All language subtitles for Split.2016.HDRip.XViD.AC3-ETRG

(liquid dripping)

(eerie melody)

(fog horn blowing)

� If you look inside

� A flower

� It goes down, down, down

� Down forever

� If you go inside

� The dark

� Goes down, down, down

� Go under

� Go under

(man breathing heavily)

(vehicles buzzing)

(eerie sounds)

- [Woman] Hi, are you
here for the rehearsal?

- Yeah.

- Great, just sign here.

Great and straight
through there.

Hi, are you here
for the rehearsal?

- Yeah.

- Just sign here.

(actors yelling indistinctly)

(actors groaning)

- Hey.

- Hi.
- [Man] Hi.

- Fucking critics.

- Thank you.

- Don't let the
bastards get you down.

- On to the next.

- [Woman] On to the next.

- Hi.

- Hi.

- I saw your show last night.

Loved it.

- Thank you.

- Can I look?

- Absolutely.

- It's beautiful.

I'm Inanna.

- Inanna?

So, it's your project
they're doing?

- [Inanna] Oh, no, no,
it's just a coincidence.

We started rehearsals today.

- What's it about,
this Inanna project?

- It's based on this myth,

the descent of Inanna,
and it's about women,

and how we've had to cut
off huge chunks of ourselves

in order to survive and how
scary but important it is

to grieve for those parts of
ourselves and reclaim them.

- Well, all of yourself
is a total abuse asshole.

- Excuse me.

Give me the keys.

- [Woman] What?

- Give me the keys.

Sorry about that.

- It's okay, I'm in
your way, I should go.

- You know how to drive
one of these things?

You got it?

- [Inanna] Yeah.

- You can leave that there,

I think she's too much
for just the two of us.

- She's beautiful.

- She has to be.

(kettle whistling)

Your tea's getting cold.

- It's okay.

- [Derek] I'm sorry.

I have a headache.

- Should I go?

- Only if you promise
to come back soon.

- Promise.

- 85.

- Sorry I'm late.

- It's okay, get
ready, go upstairs.

- [Inanna] Sorry I'm late.

- This is beyond late, Inanna.

I had to cover six
fucking dances for you.

- [Inanna] I'll make
'em all up tonight.

I kissed him.

- What?

- I kissed him.

- What, Derek?

- I am so in love with this guy.

- How can you be in
love with this guy?

You don't know this guy.

- I do, though, I know his soul,

I can feel it in his
work, it's amazing.

- [Woman] You're not in
love, you're obsessed.

- You just don't
believe in love.

- You're a fucking idiot, you
don't know a goddamn thing.

Would you say fuck
you to me just once?

- Fuck you.

(Inanna snickering)

Sorry.

- Did he recognize you?

- No, he's only been here
once when I was dancing.

- He's probably here tonight.

Go on if you're covering me.

(club music)

� You say to me

� Dressed in costume

- [Inanna] I can't
believe he's here.

- It's his regular club.

- [Inanna] Oh god,
I'm gonna throw up.

- Stop it.

- What if he doesn't
like dancers?

- Then he's a fucking hypocrite
like the rest of them.

- You gotta dance this last
one for me, please, please?

- No fucking way.

- [Inanna] Anja!

Okay.

(sexy music)

- Should I send her
over after her dance?

- No, not tonight.

- [Dave] Hello.

- [Anja] Want a drink?

- No, I just came
to pick you up.

I'll go get the car.

- [Anja] Thanks for the drink.

- Let me see it.

You're taking 700
bucks from me tonight

and you still won't come

and have a drink with
me outside the club.

- I told you, I
don't date clients.

- You're the most beautiful
woman I've ever laid eyes on.

God, it sounds so
stupid, please?

Just a drink.

- No.

- A thousand bucks.

- Thank you.

- Come outside with me and
let me cum on your tits.

That's all, just let
me come on your tits.

Are you afraid?

- No.

You can't have sex with me.

- I promise.

I'm staying in the hotel
four blocks south of here.

I'll wait for you there.

� And here we go again

� Assume it doesn't end

� But then I see
you rollin, rollin'

� Like a movie star

� And driving on in a racing car

� Making out with
the hottest one

- [Dave] You got her okay?

- Dave's here, he can walk you
upstairs to your apartment.

- Oh, it's okay, I'll--

- No, no, it's late,
he'll walk you upstairs.

- [Dave] Shouldn't
you be heading back?

You've got exams
tomorrow, right?

- I'll be fine.

- What is it?

- You have to take this case.

- I would never win it.

- We have to help, we
can't just drop it,

it's a fucking
joke, she's a wreck,

she deserves to get a
piece of her life back.

- She has to quit dancing,
get herself cleaned up,

how do we get her
back to her parents?

- Cleaned up?

- [Dave] Yeah.

- Cleaned up?

Fucking cleaned up?

- You know what I meant.

- No, she needed to get dirty.

If she was allowed to
get dirty for real,

then she wouldn't have
to become a junkie

and a rape victim to get--

- You know what I
meant, sweetheart.

- Rape and repressions
are two sides

of the same fucking coin.

- I know, baby, I know.

- When you rape a girl,

the problem is not that
you're taking away her purity

which gets everyone
all up in arms,

it's that you're taking
away her wholeness.

Trying to keep her pure,
repressing her sexuality

also takes her wholeness.

I don't want my daughter
to grow up pure.

- [Dave] I know, baby.

- [Anja] I want her
to grow up whole.

- She will.

She will.

It's all right, sweetheart.

� If you look inside

� A flower

� It goes down, down, down

(water running)

� If you look inside

� A flower

� It goes down, down

(indistinct singing)

� When I smile

(strange eerie noises)

� Go under

(man moaning)

(drumming)

(indistinct chattering)

- As it says in the text,

Inanna placed the
crown on her head.

She went to the
sheepfold, to the shepard.

She leaned back
against the apple tree.

When she leaned
against the apple tree,

her vulva was
wondrous to behold.

Stop, stop.

Inanna, what are you doing?

You're not naked,
you're not revealed.

You're acting out some
idea of stripping, stop it.

Iris, come.

I'm going to give Iris an
image to improvise around,

all you have to do is
mirror her, that's all.

You aren't responsible
for anything,

but mirroring exactly
what she does.

(woman grunting)

- She's totally, totally
wrong for the part.

You need to fire her.

She's gonna ruin
the whole project.

There's no way that
she can do the part

the way it needs to be done.

- Trust me, Iris,
you have to trust me.

She's actually perfect.

- Okay.

- Hey, hey.

- Wow.

That's incredible.

It's beautiful.

- It's been on the tip
of my mind for so long.

I couldn't find it.

But now you.

- Sorry.

I'm sorry.

I hate to have to go, but
I'm gonna be late for work.

- You should go.

- I'm sorry, what did I do?

I don't understand.

I'm just so stupid.

I'm just so, so stupid.

God, I'm so stupid, I
thought he liked it.

- I'm sure he did.

- Inanna, you're up.

� Work, work, work, work

� Mr. Big Time,

� Need the cash now

� Jump the queue line

� Throw your stash around

� Break the house rules

� Like it's your town

� We're in your world

� But you don't
have a pull on me

� No, you don't
have a pull on me

� You know, I can
make you work--

- Where you going?

Your shift's not over.

- I have to go to the
bathroom, it's an emergency.

- [Man] Finish your shift.

� We can take this
a little slower

� Shift attention a little lower

� You won't find me
where you're going

� Mr. Big Time

� You don't have a pull on me

� No, you don't
have a pull on me

� No, you don't
have a pull on me

� No, no, no, no

� I can make you
work, work, work, work

� I can make you
work, work, work, work

- Our Queen Inanna must leave
all that she has achieved

in the male-imagined
world to make her way down

to her weeping sister,
Ereshkigal, Queen
of the Underworld.

Don't worry, the mask will
help in the beginning,

but finally, you'll feel the
strength to be without it.

- The mask?

- Breathe.

Breathe.

(women clapping)

(women cheering)

- Can you all
please tell everyone

to bring the mask back to us?

We need to take 'em
to Derek's studio

to do more work on them.

- Why didn't you tell me

you were doing the
masks for the show?

- I'm sorry.

I should have.

- So often determined,
is it in his heart?

- I did, I did, I asked
him on our very first date,

when the shit hits the
fan, will he go to therapy?

- [Dave] It's true.

- You know, before he
even bought me dinner
I needed to know

because if you bought me
dinner, I'm gonna kiss you,

and if I kiss you,
I'm gonna fuck you,

if I fuck you, I'm gonna
fall in love with you.

So, don't even buy me dinner
if you're not going to therapy.

- I thought that would've
scared a guy right off.

- No, he's not just any old
guy, he's a judge, former judge.

- Former judge, a very
wise former judge.

- Yeah, but how many judges
meet their future partner

while she was dancing the go-go?

- Oh, you'd be surprised.

- So, once you're married,

are you gonna still
let her dance?

- We're in therapy.

Listen, this guy,

you gotta let him go, he
sounds completely fucked up.

- Yeah, but I can see what's
underneath all this shit

and he's got a
beautiful hurt soul.

- What, that you can nurse back
to health with your titties?

- No, he's a good man.

- He's just a little boy who
wants a mama, most of them are.

- [Dave] Hey, now.

- Well, it's true.

When you try to
magically transform him

with the power of your love,

it's a turn on, an
aphrodisiac like no other.

You get to see yourself
like a goddess,

an earth mother, a healer.

No, we all want
to feel like that.

But we go about doing shit
like dancing the go-go

or taking abuse
from a misogynist,

so that we can feel
like her for a moment,

feel like a goddess, but
it's not the real thing.

- [Inanna] Yeah, I know.

- [Anja] You know, but what?

- But I want him.

- I've had enough of you.

Come help me with the dishes.

We've been working on therapy

on what would make cleaning
the dishes more interesting.

I just can never get them done

and it's really shit for Dave.

- I should get going.

- No, no, no, Dave
will keep it clean.

- No, I should go home.

- We need you to come
to testify for Lil.

It'd make a real difference.

- I'm just scared of
what Derek will think.

I don't want people
to know I'm a dancer.

- Promise to think about it.

And love yourself first,

then whoever he is that
can meet with your heart

will come to you, I promise.

- Thanks.

Bye, Dave.

- Bye-Bye.

- [Inanna] I love you.

- [Anja] I love you.

- You're the best, come here.

Give me a kiss.

(doorbell ringing)

- [Derek] Yeah?

- It's Inanna.

Hello?

- [Derek] Yeah?

- I just want you to know
I quit, I quit my job.

- Hey.

You wanna come up?

- You should go back to sleep.

- I wasn't sleeping,
I don't sleep.

- [Inanna] Never?

- Not really, I have
really bad insomnia.

Come on, you can
keep me company.

Here, catch, okay?

There's a key in there,
you can let yourself in.

(knocking)

Will you marry me?

Will you?

- Yes.

- Do you mind if we just sleep?

- Thought you had insomnia?

(sirens blaring)

- Hello.

- [Shelley] Hi.

- [Inanna] Here,
I've got the key.

- It's okay, she has one.

- Who is it?

- [Derek] Shelley.

- Here.

- Keep it.

- I should go, I have to
get ready for rehearsal.

- Hey.

- Hi.

- Hi.

- Everything's on my desk, okay?

- Okay.

- I'll walk you out.

- Okay.

Hey.

- Hey.

- What you said before?

- I meant it.

- Really?

- Yeah.

Right away.

- Right away?

Right away.

- What about invitations?

- No invitations.

Just you and me.

- Oh.

- Hey.

- Can I come around over here?

Okay, you're doing great.

(Inanna shrieking)

Okay, that's it, relax
your shoulders, that's it.

You're transforming
so feel it right here,

draw it up into your heart.

Feel the massage.

Oh, you're doing great.

You're doing great.

I'll take Ember
off of you, okay?

Yeah, he doesn't
wanna let you go.

Yeah.
- [Inanna] Wild.

- That was terrific,
terrific work.

(romantic melody)

(Derek munching)

- Try one.

Try one for me, for me.

It's all good.

(funky music)

- Dance with me.

- No.

- Come on, dance with me.

- I do not, no, absolutely not.

Absolutely not.

- Oh, please.
- Nope.

- Please.

Fine, I'll dance
with your father.

Should be father of the
bride, but yours will do.

- I'm tired.

Why'd you dance with my father?

- What do you mean?

- Why'd you dance
with that puppet?

Of all the ones you
could've chosen,

why'd you choose that one?

- I don't understand.

- You gonna take that thing off?

- I thought you might want to.

� If you look inside

� A flower

� It goes down, down,

- I think he has
to take the job.

I mean, you could do so much

with the budget
that's being offered,

wouldn't have to
compromise anything.

Derek, you could use the
exact same marketing platform

that was so successful
with The Lion King, right?

They have exotic masks
from an Arabic tradition

and then you have free reign
to use your great talents,

and the whole story then is
just anchored in the movie.

Like people don't
have to be challenged

to see a experimental
theater piece

or a mask performance,
they're watching Aladdin,

everyone knows the story.

- [Woman] Yeah, that's true.

- The target audience
has seen the movie,

their parents have seen
it ad nauseam as well,

they don't have to be
experience something new,

but they get to think that
that's what they're doing.

(indistinct murmuring)

And we get to see
masks, masks, masks,

a piece of work
created in a studio.

- Hi.

What's wrong?

- I don't want you
to do the show.

- What?

- [Derek] You can't do it.

- Why not?

- It's so indulgent,
it's masturbatory.

- No, it isn't.

- It's shit.

- No, it isn't, it's important.

- You just like getting fucked
by that actor every day.

- I'm not get...

We're acting.

I'm not even attracted to him.

- I didn't say anything about
you being attracted to him,

but you obviously are
since you brought it up.

- No, that's not true.

I said it because I'm
not attracted to him.

- Me thinks the lady
does protest too much.

- No.

- You can fool yourself,
Inanna, but you can't fool me.

- [Man] Treachery persists.

Treachery persists.

Treachery persists.

- Thank you so much
for doing this.

- It's okay.

- I'm sorry you're gonna
have to kill time now.

- That's okay, I thought maybe
we'd even skip rehearsal,

go to a museum or something.

- Sorry, got to
run, final exams,

I'm ridiculously nervous.

- [Inanna] You'll be great.

- Are you okay?

- Yeah, I'm just tired.

- Okay.

- Bye, love.
- Bye.

- Have great day.

- Thank you.

- Yes.

These are terrific.

Yes, they are absolutely
moving in the right direction.

I want each woman in the chorus

to represent some
primal feeling,

some primal core human feeling.

I love this one and
this one is astonishing.

- Yeah.

That one, I think I really got.

I wanted shock, you know?

Pure shock, that moment
when you can't believe

you've been betrayed.

That shock, right before
the pain slams in.

- Thank you.

- I'm glad they're working.

- We are so luck to have you,

to have your talent
and your sensitivity.

- Thank you.

(slow melody)

- I don't know why
you're doing the play

if you think it's shit.

I'm sorry.

(telephone ringing)

I got it.

- I've got it.

I said I've got it.

Hello?

Because last time
we worked together

it was disastrous and
nothing has changed.

He's pompous and a tyrant
and I can't work with him.

Don't start, Shelley,
I mean it, don't start.

- What?

- [Derek] Nothing, just Robert.

He has this project he wants
me to do and I can't do it.

- Why not?

- Because he has no
faith, he has no belief.

He doesn't think that if
you talk about something,

you can make it better.

He's the logical
creative partner for me

and he can't actually
be my partner.

- That's hard.

That's so hard.

You're an extraordinary man.

Other people, they get jealous

and they criticize
you and your work

because they know that
you're vulnerable to it

and it's important to you.

I love you.

- I love you, too.

- Sometimes I feel like
what you were just saying,

no, wait, wait, I just,

I just wanna make it better.

I just wanna feel
like you're with me.

- I'm right here.

- But I don't really feel
like you're that into me.

- What are you talking about?

I just now told you I love you.

What do you want?

You want me to
bring home flowers?

You want some cliche
from a romance novel?

- I just don't feel like
you're that into me,

you don't look at me or
talk to me or touch me.

- What do you want?

You wanna to sit across
the table holding hands,

staring into each other's eyes?

It's not me.

- I just need some
more of your presence,

I need to feel like you hear me.

- Why does it always have
to be about you, Inanna?

I hear you, okay?

- [Inanna] I just
thought that if we could

talk about the
relationship a little,

we can make it better.

- No, because when you talk
about the relationship,

it's not you talking
about the relationship,

it's you talking about
what a bad boy Derek is.

- [Inanna] That's not true.

You always twist
what I'm saying,

that's not what I'm saying,
I don't wanna punish you.

- Yes, you do, yes, you do,

this is all a setup
to punish Derek,

just like this
becomes an ambush.

Like I'm talking
about what I feel

and you turn it against
me, you make it about you.

- [Inanna] No!

- What do you want me to do?

I'm a horrible
- [Inanna] No.

- fucking
- [Inanna] No, stop.

- Little
- [Inanna] Stop.

- Boy.
- [Inanna] Please, don't.

I'm sorry, I'm sorry.

I'm sorry.

(Iris screaming and grunting)

- [Director] Mirror her.

Inanna.

Mirror her.

- [Inanna] I can't.

- [Director] What?

- I don't wanna do this.

- [Director] Breathe, Inanna.

- I can't.

- Iris, shake her out, shake
it out of her, start gently.

- I can't.

I can't.

- Stop, Inanna, stop.

Inanna, stop, you're not going
anywhere, sit on the throne.

Climb up to the top
and sit on the throne.

Inanna hears Ereshkigal's cry

and she leaves
Dumuzi to go to her,

so you just sit on
the throne and listen.

Listen until you feel you
can join us down here.

What have we each buried away?

What have we
banished to the dark?

We must grieve for those
murdered parts of ourselves

and reclaim them,
so we can be whole.

That is Ereshkigal's gift.

She holds our forgotten pain,

she holds our healing
and our wisdom.

We must go to her.

To retrieve and honor our truth.

So, now we will be
Ereshkigal's voices

and we will speak Ereshkigal's
truth as she rages for us.

Melissa, you begin.

- I speak for my
grandmother, Dorothy,

who was institutionalized
by my grandfather

against her will for madness.

(Iris breathing heavily)

She received electric
shock time after time

and she wasn't
mad, she was angry.

- I speak for my
sisters in the Congo

who are being
systematically raped.

Women from three years old to
75 years old have been raped.

This is being done
to destroy women.

- I speak for the 23
year old woman from Delhi

who was gang-raped
on a bus so brutally

that her abdomen, intestines,
and genitals were destroyed.

When they dumped her
from the bus to die,

only 5% of her intestines were
still left inside of her body

and this,

this is just the rape
you all now heard about.

I speak as well for all
the other tons of women

being raped in my country.

(Inanna sniffling)

- I speak...

I speak for the
2.5 million girls

stolen and sold--

- [Woman] I speak every woman
- [Woman] into sex slavery

- [Woman] around the world
- [Woman] Whose daughter

is missing.
- [Woman] Every year.

- Lost to drugs or in
an abusive relationship.

- [Woman] Her daughter is
lost and she cannot hold her.

- I was seven.

- A two and a half weeks
year old just died from rape.

- I was carried
around unconscious--

- All of us seven girls.

- [Woman] Penetrated
with fingers--

- [Woman] Are told
you're going to hell.

- [Woman] Sexually assaulted.

- [Woman] If you have
sex outside of marriage.

- [Woman] Raped

- [Woman] I speak
for every girl--

- [Woman] I speak for--
- [Woman] Every girl.

- I speak for all
girls that are groomed.

- Every molested by her father.

- Who was gang-raped.

- [Woman] Whose father
left her behind.

- By nine men.

- With an empty hole.

- And destroys every dream
and hope that she has.

- Every girl in our world

who's having her
genitals mutilated.

- When I was seven years old,

I was held down

on a floor

and cut with a razor.

I wasn't going to do this,

but I feel like I really
want to, I need to.

(women crying,
screaming, and grunting)

- [Director] Mirror her.

� If you look inside

� A flower

� It goes down, down, down

� Down forever

� If you go inside

� The dark

� It goes down, down, down

� Go under

� Go under

� When I smile for you

- Could be something, could
be garbage, no way to tell,

but yeah, that's still good.

Hey, I gotta go, okay?

Yeah, me too.

Hey.

What?

- Who were you talking to?

- My mother.

- I just feel like you like
her more than you like me.

- Who?

- Shelley.

- That's crazy, I love you.

I love you.

- You do?

- Yes.

Yes.

- I love you, too, so much.

(lips smacking)

- I can't, I can't,
love, I have a headache.

- Another migraine?

- Yeah, yeah, it's coming on.

- Do you want me to
get your medicine?

- Yeah, that'd be great.

(somber melody)

- [Woman] Inanna!

Inanna!

Inanna!

Inanna!

Inanna!

Inanna!

Inanna!

- [Inanna] What is this?

- [Woman] Quiet, Inanna.

(indistinct whispering)

- [Inanna] What is this?

- [Woman] Quiet.

- [Inanna] What is this?

- [Woman] Quiet, Inanna.

(Inanna wailing)

- [Derek] What?

- Nothing.

- [Derek] What is it?

- I'm so lonely.

Why won't you make love to me?

- I'm so sick of always
being the bad guy.

I'm so sick of this
always being my fault.

- I'm not saying you're
the bad guy, I love you,

but we need to talk.

- Why are you doing this to me?

- I'm not doing anything,
I'm just talking.

I need more from you,
I need your presence.

- Just stop, stop
it, I'm warning you.

- I'm going to say
what I have to say.

- I'm telling you

I'm warning you.

- You can't stop me from
saying what I have to say.

Please, don't do that.

Listen, Derek, I'm going
to say what I have to say

and hitting yourself
isn't going to stop me.

If you have to hit yourself,
you have to hit yourself,

but I'm still going to
say what I have to say.

- [Derek] Oh, shit, fuck, fuck.

- [Doctor] And how did
you say this happened?

- My brother, we were messing
around like when we were kids.

- Well, your brother busted
your eardrum pretty bad.

I'll prescribe antibiotics
and painkillers

and we'll get you a referral
to see a specialist tomorrow.

- Should count enough.

- What the fuck are you doing?

Stop it, stop it.

What?

- I have a special
connection with Shelley.

- Oh, stop it, why does it
always have to be about you?

- It doesn't.

- Why were you wearing this?

- Why won't you fuck me?

Why won't you fuck me?

- Because I'm not a man, okay?

Does that make you
happy, you fucking cunt?

I'm not a man.

- Yes.

- I'm not a man.

- Yes, you are, what are these?

Stop it, please, stop
it, please, stop.

Honey, I'm sorry,
I'm sorry, I'm sorry.

I'm sorry, I'm sorry, please--

- It's over.

- No, no, no, please, don't go.

I'm sorry, it was really
horrible what I did, I'm sorry.

Please, don't go.
- I'm going.

- No, no, I'll quit the show.

- What they've done to me.

Look at what they've done to me.

Look at what they've done to me.

You have betrayed me

for the father's dream.

Look at what they've done to me.

- What was that all about?

- I don't know, I'm sorry.

- Where you hiding from me?

- I told Derek I
wouldn't see you again.

- Why?

- I don't know, he
just goes crazy.

- Why are you with this man?

- [Inanna] I love you.

- But what do you get?

What do you get from it?

- I get to love him.

- Well, I'm glad you
didn't listen to him.

How's your rehearsal going?

Sonia's really excited
about the snakes.

what is it?

What, did you tell him you
wouldn't do that either?

Are you crazy?

You're gonna give up everything
that makes you who you are.

I promise you, everything
he's attracted to,

you're gonna give up for
him and he's gonna leave you

because you're not who
he fell in love with.

It's a classic trick,
don't fall for it.

- He already did.

- [Anja] What?

- He left me.

It's so terrible.

If I would've just
kept my mouth shut

and not push him
so much, I just...

I would've just not push him.

I need to get him back, Anja.

I feel like I'm gonna
die without him.

- Oh, stop it, stop it, Inanna,

would you listen to yourself?

You're not going
to die without him.

You're going to die
without yourself

is what you're going
to die without.

Now, just stop it.

Come on, go to rehearsal.

Okay?

It's all good.

Go.

- [Inanna] Thanks.

(indistinct murmurs)

Sorry.

- [Director] It's all right.

- [Inanna] I just feel
like I can't do this.

I'm not talented or
I'm not good enough.

- You are perfect
just the way you are.

All right, you have got this.

(creepy laughing)

- Fuck you.

Fuck you.

Fuck you.

(metal clinking)

- I love you.

No.

Don't go.

- I love you.

- I love you.

I love you so much.

- I'll see you later.

(upbeat melody)

� Catch me in your hands

� Tear away the pieces
rolling in the wind

� Like a million reasons

� Right under the stars

� All around the yard

� We don't even try

� We don't even

(ominous eerie melody)

- You missed dinner.

I made spicy artichoke,
it was so good.

Where were you?

(Inanna screams)

(Inanna moaning)

(somber melody)

- Don't be rude to her, Inanna.

- Are you protecting
her over me?

- I mean it.

(director crying)

- I don't know what to do.

- When did she call?

- An hour ago.

Fuck.

You were right about her.

- No.

She'll be back.

- There's no way I can get a
replacement by opening night.

I should really just cancel
the show immediately.

- We keep rehearsing, she'll
be back, I promise you that.

(kissy noises)

- It's over with her.

I promise.

- You've broken up with her?

- Yeah.

What's the matter?

- I feel hurt by everything.

What, are you mad at me now?

- You want me to leave?

- No, I just wanna talk.

What's wrong?

- I have to go now.

- You said you've
broken up with her.

- I have, I just
haven't told her yet.

- You haven't told her yet?

- I feel too guilty
for cheating on her.

- How can you be cheating
on her, I'm your wife.

Please, stay.

- I can't.

I can't.

- Get out.

Get out of here and
never speak to me.

- Oh, fuck you, Inanna.

(Inanna screaming)

- I'm his wife.

I'm his wife.

I hate him, I hate him, I
hate them all, I hate them.

I hate men, I hate them.

(indistinct crosstalk)

No, I can't have him.

I don't love him.

Fuck you.

You fucking pig.

- Stop it, stop it, stop
it, what are you doing?

You're fucking crazy, get out.

- I don't care.

(indistinct shouting)

I'm the father you needed.

You're a little boy who never
had a father you needed,

don't you get it?

(Derek whimpering)

- Yeah, thank you, it's awesome.

- [Woman] You're very welcome.

- [Woman] My mind is my own.

- Hey, don't worry, your
mom said she'd be here.

She'll be here, I promise
you, good for you.

Stage door's around that way?

I'll see you after the show.

Break a leg.

(drumming)

(water splashing)

- What is this?

- Quiet, Inanna.

The ways of the
Underworld are perfect

and they may not be questioned.

(woman screaming)

(women grunting)

(women chanting)

- Inanna.

Inanna.

Inanna.

Inanna.

(snake hissing)

- Oh, oh, my insides.

- Oh, oh, her insides.

- [Iris] Oh, my outsides.

- Ow, your outsides.

- My heart.

- [Girl] Oh, oh, your heart.

- Oh, my vulva.

- Oh, your vulva.

- Who are you moaning,
groaning, and sighing with me?

Are you a god?

If you're a god,
I will bless you.

If you're a mortal, I
will give you a gift.

- We do not wish it.

- [Iris] What then, speak,
tell me, what do you wish?

- We wish only for the corpse

that hangs on the
hook above you.

(mournful melody)

(uplifting melody)

(audience clapping)

� I am here

� Rising from this

� I am whole

� I'm whole again

� I let go

� My unwillingness

� I am whole

� Whole again

� Say to me

� I feel free

� I'm afraid

� To lift the sail for you

� Fly so straight

� I am different

� To feel the pain

� Of closing in over me

� I see beauty

� Of opening

� I can feel the pain

� Tell the truth

� This is our temple

� I can feel the pain

� Of you

� I fall for you

� Hold onto it

� How can you say

� I have seen enough to fake

� My own heart

� I can feel the pain

� I have saved

(electronic melody)

� Find the truth

� Then tell me what
you found, found, found

� If you got it

� Then take the higher
ground, ground, ground

� If you got it

� Then take the speakers
down, down, down

� Take 'em down, shake 'em down

� Break 'em down, down, down

� If you wanna make a difference

� Make a sound, sound, sound

� If you wanna say the truth

� Then say it loud, loud, loud

� If you're dishing
something wicked

� Don't be proud, proud, proud

� Don't convict it or inflict it

� All around, round, round

� A little goes a long way

� Get you through the meltdown

� It'll catch on, it'll catch on

� Spread the love around

� A little goes a long way

� See you through the meltdown

� It'll catch on

� It'll catch,
catch, it'll catch

� I used to be the hater
in the crowd, crowd, crowd

� Kept my nose always pointed
at the clouds, clouds, clouds

� Wouldn't listen to the facts

� Shut 'em out, out, out

� Didn't understand what
power was about, 'bout, 'bout

� There's a reason we can
have it all now, now, now

� There's a reason we
should spread the love

� Around, 'round, 'round

� When you find a person
showing off their golden crown

� Then you take it and
melt it down, down, down

� A little goes a long way

� A little bit more
and a little bit more

� A little goes a long way

� Send them on a meltdown

� It'll catch on, it'll catch on

� Spread the love around

� A little goes a long way

� See you through the meltdown

� It'll catch on,
it'll catch, catch

� It'll catch, catch on

� A little goes a long way

� Get 'em through the meltdown

� It'll catch on, it'll catch on

� Spread the love around

� A little goes a long way

� See them through the meltdown

� It'll catch on, it'll
catch on, it'll catch