE'S MONEY SO I'LL HAVE SOMETHING IN MY OLD AGE. 58 00:04:21,605 --> 00:04:23,607 YOU SAID YOU'D RETIRE IN NEW YORK, 59 00:04:23,607 --> 00:04:25,609 BUT I NOTICED YOU TOOK THAT THIN MAN CASE. 60 00:04:25,609 --> 00:04:27,611 THAT THIN MAN WAS A BEAUT. THEY'RE STILL TALKING ABOUT IT. 61 00:04:27,611 --> 00:04:29,112 DIG US UP ANOTHER THIN MAN, 62 00:04:29,112 --> 00:04:30,113 WILL YOU, NICK? 63 00:04:30,113 --> 00:04:31,114 THAT WAS A GREAT CASE, NICK. 64 00:04:31,114 --> 00:04:32,615 YOU'D TAKE A CASE LIKE THAT, 65 00:04:32,616 --> 00:04:33,617 WOULDN'T YOU, NICK? 66 00:04:33,617 --> 00:04:35,118 I ONLY TOOK THAT TO PLEASE MY WIFE. 67 00:04:35,118 --> 00:04:36,119 SHE WANTS SOME EXCITEMENT. 68 00:04:36,119 --> 00:04:37,620 I GUESS SHE HAD IT! 69 00:04:37,621 --> 00:04:39,623 OH, IT WAS WONDERFUL. TWO MEN TRIED TO KILL HIM. 70 00:04:39,623 --> 00:04:41,625 BUT HE'S NOT GOING TO TAKE ANY MORE CASES. 71 00:04:41,625 --> 00:04:42,626 YOU CAN PRINT THAT. 72 00:04:42,626 --> 00:04:45,128 THAT'S MY DARLING. 73 00:04:45,128 --> 00:04:47,130 [ALL TALKING] 74 00:04:52,636 --> 00:04:54,638 Nora: HELLO, HAROLD. 75 00:04:54,638 --> 00:04:57,641 Nick: HIYA, HAROLD. I'M GLAD TO SEE YOU. 76 00:04:57,641 --> 00:05:00,143 [ALL TALKING] 77 00:05:00,143 --> 00:05:01,144 [ARF ARF] 78 00:05:03,647 --> 00:05:05,649 SO LONG, NICK! SEE YOU AROUND! 79 00:05:07,150 --> 00:05:08,651 EXCUSE ME, LADY. 80 00:05:08,652 --> 00:05:09,653 HELLO, FINGERS. 81 00:05:09,653 --> 00:05:12,155 WELL, NICK, HOW ARE YOU? 82 00:05:12,155 --> 00:05:13,156 HOW'S BUSINESS? 83 00:05:13,156 --> 00:05:15,158 OH, I QUIT THAT RACKET. 84 00:05:15,158 --> 00:05:17,160 NICK, NICK, LOOK. MY PURSE IS GONE. 85 00:05:17,160 --> 00:05:19,162 OH, DARLING, ISN'T THAT TOO BAD? NORA, I WANT YOU 86 00:05:19,162 --> 00:05:21,664 TO KNOW FINGERS. THIS IS MY WIFE. 87 00:05:21,665 --> 00:05:22,666 YOUR WIFE! 88 00:05:22,666 --> 00:05:23,667 Nick: MM-HMM. 89 00:05:25,168 --> 00:05:26,669 HA HA HA! 90 00:05:28,672 --> 00:05:31,174 HA HA HA! 91 00:05:31,174 --> 00:05:33,176 GEE, I--GEE, I DIDN'T KNOW 92 00:05:33,176 --> 00:05:34,177 YOU WERE MARRIED. 93 00:05:34,177 --> 00:05:36,179 OH, YES, I'M MARRIED. 94 00:05:38,682 --> 00:05:41,184 NICK, WHAT WILL I DO? I KNOW I HAD IT. 95 00:05:41,184 --> 00:05:42,185 DON'T WORRY, DARLING. 96 00:05:42,185 --> 00:05:44,187 IT WILL TURN UP. WON'T IT, FINGERS? 97 00:05:44,187 --> 00:05:45,688 I CERTAINLY HOPE SO. 98 00:05:45,689 --> 00:05:49,192 WELL, NICK, AM I TICKLED TO DEATH TO SEE YOU. 99 00:05:49,192 --> 00:05:51,194 GOOD OLD NICK. AND MARRIED, TOO! 100 00:05:51,194 --> 00:05:52,695 I DIDN'T KNOW YOU WERE MARRIED. 101 00:05:52,696 --> 00:05:54,197 OH, YES, YES. 102 00:05:54,197 --> 00:05:56,199 WELL, I'M GLAD I BUMPED INTO YOU. 103 00:05:56,199 --> 00:05:57,700 WELL, GOOD-BYE, MRS. CHARLES. 104 00:05:57,701 --> 00:05:58,702 GOOD-BYE. 105 00:05:58,702 --> 00:06:00,203 GOOD-BYE, FINGERS. COME ON, DEAR. 106 00:06:00,203 --> 00:06:01,704 I JUST CAN'T GO OFF-- 107 00:06:01,705 --> 00:06:03,707 COME ON, WE DON'T WANT TO EMBARRASS HIM. 108 00:06:03,707 --> 00:06:05,208 WHAT ARE YOU TALKING ABOUT? 109 00:06:05,208 --> 00:06:06,709 HE'S A PURSE SNATCHER. THINK OF HIS FEELINGS. 110 00:06:06,710 --> 00:06:08,211 WELL, THEN, HE MUST HAVE TAKEN IT. 111 00:06:08,211 --> 00:06:09,212 SO LONG, FINGERS! 112 00:06:09,212 --> 00:06:10,713 SO LONG, NICK! 113 00:06:10,714 --> 00:06:11,715 THERE YOU ARE, DEAR. 114 00:06:11,715 --> 00:06:15,218 DEAR, YOU DO KNOW THE NICEST PEOPLE. 115 00:06:19,723 --> 00:06:21,224 HELLO, NICK! 116 00:06:21,224 --> 00:06:22,725 HELLO, BILL! 117 00:06:22,726 --> 00:06:25,228 HEY, YOU CAN START DELIVERING AGAIN! 118 00:06:25,228 --> 00:06:27,730 AND ALL THE BIG KEGS! 119 00:06:35,238 --> 00:06:36,239 HELLO, NICK! 120 00:06:36,239 --> 00:06:37,240 HOW ARE YOU, BOYS? 121 00:06:37,240 --> 00:06:39,242 WHERE HAVE YOU BEEN, NICK? 122 00:06:39,242 --> 00:06:41,244 HAVE I BEEN AWAY ALL MY LIFE? 123 00:06:41,244 --> 00:06:43,746 HAVE YOU SEEN THE KID? 124 00:06:43,747 --> 00:06:44,748 NO. WHERE IS HE? 125 00:06:44,748 --> 00:06:46,249 HE'S STAGING A COMEBACK FRIDAY NIGHT. 126 00:06:46,249 --> 00:06:48,751 HEY, SCREWY, HERE'S NICK CHARLES! 127 00:06:48,752 --> 00:06:49,753 Screwy: HELLO, MR. CHARLES! 128 00:06:49,753 --> 00:06:50,754 HELLO, NICK! 129 00:06:50,754 --> 00:06:52,756 HOW ARE YOU, KID? HOW'S IT GOING? 130 00:06:52,756 --> 00:06:54,257 NEVER BETTER! NEVER BETTER! 131 00:06:54,257 --> 00:06:56,259 SAY, NOW I KNOW I CAN'T LOSE! 132 00:06:56,259 --> 00:06:57,760 YOU COMING TO SEE ME FIGHT? 133 00:06:57,761 --> 00:06:59,262 MRS. CHARLES WOULD NEVER THINK 134 00:06:59,262 --> 00:07:00,763 OF MISSING ONE OF YOUR FIGHTS. 135 00:07:00,764 --> 00:07:02,265 MRS. CHARLES! WELL, WELL, DID YOU EVER SEE ME FIGHT? 136 00:07:02,265 --> 00:07:03,266 YOU GOT A TREAT, THEN! 137 00:07:03,266 --> 00:07:04,767 I'M GOING TO CUT THE GUY UP IN RIBBONS, 138 00:07:04,768 --> 00:07:07,270 IF I DON'T HAVE HIM BLEEDING IN THE FIRST ROUND. 139 00:07:07,270 --> 00:07:08,771 Harold: YOU'LL HAVE HIM BLEEDING? YEAH. 140 00:07:08,772 --> 00:07:10,273 EXCUSE ME, MRS. CHARLES. 141 00:07:10,273 --> 00:07:12,275 IF MY LEGS WILL ONLY HOLD OUT, I'LL KILL THE GUY. 142 00:07:12,275 --> 00:07:13,776 I'M GOING TO KNOCK-- 143 00:07:13,777 --> 00:07:15,779 THAT-A BOY, BUMP. YOU'LL GET HIM SURE. 144 00:07:15,779 --> 00:07:16,780 GIVE IT TO HIM HOT! 145 00:07:16,780 --> 00:07:17,781 Kid: SURE! 146 00:07:17,781 --> 00:07:18,782 OK, HAROLD! 147 00:07:22,285 --> 00:07:24,787 OH, HELLO, NORA! 148 00:07:24,788 --> 00:07:25,789 OH, HELLO. 149 00:07:25,789 --> 00:07:27,290 WHO'S THAT? 150 00:07:27,290 --> 00:07:29,292 OH, YOU WOULDN'T KNOW THEM, DARLING. 151 00:07:29,292 --> 00:07:31,294 THEY'RE RESPECTABLE. 152 00:07:44,140 --> 00:07:45,141 OH... 153 00:07:45,141 --> 00:07:49,145 ♪ HOME, HOME ON THE RANGE ♪ 154 00:07:49,145 --> 00:07:50,646 ISN'T IT LOVELY? 155 00:07:50,647 --> 00:07:54,150 HOME. SO PEACEFUL. SO QUIET. 156 00:07:54,150 --> 00:07:55,651 IF ANYBODY WAKES ME UP FOR A WEEK, 157 00:07:55,652 --> 00:07:57,153 I'M GOING TO HAVE THE LAW ON THEM. 158 00:08:07,163 --> 00:08:08,164 [RUFF] 159 00:08:12,168 --> 00:08:13,669 [GROWLING] 160 00:08:20,677 --> 00:08:22,178 [ARF ARF ARF] 161 00:09:04,721 --> 00:09:06,723 [DOG BARKS] 162 00:09:12,729 --> 00:09:14,230 [ARF ARF ARF] 163 00:09:32,248 --> 00:09:34,750 OH, NEW YEAR'S EVE AT HOME. 164 00:09:34,751 --> 00:09:38,254 OR WOULD YOU KNOW THAT THIS IS NEW YEAR'S? 165 00:09:38,254 --> 00:09:39,255 I KNOW. 166 00:09:39,255 --> 00:09:41,757 OH. I SUPPOSE YOU GOT IDEAS, HUH? 167 00:09:41,758 --> 00:09:43,259 VERY DEFINITE IDEAS. 168 00:09:43,259 --> 00:09:44,760 I WAS AFRAID SO. 169 00:09:44,761 --> 00:09:46,262 I'M GOING TO LOCK THE DOOR, 170 00:09:46,262 --> 00:09:47,763 PLUG THE BELL, CUT THE TELEPHONE, 171 00:09:47,764 --> 00:09:49,265 AND CRAWL INTO BED FOR A MONTH. 172 00:09:49,265 --> 00:09:51,267 OH, NORA, YOU'RE MY FAVORITE WOMAN. 173 00:09:51,267 --> 00:09:54,770 HERE, I'M GOING TO BE IN BED AT MIDNIGHT, 174 00:09:54,771 --> 00:09:56,773 SO HAPPY NEW YEAR. 175 00:09:58,274 --> 00:09:59,775 HAPPY NEW YEAR. 176 00:10:06,282 --> 00:10:07,783 [LOUD COMMOTION] 177 00:10:07,784 --> 00:10:09,285 [MUSIC PLAYING] 178 00:10:09,285 --> 00:10:10,786 COME IN, COME IN. 179 00:10:10,787 --> 00:10:12,789 GIVE ME YOUR HAT AND COAT. 180 00:10:12,789 --> 00:10:14,290 MAKE YOURSELF AT HOME. 181 00:10:19,295 --> 00:10:21,297 IT'S OUR HOUSE ALL RIGHT. 182 00:10:21,297 --> 00:10:24,800 LET'S GO IN. THE MAN SAID IT WAS ALL RIGHT. 183 00:10:24,801 --> 00:10:26,302 YEAH. 184 00:10:26,302 --> 00:10:28,304 Man: HEY, THE BAR'S RIGHT IN HERE. 185 00:10:28,304 --> 00:10:29,805 HELP YOURSELF. 186 00:10:29,806 --> 00:10:30,807 THANKS. 187 00:10:30,807 --> 00:10:31,808 OK. 188 00:10:31,808 --> 00:10:32,809 WHAT'S THE CELEBRATION? 189 00:10:32,809 --> 00:10:34,310 WE'RE GIVING A SURPRISE PARTY 190 00:10:34,310 --> 00:10:35,311 FOR NICK AND NORA. 191 00:10:35,311 --> 00:10:36,812 OH, NICK AND NORA. 192 00:10:36,813 --> 00:10:39,315 DON'T YOU KNOW NICK AND NORA? 193 00:10:39,315 --> 00:10:40,316 NO. 194 00:10:40,316 --> 00:10:42,318 NEITHER DO I. THAT'S NOT GOING 195 00:10:42,318 --> 00:10:44,320 TO SPOIL MY FUN. IT'S NEW YEAR'S. 196 00:10:44,320 --> 00:10:45,321 WHAT'S THE ODDS? 197 00:10:45,321 --> 00:10:47,823 GO ON IN, FAKE IT. IT'S A CINCH. 198 00:10:47,824 --> 00:10:49,325 WELL, THANKS. 199 00:10:49,325 --> 00:10:52,328 GO ON IN AND GET SOME OF THAT NAPOLEON BRANDY 200 00:10:52,328 --> 00:10:54,830 BEFORE IT'S ALL GONE. 201 00:10:58,334 --> 00:11:00,336 [WOMAN SINGING SING, SING, SING] 202 00:11:05,842 --> 00:11:06,843 Man: NOW, LISTEN, LET'S GET TOGETHER ON THIS. 203 00:11:06,843 --> 00:11:09,345 THIS IS SUPPOSED TO BE A SURPRISE PARTY. 204 00:11:09,345 --> 00:11:10,846 Woman: I'M ACTING SURPRISED. 205 00:11:10,847 --> 00:11:12,849 Man: NOT BAD, HUH? 206 00:11:12,849 --> 00:11:14,350 OH, NO, NOT AT ALL. 207 00:11:14,350 --> 00:11:16,352 HOW YOU DOING? ANYONE WISE TO YOU HERE? 208 00:11:16,352 --> 00:11:17,353 NO. 209 00:11:17,353 --> 00:11:18,854 WHAT DID I TELL YOU? 210 00:11:18,855 --> 00:11:20,857 MAY I HAVE THIS DANCE? 211 00:11:22,859 --> 00:11:24,861 Woman: IF I WAS IN A FIRE ON THE THIRD FLOOR, 212 00:11:24,861 --> 00:11:26,362 WOULD YOU SAVE ME? 213 00:11:26,362 --> 00:11:27,863 IT'S TOO LATE FOR YOU TO BE SAVED, BABY. 214 00:11:27,864 --> 00:11:29,365 NO, I MEAN IT. HOW WOULD YOU DO IT? 215 00:11:29,365 --> 00:11:30,866 WELL, I'D JUST PICK YOU UP 216 00:11:30,867 --> 00:11:32,368 AND PUT YOU RIGHT DOWN THERE. 217 00:11:32,368 --> 00:11:33,369 NOW YOU SAVE ME! 218 00:11:33,369 --> 00:11:34,870 YOU PUT HER DOWN AND YOU SAVE ME. 219 00:11:34,871 --> 00:11:37,373 I'M ON THE THIRD FLOOR, TOO! 220 00:11:37,373 --> 00:11:38,874 Man: HEY, I'LL BET YOU CAN'T DO THIS! 221 00:11:38,875 --> 00:11:40,877 WATCH ME. HERE I GO. 222 00:11:46,382 --> 00:11:47,883 Man: WHEN I PICKED THIS BIG LUG UP, 223 00:11:47,884 --> 00:11:48,885 HE DIDN'T KNOW A THING. 224 00:11:48,885 --> 00:11:50,386 I TAUGHT HIM EVERYTHING HE KNOWS. 225 00:11:50,386 --> 00:11:52,888 SHOW 'EM THAT NEW ARM LOCK I TAUGHT YOU. 226 00:11:52,889 --> 00:11:53,890 Man: OK! 227 00:11:53,890 --> 00:11:58,394 NOW SHOW 'EM THAT HEADLOCK! THIS WILL KILL YOU. 228 00:11:58,394 --> 00:12:02,398 SHOW 'EM HOW YOU THROW THEM OUT IN THE AISLES. 229 00:12:04,901 --> 00:12:06,402 ♪ SING, SING, SING, SING ♪ 230 00:12:06,402 --> 00:12:08,404 ♪ EVERYBODY START TO SING ♪ 231 00:12:08,404 --> 00:12:09,405 ♪ LA LA ♪ 232 00:12:09,405 --> 00:12:10,406 ♪ NYAH NYAH ♪ 233 00:12:10,406 --> 00:12:12,408 ♪ NOW YOU'RE SINGING WITH A SWING ♪ 234 00:12:12,408 --> 00:12:14,910 "HELLO, NICK. HELLO, NORA. 235 00:12:14,911 --> 00:12:17,413 "WELCOME HOME. 236 00:12:17,413 --> 00:12:21,417 WE ARE TENDERING THIS LITTLE SURPRISE PARTY FOR THE..." 237 00:12:25,922 --> 00:12:27,924 [SHOUTING] 238 00:12:27,924 --> 00:12:29,926 [BAND PLAYS FOR HE'S A JOLLY GOOD FELLOW] 239 00:12:34,931 --> 00:12:36,766 YOU CAN'T GO THROUGH THE KITCHEN! WE'RE BUSY! 240 00:12:36,766 --> 00:12:38,768 HEY, WHERE WILL I PUT THIS ICE? 241 00:12:38,768 --> 00:12:40,269 LAY IT DOWN AND DON'T BOTHER! 242 00:12:40,269 --> 00:12:42,271 Man: PUT IT IN THE SINK AND BREAK IT UP. 243 00:12:42,271 --> 00:12:43,772 WHERE'S THE OIL? 244 00:12:43,773 --> 00:12:44,774 THERE ISN'T ANY MORE! 245 00:12:44,774 --> 00:12:45,775 WHERE DO YOU WANT THESE? 246 00:12:45,775 --> 00:12:46,776 OVER HERE! RIGHT DOWN THERE! 247 00:12:46,776 --> 00:12:49,278 COME BACK FROM THE STORE WITH SOME OLIVE OIL! 248 00:12:49,278 --> 00:12:50,779 OH, MY TOAST! 249 00:12:50,780 --> 00:12:52,281 I'LL TAKE CARE OF THAT. 250 00:12:52,281 --> 00:12:53,282 LEAVE THAT ALONE! 251 00:12:53,282 --> 00:12:54,783 OH, MR. CHARLES! 252 00:12:54,784 --> 00:12:56,285 [ALL TALKING] 253 00:12:58,788 --> 00:13:01,290 HELLO THERE, MR. CHARLES. I'M GLAD TO SEE YOU. 254 00:13:01,290 --> 00:13:03,292 HOW ARE YOU, MR. CHARLES? 255 00:13:03,292 --> 00:13:04,793 HOW ARE YOU, NICK? 256 00:13:04,794 --> 00:13:06,295 Man: OH, YOU'RE LOOKING GREAT! 257 00:13:06,295 --> 00:13:08,297 Woman: WE SAW YOUR PICTURES IN THE PAPER! 258 00:13:08,297 --> 00:13:10,299 THEY SAID YOU DID A GOOD JOB 259 00:13:10,299 --> 00:13:11,800 IN NEW YORK. 260 00:13:11,801 --> 00:13:12,802 I GUESS THEY'LL BE SCARED TO DEATH 261 00:13:12,802 --> 00:13:14,303 IF THERE ARE ANY MORE MURDERS BACK THERE. 262 00:13:14,303 --> 00:13:16,305 I'VE BEEN SCARED TO GO DOWN IN THE CELLAR EVER SINCE! 263 00:13:16,305 --> 00:13:17,806 DON'T YOU WORRY, ROSE. 264 00:13:17,807 --> 00:13:19,308 IF ANYONE MURDERS YOU, I'LL CATCH THEM. 265 00:13:19,308 --> 00:13:21,810 OH, MR. CHARLES, DON'T BE TALKING THAT WAY. 266 00:13:21,811 --> 00:13:23,312 WHAT DO YOU THINK OF THE PARTY 267 00:13:23,312 --> 00:13:24,313 THEY'RE GIVING YOU? 268 00:13:24,313 --> 00:13:26,315 LOOKS LIKE WE'RE GIVING IT. 269 00:13:26,315 --> 00:13:27,816 Rose: IT DOES THAT, NOW. 270 00:13:27,817 --> 00:13:28,818 [TELEPHONE RINGS] 271 00:13:28,818 --> 00:13:30,319 THAT'S PROBABLY YOUR AUNT KATHERINE, 272 00:13:30,319 --> 00:13:31,820 MRS. CHARLES. SHE'S PHONED SEVERAL TIMES. 273 00:13:31,821 --> 00:13:33,823 SHE WANTS YOU TO COME FOR DINNER. 274 00:13:33,823 --> 00:13:36,325 GOOD-BYE, MRS. CHARLES, I'LL SEE YOU NEXT YEAR. 275 00:13:36,325 --> 00:13:37,326 SHE EXPECTS YOU, TOO, MR. CHARLES. 276 00:13:37,326 --> 00:13:39,328 ME? 277 00:13:39,328 --> 00:13:41,330 THERE MUST BE SOME MISTAKE. SHE WOULDN'T WANT YOU. 278 00:13:41,330 --> 00:13:42,331 NO. 279 00:13:42,331 --> 00:13:43,832 WHAT EXCUSE WILL I MAKE? 280 00:13:43,833 --> 00:13:44,834 TELL HER THAT I LOST A COLLAR BUTTON 281 00:13:44,834 --> 00:13:46,836 IN NEW YORK AND WE'VE GOT TO GO LOOK FOR IT. 282 00:13:46,836 --> 00:13:48,838 IT'S YOUR COUSIN MRS. LANDIS, MADAME. 283 00:13:48,838 --> 00:13:51,340 OH, THANK HEAVENS IT ISN'T AUNT KATHERINE. 284 00:13:51,340 --> 00:13:52,841 GET OUT OF IT, NOW. 285 00:13:52,842 --> 00:13:53,843 DON'T WORRY. 286 00:13:53,843 --> 00:13:55,344 I WOULDN'T GO THROUGH THAT AGAIN 287 00:13:55,344 --> 00:13:56,845 IF YOU HAD TWICE AS MUCH MONEY. 288 00:13:56,846 --> 00:13:58,848 HELLO, SELMA. 289 00:13:58,848 --> 00:14:00,349 NORA, I JUST WANTED TO MAKE SURE 290 00:14:00,349 --> 00:14:01,850 YOU WERE COMING TONIGHT. 291 00:14:01,851 --> 00:14:05,855 BUT YOU'VE JUST GOT TO COME. I'M IN TERRIBLE TROUBLE. PLEASE! 292 00:14:05,855 --> 00:14:10,359 NO, I CAN'T TELL YOU NOW, BUT YOU MUST COME. 293 00:14:10,359 --> 00:14:11,360 I'M DESPERATE! 294 00:14:11,360 --> 00:14:12,861 Woman: SELMA! 295 00:14:12,862 --> 00:14:13,863 WHOM ARE YOU CALLING? 296 00:14:13,863 --> 00:14:14,864 NORA. 297 00:14:14,864 --> 00:14:16,365 OH, I TOLD YOU! 298 00:14:16,365 --> 00:14:17,866 I CAN'T HELP IT, I-- 299 00:14:17,867 --> 00:14:19,869 THERE ARE SOME PILLS IN MY BAG. TAKE THEM. 300 00:14:19,869 --> 00:14:21,370 OH, NO, AUNT KATHERINE, REALLY-- 301 00:14:21,370 --> 00:14:24,373 [GRUFFLY] TAKE THEM OR I'LL CALL DR. KAMMER! 302 00:14:24,373 --> 00:14:26,375 [SWEETLY] HOW ARE YOU, NORA? 303 00:14:26,375 --> 00:14:27,376 THIS IS AUNT KATHERINE. 304 00:14:27,376 --> 00:14:31,880 OH, YOU OUGHT TO KNOW SELMA WELL ENOUGH 305 00:14:31,881 --> 00:14:34,884 NOT TO PAY ANY ATTENTION TO THAT. 306 00:14:34,884 --> 00:14:35,885 WELL, YOU SEE, 307 00:14:35,885 --> 00:14:37,386 IT'S NEW YEAR'S EVE, AUNT KATHERINE. 308 00:14:37,386 --> 00:14:38,887 THE OLD BATTLE-AX. 309 00:14:38,888 --> 00:14:39,889 SHUT UP! 310 00:14:39,889 --> 00:14:43,392 EXCUSE ME, AUNT KATHERINE, I WAS TALKING TO THE DOG. 311 00:14:43,392 --> 00:14:44,893 BUT, AUNT KATHERINE-- 312 00:14:44,894 --> 00:14:47,897 GIVE ME THAT. GIVE IT TO ME. 313 00:14:49,899 --> 00:14:52,401 YES. 314 00:14:52,401 --> 00:14:54,403 ALL RIGHT, WE'LL COME. 315 00:14:59,408 --> 00:15:02,411 OH, NICKY, I'M SORRY, BUT I HAD TO DO IT. 316 00:15:02,411 --> 00:15:05,414 SELMA'S IN TROUBLE. YOU LIKE SELMA, DON'T YOU? 317 00:15:05,414 --> 00:15:07,416 WELL, NOT THAT MUCH. 318 00:15:07,416 --> 00:15:09,918 FAMILY DINNER, I SUPPOSE. 319 00:15:09,919 --> 00:15:13,422 AUNT KATHERINE... 320 00:15:13,422 --> 00:15:16,425 UNCLE WILLIE, COUSIN EMILY. 321 00:15:16,425 --> 00:15:18,427 AUNT HATTIE, COUSIN LUCIUS... 322 00:15:18,427 --> 00:15:20,429 UNCLE THOMAS. 323 00:15:24,934 --> 00:15:26,936 POUR ME ONE, TOO. 324 00:15:28,938 --> 00:15:29,939 THANKS. 325 00:15:35,945 --> 00:15:37,947 HELLO, ASTA. 326 00:15:43,452 --> 00:15:44,953 WHY ARE YOU LOOKING SO DOWN IN THE MOUTH? 327 00:15:44,954 --> 00:15:47,456 YOU GOT FAMILY TROUBLES, TOO? 328 00:15:47,456 --> 00:15:50,459 [ASTA HOWLS] 329 00:15:50,459 --> 00:15:52,961 [HOWLING] 330 00:15:57,800 --> 00:15:58,801 [SELMA CRYING] 331 00:15:58,801 --> 00:16:00,302 FOR HEAVEN'S SAKE, 332 00:16:00,303 --> 00:16:02,305 DO YOU WANT THE SERVANTS TO HEAR YOU? 333 00:16:02,305 --> 00:16:03,806 I DON'T CARE. I'M GOING CRAZY. 334 00:16:03,806 --> 00:16:05,808 I CAN'T STAND IT ANY LONGER. I'M GOING TO CALL THE POLICE! 335 00:16:05,808 --> 00:16:06,809 YOU'LL DO NOTHING OF THE SORT! 336 00:16:06,809 --> 00:16:07,810 HAVEN'T WE PAID OUT ENOUGH 337 00:16:07,810 --> 00:16:09,311 TO HUSH UP HIS OTHER SCANDALS? 338 00:16:09,312 --> 00:16:10,813 HE NEVER DID ANYTHING LIKE THIS BEFORE. 339 00:16:10,813 --> 00:16:11,814 HOW DO WE KNOW-- 340 00:16:11,814 --> 00:16:13,315 I TOLD YOU I'D HANDLE THIS. 341 00:16:13,316 --> 00:16:15,318 I CAN'T GO ON! QUIET! 342 00:16:15,318 --> 00:16:16,819 BEG PARDON, MADAME, 343 00:16:16,819 --> 00:16:20,823 BUT SHALL I REMOVE MR. ROBERT'S PLACE? 344 00:16:20,823 --> 00:16:21,824 CERTAINLY NOT! 345 00:16:21,824 --> 00:16:23,325 MR. ROBERT WILL BE HERE. 346 00:16:23,326 --> 00:16:24,827 VERY WELL. 347 00:16:27,830 --> 00:16:29,331 YOU KNOW HE WON'T BE HERE. 348 00:16:29,332 --> 00:16:30,833 I KNOW NOTHING OF THE SORT! 349 00:16:30,833 --> 00:16:33,335 NOW GO UPSTAIRS AND MAKE YOURSELF PRESENTABLE. 350 00:16:33,336 --> 00:16:34,837 GO ON! HURRY! 351 00:16:34,837 --> 00:16:36,839 HURRY NOW BECAUSE EVERYBODY'S WAITING. 352 00:16:38,841 --> 00:16:40,342 GOOD EVENING, ALL. 353 00:16:40,343 --> 00:16:41,844 GOOD EVENING, AUNT KATHERINE. 354 00:16:41,844 --> 00:16:44,847 I HAD A BIRTHDAY LAST WEEK, KATHERINE. 355 00:16:44,847 --> 00:16:47,349 I'M 83 YEARS OLD! 83 YEARS OLD! 356 00:16:47,350 --> 00:16:48,851 WHAT DO YOU THINK OF THAT? 357 00:16:48,851 --> 00:16:50,352 THAT'S FINE, LUCY. 358 00:16:50,353 --> 00:16:51,854 NEXT YEAR I'LL BE 84. 359 00:16:51,854 --> 00:16:53,355 SPLENDID. 360 00:16:53,356 --> 00:16:54,857 NOW WE'RE ALONE, 361 00:16:54,857 --> 00:16:57,359 I HAVE SOMETHING IMPORTANT TO TELL ALL OF YOU. 362 00:16:57,360 --> 00:16:59,362 WHAT DID SHE SAY? 363 00:16:59,362 --> 00:17:00,363 SHH! 364 00:17:00,363 --> 00:17:02,365 Katherine: IS THAT THING WORKING, HATTIE? 365 00:17:02,365 --> 00:17:03,366 THIS WORKS BEAUTIFULLY! 366 00:17:03,366 --> 00:17:04,367 IT'S YOU-- YOU MUMBLE. 367 00:17:04,367 --> 00:17:06,369 WHAT IS IT, KATHERINE? 368 00:17:06,369 --> 00:17:10,373 NORA AND HER HUSBAND ARE COMING TONIGHT. 369 00:17:10,373 --> 00:17:11,874 KATHERINE, AFTER THE LAST TIME? 370 00:17:11,874 --> 00:17:12,875 BUT, KATHERINE! 371 00:17:12,875 --> 00:17:13,876 HER HUSBAND? 372 00:17:13,876 --> 00:17:14,877 THAT PERSON? 373 00:17:14,877 --> 00:17:15,878 BUT YOU SAID YOURSELF 374 00:17:15,878 --> 00:17:16,879 YOU WOULDN'T HAVE HIM AGAIN. 375 00:17:16,879 --> 00:17:18,380 I KNOW I DID, 376 00:17:18,381 --> 00:17:20,383 AND MY OPINION OF HIM AND WHAT HE REPRESENTS 377 00:17:20,383 --> 00:17:21,884 HASN'T CHANGED A PARTICLE. 378 00:17:21,884 --> 00:17:23,886 THEN I CAN'T UNDERSTAND WHY YOU ASKED HIM. 379 00:17:23,886 --> 00:17:25,888 I HAVE A VERY GOOD REASON FOR ASKING HIM, 380 00:17:25,888 --> 00:17:27,389 WHICH YOU'LL KNOW IN TIME. 381 00:17:27,390 --> 00:17:28,391 [DOORBELL RINGS] 382 00:17:28,391 --> 00:17:29,892 THAT MUST BE THEY NOW. 383 00:17:29,892 --> 00:17:31,393 UNDERSTAND NOW I WANT YOU ALL TO BE PLEASANT TO HIM. 384 00:17:31,394 --> 00:17:32,895 OF COURSE IF YOU SAY SO-- 385 00:17:32,895 --> 00:17:34,396 IT'S GOING TO BE VERY DIFFICULT. 386 00:17:34,397 --> 00:17:36,399 POOR NORA. MY HEART BLEEDS FOR THAT CHILD. 387 00:17:36,399 --> 00:17:37,900 IF THAT'S MR. AND MRS. CHARLES, 388 00:17:37,900 --> 00:17:38,901 SHOW THEM RIGHT IN. 389 00:17:38,901 --> 00:17:40,903 YES, MADAME. 390 00:17:40,903 --> 00:17:42,404 [MUTTERING] 391 00:17:42,405 --> 00:17:44,407 WHAT ARE YOU MUTTERING TO YOURSELF? 392 00:17:44,407 --> 00:17:46,409 I'M TRYING TO GET ALL THE BAD WORDS 393 00:17:46,409 --> 00:17:47,410 OUT OF MY SYSTEM. 394 00:17:49,412 --> 00:17:50,913 GOOD EVENING, HENRY. 395 00:17:50,913 --> 00:17:52,414 IS THIS THE WAX WORKS? 396 00:17:52,415 --> 00:17:53,916 SIR? 397 00:17:53,916 --> 00:17:55,918 NOTHING, HENRY, NOTHING. 398 00:17:57,420 --> 00:17:59,922 I'LL LEAVE MY THINGS DOWN HERE. 399 00:18:05,428 --> 00:18:07,430 DON'T WORRY. IT ISN'T CATCHING. 400 00:18:11,934 --> 00:18:12,935 THANK YOU. 401 00:18:12,935 --> 00:18:14,937 WALK THIS WAY, SIR. 402 00:18:14,937 --> 00:18:16,939 WELL, I'LL TRY. 403 00:18:19,442 --> 00:18:21,444 NICKY, PULL YOURSELF TOGETHER. 404 00:18:21,444 --> 00:18:22,945 ONE SQUINT AT AUNT KATHERINE 405 00:18:22,945 --> 00:18:24,446 WOULD SOBER ANYBODY UP. 406 00:18:26,449 --> 00:18:29,452 MR. AND MRS. CHARLES, MADAME. 407 00:18:30,953 --> 00:18:33,455 Katherine: HOW DO YOU DO, MY DEAR? 408 00:18:33,456 --> 00:18:34,957 HELLO, AUNT KATHERINE. 409 00:18:34,957 --> 00:18:35,958 YOU REMEMBER NICK. 410 00:18:35,958 --> 00:18:39,461 HOW ARE YOU, NICHOLAS? 411 00:18:40,463 --> 00:18:41,964 HELLO, COUSIN HELEN. 412 00:18:41,964 --> 00:18:44,967 HOW ARE YOU, YOU POOR CHILD? 413 00:18:44,967 --> 00:18:45,968 THIS IS NORA'S HUSBAND. 414 00:18:45,968 --> 00:18:47,469 I THINK YOU KNOW EVERYBODY. 415 00:18:47,470 --> 00:18:51,974 OH, YES, YES, I SEEM TO REMEMBER THE OLD FACES. 416 00:18:51,974 --> 00:18:54,977 Nora: OH, DEAR, I WANT YOU TO MEET UNCLE WILLIE. 417 00:18:54,977 --> 00:18:57,479 Helen: POOR NORA IS SO BRAVE. 418 00:18:57,480 --> 00:18:59,982 UNCLE WILLIE, MY HUSBAND. 419 00:18:59,982 --> 00:19:01,984 UNCLE. 420 00:19:03,486 --> 00:19:05,988 AND, DEAR, THIS IS AUNT HATTIE. 421 00:19:05,988 --> 00:19:07,489 HOW ARE YOU? 422 00:19:07,490 --> 00:19:08,491 DON'T MUMBLE, YOUNG MAN. 423 00:19:08,491 --> 00:19:09,992 DON'T MUMBLE. 424 00:19:09,992 --> 00:19:10,993 HOW ARE YOU? 425 00:19:10,993 --> 00:19:11,994 Nora: SHE'S DEAF. 426 00:19:11,994 --> 00:19:13,495 YOU'RE TELLING ME. 427 00:19:13,496 --> 00:19:15,498 WHAT DID SHE SAY? 428 00:19:15,498 --> 00:19:18,000 WHEN YOU HEAR THE CHIME, IT WILL BE EXACTLY... 429 00:19:18,000 --> 00:19:20,502 Nora: OH, SELMA! 430 00:19:20,503 --> 00:19:22,505 OH, NORA! 431 00:19:22,505 --> 00:19:24,006 SELMA, HOW ARE YOU? 432 00:19:24,006 --> 00:19:25,507 SO GOOD TO SEE YOU. HELLO, NICK. 433 00:19:25,508 --> 00:19:27,009 THANK HEAVENS YOU CAME. 434 00:19:27,009 --> 00:19:28,510 SELMA, WHAT'S THE TROUBLE? TELL ME. 435 00:19:28,511 --> 00:19:30,513 WELL, WE'LL POSTPONE ANY DISCUSSION 436 00:19:30,513 --> 00:19:32,014 TILL AFTER DINNER. 437 00:19:32,014 --> 00:19:33,515 WHERE'S YOUR HUSBAND? 438 00:19:33,516 --> 00:19:35,017 YES, WHERE'S ROBERT? 439 00:19:35,017 --> 00:19:38,020 ROBERT TELEPHONED THAT HE WAS UNAVOIDABLY DETAINED. 440 00:19:38,020 --> 00:19:40,022 SO WE'LL START WITHOUT HIM. 441 00:19:40,022 --> 00:19:41,523 ARE YOU READY? 442 00:19:41,524 --> 00:19:44,527 WE HAVEN'T QUITE MEN ENOUGH TO GO AROUND, 443 00:19:44,527 --> 00:19:47,530 SO, LUCIUS, WILL YOU TAKE HATTIE AND CHARLOTTE? 444 00:19:47,530 --> 00:19:50,533 WILLIE, WILL YOU TAKE HELEN AND EMILY? 445 00:19:50,533 --> 00:19:53,035 BURTON, WILL YOU TAKE NORA? 446 00:19:53,035 --> 00:19:55,037 AHEM! AHEM! NICHOLAS! 447 00:19:55,037 --> 00:19:58,540 YOU WILL TAKE AUNT LUCY. 448 00:19:59,542 --> 00:20:01,043 COME ON, SELMA. 449 00:20:14,056 --> 00:20:16,558 [PLAYING PIANO] 450 00:20:21,063 --> 00:20:23,065 WHAT WAS IT YOU WERE GOING TO TELL ME? 451 00:20:23,065 --> 00:20:24,566 Katherine: NORA, COME HERE! 452 00:20:24,567 --> 00:20:26,068 JUST A MINUTE, AUNT KATHERINE. 453 00:20:26,068 --> 00:20:27,069 [WHISPERS] What was it? 454 00:20:27,069 --> 00:20:28,070 ROBERT HAS DISAPPEARED. 455 00:20:28,070 --> 00:20:30,072 DISAPPEARED! 456 00:20:30,072 --> 00:20:31,573 SELMA! GO ON PLAYING. 457 00:20:34,577 --> 00:20:36,579 [PLAYS PIANO] 458 00:20:36,579 --> 00:20:38,581 I CAN'T GO ON PLAYING. 459 00:20:38,581 --> 00:20:40,583 NONSENSE! GO ON! 460 00:20:43,586 --> 00:20:45,087 I CAN'T! 461 00:20:45,087 --> 00:20:47,589 I CAN'T! WHAT ARE YOU TRYING TO DO? 462 00:20:47,590 --> 00:20:48,591 TORTURE ME? 463 00:20:48,591 --> 00:20:50,593 SELMA! 464 00:20:53,596 --> 00:20:54,597 NORA! 465 00:20:54,597 --> 00:20:56,098 HOW CAN YOU ACT LIKE THIS 466 00:20:56,098 --> 00:20:58,100 WHEN YOU KNOW WHAT SHE'S GOING THROUGH? 467 00:20:58,100 --> 00:20:59,601 GET NICHOLAS. 468 00:20:59,602 --> 00:21:01,103 YOU BET I WILL. 469 00:21:03,105 --> 00:21:06,108 NO! REALLY? 470 00:21:06,108 --> 00:21:08,110 WELL, YOU AMAZE ME! 471 00:21:08,110 --> 00:21:11,613 [SNORING] 472 00:21:11,614 --> 00:21:13,616 WOULD YOU EXPLAIN THAT POINT A BIT FURTHER? 473 00:21:13,616 --> 00:21:16,118 [SNORING] 474 00:21:16,118 --> 00:21:19,121 Nick: UH, WELL, I WOULDN'T GO AS FAR AS TO SAY THAT. 475 00:21:19,121 --> 00:21:20,622 [SNORING] 476 00:21:20,623 --> 00:21:22,124 WHAT'S THAT? 477 00:21:24,126 --> 00:21:26,628 OH, UH, JUST A MOMENT. 478 00:21:26,629 --> 00:21:29,632 [SNORING] 479 00:21:29,632 --> 00:21:31,133 REALLY? 480 00:21:31,133 --> 00:21:34,136 WELL, SURELY YOU'RE NOT GOING TO LET THAT PASS 481 00:21:34,136 --> 00:21:35,637 UNCHALLENGED, ARE YOU? 482 00:21:35,638 --> 00:21:37,139 YOU MUST HAVE SOMETHING TO SAY TO THAT. 483 00:21:37,139 --> 00:21:39,141 [LOUD SNORING] 484 00:21:40,142 --> 00:21:44,146 THAT'S THE BOY. I KNEW YOU HAD IT IN YOU. 485 00:21:46,649 --> 00:21:47,650 NICK. 486 00:21:47,650 --> 00:21:48,651 HMM? 487 00:21:48,651 --> 00:21:49,652 COME HERE. 488 00:21:49,652 --> 00:21:53,155 OH, YES. IF YOU GENTLEMEN WILL EXCUSE ME. 489 00:21:53,155 --> 00:21:58,160 I DON'T KNOW WHEN I'VE SPENT SUCH A STIMULATING EVENING. 490 00:21:58,160 --> 00:21:59,161 [MEN SNORING] 491 00:21:59,161 --> 00:22:00,662 WHAT IS IT? 492 00:22:03,165 --> 00:22:05,167 AUNT KATHERINE WANTS TO SPEAK TO YOU. 493 00:22:05,167 --> 00:22:06,668 WHAT HAVE I DONE NOW? 494 00:22:06,669 --> 00:22:08,671 DO YOU KNOW WHY ROBERT WASN'T HERE TONIGHT? 495 00:22:08,671 --> 00:22:09,672 SURE. BECAUSE HE'S SMART. 496 00:22:09,672 --> 00:22:10,673 I'M NOT FOOLING, DARLING. 497 00:22:10,673 --> 00:22:11,674 HE'S DISAPPEARED. 498 00:22:11,674 --> 00:22:12,675 THAT'S SWELL. 499 00:22:12,675 --> 00:22:14,677 NOW IF WE COULD JUST GET AUNT KATHERINE TO DISAPPEAR. 500 00:22:17,680 --> 00:22:19,181 WE'RE HERE. 501 00:22:19,181 --> 00:22:21,683 OH, NICHOLAS, I'M SORRY TO TAKE YOU 502 00:22:21,684 --> 00:22:22,685 AWAY FROM THE BOYS. 503 00:22:22,685 --> 00:22:24,687 OH, THAT'S QUITE ALL RIGHT. 504 00:22:24,687 --> 00:22:27,690 WELL, HOW LONG HAS ROBERT BEEN GONE? 505 00:22:27,690 --> 00:22:29,191 3 DAYS. 3 DAYS WITHOUT A WORD. 506 00:22:29,191 --> 00:22:31,193 DID YOU NOTIFY THE POLICE? 507 00:22:31,193 --> 00:22:33,695 CERTAINLY NOT! AND WE'RE NOT GOING TO. 508 00:22:33,696 --> 00:22:35,698 OH, NO! ROBERT MAY HAVE BEEN KIDNAPPED. 509 00:22:35,698 --> 00:22:37,700 HE MAY BE LYING DEAD SOMEWHERE. 510 00:22:37,700 --> 00:22:39,702 BUT WE MUSTN'T DO ANYTHING ABOUT IT. 511 00:22:39,702 --> 00:22:41,203 OUR PRECIOUS NAME MIGHT GET INTO THE PAPERS! 512 00:22:41,203 --> 00:22:43,205 OH, DON'T PAY ANY ATTENTION TO HER. 513 00:22:43,205 --> 00:22:45,207 SHE'S EXAGGERATING THE WHOLE AFFAIR. 514 00:22:45,207 --> 00:22:46,708 HOWEVER, TO PLEASE HER, I THOUGHT YOU MIGHT 515 00:22:46,709 --> 00:22:49,211 INVESTIGATE THE MATTER QUIETLY. 516 00:22:49,211 --> 00:22:51,213 WITH YOUR EXPERIENCE AS A... 517 00:22:51,213 --> 00:22:52,214 FLATFOOT. 518 00:22:52,214 --> 00:22:55,717 WELL, I DIDN'T MEAN TO BE AS BLUNT AS THAT. 519 00:22:55,718 --> 00:22:57,720 WHAT'S THE DIFFERENCE? IT'S ALL IN THE FAMILY. 520 00:22:57,720 --> 00:22:59,221 HAVE YOU ANY IDEA WHERE HE MIGHT BE? 521 00:22:59,221 --> 00:23:00,722 YES. HE'S WITH SOME WOMAN. I KNOW THAT. 522 00:23:00,723 --> 00:23:02,725 SELMA, YOU KNOW NOTHING OF THE SORT. 523 00:23:02,725 --> 00:23:05,227 WHAT ABOUT THE VANITY CASE THEY SENT ME 524 00:23:05,227 --> 00:23:06,228 FROM THAT CHINESE RESTAURANT? 525 00:23:06,228 --> 00:23:09,231 THAT WAS A STUPID MISTAKE ON THEIR PART. 526 00:23:09,231 --> 00:23:12,234 MISTAKE! HE'S WITH SOME WOMAN. YOU KNOW IT. 527 00:23:12,234 --> 00:23:14,236 SELMA, YOU KNOW ROBERT WORSHIPS YOU! 528 00:23:14,236 --> 00:23:15,237 HE WOULDN'T-- 529 00:23:15,237 --> 00:23:17,239 HOW CAN YOU SAY SUCH A THING 530 00:23:17,239 --> 00:23:18,240 WHEN YOU KNOW THAT HE HATES ME?! 531 00:23:18,240 --> 00:23:20,242 HE ONLY MARRIED ME FOR MY MONEY! 532 00:23:20,242 --> 00:23:21,743 HE NEVER DID LOVE ME! 533 00:23:21,744 --> 00:23:23,245 SOMETIMES I WISH HE WERE DEAD! 534 00:23:23,245 --> 00:23:25,747 WELL, I'M JUST A LITTLE CONFUSED. 535 00:23:25,748 --> 00:23:27,750 DO YOU WANT HIM BACK OR DON'T YOU? 536 00:23:27,750 --> 00:23:29,251 NICK! 537 00:23:29,251 --> 00:23:32,254 WELL, OF COURSE, SHE WANTS HIM BACK! 538 00:23:32,254 --> 00:23:33,755 SELMA, DON'T! PLEASE, DON'T! 539 00:23:33,756 --> 00:23:36,258 NO. I LEAVE THIS IN YOUR HANDS, NICHOLAS. 540 00:23:36,258 --> 00:23:38,760 IF YOU EXCUSE ME, I'LL GO BACK TO MY GUESTS. 541 00:23:38,761 --> 00:23:40,262 Nora: DON'T WORRY, DARLING. 542 00:23:40,262 --> 00:23:42,764 IT WILL BE ALL RIGHT. NICK WILL FIND HIM. 543 00:23:42,765 --> 00:23:44,767 THE ONE SURE WAY TO GET HIM BACK 544 00:23:44,767 --> 00:23:45,768 IS TO CUT OFF HIS MONEY. 545 00:23:45,768 --> 00:23:47,269 I KNOW. 546 00:23:47,269 --> 00:23:49,271 WELL, IF HE DOESN'T SHOW UP BEFORE TOMORROW MORNING, 547 00:23:49,271 --> 00:23:51,273 I'LL GO DOWN TO THE POLICE AND SEE WHAT I CAN DO. 548 00:23:51,273 --> 00:23:52,774 THANK YOU, NICK. 549 00:23:52,775 --> 00:23:53,776 Henry: MR. GRAHAM CALLING, MADAME. 550 00:23:53,776 --> 00:23:55,277 AH, DAVID. HELLO, NICK. 551 00:23:55,277 --> 00:23:56,778 HAPPY NEW YEAR. 552 00:23:56,779 --> 00:23:58,280 DAVID, HOW ARE YOU? 553 00:23:58,280 --> 00:24:00,282 NORA, IT'S NICE TO SEE YOU. 554 00:24:00,282 --> 00:24:02,284 WELL, THANK HEAVEN YOU TWO ARE BACK. 555 00:24:02,284 --> 00:24:04,286 SELMA, HOW ARE YOU, DEAR? ANY WORD YET? 556 00:24:04,286 --> 00:24:05,787 I'LL TELL YOU WHAT. 557 00:24:05,788 --> 00:24:06,789 WHAT? 558 00:24:06,789 --> 00:24:08,290 LET'S TAKE DAVID AND SNEAK OUT. 559 00:24:08,290 --> 00:24:10,292 WE'LL GO SOMEWHERE AND CELEBRATE THE NEW YEAR. 560 00:24:10,292 --> 00:24:12,294 THAT'S A GOOD IDEA. HOW ABOUT IT, SELMA? 561 00:24:12,294 --> 00:24:13,795 COME ON, DARLING. 562 00:24:13,796 --> 00:24:15,297 IT WILL BE LIKE OLD TIMES WHEN WE WERE ALL ENGAGED. 563 00:24:15,297 --> 00:24:17,799 YES, BEFORE WE MADE ANY MISTAKES. 564 00:24:17,800 --> 00:24:20,302 WHAT DO YOU MEAN MISTAKES? 565 00:24:20,302 --> 00:24:23,805 OH, I WAS THINKING OF SELMA. 566 00:24:23,806 --> 00:24:26,308 COME ON, SELMA. 567 00:24:26,308 --> 00:24:28,810 THANKS. I WANT TO STAY NEAR A TELEPHONE. 568 00:24:28,811 --> 00:24:29,812 YOU KNOW, JUST IN CASE. 569 00:24:29,812 --> 00:24:31,313 BUT YOU GO, DAVID. 570 00:24:31,313 --> 00:24:33,315 NO, NOT ON YOUR LIFE. I'LL STAY HERE WITH YOU. 571 00:24:33,315 --> 00:24:35,317 WELL, THEN, GOOD NIGHT, DEAR. 572 00:24:35,317 --> 00:24:37,319 TRY TO HAVE A HAPPY NEW YEAR. 573 00:24:37,319 --> 00:24:38,820 HAPPY NEW YEAR. 574 00:24:38,821 --> 00:24:40,322 VERY HAPPY NEW YEAR, SELMA. 575 00:24:40,322 --> 00:24:41,823 GOOD NIGHT, DAVID. 576 00:24:41,824 --> 00:24:42,825 GOOD NIGHT. 577 00:24:42,825 --> 00:24:43,826 WE'LL SAY GOOD-BYE TO THE FAMILY. 578 00:24:43,826 --> 00:24:44,827 IT WILL BE A PLEASURE. 579 00:24:44,827 --> 00:24:46,829 LOOK WHAT I FOUND. 580 00:24:46,829 --> 00:24:49,331 ICED AND EVERYTHING. 581 00:24:49,331 --> 00:24:51,333 DON'T YOU STAY HERE, DAVID. 582 00:24:51,333 --> 00:24:53,335 YOU GO OUT AND HAVE SOME FUN. 583 00:24:53,335 --> 00:24:54,336 DON'T BE SILLY. 584 00:24:54,336 --> 00:24:55,837 WE CAN HAVE FUN RIGHT HERE. 585 00:24:55,838 --> 00:24:57,840 WHAT'S THE MATTER WITH ME ANYWAY? 586 00:24:57,840 --> 00:24:59,842 WHY HAVEN'T I ANY PRIDE? 587 00:24:59,842 --> 00:25:01,343 WHAT CAN'T I FACE IT? 588 00:25:01,343 --> 00:25:02,844 ROBERT DOESN'T GIVE A HANG ABOUT ME. 589 00:25:02,845 --> 00:25:04,847 YOU CAN'T INDEFINITELY GO ON CARING FOR SOMEBODY 590 00:25:04,847 --> 00:25:06,849 WHO DOESN'T CARE FOR YOU, CAN YOU? 591 00:25:06,849 --> 00:25:09,351 WELL, IT'S BEEN DONE. 592 00:25:10,853 --> 00:25:12,855 OH, DAVID, I'M SO SORRY. 593 00:25:12,855 --> 00:25:15,357 I'VE BEEN SUCH A FOOL. 594 00:25:15,357 --> 00:25:16,858 YOU REALLY OUGHT TO HATE ME 595 00:25:16,859 --> 00:25:18,360 FOR WHAT I'VE DONE TO YOU. 596 00:25:18,360 --> 00:25:19,861 NO, NOW, DON'T TALK LIKE THAT. 597 00:25:19,862 --> 00:25:20,863 YOU GET THE GLASSES, 598 00:25:20,863 --> 00:25:22,364 AND I'LL TRY TO OPEN THIS THING. 599 00:25:22,364 --> 00:25:24,366 NO! WE'RE GOING OUT. THIS IS A NEW YEAR, 600 00:25:24,366 --> 00:25:26,368 THE TIME FOR RESOLUTIONS. 601 00:25:26,368 --> 00:25:28,870 I'M THROUGH WITH ROBERT. I MEAN IT. 602 00:25:28,871 --> 00:25:30,873 I'M GOING TO GET MY THINGS. 603 00:25:30,873 --> 00:25:32,875 WE'RE GOING TO CELEBRATE. 604 00:25:32,875 --> 00:25:34,877 WE'LL START THE NEW YEAR RIGHT. 605 00:25:34,877 --> 00:25:37,379 WHAT IS IT, HENRY? THE TELEPHONE--HAS IT-- 606 00:25:37,379 --> 00:25:39,381 NO, MADAME. IT'S MRS. FORREST. 607 00:25:39,381 --> 00:25:44,386 SHE WOULD LIKE YOU TO JOIN HER IN THE DRAWING ROOM. 608 00:25:44,386 --> 00:25:46,888 ALL RIGHT, HENRY. 609 00:25:53,395 --> 00:25:54,896 GUESS IT'S NO USE. 610 00:25:56,899 --> 00:25:58,400 PLEASE GO, DAVID. 611 00:25:58,400 --> 00:25:59,901 OH, NOW, SELMA. 612 00:25:59,902 --> 00:26:01,904 I'D RATHER YOU DID, REALLY. 613 00:26:01,904 --> 00:26:03,906 I'LL GO TO BED. DR. KAMMER'S 614 00:26:03,906 --> 00:26:06,909 GIVEN ME SOMETHING TO MAKE ME SLEEP. 615 00:26:06,909 --> 00:26:09,411 ALL RIGHT, I'LL GO. 616 00:26:09,411 --> 00:26:10,412 GOOD NIGHT, HENRY. 617 00:26:10,412 --> 00:26:11,413 GOOD NIGHT. 618 00:26:11,413 --> 00:26:12,914 GOOD NIGHT. 619 00:26:12,915 --> 00:26:14,917 DARLING, YOU WILL TRY TO FIND ROBERT, WON'T YOU? 620 00:26:14,917 --> 00:26:16,418 I DIDN'T LOSE HIM. 621 00:26:16,418 --> 00:26:17,919 IT WILL GET YOU IN RIGHT WITH AUNT KATHERINE. 622 00:26:17,920 --> 00:26:19,421 THAT'S WHAT I'M AFRAID OF. 623 00:26:19,421 --> 00:26:20,922 OH, DAVID, WHAT HAPPENED? 624 00:26:20,923 --> 00:26:24,426 SELMA SENT ME AWAY. SHE WANTED TO BE ALONE. 625 00:26:24,426 --> 00:26:25,927 I COULD MURDER THAT ROBERT. 626 00:26:25,928 --> 00:26:27,930 WELL, WAIT TILL I TELL YOU ABOUT 627 00:26:27,930 --> 00:26:29,431 THE NEWEST THING HE PULLED ON ME. 628 00:26:29,431 --> 00:26:30,932 CALLED ME UP SEVERAL DAYS AGO 629 00:26:30,933 --> 00:26:32,434 AND TOLD ME IF I GAVE HIM $25,000, 630 00:26:32,434 --> 00:26:34,936 HE'D CLEAR OUT AND LEAVE SELMA FOR ME. 631 00:26:34,937 --> 00:26:35,938 LOVELY BOY. 632 00:26:35,938 --> 00:26:37,439 WHAT DID YOU SAY? 633 00:26:37,439 --> 00:26:39,441 WELL, I DIDN'T KNOW EXACTLY WHAT TO SAY. 634 00:26:39,441 --> 00:26:41,443 I ASKED HIM TO GIVE ME SEVERAL DAYS 635 00:26:41,443 --> 00:26:42,944 TO THINK IT OVER. 636 00:26:42,945 --> 00:26:44,446 WELL, 25,000 IS CHEAP IF HE'LL REALLY GO. 637 00:26:44,446 --> 00:26:46,448 WHY DON'T YOU GET UP A COLLECTION? 638 00:26:46,448 --> 00:26:47,949 I KNOW A LOT OF PEOPLE 639 00:26:47,950 --> 00:26:49,451 WHO WILL BE GLAD TO CONTRIBUTE. 640 00:26:49,451 --> 00:26:50,952 POOR GIRL. 641 00:26:50,953 --> 00:26:52,955 BAD ENOUGH WITH AUNT KATHERINE AND ROBERT. 642 00:26:52,955 --> 00:26:54,957 NOW SHE'S GOT THAT DR. KAMMER. 643 00:26:54,957 --> 00:26:56,458 WHO'S DR. KAMMER? 644 00:26:56,458 --> 00:26:59,461 OH, I DON'T KNOW. HE'S SOME NUT PSYCHOLOGIST. 645 00:26:59,461 --> 00:27:02,964 SITS AROUND AND TALKS ABOUT HER DREAMS BY THE HOUR. 646 00:27:02,965 --> 00:27:04,466 I GET THE CREEPS EVERY TIME I LOOK AT HIM. 647 00:27:04,466 --> 00:27:06,468 Nick: HAROLD, WE WANT TO GO SOMEPLACE 648 00:27:06,468 --> 00:27:08,470 AND GET THE TASTE OF RESPECTABILITY 649 00:27:08,470 --> 00:27:09,471 OUT OF OUR MOUTHS. 650 00:27:09,471 --> 00:27:10,972 OK, NICK. 651 00:27:10,973 --> 00:27:12,975 WELL, I DON'T THINK I CAN GO. 652 00:27:12,975 --> 00:27:14,476 OH, DAVID, WHY NOT? 653 00:27:14,476 --> 00:27:17,479 GOT TOO MUCH ON MY MIND, I GUESS. 654 00:27:17,479 --> 00:27:18,980 I'M GLAD YOU'RE BACK, ANYWAY. 655 00:27:18,981 --> 00:27:19,982 HAPPY NEW YEAR. 656 00:27:19,982 --> 00:27:21,483 HAPPY NEW YEAR, DAVID. 657 00:27:21,483 --> 00:27:23,485 SELMA WAS A FOOL NOT TO HAVE MARRIED HIM 658 00:27:23,485 --> 00:27:25,186 INSTEAD OF ROBERT. 659 00:27:25,187 --> 00:27:27,189 THEY CAN'T ALL BE AS LUCKY AS YOU ARE, DARLING. 660 00:27:27,189 --> 00:27:29,191 WHAT HAVE YOU GOT TO OFFER, HAROLD? 661 00:27:29,191 --> 00:27:30,692 THERE'S TIM McCRUMB'S PLACE, 662 00:27:30,692 --> 00:27:33,194 AND THERE'S THE LAI CHI, AND THERE'S THE TIN DIPPER. 663 00:27:33,195 --> 00:27:35,697 IS THE LAI CHI A CHINESE RESTAURANT? 664 00:27:35,697 --> 00:27:36,698 YES'M. 665 00:27:36,698 --> 00:27:38,199 ME NO LOOKY FOR ROBERT. 666 00:27:38,200 --> 00:27:39,201 THE LAI CHI. 667 00:27:39,201 --> 00:27:41,203 TO THE LAI CHI. 668 00:27:46,208 --> 00:27:48,210 ♪ FATHER TIME IS MARCHING ON ♪ 669 00:27:48,210 --> 00:27:49,711 ♪ IN HIS HAND A BIG BATON ♪ 670 00:27:49,711 --> 00:27:54,215 ♪ HE'S MARCHING TO THE RHYTHM OF THE BAND ♪ 671 00:27:54,216 --> 00:27:56,218 ♪ FATHER NEEDS A HOT CORNET ♪ 672 00:27:56,218 --> 00:27:57,719 ♪ TO SEND HIM ON HIS WAY ♪ 673 00:27:57,719 --> 00:28:02,223 ♪ SO GET YOUR TRUMPET AND GIVE PA A HELPING HAND ♪ 674 00:28:02,224 --> 00:28:04,726 ♪ BLOW IN THE NEW YEAR, BLOW OUT THE OLD ♪ 675 00:28:04,726 --> 00:28:06,728 ♪ BLOW ALL YOUR TROUBLES OUT IN THE COLD ♪ 676 00:28:06,728 --> 00:28:08,730 ♪ I'LL GIVE YOU A CUE ♪ 677 00:28:08,730 --> 00:28:10,732 ♪ SEE WHAT YOU CAN DO ♪ 678 00:28:11,233 --> 00:28:12,234 ♪ AND BLOW THAT HORN ♪ 679 00:28:12,234 --> 00:28:14,736 ♪ OH, BLOW THAT HORN ♪ 680 00:28:14,736 --> 00:28:17,238 ♪ FOR THE OLD YEAR'S DEAD AND THE NEW YEAR'S BORN ♪ 681 00:28:17,239 --> 00:28:19,241 ♪ YOU GOT TO BLOW THAT HORN ♪ 682 00:28:19,241 --> 00:28:21,243 ♪ BLOW IT HIGH ♪ 683 00:28:21,243 --> 00:28:23,245 ♪ BLOW IT DOWN BELOW ♪ 684 00:28:23,245 --> 00:28:26,248 ♪ GOT TO TRY YOUR HAND AT HIDEE-HI ♪ 685 00:28:26,248 --> 00:28:27,749 ♪ YOU GOT TO BLOW THAT HORN ♪ 686 00:28:27,749 --> 00:28:31,753 ♪ WE'RE GOING TO BE A LITTLE BIT DARING ♪ 687 00:28:31,753 --> 00:28:36,257 ♪ WE'RE GOING TO REALLY START TO GET DARING ♪ 688 00:28:36,258 --> 00:28:39,261 ♪ HERE'S ALL THE INSTRUMENTS THAT WE'RE WEARING ♪ 689 00:28:39,261 --> 00:28:42,264 ♪ WE'LL DROP ON THE FLOOR A TRUMPET OR TWO ♪ 690 00:28:42,264 --> 00:28:44,266 ♪ YOU ALL ARE FOREWARNED, BUT, BABY, IT'S UP TO YOU ♪ 691 00:28:44,266 --> 00:28:46,768 ♪ BLOW THAT HORN ♪ 692 00:28:46,768 --> 00:28:48,770 ♪ BLOW THAT HORN ♪ 693 00:28:48,770 --> 00:28:50,772 ♪ FOR THE OLD YEAR'S DEAD, AND THE NEW YEAR'S BORN ♪ 694 00:28:50,772 --> 00:28:52,774 ♪ YOU GOT TO BLOW THAT HORN ♪ 695 00:28:52,774 --> 00:28:53,775 [SINGING CONTINUES] 696 00:29:08,790 --> 00:29:11,292 ♪ BLOW THAT HORN ♪ 697 00:29:11,293 --> 00:29:13,295 ♪ BLOW THAT HORN ♪ 698 00:29:13,295 --> 00:29:15,797 ♪ FOR THE OLD YEAR'S DEAD AND THE NEW YEAR'S BORN ♪ 699 00:29:15,797 --> 00:29:17,799 ♪ YOU GOT TO BLOW THAT HORN ♪ 700 00:29:34,316 --> 00:29:36,818 ♪ OHH OHH OHH OHH ♪ 701 00:29:38,820 --> 00:29:41,322 ♪ OHH OHH OHH OHH ♪ 702 00:29:44,326 --> 00:29:51,833 ♪ MISTER, BLOW THAT HORN ♪ 703 00:29:58,840 --> 00:29:59,841 NOT NOW, BABY. 704 00:29:59,841 --> 00:30:01,843 I GOT TO MAKE A CHANGE. I'LL BE RIGHT BACK. 705 00:30:01,843 --> 00:30:02,844 MAKE IT SNAPPY, THEN. 706 00:30:02,844 --> 00:30:04,846 WAITER, BRING MR. LANDIS ANOTHER DRINK. 707 00:30:14,156 --> 00:30:15,157 HELLO, DANCER. 708 00:30:15,657 --> 00:30:16,157 WHAT'S THE IDEA? 709 00:30:16,658 --> 00:30:17,659 YOU BETTER NOT LEAVE THAT GUY. 710 00:30:17,659 --> 00:30:19,160 AW, THESE SHOES ARE MURDERING ME. 711 00:30:19,161 --> 00:30:21,163 DON'T BE LONG. HE MIGHT GET RESTLESS. 712 00:30:21,163 --> 00:30:23,165 SAY, I'M GETTING PRETTY FED UP WITH HIM. 713 00:30:23,165 --> 00:30:24,666 IT'LL JUST BE TILL TOMORROW. 714 00:30:24,666 --> 00:30:26,167 THEN YOU CAN TURN HIM LOOSE. 715 00:30:26,168 --> 00:30:28,170 YEAH? TOMORROW'S A HOLIDAY. THE BANKS WILL BE CLOSED. 716 00:30:28,170 --> 00:30:31,173 YEAH, THAT'S RIGHT. WELL, THE DAY AFTER. 717 00:30:31,173 --> 00:30:33,175 WHAT'S THE DIFFERENCE? IS IT WORTH IT? 718 00:30:33,175 --> 00:30:36,178 COME ON, MAKE IT SNAPPY. I'LL KEEP AN EYE ON HIM. 719 00:30:38,180 --> 00:30:39,681 POLLY! POLLY! 720 00:30:39,681 --> 00:30:40,682 SORRY, SONNY, I'M BUSY. 721 00:30:40,682 --> 00:30:42,183 I GOT A MESSAGE FOR YOU. 722 00:30:42,184 --> 00:30:43,185 WHAT IS IT? 723 00:30:43,185 --> 00:30:44,686 YOUR BROTHER'S LOOKING FOR YOU. 724 00:30:44,686 --> 00:30:46,187 WELL, LET HIM LOOK. 725 00:30:50,192 --> 00:30:51,693 SO THAT'S THE WAY IT IS, HUH? 726 00:30:51,693 --> 00:30:53,695 NOW, PHIL, DON'T TRY TO START ANYTHING. 727 00:30:53,695 --> 00:30:54,696 I'M IN A HURRY. 728 00:30:54,696 --> 00:30:56,698 YOU'VE BEEN IN A HURRY EVER SINCE I GOT BACK. 729 00:30:56,698 --> 00:30:58,199 CAN I HELP IT IF I GOT TO WORK? 730 00:30:58,200 --> 00:31:00,202 THAT AIN'T WHAT I'M KICKING ABOUT. 731 00:31:00,202 --> 00:31:01,203 WHAT'S GOING ON WITH THIS DRUNK? 732 00:31:01,203 --> 00:31:02,204 NOTHING. 733 00:31:02,204 --> 00:31:03,205 OH, NO? WHAT'S THIS? 734 00:31:03,205 --> 00:31:04,706 GIVE ME THAT! SAY, WHAT ARE YOU 735 00:31:04,706 --> 00:31:07,208 TRYING TO DO, DRIVE ME NUTS? 736 00:31:07,209 --> 00:31:09,711 SHUT UP, OR I'LL SMACK YOU RIGHT IN THE TEETH. 737 00:31:09,711 --> 00:31:11,212 I'M IN ON THAT, YOU KNOW. 738 00:31:11,213 --> 00:31:12,714 NOW, PHIL, AFTER ALL-- 739 00:31:12,714 --> 00:31:14,215 IF YOU DON'T CUT ME IN, THE PARTY'S OFF. 740 00:31:14,216 --> 00:31:15,217 I CAN'T CUT YOU IN. 741 00:31:15,217 --> 00:31:16,218 IT'S YOURS, AIN'T IT? 742 00:31:16,218 --> 00:31:17,219 YEAH, BUT-- BUT WHAT?! 743 00:31:17,219 --> 00:31:18,720 LISTEN, PHIL, DON'T SPOIL MY MAKEUP! 744 00:31:18,720 --> 00:31:20,221 I GOT ANOTHER NUMBER TO DO! 745 00:31:20,222 --> 00:31:22,224 SO THAT'S THE WAY IT IS, HUH? 746 00:31:24,226 --> 00:31:27,229 YOU BIG LUG! 747 00:31:27,229 --> 00:31:28,730 NOW, HOW AM I GOING TO EXPLAIN THAT? 748 00:31:28,730 --> 00:31:30,231 THERE ARE A LOT OF THINGS 749 00:31:30,232 --> 00:31:32,234 YOU'LL HAVE TO EXPLAIN BEFORE I'M THROUGH WITH YOU. 750 00:31:32,234 --> 00:31:34,236 PHIL! PHIL! 751 00:31:41,743 --> 00:31:43,244 EXCUSE ME. 752 00:31:49,251 --> 00:31:51,753 WHAT ARE YOU DOING? SHAKING HER DOWN AGAIN? 753 00:31:51,753 --> 00:31:52,754 WHAT'S THAT TO YOU? 754 00:31:52,754 --> 00:31:54,756 WHY DON'T YOU LAY OFF HER FOR A WHILE? 755 00:31:54,756 --> 00:31:56,257 SHE'S BUSY. 756 00:31:56,258 --> 00:31:57,259 I KNOW. 757 00:31:57,259 --> 00:31:58,260 WHAT DO YOU KNOW? 758 00:31:58,260 --> 00:32:00,762 A FEW THINGS THAT ARE GOING ON AROUND HERE. 759 00:32:00,762 --> 00:32:03,264 SMART BOY, HUH? YOU KNOW THINGS. 760 00:32:03,265 --> 00:32:05,267 WHEN ARE YOU GOING TO START 761 00:32:05,267 --> 00:32:06,268 SHAKING ME DOWN? 762 00:32:06,268 --> 00:32:08,770 WHEN I WANT TO SHAKE YOU DOWN, I'LL-- 763 00:32:08,770 --> 00:32:10,271 I PUT UP WITH YOU 764 00:32:10,272 --> 00:32:11,273 BECAUSE YOU'RE POLLY'S BROTHER, 765 00:32:11,273 --> 00:32:13,275 BUT DON'T THINK YOU CAN RIDE TOO FAR 766 00:32:13,275 --> 00:32:14,276 ON THAT TICKET. 767 00:32:14,276 --> 00:32:16,278 NOW, STAY AWAY FOR A COUPLE OF DAYS. 768 00:32:18,780 --> 00:32:21,282 MY, WHAT BIG CONFETTI THEY THROW HERE. 769 00:32:21,283 --> 00:32:24,286 GET OUT OF THE WAY, YOU BIG CLOWN! 770 00:32:26,288 --> 00:32:27,789 HA HA! WELL, THAT'S MORE LIKE IT. 771 00:32:27,789 --> 00:32:29,791 TOO BAD WE DIDN'T BRING AUNT KATHERINE. 772 00:32:29,791 --> 00:32:31,292 OH, MR. CHARLES! HOW ARE YOU? 773 00:32:31,293 --> 00:32:32,294 HELLO, DANCER. 774 00:32:32,294 --> 00:32:33,295 NEAT WAY YOU HAVE 775 00:32:33,295 --> 00:32:34,296 OF TOSSING YOUR CUSTOMERS OUT. 776 00:32:34,296 --> 00:32:35,297 HIS SISTER WORKS HERE. 777 00:32:35,297 --> 00:32:36,798 I JUST GET TIRED OF HIM SOMETIMES. 778 00:32:36,798 --> 00:32:38,299 I FELT A GUN UNDER HIS LEFT ARM. 779 00:32:38,800 --> 00:32:40,301 JUST BREAKING IT IN FOR A FRIEND. 780 00:32:40,302 --> 00:32:42,304 I WANT YOU TO MEET MY PARTNER. 781 00:32:42,304 --> 00:32:43,805 THIS IS LUM KEE. MR. CHARLES. 782 00:32:43,805 --> 00:32:44,806 AND MRS. CHARLES. 783 00:32:44,806 --> 00:32:47,308 I'M YOUR FRIEND, YOU BET YOU. 784 00:32:47,309 --> 00:32:48,810 YOU SENT HIS BROTHER UP, REMEMBER? 785 00:32:48,810 --> 00:32:49,811 LUM YUNK. 786 00:32:49,811 --> 00:32:51,813 OH, YES, YES. HE WAS THE ONE 787 00:32:51,813 --> 00:32:53,314 WHO SPREAD OUT SOME TONGUE DIFFERENCES 788 00:32:53,315 --> 00:32:54,816 TO INCLUDE A BANK STICKUP. 789 00:32:54,816 --> 00:32:57,318 YOU BET YOU. YOU CATCH MY BROTHER. 790 00:32:57,319 --> 00:32:58,820 YOU PLAY TRICK ON HIM. 791 00:32:58,820 --> 00:33:00,822 NO PLAY TRICK ON HIM, NO CATCH HIM. 792 00:33:00,822 --> 00:33:02,323 YOU BET YOU. IS HE STILL IN? 793 00:33:02,324 --> 00:33:05,827 YOU BET YOU-- FOR 5 YEAR MORE. 794 00:33:05,827 --> 00:33:07,328 EXCUSE, PLEASE. 795 00:33:09,331 --> 00:33:11,333 IS HE A GUNMAN, TOO? 796 00:33:11,333 --> 00:33:13,835 NO, BUT YOU NEVER CAN TELL HOW CLOSE BROTHERS ARE. 797 00:33:13,835 --> 00:33:15,837 THOUGHT YOU MIGHT LIKE TO KNOW. 798 00:33:15,837 --> 00:33:16,838 THANKS. 799 00:33:16,838 --> 00:33:18,840 HE'S A GREAT GUY TO HAVE LIKING YOU. 800 00:33:18,840 --> 00:33:20,842 THIS WAY, MRS. CHARLES. 801 00:33:20,842 --> 00:33:22,844 HELP MR. CHARLES. 802 00:33:23,845 --> 00:33:25,346 MANY CUSTOMERS TONIGHT? 803 00:33:25,347 --> 00:33:27,349 OH, YES. WE ALWAYS DO A PRETTY GOOD BUSINESS, YOU KNOW. 804 00:33:27,349 --> 00:33:28,850 MM-HMM. 805 00:33:28,850 --> 00:33:30,852 FOLLOW ME. 806 00:33:38,693 --> 00:33:39,694 NICKY, THERE'S ROBERT. 807 00:33:39,694 --> 00:33:40,695 YES, I KNOW. 808 00:33:40,695 --> 00:33:41,696 WHY DIDN'T YOU TELL ME? ROBERT! 809 00:33:44,199 --> 00:33:46,701 WHY, ROBERT, WHERE HAVE YOU BEEN? 810 00:33:46,701 --> 00:33:48,703 WELL, FANCY MEETING YOU HERE. 811 00:33:48,703 --> 00:33:51,205 WHY HAVEN'T YOU SENT ANY WORD TO SELMA? 812 00:33:51,206 --> 00:33:52,707 SHE'S ALMOST CRAZY WITH WORRY. 813 00:33:52,707 --> 00:33:55,209 SHE OUGHT TO KNOW BETTER BY NOW. 814 00:33:55,210 --> 00:33:56,711 WELL, NICHOLAS! 815 00:33:56,711 --> 00:33:58,212 OH! HOW'S IT COMING? 816 00:33:58,213 --> 00:34:00,215 FINE, UP TILL NOW. 817 00:34:00,215 --> 00:34:02,717 SORRY I CAN'T ASK YOU TO SIT DOWN. 818 00:34:02,717 --> 00:34:05,219 OH, THAT'S ALL RIGHT. I'LL ASK HER. 819 00:34:05,220 --> 00:34:07,222 NORA, WON'T YOU SIT DOWN? 820 00:34:07,222 --> 00:34:10,725 SO...SHE SENT THE GREAT BIG DETECTIVE TO FIND ME. 821 00:34:10,725 --> 00:34:12,226 I HAVE A TABLE FOR YOU 822 00:34:12,227 --> 00:34:13,728 ACROSS THE ROOM, MR. CHARLES. 823 00:34:13,728 --> 00:34:14,729 I THINK YOU'LL BE MORE COMFORTABLE THERE. 824 00:34:14,729 --> 00:34:16,230 Robert: OH, I'M SURE THEY WOULD. 825 00:34:16,231 --> 00:34:18,233 I'LL BE OVER IN JUST A MINUTE. THANKS. 826 00:34:18,233 --> 00:34:19,734 WHY DON'T YOU CALL SELMA 827 00:34:20,235 --> 00:34:21,236 AND TELL HER YOU'RE ALL RIGHT? 828 00:34:21,236 --> 00:34:23,738 WELL, DON'T EXAGGERATE. JUST CALL HER. 829 00:34:23,738 --> 00:34:25,740 WELL, YOU CAN TELL HER... 830 00:34:25,740 --> 00:34:28,242 WHEN YOU GO BACK TO REPORT ON ME. 831 00:34:28,243 --> 00:34:31,246 TELL HER I'M HAVING A SWELL TIME, 832 00:34:31,246 --> 00:34:34,749 AND I'M NOT GOING BACK UNLESS I HAVE TO. 833 00:34:34,749 --> 00:34:37,752 AND I DON'T THINK I'LL HAVE TO. 834 00:34:37,752 --> 00:34:40,755 I'LL BE DELIGHTED TO TELL HER THAT. 835 00:34:40,755 --> 00:34:43,758 WELL, YOU'LL FORGIVE US IF WE TEAR OURSELVES AWAY. 836 00:34:43,758 --> 00:34:46,260 UH, DANCER SEEMS A BIT ANXIOUS. 837 00:34:46,261 --> 00:34:48,263 [PLAYS NOTE] 838 00:34:48,263 --> 00:34:49,764 [PLAYS TUNE] 839 00:34:49,764 --> 00:34:51,766 Woman: HELLO, HANDSOME! 840 00:34:51,766 --> 00:34:52,767 [PLAYS NOTE] 841 00:35:00,775 --> 00:35:02,777 IS HE A FRIEND OF YOURS? 842 00:35:02,777 --> 00:35:04,779 ON THE CONTRARY. A RELATION. 843 00:35:04,779 --> 00:35:06,781 HMM. HE'S BEEN HANGING AROUND HERE 844 00:35:06,781 --> 00:35:08,282 FOR 3 DAYS, DRUNK. 845 00:35:08,283 --> 00:35:10,785 GOT A CASE ON OUR PRIMA DONNA. 846 00:35:10,785 --> 00:35:13,788 I WISH YOU'D TOSS HIM OUT. HIS WIFE'S GOING CRAZY. 847 00:35:13,788 --> 00:35:15,289 THAT'S TOO BAD. 848 00:35:15,290 --> 00:35:16,791 I'LL SPEAK TO HIS GIRLFRIEND. 849 00:35:17,792 --> 00:35:20,294 WELL, I'VE DONE MY DUTY. 850 00:35:20,295 --> 00:35:21,796 I WONDER WHAT'S UP. 851 00:35:21,796 --> 00:35:22,797 UP WHERE? 852 00:35:22,797 --> 00:35:23,798 UP THERE. 853 00:35:23,798 --> 00:35:24,799 WHERE? 854 00:35:25,300 --> 00:35:27,802 THERE. AND IT COMES OUT HERE. 855 00:35:27,802 --> 00:35:29,303 [PLAYS NOTE] 856 00:35:42,317 --> 00:35:43,818 AH, SCOTCH... 857 00:35:43,818 --> 00:35:45,319 PROBABLY. 858 00:35:47,322 --> 00:35:49,324 SOME OF HIS RELATIVES JUST FLEW IN. 859 00:35:49,324 --> 00:35:50,825 WHAT'LL WE DO? 860 00:35:50,825 --> 00:35:52,326 GIVE THE CUSTOMERS ONE MORE SONG 861 00:35:52,327 --> 00:35:53,828 AND KNOCK OFF FOR THE NIGHT. 862 00:35:53,828 --> 00:35:55,830 TAKE HIM UP TO YOUR PLACE AND KEEP HIM. 863 00:35:55,830 --> 00:35:57,331 OK. 864 00:35:58,333 --> 00:36:00,835 NICKY, WHAT TIME IS IT? 865 00:36:00,835 --> 00:36:02,837 IT'S 25 TILL 12:00, 866 00:36:02,837 --> 00:36:05,339 AND OUR FIRST NEW YEAR'S ALONE. 867 00:36:05,340 --> 00:36:06,341 Man: HELLO, NICK! 868 00:36:06,341 --> 00:36:08,343 MAYBE I WAS WRONG. HELLO, JOE! 869 00:36:08,343 --> 00:36:09,344 HELLO. EXCUSE ME, LADY. 870 00:36:09,344 --> 00:36:11,346 SAY, NICK, WILLIE THE WEEPER'S OUTSIDE, SEE? 871 00:36:11,346 --> 00:36:13,348 OH. WHEN DID HE GET OUT? 872 00:36:13,348 --> 00:36:14,849 HE GOT OUT THIS MORNING, SEE, 873 00:36:14,849 --> 00:36:16,350 AND HE'S ON PAROLE, SEE? 874 00:36:16,351 --> 00:36:17,852 ACCORDING TO RULES AND REGULATIONS, 875 00:36:17,852 --> 00:36:19,353 HE OUGHT TO BE MINGLING 876 00:36:19,354 --> 00:36:20,855 WITH SOME RESPECTABLE PEOPLE, SEE? 877 00:36:20,855 --> 00:36:22,857 I THOUGHT YOU HAD A NICE TABLE HERE, 878 00:36:22,857 --> 00:36:23,858 SEE? MAYBE, UH... 879 00:36:23,858 --> 00:36:25,359 OH, BY ALL MEANS. 880 00:36:25,360 --> 00:36:27,862 OH, THAT'S FINE. YOU'RE A GENT. 881 00:36:27,862 --> 00:36:29,363 HEY, BOYS! 882 00:36:32,867 --> 00:36:34,869 EVERYTHING ALL RIGHT, MR. CHARLES? 883 00:36:34,869 --> 00:36:36,370 EVERYTHING'S ALL SOMETHING. 884 00:36:36,371 --> 00:36:38,373 YOU NEEDN'T WORRY ABOUT MR. LANDIS. 885 00:36:38,373 --> 00:36:40,375 POLLY'S GOING TO SEE HE GETS HOME ALL RIGHT. 886 00:36:40,375 --> 00:36:42,377 WAITER! NO CHECK FOR THIS TABLE. 887 00:36:42,377 --> 00:36:44,379 ANYTHING THEY WANT IS ON THE HOUSE. 888 00:36:44,379 --> 00:36:46,881 OH, I CAN'T LET YOU DO THAT, SEE? 889 00:36:46,881 --> 00:36:48,883 AH, BUT I INSIST. YOU'RE MY GUESTS. 890 00:36:48,883 --> 00:36:49,884 COME ON, BOYS! 891 00:36:49,884 --> 00:36:51,385 THIS'LL MEAN A LOT TO WILLIE, SEE? 892 00:36:51,386 --> 00:36:52,887 NEW YEAR'S EVE AND EVERYTHING, SEE? 893 00:36:52,887 --> 00:36:54,388 ALL RIGHT, DANCER, IF YOU INSIST. 894 00:36:54,389 --> 00:36:55,890 IT'S MIGHTY WIGHT OF YOU. 895 00:36:55,890 --> 00:36:56,891 MEET THE REST OF MY PARTY. 896 00:36:56,891 --> 00:36:57,892 All: HI. 897 00:36:57,892 --> 00:36:59,393 GENTLEMEN, BE SEATED. 898 00:36:59,394 --> 00:37:01,396 THIS IS WILLIE. YOU REMEMBER WILLIE. 899 00:37:01,396 --> 00:37:02,397 WELL, HOW ARE YOU? 900 00:37:02,397 --> 00:37:03,398 GLAD TO SEE YOU, WILLIE. 901 00:37:03,398 --> 00:37:04,399 LIKEWISE. 902 00:37:04,399 --> 00:37:05,900 I AM HONORED TO BE 903 00:37:05,900 --> 00:37:07,401 AT YOUR COMING-OUT PARTY. 904 00:37:07,402 --> 00:37:09,404 NORA, THIS IS WILLIE THE WEEPER. 905 00:37:09,404 --> 00:37:10,405 DELIGHTED. 906 00:37:10,405 --> 00:37:11,906 LIKEWISE. 907 00:37:11,906 --> 00:37:13,407 AND THE BOYS. 908 00:37:13,408 --> 00:37:14,409 All: HI. 909 00:37:14,409 --> 00:37:15,910 HOW DO YOU DO? 910 00:37:15,910 --> 00:37:17,411 DO YOU BOYS KNOW DANCER? 911 00:37:17,412 --> 00:37:18,913 I DON'T WANT TO KNOW HIM. 912 00:37:18,913 --> 00:37:19,914 AW, HE'S A CRUMB. 913 00:37:19,914 --> 00:37:22,416 DON'T SAY THAT, BOYS. HE'S GIVING THE PARTY. 914 00:37:22,417 --> 00:37:23,418 EVERYTHING'S ON THE HOUSE. 915 00:37:23,418 --> 00:37:24,919 YEAH? THAT RIGHT? 916 00:37:24,919 --> 00:37:26,921 WELL, THAT'S DIFFERENT. WHY DIDN'T YOU SAY SO? 917 00:37:26,921 --> 00:37:28,422 DRINKS AND EVERYTHING? 918 00:37:28,423 --> 00:37:29,424 SURE. 919 00:37:29,424 --> 00:37:30,925 CHAMPAGNE, BOYS. ME, TOO! 920 00:37:30,925 --> 00:37:31,926 SURE, CHAMPAGNE. WILLIE? 921 00:37:32,427 --> 00:37:33,928 SCOTCH...WITH A CHAMPAGNE CHASER. 922 00:37:33,928 --> 00:37:34,929 LIKEWISE. 923 00:37:36,431 --> 00:37:37,932 WHAT DO YOU SAY? 924 00:37:37,932 --> 00:37:40,935 WOULDN'T TAKE MUCH TO MAKE ME LEAVE THIS TOWN FOR GOOD. 925 00:37:40,935 --> 00:37:42,937 WE COULD HAVE A LOT OF FUN ON 25,000. 926 00:37:42,937 --> 00:37:44,939 WHAT'S THE USE TALKING ABOUT THAT? YOU HAVEN'T GOT IT YET. 927 00:37:44,939 --> 00:37:46,440 DON'T WORRY, I'LL GET IT. 928 00:37:46,441 --> 00:37:48,443 WHEN DID HE SAY HE'D LET YOU KNOW? 929 00:37:48,443 --> 00:37:49,444 TOMORROW. 930 00:37:49,444 --> 00:37:51,446 THERE'S MY NUMBER. I GOT TO GO ON. 931 00:37:51,446 --> 00:37:52,947 LISTEN, GO AND CALL HIM NOW. 932 00:37:52,947 --> 00:37:54,448 DON'T LET ANYBODY HEAR YOU. 933 00:37:54,449 --> 00:37:55,450 IF HE SAYS HE'LL GIVE IT TO YOU TONIGHT, 934 00:37:55,450 --> 00:37:57,452 I'LL GO WITH YOU RIGHT AWAY. 935 00:37:57,452 --> 00:38:00,455 WE GOT TIME FOR ONE MORE SONG, FOLKS, 936 00:38:00,455 --> 00:38:01,956 BEFORE THE NEW YEAR. 937 00:38:01,956 --> 00:38:04,959 MISS POLLY BYRNES WILL SING A NEW NUMBER FOR YOU-- 938 00:38:04,959 --> 00:38:06,460 SMOKE DREAMS. 939 00:38:06,461 --> 00:38:07,962 [APPLAUSE] 940 00:38:07,962 --> 00:38:09,463 WHERE'S HE GOING? 941 00:38:09,464 --> 00:38:12,467 GETTING HIS HAT AND COAT. 942 00:38:12,467 --> 00:38:15,470 UH, SAY... GET ME MINE, WILL YOU? 943 00:38:18,473 --> 00:38:21,976 ♪ SMOKE DREAMS ♪ 944 00:38:21,976 --> 00:38:26,480 ♪ HERE BY A CAMPFIRE ♪ 945 00:38:26,481 --> 00:38:35,990 ♪ DREAMING I SEE YOU NEAR ME ♪ 946 00:38:35,990 --> 00:38:38,993 ♪ SINGING ♪ 947 00:38:38,993 --> 00:38:42,997 ♪ HERE BY A CAMPFIRE ♪ 948 00:38:42,997 --> 00:38:44,999 BOY, YOU CERTAINLY CAN PICK 'EM. 949 00:38:44,999 --> 00:38:46,500 I NEVER SEEN SUCH A GUY. 950 00:38:46,501 --> 00:38:48,002 EVERY TIME I MEET HIM, 951 00:38:48,002 --> 00:38:49,503 HE'S GOT ANOTHER GOOD-LOOKING GAL. 952 00:38:49,504 --> 00:38:51,506 WE HAVEN'T MET FOR YEARS. 953 00:38:51,506 --> 00:38:52,507 OH? 954 00:38:52,507 --> 00:38:55,510 WHEN HE GIVES YOU THE SACK, LET ME KNOW, WILL YOU? 955 00:38:55,510 --> 00:38:57,011 I CERTAINLY WILL. 956 00:38:57,011 --> 00:38:59,013 SHE'S HOT-LOOKING, AIN'T SHE? 957 00:38:59,013 --> 00:39:01,515 SHUT UP, YOU LUG. IT'S HIS WIFE. 958 00:39:01,516 --> 00:39:02,517 SEE? 959 00:39:02,517 --> 00:39:09,023 ♪ DARLING, I SPEND THIS HOUR ♪ 960 00:39:09,524 --> 00:39:12,026 ♪ WITH YOU ♪ 961 00:39:12,026 --> 00:39:14,028 WELL, HAVE YOU MADE UP YOUR MIND? 962 00:39:14,028 --> 00:39:17,031 ALL RIGHT, I'LL GIVE YOU THE MONEY. 963 00:39:17,031 --> 00:39:18,532 WHAT, TONIGHT? 964 00:39:18,533 --> 00:39:21,035 WELL, I CAN'T GIVE IT TO YOU TONIGHT. 965 00:39:21,035 --> 00:39:24,038 WELL, I HAVE SOME BONDS THAT I'VE BEEN-- 966 00:39:24,038 --> 00:39:25,539 WELL, OF COURSE THEY'RE NEGOTIABLE. 967 00:39:25,540 --> 00:39:27,542 NOW, WAIT A MINUTE! JUST A MINUTE. 968 00:39:27,542 --> 00:39:29,043 THAT'S A LOT OF MONEY. 969 00:39:29,043 --> 00:39:30,544 HOW DO I KNOW YOU'LL KEEP YOUR PROMISE? 970 00:39:30,545 --> 00:39:32,046 HOW DO I KNOW YOU'LL REALLY STAY AWAY, AND-- 971 00:39:32,046 --> 00:39:34,048 EVEN IF SELMA DOES DECIDE TO GET A DIVORCE, 972 00:39:34,048 --> 00:39:36,050 HOW DO I KNOW YOU WON'T FIGHT IT? 973 00:39:36,050 --> 00:39:38,552 ALL RIGHT. FORGET ABOUT IT. I'LL GO ON HOME. 974 00:39:38,553 --> 00:39:42,557 SELMA WILL BE TICKLED TO DEATH TO SEE ME. 975 00:39:42,557 --> 00:39:44,058 HMM? 976 00:39:44,058 --> 00:39:46,060 I'M AT THE LAI CHI CLUB. 977 00:39:46,060 --> 00:39:48,062 ALL RIGHT, I'LL MEET YOU THERE 978 00:39:48,062 --> 00:39:50,064 IN A COUPLE OF MINUTES. 979 00:39:50,064 --> 00:39:51,565 DON'T KEEP ME WAITING, THOUGH. 980 00:39:51,566 --> 00:39:53,568 I MIGHT CHANGE MY MIND. 981 00:39:54,569 --> 00:39:59,574 ♪ SMOKE DREAMS ♪ 982 00:39:59,574 --> 00:40:07,582 ♪ JUST SMOKE DREAMS ♪ 983 00:40:07,582 --> 00:40:09,083 [CHEERING] 984 00:40:26,100 --> 00:40:27,601 YOU KNOW, IT'S ALL TO THE GOOD, 985 00:40:27,602 --> 00:40:29,103 THEM SEEING HIM HERE PLASTERED. 986 00:40:29,103 --> 00:40:31,105 BUT WE CAN'T TAKE A CHANCE ON THEM 987 00:40:31,105 --> 00:40:32,106 TIPPING OFF HIS WIFE 988 00:40:32,106 --> 00:40:33,107 AND HAVING HER BANG IN. 989 00:40:33,107 --> 00:40:34,108 MAKE IT SNAPPY. 990 00:40:34,108 --> 00:40:35,109 OK. 991 00:40:35,109 --> 00:40:37,611 Men: WE WANT POLLY! WHERE'S POLLY? 992 00:40:37,612 --> 00:40:41,115 WE WANT POLLY! COME ON, NOW, 993 00:40:41,115 --> 00:40:43,117 LET US HAVE POLLY! WE WANT POLLY! 994 00:40:43,117 --> 00:40:45,119 WE WANT POLLY, SEE? WE COME HERE, 995 00:40:45,119 --> 00:40:47,121 SPEND ALL THIS DOUGH, AND WHAT DOES SHE DO? 996 00:40:47,121 --> 00:40:48,622 SHE SINGS ONE SONG AND QUITS. 997 00:40:48,623 --> 00:40:51,125 NOW, BOYS, SHE HAD TO RUN ALONG. 998 00:40:51,125 --> 00:40:52,126 THANKS. 999 00:40:52,126 --> 00:40:54,128 GLAD TO BE OF SERVICE. 1000 00:40:54,128 --> 00:40:55,629 [MEN ARGUING] 1001 00:40:55,630 --> 00:40:58,132 DO YOU THINK SHE'LL REALLY TAKE HIM HOME? 1002 00:40:58,132 --> 00:40:59,133 SHE'LL TAKE HIM SOMEWHERE, 1003 00:40:59,133 --> 00:41:00,134 I'M SURE OF THAT. 1004 00:41:00,134 --> 00:41:01,135 WHAT DO YOU MEAN? 1005 00:41:01,636 --> 00:41:03,137 I MEAN, DID I EVER TELL YOU 1006 00:41:03,137 --> 00:41:05,139 THAT YOU'RE THE MOST FASCINATING WOMAN 1007 00:41:05,139 --> 00:41:06,140 THIS SIDE OF THE ROCKIES? 1008 00:41:06,140 --> 00:41:09,143 WAIT TILL YOU'VE SEEN ME ON THE OTHER SIDE. 1009 00:41:10,144 --> 00:41:11,478 Man: AND I SAID TO HIM, 1010 00:41:11,479 --> 00:41:13,481 "YOU AIN'T GONNA GIVE ME A TICKET, YOU BIG FLATFOOT, 1011 00:41:13,481 --> 00:41:15,983 AND YOU KNOW IT," I SAID. "I GOT A RIGHT TO TURN THERE, 1012 00:41:15,983 --> 00:41:16,984 AND YOU KNOW IT," I SAID. 1013 00:41:16,984 --> 00:41:18,485 I SAID, "I AIN'T GOT ALL NIGHT 1014 00:41:18,486 --> 00:41:20,488 "TO BE SITTING HERE GASSING, SO GO POLISH YOUR BUTTONS 1015 00:41:20,488 --> 00:41:22,990 AND LEAVE ME BE ON MY WAY, YOU FAT PALOOKA," I SAID. 1016 00:41:22,990 --> 00:41:24,992 I KNOW, AND THEN YOU BUSTED OUR CRIME. 1017 00:41:35,002 --> 00:41:37,504 ALL RIGHT. THANK YOU, SIR GALAHAD. 1018 00:41:37,505 --> 00:41:38,506 YOU'LL KEEP YOUR PROMISE? 1019 00:41:38,506 --> 00:41:41,008 YOU DON'T MIND IF I GO HOME FOR 10 MINUTES? 1020 00:41:41,008 --> 00:41:42,009 WHAT FOR? 1021 00:41:42,510 --> 00:41:44,011 DON'T WORRY. I WON'T SEE YOUR PRECIOUS SELMA. 1022 00:41:44,011 --> 00:41:46,513 I JUST WANT TO GET SOME CLOTHES. 1023 00:41:46,514 --> 00:41:48,516 10 MINUTES SHOULDN'T MATTER TO A MAN 1024 00:41:48,516 --> 00:41:50,017 WHO'S WAITED AS LONG AS YOU HAVE. 1025 00:41:50,017 --> 00:41:51,518 WELL, TA-TA. 1026 00:41:56,524 --> 00:41:57,661 [CAR DOOR CLOSES] 1027 00:41:57,661 --> 00:41:59,162 [CAR DRIVES AWAY] 1028 00:42:00,164 --> 00:42:02,166 I'M WORRIED. 1029 00:42:02,166 --> 00:42:05,169 I'M WORRIED! 1030 00:42:05,169 --> 00:42:06,170 I'M GOING TO PHONE 1031 00:42:06,170 --> 00:42:08,672 AND SEE IF ROBERT GOT HOME! 1032 00:42:10,174 --> 00:42:12,176 I DON'T CARE WHOSE WIFE SHE IS. 1033 00:42:12,176 --> 00:42:14,178 I DON'T LIKE A DAME 1034 00:42:14,178 --> 00:42:15,679 THAT GETS NOISY AFTER SHE'S HAD A FEW SNIFTERS. 1035 00:42:15,679 --> 00:42:18,682 DON'T YOU THINK I'D BETTER? 1036 00:42:18,682 --> 00:42:21,184 ALL RIGHT, BUT HURRY. IT'S ALMOST 12:00. 1037 00:42:21,185 --> 00:42:23,687 I'LL BE RIGHT BACK. 1038 00:42:28,192 --> 00:42:31,195 HERE. GET ON THAT PHONE AND STAY ON IT. HURRY. 1039 00:42:38,702 --> 00:42:41,705 WELL, THAT SETTLES THAT. 1040 00:42:41,705 --> 00:42:43,206 NEVER MIND. THEY DON'T ANSWER. 1041 00:42:43,207 --> 00:42:46,710 I TOLD HER TO TAKE HIM 1042 00:42:46,710 --> 00:42:48,211 STRAIGHT TO HER PLACE. 1043 00:42:48,212 --> 00:42:52,216 MR. LANDIS? 1044 00:42:52,216 --> 00:42:54,218 YEAH. I WANTED HER TO GET HIM IN SHAPE 1045 00:42:54,218 --> 00:42:55,719 SO HE COULD GO HOME. 1046 00:42:56,220 --> 00:42:59,723 MR. LANDIS ON PHONE. I HEAR HIM SAY HE GO HOME. 1047 00:42:59,723 --> 00:43:02,726 OH, HE DID, HUH? GOOD. 1048 00:43:02,726 --> 00:43:04,227 HE'S A RELATIVE OF MR. CHARLES. 1049 00:43:07,731 --> 00:43:09,733 FELT SORT OF RESPONSIBLE. 1050 00:43:11,735 --> 00:43:13,737 OH, WELL... 1051 00:43:13,737 --> 00:43:16,239 I THINK I'LL GO OUT AND GET SOME FRESH AIR 1052 00:43:16,240 --> 00:43:18,242 IN ONE OF MY LUNGS. 1053 00:43:19,743 --> 00:43:22,245 BE BACK IN A MINUTE. 1054 00:43:22,246 --> 00:43:23,747 [WHISTLING] 1055 00:43:45,269 --> 00:43:46,770 [DRAWER OPENING] 1056 00:43:52,276 --> 00:43:53,277 ROBERT! 1057 00:43:54,778 --> 00:43:57,781 HELLO, SELMA. HOW ARE YOU? 1058 00:43:57,781 --> 00:43:58,782 WHERE HAVE YOU BEEN? 1059 00:43:59,283 --> 00:44:01,285 OH, WHY DO YOU DO THESE THINGS? 1060 00:44:01,285 --> 00:44:02,786 I'VE BEEN GOING CRAZY. 1061 00:44:02,786 --> 00:44:04,287 THERE, THERE, DARLING. 1062 00:44:04,288 --> 00:44:06,290 NO, NO. I WON'T THIS TIME. 1063 00:44:06,290 --> 00:44:07,291 I WON'T FORGIVE YOU. YOU'RE NOT GOING 1064 00:44:07,291 --> 00:44:08,792 TO MAKE A FOOL OF ME AGAIN. 1065 00:44:08,792 --> 00:44:10,293 ALL RIGHT, DARLING. 1066 00:44:10,294 --> 00:44:13,297 I ONLY CAME FOR A MOMENT TO GET SOME CLOTHES. 1067 00:44:13,297 --> 00:44:14,798 WHERE ARE YOU GOING? 1068 00:44:14,798 --> 00:44:16,299 A LITTLE TRIP. 1069 00:44:17,801 --> 00:44:19,803 NO, YOU'RE NOT! I WON'T HAVE IT! 1070 00:44:19,803 --> 00:44:20,804 I WON'T! 1071 00:44:29,813 --> 00:44:31,314 OHH... 1072 00:44:31,315 --> 00:44:32,816 UNH... 1073 00:44:32,816 --> 00:44:35,318 WANT TO KISS ME GOOD-BYE, DARLING? 1074 00:44:35,319 --> 00:44:36,820 THANK YOU. 1075 00:44:55,839 --> 00:44:56,840 [DOOR CLOSES] 1076 00:44:59,843 --> 00:45:01,344 [CLOCK CHIMING] 1077 00:45:23,867 --> 00:45:25,869 [GUNSHOT] 1078 00:45:25,869 --> 00:45:27,871 [CLOCK CHIMING] 1079 00:45:45,389 --> 00:45:46,890 SELMA, SELMA, WHAT'S HAPPENED? 1080 00:45:46,890 --> 00:45:50,393 HE WAS GOING AWAY, AND I TRIED TO STOP HIM. 1081 00:45:53,897 --> 00:45:56,399 NOW, SELMA, LISTEN TO ME. NOW, LISTEN! 1082 00:45:56,400 --> 00:45:58,902 I WANT YOU TO GO BACK TO THE HOUSE. 1083 00:45:58,902 --> 00:46:01,404 YOU'VE NEVER HAD A PISTOL, YOU UNDERSTAND? HEAR ME? 1084 00:46:01,405 --> 00:46:03,907 YOU'VE NEVER BEEN OUT OF THE HOUSE TONIGHT. 1085 00:46:03,907 --> 00:46:06,409 YOU DON'T KNOW ANYTHING ABOUT THIS. UNDERSTAND? 1086 00:46:06,410 --> 00:46:07,411 NOW, COME ON. HURRY. 1087 00:46:14,301 --> 00:46:16,303 [MUSIC PLAYING LOUDLY] 1088 00:46:33,320 --> 00:46:35,322 HAPPY NEW YEAR! 1089 00:46:35,823 --> 00:46:37,324 HAPPY NEW YEAR, EVERYBODY! 1090 00:46:37,825 --> 00:46:39,326 HAPPY NEW YEAR, DARLING-- 1091 00:46:39,326 --> 00:46:40,827 UH...OH. 1092 00:46:40,828 --> 00:46:41,829 EXCUSE ME. HA HA! 1093 00:46:42,329 --> 00:46:44,331 I GUESS THERE MUST BE SOME MISTAKE. 1094 00:46:44,832 --> 00:46:46,333 OH, NO! 1095 00:46:46,333 --> 00:46:48,335 WHY, YES. IN THE DARK... 1096 00:46:48,335 --> 00:46:50,837 AND MY WIFE SAID THAT SHE'D BE RIGHT BACK... 1097 00:46:51,338 --> 00:46:53,340 OH, YEAH?! 1098 00:46:53,340 --> 00:46:54,841 UH...HMM? 1099 00:46:55,843 --> 00:46:58,345 EXCUSE ME. HAPPY NEW YEAR. 1100 00:46:58,345 --> 00:47:00,847 HAPPY NEW YEAR TO YOU, TOO. 1101 00:47:04,351 --> 00:47:06,853 NORA! DARLING! SUGAR! HAPPY NEW YEAR! 1102 00:47:06,854 --> 00:47:08,355 NICKY, YOU'RE BLEEDING! 1103 00:47:08,355 --> 00:47:09,356 HMM? 1104 00:47:09,356 --> 00:47:10,857 YES, DEAR. 1105 00:47:10,858 --> 00:47:12,860 OH, YES, YES. A LITTLE ACCIDENT. 1106 00:47:12,860 --> 00:47:14,361 I KNOW. THIS NEW YEAR'S TRAFFIC 1107 00:47:14,862 --> 00:47:15,863 IS TERRIBLE, ISN'T IT? 1108 00:47:15,863 --> 00:47:17,865 YES. YOU MADE ANY NEW YEAR'S RESOLUTIONS? 1109 00:47:17,865 --> 00:47:19,867 NOT YET. ANY COMPLAINTS OR SUGGESTIONS? 1110 00:47:19,867 --> 00:47:21,368 UH-HUH. A FEW. 1111 00:47:21,368 --> 00:47:22,869 WHICH? 1112 00:47:22,870 --> 00:47:23,871 COMPLAINTS. 1113 00:47:23,871 --> 00:47:25,372 ALL RIGHT. SHOOT. 1114 00:47:25,372 --> 00:47:27,874 WELL, YOU DON'T SCOLD, YOU DON'T NAG... 1115 00:47:27,875 --> 00:47:29,877 AND YOU LOOK FAR TOO PRETTY IN THE MORNINGS. 1116 00:47:29,877 --> 00:47:31,879 ALL RIGHT, I'LL REMEMBER. 1117 00:47:31,879 --> 00:47:33,380 MUST SCOLD, MUST NAG, 1118 00:47:33,380 --> 00:47:36,383 MUSTN'T BE TOO PRETTY IN THE MORNINGS. 1119 00:47:38,385 --> 00:47:39,886 HAPPY NEW YEAR, BABY! 1120 00:47:39,887 --> 00:47:41,889 SAY, WHAT ARE YOU DOING HERE, ANYWAY? 1121 00:47:41,889 --> 00:47:43,891 STILL TRYING TO CALL SELMA. 1122 00:47:43,891 --> 00:47:45,392 WELL, WHAT-- OH. WELL, COME ON. 1123 00:47:45,392 --> 00:47:46,893 I'LL FIND YOU A PHONE. 1124 00:48:02,910 --> 00:48:05,913 HELLO, DANCER. COME IN, COME IN. 1125 00:48:05,913 --> 00:48:08,916 ONCE A GUMHEEL, ALWAYS A GUMHEEL, HUH? 1126 00:48:09,416 --> 00:48:10,917 AND I DON'T LIKE GUMHEELS. 1127 00:48:11,418 --> 00:48:12,919 BUT I THOUGHT YOU'D QUIT IT 1128 00:48:12,920 --> 00:48:14,922 WHEN YOU MARRIED A POT OF MONEY. 1129 00:48:14,922 --> 00:48:17,925 DID HE CALL ME A POT? 1130 00:48:17,925 --> 00:48:20,427 YOU KNOW, I DON'T LIKE TO BE CRITICAL, DANCER, 1131 00:48:20,427 --> 00:48:23,430 BUT, UH...YOU KNOW, IT DOESN'T LOOK QUITE RIGHT 1132 00:48:23,430 --> 00:48:25,932 WHEN YOU AND YOUR PARTNER AND YOUR PRIMA DONNA 1133 00:48:25,933 --> 00:48:28,936 AND YOUR BEST CUSTOMER ALL GO OUT AT THE SAME TIME. 1134 00:48:28,936 --> 00:48:30,938 GIVES THE PLACE A SORT OF VACANT LOOK. 1135 00:48:30,938 --> 00:48:32,439 HAVE YOU EVER BEEN 1136 00:48:32,439 --> 00:48:34,441 THROWN OUT OF A PLACE, MR. CHARLES? 1137 00:48:34,441 --> 00:48:37,444 LET'S SEE. HOW MANY WAS IT UP TO YESTERDAY, 1138 00:48:37,444 --> 00:48:38,445 MRS. CHARLES? 1139 00:48:38,445 --> 00:48:39,946 WELL, HOW MANY PLACES 1140 00:48:39,947 --> 00:48:42,449 HAVE YOU BEEN IN, MR. CHARLES? 1141 00:48:42,449 --> 00:48:46,453 HELLO. AUNT KATHERINE? THIS IS NICK. 1142 00:48:46,453 --> 00:48:48,955 I MEAN, NICHOLAS. 1143 00:48:50,457 --> 00:48:51,958 WHAT? 1144 00:48:53,460 --> 00:48:55,462 OH. 1145 00:48:55,462 --> 00:48:57,464 YES, I WILL. 1146 00:49:01,468 --> 00:49:04,471 WELL, NOW, IF YOU'RE THROUGH IN HERE... 1147 00:49:04,471 --> 00:49:05,972 [WOMAN SINGING] 1148 00:49:05,973 --> 00:49:06,974 AHH...POLLY. 1149 00:49:06,974 --> 00:49:08,976 ANOTHER OF OUR TRAVELERS HAS RETURNED. 1150 00:49:08,976 --> 00:49:10,978 I'VE ONLY-- 1151 00:49:11,979 --> 00:49:14,982 Nick: AH...NO SOONER SAID THAN DONE. 1152 00:49:14,982 --> 00:49:16,984 QUITE A GATHERING OF THE CLANS. 1153 00:49:16,984 --> 00:49:18,485 I WONDER WHICH ONE OF YOU 1154 00:49:18,485 --> 00:49:20,487 WOULD BE MORE SURPRISED IF ROBERT LANDIS 1155 00:49:20,487 --> 00:49:23,490 WERE TO WALK IN HERE RIGHT NOW. 1156 00:49:23,490 --> 00:49:25,992 OF COURSE, YOU KNOW THAT THAT 1157 00:49:25,993 --> 00:49:27,494 COULDN'T HAPPEN, DON'T YOU, DANCER? 1158 00:49:27,494 --> 00:49:29,496 I DON'T KNOW WHAT YOU'RE TALKING ABOUT, 1159 00:49:29,496 --> 00:49:31,498 AND I DON'T CARE. NOW GET OUT OF HERE. 1160 00:49:31,498 --> 00:49:33,500 WHAT IS IT, NICK? 1161 00:49:33,500 --> 00:49:35,502 Nick: ROBERT'S BEEN KILLED. 1162 00:49:35,502 --> 00:49:37,003 KILLED?! 1163 00:49:37,004 --> 00:49:38,005 GET OUT OF HERE! 1164 00:49:38,005 --> 00:49:39,506 OH, NO. ON THE CONTRARY, 1165 00:49:39,506 --> 00:49:41,508 WE'RE GOING TO HAVE A LOT MORE PEOPLE IN. 1166 00:49:41,508 --> 00:49:42,509 GIVE ME THAT PHONE. 1167 00:49:42,509 --> 00:49:43,510 CERTAINLY. 1168 00:49:44,011 --> 00:49:45,012 SEE? 1169 00:49:45,012 --> 00:49:46,513 YOU BETTER GO TO SELMA, NORA. 1170 00:49:46,513 --> 00:49:47,514 SHE MAY NEED YOU. 1171 00:49:47,514 --> 00:49:49,516 HELLO? THIS IS NICK CHARLES SPEAKING. 1172 00:49:49,516 --> 00:49:51,518 I WANT TO GET HOLD OF LIEUTENANT ABRAMS 1173 00:49:51,518 --> 00:49:53,019 OF THE HOMICIDE SQUAD. 1174 00:49:53,020 --> 00:49:54,521 WHY ARE YOU CALLING HIM? 1175 00:49:54,521 --> 00:49:57,023 IT'S A CINCH NONE OF US SHOT LANDIS. 1176 00:49:57,024 --> 00:49:58,025 MAYBE HE'LL EXPLAIN 1177 00:49:58,025 --> 00:49:59,526 HOW YOU KNEW HE WAS SHOT. 1178 00:50:14,041 --> 00:50:15,042 [SPLASH] 1179 00:50:15,042 --> 00:50:16,543 Man: HEY! WHAT ARE YOU DOING THERE? 1180 00:50:18,879 --> 00:50:21,381 HOW DID MRS. LANDIS AND HER HUSBAND 1181 00:50:21,381 --> 00:50:22,882 GET ON TOGETHER? 1182 00:50:22,883 --> 00:50:24,384 ANY FIGHTS? ANY ARGUMENTS? 1183 00:50:24,384 --> 00:50:25,885 NO, SIR. 1184 00:50:25,886 --> 00:50:26,887 MR. ABRAHAM! 1185 00:50:26,887 --> 00:50:28,388 HOW DARE YOU QUESTION MY SERVANTS? 1186 00:50:28,388 --> 00:50:29,889 LADY, A MAN'S BEEN KILLED. 1187 00:50:29,890 --> 00:50:31,391 I GOT TO FIND OUT WHO DID IT. 1188 00:50:31,391 --> 00:50:32,892 SURELY, YOU DON'T THINK-- 1189 00:50:32,893 --> 00:50:34,895 HOW DO I KNOW WHAT TO THINK 1190 00:50:34,895 --> 00:50:36,897 IF NOBODY'LL TELL ME ANYTHING? 1191 00:50:42,402 --> 00:50:44,904 DID YOU HEAR ANYONE LEAVE THE HOUSE 1192 00:50:44,905 --> 00:50:45,906 AFTER MR. LANDIS LEFT? 1193 00:50:45,906 --> 00:50:46,907 CERTAINLY NOT! 1194 00:50:46,907 --> 00:50:49,409 WILL YOU PLEASE LET HIM TALK? 1195 00:50:49,409 --> 00:50:50,910 MR. ABRAHAM-- 1196 00:50:50,911 --> 00:50:53,413 MY NAME IS LIEUTENANT ABRAMS! 1197 00:50:53,413 --> 00:50:54,414 WELL? 1198 00:50:55,916 --> 00:50:57,417 NO, SIR. 1199 00:50:57,417 --> 00:50:59,919 ALL RIGHT, I'LL SEE YOU ALL LATER. 1200 00:50:59,920 --> 00:51:01,922 OBVIOUSLY, JUST A HOLDUP. 1201 00:51:01,922 --> 00:51:03,423 A HOLDUP? 1202 00:51:03,423 --> 00:51:06,426 WITH THAT BRACELET AND THOSE BONDS LEFT ON HIM? 1203 00:51:06,426 --> 00:51:10,930 HENRY, WILL YOU SHOW LIEUTENANT ABRAHAMSON OUT? 1204 00:51:10,931 --> 00:51:12,933 Abrams: LADY, I'M NOT GOING 1205 00:51:12,933 --> 00:51:13,934 TILL I SEE MRS. LANDIS. 1206 00:51:13,934 --> 00:51:15,435 NOW, LOOK, I CAN'T HELP IT 1207 00:51:15,936 --> 00:51:16,937 IF YOU DON'T LIKE ME. 1208 00:51:16,937 --> 00:51:18,438 I'M JUST DOING MY DUTY. 1209 00:51:18,438 --> 00:51:20,440 I TELL YOU, MRS. LANDIS CANNOT SEE ANYONE! 1210 00:51:20,440 --> 00:51:22,442 SHE'S UNDER THE CARE OF A DOCTOR. 1211 00:51:22,442 --> 00:51:23,943 WHAT'S HER DOCTOR'S NAME? 1212 00:51:23,944 --> 00:51:25,445 DR. KAMMER. 1213 00:51:25,445 --> 00:51:26,946 DR. ADOLPH KAMMER? 1214 00:51:26,947 --> 00:51:27,948 YES. 1215 00:51:27,948 --> 00:51:30,450 OH...SO THAT'S THE WAY IT IS. 1216 00:51:30,450 --> 00:51:32,452 Man: PRECISELY. 1217 00:51:33,453 --> 00:51:35,955 SORRY TO INCONVENIENCE YOU, LIEUTENANT ABRAMS. 1218 00:51:35,956 --> 00:51:38,959 OK, DOC. THEN YOU'RE WILLING TO TAKE THE RESPONSIBILITY 1219 00:51:38,959 --> 00:51:41,461 OF NOT LETTING ME TALK TO HER? 1220 00:51:41,461 --> 00:51:42,462 MY DEAR SIR, 1221 00:51:42,462 --> 00:51:43,963 IT'S NOT A QUESTION OF RESPONSIBILITY. 1222 00:51:43,964 --> 00:51:45,966 MRS. LANDIS HAS HAD A VERY GREAT SHOCK. 1223 00:51:45,966 --> 00:51:47,968 IT WAS NECESSARY TO GIVE HER SOMETHING 1224 00:51:47,968 --> 00:51:48,969 TO QUIET HER NERVES. 1225 00:51:48,969 --> 00:51:50,971 COULD SHE TALK TO YOU IN HER SLEEP? 1226 00:51:50,971 --> 00:51:52,472 WHEN'LL SHE BE AWAKE? 1227 00:51:52,472 --> 00:51:53,473 NOT FOR SOME HOURS. 1228 00:51:53,473 --> 00:51:55,475 DO YOU OFTEN HAVE TO GIVE MRS. LANDIS 1229 00:51:55,475 --> 00:51:56,476 THINGS TO QUIET HER? 1230 00:51:58,478 --> 00:52:00,480 OK, DOC, CHECK THAT OFF. 1231 00:52:00,480 --> 00:52:01,981 THEN, IS SHE CRAZY? 1232 00:52:01,982 --> 00:52:03,483 YOU'RE INSULTING! 1233 00:52:03,483 --> 00:52:07,487 LADY, I'VE SEEN THIS GUY 3 TIMES IN MY LIFE, 1234 00:52:07,487 --> 00:52:10,490 AND ALL 3 TIMES, HE WAS ON A WITNESS STAND 1235 00:52:10,490 --> 00:52:12,492 TESTIFYING THAT SOMEONE WAS NUTS. 1236 00:52:12,492 --> 00:52:14,494 FIRST IT WAS THAT MRS. GERRIS. 1237 00:52:14,494 --> 00:52:15,995 THEN THE DARRYL WOMAN. 1238 00:52:15,996 --> 00:52:18,999 BY GOLLY, SHE SHOT HER HUSBAND, TOO. 1239 00:52:18,999 --> 00:52:20,500 Katherine: TOO?! 1240 00:52:20,500 --> 00:52:23,002 WHAT RIGHT HAVE YOU TO SAY A THING LIKE THAT? 1241 00:52:23,003 --> 00:52:25,005 IN VIEW OF THAT VERY DEFINITE ACCUSATION, 1242 00:52:25,005 --> 00:52:26,506 I THINK, MISS FORREST, THAT YOU SHOULD INSIST 1243 00:52:26,506 --> 00:52:28,007 THAT YOUR ATTORNEY IS PRESENT 1244 00:52:28,008 --> 00:52:30,510 AT ANY FUTURE INTERVIEWS WITH THE POLICE. 1245 00:52:30,510 --> 00:52:33,012 ANYBODY'S TONGUE IS LIABLE TO SLIP. 1246 00:52:33,013 --> 00:52:36,016 LIEUTENANT ABRAMS! HURRY. NICK'S 1247 00:52:36,016 --> 00:52:37,017 WAITING FOR YOU DOWN AT THE LAI CHI CLUB. 1248 00:52:37,517 --> 00:52:39,018 HE'S GOT THEM ALL DOWN THERE. 1249 00:52:39,019 --> 00:52:40,020 WHAT HAPPENED? 1250 00:52:40,020 --> 00:52:41,521 I DON'T KNOW. HE KNOWS. 1251 00:52:41,521 --> 00:52:42,522 HE'LL TELL YOU EVERYTHING. 1252 00:52:42,522 --> 00:52:44,023 I HOPE SOMEBODY CAN TELL ME SOMETHING. 1253 00:52:44,024 --> 00:52:45,525 WHERE'S SELMA? 1254 00:52:45,525 --> 00:52:47,026 SHE'S SLEEPING. SHE'S NOT TO BE DISTURBED. 1255 00:52:47,027 --> 00:52:48,528 I WON'T DISTURB HER, 1256 00:52:48,528 --> 00:52:50,530 BUT I'M GOING TO BE THERE WHEN SHE WAKES UP. 1257 00:52:53,533 --> 00:52:54,534 WELL? 1258 00:52:54,534 --> 00:52:56,035 I DON'T THINK THAT, AS YET, 1259 00:52:56,036 --> 00:52:58,538 THERE IS ANY REASON FOR ALARM. 1260 00:53:01,041 --> 00:53:03,043 [KNOCKING SOFTLY] 1261 00:53:03,043 --> 00:53:04,544 SELMA. 1262 00:53:08,548 --> 00:53:10,049 SELMA. 1263 00:53:11,551 --> 00:53:13,553 THEY'RE--THEY'RE GOING TO ARREST ME. 1264 00:53:13,553 --> 00:53:15,054 THEY'RE GOING TO ARREST ME, AREN'T THEY? 1265 00:53:15,055 --> 00:53:17,057 NO, NO. OF COURSE THEY'RE NOT, DEAR. 1266 00:53:17,057 --> 00:53:19,059 THEY ALL BELIEVE I DID IT-- 1267 00:53:19,059 --> 00:53:21,561 AUNT KATHERINE, THE DOCTOR, ALL OF THEM. 1268 00:53:21,561 --> 00:53:23,062 NO, NO, SELMA. 1269 00:53:23,063 --> 00:53:24,564 THEY DON'T THINK THAT AT ALL. 1270 00:53:24,564 --> 00:53:26,566 I HEARD THEM. I KNOW. 1271 00:53:26,566 --> 00:53:28,067 NOW, DARLING... 1272 00:53:28,068 --> 00:53:31,071 BUT I DIDN'T KILL HIM! I DIDN'T--I DIDN'T-- 1273 00:53:33,073 --> 00:53:36,076 I'M--I'M SURE I DIDN'T. 1274 00:53:38,578 --> 00:53:41,080 YOU'LL HELP ME, WON'T YOU, NORA? 1275 00:53:41,081 --> 00:53:43,083 WHY--WHY, OF COURSE, DARLING, 1276 00:53:43,083 --> 00:53:44,584 BUT YOU'D BETTER LIE DOWN NOW 1277 00:53:44,584 --> 00:53:46,085 AND GET SOME REST. 1278 00:53:46,086 --> 00:53:47,587 THEY--THEY GAVE ME SOME PILLS, 1279 00:53:47,587 --> 00:53:49,088 BUT I DIDN'T TAKE THEM. 1280 00:53:49,089 --> 00:53:51,591 YOU SHOULD HAVE, DEAR. YOU NEED TO SLEEP. 1281 00:53:51,591 --> 00:53:54,594 NO, NO. NO, I CAN'T. I CAN'T. 1282 00:53:54,594 --> 00:53:57,096 I'VE GOT TO THINK. D-DAVID...DAVID! 1283 00:53:57,097 --> 00:53:58,598 WHAT ABOUT DAVID? 1284 00:53:58,598 --> 00:54:00,099 HE THINKS SO, TOO. 1285 00:54:00,100 --> 00:54:03,603 HE--HE--HE MUST THINK SO, OR HE WOULDN'T HAVE-- 1286 00:54:03,603 --> 00:54:05,104 HE WOULDN'T HAVE WHAT? 1287 00:54:05,105 --> 00:54:06,606 NOTHING. NOTHING. 1288 00:54:06,606 --> 00:54:08,608 OH...YOU TELL HIM I DIDN'T. 1289 00:54:08,608 --> 00:54:10,610 TELL HIM I DIDN'T DO IT. 1290 00:54:10,610 --> 00:54:12,111 DARLING, COULDN'T YOU TELEPHONE? 1291 00:54:12,112 --> 00:54:13,613 NO. NO, SOMEONE MIGHT BE LISTENING. 1292 00:54:13,613 --> 00:54:14,614 YOU GO TO HIM. 1293 00:54:15,115 --> 00:54:16,616 TELL HIM I DIDN'T DO IT. HURRY! 1294 00:54:17,117 --> 00:54:18,618 ALL RIGHT, SELMA, I WILL. 1295 00:54:19,619 --> 00:54:20,620 [WHISTLES] 1296 00:54:42,642 --> 00:54:44,644 Man on TV: THIS IS YOUR NEWS REPORTER SPEAKING. 1297 00:54:45,145 --> 00:54:47,147 THE OLD YEAR WAS HARDLY OUT WHEN DEATH STRUCK SAVAGELY 1298 00:54:47,147 --> 00:54:50,150 IN THE SLAYING OF ROBERT LANDIS, WEALTHY YOUNG SOCIETY PLAYBOY. 1299 00:54:50,150 --> 00:54:51,651 MYSTERY SURROUNDS THE SHOOTING-- 1300 00:54:51,651 --> 00:54:53,152 [DOORBELL RINGS] 1301 00:54:55,655 --> 00:54:57,657 [DOORBELL] 1302 00:54:57,657 --> 00:54:59,158 IT'S I--NORA! 1303 00:55:00,494 --> 00:55:01,995 WELL, HELLO, NORA. 1304 00:55:01,995 --> 00:55:03,997 THIS IS A SURPRISE. NICK WITH YOU? 1305 00:55:07,501 --> 00:55:09,002 WHAT'S THE MATTER? 1306 00:55:09,002 --> 00:55:11,004 JUST LET ME SIT DOWN. 1307 00:55:12,506 --> 00:55:15,008 DON'T YOU KNOW WHAT'S HAPPENED? 1308 00:55:15,008 --> 00:55:16,509 NO. WHAT? 1309 00:55:16,510 --> 00:55:18,011 OH... 1310 00:55:18,011 --> 00:55:20,013 WELL, FIRST, ROBERT WAS KILLED. 1311 00:55:20,514 --> 00:55:21,515 HE WAS KILLED?! 1312 00:55:21,515 --> 00:55:23,517 YES. 1313 00:55:23,517 --> 00:55:25,519 WE SAW HIM AT THE-- DAVID, LOOK! 1314 00:55:25,519 --> 00:55:27,020 THAT'S THE BROTHER OF THE GIRL 1315 00:55:27,020 --> 00:55:28,521 THAT WAS WITH ROBERT! 1316 00:55:28,522 --> 00:55:30,524 DON'T LET HIM GET AWAY. HE MIGHT KNOW SOMETHING. 1317 00:55:30,524 --> 00:55:33,026 I'LL GET HIM AS HE COMES OUT THE ALLEY. 1318 00:55:34,027 --> 00:55:36,529 NOT SO FAST, BUDDY. MR. LAW SPEAKING. 1319 00:55:36,530 --> 00:55:37,531 GET INSIDE THERE. 1320 00:55:37,531 --> 00:55:39,032 WHO YOU GOT IN THERE WITH YOU? 1321 00:55:40,534 --> 00:55:42,536 HEY, YOU! JUST A MINUTE. 1322 00:55:42,536 --> 00:55:44,037 GET OUT OF THAT WINDOW. 1323 00:55:44,037 --> 00:55:45,038 WHAT ARE YOU TRYING TO DO? MAKE A GETAWAY? 1324 00:55:45,038 --> 00:55:47,040 I'M NOT TRYING TO MAKE A GETAWAY. 1325 00:55:47,040 --> 00:55:48,041 THERE WAS SOMEONE ON THE FIRE ESCAPE. 1326 00:55:48,041 --> 00:55:49,042 WHERE IS HE? 1327 00:55:49,042 --> 00:55:50,043 HE'S GONE NOW. 1328 00:55:50,043 --> 00:55:51,044 ALL RIGHT, THEN. LET'S GET GOING. 1329 00:55:51,044 --> 00:55:52,045 OFFICER, THIS LADY IS-- 1330 00:55:52,045 --> 00:55:53,546 I KNOW ALL ABOUT THIS LADY. 1331 00:55:53,547 --> 00:55:54,548 I BEEN TRAILING HER 1332 00:55:54,548 --> 00:55:56,049 EVER SINCE SHE LEFT THE FORREST HOUSE. 1333 00:55:56,049 --> 00:55:57,050 COME ON, LET'S GET TOGETHER HERE. 1334 00:55:57,050 --> 00:55:58,051 WHERE ARE WE GOING? 1335 00:55:58,051 --> 00:55:59,052 WE'RE GOING TO HEADQUARTERS. 1336 00:55:59,052 --> 00:56:01,054 THERE MUST BE SOME MISTAKE. I'M MRS. NICK CHARLES. 1337 00:56:01,054 --> 00:56:02,555 YEAH, AND I'M MOTHER GOOSE. 1338 00:56:02,556 --> 00:56:04,057 STEP ON IT, GIRLIE. LET'S GO. 1339 00:56:04,057 --> 00:56:05,558 Dancer: I'VE BEEN TRYING TO TELL YOU 1340 00:56:05,559 --> 00:56:08,061 FOR THE LAST HALF-HOUR, NONE OF US HAD ANYTHING TO DO WITH-- 1341 00:56:08,061 --> 00:56:09,062 SHUT UP, DANCER. 1342 00:56:09,062 --> 00:56:10,563 IF I WANT MORE OF YOUR CHARM, I'LL ASK FOR IT. 1343 00:56:10,564 --> 00:56:12,566 LET HER TALK. NOW GO ON. 1344 00:56:12,566 --> 00:56:14,067 I TOOK HIM HOME, LIKE DANCER TOLD YOU. 1345 00:56:14,067 --> 00:56:15,568 DID YOU HEAR A SHOT? 1346 00:56:15,569 --> 00:56:16,570 I HEARD SOMETHING-- 1347 00:56:16,570 --> 00:56:18,572 LIKE BACKFIRE FROM AN AUTOMOBILE. 1348 00:56:18,572 --> 00:56:19,573 IT WAS FOGGY, AND-- 1349 00:56:19,573 --> 00:56:22,075 WELL, I WAS TOO FAR AWAY TO SEE ANYTHING. 1350 00:56:22,075 --> 00:56:24,077 I THOUGHT I'D BETTER GET OUT OF THE NEIGHBORHOOD 1351 00:56:24,077 --> 00:56:25,578 IF I DIDN'T WANT TO GET INTO TROUBLE. 1352 00:56:25,579 --> 00:56:27,080 AW, PHOOEY! 1353 00:56:27,080 --> 00:56:29,082 WHY DON'T YOU ASK HER 1354 00:56:29,082 --> 00:56:30,583 WHAT SHE WAS TOO FAR AWAY FROM? 1355 00:56:30,584 --> 00:56:33,086 FROM WHEREVER IT WAS IT HAPPENED. 1356 00:56:33,086 --> 00:56:35,088 IF I HADN'T BEEN TOO FAR AWAY, 1357 00:56:35,088 --> 00:56:37,090 I WOULD'VE KNOWN WHAT IT WAS, 1358 00:56:37,090 --> 00:56:38,091 WOULD I? 1359 00:56:38,091 --> 00:56:39,092 WELL, I-- 1360 00:56:41,094 --> 00:56:42,595 I GIVE UP. 1361 00:56:42,596 --> 00:56:44,598 ALL RIGHT, DANCER, WHERE WERE YOU? 1362 00:56:44,598 --> 00:56:47,100 I WENT OUT TO GET SOME AIR. 1363 00:56:47,100 --> 00:56:49,102 WHAT CITY ORDINANCE DOES THAT BREAK? 1364 00:56:49,102 --> 00:56:50,603 I WENT WITH HIM. 1365 00:56:50,604 --> 00:56:53,607 WHERE DID YOU GO FOR ALL THIS AIR? 1366 00:56:53,607 --> 00:56:56,109 AIR PRETTY MUCH SAME EVERYWHERE. 1367 00:56:56,109 --> 00:56:58,111 WE GO IN MY CAR, RIDE AROUND. 1368 00:56:58,111 --> 00:57:00,113 ASK CHAUFFEUR. 1369 00:57:00,113 --> 00:57:01,614 RIDING AROUND, EH? 1370 00:57:01,615 --> 00:57:04,618 NEW YEAR'S EVE, THE PLACE IS JAMMED, 1371 00:57:04,618 --> 00:57:07,120 AND YOU TWO ARE RIDING AROUND. 1372 00:57:07,120 --> 00:57:08,621 PHOOEY! 1373 00:57:08,622 --> 00:57:10,123 Man: YOU LISTEN TO ME! 1374 00:57:10,123 --> 00:57:12,125 YOU DON'T KNOW WHO I AM! I CAME HERE TO SEE A CLIENT! 1375 00:57:12,125 --> 00:57:13,626 THIS IS VERY IMPORTANT BUSINESS! 1376 00:57:13,627 --> 00:57:15,629 NO, YOU LISTEN TO ME! YOU CAN'T DO THIS TO ME! 1377 00:57:15,629 --> 00:57:17,631 HEY, HEY, LAY HIM DOWN. HELLO, CASPER. 1378 00:57:17,631 --> 00:57:19,132 HE'S OUR LAWYER. 1379 00:57:19,132 --> 00:57:21,134 I KNEW THERE'D BE SOME SHYSTER AROUND. 1380 00:57:21,134 --> 00:57:23,136 WELL, WELL, WHAT IS THIS? 1381 00:57:23,136 --> 00:57:26,139 DO I KNOW? SO A GUY COMES IN AND BUYS A DRINK. 1382 00:57:26,139 --> 00:57:28,141 HE GOES OUT, AND SOMEBODY KILLS HIM. 1383 00:57:28,141 --> 00:57:29,642 WHAT ARE WE SUPPOSED TO DO? 1384 00:57:29,643 --> 00:57:31,144 GIVE THE CUSTOMERS INSURANCE WITH THE DRINKS? 1385 00:57:31,144 --> 00:57:32,645 NOT A BAD IDEA. 1386 00:57:32,646 --> 00:57:35,148 I DIDN'T RECOGNIZE YOU, MR. CHARLES! 1387 00:57:35,148 --> 00:57:36,649 REMEMBER ME? FLOYD CASPER! 1388 00:57:36,650 --> 00:57:39,653 OH, YES, YES. HOW ARE YOU? 1389 00:57:39,653 --> 00:57:41,655 [CASPER LAUGHING] 1390 00:57:41,655 --> 00:57:44,157 ALWAYS KIDDING. 1391 00:57:44,157 --> 00:57:46,159 WHY, ABRAMS... 1392 00:57:46,159 --> 00:57:48,661 YOU DON'T THINK THAT THESE PEOPLE WOULD HAVE 1393 00:57:48,662 --> 00:57:50,664 ANYTHING TO DO WITH A THING LIKE THAT! 1394 00:57:50,664 --> 00:57:52,666 WHY, I'VE KNOWN THIS LAD SINCE-- 1395 00:57:52,666 --> 00:57:54,167 SAVE THAT FOR THE D.A. 1396 00:57:54,167 --> 00:57:55,168 YOU GOT A GUN? 1397 00:57:55,168 --> 00:57:57,670 SURE...AND A PERMIT. 1398 00:57:57,671 --> 00:57:59,673 YOU? YOU! 1399 00:57:59,673 --> 00:58:01,174 Casper: IF YOU WANT TO TAKE THOSE, 1400 00:58:01,174 --> 00:58:02,175 WE'D LIKE A RECEIPT. 1401 00:58:02,175 --> 00:58:04,177 TELL YOUR SHYSTER OF YOURS TO SHUT UP, 1402 00:58:04,177 --> 00:58:05,678 OR I'LL DRAG YOU DOWN TO THE HALL OF JUSTICE. 1403 00:58:05,679 --> 00:58:07,180 ON WHAT CHARGES? 1404 00:58:07,180 --> 00:58:08,181 WITNESSES. TO ASK THEM QUESTIONS. 1405 00:58:08,181 --> 00:58:09,182 YOU OUGHT TO KNOW. 1406 00:58:09,182 --> 00:58:10,683 YOUR CLIENTS SPEND 9/10 OF THEIR TIME DOING IT. 1407 00:58:10,684 --> 00:58:12,185 TAKE THESE DOWN AND CHECK THEM 1408 00:58:12,185 --> 00:58:13,186 WITH THE BULLET THAT KILLED LANDIS. 1409 00:58:13,186 --> 00:58:15,688 HOLD IT A MINUTE. YOU. YOU GOT A GUN? 1410 00:58:15,689 --> 00:58:16,690 NO. 1411 00:58:16,690 --> 00:58:18,191 WHAT DID YOU DO WITH IT? 1412 00:58:18,191 --> 00:58:19,692 I NEVER HAD ONE. 1413 00:58:19,693 --> 00:58:21,695 NOBODY HAS ANYTHING, NOBODY KNOWS ANYTHING. 1414 00:58:21,695 --> 00:58:22,696 ALL RIGHT, GO AHEAD. 1415 00:58:22,696 --> 00:58:24,197 MISS BYRNES HAS A BROTHER 1416 00:58:24,197 --> 00:58:25,198 WHO HAS A GUN. 1417 00:58:26,700 --> 00:58:27,701 AND MY CHAUFFEUR TELLS ME 1418 00:58:28,201 --> 00:58:29,202 THAT HE HUNG AROUND OUTSIDE 1419 00:58:29,202 --> 00:58:30,203 UNTIL JUST ABOUT THE TIME 1420 00:58:30,704 --> 00:58:31,705 SHE AND LANDIS LEFT. 1421 00:58:31,705 --> 00:58:33,206 IF HE WAS THERE, 1422 00:58:33,206 --> 00:58:34,707 HE WAS JUST HANGING AROUND WAITING FOR ME. 1423 00:58:34,708 --> 00:58:35,709 HE WOULDN'T KILL ROBERT, MR. CHARLES. 1424 00:58:35,709 --> 00:58:37,210 HE WOULDN'T HAVE NO REASON! 1425 00:58:37,210 --> 00:58:40,213 I'M NOT ACCUSING ANYONE. I'M JUST TALKING. 1426 00:58:40,213 --> 00:58:42,215 BUT I THINK YOU OUGHT TO FIND HIM. 1427 00:58:42,215 --> 00:58:44,717 AT LEAST HE MIGHT GIVE HIS VERSION AS TO WHY 1428 00:58:45,218 --> 00:58:46,219 DANCER THREW HIM OUT. 1429 00:58:46,219 --> 00:58:47,220 IF THAT LITTLE RAT 1430 00:58:47,220 --> 00:58:48,221 TRIES TO HANG ANYTHING ON ME, I'LL-- 1431 00:58:48,221 --> 00:58:49,722 YOU LEAVE MY BROTHER OUT OF THIS! 1432 00:58:49,723 --> 00:58:51,725 TAKE IT EASY, TAKE IT EASY! THAT'S WHAT THEY WANT. 1433 00:58:51,725 --> 00:58:53,727 THEY WANT TO GET YOU AT EACH OTHER'S THROATS. 1434 00:58:53,727 --> 00:58:55,729 JUST ANSWER WHAT YOU WANT TO AND DON'T LET 'EM GET YOU. 1435 00:58:55,729 --> 00:58:57,230 I CAN'T STAND THAT SHYSTER! 1436 00:58:57,230 --> 00:58:59,232 I WAS BEGINNING TO SUSPECT THAT. 1437 00:58:59,232 --> 00:59:01,601 YOU CALL ME, NICK? 1438 00:59:01,601 --> 00:59:02,602 NO, NOT YET, HAROLD, 1439 00:59:02,602 --> 00:59:04,604 BUT YOU OUGHT TO STICK AROUND. 1440 00:59:04,604 --> 00:59:08,608 OUTSIDE. IT'S, UH... VERY CLOSE IN HERE. 1441 00:59:08,608 --> 00:59:10,610 WHERE IS THIS BROTHER OF YOURS 1442 00:59:10,610 --> 00:59:11,611 THAT DIDN'T KILL ANYONE? 1443 00:59:11,611 --> 00:59:14,113 HE LIVES IN A HOTEL ON TURK STREET. 1444 00:59:14,114 --> 00:59:15,115 I DON'T KNOW JUST WHERE. 1445 00:59:15,115 --> 00:59:16,616 YOU DON'T KNOW MUCH OF ANYTHING, DO YOU? 1446 00:59:16,616 --> 00:59:18,117 I HONESTLY DON'T KNOW WHICH HOTEL! 1447 00:59:18,118 --> 00:59:19,119 PHIL'S ALWAYS MOVING. 1448 00:59:19,119 --> 00:59:20,620 WHAT'S THE MATTER? 1449 00:59:20,620 --> 00:59:22,622 DOES HE HAVE TO MOVE EVERY TIME HE DON'T KILL SOMEONE? 1450 00:59:22,622 --> 00:59:25,124 DON'T BE SO FUNNY. YOU GOT ME IN STITCHES. 1451 00:59:27,127 --> 00:59:28,628 Abrams: STAY WHERE YOU ARE, EVERYBODY! 1452 00:59:28,628 --> 00:59:31,130 GET THAT SWITCH! 1453 00:59:31,131 --> 00:59:33,133 Harold: I'LL GET THEM, NICK! 1454 00:59:33,133 --> 00:59:35,135 [GUNSHOTS] 1455 00:59:35,135 --> 00:59:36,636 [WOMAN SCREAMS] 1456 00:59:36,636 --> 00:59:38,137 [TELEPHONE RINGING] 1457 00:59:38,138 --> 00:59:40,140 [FIGHTING] 1458 00:59:42,642 --> 00:59:43,142 HELLO? 1459 00:59:44,644 --> 00:59:46,145 HELLO--OH. 1460 00:59:46,146 --> 00:59:47,647 HELLO? 1461 00:59:47,647 --> 00:59:49,148 [FIGHTING CONTINUES] 1462 00:59:49,149 --> 00:59:51,151 WHAT? I CAN'T HEAR YOU-- 1463 00:59:51,151 --> 00:59:54,154 SO MUCH NOISE GOING ON AROUND HERE. 1464 00:59:54,154 --> 00:59:55,655 WHAT? 1465 00:59:55,655 --> 00:59:57,156 OH, HEADQUARTERS? 1466 00:59:57,157 --> 00:59:58,658 WELL, YEAH, THIS IS NICK CHARLES SPEAKING. 1467 00:59:58,658 --> 01:00:01,160 HEY, HEY, TAKE IT EASY, WILL YOU, FELLAS? 1468 01:00:01,161 --> 01:00:04,664 I CAN'T HEAR A THING. LOOK, DANCER JUST GOT AWAY. 1469 01:00:04,664 --> 01:00:07,667 YEAH, HAVE THE BOYS PICK HIM UP, WILL YOU? 1470 01:00:07,667 --> 01:00:09,168 IT'S ALL RIGHT, NICK, I GOT HIM. 1471 01:00:09,169 --> 01:00:12,672 WAIT A MINUTE. MY CHAUFFEUR THINKS HE'S GOT HIM. 1472 01:00:12,672 --> 01:00:14,173 [STRUGGLING] 1473 01:00:14,174 --> 01:00:15,175 I'VE GOT HIM! 1474 01:00:15,175 --> 01:00:16,676 NO! 1475 01:00:16,676 --> 01:00:18,678 NO, IT'S ABRAMS HE'S GOT. 1476 01:00:18,678 --> 01:00:21,681 HAROLD, YOU BETTER LET HIM UP. HE MAY NOT LIKE THAT. 1477 01:00:21,681 --> 01:00:23,683 Polly: SAY! WHAT'S THE IDEA? 1478 01:00:23,683 --> 01:00:25,184 TAKE IT EASY, LADY. 1479 01:00:25,185 --> 01:00:27,187 LET GO OF ME, WILL YOU? 1480 01:00:37,197 --> 01:00:39,199 WHAT DO YOU THINK YOU'RE DOING? 1481 01:00:39,199 --> 01:00:40,200 THE LIGHTS WENT OUT. 1482 01:00:40,700 --> 01:00:41,701 DO YOU WANT ME TO STAND OUT THERE 1483 01:00:42,202 --> 01:00:43,703 WHILE NICK MIGHT BE IN TROUBLE? 1484 01:00:43,703 --> 01:00:44,704 WHAT WAS THE SHOOTING? 1485 01:00:44,704 --> 01:00:46,205 I GUESS IT WAS ME. 1486 01:00:46,206 --> 01:00:47,707 Abrams: DID YOU GET HIM? 1487 01:00:47,707 --> 01:00:49,709 I THOUGHT IT WAS HIM COMING THROUGH THE DOOR, 1488 01:00:49,709 --> 01:00:51,711 BUT I GUESS IT WAS ONLY ME IN THAT MIRROR. 1489 01:00:51,711 --> 01:00:52,712 Abrams: AND I WANT-- 1490 01:00:52,712 --> 01:00:54,213 AND I WANT-- 1491 01:00:54,214 --> 01:00:56,216 I WANT TO HAVE 1492 01:00:56,216 --> 01:00:57,717 A DESCRIPTION OF THAT BROTHER OF YOURS. 1493 01:00:57,717 --> 01:00:59,218 WHAT ARE YOU PICKING ON PHIL FOR? 1494 01:00:59,219 --> 01:01:01,221 WHAT ABOUT MRS. LANDIS KILLING HIM? 1495 01:01:01,221 --> 01:01:03,223 MAYBE SHE FOUND OUT WE WAS GOING AWAY TOGETHER. 1496 01:01:03,223 --> 01:01:04,724 MAYBE SHE FOUND OUT ABOUT THAT GRAHAM 1497 01:01:04,724 --> 01:01:05,725 GIVING HIM THE BONDS. 1498 01:01:05,725 --> 01:01:07,727 DON'T TALK TILL YOU GET LEGAL ADVICE! 1499 01:01:07,727 --> 01:01:09,228 YOU'RE THEIR LAWYER, NOT MINE! 1500 01:01:09,229 --> 01:01:10,730 HOW DO I KNOW YOU WON'T LEAVE ME 1501 01:01:10,730 --> 01:01:11,731 HOLDING THE BAG? 1502 01:01:11,731 --> 01:01:12,732 NOW WE'RE GETTING SOMEWHERE. 1503 01:01:12,732 --> 01:01:14,734 PICK UP MRS. LANDIS, DOCTOR OR NO DOCTOR. 1504 01:01:14,734 --> 01:01:15,735 COME ON, ALL OF YOU. 1505 01:01:15,735 --> 01:01:17,236 WE'RE GOING DOWN TO HEADQUARTERS. 1506 01:01:17,237 --> 01:01:19,239 YOU CAN'T DO THAT! 1507 01:01:19,239 --> 01:01:20,740 HUH? 1508 01:01:20,740 --> 01:01:22,742 UH...ALL IT SOUNDS LIKE TO ME 1509 01:01:22,742 --> 01:01:25,745 IS THAT THEY PICKED UP MY WIFE IN A MAN'S APARTMENT. 1510 01:01:25,745 --> 01:01:27,246 SAY IT AGAIN. 1511 01:01:27,247 --> 01:01:29,249 THAT'S IT. THAT'S WHAT SHE SAYS. 1512 01:01:29,249 --> 01:01:30,750 I'VE NEVER SEEN YOUR WIFE MYSELF. 1513 01:01:30,750 --> 01:01:31,751 LET ME TALK TO HIM. 1514 01:01:31,751 --> 01:01:34,253 GRAHAM. DAVID GRAHAM. 1515 01:01:34,254 --> 01:01:36,256 HOLD HIM? OK. 1516 01:01:36,256 --> 01:01:38,758 WHY THIS IS ALL CRAZY. THAT CAN'T BE NICK. 1517 01:01:38,758 --> 01:01:40,760 IT'S HIM, ALL RIGHT. 1518 01:01:40,760 --> 01:01:42,261 TELL HIM IT'S NORA. 1519 01:01:42,262 --> 01:01:44,264 SHE SAYS TO SAY IT'S NORA, MR. CHARLES. 1520 01:01:44,264 --> 01:01:46,266 NORA? NAH... 1521 01:01:46,266 --> 01:01:48,768 SOUNDS LIKE A PHONY TO ME. 1522 01:01:48,768 --> 01:01:51,771 BETTER THROW HER IN THE FISH TANK 1523 01:01:51,771 --> 01:01:53,773 TILL I GET DOWN THERE. 1524 01:01:54,774 --> 01:01:55,775 RIGHT. 1525 01:01:55,775 --> 01:01:56,776 WELL? 1526 01:01:56,776 --> 01:01:59,278 THROW HER IN THE FISH TANK. 1527 01:01:59,279 --> 01:02:00,280 WHAT? WHY-- 1528 01:02:00,280 --> 01:02:03,283 THROW HER IN THE FISH TANK. 1529 01:02:03,283 --> 01:02:04,284 WHY, OF ALL THE-- 1530 01:02:04,284 --> 01:02:07,287 [KNOCK ON DOOR] 1531 01:02:07,287 --> 01:02:08,288 [KNOCKING] 1532 01:02:08,288 --> 01:02:13,293 Dancer: WILL YOU OPEN THIS DOOR OR WILL I KICK IT IN? 1533 01:02:20,300 --> 01:02:22,302 WHAT DID I TELL YOU ABOUT HORNING IN 1534 01:02:22,302 --> 01:02:23,803 ON SOMEBODY ELSE'S GAME? 1535 01:02:27,941 --> 01:02:30,443 ALL RIGHT, MATRON. 1536 01:02:30,443 --> 01:02:32,445 Nick: HOW YOU DO? I'D LIKE TO GET 1537 01:02:32,445 --> 01:02:35,448 THIS GAL OUT OF THE WOMEN'S TANK. 1538 01:02:35,448 --> 01:02:36,949 OH, YES. IS THIS THE ONE 1539 01:02:36,950 --> 01:02:38,451 THAT WAS DOING THE FAN DANCE? 1540 01:02:38,451 --> 01:02:39,452 FAN DANCE? 1541 01:02:39,452 --> 01:02:40,953 YES. 1542 01:02:40,954 --> 01:02:41,955 WELL, IF IT IS, 1543 01:02:41,955 --> 01:02:42,956 SHE'S BEEN HOLDING OUT ON ME. 1544 01:02:42,956 --> 01:02:44,457 Woman: HI THERE. SAY, ARE YOU A LAWYER? 1545 01:02:44,457 --> 01:02:46,459 HEY! DID MR. FINEBURG SEND YOU? 1546 01:02:46,459 --> 01:02:48,961 [ALL TALKING] 1547 01:02:48,962 --> 01:02:49,963 WHO YOU LOOKING FOR? 1548 01:02:49,963 --> 01:02:50,964 WILL I DO? 1549 01:02:50,964 --> 01:02:51,965 BAIL US OUT OF HERE! 1550 01:02:51,965 --> 01:02:52,966 DO YOU SEE HER? 1551 01:02:52,966 --> 01:02:54,968 NO, I GUESS SHE ISN'T HERE. 1552 01:02:54,968 --> 01:02:56,970 Nora: NICKY, HERE I AM! 1553 01:02:56,970 --> 01:02:58,471 EXCUSE ME! WAIT A MINUTE. 1554 01:02:58,471 --> 01:02:59,472 HUH? 1555 01:02:59,472 --> 01:03:01,474 EXCUSE ME. HERE I AM. 1556 01:03:01,474 --> 01:03:03,476 UH, WELL...THIS IS A FINE WAY 1557 01:03:03,476 --> 01:03:05,478 TO START THE NEW YEAR. 1558 01:03:05,478 --> 01:03:06,979 NICKY, GET ME OUT OF HERE. 1559 01:03:06,980 --> 01:03:08,481 HOW LONG HAS THIS THING WITH DAVID 1560 01:03:08,481 --> 01:03:09,482 BEEN GOING ON? 1561 01:03:09,482 --> 01:03:11,484 OH, STOP THAT. GET ME OUT OF HERE. 1562 01:03:11,484 --> 01:03:12,485 I'VE GOT SOMETHING TO TELL YOU. 1563 01:03:12,485 --> 01:03:13,486 ABOUT THE CASE? YES. 1564 01:03:13,486 --> 01:03:14,987 I'LL GET YOU OUT ON ONE CONDITION. 1565 01:03:14,988 --> 01:03:16,990 NO MORE DETECTING, NO MORE CASES. PROMISE? 1566 01:03:16,990 --> 01:03:18,491 BUT THIS IS IMPORTANT. 1567 01:03:18,491 --> 01:03:19,492 NEVER MIND. 1568 01:03:19,492 --> 01:03:20,493 NICK! 1569 01:03:20,493 --> 01:03:21,494 WELL? 1570 01:03:21,494 --> 01:03:22,495 I PROMISE. 1571 01:03:22,495 --> 01:03:23,996 ALL RIGHT. LET HER OUT. 1572 01:03:23,997 --> 01:03:24,998 COME ON. 1573 01:03:24,998 --> 01:03:26,499 [WOMEN YELLING] 1574 01:03:31,004 --> 01:03:32,505 ARE YOU MRS. CHARLES? 1575 01:03:32,505 --> 01:03:33,506 YES. 1576 01:03:33,506 --> 01:03:35,007 LIEUTENANT ABRAMS WANTS YOU FOR QUESTIONING. 1577 01:03:35,008 --> 01:03:36,009 QUESTIONING? 1578 01:03:36,009 --> 01:03:39,012 DON'T WORRY, DARLING. I'LL WRITE YOU EVERY DAY. 1579 01:03:41,514 --> 01:03:43,516 WERE YOU AND LANDIS ON GOOD TERMS? 1580 01:03:43,516 --> 01:03:44,517 DECIDEDLY NOT. 1581 01:03:44,517 --> 01:03:46,018 ON BAD TERMS? 1582 01:03:46,019 --> 01:03:47,020 VERY BAD. 1583 01:03:47,020 --> 01:03:49,522 YOU AND MRS. LANDIS WERE ONCE ENGAGED. 1584 01:03:49,522 --> 01:03:50,523 THAT'S RIGHT. 1585 01:03:50,523 --> 01:03:52,024 UNTIL LANDIS CAME ALONG? 1586 01:03:52,025 --> 01:03:53,026 YES, SIR. 1587 01:03:53,026 --> 01:03:55,028 EVER ASK HER TO DIVORCE HIM AND MARRY YOU? 1588 01:03:55,028 --> 01:03:57,530 I MAY HAVE. SHE NEVER SAID SHE WOULD. 1589 01:03:57,530 --> 01:03:59,031 BUT YOU HOPED SHE WOULD. 1590 01:03:59,032 --> 01:04:01,034 AND YOU THOUGHT WITH HIM OUT OF THE WAY, SHE MIGHT. 1591 01:04:01,034 --> 01:04:04,037 NOW, LOOK, I DIDN'T KILL ROBERT. 1592 01:04:04,037 --> 01:04:06,039 DID I SAY YOU DID? 1593 01:04:06,039 --> 01:04:07,040 BUT YOU DID PAY HIM TO GO AWAY. 1594 01:04:07,040 --> 01:04:08,041 YES. YES, I DID. 1595 01:04:08,041 --> 01:04:09,542 [KNOCK ON DOOR] 1596 01:04:09,542 --> 01:04:11,544 LET THEM IN. 1597 01:04:11,544 --> 01:04:14,046 WILL YOU PLEASE SIT DOWN, MRS. CHARLES? 1598 01:04:14,047 --> 01:04:17,050 Abrams: I, UH, I HAVE TO ASK YOUR WIFE 1599 01:04:17,050 --> 01:04:19,052 A COUPLE OF QUESTIONS, MR. CHARLES. 1600 01:04:19,052 --> 01:04:20,053 I'M SORRY. 1601 01:04:20,053 --> 01:04:21,554 OH, THAT'S QUITE ALL RIGHT. 1602 01:04:21,554 --> 01:04:23,055 NOW, MRS. CHARLES, 1603 01:04:23,056 --> 01:04:26,059 WHY DID YOU GO TO MR. GRAHAM'S APARTMENT? 1604 01:04:26,059 --> 01:04:27,060 WHY...WHY... 1605 01:04:27,060 --> 01:04:30,063 WELL, PERHAPS I BETTER LEAVE. 1606 01:04:32,065 --> 01:04:33,566 WHY, SELMA HAD A SILLY IDEA 1607 01:04:34,067 --> 01:04:35,568 THAT DAVID THOUGHT SHE KILLED ROBERT, 1608 01:04:36,069 --> 01:04:37,570 AND SHE WANTED ME TO GO AND TELL HIM 1609 01:04:38,071 --> 01:04:38,571 THAT SHE DIDN'T. 1610 01:04:39,072 --> 01:04:40,073 OH, NOW, WAIT A MINUTE. 1611 01:04:40,073 --> 01:04:41,574 I CAN'T IMAGINE HER THINKING 1612 01:04:41,574 --> 01:04:43,576 A THING LIKE THAT. 1613 01:04:43,576 --> 01:04:44,577 THAT'S RIDICULOUS. 1614 01:04:44,577 --> 01:04:46,579 I HAVEN'T SEEN HER FOR TWO DAYS. 1615 01:04:46,579 --> 01:04:48,581 WILL YOU COME IN, MRS. LANDIS? 1616 01:04:48,581 --> 01:04:49,582 SELMA... 1617 01:04:49,582 --> 01:04:50,583 NORA. 1618 01:04:50,583 --> 01:04:52,084 DEAR, SIT DOWN. 1619 01:04:54,087 --> 01:04:57,090 OH! DAVID, I DIDN'T WANT YOU DRAGGED INTO THIS. 1620 01:04:57,090 --> 01:04:59,092 MRS. LANDIS, WHY DID MR. GRAHAM 1621 01:04:59,092 --> 01:05:00,593 THINK YOU KILLED-- 1622 01:05:00,593 --> 01:05:02,094 NOW, I NEVER SAID THAT, 1623 01:05:02,095 --> 01:05:03,596 AND I NEVER THOUGHT IT 1624 01:05:03,596 --> 01:05:04,597 FOR A MINUTE! 1625 01:05:04,597 --> 01:05:06,098 IT'S ALL RIGHT, DAVID. 1626 01:05:06,099 --> 01:05:08,601 HE HAD EVERY RIGHT TO THINK I DID IT. 1627 01:05:08,601 --> 01:05:11,103 HE'S JUST TRYING TO PROTECT ME. 1628 01:05:11,104 --> 01:05:12,605 HE HEARD A SHOT... 1629 01:05:12,605 --> 01:05:14,106 HE CAME RUNNING UP TO ME... 1630 01:05:14,107 --> 01:05:15,108 JUST A MINUTE. 1631 01:05:15,108 --> 01:05:18,111 WHAT WERE YOU DOING THERE? 1632 01:05:18,111 --> 01:05:19,112 I WANTED TO MAKE SURE 1633 01:05:19,112 --> 01:05:21,114 THAT HE KEPT HIS PROMISE TO GO AWAY. 1634 01:05:21,114 --> 01:05:24,117 OH, OK. GO ON. 1635 01:05:24,117 --> 01:05:26,119 WELL, HE RUSHED UP TO ME 1636 01:05:26,119 --> 01:05:29,122 AND FOUND ME STANDING NEAR ROBERT WITH A GUN IN MY HAND. 1637 01:05:29,122 --> 01:05:31,624 BUT THE SHOT CAME FROM ROUND THE CORNER, 1638 01:05:31,624 --> 01:05:33,125 FROM IN FRONT OF ME. 1639 01:05:33,126 --> 01:05:35,628 YOU MEAN YOU DIDN'T... 1640 01:05:35,628 --> 01:05:36,629 NO. 1641 01:05:36,629 --> 01:05:40,132 LOOK AT THE GUN, DAVID. IT HASN'T BEEN FIRED. 1642 01:05:43,136 --> 01:05:44,137 OH, SELMA... 1643 01:05:44,137 --> 01:05:47,140 SELMA, FORGIVE ME. 1644 01:05:47,140 --> 01:05:50,643 IT'S ALL RIGHT, DAVID, OF COURSE I FORGIVE YOU. 1645 01:05:50,643 --> 01:05:52,645 WELL, THAT'S ALL SETTLED. COME ON, NORA. 1646 01:05:52,645 --> 01:05:54,146 GOOD-BYE, LIEUTENANT. GOOD-BYE, ALL. 1647 01:05:54,147 --> 01:05:56,649 NOW, WAIT A MINUTE. 1648 01:05:56,649 --> 01:05:58,651 MAYBE HE BELIEVES YOU. HE'S IN LOVE WITH YOU. 1649 01:05:58,651 --> 01:06:01,153 BUT I GOT TO HAVE SOMETHING MORE THAN THAT. 1650 01:06:01,154 --> 01:06:02,655 WHERE'S THE GUN? 1651 01:06:02,655 --> 01:06:04,657 I'VE GOT TO SEE THAT GUN, MRS. LANDIS. 1652 01:06:04,657 --> 01:06:06,659 I HAVEN'T GOT THE GUN. 1653 01:06:06,659 --> 01:06:08,661 I--I GAVE IT TO DAVID. 1654 01:06:10,163 --> 01:06:11,664 DAVID, WHERE'S-- 1655 01:06:11,664 --> 01:06:13,666 WHAT IS IT, DAVID? 1656 01:06:13,666 --> 01:06:17,670 SELMA, I THOUGHT YOU WERE GUILTY. 1657 01:06:17,670 --> 01:06:20,172 I THOUGHT I WAS DOING THE ONLY THING. I-- 1658 01:06:20,173 --> 01:06:22,175 I THREW THE GUN AWAY. 1659 01:06:22,175 --> 01:06:24,177 YOU THREW THE GUN AWAY! 1660 01:06:25,678 --> 01:06:28,180 THIS IS THE CRAZIEST CASE. 1661 01:06:28,181 --> 01:06:30,183 BUT THEY CAN FIND IT. 1662 01:06:30,183 --> 01:06:31,184 I CAN TELL THEM 1663 01:06:31,184 --> 01:06:32,185 EXACTLY WHERE I THREW IT. 1664 01:06:32,185 --> 01:06:33,686 I'LL SEND DIVERS DOWN FOR IT. 1665 01:06:33,686 --> 01:06:35,187 WELL, THEY'VE GOT TO FIND IT! 1666 01:06:35,188 --> 01:06:37,190 AH, PHOOEY! SHE DON'T WANT THAT GUN BACK 1667 01:06:37,190 --> 01:06:38,191 ANY MORE THAN YOU DO. 1668 01:06:38,191 --> 01:06:40,193 SWEAR OUT A WARRANT FOR THE ARREST 1669 01:06:40,193 --> 01:06:42,695 OF MRS. LANDIS ON THE SUSPICION OF MURDER. 1670 01:06:42,695 --> 01:06:43,696 [MOANS] 1671 01:06:43,696 --> 01:06:45,197 HERE. 1672 01:06:45,198 --> 01:06:46,699 GET SOME WHISKEY. 1673 01:06:46,699 --> 01:06:47,700 YES. 1674 01:06:47,700 --> 01:06:48,701 FOR BOTH OF US. 1675 01:06:56,209 --> 01:06:59,212 AND THAT GOES FOR YOU, TOO. 1676 01:06:59,212 --> 01:07:00,713 GO ON! 1677 01:07:39,752 --> 01:07:41,253 [CLICKING] 1678 01:08:05,778 --> 01:08:07,279 WHAT DID YOU SAY? 1679 01:08:07,280 --> 01:08:08,781 HMM? 1680 01:08:08,781 --> 01:08:11,784 DID YOU SAY SOMETHING ABOUT SCRAMBLED EGGS? 1681 01:08:11,784 --> 01:08:14,787 NO, DARLING. YOU MUST HAVE BEEN DREAMING. 1682 01:08:17,290 --> 01:08:18,791 ARE YOU HUNGRY? 1683 01:08:18,791 --> 01:08:20,292 NO. WHY? ARE YOU? 1684 01:08:20,293 --> 01:08:23,296 YOU WANT SOME SCRAMBLED EGGS, DEAR? 1685 01:08:23,296 --> 01:08:26,299 'CAUSE I CAN FIX THEM FOR YOU IF YOU WANT THEM. 1686 01:08:26,299 --> 01:08:28,801 OH, NO, DARLING. I DON'T CARE FOR ANY. 1687 01:08:28,801 --> 01:08:30,302 NO? SURE? 1688 01:08:30,303 --> 01:08:31,804 REALLY. 1689 01:08:31,804 --> 01:08:33,806 OH, WELL, GOOD NIGHT, BABY. 1690 01:08:33,806 --> 01:08:35,808 GOOD NIGHT. 1691 01:08:37,810 --> 01:08:39,812 AFTER ALL, IF I WANT SCRAMBLED EGGS, 1692 01:08:39,812 --> 01:08:42,314 I CAN GET THEM FOR MYSELF. 1693 01:08:42,315 --> 01:08:43,316 MM-HMM. 1694 01:08:43,316 --> 01:08:45,818 OF COURSE, I'M NOT AS GOOD A COOK AS YOU ARE. 1695 01:08:45,818 --> 01:08:46,819 UH-UH. 1696 01:08:46,819 --> 01:08:48,821 DON'T BOTHER ABOUT ME. 1697 01:08:48,821 --> 01:08:51,323 YOU GO RIGHT ON SLEEPING, DARLING. 1698 01:08:51,324 --> 01:08:54,327 I LOVE TO WATCH YOU SLEEP. 1699 01:08:54,327 --> 01:08:56,329 YOU LOOK SO CUTE. 1700 01:08:56,329 --> 01:08:57,330 [GIGGLES] 1701 01:08:59,332 --> 01:09:01,334 NICKY? HAVE YOU ANY PICTURES 1702 01:09:01,334 --> 01:09:03,336 OF YOURSELF TAKEN AS A BABY? 1703 01:09:03,336 --> 01:09:05,338 HMM? NO. NO. 1704 01:09:05,338 --> 01:09:08,341 AH, THAT'S A SHAME. 1705 01:09:08,341 --> 01:09:11,344 I WANT TO SEE WHAT YOU LOOKED LIKE. 1706 01:09:11,344 --> 01:09:14,347 WELL...I'LL HAVE SOME TAKEN IN THE MORNING. 1707 01:09:16,849 --> 01:09:18,350 POOR SELMA... 1708 01:09:18,351 --> 01:09:19,852 POOR DAVID. 1709 01:09:22,855 --> 01:09:25,357 NICKY? CAN YOU REACH THE WATER? 1710 01:09:25,358 --> 01:09:26,359 HMM? 1711 01:09:26,359 --> 01:09:28,361 CAN YOU REACH THE WATER? 1712 01:09:28,361 --> 01:09:29,362 MM-HMM. 1713 01:09:34,867 --> 01:09:36,869 OH, NO, I DON'T WANT IT. 1714 01:09:37,370 --> 01:09:40,873 I JUST WANTED TO BE SURE YOU COULD REACH IT. 1715 01:09:44,377 --> 01:09:45,878 COME ON... 1716 01:09:45,878 --> 01:09:47,880 I'LL SCRAMBLE THOSE EGGS. 1717 01:09:51,884 --> 01:09:54,887 NOW, IF YOU CAN MANAGE THE BREAD, I'LL WHIP YOU UP 1718 01:09:54,887 --> 01:09:56,388 SOME SCRAMBLED EGGS THAT'LL BE A POEM. 1719 01:09:56,389 --> 01:09:59,392 I'M SO GLAD YOU'RE HUNGRY, TOO. 1720 01:09:59,392 --> 01:10:00,893 HERE. CHASE THIS. 1721 01:10:00,893 --> 01:10:03,395 OH, NO, NO. THIS. GO GET IT. 1722 01:10:03,396 --> 01:10:05,898 NOW...EGGS, MILK... 1723 01:10:05,898 --> 01:10:07,900 BUTTER. 1724 01:10:10,403 --> 01:10:11,404 WELL... 1725 01:10:11,404 --> 01:10:12,905 WHAT'S THE MATTER? 1726 01:10:12,905 --> 01:10:14,907 OH, I'M THINKING OF POOR SELMA 1727 01:10:14,907 --> 01:10:15,908 DOWN IN THAT JAIL. 1728 01:10:15,908 --> 01:10:17,409 NOW, DON'T WORRY, DARLING. 1729 01:10:17,410 --> 01:10:18,411 TOMORROW THEY'LL FIND THE GUN, 1730 01:10:18,411 --> 01:10:20,413 AND IT WON'T HAVE BEEN FIRED, 1731 01:10:20,413 --> 01:10:21,914 AND SELMA WILL BE SET FREE. 1732 01:10:21,914 --> 01:10:23,916 BUT YOU DON'T REALLY THINK SHE DID IT? 1733 01:10:23,916 --> 01:10:25,417 NO. NOW, WHERE'S THE SALT? 1734 01:10:25,918 --> 01:10:26,919 OVER THERE. YOU'RE NOT SAYING THAT 1735 01:10:26,919 --> 01:10:29,421 JUST TO MAKE ME HAPPY, ARE YOU? 1736 01:10:29,422 --> 01:10:30,923 YOU REALLY MEAN IT? 1737 01:10:30,923 --> 01:10:31,924 NO. 1738 01:10:31,924 --> 01:10:32,925 NO, WHAT? 1739 01:10:32,925 --> 01:10:33,926 NO PEPPER. 1740 01:10:33,926 --> 01:10:35,928 WELL, IT'S THERE, NEXT TO THE SALT. 1741 01:10:35,928 --> 01:10:37,930 OH, THANKS. 1742 01:10:37,930 --> 01:10:39,431 THEN WHAT? 1743 01:10:39,432 --> 01:10:41,434 YES, I MEAN IT. 1744 01:10:41,434 --> 01:10:42,935 OF COURSE YOU'RE RIGHT. 1745 01:10:42,935 --> 01:10:45,938 SHE DIDN'T DO IT. SHE COULDN'T HAVE DONE IT. 1746 01:10:45,938 --> 01:10:47,940 I DON'T THINK I'D KILL YOU 1747 01:10:47,940 --> 01:10:50,442 IF YOU RAN OFF WITH ANOTHER WOMAN. 1748 01:10:50,443 --> 01:10:52,945 WELL, THAT'S SOMETHING TO LOOK FORWARD TO. 1749 01:10:52,945 --> 01:10:54,947 I MIGHT, THOUGH. 1750 01:10:54,947 --> 01:10:58,450 UH...YOU MIND, SUGAR? 1751 01:10:58,451 --> 01:10:59,452 OH! 1752 01:11:01,954 --> 01:11:02,955 HEY! 1753 01:11:03,956 --> 01:11:05,457 DON'T FORGET TO SHUT THE GATE! 1754 01:11:05,458 --> 01:11:06,959 NICK, WHAT WAS IT? 1755 01:11:06,959 --> 01:11:08,460 OH, IT WAS A STONE. 1756 01:11:08,461 --> 01:11:10,463 LOOK! IT'S GOT A NOTE TIED TO IT! 1757 01:11:10,463 --> 01:11:11,964 HA HA! SILLY LITTLE WOMAN. 1758 01:11:11,964 --> 01:11:13,966 I TOLD HER TO STOP WRITING ME. 1759 01:11:13,966 --> 01:11:15,968 ASTA! ASTA, DROP THAT! 1760 01:11:16,969 --> 01:11:18,470 ASTA! 1761 01:11:18,471 --> 01:11:20,973 ASTA, DROP THAT! THAT'S A CLUE! 1762 01:11:20,973 --> 01:11:22,474 [ARF ARF] 1763 01:11:24,977 --> 01:11:26,979 OH, HE THINKS WE'RE PLAYING! 1764 01:11:26,979 --> 01:11:28,981 NICKY, NICKY, COME HELP ME! 1765 01:11:29,982 --> 01:11:31,483 LOOK AT HIM. 1766 01:11:31,484 --> 01:11:32,485 HUH? WHERE IS HE? 1767 01:11:32,485 --> 01:11:33,486 OVER THERE. 1768 01:11:33,486 --> 01:11:34,487 [ARF ARF] 1769 01:11:35,988 --> 01:11:39,992 HAS HE GOT THE-- THE N-O-T-E? 1770 01:11:39,992 --> 01:11:40,993 YES. 1771 01:11:40,993 --> 01:11:42,995 DON'T PAY ANY ATTENTION TO HIM. 1772 01:11:42,995 --> 01:11:44,496 JUST BE NONCHALANT. 1773 01:11:44,497 --> 01:11:45,998 [HUMMING] 1774 01:11:57,510 --> 01:11:59,011 [GROWLS] 1775 01:12:03,516 --> 01:12:05,518 [GROWLS] 1776 01:12:15,027 --> 01:12:16,528 Nora: ASTA! 1777 01:12:16,529 --> 01:12:18,030 ASTA! 1778 01:12:18,030 --> 01:12:20,532 D-D-DARLING, LET ME DISCIPLINE HIM. 1779 01:12:20,533 --> 01:12:21,534 ASTA! 1780 01:12:21,534 --> 01:12:23,536 [ARF ARF] 1781 01:12:23,536 --> 01:12:25,037 COME HERE, THIS MINUTE. 1782 01:12:27,039 --> 01:12:28,040 [ARF ARF] 1783 01:12:28,040 --> 01:12:30,542 YOU HEAR ME? THIS MINUTE! 1784 01:12:30,543 --> 01:12:32,411 ASTA! ASTA! 1785 01:12:34,914 --> 01:12:35,915 OOH! 1786 01:12:35,915 --> 01:12:37,917 NEVER MIND ME. GET HIM. 1787 01:12:38,417 --> 01:12:38,917 YES. 1788 01:12:40,419 --> 01:12:41,420 ASTA! 1789 01:12:55,935 --> 01:12:56,936 DID YOU GET IT? 1790 01:12:56,936 --> 01:12:59,438 GOT THE ROCK. 1791 01:12:59,438 --> 01:13:01,940 Nora: NICK! NICK! HE'S EATING IT UP! 1792 01:13:02,441 --> 01:13:03,942 ASTA... HERE. LOOK! 1793 01:13:03,943 --> 01:13:06,445 PPP! PPP! PRETTY. PRETTY. 1794 01:13:06,445 --> 01:13:07,446 PRETTY ROCK. 1795 01:13:07,446 --> 01:13:08,947 GET THE PRETTY ROCK! THAT-A BOY! 1796 01:13:08,948 --> 01:13:10,950 ASTA, LOOK, LOOK! SEE? SEE THE PRETTY ROCK? 1797 01:13:10,950 --> 01:13:12,952 WHEN HE RUNS AFTER THE ROCK, YOU GRAB THE PAPER. 1798 01:13:12,952 --> 01:13:15,955 GET IT, ASTA. GET THE PRETTY ROCK. 1799 01:13:15,955 --> 01:13:16,956 THAT'S A GOOD DOGGY. 1800 01:13:19,959 --> 01:13:21,460 I HAVE IT. 1801 01:13:22,962 --> 01:13:28,467 "MR. CHARLES, PHIL BYRNES... 1802 01:13:28,467 --> 01:13:33,472 "ALIAS RALPH WEST IS A EX CON... 1803 01:13:33,472 --> 01:13:37,976 "AND WAS MARRIED TO POLLY IN TOPEKER 1804 01:13:37,977 --> 01:13:42,481 3 YEARS AGO. HE LIVES..." 1805 01:13:48,487 --> 01:13:49,488 WHAT ARE WE SUPPOSED TO DO? 1806 01:13:49,488 --> 01:13:50,989 SEND HIM AN ANNIVERSARY PRESENT? 1807 01:13:50,990 --> 01:13:52,491 NICKY, PHONE ABRAMS. 1808 01:13:52,491 --> 01:13:54,493 AND HAVE HIM HERE KEEPING US UP ALL NIGHT? 1809 01:13:54,493 --> 01:13:56,995 WELL, DON'T YOU SEE? IF PHIL IS HER HUSBAND, 1810 01:13:56,996 --> 01:13:59,999 THEN HE SHOT ROBERT BECAUSE HE FOUND OUT 1811 01:13:59,999 --> 01:14:02,001 ABOUT HIM AND POLLY. 1812 01:14:02,001 --> 01:14:03,502 NICKY, YOU MUST PHONE. 1813 01:14:03,502 --> 01:14:06,004 WELL, JUST AS YOU SAY. 1814 01:14:06,005 --> 01:14:07,506 HERE, YOU. 1815 01:14:11,010 --> 01:14:12,011 BAD ASTA. 1816 01:14:12,011 --> 01:14:15,014 YOU SWALLOWED THAT ADDRESS. HOW COULD YOU? 1817 01:14:15,014 --> 01:14:16,515 AND I'VE BEEN BOASTING 1818 01:14:16,515 --> 01:14:18,016 ABOUT WHAT A SMART DOG YOU WERE. 1819 01:14:18,017 --> 01:14:20,019 JUST FOR THAT, YOU SLEEP OUTSIDE. 1820 01:14:27,526 --> 01:14:29,027 [ARF ARF] 1821 01:14:55,054 --> 01:14:56,555 [ARF ARF] 1822 01:15:00,559 --> 01:15:01,560 NICKY? 1823 01:15:28,554 --> 01:15:29,555 Man: PAPER! 1824 01:15:29,555 --> 01:15:31,056 PAPER! 1825 01:15:31,056 --> 01:15:32,057 EXTRA! 1826 01:15:32,057 --> 01:15:35,060 10 CENTS A COPY! 1827 01:15:35,060 --> 01:15:36,061 EXTRA! 1828 01:15:59,084 --> 01:16:01,086 I DON'T THINK MR. CHARLES WISHES 1829 01:16:01,086 --> 01:16:02,587 TO SEE ANYONE. 1830 01:16:02,588 --> 01:16:05,591 YOU JUST TELL MR. CHARLES I'M HERE. THAT'S ALL. 1831 01:16:09,094 --> 01:16:11,096 GOOD MORNING, PETERS. 1832 01:16:11,096 --> 01:16:13,598 MRS. CHARLES COULDN'T SLEEP, SO I'M UP. 1833 01:16:13,599 --> 01:16:14,600 GOOD MORNING, PETERS. 1834 01:16:14,600 --> 01:16:15,601 GOOD EVENING, MADAM. 1835 01:16:15,601 --> 01:16:18,103 GOOD EVENING? WELL, IT'S ONLY 6:30. 1836 01:16:18,604 --> 01:16:19,104 YES, SIR. 1837 01:16:19,605 --> 01:16:20,606 IT'S STILL DARK. 1838 01:16:20,606 --> 01:16:22,107 IT'S DARK AGAIN, SIR. 1839 01:16:22,107 --> 01:16:23,608 YOU SLEPT RIGHT THROUGH THE DAY. 1840 01:16:23,609 --> 01:16:24,610 WAS IT A NICE DAY? 1841 01:16:24,610 --> 01:16:26,111 A DREADFUL DAY, MADAME. 1842 01:16:26,111 --> 01:16:27,112 THE REPORTERS AND THE POLICE 1843 01:16:27,112 --> 01:16:28,613 WERE TRYING TO GET UP HERE ALL DAY. 1844 01:16:28,614 --> 01:16:29,615 I GUESS WE DIDN'T MISS A THING. 1845 01:16:29,615 --> 01:16:31,116 OH, QUICK, THE MORNING PAPERS. 1846 01:16:31,116 --> 01:16:33,118 THE MORNING PAPERS ARE NOT OUT YET, MADAM. 1847 01:16:33,118 --> 01:16:35,620 NOT OUT YET? 1848 01:16:35,621 --> 01:16:36,622 THESE ARE THE EVENING PAPERS. 1849 01:16:36,622 --> 01:16:38,123 THERE YOU ARE. 1850 01:16:38,123 --> 01:16:39,624 WELL, IT DOESN'T SEEM RIGHT, 1851 01:16:39,625 --> 01:16:40,626 THE EVENING PAPERS WITH BREAKFAST. 1852 01:16:40,626 --> 01:16:42,127 IF YOU HADN'T WAKENED ME, 1853 01:16:42,127 --> 01:16:43,628 WE'D HAVE SLEPT RIGHT THROUGH TILL MORNING, 1854 01:16:43,629 --> 01:16:45,130 AND THEN EVERYTHING WOULD HAVE BEEN ALL RIGHT. 1855 01:16:45,130 --> 01:16:46,131 MR. CHARLES, THERE'S ONE 1856 01:16:46,131 --> 01:16:47,132 OF THOSE POLICEMEN 1857 01:16:47,132 --> 01:16:48,133 OUTSIDE THE DOOR RIGHT NOW. 1858 01:16:48,133 --> 01:16:49,134 WHAT SHALL I DO ABOUT IT? 1859 01:16:49,134 --> 01:16:50,635 OH, SHOW HIM IN. 1860 01:16:50,636 --> 01:16:53,138 HE PROBABLY WANTS TO QUESTION MRS. CHARLES AGAIN. 1861 01:16:53,138 --> 01:16:55,640 IT DOESN'T SAY WHETHER THEY FOUND THE GUN. 1862 01:16:55,641 --> 01:16:58,143 OH, I FORGOT, I'M MAD AT YOU. 1863 01:16:58,143 --> 01:16:59,144 HMM! 1864 01:16:59,144 --> 01:17:02,147 LOOK AT HIM PRANCING AROUND WITH THAT CLUE IN HIM. 1865 01:17:02,147 --> 01:17:04,649 Nora: OH, HELLO, MR. ABRAMS. 1866 01:17:04,650 --> 01:17:05,651 GOOD MORNING. 1867 01:17:05,651 --> 01:17:06,652 GOOD EVENING. 1868 01:17:06,652 --> 01:17:08,654 YES. OH, YES. GOOD EVENING. 1869 01:17:08,654 --> 01:17:09,655 WILL YOU HAVE SOME BREAKFAST? 1870 01:17:09,655 --> 01:17:11,156 THANKS. I JUST HAD DINNER. 1871 01:17:11,156 --> 01:17:13,158 OH. I GIVE UP. 1872 01:17:13,158 --> 01:17:14,159 HAVE THE FOUND THE GUN? 1873 01:17:14,159 --> 01:17:15,160 NO. 1874 01:17:15,160 --> 01:17:16,661 OH, NICK. 1875 01:17:16,662 --> 01:17:18,163 THINK YOU'RE GONNA CONVICT HER IF YOU DON'T FIND IT? 1876 01:17:18,163 --> 01:17:20,165 MAYBE I DO AND MAYBE I DON'T. 1877 01:17:20,165 --> 01:17:21,666 IT'S WHAT THE-- 1878 01:17:21,667 --> 01:17:23,669 IT'S WHAT THE D.A. THINKS. 1879 01:17:23,669 --> 01:17:26,672 WHAT ABOUT THE OTHER GUNS? DANCER'S AND LUM KEE'S? 1880 01:17:26,672 --> 01:17:27,673 THEY'RE .38's, ALL RIGHT, 1881 01:17:27,673 --> 01:17:29,174 LIKE HE WAS KILLED WITH. 1882 01:17:29,174 --> 01:17:30,675 BUT THE EXPERTS SAY 1883 01:17:30,676 --> 01:17:32,177 THEY'RE NOT THE GUNS THAT DID IT. 1884 01:17:32,177 --> 01:17:35,180 OH. 50 WILL GET YOU 250 THAT SHE DIDN'T DO IT. 1885 01:17:35,180 --> 01:17:36,681 YOU'D HAVE TO SAY THAT, 1886 01:17:36,682 --> 01:17:37,683 BEING YOU'RE FAMILY. 1887 01:17:37,683 --> 01:17:38,684 BUT THAT LAI CHI GANG 1888 01:17:38,684 --> 01:17:40,185 HAS GOT THE BEST OUT IN THE WORLD. 1889 01:17:40,185 --> 01:17:41,686 THEY WOULDN'T HAVE KILLED HIM 1890 01:17:41,687 --> 01:17:43,188 TILL THEY CASHED HIS CHECK. 1891 01:17:43,188 --> 01:17:44,189 HIS CHECK? 1892 01:17:44,189 --> 01:17:45,190 OH, I FORGOT. 1893 01:17:45,190 --> 01:17:46,191 YOU DIDN'T HEAR ABOUT THAT. 1894 01:17:46,191 --> 01:17:47,192 HE GAVE POLLY 1895 01:17:47,192 --> 01:17:49,194 A CHECK FOR $20,000 YESTERDAY. 1896 01:17:49,194 --> 01:17:51,696 $20,000? ROBERT NEVER HAD $20,000 IN HIS LIFE. 1897 01:17:51,697 --> 01:17:52,698 YES, HE DID. 1898 01:17:52,698 --> 01:17:54,199 I WENT TO THE BANK TO SEE ABOUT IT. 1899 01:17:54,199 --> 01:17:55,200 HERE IT IS. 1900 01:17:55,200 --> 01:17:56,701 HIS WIFE PUT THIS IN HIS ACCOUNT 1901 01:17:56,702 --> 01:17:58,203 JUST A COUPLE OF DAYS AGO. 1902 01:17:58,203 --> 01:18:00,205 LOOKS ALL RIGHT. HAVE YOU GOT ANY OF HIS CHECKS? 1903 01:18:00,205 --> 01:18:01,706 I GOT ALL OF HIS, AND THEY'RE OK, TOO. 1904 01:18:01,707 --> 01:18:03,709 I JUST WANT THE ONES HE GAVE TO POLLY. 1905 01:18:03,709 --> 01:18:05,711 WELL, HERE'S THE FIRST ONE FOR $75. 1906 01:18:05,711 --> 01:18:06,712 75, THAT'S BETTER. 1907 01:18:07,212 --> 01:18:08,713 AND HERE'S THE NEXT ONE FOR 100. 1908 01:18:08,714 --> 01:18:10,716 100? GOING UP, HUH? 1909 01:18:18,223 --> 01:18:19,224 Nick: PERFECT. 1910 01:18:19,224 --> 01:18:20,225 FORGERY. 1911 01:18:20,225 --> 01:18:22,727 LET ME HAVE THE BIG CHECK. 1912 01:18:22,728 --> 01:18:23,729 Nora: LET ME SEE! 1913 01:18:23,729 --> 01:18:25,731 I'VE NEVER SEEN A FORGED CHECK. 1914 01:18:26,732 --> 01:18:28,233 Nick: THERE YOU ARE. 1915 01:18:28,233 --> 01:18:30,235 HOW DO YOU HAVE YOUR EGGS? 1916 01:18:30,235 --> 01:18:31,736 WHERE'S YOUR PHONE? 1917 01:18:31,737 --> 01:18:33,238 IT'S OVER THERE ON THE TABLE BETWEEN THE BED. 1918 01:18:33,739 --> 01:18:35,240 WELL, I CAN'T SEE ANYTHING. 1919 01:18:36,241 --> 01:18:38,743 MR. CHARLES, WHERE IS THE REST OF THIS PHONE? 1920 01:18:38,744 --> 01:18:40,245 Nick: IN THE DRAWER. 1921 01:18:40,245 --> 01:18:41,246 [ASTA GROWLING] 1922 01:18:41,246 --> 01:18:42,247 HEY, NOW, NICE DOGGY. 1923 01:18:42,247 --> 01:18:44,749 WILL YOU TELL HIM I JUST WANT TO USE THE PHONE? 1924 01:18:44,750 --> 01:18:46,752 NOW, BEHAVE YOURSELF, WILL YOU? 1925 01:18:46,752 --> 01:18:48,253 LOOK OUT. 1926 01:18:50,756 --> 01:18:52,257 WELL, I DON'T UNDERSTAND. 1927 01:18:52,257 --> 01:18:53,758 THE SIGNATURES LOOK EXACTLY ALIKE TO ME. 1928 01:18:54,259 --> 01:18:55,260 THAT'S JUST IT. 1929 01:18:55,761 --> 01:18:56,762 THAT'S JUST WHAT? 1930 01:18:57,262 --> 01:18:59,264 NOBODY WRITES THIS MUCH THE SAME TWICE. 1931 01:18:59,264 --> 01:19:01,766 THEY TRACED THESE SIGNATURES FROM THIS FIRST CHECK. 1932 01:19:01,767 --> 01:19:03,268 OH... 1933 01:19:03,268 --> 01:19:05,770 "OOOH..." 1934 01:19:05,771 --> 01:19:07,272 HELLO. HELLO, JOE? 1935 01:19:07,272 --> 01:19:08,273 [ASTA GROWLING] 1936 01:19:08,273 --> 01:19:09,774 JOE? JOE? GO DOWN 1937 01:19:09,775 --> 01:19:12,277 AND PICK UP THAT POLLY BYRNES FOR ME. 1938 01:19:12,277 --> 01:19:14,279 OK. SAY, DO YOU WANT THIS THING 1939 01:19:14,780 --> 01:19:16,782 BACK IN THE DRAWER? 1940 01:19:16,782 --> 01:19:18,283 Nick: NO, THAT'S ALL RIGHT. 1941 01:19:18,283 --> 01:19:19,284 UH... 1942 01:19:19,284 --> 01:19:20,785 [GROWLING] 1943 01:19:20,786 --> 01:19:22,287 LOOK, WILL YOU CALL 1944 01:19:22,287 --> 01:19:23,788 THIS BLOODHOUND OFF SO I CAN GET OUT OF HERE? 1945 01:19:23,789 --> 01:19:25,791 ASTA! ASTA, COME HERE. 1946 01:19:25,791 --> 01:19:28,293 DON'T YOU KNOW MR. ABRAMS IS ON OUR SIDE? 1947 01:19:28,293 --> 01:19:30,295 WHAT'S THE MATTER WITH YOU ON THIS CASE? 1948 01:19:30,295 --> 01:19:31,296 YOU'RE LOSING YOUR GRIP. 1949 01:19:32,798 --> 01:19:34,299 Nick: GET DANCER YET? 1950 01:19:34,299 --> 01:19:36,301 YEAH, HE SHOWED UP AS SOON AS IT WAS LIGHT. 1951 01:19:36,301 --> 01:19:38,803 HAD A STORY ABOUT NOT WANTING TO BE AROUND 1952 01:19:38,804 --> 01:19:39,805 WHEN THE SHOOTING 1953 01:19:39,805 --> 01:19:40,806 STARTED, HIM WITHOUT HIS GUN. 1954 01:19:40,806 --> 01:19:42,307 WHAT ABOUT PHIL? FOUND HIM? 1955 01:19:42,307 --> 01:19:43,308 NOPE. 1956 01:19:43,308 --> 01:19:45,310 SOMEBODY THREW THIS THROUGH OUR WINDOW LAST NIGHT. 1957 01:19:45,310 --> 01:19:46,811 WHERE'S THE REST OF IT? 1958 01:19:46,812 --> 01:19:48,814 ASTA ATE IT. 1959 01:19:48,814 --> 01:19:51,316 POLLY SAID IT WAS A HOTEL ON TURK STREET. 1960 01:19:51,316 --> 01:19:52,817 THAT'S RIGHT. SAY... 1961 01:19:52,818 --> 01:19:55,821 YOU WANT TO GIVE IT A TRY WITH ME? 1962 01:19:55,821 --> 01:19:57,823 YES, IF YOU GIVE ME A COUPLE OF MINUTES TO DRESS. 1963 01:19:57,823 --> 01:19:59,324 Nora: YES, YOU WAIT DOWNSTAIRS, 1964 01:19:59,825 --> 01:20:00,826 WE'LL BE RIGHT DOWN. 1965 01:20:00,826 --> 01:20:02,828 HEY, WAIT A MINUTE! 1966 01:20:02,828 --> 01:20:04,830 WHERE DO YOU GET THAT "WE" STUFF? 1967 01:20:04,830 --> 01:20:06,331 I'M COMING WITH YOU. 1968 01:20:06,331 --> 01:20:07,832 OH, NOT CURED YET, HUH? 1969 01:20:07,833 --> 01:20:09,334 CERTAINLY NOT. 1970 01:20:09,334 --> 01:20:11,336 DON'T WORRY, DARLING, I WON'T BE IN THE WAY. 1971 01:20:11,837 --> 01:20:13,338 WELL, OF COURSE YOU WON'T, SUGAR. 1972 01:20:13,338 --> 01:20:15,840 I JUST WANT TO MAKE SURE. 1973 01:20:15,841 --> 01:20:16,842 NICK! 1974 01:20:16,842 --> 01:20:17,843 [BANGING ON DOOR] 1975 01:20:17,843 --> 01:20:20,846 NICK! YOU DOG! LET ME OUT! 1976 01:20:26,852 --> 01:20:29,354 YOU STAY HERE, IN CASE HE TRIES TO MAKE A BREAK. 1977 01:20:40,365 --> 01:20:41,866 IS PHIL BYRNES IN? 1978 01:20:41,867 --> 01:20:43,869 WE AIN'T GOT NO PHIL BYRNES. 1979 01:20:43,869 --> 01:20:45,370 HAVE YOU GOT A RALPH WEST? 1980 01:20:45,370 --> 01:20:46,371 YEP. 1981 01:20:46,371 --> 01:20:47,372 IS HE IN? 1982 01:20:47,372 --> 01:20:48,873 I DON'T KNOW. 1983 01:20:48,874 --> 01:20:50,375 ANY WAY OF FINDING OUT? 1984 01:20:50,375 --> 01:20:52,377 WALK UPSTAIRS IF YOU WANT. ROOM 212. 1985 01:20:52,377 --> 01:20:54,379 GET ON THE BACK STAIRS. 1986 01:21:09,895 --> 01:21:11,897 TELEGRAM FOR MR. WEST. 1987 01:21:13,398 --> 01:21:14,899 AFTER YOU, MY DEAR LIEUTENANT. 1988 01:21:29,414 --> 01:21:31,916 DEAD, ALL RIGHT. STRANGLED. 1989 01:21:31,917 --> 01:21:32,918 BEATEN UP SOME 1990 01:21:32,918 --> 01:21:34,920 BEFORE THE STRANGLING SET IN. 1991 01:21:39,424 --> 01:21:40,925 SOMEONE'S HAIR IN HIS HAND. 1992 01:21:42,928 --> 01:21:45,931 WATCH OUT. PAIR OF SPECTACLES. 1993 01:21:45,931 --> 01:21:48,433 I'LL HAVE THE BOYS PHONE. 1994 01:21:48,433 --> 01:21:50,435 WE'LL GIVE THIS ROOM A GOOD CASING. 1995 01:21:50,435 --> 01:21:52,437 HERE'S ANOTHER .38 FOR YOUR EXPERTS TO MATCH UP. 1996 01:21:52,437 --> 01:21:54,439 I GUESS THE HEATER IS HIS, ALL RIGHT. 1997 01:21:54,439 --> 01:21:56,441 HE'S WEARING AN EMPTY SHOULDER HOLSTER... 1998 01:21:56,441 --> 01:21:57,942 AND I GUESS THIS IS THE KEY 1999 01:21:57,943 --> 01:21:58,944 TO THAT BYRNES GIRL'S APARTMENT. 2000 01:21:58,944 --> 01:22:00,445 IT'S GOT HER NUMBER STAMPED ON IT. 2001 01:22:00,445 --> 01:22:01,446 ANOTHER GOOD GUESS 2002 01:22:01,446 --> 01:22:03,448 WOULD BE THAT SELMA LANDIS DIDN'T DO THIS. 2003 01:22:03,448 --> 01:22:05,450 FAIR ENOUGH. BUT HE WASN'T KILLED 2004 01:22:05,450 --> 01:22:06,451 THE WAY LANDIS WAS EITHER. 2005 01:22:06,451 --> 01:22:08,453 I'D LIKE TO KNOW WHAT YOUR LABORATORY SAYS 2006 01:22:08,453 --> 01:22:10,455 ABOUT THAT HAIR AND THOSE CHEATERS. 2007 01:22:10,455 --> 01:22:11,456 ANYTHING ELSE ON YOUR MIND? 2008 01:22:11,456 --> 01:22:13,958 YES. THAT KEY--COULD I BORROW IT FOR ABOUT AN HOUR? 2009 01:22:13,959 --> 01:22:15,460 SURE. 2010 01:22:15,460 --> 01:22:16,961 HOW ABOUT YOUR SKELETON KEY JUST FOR GOOD MEASURE? 2011 01:22:16,962 --> 01:22:17,963 ALL RIGHT. 2012 01:22:17,963 --> 01:22:20,465 SAY, WHAT ARE YOU LOOKING FOR? 2013 01:22:20,465 --> 01:22:22,967 I HAVEN'T THE FAINTEST IDEA. JUST A HUNCH. 2014 01:22:24,469 --> 01:22:25,970 THIS IS STRAIGHT FROM THE FEEDBAG. 2015 01:22:25,971 --> 01:22:29,474 THEY JUST FOUND PHIL'S BODY, STRANGLED TO DEATH. 2016 01:22:29,474 --> 01:22:31,476 SAY, THAT'S TOUGH. 2017 01:22:31,476 --> 01:22:34,479 POLLY'S GOING TO FEEL BAD. THANKS. 2018 01:22:39,985 --> 01:22:40,986 POLLY IN YET? 2019 01:22:40,986 --> 01:22:42,988 NO, POLICE HERE, LOOKING FOR HER. 2020 01:22:42,988 --> 01:22:44,990 WELL, STALL THEM. KEEP THEM HERE. 2021 01:22:44,990 --> 01:22:46,992 I'M GOING UP TO HER PLACE. BE BACK IN A MINUTE. 2022 01:22:46,992 --> 01:22:48,994 GET OUT THERE! 2023 01:22:56,001 --> 01:22:58,003 WAIT, BROTHER, WAIT. 2024 01:26:31,416 --> 01:26:32,917 [SCUFFS FOOT] 2025 01:28:48,052 --> 01:28:50,054 [THUD] 2026 01:28:50,054 --> 01:28:52,056 [GUNSHOTS] 2027 01:29:07,572 --> 01:29:10,575 SAY, WHAT IS THIS, BANK NIGHT? 2028 01:29:15,880 --> 01:29:17,381 READ ALL ABOUT THE BIG MURDER! 2029 01:29:17,382 --> 01:29:19,884 EXTRA! PAPER! READ ALL ABOUT IT! 2030 01:29:19,884 --> 01:29:21,886 FLASH NEWS BULLETIN: 2031 01:29:21,886 --> 01:29:23,387 A BODY BELIEVED TO BE THAT OF THE JANITOR 2032 01:29:23,388 --> 01:29:26,891 WAS FOUND IN A HAMPER IN THE BASEMENT OF 346 WHITE STREET. 2033 01:29:26,891 --> 01:29:29,393 POLICE LINKED THIS MURDER WITH THE LANDIS KILLING. 2034 01:29:30,395 --> 01:29:32,397 PAPER! READ ALL ABOUT THE BIG MURDER! 2035 01:29:32,397 --> 01:29:33,898 MURDER! MURDER! MURDER! 2036 01:29:47,912 --> 01:29:50,915 SORRY TO HAVE TO ASK YOU TO COME TO A PLACE LIKE THIS. 2037 01:29:50,915 --> 01:29:52,917 IS IT NICK? WHERE IS HE? IS HE HURT? 2038 01:29:52,917 --> 01:29:54,418 NO, HE'S ALL RIGHT. HE'S UPSTAIRS NOW. 2039 01:29:54,919 --> 01:29:56,921 WHAT I ASKED YOU DOWN FOR IS, WE FOUND A MAN'S BODY HERE. 2040 01:29:56,921 --> 01:29:58,923 HE WAS A JANITOR IN THIS BUILDING. 2041 01:29:58,923 --> 01:30:00,925 BEEN DEAD ABOUT 24 HOURS. SHOT NEAR THE PHONE THERE. 2042 01:30:00,925 --> 01:30:02,927 NOW THE TELEPHONE COMPANY TELLS US THAT AT ABOUT 7:30 2043 01:30:02,927 --> 01:30:05,930 LAST NIGHT--THAT'D BE JUST BEFORE HE WAS SHOT-- 2044 01:30:05,930 --> 01:30:07,431 SOMEONE HERE CALLED UP INFORMATION 2045 01:30:07,932 --> 01:30:09,934 AND ASKED FOR NICK CHARLES' NUMBER. 2046 01:30:09,934 --> 01:30:12,436 NOW, MR. CHARLES DOESN'T REMEMBER THIS 2047 01:30:12,437 --> 01:30:14,439 "PEDRO DOMINGUES", AND I THOUGHT PERHAPS YOU MIGHT BE ABLE-- 2048 01:30:14,439 --> 01:30:16,441 PEDRO DOMINGUES... 2049 01:30:16,441 --> 01:30:18,943 HE WAS MY FATHER'S GARDENER... 2050 01:30:18,943 --> 01:30:20,444 ABOUT 6 YEARS AGO. 2051 01:30:20,445 --> 01:30:22,947 A SMALL MAN WITH A MUSTACHE? 2052 01:30:22,947 --> 01:30:23,948 YEAH, THAT'S THE ONE. 2053 01:30:23,948 --> 01:30:26,450 [TELEPHONE RINGS] 2054 01:30:26,451 --> 01:30:28,953 HELLO? JUST A MINUTE. 2055 01:30:28,953 --> 01:30:30,454 CALL FOR YOU, LIEUTENANT. 2056 01:30:30,455 --> 01:30:32,957 WOULD YOU MIND GOING DOWN AND TAKING A LOOK, 2057 01:30:32,957 --> 01:30:33,958 JUST TO MAKE SURE? 2058 01:30:33,958 --> 01:30:34,959 CERTAINLY, NOW. 2059 01:30:34,959 --> 01:30:35,960 WOULD YOU TAKE MRS. CHARLES DOWN? 2060 01:30:36,461 --> 01:30:36,961 RIGHT. 2061 01:30:37,462 --> 01:30:38,963 HELLO? 2062 01:30:38,963 --> 01:30:41,465 WELL, THOSE GLASSES YOU FOUND IN PHIL BYRNES' PLACE... 2063 01:30:41,466 --> 01:30:44,469 ARE NOTHING BUT WINDOW PANE. THE HAIR IS FALSE, 2064 01:30:44,469 --> 01:30:48,473 AND THE GUN IS NOT THE ONE THAT WAS USED ON LANDIS. 2065 01:30:48,473 --> 01:30:49,474 AH...YOU'RE A GREAT HELP. 2066 01:30:49,974 --> 01:30:52,977 DID YOU FIND OUT ABOUT THE FINGERPRINTS IN HIS ROOM? 2067 01:30:52,977 --> 01:30:54,478 DANCER'S, EH? 2068 01:30:54,479 --> 01:30:56,981 WELL, THAT HELPS A LITTLE. NO OTHERS? 2069 01:30:56,981 --> 01:30:58,482 OK. OH... 2070 01:30:58,483 --> 01:31:00,985 GET TO WORK ON THIS CASE, WILL YOU? 2071 01:31:00,985 --> 01:31:03,988 AND TAKE A LOOK AT THE BULLET THAT KILLED THIS GUY. THANKS. 2072 01:31:11,496 --> 01:31:14,499 FUNNY YOU DIDN'T RECOGNIZE THIS PEDRO DOMINGUES. 2073 01:31:14,499 --> 01:31:16,000 WHY? DID NORA KNOW HIM? 2074 01:31:16,000 --> 01:31:18,002 YEAH. USED TO BE HER FATHER'S GARDENER. 2075 01:31:18,002 --> 01:31:19,003 OH. 2076 01:31:19,003 --> 01:31:21,005 REMEMBER HIM NOW? 2077 01:31:21,005 --> 01:31:22,006 WHOEVER REMEMBERS A GARDENER 2078 01:31:22,006 --> 01:31:24,008 UNLESS HE SQUIRTS A HOSE AT YOU? 2079 01:31:24,008 --> 01:31:25,009 HERE, HOLD THIS, WILL YOU? 2080 01:31:25,009 --> 01:31:26,010 WHAT IS IT? 2081 01:31:26,010 --> 01:31:27,511 YOU'LL SEE IN A MINUTE. 2082 01:31:27,512 --> 01:31:31,015 THINK MRS. LANDIS MIGHT KNOW THIS PEDRO? 2083 01:31:31,015 --> 01:31:32,016 SHE MIGHT. 2084 01:31:32,517 --> 01:31:34,519 AND THAT AUNT KATHERINE? 2085 01:31:34,519 --> 01:31:35,520 POSSIBLE. 2086 01:31:35,520 --> 01:31:38,022 WHAT DO YOU THINK YOU'RE DOING? 2087 01:31:38,022 --> 01:31:40,024 THERE IT IS. HOLD THAT, WILL YOU? 2088 01:31:40,024 --> 01:31:43,027 WELL, WHAT DO YOU KNOW ABOUT THAT? A LADDER. 2089 01:31:43,027 --> 01:31:44,028 SURE. 2090 01:31:44,028 --> 01:31:45,529 AND 50 WILL GET YOU $2.50 2091 01:31:45,530 --> 01:31:47,031 THAT IT JUST REACHES DOWN 2092 01:31:47,031 --> 01:31:48,032 TO POLLY'S APARTMENT BELOW... 2093 01:31:48,032 --> 01:31:49,533 WITH THIS LEFT OVER 2094 01:31:49,534 --> 01:31:50,535 FOR GOOD MEASURE WHEN HE GOT THERE. 2095 01:31:50,535 --> 01:31:51,536 WELL, LET'S TRY IT. 2096 01:31:51,536 --> 01:31:53,037 SURE. 2097 01:31:54,539 --> 01:31:56,541 THIS END FIRST. 2098 01:32:06,551 --> 01:32:07,552 Nick: HOW ABOUT IT? 2099 01:32:07,552 --> 01:32:08,553 YOU'RE RIGHT. 2100 01:32:08,553 --> 01:32:10,054 YEAH. NOW WHAT'D YOU FIND OUT ABOUT 2101 01:32:10,054 --> 01:32:11,555 THE PERSON WHO OCCUPIED THIS PLACE? 2102 01:32:11,556 --> 01:32:12,557 NOT A THING. NOT A FINGERPRINT 2103 01:32:12,557 --> 01:32:14,058 IN THE ROOM, NOT A STITCH OF CLOTHES, 2104 01:32:14,058 --> 01:32:15,559 NOTHING. 2105 01:32:15,560 --> 01:32:16,561 ANYTHING IN PEDRO'S BOOKS? 2106 01:32:16,561 --> 01:32:18,563 NO, JUST THAT SOMEONE NAMED ANDERSON 2107 01:32:18,563 --> 01:32:20,565 TOOK IT A WEEK AGO. PAID CASH IN ADVANCE. 2108 01:32:20,565 --> 01:32:21,566 THAT'S ALL, HUH? 2109 01:32:22,066 --> 01:32:23,567 OH, THERE'S A RECORD OF A NEW LOCK ON THE DOOR. 2110 01:32:24,068 --> 01:32:25,069 BOUGHT IT YESTERDAY. 2111 01:32:25,069 --> 01:32:27,571 WAIT A MINUTE. WHAT DOES THE CARD ON THE DOOR SAY? 2112 01:32:27,572 --> 01:32:29,073 THAT WON'T HELP YOU MUCH. 2113 01:32:32,076 --> 01:32:34,078 NO, JUST ANDERSON. NO FRONT NAME. 2114 01:32:34,078 --> 01:32:35,079 NO MR., MRS., OR MISS. 2115 01:32:35,580 --> 01:32:36,581 ISN'T THAT JUST DANDY? 2116 01:32:36,581 --> 01:32:37,582 YOU KNOW, I GOT A FEELING 2117 01:32:38,082 --> 01:32:39,583 IF WE COULD JUST FIND OUT 2118 01:32:39,584 --> 01:32:40,585 WHO TOOK THIS PLACE-- 2119 01:32:40,585 --> 01:32:41,586 Nora: I TOOK THIS. 2120 01:32:41,586 --> 01:32:42,587 YOU TOOK WHAT? 2121 01:32:42,587 --> 01:32:43,588 I TOOK THIS PICTURE. 2122 01:32:43,588 --> 01:32:44,589 I FOUND IT IN PEDRO'S APARTMENT. 2123 01:32:44,589 --> 01:32:45,590 I WANTED TO SHOW IT TO YOU. 2124 01:32:45,590 --> 01:32:47,592 YOU SEE, HE WAS OUR GARDENER. 2125 01:32:47,592 --> 01:32:49,594 THESE ARE THE SERVANTS WE HAD 2126 01:32:49,594 --> 01:32:50,595 DOWN AT FATHER'S PLACE. 2127 01:32:50,595 --> 01:32:51,596 THERE'S PEDRO... 2128 01:32:51,596 --> 01:32:54,599 AND ROSE... AND THERE'S ANNIE... 2129 01:32:54,599 --> 01:32:57,101 OH, YES, DARLING, THAT'S JUST FINE, 2130 01:32:57,101 --> 01:32:59,103 AND I'M SURE LIEUTENANT ABRAMS WILL BE VERY GRATEFUL. 2131 01:32:59,604 --> 01:33:00,605 WHAT DO YOU THINK WE OUGHT TO DO? 2132 01:33:00,605 --> 01:33:02,106 BRING THEM ALL UP HERE, 2133 01:33:02,106 --> 01:33:03,607 EVERYBODY THAT'S MIXED UP IN THE CASE. 2134 01:33:03,608 --> 01:33:05,109 LET'S SHAKE THEM ALL UP AND SEE WHAT WE GET. 2135 01:33:05,109 --> 01:33:07,111 SAY, YOU'RE ON. 2136 01:33:07,111 --> 01:33:08,112 WE'RE GOING TO TAKE HIM TONIGHT? 2137 01:33:08,613 --> 01:33:09,614 WE'RE GOING TO TRY. 2138 01:33:09,614 --> 01:33:11,616 COME ON, LET'S GET SOMETHING TO EAT. I'M THIRSTY. 2139 01:33:11,616 --> 01:33:12,617 WELL, HOW ARE YOU GOING TO DO IT? 2140 01:33:12,617 --> 01:33:14,118 I HAVEN'T THE FAINTEST IDEA. 2141 01:33:14,118 --> 01:33:15,119 I'M JUST GOING TO LOOK AND LISTEN 2142 01:33:15,119 --> 01:33:16,620 AND PRAY THAT SOMEBODY MAKES A SLIP-- 2143 01:33:16,621 --> 01:33:18,623 JUST ONE SLIP. 2144 01:33:21,125 --> 01:33:22,626 [MURMURING] 2145 01:33:25,129 --> 01:33:26,630 YOU GET THEM ALL? 2146 01:33:26,631 --> 01:33:28,633 THEY'RE COMING. 2147 01:33:28,633 --> 01:33:29,634 Nora: SELMA... 2148 01:33:29,634 --> 01:33:31,135 TAKE HER UPSTAIRS. 2149 01:33:31,135 --> 01:33:32,136 NORA, WHAT IS IT? WHAT DOES THIS MEAN? 2150 01:33:32,136 --> 01:33:34,638 Nora: DARLING, DON'T WORRY. NICK WILL FIX EVERYTHING. 2151 01:33:35,139 --> 01:33:37,141 I WISH I WERE AS SURE AS SHE IS. 2152 01:33:37,141 --> 01:33:39,643 FIGURED OUT ANYTHING ABOUT THE SETUP HERE? 2153 01:33:39,644 --> 01:33:40,645 A LITTLE. 2154 01:33:40,645 --> 01:33:41,646 WHAT'S YOUR PLAN? 2155 01:33:41,646 --> 01:33:43,147 BUILD UP A CASE AGAINST EACH OF THEM. 2156 01:33:43,147 --> 01:33:44,148 THROW EVERYTHING WE'VE GOT AT THEM 2157 01:33:44,649 --> 01:33:45,650 AND THROW IT HARD ENOUGH TO BOUNCE. 2158 01:33:45,650 --> 01:33:47,652 I'LL MAKE IT BOUNCE, ALL RIGHT. 2159 01:33:47,652 --> 01:33:48,653 HEY, WAIT A MINUTE-- 2160 01:33:48,653 --> 01:33:50,154 Abrams: IT'S ALL RIGHT, LET HIM IN. 2161 01:33:50,655 --> 01:33:51,656 WHAT IS IT, NICK? HAVE THEY FOUND THE GUN? 2162 01:33:51,656 --> 01:33:52,657 NOT YET. 2163 01:33:52,657 --> 01:33:53,658 SELMA'S UPSTAIRS. 2164 01:33:53,658 --> 01:33:54,659 OH, SHE IS? 2165 01:33:54,659 --> 01:33:55,660 NO TALKING, NOW. 2166 01:33:55,660 --> 01:33:57,161 IT'S ALL RIGHT. I'LL GO WITH HIM. 2167 01:34:08,172 --> 01:34:09,173 OH, SELMA-- 2168 01:34:09,173 --> 01:34:10,174 DAVID! 2169 01:34:10,174 --> 01:34:12,176 NOW, NONE OF THAT, NONE OF THAT. 2170 01:34:12,176 --> 01:34:13,177 NO, NO, SIRREE. 2171 01:34:13,177 --> 01:34:14,678 TOM, WHAT ABOUT A FEW MORE CHAIRS? 2172 01:34:14,679 --> 01:34:16,180 I'LL KEEP MY EYE ON THEM. 2173 01:34:16,180 --> 01:34:17,181 SURE, MR. CHARLES. 2174 01:34:19,183 --> 01:34:20,684 BUSYBODY. 2175 01:34:20,685 --> 01:34:22,186 David: THANK YOU, NICK. 2176 01:34:22,186 --> 01:34:24,188 Katherine: THIS IS OUTRAGEOUS! 2177 01:34:24,188 --> 01:34:26,690 BRINGING ME TO A PLACE LIKE THIS! 2178 01:34:29,694 --> 01:34:31,696 [LAUGHTER] 2179 01:34:36,200 --> 01:34:39,203 GREAT. 2180 01:34:39,203 --> 01:34:40,204 OH, THAT'S FINE. 2181 01:34:40,204 --> 01:34:42,206 WELL, THEY'RE ALL HERE. MISS FORREST JUST CAME. 2182 01:34:42,206 --> 01:34:43,207 GOOD. 2183 01:34:43,207 --> 01:34:44,208 YOU DIDN'T ASK AUNT KATHERINE? 2184 01:34:44,208 --> 01:34:46,210 OH, I THOUGHT WE'D BETTER RETURN HER HOSPITALITY, DEAR. 2185 01:34:46,210 --> 01:34:48,212 WE OWE HER SOMETHING AFTER LAST NIGHT. 2186 01:34:48,212 --> 01:34:50,214 I'M GOING TO GET MYSELF A BOX SEAT. 2187 01:34:50,214 --> 01:34:52,716 Polly: NOW, DON'T GET SO FRESH! TAKE YOUR HANDS OFF ME! 2188 01:34:52,717 --> 01:34:54,218 Sergeant: ALL RIGHT, SISTER, 2189 01:34:54,218 --> 01:34:55,719 I JUST WANTED TO SEE IF YOU HAD A GUN. 2190 01:34:55,720 --> 01:34:57,221 Polly: THAT'S A NEW NAME FOR IT. 2191 01:34:57,221 --> 01:34:58,722 JUST WAIT TILL YOU BOYS ASK ME 2192 01:34:58,723 --> 01:35:00,224 TO DO ANOTHER BENEFIT FOR YOU. 2193 01:35:00,725 --> 01:35:02,727 ALL RIGHT, INSIDE. 2194 01:35:02,727 --> 01:35:05,229 SAY, IS THAT MRS. LANDIS? 2195 01:35:05,730 --> 01:35:06,731 YES. WOULD YOU LIKE TO MEET HER? 2196 01:35:06,731 --> 01:35:08,232 NO, THANKS. 2197 01:35:08,232 --> 01:35:10,234 I'VE HAD ENOUGH OF THAT FAMILY. 2198 01:35:10,234 --> 01:35:11,235 HOW ARE YOU, LUM? 2199 01:35:11,736 --> 01:35:13,237 I GOT RESTAURANT TO RUN. NO TIME FOR THIS. 2200 01:35:13,237 --> 01:35:15,239 IF YOU'RE WORRIED ABOUT THE PLACE, 2201 01:35:15,239 --> 01:35:16,740 WE'LL HAVE IT CLOSED UP FOR YOU. 2202 01:35:16,741 --> 01:35:18,743 DANCER. WE ALMOST RAN INTO EACH OTHER 2203 01:35:18,743 --> 01:35:20,244 OTHER EARLIER THIS EVENING. 2204 01:35:20,244 --> 01:35:21,245 THAT SO? 2205 01:35:21,245 --> 01:35:22,746 TOO BAD I MISSED YOU. 2206 01:35:22,747 --> 01:35:24,749 OH, THEN IT WAS YOU. THANKS, I WASN'T SURE. 2207 01:35:24,749 --> 01:35:26,250 [SUCKS AIR BETWEEN TEETH] 2208 01:35:37,762 --> 01:35:39,263 WHERE'S CASPER? 2209 01:35:39,263 --> 01:35:40,264 HIS PHONE'S OUT OF ORDER. 2210 01:35:40,264 --> 01:35:41,765 THEN WHY DON'T YOU SEND A MESSENGER? 2211 01:35:41,766 --> 01:35:42,767 WHAT'S THE MATTER WITH YOU? 2212 01:35:42,767 --> 01:35:44,769 SHUT UP, YOU! CUT OUT THE CHATTER! 2213 01:35:44,769 --> 01:35:45,770 WELL, NICHOLAS? 2214 01:35:45,770 --> 01:35:47,271 OOH... 2215 01:35:47,271 --> 01:35:49,273 I MIGHT HAVE KNOWN THAT YOU WERE AT THE BOTTOM OF THIS. 2216 01:35:49,273 --> 01:35:50,774 COME RIGHT IN, AUNT KATHERINE. 2217 01:35:50,775 --> 01:35:53,277 HOW MUCH MORE OF THIS NONSENSE HAVE I GOT TO ENDURE? 2218 01:35:53,277 --> 01:35:54,778 WE HOPE THAT THIS WILL BE THE LAST. 2219 01:35:54,779 --> 01:35:56,280 Nora: AUNT KATHERINE, SIT OVER HERE. 2220 01:35:56,280 --> 01:35:57,281 YES, UH... 2221 01:35:57,281 --> 01:35:59,283 OH, THIS MUST BE DR. KAMMER. 2222 01:35:59,283 --> 01:36:01,285 I'VE HEARD SO MUCH ABOUT YOU FROM DAVID. 2223 01:36:01,285 --> 01:36:02,786 WON'T YOU COME IN AND SIT DOWN? 2224 01:36:02,787 --> 01:36:04,288 JUST FIND A CHAIR. 2225 01:36:06,490 --> 01:36:08,492 Abrams: I ASKED YOU ALL DOWN HERE 2226 01:36:08,492 --> 01:36:10,994 BECAUSE WE FOUND ANOTHER MURDER HAD BEEN COMMITTED HERE. 2227 01:36:10,995 --> 01:36:13,497 HE'S A MAN I THINK YOU ALL KNOW. 2228 01:36:13,497 --> 01:36:14,498 PEDRO DOMINGUES. 2229 01:36:14,999 --> 01:36:16,000 PEDRO? KILLED? 2230 01:36:16,000 --> 01:36:17,501 YEAH. DON'T YOU READ THE PAPERS? 2231 01:36:17,501 --> 01:36:18,502 I WAS IN THE JUG. 2232 01:36:18,502 --> 01:36:19,503 WELL, WHAT DO YOU KNOW ABOUT HIM? 2233 01:36:19,503 --> 01:36:22,005 NOTHING. I ONLY SAW HIM A COUPLE OF TIMES 2234 01:36:22,006 --> 01:36:23,007 WHEN I WENT TO PAY MY RENT. 2235 01:36:23,007 --> 01:36:25,009 WHAT ABOUT YOU? YOU'RE IN AND OUT OF HERE. 2236 01:36:25,009 --> 01:36:26,010 YOU MUST'VE KNOWN HIM. 2237 01:36:26,010 --> 01:36:28,512 SURE, I KNOWN HIM. SO WHAT? 2238 01:36:28,512 --> 01:36:29,513 AND YOU? 2239 01:36:29,513 --> 01:36:31,515 I NEVER BEEN TO THIS HOUSE BEFORE. 2240 01:36:32,016 --> 01:36:33,517 YOU? 2241 01:36:33,517 --> 01:36:37,020 I HAVE NOTHING TO DO WITH IT. I'M HERE TO ATTEND MRS. LANDIS. 2242 01:36:37,021 --> 01:36:39,023 Abrams: YOU'RE HERE TO ANSWER QUESTIONS. 2243 01:36:39,023 --> 01:36:40,024 DID YOU KNOW HIM? 2244 01:36:40,024 --> 01:36:41,025 NO. 2245 01:36:41,525 --> 01:36:43,026 YOU KNEW HIM, MRS. LANDIS. 2246 01:36:43,027 --> 01:36:44,028 I KNEW HIM? 2247 01:36:44,028 --> 01:36:45,529 YES, YOU REMEMBER HIM, SELMA. 2248 01:36:45,529 --> 01:36:48,031 HE USED TO BE OUR GARDENER AT ROSS. 2249 01:36:48,032 --> 01:36:49,033 DAVID, YOU REMEMBER HIM. 2250 01:36:49,533 --> 01:36:52,035 WAS HE THE MAN WITH THE LONG WHITE MUSTACHE? 2251 01:36:52,036 --> 01:36:53,037 Abrams: YEAH. WHAT DID YOU KNOW ABOUT HIM? 2252 01:36:53,037 --> 01:36:54,538 WELL, NOTHING. THAT WAS 6 YEARS AGO. 2253 01:36:54,538 --> 01:36:56,540 I HAVEN'T SEEN HIM SINCE. 2254 01:36:56,540 --> 01:36:57,541 WHAT ABOUT YOU? 2255 01:36:57,541 --> 01:36:58,542 I CAN'T SEE 2256 01:36:58,542 --> 01:37:00,043 WHAT POSSIBLE CONNECTION 2257 01:37:00,044 --> 01:37:02,046 THIS COULD HAVE WITH US! 2258 01:37:02,046 --> 01:37:03,547 YOU DON'T, EH? 2259 01:37:03,547 --> 01:37:05,549 WELL, I'LL TELL YOU! PEDRO AND ROBERT LANDIS 2260 01:37:05,549 --> 01:37:08,552 WERE BOTH SHOT WITH THE SAME GUN! 2261 01:37:08,552 --> 01:37:10,554 NOW, THERE WAS SOME MONKEY BUSINESS GOING ON DOWN HERE 2262 01:37:10,554 --> 01:37:12,055 THAT WE WANT TO FIND OUT ABOUT. 2263 01:37:12,056 --> 01:37:13,057 YOU TELL 'EM, MR. CHARLES. 2264 01:37:13,057 --> 01:37:15,559 YES, WITH PLEASURE. 2265 01:37:15,559 --> 01:37:17,561 IT SEEMS THAT ONE WEEK AGO... 2266 01:37:17,561 --> 01:37:19,062 PEDRO RENTED THIS APARTMENT 2267 01:37:19,063 --> 01:37:23,067 TO SOMEONE CALLING HIMSELF OR HERSELF ANDERSON. 2268 01:37:23,067 --> 01:37:25,069 DID YOU EVER SEE THIS ANDERSON? 2269 01:37:25,069 --> 01:37:26,070 NO. 2270 01:37:26,070 --> 01:37:27,571 EVER HEAR HIM UP HERE, ABOVE YOU? 2271 01:37:27,571 --> 01:37:28,572 NO. 2272 01:37:28,572 --> 01:37:29,573 I THOUGHT NOT. 2273 01:37:29,573 --> 01:37:31,575 HE WAS RATHER CLEVER AND INGENIOUS, 2274 01:37:31,575 --> 01:37:33,076 THIS ANDERSON... 2275 01:37:33,077 --> 01:37:35,079 ALWAYS WORE GLOVES, NEVER LEFT A FINGERPRINT. 2276 01:37:35,079 --> 01:37:38,082 HE INTENDED, WITH THE AID OF THIS LADDER, 2277 01:37:38,082 --> 01:37:40,584 TO CRAWL DOWN INTO YOUR PLACE SOME NIGHT 2278 01:37:40,584 --> 01:37:42,586 AND POLISH ROBERT OFF WITH THIS. 2279 01:37:42,586 --> 01:37:44,588 THEN HE WAS GOING TO CLIMB BACK UP HERE, 2280 01:37:44,588 --> 01:37:46,089 UNSCREW THE LADDER... 2281 01:37:46,090 --> 01:37:49,593 THROW IT OUT THAT WINDOW ON THE DUMP HEAP DOWN BELOW... 2282 01:37:49,593 --> 01:37:51,094 THEN WALK QUIETLY OUT, 2283 01:37:51,095 --> 01:37:54,098 LEAVING YOU HOLDING THE BAG FOR ROBERT'S MURDER. 2284 01:37:54,098 --> 01:37:56,600 NOW, DO YOU KNOW ANYONE WHO THINKS ENOUGH OF YOU 2285 01:37:56,600 --> 01:37:57,601 TO DO THAT? 2286 01:37:57,601 --> 01:37:59,102 WHY...NO. 2287 01:37:59,103 --> 01:38:01,105 Nick: YOU'RE DANCER'S GIRL, AREN'T YOU? 2288 01:38:01,105 --> 01:38:02,106 Polly: I WORK FOR HIM. 2289 01:38:02,106 --> 01:38:04,108 Abrams: THAT'S NOT WHAT HE ASKED YOU. 2290 01:38:04,108 --> 01:38:05,109 WELL... 2291 01:38:05,109 --> 01:38:06,610 WE GOT AN UNDERSTANDING. 2292 01:38:06,610 --> 01:38:07,611 Nick: DID DANCER KNOW 2293 01:38:07,611 --> 01:38:09,112 THAT YOU WERE GOING AWAY WITH ROBERT? 2294 01:38:09,113 --> 01:38:10,114 WHY...WHY-- 2295 01:38:10,114 --> 01:38:11,615 GO ON, GO ON! 2296 01:38:11,615 --> 01:38:12,616 YOU TOLD US BEFORE. 2297 01:38:12,616 --> 01:38:14,618 YOU PROMISED YOU'D KEEP THAT A SECRET! 2298 01:38:14,618 --> 01:38:17,120 I'LL NEVER TRUST A COP AGAIN! 2299 01:38:17,121 --> 01:38:19,123 NOW LISTEN, IF YOU MADE HER DICKER 2300 01:38:19,123 --> 01:38:20,624 WITH THE COPS, OK. 2301 01:38:20,624 --> 01:38:23,126 BUT THAT LADDER STUFF IS A LOT OF MALARKEY. 2302 01:38:23,127 --> 01:38:25,129 NO ONE DID COME DOWN THAT LADDER. 2303 01:38:25,129 --> 01:38:27,131 AND LANDIS WASN'T KILLED IN HER PLACE. 2304 01:38:27,131 --> 01:38:30,134 THE ONLY REASON HE WASN'T KILLED IN HER PLACE 2305 01:38:30,134 --> 01:38:32,136 WAS THAT ANDERSON WAS FOUND OUT. 2306 01:38:32,136 --> 01:38:35,639 PEDRO CAME IN HERE YESTERDAY TO LAY A NEW RUG. 2307 01:38:35,639 --> 01:38:37,641 HE DIDN'T LIKE THE LOOKS OF THINGS, 2308 01:38:37,641 --> 01:38:39,643 SO HE CHANGED THE LOCK ON THE DOOR. 2309 01:38:39,643 --> 01:38:43,647 WHEN ANDERSON CAME IN, HE FOUND THAT HE WAS LOCKED OUT. 2310 01:38:43,647 --> 01:38:46,650 THEN HE HEARD PEDRO TELEPHONE ME DOWNSTAIRS... 2311 01:38:46,650 --> 01:38:48,151 AND HE SHOT HIM. 2312 01:38:48,152 --> 01:38:49,653 SO WHAT? 2313 01:38:50,154 --> 01:38:52,156 SO, WHO IS ANDERSON? 2314 01:38:52,156 --> 01:38:53,657 I'LL BITE. WHO? 2315 01:38:53,657 --> 01:38:55,158 POLLY, PHIL HAD A KEY 2316 01:38:55,159 --> 01:38:56,160 TO YOUR APARTMENT, HADN'T HE? 2317 01:38:56,160 --> 01:38:57,161 YEAH. 2318 01:38:57,161 --> 01:38:58,162 AND SO HAD DANCER. 2319 01:38:58,162 --> 01:38:59,163 YEAH. 2320 01:38:59,163 --> 01:39:00,164 WHAT ABOUT LUM? 2321 01:39:00,164 --> 01:39:01,665 NO, OF COURSE NOT. 2322 01:39:01,665 --> 01:39:02,666 ANYBODY ELSE? 2323 01:39:02,666 --> 01:39:05,168 NOBODY. SAY, WHAT DO YOU THINK I DO? 2324 01:39:05,169 --> 01:39:06,670 GO AROUND STUFFING THEM UNDER DOORS? 2325 01:39:06,670 --> 01:39:08,171 Dancer: HE'S TRYING TO HANG THIS MURDER ON US 2326 01:39:08,672 --> 01:39:09,673 TO PROTECT HIS FAMILY. 2327 01:39:10,174 --> 01:39:12,676 IF THE JANITOR DIDN'T THINK EVERYTHING WAS ON THE UP-AND-UP, 2328 01:39:12,676 --> 01:39:14,177 WHY DON'T HE CALL THE COPS? 2329 01:39:14,178 --> 01:39:15,679 WHY DOES HE CALL YOU? 2330 01:39:15,679 --> 01:39:17,681 BECAUSE IT'S A FAMILY AFFAIR! 2331 01:39:17,681 --> 01:39:19,683 SHE KNOCKED HER HUSBAND OFF! 2332 01:39:19,683 --> 01:39:20,684 EVERYONE KNOWS THAT! 2333 01:39:20,684 --> 01:39:21,685 I DIDN'T, I DIDN'T! 2334 01:39:21,685 --> 01:39:22,686 OH, YES, YOU DID. 2335 01:39:22,686 --> 01:39:24,187 THEN YOU GOT THAT LUG TO THROW AWAY YOUR GUN. 2336 01:39:24,188 --> 01:39:25,189 IT ISN'T TRUE! 2337 01:39:25,189 --> 01:39:26,190 David: NOW, THAT'S A LIE! 2338 01:39:26,190 --> 01:39:27,191 Dr. Kammer: NOW, MRS. LANDIS... 2339 01:39:27,191 --> 01:39:28,692 Abrams: MRS. LANDIS... 2340 01:39:28,692 --> 01:39:31,194 YOU KNEW YOUR HUSBAND AND POLLY WERE FRIENDS, 2341 01:39:31,195 --> 01:39:32,196 DIDN'T YOU? NO. 2342 01:39:32,196 --> 01:39:33,197 BUT YOU KNEW THERE WAS A WOMAN. 2343 01:39:33,197 --> 01:39:34,198 YES. 2344 01:39:34,198 --> 01:39:35,199 AND YOU KNEW THIS PEDRO... 2345 01:39:35,199 --> 01:39:36,700 NOW, LIEUTENANT-- SUPPOSE WE TAKE UP 2346 01:39:36,700 --> 01:39:37,701 THIS CHECK BUSINESS-- 2347 01:39:37,701 --> 01:39:38,702 WAIT A MINUTE, 2348 01:39:38,702 --> 01:39:40,203 WHO'S DOING THIS, YOU OR ME? 2349 01:39:40,204 --> 01:39:41,705 WELL, IT CERTAINLY NEVER HAS BEEN MY PARTY. 2350 01:39:41,705 --> 01:39:43,206 MAYBE THIS GUY IS RIGHT. HOW DO I KNOW? 2351 01:39:44,708 --> 01:39:45,709 WERE YOU EVER IN THIS ROOM BEFORE? 2352 01:39:45,709 --> 01:39:46,710 NO. 2353 01:39:48,712 --> 01:39:50,213 WHAT ABOUT YOU? 2354 01:39:50,214 --> 01:39:52,216 WHY, OF COURSE NOT! WHAT DO YOU THINK-- 2355 01:39:52,216 --> 01:39:53,717 I'LL TELL YOU WHAT I THINK! 2356 01:39:53,717 --> 01:39:55,719 SHE HAD THIS ROOM, AND YOU KNEW ABOUT IT. 2357 01:39:55,719 --> 01:39:57,721 YOU KNEW SHE WAS GOING TO KILL HER HUSBAND, 2358 01:39:57,721 --> 01:39:59,222 AND YOU HAD THIS DR. KAMMER HERE 2359 01:39:59,223 --> 01:40:00,224 ALL READY FOR THE NUT ALIBI. 2360 01:40:00,224 --> 01:40:02,726 I ATTENDED MRS. LANDIS JUST TO MAKE SURE 2361 01:40:02,726 --> 01:40:04,227 THAT SHE DID NOT DO ANYTHING DESPERATE. 2362 01:40:04,228 --> 01:40:07,731 MRS. LANDIS' MIND IS... NOT BALANCED. 2363 01:40:07,731 --> 01:40:09,733 NOW, THAT ISN'T TRUE. 2364 01:40:09,733 --> 01:40:10,734 THERE'S NOTHING THE MATTER WITH HER, 2365 01:40:10,734 --> 01:40:12,235 IT'S YOU! 2366 01:40:12,236 --> 01:40:13,237 YOU'RE TRYING TO DRIVE HER CRAZY! 2367 01:40:13,237 --> 01:40:15,239 THERE'S ANOTHER MENTAL CASE, RIGHT THERE. 2368 01:40:18,242 --> 01:40:19,243 Abrams: BREAK IT UP! 2369 01:40:19,743 --> 01:40:20,243 Nick: WAIT A MINUTE! 2370 01:40:20,744 --> 01:40:22,245 Nora: NICKY! 2371 01:40:22,246 --> 01:40:24,248 NICKY! 2372 01:40:24,248 --> 01:40:25,749 HEY, WHAT'S THE IDEA? 2373 01:40:25,749 --> 01:40:27,250 Nick: THIS WAY, DARLING. 2374 01:40:27,251 --> 01:40:28,752 Man: CUT IT OUT, WILL YOU? 2375 01:40:31,255 --> 01:40:33,257 DARLING, YOU HAVE THE NICEST RELATIVES 2376 01:40:33,257 --> 01:40:34,258 AND FRIENDS. 2377 01:40:34,258 --> 01:40:35,259 MR. CHARLES! MR. CHARLES, 2378 01:40:35,259 --> 01:40:37,761 DON'T WALK OFF AND LEAVE ME WITH THIS BUNCH. 2379 01:40:37,761 --> 01:40:39,763 I WOULDN'T HAVE SAID WHAT I HAD 2380 01:40:39,763 --> 01:40:40,764 IF I HADN'T BEEN A LITTLE BIT PUNCHY. 2381 01:40:40,764 --> 01:40:42,265 THIS GANG HAS GOT ME NUTS! 2382 01:40:42,266 --> 01:40:44,268 AW, GO ON, NICKY. IT'S JUST GETTING GOOD. 2383 01:40:44,268 --> 01:40:45,269 ATTA GIRL. 2384 01:40:45,269 --> 01:40:46,770 ALL RIGHT, DARLING. 2385 01:40:46,770 --> 01:40:47,771 LET ME KNOW WHEN YOU'VE HAD ENOUGH. 2386 01:40:48,239 --> 01:40:49,773 Man: NOW, TAKE IT EASY. 2387 01:40:49,773 --> 01:40:54,778 WELL, SUPPOSE WE ALL GO ABOUT THIS THING QUIETLY. 2388 01:40:54,778 --> 01:40:56,780 DANCER? 2389 01:40:56,780 --> 01:40:58,782 UH... 2390 01:40:58,782 --> 01:41:01,284 OH, YES, THERE YOU ARE. 2391 01:41:01,285 --> 01:41:03,287 YOU KNOW, THAT CHECK OF ROBERT'S FOR 20,000 2392 01:41:03,287 --> 01:41:04,288 WAS A FORGERY. 2393 01:41:04,288 --> 01:41:05,289 SO WHAT'S IT TO ME? 2394 01:41:05,289 --> 01:41:06,790 IT WAS TRACED FROM ANOTHER CHECK. 2395 01:41:06,790 --> 01:41:09,292 I STILL SAY, SO WHAT'S IT TO ME? 2396 01:41:09,293 --> 01:41:10,794 OH, JUST A MINUTE, LIEUTENANT... 2397 01:41:10,794 --> 01:41:12,796 WE'LL HANDLE IT DIFFERENTLY. 2398 01:41:14,298 --> 01:41:16,300 SELMA, DID YOU DEPOSIT THAT CHECK 2399 01:41:16,300 --> 01:41:17,301 FOR $20,000 2400 01:41:17,301 --> 01:41:18,302 TO ROBERT'S ACCOUNT A COUPLE OF DAYS AGO? 2401 01:41:18,302 --> 01:41:19,303 NO. 2402 01:41:19,303 --> 01:41:21,805 OH, YES YOU DID, SELMA! 2403 01:41:21,805 --> 01:41:24,307 I REMEMBER YOUR TELLING ME. 2404 01:41:24,308 --> 01:41:26,310 Nick: DID YOU, SELMA? 2405 01:41:28,812 --> 01:41:30,814 YES, I THINK PERHAPS I DID. 2406 01:41:30,814 --> 01:41:31,815 I MUST HAVE. 2407 01:41:31,815 --> 01:41:33,817 YOU THINK THAT ROBERT FORGED HER SIGNATURE, 2408 01:41:33,817 --> 01:41:35,819 AND YOU'RE TRYING TO HUSH IT UP, 2409 01:41:35,819 --> 01:41:37,320 AREN'T YOU? AREN'T YOU? 2410 01:41:37,321 --> 01:41:38,822 NO. 2411 01:41:38,822 --> 01:41:39,823 FOR YEARS YOU'VE PAID 2412 01:41:39,823 --> 01:41:41,324 TO HUSH UP HIS SCANDALS. 2413 01:41:41,325 --> 01:41:43,327 DON'T YOU SEE THAT THAT'S JUST WHAT 2414 01:41:43,327 --> 01:41:44,828 THEY'RE COUNTING ON? 2415 01:41:44,828 --> 01:41:46,830 SELMA--IS THAT THE VANITY CASE HE SENT YOU? 2416 01:41:46,830 --> 01:41:48,331 YES. 2417 01:41:48,332 --> 01:41:49,833 AND WHEN YOU RETURNED IT, 2418 01:41:49,833 --> 01:41:51,835 YOU SENT A NOTE ALONG WITH IT. 2419 01:41:51,835 --> 01:41:52,836 YES. 2420 01:41:54,838 --> 01:41:56,339 YOU TOOK A SIGNATURE OF THAT NOTE, 2421 01:41:56,340 --> 01:41:58,342 TRACED IT ON THIS CHECK, 2422 01:41:58,342 --> 01:41:59,843 AND DEPOSITED IT TO ROBERT'S ACCOUNT. 2423 01:41:59,843 --> 01:42:01,344 THEN YOU FORGED ROBERT'S SIGNATURE 2424 01:42:01,345 --> 01:42:02,846 TO THE OTHER CHECKS 2425 01:42:02,846 --> 01:42:04,848 AND HAD POLLY KEEP HIM BUSY UNTIL YOU CASHED THEM. 2426 01:42:04,848 --> 01:42:06,850 AND THEN I SUPPOSE I KNOCK HIM OFF 2427 01:42:06,850 --> 01:42:09,352 AND STIR UP ALL THIS FUSS BEFORE I GET THE DOUGH. 2428 01:42:09,353 --> 01:42:10,854 WHAT KIND OF A STUMBLEBUM 2429 01:42:10,854 --> 01:42:11,855 DOES THAT MAKE ME OUT TO BE? 2430 01:42:12,356 --> 01:42:13,857 YOU'RE THE KIND OF A STUMBLEBUM 2431 01:42:13,857 --> 01:42:15,358 THAT LEFT YOUR FINGERPRINTS ALL OVER THE ROOM 2432 01:42:15,359 --> 01:42:16,360 WHEN YOU KILLED PHIL BYRNES. 2433 01:42:18,862 --> 01:42:19,863 PHIL'S DEAD? 2434 01:42:19,863 --> 01:42:21,364 YES. STRANGLED. 2435 01:42:21,365 --> 01:42:22,366 WELL, I DIDN'T DO IT. 2436 01:42:22,366 --> 01:42:23,867 THEN WHY DID YOU GO TO HIS PLACE? 2437 01:42:23,867 --> 01:42:25,368 BECAUSE I THOUGHT HE'D GUNKED MY GAME. 2438 01:42:25,369 --> 01:42:26,870 I FIGURED HE'D TRIED TO HOLD UP LANDIS 2439 01:42:26,870 --> 01:42:27,871 AND HAD TO KILL HIM, 2440 01:42:27,871 --> 01:42:29,372 SO I PUSHED HIM AROUND A LITTLE 2441 01:42:29,373 --> 01:42:30,874 JUST TO LEARN HIM MANNERS. 2442 01:42:30,874 --> 01:42:32,375 AH, PHOOEY! 2443 01:42:32,376 --> 01:42:33,877 WHEN I LEFT HIM, HE HAD A SPLIT LIP 2444 01:42:33,877 --> 01:42:35,378 AND A COUPLE OF DENTS IN HIM, 2445 01:42:35,379 --> 01:42:37,381 BUT HE WAS JUST AS MUCH ALIVE 2446 01:42:37,381 --> 01:42:39,383 AS YOU ARE...IF THAT MEANS ANYTHING. 2447 01:42:39,383 --> 01:42:41,385 JUST A MINUTE, LIEUTENANT. POLLY, 2448 01:42:41,385 --> 01:42:42,886 WHO KNEW THAT PHIL WAS YOUR HUSBAND? 2449 01:42:42,886 --> 01:42:43,887 WHAT? 2450 01:42:43,887 --> 01:42:44,888 YOU WERE MARRIED, WEREN'T YOU? 2451 01:42:44,888 --> 01:42:46,389 YEAH. 2452 01:42:46,390 --> 01:42:47,391 SO PHIL WAS YOUR HUSBAND? 2453 01:42:47,391 --> 01:42:48,392 AS IF YOU DIDN'T KNOW. 2454 01:42:48,392 --> 01:42:50,394 I DIDN'T KNOW IT UNTIL NOW. 2455 01:42:50,394 --> 01:42:52,396 I WISH I HAD, BABY. 2456 01:42:52,396 --> 01:42:53,897 DIDN'T YOU EVER TELL ANYONE 2457 01:42:53,897 --> 01:42:54,898 THAT YOU WERE MARRIED? 2458 01:42:54,898 --> 01:42:55,899 NO. 2459 01:42:55,899 --> 01:42:56,900 WOULD PHIL HAVE TOLD? 2460 01:42:56,900 --> 01:42:59,402 NO! HE KNEW IF DANCER HEARD, I'D LOSE MY JOB. 2461 01:42:59,403 --> 01:43:01,405 DID YOU AND PHIL EVER TALK ABOUT IT? 2462 01:43:01,405 --> 01:43:03,407 YEAH. ONE NIGHT LAST WEEK. 2463 01:43:03,407 --> 01:43:04,908 BUT NOBODY COULD'VE HEARD. 2464 01:43:04,908 --> 01:43:06,409 WE WERE ALONE, DOWN IN MY ROOM. 2465 01:43:06,410 --> 01:43:07,411 OH. 2466 01:43:17,921 --> 01:43:19,422 WITH THESE EARPHONES, 2467 01:43:19,423 --> 01:43:21,425 ANDERSON COULD HEAR EVERYTHING THAT WENT ON 2468 01:43:21,425 --> 01:43:22,426 DOWN IN YOUR PLACE. 2469 01:43:22,426 --> 01:43:23,427 EVERYTHING? 2470 01:43:23,427 --> 01:43:24,428 EVERYTHING. 2471 01:43:24,428 --> 01:43:26,430 HOLY SMOKE! 2472 01:43:28,432 --> 01:43:31,435 HE KNEW MORE ABOUT ALL OF YOU THAN YOU KNOW YOURSELVES. 2473 01:43:31,435 --> 01:43:33,937 DANCER, YOU WENT TO PHIL'S ROOM 2474 01:43:33,937 --> 01:43:36,439 RIGHT AFTER YOU PULLED THE SWITCH AT THE LAI CHI, 2475 01:43:36,440 --> 01:43:37,941 DIDN'T YOU? YES. 2476 01:43:37,941 --> 01:43:39,943 THAT WAS ABOUT 1:00. WHAT TIME WAS PHIL KILLED? 2477 01:43:39,943 --> 01:43:41,444 Abrams: ABOUT 4:00, AS NEAR AS WE CAN FIGURE. 2478 01:43:41,945 --> 01:43:45,949 Nick: AT 4:30, ANDERSON THREW THIS NOTE THROUGH MY WINDOW. 2479 01:43:45,949 --> 01:43:48,952 HE WAS BEGINNING TO MAKE USE OF THE INFORMATION HE GATHERED 2480 01:43:48,952 --> 01:43:49,953 WHILE HE WAS UP HERE. 2481 01:43:49,953 --> 01:43:51,955 DANCER, HOW DO YOU SPELL "MARRIED"? 2482 01:43:51,955 --> 01:43:53,456 GET CASPER ON THE PHONE. 2483 01:43:54,458 --> 01:43:55,959 WE'RE PAST THAT. 2484 01:43:55,959 --> 01:43:57,961 POLLY, HOW DO YOU SPELL "MARRIED?" 2485 01:43:57,961 --> 01:44:01,965 M-A-R... 2486 01:44:01,965 --> 01:44:03,967 UM... 2487 01:44:03,967 --> 01:44:08,471 M-A-DOUBLE R...Y-E-D 2488 01:44:08,472 --> 01:44:10,474 THANK YOU. YOU SEE, WHEN IT COMES 2489 01:44:10,474 --> 01:44:12,976 TO WORDS LIKE THAT, AN ILLITERATE PERSON-- 2490 01:44:12,976 --> 01:44:15,478 WHAT DO YOU MEAN, ILLITERATE? 2491 01:44:15,479 --> 01:44:17,481 MY FATHER AND MOTHER WERE MARRIED RIGHT HERE 2492 01:44:17,481 --> 01:44:18,982 IN THE CITY HALL! 2493 01:44:21,485 --> 01:44:22,986 HAVING A GOOD TIME, MRS. CHARLES? 2494 01:44:22,986 --> 01:44:23,987 IT COULDN'T BE BETTER. 2495 01:44:24,988 --> 01:44:28,491 THIS NOTE IS A POOR ATTEMPT AT ILLITERACY. 2496 01:44:28,492 --> 01:44:30,494 THE EASY WORDS ARE SPELLED WRONG, 2497 01:44:30,494 --> 01:44:31,995 AND THE TOUGH ONES ARE SPELLED RIGHT. 2498 01:44:31,995 --> 01:44:33,997 LIKE TO SEE IT, LUM? THAT WAS MEANT 2499 01:44:33,997 --> 01:44:37,500 JUST TO GET ME DOWN TO PHIL'S PLACE... 2500 01:44:37,501 --> 01:44:39,002 TO FIND HIS BODY... 2501 01:44:39,002 --> 01:44:40,503 AND YOUR FINGERPRINTS, DANCER. 2502 01:44:40,504 --> 01:44:42,005 SOMEBODY'S FRAMING YOU. 2503 01:44:42,005 --> 01:44:43,506 YOU SAY YOU DON'T KNOW THIS PEDRO. 2504 01:44:43,507 --> 01:44:44,508 NO. 2505 01:44:44,508 --> 01:44:47,010 WELL, THERE'S A PICTURE OF HIM OVER HERE. 2506 01:44:47,010 --> 01:44:48,511 PERHAPS THIS WILL REFRESH YOUR MEMORY. 2507 01:44:51,014 --> 01:44:53,016 Abrams: WERE YOU IN ON THIS CHECK BUSINESS? 2508 01:44:53,517 --> 01:44:54,518 I KNOW NOTHING ABOUT IT. 2509 01:44:54,518 --> 01:44:56,520 YOU LIE! YOU WERE UP HERE 2510 01:44:56,520 --> 01:44:59,022 WITH THOSE EARPHONES ON, LISTENING TO EVERYTHING. 2511 01:44:59,022 --> 01:45:02,025 YOU WERE SORE BECAUSE THEY WEREN'T CUTTING YOU IN ON IT. 2512 01:45:02,025 --> 01:45:04,527 YOU FOLLOWED LANDIS THAT NIGHT AND TRIED TO STICK HIM UP, 2513 01:45:04,528 --> 01:45:08,031 BUT SOMETHING WENT WRONG AND YOU HAD TO KILL HIM! 2514 01:45:08,031 --> 01:45:10,033 I DO NOT KILL PEDRO. 2515 01:45:10,033 --> 01:45:13,036 I DO NOT FOLLOW MR. LANDIS. 2516 01:45:13,036 --> 01:45:14,537 ASK DANCER. 2517 01:45:14,538 --> 01:45:16,540 I GO WITH HIM TO GET AIR. 2518 01:45:16,540 --> 01:45:19,042 SO YOU'RE THE ONE THAT'S FRAMING ME, HUH? 2519 01:45:19,042 --> 01:45:20,543 YOU WEREN'T WITH ME! 2520 01:45:20,544 --> 01:45:23,046 YOU CAN'T USE ME FOR AN ALIBI! YOU'RE DIRT! 2521 01:45:23,046 --> 01:45:24,047 WAIT! 2522 01:45:24,047 --> 01:45:26,215 JUST A MINUTE, PLEASE. 2523 01:45:27,718 --> 01:45:28,719 ALL THIS TIME 2524 01:45:28,719 --> 01:45:33,724 I'VE BEEN WAITING FOR SOMEONE TO MAKE A SLIP. 2525 01:45:34,224 --> 01:45:35,725 SOMEONE HAS MADE IT. 2526 01:45:36,226 --> 01:45:38,728 WE'VE BEEN WRONG. 2527 01:45:38,729 --> 01:45:41,231 THIS WASN'T A KILLING FOR MONEY. 2528 01:45:41,231 --> 01:45:43,233 IT WAS A MURDER OF HATRED... 2529 01:45:43,233 --> 01:45:46,236 AND REVENGE. 2530 01:45:46,236 --> 01:45:50,240 POLLY, WHAT DID PHIL GO TO THE PEN FOR? 2531 01:45:50,240 --> 01:45:51,241 BLACKMAIL. 2532 01:45:51,241 --> 01:45:52,742 BLACKMAIL. 2533 01:45:52,743 --> 01:45:55,245 DID YOU AND PHIL TALK ABOUT THAT, TOO, DOWN BELOW? 2534 01:45:55,245 --> 01:45:56,746 YES. 2535 01:45:56,747 --> 01:45:58,749 THANK YOU. 2536 01:45:58,749 --> 01:46:01,251 DAVID, WHEN WERE YOU SUPPOSED TO GIVE ROBERT 2537 01:46:01,752 --> 01:46:03,253 THE MONEY TO GO AWAY? 2538 01:46:03,253 --> 01:46:04,254 THIS MORNING. 2539 01:46:04,254 --> 01:46:05,255 IN CASH? 2540 01:46:05,255 --> 01:46:06,756 YES. 2541 01:46:06,757 --> 01:46:08,759 AND WHEN HE DECIDED TO GO LAST NIGHT, 2542 01:46:08,759 --> 01:46:09,760 YOU HAD TO GIVE HIM BONDS. 2543 01:46:09,760 --> 01:46:11,261 YES, THAT'S RIGHT, NICK. 2544 01:46:11,261 --> 01:46:13,763 BUT WHERE DID YOU EXPECT TO GET CASH 2545 01:46:13,764 --> 01:46:15,265 ON NEW YEAR'S DAY, A BANK HOLIDAY? 2546 01:46:15,265 --> 01:46:18,768 WELL...FUNNY, I FORGOT ABOUT THAT. 2547 01:46:18,769 --> 01:46:20,771 NO, YOU DIDN'T, DAVID. YOU NEVER INTENDED 2548 01:46:20,771 --> 01:46:22,773 TO GIVE ROBERT THAT MONEY. 2549 01:46:22,773 --> 01:46:24,775 YOU DIDN'T WANT HIM TO GO AWAY. 2550 01:46:24,775 --> 01:46:27,778 YOU WANTED TO KILL HIM. YOU WANTED TO GET EVEN 2551 01:46:27,778 --> 01:46:29,780 WITH HIM BECAUSE HE TOOK SELMA AWAY FROM YOU. 2552 01:46:29,780 --> 01:46:31,782 NICK, PLEASE, I... 2553 01:46:31,782 --> 01:46:34,284 NORA, IS HE FOOLING? 2554 01:46:34,284 --> 01:46:35,785 OH, NO. 2555 01:46:35,786 --> 01:46:37,788 BUT YOU WERE FOOLING, DAVID, WHEN YOU SAID 2556 01:46:37,788 --> 01:46:40,290 THAT YOU HADN'T SEEN PEDRO IN 6 YEARS. 2557 01:46:40,290 --> 01:46:42,792 YOU SAID THAT HE HAD A LONG WHITE MUSTACHE. 2558 01:46:42,793 --> 01:46:44,795 WELL, HE HAS A LONG WHITE MUSTACHE NOW... 2559 01:46:44,795 --> 01:46:47,798 BUT LOOK AT THAT PICTURE. 2560 01:46:47,798 --> 01:46:49,299 THERE HE IS, 6 YEARS AGO... 2561 01:46:49,299 --> 01:46:51,801 AND HIS MUSTACHE IS NEITHER LONG NOR WHITE. 2562 01:46:51,802 --> 01:46:53,804 YOU DIDN'T NOTICE HIM 6 YEARS AGO 2563 01:46:53,804 --> 01:46:54,805 ANY MORE THAN I DID. 2564 01:46:54,805 --> 01:46:56,807 YOU REMEMBER HIM AS YOU SAW HIM LAST NIGHT, 2565 01:46:56,807 --> 01:46:58,809 WHEN YOU SHOT HIM. 2566 01:46:58,809 --> 01:47:01,311 YOU KILLED HIM, AND THEN YOU KILLED ROBERT. 2567 01:47:01,311 --> 01:47:03,313 PHIL SAW YOU DO THAT. 2568 01:47:03,313 --> 01:47:04,814 THAT'S WHY HE FOLLOWED YOU. 2569 01:47:05,315 --> 01:47:06,816 THAT'S WHY HE WAS ON YOUR FIRE ESCAPE. 2570 01:47:06,817 --> 01:47:08,819 HE WAS GOING TO BLACKMAIL YOU. 2571 01:47:08,819 --> 01:47:11,321 SO YOU KILLED HIM, TOO. 2572 01:47:11,321 --> 01:47:13,323 AND THEN YOU THREW THAT NOTE INTO MY WINDOW, 2573 01:47:13,323 --> 01:47:14,824 HOPING TO THROW ME OFF YOUR TRAIL. 2574 01:47:14,825 --> 01:47:18,328 DAVID! DAVID, DON'T LET HIM SAY THOSE TERRIBLE THINGS. 2575 01:47:18,829 --> 01:47:20,330 TELL HIM IT ISN'T TRUE! 2576 01:47:20,330 --> 01:47:21,831 TELL HIM IT ISN'T TRUE! 2577 01:47:21,832 --> 01:47:23,834 ASK HIM WHY HE THREW YOUR GUN AWAY, SELMA. 2578 01:47:23,834 --> 01:47:25,335 HE KNEW THAT IT HADN'T BEEN FIRED 2579 01:47:25,335 --> 01:47:26,836 AND THAT YOU'D ONLY HAVE TO SHOW IT 2580 01:47:26,837 --> 01:47:28,338 TO PROVE YOUR INNOCENCE, YET HE THREW IT AWAY. 2581 01:47:28,338 --> 01:47:29,339 ASK HIM WHY HE DID THAT. 2582 01:47:29,339 --> 01:47:30,840 Selma: DAVID, SAY YOU DIDN'T DO IT! 2583 01:47:30,841 --> 01:47:32,342 Nick: WASN'T IT BECAUSE YOU HATED HER 2584 01:47:32,342 --> 01:47:33,843 AS MUCH AS YOU DID ROBERT? 2585 01:47:33,844 --> 01:47:35,345 WASN'T IT BECAUSE YOU WANTED TO GET EVEN 2586 01:47:35,345 --> 01:47:36,346 WITH HER, TOO? 2587 01:47:36,346 --> 01:47:37,847 WASN'T IT BECAUSE YOU WANTED TO SEE HER HANG 2588 01:47:37,848 --> 01:47:38,849 FOR ROBERT'S MURDER? 2589 01:47:38,849 --> 01:47:40,350 OH, DAVID. 2590 01:47:40,350 --> 01:47:41,851 TELL HER THE TRUTH, NOW, DAVID. 2591 01:47:42,352 --> 01:47:43,853 YOU DON'T HAVE TO PRETEND ANYMORE. 2592 01:47:43,854 --> 01:47:46,356 ALL RIGHT, IT'S TRUE, EVERY WORD OF IT. 2593 01:47:46,356 --> 01:47:48,358 I'VE HATED HER, HATED THEM BOTH 2594 01:47:48,358 --> 01:47:49,859 EVER SINCE SHE THREW ME OVER FOR ROBERT. 2595 01:47:49,860 --> 01:47:51,862 I'VE BEEN PLANNING AND WAITING AND WATCHING 2596 01:47:51,862 --> 01:47:53,363 FOR THE TIME TO COME WHEN I COULD GET EVEN 2597 01:47:53,864 --> 01:47:56,366 WITH THEM FOR RUINING MY LIFE! 2598 01:47:56,366 --> 01:47:59,369 I KILLED ROBERT, BUT NOT THE WAY I WANTED TO-- 2599 01:47:59,870 --> 01:48:01,371 IT WAS TOO QUICK, TOO EASY! 2600 01:48:01,371 --> 01:48:04,374 I WANTED TO SEE HIM SUFFER LIKE HE'D MADE ME SUFFER! 2601 01:48:07,878 --> 01:48:10,380 I WANTED TO SEE YOU HANG. 2602 01:48:10,380 --> 01:48:12,382 I WANTED TO SEE YOU GO GRADUALLY MADDER 2603 01:48:12,382 --> 01:48:13,883 AND MADDER AND MADDER 2604 01:48:13,884 --> 01:48:15,886 UNTIL THE DAY FINALLY CAME WHEN YOU WERE GOING TO HANG! 2605 01:48:15,886 --> 01:48:17,888 WELL, I MADE A MESS OUT OF EVERYTHING, ALL RIGHT! 2606 01:48:17,888 --> 01:48:19,389 [COLLECTIVE GASP] 2607 01:48:21,391 --> 01:48:23,893 I DON'T WANT A SINGLE MOVE OUT OF ANY ONE OF YOU. 2608 01:48:27,898 --> 01:48:33,904 ALL RIGHT, SELMA. I MAY NOT SEE YOU HANG... 2609 01:48:33,904 --> 01:48:35,405 BUT I'M GOING TO SEE YOU DIE. 2610 01:48:35,405 --> 01:48:36,906 DON'T BE A FOOL, DAVID. 2611 01:48:36,907 --> 01:48:37,908 GET OUT OF THE WAY, NORA. 2612 01:48:37,908 --> 01:48:40,410 Selma: NORA, LET ME GO. HE WILL. 2613 01:48:40,410 --> 01:48:41,911 NO JURY WILL HOLD YOU RESPONSIBLE. 2614 01:48:41,912 --> 01:48:43,413 DR. KAMMER WAS RIGHT. 2615 01:48:43,413 --> 01:48:45,915 I GOT 6 BULLETS IN THIS GUN. 2616 01:48:45,916 --> 01:48:51,421 ONE FOR HER, ONE FOR MYSELF... YEAH, ONE FOR MYSELF... 2617 01:48:51,421 --> 01:48:54,424 AND THE REST ARE FOR ANYBODY WHO TRIES TO STOP ME! 2618 01:48:54,424 --> 01:48:55,425 David: GET OUT OF THE WAY! 2619 01:48:56,426 --> 01:48:57,427 [GUNSHOT] 2620 01:48:57,427 --> 01:48:58,428 Abrams: GIVE ME THAT GUN! 2621 01:48:58,428 --> 01:48:59,429 Abrams: GET HIM UP! 2622 01:48:59,429 --> 01:49:00,430 NICKY! 2623 01:49:00,430 --> 01:49:01,431 David: I'LL KILL HER! 2624 01:49:01,431 --> 01:49:03,933 Abrams: GET HIM OUT! 2625 01:49:03,934 --> 01:49:05,936 David: I'LL KILL HER! 2626 01:49:08,438 --> 01:49:10,940 GOOD HEAVENS, I WAS RIGHT. THE MAN IS CRAZY. 2627 01:49:10,941 --> 01:49:13,443 I CAN'T BELIEVE IT! DAVID! 2628 01:49:13,443 --> 01:49:15,945 WELL, YOU CERTAINLY CAN PICK THEM. 2629 01:49:15,946 --> 01:49:16,947 NICE WORK, ABRAMS. NICE WORK. 2630 01:49:16,947 --> 01:49:18,448 OH, YEAH? COME ON, DANCER! 2631 01:49:18,448 --> 01:49:19,449 WHAT FOR? 2632 01:49:19,449 --> 01:49:20,950 FOR ABOUT 10 YEARS FOR FORGERY. 2633 01:49:20,951 --> 01:49:22,452 AND NOT COUNTING THE POTSHOT YOU TOOK 2634 01:49:22,452 --> 01:49:23,453 AT MR. CHARLES. 2635 01:49:23,453 --> 01:49:24,954 COME ON, GET OUTTA HERE. 2636 01:49:24,955 --> 01:49:25,956 YOU, TOO, SISTER. 2637 01:49:25,956 --> 01:49:26,957 LISTEN, THIS WASN'T MY IDEA. 2638 01:49:26,957 --> 01:49:28,458 YOU WERE IN WITH HIM, WEREN'T YOU? 2639 01:49:28,458 --> 01:49:29,959 YEAH, BUT-- 2640 01:49:29,960 --> 01:49:31,461 WELL, YOU'RE GOING TO BE IN WITH HIM AGAIN. COME ON! 2641 01:49:31,461 --> 01:49:33,963 NICKY, ARE YOU SURE YOU'RE ALL RIGHT? 2642 01:49:34,464 --> 01:49:35,465 I'M AFRAID SO. 2643 01:49:35,465 --> 01:49:36,466 NICE WORK, LUM. 2644 01:49:36,466 --> 01:49:38,968 AND YOU SENT HIS BROTHER UP. 2645 01:49:38,969 --> 01:49:42,973 SURE, MR. CHARLES SENT HIM UP. NUMBER ONE DETECTIVE. 2646 01:49:43,473 --> 01:49:44,974 I DON'T LIKE MY BROTHER. 2647 01:49:44,975 --> 01:49:46,476 I LIKE HIS GIRL. 2648 01:49:46,476 --> 01:49:49,479 I'M YOUR FRIEND, YOU BETCHA. 2649 01:49:49,479 --> 01:49:50,947 [TRAIN WHISTLE] 2650 01:49:53,450 --> 01:49:56,453 HERE'S TO A VERY PLEASANT TRIP ABROAD. 2651 01:49:56,453 --> 01:49:58,955 LONDON, PARIS, VIENNA, AND POINTS EAST. 2652 01:50:00,957 --> 01:50:02,458 AH, SPLENDID, DUDLEY, SPLENDID. 2653 01:50:02,959 --> 01:50:04,961 YOU'RE GETTING BETTER EVERY TRIP. 2654 01:50:04,961 --> 01:50:06,963 Dudley: THE TELEGRAPH BOARD AT THE LAST STATION 2655 01:50:06,963 --> 01:50:08,464 SAID THERE'S A LOT OF TELEGRAMS FOR MR. NICK CHARLES. 2656 01:50:08,465 --> 01:50:10,467 WHO'S NICK CHARLES? I NEVER HEARD OF HIM. 2657 01:50:10,467 --> 01:50:11,968 Dudley: THAT'S WHAT I SAID. 2658 01:50:11,968 --> 01:50:12,969 FINE! 2659 01:50:12,969 --> 01:50:14,971 Dudley: YOUR ROOM'S READY, MA'AM. 2660 01:50:14,971 --> 01:50:15,972 THANKS. 2661 01:50:15,972 --> 01:50:17,473 WELL, GOOD NIGHT, DEAR. 2662 01:50:17,474 --> 01:50:18,975 GOOD NIGHT, SLEEP WELL. 2663 01:50:18,975 --> 01:50:21,477 DON'T WORRY, I SHALL. 2664 01:50:21,978 --> 01:50:22,979 GOOD NIGHT, NICK. 2665 01:50:22,979 --> 01:50:25,481 AND THANKS SO MUCH FOR EVERYTHING. 2666 01:50:25,482 --> 01:50:26,983 I WANT TO KISS YOU. 2667 01:50:26,983 --> 01:50:27,984 MAY I? 2668 01:50:27,984 --> 01:50:28,985 GO RIGHT AHEAD. 2669 01:50:28,985 --> 01:50:30,987 BUT I WARN YOU: IT'S A HARD HABIT TO GET OUT OF. 2670 01:50:33,990 --> 01:50:35,491 GOOD NIGHT, SELMA. 2671 01:50:39,996 --> 01:50:41,998 [TRAIN WHISTLE] 2672 01:50:41,998 --> 01:50:43,499 NORA! 2673 01:50:43,500 --> 01:50:45,502 WHAT'S THE MATTER, NICK? 2674 01:50:47,003 --> 01:50:48,504 IT ISN'T TRUE. 2675 01:50:48,505 --> 01:50:49,506 WHAT ISN'T TRUE? 2676 01:50:49,506 --> 01:50:52,008 SHH! 2677 01:50:52,008 --> 01:50:53,009 PINCH ME. 2678 01:50:53,009 --> 01:50:54,010 WHY? 2679 01:50:54,010 --> 01:50:55,511 PINCH ME! 2680 01:50:57,514 --> 01:50:59,516 IT IS TRUE. 2681 01:50:59,516 --> 01:51:00,517 WHAT? 2682 01:51:00,517 --> 01:51:02,018 WE'RE ALONE. 2683 01:51:02,018 --> 01:51:03,519 NO FAMILY, NO FRIENDS, 2684 01:51:03,520 --> 01:51:08,024 NO REPORTERS, NO POLICE, NO NOTHING. GOOD! 2685 01:51:08,024 --> 01:51:10,526 I SUPPOSE WE OUGHT TO DECIDE WHERE WE'RE GOING. 2686 01:51:10,527 --> 01:51:11,528 WHY, DO YOU CARE? 2687 01:51:11,528 --> 01:51:14,030 NO. BUT I HAVEN'T ANY CLOTHES. 2688 01:51:14,030 --> 01:51:15,031 WELL, WHAT'S THE DIFFERENCE? 2689 01:51:15,031 --> 01:51:17,033 SAVES YOU THE TROUBLE OF PACKING. 2690 01:51:17,033 --> 01:51:18,034 AND I DON'T NEED 2691 01:51:18,034 --> 01:51:20,536 ANYTHING IN THE WORLD, DARLING, BUT YOU... 2692 01:51:20,537 --> 01:51:22,038 AND A TOOTHBRUSH. 2693 01:51:23,540 --> 01:51:25,542 WHAT'S THAT, HMM? 2694 01:51:30,046 --> 01:51:32,548 HMM. LOOKS LIKE A BABY'S SOCK. 2695 01:51:34,551 --> 01:51:36,052 HMM. 2696 01:51:47,063 --> 01:51:51,067 AND YOU CALL YOURSELF A DETECTIVE. 2697 01:51:51,067 --> 01:51:54,570 WHY, MRS. CHARLES... 2698 01:51:58,575 --> 01:52:00,577 [HOWLING] 2699 01:52:00,577 --> 01:52:03,580 CAPTIONING MADE POSSIBLE BY WARNER BROS. 2700 01:52:03,580 --> 01:52:06,583 CAPTIONED BY THE NATIONAL CAPTIONING INSTITUTE --www.ncicap.org-- 183723

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