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(playing "Malagueña")
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THAT WAS THE MOST AMAZING
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17 MINUTES OF MY LIFE, CHARO.
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BUT OF COURSE. I'M CHARO!
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HOW DID YOU GET TO BE
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SO AMAZING, CHARO?
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I WANNA BE THE BEST,
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AND NOW I AM.
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TELL ME, WHAT IS IT
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THAT YOU WANT, CHLOE?
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I WANNA DESTROY MY ROOMMATE.
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♪♪♪
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(Katie Hampton) ♪ I'M NOT
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PERFECT, I'M NO SNITCH ♪
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♪ BUT I CAN TELL YOU ♪
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(whispers) ♪ SHE'S A... ♪
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(buzzer)
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♪ BA-DA-DA-DA-DA-BA, BA-DA-BA ♪
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(June) THERE ARE
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OVER 4,000 PLACES TO DINE
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IN NEW YORK.
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THEY SAY THAT IF YOU WERE
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TO EAT AT A DIFFERENT RESTAURANT
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EVERY DAY,
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YOU COULD GO YEARS
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WITHOUT EATING AT THE SAME--
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OH, MY GOD!
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WOULD YOU SHUT UP?!
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YOU ARE CONSTANTLY SPEWING OUT
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FACTS ABOUT NEW YORK
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THAT NOBODY CARES ABOUT!
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(indistinct conversations)
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ONE.
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SO, MOM AND DAD, UM,
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HOW LONG YOU IN TOWN FOR?
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OH, JUST FOR TONIGHT.
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WE HAD A FEW MATTERS
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WE WANTED TO DISCUSS WITH YOU.
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PRIVATE MATTERS.
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SURPRISED HE INVITED FRIENDS.
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MORE WINE?
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NO WINE FOR ME.
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I'M STICKING WITH CUCHI-CUCHIS.
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THAT DRINK'S NAMED AFTER CHARO.
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CHARO IS CHLOE'S CHER.
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NO, CHARO IS CHLOE'S CHARO.
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CHER DOESN'T EVEN FACTOR IN.
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(ice cubes rattle)
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THESE DRINKS ARE AS STRONG
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AS AN ORANGUTAN.
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(panting) GUYS,
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YOU'RE BEING ROBBED.
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I SAW A MAN IN YOUR APARTMENT
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THROUGH THE WINDOW.
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OH, MY GOD. W-W-WHY DIDN'T YOU
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CALL THE COPS?
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I KNEW THAT WOULD BE
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YOUR FIRST QUESTION.
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AS I WAS RUNNING HERE,
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I COULD HEAR YOU ASKING ME
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THAT QUESTION IN MY MIND,
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BUT I WAS ALREADY MOVING.
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W-WELL, WHY DIDN'T YOU
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CALL US?!
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I KNEW THAT WOULD BE
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YOUR SECOND QUESTION. I...
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I SHOULD PROBABLY
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GO WITH THEM.
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I, UH, I PLAYED A POLICE OFFICER
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IN MY LAST MOVIE.
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SWEETIE?
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I--A BOBBY, ACTUALLY.
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TURN OF THE CENTURY ENGLAND.
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DIDN'T EVEN HAVE A GUN.
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I JUST CARRIED A CANDLESTICK
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AND SOME KEYS.
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WOW. LOOK AT THOSE POTATOES.
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WAIT. WHY AREN'T WE CALLING
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THE COPS?
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NO COPS. NEVER COPS.
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JUST A TRANQ GUN.
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(door bangs open)
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(creaks)
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BLOW HIS BRAINS OUT!
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SHOOT HIM!
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HELLO, CHLOE.
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TAKE THE SHOT!
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TOMMY! DAMN IT,
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YOU SCARED ME.
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RELAX. IT'S JUST TOMMY,
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MY PRIVATE INVESTIGATOR.
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WHAT? YOU HAVE
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A PRIVATE INVESTIGATOR?
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I FOUND HER, CHLOE.
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I FOUND TRISH.
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WHAT? WHO IS TRISH?
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THE ORIGINAL BITCH
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IN APARTMENT 23. (crunches)
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(bag crinkles)
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I SAW YOU ALSO FOUND
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OUR NUT DRAWER.
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TOMMY DOYLE.
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CHLOE HIRED ME TO FIND A WOMAN
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NAMED TRISH OSBORNE.
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HEY, CHATTERBOX!
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(hits arm)
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IT'S SUPPOSED TO BE
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A PRIVATE INVESTIGATOR.
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WHEN CHLOE WAS 18,
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SHE CAME TO NEW YORK
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AND MOVED INTO APARTMENT 23
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WITH TRISH.
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(door creaks)
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HI! I'M CHLOE.
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SAVE IT. NO NAMES.
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IT'LL MAKE IT EASIER
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WHEN YOU LEAVE NEW YORK
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AND RUN BACK
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TO YOUR PARENTS' HOUSE CRYING
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BECAUSE THE CITY WAS
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TOO HARD.
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BUT HEY, AT LEAST
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THE THREE WEEKS YOU LAST HERE
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WILL GIVE YOU ENOUGH
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COCKTAIL PARTY MATERIAL
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FOR THE NEXT TEN YEARS OF YOUR
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HUSBAND'S DENTIST FUNCTIONS.
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I'M NOT RUNNING ANYWHERE.
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I'M ONLY AFRAID OF ONE THING
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IN THIS WORLD,
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AND SINCE YOU AREN'T
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STEVEN SEAGAL'S PONYTAIL,
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IT ISN'T YOU.
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CHAMPAGNE?
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OKAY.
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(Tommy) CHLOE AND TRISH
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HIT IT OFF.
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(laughs)
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HOW DID YOU KNOW
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WHEN YOU ASKED
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IF SOMEBODY HAD A TATTOO
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OF A BABY'S FACE
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THAT THEY WOULD SAY "YES"?
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'CAUSE THAT LADY WAS
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PUSHING ALL THOSE BEERS
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IN AN EMPTY STROLLER.
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SHE TAUGHT YOU
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YOUR PSYCHIC SCAM?
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THAT'S, LIKE,
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YOUR FAVORITE SCAM.
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OH, TRISH TAUGHT CHLOE A LOT,
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AND EVENTUALLY, CHLOE FELT
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SAFE ENOUGH TO SHARE HER DREAM.
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YOU LIKE A GOOD STORY,
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DON'T YOU, TOM?
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(turns on TV)
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(Nelly's "Hot in Herre"
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playing)
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WELCOME BACK TO "THE CRANK."
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LET'S CRANK THIS HELLA UP!
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(Nelly)
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♪ AND A LITTLE BIT A... ♪
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♪ UH, UH ♪
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SEE THAT?
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THAT'S WHAT I WANNA DO.
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YOU WANNA BE A DANCER
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ON "THE CRANK"?
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I REMEMBER "THE CRANK."
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I WASN'T ALLOWED TO WATCH IT
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'CAUSE MY MOM THOUGHT
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THAT I WOULD GET PREGNANT.
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NO, I DON'T WANT TO BE
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A DANCER.
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I WANNA BE THE FOOT HO.
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THE WHAT?
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THE FOOT HO IS THE GIRL
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THAT SITS AT THE HOST'S FEET,
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LOOKS FABULOUS,
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GETS ALL THE CAMERA TIME,
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AND THROWS A TON OF ATTITUDE.
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I'M GONNA UNSEAT
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THAT FOOT HO.
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QUIET! DO YOU KNOW
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WHAT TIME IT IS?!
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YOU BETTER SHUT UP, DORIS!
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YOU BETTER SHUT YOUR FACE
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AND SHUT THE WINDOW, DORIS!
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SHUT THE WINDOW, DORIS!
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SHUT IT, BITCH!
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♪♪♪
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ALL I HAD TO DO WAS
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GET AN AUDITION
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TO BE ONE OF THE CROWD DANCERS,
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AND ONCE THAT HAPPENED,
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I KNEW EXACTLY WHAT I HAD TO DO
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TO GET TO THE TOP.
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I'D HAVE TO START
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AT LEVEL ONE,
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WHICH IS WHERE ALL
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THE GARDEN BASEMENT TRASH IS,
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BUT I WOULDN'T BE THERE
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FOR LONG.
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I'D FLIRT WITH THE CAMERAMAN
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TO GET TO LEVEL TWO.
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OH, MY UNCLE TONY
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WAS A CAMERAMAN
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ON "WAKE UP INDIANAPOLIS."
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(crunches)
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(exhales deeply)
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(clenched teeth)
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TO GET OFF LEVEL TWO...
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(normal voice)
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I PLANNED TO INVENT A DANCE.
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NOTHING TOO FLAMBOYANT,
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BUT JUST ENOUGH
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TO GET THE SPOTLIGHT ON ME,
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WHICH WOULD'VE GOTTEN ME
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TO LEVEL THREE,
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AND THAT'S WHEN YOU HAVE A SHOT
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AT BECOMING THE NEW FOOT HO.
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IT'S ALL ABOUT THE ATTITUDE.
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WHAT HAPPENED? IT SOUNDS LIKE
223
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YOU HAD THIS ALL MAPPED OUT.
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SHE NEVER GOT THE AUDITION.
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OR AT LEAST SHE NEVER KNEW
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ABOUT IT.
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TRISH?
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WHEN "THE CRANK" CALLED,
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TRISH NEVER GAVE CHLOE
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THE VOICEMAIL MESSAGE.
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INSTEAD, SHE TOOK CHLOE'S
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AUDITION, GOT ON THE SHOW,
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AND WORKED HER WAY
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ALL THE WAY UP TO FOOT HO.
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BY THE TIME CHLOE FOUND OUT,
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TRISH HAD MOVED OUT
237
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AND LEFT HER OWING
238
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THREE MONTHS' RENT.
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AND THEN SHE VANISHED
240
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WHEN "THE CRANK" GOT CANCELED.
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MY FOOT HO DREAM WAS REPLACED
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BY A NEW DREAM--
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DESTROYING TRISH.
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I CAN'T BELIEVE IT.
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HOW COME YOU NEVER
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TOLD ME THIS?
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BECAUSE IT'S PRIVATE.
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WE JUST MET.
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BUT WE'VE BEEN ROOMMATES
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FOR OVER A YEAR.
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WHOA. IT SEEMS LIKE
252
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SO MUCH LONGER THAN THAT.
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NOT GETTING TRISH BACK
254
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FOR WHAT SHE DID TO ME
255
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IS MY LIFE'S ONLY REGRET.
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AND NOW I'LL GET MY REVENGE.
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I'M GONNA PUT
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MY iPod ON BLAST
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AND JAM THE EARBUDS
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INTO HER EARS
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AND BLAST OUT HER EARDRUMS.
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AND THEN I'M GONNA YELL,
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"I FOUND YOU, BITCH!"
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YOU ARE GOING TO BLOW HER
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EARDRUMS OUT?
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THAT'S THE REVENGE THAT YOU'VE
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BEEN PLOTTING FOR TEN YEARS?
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NO. AT FIRST,
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I PLANNED ON STRANGLING HER
270
00:06:07,659 --> 00:06:09,410
WITH HER JUICY SWEATPANTS.
271
00:06:09,452 --> 00:06:12,331
BUT IF SHE'S STILL
272
00:06:09,452 --> 00:06:12,331
WEARING THOSE, I'VE ALREADY WON.
273
00:06:12,371 --> 00:06:13,414
WHERE IS SHE?
274
00:06:13,456 --> 00:06:14,582
NEW JERSEY.
275
00:06:14,624 --> 00:06:16,126
SHE LET HER GUARD DOWN
276
00:06:14,624 --> 00:06:16,126
AND JOINED A GYM.
277
00:06:16,168 --> 00:06:19,046
I KNEW SHE'D GET FAT.
278
00:06:19,087 --> 00:06:20,421
AND THAT'S THE REASON
279
00:06:20,463 --> 00:06:22,507
I DON'T DRIVE
280
00:06:20,463 --> 00:06:22,507
IN THE CENTER LANE ANYMORE.
281
00:06:22,549 --> 00:06:25,635
GARY, WE CAN'T JUST
282
00:06:22,549 --> 00:06:25,635
KEEP PUTTING IT OFF.
283
00:06:25,677 --> 00:06:27,512
LET'S JUST TELL HIM
284
00:06:25,677 --> 00:06:27,512
WHAT WE NEED TO TELL HIM.
285
00:06:27,554 --> 00:06:29,223
WHAT DO YOU NEED TO TELL ME?
286
00:06:29,264 --> 00:06:32,433
WELL... (sighs)
287
00:06:32,475 --> 00:06:34,228
HONEY...
288
00:06:34,269 --> 00:06:36,938
GARY ISN'T YOUR REAL FATHER.
289
00:06:36,980 --> 00:06:38,439
WHAT?
290
00:06:38,481 --> 00:06:41,693
WE AGREED TO WAIT TO TELL YOU
291
00:06:38,481 --> 00:06:41,693
THE NEWS UNTIL YOU WERE 35.
292
00:06:41,735 --> 00:06:43,904
IT SEEMED LIKE
293
00:06:41,735 --> 00:06:43,904
THE RIGHT AGE.
294
00:06:43,945 --> 00:06:45,613
YOU'RE OUT OF YOUR 20s
295
00:06:45,655 --> 00:06:48,325
BUT STILL YOUNG ENOUGH TO BOUNCE
296
00:06:45,655 --> 00:06:48,325
BACK FROM THE LIE YOU'VE LIVED.
297
00:06:48,367 --> 00:06:49,492
I-I DON'T UNDERSTAND.
298
00:06:49,534 --> 00:06:50,952
W--
299
00:06:50,994 --> 00:06:53,163
IF YOU--IF YOU'RE NOT
300
00:06:50,994 --> 00:06:53,163
MY REAL DAD, THEN WHO IS?
301
00:06:53,205 --> 00:06:54,748
(chuckles)
302
00:06:53,205 --> 00:06:54,748
THERE'S THE QUESTION.
303
00:06:54,789 --> 00:06:57,458
(laughs) WE'RE NOT SURE EXACTLY.
304
00:06:57,500 --> 00:06:59,460
NOW WE KNOW IT WAS
305
00:06:57,500 --> 00:06:59,460
THE SUMMER OF '77...
306
00:06:57,500 --> 00:06:59,460
YEP.
307
00:06:59,502 --> 00:07:02,339
AND YOUR MOTHER WAS DOING
308
00:06:59,502 --> 00:07:02,339
SUMMER STOCK THEATER IN MAINE.
309
00:07:02,381 --> 00:07:03,631
"SEVEN BRIDES
310
00:07:02,381 --> 00:07:03,631
FOR SEVEN BROTHERS."
311
00:07:03,673 --> 00:07:06,467
AND SHE HAD A SEXUAL ENCOUNTER
312
00:07:03,673 --> 00:07:06,467
WITH ONE OF THE BROTHERS.
313
00:07:06,509 --> 00:07:08,469
MY REAL FATHER.
314
00:07:06,509 --> 00:07:08,469
YEP.
315
00:07:08,511 --> 00:07:11,765
THE ONLY PROBLEM IS, I JUST--
316
00:07:08,511 --> 00:07:11,765
I CAN'T REMEMBER WHICH BROTHER.
317
00:07:11,806 --> 00:07:13,934
BUT IT WAS THE '70s.
318
00:07:11,806 --> 00:07:13,934
IT'S ALL A BLUR.
319
00:07:13,975 --> 00:07:15,769
I DID A LOT OF PLAYS.
320
00:07:15,810 --> 00:07:17,520
AND A LOT OF DRUGS
321
00:07:15,810 --> 00:07:17,520
AND A LOT OF DUDES.
322
00:07:17,562 --> 00:07:19,356
(laughs)
323
00:07:19,398 --> 00:07:20,481
GARY, PLEASE.
324
00:07:20,523 --> 00:07:22,192
(whispering) ANYWAY.
325
00:07:20,523 --> 00:07:22,192
(clears throat)
326
00:07:22,234 --> 00:07:23,402
I, UH...
327
00:07:23,443 --> 00:07:24,861
YEAH.
328
00:07:24,903 --> 00:07:26,571
(normal voice) YOUR FATHER
329
00:07:26,613 --> 00:07:29,157
IS ONE OF THESE SEVEN MEN.
330
00:07:29,199 --> 00:07:31,659
I'M SURE THIS IS
331
00:07:29,199 --> 00:07:31,659
QUITE A SHOCK...
332
00:07:31,701 --> 00:07:32,493
(baby talk) BUT YOU ARE
333
00:07:31,701 --> 00:07:32,493
SUCH A GOOD BABY,
334
00:07:32,535 --> 00:07:33,745
AND WE LOVE YOU SO MUCH.
335
00:07:33,787 --> 00:07:35,496
(normal voice) OH, HI!
336
00:07:33,787 --> 00:07:35,496
HI. EXCUSE ME.
337
00:07:35,538 --> 00:07:37,498
YES, I ASKED YOU IF YOU COULD DO
338
00:07:35,538 --> 00:07:37,498
SOMETHING ABOUT THE TEMPERATURE,
339
00:07:37,540 --> 00:07:40,460
AND YOU SAID "YES,"
340
00:07:37,540 --> 00:07:40,460
AND I AM STILL FREEZING.
341
00:07:43,797 --> 00:07:45,090
I'M JUST SAYING,
342
00:07:43,797 --> 00:07:45,090
IT'S WEIRD.
343
00:07:45,132 --> 00:07:46,591
I THOUGHT WE WERE CLOSE,
344
00:07:46,633 --> 00:07:48,509
BUT I'M REALIZING I DON'T KNOW
345
00:07:46,633 --> 00:07:48,509
ANYTHING REAL ABOUT YOU.
346
00:07:48,551 --> 00:07:49,510
WHAT DO YOU MEAN REAL?
347
00:07:49,552 --> 00:07:51,012
WELL, LIKE THIS DREAM
348
00:07:49,552 --> 00:07:51,012
OF YOURS.
349
00:07:51,054 --> 00:07:52,806
HOW DID YOU DECIDE YOU WANTED
350
00:07:51,054 --> 00:07:52,806
TO BE A FOOT HO?
351
00:07:52,847 --> 00:07:54,099
(exhales deeply)
352
00:07:54,141 --> 00:07:57,144
HOW DID IT FEEL
353
00:07:54,141 --> 00:07:57,144
WHEN TRISH BETRAYED YOU?
354
00:07:57,185 --> 00:07:58,937
IF YOU COULD BE
355
00:07:57,185 --> 00:07:58,937
ANY FLAVOR OF ICE CREAM,
356
00:07:58,979 --> 00:08:00,563
WHAT FLAVOR WOULD YOU BE?
357
00:08:00,605 --> 00:08:02,441
I'M REGRETTING LETTING YOU
358
00:08:00,605 --> 00:08:02,441
TAKE OFF WORK, RENT A CAR,
359
00:08:02,482 --> 00:08:03,900
AND DRIVE ME TO NEW JERSEY,
360
00:08:02,482 --> 00:08:03,900
JUNE.
361
00:08:03,942 --> 00:08:05,526
I JUST WANNA FIND OUT
362
00:08:03,942 --> 00:08:05,526
MORE ABOUT YOU
363
00:08:05,568 --> 00:08:07,528
WITHOUT HAVING TO HEAR
364
00:08:05,568 --> 00:08:07,528
FROM YOUR STUPID P.I.
365
00:08:07,570 --> 00:08:08,738
FIRST OF ALL,
366
00:08:07,570 --> 00:08:08,738
TOMMY IS NOT STUPID.
367
00:08:08,780 --> 00:08:10,531
HE WENT TO SAN DIEGO STATE.
368
00:08:10,573 --> 00:08:12,409
I MEAN, YOU HAVEN'T EVEN
369
00:08:10,573 --> 00:08:12,409
GIVEN ME THE VOICEMAIL PASSWORD
370
00:08:12,451 --> 00:08:13,994
TO OUR HOME PHONE.
371
00:08:14,035 --> 00:08:17,331
WOW. THE WORKOUT STARTS
372
00:08:14,035 --> 00:08:17,331
AT THE DOOR, HUH?
373
00:08:17,372 --> 00:08:20,917
HELLO, AND WELCOME TO
374
00:08:17,372 --> 00:08:20,917
BODIES BODIES BODIES BODIES!
375
00:08:20,959 --> 00:08:24,004
I'M HEATHER. WHAT CAN I DO
376
00:08:20,959 --> 00:08:24,004
TO MAKE YOU A BETTER YOU?
377
00:08:24,045 --> 00:08:25,922
FIRST OF ALL,
378
00:08:24,045 --> 00:08:25,922
YOU CAN STOP YELLING!
379
00:08:25,964 --> 00:08:28,467
SECOND, YOU CAN HELP ME FIND
380
00:08:25,964 --> 00:08:28,467
ONE OF YOUR MEMBERS--
381
00:08:28,508 --> 00:08:31,345
A REAL SKEEZED-OUT JERK
382
00:08:28,508 --> 00:08:31,345
NAMED TRISH OSBORNE.
383
00:08:31,386 --> 00:08:33,721
ARE YOU CHLOE?
384
00:08:33,763 --> 00:08:34,639
YEAH.
385
00:08:34,681 --> 00:08:36,183
WHEN TRISH SIGNED UP
386
00:08:34,681 --> 00:08:36,183
FOR A MEMBERSHIP,
387
00:08:36,224 --> 00:08:39,560
SHE SAID A WOMAN NAMED CHLOE
388
00:08:36,224 --> 00:08:39,560
WOULD COME LOOKING FOR HER.
389
00:08:39,602 --> 00:08:41,438
SAID YOU'D CALL HER
390
00:08:39,602 --> 00:08:41,438
A "SKEEZED-OUT JERK," TOO.
391
00:08:41,480 --> 00:08:42,981
WHERE IS SHE?
392
00:08:41,480 --> 00:08:42,981
IS SHE IN THE LOCKER ROOM?
393
00:08:43,023 --> 00:08:45,566
I'M GONNA TRAP HER IN THE SAUNA
394
00:08:43,023 --> 00:08:45,566
AND BLAST OUT HER EARDRUMS.
395
00:08:45,608 --> 00:08:46,943
TRISH IS DEAD.
396
00:08:46,985 --> 00:08:48,569
(speed metal song playing)
397
00:08:48,611 --> 00:08:51,365
AAH! AAH! UGH!
398
00:08:51,406 --> 00:08:53,574
I WANTED TO HEAR WHAT SONG
399
00:08:51,406 --> 00:08:53,574
YOU WERE GONNA PLAY.
400
00:08:53,616 --> 00:08:55,576
YOU NEVER TELL ME ANYTHING!
401
00:08:55,618 --> 00:08:56,536
(door slams)
402
00:09:01,624 --> 00:09:03,084
THAT HOOKER DIED?
403
00:09:03,126 --> 00:09:05,253
TRISH DID PASS, YES.
404
00:09:05,295 --> 00:09:08,382
SHE KNEW SHE WAS SICK WHEN SHE
405
00:09:05,295 --> 00:09:08,382
CAME IN AND REFUSED THE TOUR.
406
00:09:08,423 --> 00:09:09,757
SHE WAS ONLY JOINING
407
00:09:08,423 --> 00:09:09,757
TO GET ON THE GRID
408
00:09:09,799 --> 00:09:12,219
BECAUSE SHE KNEW YOU WERE
409
00:09:09,799 --> 00:09:12,219
LOOKING FOR HER.
410
00:09:12,260 --> 00:09:14,637
HOW AM I SUPPOSED TO
411
00:09:12,260 --> 00:09:14,637
GET REVENGE ON A DEAD LADY?
412
00:09:16,681 --> 00:09:18,558
SHE WANTED US
413
00:09:16,681 --> 00:09:18,558
TO GIVE YOU THIS.
414
00:09:20,560 --> 00:09:21,686
(grunts)
415
00:09:24,689 --> 00:09:27,067
OH.
416
00:09:27,108 --> 00:09:29,610
(gasps)
417
00:09:27,108 --> 00:09:29,610
IS THAT AN OPIUM PIPE?
418
00:09:27,108 --> 00:09:29,610
I SAW ONE ON THE NEWS ONCE.
419
00:09:29,652 --> 00:09:31,238
IT'S THE "CRANK" CRANK.
420
00:09:31,279 --> 00:09:32,822
ONLY THE HOST AND THE FOOT HO
421
00:09:31,279 --> 00:09:32,822
HAD ONE.
422
00:09:32,864 --> 00:09:34,824
IT WAS THE KEY TO GET INTO
423
00:09:32,864 --> 00:09:34,824
THE TOP LEVEL OF THE SHOW.
424
00:09:34,866 --> 00:09:37,202
TRISH LEFT THIS HERE
425
00:09:34,866 --> 00:09:37,202
TO RUB IT IN MY FACE
426
00:09:37,244 --> 00:09:41,456
THAT SHE GOT UP THERE
427
00:09:37,244 --> 00:09:41,456
AND I NEVER DID!
428
00:09:41,498 --> 00:09:42,707
HOW DID SHE LOOK
429
00:09:41,498 --> 00:09:42,707
WHEN SHE CAME IN?
430
00:09:42,749 --> 00:09:44,209
THE CANCER MADE HER THIN.
431
00:09:44,251 --> 00:09:45,710
DAMN IT!
432
00:09:49,548 --> 00:09:51,550
(slurping)
433
00:09:49,548 --> 00:09:51,550
I MEAN, IT'S TOUGH
434
00:09:49,548 --> 00:09:51,550
BECAUSE GARY'S SO GREAT.
435
00:09:51,591 --> 00:09:54,677
BUT NOW THERE'S A CHANCE THAT
436
00:09:51,591 --> 00:09:54,677
MY DAD HAD SOME ACTUAL TALENT.
437
00:09:54,719 --> 00:09:56,012
(stops slurping)
438
00:09:54,719 --> 00:09:56,012
IS GARY GREAT?
439
00:09:56,054 --> 00:09:57,805
I WOULDN'T KNOW
440
00:09:56,054 --> 00:09:57,805
SINCE I'VE NEVER MET HIM.
441
00:09:57,847 --> 00:09:59,057
OR YOUR MOTHER.
442
00:09:59,099 --> 00:10:01,684
BOTH GREAT.
443
00:09:59,099 --> 00:10:01,684
OH. GOOD.
444
00:10:01,726 --> 00:10:03,311
ELI'S MET THEM.
445
00:10:03,353 --> 00:10:05,688
(sighs)
446
00:10:03,353 --> 00:10:05,688
I DON'T KNOW WHY
447
00:10:03,353 --> 00:10:05,688
YOU REFUSE TO INTRODUCE US.
448
00:10:05,730 --> 00:10:07,941
I INVITED YOU TO DINNER
449
00:10:05,730 --> 00:10:07,941
WITH MY FAMILY.
450
00:10:07,982 --> 00:10:11,319
(traditional Chinese music
451
00:10:07,982 --> 00:10:11,319
playing)
452
00:10:11,361 --> 00:10:13,947
IS HE EVEN COMING?
453
00:10:13,988 --> 00:10:16,533
I'M GONNA ORDER.
454
00:10:13,988 --> 00:10:16,533
YOUR FATHER IS STARVING.
455
00:10:16,575 --> 00:10:17,658
DON'T YOU DARE, PATRICE!
456
00:10:17,700 --> 00:10:19,494
(sighs and chuckles)
457
00:10:19,536 --> 00:10:21,746
HE WILL BE HERE ANY MINUTE.
458
00:10:19,536 --> 00:10:21,746
(chuckles)
459
00:10:21,788 --> 00:10:23,664
(mouths word) I'M GONNA
460
00:10:21,788 --> 00:10:23,664
SEND HIM A TEXT.
461
00:10:23,706 --> 00:10:25,375
(chuckles)
462
00:10:23,706 --> 00:10:25,375
(clicking)
463
00:10:25,417 --> 00:10:27,168
(cell phone alert chimes)
464
00:10:30,004 --> 00:10:32,132
(clicking)
465
00:10:32,173 --> 00:10:33,633
(bloop)
466
00:10:36,719 --> 00:10:40,098
IN MY DEFENSE,
467
00:10:36,719 --> 00:10:40,098
I WAS SUPER-DUPER SLEEPY.
468
00:10:40,140 --> 00:10:41,682
ALL RIGHT.
469
00:10:41,724 --> 00:10:44,519
MOM SAYS MY DAD IS ONE
470
00:10:41,724 --> 00:10:44,519
OF THESE SEVEN TALENTS.
471
00:10:44,561 --> 00:10:45,686
GAY AND GAY.
472
00:10:45,728 --> 00:10:47,730
(click)
473
00:10:47,772 --> 00:10:49,941
MY DAD IS ONE OF
474
00:10:47,772 --> 00:10:49,941
THESE FIVE TALENTS.
475
00:10:49,983 --> 00:10:52,944
JAMES, I'M SORRY. I'D BE MORE
476
00:10:49,983 --> 00:10:52,944
INTERESTED IN YOUR DAD THING
477
00:10:52,986 --> 00:10:54,488
IF EVERY TIME I CLOSED MY EYES,
478
00:10:54,529 --> 00:10:56,906
I DIDN'T SEE TRISH
479
00:10:54,529 --> 00:10:56,906
FLIPPING ME OFF FROM THE GRAVE.
480
00:10:56,948 --> 00:10:58,533
SOMETIMES I SEE
481
00:10:56,948 --> 00:10:58,533
THE GHOST OF DORIS,
482
00:10:58,575 --> 00:11:00,785
THE OLD LADY
483
00:10:58,575 --> 00:11:00,785
WHO DIED IN MY TUB.
484
00:11:00,827 --> 00:11:02,203
I ALSO FOUND A PURSE
485
00:11:00,827 --> 00:11:02,203
WITH HER S.A.G. CARD
486
00:11:02,245 --> 00:11:04,789
AND $14 TAPED BEHIND THE TOILET.
487
00:11:04,831 --> 00:11:08,751
CHLOE, YOU GOTTA LET
488
00:11:04,831 --> 00:11:08,751
THE TRISH THING GO. SHE'S DEAD.
489
00:11:08,793 --> 00:11:10,420
EXACTLY.
490
00:11:10,462 --> 00:11:13,798
I'VE BEEN SEARCHING FOR HER
491
00:11:10,462 --> 00:11:13,798
FOR TEN YEARS, AND SHE'S DEAD.
492
00:11:13,840 --> 00:11:15,925
I'LL NEVER GET MY REVENGE.
493
00:11:15,967 --> 00:11:17,802
IT'S OVER.
494
00:11:17,844 --> 00:11:18,886
(slurping)
495
00:11:18,928 --> 00:11:21,722
HE WAS HIDING
496
00:11:18,928 --> 00:11:21,722
BUT I SEE HIM NOW. GAY.
497
00:11:21,764 --> 00:11:22,932
OH.
498
00:11:21,764 --> 00:11:22,932
(clicks pen)
499
00:11:22,974 --> 00:11:24,351
(slurps)
500
00:11:24,392 --> 00:11:25,810
(elevator bell dings)
501
00:11:25,852 --> 00:11:27,562
HEY!
502
00:11:25,852 --> 00:11:27,562
WHAT ARE YOU DOING HERE?
503
00:11:27,604 --> 00:11:29,147
I THOUGHT WE WERE GOING
504
00:11:27,604 --> 00:11:29,147
TO THE MOVIES.
505
00:11:29,189 --> 00:11:31,732
I TEXTED YOU THAT I BOUGHT
506
00:11:29,189 --> 00:11:31,732
TICKETS TO THE EARLY SHOW.
507
00:11:31,774 --> 00:11:33,443
THAT ISN'T
508
00:11:31,774 --> 00:11:33,443
WHAT YOUR TEXT SAID.
509
00:11:37,572 --> 00:11:38,739
OH! (laughs)
510
00:11:38,781 --> 00:11:40,534
I-I'VE BEEN
511
00:11:38,781 --> 00:11:40,534
SPEAKING MY TEXTS LATELY.
512
00:11:40,575 --> 00:11:42,536
WELL, I LEFT YOU A MESSAGE
513
00:11:40,575 --> 00:11:42,536
AT HOME, TOO.
514
00:11:42,577 --> 00:11:44,954
OH. I DON'T HAVE ACCESS
515
00:11:42,577 --> 00:11:44,954
TO THAT VOICEMAIL
516
00:11:44,996 --> 00:11:46,414
'CAUSE CHLOE WON'T GIVE ME
517
00:11:44,996 --> 00:11:46,414
THE CODE.
518
00:11:46,456 --> 00:11:48,749
SHE WON'T TELL ME ANYTHING
519
00:11:46,456 --> 00:11:48,749
SHE CARES ABOUT.
520
00:11:48,791 --> 00:11:50,043
SHE MIGHT JUST BE
521
00:11:48,791 --> 00:11:50,043
A PRIVATE PERSON.
522
00:11:50,084 --> 00:11:52,379
I MEAN, I WAS LIKE THAT
523
00:11:50,084 --> 00:11:52,379
WHEN WE FIRST MET.
524
00:11:52,420 --> 00:11:53,547
THE FIRST DAY
525
00:11:52,420 --> 00:11:53,547
WE WORKED TOGETHER,
526
00:11:53,588 --> 00:11:54,755
YOU TOLD ME YOU BONED DOWN
527
00:11:53,588 --> 00:11:54,755
ON YOUR COUSIN
528
00:11:54,797 --> 00:11:56,924
'CAUSE YOU DIDN'T WANT
529
00:11:54,797 --> 00:11:56,924
TO GO TO COLLEGE A VIRGIN.
530
00:11:56,966 --> 00:11:58,801
VANESSA! (laughs)
531
00:11:58,843 --> 00:12:01,221
I WONDER IF SHE'LL BE
532
00:11:58,843 --> 00:12:01,221
AT THANKSGIVING THIS YEAR.
533
00:12:01,262 --> 00:12:05,766
MAYBE I JUST HAVE TO ACCEPT THAT
534
00:12:01,262 --> 00:12:05,766
CHLOE WILL NEVER OPEN UP TO ME.
535
00:12:05,808 --> 00:12:08,269
MAYBE I JUST HAVE TO
536
00:12:05,808 --> 00:12:08,269
LET THIS ONE GO.
537
00:12:08,311 --> 00:12:11,189
(snoring)
538
00:12:08,311 --> 00:12:11,189
(angelic music playing)
539
00:12:11,231 --> 00:12:12,607
(whoosh)
540
00:12:13,732 --> 00:12:15,694
(gasps)
541
00:12:15,734 --> 00:12:16,819
CHARO?
542
00:12:16,861 --> 00:12:17,862
SI.
543
00:12:17,904 --> 00:12:19,780
WHAT'S HAPPENING?
544
00:12:19,822 --> 00:12:20,990
AM I DEAD?
545
00:12:21,032 --> 00:12:22,576
NO, YOU ARE DREAMING.
546
00:12:22,617 --> 00:12:24,785
WELCOME TO YOUR DREAMS!
547
00:12:24,827 --> 00:12:26,204
(exhales)
548
00:12:24,827 --> 00:12:26,204
WHAT ARE YOU DOING HERE?
549
00:12:26,246 --> 00:12:27,706
I'M HERE FOR YOU.
550
00:12:27,746 --> 00:12:31,376
IF YOU HAVE ANXIETY, QUESTIONS,
551
00:12:27,746 --> 00:12:31,376
YOU TALK TO CHARO.
552
00:12:31,418 --> 00:12:34,879
I'M YOUR
553
00:12:31,418 --> 00:12:34,879
TEACHER-MOTHER-FATHER-MENTOR.
554
00:12:34,921 --> 00:12:37,882
♪♪♪
555
00:12:37,924 --> 00:12:40,801
MOST PEOPLE DON'T GET
556
00:12:37,924 --> 00:12:40,801
A SECOND CHANCE.
557
00:12:40,843 --> 00:12:42,887
SECOND CHANCE AT WHAT?
558
00:12:42,929 --> 00:12:44,180
♪ OH! ♪
559
00:12:44,222 --> 00:12:46,807
("Hot in Herre" playing)
560
00:12:46,849 --> 00:12:49,810
(man, amplified voice)
561
00:12:46,849 --> 00:12:49,810
LET'S CRANK IT UP!
562
00:12:49,852 --> 00:12:51,062
♪ WITH A LITTLE BIT A... ♪
563
00:12:49,852 --> 00:12:51,062
(door slams)
564
00:12:55,525 --> 00:12:58,819
♪♪♪
565
00:12:58,861 --> 00:13:00,739
♪ WITH A LITTLE BIT A... ♪
566
00:12:58,861 --> 00:13:00,739
♪ UH, UH ♪
567
00:13:00,779 --> 00:13:03,116
♪ AND A LITTLE BIT A... ♪
568
00:13:00,779 --> 00:13:03,116
♪ UH, UH ♪
569
00:13:06,286 --> 00:13:08,121
I'M ON "THE CRANK"?
570
00:13:08,162 --> 00:13:09,830
BUT THIS SHOW GOT CANCELED.
571
00:13:09,872 --> 00:13:11,499
NOT IN YOUR DREAMS, SLUT.
572
00:13:11,541 --> 00:13:12,709
♪ ALL RIGHT ♪
573
00:13:12,751 --> 00:13:15,044
LUTHER?
574
00:13:12,751 --> 00:13:15,044
WHAT ARE YOU DOING HERE?
575
00:13:15,086 --> 00:13:16,837
I'M HERE BECAUSE
576
00:13:15,086 --> 00:13:16,837
YOU WANT ME HERE.
577
00:13:16,879 --> 00:13:18,839
SAME GOES
578
00:13:16,879 --> 00:13:18,839
FOR EVERYONE YOU SEE.
579
00:13:18,881 --> 00:13:22,302
WE ARE IN YOUR DREAM
580
00:13:18,881 --> 00:13:22,302
BECAUSE YOU WANT US TO BE.
581
00:13:22,343 --> 00:13:24,554
OOH!
582
00:13:24,596 --> 00:13:27,848
OW! OW! OW!
583
00:13:24,596 --> 00:13:27,848
(snapping fingers)
584
00:13:27,890 --> 00:13:30,644
♪ PENTHOUSE, ROOFTOP,
585
00:13:27,890 --> 00:13:30,644
BIRDS I'M FEEDIN' ♪
586
00:13:30,685 --> 00:13:32,771
(gasps)
587
00:13:30,685 --> 00:13:32,771
♪ NO DECEIVIN',
588
00:13:30,685 --> 00:13:32,771
NOTHIN' UP MY SLEEVIN' ♪
589
00:13:32,811 --> 00:13:34,063
TRISH.
590
00:13:34,105 --> 00:13:36,691
♪ I NEED YOU TO GET UP UP
591
00:13:34,105 --> 00:13:36,691
ON THE DANCE FLOOR ♪
592
00:13:36,733 --> 00:13:37,900
♪ GIVE THAT MAN WHAT-- ♪
593
00:13:37,942 --> 00:13:39,235
SECOND CHANCE!
594
00:13:39,277 --> 00:13:42,739
THIS IS MY CHANCE
595
00:13:39,277 --> 00:13:42,739
AT GETTING REVENGE ON TRISH!
596
00:13:42,781 --> 00:13:44,907
SHE TRIED TO DIE ON ME,
597
00:13:42,781 --> 00:13:44,907
BUT I FOUND HER.
598
00:13:44,949 --> 00:13:46,743
AND NOW I'M GONNA
599
00:13:44,949 --> 00:13:46,743
GET UP THERE
600
00:13:46,785 --> 00:13:48,869
AND I'M GONNA
601
00:13:46,785 --> 00:13:48,869
BLOW HER DRUMS OUT.
602
00:13:48,911 --> 00:13:51,872
ONLY YOU KNOW
603
00:13:48,911 --> 00:13:51,872
WHY YOU ARE HERE.
604
00:13:51,914 --> 00:13:55,918
(playing "Malagueña")
605
00:13:58,797 --> 00:14:02,967
THAT WAS THE MOST AMAZING
606
00:13:58,797 --> 00:14:02,967
17 MINUTES OF MY LIFE, CHARO.
607
00:14:03,009 --> 00:14:05,886
BUT OF COURSE. I'M CHARO!
608
00:14:05,928 --> 00:14:06,929
I NEED TO GET AWAY
609
00:14:06,971 --> 00:14:09,516
FROM THIS GARDEN BASEMENT TRASH
610
00:14:06,971 --> 00:14:09,516
ON LEVEL ONE.
611
00:14:09,557 --> 00:14:12,059
I NEED TO FLIRT
612
00:14:09,557 --> 00:14:12,059
WITH A CAMERAMAN.
613
00:14:12,101 --> 00:14:15,104
(dance music playing)
614
00:14:24,823 --> 00:14:25,906
HEY! WHAT'S GOING ON?
615
00:14:24,823 --> 00:14:25,906
UHH!
616
00:14:25,948 --> 00:14:28,159
WE GETTIN' OUR SWERVE ON?
617
00:14:25,948 --> 00:14:28,159
GET OUTTA HERE!
618
00:14:28,201 --> 00:14:29,910
SO THIS IS "THE CRANK," HUH?
619
00:14:29,952 --> 00:14:32,747
I DON'T KNOW WHAT
620
00:14:29,952 --> 00:14:32,747
MY MOM WAS SO AFRAID OF.
621
00:14:32,789 --> 00:14:34,415
WHAT ABOUT YOU, CHLOE?
622
00:14:32,789 --> 00:14:34,415
WHAT WERE YOU AFRAID OF?
623
00:14:34,457 --> 00:14:36,125
LIKE WHEN YOU WERE A KID
624
00:14:34,457 --> 00:14:36,125
AND STUFF.
625
00:14:36,167 --> 00:14:37,210
WHY DON'T YOU
626
00:14:36,167 --> 00:14:37,210
SHOOT ME AN E-MAIL?
627
00:14:37,251 --> 00:14:38,712
I'M ACTUALLY IN A MEETING
628
00:14:37,251 --> 00:14:38,712
RIGHT NOW.
629
00:14:38,753 --> 00:14:39,962
HEY, BLACK HAIR.
630
00:14:40,004 --> 00:14:42,131
YOU LOOK GOOD ON CAMERA.
631
00:14:40,004 --> 00:14:42,131
THEY WANT YOU UP ON LEVEL TWO.
632
00:14:42,173 --> 00:14:44,801
(blows kiss)
633
00:14:47,970 --> 00:14:50,724
♪♪♪
634
00:14:50,765 --> 00:14:53,351
DID YOU HAVE FUN PAYING
635
00:14:50,765 --> 00:14:53,351
SIX MONTHS OF MY PHONE BILL?
636
00:14:53,393 --> 00:14:54,769
DID YOU HAVE FUN
637
00:14:53,393 --> 00:14:54,769
GIVING THE CLAP
638
00:14:54,811 --> 00:14:57,731
TO THE ENTIRE BACKROOM STAFF
639
00:14:54,811 --> 00:14:57,731
OF THE NEW YORK RANGERS?
640
00:14:57,772 --> 00:14:59,940
♪♪♪
641
00:14:59,982 --> 00:15:01,942
TO GET TO LEVEL THREE,
642
00:14:59,982 --> 00:15:01,942
I NEED TO INVENT A DANCE.
643
00:15:01,984 --> 00:15:03,528
HAVE YOU INVENTED
644
00:15:01,984 --> 00:15:03,528
A LOT OF THINGS?
645
00:15:03,570 --> 00:15:05,864
I WANT TO INVENT A LINE
646
00:15:03,570 --> 00:15:05,864
OF HAIR EXTENSIONS CALLED
647
00:15:05,905 --> 00:15:07,407
"BEWEAVE IT OR NOT."
648
00:15:07,448 --> 00:15:09,033
HOW DID YOU GET UP HERE?
649
00:15:09,075 --> 00:15:11,661
MM. IT'S YOUR DREAM.
650
00:15:09,075 --> 00:15:11,661
YOU OBVIOUSLY WANT ME HERE.
651
00:15:11,703 --> 00:15:13,663
I DON'T WANT HER HERE, CHARO!
652
00:15:13,705 --> 00:15:15,248
OR DO YOU?
653
00:15:15,289 --> 00:15:17,417
WHAT DOES THAT MEAN?
654
00:15:17,458 --> 00:15:19,586
♪♪♪
655
00:15:19,627 --> 00:15:20,795
JAMES?
656
00:15:20,837 --> 00:15:22,129
WHAT ARE YOU DOING HERE?
657
00:15:22,171 --> 00:15:24,131
I'M LOOKING FOR
658
00:15:22,171 --> 00:15:24,131
MY REAL FATHER.
659
00:15:24,173 --> 00:15:25,884
HE'S HERE SOMEWHERE,
660
00:15:24,173 --> 00:15:25,884
I KNOW IT.
661
00:15:29,053 --> 00:15:32,014
WHAT THE MOTHER?!
662
00:15:29,053 --> 00:15:32,014
HOW MANY LUTHERS ARE IN HERE?
663
00:15:32,056 --> 00:15:33,015
(Luthers) NOT ENOUGH, JACKSON.
664
00:15:33,057 --> 00:15:35,435
(giggling)
665
00:15:35,476 --> 00:15:37,978
I DON'T HAVE TIME FOR THIS.
666
00:15:35,476 --> 00:15:37,978
I NEED TO GET TO LEVEL THREE.
667
00:15:38,020 --> 00:15:40,189
I NEED TO INVENT A DANCE.
668
00:15:40,231 --> 00:15:43,317
♪♪♪
669
00:15:48,114 --> 00:15:49,616
CHLOE, WHAT ARE YOU DOING?
670
00:15:49,657 --> 00:15:51,075
WE CAN GO UP.
671
00:15:49,657 --> 00:15:51,075
YOU'RE WITH ME.
672
00:15:51,117 --> 00:15:52,702
CELEBRITIES GET
673
00:15:51,117 --> 00:15:52,702
PREFERENTIAL TREATMENT,
674
00:15:52,744 --> 00:15:53,994
EVEN IN DREAMS.
675
00:15:54,036 --> 00:15:55,872
OH.
676
00:15:55,914 --> 00:15:57,582
(Luthers) IS THIS RIGHT, CHLOE?
677
00:15:57,624 --> 00:15:59,584
(laughs)
678
00:15:59,626 --> 00:16:01,001
LORD, HAVE MERCY.
679
00:16:01,043 --> 00:16:04,213
UP YOURS, LUTHERS!
680
00:16:04,255 --> 00:16:07,007
♪♪♪
681
00:16:07,049 --> 00:16:08,927
I'M RIGHT BEHIND YOU, TRISH.
682
00:16:08,968 --> 00:16:11,011
I CAN SMELL YOUR
683
00:16:08,968 --> 00:16:11,011
MENTHOL CIGARETTES FROM HERE.
684
00:16:11,053 --> 00:16:12,513
I QUIT SMOKING.
685
00:16:12,555 --> 00:16:16,726
DYING FROM LUNG CANCER ISN'T
686
00:16:12,555 --> 00:16:16,726
THE SAME AS QUITTING, HONEY.
687
00:16:16,768 --> 00:16:19,938
MY DAD MUST BE ON THE TOP LEVEL
688
00:16:16,768 --> 00:16:19,938
BECAUSE HE'S THE BEST.
689
00:16:19,979 --> 00:16:21,021
HOW DO I GET UP THERE?
690
00:16:21,063 --> 00:16:22,482
THERE ARE NO BOUNCERS
691
00:16:21,063 --> 00:16:22,482
FOR ME TO CELEBRIFY.
692
00:16:22,523 --> 00:16:24,859
THE ONLY WAY TO GET TO THE HOST
693
00:16:22,523 --> 00:16:24,859
LEVEL IS TO THROW ATTITUDE.
694
00:16:24,901 --> 00:16:26,402
YOU HAVE TO ACT LIKE
695
00:16:24,901 --> 00:16:26,402
YOU DON'T CARE BUT WANT IT
696
00:16:26,444 --> 00:16:27,528
AT THE SAME TIME.
697
00:16:27,570 --> 00:16:29,948
THAT IS NOT ACCURATE.
698
00:16:29,989 --> 00:16:32,659
WE'VE MADE IT MORE CHALLENGING
699
00:16:29,989 --> 00:16:32,659
TO GET UP TO THE FINAL LEVEL.
700
00:16:32,700 --> 00:16:35,870
CHLOE, YOU AND JUNE
701
00:16:32,700 --> 00:16:35,870
WILL BE COMPETING
702
00:16:35,912 --> 00:16:38,665
IN A "HOW WELL DO YOU KNOW
703
00:16:35,912 --> 00:16:38,665
YOUR ROOMMATE?" GAME?
704
00:16:38,706 --> 00:16:42,042
PLEASE WELCOME OUR JUDGES--
705
00:16:42,084 --> 00:16:46,923
ELI, HEATHER FROM THE GYM,
706
00:16:42,084 --> 00:16:46,923
AND OLD DEAD DORIS!
707
00:16:46,965 --> 00:16:48,132
(coughs)
708
00:16:48,174 --> 00:16:51,427
THEY WILL DECIDE IF YOU GET
709
00:16:48,174 --> 00:16:51,427
TO MOVE UP TO THE HOST LEVEL
710
00:16:51,469 --> 00:16:53,888
BASED ON HOW WELL
711
00:16:51,469 --> 00:16:53,888
YOU KNOW EACH OTHER.
712
00:16:53,930 --> 00:16:55,849
AND YOU BOTH
713
00:16:53,930 --> 00:16:55,849
MUST ANSWER CORRECTLY
714
00:16:55,890 --> 00:16:57,934
OR YOUR JOURNEY STOPS HERE.
715
00:16:59,101 --> 00:17:02,438
UH, WEIRD, BUT OKAY.
716
00:17:02,480 --> 00:17:03,982
LET'S BEGIN.
717
00:17:04,023 --> 00:17:07,151
WHO WAS
718
00:17:04,023 --> 00:17:07,151
YOUR ROOMMATE'S FIRST KISS?
719
00:17:10,112 --> 00:17:11,948
CHLOE, THAT IS CORRECT!
720
00:17:11,990 --> 00:17:15,075
JUNE, I'M AFRAID "NO IDEA!"
721
00:17:11,990 --> 00:17:15,075
IS INCORRECT.
722
00:17:15,117 --> 00:17:16,953
SECOND QUESTION--
723
00:17:16,995 --> 00:17:19,831
WHAT WAS THE NAME OF
724
00:17:16,995 --> 00:17:19,831
YOUR ROOMMATE'S FIRST PET?
725
00:17:21,791 --> 00:17:22,959
ANSWERS PLEASE.
726
00:17:24,126 --> 00:17:25,127
THAT'S CORRECT, CHLOE!
727
00:17:25,169 --> 00:17:28,673
JUNE--AGAIN, TERRIBLE!
728
00:17:28,715 --> 00:17:29,590
TERRIBLE, JUNE!
729
00:17:29,632 --> 00:17:31,718
AND NOW OUR FINAL QUESTION--
730
00:17:31,759 --> 00:17:33,302
IF YOUR ROOMMATE WAS
731
00:17:31,759 --> 00:17:33,302
AN ICE CREAM,
732
00:17:33,344 --> 00:17:36,514
WHAT KIND OF ICE CREAM
733
00:17:33,344 --> 00:17:36,514
WOULD SHE BE?
734
00:17:40,059 --> 00:17:41,143
WHAT IS JUNE'S PROBLEM?
735
00:17:41,185 --> 00:17:43,730
SHE'S TRYING TO STOP ME
736
00:17:41,185 --> 00:17:43,730
FROM GETTING TO THE TOP,
737
00:17:43,771 --> 00:17:45,147
THE SAME WAY THAT TRISH DID!
738
00:17:45,189 --> 00:17:46,983
IS THIS TRUE?
739
00:17:45,189 --> 00:17:46,983
YES!
740
00:17:47,025 --> 00:17:48,150
SHE SUCKS AT THIS GAME.
741
00:17:48,192 --> 00:17:49,318
SHE DOESN'T KNOW ANYTHING
742
00:17:48,192 --> 00:17:49,318
ABOUT ME.
743
00:17:49,360 --> 00:17:51,111
AND WHY IS THAT?
744
00:17:49,360 --> 00:17:51,111
BECAUSE I DON'T
745
00:17:49,360 --> 00:17:51,111
TELL HER ANYTHING.
746
00:17:51,153 --> 00:17:53,614
AND WHY IS THAT?
747
00:17:51,153 --> 00:17:53,614
BECAUSE...
748
00:17:53,656 --> 00:17:57,117
(sighs deeply)
749
00:17:53,656 --> 00:17:57,117
BECAUSE I DON'T TRUST HER.
750
00:17:57,159 --> 00:17:58,828
(speaking Spanish)
751
00:17:58,870 --> 00:18:00,747
CHARO!
752
00:17:58,870 --> 00:18:00,747
¿QUE? ¿QUE? ¿QUE? ¿QUE? ¿QUE?
753
00:18:00,788 --> 00:18:02,122
I KNOW YOU SPEAK
754
00:18:00,788 --> 00:18:02,122
FIVE LANGUAGES,
755
00:18:02,164 --> 00:18:04,124
BUT WE SPEAK ENGLISH
756
00:18:02,164 --> 00:18:04,124
IN MY DREAMS.
757
00:18:04,166 --> 00:18:06,961
WHY DON'T YOU TRUST YUNE?
758
00:18:07,003 --> 00:18:09,964
I DON'T KNOW. I GUESS
759
00:18:07,003 --> 00:18:09,964
EVER SINCE TRISH BURNED ME, I--
760
00:18:10,006 --> 00:18:11,424
YUNE IS NOT TRISH.
761
00:18:12,759 --> 00:18:14,761
NO, SHE'S NOT.
762
00:18:14,802 --> 00:18:17,346
YOU CAN TRUST ME, CHLOE.
763
00:18:18,598 --> 00:18:20,140
IT'S THE "CRANK" CRANK.
764
00:18:20,182 --> 00:18:22,685
THIS WILL GET US
765
00:18:20,182 --> 00:18:22,685
TO THE TOP LEVEL.
766
00:18:26,439 --> 00:18:29,650
♪♪♪
767
00:18:29,692 --> 00:18:31,151
YOU NEED TO GO UP THERE.
768
00:18:31,193 --> 00:18:32,862
YOUR FATHER'S UP THERE.
769
00:18:32,904 --> 00:18:34,030
ARE YOU SURE?
770
00:18:34,072 --> 00:18:36,032
IT'S MY DREAM.
771
00:18:41,203 --> 00:18:45,165
(gears clicking)
772
00:18:45,207 --> 00:18:46,918
(clank)
773
00:18:49,295 --> 00:18:51,005
AREN'T YOU GONNA
774
00:18:49,295 --> 00:18:51,005
GO UP THERE, TOO?
775
00:18:51,047 --> 00:18:52,172
WHAT ABOUT TRISH?
776
00:18:52,214 --> 00:18:53,340
ISN'T THAT THE POINT
777
00:18:52,214 --> 00:18:53,340
OF YOUR DREAM?
778
00:18:53,382 --> 00:18:55,342
NO. IT'S NOT.
779
00:18:55,384 --> 00:18:58,178
COME ON, LET'S GO SEE IF CHARO
780
00:18:55,384 --> 00:18:58,178
IS STILL IN THE WHITE ROOM.
781
00:18:58,220 --> 00:19:00,640
YOU SHOULD HEAR HER SAY "JUNE."
782
00:18:58,220 --> 00:19:00,640
IT'S HILARIOUS.
783
00:19:00,681 --> 00:19:02,224
YUNE.
784
00:19:02,266 --> 00:19:03,893
♪♪♪
785
00:19:03,935 --> 00:19:06,186
HEY! WHERE ARE YOU GOING?
786
00:19:06,228 --> 00:19:07,647
(boom)
787
00:19:07,688 --> 00:19:11,025
YOU'VE COME SO FAR.
788
00:19:07,688 --> 00:19:11,025
NOW YOU'RE JUST GONNA WALK AWAY?
789
00:19:11,067 --> 00:19:13,778
HEY, JUNE, WHAT'S WORSE
790
00:19:11,067 --> 00:19:13,778
THAN A FOOT HO?
791
00:19:13,820 --> 00:19:14,904
A DEAD FOOT HO?
792
00:19:14,946 --> 00:19:16,823
YOU KNOW IT.
793
00:19:18,240 --> 00:19:19,408
UGH!
794
00:19:20,743 --> 00:19:23,537
(Chloe) I THINK YOU LUTHERS
795
00:19:20,743 --> 00:19:23,537
WILL LIKE THIS SONG.
796
00:19:27,249 --> 00:19:29,418
(speed metal song playing)
797
00:19:27,249 --> 00:19:29,418
(Luthers scream)
798
00:19:29,460 --> 00:19:31,838
(Luther) WHAT THE HELL?!
799
00:19:38,260 --> 00:19:39,303
DADDY?
800
00:19:44,266 --> 00:19:46,393
RICHARD DEAN ANDERSON?
801
00:19:46,435 --> 00:19:47,520
MY DAD IS MacGYVER?
802
00:19:47,561 --> 00:19:48,688
HELLO, SON.
803
00:19:48,729 --> 00:19:50,272
OR SHOULD I SAY,
804
00:19:50,314 --> 00:19:53,192
HELLO,
805
00:19:50,314 --> 00:19:53,192
JAMES VAN DER DEAN ANDERSON?
806
00:19:54,276 --> 00:19:56,236
(laughs)
807
00:19:56,278 --> 00:19:59,115
HEY, DAD...
808
00:19:59,157 --> 00:20:00,449
DO YOU WANNA
809
00:19:59,157 --> 00:20:00,449
DEFUSE THIS BOMB WITH ME?
810
00:20:00,491 --> 00:20:02,242
(rapid beeping)
811
00:20:02,284 --> 00:20:04,453
(gasps)
812
00:20:04,495 --> 00:20:06,039
WHOA.
813
00:20:06,080 --> 00:20:09,458
I JUST HAD THE STRANGEST DREAM.
814
00:20:09,500 --> 00:20:11,085
YOU WERE THERE,
815
00:20:11,127 --> 00:20:12,837
AND YOU WERE THERE,
816
00:20:12,879 --> 00:20:14,714
AND YOU WERE THERE,
817
00:20:14,755 --> 00:20:16,298
AND YOU...
818
00:20:16,340 --> 00:20:17,717
NEED TO MOVE SO I CAN SEE ELI,
819
00:20:17,758 --> 00:20:21,220
BECAUSE, ELI,
820
00:20:17,758 --> 00:20:21,220
YOU WERE THERE, TOO.
821
00:20:22,722 --> 00:20:24,724
MacGYVER IS YOUR FATHER.
822
00:20:22,722 --> 00:20:24,724
WHAT?
823
00:20:24,765 --> 00:20:26,726
I KNOW IT SOUNDS CRAZY,
824
00:20:24,765 --> 00:20:26,726
BUT TRUST ME.
825
00:20:26,767 --> 00:20:28,061
I SAW IT IN MY DREAM.
826
00:20:28,102 --> 00:20:30,188
RICHARD DEAN ANDERSON
827
00:20:28,102 --> 00:20:30,188
IS YOUR FATHER.
828
00:20:30,229 --> 00:20:31,564
YOU NEED TO GO FIND HIM.
829
00:20:31,605 --> 00:20:33,149
I KNEW IT!
830
00:20:34,525 --> 00:20:35,735
(door closes)
831
00:20:35,776 --> 00:20:38,487
32-24-34.
832
00:20:38,529 --> 00:20:40,280
WHAT'S THAT?
833
00:20:38,529 --> 00:20:40,280
HER MEASUREMENTS.
834
00:20:40,322 --> 00:20:41,657
OUR VOICEMAIL PASSWORD.
835
00:20:41,699 --> 00:20:45,119
BECAUSE YOU'RE NOT TRISH,
836
00:20:41,699 --> 00:20:45,119
AND I CAN TRUST YOU.
837
00:20:45,161 --> 00:20:46,286
(gasps)
838
00:20:46,328 --> 00:20:47,538
I CAN'T BELIEVE IT.
839
00:20:47,580 --> 00:20:49,165
YOU'RE LETTING ME IN.
840
00:20:49,207 --> 00:20:52,292
CHLOE, THANK YOU
841
00:20:49,207 --> 00:20:52,292
FOR TRUSTING ME...
842
00:20:52,334 --> 00:20:53,293
WITH YOU.
843
00:20:53,335 --> 00:20:54,461
INSTANT REGRET.
844
00:20:54,503 --> 00:20:56,047
OH.
845
00:20:54,503 --> 00:20:56,047
(door slams)
846
00:21:00,384 --> 00:21:02,344
SEE, THESE THREE ARE GAY,
847
00:21:02,386 --> 00:21:04,097
AND THESE TWO ARE DEAD,
848
00:21:04,138 --> 00:21:05,305
AND YOU CAN'T REALLY TELL,
849
00:21:04,138 --> 00:21:05,305
BUT THAT ONE'S ACTUALLY HINDI,
850
00:21:05,347 --> 00:21:08,935
SO THAT JUST
851
00:21:05,347 --> 00:21:08,935
LEAVES YOU... DAD.
852
00:21:08,976 --> 00:21:11,687
LOOK, I'VE NEVER DONE
853
00:21:08,976 --> 00:21:11,687
SUMMER STOCK.
854
00:21:11,729 --> 00:21:13,189
THE SUMMER OF '77,
855
00:21:13,231 --> 00:21:16,483
I WAS PLAYING DR. JEFF WEBBER
856
00:21:13,231 --> 00:21:16,483
ON "GENERAL HOSPITAL."
857
00:21:16,525 --> 00:21:20,320
BUT LOOK AT OUR FOREHEADS.
858
00:21:20,362 --> 00:21:23,241
I THINK YOU SHOULD LEAVE.
859
00:21:24,366 --> 00:21:26,326
WAIT. IS THAT MY BROTHER?
860
00:21:26,368 --> 00:21:27,411
(doorknob rattles)
51028
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